RR Auction: Hollywood Auction by RR Auction

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ARNOLD FRIBERG’S ORIGINAL Eight Faces of Moses

July 19, 2014 | Boston, MA This July, RR Auction will be offering a once-in-a-lifetime opportunity to own a set of original paintings by renowned artist Arnold Friberg, created for use in the making of Cecil B. DeMille’s masterful 1956 classic, The Ten Commandments. Recently attributed to Friberg by art historian and author Lawrence Jeppson, this collection of portraits is one of the most important Friberg discoveries of recent years, bringing together four of the biggest names in art and entertainment. Used by legendary makeup artists Wally and Frank Westmore as the templates for Charlton Heston’s transformation from a young slave to a wizened prophet, they are among the finest pieces of Hollywood art ever to come to market. These stunning portraits will be on display at our Boston gallery, and all interested bidders are welcomed and encouraged to set up an appointment to view them. The live auction will take place at 1:00 pm, on July 19, 2014.

MA/Lic. #3214

Bidding begins on June 19th An initial bid must be placed on lots by 6 pm Thursday, June 26th. A one hour extended bidding period begins followed immediately by the 30 Minute Rule at 7 pm. All times in RR Auction guidelines and instructions are stated according to the Eastern (U.S.) time zone.

RR Auction is committed to offering authentic autographs and memorabilia. This commitment is the foundation on which RR has built its reputation as a responsible, respectable auctioneer. Backing our commitment to authenticity, we are proud to offer a 100% Lifetime Money Back Guarantee on every signed item we sell—unsigned items are covered up to one year. The Certificate of Authenticity that accompanies every signed item is good for the life of the piece regardless of owner. While RR Auction is exclusively responsible for its guarantee, we are proud to work with a group of industry experts providing authentication services for autographed collectibles.

Auction Consultants BOB EATON AND BILL WHITE, RR AUCTION

After 30 years in business, during which time well over 1,000,000 signed items have crossed their paths, no one has had more daily exposure to autographs than Bob Eaton and Bill White. To date, RR Auction has published more than 400 consecutive monthly catalogs. Several award-winning, in-depth published studies have earned Bill a reputation as a trusted authenticator. Bob, a PSA/DNA authenticator, is well established as one of the foremost authenticators in the autograph industry.

PSA/DNA

PSA/DNA is the world’s leading third party autograph authentication company. Using state of the art technology, PSA/DNA created a security system to prevent counterfeiting, forgery and piracy. As the most respected service in the industry, PSA/DNA’s years of expertise and knowledge have established an impeccable reputation for providing professional, unbiased, expert opinions.

HANDWRITING EXPERTS Bill White: Lead Authenticator, RR Auction Bob Eaton: Authenticator, RR Auction and PSA/DNA Tricia Eaton: Authenticator, RR Auction

Letters of Authenticity Third-Party Letters of Authenticity are available on certain lots. Priced from $25 to $200. For more information on Letters of Authenticity call (800) 937-3880. All items come with our RR Auction COA.

CONTENTS Legends & Icons Oversized Signed Photos ��4 Legends & Icons Signed Photos �� 10 Actors & Actresses Signed Photos �� 28 Contracts, Letters, & Archives �� 33 Directors & Notables �� 45 Signatures �� 51 Marilyn Monroe �� 58 Judy Garland �� 65 Disney & Animation �� 68 Horror & Suspense �� 76 Vintage Costume Design ��80 Vintage Costumes & Props �� 81 Awards & Personal Effects �� 86 Classic Television �� 92 Vintage Photos, Posters, & Artwork �� 94 Star Trek �� 100 Comics & Sci-Fi ��105 Contemporary Costumes ��124 Contemporary Television ��143 Contemporary Signed & Posters ��148 Terms & Conditions ��153

Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com

Kelly Daniell Consignment Representative kelly.daniell@rrauction.com

Mike Nelson Senior Catalog Writer mike.nelson@rrauction.com

Carla Eaton Owner, Auctioneer carla.eaton@rrauction.com

Stephen Lago Consignment Representative stephen.lago@rrauction.com

Dan McCarthy Catalog Writer, Researcher dan.mccarthy@rrauction.com

Bobby Livingston Executive Vice President, Public Relations bobby.livingston@rrauction.com

Linda Hernandez Consignor Customer Service linda.hernandez@rrauction.com

Adam Karr Shipping Supervisor shipping@rrauction.com

Bobby Eaton Vice President of Operations Auctioneer, MA/Lic. #3214 bobby.eaton@rrauction.com

Erika Rosenfeld Managing Editor erika.rosenfeld@rrauction.com

Joe Doucette Inventory Executive joe.doucette@rrauction.com

Tricia Eaton Editor, Authenticator tricia.eaton@rrauction.com

Sue Recks Customer Service Executive sue.recks@rrauction.com

Bill White Lead Authenticator bill.white@rrauction.com

Sarina Carlo Creative Director sarina.carlo@rrauction.com

Robert S. Eaton Sr. 1940–2001

Annie Nichols Junior Art Director annie.nichols@rrauction.com

Mandy Eaton-Casey Finance Manager amanda.casey@rrauction.com Elizebeth Otto Consignment Director elizebeth.otto@rrauction.com Jon Siefken Consignment Director jon.siefken@RRAuction.com

Legend� & Icon� Oversize� Photo� Glamorous oversized Harlow portrait presented

to Academy Award-winning director William Wyler 1. Jean Harlow. Legendary screen actress (1911–1937), known for her unique sex appeal and her distinctive platinum blonde hairdo, who died of renal failure at the age of 26. Uncommon matte-finish 10.5 x 13.25 photo of Harlow in an elegant white gown and wrapped in a fur stole, signed and inscribed in fountain pen to noted Hollywood director William Wyler, “‘Willie’ darling, Loads of love to you from Jean.” In fine condition, with three slightly trimmed edges, a couple of light surface scuffs, and some thin light staining passing through a portion of her hair. One of the rarest and most sought-after Hollywood autographs in an exceptional large format and with a remarkable association. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

Fabulous early and informal oversized portrait of the iconic leading man

2. Clark Gable. Handsome and particularly early matte-finish 9 x 11.5 photo of the casually-dressed Gable leaning against a tree, signed and inscribed in fountain pen, “To Jack Ackler, Best wishes always, Clark Gable.” Archivally double-matted and framed, with UV glass, to an overall size of 15 x 17.5. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

4 | Legends & Icons Oversized Signed Photos

Oversized Dyar that exudes ‘femme fatale’

3. Carole Lombard. Magnificent vintage matte-finish 10.5 x 13.5 full-length portrait of Lombard emerging from the shadows in a gorgeous light gown, signed and inscribed in fountain pen, “To Bob, as ever, Carole.” Blindstamped in the lower right by famed Hollywood photographer Otto Dyar. Scattered surface creases, light contrast to portions of the signature, and slightly trimmed edges, otherwise fine condition. A remarkable image of one of Hollywood’s most legendary and soughtafter stars. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Exceptional portrait

from The Cowboy and the Lady 4. Gary Cooper. Magnificent vintage glossy 10.75 x 13.5 portrait of Cooper in his role as Stretch in the 1938 film The Cowboy and the Lady, signed and inscribed in fountain pen, “To Walter Mutal, Best regards, Gary Cooper.” Reverse bears a Coburn photographer’s stamp. In fine condition, with a few unobtrusive surface creases, subtle discoloration to the upper right, and a chip to the lower left corner. An extraordinary, crystal-clear image of Cooper in Western costume by one of Hollywood’s acclaimed photographers. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 5

Wonderful oversized portrait

of the beloved comedy duo signed in the year of The Music Box

5. Laurel and Hardy. Fantastic matte-

finish 14 x 11 photo of the pair posing side-byside in their bowler hats, signed and inscribed vertically in fountain pen, “With our best wishes Miss Vogel! Stan Laurel 1932” and “Oliver Hardy.” In fine condition, with a few trivial edge dings and a couple small creases to lower left. Only the third oversized example we have ever offered. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Stunning early and oversized

Bull portrait

6. Katharine Hepburn.

Vintage matte-finish 9.5 x 12 Clarence Sinclair Bull MGM publicity photo of a young and radiant-looking Hepburn, signed and inscribed in black ink, “Phil, affectionately, Katharine.” In fine condition, with slightly trimmed edges and a small crease to lower left corner tip. A scarce oversized offering capturing the actress’s youthful beauty. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

6 | Legends & Icons Oversized Signed Photos

Remarkable oversized Hepburn inscribed

to her favorite director 7. Katharine Hepburn. Beautiful matte-finish 13.75 x 11 close-up photo of a pensive Hepburn, taken by Roddy McDowall, signed and inscribed in black felt tip to director George Cukor, “To George, my affection & my admiration, Kate.” Reverse bears a Roddy McDowall photographer’s stamp. A small crease to the right of her face and scattered surface spotting, otherwise fine condition. Hepburn was well known for her reluctance to sign photographs for anyone but close friends and professional acquaintances—Cukor was both, a lifelong friend who collaborated with her on ten projects between 1932 and 1979. MacDowall was a fellow actor, accomplished photographer, and close friend—his pictures of Hepburn and her partner, Spencer Tracy, were published in both Look and Life magazines. These wonderful associations turn this already rare oversized image into a one-of-a-kind piece steeped in Hollywood history. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

8. Errol Flynn. Dashing matte-finish 11 x 14 head-and-shoulders photo, signed and inscribed in fountain pen, “For Frenchy! All the best pal, Errol Flynn.” Some mounting remnants, surface loss, and small creases to each corner tip, some mild rippling to top edge, and a few creases to background, otherwise fine condition. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

9. Bette Davis. Vintage matte-finish 10.75 x 14 Elmer Fryer photo of a young Davis in a floral print dress, signed and inscribed in white ink, “For Loretta Hiebert from Bette.” A collector’s date notation of 1936 is written in the lower right and a newspaper article is affixed to the reverse. In very good condition, with some scattered edge wear and rippling, a tack hole to top edge, some flaking of ink to signature and inscription, small spot to left edge, and a crease to background. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 7

Gorgeous

oversized portrait of the reclusive Oscar winner

12. Jim Cagney.

Vintage matte-finish 11 x 14 photo, signed and inscribed in fountain pen, “For Nunica Jones, Best o’ luck, Jim Cagney.” In very good condition, with a few scattered creases, and moderate to poor contrast to signature and inscription. Cagney is uncommon in oversized portraits. Precertified PSA/DNA and RR Auction COA.…(MB $200)

Exceptionally early

oversized portrait of the threetime Academy Award nominee 10. Jennifer Jones.

Academy Award–winning actress (1919– 2009) who was notably married to David O. Selznick. Scarce vintage matte-finish 10.5 x 13.5 close-up photo of Jones in a serious pose, signed and inscribed in fountain pen, “To Tom, from Jennifer Jones.” A couple creases to the right of the signature, some light areas of staining to the top, and light creases and wear to corner tips, otherwise fine condition; the signature is gorgeous with excellent contrast against the white background. Due to her reclusive nature Jones’s autograph is quite scarce in any format, and this is the very first oversized example we have offered. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

11. Marion Davies.

Attractive matte-finish 10 x 13 James Manatt deckleedge photo of Davies in a white coat and matching hat, signed and inscribed in fountain pen, “To Louella, with love from Marion Davies.” In fine condition. Pre-certified PSA/DNA and RR Auction COA.… (MB $200)

8 | Legends & Icons Oversized Signed Photos

13. William Powell. Debonair vintage pearl-finish 10 x 13 closeup photo, signed and inscribed in fountain pen, “For Claire—And much more cordially than this looks. Sincerely, Bill Powell 1929.” In fine condition, with slightly trimmed edges. Without a doubt, one of the finest portraits of the immortal Thin Man star we have ever offered. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

14. Marlon Brando. Matte-finish 12.75 x 10.25

photo of a farm house taken by Brando, and affixed to a slightly larger mount, signed on the mount in pencil by Brando. Matted and framed to an overall size of 18 x 15.25. In fine condition, with a uniform light shade of toning to mount. Photo originates from the 2005 Christie’s auction of Brando’s estate, and family members at one time confirmed this photo hung in his home. Precertified PSA/DNA and RR Auction COA.…(MB $200)

Enormous portrait of Taylor signed on her 45th birthday

15. Elizabeth Taylor. Pearl-finish 14 x 17 photo of Taylor, clad in a low-cut gown, attending a formal event, signed and inscribed in red felt tip, “To Jim, Best wishes to you always, Elizabeth Taylor 2/27/77 (my birthday).” Photo is affixed to a 15 x 18 mount. In fine condition, with a few scattered light creases and ripples. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 9

Legend� & Icon� Signe� Photo�

Choice portrait

of the 1920s screen icon 19. Rudolph Valentino.

Italian-born actor (1895– 1926) who became the most legendary sex symbol of the silent era. His premature death from a perforated ulcer induced a wave of fan hysteria unmatched until the modern “paparazzi” age, including riots and suicide attempts by grief-stricken fans. Uncommon matte-finish 7.5 x 9.5 Henry Waxman photo of the actor in a sweater and bow tie, signed and inscribed in fountain pen, “To Our Far Eastern Headquarters, Sincerely, Rudolph Valentino.” In fine condition, with a small crease to top left corner and a bit of scattered light soiling, mainly to upper portion of image. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

Amazing 1927

Spurr portrait of ‘Fatty’ 20. Roscoe ‘Fatty’ Arbuckle. Scarce vintage matte-finish 7.5 x 9.5

portrait of Arbuckle in a head-and-shoulders pose, signed and inscribed in fountain pen, “To Joe Kaunas, Sincerely yours, Roscoe Arbuckle, July 9th, 1927, Cleveland, Ohio.” Blindstamped in the lower right by renowned Hollywood photographer Melbourne Spurr. In very good condition, with three punch holes to the left edge and tack holes and paper loss to corner tips; the signature and image are in themselves superb. Arbuckle’s 1927 comedy show in Cleveland was notable for its opening act, a little-known comedian who Arbuckle would help establish as a Hollywood mainstay—Bob Hope. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

10 | Legends & Icons Signed Photos

21. Clara Bow. Matte-finish 8 x 10 photo of Bow with her hands on her face and looking skyward, signed in fountain pen, “Cordially, Clara Bow.” In fine condition, with some slight silvering along bottom edge. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

22. Thelma Todd. Adorable matte-finish 5 x 7 photo of Todd and her dog, signed in fountain pen, “Thelma Todd & Gallant,” adding a small paw print sketch under the signature. In fine condition, with some light silvering to edges. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

23. Josephine Baker. Gorgeous vintage 3.5 x 5.5 postcard photo of Baker in pointe ballet slippers and a glittering, grandiose costume, boldly signed in fountain pen, “Souvenir de Josephine Baker.” In fine condition, with mounting remnants to the reverse. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 11

Presenting a portrait from her Academy Award–winning role

from Gaslight to the film’s screenwriter

24. Ingrid Bergman. Stunning vintage matte-finish 7 x 9 photo of Bergman as she appeared as Paula Anton in her Academy Award–winning performance in the 1944 film Gaslight, signed and inscribed in blue ink to screenwriter Walter Reisch, “To Walter—from his sad Paula and happy Ingrid Bergman, 1945.” In fine condition, with slightly trimmed edges. A magnificent and crystal-clear portrait of Bergman from the peak of her Hollywood career, with a warm, clever inscription to the man who created the role that culminated in her very first Oscar. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Bogart as the ruddy Harry Morgan in To Have and Have Not

25. Humphrey Bogart. Glossy 8 x 10 studio photo of Bogart as Harry ‘Steve’ Morgan in the 1944 film To Have and Have Not, signed and inscribed in fountain pen, “To Marvin, good luck, Humphrey Bogart.” In very good condition, with a noticeable horizontal crease to lower portion of image affecting just a couple letters of signature and sentiment, thin vertical lines to right side from one-time storage in a magnetic photo album, small tack holes to border corners, and a small stain to right side. It was on the set of this film that Bogart met co-star Lauren Bacall, making her film debut at the age of 19. A romance blossomed despite director Howard Hawks’s disapproval, with Bogart eventually leaving his wife Mayo and marrying Bacall. Photos of Bogart in this memorable role are seldom encountered. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

12 | Legends & Icons Signed Photos

Bogie and Bacall inscribe a photo to longtime publicist Jack Diamond, whom the couple stood up for at his wedding, complete with a touching personal account of their relationship

26. Humphrey Bogart and Lauren Bacall. Vintage glossy

10 x 8 Warner Bros. publicity photo, taken by Floyd McCarty, of Bacall, Bogart, his publicity agent Jack Diamond, and others standing outside on a street, signed and inscribed in fountain pen by Bogart to Diamond, “Yeah—You’re our friend—Are you? Bogie, B[ogie] & B[etty] love Jack,” and signed by Bacall, “Betty.” In fine condition. Jack Diamond, Bogart’s contact in the Warner Bros. publicity department, and later Studio Publicity Director for Universal Studios, enjoyed a long and rewarding friendship with the actor. When Diamond wed Frances Henderson in 1946, Bogart and Bacall acted as the best man and matron of honor, and hosted a wedding supper on board the Santana. Accompanying the photo are two original photos of the Diamonds, Bogart, and Bacall at their wedding; original photos of Diamond with Frank Sinatra and Rock Hudson; a photo of Diamond’s wife with Sinatra; a candid snapshot of Bogart, Bacall, Frances Diamond, and another man outside on a snowy balcony; and another candid photo of Diamond posing with an unidentified woman at a cocktail table. Also included is a 14-page typed and hand-annotated manuscript of Diamond’s recollection of his time with Bogart, including their first meeting, a run-in with Peter Lorre, his wedding and reception on the Santana, and having cocktails with Bogart during his final days battling cancer, including a personal moment shared between the dying actor and Frank Sinatra. Just the third photo we have ever offered signed by the couple, made even more special by the lengthy personal and professional relationship between the famous couple and their longtime close friend. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

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Casablanca’s beloved piano player 27. Casablanca: Dooley Wilson. Actor and singer (1886–1953) immortalized as Sam, the piano player who sings ‘As Time Goes By’ in Casablanca. Matte-finish 5 x 7 photo of Wilson sitting at a piano, signed and inscribed in fountain pen, “To Luella, Best wishes, Dooley Wilson.” Archivally double-matted and framed, with UV glass, to an overall size of 11.5 x 13.5. In fine condition. Ironically, Wilson didn’t know how to play the piano. In the film, the piano was empty and the music came from a pianist located behind the camera. A handsome portrait of the voice behind one of cinema’s best-known songs. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

28. Charlie Chaplin. Vintage sepia textured-finish 8.5 x 11 photo,

signed and inscribed in fountain pen “Compliments to Mr. Noble, Chas Chaplin 1924.” In very good condition, with partial separations along a noticeable horizontal crease to lower portion of image, a few edge dings and tears, and some scattered light soiling. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

14 | Legends & Icons Signed Photos

29. Charlie Chaplin.

Vintage glossy 6.5 x 10.25 photo of Chaplin standing confidently with his hand on his hip, signed in fountain pen, “Best wishes, Charles Chaplin.” Reverse of the photo bears two different 1944 stamp dates. In fine condition, with trimmed edges and some scattered creases to background. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

Large Clift collection assembled by his adoring fan club president

30. Montgomery Clift. A huge and wonderful

Montgomery Clift collection from a former president of his fan club in New York, highlighted by a personal ALS, and a signed studio portrait. The letter, postmarked May 8, 1950, on the accompanying envelope, reads, in full: “I want to thank you for your gift. For your gift and the thought behind it. Will you thank the members of the club for me—Tell them how much it was appreciated.” The photo is a handsome matte-finish 5 x 7 close-up photo, signed along the bottom in fountain pen. Also included is a 1934 Western Union telegram from Clift’s agent inviting the fan club president to Clift’s hotel for an interview; a fan newsletter ‘Bulletin’ on Clift’s personal stationery with a preprinted signature, containing the juicy type of personal insights into the movie star’s life that his adoring fans would savor. Also included is a large eight pound scrapbook packed with clippings from magazines and newspapers, event tickets, and other memorabilia dating from 1949 to 1966, the last year of his life. In overall very good to fine condition. A marvelous homage to one of Hollywood’s most in-demand actors during the 1950s and early 60s, including an individually desirable signed photo and handwritten letter. RR Auction COA.…(MB $200)

June 26, 2014 | 15

31. Gary Cooper. Vintage glossy 8 x 10 Warner Bros. publicity photo of Cooper wearing a sweater in a handsome pose, signed and inscribed in fountain pen, “To Cara—with many many good wishes, from Gary Cooper.” Reverse bears the stamp of famous Warner Bros. photographer Bert Six. Scattered creases and tack holes to top and bottom edges, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

33. Douglas Fairbanks, Jr and Sr. Vintage glossy 8 x 10

photo made from a Hurrell negative, signed and inscribed in person in fountain pen, “To Saul, from Douglas Fairbanks, Jr.” and “Douglas Fairbanks.” Reverse of photo bears collector’s stamp dates of January 25, 1937, and November 2, 1938, when the signatures were acquired. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

34. Douglas Fairbanks, Sr. Vintage matte-finish 5.75 x 8 photo of Fairbanks with his arms crossed, signed and inscribed in fountain pen, “For Chic Sale, a fine actor and I think? a good fellow, Douglas Fairbanks.” Reverse is stamped by Apeda Studio. Tack holes to upper corners and a few surface dings, otherwise fine condition. Sale was a popular actor and vaudevillian in his day and was mentioned in some jokes by the Marx Brothers. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

16 | Legends & Icons Signed Photos

36. Clark Gable. Very nice pearl-finish 8 x 10 Clarence

Sinclair Bull MGM publicity photo of Gable for his upcoming film Comrade X, signed and inscribed in fountain pen to 1940s–1950s MGM entrance gate security officer Bill Ludlow, “To Bill, Best of luck always, Clark Gable.” In fine condition, with a small tape remnant to top edge. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

35. Errol Flynn. Handsome matte-finish 8 x 10 photo of the actor in an ascot and sports jacket, signed and inscribed in fountain pen, “Hello Frenchy! Errol Flynn.” In fine condition, with some small mounting remnants, surface loss, and creases to top corner tips. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

37. Cary Grant. Distinguished matte-finish 8 x 10 photo, signed and inscribed in fountain pen, “To Bill Ramsey, Cordially, Cary Grant.” Staple holes to each corner tip, and a crease and paperclip impression to top left, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 17

40. Gone With the Wind: Hattie McDaniel. Ameri38. Cary Grant. Vintage matte-finish 8 x 10 photo, signed and

inscribed in fountain pen “To Weston, Cordially, Cary Grant.” Some scattered silvering to darker areas of image, a couple of creases, and some light toning and soiling to borders and background, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Rare signed portrait of Scarlett O’Hara 39. Gone With the Wind: Vivien Leigh.

Exceptionally desirable vintage matte-finish 7 x 9 photo of Leigh as Scarlett O’Hara, signed and inscribed in fountain pen, “To Carol, with best wishes, Vivien Leigh.” In very good condition, with scattered creases to facial area, a bit of surface loss to upper left corner, and trimmed edges; toned tape remnants previously affixed to edges have been professionally cleaned. Accompanied by 11 high-quality 8 x 10 and 10 x 8 glossy photos from the film. One of Hollywood’s most uncommon and desirable signed photographs. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

18 | Legends & Icons Signed Photos

can actress (1895–1952) who earned a place in Hollywood history as the first African-American performer to win an Academy Award. Very nice and uncommon matte-finish 7.25 x 9 close-up photo, signed in fountain pen, “Best wishes from Hattie McDaniel 45.” Triple-matted and framed to an overall size of 13.75 x 15.5. In fine condition. Precertified PSA/DNA and RR Auction COA.…(MB $200)

43. Audrey Hepburn. Dazzling glossy 8 x 10 photo of Hepburn 41. Susan Hayward. Stunning vintage matte-finish 8 x 10 photo of the Academy Award winner, signed and inscribed in blue ballpoint, “To Joe Shepard—all the wonderful best! Susan.” In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

as Susy Hendrix in the 1967 film Wait Until Dark, signed in blue felt tip. In fine condition, with light scattered surface impressions and a few edge dings and corner tip creases. For this film, Hepburn received an Academy Award nomination for Best Actress in a Leading Role. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

“Rita Cansino”— before she was Hayworth

42. Rita Hayworth. Scarce and stunning vintage matte-finish 5 x 7 Fox Studios publicity photo of the actress in a floral top, signed in fountain pen, “Best Wishes, Rita Cansino.” In fine condition. Accompanied by the original mailing envelope, stamp-dated April 18, 1936. Hayworth appeared in a number of small roles for Fox Studios under her birth name, Margarita ‘Rita’ Cansino, then adopted her familiar stage name (which was adapted from her mother’s maiden name) soon after her move to Columbia Pictures in 1937. One of just a handful of items we have offered signed with her given name. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 19

Incredibly gorgeous 1961 portrait 44. Audrey Hepburn.

Exceptional vintage glossy 8 x 10 publicity photo of Hepburn as she appeared in the 1961 film The Children’s Hour, boldly signed against the light background in fountain pen. A collector’s notation to the reverse indicates that it was signed in person at the Regency Hotel on December 13, 1963. In fine condition, with a few subtle creases. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Hepburn id’s her photo as a circa 1936 Bachrach 45. Katharine Hepburn.

Vintage glossy 8 x 10 Bachrach photo, signed and inscribed later in black ink, “For Jerry Haber, gratefully, Katharine Hepburn 1977.” On the reverse, Hepburn writes: “Portrait done by Ernest Bachrach at R.K.O. about 1936–7.” In fine condition, with a few scattered surface dings and a small stain to emulsion along left edge, not affecting overall appearance. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

20 | Legends & Icons Signed Photos

46. My Fair Lady: Hepburn and Harrison. Classic glossy 8 x 10 photo of Eliza Doolittle dancing with Professor Henry Higgins in My Fair Lady, signed in blue felt tip by Audrey Hepburn and Rex Harrison. In fine condition. A desirable combination from one of Hepburn’s most beloved films. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

47. Buster Keaton. Vintage glossy 7.5 x 9.25 photo of Keaton

sitting atop a trash can, signed and inscribed in fountain pen, “To Jim Wiggins, with the best of luck, Buster Keaton.” In fine condition, with lightly trimmed edges and a few small creases to background. Precertified PSA/DNA and RR Auction COA.…(MB $200)

Glamorous portrait of Kelly dressed for

Hitchcock’s Rear Window 48. Grace Kelly.

Vintage matte-finish 7.75 x 9.75 publicity photo for Rear Window, with Kelly in a black dress, with a white shawl and pearls, signed and inscribed in fountain pen “To Georgia, with best wishes, Grace Kelly.” Photo is affixed to a slightly larger black sheet. In fine condition. A stunning portrait from one of her best known films. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 21

49. Grace Kelly.

Glossy 8 x 10 head-and-shoulders photo, signed in black felt tip. In very good condition, with scattered noticeable bends and surface marks. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

50. Laurel and Hardy. Fabulous

and charming matte-finish 10 x 8 photo of the comedic duo posing side-by-side in their bowler hats, signed and inscribed in fountain pen, “Hello Berry! Stan Laurel,” and “Oliver Hardy 1934.” Reverse bears a collector’s pencil notation, “Auckland, Feb. 1934.” In fine condition, with a trivial mounting remnant to lower right corner tip. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

22 | Legends & Icons Signed Photos

51. Peter Lorre. Sepia matte-finish 8 x 10 portrait of the everintense Lorre in a light jacket and patterned tie, looking to his left, signed and inscribed in fountain pen, “To Jen, All the best, Peter Lorre.” In fine condition, with a few scattered spots of discoloration in the upper corners from flaws inherent to the negative. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

52. Jayne Mansfield. Glossy 8 x 10 photo of Mansfield glancing over her shoulder, signed and inscribed in black felt tip, “To Joe Peach, It’s been a real pleasure working for you! Here’s to next time! Lovingly, Jayne.” Some irregular fading to signature and inscription, otherwise fine condition. Accompanied by an unsigned glossy press photo of Mansfield in a busty top. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

53. Jayne Mansfield. Titillating color 7.5 x 9 paperstock photo

of the tastefully-nude Mansfield, signed and inscribed in blue ballpoint “To Jim Wiggins—Love and kisses! Jayne Mansfield.” In fine condition, with a few scattered light bends and creases. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Incredible portrait

of the stunningly gorgeous blonde starlet 54. Sharon Tate. Promising American actress (b. 1943) and wife of director Roman Polanski who was propelled into infamy when she was murdered by the Manson Family at the age of 26 in the notorious killing spree that shook the nation in the summer of 1969. Scarce and remarkable vintage glossy 8 x 10 publicity photo of Tate in a seductive low-cut blouse, signed and inscribed in fountain pen, “For Peter, Sharon Tate.” In fine condition, with some light creasing to corners and feathering to the inscription and signature. A truly exceptional portrait and one of the most ravishing images of Tate we have encountered. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

June 26, 2014 | 23

National Velvet-era Taylor portrait inscribed to MGM’s front gate security guard

55. Elizabeth Taylor. Vintage matte-finish 8 x 10 photo, signed and

inscribed in fountain pen to 1940s–1950s MGM entrance gate security officer Bill Ludlow, “To Bill Ludlow, Best wishes, Elizabeth Taylor.” Taylor has apparently traced over the first name in the inscription, and added his last name as well. Scattered adhesive remnants and toning, primarily to borders and background, with a small spot of toning over last name of signature, a few surface marks to background, and aforementioned addition to the inscription, otherwise fine condition. From around the time of National Velvet, this photo is one of the earliest signed Taylor photos we have ever seen. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Alluring Suddenly Last Summer Portrait 56. Elizabeth Taylor. Glossy 8 x 10

Columbia Pictures publicity photo from 1959’s Suddenly Last Summer of Taylor in a one-piece bathing suit at the beach, signed in blue felt tip, “Elizabeth Taylor Burton.” In fine condition, with some scattered light bends and creases. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

24 | Legends & Icons Signed Photos

57. Shirley Temple. Vintage matte-finish 8 x 10 photo, signed and inscribed in fountain pen, as a child, “To Rose, love, Shirley Temple.” In very good condition, with a light brush to beginning of signature, some silvering to dark background, and scattered light spotting to background and image. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

Comical portrait of

the greatest Stooges trio

58. Three Stooges.

Vintage glossy 9.75 x 8 photo of Moe, Larry, and Curly all trying to steer a car at the same time, signed and inscribed in fountain pen, “To Ruth, Best wishes, Moe,” “Larry,” and “Curly,” Curly has also added “3 Stooges,” next to Moe’s inscription. Archivally double-suedematted and framed to an overall size of 17 x 15. In very good condition, with trimmed right edge, scattered surface marks and creasing, heavier to the corners, small tear and paper loss to lower edge and light adhesive remnant to top edge. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

Very rare and highly desirable

uninscribed Cowardly Lion photo 59. Wizard of Oz: Bert Lahr. Scarce and extremely

sought-after glossy 7.75 x 10 photo of Lahr as the Cowardly Lion, signed in blue ballpoint, “Sincerely, Bert Lahr.” In fine condition, with slightly trimmed vertical edges and a few surface impressions to background. Uninscribed portraits of Lahr in his iconic role are becoming increasingly difficult to find. Pre-certified PSA/DNA and RR Auction COA.…(MB $500)

June 26, 2014 | 25

Unbelievably rare portrait of Glinda, the Good Witch 60. Wizard of Oz: Billie Burke. Practically nonexistent vintage mattefinish 7.25 x 9 photo of Burke as Glinda the Good Witch of the North, signed and inscribed in fountain pen to the wife of character actor I. Stanford Jolley, “To Emily Jolly, May your dearest wish come true, Billie Burke, 1940.” Lightly trimmed edges, some scattered light bends and creases to edges and background, and some light surface marks, otherwise fine condition. Burke was 54 years old when she was chosen in 1938 to play the role that would immortalize her: Glinda. Although Burke lived to be 85 years old and was considered a prolific signer, signed photos of Glinda are especially scarce, with this portrait being just one of a scant handful we have offered in over 30 years. Pre-certified PSA/ DNA and RR Auction COA.…(MB $500)

