When young Harry Kleiman’s family moved to Los Angeles in 1968, the cartoon fanatic—insatiable in his appetite for all things animated—began spending nearly every day after school visiting animation studios, learning about the process, and meeting the industry’s icons: Walter Lantz, Bob Clampett, Bill Hanna and Joseph Barbera, Chuck Jones, Marc Davis, Ollie Johnston, Frank Thomas, Ward Kimball, Grim Natwick, and Friz Freleng. These meetings sparked what would become his lifelong passion and business pursuit.
In 1980, Kleiman finished college and founded Collectors Paradise Galleries, attending dozens of conventions each year to buy, sell, and—his favorite—educate new collectors. In 1982, he was the first person to approach the Don Bluth Studio about selling their original cels from The Secret of Nimh. He also began making deals with Gary Goldman, offering cels from Dragon’s Lair and Space Ace. In 1984, he partnered Collectors Gallery in Studio City, where he was introduced to fellow animation enthusiasts from around the world.
Over the years, Kleiman accumulated one of the most impressive animation art collections in existence, portions of which he generously lent out to animation scholars to continue broadening the world’s understanding and appreciation of this beloved art form. As an animation veteran who has spent his life studying, buying, and selling, Kleiman is eager to branch out and educate the next generation. We are proud to be a part of his lifetime of passion.
DECEMBER 11, 2024
At 6 p.m. on Wed. December 11th t he one-hour extended bidding period begins followed immediately by the 30 Minute Rule. All times in RR Auction guidelines and instructions are stated according to the Eastern (U.S.) time zone.
Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com
1. John Adams Partial Document Signed as President. Partial vellum manuscript DS as president, one page, 12.25 x 4, May 23, 1798. Conclusion of an official letters patent document, beginning: “In testimony whereof, I have caused these Letters to be made Patent, and the Seal of the said United States to be hereunto affixed.” Neatly and prominently signed in ink by President John Adams, and countersigned by Secretary of State Timothy Pickering. Corner-mounted and framed to an overall size of 16.5 x 8. In fine condition. Starting Bid $500
2. John Adams Third-Person Autograph Document Signed. Autograph document signed in the third person by John Adams, one page, 5.25 x 3, February 7, 1764. Handwritten payment receipt ostensibly issued by Colonel John Quincy (??1689–1767), the grandfather of Abigail Adams, in part: “Braintree Feby 7th 1764, Rec’d of John Adams seven Pounds eighteen Shillings and four Pence in full for a Bond put in first…Wm. Penniman.” Signed below by “J. Quincy.” Archivally double-matted and framed with two plaques and a portrait to an overall size of 22 x 16. In fine condition, with faint stains in the bottom blank area. Starting Bid $200
Thomas Jefferson pays to his sculptor, W. J. Coffee, through the physician that attended to Alexander Hamilton’s fatal injuries
3. Thomas Jefferson Autograph Letter Signed to Dr. David Hosack, Attending Physician to Alexander Hamilton, Remitting Payment to an English Sculptor. ALS signed “Th: Jefferson,” one page, 8 x 8.75, March 5, 1821. Handwritten letter from Monticello to “Dr. David Hosack,” in full: “At the request of Mr. Coffee I formerly took the liberty of putting a letter to him under the protection of your cover, having occasion to make him again a remittance of 40.D. for a like object with the former, and not knowing certainly that he is at N. York, I take the same liberty again. the remittance being to be made by my correspondent in Richmond I pass this letter thro’ his hands that he may inclose in it the one he addresses to Mr. Coffee. I embrace with pleasure every occasion of assuring you of my great esteem & respect.” Mounted, matted, and framed with a portrait to an overall size of 15 x 20.75. In very good to fine condition, with scattered light creasing and
foxing, and short repaired tear to the left edge.
American physician, botanist, and educator, David Hosack (1769–1835) is best known as the doctor who tended to the fatal injuries of Alexander Hamilton after his duel with Aaron Burr in July 1804, and who had similarly tended to Hamilton’s son Philip after his fatal 1801 duel with George Eacker. The “Mr. Coffee” that Jefferson mentions here is William John Coffee (1774–1846), an English sculptor commissioned to make busts of Jefferson and his family between 1818 and 1820. He was thereafter intermittently hired by Jefferson for various tasks: for example, he was employed to create classical architectural frieze ornaments in lead and plaster for the University of Virginia and for Jefferson’s Bedford County retreat, Poplar Forest, and also made repairs to paintings in Jefferson’s art collection. Starting Bid $1000
Honoring the Revolution’s ‘Hero of Bennington’
4. James Madison Autograph Letter Signed, Honoring General John Stark. ALS as president, one page, 7.75 x 9.75, December 27, 1809. Letter to Reverend William Bentley regarding a testimonial for General John Stark. In part: “I have addressed the few lines enclosed to General Stark. If the possession of this sincere testimony of my esteem be entirely satisfactory, it may perhaps be as well that it should not be followed by a publication; the sole object being, to contribute in that form, whatever gratification may be afforded to him, by bearing the sentiments of one, of whom he has been pleased to think and to speak so favorably. With entire confidence in your judicious estimate of the case, I limit myself to this intimation.” In fine condition, with all writing uniformly faded, and professionally cleaned and silked on both sides.
