


Thankyoutothoseofyouwhoattendedthe DIgroupAGM.Onaveragewehad250 peopleonlinethroughouttheday,sothatis veryencouraging.Holdingitonlineenables somanymorememberstoparticipateaslikely itwouldhaveonlybeen50hadweheldit face-to-face.Howeverwedoappreciatethat somemembersdostilllikethelivemeetings, sowewillexplorethepossibilityofahybrid meetingfor2024.
Forthosewhowereonline,youwillhave heardhowwewill‘evolve’thevariousDI memberinitiativesthatweofferfor2023/4. InthenextissueofDIGIT,whichshouldbe withyouaroundtheendofthemonth/early April,youwillfindatranscriptofthatwhichI deliveredasmy‘LookingtotheFuture’slotat theAGM.Alreadyyoumayhavenoticed someminorchangestothingsweoffer.Forexamplewearepackagingseriesof workshopsinto‘bundles’tomakeiteasierforyoutobookforagiventopicand includingfeedbacksessionstoconsolidateyourlearning.TheseWorkshops bookupreallyquicklysodokeepaneyeonthewebpage
HERE https://rps.org/groups/digital-imaging/new-di-workshops/
Therewillalsobechangestoourtwoannualcompetitions.Againweare endeavouringtoevolvethesetoenableyoutogetmoreengagedwiththem. Moreaboutthatasthingsfirmup.
Werecentlyintroducedthee-circlesandnowhave5operatingviaZoom.These peer-to-peermeetingsareheldmonthlyonlinesoavailabletomoreorless anyonewhoisinterested.MoreinformationHEREDeborahLothiscontinuing tofindussomefirstclassSaturdayafternoonmonthlysessions,whichwefondly call‘BigDIG’meetings.TherecenttwofromLisaCarneyonsmartphone photographyandBillWardonICMandmultipleexposureseemedtohavereally gotyoufiredupandinspired.AsdidourAGMspeakers,aswesawlotsof examplesofmuchmorepunchymonoprocessingontheFacebookpostingswith memberscommentingthattheyweregivingitatryinthe‘styleofAdrianand Len’.
FortheDICommitteethisiswhatitisallabout–givingourmembersmeetings, workshopsandopportunitiestodeveloptheirphotographyinwhicheverway worksforthem,withpassionandinspiration.Wefeelitisimportantthateach membershouldfeelthereissomethingtheywanttoparticipatein,soifyouhave ideasofareaswearen’tcurrentlycoveringthatyoufeelweshouldconsiderthen dogetintouch.Memberfeedbackandthoughtsarealwayswelcomed.Email digchair@rps.org anytime.
Janet
IwasexcitedrecentlytoreceivemyinvitationtotheRHSBotanicalArt& PhotographyshowattheSaatchiGalleryinJune,thisiswherethoselucky people,selectedfromtheRHSPortfolioCompetition,areexhibited.Shortly afterthatIheardthatIreneStuppleshadbeenoneofthoseselected.Ihave cometoknowIrenethroughtheDIE-circleIattend,therestofthecircle,hadall beeninterestedtohearthatshehadentered,aswehadbeenencouragingher to”goforit’!IrenehadputherPanelupforappraisalattheRHSCritique session,thatDIorganisedinNovember,whereitwaswellreceived,andthathad boostedherconfidencetoapplyanduploadherentry.Shewasabsolutely thrilledtohavebeenselected,butsaidshewasexcitedandterrifiedinequal measureasnowshehastoPrintthemandsendherPanelforscrutinyand framing.IamverymuchlookingforwardtomeetingupwithIreneinperson, andseeingherPaneldisplayedintheSaatchi.
ManycongratulationsIreneonyoursuccesssofar,fingerscrossedandenjoythe experience.
HaveanyotherDImembersbeeninformedtheyhavebeenselectedorreceived feedback?Iwouldbeinterestedtoknow,asweareplanningtorepeatevents withtheRHSincludinganotherappraisalsessionforthosewhohavepanels ready
ThewinnerofourJanuarymonthlyonlinecompetitionwas‘Grounded’byPeter Stickler,whichisfeaturedonthecover.(Formoreinformationaboutthisfriendly monthlycompetition,includinghowtoenter,visit https://rps.org/di/monthlycomp/. Keepaneyeoutforvideoslideshowsofmonthlycompetitionentrieson our YouTubechannel.)
