Routledge
New Titles and Key Backlist
Music
2009
www.routledge.com/music
www.routledge.com/music Welcome to the Routledge
CONTENTS
Music Studies Catalog
Ethnomusicology . . . . . . . . . . . . . . . . . . . . . . . .1 Rock and Popular Music . . . . . . . . . . . . . . . . . .6 Jazz and Blues . . . . . . . . . . . . . . . . . . . . . . . . . .9 Music History and Literature . . . . . . . . . . . . . .10 Music Technology and Music Business . . . . . . .13 Music Theory . . . . . . . . . . . . . . . . . . . . . . . . . .15 Education and Training . . . . . . . . . . . . . . . . . .16 Voice/Opera/Musical Theatre . . . . . . . . . . . . . .18 Interdisciplinary Topics . . . . . . . . . . . . . . . . . . .19 Routledge Music Bibliographies . . . . . . . . . . . .21 Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Order Form . . . . . . . . . . . . . . . . . . . . . . . . . . .28
HIGHLIGHTS
2nd Edition
World Music A Global Journey Terry E. Miller and Andrew Shahriari The second edition of World Music: A Global Journey introduces students to the diversity of musical expression around the world. See page 1
Teaching Music in American Society A Social and Cultural Understanding of Music Education
CONTACTS
Steven N. Kelly
FOR EDITORIAL INQUIRIES:
Teaching Music in American Society is a comprehensive textbook designed for students who seek to be certified in music education to teach K-12 music in American public and private schools.
Constance Ditzel, Music Acquisitions Editor Email: constance.ditzel@taylorandfrancis.com
See page 16
FOR US/CANADA MARKETING INQUIRIES: Chris Bowers, Marketing Manager Email: chris.bowers@taylorandfrancis.com
COMPLIMENTARY COPIES: A select number of titles are available as complimentary and are marked as such throughout the catalog. Please complete and mail form or send a request on department letterhead, including the following information: professor’s name, course name and number, expected enrollment, decision date, current text, and the requested text’s title and ISBN number. Mail to: Taylor & Francis/Routledge Customer Service Group, Attn: Textbook Coordinator, 7625 Empire Drive, Florence, KY 41042; or call: 1-800-634-7064; or fax to: 1-800-248-4724.
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2nd Edition
New
Handmade Electronic Music
Music Theory Through Improvisation
The Art of Hardware Hacking
A New Approach to Musicianship Training
Nicolas Collins Handmade Electronic Music: The Art of Hardware Hacking provides a longneeded, practical, and engaging introduction for students of electronic music, installation and sound-art to the craft of making—as well as creatively cannibalizing—electronic circuits for artistic purposes. The second edition includes a DVD. See page 13
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Ed Sarath Music Theory Through Improvisation presents a new approach to basic musicianship training that is geared toward the diverse interests and abilities of todayís student. See page 15
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ETHNOMUSICOLOGY
Ethnomusicology NEW! TEXTBOOK 2ND EDITION
World Music
CD
A Global Journey Terry E. Miller, Kent State University, USA and Andrew Shahriari, Kent State University, USA Praise for the first edition: “...this concise publication is a true gift to launch inquisitive music students on their personal journeys to other lands and people, and to help answer the host of student questions that arise in connection with our world’s music.” —American Music Teacher
September 2008: 584pp: 378 color photos and maps Includes 2 Audio CDs Pb: 978-0-415-98878-0: $68.95 eBook: 978-0-203-89216-9 £35.00
For a complimentary copy visit www.routledge.com/9780415988780
Designed for World Music courses, the second edition of World Music: A Global Journey introduces students to the diversity of musical expression around the world. It takes the reader across the globe to experience cultural traditions that challenge the ear, the mind, and the spirit. It presents a systematic study of varied traditions in a non-technical language accessible to any enthusiast of world music and culture. The second edition continues with its geographical orientation to each locale, and visits each of the seventy musical “sites” with a three-fold listening review that begins with an experiential first impression of the music. This is followed by an aural analysis of the musical organization and a closer look at the interesting instruments that create the exotic sounds heard. Finally, the authors consider the cultural connections that give the music its meaning. The second edition of World Music enhances its pedagogical efforts with Listening Guides, an enhanced website, and improved interior design. With more than 300 color photos of instruments and cultural settings, over two hours of music on the accompanying audio CDs, and online resources, World Music: A Global Journey provides a fundamental resource for teachers, students, researchers, musicians, and any enthusiast beginning their exploration of world music and culture.
Companion Website: www.routledge.com/textbooks/worldmusic Features: • Interactive Practice Quizzes for Students • PowerPoint Slides for Instructors • MP3 Audio Selections • Video Archive
Powerpoint Slides
• Over 300 color maps and photos • Two audio CDs of more than two hours of musical examples • Listening Guides for each musical example • "Questions to Consider" with each chapter
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ETHNOMUSICOLOGY
NEW!
The Concise Garland Encyclopedia of World Music The Concise Garland Encyclopedia of World Music is a two-volume adaptation of the Dartmouth Medalwinning Garland Encyclopedia of World Music. This richly illustrated, accessible edition will appeal to a more general audience, including public libraries or the personal collections of world music enthusiasts. The articles have been summarized and updated along with new photos, maps, and a glossary. The set adopts the geographical approach of the original ten-volume set. Each section begins with an introduction that covers the region’s broad culture and music. The unifying aspects of the region’s music are described, including its instruments, genre, and theories, followed by several essays devoted to a region’s individual musical cultures. Two audio CDs offer musical examples from regions around the world. Whether you are new to the study of world music, an avid concert-goer, a musician, or already versed in ethnomusicology, you will want to consult The Concise Garland Encyclopedia of World Music for quick, reliable, and enjoyable reference. September 2008: 1472pp: 499 b/w photos and illus. 2 vol. set Hb: 978-0-415-97293-2: $350.00 £175.00
Photo by N. Scott Robinson
Photo by Don Niles
TEXTBOOK
TEXTBOOK
2ND EDITION
2ND EDITION
The Garland Handbook of African Music
CD
Ruth M. Stone, Indiana University, USA The Garland Handbook of African Music comprises essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part I provides an in-depth introduction to Africa. Part II focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part III focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues, musical and cultural, arise when one studies the music of Africa—issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa. Series: Garland Handbooks of World Music June 2008: 528pp Includes Audio CD Pb: 978-0-415-96102-8: $49.95
Photo by Wayne Vitale
The Garland Handbook of Latin American Music
CD
Dale A. Olsen, Florida State Univeristy, USA and Daniel E. Sheehy, Smithsonian Folkways, USA The Garland Handbook of Latin American Music comprises essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Caribbean, (1998). Revised and updated, the essays offer detailed regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area. Part I provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. Part II focuses on issues and processes, such as history, politics, geography, and immigration. Part III focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies. The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues, musical and cultural, arise when one studies the music of Latin America—issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America Series: Garland Handbooks of World Music
£25.50
Companion Website at www.routledge.com/textbooks/garlandhandbooks For a complimentary copy visit www.routledge.com/9780415961028
2007: 592pp Includes 2 Audio CDs Pb: 978-0-415-96101-1: $49.95 £27.99
Companion Website at www.routledge.com/textbooks/garlandhandbooks For a complimentary copy visit www.routledge.com/9780415961011
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ETHNOMUSICOLOGY
TEXTBOOK
The Garland Handbook of Southeast Asian Music
Focus on World Music Series CD
Terry E. Miller, Kent State University, USA and Sean Williams, Evergreen State College, USA The Garland Handbook of Southeast Asian Music comprises essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part I provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part II focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part III focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues, musical and cultural, arise when one studies the music of Southeast Asia—issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia. Series: Garland Handbooks of World Music March 2008: 520pp Includes Audio CD Pb: 978-0-415-96075-5: $49.95 £26.99
Companion Website at www.routledge.com/textbooks/garlandhandbooks
For a complimentary copy visit www.routledge.com/9780415960755
Series Editor: Michael B. Bakan, Florida State University, USA The Focus on World Music Series is for area courses in world music, ethnomusicology, and interdisciplinary programs with a strong music component. These books balance sound pedagogy with exemplary scholarship, and are substantive in content yet readily accessible to specialist and non-specialist readers alike. They are written in a lively and engaging style by leading ethnomusicologists and educators, bringing wide interdisciplinary scope and relevance to contemporary issues. TEXTBOOK
TEXTBOOK
2ND EDITION
CD
2ND EDITION
CD
Focus: Gamelan Music of Indonesia
Focus: Music of South Africa
Henry Spiller, University of California, Davis, USA
Focus on Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world.
Carol A. Muller, University of Pennsylvania, USA
Focus on Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia’s largest country—both as sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences. Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus on Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. Part One, Music and Southeast Asian History provides introductory materials for the study of Southeast Asian music. Part Two, Gamelan Music in Java and Bali, moves to a more focused overview of Gamelan music in Indonesia. Part Three, Focusing In, takes an in-depth look at Sundanese gamelan traditions, as well modern developments in Sundanese music and dance. The accompanying CD offers vivid examples of traditional Indonesian gamelan music. Series: Focus on World Music Series
Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa, particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying CD offers vivid examples of traditional, popular, and classical South African musical styles. Series: Focus on World Music Series April 2008: 360pp Includes Audio CD Hb: 978-0-415-96069-4: $105.00 Pb: 978-0-415-96071-7: $44.95 eBook: 978-0-203-93063-2 £60.00
£21.99
TEXTBOOK
Ethnomusicology
March 2008: 320pp Includes Audio CD Hb: 978-0-415-96067-0: $105.00 Pb: 978-0-415-96068-7: $44.95 eBook: 978-0-203-93099-1 £60.00
A Contemporary Reader Edited by Jennifer C. Post Ethnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology, offering a cross section of the best new writing in the field from the last 15-20 years.
For a complimentary copy visit www.routledge.com/9780415960717
£21.99
For a complimentary copy visit www.routledge.com/9780415960687
2005: 464pp Pb: 978-0-415-97204-8: $42.95 £23.99
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4
ETHNOMUSICOLOGY
Focus on World Music Series (continued)
TEXTBOOK
Series Editor: Michael B. Bakan, Florida State University, USA
An Introduction
NEW!
Edited by Mellonee V. Burnim, Indiana University and Portia K. Maultsby, Indiana University
African American Music
NEW!
TEXTBOOK
CD
2ND EDITION
TEXTBOOK
Widely used in courses on African American music, this collection of thirty essays by leading scholars surveys major African American musical genres, both sacred and secular, from slavery to the present.
CD
Focus: Afro-Caribbean Music
Focus: Music of Northeast Brazil
Katherine J. Hagedorn, Pomona College, USA
Larry Crook, University of Florida, USA
Focus: Afro-Caribbean Music spotlights the religious performance practices that influence many popular and folk music traditions throughout the Caribbean and the Americas, as well as globally. Myriad styles of music—including rumba, salsa, latin jazz, and hip-hop—have their roots in the religious performance traditions of the African diaspora. It is the first book of its kind to focus specifically on musico-religious performance in a comparative Caribbean context within an engaging and accessible work designed as a core text for courses on musical traditions of the Caribbean. Beyond the book’s specific musico-religious emphasis, it provides students and their professors with a useful and thought-provoking way to understand the roots of Caribbean popular and folk musics—from rumba and salsa to timba and hip-hop—as well as a context for discussions about religion, race, language, gender, embodied performance, and political dynamics.
Focus: Music of Northeast Brazil examines the historical and contemporary manifestations of the music of Brazil, a country with a musical landscape that is layered with complexity and diversity. Based on the author’s field research during the past twenty years, the book describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia’s black cultural renaissance, the traditions of rural migrants, and currents in new popular music. February 2009: 320pp Includes Audio CD Hb: 978-0-415-96066-3: $105.00 Pb: 978-0-415-96065-6: $44.95
2005: 736pp Pb: 978-0-415-94138-9: $52.95 £28.00
For a complimentary copy visit www.routledge.com/9780415941389
World Music: The Basics Richard O. Nidel
Series: Focus on World Music Series
£60.00
July 2009: 256pp Includes Audio CD Hb: 978-0-415-99148-3: $95.00 Pb: 978-0-415-99149-0: $44.95
£21.99
For a complimentary copy visit www.routledge.com/9780415960656
£60.00
£21.99
For a complimentary copy visit www.routledge.com/9780415991490
NEW! TEXTBOOK
Focus: Irish Traditional Music
CD
Sean Williams, Evergreen State College, USA Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland’s size relative to Britain or to the mainland of Europe is relatively small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
NEW!
Series: The Basics
TEXTBOOK
CD
2ND EDITION
£60.00
£21.99
£10.99
Focus: Music, Nationalism, and the Making of a New Europe
Global Minstrels
Philip V. Bohlman, University of Chicago
Voices of World Music
Focus: Music, Nationalism, and the Making of a New Europe surveys the intersection of music and nationalism by tracing its historical development and documenting its persistence today. Contrasting different types of music reveals how music expresses core ideas of nationalism, for example, folk music in the nineteenth century and popular music in the twenty-first.
Elijah Wald “World Music has made ethnomusicologists of us all, attempting to understand where music comes from and what it means. Elijah Wald, musician, author, and former world music critic from the Boston Globe, offers some answers of his own through the voices of over 75 musicians profiled in this new collection.” —Dirty Linen
August 2009: 325pp Includes Audio CD Hb: 978-0-415-96063-2: $95.00 Pb: 978-0-415-96064-9: $44.95 £60.00
£21.99
For a complimentary copy visit www.routledge.com/9780415960649
Series: Focus on World Music Series March 2009: 304pp Includes Audio CD Hb: 978-0-415-99146-9: $95.00 Pb: 978-0-415-99147-6: $44.95
2004: 424pp Pb: 978-0-415-96801-0: $17.95 eBook: 978-0-203-99771-0
Companion Websites for the Focus on World Music Series can be found at www.routledge.com/textbooks/ focusonworldmusic
2006: 336pp Pb: 978-0-415-97930-6: $28.95 £15.99
For a complimentary copy visit www.routledge.com/9780415991476
ORDER NOW!
See Order Form on last page of the catalog
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ETHNOMUSICOLOGY
The Ethnomusicologists’ Cookbook
Global Pop
NEW!