John Stark was a major general in the Continental Army who became known as the ‘Hero of Bennington’ for leading the decisive American victory at the Battle of Bennington in 1777. Madison’s message to him commended his role as ‘a hero and patriot in establishing the independence of our country.’ Stark responded in a similarly laudatory manner, and the two remained friends and correspondents for the rest of their lives. A superb piece associated with the success of the American Revolution. Starting Bid $200
6. James Madison Document Signed as President. Partlyprinted vellum DS as president, one page, 13 x 17, July 24, 1813. President Madison appoints Benjamin Austen, Jr., as a “Surgeon mate in the Navy in the Service of the United States.” Signed at the conclusion by James Madison. The original embossed white seal remains affixed to the lower vignette. Impressively and ornately gilt-framed to an overall size of 28.25 x 32.25. In fine condition. Accompanied by a full letter of authenticity from JSA. Starting Bid $200
“The proceedings of this Country as known in England in Jan’y had, with other events, made no slight impression there”
5. James Madison Autograph Letter Signed as President to Attorney General Caesar A. Rodney. ALS as president, one page, 7.75 x 9.75, April 14, 1809. Handwritten letter to Attorney General Caesar A. Rodney, in part: “Your favor on the subject of White was duly read. The Secy. of S. will have informed you of the intimation to Mr. Dallas that a Hol. pros: was thought not an eligible course. I have read a letter from Gen. Sinden on the case of Olmstead & inclose a copy of my answer. The proceedings of this Country as known in England in Jan’y had, with other events, made no slight impression there.” Mounted, double-matted, and framed to an overall size of 16 x 18.5. In fine condition, with faint mottled toning.
The recipient, Caesar Augustus Rodney (1772–1824), a nephew of Declaration of Independence signer Caesar Rodney, served as a member of the House of Representatives from Delaware, as Attorney General under Jefferson and Madison, a Senator from Delaware, and as United States Minister to Argentina. Starting Bid $200
7. James Madison and James Monroe Document
Signed as President and Secretary of State. Partial vellum DS, signed “James Madison” as president and “Jas. Monroe” as secretary of state, one page, 12 x 7.5, June 20, 1815. The bottom section of a patent document, signed by both Madison and Monroe and countersigned by Attorney General Richard Rush. The left side retains the original white seal and ribbon. Mounted, cloth-matted, and framed with two portraits to an overall size of 20 x 21.5. In fine condition, with all handwritten portions, including the signatures, light but legible. Starting Bid $200
8. James Monroe Autograph Document Signed as Secretary of State (1812). War-dated ADS as Secretary of State, signed “Jas. Monroe,” one page, 6.75 x 2.5, July 21, 1812. Handwritten financial document, in full: “Mr. Smith will be so good as to send me by the bearer four hundred doll’s & oblige.” Archivally mounted, matted, and framed with two plaques and a portrait to an overall size of 22 x 15.75. In fine condition. Starting Bid $200
9. James K. Polk Signed Free Frank. Full hand-addressed free frank, 4 x 2.75, addressed in Polk’s hand to “Joseph H. Talbot, Esqr., Jackson, Madison County, Tennessee,” and franked in the upper right, “Free, J. K. Polk.” Panel also bears a “Free” stamp to the right and a date stamp to left, “Dec. 28.” Archivally double-matted and framed with a portrait and two plaques to an overall size of 14 x 18.25. In very good to fine condition, with light soiling, and a central vertical fold. Starting Bid $200
Shortly after his victory at Buena Vista, Taylor defies the wishes of his superiors by not reinstating an officer
10. Zachary Taylor Letter Signed, Defying His Superiors After the Battle of Buena Vista. LS signed “Z. Taylor, Majr. Genl, U.S.A, Comdg,” one page, lightly-lined both sides, 8 x 9.75, April 3, 1847. Letter to Adjutant General of the Army Roger Jones. In full: “I have duly received a copy of your communication dated January 22nd to S.B. Hinton late Captain in the 2nd Ohio regiment and your unofficial note of Jany 23rd on the same subject. Capt. Hinton has reported to his Colonel, but as the vacancy caused by his discharge had been duly filled by an election the case was referred to me, and I have felt bound under all the circumstances to decline issuing any order to restore him to his command.
Upon reference to the files it appears that Capt. Hinton’s application for leave of absence reached my Head Quarters on the 13th of December as I was on the point of marching for Victoria, and by some inadvertence incident to the press of business, is supposed to have been mistaken for a resignation and orders given accordingly. Had Capt. Hinton before leav-
ing the country notified his Colonel and my staff officer of this mistake, it would have been corrected at once, and no election held to supply his place; but in the absence of such correction the usual course was taken and his vacancy filled. As I had authority at any rate to order discharges in such cases, and as the new incumbent was legally and in due form elected, I do not consider that I have any right to displace him. I have advised Col. Morgan however that if any arrangement can be made within the regiment to meet the wishes of Capt. Hinton without detriment to the services or the rights of others, it will receive my sanction.”
