Art, Design & Visual Culture 2010 (UK)

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Art, Design & Visual Culture New Titles and Key Backlist 2010

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Welcome to Routledge

Art, Design & Visual Culture New Titles and Key Backlist 2010

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Modern Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Art History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Visual Culture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Aesthetics and Philosophy of Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Gender and Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Fashion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Arts Management and Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Routledge Paperbacks Direct . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Order Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back of Catalogue

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mode r n art

Modern Art

new

new

Politics, Ethics, Affect

Contemporary Art and the Cosmopolitan Imagination

Contemporary British Art

Marsha Meskimmon

An Introduction

Grant Pooke, University of Kent, UK

Never, according to an article by the art critic Louisa Buck in the Evening Standard magazine last year, has the following quotation from US Museum Director Thomas Hoving, seemed more apt: ’Art is sexy! Art is money-sexy! Art is money-sexysocial-climbing-fantastic!’

This book will provide an introduction to British art, in all its money-sexy glory, from the YBAs to the present.

Grant Pooke’s study explores key themes in British art practice: autobiographical art, the abject, mutability and death, through a discussion of the work of key artists and art movements, including Michael Landy, Lucian Freud, Sam Taylor-Wood, Damien Hirst, Rachel Whiteread and Anthony Gormley.

Contemporary Art and the Cosmopolitan Imagination explores the material and conceptual articulations of ’home’ that permeate contemporary, transnational art practices.

The questions these raise, however, are not so simple; by engaging productively with what it means to inhabit a globalised world, contemporary art participates in a critical dialogue between cosmopolitan imagination, ethical responsibility and locational identity. That critical dialogue is the focus of Marsha Meskimmon’s new study.

The volume is structured and written through four ’architectonic figurations’: foundation, threshold, passage and landing.

Contemporary Art and the Cosmopolitan Imagination offers a challenging new direction in the current literature on cosmopolitanism, globalisation and art.

A range of art forms, from painting and sculpture to video and installation art will be addressed.

July 2010: 224pp Hb: 978-0-415-46919-7: £65.00 Pb: 978-0-415-46920-3: £21.99

September 2010: 224pp Hb: 978-0-415-38973-0: £65.00 Pb: 978-0-415-38974-7: £18.99

For more information, visit: www.routledge.com/9780415469203

For more information, visit: www.routledge.com/9780415389747

Learning to Look at Modern Art Mary Acton

FREE P&P Online!

Simple and secure online ordering, please visit www.routledge.com/art and receive FREE postage & packaging* for online orders over £20. *UK customers only

This companion volume to the author’s Learning to Look at Paintings suggests that the best way to understand modern art is to look closely at it, and to consider the different elements that make up each art work: composition, space and form, light and colour, and subject matter.

2004: 334pp Hb: 978-0-415-23811-3: £55.00 Pb: 978-0-415-23812-0: £13.99 For more information, visit: www.routledge.com/9780415238120

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Modern Art Culture

Writing Back to Modern Art

A Reader

After Greenberg, Fried and Clark

Edited by Francis Frascina, Keele University, UK

Jonathan Harris

Modern Art Culture: A Reader provides an essential resource for understanding the culture of modern art since the 1960s.

In recent years, media theorists and historians have asked whether works of imaginative art can have any impact in our image-saturated culture. Given the power of institutions, how do radical artists produce effective cultural interventions? In the aftermath of September 11th, 2001, many argue that pressing questions about works of art and their meanings are inseparable not only from contemporary social and political issues but also from major debates and developments in the last four decades.

To explore such questions and issues, the Reader is divided into six related parts with articles from journals, magazines and exhibition catalogues that exemplify important interventions from the 1960s onwards: Histories, Representations and Remembrance; Art and Visual/Mass/ Popular Culture; Institutions; Inclusions/Exclusions; Bodies and Identities; Power and Permissibility.

2005: 288pp Hb: 978-0-415-32428-1: £65.00 Pb: 978-0-415-32429-8: £20.99 eBook: 978-0-203-08703-9 For more information, visit: www.routledge.com/9780415324298

2nd Edition

Modern Art A Critical Introduction Pam Meecham and Julie Sheldon ’Modern Art: A Critical Introduction does exactly what it says on the cover ... An excellent comprehensive introduction to the subject.’ - History of Art and Visual Culture

2008: 488pp Hb: 978-0-415-23151-0: £75.00 Pb: 978-0-415-23152-7: £24.99

2004: 384pp Hb: 978-0-415-28193-5: £65.00 Pb: 978-0-415-28194-2: £21.99

For more information, visit: www.routledge.com/9780415231527

For more information, visit: www.routledge.com/9780415281942

Engaging Art

2nd Edition

The Next Great Transformation of America’s Cultural Life Edited by Steven J. Tepper and Bill Ivey, both at Vanderbilt University, USA Engaging Art explores what it means to participate in the arts in contemporary society – from museum attendance to music downloading. Drawing on the perspectives of experts from diverse fields (including Princeton scholars Robert Wuthnow and Paul DiMaggio; Barry Schwartz, author of The Paradox of Choice; and MIT scholars Henry Jenkins and Mark Schuster), this volume analyzes key trends involving technology, audience demographics, religion, and the rise of ’do-it-yourself’ participatory culture.

Pollock and After The Critical Debate Edited by Francis Frascina 2000: 400pp Hb: 978-0-415-22866-4: £65.00 Pb: 978-0-415-22867-1: £18.99 For more information, visit: www.routledge.com/9780415228671

2007: 408pp Hb: 978-0-415-96041-0: £60.00 Pb: 978-0-415-96042-7: £18.99 eBook: 978-0-203-92750-2 For more information, visit: www.routledge.com/9780415960427

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art h i s tory

Art History

Art History: The Basics

Making American Art

Series: The Basics

Pam Meecham, Institute of Education, University of London, UK and Julie Sheldon, Liverpool John Moore’s University, UK

Grant Pooke, University of Kent, UK and Diana Newall

Making American Art presents a thematic, interdisciplinary examination of art in the United States from the seventeenth century to the present day.

The themes and issues explored in Making American Art pull together documentary material, art works and contemporary theory to enliven what can often be a complex and geographically overwhelming history.

2008: 280pp Hb: 978-0-415-42069-3: £70.00 Pb: 978-0-415-42070-9: £21.99 For more information, visit: www.routledge.com/9780415420709

’Invaluable to the emerging art historian... refreshing and realistic... For those thinking of studying art history in the West today, this guide will serve as an invaluable signpost.’ - The Art Book Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university.

2007: 288pp Hb: 978-0-415-37309-8: £55.00 Pb: 978-0-415-37308-1: £11.99 For more information, visit: www.routledge.com/9780415373081

Art History: The Key Concepts Jonathan Harris

New

Series: Routledge Key Guides

History as Art, Art as History

2006: 360pp Hb: 978-0-415-31976-8: £60.00 Pb: 978-0-415-31977-5: £14.99 eBook: 978-0-203-62719-8

Contemporary Art and Social Studies Education Dipti Desai, Jessica Hamlin and Rachel Mattson, all at New York University, USA History as Art, Art as History pioneers methods for using contemporary works of art in the social studies and art classroom to enhance an understanding of visual culture and history. The fully-illustrated interdisciplinary teaching toolkit provides an invaluable pedagogical resource— complete with theoretical background and practical suggestions for teaching U.S. history topics through close readings of both primary sources and provocative works of contemporary art.

For more information, visit: www.routledge.com/9780415319775

October 2009: 288pp Hb: 978-0-415-99375-3: £100.00 Pb: 978-0-415-99376-0: £33.99 For more information, visit: www.routledge.com/9780415993760

Artistic Capital David Galenson 2005: 304pp Hb: 978-0-415-70170-9: £90.00 Pb: 978-0-415-70171-6: £32.50 eBook: 978-0-203-70004-4 For more information, visit: www.routledge.com/9780415701716

Encyclopedia of American Folk Art Edited by Gerard C. Wertkin 2003: 704pp Hb: 978-0-415-92986-8: £120.00 For more information, visit: www.routledge.com/9780415929868

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On the Strange Place of Religion in Contemporary Art

James Elkins

James Elkins, Art Institute of Chicago, USA

new

What Photography Is James Elkins, Art Institute of Chicago, USA In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner that he explored oil painting in his best-selling What Painting Is. Elkins argues that photography is also about meaninglessness–its apparently endless capacity to show us things that we do not want or need to see–and pain–extremely powerful images that can sear into our consciousness permanently. Drawing upon a surprising range of images, Elkins demonstrates that what makes photography uniquely powerful is its ability to express the difficulty – physically, psychologically, emotionally, and aesthetically – of the act of seeing.

November 2010: 272pp Hb: 978-0-415-99568-9: £75.00 Pb: 978-0-415-99569-6: £16.99 For more information, visit: www.routledge.com/9780415995696

Visual Literacy Edited by James Elkins, Art Institute of Chicago, USA

What does it mean to be visually literate? Does it mean different things in the arts and the sciences? In the developed West or in developing nations? This groundbreaking collection explores what impact the new concept of ’visual literacy’ has on art history.