Complete Meals from Around the World
World Music, World Markets
Sean Williams, Evergreen State College, USA
Timothy D. Taylor
“The most important thing to remember about The Ethnomusicologists’ Cookbook is that you must under no circumstances read it while hungry...In its practical and idealogical approach, the book stays true to an idea that is arguably more vital and obvious in cultures other than our own: both meals and music are a social affair that binds families, friends and nations together.” —The Vancouver Voice
1997: 304pp Pb: 978-0-415-91872-5: $35.95
The Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition of Mongolia
“To savor better its fascinating essays on culinary rituals across the gtlobe, this cookbook is one to pore over in the living room instead of the kitchen. Recipes are attached, but are not the primary pleasure; instead, it is learning about the ceremonial drinking songs of Namibia, or the meals that celebrate the return of the swallows in Korea. However, the recipes serve as worthy accompaniments to the accomplished essays: Dates Stuffed with Almond Paste, from Judeo-Spanish Morocco, are sweetly, irresistible, and Bolivia’s addictive Avocado with Uncooked Salsa begs to be downed with a bucketful of chips.” —Publishers Weekly
£19.99
Peter K. Marsh, California State University, USA TEXTBOOK
The Cultural Study of Music Edited by Martin Clayton, Richard Middleton and Trevor Herbert The Cultural Study of Music is an anthology of new writings that serves as a basic textbook on music and culture. Increasingly, music is being studied as it relates to specific cultures—not only by ethnomusicologists, but by traditional musicologists as well. Drawing on writers from music, anthropology, sociology, and the related fields, the book both defines the field—i.e., "What is the relation between music and culture?"—and then presents case studies of particular issues in world musics. 2003: 376pp Pb: 978-0-415-93845-7: $37.95
The Ethnomusicologists’ Cookbook combines scholarship with a unique and fun approach to the study of the world’s foods, musics, and cultures. More than just a cookbook, it is an excellent companion for anyone embarking on a culturalculinary journey.
Hereditary Sarangi Players Speak Regula Burckhardt Qureshi, University of Alberta, Canada Master Musicians of India reveals the rich world of Indian art music through profiles and interviews of key musicians from this tradition which is renowned internationally for its improvised raga performance.
2007: 360pp Hb: 978-0-415-97201-7: $100.00 Pb: 978-0-415-97202-4: $34.95 £60.00
£18.99
2006: 320pp Pb: 978-0-415-97819-4: $28.95 £15.99
Hindi Poetry in a Musical Genre Thumri Lyrics
TEXTBOOK
Music Cultures in the United States An Introduction Edited by Ellen Koskoff, Eastman School of Music, USA
£60.00
Making Music in Japan’s Underground
Master Musicians of India
Named one of New York Times Top-20 Cookbooks of 2006.
September 2008: 144pp Hb: 978-0-415-97156-0: $95.00 eBook: 978-0-203-00551-4
NEW!
£18.99
“This is a book that should make your kitchen sing.” —Gastronomica: The Journal of Food and Culture
This study seeks to understand the effects that Western-inspired modernity has had on the nature of cultural tradition in the country, focusing in particular on development of the morin khuur or “horse-head fiddle,” a two-stringed bowed folk lute that features a horse’s head carved into its crown. As well as being one of the most popular instruments in the contemporary national musical culture, it has also become an icon of Mongolian national identity and a symbol of the nation’s ancient cultural heritage. Series: Current Research in Ethnomusicology: Outstanding Dissertations
The Tokyo Hardcore Scene Jennifer Milioto Matsue, Union College, USA This book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. The book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the 21st century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style. Series: East Asia: History, Politics, Sociology and Culture July 2008: 188pp Hb: 978-0-415-96152-3: $95.00 £60.00
Lalita Du Perron, School of Oriental and African Studies, University of London, UK Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles’ sessions with Ravi Shankar in the 1960s. This fascination with the musical genre still prevails in the twenty-first century. Hindi Poetry in a Musical Genre examines Thumri Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective. On a cultural level, it discusses the interface between devotional and secular poetry. Furthermore, it explains the impact of social and political change on the musical life on North India. Series: Royal Asiatic Society Books 2007: 256pp Hb: 978-0-415-39446-8: $160.00 eBook: 978-0-203-96806-2
Popular Music of Vietnam The Politics of Remembering, the Economics of Forgetting Dale A. Olsen, Florida State University, USA Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Series: Routledge Studies in Ethnomusicology
£80.00
2004: 448pp Pb: 978-0-415-96589-7: $44.95
June 2008: 306pp Hb: 978-0-415-98886-5: $95.00 £60.00
£22.99
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ETHNOMUSICOLOGY • ROCK AND POPULAR MUSIC
Representing African Music
Situating Salsa
2ND EDITION
Postcolonial Notes, Queries, Positions
Global Markets and Local Meanings in Latin Popular Music
Expression in Pop-Rock Music
Lise Waxer
Edited by Walter Everett, University of Michigan, USA
Kofi Agawu 2003: 288pp Pb: 978-0-415-94390-1: $32.95 £16.99
2002: 336pp Pb: 978-0-8153-4020-1: $35.95
Expression in Pop-Rock Music is a collection of critical and analytical essays written by today’s top scholars on pop and rock music. Applying a wide variety of analytical techniques and critical approaches in the study of songs by artists such as Tori Amos, David Bowie, James Brown, the Cure, Genesis, Radiohead, and Frank Zappa, these essays tackle the musical text itself in coming to terms with political, social, cultural, and stylistic issues expressed in the most popular music of the past half-century. It has been expanded in its second edition to include three new essays and other additions accounting for the changes to the popular music landscape since its first edition, with particular attention paid to the rise of hip-hop and country music.
£19.99
Singing For Life HIV/AIDS and Music in Uganda
Alan Lomax
Gregory Barz, Vanderbilt University, USA
Selected Writings, 1934-1997 Edited by Ronald Cohen 2005: 376pp Pb: 978-0-415-93855-6: $21.95 eBook: 978-0-203-49255-0 £16.99
Rock and Popular Music 2005: 280pp Pb: 978-0-415-97290-1: $38.95 £18.99
TEXTBOOK
African Diaspora
The Rock History Reader
A Musical Perspective
Edited by Theo Cateforis, Syracuse University, USA
Edited by Ingrid Monson
The Rock History Reader is a collection of primary source material that brings to life the often contentious issues, arguments, conflicts and creative tensions that have defined rock’s momentous rise and spread. The readings range from the vivid autobiographical accounts of such rock icons as Chuck Berry, Ronnie Spector, and David Lee Roth and the writings of noted rock critics like Lester Bangs and Simon Reynolds to a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures.
Series: Critical and Cultural Musicology 2003: 384pp Pb: 978-0-415-96769-3: $35.95 eBook: 978-0-203-49305-2 £19.99
Brazilian Popular Music and Globalization Edited by Charles A. Perrone and Christopher Dunn 2001: 272pp Pb: 978-0-415-93695-8: $32.95 £17.99
From Tejano to Tango Essays on Latin American Popular Music Edited by Walter Aaron Clark
Critical and Analytical Essays
2007: 408pp Hb: 978-0-415-97958-0: $95.00 Pb: 978-0-415-97959-7: $30.00 eBook: 978-0-203-94004-4 £60.00
£16.99
A Brief History of Rock, Off the Record Wayne Robins “Robins presents his [work] with enthusiasm and breezy good humor, yet manages unpretentiously to hammer home his historical points and musical opinions... His tone is ideal for the topic and format, a welcome relief from the disproportionate number of self-important academic treatises on modern popular music...” —Kirkus Reviews The birth of rock ‘n’ roll signaled the blossoming of a new teenage culture, dividing generations and introducing a new attitude of rebellion and independence. From Chuck Berry to the Beatles, from punk rock to hip hop, rock ‘n’ roll has continuously transformed alongside or in reaction to social, cultural, and political changes.
With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures and the meaning of musical value, The Rock History Reader tells the history of rock as it has been received and explained as a social and musical practice through its five-decade history. 2006: 384pp Hb: 978-0-415-97500-1: $100.00 Pb: 978-0-415-97501-8: $29.95 £60.00
£16.99
For a complimentary copy visit www.routledge.com/9780415975018
2002: 320pp Pb: 978-0-8153-3640-2: $39.95 £22.99
A Brief History of Rock, Off the Record is a concise introduction to rock history and the impact it has had on American culture. It is an easy-to-read, vivid account written by one of rock’s leading critics. Pulling from personal interviews over the years, Wayne Robins interweaves the developments in rock music with his commentary on the political and social events and movements that defined their decades. 2007: 328pp Hb: 978-0-415-97472-1: $95.00 Pb: 978-0-415-97473-8: $24.95 £60.00
£13.99
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ROCK AND POPULAR MUSIC
TEXTBOOK
Music in the Post-9/11 World
Queering the Popular Pitch
3RD EDITION
Edited by Jonathan Ritter, University of California, Riverside, USA and J. Martin Daughtry, New York University, USA
Edited by Sheila Whiteley and Jennifer Rycenga
Understanding Popular Music Culture
Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine reflect upon the altered social, economic, and political environment of “post-9/11” music production and consumption.
Roy Shuker, Victoria University of Wellington, New Zealand This introductory textbook explores the history and meaning of rock and popular music. Roy Shuker’s study provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music and examines the difficulties and debates which surround the analysis of popular culture and popular music. With chapter related guides to further reading, listening and viewing, a glossary, and a timeline, this textbook is the ideal introduction for students. 2007: 328pp Hb: 978-0-415-41905-5: $125.00 Pb: 978-0-415-41906-2: $31.95 £65.00
£18.99
For a complimentary copy visit www.routledge.com/9780415419062
NEW!
Understanding Society through Popular Music Joe Kotarba, University of Houston, USA and Phillip Vannini Using a sociological framework, this book uses music as a tool to help students understand the structure and process of social life. Music is important because it simultaneously contains and reflects a people’s language, values, feelings, concerns, and goals. The material in this innovative, compact supplement is current and relevant to the musical experiences of today’s college and university students and includes a companion web site that features an instructor’s guide, test bank, discussion questions, and links to relevant internet sites. To make the book easy to use in introductory sociology courses, it is structured along lines parallel to the way most instructors teach the course.
2007: 360pp Pb: 978-0-415-97807-1: $29.95
Queering the Popular Pitch is a collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts — performance, cultural production and sexual meaning — situating music within the broader patterns of culture that it both mirrors and actively reproduces. 2006: 328pp Hb: 978-0-415-97804-0: $100.00 Pb: 978-0-415-97805-7: $31.95
£15.99
£60.00
£18.99
Girl Groups, Girl Culture Popular Music and Identity in the 1960s Jacqueline Warwick, Dalhousie University, Canada Warwick is the first writer to address ‘60s girl group music from the perspective of its most significant audience— teenage girls. Drawing on current research in psychology and sociology to explore the important place of this repertoire, this book stands as a landmark study of this important pop music and cultural phenomenon. It promises to be a classic work in American musicology and cultural studies. 2007: 288pp Hb: 978-0-415-97112-6: $99.00 Pb: 978-0-415-97113-3: $28.95 £60.00
£15.99
Oh Boy! Masculinities and Popular Music Edited by Freya Jarman-Ivens, University of Liverpool, UK Oh Boy! is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed in popular music texts and practices.
September 2008: 192pp Hb: 978-0-415-95408-2: $125.00 Pb: 978-0-415-95409-9: $29.95 eBook: 978-0-203-89460-6
Ray Davies Not Like Everybody Else Thomas M. Kitts, St. John’s University, USA “Thomas Kitts has done a great job...[his] book is highly recommended for Kinks and Ray Davies Fans, and everybody else!” —New York Waste Ray Davies: Not Like Everybody Else is a critical biography of Ray Davies, with a focus on his music and his times. The book studies Davies’ work from the Kinks’ first singles through his 2006 solo album, from his rock musicals in the early 1970s to his one-man stage show in the 1990s, and from his films to his autobiography. Based on interviews with his closest associates, as well as studies of the recordings themselves, this book creates the most thorough picture of Davies’ work to date. Kitts situates Davies’ work in the context of the British Invasion and the growth of rock in the ‘60s and ‘70s, and in the larger context of English cultural history. For fans of rock music and the music of the Kinks, this book is a must have. 2007: 320pp Hb: 978-0-415-97768-5: $95.00 Pb: 978-0-415-97769-2: $23.95 eBook: 978-0-203-93563-7 £60.00
£12.99
£60.00
£16.99
Bruce Springsteen Two Hearts, the Story
The Popular Music Studies Reader Edited by Andy Bennett, Barry Shank and Jason Toynbee The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes.
Dave Marsh 2007: 288pp Hb: 978-0-415-97820-0: $99.00 Pb: 978-0-415-97821-7: $36.95 £60.00
2003: 688pp Pb: 978-0-415-96928-4: $29.95 £17.99
£19.99
2005: 432pp Pb: 978-0-415-30710-9: $43.95 £21.99
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8
ROCK AND POPULAR MUSIC
2ND EDITION
Voicing the Popular
Is Rock Dead?
The Day John Met Paul
Richard Middleton, University of Newcastle, UK
Kevin J.H. Dettmar, Souther Illinois University, Carbondale, USA
“Voicing the Popular already marks one of the most paradigmatic moments in popular music studies in the twenty-first century.” —Philip V. Bohlman, author of The Study of Folk Music in the Modern World and World Music: A Very Short Introduction
An Hour-by-Hour Account of How the Beatles Began Jim O’Donnell With many new photos and an updated introduction, The Day John Met Paul, a critically-acclaimed Beatles book, reappears in a visually stunning second edition. The book is an hour-by-hour account of the fateful day the two founding Beatles met in July 1957. But it is much more than that: it’s a spellbinding story of how fate brought together two men who would radically change the face of popular music, from its look and feel to its sound.
“Richard Middletonís Voicing the Popular cannot but inspire profound admiration ... From Mozartís Magic Flute to the Spice Girls his magisterial voice leads us through the multi-faceted network of modernityís popular underside.” —Mladen Dolar, author of A Voice and Nothing More
The Day John Met Paul chronicles the first “Day in the Life” of the Beatles—a day that changed the musical world.