In fine condition, with some mild toning along mailing folds. Captain Simon B. Hinton had written to Secretary of War William M. Marcy about his situation, telling him that he had applied for a leave of absence because of his health, but was instead discharged. Despite the fact Jones and Secretary of War Marcy authorized Taylor to reinstate Hinton, Taylor stood firm on his decision. Starting Bid $200
President Lincoln promotes a lieutenant in the “First Regiment of Cavalry” amidst the Civil War
11. Abraham Lincoln Document Signed as President, Appointing a First Cavalry Officer as Second Lieutenant. Partly-printed vellum DS as president, one page, 15.75 x 19.5, May 20, 1864. President Lincoln appoints John F. Small as “Second Lieutenant in the First Regiment of Cavalry, in the service of the United States.” Boldly signed at the conclusion in ink by President Abraham Lincoln and countersigned by Secretary of War Edwin M. Stanton. The blue seal affixed to the upper left is creased but intact. In fine condition. A desirable Civil War military commission boldly signed by President Lincoln. Starting Bid $1000
President Grant requests ‘Foreign Compliance with Treaty Provisions’ regarding legal Canadian fishing grounds
12. President U. S. Grant Seeks Foreign Compliance with Canadian Fishing Laws. Partly-printed DS as president, one page, 8.5 x 11, July 1, 1873. President Grant directs the Secretary of State to affix the Seal of the United States to “my Proclamation relating to certain Articles of the Treaty of Washington of 8th May 1871 (Fisheries).” Signed at the conclusion by U. S. Grant. In fine condition, with some trivial wear to the right edge.
This document pertains to President Grant’s signing of Proclamation 214, ‘Certifying Foreign Compliance with Treaty Provisions,’ a reflection on an article found within the 1871 Treaty of Washington, which was an accord between the United Kingdom and the United States that settled various disputes between the countries. Proclamation 214 was signed to certify the compliance of foreign countries, Great Britain in this instance, with the lawful use of Canadian fisheries. Starting Bid $200
14. U. S. Grant Document Signed as President, Recognizing a Cavalryman “for gallantry in charging a band of Indians, killing and capturing more of the enemy than he had men”. Partly-printed vellum DS as president, one page, 15.75 x 19.25, April 14, 1869. President Grant confers on “John F. Small of the Army of the United States by and with the advice and consent of the Senate, the rank of Captain by Brevet, in said army…for gallantry in charging a band of Indians, killing and capturing more of the enemy than he had men, on Silver Lake, Oregon, September 7, 1867.” Crisply signed at the conclusion in ink by President U. S. Grant and countersigned by Secretary of War John A. Rawlins. The blue seal affixed to the upper left is creased but intact. In fine condition. Starting Bid $200
Rare signature of James A. Garfield cut from a presidential check
Image larger than actual size.
15. James A. Garfield Signature as President. Rare ink signature as president, “J. A. Garfield,” on an off-white 4 x 1 slip cut from a Riggs & Co. bank check. In fine condition. Accompanied by a transmittal letter from his son, James Rudolph Garfield, December 18, 1939, in part: “I am pleased to send you an autograph of my Father which I cut from a cancelled check”; also includes an earlier letter from Harry Augustus Garfield pertaining to his father’s autograph.
This is an exceptionally rare signature of James A. Garfield, clipped from a check by his son, James R. Garfield, and sent in 1939 along with a transmittal letter. The primary question revolves around the ability to confirm its authenticity as a presidential signature, given the absence of a date. Following a comprehensive investigation, the signature has been unequivocally verified as that of President Garfield.
Fortuitously, there exist four complete checks and two partial checks in private hands and institutions, all drawn on Riggs & Co. bank in Washington, D.C. By meticulously comparing the clipped signature with these known checks, it becomes evident that they share the same bank and time period. Notably, the signature exhibits identical characteristics, including the presence of the same revenue stamp and printer issues in the inner border printing and throughout.
A pivotal discovery emerged during a perusal of the Riggs & Co. Records, revealing that Garfield initiated this specific account upon his assumption of the presidency in Washington. Further supporting evidence is provided by known comparables, indicating that Garfield was only on Check #16 by April 1st, 1881— 28 days into his presidency. This historical context lends credence to the authenticity of the signature, solidifying its significance as a genuine artifact from James A. Garfield’s presidential era. Starting Bid $200
Significant document signaling the end of the Spanish–American War, with President McKinley exchanging his ratification of “the Treaty of Peace between the United States and Spain”
16. President William McKinley Ratifies the Treaty of Peace Between the United States and Spain. Historic DS as president, one page, 8 x 10, Executive Mansion letterhead, March 29, 1899. President McKinley directs the Secretary of State to cause the Seal of the United States to be affixed to “my full power authorizing him to effect the exchange of my ratification for that of Spain of the Treaty of Peace between the United States and Spain, concluded at Paris December 10, 189[8].” The document errantly lists the year date as 1899. Signed nicely at the conclusion by William McKinley. In fine condition. Accompanied by an original copy of an English-Spanish language 13-page booklet print of the “Treaty of Peace between the United States of America and the Kingdom of Spain.”