2004: 152pp Hb: 978-0-415-96988-8: £62.50 Pb: 978-0-415-96989-5: £18.99 For more information, visit: www.routledge.com/9780415969895

Visual Studies A Skeptical Introduction James Elkins, Art Institute of Chicago, USA 2003: 224pp Hb: 978-0-415-96680-1: £65.00 Pb: 978-0-415-96681-8: £21.99 For more information, visit: www.routledge.com/9780415966818

Stories of Art James Elkins, Art Institute of Chicago, USA 2002: 160pp Hb: 978-0-415-93942-3: £62.50 Pb: 978-0-415-93943-0: £18.99 For more information, visit: www.routledge.com/9780415939430

Pictures and Tears A History of People Who Have Cried in Front of Paintings James Elkins, Art Institute of Chicago, USA 2001: 256pp Hb: 978-0-415-93713-9: £60.00 Pb: 978-0-415-97053-2: £18.99 eBook: 978-0-203-99032-2

2007: 232pp Hb: 978-0-415-95810-3: £60.00 Pb: 978-0-415-95811-0: £18.99 eBook: 978-0-203-93957-4

For more information, visit: www.routledge.com/9780415970532

For more information, visit: www.routledge.com/9780415958110

TO ORDER – see order form at the back of this catalogue. Alternatively, you can order by: Tel: +44 (0)1235 400524 Fax: +44 (0)20 7017 6699 Online: www.routledge.com/art

art h i s tory

Our Beautiful, Dry and Distant Texts

In the Aftermath of Art

Art History as Writing

Donald Preziosi and Johanne Lamoureux

James Elkins, Art Institute of Chicago, USA

Preface by Saul Ostrow

2000: 328pp Pb: 978-0-415-92663-8: £18.99 For more information, visit: www.routledge.com/9780415926638

NEW IN PAPERBACK

How to Use Your Eyes James Elkins, Art Institute of Chicago, USA 2000: 272pp Hb: 978-0-415-92254-8: £60.00 Pb: 978-0-415-99363-0: £24.99 For more information, visit: www.routledge.com/9780415993630

Why Are Our Pictures Puzzles?

On the Modern Origins of Pictorial Complexity James Elkins, Art Institute of Chicago, USA 1999: 320pp Hb: 978-0-415-91941-8: £65.00 Pb: 978-0-415-91942-5: £18.99 For more information, visit: www.routledge.com/9780415919425

What Painting Is James Elkins, Art Institute of Chicago, USA 1998: 256pp Hb: 978-0-415-92113-8: £40.99 Pb: 978-0-415-92662-1: £18.99 For more information, visit: www.routledge.com/9780415926621

Ethics, Aesthetics, Politics

Series: Critical Voices in Art, Theory and Culture 2005: 184pp Hb: 978-0-415-36230-6: £70.00 Pb: 978-0-415-36231-3: £19.99 For more information, visit: www.routledge.com/9780415362313

new

Interpreting Art in the Museum, Gallery and Beyond Christopher Whitehead, University of Newcastle-upon-Tyne In this carefully focussed book, Christopher Whitehead presents both a study of and guide to curatorial practices of art interpretation, including the manipulation of the physical display environment (e.g. exhibition design and lighting) and the production of supporting materials, from text panels to audioguides and interactives.

June 2010: 224pp Hb: 978-0-415-41920-8: £60.00 Pb: 978-0-415-41922-2: £19.99 For more information, visit: www.routledge.com/9780415419222

Key Writers on Art: From Antiquity to the Nineteenth Century Edited by Chris Murray Series: Routledge Key Guides 2002: 288pp Hb: 978-0-415-24301-8: £65.00 Pb: 978-0-415-24302-5: £14.99 For more information, visit: www.routledge.com/9780415243025

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Key Writers on Art: The Twentieth Century

2nd Edition

Edited by Chris Murray

Sigmund Freud

Series: Routledge Key Guides

Foreword by Ernest Jones

2002: 336pp Hb: 978-0-415-22201-3: £65.00 Pb: 978-0-415-22202-0: £14.99 For more information, visit: www.routledge.com/9780415222020

2nd Edition

Learning to Look at Paintings Mary Acton, Oxford University, UK

Learning to Look at Paintings is an accessible guide to the study and appraisal of paintings, drawings and prints. Mary Acton shows how you can develop visual, analytical and historical skills in learning to look at and understand an image by analysing how it works, what its pictorial elements are and how they relate to each other.

2008: 336pp Hb: 978-0-415-43517-8: £65.00 Pb: 978-0-415-43518-5: £13.99 For more information, visit: www.routledge.com/9780415435185

Michelangelo Adrian Stokes

Leonardo da Vinci Series: Routledge Classics 2001: 112pp Pb: 978-0-415-25386-4: £8.99 For more information, visit: www.routledge.com/9780415253864

Making Art History A Changing Discipline and its Institutions Edited by Elizabeth Mansfield, University of the South, USA

Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations.

2007: 288pp Hb: 978-0-415-37234-3: £70.00 Pb: 978-0-415-37235-0: £22.99 For more information, visit: www.routledge.com/9780415372350

Sociology of Art

Introduction by Richard Wollheim

A Reader

Series: Routledge Classics

Edited by Jeremy Tanner

2001: 192pp Pb: 978-0-415-26765-6: £8.99

2003: 288pp Hb: 978-0-415-30884-7: £95.00 Pb: 978-0-415-30883-0: £26.99 eBook: 978-0-203-63364-9

For more information, visit: www.routledge.com/9780415267656

For more information, visit: www.routledge.com/9780415308830

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art h i s tory

The Archaeology of Celtic Art

Theories of Modernism and Postmodernism in the Visual Arts

D.W. Harding, University of Edinburgh, UK

More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art.

Doubt Richard Shiff, University of Texas at Austin, USA

2007: 336pp Hb: 978-0-415-35177-5: £70.00 Pb: 978-0-415-42866-8: £24.99 eBook: 978-0-203-69853-2 For more information, visit: www.routledge.com/9780415428668

The New Art History A Critical Introduction Jonathan Harris 2001: 320pp Hb: 978-0-415-23007-0: £60.00 Pb: 978-0-415-23008-7: £18.99 eBook: 978-0-203-46678-0 For more information, visit: www.routledge.com/9780415230087

Understanding Early Christian Art Robin Margaret Jensen 2000: 240pp Hb: 978-0-415-20454-5: £70.00 Pb: 978-0-415-20455-2: £22.99 For more information, visit: www.routledge.com/9780415204552

In an age where art history’s questions are now expected to receive answers, Richard Shiff presents a challenging alternative.

In this essential new addition to James Elkins’s series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be.

2007: 216pp Hb: 978-0-415-97308-3: £60.00 Pb: 978-0-415-97309-0: £15.99 eBook: 978-0-203-92807-3 For more information, visit: www.routledge.com/9780415973090

Master Narratives and their Discontents James Elkins, Art Institute of Chicago, USA 2005: 200pp Hb: 978-0-415-97269-7: £62.50 Pb: 978-0-415-97270-3: £15.99 For more information, visit: www.routledge.com/9780415972703

Ways Around Modernism Stephen Bann Stephen Bann examines the arguments for the centrality of French modernist painting.

2006: 144pp Hb: 978-0-415-97421-9: £60.00 Pb: 978-0-415-97422-6: £15.99 For more information, visit: www.routledge.com/9780415974226

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The Art Seminar Series Edited by James Elkins, Art Institute of Chicago, USA

Re-Enchantment Edited by James Elkins, Art Institute of Chicago, USA and David Morgan This volume will include an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Thierry De Duve, Georges Didi-Huberman, Gerhard Wolff, Jack Caputo, and Jean-Luc Marion.

2008: 336pp Hb: 978-0-415-96051-9: £75.00 Pb: 978-0-415-96052-6: £18.99 eBook: 978-0-203-89166-7 For more information, visit: www.routledge.com/9780415960526

Renaissance Theory Edited by James Elkins, Art Institute of Chicago, USA and Robert Williams 2008: 560pp Hb: 978-0-415-96045-8: £60.00 Pb: 978-0-415-96046-5: £18.99 eBook: 978-0-203-92986-5 For more information, visit: www.routledge.com/9780415960465

Landscape Theory Edited by Rachel DeLue, Princeton University and James Elkins, Art Institute of Chicago, USA Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology.

This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.

2007: 376pp Hb: 978-0-415-96053-3: £60.00 Pb: 978-0-415-96054-0: £18.99 For more information, visit: www.routledge.com/9780415960540

The State of Art Criticism Edited by James Elkins, Art Institute of Chicago, USA and Michael Newman 2007: 416pp Hb: 978-0-415-97786-9: £60.00 Pb: 978-0-415-97787-6: £20.99 For more information, visit: www.routledge.com/9780415977876

Photography Theory Edited by James Elkins, Art Institute of Chicago, USA 2006: 128pp Hb: 978-0-415-97782-1: £60.00 Pb: 978-0-415-97783-8: £18.99 For more information, visit: www.routledge.com/9780415977838

Is Art History Global?

