


ThisDINewsreachesyoujustasweareon ourfinalcountdownfortheDIAGMand SpeakersDayfor2023on26thFebruary.
Thethreespeakers,whilstallfeaturingmono work,areeachinspirationalandverydifferent. ItisexcitingtohaveLenMetcalflivefrom Australiaasouropeningpresenter.Youmay recallLenfromtheRPSAGMin2021whenhe spokepassionatelyabouthistree photography.Butforushewillcoverdifferent genres,whichwillquietlydemonstratethe breadthofthistalentedphotographerswork. AdrianBeasleymanyofyoumayalready know.Heisagreattutorandwillmakeusall wanttotrydynamicarchitecturalwork.Finally PaulMitchellisgoingtoshowussomething moreunusualwithhispinholeFellowshippanel.Iforonecannotbelievethe astonishingresultsheachieves.
Moreinformationandthelinktobookcanbefoundon https://bit.ly/ RPSDIAGM2023
TheactualAnnualGeneralMeeting(AGM)partoftheagendaisyour opportunitytoengagewiththatwhichyourcommitteehavedeliveredforyouin 2022,aswellastakingapeekintothefuture.Pleasedownloadandreadthe reportsandifyouhaveanyquestionstheseneedtobeemailedtoourDI Secretarybynolaterthan21stFebruary.TheAGMpageandlinkstothereports areHERE
https://rps.org/groups/digital-imaging/new-di-contact-us/di-main-agm
FinallywearealsodelightedthatthenewRPSCEODanJoneswilljoinusforthe AGMtospeaktoyouall,givingyoutheopportunitytoaskhimafewquestions viathewebinarQ&Afeature.
Idohopethatyouwillbeabletojoinusasitisgoingtobeagreatmeeting.If youhaven’talreadydoneso BOOKNOW.
JanetHaines
ThewinnerofourJanuarymonthlyonlinecompetitionwas‘Shadows’bySteve Smith,whichisfeaturedonthecover.(Formoreinformationaboutthisfriendly monthlycompetition,includinghowtoenter,visit https://rps.org/di/monthlycomp/. Keepaneyeoutforvideoslideshowsofmonthlycompetitionentrieson our YouTubechannel.)Stevewasdelightedtohearofhissuccessthismonth,it wasallveryclosewiththevotesthismonth.
“Likemanyphotographers,duringlockdownI watchednumerouszoompresentationsfrom variousphotographicoutlets.These presentations,atthetimeofthepandemic,were asaviour.Iwasabletologonandkeepintouch withtheoutsidephotographicworld,whilst learningnewskills.Onepresentation,which intriguedme,encompassedatechniqueof creatingshadowsbycontrollinglightingthrougha cardboardshape.
AsIenjoybothabstractandblack&white photography,Idecidedtoventurefurtherintothis technique.UsingthisstyleIexperimentedwithbasicresources,suchasapiece ofwhitecardboard,togetherwithasimplelightingsource.Thesetuprequireda darkspacetoensurethecontrolofshadows.Iusedadarkclothbackdrop, tripodandalight,whichinmycasewasfromastudiosoft-box.Ialsofound usingadiffuser(bakingparchmentpaperorsimilar)overatorchworkedwell. Thecamerawassetto‘liveview’andeventuallyasettingof2secondswithf11 gavemethecaptureIwashopingfor.Therewasagreatdealoftrialanderrors.
IusedLightroom,mainlytocroptheimage,monochromeconversionandmost importantlytoenhancetheshadows.The‘textureslider’wasslightlyadjustedto bringouttheshapeofthecardboardstructureagainstthedarkbackground.
SteveInthisarticleMarkReevesFRPSdiscussesthechallengesofproducinggood imagesusingintentionalcameramovementandofferssuggestionsforimproving results.
IntentionalCameraMovement;isitreallyworthit?