26 | Legends & Icons Signed Photos

Incredible uninscribed West Side Story photo of Wood and Moreno

61. Natalie Wood and Rita Moreno. Iconic glossy 8 x 10

publicity photo for the 1961 musical film West Side Story featuring Wood as Maria and Moreno as Anita, signed in blue ballpoint, “Natalie Wood,” and black ballpoint, “Rita Moreno.” In fine condition, with trivial creases to corner tips. Moreno won the Oscar for Best Actress in a Supporting Role, and Wood’s performance is regarded as one of her best. Signed photos of Wood as Maria are exceptionally scarce and desirable—this being just the fifth we have offered—and never before have we encountered a dual-signed example. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

62. Natalie Wood. Vintage glossy 8 x 10 Warner Bros. publicity

photo of Wood sporting a short hairstyle, credited to Bert Six, signed and inscribed in blue ballpoint, “To Gloria, Love, Natalie Wood.” Photo is also signed and inscribed on the reverse in blue ballpoint, “To Gloria, Love, Bob Wagner.” In very good condition, with a bit of light contrast to beginning of inscription, scattered creases, and surface impressions and show-through from Wagner’s signature and inscription on reverse. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

63. Natalie Wood. Attractive glossy 8 x 10 photo of Wood gently resting her chin on her hand, signed and inscribed in black felt tip, “To Dorothy, Best always, Natalie Wood.” A noticeable crease extending from her eye to her shoulder, and a couple stray ink marks, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 27

Actor� & Actresse� Signe� Photo� Gorgeous Bacall portrait 66. Jean Arthur

67. Lauren Bacall

68. Jack Benny

OVERSIZED

MB $200

69. Virginia Bruce

70. Charley Chase

71. Claudette Colbert

72. Buster Crabbe

OVERSIZED

MB $200

73. Joan Crawford

74. Greer Garson

75. Louise Fazenda

OVERSIZED

MB $200

Glamorous oversized portrait

from the beginning of Crawford’s career

MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 28 | Actors & Actresses Signed Photos

Presenting a photo to Chevalier

“my ‘rosy-cheeked’ friend” 77. Doris Day OVERSIZED

78. Louis Jourdan

79. Dorothy Lamour

OVERSIZED

MB $200

82. Marilyn Miller

83. Nazimova

OVERSIZED

MB $200

84. Edna May Oliver

85. Mary Pickford

86. Eleanor Powell

OVERSIZED

80. Angela Lansbury OVERSIZED MB $200

MB $200

81. Mario Lanza

MB $200

87. Norma Shearer OVERSIZED MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 June 26, 2014 | 29

The bombshell prepares for her

debut in The Outlaw 88. Jane Russell

89. Barbara Stanwyck

OVERSIZED

MB $200

90. Barbara Stanwyck and Robert Taylor OVERSIZED MB $200

92. Robert Taylor

93. Tamara Toumanova

OVERSIZED

MB $200

OVERSIZED

95. Alida Valli

96. Loretta Young

91. Gloria Stuart

OVERSIZED MB $250

OVERSIZED

MB $200

100. Fred Astaire MB $200

94. Lana Turner OVERSIZED MB $200

101. Fred Astaire MB $200

MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 30 | Actors & Actresses Signed Photos

102. Tallulah Bankhead MB $200

103. Warner Baxter MB $200

104. Yul Brynner

105. Joan Crawford

MB $200

Grableâ&#x20AC;&#x2122;s iconic cheesecake portrait 106. Marlene Dietrich MB $200

107. Ava Gardner MB $200

108. Betty Grable MB $200

Superlative portrait of Kris Kringle

109. Betty Grable MB $200

110. Hugh Griffith MB $200

111. Edmund Gwenn MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 June 26, 2014 | 31

112. Claude Jarman, Jr

113. Paul Lucas

114. Marjorie Main

116. Victor McLaglen

117. Paul Muni

118. George Oâ&#x20AC;&#x2122;Brien

119. Bill Robinson

121. Olive Thomas

122. Wizard of Oz: Margaret Hamilton

MB $200

120. Ginger Rogers MB $200

MB $200

115. James Mason MB $200

MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 32 | Actors & Actresses Signed Photos

Contract�, Letter�, & Archives Sinatra’s first-issued New Jersey driver’s license from 1934, along with a later revocation request for unpaid accident damages

125. Frank Sinatra. Sinatra’s first New Jersey’s driver’s license, number 549631, 4 x 2.25, stamp-dated on the reverse, April 16, 1934, and signed at the bottom, “Francis Sinatra.” License lists Sinatra’s name, Hoboken address, his age, “19,” and his physical description, with a red “1934” printed in the center. Accompanied by a March 12, 1940, TLS from attorney Arthur Mullen to the New Jersey Commissioner of Motor Vehicles, concerning the case of “Kolakowski vs. Sinatra.” Letter reads, in full: “We wish to refer you to your letter of July 13, 1939, and to advise you that in the above matter, although judgement was obtained and you permitted Mr. Sinatra to use his license under a settlement agreement, that no payment whatsoever has been made since July 17, 1939 and that the sum of $7.50, is the only sum that has ever been paid. Won’t you be so kind as to revoke the license at this time until the judgement has been paid.” Traced over pencil notation to lower left of letter reads, “Total $165.00, Revoke GBS 3/16/40.” Expected soiling and scattered creasing to license, with a couple passing through single letters of Sinatra’s signature, repaired staple hole, and mounting remnants to reverse, otherwise fine condition. An extremely early and scarce format, issued at the age of only 19 years old, a year before getting his first break in the music industry, winning a six-month performance contract after appearing on the Major Bowes Amateur Hour. Pre-certified PSA/DNA and RR Auction COA.…(MB $500)

Images larger than actual size.

June 26, 2014 | 33

Brando designates a beneficiary under the Directors Guild pension plan 126. Marlon Brando. Uncommon DS, one page, 6 x 4, October 3, 1974. Brando’s Directors Guild of America—Producer Pension Plan beneficiary designation and personal data form, filled out by Brando. He prints his name on the first line, followed by his business address, printing his name again on a second line, and signing at the conclusion. Reverse bears an October 12, 1974, received stamp from the DGA Pension and Welfare office. In very fine condition. Brando directed just one film in his career, 1961’s One-Eyed Jacks, which he also starred in. The film was originally planned to have Stanley Kubrick direct, but he was replaced by Brando after disagreements with the studio. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Additionally signed by movie mogul

Jack Warner 127. James Cagney. DS,

two pages, 8.5 x 13, January 3, 1938. Agreement between Cagney and Warner Bros. studios canceling a prior indemnity and depository agreement, signed on the second page by Cagney and executive J. L. Warner. Document is stapled into its original legal folder. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

34 | Contracts, Letters, & Archives

128. Dorothy Dandridge. DS, two pages, 8.5 x 11, July 26, 1957. Agreement between Dandridge and 20th Century Fox canceling a previous notice “to report to our Studio on September 11, 1957, to commence your services in the next motion picture for us under your contract.” Signed at the conclusion in fountain pen by Dandridge and two Fox representatives. In fine condition, with expected document wear. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

William Morris Agency

contracts for 1962 129. Peter Lawford.

Series of four documents, totaling thirteen sheets, 8.5 x 11, December 20, 1962. William Morris Agency contracts under which Lawford agrees to be represented by the firm for a period of one year at a rate of 10% of earnings, including an Actor’s Equity Association contract, Theatrical Motion Picture Agency contract, Standard AFTRA contract with two initialed riders, and a Television Motion Picture Agency contract with an initialed Screen Actors Guild rider. All four are signed at the conclusion in ballpoint by Lawford and his agent. In overall fine condition, with expected document wear. RR Auction COA.…(MB $200)

The bombshell appears on Ed Sullivan

to promote her most famous film, Will Success Spoil Rock Hunter? 131. Jayne Mansfield. 130. Peter Lorre. DS, one page, 8.5

x 11, March 23, 1938. Agreement between Lorre and 20th Century Fox, granting him a 12 day unpaid leave of absence and extending his contractual obligation by the same amount. Crisply signed at the conclusion in fountain pen by Lorre and two Fox representatives. In fine condition, with expected document wear. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

DS, one page, 8.5 x 10.5, August 2, 1957. Agreement between Mansfield and 20th Century Fox. In part: “We understand that you desire to appear on the Ed Sullivan Show on August 11, 1957. You agree that you will cause an announcement to be made on said television show that Twentieth Century-Fox Film Corporation is the producer of the…CinemaScope production entitled ‘Will Success Spoil Rock Hunter.’ We hereby waive any objections.” In fine condition, with expected document wear and a trimmed top edge. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 35

Using their legal names, the four surviving Marx Brothers

settle with Paramount on Horse Feathers and Monkey Business

132. Marx Brothers.

DS, signed by all four brothers using their full legal signatures, three pages of a four page document, 8.5 x 11, April 6, 1962. Agreement between Groucho, Harpo, Zeppo, and Gummo and Paramount Pictures concerning the release of the estate of Chico Marx from a 1930 contract involving the Marx Brothers and re-releases of Monkey Business and Horse Feathers, as well as a cash payout of a total of $38,500.00 divided between the brothers, Chico’s two wives, and a law firm. Signed on the last two pages, “Julius H. (Groucho) Marx,” “Arthur Harpo Marx,” “Herbert Zeppo Marx,” “Mary DiVitha Marx,” “Betty Marx,” and “Gummo Marx.” Second page missing, mild toning, expected document wear, and uniform fading to typed text, otherwise fine condition. Horse Feathers, in which the brothers satirized the American College system and Prohibition, was one of their most popular films, and landed the brothers on the cover of Time magazine. Chico Marx, the oldest of the five, had passed away on October 11, 1961, last appearing with the Marx Brothers in the 1950 film Love Happy. Precertified PSA/DNA and RR Auction COA.…(MB $300)

36 | Contracts, Letters, & Archives

1 3 3 . Fr a n k Sinatra. DS, nine

pages, 8.5 x 13, December 6, 1955. Contract between Capitol Records and Sinatra’s Essex Productions for the recording of an album. Agreement covers master recordings, phonograph records, record sleeves, packing, terms, and other responsibilities of both Sinatra and Capital Records. The final page is an itemized price schedule for Capitol Records. Boldly signed on page eight, “Frank Sinatra” as President of Essex Productions. In fine condition, with expected document wear, and scattered light pencil marks. Sinatra’s two albums with Capitol in 1955, The Wee Small Hours and Swing Easy, were both huge successes. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

134. Three Stooges. DS, signed “Moe Howard,” “Larry Fine,”

and “Joe DeRita,” one page both sides, 8.5 x 14, January 17, 1959. Exclusive agency contract between the Stooges and the William Morris Agency for a period of three years at the standard ten percent commission. Signed on the reverse by all three members. In very good condition, with a couple partial separations along horizontal folds, scattered creases and small edge tears, and torn punch holes to top. In 1959 the Stooges found themselves back in public demand, following the syndication of the original Stooge shorts on television and their subsequent rediscovery by baby boomers. Throughout the 1960s, The Three Stooges were one of the most popular and highest-paid live acts in the country. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

135. Gene Autry. DS, one page, 8.25 x 13.5, no date but circa 1940. Assignment of Canadian copyright in which Autry and Fred Rose grant the T. B. Harms Company, the rights to to “a certain title, song, words, music and musical work entitled: We Never Dream the Same Dream Twice.” Signed twice at the conclusion by Autry, twice by Rose, and twice by two witnesses. In fine condition, with expected document wear. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 37

136. Lucille Ball and Desi Arnaz.

DS, two onionskin pages, 8.5 x 11, April 1, 1957. Three-year merchandising agreement between Ball and Arnaz and Television Products Limited of London. Agreement allows the use of the “I Love Lucy” name, characters, for a wide variety of products, excluding specific items which include comic strips and books, laxatives, and alcoholic beverages. Signed on the second page by Ball and Arnaz, as well as an executive from Television Products Limited. A small typed memo is stapled to the front addressed to Elsie Waterman. Expected document wear, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Boldly signed check from Garbo,

a format almost as elusive as the actress herself, originally obtained from her estate

137. Greta Garbo. Uncom-

mon bank check, 6 x 2.75, filled out in another hand and boldly signed by Garbo, payable to Leslie Allenr for $1224.00, February 27, 1970. In fine condition, with a central vertical fold and expected cancellation holes and stamps. Check originates from Garbo’s estate and is accompanied by an auction tag from the sale. Items signed by Garbo are rarely encountered, with fans going so far as to sift through her garbage for decades looking for any examples of her handwriting. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

38 | Contracts, Letters, & Archives

The Rifleman switches to a .357 Magnum

138. Chuck Connors. Actor and athlete (1921–1992) best known for his role as Lucas McCain in the highly rated television series The

Rifleman. Rare Californian license to carry a concealed pistol, revolver, or other firearm, 3.75 x 2.5, March 25, 1979, signed on the reverse in black felt tip, “Kevin J. Connors,” with his ink thumbprint below. The front of the card is filled out in type with personal information, including “Occupation: Actor,” and “Reason for desiring license: Self Protection,” and signed at the bottom by the issuing officer. The reverse bears Connors’s signature and thumbprint, and lists his alias, “AKA Chuck Connors” and his weapon of choice as a Model 66 .357 Magnum. The card has been laminated, apparently as issued. In fine condition, with general handling wear. Accompanied by an unsigned cardstock photo. The consignor notes that this item was obtained directly from the auction sale of Connors’s estate. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

139. Desi Arnaz. Large

collection of receipts and invoices amassed as potential business expenses by Arnaz during 1952 and compiled as part of his 1952 federal income tax return. Large pile of receipts features one from Vaux in Balboa, California, and is signed at the bottom by Arnaz. The remainder of the papers are unsigned and include receipts from Fisherman’s Wharf Cafe, Vaux, Naples Restaurant, Palm Springs Racquet Club, Chasen’s,the Screen Actor’s Guild, and other restaurants and establishments. All the papers are bound into their original legal-size folder, along with a 1956 letter from the IRS, informing Arnaz that he was deficient in paying that year’s taxes. In fine condition, with expected document wear and creasing. RR Auction COA.…(MB $200)

140. Jayne Mansfield. Mansfield’s Republic of Venezuela-issued public entertainment registration card, 3.75 x 2.5, expiring in 1966, filled out in type and signed at the bottom by Mansfield. Reverse bears an official General Inspectorate of public entertainment stamp. In fine condition, with some scattered light spotting and foxing. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 39

Terrific archive from the production of Salt and Pepper —including four thrice-signed contracts

141. Peter Lawford and Sammy Davis, Jr.

Exceptional archive of material related to the production of the 1968 comedy Salt and Pepper, including a script, contracts, and production notes. The highlight of the lot is undoubtedly a series of four ‘loanout agreement’ documents, dated April 19, 1967, signed by the headlining stars: two are signed twice by Peter Lawford and once by Sammy Davis, Jr.; and two signed twice by Davis, Jr., and once by Lawford. Also included is a brad-bound script, written by Michael Pertwee, 88 pages, dated November 29, 1966, on the front cover. Especially interesting production materials include: carbon copies of the initial treatment sent to ABC for review, revealing that it was originally conceived as a television series rather than a feature film; an acetate record of ‘Fine Trap Flavour’ by the Johnny Dankworth Orchestra; four photocopies of handwritten music used in the film; and a photo of Lawford and Davis together. Also included are a few letters from agencies recommending talent, a list of contact information for the production unit, and two sheets of unused letterhead for the film. In overall fine condition. A fascinating behind-the-scenes look at the creation of a film by these two Rat Pack members. RR Auction COA.…(MB $200)

“I ain’t no Elizabeth Barrett Browning— But I know my happiness phase” 142. Lucille Ball. Autograph poem signed “Your Wife,” three

pages, 7.5 x 11.75, November 19, 1971. Ball pens a poem to her husband, Gary Morton, for their tenth anniversary. In full: “‘Why do I love thee?’ / ‘Let me count the ways.’ / I ain’t no Elizabeth Barrett Browning— / But I know my happiness phase— / It started when I met my guy— / And he asked— / ‘Will you be my girl?’ / I hesitated only slightly— / and have since been in a swirl,— / of content unmarred by rancor— / senuality [sic] & equality humor and light banter— / Understanding unbelievable fun and games inconceivable. / These are blessings— / that I know— / I’m forgetting ’bout the snow. / Ten years have flown on wings / For Gary—my Gary— / My heart sings!” In fine condition. Accompanied by a photocopy of a certificate of authenticity from Morton’s estate sale. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

40 | Contracts, Letters, & Archives

Tender letter to Lucy’s second husband 1 4 3 . Lu c i l l e Ball. ALS signed

“Your Missus,” five pages, 11 x 8, 1978. Letter to her husband, Gary Morton. In part: “I was suddenly in need of telling you how full & overflowing I felt my love for you…our being able to handle our ‘situations’ as they arrive—mostly because of your contribution in sensitivity—no matter what terrifying ‘thing’ arises concerning our children or our families in general…You even understood instantly when I did not want to be present while ‘Lucie’ tried out another friend. You know it bothers me and inhibits her.” In fine condition, with vertical folds and some scattered light wrinkling and creasing. Accompanied by a certificate of authenticity from Morton’s estate sale, with the letter formerly being part of a group lot. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

As tabloid rumors abound, Leigh fears bad publicity despite

“working like a dog in three plays all over the world!!!” 144. Vivien Leigh.

ALS signed “Vivien,” one page, 5.5 x 7, personal letterhead, February 5, 1962. Letter to a friend. In part: “I am enclosing something about which I would like your advice—has one absolutely no restitution against this sort of thing. It is too maddening to be told one’s ill in London (and I should have though[t] bad publicity) when one is working like a dog in three plays all over the world!!! I take no notice of these things when they appear weekly in the ‘Enquirer,’ but I imagine the ‘Daily News’ is a more important publication.” She adds a handwritten postscript at the conclusion, in full: “Why don’t you come see us in Latin America. I would like you Lady of the Camellias as you were as responsible dear Arnold.” Intersecting folds, a moderate block of toning, and filing holes to the top, otherwise fine condition. Accompanied by a laminated copy of the article referenced. Leigh’s fragile mental condition was well known to the press at the time, and she was clearly concerned about how such stories might undermine her public perception. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 41

145. Burgess Meredith. ALS, one page, 5 x 6.25, September 15, 1994. Letter of thanks. In full: “I am just recovering from the ceremony of the ‘Burgess Meredith lane—’ which they told me today you had something to do with !!! I had no inkling it was happening. But I thank everyone!!!” Double-matted with an uncommon colorized portrait of Meredith from his memorable Twilight Zone episode ‘Time Enough at Last’ to an overall size of 22.25 x 15.25. In very fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $100)

146. Katharine Hepburn. TLS, one page, 6 x 8, personal

letterhead, November 2, 1983. Response to a skeptical autograph collector. In full: “The signatures are not valid. Sorry.” In her own hand below, Hepburn adds, “The question—I am quite & entirely certain.” In very fine condition. Pre-certified PSA/DNA and RR Auction COA.… (MB $100)

“‘Rebel Without a Cause’ with James Dean is my third and it will be out soon” 147. Sal Mineo. ALS signed “Sal,” two pages on two adjoining sheets, 5.25 x 7, August 9, 1955. Letter to Rosalind Saffer, who frequently corresponded with Mineo. In part: “Thank you for your very nice letter. I am very glad you liked ‘Six Bridges to Cross’ and ‘Private War of Major Benson.’ ‘Six Bridges to Cross’ was my first picture. ‘Rebel Without a Cause’ with James Dean is my third and it will be out soon. I am leaving for California in a few days to do a picture with Rock Hudson and Liz Taylor, ‘Giant.’…I hope, very sincerely, that you will like ‘Rebel Without a Cause’ too.” In fine condition, with some scattered toning to second page. Accompanied by the original mailing envelope addressed in Mineo’s hand, as well as a glossy candid snapshot of the actor and his friends, taken by Saffer. Earlier in 1955, Mineo made his big screen debut in Six Bridges to Cross, landing a role in the classic Rebel Without a Cause. Superb content letter connecting two actors who died much to young. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

42 | Contracts, Letters, & Archives

148. John Wayne.

TLS, one page, 6 x 8, personal letterhead, April 5, 1976. Letter to Cindy Adams. In part: “Nothing would please me more than to be able to give you an affirmative answer for both of the beauty pageants, but I have already committed to be in Arizona…and in New Orleans…Therefore, I must send my regrets. Perhaps if next year’s contestants feel the same, you could give me a raincheck.” In fine condition. Accompanied by the original mailing envelope. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

149. W. C. Fields. TLS, one

page, 8 x 10, personal letterhead, February 10, 1936. Letter to Mr. Winslow. In full: “With due ceremony, I extend my hand in thanks and greeting. May the aforementioned painting prove an inspiration not only at the telephone, but in the living-room, the drawing-room, the kitchen and whatnot! Thanks!” Framed to an overall size of 8.75 x 10.75. Central horizontal and vertical folds and a uniform shade of toning, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

The cast of 1931’s Sooky,

starring Cooper and Coogan 151. Sooky. Souve-

nir cast sheet for Academy Award–winning director Norman Taurog’s 1931 film Sooky, 8.5 x 11, signed by 13 members of the cast and crew, including: Jackie Cooper, Robert Coogan, Joseph L. Mankiewicz, Norman McLeod, Louis D. Lighton, Arthur Jacobson, Helen Jerome Eddy, Gertrude Sutton, Leigh Allen, Gene Merritt, Willard Robertson, Jackie Searl, and LeRoy Krueger. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

150. Edmund Gwenn. British-born

character actor (1877– 1959) who won the Academy Award for his supporting role as Kris Kringle in the holiday classic, Miracle on 34th Street. Collection of three items: an early matte-finish 7.75 x 11 photo, signed in fountain pen; a pencil signature on a pink album page; and a brief ALS. Photo is housed in its presentation folder. In overall fine condition, with some scattered light silvering to photo’s background. RR Auction COA.…(MB $200)

152. East of Eden.

Collection of three items consisting of: a 1954 document signed by Julie Harris agreeing to make herself available to the Warner Bros. publicity department; a free lance contract signed by Burl Ives to play the role of Sam in the film for a salary of $1750 per week, with a detached amendment regarding his billing, initialed by Ives; and a trade ad billing sheet for the film. In very good condition, with expected document wear, and paper loss and torn out punch holes to top edges. RR Auction COA.…(MB $200)

June 26, 2014 | 43

Liza’s script

for the animated Journey back to Oz 153. Return to Oz: Liza Minnelli. Minnelli’s personal copy of a draft script to the 1971 animated film originally titled “Return to the Land of Oz,” and later renamed Journey Back to Oz, starring Minnelli as Dorothy, 8.5 x 11, 95 pages. Script is housed in a hardcover threering binder, and signed on the cover page in blue ballpoint by Minnelli, who has also made a few small notations to the script. Also included is an unsigned original felt tip costume sketch, 8 x 11.75, bearing a remarkable resemblance to Minnelli, dressed in a black dress, with a small swatch of material affixed to the bottom edge. In fine condition, with staining to cover page, not affecting signature, and some light handling wear. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

MGM security guard collection of

signed portraits and original candids 154. MGM Security Officer Collection.

Very nice collection of items originally belonging to former MGM front gate security officer Bill Ludlow. Items include signed photos, signed and unsigned candids, and a few other items. Signed photos, almost all of which are inscribed to Ludlow, include: Fred Astaire, Robert Taylor, Claude Jarman, Jr., Eleanor Powell, Kathryn Grayson, Vera-Ellen, Nelson Eddy, Herbert Marshall, Ian Hunter, Sally Forrest, Peggy Ryan, and Sarah Churchill. Also included is a stage pass signed by Edgar Bergen and a 1949 menu signed by Gene Kelly. Unsigned photos include Clark Gable sitting in his convertible at the entrance gate, several photos of Ludlow at his post, including one of the officer checking Signe Hasso’s identification, Johnny Weissmuller as Tarzan with a baby elephant, and several photos of studio guards assisting a large group of Munchkin actors crossing the street on their way to the studio. In overall fine condition. A nice assemblage of items from an obviously well-liked studio employee who enjoyed personal access to the stars. RR Auction COA.…(MB $200)

155. Ziegfeld Follies.

Large collection of items related to the Ziegfeld Follies, consisting primarily of signed and unsigned photos, as well as some other various ephemera. Signed photos include: Adrienne Ames, Fanny Brice (2), Billie Burke, Bebe Daniels, Hazel Dawn, Billie Dove, Pearl Eaton, Peggy Fears, Emma Haig, Anna Held, Ruby Keeler, Lupino Lane, Bessie Love (3), Claire Luce, Dorothy Mackaill, Helen Morgan, Mary Nolan, Ann Pennington, and Peggy Shannon. Also includes ink signatures of Florenz Ziegfeld, “Ziegfeld,” and Justine Johnstone, “Good Luck, Justine Johnstone,” on individual album pages. Balance of the lot includes over 40 unsigned photos with subjects including Mae Murray, Florenz Ziegfeld, Marion Davies, Adrienne Ames, Anna Held, Marilyn Miller, Mary Alice Rice, and Gilda Gray; and 11 pieces of ephemera such as programs and sheet music. In overall very good to fine condition. RR Auction COA.…(MB $200)

44 | Contracts, Letters, & Archives

Director� & Notable�

Drunk on success, Hitchcock sends a pricey case of 1890 Chateau Lafite-Rothschild to the Vertigo screenwriter

157. Alfred Hitchcock. TLS signed “Alfred J. Hitchcock,” one page, 6.5 x 8.5, Paramount Pictures Corporation letterhead, September 20, 1957. Letter to Albert Haas. In part: “Please set aside one case of the 1890 Chateau LafiteRothschild Wine for a friend of mine, Mr. Samuel Taylor. Naturally, this should be charged to me.” In fine condition, with toning and staple holes to the top edge. Accompanied by the original mailing envelope. Taylor had just recently finished writing the screenplay for Vertigo, one of Hitchock’s greatest films, at the time he received this letter—the final shooting script was approved on September 12, and filming began on September 19. As such, this very expensive case of wine must have been a gift from Hitchcock for completing the script. An extraordinary association between the two driving forces behind Hitchcock’s classic. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

158. Alfred Hitchcock.

Pearl-finish 9 x 14 photo of the director seated in his library, signed and inscribed in white artist’s pencil, “To Jim Wiggins from Alfred Hitchcock.” In fine condition, with slightly trimmed edges and a few creases to top corner tips. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

159. Alfred Hitchcock.

Promotional 45 rpm record of the ‘Theme of Alfred Hitchcock Presents,’ by Stanley Wilson and his Orchestra, issued by Sunset Records, signed on the label in fountain pen by Hitchcock, adding a quick sketch of his recognizable profile. The original sleeve is included. In fine condition, with some light wear to both album and label. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 45

46 | Directors & Notables

Remarkable collection of Gone with the Wind letters, regarding Rhett, Ashley, and Scarlett 160. Gone With the Wind: Margaret Mitchell.

Amazing Gone With the Wind-era collection of correspondence between author Margaret Mitchell and a Philadelphia admirer, along with printed interviews, and the fan’s meticulously kept scrapbook. The highlights of the collection are six one page TLSs, four signed “Margaret Mitchell,” and two signed “Margaret Mitchell Marsh,” dating from November of 1936 up to August of 1938, most with fabulous content regarding Mitchell’s novel and upcoming film. Excerpts from the letters include: November 4, 1936—“About the ending of the book and whether or not Rhett came back to his wife—well, you have me out on a limb. You see, I do not know myself. I honestly never thought about what happened to the characters after the book ended. You asked if I planned this to be a book when I began it. Yes, I had every detail in my head before I set a single word on paper.”

put everything back where it was before, and the newspapers do not say definitely whether Clark Gable will be in the picture.” Also included are: an informational booklet about Mitchell and her book, with a notation to the front cover in Mitchell’s hand, “see page 18, M.M.M.,” with an arrow drawn on the page with the article; an unsigned 1938 Christmas card, with the envelope addressed in Mitchell’s hand; and a five-page typed transcript of an interview given on the radio on July 3, 1936, with Mitchell adding her return address (no signature) on the reverse of the envelope.

“No, Melanie never knew about Ashley and Scarlett. God has a way of shielding the pure of heart—at least, he did in my book”

November 23, 1936—“I do not know if Ashley was the best drawn character in the book but he was certainly the hardest to draw. His was a complex nature and difficult to put on paper. No, Melanie never knew about Ashley and Scarlett. God has a way of shielding the pure of heart—at least, he did in my book.”

April 1, 1937—“I am somewhat pressed for time as a group of moving picture people are here in Atlanta at present investigating the background of ‘Gone With the Wind.’ While I have nothing to do in any way with the film production—casting, writing the scenario, designing the costumes et cetera…I do not plan to write a sequel, not have I any plans for future writing, as I do not like to write.” August 16, 1938—“No, I know no more about the progress of the film of ‘Gone With the Wind’ than I did when I sold the moving picture rights. I thought last month that everything was settled for the newspapers reported that Norma Shearer and Clark Gable had been chosen. Later it turned out that it was not an ‘official’ release from the studios and Miss Shearer announced that she would not play Scarlett. So, that

The final component of the archive is an 8.5 x 11.5 scrapbook, meticulously compiled by the admirer of Mitchell. Each page contains affixed newspaper clipping and photos about Mitchell’s acclaimed novel, several reviews, the casting, production, and premiere of the film in both Atlanta and Philadelphia, and articles of Mitchell’s tragic accident and passing. Loose in the scrapbook are transcripts of a couple of interviews, a second informational booklet, a typed biography, and a gray-bordered card from Mitchell’s family, thanking the recipient for her kindness and sympathy.

Published in 1936, Mitchell’s novel became the top fiction seller in the country for two straight years. The public’s rabid fascination with the characters and their relationships is plainly visible in these letters, as the correspondent was peppering Mitchell with questions outside the boundaries of the story, wondering if Rhett ever returned to Scarlett or if Melanie was aware of Scarlett and Ashley’s relationship. Although she had no official input on the 1939 production of the film, Mitchell was interested in the film’s casting, which according to one of her letters was still apparently unsettled. Any single letter alone from Mitchell regarding any aspect of her Pulitzer Prize-winning epic are in high demand, the collection offered here, full of great Gone With the Wind content, represent an amazing and chronological offering as her book and upcoming film captivated the country. An especially poignant collection worthy of the film’s 75th anniversary. RR Auction COA.…(MB $2500)

June 26, 2014 | 47

Rare portrait of The Birth of a Nation director

161. D. W. Griffith. Trailblazing filmmaker (1875–

1948) who directed a number of important early classics, including Intolerance and the iconic Birth of a Nation. Scarce sepia matte-finish 8 x 10 photo of Griffith in an overcoat and fedora hat, signed in fountain pen, “Sincerely, D. W. Griffith.” In fine condition, with a couple of trivial creases to right edge and small mounting remnants to reverse. Signed images of the pioneering director are seldom encountered. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

162. Mervyn LeRoy. Oscar-

winning American director (1900–1987) of such classics as I Am a Fugitive from a Chain Gang and The Bad Seed and producer of The Wizard of Oz. Uncommon oversized vintage matte-finish 11 x 13.5 photo of LeRoy sitting in front of a mountain of film canisters, signed and inscribed in fountain pen, “For Leon, one of the best, always, Mervyn LeRoy.” A trimmed top edge, a few corner creases and edge ripples, and signature and inscription a shade or two light, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

48 | Directors & Notables

163. Louis B. Mayer and Irving Thalberg. Two Louis B. Mayer Studio checks: one filled out in type and signed by Mayer, payable to Atchison, Topeka & Santa Fe Ry Co., for $429.50, dated August 9, 1922. Attached voucher along bottom indicates the check is for two round-trip train tickets from Los Angeles to New York for Fred Nible and Charles Condon; and a check filled out in type and signed by Thalberg, payable to Bess Meredyth for $50.00, stampdated October 13, 1923. Expected stamps and several folds and creases to Thalberg’s check, otherwise fine condition. RR Auction COA.…(MB $200)

Paramount negotiations for

the last Ford-Wayne collaboration 164. John Ford. DS, two pages, 8.5 x 11, April 17, 1962. Minutes for the annual shareholder meeting of John Ford Productions, Inc., naming “John Ford, John Wayne, B. Benjamin, and Meta C. Sterne” as the shareholders present. They re-elected all board members and “resolved that the directors and officers of the Corporation are… empowered to negotiate with Paramount Pictures…in respect to the production and direction of a theatrical motion picture entitled ‘Donovans Reef.’” Boldly signed at the conclusion by Ford and Benjamin. In fine condition, with expected document wear. The film was indeed produced by Paramount the following year, directed by Ford and starring John Wayne, Elizabeth Allen, Lee Marvin, Jack Warden, Dorothy Lamour, and Cesar Romero. This film marked the end of one of the most prolific partnerships in Hollywood history—Ford and Wayne made more than 20 films together over the course of five decades, including Stagecoach, The Searchers, and The Quiet Man. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Over two dozen directors including Minnelli, Huston, and Bogdanovich

165.