2006: 352pp Hb: 978-0-415-97589-6: $100.00 Pb: 978-0-415-97590-2: $29.95
2006: 192pp Pb: 978-0-415-97933-7: $17.95 £10.99
2005: 208pp Pb: 978-0-415-97034-1: $24.95 £13.99
2ND EDITION
Popular Music: The Key Concepts Roy Shuker
£60.00
£16.99
Series: Routledge Key Guides 2005: 344pp Pb: 978-0-415-34769-3: $26.95
Folk Music: The Basics
£14.99
Ronald Cohen, Indiana University Northwest, USA
Damage Incorporated
Milieu Cultures
Folk Music: The Basics gives a brief introduction to British and American folk music. Drawing upon the most recent and relevant scholarship, it focuses on comparing and contrasting the historical nature of the three aspects of understanding folk music: traditional, local performers; professional collectors; and the advent of professional performers in the twentieth century during the socalled “folk revival.” Folk Music: The Basics serves as an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style. Throughout, sidebars offer studies of key folk performers, record labels, and related issues to place the general discussion in context.
Peter Webb, University of Birmingham, UK
Series: The Basics
This book assesses sociological and cultural attempts to theorize the worlds of popular music production. It offers and develops a new theoretical matrix that can illuminate these trends in a more complex and instructive way.
2006: 264pp Hb: 978-0-415-97159-1: $100.00 Pb: 978-0-415-97160-7: $18.95
Series: Routledge Advances in Sociology
Bad Music
Metallica and the Production of Musical Identity Glenn Pillsbury 2006: 272pp Pb: 978-0-415-97374-8: $29.95 £16.99
Ray Charles Man and Music, Updated Commemorative edition Michael Lydon 2004: 472pp Pb: 978-0-415-97043-3: $22.95 £15.99
Exploring the Networked Worlds of Popular Music
That’s the Joint! The Hip-Hop Studies Reader Edited by Mark Anthony Neal, Duke University, USA and Murray Forman, Northeastern University, USA “That’s The Joint!, edited by Murray Forman and Mark Anthony Neal, is a ready-made cornerstone for any multidisciplinary hip-hop course...” —Houston Chronicle
2004: 648pp Pb: 978-0-415-96919-2: $39.95 £21.99
Yodel-Ay-Ee-Oooo
£45.00
The Secret History of Yodeling Around the World
£9.99
Bart Plantenga 2003: 320pp Pb: 978-0-415-93990-4: $27.95 £15.99
2007: 288pp Hb: 978-0-415-95658-1: $95.00 eBook: 978-0-203-93238-4 £60.00
The Music We Love to Hate Edited by Christopher J. Washburne and Maiken Derno 2004: 288pp Pb: 978-0-415-94366-6: $28.95 £20.99
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JAZZ AND BLUES
Jazz and Blues
Luck’s In My Corner
TEXTBOOK
The Life and Music of Hot Lips Page
Interaction, Improvisation, and Interplay in Jazz
Todd Bryant Weeks “On his soulful trumpet and as a riveting singer of the blues, Oran “Hot Lips” Page was and remains a permanent jazz master. At last, there is a book that brings the man and his music fully back to life. Luck’s In My Corner: The Life and Music of Hot Lips Page by Todd Bryant Weeks is essential for any jazz library.” —Nat Hentoff, Wall Street Journal
Miles, Ornette, Cecil Jazz Beyond Jazz Howard Mandel “I learned so much from Miles Ornette Cecil: Jazz Beyond Jazz. It’s really reporting, as well as listening. This is jazz from the inside—an essential book, not only for new listeners but for historians of jazz now, and in the future. We hear the musicians speak, informing the author—and us—thereby adding to how much more of the music we come to hear.” —Nat Hentoff, writer, Jazz Times, Village Voice, The Wall Street Journal “The most impressive aspect of the book is [Mandel’s] writing: honest and evocative, flavorful and generous, enthusiastic and thought-provoking.” —Art Lange, Jazz Notes Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. Mandel offers fresh insights into their careers from interviews with all three artists and many of their significant collaborators, as well as a thorough overview of earlier interpretations of their work.
Luck’s in My Corner examines the life and music of a forgotten figure of the Swing Era and returns him to his rightful place as a leading light in the world of jazz. Todd Bryant Weeks has combined genealogical, musicological, discographical and historical research, resulting in a revealing and entertaining examination of a life that spanned major changes in American popular music. This book includes a new and complete discography by the author and dozens of unpublished photos. February 2008: 352pp Hb: 978-0-415-96218-6: $95.00 Pb: 978-0-415-99077-6: $34.95 eBook: 978-0-203-93146-2 £60.00
£18.99
The John Coltrane Reference Lewis Porter, Chris DeVito, David Wild, Yasuhiro Fujioka and Wolf Schmaler “The intensity and accuracy of the scholarship in this monumental effort cannot be praised enough ...To give Coltrane his due in book form is to be as painstaking in researching as Coltrane was in practicing. This book honors its subject through such exercise of care.” —AllAboutJazz.com
2007: 304pp Hb: 978-0-415-96714-3: $30.00 eBook: 978-0-203-93564-4 £16.99
“This opus is clearly the culmination of decades of dedicated and diligent resesarch and is wholly worthy of its illustrious subject. No serious collector of jazz literature can afford to be without it.” —Bob Weir, Names & Numbers
Robert Hodson, Hope College, USA Interaction, Improvisation, and Interplay in Jazz offers a new and exciting way to listen to and understand jazz. The book explores the process of player interaction in jazz, and the role this interaction plays in creating improvised music. Interaction, Improvisation, and Interplay in Jazz Performance will appeal to students of jazz history, composition, and performance, as well as to the general jazz audience. 2007: 208pp Hb: 978-0-415-97680-0: $100.00 Pb: 978-0-415-97681-7: $36.95 £60.00
£19.99
Jazz: The Basics Christopher Meeder Jazz: The Basics gives a brief introduction to a century of jazz, ideal for students and interested listeners who want to learn more about this important musical style. The heart of the book traces jazz’s growth from its folk origins through early recordings and New Orleans stars; the big-band and swing era; bebop; cool jazz and third stream; avant-garde; jazz-rock; and the neo-conservative movement of the 1980s and 1990s. Key figures from each era, including Louis Armstrong, Benny Goodman, Charlie Parker, Miles Davis, and Wynton Marsalis, are highlighted along with classic works. The book concludes with a list of the 100 essential recordings to own, along with a timeline and glossary. Jazz: The Basics serves as an excellent introduction to the players, the music, and the styles that make jazz “America’s classical music.” Series: The Basics 2007: 294pp Hb: 978-0-415-96693-1: $100.00 Pb: 978-0-415-96694-8: $18.95 eBook: 978-0-203-93145-5 £55.00
The John Coltrane Reference features a complete chronology detailing Coltrane’s early years and every live performance given by Coltrane as either a sideman or leader. It also includes a discography offering full session information from the first year of recordings, 1946, to the last, 1967. Richly illustrated with over 250 photos, this reference work is an indispensable guide to the life and music of John Coltrane.
£9.99
2007: 848pp Hb: 978-0-415-97755-5: $150.00 eBook: 978-0-203-94005-1 £85.00
E-mail: music@routledge.com
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JAZZ AND BLUES • MUSIC HISTORY AND LITERATURE
Blues: The Basics
Spreadin’ Rhythm Around
Dick Weissman
Black Popular Songwriters, 1880-1930 David A Jasen and Gene Jones Hailed by Publishers Weekly as “thoroughly researched and entertainingly written,” this work documents the careers of songwriters like James A. Bland, Bert Williams, W. C. Handy, Noble Sissle, Eubie Blake, and many more. Spreadin’ Rhythm Around offers a comprehensive picture of the contributions of black musicians to American popular song. 2005: 464pp Pb: 978-0-415-97704-3: $29.95
Music History and Literature Routledge Studies in Musical Genres Series Editor: R. Larry Todd, Duke University, USA
£15.99
Series: The Basics
The Blues Lyric Formula
2004: 224pp Hb: 978-0-415-97067-9: $100.00 Pb: 978-0-415-97068-6: $19.95
Michael Taft, American Folklife Center, Washington, USA
£60.00
£10.99
This book is the first rigorous and detailed exploration of exactly how blues singers use formulas to create songs, and gives a step-by-step description of the rules implicit in this formulaic structure which inspires new discussion of lyric structures.
Broadcasting the Blues Black Blues in the Segregation Era Paul Oliver 2005: 216pp Pb: 978-0-415-97177-5: $23.95
2006: 256pp Pb: 978-0-415-97499-8: $32.95
£12.99
A Biography of the First Lady of Jazz, Updated Edition Stuart Nicholson 2004: 352pp Pb: 978-0-415-97119-5: $21.95
Edited by Rufus Hallmark
Talkin’ to Myself Blues Lyrics, 1921-1942 Michael Taft, American Folklife Center, Washington, USA 2005: 744pp Pb: 978-0-415-97378-6: $25.95
£19.95
£14.99
Is Jazz Dead?
The Voice of the Blues
Or Has It Moved to a New Address
Classic Interviews from Living Blues Magazine
Stuart Nicholson
Jim O’Neal and Amy van Singel “A serious and passionate discussion about jazz’s future...An art form which ought to constantly to investigate the new needs voices like Nicholson’s to remind us of its purpose.” —The Independent (UK)
2ND EDITION
German Lieder in the Nineteenth Century
£17.99
Ella Fitzgerald
Routledge Studies in Musical Genres presents introductory guides to key musical genres in the Western classical canon. Designed for the avid listener or the student of music history, each volume features essays by eminent music scholars and focuses on the key composers in a key style, providing a brief history, analysis and musical examples.
Introduction by Peter Guralnick 2001: 368pp Pb: 978-0-415-93654-5: $31.95 £17.99
African American Music An Introduction Edited by Mellonee V. Burnim and Portia K. Maultsby
German Lieder in the Nineteenth Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples. April 2009: 400pp Hb: 978-0-415-99037-0: $95.00 Pb: 978-0-415-99038-7: $43.95 £60.00
£24.99
See page 4 2005: 288pp Pb: 978-0-415-97583-4: $24.95 £12.99
Get Your Ass in the Water and Swim Like Me
CD
African-American Narrative Poetry from the Oral Tradition Edited by Bruce Jackson 2004: 264pp Includes Audio CD Pb: 978-0-415-96997-0: $23.95 £13.99
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MUSIC HISTORY AND LITERATURE
Routledge Studies in Musical Genres (continued) 2ND EDITION
Eighteenth-Century Piano Music Edited by Robert Marshall 2003: 448pp Pb: 978-0-415-96642-9: $39.95 £27.99
2ND EDITION
Nineteenth-Century Piano Music R. Larry Todd 2004: 460pp Pb: 978-0-415-96890-4: $39.95 £21.99
2ND EDITION
Keyboard Music Before 1700 Edited by Alexander Silbiger 2003: 400pp Pb: 978-0-415-96891-1: $39.95 £21.99
2ND EDITION
Nineteenth-Century Chamber Music Stephen Hefling
Mendelssohn Essays
The Crisis of Music in Early Modern Europe, 1470-1530
R. Larry Todd, Duke University, USA When R. Larry Todd’s biography, Mendelssohn: A Life in Music, appeared in 2003, it won acclaim from several critics as a definitive biography. In researching Mendelssohn’s life over the last two and a half decades, Todd uncovered much new information about the composer and his music, his family and his peers, and his complex reception history. Now, as we approach the 2009 bicentenary of Mendelssohn’s birth, the author has chosen and compiled fifteen essays written between 1980 and 2005, including five previously unpublished, that examine several aspects of the composer whom Goethe and Heine likened to a second Mozart. Mendelssohn Essays explores Mendelssohn’s precocity, his musical impressions of British culture, the role of the visual in his music, his compositional response to Bach’s St. Matthew Passion, and incomplete drafts from his musical estate of three instrumental works. In addition, a group of three essays focuses on the music of Mendelssohn’s sister Fanny Hensel, perhaps the most gifted woman composer of the century, and a significant, complex figure in the formation of the Mendelssohnian style.
Rob C. Wegman, Princeton University, USA Now in paperback, The Crisis of Music in Early Modern Europe tells the story of this cultural upheaval, drawing on a wide range of littleknown texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through earlymodern Europe. 2007: 280pp Pb: 978-0-415-96474-6: $39.95 eBook: 978-0-203-95913-8 £21.99
2ND EDITION
The Keyboard Music of J.S. Bach David Schulenberg, Wagner College, USA "The indispensable vade mecum that has so long been lacking [in Bach scholarship]...belongs in the library of every serious performer and students of Bach's keyboard music." —Howard Schott, The Musical Times
2007: 336pp Hb: 978-0-415-97814-9: $95.00 Pb: 978-0-415-97815-6: $39.95 eBook: 978-0-203-94006-8 £60.00
£19.99
2003: 392pp Pb: 978-0-415-96650-4: $39.95
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£22.99
2ND EDITION
2ND EDITION
Twentieth Century Chamber Music
2006: 544pp Pb: 978-0-415-97400-4: $42.95 £23.99
Interpreting Mozart
James McCalla
The Performance of His Piano Pieces and Other Compositions
2003: 320pp Pb: 978-0-415-96695-5: $39.95
Eva Badura-Skoda and Paul Badura-Skoda
John Cage
“one of the most significant texts to treat the broad range of stylistic and practical performance issues that underlie idiomatic Mozart playing... Everyone who seeks expert insight into the content, expression and execution of Mozart’s music will find this book inspirational and indispensable.” —Robert Levin, Harvard University
Music, Philosophy, and Intention, 1933-1950
CD
£22.99
Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart’s works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart’s music, addressing the elements of performance and problems that may occur in performing Mozart’s works on modern instruments. May 2008: 496pp Includes Audio CD Hb: 978-0-415-97750-0: $95.00
NEW IN PAPERBACK!
Edited by David W. Patterson John Cage: Music, Philosophy, and Intention, 1933—1950 explores the early part of John Cage’s life and career, concentrating on the “pre-chance” period. These essays consider influences on Cage’s work, his evolving aesthetic, and his movement toward an ideology that would later shape his own work. October 2008: 288pp Pb: 978-0-415-99667-9: $37.95 £19.99
2ND EDITION
Conversing with Cage Richard Kostelanetz 2002: 344pp Pb: 978-0-415-93792-4: $34.95 £17.99
£60.00
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12
MUSIC HISTORY AND LITERATURE
The New York Schools of Music and the Visual Arts
Roger Sessions
Edited by Steven Johnson
Andrea Olmstead
Series: Studies in Contemporary Music and Culture
Recognized as the primary American symphonist of the 20th century, Roger Sessions (1896-1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to 14 honorary doctorates.