On April 11, 1898, roughly a year before signing the offered document, President William McKinley asked Congress for authorization to end the fighting in Cuba between the rebels and Spanish forces, and to establish a ‘stable government’ that would ‘maintain order’ and ensure the ‘peace and tranquility and the security’ of Cuban and U.S. citizens on the island. On April 20th, Congress passed a joint resolution that acknowledged Cuban independence, demanded that the Spanish government give up control of the island, foreswore any intention on the part of the United States to annex Cuba, and authorized McKinley to use whatever military measures he deemed necessary to guarantee Cuba’s independence.
The Spanish government rejected the U.S. ultimatum and immediately severed diplomatic relations with America. McKinley responded by implementing a naval blockade of Cuba on April 22nd and issued a call for 125,000 military volunteers the following day. That same day, Spain declared war on the United States, and Congress voted to go to war against Spain on April 25th.
After isolating and defeating the Spanish army garrisons in Cuba, the U.S. Navy destroyed the Spanish Caribbean squadron on July 3rd as it attempted to escape the U.S. naval blockade of Santiago. On July 26th, at the behest of the Spanish government, the French ambassador in Washington, Jules Cambon, approached the McKinley Administration to discuss peace terms, and a cease-fire was signed on August 12th. The war ended four months later when the U.S. and Spanish governments signed the Treaty of Paris on December 10, 1898, which was officially proclaimed on April 11, 1899. Starting Bid $200
Remarkable archive from the papers of Woodrow Wilson’s daughter, featuring the president’s 1917 ‘War Message’ cue cards
17. Woodrow Wilson: Family Correspondence
Archive with President Wilson’s 1917 ‘War Message’ Cue Cards, Letters by Woodrow Wilson, Edith Bolling Wilson, and Others - 125+ Pieces. Extensive archive of historic Wilson family correspondence, comprising over 125 letters to Woodrow Wilson’s daughter, Margaret, plus important ephemera including the cue cards used by President Wilson to read his ‘War Message’ to Congress on the eve of US entry into World War I, a dining car menu signed by Wilson and other dignitaries visiting Paris in 1918 after the Armistice, and candid photographs from the Wilsons’ trip to France. The letters are from Woodrow Wilson, his wife Edith Bolling Wilson, his daughters Jessie and Eleanor, White House Chief Usher Ike Hoover, Secretary to the First Lady Helen Bones, Wilson’s Secretary of the Treasury (and Margaret’s brotherin-law) William G. McAdoo, L. C. ‘Mother’ Pickett, and others. Most are unseen and unpublished, lending unique and extraordinary insight into the Wilsons and their circle during a momentous period in world history—the advent and conclusion of World War I, in which Wilson called for America to abandon its policy of neutrality to fight for the rights of man throughout the globe, exclaiming to Congress that the “world must be made safe for democracy.”
In the aftermath of World War I, in October 1919, President Wilson suffered a debilitating stroke that rendered him largely incapacitated. First Lady Edith Wilson then took a leading role in the administration, managing the office of the president under her ‘stewardship,’ controlling access to President Wilson and filtering his official correspondence. During this period Mrs. Wilson was virtually in charge of the Executive Branch, and as such became one of the most influential First Ladies ever to occupy the White House. In her letters to Margaret, she candidly discusses Woodrow Wilson’s health and medical care, and also outlines plans for the inauguration of Wilson’s successor, Warren G. Harding, on March 4, 1921.
Highlighting of the archive are five Woodrow Wilson autographs and sixteen Edith Bolling Wilson autographs, including:
Woodrow Wilson’s original printed cue cards used to deliver his stirring ‘War Message’ to Congress from the rostrum of the House of Representatives on Capitol Hill, April 2, 1917, containing the complete text of his historic speech. In small part: “We are now about to accept gauge of battle with this natural foe to liberty and shall, if necessary, spend the whole force of the nation to check and nullify its pretensions and its power.” Wilson emphasized that America’s quarrels were with the German government, not its people, and signaled the emergence of the United States as a world power.
TLS by Woodrow Wilson as president, signed “Father,” one page on White House letterhead, September 14, 1916, addressed to “My dear Little Daughter.” In part: “We had a very quiet and delightful trip down on the Mayflower, but, of course, I came away with a very heavy heart. I hope that you will have me kept informed from day to day of sister’s condition. I should like, if possible, to join the little family party at the least, even at the cost of cancelling public engagements…I wish you were with us all the time.”