Beingagluttonforpunishment,Ifrequentlygivetalkstolocalphotographic societiesaboutcreativeapproachestolandscapephotography.AndwhenIgive thesetalks,somebodyalwayssaystome,“Hmmm…ICM…Ihadagoatthat butmyresultswererubbish,soIgaveup.”Tocheerthemup,Itellthemthatin ordertoget21imagesformysuccessfulRPSFellowshippanel,Imadeover 1,500exposures,98%ofwhichwentinthebin!
Giventhat,isitworthit?Idefinitelybelieveso.Forme,ICMphotography opensupaworldofcreativityandameanstoproduceimagesthatcould otherwiseonlybecreatedwithapaintbrush.Oneofthemostenduringlypopular artformsisimpressionistpaintingandICMgivesusthetooltocreate impressionistphotography. Dinghysailing.Singleexposure,0.25sec.ProcessedinPhotoshop.
Itisthenatureofthebeastthatintentionalcameramovement(ICM) photographycanbeveryhit-and-miss.Thereasonissimple.Thetechnique reliesonmovingthecamerawhiletheshutterisopenanditisinevitablethat eachtimewemakeanewimage,wewillmovethecameraslightlydifferently. Somemovements,withadegreeofluckandnotalittlepractice,willleadto pleasingresultswhereasmanyotherswillnot.Whichmovementsworkwell dependsonthescenebeingphotographedandourownpersonaltastesas regardstheresults.
SothefirststepinICMphotographyhastobeknowingwhatwemeanby success.Ofcourse,thiswon’tbethesameforeveryonesoweallneedtohavea visioninmindofwhatwearetryingtoachieve.Isuggeststartingwithan internetimagesearchusingtheterm“ICMphotography”.Youwill,nodoubt, comeacrosslotsofimagesofblurredandstreakytreesbutinamongsttheseyou willfindawidevarietyofotherresultssuccessfullyorlesssuccessfullyportraying allmannerofsubjectsusingawiderangeofmovementstylesandshutter speeds.
Studytheresultsanddecidewhichyoulike.Bookmarktheseimagessoyoucan refertothemlaterbut,importantly,trytoworkoutwhatunifiestheimagesthat youlikeandthoseyoudon’t.Isitthesubjectmatter,theprocessingstyle,the natureofthemotionbluretc?Forme,successfulICMimageslookmorelike impressionistpaintingsthanlikephotographs,buttrytoclarifyinyourownmind whatsuccesswithICMmeansforyou.
ChoiceofyourICMsubjectisimportant.Aswithanyotherphotographicgenre orstyle,youhavetochooseasubjectthatinterestsyou,thatdrawsyouto portrayit.Withoutthis,youwillfeelnodrivetopracticeandlittlesatisfaction fromsuccess.Youalsoneedasubjectthatyoucaneasilyaccessforregular practice;theclosertohomethebetter.
Youwillquicklylearnthatdifferentsubjectsworkbetterwithsometypesof cameramovementthanothers.Sotrydifferentmoves;horizontal,vertical, diagonal,towardsorawayfromthesubject,circular,smoothorjerkyetc.Formy tastes,Ifindthatmovementinthedirectionofthemainlineswithinthescene oftenworkswell;e.g.verticalmovementwithtreesorhorizontalmovementwith flatlandscapes.
Aswithallphotography,goodcompositionisessentialtomakingapleasing image.ToachievethiswithICMisabitofachallengebecauseofthelossof compositionalcontrolthatcomeswithmovingthecameraaround.Itistherefore besttouseaviewpointorafocallengththatgiveslotsofspacearoundyour mainsubjecttoallowforcroppingandstraighteninglater.