2001: 224pp Pb: 978-0-415-93694-1: $32.95 £17.99
Sounding Out: Pauline Oliveros and Lesbian Musicality Martha Mockus, Hamilton College, USA Crafting a dynamic relationship between feminism and music-making, this book offers an original analysis of Oliveros’s work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.
Nicolas Slonimsky: Writings on Music
A Biography
2007: 464pp Hb: 978-0-415-97713-5: $110.00 Pb: 978-0-415-97714-2: $44.95 eBook: 978-0-203-93147-9
Nicolas Slonimsky: Writings on Music Early Writings Nicolas Slonimsky Edited by Electra Yourke 2003: 208pp Hb: 978-0-415-96865-2: $115.00 £70.00
Nicolas Slonimsky: Writings on Music Russian and Soviet Music and Composers
£65.00
Nicolas Slonimsky
£24.99
2003: 248pp Hb: 978-0-415-96866-9: $115.00 £70.00
2007: 224pp Hb: 978-0-415-97375-5: $95.00 Pb: 978-0-415-97376-2: $29.95 eBook: 978-0-203-93559-0 £58.00
£18.99
Deems Taylor Selected Writings
Nicolas Slonimsky: Writings on Music
James Pegolotti
2ND EDITION
2007: 248pp Hb: 978-0-415-97957-3: $95.00
Queering the Pitch
Classical Music, Why Bother?
Edited by Philip Brett, Elizabeth Wood and Gary C. Thomas, University of Minnesota, USA
Joshua Fineberg, Harvard University, USA
Music of the Modern Era
£60.00
Nicolas Slonimsky 2004: 368pp Hb: 978-0-415-96867-6: $100.00 £65.00
Nicolas Slonimsky: Writings on Music Slonimskyana Nicolas Slonimsky 2004: 400pp Hb: 978-0-415-96868-3: $105.00 £65.00
2006: 424pp Hb: 978-0-415-97883-5: $100.00 Pb: 978-0-415-97884-2: $36.95
Nicolas Slonimsky: Writings on Music
2006: 184pp Pb: 978-0-415-97174-4: $23.95 £13.99
4 VOLUME SET
£60.00
£19.99
Liturgy and Contemplation in Byrd’s Gradualia Kerry McCarthy, Duke University, USA Combining both the cultural history of the dangers faced by Catholics who practiced their religion at this time with a very close reading of how Byrd created this work, McCarthy creates a book that will interest musicologists, religious historians, and students of Elizabethan English culture. 2007: 208pp Hb: 978-0-415-97861-3: $100.00 £60.00
Masterworks of 20th-Century Music The Modern Repertory of the Symphony Orchestra Douglas Lee
Nicolas Slonimsky Edited by Electra Yourke 2003: 1408pp Hb: 978-0-415-94220-1: $450.00 £280.00
2002: 528pp Pb: 978-0-415-93847-1: $36.95
Slonimsky’s Book of Musical Anecdotes
£20.99
2ND EDITION
Nicholas Slonimsky
Mind Models
2002: 320pp Pb: 978-0-415-93938-6: $27.95
Roger Reynolds
£14.99
2005: 208pp Pb: 978-0-415-97429-5: $31.95 £17.99
Musicology: The Key Concepts David Beard and Kenneth Gloag
Postmodern Music/Postmodern Thought
Series: Routledge Key Guides
Edited by Judy Lochhead and Joseph Auner
2005: 256pp Pb: 978-0-415-31692-7: $27.95
Series: Studies in Contemporary Music and Culture
£14.99
2001: 350pp Pb: 978-0-8153-3820-8: $34.95 £17.99
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13
MUSIC TECHNOLOGY AND BUSINESS
Music Technology and Business
NEW!
TEXTBOOK
TEXTBOOK
The Digital Musician Andrew Hugill, De Montfort University, UK
3RD EDITION
Electronic and Experimental Music Technology, Music, and Culture
NEW!
Thom Holmes “...the book is a superlative intersection of history and practice. With its charts, pictures, historical antecedents, and well-explained concepts, Electronic and Experimental Music is an essential resource for anyone interested in extraordinary sound.” —Chris DeLaurenti, The Stranger
DVD
2ND EDITION
Handmade Electronic Music The Art of Hardware Hacking Nicolas Collins, The School of the Art Institute of Chicago, Illinois, USA “Nicolas Collins wants to tear apart your CD player...” —Wired Magazine “Here we have, at last, an electronics book that caters to people who have ideas first, and electronics second. A former technician to some of the last century’s most imaginative experimental composers, Collins offers a splendidly integrative look into the history of ‘sound art,’ basic electronics, and junk revisioning.” —Make Magazine “...a brilliant, hands-on guide to electronic music making....[Collins] never ceases to amaze me with his latest bit of music or techno-logical innovation.” —TapeOp Magazine Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction for students of electronic music, installation and sound-art to the craft of making—as well as creatively cannibalizing— electronic circuits for artistic purposes. Designed for practioners and students of electronic art, it provides a guided tour through the world of electronics, encouraging artists to get to know the inner workings of basic electronic devices so they can creatively use them for their own ends. Handmade Electronic Music introduces the basic of practical circuitry while instructing the student in basic electronic principles, always from the practical point of view of an artist. It teaches a style of intuitive and sensual experimentation that has been lost in this day of prefabricated electronic musical instruments whose inner workings are not open to experimentation. It encourages artists to transcend their fear of electronic technology to launch themselves into the pleasure of working creatively with all kinds of analog circuitry.
Electronic and Experimental Music: Technology, Music, and Culture is a revised and expanded edition of this classic work, providing a thorough treatment of the relevant history behind the marriage of technology and music that has led to the state of electronic music today. Beginning with an early history of electronic music before 1945, the book outlines key composers, inventions, and concepts, ranging from Edgard Varèse to Brian Eno; musique concrète to turntablism; and compositional techniques used in both analog and digital synthesis.
The Digital Musician examines cultural awareness, artistic identity and musical skill through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can create music without any musical training. How do we know what is good? This involves developing a personal aesthetic, an awareness of the context for one’s work, specific musical and technical abilities and an individual identity. 2007: 312pp Hb: 978-0-415-96215-5: $95.00 Pb: 978-0-415-96216-2: $33.95 eBook: 978-0-203-93565-1 £60.00
£19.99
For a complimentary copy visit www.routledge.com/9780415962162
Sound Media
CD
From Live Journalism to Music Recording Lars Nyre, University of Bergen, Norway Sound Media considers how music recording, radio broadcasting and muzak influence people’s daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the 20th century. Lars Nyre starts with the contemporary cultures of sound media, and works back to the archaic soundscapes of the 1870s.
The third edition’s reader-friendly writing style, logical organization, and features provide easy access to key ideas, milestones, and concepts. Features: •Reader’s guides and summaries at the beginning and end of each chapter •Innovations boxes providing a unique profile of an influential individual in the field of electronic music •Listen playlists recommending key recordings in each musical genre mentioned in each chapter •Milestones timelines summarizing the major technological and musical innovations discussed in each chapter. April 2008: 480pp Hb: 978-0-415-95781-6: $115.00 Pb: 978-0-415-95782-3: $44.95 eBook: 978-0-203-92959-9 £65.00
£23.99
Companion Website at www.routledge.com/textbooks/9780415957823 For a complimentary copy visit www.routledge.com/9780415957823
The second edition includes additional photos, breadboard diagrams, four new chapters, and a DVD with video demostrations.
The first part of the book devotes five chapters to contemporary digital media, and presents the internet, the personal computer, digital radio (news and talk) and various types of loudspeaker media (muzak, DJ-ing, clubbing and PA systems). The second part examines the historical accumulation of techniques and sounds in sound media, and presents multitrack music in the 1960s, the golden age of radio in the 1950s and back to the 1930s, microphone recording of music in the 1930s, the experimental phase of wireless radio in the 1910s and 1900s, and the invention of the gramophone and phonograph in the late 19th century. Sound Media includes a soundtrack CD with 36 examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings.
April 2009: 336pp Includes DVD Hb: 978-0-415-99609-9: $115.00 Pb: 978-0-415-97592-6: $36.95
June 2008: 240pp Includes Audio CD Hb: 978-0-415-39113-9: $130.00 Pb: 978-0-415-39114-6: $37.95
£60.00
£15.99
£65.00
£18.99
Computers in Music Education Amplifying Musicality Andrew R. Brown See page 17
E-mail: music@routledge.com
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14
MUSIC TECHNOLOGY AND BUSINESS
Sound Moves
TEXTBOOK
TEXTBOOK
iPod Culture and Urban Experience
Music Publishing
2ND EDITION
Michael Bull, University of Sussex, UK
The Roadmap to Royalties
The Recording Industry
Ron Sobel and Dick Weissman
Geoffrey Hull
Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Taking a practical approach, the authors—one a successful music publisher and attorney, the other a songwriter and music business professor— explain in simple terms the basic concept of copyright law as it pertains to compositions. They examine the sources of income, the typical music publishing agreements, and explore some “myths” about music publishing. Throughout, they give practical examples from “real world” situations that illuminate both potential pitfalls and possible upsides for the working composers.
2004: 352pp Pb: 978-0-415-96803-4: $29.95
This innovative study opens up a new area in sociological and urban studies: the aural experience of the social, mediated through mobile technologies of communication. This book, in using the example of the Apple iPod, investigates the way in which we use sound to construct key areas of our daily lives. The author argues that the Apple iPod acts as an urban Sherpa for many of its users and in doing so joins the mobile army of technologies that many of us habitually use to accompany our daily lives. Through our use of such mobile and largely sound based devices, the book demonstrates how and why the spaces of the city are being transformed right in front of our ears. Series: International Library of Sociology 2007: 192pp Hb: 978-0-415-25751-0: $110.00 Pb: 978-0-415-25752-7: $51.95 eBook: 978-0-203-49622-0
£15.99
TEXTBOOK 2ND EDITION
Music and Copyright Edited by Lee Marshall and Simon Frith 2004: 256pp Pb: 978-0-415-97253-6: $27.95 £24.95
Promoting Your Music The Lovin’ of the Game Tom May and Dick Weissman, University of Denver, USA The authors draw on years of experience as songwriters and performers to highlight practical tips and real-life stories to help illuminate common issues faced by all performers/songwriters.
Music Publishing is a must-read for anyone who composes music and wants to reach a broader audience, as well as to students taking course in music business.
£55.00
£25.99
June 2008: 200pp Hb: 978-0-415-97620-6: $95.00 Pb: 978-0-415-97621-3: $29.95 £55.00
£16.99
Strange Sounds Music, Technology and Culture Timothy D. Taylor 2001: 224pp Pb: 978-0-415-93684-2: $29.95 £15.99
TEXTBOOK
The Global Music Industry Three Perspectives Arthur Bernstein, Liverpool Institute for the Performing Arts, UK, Naoki Sekine and Dick Weissman, University of Denver, USA
Virtual Music
“This readable book will be especially useful for those who are looking for a quick overview of the global music industry...it provides a guide to the issues involved and suggestions for further reading.” —CHOICE
How the Web Got Wired for Sound William Duckworth 2005: 232pp Pb: 978-0-415-96675-7: $28.95 £15.99
The Routledge Guide to Music Technology Thom Holmes 2006: 384pp Pb: 978-0-415-97324-3: $22.95 £12.99
2007: 216pp Hb: 978-0-415-97756-2: $100.00 Pb: 978-0-415-97757-9: $37.95 £60.00
£19.99
Songwriting Success How to Write Songs for Fun and (Maybe) Profit Michael Lydon 2004: 208pp Pb: 978-0-415-96929-1: $22.95 £14.99
For everyone in the music industry—record labels, managers, music publishers and the performers themselves—it is important to understand the world music marketplace and how it functions. Three leading music experts analyze global issues by region, including: •bootlegging •copyright •censorship •government support. The Global Music Industry gives a concise overview of the issues facing everyone in the music industry; a resource for students, professionals and musicians. 2007: 250pp Pb: 978-0-415-97580-3: $37.95 £20.99
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MUSIC THEORY
Music Theory NEW! TEXTBOOK
Music Theory Through Improvisation A New Approach to Musicianship Training Ed Sarath, University of Michigan, USA Music Theory Through Improvisation presents a new approach to basic theory and musicianship training that is geared toward the diverse interests and abilities of today’s student. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. The result is a broader, integrative, and hands-on context. Conventional approaches to basic musicianship (beyond the realm of performance training) have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse formats. Jazz and popular music serve as important stylistic sources. Keyboard realization, geared toward students with little or no keyboard training prior to the course, is the primary mode of assimilation of harmonic materials, with subsequent written work largely based on keyboard application. This hands-on approach allows an entirely new level of assimilation to take place that can be applied across genres. Secondary dominant chords, modal mixture, modulation, altered and extended chords are essentially the same structures whether they appear in the music of Parker, Ellington, and the Beatles or Mozart, Beethoven, and Schubert. By gaining command of these materials through the creative, active, and integrative approaches suggested in the book, students can then delve deeply into whatever styles they choose to pursue. Acknowledging the importance of rhythmic skills in today’s multi-ethnic musical mosaic, Music Theory Through Improvisation presents an approach to rhythmic training that derives from Indian, African, African-American, and other traditions. Supplemental materials include an audio CD and website. June 2009: 480pp Pb: 978-0-415-99725-6: $67.95
For a complimentary copy visit www.routledge.com/9780415997256
NEW!
TEXTBOOK
TEXTBOOK
SchenkerGUIDE A Brief Handbook and Web Site for Schenkerian Analysis
The Principles and Practice of Counterpoint Douglass Green and Evan Jones, Florida State University The Principles and Practice of Counterpoint is a comprehensive counterpoint textbook in two volumes, Modal and Tonal. It combines practical, “how-to” practice in species, 16th- and 18thcentury counterpoint with extensive historical examination of contrapuntal works. The author, the late Douglass Green was committed to the “species approach” rather than the “direct approach.” The study of counterpoint was compellingly codified (as a dialogue between teacher and pupil) in Fux’s 18thcentury treatise Gradus ad Parnassum, which established the “species” approach as the dominant instructional paradigm for over two hundred years. Most of the textbooks gaining prominence over the last several decades, however, have modified or abandoned the progressive organization of the species approach, aiming instead to extract and introduce stylistic rules with reference directly to the music of the time. The Principles and Practice of Counterpoint provides the combination of qualities of the books presently offered for teaching Counterpoint. The volumes are accompanied by a companion web site. Vol. 1: June 2009: 272pp Pb: 978-0-415-98865-0: $54.95 Vol. 2: 2010 (Forthcoming): 224pp Pb: 978-0-415-98866-7: $49.95
Tom Pankhurst, Liverpool Hope University College, UK SchenkerGUIDE is an accessible overview of Heinrich Schenker’s complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. •Part I is an introduction to Schenkerian analysis, outlining the concepts involved. •Part II outlines a unique and detailed working method to help students get started on the process of analysis •Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure. •Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.