TLS as president, signed “Woodrow Wilson,” two pages on two adjoining sheets embossed with the presidential seal, Paris, April 1, 1919, addressed to “My dear Little Girl.” In part: “We are all well. I am having a desperate struggle to bring the French to form some conclusion about something, but the struggle cannot last much longer. There is, so far as I can see, nothing more to say.” Wilson writes during the second phase of the Paris Peace Conference, during which he met great resistance from the French. Just three days before, they had brought up a sensational demand, asking to annex the coal-rich Saar region as a condition of their entry into the League of Nations. The peace talks came to a frightening head, and Clemenceau threatened to abandon the conference altogether. It was only after Wilson’s sudden and debilitating respiratory illness on the morning of April 3rd that the Big Four returned to the table with an eye towards conciliation.
Remarkable dining car menu from the “Train Présidentiel, Brest à Paris, Diner du 13 Decembre 1918,” signed on the reverse by 20 Allied dignitaries, including: Woodrow Wilson, Edith Bolling Wilson, John J. Pershing, Secretary of State Robert Lansing (and wife Eleanor Lansing), Gen. Tasker H. Bliss, Ambassador to France William G. Sharp, Gordon Auchincloss (Col. House’s son-in-law), Mary A. Benson (wife of Admiral Benson), French Ambassador Jean Jules Jusserand (and his wife Elisa), French Minister of Marine Georges Leygues, Secretary to the U.S. Commission to the Versailles Peace Conference Joseph Clark Grew, and others. The Armistice ending World War I had been reached only three weeks earlier when President Wilson and his party sailed for France from Hoboken, New Jersey, aboard the S.S. George Washington on December 4, 1918. The party landed at Brest on the 13th and were met by the personal train of France’s President Clemenceau, and left for Paris at 5 p.m. In her autobiography, Edith Wilson remarked that ‘the dining car service was terrible,’ attributing it to the results of the war. Includes ten vintage candid photographs, mostly taken in Europe just after the Armistice was signed in 1918, including shots of President Wilson on parade through Paris and other photographs of President Wilson and Margaret Wilson with Gen. Pershing in France. Starting Bid $500
Kennedy pranks his Hollywood brother-in-law Peter Lawford in a rare, humorous autograph letter as president: “Read
& be prepared for
revisions at 8:30 AM—Louis B. Mayer”
18. John F. Kennedy Autograph Letter Signed as President (as “Louis B. Mayer”) to Peter Lawford. Humorous autograph letter signed by John F. Kennedy as president, “Louis B. Mayer,” one page, 5 x 8, White House letterhead, no date but circa 1961. Kennedy writes to his brother-in-law Peter Lawford as a joke: “Read & be prepared for revisions at 8:30 AM—Louis B. Mayer.” In very good to fine condition, with staining at the top affecting only appearance.
Prior to this letter, JFK had received an early script for the eventual movie PT-109 which would star Cliff Robertson as Lt. Kennedy. Peter Lawford, his brother-in-law at this time, was a veteran actor with much experience around Hollywood. Kennedy naturally wanted Lawford’s opinion and advice on the draft, and so invited Lawford and his sister to spend a weekend at the White House.
That first evening after his arrival JFK and Lawford eventually went upstairs and over drinks JFK told Lawford that the MGM studio was behind the project. Unbeknownst to JFK, Lawford was then at odds and having contract difficulties with MGM studio head Louis B. Mayer, who Lawford detested. Lawford got really upset and told the president he wanted nothing to do to help MGM, who he was at war with and was making his life miserable. The following morning JFK left early for some meeting but before he did he left this incredible letter in Lawford’s breakfast tray along with the draft screenplay. What a way to get a rise out of Lawford! Lawford jumped up, spilling his coffee and leaving a stain on the letter. This unique and unpublished letter is one of only a handful of known Kennedy handwritten letters as president on White House stationery. Another amazing artifact shining once again on the brilliant wit and great sense of humor and playfulness of JFK. In very good to fine condition. Accompanied by a glossy 10 x 8 photograph of Kennedy and Lawford together in a limousine.
Provenance: Patricia Seaton Lawford, Peter Lawford’s wife at the time of his death. Starting Bid $300
Kennedy consults the former Treasury Secretary as Germany reaches a boiling point in 1961
19. John F. Kennedy Typed Letter Signed as President to Hon. John Snyder, Thanking Him for Support During the Berlin Crisis. TLS as president, one page, 6.75 x 8.75, White House letterhead, August 9, 1961. President Kennedy thanks former Secretary of the Treasury John W. Snyder for his support during the Berlin Crisis. In full: “Many thanks for your very kind and generous letter. It is most reassuring and heartening to know that my message has met with the approval and confidence of many thoughtful citizens. You yourself have been through earlier crises, and I am most pleased to have both your reactions and your offer of service.” In fine condition, with faint toning from prior display. Accompanied by a color glossy 6 x 8 print of a photo of JFK in the Oval Office, taken the same day.
Two weeks earlier, on July 25, 1961, Kennedy reported to the nation on the Berlin crisis, pledging to defend West Berlin and Western postwar occupation rights and outlining a six-point plan for a balanced military buildup to meet commitments
in Germany and elsewhere. Clearly that was the message he references here, a message “met with the approval and confidence of many thoughtful citizens.” Snyder, as a member of Truman’s cabinet, had also “been through earlier crises” in Berlin via the 1948 Berlin Airlift.