‘Grounded’byPeterStickler ARPS
Peterhassentthecomponentsthatmakesuphis winningimagefromtheFebruaryMonthly Competition.
‘Grounded’wasa‘Composite’imagemadeup from3files.
Thestartingimage,wastwoboatsondrylandin Lanzarote.
Thenextstagewasconvertingthecolourimagestoatonedmonoimage,for thisIusedHueandsaturationwiththecoloriseboxchecked.
Thefinalstagewastoaddafurtherlayerfilledwithwhiteandablendingmode softlight,85%opacity.
PeterAndthisisthefinalimage.
SecondPlacewas‘AshmoleanStair’byJohnBullLRPS
JustareminderonhowtoenterourMonthlyCompetitionandalsohowtovote foryourfavourite.ClicktheimageabovetotakeyoutotheMonthly CompetitionontheDIWebpage.Kenwouldbepleasedtohavemoreentries. Doshareyourfavouriteimageswiththegroup.
Afuncompetitionwherememberscanchoosetheirfavouritepicturefromthose submittedeachmonth
EntryisrestrictedtoDigitalImagingandDigitalImagingOnlinemembersofthe RPS.
Pleaseemailyourpictureto digcompsec@rps.org.Youshouldgetan acknowledgment.(ifnot-remindme!).Oneimageperpersonpermonth. Imagesshouldbe1000pxwide-thereisnorestrictiononhowtallyourpictures are.Sopleaseresizethemupto1000pxbyXXXXXpx.(NOTXXXXpxby1000 px).Pleasenameyourjpegsasfollows-ImageTitlebyYourName.e.g."Pretty GirlbyJohnSmith"Tryandavoidusingthecamerafilename,itjustlookssilly whenposted!
Winners(andrunnersup)willhavetheirimagesshowcasedinDIGNews.Voting takesplacearoundthefirsttendaysofthefollowingmonth.Iusuallyemailout thevotinglink,orcheckourFacebookGroupfortheannouncement.
KennethNessARPS(digcompsec@rps.org)PLEASENOTENEWEMAIL Openforentries1sttolastdayofeachmonth.
Votingtakesplace1stto10thofeachfollowingmonth.
ResultspublishedinDINews
ThisisjustareminderthattheresultsoftheAnnualPrintExhibitionselectionand alltheimagescannowbeviewedontheDIWebsite.TheSelectorsawardswere announcedattherecentDIAGM,ifyoumissedit,fulldetailsandtheYouTube slideshowofalltheimagescanbeviewedunder AnnualPrintExhibitiononthe DIWebsite
Abigthankyoutothe134entrantsforyourentries,withoutyoutherewouldn’t beacompetition.TheSelectorswereDaanOliverFRPS,RosemaryWilmanHon FRPS,TimMorelandARPSandtheCompetitionwasablyorganisedbyMarilyn Taylor,avoteofthanksgoestothemfortheirtimeandthecontributionthey madetothiscompetition.
The2023WinneroftheGoldMedalandChairman'sCupwas‘PerfectCurves’ byDerwoodPamphilonARPS
RibbonawardedbyRosemaryWilmanHon.FRPS,Poppies,byProf.Brian CookeARPS
RibbonawardedbyRosemaryWilmanHon.FRPS,ThePuppetKing,byMarilyn TaylorFRPS
RibbonawardedbyDaanOliverFRPS,TallDarkStranger,byTrevorRudkinLRPS
RibbonawardedbyDaanOliverFRPS,MakinganEntrance,byHilaryBailey LRPS
RibbonawardedbyTimMorlandARPS,Balconies,byMargaretFordARPS
RibbonawardedbyTimMorlandARPS,AmericanGraffiti-YellowCab,byAlan CollinsARPS
IwouldliketointroduceyoutoLoisWakemanwhohasrecentlyjoinedtheDigital ImagingCommitteeandtakenontheroleofWebEditor.Thisinvolvesher updatingthepagesandmakingsureeverythingpostediscurrentandallour eventsarebeingpromoted.