Edited by James Elkins, Art Institute of Chicago, USA 2006: 128pp Hb: 978-0-415-97784-5: £60.00 Pb: 978-0-415-97785-2: £18.99 For more information, visit: www.routledge.com/9780415977852

Art History Versus Aesthetics Edited by James Elkins, Art Institute of Chicago, USA 2005: 320pp Hb: 978-0-415-97688-6: £65.00 Pb: 978-0-415-97689-3: £18.99 For more information, visit: www.routledge.com/9780415976893

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art h i s tory

new

Vermeer’s Family Secrets

The Pictorial Turn

Genius, Discovery, and the Unknown Apprentice

Edited by Neal Curtis, University of Nottingham, UK In this seminal collection of essays, the first to be devoted to the ’pictorial turn’, theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the ’life’ of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood.

June 2010: 160pp Hb: 978-0-415-54982-0: £75.00 For more information, visit: www.routledge.com/9780415549820

Visualizing Africa in Nineteenth-Century British Travel Accounts Leila Koivunen, University of Turku, Finland Series: Routledge Research in Travel Writing This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books.

2008: 368pp Hb: 978-0-415-99001-1: £65.00 For more information, visit: www.routledge.com/9780415990011

Benjamin Binstock, Cooper Union, USA

In Vermeer’s Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer’s work and life.

On almost every page of Vermeer’s Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art.

Lavishly illustrated with more than 180 black and white images and more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeer’s oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done this kind of visual comparison of his complete output.

2008: 456pp Hb: 978-0-415-96664-1: £27.99 For more information, visit: www.routledge.com/9780415966641

new

Landscapes of Holocaust Postmemory Brett Kaplan, University of Illinois, Urbana-Champaign, USA Series: Routledge Research in Cultural and Media Studies How do the spaces of the past stay with us through representations—whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century.

August 2010: 192pp Hb: 978-0-415-87476-2: £70.00 For more information, visit: www.routledge.com/9780415874762

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Visual Culture In Sight: Visual Culture New

Edited by Fiona Candlin, Birkbeck College, University of London and Raiford Guins, State University of New York, Stony Brook, USA

2nd Edition

The Feminism and Visual Culture Reader Edited by Amelia Jones, McGill University, Canada

The Object Reader

Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years. Challenging the notion of feminism as a unified discourse, this second edition of The Feminism and Visual Culture Reader assembles a wide array of writings that address art, film, architecture, popular culture, new media and other visual fields from a feminist perspective.

Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years. Challenging the notion of feminism as a unified discourse, this second edition of The Feminism and Visual Culture Reader assembles a wide array of writings that address art, film, architecture, popular culture, new media and other visual fields from a feminist perspective.

The essays, forty percent of which are new to the second edition, are informed by the authors’ deep attention to historical, geographical, and disciplinary contexts as well as by cutting edge concerns such as globalization, diasporic cultural shifts, developments in new media technologies, and intersectional identity politics.

The Feminism and Visual Culture Reader combines classic texts with six specially commissioned pieces, all by leading feminist critics, historians, theorists, artists, and activists.

Articles are grouped into thematic sections, each of which is introduced by the editor. Providing a framework within which to understand the shifts in feminist thinking in visual studies, as well as an overview of major feminist theories of the visual, this Reader also explores how issues of race, class, nationality, and sexuality enter into debates about feminism in the field of the visual.

January 2010: 592pp Hb: 978-0-415-54369-9: £75.00 Pb: 978-0-415-54370-5: £22.99 For more information, including a full table of contents listing visit: www.routledge.com/9780415543705

This unique collection frames the classic debates on objects and aims to generate new ones by reshaping the ways in which the object can be taught and studied, from a wide variety of disciplines and fields.

The collection, composed of twentieth and twenty-first century writing also seeks to make its own contribution through original work, in the form of twenty-five short ’object lessons’ commissioned specifically for this project.

February 2009: 576pp Hb: 978-0-415-45229-8: £75.00 Pb: 978-0-415-45230-4: £21.99 For more information, visit: www.routledge.com/9780415452304

The Nineteenth-Century Visual Culture Reader Edited by Vanessa R. Schwartz and Jeannene M. Przyblyski Exploring such topics as photographs, exhibitions and advertising, this Reader brings together, for the first time, key writings about the nineteenth century, a major period in the contemporary discussion of visual culture.

2004: 432pp Hb: 978-0-415-30865-6: £75.00 Pb: 978-0-415-30866-3: £22.99 For more information, visit: www.routledge.com/9780415308663

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v i s ual c ultur e

2nd Edition

An Introduction to Visual Culture Nicholas Mirzoeff

’Nicholas Mirzoeff’s new synthesis of visual culture study is a tour-de-force comparative reading that begins where most comprehensive books in the field leave off, with globalization. If, as Mirzoeff tells us in his scintillating style, visuality has alienated vision from its users, then this lively and impassioned account is certain to put readers right at the heart of the problem with a spectrum of examples through which to work it through.’ - Lisa Cartwright, Professor of Communication and Science Studies, University of California at San Diego, USA An Introduction to Visual Culture provides a wide-ranging introduction to the now established interdisciplinary field of visual culture.

Bobby Baker Redeeming Features of Daily Life Edited by Michèle Barrett, Queen Mary College, University of London, UK and Bobby Baker

’A truly beautiful book ... If only all books about contemporary performance were this good! Whether you are a life-long fan of Bobby Baker, or new to her work, this is an essential purchase.’ - Total Theatre

2007: 288pp Hb: 978-0-415-44410-1: £70.00 Pb: 978-0-415-44411-8: £25.00 eBook: 978-0-203-93892-8 For more information, visit: www.routledge.com/9780415444118

Diaspora and Visual Culture

Mapping a global history and theory of visual culture, An Introduction to Visual Culture asks how and why visual media have become so central to everyday life. This new, completely updated second edition has been adapted to match the challenges of interpreting globalization since the publication of the first edition a decade ago.

Representing Africans and Jews

May 2009: 352pp Hb: 978-0-415-32758-9: £75.00 Pb: 978-0-415-32759-6: £21.99 eBook: 978-0-203-39062-7

For more information, visit: www.routledge.com/9780415166706

For more information, visit: www.routledge.com/9780415327596

2nd Edition

Edited by Nicholas Mirzoeff 1999: 280pp Hb: 978-0-415-16669-0: £75.00 Pb: 978-0-415-16670-6: £21.99

Visual Culture Edited by Marquard Smith and Joanne Morra Series: Critical Concepts in Media and Cultural Studies

The Visual Culture Reader

2006: 1696pp Hb: 978-0-415-32641-4: £575.00 $1165.00

Edited by Nicholas Mirzoeff

For more information, visit: www.routledge.com/9780415326414

2002: 776pp Hb: 978-0-415-25221-8: £75.00 Pb: 978-0-415-25222-5: £24.99

Installation Art

For more information, visit: www.routledge.com/9780415252225

Claire Bishop 2005: 144pp Pb: 978-0-415-97412-7: NOT FOR SALE IN THE UNITED KINGDOM For more information, visit: www.routledge.com/9780415974127

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vi s ual cu lt ur e

12

Self/Image

Digital Encounters

Technology, Representation, and the Contemporary Subject

Aylish Wood, University of Kent, UK

Amelia Jones

Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book is the first to exclusively explore how technology has affected artist’s abilities and forms to express themselves.

’Aylish Wood’s argument is timely and relevant. She has offered a rich description of our rapidly changing technological environment, and of the various complex modes of engagment that are offered to us by the digital interface. Her emphasis on the material and bodily character of our ’encounters’ with digital media ... is a welcome antidote to more pessimistic accounts of digital culture.’ - Marc Furstenau, School for Studies in Art and Culture, Carleton University, Canada 2007: 200pp Hb: 978-0-415-41065-6: £65.00 Pb: 978-0-415-41066-3: £19.99 For more information, visit: www.routledge.com/9780415410663

2006: 280pp Hb: 978-0-415-34521-7: £75.00 Pb: 978-0-415-34522-4: £19.99 For more information, visit: www.routledge.com/9780415345224

Multi-media Video – Installation – Performance Nick Kaye, University of Exeter, UK

The Practice of Public Art Edited by Cameron Cartiere, Birkbeck College, University of London, UK and Shelly Willis, University of Minnesota, USA Series: Routledge Research in Cultural and Media Studies ’For university collections and other institutions, this important work is indispensable.’ - Joni M. Palmer, Public Art Review 2008: 286pp Hb: 978-0-415-96292-6: £65.00 For more information, visit: www.routledge.com/9780415962926

Watching Babylon The War in Iraq and Global Visual Culture Nicholas Mirzoeff 2004: 216pp Hb: 978-0-415-34309-1: £65.00 Pb: 978-0-415-34310-7: £15.99 eBook: 978-0-203-48282-7 For more information, visit: www.routledge.com/9780415343107

Multi-media charts the development of multi-media video, installation and performance in a unique dialogue between theoretical analysis and specially commissioned documentations by some of the world’s foremost artists. Nick Kaye explores the interdisciplinary history and character of experimental practices shaped in exchanges between music, installation, theatre, performance art, conceptual art, sculpture and video.