Notonlywilldifferenttypesofmovementaffectyourresults,sowilldifferent shutterspeeds.Ifyourexposuretimeisshort,youwillneedtomovethecamera veryfastinordertorecordsufficientblur–butmovingthecamerafastmeans thatyouwillfinditdifficulttocomposeyourimagescorrectly.Toolongashutter speed,ontheotherhand,willmakeitmoredifficultforyoutokeepthecamera pointedatyoursubject.Aswithotheraspectsofthiscraft,experimentationwith differentshutterspeedswillpaydividends.Ihavefoundthataround½sec. usuallyworkswellforme.Ofcourse,toachievetheseslowspeedsduringthe dayusuallyrequirestheuseofaneutraldensityfilterbutitispossibletowork withoutoneearlyorlateinthedayorinparticularlygloomylight.
OneofthesurprisingthingsaboutICMisthatcorrectfocusingmatters. Despiteallthemotionblur,anout-of-focusimagestilllookswrong!Conversely, though,Ifindthatdepthoffielddoesn’treallymattermuch(andsoyoucan varytheapertureinordertoachieveyourdesiredshutterspeed,oruseshutterspeedprioritymode).
Inmostways,theequipmentforICMworkismuchthesameasisneededforany otherphotography,butwithafewthingstobearinmind.Mostimportantly,you willneedlotsofbatterypowerandmemorycardcapacitybecauseyouwillneed totakelotsofimages!
Formostsubjects,longerlensesworkbetterthanwideronesbecauseofthe distortionassociatedwithwideanglelenses.Forexample,usingvertical movementwithawidelensproducesimagesthatfeelconstrictedinthecentre andsplayedoutwardsatthetopandbottom.Abitlikethispairofbrackets:)(
Andfinally,personally,IneveruseatripodforICMphotography.Iknowsome photographersdo,butIfinditrestrictsfreemovementwhilstprovidinglittle benefit.(DidanybodymentionBrexit?)
RAWfilesofICMimagesoftenfeeldeadorlifelessandsorequirespecial treatmentinpost-processing.Thereasonforthisisthatwhenwemovethe cameraduringanexposure,highlightsbecomeblendedintolessbrighttones andcoloursgetmushedintoeachother,producinglowcontrast,muddyimages. Addingcontrastandcolourbackintotheimageisthereforeanessentialpartof post-processing.
Intheprocessingofmysailingimages,IhaveusedmaskinginPhotoshopor Lightroomtoenablemetocontroltheexposure,contrastandsaturationofthe subjectsseparatelyfromthebackgrounds.
Toreducedetailsandcontrastinthebackgrounds,Ihaveprimarilydonethisby liftingandflatteningthetonecurves.
ICMworksparticularlywellwhencombinedwithdoubleormultipleexposures, adoptingadifferentdirectionortypeofcameramovementwitheachexposure. Itcanproduceparticularlyinterestingresultsbyusingdifferentblendmodesfor combiningtheimages.WhilstImuchpreferachievingtheseeffectsincamera,if yourcameradoesn’tenablethisthenthesameresultscanbeachievedby layeringimagesandusingdifferentblendmodesinPhotoshop.
ToseearangeofotherICMworkyoumightwishtocheckoutthefollowing:
•NickiGwynn-Jones’CairngormsandHarrisandLewisgalleriesat https://nickigwynnjones.zenfolio.com
•RoxanneBouchéOvertonat https://roxanneoverton.com
•AndrewGrayat https://andrewsgray.photography
•ValdaBaileyat https://www.valdabailey.com and
•ICMPhotographyMagazineat https://www.icmphotomag.com
MarkReevesFRPS
ICMFellowshippanel: https://markreevesphotography.co.uk/frps
OtherICMwork: https://markreevesphotography.co.uk/impressionism
WhynotcomeonourICMWorkshop?
DinghySailingII. Singleexposure,1/10sec.ProcessedinLightroom.