IwenttovisitLois’spersonalwebsite,muchofwhichfascinatedme,Iwas interestedtoreadofher‘DayJob”ThenIwenttoher‘Links’expecting somethingquitedifferenttowhatIactuallydiscovered.Thispromptedmetoask ifshewouldbeinterestedinwritingmeapiecefortheNewsletter,whatfollows detailsaninterestingaspectofFACEBOOKGroups
Thisarticlewasinspiredbyaquestionfromtheeditor,Melanie,whowas intriguedbyalistoflinksonmywebsite.Asafully-qualifiednerd,Ibelongtoa numberofesotericFacebookgroups(andamactivelyresistingjoininganumber ofotherssuggestedbymyfellowgroupmembers–it’salltooeasytodisappear downtherabbit-holeofever-morespecialisedinterestgroups–Ialreadyspend toomuchtimewonderingatwhatpeoplefindtoshowme!It’sthemodern equivalentofafavouritechildhoodpastime–lookingatatlases,encyclopaedias anddictionariesforaspecificthingandsuddenlyrealisingthatit’sdarkandyou stillhaven’tfoundwhatyouwerelookingfor…)
So,whichofmygroupsisthefavourite?That’slikeaskingmetonominatea favouritechild,soIwillstartwiththefirstoneIjoined,whichistheCorrugated IronAppreciationSociety.Despiteanoccasionalspatwhensomeone accidentallypostsaboutondulineorcementboards,thisisafriendlygroupof peoplewhoenjoythequirksandbeautyofthecrinklystuff.Abandonedbarns andcroftsfeatureheavily,asdoimmaculatetintabernacles,huts,industrial buildings,Australiansheepsheds,remoteshops,andlotsofweirdanimalshapedbuildingsinNewZealand.Ican’tgetquitesoexcitedatthepicturesof randombitsofrustytinstuckuptreesorinbrambles,buteachtohisown!
Thesearesomeofmyfavouriteimagesintheoeuvre:
Andjustincaseyouthinkthisisallfun,BrickoftheDayisafineresourceforanyone withaninterestinarchitecturalceramics.Thereareseveralimmenselyknowledgeable contributorswhocanidentifythemostobscurebrick,orwriteashorttreatiseona brickworksorinterestingbuilding.Myhumblecontributionhereisjustafewseaworn specimenswashedoutofthedumpatLymeRegis,thoughbelowI’vethrownina coupletakenforaestheticratherthanacademicreasons!
SobeforeIstartextollingthevirtuesofevenmoreobscuregroups,Ithinkit’s timetodrawtoaclose,butIdourgeyoutofindyourownfellowobsessives,as aninspirationalspurtofindingmorephotographicsubjects!
ThejointinitiativebetweenDigitalImagingandtwoRegionalGroupsinvolved deliveryofaZoomtalkonStreetPhotographyaimedatprovidingparticipants withsomeideasforanexcursion.RegionalgroupsinSWEnglandandSouthern Scotlandarranged5photowalksfollowedbydiscussionevents.
WalkswereheldinGlasgow, Dunfermline,Truro,Plymouthand Exeter.TheweatherforbothScottish walkswasdecidedlyinclement,which madeforsomeatmosphericimages, nottomentionenjoyablechatsina coffeeshop!Participantsmetupa fewweeksafterthewalkstoshare someoftheirimagesanddiscussthe initiative.
Itwasagreedthattheeventswere wellworthwhile,face-to-face meetingswereappreciatedandthe groupsenjoyeddiscussingtheresults. Thegroupsinvolvedwerekeento repeattheformatwithothertopics.
Wearehopingtobeabletorepeat theT-W-Tformatlaterintheyear,and consideringwoodlandandseaside opportunities.
Ifanyoneisinterestedinhelping pleaseletmeknow!(digmem@rps. org).
ThankstowalkleadersJanetHaines, CliveWatkins,MonicaVella,andPaul Evan.
DIrecentlyran‘StreetPhotographyJustGetOutandDoIt’, aworkshopwithJoeHoughton.Thecoursehasrecently finishedandJoeisbusycreatingaGalleryforallthe favouriteimages, fromthosewhoattendedthisworkshop. Itisbeingconstantlyupdatedasimagesareadded,you mightliketotakealook?HereistheQRCode
Herearesomeimpressions,imagesandtestimonials:
HuwThomas wrote,
‘Streetphotographyhasalwaysappealedtome-thewayitcanhighlightour sharedhumanitywithallitshighsandlows,andconnectwiththeviewer emotionally.Iseekoutimageswhichreflectthis,capturingmomentswecanall relateto,butperhapsdon’tnoticeaswespeedpastinourbusylives.