2007: 272pp Hb: 978-0-415-28380-9: £70.00 Pb: 978-0-415-28381-6: £22.99 For more information, visit: www.routledge.com/9780415283816

Digital Currents Art in the Electronic Age Margot Lovejoy 2004: 376pp Hb: 978-0-415-30780-2: £65.00 Pb: 978-0-415-30781-9: £21.99 eBook: 978-0-203-00527-9 For more information, visit: www.routledge.com/9780415307819

TO ORDER – see order form at the back of this catalogue. Alternatively, you can order by: Tel: +44 (0)1235 400524 Fax: +44 (0)20 7017 6699 Online: www.routledge.com/art

aesthetics and ph i los oph y of art

American Icons The Genesis of a National Visual Language Benedikt Feldges Series: Routledge Research in Cultural and Media Studies 2007: 296pp Hb: 978-0-415-95635-2: £62.50 eBook: 978-0-203-93784-6

Aesthetics and Philosophy of Art

For more information, visit: www.routledge.com/9780415956352

A Philosophical Enquiry Into the Sublime and Beautiful

new

Edmund Burke

The Politics of Visual Culture in Japan

Series: Routledge Classics Edited with an introduction and notes by James T. Boulton

Vera Mackie, University of Melbourne, Australia Series: Routledge Studies in Asia’s Transformations

This is one of the most important works of aesthetics ever written.

Whilst many writers have taken up their pen to write of ‘the beautiful’, Burke’s subject here was that quality he uniquely distinguished as ‘the sublime’ – an all-consuming force beyond beauty that compelled terror as much as rapture in all who beheld it.

Vera Mackie, a leading scholar of Japanese history, takes the original approach of using examples of the extraordinary visual culture of the last century to bring new insights into the political and cultural history of twentieth century Japan.

June 2010: 240pp Hb: 978-0-415-39612-7: £75.00 For more information, visit: www.routledge.com/9780415396127

New

German Colonialism, Visual Culture, and Modern Memory Edited by Volker Langbehn, San Francisco State University, California, USA Series: Routledge Studies in Modern European History January 2010: 258pp Hb: 978-0-415-99779-9: £70.00 eBook: 978-0-203-85690-1 For more information, visit: www.routledge.com/9780415997799

’One of the greatest essays ever written on art.’ – The Guardian

2008: 328pp Pb: 978-0-415-45326-4: £11.99 For more information, visit: www.routledge.com/9780415453264

A Philosophy of Computer Art Dominic Lopes, University of British Columbia, Canada

A Philosophy of Computer Art is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’.

August 2009: 160pp Hb: 978-0-415-54761-1: £60.00 Pb: 978-0-415-54762-8: £19.99 eBook: 978-0-203-87234-5 For more information, visit: www.routledge.com/9780415547628

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Critical Voices in Art, Theory and Culture

3rd Edition

Arguing About Art Contemporary Philosophical Debates

Art and Ventriloquism

Edited by Alex Neill and Aaron Ridley, both at University of Southampton, UK

David Goldblatt

Series: Arguing About Philosophy

2005: 224pp Hb: 978-0-415-37059-2: £65.00 Pb: 978-0-415-37060-8: £19.99 For more information, visit: www.routledge.com/9780415370608

’A most valuable supplement to any philosophical aesthetics course, one that would enliven and freshen it up, partly by deftly engaging students.’

– The Times Higher Education Supplement

Imagining the Present Context, Content, and the Role of the Critic Edited by Richard Kalina 2006: 328pp Hb: 978-0-415-39146-7: £80.00 Pb: 978-0-415-39167-2: £24.99

2007: 504pp Hb: 978-0-415-42450-9: £75.00 Pb: 978-0-415-42451-6: £24.99

For more information, visit: www.routledge.com/9780415391672

For more information, visit: www.routledge.com/9780415424516

Artistic Citizenship A Public Voice for the Arts Edited by Mary Schmidt Campbell and Randy Martin, both at New York University, USA 2006: 288pp Hb: 978-0-415-97865-1: £62.50 Pb: 978-0-415-97866-8: £18.99 For more information, visit: www.routledge.com/9780415978668

Art and Morality Edited by José Luis Bermúdez and Sebastian Gardner Series: International Library of Philosophy 2006: 312pp Pb: 978-0-415-26046-6: £23.99

Order Yours Today!

For simple and secure online ordering, please visit www.routledge.com/art

For more information, visit: www.routledge.com/9780415260466

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aesthe tics an d ph i los ophy of art

Dynamics and Performativity of Imagination

On Criticism

The Image between the Visible and the Invisible

Series: Thinking in Action

Edited by Bernd Huppauf, New York University, USA and Christoph Wulf, Free University, Berlin

Noél Carroll, Temple University, USA

Series: Routledge Research in Cultural and Media Studies In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.

April 2009: 386pp Hb: 978-0-415-99093-6: £80.00

In a recent poll of practicing art critics, seventy-five percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noél Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art.

For more information, visit: www.routledge.com/9780415990936

2008: 224pp Hb: 978-0-415-39620-2: £55.00 Pb: 978-0-415-39621-9: £12.99 eBook: 978-0-203-88112-5

New

For more information, visit: www.routledge.com/9780415396219

Law and Art Ethics, Aesthetics, Justice

Revealing Art

Edited by Oren Ben-Dor, University of Southampton, UK

Matthew Kieran

The contributions to Law and Art address the interaction between law, justice, the ethical and the aesthetic. The exercise of the legal role and the scholarly understanding of legal texts were classically defined as ars iuris - an art of law - which drew on the panoply of humanist disciplines, from philology to fine art. That tradition has fallen by the wayside, particularly in the wake of modernism. But, as this book demonstrates, a consideration of the relationship between law and art can still bring jurisprudence, and particularly critical jurisprudence, to life.

February 2010: 288pp Hb: 978-0-415-56021-4: £75.00 For more information, visit: www.routledge.com/9780415560214

3rd Edition

Philosophy of the Arts An Introduction to Aesthetics Gordon Graham 2005: 288pp Hb: 978-0-415-34978-9: £65.00 Pb: 978-0-415-34979-6: £18.99 For more information, visit: www.routledge.com/9780415349796

2004: 296pp Hb: 978-0-415-27853-9: £55.00 Pb: 978-0-415-27854-6: £15.99 eBook: 978-0-203-64235-1 For more information, visit: www.routledge.com/9780415278546

The Art Question Nigel Warburton 2002: 160pp Hb: 978-0-415-17489-3: £60.00 Pb: 978-0-415-17490-9: £13.99 For more information, visit: www.routledge.com/9780415174909

The Continental Aesthetics Reader Edited by Clive Cazeaux 2000: 640pp Hb: 978-0-415-20053-0: £75.00 Pb: 978-0-415-20054-7: £21.99 For more information, visit: www.routledge.com/9780415200547

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Theories of Art

2nd Edition

1. From Plato to Winckelmann

Semiotics: The Basics

Moshe Barasch

Daniel Chandler, University of Wales, Aberystwyth, UK

2000: 436pp Pb: 978-0-415-92625-6: £23.99

Series: The Basics

For more information, visit: www.routledge.com/9780415926256

Theories of Art

This updated second edition provides a clear and concise introduction to the key concepts of semiotics in accessible and jargon-free language.

2. From Winckelmann to Baudelaire Moshe Barasch 2000: 400pp Pb: 978-0-415-92626-3: £24.99 For more information, visit: www.routledge.com/9780415926263

Theories of Art 3. From Impressionism to Kandinsky Moshe Barasch 2000: 400pp Pb: 978-0-415-92627-0: £23.99 For more information, visit: www.routledge.com/9780415926270

Routledge Philosophy GuideBook to Nietzsche on Art Aaron Ridley, University of Southampton, UK Series: Routledge Philosophy GuideBooks 2007: 208pp Hb: 978-0-415-31590-6: £55.00 Pb: 978-0-415-31591-3: £14.99 eBook: 978-0-203-96485-9 For more information, visit: www.routledge.com/9780415315913

2007: 328pp Hb: 978-0-415-36376-1: £55.00 Pb: 978-0-415-36375-4: £11.99 eBook: 978-0-203-01493-6 For more information, visit: www.routledge.com/9780415363754

The Routledge Companion to Semiotics Edited by Paul Cobley, London Metropolitan University, UK Series: Routledge Companions

The ideal introduction to semiotics, containing engaging essays from an impressive range of international leaders in the field.

Featuring an extended glossary of key terms and thinkers as well as suggestions for further reading, this is an invaluable reference guide for students of semiotics at all levels.

July 2009: 424pp Hb: 978-0-415-44072-1: £65.00 Pb: 978-0-415-44073-8: £19.99 For more information, visit: www.routledge.com/9780415440738

TO ORDER – see order form at the back of this catalogue. Alternatively, you can order by: Tel: +44 (0)1235 400524 Fax: +44 (0)20 7017 6699 Online: www.routledge.com/art

aesthe tics an d ph i los ophy of art

2nd Edition

New

The Routledge Companion to Aesthetics

Who’s Afraid of Conceptual Art?