InMayMarkwillberunninganICMworkshopforDIGcoveringbothshootingandprocessing techniques.Itwillfeatureanon-locationcapturemorning(shootingdinghysailing)andan onlinefollow-upzoomsession.Fordetailssee TheBeautyofSailing
“In1962‘Zoom’wasanicelolly,colouredred,yellowandorange,andshaped likeaspacerocket.Jumpforwardto1982,anditsapopsongbyFatLarry’s Bandstayingatnumber2inthechartsfor11weeks………
Anotherjumpto2020,andit’sacommunicationtoolthathaschangedhowwe workandinteractwithcolleagues,meetfriendsandfamily,learn,playbingo, party…..itgoeson…..
Startingoutasasceptic,IquicklybecameaconfirmedZoomadvocate(other Appsareavailable!)FromthecomfortofmyownhomeinNorthYorkshireI’ve attendedCameraClubmeetings,RPStalks,seminarsandworkshopsfromall overthecountryandabroad-Dartmouth,SouthEastEngland,Yorkshire,Bath, Cornwall,London,IndiaandtheUSA.Nolongjourneysonthetrainorbycar, overnightstays,trafficjamsandtravelcosts.Ihaveafrontrowviewofthe speaker;Icanseeandhearthepresentationclearly;Icangetthespeaker’s attentiontoaskquestionsandgetreplies;Ihavenotesandhandoutsemailedto meandsometimesevenavideorecording;acomfortableseat,theheatingis justrightandthecoffeeisperfect.What’snottolike?”
Personally,IhavebeengreatlyinspiredbythenumerousRPSZoomtalksand workshopsI’veattendedacrossallgenresofphotography-abstract,landscape, nature,documentary,creative……I’velearntnewskillsandimprovedskillsand techniques,beeninspiredandconnectedwithpeopleacrosstheworld.Ireally dohopethat,goingforward,ZoomremainsapermanentfeatureofourpostCOVIDlivesandcontinuestobeembracedbytheRPStobenefitmembers.”
Iwrotethisshortarticlein2020,fortheNorthernRegionNewsletterwhenwe weredeepintolockdownduringCOVID,andtheDINewsletterEditoraskedif shecouldrepublishit,withanupdate.
IamdelightedthatnowwehavemovedonandtheRPShasre-introducedFace toFacemeetingsandseminars,ANDwestillhavetheopportunitytoshareand communicatewitheachotherusingthetechnologyZoomprovides.
TheRPShasamembershipthatisWorldWide,andweshouldallbemindfulthat thecontinuationintheappropriateuseofZoomcanopenupopportunitiesthat wouldnotbeordinarilyaccessibleformanymembers(whetherthat’sbasedon geographyorotherrestrictivefactors)forsomemembersthecontinueduseof Zoomwillenhancetheirpersonallearninganddevelopmentasphotographers andcreatives.
Inthecurrentclimateweareallencouragedtoreduceour‘IndividualCarbon Footprint’-Zoomprovidesusallwithatooltodothis,andopportunityto‘do ourbit’fortheenvironment,albeitinasmallway.
Zoomgetsmyvote!!
CarmelAnneMorrisARPSAFIAPOurwebeditor,LoisWakemanLRPS, hasrevealedsomeexcitingnews!
IsawthisontheDIFacebookpage, noteverybodyseesthoseposts,sowill shareithere.
CongratulationsLois.Readthewhole articleandseeallthewinners HERE
Loiswrote, “I'mnotreallyoneforcompetitions, butsubmittedanentrytotheRPS WSPOTYcompetition,andwas selectedasafinalist.
Iwasluckyenoughtogrowupinthe 50sand60swhenall-girlsgrammar schoolswereathing-sobeinganerdy scientistdidn'tattractthesocial opprobriumitoftendoesnow.Ihope somegirlswillstillovercomethepeer pressureandchooseSTEMsubjects likeIdid.Thecompetitionmayhelp inspireatleastoneortwoIhope”.
Thee-Circlesareproving verypopularandthe groupsformedareenjoying thecontactwithlike mindedpeople,thehonest feedbackandthesharingof skillsandideas.