£31.00
£28.00
July 2008: 272pp Hb: 978-0-415-97397-7: $95.00 Pb: 978-0-415-97398-4: $34.95
For a complimentary copy visit www.routledge.com/9780415988650
£60.00
£19.99
TEXTBOOK 2ND EDITION
The Craft of Modal Counterpoint Thomas Benjamin 2004: 208pp Pb: 978-0-415-97172-0: $39.95 £19.99
TEXTBOOK
The Craft of Tonal Counterpoint Thomas Benjamin 2003: 432pp Pb: 978-0-415-94391-8: $61.95 £35.00
Counterpoint, Composition and Musica Ficta Margaret Bent Series: Criticism and Analysis of Early Music 2002: 348pp Hb: 978-0-8153-3497-2: $115.00 £70.00
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15
16
MUSIC THEORY • MUSIC EDUCATION AND TRAINING
TEXTBOOK
TEXTBOOK
Revisiting Music Theory
Orchestration
A Guide to the Practice
An Anthology of Writings
Alfred Blatter, Curtis Institute, USA
Edited by Paul Mathews, Johns Hopkins University, USA
Revisiting Music Theory: A Guide to the Practice contains the basics of music theory with the vocabulary used in harmonic and formal analysis. The book assumes few music reading skills, and progresses to include the basic materials of music from J. S. Bach to the twentieth century. Based on Blatter’s own three decades of teaching music theory, this book is aimed at a one or two year introductory course in music theory, can serve for individual study, or as a review for graduate students returning to school. Drawing examples from well-known classical works, as well as folk and popular music, the book shows how theory is applied to practice. The book is divided into five parts. The first part introduces music notation, reviewing the basics of pitch, time, and dynamics as represented in written music. Part 2 introduces the concept of melody, covering modes, scales, scale degrees, and melodic form. Part 3 introduces harmony, dealing with harmonic progression, rhythm, and chord types. Part 4 addresses part writing and harmonic analysis. Finally, Part 5 addresses musical form, and how form is used to structure a composition. Revisiting Music Theory will be a valuable textbook for students, professors, and professionals. 2007: 352pp Hb: 978-0-415-97439-4: $135.00 Pb: 978-0-415-97440-0: $40.95 £75.00
£21.99
For a complimentary copy visit www.routledge.com/9780415974400
Creative Music Composition The Young Composer’s Voice Margaret Lucy Wilkins, University of Huddersfield, UK
“Orchestration: An Anthology of Writings is a refreshing joy to read as it’s filled with many treats working professionals will appreciate...” —Film Music Orchestration: An Anthology of Writings is designed to be a primary or ancillary text for college-level music majors. Although there are several “how to” textbooks aimed at this market, there is little available that traces the history of orchestration through the writings of composers themselves. By collecting writings from the ninenteenth century to today, Mathews illuminates how orchestration has grown and developed, as well as presenting a wide variety of theories that have been embraced by the leading practitioners in the field. The collection then traces the history of orchestration, beginning with Beethoven’s Orchestra (with writings by Berlioz, Wagner, Gounod, Mahler, and others), the 19th century (Mahler, Gevaert, Strauss) the fin de siècle (on the edge of musical modernism; writings by Berlioz, Jadassohn, Delius, and Rimsky Korsakov), early modern (Busoni, Schoenberg, Stravinsky, Grainger, and others), and high modern (Carter, Feldman, Reich, Brant). Many of these pieces have never been translated into English before; some only appeared in small journals or the popular press and have never appeared in a book; and none have ever been collected in one place. The study of orchestration is a key part of all students of music theory and composition. Orchestration provides a much needed resource for these students, filling a gap in the literature. 2006: 248pp Hb: 978-0-415-97682-4: $100.00 Pb: 978-0-415-97683-1: $36.95 £60.00
Music Education and Training NEW! TEXTBOOK
Teaching Music in American Society A Social and Cultural Understanding of Music Education Steven N. Kelly, Florida State University Teaching Music in American Society is a comprehensive textbook designed for students who seek to be certified in music education to teach K-12 music in American public and private schools. It covers the issues facing music education, including the functional role of music within school environments and community settings, the role and function of a music teacher within the music profession and the general education profession, the role of music within the overall school curriculum, and the school music program and local, state, and national issues/policies. November 2008: 208pp Hb: 978-0-415-99208-4: $95.00 Pb: 978-0-415-99209-1: $38.95 eBook: 978-0-203-88660-1 £60.00
£20.99
For a complimentary copy visit www.routledge.com/9780415992091 TEXTBOOK 2ND EDITION
Learning to Teach Music in the Secondary School A Companion to School Experience
£21.99
2006: 240pp Pb: 978-0-415-97467-7: $28.95
Edited by Christopher Philpott, University of Greenwich, UK and Gary Spruce, Open University, UK.
Choral Conducting
Series: Learning to Teach in the Secondary School Series
£15.99
Philosophy and Practice
2006: 304pp Pb: 978-0-415-35105-8: $42.95
Colin Durrant
£22.99
2003: 208pp Hb: 978-0-415-94356-7: $100.00 Pb: 978-0-415-94357-4: $37.95
TEXTBOOK
£60.00
£19.99
Music with the Under-Fours Susan Young
Form and Method: Composing Music
This lively book provides practitioners, students and other professionals with practical guidance on how to include musical activity in the care and education of children from birth up to five years of age.
The Rothschild Essays Roger Reynolds
2003: 152pp Pb: 978-0-415-28706-7: $37.95
Edited by Stephen McAdams
£19.99
Series: Contemporary Music Studies 2007: 236pp Pb: 978-90-5755-158-1: $44.95
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Call toll free: 1-800-634-7064
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17
MUSIC EDUCATION AND TRAINING
TEXTBOOK
TEXTBOOK
Creative Music Making
Computers in Music Education
William L. Cahn
Amplifying Musicality
2005: 128pp Hb: 978-0-415-97281-9: $100.00 Pb: 978-0-415-97282-6: $22.95 £60.00
£12.99
TEXTBOOK 3RD EDITION
Music Education Source Readings from Ancient Greece to Today Edited by Michael L. Mark, Towson State University, USA “an indispensable source of insights for professional music educators...” —Bennet Reimer, Northwestern University, USA “Music educators will welcome the book as a valuable contribution to the greater understanding of music education as a world-wide phenomenon...” —Gordon Cox, University of Reading, UK Music Education: Source Readings from Ancient Greece to Today is an anthology of thematically organized essays that illustrate why music education has been valued by cultures and societies from ancient times to the present. Writings by societal leaders—civic, political, royal, religious, education, intellectual—present views from many historical and current points of view. The third edition has been expanded to include such topics as feminism, diversity, cognitive psychology and the No Child Left Behind Act. The new edition also includes writings about music education in countries on every continent. The global view of music education makes this book timely in a world of cultural fusion.
Guitar Instruction
Andrew R. Brown, Queensland University of Technology, Australia “Computers in Music Education is a welcome addition to the literature on music and technology. The book is admirable in its clarity and extensive coverage of a domain that extends beyond the experience and expertise of many music educators.” —Music Forum
How To Play Classic Jazz Guitar
CD
Six Swinging Strings Michael Lydon How to Play Classic Jazz Guitar is an instruction book designed for the guitarist who already knows the fundamentals but wishes to explore the “classic” style of swing-era guitar. It offers a clear, concise introduction to the basics of jazz guitar, built on the student’s basic knowledge of forming chords and basic picking patterns.
Computers in Music Education addresses the question of how computer technologies might best assist music education. For current and preservice music teachers and designed as a development tool, reference resource, and basic teaching text, it addresses pedagogical issues and the use of computers to aid production and presentation of students’ musical works. Written by a music educator and digital media specialist, it cuts through the jargon to present a concise, easy-to-digest overview of the field, covering: •notation software
2007: 192pp, includes audio CD Pb: 978-0-415-97908-5: $24.95
•MIDI sound creation
Acoustic Blues Guitar Styles
£13.99
•downloading music
Larry Sandberg, University of Colorado
•posting personal MP3s for mass distribution.
This book introduces readers to the basics of finger-style acoustic blues guitar and will go a long way to developing students’ abilities to take the basics and apply them to their own personal musical growth.
While there are many more technical books, few offer a comprehensive, understandable overview of the field. Computers in Music Education is an important text for the growing number of courses in this area. 2007: 360pp Pb: 978-0-415-97851-4: $36.95
CD
2006: 128pp, includes audio CD Pb: 978-0-415-97175-1: $29.95 £16.99
£21.99
Guitar Tunings A Comprehensive Guide
CD
Dick Weissman, University of Denver, USA Guitar Tunings: A Comprehensive Guide is the first book to offer practical advice for how to use the most common special tunings for the greatest creative and musical effect. Illustrated throughout with examples in standard notation and guitar tablature, the author introduces different musical styles through the use of appropriate tunings.
2007: 512pp Hb: 978-0-415-95778-6: $95.00 Pb: 978-0-415-95779-3: $39.95 £60.00
£24.95
TEXTBOOK
Playing the Violin Mark Rush, University of Arizona, USA 2006: 176pp Hb: 978-0-415-97885-9: $100.00 Pb: 978-0-415-97886-6: $26.95 £60.00
£15.99
2006: 144pp, includes audio CD Pb: 978-0-415-97441-7: $26.95 £15.99
The Percussionists’ Guide to Injury Treatment and Prevention
Acoustic Guitar Styles
Dr. Darin “Dutch” Workman
Larry Sandberg, University of Colorado
For all percussion students and professionals, The Percussionists’ Guide to Injury Treatment Prevention will be an indispensable companion.
2002: 128pp Pb: 978-0-415-93727-6: $28.95 £17.99
2006: 328pp Pb: 978-0-415-97685-5: $39.95 £21.99
E-mail: music@routledge.com
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eBooks are only available to order online
18
VOICE/OPERA/MUSICAL THEATRE
Voice/Opera/Musical Theatre TEXTBOOK
Acting in Musical Theatre A Comprehensive Course Joe Deer, Wright State University, USA and Rocco Dal Vera, University of Cincinnati, USA ”Though I attended a highly respected drama department for six years (two degrees), there was never a single course offered having anything to do with musical theatre. Therefore, I am all the more impressed by Acting in Musical Theatre, which gives a comprehensive and thought-provoking guideline to the study of performing on the musical stage. I found it fascinating and functional, and I am sure you will, as well.” —Tom Jones, Tony Award-Winning Author/Lyricist of The Fantasticks, 110 In the Shade and I Do, I Do! “At last a book that assists us in guiding our students to inhabit characters in musicals organically! A major milestone in musical theatre pedagogy.” —Robert Barton, Author of Acting: Onstage and Off Acting in Musical Theatre is the only complete course in approaching a role in a musical. It is the first to combine acting, singing and dancing into a comprehensive guide, combining what have previously been treated as three separate disciplines. This book contains fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Drawing on decades of experience in both acting and teaching, the authors provide crucial advice on all elements of the profession, including: •fundamentals of acting applied to musical theatre •script, score and character analysis •personalizing your performance •turning rehearsal into performance •acting styles in the musical theatre •practical steps to a career. Acting in Musical Theatre’s chapters divide into easyto-reference units, each containing related group and solo exercises, making it the definitive textbook for students and practitioners alike.
The Making of the Sound of Music
Classic American Popular Song
Max Wilk
The Second Half-Century, 1950-2000
The Sound of Music was the last—and most successful— collaboration of two giants of the musical theater, Richard Rodgers and Oscar Hammerstein. This book tells the full story of the making of the show, from the first rough ideas through the tryouts, fine tuning, and eventual triumph—all from an eyewitness to the events themselves. Wilk brings a musical theater historian’s eye to the work, along with his passionate involvement as a witness to this history. For anyone and everyone who has ever thrilled to The Sound of Music, this book will be a must.
David Jenness and Donald Velsey
2007: 115pp Hb: 978-0-415-97934-4: $100.00 Pb: 978-0-415-97935-1: $17.95 £60.00
£10.99
NEW IN PAPERBACK!
America’s Songs The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley America’s Songs tells the “stories behind” the most beloved popular songs of the last century. We all have songs that have a special meaning in our lives; hearing them evokes a special time or place. Little wonder that these special songs have become enduring classics. Nothing brings the roarin ‘20s to life like “Tea for Two” or “I’m just Wild About Harry”; the Great Depression is evoked in all of its pain and misery in songs like “Brother Can You Spare a Dime?; “God Bless America” revives the powerful hope that American democracy promised to the world during the dark days of World War II; “Young at Heart” evokes the postwar optimism of the ‘50s. And then there are the countless songs of love, new romance, and heartbreak: “As Time Goes By,” “Always,” “Am I Blue”...the list is endless. Along with telling the stories behind these songs, America’s Songs suggests, simply and succinctly, what makes a song great. The book illuminates the way each great song melds words and music — sentiment and melody — into a seamless whole. America’s Songs also traces the fascinating but mysterious process of collaboration, the give-andtake between two craftsmen, a composer and a lyricist, as they combined their talents to create a song. For anyone interested in the history of the songs that America loves, America’s Songs will make for fascinating reading.