After the Soviet occupation of Eastern Europe at the end of World War II, many residents of the newly acquired areas of the Eastern Bloc aspired to independence and wanted the Soviets to leave. The Soviet Union instead blocked access to the three sectors of Berlin held by the United States, Great Britain, and France. Now, years later, Kennedy watched as another crisis in Germany reached a boiling point. On August 13, East Germany sealed off free passage between East and West Berlin with barbed wire. Two days later, the building of the Berlin Wall began, closing access to the West for the next 28 years. Astonishing correspondence from one of the more heated periods of the Cold War. Starting Bid $300
“‘You can’t say Dallas wasn’t friendly to you’... Seconds later, three shots rang out”—historic
15-foot-long United Press teletype roll
on the death of President John F. Kennedy
20. Kennedy Assassination: United Press International Teletype Roll (Approx. 15 Feet in Length). Original roughly 15-foot-long United Press International teletype roll reporting the breaking news of the death of President John F. Kennedy following his assassination in Dallas, Texas, on November 22, 1963. The roll consists of bulletins UPR158, which offers a Kennedy family biography and Oregon weather reports, and bulletins UPR163 through to UPR 177, which includes ample aftermath details on the shooting, the arrest of Lee Harvey Oswald, the inauguration of Lyndon B. Johnson as president, and reactions from national and international figures. Highlights are as follows:
UPR163: “President Kennedy is dead at the hands of an assassin and Lyndon Johnson has taken the oath of office as the 36th President of the United States. Mr. Kennedy was shot in the head as he rode through friendly crowds through downtown Dallas. Texas Governor John Connally was seriously wounded by the assassin. Dallas police have arrested a prime suspect— Lee Oswald.”
UPR165: “Mr. Kennedy was cut down this afternoon by an assassin’s bullet as he rode through the streets of downtown Dallas crowded by a quarter million persons. Beside him in the famous bubbletop limousine sat Mrs. Jacqueline Kennedy… The president’s wife had commented to him, ‘You can’t say Dallas wasn’t friendly to you’…Seconds later, three shots rang out. The president toppled over, at least one bullet in his head. Mrs. Kennedy screamed, then cradled his head in her arms. That was at approximately 1:30 pm (est). The limousine, with police escorts, raced to Parkland Hospital.”
UPR169: “Authorities are holding Lee Harvey Oswald in connection with President Kennedy’s assassination in Dallas. The 24-year-old former Marine…who possess pro-Communist sentiments…is also accused of killing a Dallas policeman. According to police, Oswald has admitted owning a snub-nose 38-caliber pistol used to kill patrolman J. D. Tippit. But he denies any connection with the assassination of Mr. Kennedy or the wounding of Texas Governor John Connally…Oswald says he is not the owner of a rifle found in a building near the scene of the assassination. Police have yet to say whether fingerprints on the rifle which killed the president and those on the pistol used in slaying the policeman match.”
UPR171: “Former President Harry Truman says the assassination of President Kennedy is a great loss to the entire country. Mr. Truman said the late president was able… loved and trusted. Mrs. Truman says her husband was so shocked by the news he was unable to make a statement for four hours after the assassination…
Sir Winston Churchill says Mr. Kennedy’s loss to the United States and the world cannot be calculated. The former British Prime Minister says those who follow Mr. Kennedy must strive to achieve the ideals to which he dedicated his presidency.” The teletype bears a few editorial annotations. Rolled and in fine condition, with some horizontal folds and light edgewear. Starting Bid $200
“I think Neil is the one in the cart and I’m holding the dog”— Hollywood actor Ronald Reagan sends an early original photograph to a childhood friend
21. Ronald Reagan Autograph Letter Signed and Early Original Photograph - “I’m holding the dog”. ALS signed “Ronald,” one page, 7.5 x 10.5, personal letterhead, May 20, 1957, paired with an extremely early mattefinish period photo of Reagan at 11 years of age, posing with his brother, Neil, and other children in White Pigeon, Illinois, in 1922. The handwritten letter, sent to childhood friend Milford Smith of Rock Falls, Illinois, reads in full: “In a few hours I’ll be on a train again traveling for G.E. However I wanted to grab a minute to thank you for sending the pictures and for your kind invitation. I’m afraid we won’t be able to take advantage of it on this trip. While we do get to Ill. for a few days and will be moving around we won’t get to the vicinity of Rock Falls or Dixon. By the way check that snapshot again – I think Neil is the one in the cart and I’m holding the dog. Must catch a train now – again thanks & our best to the family.” The included photo, 4.5 x 2.75, depicts a group of six children posing on and around a horse-drawn cart, with annotations to reverse dating the image to “White Pigeon, Ill., 1922,” and identifying five of the six children left to right, with the first boy not named: “Milford Smith, Neil Reagan, Raymond Smith, Marie Mundt Pierce, Ronald Reagan.” In overall fine condition, with a light crease and some faint toning. Accompanied by the original mailing envelope hand-addressed by Reagan, which was postmarked in Los Angeles, California, on May 21, 1957. A desirable early handwritten letter from Reagan, then a well-established Hollywood actor, which boasts uncommon content related to his upbringing in rural Illinois. Enhancing the letter is the presence of a rare original photograph of Reagan, pictured holding a dog in his arms, that serves as a great visual reference to the future president’s humble beginnings. Starting Bid $200