Director’s Guild Cards.

Collection of 27 Directors Guild of America Beneficiary Designation cards, all 6 x 4, each signed by a different member of the guild. Signers are: Vincente Minnelli, John Huston, Burt Lancaster, Michael Landon, Red Skelton, Karl Malden, Blake Edwards, James Coburn, Jackie Cooper, Peter Falk, Danny Thomas, Peter Bogdanovich, George A. Burns, William Buckley, Ted Bessell, Allen Funt, Jamie Farr, Lloyd Bridges, Bill Bixby, Jack Lord, Joan Kennedy, John Armstrong, John Cooper, Peter Douglas, Dick Martin, Donald O’Connor, and James Woodworth. In overall fine condition. RR Auction COA.…(MB $200)

June 26, 2014 | 49

166. Johnny Mercer. DS, three pages, 8.5 x 11, February 7, 1958. Agreement between Sol C. Siegel Productions, Loew’s Incorporated, and Dena Music confirming a letter “by Johnny Mercer authorizing the assignment of the copyright of the song ‘Buoina Fortuna,’ which was written by him and Saul Chaplin for the photoplay ‘Merry Andrew.’” Signed at the conclusion by Johnny Mercer, Saul Chaplin, Sol C. Siegel, and two other company representatives. In fine condition, with expected document wear. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

167. Douglas Sirk. German film

director (1897–1987) best known for his work in 1950s Hollywood melodramas, including Imitation of Life and Written on the Wind. Uncommon satin-finish 4 x 6 photo relaxing in a chair, signed vertically in blue ballpoint. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

168. Andy Warhol: Elizabeth Taylor. Color

4 x 6 postcard featuring Warhol’s 1963 portrait of Taylor, signed in the lower border in blue felt tip by Warhol. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

The impresario mentions his Cantor classic

169. Florenz Ziegfeld.

TLS signed “F. Ziegfeld,” one page, 6.25 x 7, personal letterhead, January 7, 1924. Letter to the father of an aspiring actor. In part: “I have been so busy with the production of Kid Boots that I have not had the opportunity to write…I have nothing to offer your son at this time. He might come in to see me in March, when there may be another production to be made.” A small tear to the left edge and punch hole to the top, otherwise fine condition. Kid Boots was a stage musical produced by Ziegfeld starring Eddie Cantor and Mary Eaton, with George Olsen and his orchestra, which opened on Broadway on December 31, 1923. Paramount released a film version in 1926, featuring Cantor, Clara Bow, and Billie Dove in the lead roles. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

50 | Directors & Notables

Signature� Fantastic original self-porrtait sketch of The Little Tramp 173. Charlie Chaplin.

Original vintage signed pencil self-portrait of his instantly-recognizable Little Tramp character on an off-white 4 x 1.75 card, signed in pencil, “‘Salutations,’ Charlie Chaplin,” adding “me” with an arrow drawn to the sketch. In very good condition, with scattered foxing and soiling, and a crease to the right edge. An exceptionally rare and desirable sketch the by iconic actor of his signature character. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

174. James Cagney. Original vintage signed and inscribed fountain pen self-portrait on a light pink 3.75 x 5 album page, signed and inscribed, “My best to you Amelia, Jim Cagney.” Matted and framed with an unsigned vintage deckle-edge postcard photo to an overall size of 13.5 x 10.5. Some scattered light creases, one passing vertically through sketch, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

175. Jean Harlow. Legendary screen actress (1911–1937), known for her unique sex appeal and her distinctive platinum blonde hairdo, who died of renal failure at the age of 26. Desirable pencil signature, “Sincerely yours, Jean Harlow,” on an off-white 3.25 x 2.25 slip affixed to a slightly larger slip. That slip is in turn affixed to the bottom portion of a 9 x 12 black sheet. In fine condition, with a bit of trivial soiling. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 51

52 | Signatures

15-year guestbook of a Hollywood socialite who welcomed the likes of

Disney, Wayne, Garland, Cooper, two future presidents, and the Duke and Duchess of Windsor among 1000s more

176. Cobina Wright Celebrity Guest Book. Vintage leather bound guest book, 9 x 11, embossed in gold on the front, “Cobina,” formerly owned by one-time opera singer and actress Cobina Wright, who later became a gossip columnist and society hostess, signed inside in fountain pen and ballpoint by hundreds and hundreds of her guests from parties given between 1950 and 1966. The signers represent a who’s who from the worlds of Hollywood, Broadway, politics, the arts and high society, with many adding personal sentiments, small drawings, or ‘in-jokes.’ Signers include: Walt Disney, John Wayne, Judy Garland, Richard Nixon, Gary Cooper, the Duke and Duchess of Windsor, Clark Gable, Muhammad Ali, Gene Autry, Anne Baxter, Hoagy Carmichael, Maurice Chevalier, Charles Coburn, Nat King Cole, Henry Fonda, Howard Hawks, Susan Hayward, Charlton Heston, Bob Hope, Estee Lauder, Liberace, Jayne Mansfield, Louella Parsons, Norman Vincent Peale, Mary Pickford, Cole Porter, Otto Preminger, Anthony Quinn, Ronald and Nancy Reagan, Edward G. Robinson, Buddy Rogers, Ginger Rogers, Jane Russell, Norma Shearer, Edith Sitwell, James Stewart, Norman Taurog, Elizabeth Taylor (Todd), Gloria Vanderbilt, Robert Wagner, John Wayne, Clifton Webb, Mae West, Natalie Wood (Wagner), and Jane Wyman. Many of the signees were frequent guests of Wright’s and who signed the book more than once including Walt Disney, Judy Garland, John Wayne, Marion Davies, Doris Duke, Liberace, and Mary Pickford. In fine overall condition. A more comprehensive list of signers is available online at rrauction.com. This book was featured in an article in Manuscripts Volume LXIV- Number 3 Summer 2012 (a publication of the Manuscript Society). Fully filled guest books like the one offered here are quite uncommon, as most tend to trail off at a certain point. This book is jam packed full of signatures, observations, and thoughtful remembrances, with multiple offerings of Disney and Wayne, among others. A spectacular one-of-a-kind look at some of the period’s biggest celebrities in a much more casual setting than usually seen. Pre-certified PSA/DNA and RR Auction COA.…(MB $1000)

June 26, 2014 | 53

177. Casablanca: Greenstreet and Lorre. Vin-

tage fountain pen signatures, “Sydney Greenstreet,” and “Peter Lorre,” on individual off-white album pages, with a small collector’s notation to the bottom edge of Greenstreet’s page. In fine condition. RR Auction COA.…(MB $200)

178. Casablanca: Bergman and Rains. Ink signature, “Ingrid Bergman,” on a

salmon-colored card and a ballpoint signature, “Claude Rains,” on a light green trimmed album page, each with an affixed caption or photo. In fine condition, with some surface impressions to album page from inscription on reverse. Accompanied by an unsigned Casablanca cast photo. RR Auction COA.…(MB $200)

179. John Wayne and Roy Rogers. Official card from the premier of the 1950 film Rock

Island Trail, 3 x 2, with “Hostess” written at the top of the front of the card. Signed on the reverse in brown and blue ink by John Wayne, Roy Rogers, and Dale Evans, and also signed on the front in brown ink by Adele Mara. The world premier of the film was held in the Quad Cities on April 27, 1950, and the stars took part in a pre-show promotional parade which started in Silvis, Illinois (the home of Rock Island Lines) and ending at the theater in Rock Island, Illinois. Accompanied by an engraved plaque and a copy of the Rock Island Lines News Digest, covering the parade and premier. In fine condition, with a bit of scattered light toning. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

54 | Signatures

180. Gone With the Wind: Vivien Leigh. Exceptionally large and bold fountain pen signature, “Vivien Leigh,” on an off-white 5 x 3 card. In very fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

181. The Adventures of Robin Hood. Color deckle-edge picture postcard of the Richardson Springs Hotel, 5.5 x 3.5, signed on the reverse in pencil and fountain pen by seven cast members of the 1938 film The Adventures of Robin Hood. Signers are: Basil Rathbone, Errol Flynn, Eugene Pallette, Alan Hale, Patric Knowles, Ian Hunter, and Herbert Mundin. Postcard is also signed by Lili Damita and one other. In fine condition, with some scattered mild toning to reverse. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Practically unheard of collection of

Godfather cast signatures on a single page 182. The Godfather.

Ballpoint signatures of Marlon Brando, Al Pacino, Richard Conte, Al Martino, and Diane Keaton, on a 6.5 x 3.5 mailing envelope, also signed by one other. Scattered toning, not affecting the legibility or boldness of any of the signatures, otherwise fine condition. Accompanied by a full letter of authenticity from PSA/ DNA. A fantastic and almost certainly one-of-a-kind assemblage of the legendary stars of one of the greatest films ever made. RR Auction COA.…(MB $200)

June 26, 2014 | 55

Eccentric notes from the iconic actor:

“There aren’t any sides. It’s a circular firing squad” 183. Marlon Brando. Two auto-

graph notes, in ink and pencil, both unsigned, on individual sheets. One reads, “Dio. Which side are you on anyway?, There aren’t any sides. It’s a circular firing squad.” Second note reads, “Dio. # Get a half nelson on it. # Money porn.” Each slip is notated and dated 1-26-00 in another hand. In fine condition. RR Auction COA.…(MB $200)

184. Actors and Actresses.

Collection of 75 vintage signatures on individual album pages and slips, almost all affixed to 10 x 13 black scrapbook pages (some back-toback), which have been adorned with clipped photos. Signers include: John Barrymore, Charles Boyer, Alice Brady, Billie Burke, Joan Crawford, Greer Garson, Tommy Kelly, Fredric March, Robert Montgomery, Maureen O’Sullivan, William Powell, Luise Rainer, Will Rogers, Mickey Rooney, Norma Shearer (2), Gloria Stuart, Gloria Swanson, Robert Taylor, Ann Todd, Claire Trevor, Helen Twelvetrees, and Loretta Young. Scattered light toning and soiling, otherwise fine condition. A more comprehensive list is available online at rrauction.com. RR Auction COA.…(MB $200)

56 | Signatures

Hepburn, Ferrer, and other Green Mansions cast and crew present a copy of the story to their technical advisor

185. Audrey Hepburn: Green Mansions. Signed book:

Green Mansions: A Romance of the Tropical Forest. Later printing. NY: Alfred A. Knopf, 1943. Hardcover, 7.5 x 10.5, 231 pages. Signed and inscribed on the foreword page and reverse of the title page by 23 cast and crew members from the 1949 film, some adding brief inscriptions to R. Lal Singh, and many of the crew members adding their positions as well. Signers include: Audrey Hepburn, Mel Ferrer (director), Sessue Hayakawa, Anthony Perkins, Estelle Hemsley, Henry Silva, Eddie Grainger (producer), Edgar Preston Ames (art director), Robert Relyea (assistant director), Joseph Ruttenberg (director of photography), and Ace Riley (2nd cameraman). Accompanied by seven candid and make-up test photos from the film, including three of Hayakawa in native dress, and one of Ferrer with other crew members. Autographic condition: fine, with some scattered light toning. The detached dust jacket is also included. The book also bears a bookplate signed by Singh, who served as the film’s technical director. The film was supposed to be the first of several projects starring Hepburn which would be directed by Ferrer, however it was their only collaboration, as the film was one of the few box office failure’s of Hepburn’s career. An impressive and most likely one-of-a-kind collection of signatures presented to a valuable crew member. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

187. Fred Astaire and Ginger Rogers. Sheet mu-

1 8 6 . Au d rey Hepburn. Poster, 11.5 x 19, honoring Hepburn as the 1991 USA Film Festival master screen artist, signed in black felt tip. In fine condition. RR Auction COA.…(MB $200)

sic to ‘The Way You Look To-Night,’ from the film Swing Time, 9 x 12, five pages. Signed and inscribed on the cover in black felt tip, “To Tommy Grafton, Sincerely, Fred Astaire,” and in green felt tip, “To Tommy Grafton, Best wishes, Ginger Rogers.” A vertical crease and small edge tears to right edge, and a light central horizontal fold, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 57

58 | Mariyln Monroe

Marily� Monro�

Marilyn’s notated script from Gentleman Prefer Blondes,

complete with dialog changes and personal acting tips 191. Gentleman Prefer Blondes: Marilyn Monroe.

Monroe’s personally-used and -notated script for the 1953 film Gentlemen Prefer Blondes. The incomplete script, 68 pages total, is titled on the cover “26 November 1952, ‘Gentlemen Prefer Blondes’ (Revised Final Script…13 Nov. 1952),” with a typed message at the bottom instructing secretaries to insert these pages in the back of their scripts. The majority of the parts for Monroe’s character Lorelei Lee have been circled in pencil or blue ballpoint, with approximately 22 pages annotated in various inks and pencil in Monroe’s hand with amendments and additions to the script and notes on how she proposes to deliver lines and portray Lorelei’s character. Notes include: p. 56—the scene during which Beekman finds Lorelei stuck in Malone’s porthole, next to Lorelei’s line ‘Oh yes, tea with Lady Beekman. Why, she must of forgot. She didn’t show up,’ with Monroe adding an alternative line, “Well, I just wanted to see the view. It’s better from here” p. 58—Monroe changes the line ‘Piggie, will you run down to my cabin and get my purse,’ to “Maybe I should have that Sherry - will you get me some” p. 79—Monroe has written a note to herself in the margin “Feeling that feeds the words, know the lines, go over it intelligently” p. 92— “sense the feeling with the body” p. 94—”grit my teeth and forget it must have my,” “all of feeling in my works,” and “build pull back, don’t stop spiritual conflict between partners.” The following page (95) although bearing no notations, features the scene for Monroe’s classic musical number ‘Diamonds Are a Girl’s Best Friend.’ In very good to fine condition, with expected handling wear, soiling, and creasing, and some small edge tears and dampstaining to cover page.

Marilyn’s amazing personal notations in this script reveal her private thought processes and well-documented fleeting self confidence. On set, she was shadowed by her distracting acting coach Natasha Lytess, constantly striving for her approval and insisting on retakes even when director Howard Hawks had already approved. Co-star Jane Russell looked after Marilyn on set and was often one of the only people able to coax her out of her trailer during her bouts of self doubt. Despite her anxieties, it was the role of Lorelei Lee that perfected her ‘dumb blonde’ persona—a genius mixture of comedy and sexiness only Marilyn could pull off. Though seemingly lighthearted on screen, she took her acting very seriously, as evidenced with heartfelt notes in the margins such as those on page 79, “Feeling that feeds the words, know the lines, go over it intelligently.” Monroe biographer Donald Spoto once said: ‘She put a twist on sexiness. It was not something wicked and shameful...it was something which was terribly funny. And Marilyn enjoyed it.’ An exceptionally profound piece of Hollywood history. Provenance: Christies: June, 2006. RR Auction COA.…(MB $2500)

June 26, 2014 | 59

Gorgeous oversized portrait for her appearance in the gritty Asphalt Jungle 1 9 2 . M a r i ly n Monroe. Vintage

matte-finish 11 x 14 photo of Monroe for The Asphalt Jungle, taken in 1950 by Frank Powolny, signed and inscribed in blue ballpoint “To Hank, May you keep generating, Marilyn Monroe.” Photo has been professionally restored, mainly along a horizontal fold to the lower portion of the image. In very good to fine condition, with a small tear to top edge, a tiny crease to facial area, and aforementioned restoration, none of which affects the signature or facial area. After appearing in several small roles in 1950, Monroe was cast as Angela Phinlay, the young mistress of an aging criminal. Her performance was well-received by critics, and after a small role in All About Eve, Monroe signed a sevenyear contract with 20th Century Fox. A stunning portrait from early in Monroe’s career as she strived to achieve mainstream success. Pre-certified PSA/DNA and RR Auction COA.… (MB $2500)

60 | Mariyln Monroe

A check for her hairdresser as filming for River of No Return wraps up

1 9 3 . Ma r i ly n Monroe. Bank check,

6 x 2.5, filled out and signed by Monroe, payable to Cash for $10.00, September 12, 1953. Reverse is endorsed by Monroe’s hairdresser, Gladys McAllister. In fine condition, with stamps and cancellation holes to body, with show-through from a stamp on reverse. At the time of cutting this check, Monroe was in the final weeks of filming River of No Return, having returned to Los Angeles from Calgary, Alberta, where she injured her ankle and wound up in a cast. Pre-certified PSA/DNA and RR Auction COA.…(MB $900)

Marilyn visits the lavish Flamingo Hotel on the Vegas strip

194. Marilyn Monroe.

Colorful embossed matchbook from the Flamingo Hotel in Las Vegas, measuring 4 x 2 open, signed across the covers in blue ballpoint by Monroe. In fine condition. A very uncommon format from a resort with a longtime association to Hollywood, possibly from one of the actress’s visits to Vegas near the end of her career. Pre-certified PSA/DNA and RR Auction COA.…(MB $500)

June 26, 2014 | 61

Exceptional blue fountain pen signature of Monroe obtained at the world-famous Sardi’s shortly after her first starring role

195. Marilyn Monroe.

Blue fountain pen signature, “Best Wishes, Marilyn Monroe,” on a light green album page which has been trimmed to a size of 3 x 2, and affixed to a light blue 5 x 3 card. Collector’s pencil notation on reverse of card reads, “Marilyn Monroe Sardis 1948.” In very fine condition. In 1948, Monroe would sign a six-month contract with Columbia Pictures, appearing in the musical Ladies of the Chorus, her first major role. A particularly superb signature obtained at a show business landmark. Pre-certified PSA/DNA and RR Auction COA.…(MB $500)

1 9 6 . A n dy Wa rh ol : Marilyn Monroe. Color 4

x 6 postcard featuring Warhol’s 1967 portrait of Monroe, signed in the lower border in blue felt tip by Warhol. In fine condition. Precertified PSA/DNA and RR Auction COA.…(MB $200)

197. Marilyn Monroe. Original 1954 Golden Dreams wall calendar, 8 x 14, featuring the ‘modesty’ version of her sultry Golden Dreams pose, with lacy black lingerie skillfully added by an artist to veil Marilyn’s feminine charms. Calendar retains all 12 of the monthly pages. In fine condition, with some scattered toning to calendar and pages. RR Auction COA.… (MB $200)

62 | Mariyln Monroe

198. Marilyn Monroe: Philippe Halsman. Gorgeous original vintage 1950s glossy silver gelatin 8 x 10 Philippe Halsman portrait of Monroe in a form-fitting strapless gown. In fine condition, with some scattered light creases and surface marks. RR Auction COA.…(MB $200)

199. Marilyn Monroe: Philippe Halsman. Stunning

limited edition pearl-finish 10.75 x 13.75 photo of Marilyn Monroe sitting on the floor in a low-cut black top, 20/500, originally taken in 1954 by Philippe Halsman. Photo bears Halsman’s blind stamp in the lower right, as well as his copyright stamp on the reverse, Matted to an overall size of 16 x 20. In fine condition. RR Auction COA.…(MB $200)

Extremely youthful

Dienes image of Norma Jeane

201. Marilyn Monroe: Jacques Lowe. Rare original vintage 1961 silver gelatin doubleweight photo of Monroe, dressed in a black top and jacket, taken at the Plaza by Jacques Lowe, and trimmed to a size of 9 x 13.5. Reverse bears a Lowe photographer’s stamp. In fine condition, with tape remnants to reverse and a few scattered light creases.RR Auction COA.…(MB $200)

202. Marilyn Monroe: Roy Schatt. Original vin-

tage 1955 silver gelatin 10 x 13 double-weight Roy Schatt photo of Monroe, draped in her overcoat and holding a cigarette, attending the Actor’s Studio in New York in 1955. Reverse bears a Schatt photographer’s stamp as well as stamps from the George Zeno Collection. In very good condition, with scattered creases and impressions to front, lightly trimmed edges, and adhesive and mounting remnants to reverse. RR Auction COA.…(MB $200)

2 0 3 . M a r i ly n Monroe. Original

200. Marilyn Monroe: Andre Dienes. Exceptional semi-glossy 8 x 10 photo of Monroe kneeling in a pasture with a lamb on her lap, taken by Andre de Dienes in 1945 on one of her first modeling assignments. Reverse bears a Dienes ‘file copy’ stamp. In fine condition. At the time of the photo session, she was still going by her given name; one of the images from this shoot was published on the cover of the April 26, 1946, issue of Family Circle. RR Auction COA.…(MB $200)

vintage 1953 Bert Reisfeld glossy silver gelatin cheesecake photo of Monroe, clad in a one-piece bathing suit and high heels, gently arching her back and hanging on to a rope, and trimmed to a size of 6.5 x 8.5. Reverse bears a Phil Burchman Agency stamp, as well as a Pictorial Parade Inc. stamp. In very good condition, with a few scattered creases, and some areas of rubbing and surface spots to finish. RR Auction COA.…(MB $200)

June 26, 2014 | 63

204. Marilyn Monroe. Origi-

nal vintage 1948 silver gelatin glossy photo of a young Marilyn Monroe and Jean Brown leaning against a Blue Book Models, Hollywood life preserver and trimmed to a size of 9.25 x 7.25. Reverse bears a couple of pencil notations as well as an FPG Photography stamp. In fine condition, with a few light surface marks. Monroe started her career with Blue Book and soon became the agency’s most popular model. RR Auction COA.…(MB $200)

207. Marilyn Monroe.

Original vintage 1952 silver gelatin glossy 8 x 6.5 20th Century Fox head-andshoulders photo of Monroe posing outdoors. Reverse bears a studio stamp as well as a Modern Screen Photograph stamp, with some of the information filled in. In very good condition, with scattered creases and surface impressions, trimmed edges, and adhesive remnants to reverse. RR Auction COA.…(MB $200)

205. Marilyn Monroe: Phil Burchman.

Original vintage 1951 silver gelatin glossy 7.5 x 9.5 photo of Marilyn posing in a salon wearing a floor-length Don Loper dress and leaning on the back of a chair. This photo was taken in the Don Loper salon for a magazine layout. Reverse bears stamps from Phil Burchman and Pictorial Parade Inc. In fine condition, with some scattered light surface marks and impressions and slightly trimmed edges. RR Auction COA.…(MB $200)

2 0 6 . M a r i ly n M o n ro e : P h i l Burchman. Stunning original vintage 1952 silver gelatin glossy 6 x 8.5 full-length photo of Monroe in a black lace dress and posing in a living room. Reverse bears Phil Burchman and Pictorial Parade Inc. credit stamps. In very good condition, with crop notations next to facial area, trimmed edges, and scattered light surface marks and impressions. RR Auction COA.…(MB $200)

64 | Mariyln Monroe

208. Marilyn Monroe. Original vintage 1955

silver gelatin glossy 6.25 x 8.25 close-up photo of Monroe as an usherette at the premiere of James Dean’s film East of Eden. In fine condition, with a couple light surface marks and trimmed edges. Presented as a benefit for the Actor’s Studio, several famous students and alumni served as ushers and ticket takers, including Monroe and Eva Marie Saint. RR Auction COA.…(MB $200)

209. Marilyn Monroe. Eye-

catching original vintage 1953 silver gelatin glossy photo, taken by Frank Powolny, of Monroe bathed in soft light, trimmed to a size of 7.25 x 9. In fine condition, with some scattered light surface marks and impressions. RR Auction COA.…(MB $200)

Jud� Garlan�

12-year-old Judy signs with her older sisters

213. Judy Garland. Fabulous, one-of-a-kind, extremely early vintage pearl-finish 8 x 9.75 photo, circa 1934, of the three Garland sisters by Bloom of Chicago, signed and inscribed in fountain pen by Garland “To Dorothy from the Garland Sistes [sic], Baby Frances,” and also signed by her sisters “Jimmie,” and “Janie.” In very good to fine condition, with scattered creases, mild rippling along top edge, soiling over beginning portion of inscription, as well as a couple of minor spots, and some light silvering and surface impressions. This unique photo, taken by Bloom of Chicago, was from one of the first official photograph sessions of the three Gumm sisters, when Judy was a mere 12 years of age. It was most likely photographed during the time of the Chicago World’s Fair when the sisters were in town performing in the late summer of 1934. It was also in Chicago in August of 1934 that a monumental turning point in Judy’s career occurred when George Jessel suggested the sisters change their last name to Garland. “Dorothy” was Dorothy Gray a fellow child actress and Judy’s best friend at the time. Accompanied by a photo of this item’s original recipient, Dorothy Gray, and a photocopy of a newspaper article in which Gray is identified as Judy’s best friend. Once in a lifetime chance to own the earliest Garland signed photo we have ever encountered, a must have addition to any accomplished vintage Hollywood collection. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

Superb uninscribed example of

Garland’s earliest MGM portrait

214. Judy Garland. Superb vintage pearl finish 8 x 10 Sinclair Bull

portrait photo from Judy’s very first MGM sitting, taken on November 30, 1935, when Garland was just 13 years old. Signed in fountain pen in the lower right corner, “Judy Garland.” Reverse bears the original MGM press release caption noting “She is being hailed as the sensational child discovery of the year and is under long term contract…said to be the only player ever signed without the formality of a screen test.” In very fine condition, with a couple trivial corner tip dings. This exact photo was featured in a 2008 Garland signature study in Autograph Magazine. This image represents one of the earliest known official signed portraits of Garland, and would be the pinnacle for any serious Garland collector. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

June 26, 2014 | 65

Endearing oversized portrait

presented to the talented composer Oscar Levant 215. Judy Garland. Lovely vintage matte-finish 10 x 13 photo of

Garland looking skyward, signed and inscribed in blue ink to pianist, comedian, and composer Oscar Levant, “For Oscar—Our friendship is the most precious thing I have. May it last forever. Love always, Yours, Judy.” In fine condition, with some light contrast to closing of inscription and signature, and a bit of scattered light silvering. Accompanied by the original Sotheby Parke Bernet mailing envelope. Garland met Levant in 1938 and quickly became enamoured with him. Although their relationship never progressed past friendship, they would share their deepest feelings including those about stage fright and other trying experiences. A magnificent photo between two performers who shared many of their emotional troubles. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Classic A Star Is Born publicity still —Judy at her finest!

216. Judy Garland.

Vintage glossy 8 x 10 publicity photo for A Star Is Born of Garland with chin perched in hand, boldly signed and inscribed in person vertically in fountain pen. Scattered creasing towards the top of the image, toning along the edges, and and slight brushing to inscription, otherwise fine condition. An outstanding, iconic portrait from Garland’s Oscar-nominated role in one of her greatest films, highlighted by an exceptionally bold signature. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

66 | Judy Garland

A month before filming begins on The Wizard of Oz, Garland sings on the West Coast

217. Judy Garland. DS, three pages, 8.5 x 11, September 6, 1938. Agreement with Lord & Thomas for Garland’s appearance on a radio program. Document reads, in part: “We hereby engage the services of the artist to appear for us on the Pepsodent Programs presently scheduled to be broadcast on October 4, 1938 and November 1, 1938, at 7:00 o’clock P.M. Pacific Standard Time…The artist’s services shall consist of the singing of songs and in rendering her services as an actress on said program, subject only to her artistic capabilities…we agree to pay you for the artist the sum of Fifteen Hundred Dollars ($1500.00) per broadcast.” Signed on the final page in fountain pen by Garland, and also signed by her mother, Ethel M. Garland. In fine condition, with expected document wear. Filming for the 1939 classic would begin on October 13, 1938, with Garland in the starring role as Dorothy Gale. Early Garland documents are quite uncommon. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

“Judy Garland is to start in a picture, titled ‘Wizard of Oz,’ very shortly” 218. Judy Garland. DS, one page, 7.25 x 10.5, The Orsatti Agency let-

terhead, September 9, 1938. Document from Garland’s agency sent to Lord & Thomas. In full: “We have the contract, dated September 6th, 1938, which you sent us for Judy Garland, whereby she is to do two broadcasts…we are making an amendment to the contract as follows: Judy Garland is to start in a picture, titled ‘Wizard of Oz,’ very shortly; at the close of the picture it shall be agreed that she will do two broadcasts for you—dates to be mutually agreed upon. It is probable at this date that the picture will be finished around the end of October, or early part of November.” Signed at the conclusion by Judy Garland, her mother Ethel M. Garland, and Victor M. Orsatti. In fine condition, with expected document wear. Only five weeks later, shooting would commence on The Wizard of Oz, lasting until March of 1939. Any document connecting Garland to her most famous role is incredibly scarce and highly desirable. Pre-certified PSA/DNA and RR Auction COA.…(MB $300)

June 26, 2014 | 67

Disne� & Animatio�

Wonderful Peter Pan and Tinkerbell cels

complete with an original production background 222. Peter Pan: Walt Disney. Amaz-

ing original hand-painted cels from the 1953 Disney film Peter Pan. One cel depicts Peter Pan sitting on a tree limb, while the other features the very popular Tinker Bell. The images have been trimmed to the outline of the figure, as was customary, and are set against an original hand-painted production background. Set-up is housed in its original 18.25 x 16.5 cream mat, which bears the original WDP production stamp. Mat is signed and inscribed in brown conte crayon, “To Tom, Best wishes, Walt Disney.” In very good condition, with toning and soiling to mat, a few edge and corner dings, and some scattered light dampstaining. The Peter Pan image shows areas of scattered light crazing, not affecting the overall appearance. These setups were put together at the Walt Disney Studio ‘Art Props’ department. An extremely rare piece, made even more desirable by the presence of Tinkerbell, one of Disney’s most beloved and seldom-seen characters. Pre-certified Phil Sears COA and RR Auction COA.…(MB $1000)

223. Pinocchio. Original hand-painted animation cel of Jiminy Cricket

from the 1940 Disney film Pinocchio. The cel has been trimmed to the outline of the figure, as was customary, and is set against a background prepared by the Walt Disney Studio for sale by the Courvoisier Galleries. Cel is signed along the bottom in black felt tip by noted animator and creator of Jiminy Cricket, Ward Kimball. Double matted to an overall size of 12 x 12.5. In fine condition. RR Auction COA.…(MB $300)

68 | Disney & Animation

Original cel of Pinocchio and Jiminy Cricket

224. Pinocchio. Highly-desirable hand-painted anima-

tion cel from the 1940 Disney film Pinocchio. Cel measures 10.5 x 9, and shows Jiminy Cricket seated in front of an astonished-looking Pinocchio, and has been trimmed to the outline of the figures, as was customary, and is set against a background prepared by the Walt Disney Studio for sale by the Courvoisier Galleries. Matted to an overall size of 16.5 x 16.5. In fine condition. A colorful image with Pinocchio measuring an impressive 10 x 9 inches. Cels from the early Disney classics are rather uncommon, particularly of the story’s main characters. RR Auction COA.…(MB $500)

Exceptional and possibly unique

Seven Dwarfs color model cel 225. Snow White and the Seven Dwarfs. Original hand-painted production color model cel of all seven dwarfs from the 1937 Disney film Snow White and the Seven Dwarfs. Cel measures 12 x 10, with a fantastic image of all seven dwarfs, each with a facial image which captures their persona, and each image is also labeled in an unknown hand with their respective names. Cel is stapled to a 14 x 11 sheet of cardboard, which is labeled on the reverse, “Geo. Goepper, Set No. 3.” In fine condition. George Goepper started working for Disney in 1933 as an assistant animator, and later made character models and also worked on Bambi. He remained with the company until 1953, leaving to go work for Hanna-Barbera. An item of great cinematic importance, as Disney and his artists labored extensively to make the first ever full-length animated feature a success. RR Auction COA.…(MB $500)

June 26, 2014 | 69

Original ‘Nutcracker Suite’ concept drawing from Disney’s innovative Fantasia

226. Fantasia: Elmer Plummer.

Original unsigned colored chalk concept drawing of the dancing thistles from the ‘Nutcracker Suite in the 1940 Walt Disney classic Fantasia done by Elmer Plummer. Drawing measures 10.5 x 8 and features four colorful thistles dancing about, with several blue leaves in the foreground. Triple-matted and framed to an overall size of 17.75 x 15.5. In very fine condition. In the film, the dancing thistles take the form of Cossacks as they perform the ‘Russian Dance’ from Tchaikovsky’s ‘Nutcracker Suite.’ A vibrant and energetic image from one of Disney’s masterpieces. RR Auction COA.…(MB $300)

Charming and boldly signed image of Disney ‘monkeying around’

227. Walt Disney.

Amusing matte-finish 10 x 8 photo of Disney reading Alice’s Adventures in Wonderland to two chimpanzees sitting on his desk, with one chimp in a dress and the other dressed as a sailor, nicely signed and inscribed in black felt tip, “To Carlos, Walt Disney.” In fine condition, with a crease to lower right corner. A very bold and large signature measuring almost six inches long. Pre-certified PSA/ DNA and RR Auction COA.…(MB $500)

70 | Disney & Animation

Amazing 1938 art book

signed by Disney and nearly 30 members of his innovative Fantasia production team 228. Walt Disney. Signed book: The Eighth Art by Victor Keppler. First edition. NY: William Morrow & Company, 1938. Hardcover, 9.25 x 12.25, 266 pages. Signed on the front pastedown in fountain pen by Walt Disney and 28 of Disney’s artists, directors, and other employees. Also signed on the first free end page by Keppler. Additional signers include: Al Perkins (researcher for Alice in Wonderland), Dana Coty (writer for Donald’s Nephews, a Donald Duck cartoon), Ted Osborne (story writer and cartoonist), Otto Englander (writer who worked on Snow White, Fantasia, and Dumbo), Ken O’Connor (art director and layout artist), Thor Putnam (layout artist), Mac Stewart (layout artist), Charles Philippi (layout artist), Helen De Force Hennesy (first Disney librarian), Walt J. Pfeiffer (childhood friend of Disney and studio executive), Bill Sharpsteen (director), Jack Kinney (animator), Dee Worth (secretary), Ted Sears (first head of Disney’s story department), Webb Smith (credited with creating the first storyboard), Hugh Hennesy (layout artist), Ken Anderson (art director and writer), Charlie Payzant (background artist), Terrell Stapp (art director), Art Heinemann (writer and animator), David Rose (artist), John Hubley (background and layout artist), Bruce Bushman (layout artist), Louis Debney (producer of Mickey Mouse Club), and three others. Rear pastedown also bears an original sticker from the legendary Stanley Rose Bookshop, the unofficial Hollywood Boulevard clubhouse of countless notable writers and celebrities. Autographic condition: fine. Book condition: VG+/None. The majority of these signers were involved in the making of Disney’s greatest classics, including Snow White, Fantasia, and Cinderella, as well as earlier films and shorts. A positively remarkable assemblage of the behind-the-scenes staff—along with their revered leader—that came together to produce the greatest animated features ever put to screen. Pre-certified Phil Sears COA and RR Auction COA.…(MB $300)

229. Walt Disney. Original glass paperweight, 3.5˝ in diameter, with an etched image of Mickey Mouse on one side. This image is identical to the etching on glassware from Disney’s Penthouse Club. In fine condition. RR Auction COA.…(MB $200)

June 26, 2014 | 71

Glass from Disney’s

private and prestigious Penthouse Club 230. Walt Disney.