Anyonewantingmore informationpleaseemail
JeanRobsonIboughtmyfirstSLRmanyyearsagowhenIwasinmyearly20’s.Mycamera accompaniedmeonwalksandholidaysandwasalwaysatmysidewhenour childrenwereyoung.Istartedoffwithfilmphotographyandspentsometime experimentingwithmyowndevelopingandprinting.AsourchildrengrewupI wasabletospendmoretimeonmyphotography.Ijoinedalocalcameraclub about10yearsagowhichhelpedmyphotographyprogressandIcurrentlyhold thepositionofclubSecretary.
Imadethetransitiontodigitalphotographyin2004andithasopenedupa worldofnewpossibilitiesforme.Thereisalwayssomethingdifferenttolearn andtryout.
Ilovenatureandtheoutdoorsandphotographymakesmelookmorecloselyat theworldaroundme.Standingonabeachtakinglongexposureseascapesor photographingflowersandseedheadsinourgardenmakesmefeelhappy.
IjoinedtheRPSin2016andbecameamemberoftheLandscapegroupand joinedDIGin2021.BeingamemberofDIGhaschangedmyoutlookon photographyandthetalksandworkshopshavebeenreallyhelpful.
DuringthefirstlockdownmyhusbandandItookpartinthewholeseriesofCelia Henderson’sRPSPhotoshopthroughFlowersfortheCreativePhotographer workshops.Theworkshopsimprovedourprocessingskillsandhelpedtotake ourmindsoffeverythingthatwasgoingonatthetime.JoeHoughton’s PresentingYourWorkworkshopmademethinkaboutdifferentwaysof presentingmyimagesandmademefeelmoreconfidentaboutsharingmywork. JoBradford’sCreativePhotographyWorkshophelpedmetostepoutofmy comfortzoneandtrythingsthatIwouldnormallyshyawayfrom.Duringthe workshoptheparticipantssharedtheirimages,ideasandexperiencesandwere verysupportiveofeachother.Everyoneproducedsomegreatimages.Mostof all,theworkshoptaughtmethatphotographyshouldbefunandtotakeimages thatpleasemeandnottoworryaboutwhateveryoneelsethinks.
I’verecentlyjoinedthenewlyformedDIGECritiqueandEProcessingCircles whichmeetonceamonth.Bothcirclesareveryfriendly,it’sagoodtochat,swop ideasandadvicewithagroupoflike-mindedpeople.
Myaimsfor2023aretoimprovemymacrophotographyandprintingskills.I’m alsolookingforwardtotakesometimetoexperimentwithICMandmultiple exposurephotography.
AtourforthcomingAGM,onthe26th,wewillbecelebrating anotherverysuccessfulyearforourGroup,asallthe activities,wehaveenjoyed,willbedetailed.Inthis newsletterwewelcomeanumberofpeoplewhoarejoining this‘Special’specialinterestgroup,andwecelebrate memberswhohaverecentlyachievedadistinction.Weare luckytobepartofsuchanenergeticanddynamicgroup. ManyofushavebeeninspiredbytheTalksandWorkshops thathavetakenplaceoverthelast12months,butweare alwayslookingforwaystomoveforwardandofferdifferentandexclusive projectsforthosewhoareinterestedinjoininginwiththeseactivities.
Ipersonallycoordinatetheworkshopsandampleasedtobeabletoannounce newonesforthe‘Spring’TheBuzzWordfor2023is‘Bundles’,havingthought peoplewouldbuyworkshopsinindividual‘Bytes’or‘PicandMix’manysigned upforthemall!Sowearenowgatheringseveraltogethermakinga‘Bundle’the purchasingprocessesismorecustomerfriendly,andthewholepackagehasan outcomeasthefinale!