Edited by Berys Gaut and Dominic McIver Lopes Series: Routledge Philosophy Companions

Peter Goldie, Manchester University, UK and Elisabeth Schellekens, Durham University, UK

2005: 736pp Hb: 978-0-415-32797-8: £100.00 Pb: 978-0-415-32798-5: £22.99 eBook: 978-0-203-99192-3 For more information, visit: www.routledge.com/9780415327985

Visual Communication

Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general.

Integrating Media, Art, and Science Rick Williams, Lane Community College, Oregon, USA and Julianne Newton, University of Oregon, USA Series: Routledge Communication Series This visual literacy text introduces the application of intuitive intelligence to a visual context. For students in visual literacy and visual communication courses.

2007: 472pp Hb: 978-0-8058-5065-9: £70.00 Pb: 978-0-8058-5066-6: £35.99

October 2009: 160pp Hb: 978-0-415-42281-9: £55.00 Pb: 978-0-415-42282-6: £15.99 For more information, visit: www.routledge.com/9780415422826

New

Multimodality

For more information, visit: www.routledge.com/9780805850666

A Social Semiotic Approach to Contemporary Communication

Visual Consumption

Gunther Kress, Institute of Education, University of London, UK

Jonathan E. Schroeder Series: Routledge Interpretive Marketing Research 2002: 208pp Hb: 978-0-415-24424-4: £95.00 Pb: 978-0-415-36625-0: £29.99 eBook: 978-0-203-47163-0 For more information, visit: www.routledge.com/9780415366250

Visual Worlds Edited by John R. Hall, Blake Stimson and Lisa Tamiris Becker Series: International Library of Sociology

November 2009: 236pp Hb: 978-0-415-32060-3: £75.00 Pb: 978-0-415-32061-0: £24.99 eBook: 978-0-203-97003-4 For more information, visit: www.routledge.com/9780415320610

The Routledge Handbook of Multimodal Analysis Edited by Carey Jewitt, University of London, UK July 2009: 368pp Hb: 978-0-415-43437-9: £85.00 For more information, visit: www.routledge.com/9780415434379

2005: 280pp Hb: 978-0-415-36212-2: £85.00 For more information, visit: www.routledge.com/9780415362122

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Photography

Photography: Theoretical Snapshots Edited by J.J. Long, Andrea Noble and Edward Welch, all at Durham University, UK

4th Edition

Photography: A Critical Introduction

Photography: Theoretical Snapshots offers exciting perspectives on photography theory today from some of the world’s leading critics and theorists. It introduces new means of looking at photographs, with topics including:

Edited by Liz Wells, University of Plymouth, UK

’Bravo to Liz Wells who has done it again with her new edition. It is a must for both educators and students.’ Professor Ann Chwatsky, New York University, USA

’The boundaries of contemporary photography are becoming difficult to define while its past is becoming more complicated than we ever imagined. Wells’ book is an extraordinary attempt to hold it all together and guide us through.’ - David Campany, University of Westminster, UK Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses, this fully revised edition provides a coherent introduction to the nature of photographic seeing.

May 2009: 416pp Hb: 978-0-415-46027-9: £75.00 Pb: 978-0-415-46087-3: £21.99

• a community-based understanding of Spencer Tunick’s controversial installations • the tactile and auditory dimensions of photographic viewing • snapshot photography • the use of photography in human rights discourse.

Photography: Theoretical Snapshots also addresses the question of photography history, revisiting the work of some of the most influential theorists such as Roland Barthes, Walter Benjamin, and the October group, re-evaluating the neglected genre of the carte-de-visite photograph, and addressing photography’s wider role within the ideologies of modernity.

2008: 192pp Hb: 978-0-415-47706-2: £70.00 Pb: 978-0-415-47707-9: £18.99 eBook: 978-0-203-86903-1 For more information, visit: www.routledge.com/9780415477079

For more information, visit: www.routledge.com/9780415460873

2nd Edition

The Photography Reader

Terence Wright

Edited by Liz Wells 2002: 496pp Hb: 978-0-415-24660-6: £80.00 Pb: 978-0-415-24661-3: £24.99 For more information, visit: www.routledge.com/9780415246613

The Photography Handbook Series: Media Practice 2004: 256pp Hb: 978-0-415-25803-6: £70.00 Pb: 978-0-415-25804-3: £19.99 For more information, visit: www.routledge.com/9780415258043

TO ORDER – see order form at the back of this catalogue. Alternatively, you can order by: Tel: +44 (0)1235 400524 Fax: +44 (0)20 7017 6699 Online: www.routledge.com/art

photog r aph y

New

new

Photography

Textbook

Stephen Bull, University of Portsmouth, UK Series: Routledge Introductions to Media and Communications

Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyse photographs and exploring the impact of digital technology.

The text is split into short, accessible chapters on the broad themes central to the study and analysis of photography, and key issues are explained and applied to visual examples in each chapter.

Photography is an up-to-date, clear and comprehensive introduction to debates about photography now and is particularly useful to media, photography and visual culture students.

December 2009: 256pp Hb: 978-0-415-42918-4: £65.00 Pb: 978-0-415-42894-1: £17.99 eBook: 978-0-203-86729-7 For more information, visit: www.routledge.com/9780415428941

Encyclopedia of Nineteenth-Century Photography Edited by John Hannavy

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.

Reframing Photography Theory and Practice Rebekah Modrak, University of Michigan, USA and Bill Anthes, Pitzer College, USA Intended for both beginning and advanced students, and for both art and non-art majors, Reframing Photography provides a lavishly illustrated integrated introduction to the historical, theoretical and technical aspects of photography.

The book is structured in four parts, representing concerns common to all photographic practice: • vision • light/shadow • reproductive processes • editing/presentation/evaluation.

In each part essays provide an overview of the topic with photographic instances of, for example, Reproduction, and a discussion of other contexts. Each essay introduces the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.).

June 2010: 560pp Hb: 978-0-415-77919-7: £80.00 Pb: 978-0-415-77920-3: £29.99 For more information, visit: www.routledge.com/9780415779203

3 Volume Set

Encyclopedia of Twentieth-Century Photography Edited by Lynne Warren ’Thorough and optimally organized work ... This reference tool belongs in every public, academic, and special library. Highly recommended.’ – Library Journal 2005: 2042pp Hb: 978-1-57958-393-4: £290.00 For more information, visit: www.routledge.com/9781579583934

View any

product

2007: 1736pp Hb: 978-0-415-97235-2: £315.00 For more information, visit: www.routledge.com/9780415972352

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online using the urls below each listing

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20

Gender and Art Encounters in the Virtual Feminist Museum Time, Space and the Archive Griselda Pollock, University of Leeds, UK

’A significant contribution to feminist art history... An incredibly ambitious, methodologically complex, and intellectually rich book. Pollock provides us with creative ways to conceptualize the field of art history that have the possibility to transform how we interpret and exhibit images... with Encounters in the Virtual Feminist Museum, it is no wonder why Pollock continues to be one of our great art historians.’ - Woman’s Art Journal 2007: 280pp Hb: 978-0-415-41373-2: £75.00 Pb: 978-0-415-41374-9: £24.99 For more information, visit: www.routledge.com/9780415413749

Gender and Aesthetics An Introduction Carolyn Korsmeyer Series: Understanding Feminist Philosophy 2004: 208pp Hb: 978-0-415-26658-1: £55.00 Pb: 978-0-415-26659-8: £16.99 eBook: 978-0-203-64663-2 For more information, visit: www.routledge.com/9780415266598

Doing Gender in Media, Art and Culture Edited by Rosemarie Buikema and Iris van der Tuin, both at Utrecht University, the Netherlands

Doing Gender in Media, Art and Culture is an introductory text for students specialising in gender studies. The truly interdisciplinary and intergenerational approach bridges the gap between humanities and the social sciences, and it showcases the academic and social context in which gender studies has evolved. Complex contemporary phenomena such as globalisation, neo-liberalism and ’fundamentalism’ are addressed that stir up new questions relevant to the study of culture. This vibrant and wide-ranging collection of essays is essential reading for anyone in need of an accessible but sophisticated guide to the very latest issues and concepts within gender studies.