Very rare original drinking glass from Walt Disney’s Penthouse Club, located on top of his Burbank animation building. Highball-type glass stands 5.5˝ high with an etched image of Mickey Mouse on one side. In fine condition. When Disney’s Burbank Studio opened in 1940, it included the all-male members only Penthouse Club and Gymnasium. Offered at first to company higher-ups, at the time the only employees who could afford the membership, the company eventually opened up to all of the employees. Food and drinks were available anytime, along with steam baths, exercise classes, and a barber shop. Walt’s club also played a role in the 1941 studio strike, with young employees concerned about the accidental class system that had developed with the opening of the club. In later years, the club evolved into a lounge for long-time employees and the gym was converted to a gathering room for studio award ceremonies. After being closed by the studio, much of its contents were discarded, making any item from the club incredibly scarce. Provenance: given to Mrs. Patricia Heman, wife of Oscar winner Roger Heman, Jr.,who was in charge of Food Services at the Studio, by Walt Disney himself. RR Auction COA.…(MB $200)

Exceptional Disney document for an early 1937 investment in Hollywood Park

231. Walt Disney. DS, filled out and signed by Disney, “Walter E. Disney,” one page both sides, 8.5 x 11, February 16, 1937. Subscription agreement for the Hollywood Turf Club in Los Angeles, in which Disney agrees to “pay for 25 shares of the capital stock of the Hollywood Turf Club, a California corporation, at One Hundred Dollars ($100.00) per share.” The document is filled out entirely in his own hand, adding his address at the conclusion, “2719 Hyperion, Los Angeles,” his business, “Motion Pictures,” telephone number, “Mo. 12131,” and bank, “Bank of America.” In fine condition, with expected document wear. Accompanied by a letter from a secretary of the club noting that the check was received, in part: “Your interest in the company, as evidenced by your desire to become a stockholder, is greatly appreciated, and we assure you every effort will be made to build the finest racing plant in America.” The Hollywood Turf Club racetrack, later known as Hollywood Park, was formed under the chairmanship of Warner Bros. mogul Jack L. Warner, with its 600 original shareholders including entertainment luminaries such as Al Jolson, Raoul Walsh, Joan Blondell, Ronald Colman, Bing Crosby, Samuel Goldwyn, and Darryl Zanuck. The track opened on June 10, 1938, and the legendary Seabiscuit was victorious in 1938’s inaugural running of the Hollywood Gold Cup. As this is an earlier document than typically seen and filled out and signed entirely in his own hand, it is exceptionally scarce and desirable—a veritable piece of Disney and Hollywood history. Pre-certified Phil Sears COA and RR Auction COA.…(MB $300)

72 | Disney & Animation

Early 1970s ‘Mousecar’ award

‘Hyperionstyle’ Duckster

232. Walt Disney. A Disney Hyperion-style ‘Mousecar’ award.

233. Walt Disney. A Disney Hyperion-style ‘Duckster’ award. These statues were distributed at a special ceremony sometime in the early-1970s to longtime studio employees who had been with the company continuously from the days when the studio was located on Hyperion Avenue in Hollywood. Award stands on a wooden base, measures approximately 9.5˝ tall, with a “WDP” copyright stamp on the back of the right foot. In fine condition. These awards on wooden bases were given after Walt died to honor those living survivors of the original Hyperion Studio before the move to Burbank in 1939. They originally had decal labels which are most often removed as families and aged recipients, as did not want it know they had sold the statue. Most experts agree, these date to a dinner in 1973. RR Auction COA.…(MB $300)

These statues were distributed at a special ceremony sometime in the early-1970s to longtime studio employees who had been with the company continuously from the days when the studio was located on Hyperion Avenue in Hollywood. Award stands on a wooden base, measures approximately 9.5˝ tall, with a “WDP” copyright stamp on the back of the right foot. In fine condition. These awards on wooden bases were given after Walt died to honor those living survivors of the original Hyperion Studio before the move to Burbank in 1939. They originally had decal labels which are most often removed as families and aged recipients, did not want it known they had sold the statue. Most experts agree, these date to a dinner in 1973. RR Auction COA.…(MB $300)

June 26, 2014 | 73

Vivid concept art

for Disney’s classic Pirates of the Caribbean attraction

234. Pirates of the Caribbean.

Absolutely fabulous original concept art for Disney’s Pirates of the Caribbean attraction. The unsigned pen, ink, and watercolor artwork is on a 16 x 12 piece of artist’s board and features a pirate, with his cutlass raised, sitting atop of a bridge with his back to a barrel. In fine condition, with a single tack hole to each corner tip. A rare opportunity to obtain art for this classic Disney attraction, the last one personally supervised by Disney himself. RR Auction COA.…(MB $500)

235. The Little Mermaid. Original mixed media color concept sketch for Disney’s 1989 film The Little Mermaid. Pen, pencil, and felt tip sketch measures 11 x 8.5 and shows Ariel admiring her treasures in her secret grotto. Signed in the lower left corner by visual development artist Kelly Asbury, “K. Asbury,” and dated “86.” In fine condition, with small tack holes to each corner tip. RR Auction COA.…(MB $200)

236. The Little Mermaid. Three original

layout concept sketches for the 1989 Disney film The Little Mermaid. The ink, colored pencil, and felt tip sketches are done by development artist Kelly Asbury and range in size from, 11 x 8.5 up to 17 x 12.5, and each are initialed by Asbury. The smaller sketch is from the ‘Under the Sea’ sequence and features various underwater creatures, including an octopus; while the larger sketches show King Triton’s throne, with the various parts labeled, and a color image of a portion of his castle. In fine condition, with some mild toning to two sides of one of the sketches, and tack holes to corners of one sketch. RR Auction COA.…(MB $200)

74 | Disney & Animation

237. Little Mermaid. Original hand-painted Disney production cel of Ursula the Sea Witch from the 1989 Disney Film The Little Mermaid. Cel measures 14.55 x 11 and shows Ursula lounging in her leviathan home. Cel, which was originally released by the Disney Art Program, bears an original Walt Disney Company seal in the lower right and is set against a color laser printed background. Matted to an overall size of 20 x 16. In fine condition, with some old tape to edges of mat. RR Auction COA.…(MB $200)

Disney Tomorrowland

cast member coat 238. Disneyland.

Original official Disneyland cast memb er co at. Long-sleeve heavy blue coat, size medium, has its original Disneyland label sewn into the collar, and a very neat Tomorrowland patch on the left breast, with a place for the cast member’s name badge to be pinned above the patch. Coat dates from the late 1990s as the new Tomorrowland logo was introduced at the time of the opening of the re-vamped land in 1998. In fine condition. RR Auction COA.…(MB $200)

239. Disney World: Snow White. Colorful and large hand-painted mirror which originally hung in Cinderella’s Castle in Disney World in Orlando, Florida. Mirror measures 33 x 42, with a very nice hand-carved and painted wooden frame, with a crown at the top and two serpents along the sides. Painted on the protective plastic cover is “Walt Disney’s Snow White and the Seven Dwarfs,” which is reflected on the mirror’s surface. Reverse has two large hinged hooks. In fine condition, with expected light wear. RR Auction COA.…(MB $200)

June 26, 2014 | 75

Horro� & Suspens�

Scarce portrait of Strange as the Frankenstein monster

243. Frankenstein: Glenn Strange. Actor (1899–1973) who,

after appearing in a string of westerns, became better known as Frankenstein’s monster after Boris Karloff declined to continue in the role he had created. Strange portrayed the monster in three films, including House of Frankenstein and the cult horror/comedy classic Abbott and Costello Meet Frankenstein. Scarce and desirable glossy 8 x 10 photo of Glenn as the Frankenstein monster, signed and inscribed in black felt tip, “To a good friend ‘Joel’ Anyone for a human vulture? Good luck, Glenn.” In fine condition, with some small mounting remnants on reverse. Strange is uncommon in any form, particularly in images as the Monster. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

“I am taking a correspondence course in electronics and I may have bit off more than I can chew, however I find it interesting playing around with old televisions” 244. Frankenstein: Glenn Strange. ALS signed “Glenn,” one page, 6 x 9, February 12, 1963. Letter to an unidentified recipient. In part: “I hope I can do as well in the hobby I have decided to pursue. I am taking a correspondence course in electronics and I may have bit off more than I can chew, however I find it interesting playing around with old televisions. I am considerably behind on my work having very little spare time to study.” In fine condition, with some small mounting remnants to reverse corner tips. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

76 | Horror & Suspense

Rare portrait

of Colin Clive in his first big-screen role 245. Frankenstein: Colin Clive. British actor (1900–1937) who earned a place in film history for his performances as Dr. Henry Frankenstein in Frankenstein and Bride of Frankenstein. Severe alcoholism hastened his death from tuberculosis at the age of 37. Very scarce 3.25 x 5.25 postcard photo of the actor as he appeared in the 1930 film Journey’s End, signed in fountain pen. Scattered silvering, primarily to edges, and mounting remnants to reverse, otherwise fine condition. Clive reprised his role in the film after a successful run as the main character in the Savoy Theatre’s production, which was directed by James Whale. Clive represents one of the most sought-after and elusive additions to any vintage horror collection. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

246. B o r i s Karloff.

Magnificent original painting entitled ‘Karloff, Frankenstein, 1931,’ by artist Arthur K. Miller in 2008, acrylic on Masonite, 9.5 x 15.5, depicting a bust portrait of the iconic monster. Signed in the upper background, “M,” and signed on the reverse of the backing of the frame in gold ink, “‘Karloff, Frankenstein, 1931, Arthur K. Miller, 2008.” Framed to an overall size of 15 x 21. In very fine condition. An artist from York Beach, Maine, Miller’s acrylic paintings are collected internationally. They have graced the covers of many publications, and some were featured in a one-man show at the National Baseball Hall of Fame for more than five years. RR Auction COA.…(MB $200)

Karloff, as “William Henry Pratt,” makes arrangements to provide for his last wife and daughter

247. Boris Karloff. DS, signed “William Henry Pratt aka Boris Karloff,” two pages, 8.5 x 14, March 21, 1952. Penn Mutual Life Insurance beneficiary designation, in which Karloff appoints his wife Evelyn and daughter Sara Jane as his beneficiaries after his passing. Signed on the second page by Karloff, using his seldom-seen legal name, and also filling in the date and location, “Hollywood…California.” Document is also signed by his fifth (and final) wife Evelyn Pratt, as well as by a witness. In fine condition, with expected document wear and some scattered light soiling. Examples of Karloff’s legal name are quite scarce, even more so offered as part of a ‘double’ signature. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 77

Wonderful electrical-effect

Strickfaden sketch presented to sci-fi legend Forrest Ackerman 248. Bride of Frankenstein: Kenneth Strickfaden. Set designer and

electrical special effects creator (1896–1984) whose work appeared in more than 100 films and television shows including Frankenstein, The Wizard of Oz, and The Munsters. Signed book: The Bride of Frankenstein. London: Queensway Press, undated [circa 1936]. Hardcover with reproduction dust jacket, 5.5 x 7.75, 252 pages. Signed and inscribed on the rear pastedown to noted science fiction enthusiast Forrest Ackerman, “Forry, thanks for letting me shine with resplendence in your somber shadow, Ken,” adding a sketch of a person staring at a laboratory device emitting bolts of electricity. Autographic condition: fine. Book condition: G+/F (reproduction). Any signed sketch from Strickfaden is uncommon; the direct association to the renowned Ackerman elevates this book into the upper echelon of horror and science fiction collectibles. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

The ‘Man of a Thousand Faces’

and others entertain at their studio 249. Lon Chaney and MGM Stars. Vintage sepia matte-finish 10 x 8 photo taken at the Metro-Goldwyn-Mayer convention luncheon for its distributors on May 19, 1927, signed in fountain pen by 16 MGM stars and employees. Signers include: Lon Chaney, Conrad Nagel, Dolores Del Rio, Edward Connelly, Cecil Holland (head of the make-up department), Norma Shearer, Aileen Pringle, Lew Cody, Claire Windsor, Billy Haines, Dorothy Sebastian, Reginald Barker, Karl Dane, Louise Lorraine, and two others. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

78 | Horror & Suspense

Oversized sketch of Uncle Fester, humorously sent as a self-portrait of the artist

250. The Addams Family: Charles Addams. Original vintage signed ink,

pencil, and watercolor sketch of Uncle Fester and his dog looking in a mirror, with Fester appearing invisible in his reflection, on an off-white 11.25 x 14 sheet. Signed and inscribed in black ink, “Dear Mr. Wiggins, here is a sort of self-portrait. Sincerely, Chas Addams, New York, 1957.” In fine condition, with light intersecting folds and a few small edge creases. An uncommon and exceptionally large image of one of Addams’s most recognizable and beloved characters. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Signed in the

year of Dracula’s Daughter 251. Gloria Holden. Actress (1903–1991) best remembered for her exotic depiction of the title role in the 1936 film Dracula’s Daughter. Vintage matte-finish 10.75 x 13.75 Universal Pictures publicity photo, signed and inscribed in white ink, “For dear sweet ‘Tommy’ Gloria Holden 1936.” Scattered creases to corners, some lightly affecting date under signature, and some scattered edge wear, otherwise fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

“Da-da-da-dum. Snap. Snap” 252. The Addams Family: Vic Mizzy. Longtime Hollywood composer (1916-2009)

whose best-known works are the themes to the 1960s television sitcoms Green Acres and The Addams Family. AMQS on an off-white 8.5 x 11 musically-bordered sheet. Mizzy pens three bars of music, adding the “snaps” and “da da dums.” Signed along the top, “The Addams Family Theme by Vic Mizzy.” Matted and framed to an overall size of 14.5 x 17. In very fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 79

Vintag� Costum� Desig�

Academy Award-winning

costume designs from Sabrina 254. Edith Head. Two original unsigned ink, pencil, and watercolor costume sketches for the 1954 film Sabrina, on individual off-white sheets. First sketch measures 10.5 x 17 and is of Martha Hyer, notated in pencil by Head, “#3 option? Elizabeth, Martha Hyer Test,” with another pencil notation in another hand along the bottom. Second sketch measures 13 x 17, and is also notated in pencil by Head, “Ms. McCardle Ellen Corby test #2 in Linus’ office int. sc. 39,” adding a rough pencil image of a jacket to the completed work. In fine condition, with expected light rippling and creasing. RR Auction COA.…(MB $200)

255. Edith Head. Two original ink, pencil, and watercolor costume sketches, presumably of Grace Kelly, including one color, on individual off-white sheets. Color sketch is signed and notated in pencil, “color ok, Edith Head,“ with the second signed in pencil by Head with multiple notations from the designer around the image. In fine condition, with expected light creases and handling wear. Head and Kelly collaborated on four films, including Rear Window and To Catch a Thief. RR Auction COA.…(MB $200)

Fantastic Beaton costume design

for Streisand, including the fabric proposed 256. Cecil Beaton. Original pencil and watercolor costume design sketch for Barbra Strei-

sand’s 1970 film On a Clear Day You Can See Forever, on a 10.75 x 14.5 sheet, signed in the lower right in watercolor, “Beaton.” The full-length sketch shows the character in a flowing orange gown with a delicate paisley pattern and wearing a feathery hairpiece. Pinned to the upper left are two swatches of fabric matching the colors in the artwork, one a metallic gold and the other a golden orange. In fine condition. Beaton designed the period costumes for the film, which starred Streisand and Yves Montand, and it proved to be the final project of his illustrious career. This is the very first piece of actual costume artwork by Beaton that we have offered, enhanced by the inclusion of the fabric he envisioned as the material for the final product. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

80 | Vintage Costume Design

Vintag� Costume� & Prop�

262. The Bachelor and the Bobby Soxer: Shirley Temple. Screen-worn outfit worn by Temple

in the 1947 film The Bachelor and the Bobby Soxer. Outfit consists of a short-sleeve silk top, with a red and white heart sewn on to the left breast. Top features a snap and hookand-eye close-up front and a small RKO costume label sewn into the inside, with “SD-6-1389, S. Temple” written on the label in black ink; and matching pair of shorts, with several sewn on hearts and fringed cuffs. This top can be seen in promotional photos for the film and is featured on the front cover of the VHS box. Accompanied by a copy of the VHS (with box), and a printed photo of the box’s cover image. Scattered soiling, otherwise fine condition. Provenance: Butterfield and Butterfield. RR Auction COA.…(MB $200)

263. Honeymoon: Shirley Temple. Screen-

worn dress worn by Temple in the 1947 film The Honeymoon. Green wool sleeveless dress features a scoop neck, and a six-button front. Inside bears a small RKO costumer’s label sewn inside with “SD-6-1313, S. Temple,” written on the label in black ink, as well as a Western Costume Company stamp. Accompanied by a photo of Temple in the dress. In fine condition. Provenance: Butterfield and Butterfield. RR Auction COA.… (MB $200)

June 26, 2014 | 81

264. In Old California: John Wayne. Screenworn vest worn by Wayne in the 1942 film In Old California. Beige vest features a four-button front, with buttons having a raised bird and crown, and a Western Costume Company label sewn into the lining, with Wayne’s name written on the second line, and his chest size on the following line. Lining also bears a Western Costume stamp, with a manila tag attached to the outside of the vest. In fine condition, with some toning and fraying to lining, as well as a sewn-in repair to the back near the collar. At some point after use, the vest was shortened from the bottom. RR Auction COA.…(MB $200)

265. Drums Along the Mohawk: John Carradine. Screen-worn vest worn by

Carradine in the role of Caldwell in the 1939 film Drums Along the Mohawk. Rust-colored brocade vest features a seven-button front, and a United Costumers label sewn into the lining with “761 John Carradine” typed on the first two lines. Lining also bears a Warner Bros. Wardrobe stamp and a manila tag is attached to the outside of the vest. In fine condition, with small tear and area of material loss to lining near collar. RR Auction COA.…(MB $200)

266. Drums Along the Mohawk: Henry Fonda. Screen-worn pants worn

by Fonda in the role of Gilbert Martin in the 1939 film Drums Along the Mohawk. Gray wool breeches have a United Costumers label sewn into the waist lining with “747-B Henry Fonda” typed on the first two lines. A manila tag has been attached to the outside of the pants as well. Some soiling and dampstaining to lining, some scattered light fading to material, and a small hole to back, otherwise fine condition. RR Auction COA.…(MB $200)

82 | Vintage Costumes & Props

267. Road to Morocco: Anthony Quinn. Impres-

sive and ornate cloak worn by Quinn as Mullay Kasim in the 1942 film Road to Morocco. Full-length cloak is highlighted around the collar, hood, and edges in black and gold, with a couple of tassels to bottom hem. Inside of the lining bears a United Costumers label and stamp, with Quinn’s name written on the second line, and production number “797B,” on the first line, and “Double,” written on the last line. In very good condition, with some tears and separations along upper portion of lining and some scattered soiling and small stains. RR Auction COA.…(MB $200)

268. Young Lions: Barbara Rush. Rush’s screen-

worn skirt suit from the 1958 film The Young Lions, starring Marlon Brando, Montgomery Clift, and Dean Martin. Dark brown suit consists of a singlebreasted jacket with upturned cuffs, button trim on the back, and a single hook-and-eye closure. With matching brown skirt. Jacket sleeve bears a 20th Century Fox label with “Barbara Rush” and “A 798” handwritten. “798” was the Fox production number for the film. Worn in the scene where Dean Martin has a drink with her at a bar. In fine condition. Previously sold at ‘Star Wares’ in L.A., the interior of the jacket still bears a hanging tag from the store. RR Auction COA.…(MB $200)

June 26, 2014 | 83

269. Jimmy Durante. A vest worn by Durante in an unknown 1940s production. Beige vest with red dots features a five-button front, four pockets, and a Western Costume Company tag sewn into the lining, with “J. Durante,” written on the second line, and a production number written on the first line. Lining also bears a Western Costume stamp. In fine condition. Considering the production is unknown, the vest may have been worn in a live TV appearance. RR Auction COA.…(MB $200)

Tie from Dean’s screen test for East of Eden 270. East of Eden: James Dean. Dean’s

worn tie from his screen test for East of Eden. Multi-colored tie has a studio label sewn onto the reverse, with “Jim Dean,” written on the second line, dated “5/24/54,” on the first line along with “Prod. 810.” Accompanied by a letter of authenticity from David Loehr, curator of the James Dean Memorial Gallery, which reads, in part: “James Dean’s tie from ‘East of Eden.’ Tie worn by the actor in wardrobe tests for the movie, but not in the movie.” This tie was worn in a test of Dean and Dick Davalos, with the slate indicating the set being “Kates Office; Scene 142,” where Cal takes Aron to see ‘his mother’ which happens the night of the birthday party. In fine condition, with two small stains near the bottom. Dean was suggested to director Elia Kazan by screenwriter Paul Osborn. Although John Steinbeck did not personally care for Dean, he thought he was perfect for the part. Any item of clothing related to any Dean film is quite uncommon and highly desirable, particularly one associated with his first starring role. RR Auction COA.…(MB $300)

84 | Vintage Costumes & Props

271. Jezebel: George Brent. Screen-worn tie worn by George Brent as Buck Cantrell in the 1938 film Jezebel. Period green neck tie with gold diamond pattern has a Warner Bros. Pictures Inc. costume label sewn to the inside with Brent’s name written on the first line, and “10/29/37 Prod 191,” written on the second line. In fine condition, with some scattered fading to material. RR Auction COA.…(MB $200)

Very rare Maltese Falcon prop prototype,

the only one available for public sale 272. The Maltese Falcon. Extremely limited edition replica prop of the Maltese

Falcon, produced by Icons Authentic Replicas in 1997. This prototype, one of only 2, was produced for submittal to Warner Bros. Studios for the acquisition of the license for this replica. The heavy composite black falcon stands approximately 12˝ high and was made through a reverse engineering process from the study of original photos of the screen-used ‘hero’ falcon used in the film. In fine condition. Accompanied by both a letter and certificate of authenticity from Icons CEO James Latta. One of only two produced, with the second example permanently housed at the Warner Bros. Studios in Burbank, California. RR Auction COA.…(MB $200)

June 26, 2014 | 85

Award� & Persona� Effect� Swanky sports coat from

‘The King of Cool’

McQueen trying on a jacket at Carroll & Co

276. Steve McQueen. One of McQueen’s personally-owned and -worn jackets. Single-breasted tan corduroy jacket features a two wooden-button front, wide notch lapels, two hip pockets with flaps, and a vented back. Inside is lined in an orange paisley with a Carroll and Company label sewn on to the inside pocket. In fine condition, with one front button missing and some light fading to front of jacket. Accompanied by a certificate of authenticity from his son, Chad McQueen. Personally-owned clothing from McQueen is quite uncommon, with this jacket nicely exuding the actor’s persona. RR Auction COA.…(MB $200)

277. Cecil B. DeMille.

One of DeMille’s personallyowned and -worn dress shirts. Formal long sleeve shirt is monogrammed on the lower left sleeve, “CBdeM.“ The collarless shirt has a button-up back and a Machin Shirt Maker label sewn into the inside, with “C. B. de M.,” sewn into the label. In fine condition. RR Auction COA.…(MB $200)

86 | Awards & Personal Effects

One of Dean’s favorite sweaters, borrowed from Jerry’s Tavern in New York, while appearing in The Immoralist, his final stage role

278. James Dean. Dean’s

personallyowned and -worn s w e a t e r. R e d heavy knit crew neck sweater has a Sporthaus Witting Innsbruck label sewn into the collar. Accompanied by a letter of authenticity from David Loehr, curator of the James Dean pictured here Dean Memorial in a similar sweater Gallery which reads, in part: “This…sweater was worn by the screen legend while a struggling actor in New York. He had borrowed it one night from a tavern owner a few months earlier, and inadvertently left it at the home of actor and acquaintance John Gilmore during a visit in February 1954. At the time, Dean was performing in The Immoralist and testing for East of Eden. Earlier, in November 1953, Dean had worn the sweater to rehearsals for an episode of the television anthology series Armstrong Circle Theatre, where he used it to cause trouble by keeping it bunched over his lower face while delivering his lines, much to director James Sheldon’s consternation.” Also included is a two-page letter of provenance from John Gilmore, which reads, in part: “Jimmy left the sweater at my apartment…in February, 1954. He was doing the play, The Immoralist, with Geraldine Page. He was also testing for East of Eden at Warner’s New York offices. This was a secret he swore to keep, with Kazan; not an entirely awkward task for Jimmy, since ‘secret-keeping’ was a favorite occupation with him. He wore a sweatshirt, with a maroon sweater slung over his shoulders, the arms tied at his neck…He was very tense, excited, and kept jiggling his feet during that visit, no doubt very agitated to do with his secret. He removed the sweater from his shoulders, but failed to take it with him when he left…Skip Lowe, a singer and mutual acquaintance…recalls the sweater had been ‘loaned’ to Jimmy by Jerry of Jerry’s Tavern in October 1953. Jimmy had been in the tavern wearing a tee-shirt, and according to Skip, ‘it was [expletive] freezing.’ Skip recalls that the read sweater had a ‘European’ label which Jimmy was more impressed with.”In fine condition. At this time in his career, Dean was appearing on Broadway in The Immoralist, starring Louis Jourdan and Geraldine Page. He was cast as Bachir, the Arab houseboy, and garnered favorable reviews from all of the area newspapers for his portrayal. Even though Dean left the production after two weeks, the role brought him to the attention of Elia Kazan, who had begun casting for East of Eden, Dean’s first major film role. RR Auction COA.…(MB $500)

June 26, 2014 | 87

Prestigious Walk of Fame plaque from the famed Variety columnist’s estate

279. Army Archerd. Archerd’s Hollywood Walk of Fame award. Attractive award features a hand-painted 8 x 8 tile representing Archerd’s star, signed in the lower right corner by the artist Carmine Goglia, and an engraved plaque which reads: “Hollywood Walk of Fame presented to Army Archerd on the occasion of the placement of your star in the Hollywood Walk of Fame, June 27, 1984,” and bearing the engraved signature of Johnny Grant. Framed to an overall size of 10.5 x 16.5, with the original Gift of Fame Enterprises label affixed to the reverse. Accompanied by a letter of provenance from Archerd’s wife stating this award comes from the collection of her late husband. In very fine condition. Goglia and his company have been designing and making these star presentations for the celebrities at their induction ceremonies since 1983. A rare offering originally obtained from Archerd’s estate. RR Auction COA.…(MB $500)

Archerd’s own People’s Choice Award 280. Army Archerd. Archerd’s People’s Choice Award. Beautifully hand-crafted crystal award stands 13˝ tall and is engraved on the base “The People’s Choice Award, Army Archerd from Proctor and Gamble.” This award was most likely presented to Archerd from the show’s longtime sponsor for his years of hosting and producing the popular award show. In fine condition. Accompanied by a letter of provenance from Archerd’s wife stating this award comes from the collection of her late husband. This award was originally purchased from Archerd’s estate. RR Auction COA.…(MB $200)

88 | Awards & Personal Effects

Rare Best Picture nomination

on behalf of For Whom the Bell Tolls 281. For Whom the Bell Tolls. Scarce original 1943 Academy of Motion Picture Arts and Sciences Certificate of Nomination, 10 x 11.5, presented to Paramount Pictures, Inc., “for Outstanding Achievement: Production of ‘For Whom The Bell Tolls,’” with the studio’s name and film title in hand calligraphy. Signed at the bottom by the Academy’s president Walter Wagner and secretary. In fine condition, with a couple of trivial edge tears. The gold foil seal is crisp and intact and retains its red and blue ribbons. The film, starring Gary Cooper and Ingrid Bergman, would receive a total of nine nominations, including Best Actress, Best Actor, and Best Music, with Katrina Paxinou winning for Best Supporting Actress. Paramount would loose out on this nomination, with the award going to Casablanca. A scarce opportunity to acquire a prestigious nomination for such a well-known film. RR Auction COA.…(MB $200)

282. Love Affair. Original

1940 Academy of Motion Picture Arts and Sciences Certificate of Nomination, 10 x 11.5, presented to Buddy DeSylva “for Outstanding Achievement: Song ‘Wishing’ for ‘Love Affair,’” with the nominee’s name, song and film title in hand calligraphy. Signed at the bottom by the Academy’s president Walter Wagner and secretary. In fine condition, with a couple of edge tears and some light creases. The gold foil seal is crisp and intact. Two years later, DeSylva, along with Glenn Wallichs and Johnny Mercer, would go on to found Capitol Records. Buddy DeSylva—who at the time of these awards was head of Paramount Studios—went on to win an Academy Award for Best Picture in 1944 for Going My Way. RR Auction COA.…(MB $200)

283. For Whom the Bell Tolls.

Original Box Office Blue Ribbon award, dated May 1944, paper with gold lettering and two blue ribbons mounted on an 8.5 x 11.5 gold board, presented to B. G. De Sylva “Executive Producer ‘For Whom The Bell Tolls.’” Some light toning to paper from adhesive on reverse, otherwise fine condition. Buddy de Sylva—who at the time of these awards was head of Paramount Studios—went on to win an Academy Award for Best Picture in 1944 for Going My Way. RR Auction COA.…(MB $200)

June 26, 2014 | 89

284. So Proudly We Hail. Original Box Office Blue Ribbon

award, dated September 1943, paper with gold lettering and two blue ribbons mounted on an 8.5 x 11.5 gold board, presented to Paramount Pictures, Inc., “B. G. DeSylva Producer ‘So Proudly We Hail.’” Some scattered light soiling to board, otherwise fine condition. RR Auction COA.…(MB $200)

286. Clark Gable. DS signed by Jean Pierre Hebert, one page, 11.25 x 8.75, January 17, 1957. A “Temporary ‘Coon-Ass’ Certificate” issued to to “certify that Clark Gable has rolled up his trousers and waded across the ‘Bayous Of Louisiana.’ This certificate entitles the owner to enjoy the privileges and blessings of our picturesque and wonderful state.” Stickers of the letter A and a small bear have been affixed at the conclusion of the document. Presented in a period frame to an overall size of 12 x 9.5. In fine condition. Previously sold at Christie’s in 2007. RR Auction COA.…(MB $200)

“Stolen from John Wayne” engraved lighter presented to a former employee

285. John Wayne.

TLS, one page, 6 x 8.25, personal letterhead, December 27, 1977. Brief letter to Susan McCain at WXIA-TV in Atlanta, typed by Wayne’s last secretary (and lover) Pat Stacy. In full: “Mission accomplished. Thank you for the compliment.” Accompanied by the original mailing envelope; and a silver Zippo lighter, engraved on one side, “The Shootist,” and “Stolen from John Wayne,” on the other side. Wayne had a habit of providing these lighters to colleagues and friends on the sets of many of his motion pictures. When McCain was employed by Wayne, a lighter of hers was taken and never returned. She wrote to Wayne and received the lighter and letter offered here. In fine condition. RR Auction COA.…(MB $200)

90 | Awards & Personal Effects

Impressive collection from lamour’s estate,

including signed playbills, correspondence to and from Bob Hope, Road to Hong Kong negotiations, and plans for a Hope tribute 287. Dorothy Lamour. Large collection originally obtained directly from Lamour’s estate, consisting of signed and unsigned items, including playbill, programs, correspondence to Lamour, photos, telegrams, sheet music and much more. Among the included items are: 47 signed playbill and programs, almost all from performances of Hello, Dolly; two steel engravings for advertisements for the Milwaukee, Wisconsin engagements of Hello, Dolly; a collection of 10 albums (including several sleeved collections), five of which are signed on the front by Lamour; a draft ALS signed “D. L.,” to Bob Hope, ending regrets that she is unable to attend an award ceremony for Hope, but adds “I will see that your garbage cans are out for Monday morning pickup. Your neighbor and greatest admirer.” A large collection of draft letters, itineraries, guest lists, a program, reservation cards, stationery, and other papers related to an evening dedicated to Bob Hope entitled, “Thanks for the memories,” sponsored by the Los Angeles Junior Chamber of Commerce to benefit the USO, held in 1971. Items relating to the event include several pages of handwritten notes by Lamour, including guests to invite through calls or letters, including Frank Sinatra, Bing Crosby, Lana Turner, Glenn Ford, and Phyllis Diller, as well as people who have accepted or declined invitations. Among those accepting are Irving Berlin, George Burns, Bing Crosby, Jimmy Durante, and astronaut Frank Borman, with Joan Collins being the only decline so far; a small folder labeled “Road to Hong Kong, London ‘Hong Kong File,’” with several carbons, draft letters, and telegrams inside, including a copy of a telegram from Lamour declining a role in the film; a photo of Lamour and Bob Hope during a telethon, signed and inscribed by Hope; a one-page TLS from Hope to Lamour; two candid photos of Lamour, one with Robert Preston and Alan Ladd, and the other of Lamour and Ladd presenting a card to their director; two scripts for a program entitled “The Arthur Murray Party for Bob Hope,” one signed on the cover by Lamour; unsigned production and promotional photos; a small bracelet with a rectangular charm engraved “To Dottie for your ‘Place in the Sun’”; various magazine and newspaper articles, an envelope labeled “Typewritten lyrics to night club act songs,” with pages of typed lyrics, and several pages of notes, including two pages in Lamour’s hand; and Lamour’s script for a tribute to Stephen Sondheim. In overall very good condition. An impressive collection which spans over two decades, highlighting the actress’s career and private life. Provenance: Sotheby’s, New York. RR Auction COA.…(MB $200)

Almost three dozen of Lamour’s scripts 288. Dorothy Lamour. Collection of 33 of Lamour’s personal scripts and revision pages from

various films, shows, and plays, all originally obtained from Lamour’s estate. Titles include: Hello Dolly, Duffy’s Tavern, Can-Can, Roger the Sixth, Wonderful Town, Follies, Herman Place, South Pacific, 13 Daughters, Anything Goes, Without Consent, Lulu Belle, Funny Girl and her one woman show, with several duplicates included. Also included are several unsigned photos of Lamour recuperating from a broken leg during Roger the Sixth; unsigned production and candid photos from Fallen Angels and Du Barry was a Lady; song books; and various programs and promotional material. In overall very good condition. Provenance: Sotheby’s, New York. Additional information regarding Lamour’s personal acting notes can be found online at www.RRAuction.com. RR Auction COA.…(MB $200)

June 26, 2014 | 91

Classi� Televisio� 292. Dallas: Larry Hagman and Patrick Duffy.