Myhopeistocontinuallyrefinemycompositionalandcameraskillssoasto producesomeimagesthatmoveoneemotionallyaswellaspossiblybeing consideredas“fineart”goodenoughtocompetewithmyartisticwife’s paintingsforhangingspaceinthefamilyhome.
Duringthecoursewehavebeenencouragedtoplaywithdifferentcompositionsandstyles.In thesamecoffeehouse(differentday)thisladywasreadingherbookwiththegorgeous Februarylightstreaminginonher.IhadjustreadupaboutpainterEdwardHopperandwith hiscompositionalstyleinmindIcomposedthisimage.Thepicturerequiredverylittlepost processing-sometimesyouarejustlucky.
Justwanderingroundthelocaltownasawthisteenagecoupleeatingtheirlunch.Thegirlwas quitebemusedwhenIcomplimentedherondramatictightsandwashappyformetotakethe shot.Ithoughtitwouldmakeanicedramaticmonoimage.
‘Thegroupwasfullofexperiencedandtalentedphotographers andwelearnedalotfromeachother,Joechairingandsteeringthe critiquesandaddingafewgemsofhisown.Greatfun-manythanks."
“Ihavealwayshadalikingforstreetphotographybutdidn’tseemtobe progressingwithmyphotography.Twoyearsofillnessandlockdownputmy motivationatrockbottom.HavingpreviouslyseentwoofJoe’sonline presentationsatmylocalcameraclubIwaspleasedtofindthiscourseoffered bytheRPS.
Fouronlinesessionsarescheduledeverytwoweeks,allowingtimetodigestthe coursecontentandprepareandpresentmy“Homework”withoutanyrushor stress.HomeworkiscritiquedbyallthoseparticipatingwithJoeaddingmuchto thediscussions,Joe’senthusiasmandknowledgeforthesubjectshonethrough andhewastrulyinspiring.Thegroupweretalented,veryfriendlyandwillingto sharetheirknowledge.
Ihavelearntmuchfromthiscourse,fromotherparticipantsandfromJoe,who hasawealthofexperiencetoshare,asaresultInowfindmyselfreinvigorated andreadytotaketothestreets.
AberdeenHeroesbyDavidJones
Areflectioninthewindowofamusicshop.Thiswasanexperiment,the shoplightswereverybrightbutthestepsweredarkanddon’tgetmuch daylight.Ididn’texpectittoworkbutitdidwithoutmuchPP. Justshows,it’salwaysworthtrying.
IcanhonestlysaythatIcameawayfromallfoursessionsfeeling inspiredandwithanurgetopickupmycameraandgetout there."
"Isetouttocapturewhatevertakesmyfancy,andstreet photographyhasalwaysbeenthemostenjoyablewaythatIhave foundtodothis.
MargretPreece wrote,
Iliveinaverysmallvillagewherestreetphotographyismoreofadream,you canwanderaroundwithhardlyanyonetobeseen.
ThereforeIliketotraveltoLondon,andrecentlyIspentadayintheTate Modernaskingmyself‘whatdopeopledointheTateModernotherthanlooking attheworksofart,andhowaboutallthosechildren?Whatdotheydothere?
Thesearesomeofmyanswers:
CartwheelsintheTurbineHall,TateModernbyMargretPreece Theturbinehallcanbecomeaplayground,Ialwayscheckwhatisgoingonthere.Inthiscase mumisobviouslyhavingarestwhilstthelittlegirlispracticingcartwheels;butwhatarethe structuresontheright?
20DIONLINEMar2023
“Theperfectlearningenvironment,tomymind."
Thisladymusthavehadatiringday.Ilikethejuxtapositionofthetwopeoplelookingin oppositedirectionsandpasteachother.Isthereaconnectionoraretheystrangers?
Tunnel-vision:byJohnAnderton Wetalkedabouttheimportanceofleadinglinesinourimages,andhowtheycancreateasenseofdepth,so whenIwentoutlookingfordoorwaysandarches,IknewthatIalsowantedtoincorporatethisintomyimage. Iwasparticularlypleasedwiththewaytherailingsleadtheeyetothesilhouettedfigureandbeyond.