JonathanVaineshasjustcompletedthefirst NikCollection series,thenextthree arealreadysold-outbutanewdateforNik5isreadytobepublished.Heisalso runningtwonew2partworkshops, CreativeBlur & PastelWork bothBookable. InMayMarkReeveswillberunninganICMworkshopforDIcoveringboth shootingandprocessingtechniques.Itwillfeatureanon-locationcapture morning(shootingdinghysailing)andanonlinefollow-upzoomsession. ‘The BeautyofSailing’ isforlimitednumbersandtakesplaceintheWirral.
JoeHoughtonisrepeatingthe ‘StepbyStep’ seriesagainin‘Bundles’butthey selloutreallyquickly.IamalwayssuggestingnewWorkshopideastohim,so watchthisspace!.
Createdtohelpyoulearn,are‘ChallengesandBundles’, ThePhotoshop Challenges withCeliaHenderson.Theideabehindtheseistoenableyoutobe morecreativeandproficientwithyoureditingskills,andthenshareyourfinished results.Therewillalsobeanumberof ByteSizeBundles tocovertheBasicswith theseinactiveworkshops.DetailsofalltheChallengeswehaveplannedwillbe publishedandbookableshortly.
MelanieChalkFullRangeofJoeHoughton’sStepbyStepWorkshops
FullRangeofCeliaHenderson’sByteSizeWorkshops
YoucansubscribetoouremailMailingListsheretohearnewannouncements:
AGMAGENDA
10.00Welcome
10.10LenMetcalf-PrevisualisingMonochrome(Q&A)
11.30Break
11.40AGM
12.30PrintexhibitionPresentation
13.00Lunch&ChatRoom
13.45AdrianBeasley-HighimpactB&WArchitecture(Q&A)
15.05Break
15.15PaulMitchellFRPS-TheSpiritofLight(Q&A)
16.35Meetingclose
ThisisafreemeetingforDIMembers. Tobookyourplacego HERE
Accolade12willsoonbecompleteandreadyforPublication,andmanyofthe memberslistedbelow,Iamsure,willbefeatured.Theywillbesharingtheir success,displayingtheirimagesandoutliningtheirjourneystosuccess.Inthelist belowonenameappearstwice,infactSimonStreethasachievedSeven Fellowships,twoquiterecently,whatanaccomplishment!. Readaboutithere
WehaveonlyjustbeenabletoaccesstheDistinctionlistsaftermanymonths, anotherdifficultywiththeCRMsystem,buttoeveryonelistedbelowverymany congratulationsonyourachievement.
Thenewmemberwebsiteisslowlycomingtogether
Visit https://portal.rps.org toseewhat’sonoffer–thisisverymuchaworkin progressandyourprofile-specificinformationwillbeaddedgraduallyoverthe comingmonths.IfyouoverlookedthememberemailinlateJuly2022,you’ll needtofindit(subjectis“AnUpdateforMembers:YourNewRPSMembers Portal”)soyoucanregisteranewlogintoseethecontent.
Atthetimeofwriting,mostdistinctions-relatedeventsarenowbookable directly,sokeepaneyeonRPSnewslettersandtheFacebookgroup(see below)forannouncementsofhowtobook.EventListing(rps.org)isagood placetostart–therearefiltercheckboxestonarrowdownyoursearch.
AlltheassessmentdatesupuntiltheendofJuly2023arenowonthewebsite. Youcansendyourbookingformsto distinctions@rps.org orbyposttohead office.
FindoutmoreabouthowtostartyourDistinctionsjourney:
Eachofthepagesbelowincludeshandylinkstoguidelinesandgenresfor distinctions,anda“howtoapply”document:thesearemostlylinksonthe originalwebsite,bytheway.
• Licentiate(LRPS)
• Associate(ARPS)
• Fellowship(FRPS)
The Photobook genre,availableforalldistinctions,hasitsownspecial guidelinesandsubmissionprocess(asopposedtoanLRPS,ARPSorFRPS submissioninbookform).Youcanfindoutmorehere:Photobooks.Youmight alsoliketoseea talkhostedbyStewartWall whichisbothinformativeand inspiring.