Two shirts worn during the production of the classic television series Dallas. First shirt was worn by Larry Hagman, and is a light blue long-sleeve dress shirt, with a Zohrale de Paris, Sunset Strip, California, maker’s label sewn into the collar, with a small label sewn underneath which reads, “LH, Nov. 1989.” Second shirt was worn by Patrick Duffy, and is a red and white striped dress shirt, also by Zohrale, with a similar label sewn into the collar which reads, “PD, Sept. 1989.” The original manila costumer’s tag is affixed to one the shirt’s buttons. In fine condition. Accompanied by two original TV Guide covers for the show. RR Auction COA.…(MB $200)

294. The Lone Ranger: Jay Silverheels.

Nice 8 x 10 paperstock full-length photo of Silverheels as Tonto, signed and inscribed in blue ballpoint, “To the children of one of the greatest guys I know ‘Eddie,’ Sincerely, Jay Silverheels, Tonto,” adding a symbolic version of his name underneath. In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

293. Laugh In. An unusual Flying Fickle Finger of Fate award.

Cast base metal ‘finger-with-wings’ statuette, dates from circa 1968, is painted gold and mounted to a wooden base, measures 9.5˝ tall, with a small presentation plaque on the front. Bottom of base is stamped “George Schlatter and Ed Friendly promotions and Romart, 1969, Invento Products.” In fine condition, with some scattered light surface wear to plaque. This weekly satirical award was presented by comedians Dan Rowan and Dick Martin on Laugh In for the craziest news item of the week. These particular awards were sold in stores at the same time the show ran on television and have become quite collectible. RR Auction COA.…(MB $200)

92 | Classic Television

295. I Love Lucy: William Frawley.

American actor (1887– 1966) best known for his role as landlord Fred Mertz in I Love Lucy. Fountain pen signature and inscription, “Best to Monty, Wm. Frawley,” on an off-white 5.75 x 4.5 album page. In fine condition. Accompanied by an unsigned I Love Lucy cast photo. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Incredible archive of production material for the unaired Patty Duke pilot 296. Patty Duke Show. Extraordinary archive of material related to the unaired pilot of the Patty Duke Show, including a script, contracts, and production documents and notes. First is the brad-bound pilot script, written by Sidney Sheldon, 45 pages, dated November 8, 1962, on the front cover (nearly one year before the first episode was aired, on September 18, 1963). Included are three production folders, including an especially interesting one full of 63 employment documents for many of those associated with the production, comprised of both originals and carbon copies, including actors, writers, and a wide array of crew members, including a makeup artist, prop master, camera man, editor, bus driver, and dog trainer; original signed documents by actresses appearing in the pilot include Patty Duke, Phyllis Coates, Geraldine Wall, Mary Scott, and Eva Nord. An additional folder is labeled “Shooting Schedules,” and contains packets of notes for five days of shooting, one packet of notes on stock footage required, a pretend shooting schedule, and six casting headshots, presumably for the ‘stunt double’ who played the back of Patty’s head in scenes where both of Duke’s characters, Patty and Cathy Lane, appeared in the same scene; in the eventual show Rita Walter played this part. The third folder is labeled “Production Reports,” and contains 47 pages of extremely detailed reports about shooting times, sets, and anything unusual that occurred. Additionally included are numerous pages of handwritten notes on wardrobe for each scene, likely for continuity purposes. In overall fine condition. The Patty Duke show was picked up by ABC and ran from September 1963 through April 1966 and was very well received during its entire run—even though it was still popular in 1966, the show was cancelled over a dispute about the expenses of switching from black-and-white to color. A fantastic archive and true piece of classic television history, luckily surviving intact and together for so many decades. RR Auction COA.…(MB $200)

June 26, 2014 | 93

Vintag� Photo�, Poster�, & Artwork

Stunning original Bill Mack portrait

on a 90-year-old piece of The Hollywood sign 300. Jean Harlow. Fabulous one-of-a-kind original painting of Jean Harlow by renowned artist and collector Bill Mack, mixed media, acrylic, oil, and urethane, painted on a 24 x 30 piece of authentic metal from the original ‘Hollywoodland’ sign that stood in the Hollywood Hills from 1923 to 1978, during the glamorous ‘Golden Age’ of cinema. The captivating image shows the actress in a white gown looking skyward, with “Hollywood” painted down the left edge to evoke the legendary sign. Unique in itself, the metal piece retains all of its original character, wear, and weathering, as well as the original holes designed to allow wind to pass through. The metal panel is mounted on a rigid backing material and the original holes in the metal are re-bored through the backing. When completed, the painting was aged with an oil base toner, and preserved with a clear urethane. Attractively framed to an overall size of 37 x 43. In fine condition, with aforementioned expected age wear and weathering. The original ‘Hollywoodland’ sign was built in 1923, intended as a temporary advertisement for a nearby residential neighborhood. This was just as Hollywood was emerging as the entertainment capital of the world, and the sign became an iconic symbol of the glamorous motion picture industry. The sign’s prominence and historical significance led the Los Angeles Cultural Heritage Board to designate it as a landmark in 1973, but throughout the decade it deteriorated badly—by 1978, the third ‘O’ had collapsed and the sign was deemed beyond repair. A ‘Save the Sign’ campaign was launched, and with the help of the likes of Hugh Hefner, Gene Autry, Andy Williams, and Alice Cooper, over $250,000 was raised to construct a replacement; the brand-new sign was unveiled in November 1978, and the material from the original sign was locked up in storage, not to see the light of day for three decades. In 2007, Bill Mack purchased the material, realizing it could be incorporated into his artwork to create unique pieces that truly bring Hollywood’s golden age to life. Though internationally known for his pioneering relief sculptures, Mack turned to paint for these works, using the unique surface as his canvas for classic Hollywood images. What is most remarkable is the symbiosis of media—the original Hollywood sign material is preserved to fully retain its worn and weathered character, giving each painting a historical sense of time and place with a heartbeat of its own. At the same time, the painted image breathes life into the material, providing an immediate specificity to all that the Hollywood sign has come to represent. In this combination, this work successfully lives up to the goal Mack set forth after acquiring the sign: ‘The Hollywood Sign is among the most famous structures in the world, and I will give the world a whole new way to look at it.’ RR Auction COA.…(MB $5000)

94 | Vintage Photos, Posters, and Artwork

301. Bette Davis.

Stunning oversized original painting entitled ‘Young Betty Davis,’ by artist Arthur K. Miller in 2010, acrylic on Masonite, 14.5 x 32.5, depicting a full-length image of a young Davis in a long white gown, her hands on her hips, and staring ahead intently. Signed in the upper background, “Miller.” Framed to an overall size of 20.5 x 38.5. In very fine condition. Oversized. RR Auction COA.…(MB $200)

302. James Cagney. Handsome and very detailed original painting entitled ‘James Cagney,’ by artist Arthur K. Miller in 2009, acrylic on Masonite, 11.5 x 17.75, depicting a half-length image of Cagney in a suit and tie. Signed in the upper background, “M,” and signed on the reverse of the backing of the frame in gold ink, “‘James Cagney’ 2009, Arthur K. Miller.” Framed to an overall size of 14.75 x 21. In very fine condition. RR Auction COA.…(MB $200)

304. Titanic: Barbara Stanwyck

305. Titanic: Clifton Webb

306. James Cagney: Julius Kroll

307. Dean Martin: Julius Kroll

308. Charles Laughton: Julius Kroll

309. Elvis Presley: Julius Kroll

MB $200

303. Groucho Marx. Original paint-

ing entitled ‘Groucho Marx’ by artist Arthur K. Miller in 2010, acrylic on Masonite, 10.75 x 10.75, depicting Groucho, a cigar clenched in his mouth, looking over his shoulder. Signed in the upper background, “M,” and signed on the reverse of the backing of the frame in gold ink, “‘Groucho Marx’ 2010 Arthur K. Miller.” Framed to an overall size of 13 x 13. In very fine condition. RR Auction COA.… (MB $200)

MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 June 26, 2014 | 95

310. Frank Sinatra: Julius Kroll MB $200

311. Ed Wynn: Julius Kroll MB $200

Extremely rare and remarkably well-preserved original Breakfast at Tiffany’s one-sheet 312. Breakfast at Tiffany’s MB $300

313. Rebel Without a Cause MB $200

317. Sky Murder MB $200

314. The Gold Rush MB $200

315. Girls in Prison MB $200

316. The Man Who Knew Too Much: Alfred Hitchcock MB $200

318. Tank Commandos MB $200

319. Elvis Presley: Viva Las Vegas MB $200

320. Elvis Presley: Love Me Tender MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 96 | Vintage Photos, Posters, and Artwork

321. Elvis Presley: Loving You MB $200

322. Muhammad Ali and Sonny Liston

323. Three Stooges in Orbit

MB $200

324. James Stewart, Martin and Lewis, and Jean Simmons MB $200

Unique glass negatives of the ‘Little Tramp’

Images shown are produced from the negatives.

325. Charlie Chaplin MB $200

Scarce glass negatives from two of Chaplin’s 1914 films

Images shown are produced from the negatives.

326. Charlie Chaplin MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 June 26, 2014 | 97

Original glass negatives of comic legends Conklin and ‘Fatty’

328. James Dean MB $200

329. James Dean MB $200

Images shown are produced from the negatives.

327. Roscoe ‘Fatty’ Arbuckle and Chester Conklin MB $200

330. Greta Garbo: Bull

MB $200

331. Gone With the Wind: Vivien Leigh Bull

MB $200

332. Leatrice Joy BAll

MB $200

333. Grace Kelly MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 98 | Vintage Photos, Posters, and Artwork

334. Groucho Marx HALSMAN MB $200

335. Dorothy Sebastian Bull

336. Elizabeth Taylor MB $200

337. Elizabeth Taylor MB $200

MB $200

Gargantuan gelatin silver print from Giant 339. Elizabeth Taylor

338. Elizabeth Taylor

MB $200

HALSMAN MB $200

340. Creature from the Black Lagoon MB $200

341. Spinout: Elvis Presley MB $200

342. D. W. Griffithâ&#x20AC;&#x2122;s Hearts of the World MB $100

343. Fortune Co. Prop Department Sign MB $200

Detailed description & condition statements are available at www.RRAuction.com or (800) 937-3880 June 26, 2014 | 99

Sta� Tre�

Screen-used Klingon rifle

347. Star Trek III: The Search for Spock.

A Klingon disruptor rifle used on-screen in the 1984 film Star Trek III: The Search for Spock. The cast resin rifle measures 26˝ long, and is painted maroon, with a metallic gray barrel, and ergonomically-shaped grip and shoulder stock. Accompanied by a certificate of authenticity from the Prop Store which states this “Klingon Disruptor Rifle has been inspected and is guaranteed to have been used in the production of Star Trek III: The Search for Spock.” In fine, intentionally distressed condition. An intimidating weapon, synonymous with the battle-hungry Klingons and a very rare opportunity to own one. RR Auction COA.…(MB $300)

100 | Star Trek

Highly-protected outline

for the third Star Trek film tentatively titled Return to Genesis

348. Star Trek III: The Search for Spock.

Original story outline for the Star Trek film entitled “Return to Genesis,” which would later be renamed The Search for Spock, 8.5 x 11, 20 pages, written by Harve Bennett, dated on the first page, September 16, 1982. In fine condition. The third feature film was greenlit just one day after the release of The Wrath of Khan, and directed by Leonard Nimoy, who was eager to resurrect Spock. Security around the filming was extremely tight, as even the final scripts were chemically treated so copies could be traced back to the originals. RR Auction COA.…(MB $200)

Original story outline for Bread and Circuses,

originally owned by special effects legend Linwood Dunn

349. Star Trek: Bread and Circuses.

RAcademy Award-winning pioneer of visual special effects in motion pictures (1904–1998). Among his many credits are King Kong, Citizen Kane, and Star Trek. Rare original story outline for the Star Trek Season Two episode entitled “Bread and Circuses,” belonging to Linwood Dunn, 8.5 x 11, nine pages, written by John Kneubuhl, and headed at the bottom of the cover page, “Story Outline, March 17, 1967.” Dunn’s name is written at the top of the cover page, with a green received stamp at the bottom dated April 24, 1967. Outline includes the gladiator dual between Kirk and Spock, with Kirk attempting to convince his science officer to best him in combat to save the other crew members. In fine condition. RR Auction COA.…(MB $200)

June 26, 2014 | 101

original story outline for the backwards Mirror, Mirror episode

350. Star Trek: Mirror Mirror.

Rare original story outline for the Star Trek Season Two episode entitled “Mirror, Mirror,” belonging to Linwood Dunn, 8.5 x 11, 14 pages, written by Jerome Bixby, and headed at the bottom of the cover page, “Story Outline, April 1, 1967.” Dunn’s name is written at the top of the cover page, “Lin Dunn c/0 Editorial,” with a green received stamp at the bottom dated April 24, 1967. In this episode, a transporter malfunction places Kirk, McCoy, Scotty, and Uhura in a parallel universe, where violence and murder run rampant. In fine condition. This would be the third revision to the story, with filming commencing on July 25. This episode, the first to introduce the ‘mirror universe’ would be nominated for a 1968 Hugo award for Best Dramatic Presentation. RR Auction COA.…(MB $200)

The Changeling, as the crew encounters Nomad

351. S t a r Tre k : T h e Changeling. Rare original story

outline for the Star Trek Season Two episode entitled “The Changeling,” belonging to Linwood Dunn, 8.5 x 11, 30 pages, written by John Meredyth Lucas, and headed at the bottom of the cover page, “Story Outline, March 15, 1967.” Dunn’s name is written at the top of the cover page, with a green received stamp at the bottom dated April 24, 1967. In fine condition. This story contains similarities that would be seen again in the 1979 full-length motion picture. A lengthy and very detailed outline from one of the few episodes that takes place entirely on board the Enterprise. RR Auction COA.…(MB $200)

102 | Star Trek

Script and shooting revisions for the classic Menagerie episode

352. Star Trek: The Menagerie.

Linwood Dunn’s original 34 pages of revision to the classic Star Trek Season One two-part episode titled “The Menagerie,” 8.5 x 11, bound with a single staple to top left corner. Handwritten note in the top right corner of the first page reads: “grey cover copy #10, replaced by revisions dated 10/10/66.” Revisions include dialog changes, camera angles, and set blocking. Characters’ dialog in these pages include Kirk, Spock, McCoy, Sulu, and also mentions Captain Pike. In fine condition, with some light handling wear and last page detached. The Menagerie was an important episode in the show’s production. The intricate special effects were delaying the delivery of the weekly episodes to NBC for airing, sometimes arriving only 72 hours before broadcast. Incorporating the unused pilot The Cage, Roddenberry and his staff were able to create a two-part episode which needed just one week of production, allowing the studio to catch up. Despite being a two-part episode, The Menagerie is actually one of the program’s shorter scripts. RR Auction COA.…(MB $200)

Dunn’s original outline

to the episode that would become The Doomsday Machine 353. Star Tr e k : T h e Planet Eater.

Scarce original story outline for the Star Trek Season Two episode entitled “The Planet Eater,” which would later be renamed The Doomsday Machine, belonging to Linwood Dunn, 8.5 x 11, 14 pages, written by Norman Spinrad, and headed at the bottom of the cover page, “Story Outline, March 6, 1967.” Dunn’s name is written at the top of the cover page, “Lin Dunn c/o Editorial,” with a blue received stamp at the bottom dated April 24, 1967. In fine condition, with a bit of light toning and creasing to cover page. Despite Spinrad’s wishes for the actual doomsday machine to be loaded with many different intimidating looking weapons, due to budgetary reasons, the actual model was a windsock dipped in cement. This same year, Dunn would be nominated for an Emmy award for achievements in cinematography for the show. A very early draft of one of the program’s most intense and well-received episodes. RR Auction COA.…(MB $200)

June 26, 2014 | 103

Outline for the Enterprise’s crew’s confrontation with the god Apollo 354. Star Trek: Who Mourns for Adonais. Rare origi-

nal story outline for the Star Trek Season Two episode entitled “Who Mourns for Adonais,” belonging to Linwood Dunn, 8.5 x 11, 15 pages, written by Gil Ralston, and headed at the bottom of the cover page, “Story Outline, March 8, 1967.” Dunn’s name is written at the top of the cover page, “Lin Dunn c/o Editorial,” with a green received stamp at the bottom dated April 24, 1967. In fine condition, with a bit of light toning to cover page. This particular episode was the first to feature all seven original cast members, as Walter Koenig joined the cast at the beginning of Season Two. Several impressive visual effects were employed in this episode, including the use of a travelling matte used to make Apollo seem like a giant in front of the landing party, and a giant hand that captured the Enterprise in orbit. Items related to the production of the original series are becoming increasingly difficult to find. RR Auction COA.…(MB $200)

Linwood Dunn’s personal copy of lengthy revisions for Who Mourns for Adonais

355. Star Trek: Who Mourns for Adonais. Linwood Dunn’s original 45-page revisions to the Star Trek Season Two episode Who Mourns for Adonais, 8.5 x 11, bound with a single staple to top left corner. Handwritten note in the top right corner of the first page reads: “Revised 5/29/67.” Included in the revisions are dialog changes as Apollo’s hand begins to crush the Enterprise, Chekov introducing himself as a Czar of Russia, and the destruction of Apollo’s temple. In fine condition, with some light handling wear and slight toning to cover. A very detailed look at the workings of the show’s creative process. RR Auction COA.…(MB $200)

104 | Star Trek

Comics & Sci-Fi

Spiderman’s first appearance 359. Amazing Fantasy #15: Spiderman. Amazing Fantasy #15 (Marvel, 1962) CGC Apparent VF+ 8.5 Extensive (P) Off-white pages. The origin and first appearance of Spider-Man (Peter Parker) and the first appearances of Uncle Ben and Aunt May. Jack Kirby and Steve Ditko cover and art. CGC notes, “Restoration includes: color touch, pieces added, tear seals, cleaned, reinforced, re-glossed.” A desirable offering of the debut of one of marvel’s bestknown characters. RR Auction COA.…(MB $500)

First Avengers signed by Marvel icon Stan Lee 360. The Avengers #1. The Avengers #1, signed on the front cover in black felt tip by Stan Lee (Marvel, 1963) CGC Signature Series Restored/Apparent VF 8.0 Moderate (P) Off-white to white pages. An extremely desirable title signed by the hero’s creator and Marvel legend. RR Auction COA.…(MB $200)

June 26, 2014 | 105

Highlygraded World’s Best Comic #1,

signed by legendary Batman artist Jerry Robinson 361. World’s Best Comics #1: Batman and Superman.

World’s Best Comics #1, signed on the front cover by Jerry Robinson (DC, 1941) CGC Signature Series/Apparent VF 8.0 Slight (P) Off-white to white pages. Only issue of the title, which changed to World’s Finest Comics with issue #2. Appearances include Batman; Superman; the Crimson Avenger; Johnny Thunder; The King; Young Dr. Davis; Zatara; Lando; Man of Magic; and Red, White and Blue. CGC notes, “Signed by Jerry Robinson on 7/24/10. Restoration includes: small amount of color touch, cover re-glossed, cover re-attached.” A desirable and seldomoffered title. RR Auction COA.…(MB $300)

363. #94.

362. Iron Man #1. Iron

Man #1 (Marvel, May 1968) CGC 9.0 Off-white pages. Comic features the origin of Iron Man retold. Story continued from Iron Man and SubMariner #1. RR Auction COA.… (MB $200)

106 | Comics & Sci-fi

X-Men

X-Men #94 (Marvel, 1975) CGC VF+ 8.5 Off-white to white pages. New XMen begin, by Chris Claremont and Dave Cockrum. This issue marked the return and rebirth of the XMan, where all of the original X-Men were replaced (except for Cyclops), introducing such characters as Storm, Wolverine, and Colossus. One of the most desirable Bronze Age comic in exceptionally nice condition. RR Auction COA.…(MB $200)

3 66. S t ra nge Mysteries #1. Strange

Mysteries #1 (Farrell, 1951) CGC FN/VF 7.0 Cream to off-white pages. Kamenish art, and horror stories begin. RR Auction COA.…(MB $200)

364. Captain Marvel Adventures #3. Scarce Captain Marvel Adventures #3 (Fawcett, 1941) CGC FN+ 6.5 Cream to offwhite pages. Front cover features a metallic silver ink lightning bolt on the C. C. Beck cover. RR Auction COA.…(MB $200)

367. Amazing Adventures #1. Amaz-

ing Adventures #1 (Ziff-Davis, 1950) CGC VF 8.0 Light tan to off-white pages. Painted cover featuring the Asteroid Witch. Art by Wally Wood, Alex Schomburg, Murphy Anderson, and Ogden Whitney. RR Auction COA.…(MB $200)

368. Strange Worlds #1. Strange Worlds #1 (Avon,

365. Shield-Wizard Comics #1. Shield-Wizard Comics #1 (MLJ, 1940) CGC FN- 5.5 Cream to off-white pages. Classic flag, fife, and drum cover by Irv Novick. Origins of the Shield and the Wizard. RR Auction COA.…(MB $200)

1950) PGX VF 8.0 Off-white to white pages. The first-ever sword-and-sorcery story in comics was this issue’s “Crom the Barbarian”, drawn by John Giunta. Joe Kubert art. RR Auction COA.…(MB $200)

June 26, 2014 | 107

Rare CGC-graded Ninja Turtles #1, first printing 369. Teenage Mutant Ninja Turtles. Teenage Mutant Ninja Turtles #1 First Printing (Mirage Studios, 1984) CGC 5.0 Off-White to White pages. A highly desirable first printing copy featuring the origins and first appearances of the Teenage Mutant Ninja Turtles, Splinter, and Shredder. The wraparound cover is by Kevin Eastman, and the story and interior art are by Eastman and Peter Laird. This issue had an initial print run of just 3,000 copies, making them quite scarce. RR Auction COA.…(MB $300)

Eastman’s own limited edition of the Ninja Turtles, gratefully inscribed by his staff, including a one-of-a-kind multi-character sketch by their co-creator Peter Laird

370. Teenage Mutant Ninja Turtles. Signed

book: Teenage Mutant Ninja Turtles Volume I. Limited edition of 1000 copies (this being No. 1). Massachusetts: Mirage Studios, 1988. Hardcover with dust jacket, 8 x 10, 540 pages. Signed and inscribed on the reverse of the second free end page by co-creator Peter Laird, “To Kev—…For You-Know-What!…Because You-Know-Why!…From YouKnow-Who*! *that’d ex-Russian cosmonaut Pete Lairdovitch 10/6/88,” with Laird adding an absolutely amazing unique sketch of the Ninja Turtles and characters from their universe; and signed and inscribed on the half-title page, “Thanks doesn’t say enough—So with much gratitude, JM Lawson,” adding a sketch of one of the Turtles; “Thanks (in a big way!) Steve Lavigne,” adding a sketch of a singing Ninja Turtle; “Shucks Buddy…What can I say…Thanks for keepin’ me off the streets! Mike,” adding a sketch of a masked dog; and “Kev…Thanks for getting me off my ass and making some dreams come true. ‘The future awaits’ Eric,” adding a large sketch of another of the comic’s characters. Autographic condition: very fine. Book condition: NF/VG+. Started in 1984 as a parody of comic book heroes, Eastman and Laird published their first comic using a tax refund and a loan from a family member. Soon after, the Turtles would cross over to other media, including television and action figures. A fantastic and utterly unique volume, gratefully inscribed and presented to the creator of the iconic characters. RR Auction COA.…(MB $300)

108 | Comics & Sci-fi

Vibrantly-colored and humorous

Norman Mingo hand-painted Mad cover art

371. Mad Magazine #168: Norman Mingo. Original hand-painted Mad Magazine cover art by Norman Mingo, oil on illustration board, circa 1974, done as a parody of the nation’s energy crisis. Scene shows a huge multi-colored neon sign, which reads, “Mad leads the fight to conserve Energy,” on top of a roof top, with Alfred E. Neuman along the roof’s edge. Signed near the bottom of the image in paint by Mingo. Matted to an overall size of 18.75 x 23. In very fine condition, with pencil notations and tape to borders, none of which is visible under the mat. Answering a New York Times ad for an illustrator, Mingo was elected by Mad publisher William M. Gaines to create a polished version of the magazine’s mascot, Alfred E. Neuman. Mingo created several Mad covers in 1956-57 before leaving the magazine. He would return to Mad in 1962 and painted most of its front covers until 1976. RR Auction COA.…(MB $300)

Superlative Peanuts strip featuring Snoopy as a pirate

372. Charles Schulz.

Superb original hand-inked three-panel Peanuts daily comic strip, dated March 4, 1996, on an off-white 20.75 x 7 sheet of artist’s cardstock. Panel features Snoopy, Woodstock, and Linus, with Snoopy appearing in all three panels as a pirate, with Woodstock on his shoulder. Snoopy is questioned by Linus about why pirates carry parrots on their shoulder, with Woodstock taking a tumble at the end. Signed vertically in black ink in the last panel, “Schulz,” and also signed and inscribed in black felt tip in the top border, “For Chris with friendship and appreciation—Charles M. Schulz.” In fine condition. A pristine example featuring one of Schulz’s best-loved characters in a very seldom-seen costume. Pre-certified PSA/DNA and RR Auction COA. RR Auction COA.…(MB $500)

June 26, 2014 | 109

Certified screen-used Wolverine ‘hero’ claws, designed by Jimmy Gawley

373. X-Men 2: Hugh Jackman. Ultra-

rare pair of screen-used Wolverine claws worn by Hugh Jackman as Wolverine in X2: X-Men United. These hero claws consist of three hard plastic/resin curved claws which measure 10.5˝ each, connecting to custom-made metal tangs, each stamped “FX Smith, Canada,” with two Philips head screws for adjusting the size. They are labeled in felt tip indicating the left or right hand. This simple, yet effective design, fits between the wearer’s knuckles, tapering them to appear as if they’re protruding directly from the skin. Accompanied by a photo-certified certificate of authenticity from Jimmy Gawley, aka “Jimmy Claws” who made all the claws used in all of the X-Men films, stating they were made in 2002 by Magic in Motion SPFX in Toronto, Canada. An incredibly rare opportunity to obtain the instantly recognizable unofficial ‘logo’ of not only Wolverine himself, but the entire X-Men universe. RR Auction COA.…(MB $500)

110 | Comics & Sci-fi

Lady Deathstrike’s screen-worn costume from X-Men 2

374. X-Men 2: Kelly Hu. Screen-worn costume from

the 2003 action film X-Men 2, worn by Kelly Hu as Lady Deathstrike during scenes near the end of the film when she battled Wolverine. The all-black costume consists of a corset-style jacket with laces up the back and various holes from Wolverine’s claws in the front, as well as a short zipper; and a pair of leather trousers, with lacing up the bottoms. Costume is displayed on a custommade mannequin and stand made to look like the adamantium chamber where Lady Deathstrike was killed by Wolverine, even showing the claw marks where he had sliced along the floor. Base measures approximately 24˝ x 18.5˝, and mannequin stands 66˝ tall. RR Auction COA.…(MB $300)

June 26, 2014 | 111

Expertly-crafted screen-worn

hands of X-Men’s Beast 375. X - M e n : K e l s e y Grammer.

Screen-worn prop ‘hero’ hands worn by Kelsey Grammer as Dr. Hank McCoy/ Beast in the 2006 movie X-Men 3: The Last Stand. Rubber hands were made for the film by Spectral Motion and feature textured black fingernails and custom-added hand-punched blue hair. Accompanied by the original manila costumer’s label notated in a technician’s hand, “Beast Lt. Hand. #6 Quality 9,” and dated “August 16, 2005.” Also included is a 2014 letter of authenticity which states, “These hero hands were worn by Kelsey Grammer as Hank McCoy.” In fine condition. A very detailed and example of creature work done for one of Marvel’s first franchises. RR Auction COA.…(MB $200)

Screen-used flying sequence miniature Batwing

from Burton’s classic 376. Batman.