Wetalkedabouttheimportanceofleadinglinesinourimages,andhowtheycancreateasenseofdepth,so whenIwentoutlookingfordoorwaysandarches,IknewthatIalsowantedtoincorporatethisintomyimage. Iwasparticularlypleasedwiththewaytherailingsleadtheeyetothesilhouettedfigureandbeyond.
Ilovetheshapesthatcanbecreatedbylightandshadowoutonthestreet.Iwaswalking alongthisshoppingarcade,andInoticedhowthesceneinfrontofmewascomprisedoffour, roughtriangles.However,Ireallywantedafiguretobecentre-stageandsoIwaitedawhile forsomeonetowalkdowntheexactcentreofthewalkway.Fortunately,thispersonobliged!
JohnAnderton said, Isetouttocapturewhatevertakesmyfancy,andstreetphotographyhas alwaysbeenthemostenjoyablewaythatIhavefoundtodothis.
However,itcanbeasolitarypursuitsotheopportunitytospendtime(albeit online)withotherstreetphotographers,sharingimagesandideaswasreally enjoyable.IcanhonestlysaythatIcameawayfromallfoursessionsfeeling inspiredandwithanurgetopickupmycameraandgetoutthere.
"IlookedtojoinJoe'scourseaftercompletinga2yearphotographic diplomainnightschool(Alevelequivalent).Thefortnightlyzoom meetingswerespacedfarenoughapartforeveryonetobeableto producesomenewimageseachsession-basedonthesuggested themeswhichwerethencritiquedbyall.”
SherryDaviswrote, Ijoinedthisworkshoptocultivatemystreetphotographyandpostprocessing techniquesandIbelievethathasbeensuccessfullyachievedwithinafriendly, encouragingandinspiringgroupoflikemindedandverytalentedindividuals.
TherearelayersinthisimagewhichIthinkworkwelltogether.Thereflectionthroughthe mirrorhascapturedtheuniquenessoftheretroshopwindowdisplayopposite.Wealsohavea ratherboredlookinggirlcomingoutoftheshop,butformethemostcaptivatingthingisthe expressionontheforegroundgirl’sfacewhichaskssomanyquestions.
ThisisanimagethatIhavebeentryingtoachieveforsometimeaswheneverIpassthiscoffee shopthereisalwayssomebodyreadingabook.Iparticularlylikethefactthatthiscomposition usestheruleofthree,capturingboththereflectionofthemainsubject’sbookalongwiththat ofanothercustomer.
"Irecommendthiscoursetoanyonewho hasaninterestinstreetphotography,you willnotbedisappointed”
“Inowhavetheconfidencetogouptocompletestrangersand askthemfortheirphotograph,somethingIwouldnothave dreamtofdoingbeforethecourse.”
JoeHoughton
LightroomStepbyStep andStreetWorkshops
https://bit.ly/RPSDIWS2335
JoeHoughtoniscontinuingtoofferhisSteptoStepLightroom Journey,are-runhasjuststartedandthereareafewplacesremaining onthe DevelopBundle
HavingreadthepreviousarticleandthegreatTestimonials,fromthose whoattendedthefirstStreetPhotographyWorkshop,onecansense howmuchtheyenjoyedit.Howitinspiredthem,gavethemareason togetoutwiththeircamera,howtheylearntfromtheexperienceand gavethemmoreconfidencetocapturesomegreatimages.
Atpresentwehave8placesremainingonthenext Street PhotographyWorkshop startingontheFriday5th May.
TherehavebeenvariousdiscussionsonsomeRPSFacebookgroupsaboutthe roleofAIinphotography,notleast“howmuchistoomuch?”,giventhe sophisticatedalgorithmsnowbuiltintomuchpost-processingsoftware.
HQhascomeoutwithapreliminarystatementthattriestodefinetheRPSview, viz:
“ForDistinctions,ourstanceisthefollowing:
ImagescreatedbyAI,includingthosemadefromtheapplicant’sownfiles,are notacceptedinaDistinctionapplication.
Ifyouhaveanyquestions,pleaseemaildistinctions@rps.org”
Expectfurtherclarification,judgingbythenumberofcommentsandquestions thishasprovoked!
FindoutmoreabouthowtostartyourDistinctionsjourney:
Eachofthepagesbelowincludeshandylinkstoguidelinesandgenresfor distinctions,anda“howtoapply”document:thesearemostlylinksonthe originalwebsite,bytheway.