Companion Website at www.routledge.com/textbooks/9780415773195
March 2008: 360pp Pb: 978-0-415-99052-3: $19.95
£60.00
£20.99
The Routledge Guide to Broadway Ken Bloom Broadway is the center of American theater, where all the great plays and musicals make their mark. Students across the country in theater history, performance, and direction/production look to Broadway for their inspiration. Yet there are few books that offer a comprehensive look at the key figures and productions of the last two centuries. The Routledge Guide to Broadway brings together this information in an inexpensive, A—Z format that will appeal to students, professors, and theatrical professionals. 2006: 304pp Hb: 978-0-415-97379-3: $100.00 Pb: 978-0-415-97380-9: $22.95 £60.00
£13.99
Philip Furia and Michael Lasser
May 2008: 480pp Hb: 978-0-415-77318-8: $105.00 Pb: 978-0-415-77319-5: $30.95 eBook: 978-0-203-93107-3 £16.99
2005: 408pp Hb: 978-0-415-97056-3: $38.95
2ND EDITION
Broadway An Encyclopedia Ken Bloom 2003: 656pp Hb: 978-0-415-93704-7: $160.00 £90.00
Opera: The Basics Denise Gallo, The Library of Congress This introduction explores opera’s origins, terminology and genres over the past four centuries.
Series: The Basics 2005: 224pp Pb: 978-0-415-97072-3: $18.95 £10.99
Operetta A Theatrical History Richard Traubner 2003: 496pp Pb: 978-0-415-96641-2: $38.95 £21.99
£10.99
For a complimentary copy visit www.routledge.com/9780415773195
ORDER NOW!
See Order Form on last page of the catalog
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VOICE/OPERA/MUSICAL THEATRE • INTERDISCIPLINARY TOPICS
Interdisciplinary Topics
Vocal Training TEXTBOOK
TEXTBOOK
The Singing and Acting Handbook
2ND EDITION
Games and Exercises for the Performer
Singing and the Actor
Thomas De Mallet Burgess and Nicholas Skilbeck
Gillyanne Kayes
NEW! James Wierzbicki, University of Michigan, USA Film Music: A History studies music by discussing largescale aesthetic trends and structural developments. It covers the history and development of the film music from the Silent period to the Post-Classical.
This practical handbook takes the reader through a step-bystep training program relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.
This book is an unique resource which directly addresses all performers who sing and act, whether in opera or musical. It provides a innovative resource for performers, directors, workshop leaders and teachers
1999: 224pp Pb: 978-0-415-16658-4: $35.95
Film Music: A History
December 2008: 288pp Hb: 978-0-415-99198-8: $110.00 Pb: 978-0-415-99199-5: $38.95 No Canadian Rights
2004: 208pp Pb: 978-0-87830-198-0: $24.95
£60.00
£24.95
£18.99
£19.99
TEXTBOOK TEXTBOOK
The Singer’s Companion Sharon L. Stohrer “Stohrer addresses all serious voice students with practical, plainly written counsel...on a bevy of topics in an eminently accessible style...” —Debra Greschner, Journal of Singing
Movie Music, The Film Reader
Composing for Voice
Edited by Kay Dickinson
A Guide for Composers, Singers, and Teachers Paul Barker
Series: In Focus: Routledge Film Readers 2002: 224pp Pb: 978-0-415-28160-7: $39.95
2003: 208pp Pb: 978-0-415-94187-7: $29.95
£19.99
£16.99
Between Opera and Cinema
Finding Your Voice
Edited by Jeongwon Joe and Rose Theresa
Barbara Houseman
Series: Critical and Cultural Musicology
2002: 288pp Pb: 978-0-87830-167-6: $23.95
2002: 260pp Hb: 978-0-8153-3450-7: $115.00 £70.00
TEXTBOOK 2006: 136pp Pb: 978-0-415-97698-5: $26.95
TEXTBOOK
Opera Coaching
2ND EDITION
£15.99
Alan Montgomery, Oberlin College Opera Coaching is the first practical guide for pianists, singers, and opera producers to this important—and often neglected—career. It is an ideal resource for anyone interested in this fascinating career.
TEXTBOOK
Singing With Your Own Voice Orlanda Cook 2004: 288pp Pb: 978-0-87830-182-9: $19.95 £19.95
On the Track A Guide to Contemporary Film Scoring Fred Karlin and Rayburn Wright Foreword by John Williams
Successful Singing Auditions Gillyanne Kayes and Jeremy Fisher 2002: 144pp Pb: 978-0-87830-163-8: $19.95 No Canadian Rights
2006: 224pp Pb: 978-0-415-97601-5: $26.95 £14.99
2004: 560pp Pb: 978-0-415-94136-5: $70.00 £37.50
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INTERDISCIPLINARY TOPICS
Music and Urban Geography
Theodor Adorno
NEW!
Adam Krims, University of Nottingham, UK
Ross Wilson, Emmanuel College, University of Cambridge, UK
Club Cultures
This is the first serious, wideranging study of how changes in urban life over the last 30 years have affected the way music is performed, sold, and experienced. Krims addresses a wide range of music in defining this new “urban ethos.”
As one of the main philosophers of the Frankfurt School of Critical Theory, Adorno’s influence on literary theory, cultural studies, and philosophical aesthetics has been immense. His wide-ranging authorship is significant also to continental philosophy, political theory, art criticism, and musicology. Series: Routledge Critical Thinkers
2007: 248pp Pb: 978-0-415-97012-9: $29.95
2007: 160pp Hb: 978-0-415-41818-8: $100.00 Pb: 978-0-415-41819-5: $19.95 eBook: 978-0-203-93332-9
Sounding Off: Theorizing Disability in Music
Deleuze on Music, Painting and the Arts
Edited by Joseph Straus, City University of New York, USA and Neil Lerner, Davidson College, USA
Ronald Bogue
£50.00
£12.99
£16.99
Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.
Rhythm, Music, and the Brain
Jesus Dub Theology, Music and Social Change Robert Beckford, University of Birmingham, UK Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub—one of the central features of dancehall culture—can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme.
2ND EDITION
Liveness Performance in a Mediatized Culture
January 2008: 224pp Hb: 978-0-415-77352-2: $120.00 Pb: 978-0-415-77353-9: $35.95 eBook: 978-0-203-93813-3
£60.00
£16.99
£60.00
Since its first appearance, Philip Auslander’s groundbreaking book has helped to reconfigure a new area of study. Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all. In this new edition, the author thoroughly updates his provocative argument to take into account new digital and media technologies, and cultural, social and legal developments.
This book explores contemporary club and dance cultures as a manifestation of aesthetic and prosthetic forms of life. Rief addresses the questions of how practices of clubbing help cultivate particular forms of reflexivity and modes of experience, and how these shape new devices for reconfiguring the boundaries around youth cultural and other social identities. She contributes empirical analyses of how such forms of experience are mediated by the particular structures of night-clubbing economies, the organizational regulation and the local organization of experience in club spaces, the media discourses and imageries, the technologies intervening into the sense system of the body (e.g. music, visuals, drugs) and the academic discourses on dance culture.
March 2009: 224pp Hb: 978-0-415-95853-0: $95.00
2003: 240pp Pb: 978-0-415-96608-5: $33.95
£18.99
Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status of live performance in a culture dominated by mass media?
Silvia Rief, University of Innsbruck, Austria
Series: Routledge Advances in Sociology
Series: Deleuze and the Arts
2006: 304pp Hb: 978-0-415-97906-1: $100.00 Pb: 978-0-415-97907-8: $33.95
Philip Auslander, Georgia Institute of Technology, USA
Boundaries, Identities and Otherness
2006: 192pp Pb: 978-0-415-31019-2: $35.95 £19.99
NEW!
Sporting Sounds Relationships Between Sport and Music Edited by Anthony Bateman, Keele University, UK and John Bale, Aarhuus University, Denmark Music and sport are both highly significant cultural forms, yet the substantial and longstanding connections between the two have largely been overlooked. Sporting Sounds addresses this oversight in an intriguing and innovative collection of essays. With contributions from leading international psychologists, sociologists, historians, musicologists and specialists in sports and cultural studies, the book illuminates our understanding of the vital part music has played in the performance, reception and commodification of sport.
Scientific Foundations and Clinical Applications Michael H. Thaut, Colorado State University, USA With the advent of modern cognitive neuroscience and new tools of studying the human brain “live,” music as a highly complex, temporally ordered and rule-based sensory language quickly became a fascinating topic of study. The question of “how” music moves us, stimulates our thoughts, feelings, and kinesthetic sense, and how it can reach the human experience in profound ways is now measured with the advent of modern cognitive neuroscience. The goal of Rhythm, Music and the Brain is an attempt to bring the knowledge of the arts and the sciences and review our current state of study about the brain and music, specifically rhythm. The author provides a thorough examination of the current state of research, including the biomedical applications of neurological music therapy in sensorimotor speech and cognitive rehabilitation. This book will be of interest for the lay and professional reader in the sciences and arts as well as the professionals in the fields of neuroscientific research, medicine, and rehabilitation. Series: Studies on New Music Research 2007: 272pp Pb: 978-0-415-96475-3: $39.95 £21.99
October 2008: 288pp Hb: 978-0-415-44367-8: $149.00 £85.00
£60.00
£19.99
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ROUTLEDGE MUSIC BIBLIOGRAPHIES
Routledge Music Bibliographies Online The Routledge Music Bibliographies combines two series that were previously published under the Garland imprint, one focusing on individual composers (The Composer Resource Manuals) and one focusing on musical genres (The Reference and Information Guides). Each of the volumes is a selective, annotated bibliography of citations to the writings about a composer, genre, topic or geographic region. Bringing the Series to an online environment answers the need for updated information to be reflected as new research is introduced. This Online database of information will be a “live” resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing. Complete print volumes will also be available at a discount for libraries requiring both print and online versions The Routledge Music Bibliographies constitute a well-revered series, comprised of nearly fifty volumes devoted to individual composers (i.e., Handel, Bernstein, Puccini) and twenty on the subject of a specific genre or instrument (i.e. The Concerto, Sacred Music, The Violin). Each volume has a comprehensive listing of sources. Top scholars were contracted to collect the research in their fields. The individual volumes are available for sales to libraries via subscription, sold in clusters of five or more, and discounted accordingly.
NEW!
Charles François Gounod A Research and Information Guide Timothy Flynn, Timothy Flynn December 2008: 272pp Hb: 978-0-415-97351-9: $140.00 £60.00
NEW!
Piano Pedagogy A Research and Information Guide Gilles Comeau, University of Ottawa, Canada February 2009: 352pp Hb: 978-0-415-95575-1: $140.00
AVAILABLE IN MAY 2009!
£60.00
NEW! 3RD EDITION
Franz Liszt A Research and Information Guide Michael Saffle April 2009: 592pp Hb: 978-0-415-99919-9: $140.00 £65.00
NEW! 2ND EDITION
Paul Hindemith A Guide to Research Stephen Luttmann March 2009: 528pp Hb: 978-0-415-99416-3: $140.00 £60.00
NEW! 2ND EDITION
Alban Berg Bryan Simms, University of Southern California May 2009: 352pp Hb: 978-0-415-99462-0: $140.00 £70.00
Please inquire for Online Editions:
music@routledge.com ALSO COMING IN 2009!
Alberto Ginastera - New!
Frederick Delius, Second Edition
Wolfgang Amadeus Mozart - New!
Gaetano Donizetti, Second Edition
Giovanni Pierluigi da Palestrina, Second Edition Gioachino Rossini, Second Edition
Vincenzo Bellini, Second Edition
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ROUTLEDGE MUSIC BIBLIOGRAPHIES • REFERENCE
2ND EDITION
Gustav and Alma Mahler A Research and Information Guide Susan M. Filler This revised edition of Garland’s 1989 publication updates the core bibliography on Gustav Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late 19th and early 20th centuries. His symphonies continue to be widely performed and studied through the 21st century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in 19 languages, offering a resource that expands traditional English-language music scholarship. Series: Routledge Music Bibliographies 2007: 408pp Hb: 978-0-415-94388-8: $95.00 eBook: 978-0-203-93285-8 £60.00
Olivier Messiaen A Research and Information Guide Vincent P. Benitez, Pennsylvania State University Olivier Messiaen: A Research and Information Guide is a unique bibliographical resource that presents the reader with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century’s greatest composers. An introductory chapter offers a short biography of Messiaen, a consideration of his musical style and works, and a discussion of Messiaen studies. Chapters 2 and 3 concentrate on the primary literature, organized around manuscript collections, articles and reviews, pedagogical works, lectures and librettos, prefaces, interviews, correspondence, and documentaries and filmed performances. Chapters 4 through 9 focus on the secondary literature, namely, biographical and stylistic studies, topical examinations, discussions of particular works, accounts of Messiaen in works devoted to other topics, reviews of books and significant performances of Messiaen’s music, and examinations of source materials on the Internet. A list of works and a selected discography conclude the book. Series: Routledge Music Bibliographies 2007: 352pp Hb: 978-0-415-97372-4: $95.00 eBook: 978-0-203-93558-3 £60.00
Reference
NEW!
NEW!
International Who’s Who Classical/Popular Music set 2009
25TH EDITION
March 2009: 1,960pp Hb: 978-1-85743-515-3: $750.00 £400.00
International Who’s Who in Classical Music 2009 “An essential working tool for all those whose living and life are in the wonderful world of music.” —Musical Opinion “So good as to be indispensable.” —Opera This unparalleled source of biographical information on singers, instrumentalists, composers, conductors and managers: •contains over 8,000 detailed biographical entries •covers the classical and light classical fields •includes up-and-coming musicians as well as wellestablished names. Each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. The directory gives contact details for orchestras, opera companies, festivals, music libraries, major competitions and awards, and other music organizations in classical music. Entries include individuals involved in all aspects of the world of classical music: composers, instrumentalists, singers, arrangers, writers, musicologists, conductors, directors and managers. March 2009: 968pp Hb: 978-1-85743-513-9: $460.00
Chronology of American Popular Music, 1900-2000 Frank Hoffmann, Sam Houston State University, USA
2007: 552pp Hb: 978-0-415-97715-9: $175.00 £100.00
A Century of American Popular Music David A. Jasen 2002: 464pp Hb: 978-0-415-93700-9: $160.00
£250.00
£90.00
NEW! 11TH EDITION
International Who’s Who in Popular Music 2009 “...covering pop, rock, folk, jazz, dance, world and country artists, it’s about as comprehensive as you can get.” —Making Music The International Who’s Who in Popular Music 2008 provides biographical details on some of the most talented and influential artists and individuals from the world of popular music. Now in its tenth edition, it includes over 7,000 biographies charting the careers and achievements of pop, rock, folk, jazz, dance, world and country artists throughout the world. Key features: •each entry includes full biographical information: principal career details, recordings and compositions, honours and contact information •provides information on established names as well as up-and-coming artists •a directory section provides details of music festivals, awards, organizations within the industry, and digital music sources •for ease of reference, the book includes an index of music group members. In one accessible volume the International Who’s Who in Popular Music 2008 provides the most comprehensive collection of information on the most famous and influential people in the popular music industry.