May 2009: 304pp Hb: 978-0-415-49382-6: £80.00 Pb: 978-0-415-49383-3: £23.99 For more information, visit: www.routledge.com/9780415493833

Beyond the Frame Feminism and Visual Culture, Britain 1850 -1900 Deborah Cherry 2000: 288pp Hb: 978-0-415-10726-6: £65.00 Pb: 978-0-415-10727-3: £18.99 For more information, visit: www.routledge.com/9780415107273

Differencing the Canon Feminism and the Writing of Art’s Histories

Concise Dictionary of Women Artists Edited by Delia Gaze 2001: 800pp Hb: 978-1-57958-335-4: £90.00

Griselda Pollock 1999: 368pp Hb: 978-0-415-06699-0: £75.00 Pb: 978-0-415-06700-3: £20.99 For more information, visit: www.routledge.com/9780415067003

For more information, visit: www.routledge.com/9781579583354

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de s i g n

Jewish Identities in American Feminist Art

Design

Ghosts of Ethnicity Lisa E. Bloom

The Design Culture Reader

2006: 208pp Hb: 978-0-415-23220-3: £60.00 Pb: 978-0-415-23221-0: £16.99

Edited by Ben Highmore, University of Sussex, UK

For more information, visit: www.routledge.com/9780415232210

3rd Edition

Vision and Difference Feminism, Femininity and Histories of Art Griselda Pollock Series: Routledge Classics 2003: 368pp Pb: 978-0-415-30850-2: £10.99 For more information, visit: www.routledge.com/9780415308502

Women Making Art History, Subjectivity, Aesthetics Marsha Meskimmon 2003: 240pp Hb: 978-0-415-24277-6: £55.00 Pb: 978-0-415-24278-3: £17.99 For more information, visit: www.routledge.com/9780415242783

’[An] attempt to push the concept of design into new territories... It will certainly challenge its readers to question any assumptions they may have about design culture and to reconstitute their understanding with a broader, richer frame of reference.’

- Journal of Design History

The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world.

Organised in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas - especially globalisation, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor’s introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.

2008: 400pp Hb: 978-0-415-40355-9: £70.00 Pb: 978-0-415-40356-6: £22.99 For more information, visit: www.routledge.com/9780415403566

2nd Edition

Reading Images The Grammar of Visual Design Gunther Kress and Theo van Leeuwen 2006: 312pp Hb: 978-0-415-31914-0: £80.00 Pb: 978-0-415-31915-7: £21.99 eBook: 978-0-203-61972-8 For more information, visit: www.routledge.com/9780415319157

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21

d e sign

22

Design: The Key Concepts

new

Catherine McDermott, Kingston University, UK

Global Design History

Series: Routledge Key Guides

Edited by Glenn Adamson, Giorgio Riello and Sarah Teasley

This is the essential student’s guide to design – its practice, its theory and its history. Drawing from a wide range of international examples, respected design writer Catherine McDermott explores key topics including: • international design – from Europe to Africa • design history – from Art Nouveau to punk

• sustainable design, recycling and green design

• design theory – from semiotics to gender, to postcolonialism • design technology, graphic design and the web.

2007: 264pp Hb: 978-0-415-32015-3: £60.00 Pb: 978-0-415-32016-0: £14.99 eBook: 978-0-203-96761-4 For more information, visit: www.routledge.com/9780415320160

July 2010: 224pp Hb: 978-0-415-57285-9: £75.00 Pb: 978-0-415-57287-3: £19.99 For more information, visit: www.routledge.com/9780415572873

new

Theatre and Performance Design A Reader in Scenography Jane Collins, Wimbledon School of Art, UK and Andrew Nisbet, University of Surrey, UK

Theatre and Performance Design: A Reader in Scenography gives a critical and contextual framework for analysing theatre and performance design. This book is vital for those interested in visual compositions of performance and scenographic practices.

2nd Edition

An Introduction to Design and Culture 1900 to the Present Penny Sparke

March 2010: 384pp Hb: 978-0-415-43209-2: £70.00 Pb: 978-0-415-43210-8: £22.99 For more information, visit: www.routledge.com/9780415432108

2004: 296pp Hb: 978-0-415-26335-1: £70.00 Pb: 978-0-415-26336-8: £19.99 For more information, visit: www.routledge.com/9780415263368

Graphic Design as Communication Malcolm Barnard 2005: 208pp Hb: 978-0-415-27812-6: £55.00 Pb: 978-0-415-27813-3: £17.99 For more information, visit: www.routledge.com/9780415278133

TO ORDER – see order form at the back of this catalogue. Alternatively, you can order by: Tel: +44 (0)1235 400524 Fax: +44 (0)20 7017 6699 Online: www.routledge.com/art

fas h i on

Fashion

The Fashion Handbook Tim Jackson and David Shaw Series: Media Practice

new

The Fashion History Reader Global Perspectives Edited by Giorgio Riello, University of Warwick, UK and Peter McNeil, University of Technology, Sydney, Australia

The Fashion History Reader is an innovative work that provides a broad introduction to the complex literature in the fields of fashion studies, and dress and fashion history.

A comprehensive resource for those who wish to further their engagement with fashion as a contemporary phenomenon, the book connects a diverse range of approaches and incorporates non-Western literature within better-known studies from Europe and North America.

It identifies the history of fashion as a meeting point between the long-standing historical investigation of ‘dress’ and ‘costume’ and the more recent development of those sociological and anthropological-inspired studies that have come to be called ‘fashion theory’.

Twenty-three chapters and over forty shorter ‘Snapshot’ texts cover a wide range of topics and approaches within the history of fashion, ranging from object-based studies to theory-driven analyses. The book is divided into six parts, surveying some of the key themes in the history of fashion.

Themes also move in and across time, providing a chronology to enable student learning.

April 2010: 700pp Hb: 978-0-415-49323-9: £80.00 Pb: 978-0-415-49324-6: £26.99 For more information, visit: www.routledge.com/9780415493246

The indispensable guide to the fashion industry, has case studies, interviews and profiles, chapters by leading experts on specialist topics and offers expert advice on careers in fashion retailing with a unique overview of the fashion industry.

2006: 240pp Hb: 978-0-415-25579-0: £70.00 Pb: 978-0-415-25580-6: £19.99 eBook: 978-0-203-32117-1 For more information, visit: www.routledge.com/9780415255806

Textbook

Fashion Theory A Reader Edited by Malcolm Barnard, University of Derby, UK Series: Routledge Student Readers

This collection of essential readings examines how the nature and function of fashion theory has been understood by a wide range of social and cultural thinkers and used to explain, or explain away, the astonishing variety, complexity and beauty of what we call fashion.

2007: 616pp Hb: 978-0-415-41339-8: £95.00 Pb: 978-0-415-41340-4: £25.99 For more information, visit: www.routledge.com/9780415413404

CONTACT US – for more information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

23

fa shio n

24

new

2nd Edition

Fashion In Focus

Fashion as Communication

Concepts, Practices and Politics

Malcolm Barnard

Edited by Tim Edwards Recent years have witnessed a steadily expanding interest in fashion, both within more populist circles with much discussion of designer fashion, the ’tweenager’ and the resurgence of interest in men’s fashion, and within more academic arenas where a steadily expanding range of publications has led to an increasingly multidisciplinary approach to the subject of fashion ranging from anthropology and global analysis through to in-depth studies of fashion photography. Yet what is often left open here is a sense of where this leaves our understanding of fashion more widely or indeed what fashion is in the twenty first century.

Tim Edwards provides a comprehensive guide to the key theories, perspectives and developments in the study of fashion suitable for undergraduate students and courses within the arts and social sciences.

September 2010: 256pp Hb: 978-0-415-44793-5: £65.00 Pb: 978-0-415-44794-2: £17.99 For more information, visit: www.routledge.com/9780415447942

2002: 224pp Hb: 978-0-415-26017-6: £60.00 Pb: 978-0-415-26018-3: £16.99 For more information, visit: www.routledge.com/9780415260183

The Places and Spaces of Fashion, 1800-2007 Edited by John Potvin, University of Guelph, Canada Series: Routledge Research in Cultural and Media Studies 2008: 282pp Hb: 978-0-415-96149-3: £65.00 For more information, visit: www.routledge.com/9780415961493

British Fashion Design Rag Trade or Image Industry?

Angela McRobbie

The Fabric of Cultures Fashion, Identity, and Globalization Edited by Eugenia Paulicelli, City University of New York, USA and Hazel Clark, Parsons the New School for Design, USA

The Fabric of Cultures examines the impact of fashion as a manufacturing industry and as a culture industry that shapes identities of nations and cities in a cross-cultural perspective and within a global framework.

1998: 224pp Hb: 978-0-415-05780-6: £45.00 Pb: 978-0-415-05781-3: £18.99 eBook: 978-0-203-16801-1 For more information, visit: www.routledge.com/9780415057813

In the Culture Society Art, Fashion and Popular Music Angela McRobbie 1999: 176pp Hb: 978-0-415-13749-2: £75.00 Pb: 978-0-415-13750-8: £18.99 For more information, visit: www.routledge.com/9780415137508

2008: 240pp Hb: 978-0-415-77542-7: £65.00 Pb: 978-0-415-77543-4: £18.99 For more information, visit: www.routledge.com/9780415775434

TO ORDER – see order form at the back of this catalogue. Alternatively, you can order by: Tel: +44 (0)1235 400524 Fax: +44 (0)20 7017 6699 Online: www.routledge.com/art

arts man ageme n t an d e ducati on

Arts Management and Education

New

Understanding Art Education Engaging Reflexively with Practice Nicholas Addison, Lesley Burgess, both at Institute of Education, University of London, UK, John Steers and Jane Trowell

The Art Business Edited by Iain Robertson, Sotheby’s Institute, London, UK and Derrick Chong, Royal Holloway, University of London, UK

By the time you read this book, the art world may have witnessed the sale of its first $500 million painting. Whilst for some people money is anathema to art this is clearly a wealthy international industry, and a market with its own conventions and pressures.