• Licentiate(LRPS)
• Associate(ARPS)
• Fellowship(FRPS)
ThePhotobookgenre,availableforalldistinctions,hasitsownspecial guidelinesandsubmissionprocess(asopposedtoanLRPS,ARPSorFRPS submissioninbookform).Youcanfindoutmorehere: Photobooks.Youmight alsoliketoseea talk hostedbyStewartWallwhichisbothinformativeand inspiring.
Tohelpyouprepare,youcanrequestaone2oneportfolioreview–anonline sessionwithapanelmemberappropriatetoyourgenre/distinction.Seethis pageformoreinformation: Howtobookaone2one(rps.org)
Therehasbeensomeconfusionoverwhathappensnext–someonefromHQ willfindyouanadvisorandputyoubothintouchtoarrangeadateandtosend images/presentationplan.Thiscantakeaweekortwo,andyouareadvisedto makeyourrequestatleast4monthsbeforeanassessment.
SomeregionsareofferingAdvisoryDaysinpersonandonline.Usethislink https://portal.rps.org/s/event-listing andtickthe‘advisory’filter.Youcan generallyattendasanobserverifyouaren’treadytostepupyet(usually advertisedaweekbeforehandontheFacebookgroup).Inaddition,some ChaptersandRegionsofferonlineDistinctionsStudyGroups.Youcanalsofind thesebysearchingtheRPSwebsite.
Anddon’tforget,aswellasprojectedandprintedimages,youcanalsoapplyfor aFilm,DigitalandMultimediaDistinctionatanylevel,andalsoawritten ResearchDistinction:FilmAndResearch.
Moreavenuesofsupport:
IfyoumissedanyoftheexcellentDistinctionsLivetalks,youcan catchup here. (Alsoaccessibleviathe RPSDistinctionschannel onYouTube.)
TheFacebookGroup RPSDistinctions**OfficialGroup** hasover4650 members,andincludespostscelebratingdistinctionsuccessestoinspireyou.It’s acivilisedvenuetoaskquestions,shareyoursuccesses–anddisappointments–andaskforcritiqueorexpert adviceonyourproposed portfolio.Ifyouaren’tsurewhich genreorleveltoapplyfor,you canpost6images(plusyour StatementofIntentif appropriate)andrequest moderatoradvice.
Accolade,whichcelebrates DigitalImagingmembers’ Distinctionssuccesses,isuseful forinsightintotheprocessin manydifferentgenresandatall levels.
Issue11ofAccolade is availableonIssuu
Thislink takesyouto viewallpastcopiesof Accolade
Iamhighlightingthefollowingupcomingworkshops:
Face2Face
FormembersintheMidlandsarea, PhotoWalkKenilworthCastle FormembersclosetotheWirral, TheBeautyofSailing
Online
Ournew PhotoshopColourChallengeworkshop withCeliaHenderson
AndoneforInfraredPhotographers,a NEWWorkshopwithJonathanVaines
DigitalImagingWorkshops
MARCH282023
DigitalImagingWorkshops
April192023
DigitalImagingWorkshops
May142023
CeliaHenderson
Photoshop ColourChallenge
https://bit.ly/RPSDIWS237
JonathanVaines
InfraredProcessing Anewworkshop
https://bit.ly/RPSDIWS2336
HannahCarter-Orton
APhotoWalkInthesurrounds ofKenilworthCastle
https://bit.ly/RPSDIWS2337
LetmewelcomeHannahCarter-OrtontoourWorkshopEducatorTeam,Iwilllet hertellusallaboutherselfbelow.HannahhasrecentlyjoinedtheRPSandthe DIGroupandshecamealongtooneofourrecentE-circlesessions,sharingher ownimagesandofferinggreatfeedbacktoallourimagestoo.
HannahwillbeleadingaworkshopfprtheRPSDIGroup,inMay,aPhotowalkin theSurroundsofKenilworthCastle.SoanyoneintheMidlandsareawouldbe verywelcometojoinher.MoreonlineworkshopswithHannaharebeing planned!
Havingbeenimmersedintheworldof photographyforthelast23yearsgaininga PhotographydegreefromNottingham TrentUniversityandcompletingformal trainingineducation,Hannahhasbeen teachingtraditionalandcreativefilmand digitalphotographyforthelast15years. ShelaunchedherPhotographyBusinessin 2018.