Chronology of Western Classical Music, 1751-2000 2 VOLUME SET Charles John Hall 2002: 800pp Hb: 978-0-415-93878-5: $290.00 £175.00
2ND EDITION
A Blues Bibliography Robert Ford, University of Exeter, UK This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decadeís writings and new figures to have emerged on the Country and modern blues to the R&B scene.
2007: 1400pp Hb: 978-0-415-97887-3: $200.00 £105.00
March 2009: 640pp Hb: 978-1-85743-514-6: $420.00 £225.00
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REFERENCE
Encyclopedia of American Gospel Music
Garland Encyclopedia of World Music
Edited by W. K. McNeil
The Garland Encyclopedia of World Music
The Garland Encyclopedia of World Music
Africa
Europe
Edited by Ruth M. Stone
Edited by Timothy Rice, James Porter and Chris Goertzen
1997: 872pp Hb: 978-0-8240-6035-0: $440.00 £230.00
1999: 1176pp Hb: 978-0-8240-6034-3: $450.00
South America, Mexico, Central America, and the Caribbean Edited by Dale A. Olsen and Daniel E. Sheehy 1998: 1104pp Hb: 978-0-8240-4947-8: $450.00 £230.00
£90.00
Ragtime An Encyclopedia, Discography, and Sheetography David A. Jasen
£230.00
The Garland Encyclopedia of World Music
2005: 512pp Hb: 978-0-415-94179-2: $150.00
The Garland Encyclopedia of World Music Australia and the Pacific Islands Edited by J.W. Love and Adrienne Kaeppler 1998: 1116pp Hb: 978-0-8240-6038-1: $450.00 £230.00
The Garland Encyclopedia of World Music The United States and Canada Edited by Ellen Koskoff 2000: 1410pp Hb: 978-0-8240-4944-7: $450.00 £230.00
The Garland Encyclopedia of World Music South Asia: The Indian Subcontinent Edited by Alison Arnold
The Garland Encyclopedia of World Music The World’s Music: General Perspectives and Reference Tools
2007: 576pp Hb: 978-0-415-97862-0: $135.00 £75.00
Edited by Ruth M. Stone
Tin Pan Alley
2002: 800pp Hb: 978-0-8153-1084-6: $450.00
An Encyclopedia of the Golden Age of American Song
£230.00
David A. Jasen
The Garland Encyclopedia of World Music Set 10-Volume Set
2003: 384pp Hb: 978-0-415-93877-8: $130.00 £75.00
1999: 1104pp Hb: 978-0-8240-4946-1: $450.00
10 VOLUME SET Edited by Bruno Nettl, Ruth M. Stone, James Porter and Timothy Rice
The John Coltrane Reference
The Garland Encyclopedia of World Music
1999 Hb: 978-0-8153-1865-1: $4300.00
Lewis Porter, Chris DeVito, David Wild, Yasuhiro Fujioka and Wolf Schmaler
£230.00
£2150.00
Southeast Asia
See page 9
Edited by Terry E. Miller and Sean Williams
2ND EDITION
1998: 1050pp Hb: 978-0-8240-6040-4: $450.00 £230.00
The Garland Encyclopedia of World Music
See page 2-3 for the new Concise Garland Encyclopedia of World Music and Garland Handbooks
Broadway An Encyclopedia Ken Bloom See page 18
The Middle East Edited by Virginia Danielson, Dwight Reynolds and Scott Marcus 2001: 1200pp Hb: 978-0-8240-6042-8: $450.00 £230.00
The Garland Encyclopedia of World Music East Asia: China, Japan, and Korea Edited by Robert C. Provine, Yosihiko Tokumaru and J. Lawrence Witzleben 2001: 1192pp Hb: 978-0-8240-6041-1: $450.00 £230.00
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REFERENCE • JOURNALS
Vaudeville, Old and New
2ND EDITION
An Encyclopedia of Variety Performers
Rock Song Index
2 VOLUME SET
The 7500 Most Important Songs for the Rock and Roll Era: 1944-2000
www.informaworld.com/music
Bruce Pollock
Contemporary Music Review
Frank Cullen
Journals
2005: 704pp Hb: 978-0-415-97073-0: $135.00
Editor: Peter Nelson, University of Edinburgh, UK
£90.00
US Editor: Joshua Fineberg, Harvard University, USA
Vocal Chamber Music A Performer’s Guide Barbara Winchester, New England Conservatory of Music, USA and Kay Dunlap, Barbara Winchester, New England Conservatory of Music, Kay Dunlap 2006: 1368pp Hb: 978-0-415-93853-2: $340.00 £295.00
This invaluable resource is a revised edition of an essential index to vocal works composed for chamber choirs. 2007: 256pp Hb: 978-0-415-97858-3: $95.00
Volume 28, 2009, 6 issues per year 0749-4467 Online ISSN: 1477-2256 www.informaworld.com/gcmr
Performance Practice
Ethnomusicology Forum
A Dictionary-Guide for Musicians
Journal of the British Forum for Ethnomusicology
Roland Jackson
Editors: Andrew Killick, University of Sheffield, UK and Laudan Nooshin, City University, UK
£60.00
2ND EDITION
Encyclopedia of Percussion Edited by John H. Beck
2005: 544pp Hb: 978-0-415-94139-6: $155.00
Encyclopedia of Keyboard Instruments
Ethnomusicology Forum seeks to provide a dynamic forum for the presentation of new thinking in the field of ethnomusicology, defined broadly as the study of “people making music”, and encompasses the study of all music, including Western art music and popular music.
2ND EDITION
Volume 18, 2009, 2 issues per year Print ISSN: 1741-1912 Online ISSN: 1741-1920 www.informaworld.com/remf
£90.00
2007: 472pp Hb: 978-0-415-97123-2: $160.00 £90.00
Encyclopedia of Recorded Sound 2 VOLUME SET Edited by Frank Hoffmann 2004: 1320pp Hb: 978-0-415-93835-8: $325.00 £195.00
Encyclopedia of the Blues 2-Volume Set 2 VOLUME SET
The Piano An Encyclopedia
Jazz Perspectives
Edited by Robert Palmieri
Editor: John Howland, Rutgers University, Newark, USA
2003: 576pp Hb: 978-0-415-93796-2: $195.00 £105.00
The Organ An Encyclopedia Edited by Douglas Bush and Richard Kassel 2006: 696pp Hb: 978-0-415-94174-7: $205.00 £115.00
Edited by Edward Komara This comprehensive twovolume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible Ato-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre.
Contemporary Music Review provides a forum where new tendencies in composition can be discussed in both breadth and depth. Each issue focuses on a specific topic. The main concern of the journal is composition today in all its aspects—its techniques, aesthetics and technology and its relationship with other disciplines and currents of thought.
The Harpsichord and Clavichord
Jazz Perspectives bridges the jazz-as-music and jazzas-culture divide of contemporary jazz studies, and promotes broader international perspectives on the jazz tradition and its legacy. As an interdisciplinary platform for jazz studies, the journal considers all articles reporting on original research and analysis (musical, historical, cultural, or otherwise). Volume 3, 2009, 2 issues per year Print ISSN: 1749-4060 Online ISSN: 1749-4079 www.informaworld.com/rjaz
An Encyclopedia Edited by Igor Kipnis, Claremont Graduate University 2006: 576pp Hb: 978-0-415-93765-8: $185.00 £105.00
2005: 1440pp Hb: 978-0-415-92699-7: $325.00 £195.00
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JOURNALS • INDEX
Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance Journal of the Society for Mathematics and Computation in Music Editors-in-Chief: Thomas Noll, Escola Superior de M˙sica de Catalunya, Spain and Robert Peck, Louisiana State University, USA The Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. Volume 3, 2009, 3 issues per year Print ISSN: 1745-9737 Online ISSN: 1745-9745 www.informaworld.com/tmam
Journal of Musicological Research Editor: Deborah Kauffman, University of Northern Colorado, USA
Journal of the Royal Musical Association Editor: Rachel Cowgill, University of Leeds, UK The Journal of the Royal Musical Association is one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards. Volume 134, 2009, 2 issues per year Print ISSN: 1471-6933 Online ISSN: 0269-0403 www.informaworld.com/jrma
Music Education Research Editor-in-Chief: Sarah Hennessy, University of Exeter, UK Music Education Research focuses firmly on research, and the journal provides an international forum for cross-cultural investigations and discussions relating to all areas of music education.
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies.
Volume 11, 2009, 3 issues per year Print ISSN: 1461-3808 Online ISSN: 1469-9893 www.informaworld.com/cmue
Volume 28, 2009, 4 issues per year Print ISSN: 0141-1896 Online ISSN: 1547-7304 www.informaworld.com/gmur
Muziki
Journal of New Music Research Editor: Alan Marsden, Lancaster University, UK The Journal of New Music Research (JNMR) seeks to establish an interdisciplinary foundation for the creation and study of music by means of the most advanced technologies. JNMR draws on disciplines ranging from musicology (music theory, aesthetics, sociology), psychology (from psychoacoustics to cognitive psychology-with emphasis on modelling), acoustics (including sound engineering), computer science (from signal processing to artificial intelligence), philosophy (epistemology and methodology) to brain sciences. Volume 38, 2009, 4 issues per year Print ISSN: 0929-8215 Online ISSN: 1744-5027 www.informaworld.com/nnmr
A/B/C
NEW TO ROUTLEDGE IN 2009!
Journal of Music Research in Africa Co-Published with UNISA Press Editors: George T. King, University of South Africa, RSA and Chris Walton, University of Pretoria, RSA Research into the music of Africa has for many years been concentrated in the American and European diaspora. It has further been characterised by the same divisions as music research elsewhere, be they between ethnomusicologists and musicologists, or theorists and historians. The journal wishes to establish a unified African voice for African music research. Through its juxtaposition of the historical and the theoretical, the indigenous, the popular and the “Western,” it intends to reflect the diversity of African musics and the research that they inspire. Volume 6, 2009, 2 issues per year Print ISSN: 1812-5980 Online ISSN: 1753-593X
Popular Music and Society Editor: Gary Burns, Northern Illinois University, UK Popular Music and Society publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. The journal is open to all scholarly orientations toward popular music. Volume 32, 2009, 5 issues per year Print ISSN: 0300-7766 Online ISSN: 1740-1712 www.informaworld.com/rpms
Acoustic Blues Guitar Styles ........................................17 Acoustic Guitar Styles .................................................17 Acting in Musical Theatre ...........................................18 African American Music ..........................................4, 10 African Diaspora ...........................................................6 Agawu, Kofi .................................................................6 Alan Lomax ..................................................................6 Alban Berg .................................................................21 Alberto Ginastera .......................................................21 America’s Songs .........................................................18 Arnold, Alison.............................................................23 Art Song, The .............................................................10 Auner, Joseph .............................................................12 Auslander, Philip .........................................................20 Bad Music.....................................................................8 Badura-Skoda, Eva......................................................11 Badura-Skoda, Paul.....................................................11 Bale, John...................................................................20 Barker, Paul.................................................................19 Barz, Gregory ...............................................................6 Basics (series)............................................4, 8, 9, 10, 18 Bateman, Anthony......................................................20 Beard, David ...............................................................12 Beck, John H. .............................................................24 Beckford, Robert.........................................................20 Benitez, Vincent..........................................................22 Benjamin, Thomas ......................................................15 Bennett, Andy ..............................................................7 Bent, Margaret ...........................................................15 Bernstein, Arthur ........................................................14 Between Opera and Cinema .......................................19 Blatter, Alfred .............................................................16 Bloom, Ken.................................................................18 Blues Bibliography, A ..................................................23 Blues Lyric Formula, The .............................................10 Blues: The Basics .........................................................10 Bogue, Ronald ............................................................20 Bohlman, Philip V..........................................................4 Brazilian Popular Music and Globalization .....................6 Brett, Philip .................................................................12 Brief History of Rock, Off the Record, A ........................6 Broadcasting the Blues................................................10 Broadway ...................................................................18 Brown, Andrew R. ......................................................17 Bruce Springsteen .........................................................7 Bull, Michael...............................................................14 Burgess, Thomas De Mallet.........................................19 Burnim, Mellonee V. .....................................................4 Bush, Douglas.............................................................24 Cahn, William L ..........................................................17 Cateforis, Theo .............................................................6 Century of American Popular Music, A .......................23 Charles Francois Gounod ............................................21 Choral Conducting......................................................16 Chronology of American Popular Music, 1900-2000...23 Chronology of Western Classical Music, 1751-2000 ...23 Clark, Walter Aaron ......................................................6 Classic American Popular Song ...................................18 Classical Music, Why Bother? ......................................12 Clayton, Martin ............................................................5 Club Cultures ..............................................................20 Cohen, Ronald .........................................................6, 8 Collins, Nicolas ...........................................................13 Comeau, Gilles ...........................................................21 Composing for Voice ..................................................19
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INDEX
Computers in Music Education ...................................17 Concise Garland Encyclopedia of World Music, The ......2 Contemporary Music Studies (series) ...........................16 Conversing with Cage .................................................11 Cook, Orlanda ............................................................19 Counterpoint, Composition and Musica Ficta ..............15 Craft of Modal Counterpoint, The...............................15 Craft of Tonal Counterpoint, The ................................15 Creative Music Composition........................................16 Creative Music Making ...............................................17 Crisis of Music in Early Modern Europe, 1470-1530, The .....................................................................11 Critical and Cultural Musicology (series) ..................6, 19 Criticism and Analysis of Early Music (series) ...............15 Crook, Larry..................................................................4 Cullen, Frank ..............................................................24 Cultural Study of Music, The .........................................5 Current Research in Ethnomusicology: Outstanding Dissertations (series) ..............................................5
D/E/F Dal Vera, Rocco ..........................................................18 Damage Incorporated ...................................................8 Danielson, Virginia......................................................23 Daughtry, J. Martin .......................................................7 Day John Met Paul, The ................................................8 Deems Taylor ..............................................................12 Deer, Joe.....................................................................18 Deleuze and the Arts (series).......................................20 Deleuze on Music, Painting and the Arts ....................20 Derno, Maiken..............................................................8 Dettmar, Kevin J.H. .......................................................8 DeVito, Chris ................................................................9 Dickinson, Kay ............................................................19 Digital Musician, The ..................................................13 Du Perron, Lalita ...........................................................5 Duckworth, William ....................................................14 Dunlap, Kay................................................................24 Dunn, Christopher ........................................................6 Durrant, Colin.............................................................16 East Asia: History, Politics, Sociology and Culture (series) ...................................................................5 Eighteenth-Century Piano Music .................................11 Electronic and Experimental Music ..............................13 Ella Fitzgerald .............................................................10 Encyclopedia of American Gospel Music .....................23 Encyclopedia of Keyboard Instruments (series) ............24 Encyclopedia of Percussion .........................................24 Encyclopedia of Recorded Sound ................................24 Encyclopedia of the Blues 2-Volume Set .....................24 Ethnomusicologists’ Cookbook, The..............................5 Ethnomusicology ..........................................................3 Everett, Walter..............................................................6 Exploring the Networked Worlds of Popular Music .......8 Expression in Pop-Rock Music .......................................6 Filler, Susan M. ...........................................................22 Film Music: A History ..................................................19 Finding Your Voice .....................................................19 Fineberg, Joshua.........................................................12 Fisher, Jeremy .............................................................19 Flynn, Timothy ............................................................21 Focus on World Music Series (series) .........................3, 4 Focus: Caribbean Music ................................................4 Focus: Gamelan Music of Indonesia ..............................3 Focus: Irish Traditional Music ........................................4
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Focus: Music, Nationalism, and the Making of a New Europe ..................................................................4 Focus: Music of Northeast Brazil ...................................4 Focus: Music of South Africa ........................................3 Folk Music: The Basics ..................................................8 Ford, Robert ...............................................................23 Form and Method: Composing Music .........................16 Forman, Murray............................................................8 Franz Liszt ...................................................................21 Frederick Delius ..........................................................21 Frith, Simon ................................................................14 From Tejano to Tango ..................................................6 Fujioka, Yasuhiro...........................................................9 Furia, Philip.................................................................18