Very nice production-used Batwing miniature used in the 1989 film Batman. Detailed hollow fiberglass model measures 27˝ wide and 24˝ long. Entire model has been hand-painted with gray paint. There were three different sized models created for different depth and purposes: a 1/4 scale (about 10 feet long), a 1/12 scale (about 2 feet long), and 1/48 scale (about 6 inches long). In fine condition, with no canopy. Also includes a custom-made stand showing the instantly recognizable Batman logo. This is one of the miniature production Batwings that would have been used in the flying sequences. RR Auction COA.…(MB $300)

112 | Comics & Sci-fi

Complete screen-worn costume of

the sinister Dr. Doom

377. Fantastic Four Rise of the Silver Surfer: Julian McMahon. Fabulous and practically complete screen-worn Dr. Doom costume worn by Julian McMahon as Victor von Doom or his stunt double in the 2007 film Fantastic Four: Rise of the Silver Surfer. The costume was made by Spectral Motion of California and constructed from rubber, resin, metal, and foam. Costume includes: the one-piece undergarment with Velcro and buckle attachments; neck covering; foam sleeves; the twopiece hard rubber and resin chest piece; leather pants; hard shoulder covers; black leather belt; foam overlaid black boots; leg armor; foam and plastic gloves; and the production made prototype full-length black cape. When originally acquired, the costume was missing its mask, with a replacement constructed by a professional propmaker using photos and reference materials. Some of these pieces were built for the ‘Ultra Dr. Doom’ for the end of the film, but was cut from the final version. Accompanied by a 2014 letter of authenticity which states: “This costume was produced for the…Fox movie and various pieces were worn by either actor Julian McMahon or his stunt double.” Also included are two original manila wardrobe tags, one labeled “Stunt Doom Leather Pants #2.” In fine condition. A rare offering of one of Marvel’s greatest villains, who battled not only the Fantastic Four, but Spider-Man, the Avengers, and Iron Man. RR Auction COA.…(MB $300)

June 26, 2014 | 113

Awesome screen-used

Green Hornet Black Beauty hero car, complete with machine guns and missiles

114 | Comics & Sci-fi

378. Green Hornet.

Screen-used Black Beauty hero car used in the 2011 film The Green Hornet. This 1965 Chrysler Imperial, built by Dennis McCarthy of Vehicle Effects in California, is one of just two hero cars remaining from the production. Black customized Chrysler Imperial features its original 413 engine, has 71,421 miles on the odometer, and is the only one which was built with its original headliner and black leather seats. Exterior modifications to the car include: two hood-mounted Browning .30 cal machine guns (which when hooked up to a propane tank fired flames through the barrel to simulate gunfire), 12 Stinger missiles to the front and rear bumper, a flame-thrower mounted to the front grill, beanbag launchers and shotgun barrels to the front, a revolving rear license plate (which flips to “Hornet” by pushing a button on the keychain remote), and painted green headlights. Other modifications include ‘butterfly doors’ with simulated shotgun barrel stickers, 20˝ wheels, the working light-up interior console labeled in Chinese, a hidden button in the trunk which automatically releases the locking mechanism, the instantly-recognizable Green Hornet emblem on the trunk, and an embossed Green Hornet trunk interior with an amazing Sony stereo system—not surprising since Sony made the film. In fine, working condition. Twenty nice cars were made for the film’s production, most of which were either stripped-down stunt models or destroyed during filming. Only two hero cars remain from the film, the other being the ‘pre-Kato-modified’ version of the Imperial. Titled and registered in California, the current owner frequently drives it to his favorite coffee shop, parks in front, and causes a riot. And although there is a 3 million dollar Bugatti parked outside of the House of Bijan in Beverly Hills, the owner sometimes parks his Black Beauty there, in front of the Bugatti, to see where the tourists will flock. It’s a toss up— hard to ignore a car with machine guns on the hood and missiles on the bumpers. You can see the Black Beauty offered here on Jay Leno’s Garage website where Jay shows this exact car, interviews the builder, and takes a drive. A scarce opportunity to acquire one of Hollywood’s most recognizable vehicles. RR Auction COA.…(MB $10000)

June 26, 2014 | 115

379. The Dark Knight. Three screen-

used burnt currency stacks used in the 2008 film The Dark Knight, when the Joker (Heath Ledger) sets a mountain of the underworld’s money on fire. One stack still retains its blue and white bank band. Accompanied by a 2014 letter of authenticity which reads: “From the Batman movie released in 2008 this set of 3 $100 dollar bills stacks with bank slips used in the scene where the Joker burns the pile of money belonging to Gotham’s underworld. The bills were specially made for the production and these were obtained after filming in Chicago, IL., in summer 2007.” Expected charring and flaking, otherwise fine condition. RR Auction COA.…(MB $200)

380. The Dark Knight.

Screen-used Joker playing cards from the 2008 film The Dark Knight, starring Heath Ledger as the Joker. Ten different regulationsize cards are of the respective deck’s Joker, including one of his ‘signature’ cards, exactly like the one presented to the mob bosses at their meeting. All are double-matted and framed with two images from the film to an overall size of 17.75 x 23. In very fine condition. RR Auction COA.… (MB $200)

381. Man of Steel: Amy Adams.

Collection of 13 items from the 2013 film Man of Steel. Items are: a green tank top for Amy Adams’s Lois Lane character, with “Lois L,” written in black felt tip above the J. Crew label and accompanied by its manila wardrobe tag labeled “40”; a screen-used prop picture and frame from Lane’s Metropolis apartment; several dried cornstalks from the field where Superman saves Lois Lane; a piece of drapery and wallpaper from the Kent farm; a nylon pistol holster; two rubber ammo magazines from a Smallville soldier; a design photo of a set piece; prop sheet music; a mailing label to the production; and a partial plastic model of a jet plane used to plan the battle sequences in Smallville. Model is housed in the box that carried the model train that was thrown through the Sears store when Superman battled General Zod. Accompanied by a 2014 letter of authenticity which states, “These pieces were obtained from the production filmed in Oswego/Plano Illinois…and from the official set dec auction held in April 2012.” In fine condition. RR Auction COA.…(MB $200)

116 | Comics & Sci-fi

383. Spider-Man 2 : To b e y Maguire. Sports

382. Superman: Christopher Reeve.

Color glossy 10 x 8 cardstock photo of Reeve in his iconic role as Superman, signed in black felt tip. In fine condition. RR Auction COA.…(MB $200)

jacket worn by Tobey Maguire as Peter Parker in the 2004 film SpiderMan 2. Dark blue single-breasted jacket is made of 100% cotton and has a Helmut Lang label sewn into the outside of the inner breast pocket. Accompanied by a certificate of authenticity from Columbia Pictures and Marvel stating this jacket “is the actual item used in the making of Columbia Pictures film ‘Spider-Man 2.’” Also accompanied by a certificate of authenticity from ScreenUsed which states: “The coat was worn as Peter Parker makes his way to Mary Jane Watson’s…play,” and a green costumer’s label. In fine condition. RR Auction COA.…(MB $200)

384. Hellboy 2: Doug Jones. Screen-worn feet, worn by Doug Jones as Abe Sapien in the 2008 film Hellboy 2: The Golden Army.

Latex foam feet are painted blue, black, and beige and feature pointed toenails and a small fin emanating from both sides of each foot. Accompanied by a letter of authenticity which reads: “Set of fett [sic] worn by Doug Jones in foam latex and stands cast from his own feet. This is the best condition pair of feet made for production that probably exist. Most were heavily used and got dirty very quickly from the studio floor. Originally produced by Spectral Motion.” In fine condition. RR Auction COA.…(MB $200)

June 26, 2014 | 117

385. 300. Screen-used Spartan helmet used in the 2007 film 300. Helmet is made from hard plastic, with foam padding to the lower cheek protection, and hand-painted to resemble wrought bronze. Written in the inside in silver ink is, “L, Cody Landan #3.” In fine condition. A stuntman by the name of Cody Laudan worked on the film as a ‘stunt Spartan,’ with his name most likely misspelled inside the helmet. Accompanied by a certificate of authenticity from the Prop Store. RR Auction COA.…(MB $200)

386. 300. Impressive screen-used Spartan spear from the 2007 film 300. Spear head is made of resin and measures 10˝ long and is affixed to a 68˝ long wooden handle, with a single strap of leather wrapped around the handle near the blade to provide better handling. Spears like this one were used by the Spartans in all the epic battles throughout the production and can be easily seen throughout the film. RR Auction COA.…(MB $200)

387. 300: Rise of an Empire. Original clapperboard from the 2014 film 300: Rise of an Empire, 11 x 9.5, with spaces provided for the scene and take, and listing the director, Noam Murro, and the camera operator along the bottom. Accompanied by a 2014 letter of authenticity which reads, in part: “This clapperboard from the movie ‘300: Rise of an Empire’ was obtained from the original maker of the piece. It was…obtained by the seller from the set of the movie.” In fine condition. RR Auction COA.…(MB $200)

118 | Comics & Sci-fi

Very rare screen-used Raptor claw

388. Jurassic Park. Screen-used Velociraptor claw used in the 1993 film Jurassic Park. Claw and toe measure approximately 10˝ long,

with the toe portion made from foam and latex, with the metal armature still inside; with the curved claw made of resin. This was part of a feet and legs only costume made by Stan Winston and worn by visual effects artist John Rosengrant. This particular piece can be clearly seen in the kitchen scene of the film. Accompanied by a 2014 letter of authenticity which reads, in part: “An amazing screen-used piece originally made for the first Jurassic Park and worn by visual effects artist John Rosengrant…It can be clearly be seen in the kitchen scene of the film chasing the two Murphy kids. This piece was rescued from the dumpster after production and may well be the only piece of this creature left from filming, aside from the other foot that was sold (sans foam skin) by Profiles in History.” In fine condition. An instantly-identifiable prop from one of the best science fiction films ever made. RR Auction COA.…(MB $200)

389. Jurassic Park.

Original handpainted screenused animation cel of ‘Mr. DNA,’ used in the 1993 film Jurassic Park. Cel measures 10.75 x 9.5 (with no background) and was used in the presentation to visitors Dr. Grant (Sam Neill), Dr. Sattler (Laura Dern), and Dr. Malcolm (Jeff Goldblum) shortly after their arrival on Isla Nublar. Matted and framed with two images from the film To an overall size of 14.75 x 17.5. In fine condition. Accompanied by a certificate of authenticity from Screen Used. RR Auction COA.…(MB $200)

390. Jurassic Park III. Production-

used prop Spinosaurus tooth. Wooden tooth measures 4˝ long, is hand-painted brown and beige, and numbered 67 at the top, next to its screw-on attachment. Tooth was made by the renowned Stan Winston Studios and was originally obtained by a Universal Studios crew member. In fine condition. RR Auction COA.…(MB $200)

June 26, 2014 | 119

391. Chronicles of Riddick. Screen-worn Helion army costume from the 2004 film The Chronicles of Riddick. Three-piece uniform, worn by the soldiers on Helion Prime consists of: an armorplated flack jacket featuring applied brass-painted body armor to the front and back, with Velcro closures on the sides, a single piece of webbing clipped to one shoulder, and two numbers written on the inside “H109,” and “980”; a combat helmet made from fiberglass, with a dark metallic paint scheme and foam lining and chin strap inside; and a matching pair of brown pants. Expected wear and distress, otherwise fine condition. RR Auction COA.…(MB $200)

392. E ly s i u m : Matt Damon. Screen-

worn outfit worn by Damon’s character Max Da Costa in the 2013 film Elysium. Outfit consists of: distressed Levi 505 denim blue jeans, with “Matt Pre” written on the inside label; a soiled gray Levi’s t-shirt, with “MD Pre” written on the printed label inside the collar; and a pair of black dress socks. Accompanied by its original manila wardrobe tag and a 2014 letter of authenticity which reads, in full: “Matt Damon gray shirt and blue Levis from early part of the film before he receives his Exo HULC suit. Comes with costume tag and was obtained from the official studio sale of items from the 2013 movie.” In fine condition, with intentional distress and soiling. RR Auction COA.…(MB $200)

120 | Comics & Sci-fi

393. Elysium: Matt Damon. Screen-used prop spine worn as part of Matt Damon’s exoskeleton in the

2013 film Elysium. The prop, made by Weta of New Zealand, measures 14˝ long, is constructed of rubber and metal, and features four individual vertebrae. This prop was used in the scene where is it bolted to Damon’s character Max Da Costa’s body. Accompanied by a 2014 letter of authenticity which reads, in part: “Rubber and metal spine worn by Matt Damon, this is made of several original cast components including the rare central spine. Only 4-5 of these were available during the sale by MRC in 2013.” Also included are two different sides of an assault rifle with one barrel, with the sides measuring 22 inches long, and the two-toned barrel measuring 24 inches. These parts are were made by Weta of New Zealand and made for production for use by the character Drake. In fine condition. RR Auction COA.…(MB $200)

394. Elysium: Matt Damon. Screen-used gre-

nade used by Matt Damon in the role of Max Da Costa in the 2013 film Elysium. Grenade is made from hard resin by Weta of New Zealand, measures 6˝ long, and has removable pin and handle that flies off when pin is pulled. Accompanied by a 2014 letter of authenticity which reads, in part: “This version of the grenade was used for closeups and has the working metal pin…This is probably the best condition of all the grenades sold by MRC at their auction last year. Originally produced by Weta of New Zealand.” In fine condition, with expected light wear and soiling. RR Auction COA.…(MB $200)

395. Elysium. Screen-used hero rifle used by Brando Auret in the role of Drake in the 2013 film Elysium. Rifle measures 23.5˝ long and is made from metal and resin, with a hollow interior. Rifle features a front hand grip and sight mounted to the top. Made by Weta of New Zealand, this rifle was obtained from the studio’s auction of props and wardrobe held in 2013. In fine condition. RR Auction COA.…(MB $200)

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396. Elysium. Col-

lection of props and costume from the 2013 film Elysium. Group consists of: a collection of various custommade tattoos worn on several characters including Matt Damon’s Max Da Costa, Spider, and Sandro; a collection of 32 blue and white Miporal pills used by Damon in several scenes; 14 individual pieces of HULC armor and linkage worn by Damon or his stunt double; and a blue Armadyne jumpsuit worn by an extra at the factory, with a printed ID number on the left breast, and the company name printed on the back. Accompanied by a 2014 letter of authenticity listing the items in the collection. In overall fine condition. RR Auction COA.…(MB $200)

397. Matrix Revolutions: Carrie Ann Moss. Screen-used torch made for the

second and third Matrix movies, and carried by Carrie Anne Moss in the role of Trinity in The Matrix Revolutions. Hand torch measures 13˝ long, with two small florescent bulbs housed in metal, with the battery compartment and an on/off switch at the bottom. Accompanied by a 2014 letter of authenticity which reads, in part: “This was made for the second and third films. It can be seen specifically held by Carrie Anne Moss…in the second film on board the hovership when she is attacked by Agent Smith…The prop…is the only example I have seen of its type. It was obtained from a former employee of the production last year.” In fine condition, with expected wear. RR Auction COA.…(MB $200)

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398. Starship Troopers 3: Marauder. Miniature

Arachnid bug model from the production of Starship Troopers 3. Black composite four-legged bug, with red and yellow painted highlights, measures 10.5˝ long and stands approximately 9.5˝ high, with adjustable legs and lower jaw. Model also features a built-in speaker to the left side of body, an activation button on the top, and a small battery compartment underneath. This Arachnid, and others like it, were used for CGI scans, stand-ins, and for anything on screen. The production actually took miniature toy model Arachnids and repainted/repurposed them to be used for filming. Expected wear, scattered paint loss, and a bit of light flaking to paint, otherwise fine condition. RR Auction COA.…(MB $200)

Screen-used live fire pistols carried and fired in Resident Evil by the heroic Alice

399. Resident Evil Apocalypse: Milla Jovovich. A pair of live fire screen-used hero pistols, used by Milla Jovovich’s character

Alice in the 2004 film Resident Evil: Apocalypse. Para-Ordnance P14-45 Limited pistols, serial numbers TJ8040 and TJ8749, .45 caliber, with magazines, and plastic grips. These are used throughout the film for any and all live fire scenes when a real handgun was needed. Pistols were originally obtained by the film’s armorer, and according to him, they shaved the beaver-tails and cleared up the back edges of her handguns. In fine condition, with expected wear from use. Pistols come in their original hard plastic cases. These pistols can be seen when Alice (Jovovich) uses the pistols after she crashes through a church window to blow up the motorcycle with a licker on it, and in other scenes where live-firing weapons were needed. These transfer as modern firearms. RR Auction COA.…(MB $500)

Screen-used live fire weapon from original Resident Evil character Jill Valentine

400. Resident Evil Apocalypse: Sienna Guillory. Live fire

screen-used hero pistol, used by Sienna Guillory’s character Jill in the 2004 film Resident Evil: Apocalypse. Smith and Wesson Model 5946, serial number VBJ9711, 9mm parabellum caliber, with magazine and black plastic grips. Pistol comes in a hard plastic Smith and Wesson case and was originally obtained by the film’s armorer and was used throughout the film for any and all live fire scene’s when a real handgun was needed. This pistol can be seen being used in the film and in promotional material. In fine condition, with expected wear from use. This transfers as a modern firearm. RR Auction COA.…(MB $300)

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Contemporar� Costume� & Prop� Stunt revolver from Tarantino’s acclaimed

Django Unchained

404. Django Unchained. Screen-used stunt revolver used during the filming of the 2012 Quentin Tarantino film Django Unchained.

Cast from a mold of a real Colt Navy revolver, this prop firearm is made from rubber with a metal armature within for better rigidity during use. Weapon has been finished in gunmetal with brass paint for the pistol’s frame and a wooden finish for the grip. In fine overall condition, with some slight wear from use. These style revolvers were used by both Django (Jamie Foxx) and Dr. Schultz (Christopher Waltz) during their firefights. Revolver was originally obtained from a key crew member. An impressive piece from pivotal scenes in the film. RR Auction COA.…(MB $200)

Impressive screen-used stunt revolver from Django Unchained

405. Django Unchained. Screen-used stunt revolver used during the filming of the 2012 Quentin Tarantino film Django Unchained. Cast from a mold of a real Colt Navy revolver, this prop firearm is made from rubber with a metal armature within for better rigidity during use. Weapon has been finished in case color around the receiver, along with gunmetal and brass paint for the pistol’s frame and a wooden finish for the grip. In fine condition, with scattered wear to paint. These style revolvers were used by both Django (Jamie Foxx) and Dr. Schultz (Christopher Waltz) during their firefights. Revolver was originally obtained from a key crew member. Such important screen-used props from successful Academy Award-winning films are highly coveted by collectors. RR Auction COA.…(MB $200)

124 | Contemporary Costumes & Props

406. Django Unchained.

Screen-used severed slave ear used during card playing scenes in the 2012 film Django Unchained. Latex ear measures 2.25˝ long. In fine condition. RR Auction COA.…(MB $200)

Rohan soldier’s ax used in two films of Jackson’s epic Tolkien trilogy, including the Battle of Helm’s Deep

407. Lord of the Rings: The Two Towers and Return of the King.

Incredibly detailed and realistic screen-used Rohan soldier’s axe used in Peter Jackson’s The Lord of the Rings: The Two Towers and The Return of The King. Ax features a blade made from dense rubber, measuring 11˝ long, and features beautifully intricate engravings that are reminiscent of Viking craftsmanship. As the soldiers of Rohan were known for being expert cavalrymen, the ax also features a small horse head above the shoulder. Blade is attached to a 28.5˝ resin handle that has been painted to appear wooden. Minor wear from production use, otherwise fine condition. Rohan is a realm of men in the world of Middle-earth, and axes of this style can be seen wielded by the soldiers of Rohan, particularly during the epic battle of Helm’s Deep. RR Auction COA.…(MB $200)

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Intimidating goblin ax from Bowie’s Labyrinth

408. Labyrinth. Screenused stunt ax from the 1986 film Labyrinth. Lightweight composite and foam rubber ax, painted silver, red, and black, measures 24˝ long, with the savage-looking blade, made to resemble an aggressive horned skull, measuring 13.5˝ long. A beige leather wrap has been added to the handle. This lightweight soft version of the weapon was used whenever there was a lot of action on screen and too dangerous to use the solid prop. In fine condition, with some light cracking to paint. Ax was originally obtained by a Jim Henson employee. A scarce offering as very few pieces from the film have survived. RR Auction COA.…(MB $200)

Amazing Rick Baker-designed and -certified

Gizmo prototype

409. Gremlins 2: The New Batch. Amazing

Gizmo Mogwai prototype designed by Rick Baker’s studio for the 1990 film Gremlins 2: The New Batch. Twopiece model measures almost 11˝ high, is constructed from latex foam, with the majority of the model covered in brown and white fur. Model also features handpainted latex foam ears, snout, eye area, and fingers and toes. The body is attached to a small wooden base which slides underneath the mounted head. Accompanied by a 2009 letter of authenticity from Baker which reads, in part: “I can certify that it is an original prototype Gizmo head and body created by my studio.” Also included is a certificate of authenticity from the Prop Store of London. In fine condition. The designs for Gizmo went through several different evolutions, with this design and color being the final one for the film. RR Auction COA.…(MB $200)

126 | Contemporary Costumes & Props

Rare screen-used Philip head from Curse of the Were-Rabbit

410. Wallace and Gromit: Curse of the Were-Rabbit. Scarce and very neat screen-used Philip head used in the production

of the 2000 film Wallace and Gromit: Curse of the Were-Rabbit. The hand-painted plasticine head measures 2.25˝ long, with affixed ears, inset eyes and eyelids, and a hinged jaw that opens slightly. A small hinged metal armature protrudes from the rear, used to control the opening of the mouth. In fine condition. Plasticine, a putty-like type of modeling clay, is sturdier than traditional clay, rendering it preferable to collectors. Any item used in the film is quite rare as a fire claimed many of the props and models. RR Auction COA.…(MB $200)

411. Angels and Demons: Tom Hanks. Coat worn by Hanks in the role of Robert Langdon in the 2009 film Angels and Demons.

Brown tweed single-breasted sports jacket has a Chris Kerr maker’s label sewn in the inside breast pocket, with “Tom Hanks, May 08,” written on the two lines underneath. In fine condition. RR Auction COA.…(MB $200)

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412. Body of Evidence: Madonna. Blood-stained blouse worn by Madonna as Rebecca Carlson in the 1993 film Body of Evidence. Long-sleeve off-white polyester blouse features a button-up front, with blood stains to the collar and breast pocket. The maker’s tag has been clipped from the inside of the collar. Accompanied by a strip of five stills from the film showing Madonna wearing the blouse. In fine condition. RR Auction COA.…(MB $200)

413. Body of Evidence: Madonna. Screen-worn beret

and pearls worn by Madonna as Rebecca Carlson in the 1993 film Body of Evidence. Brown beret measures 10˝ in diameter. Pearl choker measures 16.5˝ long, with a small Miriam Haskell tag on the chain, and is accompanied by matching pearl earrings. Accompanied by a color photo of Madonna wearing all three items, as well as two costumer’s pages for Madonna’s character, filled out in a crew member’s hand, listing all three items: “hat—beret—brn…neck—smaller pearls choker…ears—Haskell pearls small w/ gold prongs.” Also included are five more photos of Madonna wearing either the beret or jewelry. In fine condition. RR Auction COA.…(MB $200)

414. Coneheads: Dan Ackroyd.

Screen-worn shirt and tie worn by Dan Aykroyd as Beldar in the 1993 film The Coneheads. Long sleeve off-white dress shirt with red pinstripes has a Malibu Collection label sewn into the collar, with “Beldar” written above the tag in black felt tip. Accompanying neck tie is made by Pierre Cardin. Accompanied by the original manila costumer’s tag and a certificate of authenticity from Jules Dean. In very good condition, with scattered small rusty holes. RR Auction COA.…(MB $200)

128 | Contemporary Costumes & Props

Chilling mask from The Collector 415. The Collector. Screenused mask from the 2009 film The Collector. This signature screenused mask was worn throughout the entire film by the stunt coordinator for all the action scenes, and used in many of the heavy action scenes between Arkin (Josh Stewart) and ‘The Collector.’ Latex rubber mask features cut-out eyes and mouth, fine black hair affixed to the outside of the mask, and a lace-up closure in the back. Written inside the mask in black felt tip is “Upton,” the last name of the film’s stunt coordinator Steve Upton. Accompanied by a certificate of authenticity from the Prop Store of London. In fine condition. An instantly recognizable and chilling mask, whose image was featured extensively on the film’s posters and promotional material. RR Auction COA.…(MB $200)

416. Dante’s Peak: Kirk Trutner. Costume worn on-

screen by Kirk Trutner in the role of Terry in the 1997 film Dante’s Peak. Outfit consists of a lightweight long-sleeve airplane print shirt, with a Universal Studios barcode label affixed inside the collar, and a pair of Eddie Bauer shorts, also with a Universal bar code and “Terry” written on the maker’s label. Accompanied by a certificate of authenticity from Screen Used. Also included is a screen-used prop evacuation plan, as well as four Dante’s Peak Pioneer Days bumper stickers. Plan and stickers are accompanied by certificates of authenticity from Star Wares. In fine condition. RR Auction COA.…(MB $200)

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417. E n d of Day s : A r n o l d Schwarzenegger. Screen-worn costume worn by Schwarzenegger in his role as Jericho Cane in the 1999 film End of Days. Costume consists of a black leather coat with a five-button front and a pair of gray cargo pants. Accompanied by a photo of Schwarzenegger from the film wearing the jacket. Also accompanied by two certificates of authenticity from Startifacts, a VHS copy of the film, and a small promotional pin. In fine condition. RR Auction COA.…(MB $200)

418. End of Days: Robin Tunney. Screen-

worn coat and earrings, worn by Robin Tunney in the 1999 film End of Days starring Arnold Schwarzenegger and Tunney. Black wool heavy peacoat features a three-button front, with a small costumer’s label attached; and the Cubic Zirconia studs are on their original card, also accompanied by a printed costumer’s tag. Also included is a VHS copy of the film and two certificates of authenticity from Greg Manning Auctions, one for the coat and the other for the earrings. In fine condition.RR Auction COA.…(MB $200)

130 | Contemporary Costumes & Props

419. Enemy of the State: Will Smith.

Suit worn by Will Smith in his role as Robert Dean in the 1998 film Enemy of the State. Custom-made two piece wool suit, has a single-breasted jacket, with an Ermenegildo Zegna label sewn on the inside pocket, with a second label on the inside of the pocket, with “Will Smith, 03-09-97,” written on the lines provided, as well as a third tag with Smith’s name printed at the bottom, as well as other information. The matching pants have a second large label sewn into the lining, with Smith’s name printed at the bottom. Both pieces also bear “WDS” stamps. Accompanied by a certificate of authenticity from Screen Used. RR Auction COA.…(MB $200)

420. The Flintstones a n d Vi v a Rock Vegas.

Collection of seven screen-used props from the 1994 film The Flintstones. Collection constructed from fiberglass and resin, and all designed with a prehistoric rocklike finish includes: a heavy Slate and Co. time card, signed on the reverse in black felt tip, “Irwin Keyes, Joe Rockhead Wookie! Wookie! Woo!”; two sea shell casino chips; a sea shell hair clip; a dust pan and brush (used by Rosie O’Donnell as Betty Rubble); and an oversized office In/Out basket. In fine condition. RR Auction COA.…(MB $200)

421. The Flintstones: Richard Moll.

Water Buffaloes tunic worn by Richard Moll in the role of Hoagie in the 1994 film The Flintstones. Extra long suede and leather tunic has leather stitching to the sides, leather letters that spell “Hoagie,” affixed to the left breast, and “Water Buffaloes” lettering affixed to the back. An original manila wardrobe tag is pinned to one of the inside sleeves. In fine condition. RR Auction COA.…(MB $200)

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422. The Flintstones: Viva Rock Vegas. Com-

plete screen-worn Bronto King waitress costume worn by Susan Shapiro in the 2000 film The Flintstones: Viva Rock Vegas. Costume includes a halter-top red and orange leather dress with “Susan” written on the inside, and an original manila costumer’s tag with “Susan Shapiro 25 1/2,” written on one side; a small one-piece leather bow tie and apron, and matching cuffs, belt, waitress cap, and roller skates. In fine condition. RR Auction COA.…(MB $200)

423. G.I. Joe, The Rise of Cobra: Dennis Quaid. Screen-

worn costume worn by Dennis Quaid as ‘The Hawk’ General Clayton M. Abernathy in the film G. I. Joe: The Rise of Cobra. Costume consists of: a light green leather jacket, with removable sleeves, and a Mirojnick maker’s tag sewn into the collar, along with a smaller tag embroidered “DQ,” sewn into the bottom of the lining; a pair of green camouflage pants by Mirojnick; a green XXL Under Armour t-shirt with a military patch sewn over the left breast; a pair of black socks, and an Army belt labeled in black felt tip, “Hawk DQ.” Accompanied by a certificate of authenticity from Paramount Pictures for the jacket and a letter of provenance, which reads, in part: “This costume from the movie GI Joe: The Rise of Cobra consists of jacket, belt, pants and t-shirt all worn by Dennis Quaid as General Abernathy…This is the Hero #1 costume worn by the character and to my knowledge the only copy made for production…The outfit was made by Ellen Mirojnick.” In fine condition. RR Auction COA.…(MB $200)

132 | Contemporary Costumes & Props

424. Hot Tub Time Machine: Craig Robinson. Complete screen-worn

outfit worn by Robinson’s character Nick Webber in the 2010 film Hot Tub Time Machine. Outfit consists of: a colorful custom-made long-sleeve shirt with various comb images on the front; a pair of faded black denim Agave jeans; a black ‘Members Only-style’ jacket (with the lining removed); a pair of black leather Un structured high-top shoes, labeled inside each one “Nick” on an affixed piece of tape; and a pair of ankle-high athletic socks. Accompanied by certificate of authenticity from United Artists as well as a 2014 letter of authenticity which reads, “Nick’s singing outfit from the 2010 film this outfit was worn by Craig Robinson. The costume can be scene [sic] when he is singing ‘Let’s Get It Started’ by the Black-Eyed Peas. It is his hero costume. The T-shirt was custom made for the character. The jacket is cut in the back and the lining removed as the studio lights were very hot.” In fine condition. RR Auction COA.…(MB $200)

425. Hot Tub Time Machine: Craig Robinson. Screen-worn outfit

worn by Robinson’s character young Nick Webber in the 2010 film Hot Tub Time Machine. Outfit consists of: a custommade 80’s-style one-piece snowsuit with a zip-up front and Velcro closures; Gordini ski goggles; a gray Dino Haven winter hat; and a black neck cover. Accompanied by a certificate of authenticity from United Artists, an original manila wardrobe tag, and a 2014 letter of authenticity which reads: “Nick’s ski outfit from the 2012 film…worn by Craig Robinson. The costume can be seen when he is skiing at the resort and the first visit inside. The ski outfit was custom made for the film. It was obtained from the official sale of costumes from the film by MGM studios.” In fine condition. RR Auction COA.…(MB $200)

426. The Notebook: Gena Rowlands. Sleepwear worn on-screen by Gena Rowlands in the role Allie of in the 2004 film The Notebook. Costume consists of a light blue long-sleeve pajama top by Natori, and a full-length gray bathrobe, with the maker’s label clipped off. Accompanied by a letter of authenticity from New Line Cinema, which reads, in part: “Allie’s (Gena Rowlands’) Nightgown and Grey Robe from The Notebook. This letter certifies the above item was used in the production of the feature film The Notebook.” In fine condition, with a few small holes near bottom of robe. RR Auction COA.…(MB $200)

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427.