22. First Ladies (6) Signed Photograph. Wonderful color satinfinish 10 x 8 photo of six first ladies at a gala celebrating their work to create the National Garden at the United States Botanic Garden on May 11, 1994, signed in various inks by all six: Lady Bird Johnson, Betty Ford, Rosalynn Carter, Nancy Reagan, Barbara Bush, and Hillary Rodham Clinton. In very fine condition. Starting Bid $200
23. Four Presidents Signed Photograph - Ford, Carter, Clinton, and Bush. Significant color satin-finish 10 x 8 photo of the NAFTA signing with numerous ex-presidents in attendance, signed in the lower border in blue and black felt tip by Gerald R. Ford, Jimmy Carter, George Bush, Bill Clinton, and Al Gore. In very fine condition. A rarely seen image signed by these four presidents (plus one vice president) portraying the signing of a historic trade deal, which continues to be a political hot topic to this day. Starting Bid $200
Notables
Declaration of Independence
Amidst
the Revolutionary War, John
Hancock and Sam Adams provide tax relief to the town of Falmouth for “their account for Supplying Soldiers Families”
117. John Hancock Rare Revolutionary War-Dated Triple-Signed Document, Countersigned by Samuel Adams. Manuscript DS, signed “John Hancock Spk’r,” one page both sides, 7.25 x 9.25, September 10–13, 1779. Significant document in which the Massachusetts legislature passes an ordinance providing tax relief to a community burdened by the demands of military support for the Revolutionary War. In part: “On the application of the selectmen of Falmouth in the County of Cumberland & In consideration of the present distressed circumstances of that town. Resolved That the Ballance of their account for Supplying Soldiers Families to the first day of April last, being Two Thousand eight hundred on said Town in the Tax Act passed the last Session—And the Treasurer is hereby directed to give them Credit for the same accordingly.” Below, Samuel Adams signs an endorsement referring the matter to a committee. Hancock signs again, certifying that the foregoing has been “Read & concurred” in the House of Representatives.
On the reverse, the committee returns and recommends in favor of the Falmouth selectmen, finding that the account “is not made out agreeable to the Resolves of the General Court.” Hancock again endorses below, on September 11th, noting the matter as “sent up for Concurrence.” Also endorsed at the conclusion by John Avery, on September 13th, as Deputy Secretary of the Province of Massachusetts Bay. In fine condition. All three Hancock signatures are large, clean, and bold. An extraordinary and historically significant document, boasting the autographs of two of the Massachusetts Bay’s premier politicians of the Revolutionary War, both of whom had signed the Declaration of Independence three years earlier.
Notably, the “Falmouth” in the present document refers to the site of the modern city of Portland, Maine, which was then part of the state of Massachusetts Bay. In October 1775, the British Royal Navy burnt much of the city to the ground in retaliation against ports that supported burgeoning patriot activities at the outset of the revolution. More than 1,000 people were left homeless by the raid, including at least 160 families out of an estimated population of 2,500. The New-England Chronicle argued that ‘the savage and brutal barbarity of our enemies’ proved that Britain was ‘fully determined with fire and sword, to butcher and destroy, beggar and enslave the whole American people.’ News of the cruel attack spread throughout the colonies, galvanizing support for the cause of liberty and leading to the rejection of British authority as states began to establish independent governments. Starting Bid $5000
American Politicians and Leaders
118. Ira Allen Autograph Letter Signed. One of the founders of the state of Vermont (1751–1814), a leader of the Green Mountain Boys, and brother of Ethan Allen. ALS signed “Ira Allen,” one page, 7.75 x 10, no date. Handwritten letter to a gentleman, in part: “I have attended to the business we conversed of. Difficulties arise yet they may not be insurmountable. I shall make every effort in my power & when I can be able to Report I shall call on you & my friends that I named to you in the mean time I advise that all matters be kept on as easy terms as possible.” In very good to fine condition, with paper loss to the upper right corner slightly affecting a single word of text, a repaired fold separation at lower left, and a small hole to the lower left corner. Accompanied by a full letter of authenticity from JSA, a receipt from noted autograph dealer Robert F. Batchelder, and a letter from famous autograph dealer Mary A. Benjamin to fellow hobby pioneer Charles Hamilton, offering her opinion on the present letter: “I am positive that it is all right and the right man.” Starting Bid $200
Supreme Court
Scarce autograph letter from John Jay to his wife, touching upon the New York election, the education of his daughters, and other family matters
119. John Jay Autograph Letter Signed to His Wife on Elections and Education: “In this as in almost everything else, we may expect to reap as we plant”. ALS as Chief Justice of the United States, one page both sides, 7.75 x 9.5, May 20, 1792. Handwritten letter from Boston to his wife, Sarah Livingston Jay, whom he affectionately calls “My Dear Sally,” in full: “On the 14th Inst. I rec’d yours of the 8, by Mr. Gerry, and Yesterday yours of the 13th. As these letters assure me of your Health and of that of the family they are particularly acceptable—Besides, there are tracts in them which make the most pleasing Impressions. The manner in which you attend to the Education of the little girls cannot fail of affording useful Instruction to them, and ultimately much Satisfaction to us both. In this as in almost everything else, we may expect to reap as we plant.