Drawing on the vast experience of Sotheby’s Institute of Art, The Art Business exposes the realities of the commercial trade in fine art and antiques. Attention is devoted to the role of auction houses, commercial galleries and art museums as key institutions, with the text divided into four thematic sections covering: • technical and structural elements of the art market • cultural policy and management in art business • regulatory legal and ethical issues in the art world • the views, through interviews, of leading art market experts.

2008: 246pp Hb: 978-0-415-39157-3: £85.00 Pb: 978-0-415-39158-0: £27.99 For more information, visit: www.routledge.com/9780415391580

Arts Management Derrick Chong 2002: 168pp Hb: 978-0-415-23681-2: £105.00 Pb: 978-0-415-23682-9: £29.99 For more information, visit: www.routledge.com/9780415236829

Understanding Art Education examines the theory and practice of helping young people learn in and beyond the secondary classroom. It provides guidance and stimulation for ways of thinking about art and design when preparing to teach and provides a framework within which teachers can locate their own experiences and beliefs.

December 2009: 184pp Hb: 978-0-415-36739-4: £80.00 Pb: 978-0-415-36740-0: £22.99 eBook: 978-0-203-01978-8 For more information, visit: www.routledge.com/9780415367400

Creating and Sustaining Arts-Based School Reform The A+ Schools Program George W. Noblit, University of North Carolina at Chapel Hill, USA, H. Dickson Corbett, Bruce L. Wilson, both at Wilson Corbett Associates and Monica B. McKinney, Meredith College, North Carolina, USA 2008: 208pp Hb: 978-0-8058-6150-1: £90.00 Pb: 978-0-8058-6149-5: £27.99 eBook: 978-0-203-88735-6 For more information, visit: www.routledge.com/9780805861495

New Practices - New Pedagogies A Reader Edited by Malcolm Miles Series: Innovations in Art and Design 2005: 256pp Hb: 978-0-415-36618-2: £75.00 eBook: 978-0-203-02080-7 For more information, visit: www.routledge.com/9780415366182

CONTACT US – for more information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

25

rou t led ge pape r back s direct

26

Routledge Paperbacks Direct A new way to expand your personal library!

A growing selection of our Art, Design & Visual Culture hardback monographs are now available, for individual purchase, in paperback format from the price of £22.50. These books are only available directly from Routledge and can be ordered in one of three easy ways: Online: www.routledgepaperbacksdirect.com Telephone Hotline: +44 (0)1235 400524

Title

Post: Use catalogue order form (inside back cover)

ISBN

Price

Invisible Connections: Dance, Choreography and Internet Communities Sita Popat

978-0-415-57632-1

£22.50

Network Art: Practices and Positions

Tom Corby

978-0-415-57631-4

£22.50

Thinking Through Art: Reflections on Art as Research

Edited by Katy Macleod and Lin Holdridge

978-0-415-57633-8

£22.50

index A Acton, Mary . . . . . . . . . . . . . . . 1, 6 Adamson, Glenn . . . . . . . . . . . . . 22 Addison, Nicholas . . . . . . . . . . . . 25 American Icons . . . . . . . . . . . . . . 13 Anthes, Bill . . . . . . . . . . . . . . . . . 19 Archaeology of Celtic Art, The . . . 7 Arguing About Art . . . . . . . . . . . 14 Arguing About Philosophy Series . . . . . . . . . . . . . . . . . . . . 14 Art and Morality . . . . . . . . . . . . . 14 Art and Ventriloquism . . . . . . . . . 14 Art Business, The . . . . . . . . . . . . 25 Art History Versus Aesthetics . . . . 8 Art History: The Basics . . . . . . . . . 3 Art History: The Key Concepts . . . 3 Art Question, The . . . . . . . . . . . . 15 Art Seminar Series, The . . . . . . . . . 8 Artistic Capital . . . . . . . . . . . . . . . 3 Artistic Citizenship . . . . . . . . . . . 14 Arts Management . . . . . . . . . . . . 25

B Baker, Bobby . . . . . . . . . . . . . . . . 11 Bann, Stephen . . . . . . . . . . . . . . . 7 Barasch, Moshe . . . . . . . . . . . . . 16 Barnard, Malcolm . . . . . . 22, 23, 24 Barrett, Michèle . . . . . . . . . . . . . 11 Basics Series, The . . . . . . . . . . 3, 16 Becker, Lisa Tamiris . . . . . . . . . . . 17 Ben-Dor, Oren . . . . . . . . . . . . . . . 15 Bermúdez, José Luis . . . . . . . . . . 14 Beyond the Frame . . . . . . . . . . . . 20 Binstock, Benjamin . . . . . . . . . . . . 9 Bishop, Claire . . . . . . . . . . . . . . . 11 Bloom, Lisa E. . . . . . . . . . . . . . . . 21 Bobby Baker . . . . . . . . . . . . . . . . 11 British Fashion Design . . . . . . . . . 24 Buikema, Rosemarie . . . . . . . . . . 20

Author/Editor

Bull, Stephen . . . . . . . . . . . . . . . 19 Burgess, Lesley . . . . . . . . . . . . . . 25 Burke, Edmund . . . . . . . . . . . . . . 13

Doubt . . . . . . . . . . . . . . . . . . . . . . 7 Dynamics and Performativity of Imagination . . . . . . . . . . . . . 15

Graphic Design as Communication . . . . . . . . . . . . 22 Guins, Raiford . . . . . . . . . . . . . . . 10

C

E

H

Edwards, Tim . . . . . . . . . . . . . . . 24 Elkins, James . . . . . . . . . . . 4, 5, 7, 8 Encounters in the Virtual Feminist Museum . . . . . . . . . . . 20 Encyclopedia of American Folk Art . . . . . . . . . . . . . . . . . . . 3 Encyclopedia of Nineteenth-Century Photography . . . . . . . . . . . . . . . . 19 Encyclopedia of Twentieth-Century Photography . . . . . . . . . . . . . . . . 19 Engaging Art . . . . . . . . . . . . . . . . 2

Hall, John R . . . . . . . . . . . . . . . . . 17 Hamlin, Jessica . . . . . . . . . . . . . . . 3 Hannavy, John . . . . . . . . . . . . . . 19 Harding, D.W. . . . . . . . . . . . . . . . 7 Harris, Jonathan . . . . . . . . . . 2, 3, 7 Highmore, Ben . . . . . . . . . . . . . . 21 History as Art, Art as History . . . . . 3 Holdridge, Lin . . . . . . . . . . . . . . . 26 How to Use Your Eyes . . . . . . . . . 5 Huppauf, Bernd . . . . . . . . . . . . . 15

F

I

Candlin, Fiona . . . . . . . . . . . . . . . 10 Carroll, Noél . . . . . . . . . . . . . . . . 15 Cartiere, Cameron . . . . . . . . . . . 12 Cazeaux, Clive . . . . . . . . . . . . . . 15 Chandler, Daniel . . . . . . . . . . . . . 16 Cherry, Deborah . . . . . . . . . . . . . 20 Chong, Derrick . . . . . . . . . . . . . . 25 Clark, Hazel . . . . . . . . . . . . . . . . 24 Cobley, Paul . . . . . . . . . . . . . . . . 16 Collins, Jane . . . . . . . . . . . . . . . . 22 Concise Dictionary of Women Artists . . . . . . . . . . . . . . . . . . . 20 Contemporary Art and the Cosmopolitan Imagination . . . . . 1 Contemporary British Art . . . . . . . 1 Continental Aesthetics Reader, The . . . . . . . . . . . . . . . . . . . . . 15 Corbett, H. Dickson . . . . . . . . . . 25 Corby, Tom . . . . . . . . . . . . . . . . . 26 Creating and Sustaining Arts-Based School Reform . . . . 25 Critical Concepts in Media and Cultural Studies Series . . . . . . . 11 Critical Voices in Art, Theory and Culture Series . . . . . . . . . . . 5 Curtis, Neal . . . . . . . . . . . . . . . . . . 9

D DeLue, Rachel . . . . . . . . . . . . . . . . 8 Desai, Dipti . . . . . . . . . . . . . . . . . . 3 Design Culture Reader, The . . . . . 21 Design: The Key Concepts . . . . . 22 Diaspora and Visual Culture . . . . 11 Differencing the Canon . . . . . . . . 20 Digital Currents . . . . . . . . . . . . . . 12 Digital Encounters . . . . . . . . . . . . 12 Doing Gender in Media, Art and Culture . . . . . . . . . . . . . . . 20