Tohelpyouprepare,youcanrequestaone2oneportfolioreview–anonline sessionwithapanelmemberappropriatetoyourgenre/distinction.Seethis pageformoreinformation:Howtobookaone2one(rps.org)
Therehasbeensomeconfusionoverwhathappensnext–someonefromHQ willfindyouanadvisorandputyoubothintouchtoarrangeadateandtosend images/presentationplan.Thiscantakeaweekortwo,andyouareadvisedto makeyourrequestatleast4monthsbeforeanassessment.
SomeregionsareofferingAdvisoryDaysinpersonandonline.Usethislink https://portal.rps.org/s/event-listing andtickthe‘advisory’filter.Youcan generallyattendasanobserverifyouaren’treadytostepupyet(usually advertisedaweekbeforehandontheFacebookgroup).Inaddition,some ChaptersandRegionsofferonlineDistinctionsStudyGroups.Youcanalsofind thesebysearchingtheRPSwebsite.
Anddon’tforget,aswellasprojectedandprintedimages,youcanalsoapplyfor aFilm,DigitalandMultimediaDistinctionatanylevel,andalsoawritten ResearchDistinction:FilmAndResearch.
Moreavenuesofsupport:
IfyoumissedanyoftheexcellentDistinctionsLivetalks,youcan catchup here. (Alsoaccessibleviathe RPSDistinctionschannel onYouTube.)
TheFacebookGroup RPSDistinctions**OfficialGroup** hasover4650 members,andincludespostscelebratingdistinctionsuccessestoinspireyou.It’s acivilisedvenuetoaskquestions,shareyoursuccesses–anddisappointments–andaskforcritiqueorexpertadviceonyourproposedportfolio.Ifyouaren’t surewhichgenreorleveltoapplyfor,youcanpost6images(plusyour StatementofIntentif appropriate)andrequest moderatoradvice.
Accolade,whichcelebrates DigitalImagingmembers’ Distinctionssuccesses,is usefulforinsightintothe processinmanydifferent genresandatalllevels.
Issue11ofAccolade is availableonIssuu
Thislink takesyoutoview allpastcopiesofAccolade
ClickingonanyoftheseadswilltakeyoutotheRPSEventspagewhereyoucan findmoreinformationabouteventsfromotherSpecialInterestGroups(SIGs):
ShownbelowaretheDigitalImagingTalksplannedforthenextcoupleof months.Therearemoreeventsinthepipelineandyoucansignuptoreceiveour eventslistingemailat bit.ly/RPSDIEvents.
AlsoshownaretheupcomingnewWorkshops.
Andifyou’dliketolendahand,weneedvolunteerstohelpwithZoomevents, socontactJocelynEdwards(digsecretary@rps.org)togetinvolved.
Pleasecheckthatyouhaven’talreadyregisteredbeforeyoubooksoastoavoid duplicatebookings.
Clickonanyoftheseadstovisittheeventpage:
TheDigitalImagingwebsitehasbeenre-organisedandredesignedto accommodateourgrowingneeds.Thisiswhy,ifyouhavebookmarkedparticular pages,theymayhaverecentlydisappeared,soyouwillneedtoreinstatethem.
Wehopethatthereorganisedwebpageswillassistyouinfindingallthe informationyoumightneedinthefuture,allaboutourgroupandwhatis happeningandwhen.
Theinteractiveimagesbelowreplicatethoseonthewebsite,simplyclickthe imagetoopenthelink.
Themembers-onlylinkfortheDIGITArchive,istobefoundintheemail messageannouncingthisnewsletter.
TheRPSDigitalImagingconstitutioncanbedownloaded HERE.
Foreveryone’sconvenience,weincludealistofshortcutstothemainDigital ImagingpagesattheendofeachBroadcast.
YoucansubscribetoouremailMailingListsheretohearnewannouncements: Garden&PlantPhotography Workshops Events