Immortals: John Hurt. Custom-made screen-worn costume, worn by John Hurt as Old Man (Zeus) in the 2011 film Immortals. Outfit consists of a hero full-length leather toga, braided shawl, and braided sandals. Costume was made by Academy Award-winning designer Eiko Ishioka. Accompanied by a certificate of authenticity from Premiere Props and a 2014 letter of authenticity which states this was “worn in the film as the old man character.” In fine condition. RR Auction COA.…(MB $200)

Belushi’s Red Heat suit,

featured on the film’s box cover and other promotional materials

428. Red Heat: James Belushi.

Jim Belushi’s complete screen-worn suit from the 1988 film Red Heat, starring Belushi and Arnold Schwarzenegger. Suit includes: A blue-checkered singlebreasted sports jacket, with a Botany 500 label sewn to the inside pocket, and labeled inside the pocket “B”; a gray short-sleeve dress shirt by Classic Poplin, labeled on the tag in felt tip, “JB”; gray slacks and black belt, with the slacks labeled “JB” inside; a striped Lilly Dache tie, brown dress socks, cigarettes, and a disposable lighter. This outfit can be seen on the film’s VHS box cover, lobby cards, stills, and other promotional materials. Accompanied by a VHS copy of the film, a Red Heat press kit, set of lobby cards, and a glossy 10 x 8 promotional photo from the film. In fine condition. RR Auction COA.…(MB $200)

134 | Contemporary Costumes & Props

429. Red 2: Helen Mirren.

Screen-worn costume worn by Mirren’s character Victoria in the 2013 film Red 2. Outfit consists of a white long-sleeve blouse with a button-up front and a Hawes & Curtis label sewn into the collar; a pair of black slacks; and a black tactical vest. This outfit was worn during the car chase scene in the film. Accompanied by a certificate of authenticity from Premiere Props, the original manila wardrobe tag labeled “HM #2,” and a 2014 letter of authenticity which reads, in part: “These pieces were used in the car chase scene of the film. They consists of trousers, shirt and bullet proof vest…The costume comes with wardrobe tag and was obtained from the vendor selected by Summit Entertainment to dispose of the wardrobe at the end of production.” In fine condition. RR Auction COA.…(MB $200)

431. Saving Private Ryan. Collection of three

screen-worn US military field jackets, worn during the opening D-Day invasion scenes of the 1998 film Saving Private Ryan. The three olive drab jackets each have a different unit patch on the left shoulder: one each from the 29th Infantry, Rangers, and Airborne. The Ranger jacket has two bloody bullet holes to the front, with the inside of the lining cut out and showing adhesive residue, most likely from a special effects blood packet placed inside. In fine condition, with expected wear. RR Auction COA.…(MB $200)

430. Something Wicked This Way Comes: Pam Grier. Costume worn by Pam

Grier in the role of the Dust Witch in the 1983 film Something Wicked This Way Comes. Two-piece costume consists of a headdress made from black lace with gold material underneath, all over a wire frame; and a long one-piece black robe. In fine condition. Provenance: Profiles in History, December 2003. RR Auction COA.…(MB $200)

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Uncommon Robocop promotional costume

432. Robocop. Scarce original Robocop costume produced for promotional appearances for Robocop 2 and 3. The painted fiberglass costume consists of 12 individual pieces of body armor, including front and back chest plate, shoes, articulating upper arms, and the matching helmet, with “OCP Police 001” printed on both sides. Also included is the soft black under-torso and gloves. A crack to one part of the chest plate, scattered paint loss and chips, and expected wear. RR Auction COA.…(MB $200)

Amanda’s blood-stained costume from

the chilling needle pit of Saw 2 433. Saw II: Shawnee Smith. Scarce and complete screen-worn costume, worn by Shawnee Smith in the role of Amanda in the 2000 film Saw II. Costume consists of a blood-stained light blue T-shirt by Club Monaco, labeled on a piece of tape affixed inside the collar, “Stage #2”; blood-stained blue cotton pants, with a drawstring and tape affixed inside the waist reading, “Stage #3”; a pair of blue Old Navy flip-flops; and a hospital identification band with “Amanda Via,” typed on the first line. Accompanied by three letters of authenticity from Twisted Pictures. In fine condition. The shirt and pants can be seen in the uncomfortable ‘needle pit’ scene in the film, when she is thrown into a large pit of hypodermic needles to find a key that will potentially rescue her and others from Jigsaw’s trap. The shoes can be seen briefly at the end of the film. This is the only known costume complete with hospital band. RR Auction COA.…(MB $200)

136 | Contemporary Costumes & Props

436.

434. Suburban Commando: Hulk Hogan.

Hulk Hogan’s screen-worn tank top from the 1991 film Suburban Commando. Extra large off-white tank top was worn in the production by Hogan, and can be seen in several promotional photos for the film. Accompanied by two photos from the film of Hogan in the tank top and a VHS of the film. In very good condition, with some scattered staining and a few small holes. RR Auction COA.…(MB $200)

Valkyrie. Complete Tunisian Afrika Korps uniform from the 2008 film Valkyrie. Uniform consists of an outer jacket, with Afrika Korps patches on the collar, and an additional patch around the lower portion of the right arm, and matching shirt and pants. Jacket also shows where previous patches or badges have been removed. Uniform was acquired from MGM and has likely seen use in other films. In fine condition, with expected wear. RR Auction COA.…(MB $200)

435. The T h i n Re d Line: Sean Penn. Complete

uniform worn by Penn in the role of Sergeant Welsh in the 1999 film The Thin Red Line. Complete World War II United States Army style uniform consists of: an olive-drab fatigue jacket with “Welsh,” written on the label; matching pants, with “Welsh” written on a pocket lining; off-white tank top; leggings; web belt and steel helmet, marked on a piece of tape affixed to the inside, “Welsh.” Accompanied by a color screen grab from the film of Penn in the uniform. All items have been intentionally distressed and bear evidence of wear from the film’s combat scenes, as well as grease remnants (mainly to jacket) otherwise fine condition. RR Auction COA.…(MB $200)

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437. Universal Soldier. Collection of eight screen-worn wardrobe items from the 1992 film Universal Soldier. Group consists of: a ‘turtle’ shell’ twosided desert camouflage battle armor chest piece, with both its shoulder pads, one with a Special Forces emblem, the other bearing a “Sniper” patch, worn by Ralf Moeller’s character GR76, with “Ralph” written on the inside of the armor; a pair of tactical fingerless gloves worn and a pair of white athletic socks worn by Dolph Lundgren’s GR13 character; camouflage pants worn by Eric Norris’s character GR86, and labeled on the inside, “GR86, Eric GR86”; and a mesh desert camouflage shirt. Accompanied by a 2011 letter of authenticity from the original owner who writes, “I received these items in 1993 from the wardrobe consignment business ‘Studio Wardrobe’…said items having been received by Carolco Film Production Company.” Also accompanied by a 2014 letter of authenticity listing the items and their origin from the costume shop. In overall fine condition. RR Auction COA.…(MB $200)

438. Universal Soldier: Dolph Lundgren. Screen-worn military-type headset worn by

Dolph Lundgren in his role as GR13 in the 1992 film Universal Soldier. Headset is made from resin, plastic, metal, and small detail pieces. Features include a small microphone, single earpiece, camera, and targeting device. Accompanied by a 2014 letter of authenticity which reads, in part: “Universal Soldier hero headset worn by Dolph Lundgren (GR13)… This is one of only a very few headsets made for the production, most having been broken during filming and thrown away due to their fragile nature.” Expected light wear and a tape repair to a complete separation to the head piece, otherwise fine condition. RR Auction COA.…(MB $200)

439. Dante’s Peak. Screenused special effects model car from the volcano eruption scene of the 1997 film Dante’s Peak starring Pierce Brosnan and Linda Hamilton. Black molded plastic and fiberglass model of a four-door sedan measures 26.5˝ long and has two small loops protruding from the trunk. In very good condition, with one missing wheel, another wheel loose and crooked, crack to grill, and moderate soiling. Accompanied by three VHS copies of the film, one DVD, and a movie poster. RR Auction COA.…(MB $200)

138 | Contemporary Costumes & Props

Quill from The Prisoner of Azkaban 440. Harry Potter and the Prisoner of Azkaban. Prop writing quill from the set of the third film

Harry Potter and the Prisoner of Azkaban. Quill measures almost 14˝ long with an inked end. Accompanied by a 2014 letter of authenticity which reads, “This writing quill with inked end was obtained from the production from a crew member who supplied props to the production. It was obtained along with other props from the production by myself when I placed an advertisement in the local Watford newspaper near Leavesden, where the movie was filmed.” In fine condition. RR Auction COA.…(MB $200)

441. Child’s Play. Screen-used insert

of the Good Guys Chucky doll, used in the 1988 film Child’s Play. Molded 3-D plastic insert measures 12 x 26.5 x 4 and features the upper portion of the doll, and was used in the Good Guys factory scenes. These molds were placed in the dolls’ boxes instead of complete dolls to save costs. Accompanied by a letter of authenticity from Cooper Owen. In fine condition. RR Auction COA.…(MB $200)

443. Gone in 60 Seconds. Prop license plate

made to be displayed on Eleanor, the Mustang 500 GTE featured in the 2000 film Gone in 60 Seconds. Black California plate with gold letters reading “LYN 274.” Nicely double-matted and framed with a DVD cover and a descriptive plaque to an overall size of 17.5 x 24. In fine condition. RR Auction COA.…(MB $200)

442. Film License Plates. Collection of nine screen-used license plates and

temporary tags. Items are: three license plates and three temporary tags used in the 2010 film Cash, starring Sean Bean and Chris Hemsworth, including from Bean’s car and Hemsworth’s Jeep; a blue and yellow California plate used in the 1984 film The Terminator; and two blue and yellow California plates from Goldie Hawn’s car in the 1980 film Seems Like Old Times. Accompanied by a 2014 letter of authenticity which states “all obtained from the prop masters on the relevant production.” In fine condition, with expected wear and paint chipping. RR Auction COA.…(MB $200)

June 26, 2014 | 139

The actual ring presented to Neeson’s Oskar Schindler by the grateful Schindlerjuden

444. Schindler’s List. Cinematically significant screen-used ring from the final scene of the 1993 Academy Award-winning film Schindler’s List. The ring is inscribed in the inside in Hebrew (translated): “Whoever saves one life, saves the world entire.” Accompanied by a certificate of authenticity from the film’s property master, Batia Grafka, which reads, “This is the inscribed ring given to Oskar Schindler by his factory workers during the final scene of Schindler’s List.” Also included is a photocopy of an August 5, 1993, fax between Dave Morino and Tiffany, presenting two different fonts of the ring’s inscription, and asking for a double-check on the spelling. In fine condition. When Oskar Schindler’s factory workers hear that he must flee, having become a hunted war criminal following the Allied victory, they make him this ring as a token of their appreciation. Presenting it to him and explaining that the inscribed quote is from the Talmud, they convey their deepest gratitude in showing him that by saving them, he has saved humanity. Given to Schindler (played by Liam Neeson) by Itzhak Stern (Ben Kingsley) during one of the finest moments in the groundbreaking, seven-time Academy Award-winning film, this ring represents one of the most remarkable pieces in cinematic history. RR Auction COA.…(MB $1000)

445. The Manitou. Production made

spirit Indian head from the 1978 cult horror film The Manitou. The black formed latex bust, with silver painted eyes, was made by the Thomas R. Burman studios and measures approximately 15˝ high and approximately 12˝ wide at the base. A similar head can be seen rising up from the center of the table during the seance scene with Tony Curtis, Stella Stevens, Ann Sothern, and Hugh Corcoran, as the evil spirit reveals its identity. In fine condition. RR Auction COA.…(MB $200)

140 | Contemporary Costumes & Props

446. Police Academy 3. Screen-used hat badge from the 1990 film Police Academy 3: Back in Training. Steel badge measures 2˝ in diameter, with “Metropolitan Police,” around the outside. Badge is missing its backing. Accompanied by an item tag from The Golden Closet. In fine condition. RR Auction COA.…(MB $200)

Trejo’s screen-used weapon of choice,

his hero machete

447. Machete: Danny Trejo. Screen-used ‘hero’ machete from the 2010 film Machete. The weapon features a 19˝ dull stainless steel blade and a 5˝ intentionallydistressed wooden handle. In fine condition, with expected wear and intentional distress. Prop was originally obtained by the film’s prop master. A scarce chance to acquire a main prop from the violent and messy B movie tribute. RR Auction COA.…(MB $200)

Screen-used bugs from the demise of Oogie Boogie

449.

448. Nightmare Before Christmas.

Two screen-used hand-painted stop-motion bugs used in the 2000 Tim Burton film The Nightmare Before Christmas. Each bug measures approximately 1.5˝ long, one with four legs and one with six legs and crazy spiral eyes. These bugs were used in the final Oogie Boogie death scene as bugs poor out of his body. Both are shadow-boxed and framed together to an overall size of 19 x 14. In fine condition. RR Auction COA.…(MB $200)

Titanic.

Fabulous screenused life jacket, used during the sinking scenes of the 1997 film Titanic. Onepiece jacket goes over the head, with canvas ties on the sides. Both the front and back have six pieces of Styrofoam, which were inserted through the Velcro-closing edges. Accompanied by a certificate of authenticity from 20th Century Fox. Also included is the jacket’s original paper wrapping with the studio’s sticker affixed. In fine condition, with scattered light soiling. RR Auction COA.…(MB $200)

June 26, 2014 | 141

450. Casino. Three

screen-used gambling chips used in the 1995 film Casino. Colorful chips from the Tangiers Hotel and Casino are in $1, $5, and $25 denominations. Accompanied by a certificate of authenticity from Premiere Props. In fine condition. RR Auction COA.…(MB $100)

452. Eddie Murphy.

Ebony magazine’s American Black Achievement Award presented to Eddie Murphy in 1985 for his contributions to the dramatic arts. Award measures 11.5˝ tall, with a gold silhouette in the upper portion of the award and a presentation plaque affixed to the bottom. In fine condition, with a bubble to finish along top edge. RR Auction COA.…(MB $200)

451. Charlie and the Chocolate Factory.

Screen-used business card from the 2005 film Charlie and the Chocolate Factory, presented to Willie Wonka (Johnny Depp) by Rupert Salt (James Fox). Salt’s Nuts business card measures 3.25 x 2, with “Rupert Salt, Founder & President,” printed under the company name, with the address and phone number printed in the lower corners. Card is displayed in a custom plexiglass frame, along with a color mini-poster of the film, to an overall size of 5 x 11.5. In fine condition, with frame’s front cover and base separated from remainder of display. RR Auction COA.…(MB $200)

142 | Contemporary Costumes & Props

453. Chris Rock.

CableAce award presented to Rock at the 19th annual national CableAce awards, for Rock as the host of the Chris Rock Show. Award measures 9.5˝ high, with a large glass ace of spades on top of a black base. In fine condition. RR Auction COA.…(MB $200)

Contemporar� Television 457. Baywatch: David Hassellhoff.

Screen-worn jacket worn by Hassellhoff’s character Mitch Buchannon. Bright red jacket features a zipup front and a Los Angeles County lifeguard patch on each arm. Accompanied by a 2014 letter of authenticity which reads, in part: “The original owner had worked on the production (payslips enclosed) as an extra and had been given the jacket worn by David during the production of the show. The owner told me that near the end of the season of production word had gotten around that the show would be cancelled so David had given it to him when he was shivering on the beach near the end of a hard day’s work. The jacket had subsequently been used by the owner’s girlfriend who applied patches to the piece and these were subsequently removed by myself.” Also included are several payslips from the extra. In very good condition, with areas of adhesive remnants around the jacket from removed patches. RR Auction COA.…(MB $200)

Paulie Walnuts’s track suit 458. The Sopranos: Tony Sirico. Track

suit worn by Tony Sirico as Paulie Walnuts in the HBO series The Sopranos. Black nylon track suit, made by Solare Sporta, features red stripes along the legs and sleeves. Both pieces have a Sopranos costume tag pinned to the labels, with “Paulie 5510 P510,” written on them. The coat’s label additionally reads, “D7 CH. 7,” while the pants’s label states “D7 CH3.” Also included is the white tank top worn by Sirico underneath the jacket. This outfit was worn in the episode entitled ‘Cold Cuts,’ Season 5, Episode 10. Suit was originally purchased at a charity auction and is accompanied by a certificate of authenticity from Elmerlane Corp. which states: “This jumpsuit, worn by Tony Sirico in an episode of The Sopranos, was purchased…at a charitable event organized for the Pediatric Cancer Foundation…at Morton’s Steakhouse…in the summer of 2005. The jumpsuit was donated by Silvercup Studios.” Also included is a copy of a color photo of Sirico in the suit. In fine condition. RR Auction COA.…(MB $200)

June 26, 2014 | 143

461. Spartacus: Male Rebel. Complete and very

459. Spartacus: John Hannah.

Complete screen-worn costume worn by Hannah in the role of Batiatus in the Starz network program Spartacus. Custom-made by the wardrobe department, the outfit consists of: a cream-colored tunic with gold highlights, a gray linen drape, blue shorts, brown leather cuffs highlighted with silver, a silver and gold necklace, and a pair of brown leather sandals with high soles. In fine condition. Accompanied by a certificate of authenticity from Starz. RR Auction COA.…(MB $200)

460. Spartacus: Male Rebel. Im-

pressive and complete screen-worn male rebel stunt costume worn in the Starz network program Spartacus. Costume is custom-made by the wardrobe department and consists of: a molded plastic and horse hair helmet; a brown and read leather chest piece with brass buckles and applied blood stains; multi-colored linen and leather draw string pants complete with adjustable molded leather cod piece; a large orange and reddish-brown drape; two lace-up leather cuffs; lace-up leather greaves, that appear to be made over baseball catcher’s shin guards, one with “Mana” written on the inside; and brown leather sandals. In fine condition, with expected wear and distress. Accompanied by a certificate of authenticity from Starz. RR Auction COA.…(MB $200)

144 | Contemporary Television

detailed screen-worn male rebel costume from Season Three of the Starz network program Spartacus. Custom-made by the wardrobe department the costume consists of: a molded plastic helmet with a feather plume, with various color paint accents; a brown leather chest piece; a gray cotton cloak highlighted with orange, green, and red; a gray cotton subligaria; a molded adjustable cod piece covered in animal fur; a brown leather bandolier with scabbard; two leather forearm covers; a leather cuff; a thin brown leather belt adorned with metal plates and stained with blood; a leather belt with a small piece of tape on the inside labeled “#1002”; and a pair of brown sandals. Also included is the large curved fiberglass battle shield, 31.5˝ high, painted brown with raised reliefs of gladiators and large jungle cats, with two leather straps on the reverse, and cracks and chips to the shield. In fine condition, with intentional wear and distress. RR Auction COA.…(MB $200)

462. Spartacus: Simon Merrells.

Screen-used gladiator sword, used by Merrells in the Starz network show Spartacus. Plastic and wooden prop sword measures 28˝ long, with a silver painted blade and wooden handle. Sword was used by Crassus’s father; and a set of three beige wash cloths, each measuring 33 x 17 unfolded, with gold braiding along two of the edges. In fine condition. Accompanied by two certificates of authenticity from Starz. RR Auction COA.…(MB $200)

463. Spartacus: Males. Three screen-worn male tunics from the Starz network program Spartacus. All three are custom-made by the wardrobe department with one tunic light yellow, with gold and tan highlights; one green, with burgundy, blue, and brown highlights; and one blue and green. In fine condition, with intentional wear and distress and some scattered soiling. Accompanied by three certificates of authenticity from Starz. RR Auction COA.…(MB $200)

464. Spartacus: Females.

Four screen-worn costumes from the Starz network program Spartacus, each custom-made by the wardrobe department. Costumes are: a Roman upper class orange and purple chiffon gown with brass bead highlights; a Roman upper class gown made of white chiffon with gold inlays; an eye-catching dress made from various materials in tan, gold, green, and orange; and a two-piece costume consisting of a white and black wool cloak with a two-piece purple, blue, and tan tunic. In fine condition, with intentional wear and distress. Accompanied by four certificates of authenticity from Starz, one for each costume. RR Auction COA.…(MB $200)

June 26, 2014 | 145

465. Spartacus: Females.

Three screen-worn costumes from the Starz network show Spartacus. Costumes were custom-made by the wardrobe department and consist of: white and gold Roman gown made from silk, cotton, and polyester; a green Muslin and silk dress, complete with an orange and brown linen and raw silk drape, leather belt, and brown leather sandals; and a custom-made blue, tan, and orange cloak, a multi-colored tunic, and a leather belt. In fine condition, with intentional wear and distress. Accompanied by three certificates of authenticity from Starz, one for each costume. RR Auction COA.… (MB $200)

466. Spartacus Female. Screen-worn dress from the Starz

network show Spartacus. Dress was custom-made by the wardrobe department and consists of an orange gown, made from a cotton, silk, and polyester blend, complete with blood stains; and the dress’s sheer dark orange drape, also blood stained. In fine condition. Accompanied by a certificate of authenticity from Starz. RR Auction COA.…(MB $200)

146 | Contemporary Television

467. Terra Nova. Collection of screen-used props and clothing from the 2012 Fox show Terra Nova. Items are: a plastic keycard and lanyard worn by a base medic; a production-used black zip-up jacket attributed to Jim Shannon (Jason O’Mara); and a black Fruit of the Loom t-shirt worn by Stephen Lang as Commander Tayler. Accompanied by a 2014 letter of authenticity for the jacket, shirt, and card and lanyard. In fine condition. RR Auction COA.…(MB $200)

468. Lost. Collection of screen-used props from Lost. Items are: a plaster version of the Virgin Mary statue, broken into three pieces; three golf balls and three tees used on the course made by Charlie and Hugo; three small bags of replica drugs used by Charlie; and a 14˝ long knife, with a stainless steel serrated blade and black sheath. Accompanied by a 2014 letter of authenticity which reads, in part: “These Lost props were obtained from the set decorator on the show in Hawaii in 2011 / 2012…The Virgin Mary is a Season 1 plaster version which is much rarer than the vacuum formed Season 2-3…The golf tees were used on set in Hawaii in Season 1 and 2 on the infamous golf course made by Charlie and Hugo.” In overall fine condition. RR Auction COA.…(MB $200)

469. Lost.

Screenused prop journal from the television series Lost. Leather bound journal measures 6 x 8.5, is not written in, and was used by Jeremy Davies’s character Faraday on the program. Journal was obtained by a crew member on the show and comes with his Season 4 crew shirt worn on the set, Accompanied by a 2014 letter of authenticity which reads, in part: “Original prop journal used by the character Faraday… in the fourth season of the show.” In fine condition. RR Auction COA.…(MB $200)

470. Seinf e l d . Brad-

bound “table draft” script for a 1997 episode of Seinfeld entitled “The Voice,” 8.5 x 11, 72 pages, signed on the cover in black felt tip by Jerry Seinfeld, Michael Richards, Julia Louis-Dreyfus, and Jason Alexander. Pre-certified PSA/DNA and RR Auction COA.… (MB $200)

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Contemporar� Signed & Posters

De Niro, Heston, Cruise and others entertain at the swanky Spago on Sunset Strip

476. Spago Celebrity Receipts. Collection of 64 credit card receipts from the mid-1980s, almost all from the world-famous Spago’s, Wolfgang Puck’s first restaurant in Beverly Hills, California. Receipts are signed by: Cher, Francis Ford Coppola, Tom Cruise (signing with his real name Thomas Mapother IV), Robert DeNiro, Charlton Heston, Jack Lemmon, Walter Matthau, Arnold Schwarzenegger, John Travolta, Anthony Quinn, Sean Penn, Sean Connery, Jean Pierre Aumont, Charles Bronson (2), Michael Caine, Richard Chamberlain, Sydney Chaplin, Warren Christopher, James Coburn, Phil Collins, S. M. De Laurentiis, Brian De Palma, John Denver, Stanley Donen, Clint Eastwood, Linda Evans, Chris Evert, Peter Falk, Sally Field, Jane Fonda, Peter Fonda, Glenn Ford, Gene Hackman, Patty Hearst, Zubin Mehta, Richard Meier, Lauren Hutton, Maurice Jarre, Esther Lamas, Sir David Lean, Sid Luft, Sidney Lumet, Dorothy McGuire, Dudley Moore, Eddie Murphy, Helmut Newton, Sidney Poitier, Sydney Pollack, Anthony Quinn, Michael Reagan, Diana Ross, Gunter Sachs, Roy Schieder, Sylvester Stallone (2), Rod Stieger, Donald Sutherland, Jean Yanne, Roger Vadim, Robert Wagner, Dionne Warwick, Billy Wilder, and Shelley Winters. The receipts are displayed in six frames, ranging in size from 9 x 19 up to 27 x 19. In overall fine condition. A veritable who’s who of 1980s Hollywood in an unusual format with great entertainment association. RR Auction COA.…(MB $300)

148 | Contemporary Signed & Posters

Rare Belushi Blues Brothers portrait with a ‘Joliet Jake’-inspired inscription, “Drive carefully and stay out of jail”

477. John Belushi.

Charismatic, self-destructive comedian and actor (1949–1982) whose brilliant career in television and film was cut short by his drug-related death at the age of 33. Uncommon glossy 9.5 x 7 French promotional photo from The Blues Brothers, showing Jake and Elwood Blues with Ray Charles, signed and inscribed in blue ballpoint, “Gunnar, Drive carefully and stay out of jail, John Belushi.” Trimmed top edge, staple holes to borders and corners, and a bit of trivial skipping to signature and inscription, otherwise fine condition. Originally obtained by Swedish film journalist Gunnar Rehlin. Belushi is notoriously scarce in signed photos, particularly from his signature role. Pre-certified PSA/ DNA and RR Auction COA.…(MB $200)

478. Robert DeNiro.

Schoolwork from DeNiro’s science class, one lined page, 6 x 9, signed along the top, “Robert DeNiro, Science.” DeNiro answers several questions regarding the heart and circulatory system, including “don’t know,” to three questions, and “the cell for protection is the white blood cell.” The teacher has made several small notations and graded the work a “4.” In fine condition. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

479. Alec Guinness. Glossy 8 x 10 photo of Guinness as Obi-Wan Kenobi, signed in purple ink, “Good wishes, Alec Guinness.” In fine condition, with some scattered light creases. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

June 26, 2014 | 149

483. Sylvester Stallone.

4 8 0 . Jack Nicholson.

Glossy 5.25 x 7 MGM United Artists promotional photo for Rocky III, signed and inscribed in black i n k , “ G u n n e r, Best. Sylvester Stallone.” In fine condition, with three tack holes to borders and a bit of irregular ink adhesion to sentiment. Originally obtained by Swedish film journalist Gunnar Rehlin. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

Glossy 8 x 10 United Artist publicity photo for One Flew Over the Cuckoo’s Nest, signed in blue ballpoint, “Regards, Jack Nicholson.” In fine condition, with some light spotting to finish, visible only at an angle. Pre-certified PSA/DNA and RR Auction COA.… (MB $200)

481. George C. Scott.

Glossy 10 x 8 20th Century Fox promotional photo for Patton, signed in black felt tip. In fine condition. Pre-certified PSA/DNA and RR Auction COA.… (MB $200)

484. Hollywood. Collection of 12 official Rawlings

482. David Carradine. Hand-forged Hanzo katana with scabbard, measuring 39.5˝’ long, with the stainless steel blade measuring 27’˝, signed on the scabbard in silver ink by Carradine. “David Carradine Kill Bill,” and adding the ying-yang symbol. In fine condition, with blade in need of cleaning. Pre-certified PSA/DNA and RR Auction COA.…(MB $200)

150 | Contemporary Signed & Posters

baseballs, each signed on the sweet spot in ballpoint by a different entertainer. Signers are: Helen Hayes, Geraldine Fitzgerald, Susan Sarandon, Ellen Burstyn (adding “Ellen Doesn’t Live Here Any More”), Douglas Fairbanks, Jr., Ralph Macchio, Joan Bennett, Cathy Lee Crosby, Garson Kanin, Bob Hope, Dan Aykroyd, and Elia Kazan. In overall very good to fine condition. RR Auction COA.…(MB $200)

486. Thunderbirds. Color

485. Time After Time. Original final script for the 1979 film Time After Time, starring Malcolm McDowell as H. G. Wells and Mary Steenburgen, 8.5 x 11, 118 pages, written by Nicholas Meyer. Signed and inscribed on the first page, “To Alex—Hope you enjoy it! Best always Mary Steenburgen,” and “Best wishes, Malcolm McDowell.” Additionally, McDowell’s name is written in pencil at the top of the first page, however, it cannot be verified that this was his copy. In fine condition, with some scattered light page toning. RR Auction COA.…(MB $200)

one sheet movie poster for the 2004 live-action film of The Thunderbirds, 27 x 40, signed in blue felt tip by Bill Paxton, Sophia Myles, Ben Kingsley, Soren Fulton, Anthony Edwards, Brady Corbet, and director Jonathan Frakes. Framed to an overall size of 28 x 41. In fine condition. Oversized. Pre-certified PSA/DNA and RR Auction COA.…(MB $150)

Very rare oversized 1978 ‘Style D’ poster for

the first Star Wars film 487. Star Wars. Extremely rare original color 40 x 60 Star Wars: A New Hope circus-style ‘Style D’ movie poster. Attractive cardstock poster was produced for the 1978 re-release of the classic film and features artwork by Drew Struzan and Charles White III. This poster is one of the few to feature the Jawas, the landspeeder, and the stormtroopers, as well as Darth Vader with a Dracula-type cape. Rolled and in fine condition, with scattered edge dings and creases. Far fewer of these large posters were produced due to the exponential cost as compared to standard one-sheet posters. This circus-style poster was designed to look as if it was peeling off a wooden fence, and is reportedly one of George Lucas’s favorite designs, with the original artwork rumored to be hanging in his home. RR Auction COA.…(MB $200)

June 26, 2014 | 151

Very rare 40 x 60 ‘Style A’ Empire Strikes Back poster, quickly replaced at Lando Calrissian’s request

488. Star Wars.

Super rare original color 40 x 60 ‘Style A’ movie poster for Star Wars: The Empire Strikes Back. Cardstock poster was produced in 1980 and features artwork by Roger Kastel, who was inspired by the 1967 re-release poster for Gone With the Wind, with many similarities between the two posters. Poster also has its NSS information printed in the lower border. Produced only for major motion pictures, there were fewer of these size posters produced due to the exponential cost as compared to standard onesheet posters. Scattered edge creases and dings, and a few corner creases, otherwise fine condition. Rolled. This particular design was quickly replaced after its release as Billy Dee Williams was unhappy his character, Lando Calrissian, was not featured on the poster. Later versions of this artwork had Williams’s character incorporated into the overall image. RR Auction COA.…(MB $200)

489. Raging Bull. Original

color 14 x 36 insert for Martin Scorcese’s 1980 Academy awardwinning film Raging Bull, starring Robert DeNiro, Cathy Moriarty, and Joe Pesci. In fine condition, with none of the folding creases that are typically seen on such inserts. An excellent example of this iconic image. RR Auction COA.…(MB $200)

490. Harry Potter. Large color 48 x 70 British preview poster

for the 2000 film Harry Potter and the Philosopher’s Stone, with an image of the back of Harry, and featuring several images of the film’s goblins, with “Goblins” printed across the lower portion of the poster. Wooden dowels have been inserted along the horizontal edges. In fine condition. Rolled. RR Auction COA.…(MB $200)