Fabric of Cultures, The . . . . . . . . 24 Fashion as Communication . . . . . 24 Fashion Handbook, The . . . . . . . 23 Fashion History Reader, The . . . . 23 Fashion In Focus . . . . . . . . . . . . . 24 Fashion Theory . . . . . . . . . . . . . . 23 Feldges, Benedikt . . . . . . . . . . . . 13 Feminism and Visual Culture Reader, The . . . . . . . . . . . . . . . 10 Frascina, Francis . . . . . . . . . . . . . . 2 Freud, Sigmund . . . . . . . . . . . . . . 6

G Galenson, David . . . . . . . . . . . . . . 3 Gardner, Sebastian . . . . . . . . . . . 14 Gaut, Berys . . . . . . . . . . . . . . . . . 17 Gaze, Delia . . . . . . . . . . . . . . . . . 20 Gender and Aesthetics . . . . . . . . 20 German Colonialism, Visual Culture, and Modern Memory . . 13 Global Design History . . . . . . . . . 22 Goldblatt, David . . . . . . . . . . . . . 14 Goldie, Peter . . . . . . . . . . . . . . . . 17 Graham, Gordon . . . . . . . . . . . . 15

Imagining the Present . . . . . . . . . 14 In the Aftermath of Art . . . . . . . . . 5 In the Culture Society . . . . . . . . . 24 Innovations in Art and Design Series . . . . . . . . . . . . . . . . . . . . 25 Installation Art . . . . . . . . . . . . . . 11 International Library of Philosophy Series . . . . . . . . . . . 14 International Library of Sociology Series . . . . . . . . . . . . 17 Interpreting Art in the Museum, Gallery and Beyond . . . . . . . . . . 5 Introduction to Design and Culture, An . . . . . . . . . . . . . . . 22 Introduction to Visual Culture, An . . . . . . . . . . . . . . . . . . . . . . 11 Invisible Connections: Dance, Choreography and Internet Communities . . . . . . . . . . . . . . 26 Is Art History Global? . . . . . . . . . . 8 Ivey, Bill . . . . . . . . . . . . . . . . . . . . . 2

J Jackson, Tim . . . . . . . . . . . . . . . . 23 Jensen, Robin Margaret . . . . . . . . 7 Jewish Identities in American Feminist Art . . . . . . . . . . . . . . . 21

TO ORDER – see order form at the back of this catalogue. Alternatively, you can order by: Tel: +44 (0)1235 400524 Fax: +44 (0)20 7017 6699 Online: www.routledge.com/art

i n de x

Jewitt, Carey . . . . . . . . . . . . . . . . 17 Jones, Amelia . . . . . . . . . . . . 10, 12

K Kalina, Richard . . . . . . . . . . . . . . 14 Kaplan, Brett . . . . . . . . . . . . . . . . . 9 Kaye, Nick . . . . . . . . . . . . . . . . . . 12 Key Writers on Art: From Antiquity to the Nineteenth Century . . . . . . . . . . . . . . . . . . . 5 Key Writers on Art: The Twentieth Century . . . . . . . . . . . 6 Kieran, Matthew . . . . . . . . . . . . . 15 Koivunen, Leila . . . . . . . . . . . . . . . 9 Korsmeyer, Carolyn . . . . . . . . . . . 20 Kress, Gunther . . . . . . . . . . . 17, 21

L Lamoureux, Johanne . . . . . . . . . . . 5 Landscape Theory . . . . . . . . . . . . . 8 Landscapes of Holocaust Postmemory . . . . . . . . . . . . . . . . 9 Langbehn, Volker . . . . . . . . . . . . 13 Law and Art . . . . . . . . . . . . . . . . 15 Learning to Look at Modern Art . . . 1 Learning to Look at Paintings . . . . 6 Leonardo da Vinci . . . . . . . . . . . . . 6 Long, J.J. . . . . . . . . . . . . . . . . . . 18 Lopes, Dominic . . . . . . . . . . . . . . 13 Lovejoy, Margot . . . . . . . . . . . . . 12

M Mackie, Vera . . . . . . . . . . . . . . . . 13 Macleod, Katy . . . . . . . . . . . . . . . 26 Making American Art . . . . . . . . . . 3 Making Art History . . . . . . . . . . . . 6 Mansfield, Elizabeth . . . . . . . . . . . 6 Martin, Randy . . . . . . . . . . . . . . . 14 Master Narratives and their Discontents . . . . . . . . . . . . . . . . 7 Mattson, Rachel . . . . . . . . . . . . . . 3 McDermott, Catherine . . . . . . . . 22 McIver Lopes, Dominic . . . . . . . . 17 McKinney, Monica B. . . . . . . . . . 25 McNeil, Peter . . . . . . . . . . . . . . . 23 McRobbie, Angela . . . . . . . . . . . 24 Media Practice Series . . . . . . 18, 23 Meecham, Pam . . . . . . . . . . . . . 2, 3 Meskimmon, Marsha . . . . . . . 1, 21 Michelangelo . . . . . . . . . . . . . . . . 6 Miles, Malcolm . . . . . . . . . . . . . . 25 Mirzoeff, Nicholas . . . . . . . . . 11, 12 Modern Art Culture . . . . . . . . . . . 2 Modern Art . . . . . . . . . . . . . . . . . 2 Modrak, Rebekah . . . . . . . . . . . . 19 Morgan, David . . . . . . . . . . . . . . . 8 Morra, Joanne . . . . . . . . . . . . . . 11 Multi-media . . . . . . . . . . . . . . . . 12 Multimodality . . . . . . . . . . . . . . . 17 Murray, Chris . . . . . . . . . . . . . . 5, 6

N Neill, Alex . . . . . . . . . . . . . . . . . . 14

Network Art: Practices and Positions . . . . . . . . . . . . . . . . . 26 New Art History, The . . . . . . . . . . 7 New Practices - New Pedagogies . . . . . . . . . . . . . . . 25 Newall, Diana . . . . . . . . . . . . . . . . 3 Newman, Michael . . . . . . . . . . . . . 8 Newton, Julianne . . . . . . . . . . . . 17 Nineteenth-Century Visual Culture Reader, The . . . . . . . . . 10 Nisbet, Andrew . . . . . . . . . . . . . . 22 Noble, Andrea . . . . . . . . . . . . . . 18 Noblit, George W. . . . . . . . . . . . 25

O Object Reader, The . . . . . . . . . . . 10 On Criticism . . . . . . . . . . . . . . . . 15 On the Strange Place of Religion in Contemporary Art . . . . . . . . . 4 Our Beautiful, Dry and Distant Texts . . . . . . . . . . . . . . . . . . . . . 5

P Paulicelli, Eugenia . . . . . . . . . . . . 24 Philosophical Enquiry Into the Sublime and Beautiful, A . . . . . 13 Philosophy of Computer Art, A . . 13 Philosophy of the Arts . . . . . . . . 15 Photography Handbook, The . . . 18 Photography Reader, The . . . . . . 18 Photography Theory . . . . . . . . . . . 8 Photography . . . . . . . . . . . . . . . . 19 Photography: A Critical Introduction . . . . . . . . . . . . . . . 18 Photography: Theoretical Snapshots . . . . . . . . . . . . . . . . 18 Pictorial Turn, The . . . . . . . . . . . . . 9 Pictures and Tears . . . . . . . . . . . . . 4 Places and Spaces of Fashion, 1800-2007, The . . . . . . . . . . . . 24 Politics of Visual Culture in Japan, The . . . . . . . . . . . . . . . . 13 Pollock and After . . . . . . . . . . . . . 2 Pollock, Griselda . . . . . . . . . . 20, 21 Pooke, Grant . . . . . . . . . . . . . . 1, 3 Popat, Sita . . . . . . . . . . . . . . . . . 26 Potvin, John . . . . . . . . . . . . . . . . 24 Practice of Public Art, The . . . . . . 12 Preziosi, Donald . . . . . . . . . . . . . . 5 Przyblyski, Jeannene M. . . . . . . . 10

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Visual Culture in Britain

Early Popular Visual Culture is a peer-reviewed academic journal dedicated to stimulating research and interdisciplinary studies in relation to all forms of popular visual culture before 1930. www.tandf.co.uk/journals/repv

Visual Culture in Britain publishes original work that places a broadly defined visual culture encompassing painting and sculpture, architecture and design, print, film, photography and the performing arts in relation to its wider geographical and historical contexts.

History of Photography

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History of Photography is an international journal devoted exclusively to the history and criticism of the basic semantic unit of all modern media, the photograph.

Visual Resources

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Visual Studies Published on behalf of the International Visual Sociology Association Visual Studies provides the key resource where issues of a visual nature, whether it be epistemological, methodological, empirical, symbolic, or ethical may be aired and debated. www.tandf.co.uk/journals/rvst

An International Journal of Documentation Visual Resources is devoted to the study of images and their use, exploring how visual language is structured and visual meaning communicated. www.tandf.co.uk/journals/gvir

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www.routledge.com/art Routledge, 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Tel: 020 7017 6000 Fax: 020 7017 6699 Email: media_studies@routledge.com Paper used in this catalogue is chlorine free and environmentally friendly. It is manufactured with pulp supplied from sustainable managed forests.