“Ihavealwaysbeenfascinatedbytheworld welivewithin,humans’andhuman relationships,whoweare,whatweareand thelifejourney’swecreateandexistin!
Photographyformeisapowerfulmedium tocapturethis,avisualdiaryasitwere”
Thisiswhatmotivatesherfamily photographyandasanexperienced photographyeducatorshelovesnothing morethansupportingpeopleontheir photographyjourneytoencourageafull experienceofconnectingandcreatingwith theircamerasthroughtechnicalandvisual know-how!
Hannahisrenownedforherwarm,funandfriendlyteachingapproachandhas deliveredphotographyeducationthroughcolleges,communityandtheprivate sector.
Sheprovidestraininginmostaspectsofphotography,withafocuson supportingandstrengtheningindividuals'photographicpracticefromconcept, captureandedittofinalproduction.Herphotographyinterestsarecreative, conceptual,landscape,andstilllife.
Whensheisn’tphotographingfamilies,teachingortrainingphotographyshe canbefoundenjoyingamblingthroughnaturewithhercamerainhand!
ItseemsfromthecommentsonFacebook,thenumberofMonoimages displayed,thathadbeeninspiredbytheSpeakers,andthepositivefeedback received,thatthemajorityenjoyedtheAGMexperience.TheCommitteeasked somepertinentquestionsinthesurvey,herearetheresultsof4questions.
Thescale1 NOand5YES
Oure-Circlesaregroupsofbetween6and10photographerswhomeetmonthly onZoom.Ifyouwanttoimprovesomeaspectofyourphotographyandare preparedtomeetupwithcolleaguesforconstructive,honestgivingand receivingoffeedbackwhynotconsiderjoiningoneofoure-Circles?
e-Processingcircles.In thesegroupsmembersall workonaRAWfile volunteeredbyone memberanddiscuss differentapproachesto processingtoachievethe volunteer’svisualisation.
e-Projectscircle.A groupwhich discussesprojects thatmembersare workingon.
e-Critiquecircles.In thesegroups memberssharean imagefordetailed discussion
Tofindoutmorecontact digmem@rps.org)
ClickingonanyoftheseadswilltakeyoutotheRPSEventspagewhereyoucan findmoreinformationabouteventsfromotherSpecialInterestGroups(SIGs):
Followingonfrom'LifeintheBlender' Jonathanwillreturntosharesomeofhis workthathasbeencreatedinthepast coupleofyears.Manyofushave experiencedsomelossofmotivationover thepastthreeyearsandgettingback behindthelenshasbeenharderthan expected.Jonathantalksaboutwhat motivateshimandtohowhavingareason toshootanimagemakesadifferenceto yourimagemaking.Hehasacreative approachtophotographyandoftenworks withprojectsproducingsets,groups, collectionsandpanelsofimages.
Signupnow, toregisterforyourfree place.
JonathanVainesisalsodeliveringnewworkshopsforDigitalImaging,weare alreadyonthefifthre-runoftheNikCollection,therearestillplacesforthe Octoberdate.ThePastelWorkandCreativeBlurworkshopshaveproved popularnowsomenewdatesareavailableinJuly.JustreleasedWorkshopsall aboutCompositionandoneon‘InfraredProcessing’
DigitalImagingWorkshops
AUGUST2023
https://bit.ly/RPSDIWS2333
TheDigitalImagingwebsitehasbeenre-organisedandredesignedto accommodateourgrowingneeds.Thisiswhy,ifyouhavebookmarkedparticular pages,theymayhaverecentlydisappeared,soyouwillneedtoreinstatethem.
Wehopethatthereorganisedwebpageswillassistyouinfindingallthe informationyoumightneedinthefuture,allaboutourgroupandwhatis happeningandwhen.
Theinteractiveimagesbelowreplicatethoseonthewebsite,simplyclickthe imagetoopenthelink.
Themembers-onlylinkfortheDIGITArchive,istobefoundintheemail messageannouncingthisnewsletter.
TheRPSDigitalImagingconstitutioncanbedownloaded HERE.
Foreveryone’sconvenience,weincludealistofshortcutstothemainDigital ImagingpagesattheendofeachBroadcast.
YoucansubscribetoouremailMailingListsheretohearnewannouncements: Garden&PlantPhotography Workshops Events