152 | Contemporary Signed & Posters

Terms and Conditions of Sale TERMS AND CONDITIONS OF SALE - AGREEMENT BETWEEN R&R AUCTION COMPANY, LLC AND BIDDER BY EITHER REGISTERING TO BID OR PLACING A BID, THE BIDDER ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH RR AUCTION. The following terms and conditions constitute the sole terms and conditions under which R&R AUCTION COMPANY (“RR Auction”) will offer for sale and sell the property described in the Catalog. These Conditions of Sale constitute a binding agreement between the Bidder and RR Auction with respect to the auction. By bidding at auction, whether in person, through an agent or representative, by telephone, facsimile, on-line, absentee bid, or by any other form of bid or by any other means, the Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby. NO BID MAY BE PLACED IN ANY MANNER UNLESS THE BIDDER HAS FULLY REVIEWED AND AGREES TO ALL OF THE “CONDITIONS OF SALE” EITHER PRINTED IN THE CATALOG OR ONLINE, AS WELL AS THE TERMS OF THE REGISTRATION FORM. BY PLACING ANY BID, THE BIDDER REPRESENTS AND WARRANTS TO RR AUCTION THAT HE OR SHE HAS FULLY REVIEWED AND AGREES TO BE BOUND BY ALL OF THESE “CONDITIONS OF SALE” AND THE TERMS OF THE REGISTRATION FORM. WITHOUT SUCH REPRESENTATION, WARRANTY AND AGREEMENT, RR AUCTION WOULD NOT PERMIT THE BIDDER TO BID. Bidder and RR Auction agree that any agreements between the Bidder and RR Auction including but not limited to these Conditions of Sale are entered into in Boston Massachusetts, Suffolk County, which is where the agreements are to be performed and the auction to take place, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location. Both RR Auction and the Bidder agree that any disputes under these Conditions of Sale, the subject matter hereof, the entering into, or any aspect of the auction, shall be exclusively governed by Boston Massachusetts, Suffolk County law, and that any and all claims or actions shall be brought and maintained only in Boston Massachusetts, Suffolk County. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TRIAL BY JURY. The Bidder hereby consents that any dispute shall be presented in confidential binding arbitration before a single selected Arbitrator selected by the American Arbitration Association. The Bidder and RR Auction herby agree that the dispute shall go to binding arbitration in accordance with the commercial rules of the American Arbitration Association. The American Arbitration Association arbitration shall be conducted under the provisions of the Federal Arbitration Act and the Bidder consents to jurisdiction in The Commonwealth of Massachusetts. Any dispute, claim, cause of action must be brought within one (1) year of the alleged breach, default or misrepresentation or the claim is waived. After one (1) year, the Bidder hereby releases and discharges RR Auction from any and all legal, equitable, administrative and/or other claims, counterclaims, demands, setoffs, defenses, accounts, suits, debts, dues, actions, causes of action, proceedings, arbitrations, damages, executions, judgments, findings, controversies and disputes, whether known or unknown or suspected or unsuspected, whether in law or equity, that the Bidder have or may have had against RR Auction arising from or relating to any claim whatsoever. Both Bidder and RR Auction agree that these provisions are intended to be binding on all parties in the event of any dispute specifically including third party claims and cross-actions brought by either RR Auction or Bidder, and that absent such agreement, RR Auction would not permit Bidder to bid hereunder. Any violation of the terms of this Paragraph shall entitle RR Auction to reasonable attorney fees and litigation costs in addition to all other available remedies, all of which remain reserved. The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any ju-

risdiction other than set forth in this paragraph as conclusive evidence of the parties’ agreement, and the parties further agree that the court shall immediately dismiss any action filed in such jurisdiction. An award granted in arbitration is enforceable in any court of competent jurisdiction. The arbitrator’s award may be enforced in any court of competent jurisdiction. This agreement and any claims shall be determined and construed under Boston Massachusetts, Suffolk County law. RR Auction is in compliance, to the fullest extent possible, with Boston Massachusetts, Suffolk County procedures regarding the bonding of auctioneers. Auctioneer and Auction: 1. This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company, LLC, as identified with the applicable licensing information on the title page of the catalog or on the www.RRauction.com Internet site (the “Auctioneer”). The Auction is conducted under these Terms and Conditions of Sale and applicable state and local law. Announcements and corrections from the podium at live auctions and those made through the Terms and Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed catalog. Bidder/Bidders: 2. “Bidder” or “Bidders” shall mean the original Bidder of the property from RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal. 3. The rights granted to Bidders under these Terms and Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise. Any attempt to assign or transfer any such rights shall be absolutely void and unenforceable. No third party may rely on any benefit or right conferred on any Bidder by these Terms and Conditions of Sale. 4. Bids will not be accepted from minor persons under eighteen (18) years of age without a parent’s written consent containing an acknowledgment that the Terms and Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder. 5. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions of Sale. 6. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the auction. 7. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid. 8. By accepting the Terms and Conditions of Sale, Bidder personally and unconditionally guarantees payment. If the Bidder is a corporation, the officers, directors, and principals of the corporation hereby agree to personally and unconditionally guarantee payment as part of the corporation’s agreement to bid. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by each principal, director and officer that they each personally and unconditionally guarantee any payment due RR Auction Credit: 9. In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social

security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the auction venue. Buyer’s Premium: 10. The Bidder acknowledges and agrees that a 22.5% buyer’s premium will be added to the hammer price on all individual lots, with a 2.5% discount for those paying by cash, check or wire. RR Auction may accept a current and valid VISA or MasterCard, credit or debit cards and/or PayPal for payment of an invoice totaling $5,000.00 or less, under the express condition that any property purchased by credit or debit card shall not be refundable, returnable, or exchangeable, and that no credit to Buyer’s credit or debit card account will be issued under any circumstances. The last sentence constitutes RR Auction’s “official policy” regarding returns, refunds, and exchanges where credit or debit cards are used. For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check has fully cleared or credit or debit card funds have been fully obtained. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the auction or within twelve (12) calendar days of the invoice date, whichever is later. Bidding: 11. By submitting a bid, whether online, in person, by mail, by phone, by facsimile or through an employee or agent, the Bidder acknowledges (i) receipt of the catalogue, (ii) that the Bidder has read the Terms and Conditions of Sale and the descriptions for the lots on which they have bid, and (iii) that they agree to adhere to these Terms and Conditions of Sale. 12. Each Bidder’s determination of its bid should be based upon its own examination of the item(s), rather than the strict reliance as to what is represented in this Catalogue, online or elsewhere. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS OF VALUATION CONCERNING ANY AND ALL PURCHASES. 13. RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the 22.5% Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and the Auctioneer has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake. 14. If the description of any lot in the catalogue is incorrect (e.g. gross cataloging error), the lot is returnable if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the sale date. NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED EXCEPT BY REASON OF LACK OF AUTHENTICITY, UNLESS OTHERWISE PROVIDED IN THESE TERMS AND CONDITIONS OF SALE. 15. All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder. 16. Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder. RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder. 17. It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all RISK OF LOSS once the lot(s) is in Bidder’s possession. 18. Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by

Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction a purchase money security interest in such sums or items to the extent applicable, and agrees to execute such documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued expenses, until the indebtedness is paid. 19. By bidding in this sale, Bidder personally and unconditionally guarantees payment. If the Bidder is a corporation, the officers, directors, and principals of the corporation hereby agree to personally and unconditionally guarantee payment as part of the corporation’s agreement to bid. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by each principal, director and officer that they each personally and unconditionally guarantee any payment due RR Auction. 20. RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders. 21. If a dispute arises concerning ownership of a lot that has been bid upon during the course of the sale, RR Auction reserves the right to commence a statutory interpleader proceeding at the expense of the Consignor and successful Bidder and any other applicable party, and in such event shall be entitled to its reasonable attorney’s fees and costs. 22. In the event of a successful challenge to the title to any goods purchased, RR Auction agrees to reimburse any Bidder in an amount equal to the successful bid price actually paid by Bidder at auction plus any Buyer’s Commission actually paid, in full and complete satisfaction of all claims, which once tendered by RR Auction, relieves and releases RR Auction from any responsibility whatsoever to the Bidder, even if the instrument is not cashed or is returned. Bidding Options: 23. Non-Internet bids (including but not limited to podium, fax, phone and mail bids) are treated similar to floor bids in that they must be onincrement. Any podium, fax, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered your high bid. 24. When identical mail or FAX bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. Auctioneer is not responsible for executing mail bids or FAX bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. 25. In internet only Auctions, bids on an item must raise the current high bid by at least 10%. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of the auctioneer. 26. RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless the Auctioneer directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). Bidders participating in both live and online auctions acknowledge that the law provides for substantial penalties in the form of treble damages and attorneys’ fees and costs for those who violate these provisions. For live auctions the auctioneer will have final discretion in the event that any dispute should arise between bidders. The auctioneer will determine the successful bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises our sale record is conclusive.

Payment: 27a. Subject to fulfillment of all of the Terms and Conditions of Sale set forth herein, at the close of the Auction, title to the offered lot will pass to the highest bidder acknowledged by RR Auction, and such bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as we may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than thirteen (13) business days following its sale and if it is not so removed, (i) a handling charge of 1% of the total purchase price per month from the 13th day after the sale until its removal will be payable to RR Auction by the Bidder, with a minimum of 5% of the total purchase price for any property not so removed within 60 days after the sale, and (ii) RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder. 27b. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 28. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) on the lot and any other damages pertaining to the lot. 29. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders, and are subject to all reporting requirements). All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) business day hold, and ten (10) days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via Check, personal or corporate checks. All others will be subject to a hold of five (5) days, or more, for the funds to clear prior to releasing merchandise. 30. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via Check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment. 31. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a one and one-half per cent (1.5%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer. If Auctioneer assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys. 32. If any applicable conditions herein are not complied with the Bidder will be in default and in addition to any and all other remedies available to RR Auction and the Consignor by law, including, without limitation, the right to hold the Bidder liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, RR Auction, may (a) cancel the sale of that, or any other lots sold to the defaulting Bidder at the same or any other auction, retaining as

liquidated damages all payments made by the Bidder, or (b) resell the purchased property, whether at public auction or by private sale, or (c) effect any combination thereof. In any case, the Bidder will be liable for any deficiency, any and all costs, handling charges, late charges, expenses of both sales, RR Auction’s commissions on both sales at our regular rates, legal fees and expenses, collection fees and incidental damages. RR Auction may apply any proceeds of sale then due or thereafter becoming due to the Bidder from RR Auction or any affiliated company, or any payment made by the Bidder to RR Auction or any affiliated company, where or not intended to reduce the Bidder’s obligations with respect to the unpaid lot or lots, to the deficiency and any other amounts due to RR Auction or any affiliated companies. In addition, a defaulting Bidder will be deemed to have granted and assigned to RR Auction a continuing security interest of first priority in any property or money of RR Auction’s owing to such Bidder in RR Auction’s possession, and RR Auction may retain and apply such property or money as collateral security for the obligations due to RR Auction. Payment will not be deemed to have been made in full until RR Auction has collected good funds. In the event the Bidder fails to pay any or all of the total purchase price for any lot and RR Auction elects to pay the Consignor any portion of the sale proceeds, the Bidder acknowledges that RR Auction shall have all of the rights of the Consignor to pursue the Bidder for any amounts paid to the Consignor, whether at law, in equity, or under these Terms and Conditions of Sale. 33. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession. 34. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper. 35. Please send PayPal payments to FinanceDepartment@rrauction. com. All checks, cashiers checks or money orders are payable to R&R Auction Company, LLC. Orders paid by cashier check, money order, wire, Pay Pal or credit card are shipped upon receipt. Delivery; Shipping; and Handling Charges: 36. Bidder is liable for shipping and handling. Auctioneer is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that Service and Handling charges related to shipping items which are not pre-paid may be charged to the credit card on file with Auctioneer. Unless otherwise specifically indicated, all merchandise is stored at Auctioneer’s facilities in Amherst, New Hampshire. The purchases shall be shipped from that facility unless bidder makes arrangements to take possession at the facility. 37. Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs. Title: 38. On the fall of the auctioneer’s hammer, title to the offered lot will pass to the highest bidder acknowledged by RR Auction but fully sub-

ject to Buyer’s compliance with all of the terms of the Conditions of Sale and the Registration Form. Rights Reserved: 39. RR Auction reserves the right to withdraw any lot before or at the time of the auction, and/or to postpone the auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone. Conducting the Auction: 40. RR Auction reserves the right to postpone the auction sale or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages. 41. RR Auction reserves the right to withdraw any lot at any time, even after the hammer has fallen, until the Bidder has taken physical possession of the lot. No Consignor who has registered to bid at the sale (or at any other time unless otherwise provided in the consignment agreement), or any Bidder or prospective Bidder shall have a right to claim any consequential damages if a lot is withdrawn, even after the sale. 42. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise. 43. Lots bearing bidding estimates shall open at Auctioneer’s discretion. In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold. 44. All items are to be purchased per lot as numerically indicated and no lots will be broken unless decided by RR Auction. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction. 45. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, failure to execute the reserve, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. 46. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, RR Auction may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact Client Services at 1-603-732-4280. 47. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers. Internet Auction – Extended bidding & the 30 Minute Rule: 48. Any bidder may bid on any lot prior to 6 pm. At that time, the Extended Bidding goes into effect. If you have not bid on a lot before 6 pm, you may not bid on that lot after 6 pm. Only those bidders who have placed bids on a lot before 6 pm will be allowed to bid on that lot after 6 pm. If you are the only bidder on a lot at 6 pm, that lot is awarded to you. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm. All lots WITHOUT an opening bid at 6 pm will remain OPEN to ALL bidders until 7 pm or until they receive their first bid. These lots will close immediately upon receipt of

a bid or at 7 pm, whichever comes first. For all lots that are active after 7 pm, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot. The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the auction closes individually based on bidding activity after 7 pm. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm. If you are the high bidder, raising your maximum bid will NOT reset the timer. RR Auction reserves the right to close the auction at any time at its sole discretion. Auctioneer’s Discretion: 49. RR Auction shall determine opening bids and bidding increments. The auctioneer has the right in its absolute discretion to reject any bid in the event of dispute between bidders or if the auctioneer has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful bidder in the event of a dispute between bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auction’s record of final sale shall be conclusive. The auctioneer also may reject any bid and withdraw the lot from sale if the auctioneer decides either that any opening bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by the auctioneer at the time of sale, no lots may be divided for the purpose of sale. Reserves: 50. Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. Off-Site Bidding: 51. Bidding by telephone, facsimile-transmission (fax-in), on-line, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form. RR Auction’ Remedies: 52. Failure of the Bidder/Buyer to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder/Buyer liable for the Purchase Price or to charge and collect from the defaulting Bidder/Buyer’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Buyer as damages (the Bidder/Buyer understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages; (b) resell the property without reserve at public auction or privately; (c) charge the Bidder/Buyer interest on the Purchase Price at the rate of one and one-half per cent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’ rights and remedies. Should RR Auction resell the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such buyer is the successful bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any buyer failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such buyer’s obligations to RR Auction, any property in RR Auction’ possession owned by such buyer. RR Auction shall have the benefit of all rights of a secured party under

the Uniform Commercial Code (U.C.C.) as adopted by The Commonwealth of Massachusetts. Warranties: 53. RR Auction does not provide any warranties to Bidders or Buyers, whether expressed or implied, beyond those expressly provided for in these Conditions of Sale. All property and lots are sold “as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the consignor makes any representation or warranty, expressed or implied, as to merchant ability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the consignor makes any representation or warranty, expressed or implied, as to whether the Buyer acquires rights in copyright or other intellectual property (including exhibition or reproduction rights) or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title. 54. All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Generally Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices. 55. Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly. 56. FIREARMS. Auctioneer complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm. Important Notice: Many identical versions of props and costumes are created for film and television productions in the normal course of a production. RR Auction does not warrant or represent that the screen shots referenced are exact images of the offered item (unless specifically noted in the written description). Use of a screen shot does not constitute a warranty or representation of authenticity or provenance. There is not a right of return or refund based upon a claim arising out of or pertaining to any reference to a screen shot. 57. Lots and property are not returnable to RR Auction for any reason except under Buyer’s limited Remedies set forth in Sections 58 and 59 below and under the express terms and conditions of Section 58. Limitation of Damages: 58. In the event that RR Auction is prevented for any reason from delivering any property to Buyer or Buyer is otherwise dissatisfied with the performance of RR Auction, the liability, if any, of RR Auction, shall be limited to, and shall not exceed, the amount actually paid for the property by Buyer. In no event shall RR Auction be liable for incidental, special, indirect, exemplary or consequential damages of any kind, including but not limited to loss of profits, value of investment or opportunity cost. Unauthorized Statements: 59. Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Terms and Conditions of Sale, any term or condition set forth on the Registration Form, any warranty or limitation

or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied on by Bidder as a statement, representation or warranty of RR Auction. Buyer’s Remedies: 60. Under no circumstance will RR Auction incur liability to a Bidder in excess of the purchase price actually paid. The terms and conditions of sale herein described shall be enforced in accordance with, and governed by the laws of The Commonwealth of Massachusetts. 61. This section sets forth the sole and exclusive remedies of Buyer in conformity with Sections 51-55 (“Warranties”) and 56 (“Limitation of Damages”) herein, and is expressly in lieu of any other rights or remedies which might be available to Buyer by law. The Buyer hereby accepts the benefit of the consignor’s warranty of title and any other representations and warranties made by the consignor for the Buyer’s benefit. In the event that Buyer proves in writing to RR Auction satisfaction that there was a breach of the consignor’s warranty of title concerning a lot purchased by Buyer, RR Auction shall make demand upon the consignor to pay to Buyer the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the consignor not pay the Purchase Price to Buyer within thirty days after such demand, RR Auction shall disclose the identity of the consignor to Buyer and assign to Buyer all of RR Auction’ rights against the consignor with respect to such lot or property. Upon such disclosure and assignment, all responsibility and liability, if any, of RR Auction with respect to said lot or property shall automatically terminate. RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction - this remedy is as to the consignor only. The rights and remedies provided herein are for the original Buyer only and they may not be assigned or relied upon by any transferee or assignee under any circumstances. 62. All Lots sold by RR Auction are accompanied by a Certificate of Authenticity. On any lot presented with a Certificate of Authenticity (“COA”) issued by RR Auction, that warranty insures only to the original Bidder (as shown in Auctioneer’s records) “Bidder”. Bidder may not transfer the rights afforded under the COA and it is null and void when Bidder transfers or attempts to transfer the lot. The COA warranty is valid from date of the auction in which Bidder was awarded the lot to five (5) years after its purchase. The COA warranty is valid as to its attribution to the person or entity described or to the lot’s usage. The Bidder as well as their heirs, successors and assigns is also given an unconditional lifetime guaranteed that allows the present owner of any lot purchased through RR Auction the right to consign with RR Auction. When the lot is accompanied by a Certificate of Authenticity (or its equivalent) from a third-party authentication provider, buyer has no right of return. On lots not accompanied by third-party authentication or under extremely limited circumstances not including authenticity (e.g. gross cataloging error), a Bidder who did not bid from the floor may request Auctioneer to evaluate voiding a sale; such request must be made in writing detailing the alleged gross error, and submission of the lot to Auctioneer must be pre-approved by Auctioneer. A Bidder must notify the appropriate department head in writing of the Bidder’s request within three (3) days of the non-floor bidder’s receipt of the lot. Any lot that is to be evaluated for return must be received at the office of RR Auction within 35 days after Auction. AFTER THAT 35 DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASONS. Lots returned must be in the same condition as when sold and must include any Certificate of Authenticity. If a bidder wishes to challenge the Letter of Authenticity within the five (5) year warranty period, Bidder must present with the claim, authoritative written evidence that the lot is not authentic as determined by a known expert in the field. If Auctioneer concurs that the lot is not as represented, Bidder shall be refunded

their purchase price. If the Auctioneer denies the claim, the Bidder may file the dispute with the American Arbitration Association with locale in Boston Massachusetts, Suffolk County, before a single selected Arbitrator selected by the American Arbitration Association. The American Arbitration Association arbitration shall be conducted under the provisions of the Federal Arbitration Act and the Bidder consents to jurisdiction in The Commonwealth of Massachusetts. The challenge to Authenticity must be brought within one (1) year if the Auctioneer denies the claim. After one (1) year, the Bidder hereby releases and discharges RR Auction from any and all legal, equitable, administrative and/or other claims, counterclaims, demands, setoffs, defenses, accounts, suits, debts, dues, actions, causes of action, proceedings, arbitrations, damages, executions, judgments, findings, controversies and disputes, whether known or unknown or suspected or unsuspected, whether in law or equity, that the Bidder have or may have had against RR Auction arising from or relating to any claim whatsoever. Specifically, the COA provided by RR Auction, does not provide for incidental or consequential damages or other indirect damages. Any lot sold with a certificate of authenticity or other warranty from an entity other than Auctioneer is subject to such issuing entity’s rules and such conditions are the sole remedy afforded to Bidder. For information as to third party authentication warranties the bidder is directed to contact RR Auction. RR Auction’ Additional Services: 63. For Buyers who do not remove purchased property from RR Auction’ premises, RR Auction, in its sole discretion and solely as a service and accommodation to Buyers, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Buyer. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice or credit card, RR Auction will include an administration charge. Headings: 64. Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer. Entire Agreement: 65. These Conditions of Sale constitute the entire agreement between the parties together with the terms and conditions contained in the Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties. 66. If any section of these Terms and Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court of competent jurisdiction, the remaining sections or terms and provisions of a section shall continue in full force and effect without being impaired or invalidated in any way. 67. These Terms and Conditions of Sale and the auction shall be construed and enforced in accordance with, and governed by, the laws of The Commonwealth of Massachusetts, whether or not the auction is and these Terms and Conditions of Sale are fully performed in Boston Massachusetts, Suffolk County.

AUCTION GENERAL GUIDELINES Conditions of Sale: Before you bid, you must read the Terms and Conditions of Sale, immediately preceding these pages. They represent a contract between RR Auction and you, and they contain important terms and conditions such as jurisdiction, payment terms, warranties and remedies. The Conditions of Sale are controlling over these general guidelines in the event of any conflicts between their respective terms. Estimate Prices: In addition to descriptive information, each item in the catalog some-

times includes a price range which reflects opinion as to the price expected at auction. In other instances, estimate prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimates are prepared well in advance of the sale and subject to revision. Estimates do not include the buyer’s premium or sales tax (see under separate heading). Reserves: The reserve is the minimum price the seller is willing to accept and below which a lot will not be sold. Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction. Buyer’s Premium and Sales Tax: The Bidder acknowledges and agrees that a 22.5% buyer’s premium will be added to the hammer price on all individual lots, with a 2.5% discount for those paying by cash, check or wire. RR Auction may accept a current and valid VISA or MasterCard, credit or debit cards and/ or PayPal for payment of an invoice totaling $5,000.00 or less, under the express condition that any property purchased by credit or debit card shall not be refundable, returnable, or exchangeable, and that no credit to Buyer’s credit or debit card account will be issued under any circumstances. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Before the Auction: You may attend pre-sale viewing for all of our auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. You are encouraged to examine lots thoroughly. You may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment. Contact Information: 5 Rt 101A, Suite 5 • Amherst, NH 03031 Local/International: 1-603-732-4280 Local/Int’l fax: 1-603-732-4288 Website: www.RRAuction.com Email bidding: Bid@RRAuction.com Hours of Operation: Office hours are Mon-Fri, 9 a.m. -5 p.m. eastern standard time; hours on the last night of the auction are dictated by the 30 Minute Rule (see below). Any item in the auction can be viewed in our offices during normal business hours. Please call to set up an appointment. You must acknowledge having read your agreement with all of the Terms and Conditions of Sale prior to your registration and prior to your bidding on any lot. Bidding Live Auction: Property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor at or above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. Maximum Bids – Internet Auction Only: To maximize your chance of winning, we strongly encourage the use of maximum bids. For example, assume an item you want currently has a high bid of $100. Your bid would then be $110 (10% over $100), and you could tell us, “I’d like a maximum bid of $242 for that item.” We will enter your bid at $110, and we will then bid for you until the lot reaches your maximum of $242. If competitive bids only reach $148, you would win the item at $163—10% over the highest previous bid. To prevent

tie bids, all maximum bids should be made in proper increments. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under bidder’s bid. Bid Increments: Bids on an item must raise the current high bid by at least 10% or at the discretion of the auctioneer. Checking Bids – Internet Auction Only: You can open, monitor, and/or raise bids as often as you wish. However, all bidding is governed by the 30 Minute Rule and extended bidding. Extended bidding always goes into effect at 6 pm on the last day of the auction. At 7 pm, the extended bidding ends and the 30 Minute Rule goes into effect. Callbacks – Internet Auction Only: RRAuction offers a callback service on auction night for any bidder who has the high bid on an item whose current bid is over $1,000 and who has placed a maximum bid. At your request, we will call you if your maximum bid is topped. We will need your correct telephone number(s) where you can be reached until the auction closes. Callbacks begin after 6 pm on auction night. You must request this service; it is not automatic. We make every effort to ensure that bidders who request a callback are contacted if outbid; however, we do not guarantee this service. Bidding - Internet Auction: To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. If you have questions about this feature, please call RR Auction well in advance of the auction. Winning bidders will be notified by RR Auction. RR Auction is not and cannot be responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. Bidding - Internet – Live Auction: During live Auctions, internet bids can be placed in real time through the following services: www.RRAuction.com, www.liveauctioneers. com, www.artfact.com and www.icollector.com. On some occasions beyond the control of RR Auction, the bid software or the Internet itself may not physically keep up with the pace of the auction. In order to help avoid disappointment, RR Auction recommends placing a realistic absentee bid now. Since Artfact and iCollector (hereinfafter referred to as “Third Party sites”) bids are not shown to RR Auction until RR Auction opens the lot on the floor, RR Auction treats those bids the same as floor or telephone bids. In most cases, however, the floor and/or telephone responds before the Third Party sites bid is presented, due to Live Internet bid software or Internet lag time, so for consistency it is RR Auction’ policy that floor bids and telephone bids are always considered first over Third Party sites bids with floor bids being considered before telephone bids. Also please note that all RR Auction lots purchased through the Third Party sites carry an additional Buyer’s Premium. RR Auction strongly urges the bidder to resolve any questions about these policies or their implementation PRIOR TO BIDDING. Successful Bids: The fall of the auctioneer’s hammer indicates the final bid. RR Auction will record the paddle number of the buyer. If your salesroom or absentee bid is successful, you will be notified after the sale by mailed or emailed invoice. Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the consignor. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers. After the Auction - Payment: You are expected to pay for your purchases in full within thirteen (13) calendar days of the auction or within twelve (12) calendar days of the invoice date. (See Generally “Payment” §27 through 35 of the Term

and Conditions of Sale). Shipping: After payment has been made in full, RR Auction may, as a service to buyers, arrange to have property packed, insured and shipped at your request and expense. For shipping information, please contact RR Auction at (603) 732-4280. In circumstances in which RR Auction arranges and bills for such services via invoice or credit card, we will also include an administration charge. Packages shipped internationally will have full value declared on shipping form. (See Generally “Delivery; Shipping; and Handling Charges” §36 and 37 of the Term and Conditions of Sale). At our discretion, some orders of high value may be sent via overnight or two-day service. Insurance is added to each invoice, with a minimum of $2 for the first $200 of value and 55¢ per $100 of value over $200. Oversized orders will have additional postage added to their invoices. Within the United States, rates for shipping and handling only are: $0–$100..........................................$10 $101–$500.......................................$15 $501–$1,000....................................$20 $1,001–$3,000.................................$35 $3,001–$10,000...............................$45 Over $10,000.................................$100 Additional Cataloging, Warranties and Disclaimers: NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opinion contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate. Release: In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opinion, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions of Auction or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, gross cataloging error, etc. and is the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer. Some Property sold by Auctioneer are inherently dangerous e.g. firearms, and items that may be swallowed or ingested or may have latent defects all of which may cause harm to a person. Bidder accepts all risk of loss or damage from its purchase of these items and Auctioneer disclaims any liability whether under contract or tort for damages and losses, direct or inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold. Dispute Resolution and Arbitration Provision: Bidder and RR Auction agree that any agreements between the Bidder and RR Auction including but not limited to these Conditions of Sale are entered into in Boston Massachusetts, Suffolk County, which is where the agreements are to be performed and the auction to take

place, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location. Both RR Auction and the Bidder agree that any disputes under these Conditions of Sale, the subject matter hereof, the entering into, or any aspect of the auction, shall be exclusively governed by Boston Massachusetts, Suffolk County law, and that any and all claims or actions shall be brought and maintained only in Boston Massachusetts, Suffolk County. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TRIAL BY JURY. The Bidder hereby consents that any dispute shall be presented in confidential binding arbitration before a single selected Arbitrator selected by the American Arbitration Association. The Bidder and RR Auction herby agree that the dispute shall go to binding arbitration in accordance with the commercial rules of the American Arbitration Association. The American Arbitration Association arbitration shall be conducted under the provisions of the Federal Arbitration Act and the Bidder consents to jurisdiction in The Commonwealth of Massachusetts. Any dispute, claim, cause of action must be brought within one (1) year of the alleged breach, default or misrepresentation or the claim is waived. After one (1) year, the Bidder hereby releases and discharges RR Auction from any and all legal, equitable, administrative and/or other claims, counterclaims, demands, setoffs, defenses, accounts, suits, debts, dues, actions, causes of action, proceedings, arbitrations, damages, executions, judgments, findings, controversies and disputes, whether known or unknown or suspected or unsuspected, whether in law or equity, that the Bidder have or may have had against RR Auction arising from or relating to any claim whatsoever. Both Bidder and RR Auction agree that these provisions are intended to be binding on all parties in the event of any dispute specifically including third party claims and cross-actions brought by either RR Auction or Bidder, and that absent such agreement, RR Auction would not permit Bidder to bid hereunder. Any violation of the terms of this Paragraph shall entitle RR Auction to reasonable attorney fees and litigation costs in addition to all other available remedies, all of which remain reserved. The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the parties’ agreement, and the parties further agree that the court shall immediately dismiss any action filed in such jurisdiction. An award granted in arbitration is enforceable in any court of competent jurisdiction. The arbitrator’s award may be enforced in any court of competent jurisdiction. This agreement and any claims shall be determined and construed under Boston Massachusetts, Suffolk County law. Miscellaneous: Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Terms and Conditions of Auction by these additional rules and shall be construed to give force and effect to the rules in their entirety.

TERMINOLOGY

Condition: Each item in the catalog is described with a statement of opinion indicating its overall condition. The condition of the items we offer generally falls into the following range: good—very good—fine—very fine. Treated as a scale of 1 to 4, good describes an item that has as many as several flaws, which are described in detail; very fine describes an item whose condition and appearance may be regarded as flawless and superior in every respect. Most of the items we offer are in fine condition, meaning that there are no serious flaws. While we make every effort to describe flaws that materially affect appearance and value, we generally do not specify minor or routine flaws, such as (but not limited to) pencil or secretarial notations, mailing folds to letters, normal aging to paper, or tiny bends or creases from normal handling. We encourage prospective bidders to examine the image(s) of each item closely and to contact us with specific inquiries regarding condition. Group Lots: In descriptions of group lots of two or more items, every effort is made to mention any obvious flaws. Bidders should note that condition for group lots is given as a general statement or range, and that specific flaws to single items within the group may be omitted in the interest of catalog space. Questions about group lots, or specific items within a group lot, should be addressed before the close of the auction to Stacey Jordan (Stacey.Jordan@RRAuction.com). Matted and Framed: Many of the items offered for sale in our monthly auctions are described as matted and/or framed. We do not remove items from frames; the given dimensions of items housed in a frame and/or mat indicate sight size only. Photographs and other ephemera used with matted and framed items are not subject to description and condition statements, nor are they considered a reason for return. Condition refers only to the item and not the mat or frame. Our terms of return apply only to the item and not the matting and framing. Any item that is removed from the frame cannot be returned. Returns are only accepted when there is an authenticity question or the description of the item is incorrect. Abbreviations and Terms: ALS - Autograph Letter Signed (a letter entirely handwritten and signed by the given personality) ANS - Autograph Note Signed (a shorter ALS) AQS - Autograph Quotation Signed AMQS - Autograph Musical Quotation Signed DS - Document Signed Endorsement - A signature on the reverse of a check, or a signature on a document indicationg approval or further instructions Ephemera - An unsigned item FDC - First Day Cover Inscribed - “Personalized” ISP - Inscribed Signed Photograph LS - Letter Signed (a letter in a secretary’s hand, but signed by the given personality) Souvenir Typescript - An excerpt from a speech, book, film, etc. or an account of an incident, typed by a collector and signed by the individual noted SP - Signed Photograph Sweet spot - The area on the baseball where the stitched lines are closest together. TLS - Typed Letter Signed Book Grading: Fine (F) - unused, no damage Near Fine (NF) - one or two very minor flaws Very Good (VG) - some signs of wear, but overall sound Good (G) - well-worn but complete Poor (P) - heavily worn, sufficient as a “Reading Copy” All defects will be noted. For complete book grading guide, please check online.

It’s the perfect spot for

gallery

The North End is steeped in history The Old North Church, the Paul Revere House, key stops along the Freedom Trail—Boston’s venerable North End is home to some American history heavyweights. Now it’s our home, too. Here, collectors and consignors can attend special auction events, preview featured items, and schedule professional appraisals—just as they’ve done for years in our New Hampshire office, where it’s still business as usual. RR Auction has a long history of achieving record-shattering results; with our new gallery situated in one of America’s most historic communities, we see a future filled with even more remarkable results.

(800) 937-3880 | www.RRAuction.com

(800) 937-3880 | WWW.RRAUCTION.COM | BOSTON, MASSACHUSETTS