G/H/I Gaetano Donizetti ......................................................21 Gallo, Denise ..............................................................18 Garland Encyclopedia of World Music (series) .............23 Garland Encyclopedia of World Music Set 10-Volume Set, The.............................................23 Garland Encyclopedia of World Music, The .................23 Garland Handbook of African Music, The .....................2 Garland Handbook of Latin American Music, The .........2 Garland Handbook of Southeast Asian Music, The .......3 Garland Handbooks of World Music (series) .............2, 3 Get Your Ass in the Water and Swim Like Me ............10 Gioachino Rossini .......................................................21 Giovanni Pierluigi da Palestrina ...................................21 Girl Groups, Girl Culture ...............................................7 Gloag, Kenneth ..........................................................12 Global Minstrels............................................................4 Global Music Industry, The .........................................14 Global Pop....................................................................5 Goertzen, Chris ..........................................................23 Green, Douglass .........................................................15 Guitar Tunings ............................................................17 Guralnick, Peter ..........................................................10 Gustav and Alma Mahler, Second Edition ...................22 Hagedorn, Katherine J. .................................................4 Hall, Charles John .......................................................23 Hallmark, Rufus ..........................................................10 Handmade Electronic Music ........................................13 Harpsichord and Clavichord, The ................................24 Hefling, Stephen.........................................................11 Herbert, Trevor..............................................................5 Hindi Poetry in a Musical Genre ....................................5 Hodson, Robert ............................................................9 Hoffmann, Frank ..................................................23, 24 Holmes, Thom ......................................................13, 14 Horse-head Fiddle and the Cosmopolitan Reimagination of Mongolia, The ...........................5 Houseman, Barbara ....................................................19 How To Play Classic Jazz Guitar ..................................17 Hugill, Andrew ...........................................................13 Hull, Geoffrey .............................................................14 In Focus: Routledge Film Readers (series) ....................19 Interaction, Improvisation, and Interplay in Jazz ............9 International Who’s Who in Classical Music 2009 .......22 International Who’s Who in Popular Music 2009 ........22 Interpreting Mozart ....................................................11 Is Jazz Dead? ..............................................................10 Is Rock Dead? ...............................................................8
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J/K/L Jackson, Bruce ............................................................10 Jackson, Roland ..........................................................24 Jarman-Ivens, Freya.......................................................7 Jasen, David A. ...............................................10, 23, 24 Jazz: the Basics .............................................................9 Jenness, David ............................................................18 Jesus Dub ...................................................................20 Joe, Jeongwon............................................................19 John Cage ..................................................................11 John Coltrane Reference, The .......................................9 Johnson, Steven..........................................................12 Jones, Evan.................................................................15 Jones, Gene................................................................10 Kaeppler, Adrienne .....................................................23 Karlin, Fred .................................................................19 Kassel, Richard............................................................24 Kayes, Gillyanne .........................................................19 Kelly, Stephen N. ........................................................16 Keyboard Music Before 1700......................................11 Keyboard Music of J.S. Bach, The ...............................11 Kipnis, Igor .................................................................24 Kitts, Thomas M. ..........................................................7 Komara, Edward .........................................................24 Koskoff, Ellen .........................................................5, 23 Kostelanetz, Richard ...................................................11 Kotarba, Joe .................................................................7 Krims, Adam...............................................................20 Lasser, Michael............................................................18 Learning to Teach in the Secondary School Series (series) .................................................................16 Learning to Teach Music in the Secondary School .......16 Lee, Douglas...............................................................12 Lerner, Neil .................................................................20 Liturgy and Contemplation in Byrd’s Gradualia ...........12 Liveness ......................................................................20 Lochhead, Judy...........................................................12 Love, J.W. ...................................................................23 Luckís In My Corner ......................................................9 Luttmann, Stephen .....................................................21 Lydon, Michael .................................................8, 14, 17
M/N/O Making Music in Japanís Underground .........................5 Making of the Sound of Music, The............................18 Mandel, Howard...........................................................9 Marcus, Scott .............................................................23 Mark, Michael ............................................................17 Marsh, Dave .................................................................7 Marsh, Peter K..............................................................5 Marshall, Lee ..............................................................14 Marshall, Robert .........................................................11 Master Musicians of India .............................................5 Masterworks of 20th-Century Music ...........................12 Mathews, Paul............................................................16 Matsue, Jennifer Milioto ...............................................5 Maultsby, Portia K.........................................................4 May, Tom....................................................................14 McAdams, Stephen ....................................................16 McCalla, James...........................................................11 McCarthy, Kerry..........................................................12 McNeil, W. K. .............................................................23 Meeder, Christopher .....................................................9 Mendelssohn Essays....................................................11 Middleton, Richard ...................................................5, 8
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INDEX
Miles, Ornette, Cecil .....................................................9 Miller, Terry E......................................................1, 3, 23 Mind Models ..............................................................12 Mockus, Martha .........................................................12 Monson, Ingrid .............................................................6 Montgomery, Alan......................................................19 Movie Music, The Film Reader ....................................19 Muller, Carol.................................................................3 Music and Copyright...................................................14 Music and Urban Geography ......................................20 Music Cultures in the United States ..............................5 Music Education .........................................................17 Music in the Post-9/11 World .......................................7 Music Publishing .........................................................14 Music Theory Through Improvisation ..........................15 Music with the Under-Fours........................................16 Musicology: The Key Concepts ...................................12 Neal, Mark Anthony .....................................................8 Nettl, Bruno................................................................23 New York Schools of Music and the Visual Arts, The ..12 Nicholson, Stuart ........................................................10 Nicolas Slonimsky: Writings on Music .........................12 Nidel, Richard O............................................................4 Nineteenth-Century Chamber Music ...........................11 Nineteenth-Century Piano Music .................................11 Nyre, Lars ...................................................................13 O’Donnell, Jim ..............................................................8 Oh Boy! ........................................................................7 Oliver, Paul..................................................................10 Olivier Messiaen ..........................................................22 Olmstead, Andrea.......................................................12 Olsen, Dale A. ....................................................2, 5, 23 On the Track...............................................................19 O’Neal, Jim .................................................................10 Opera Coaching..........................................................19 Opera: The Basics .......................................................18 Operetta .....................................................................18 Orchestration ..............................................................16 Organ, The .................................................................24
P/Q/R Palmieri, Robert ..........................................................24 Pankhurst, Thomas .....................................................15 Patterson, David .........................................................11 Paul Hindemith ...........................................................21 Pegolotti, James..........................................................12 Percussionists’ Guide to Injury Treatment and Prevention, The ...................................................17 Performance Practice ..................................................24 Perrone, Charles A........................................................6 Philpott, Christopher...................................................16 Piano Pedagogy ..........................................................21 Piano, The ..................................................................24 Pillsbury, Glenn .............................................................8 Plantenga, Bart .............................................................8 Playing the Violin ........................................................17 Pollock, Bruce .............................................................24 Popular Music of Vietnam .............................................5 Popular Music Studies Reader, The ...............................7 Popular Music: The Key Concepts .................................8 Porter, James ..............................................................23 Porter, Lewis .................................................................9 Post, Jennifer C.............................................................3 Postmodern Music/Postmodern Thought.....................12 Principles and Practice of Counterpoint, Vol. 1, The ....15
Principles and Practice of Counterpoint, Vol. 2, The ....15 Promoting Your Music ................................................14 Provine, Robert C........................................................23 Queering the Pitch ......................................................12 Queering the Popular Pitch ...........................................7 Qureshi, Regula Burckhardt...........................................5 Ragtime ......................................................................24 Ray Charles ...................................................................8 Ray Davies ....................................................................7 Recording Industry, The ..............................................14 Representing African Music ..........................................6 Revisiting Music Theory...............................................16 Reynolds, Dwight........................................................23 Reynolds, Roger....................................................12, 16 Rhythm, Music, and the Brain .....................................20 Rice, Timothy..............................................................23 Rief, Silvia ...................................................................20 Ritter, Jonathan.............................................................7 Robins, Wayne..............................................................6 Rock History Reader, The ..............................................6 Rock Song Index .........................................................24 Roger Sessions ............................................................12 Routledge Advances in Sociology (series) ......................8 Routledge Critical Thinkers (series) ..............................20 Routledge Guide to Broadway ....................................18 Routledge Guide to Music Technology, The ................14 Routledge Key Guides (series) .................................8, 12 Routledge Music Bibliographies (series) .......................21 Routledge Studies in Ethnomusicology (series) ..............5 Routledge Studies in Musical Genres (series) .........10, 11 Royal Asiatic Society Books (series)................................5 Rush, Mark .................................................................17 Rycenga, Jennifer..........................................................7
S/T/U Saffle, Michael ............................................................21 Sandberg, Larry ..........................................................17 Sarath, Ed W...............................................................15 SchenkerGUIDE...........................................................15 Schmaler, Wolf .............................................................9 Schulenberg, David.....................................................11 Sekine, Naoki..............................................................14 Shahriari, Andrew .........................................................1 Shank, Barry .................................................................7 Sheehy, Daniel ........................................................2, 23 Shuker, Roy ..............................................................7, 8 Silbiger, Alexander ......................................................11 Simms, Bryan..............................................................21 Singer’s Companion, The ............................................19 Singing and Acting Handbook, The ............................19 Singing and the Actor.................................................19 Singing For Life .............................................................6 Singing With Your Own Voice ....................................19 Situating Salsa ..............................................................6 Skilbeck, Nicholas .......................................................19 Slonimsky, Nicolas.......................................................12 Slonimsky’s Book of Musical Anecdotes ......................12 Sobel, Ron ..................................................................14 Songwriting Success ...................................................14 Sound Media ..............................................................13 Sound Moves..............................................................14 Sounding Off: Theorizing Disability in Music ...............20 Sounding Out: Pauline Oliveros and Lesbian Musicality ............................................................12 Spiller, Henry.................................................................3
Sporting Sounds .........................................................20 Spreadin’ Rhythm Around...........................................10 Spruce, Gary...............................................................16 Stohrer, Sharon L. .......................................................19 Stone, Ruth M. .......................................................2, 23 Strange Sounds ..........................................................14 Straus, Joseph.............................................................20 Studies in Contemporary Music and Culture (series) ....12 Studies on New Music Research (series) ......................20 Successful Singing Auditions .......................................19 Taft, Michael...............................................................10 Talkin’ to Myself .........................................................10 Taylor, Timothy D....................................................5, 14 Teaching Music in American Society ...........................16 That’s the Joint!............................................................8 Thaut, Michael............................................................20 Theodor Adorno .........................................................20 Theresa, Rose .............................................................19 Thomas, Gary C..........................................................12 Tin Pan Alley ...............................................................24 Todd, R. Larry .......................................................10, 11 Tokumaru, Yosihiko.....................................................23 Toynbee, Jason .............................................................7 Traubner, Richard ........................................................18 Twentieth-Century Chamber Music .............................11 Understanding Popular Music Culture ...........................7 Understanding Society through Popular Music ..............7
V/W/Y van Singel, Amy..........................................................10 Vannini, Phillip ..............................................................7 Vaudeville, Old and New ............................................24 Velsey, Donald ............................................................18 Vincenzo Bellini ..........................................................21 Virtual Music ..............................................................14 Vocal Chamber Music .................................................24 Voice of the Blues, The ...............................................10 Voicing the Popular ......................................................8 Wald, Elijah...................................................................4 Warwick, Jacqueline .....................................................7 Washburne, Christopher J.............................................8 Waxer, Lise ...................................................................6 Webb, Peter .................................................................8 Weeks, Todd Bryant ......................................................9 Wegman, Rob C. ........................................................11 Weissman, Dick ..............................................10, 14, 17 Whiteley, Sheila ............................................................7 Wierzbicki, James .......................................................19 Wild, David...................................................................9 Wilk, Max ...................................................................18 Wilkins, Margaret Lucy ...............................................16 Williams, John ............................................................19 Williams, Sean ......................................................3, 4, 5 Wilson, Ross ...............................................................20 Winchester, Barbara....................................................24 Witzleben, J. Lawrence ...............................................23 Wolfgang Amadeus Mozart ........................................21 Wood, Elizabeth .........................................................12 Workman, Dr. Darin “Dutch” .....................................17 World Music .................................................................1 World Music: The Basics ...............................................4 Wright, Rayburn .........................................................19 Yodel-Ay-Ee-Oooo ........................................................8 Young, Susan..............................................................16 Yourke, Electra............................................................12
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