FEATURED PHOTOGRAPHER

I will spend days, sometimes weeks or even months thinking it through, visualising what the final shot should look like, sourcing objects for a particular set-up until I get exactly the right one - the one that I imagined. Sometimes seeing fresh lemons in a supermarket might remind me of a plate and a knife I have at home, and I start thinking of a way of putting these things together in a still life set up. On one occasion, I spent almost six months looking for a vintage vegetable cutter that I wanted to combine with a few objects I already had.

When it comes to post-processing, I usually know in advance exactly what I am going to do with every single shot, whether it is adding a textured layer or perhaps cropping it into a square format.