Sally’s remaining Proof agt. the small pox is a singular circumstance. I am inclined to think it will be best to postpone further attempts for the present. When more at leisure I will write to Nancy again—her last letter mentions an anecdote that is pleasant enough—such things are not very uncommon—we meet with them among People of every Class—not much is to be inferred from the calculations made relative to Elections—The Information necessary to form tolerably accurate ones, is so extensive and yet so minute as to be very difficult to collect and combine—for my own part, I am far from being sanguine; and I shall be mistaken if a large majority should be found on either side—By the end of next month we shall know all about it—.” Jay is referring to the New York state election of 1792, in which he was a Federalist candidate for governor. Running against incumbent George Clinton, Jay was defeated by the action of a partisan board of electoral canvassers that threw out many Federalist ballots on technicalities. Jay eventually succeeded in 1794, and took the oath of office after resigning from the Supreme Court in June 1795. He continues: “I have not forgotten Susan’s ticket—Mr. Callendar has it. I shall, know its fate today—it should have been presented for Payment at an earlier period. I am happy the Servants behave so well. I hope Peter writes frequently to you from Rye—such attentions are proper, & should early become habitual—Tomorrow I shall set out for Portsmouth, & on my arrival there, shall write to you again. Your friends here make frequent mention of and inquiries respecting you. Mr. Alden is so obliging as to take charge of this—I write in haste—Farewell my Dear Sally.” Jay adds a postscript that reads, in part: “The inclosed Letter to John Cooper is in answer to the one from him which you sent me. Care sh’d be taken to forward it…be so good as to speak to Mr. Th. Smith about it, he will there hear of opportunities of sending it—and I merit it probable that Mr. Smith will readily take charge of it—as Mr. Sam’l…frequently sees people from that part of the country, it is likely that he may tell Peter how to send it on—be so good as to attend to it.” In fine condition, with several extra horizontal folds. Accompanied by a custom-made quarter morocco presentation folder. A wonderful letter that reveals a more tranquil and untroubled side of the first Chief Justice of the Supreme Court—that of devoted father and loving husband. Starting Bid $200
World Leaders
Bolivar promises to
“preserve inviolable the friendship which the United States have deemed well to profess towards us”
120. Simon Bolivar Letter Signed to Commodore Isaac Hull, Promising to “preserve inviolable the friendship which the United States have deemed well to profess towards us”. Revolutionary and political leader (1783-1830) whose military campaigns against the Spanish were instrumental in the emergence of the independent nations of modern South America, including Bolivia, which was named in his honor. LS in Spanish, signed “Bolivar,” one page both sides, 7.75 x 9.75, June 13, 1824. Letter to Commodore Isaac Hull, in response to the protests formulated by Hull and Commodore Thomas Brown, relative to the naval blockade of Callao during the Peruvian War of Independence. In part: “It is very satisfactory to me to be able to assure you that my answer is almost entirely in accordance with the sentiments which you & Comd. Brown have manifested to me in defence of the rights of Nations; on my part, my greatest care will always be to preserve inviolable the friendship which the United States have deemed well to profess towards us. I hope that as soon as the Vice Admiral Guise shall have received the new instructions which will not be given to him, that everything will proceed in harmony with our friends & neutrals.” In fine condition.
Accompanied by an archive of 17 letters or documents relative to the blockade of Callao and its consequences, including 6 signed letters, the rest contemporary copies, April to December 1824 (4 in Spanish and 13 in English):
- Thomas S. Hamersley, lieutenant in the United States Navy, letter addressed to Cdr. Charles Stewart, commander of the naval forces in the U.S. based in the Pacific Ocean.
- Isaac Hull, commander in chief of the U.S. Navy fleet in the Pacific (4 letters including a duplicate): to General Simon Bolivar to protest the blockade, but also to side with him concerning human sufferings; 3 letters to Samuel Southard, American Navy secretary; and one letter to Stanhope Provost, vice-consul of the U.S. in Lima.
- Heman Allen (Minister of the U.S. posted in Santiago de Chile), to John Quincy Adams, Secretary of State. - José Sánchez Carrión, Minister of Foreign Affairs of Peru, letter to Hull.
- Tomás de Heres (to Hull); instructions given by Bolivar to the Vice-Admiralty of the Peruvian naval fleet; documents received by the Navy department of the U.S. or transmitted to General Bolivar, state of the naval forces in the Pacific, etc. Starting Bid $1000
Incredibly rare handwritten letter by Mao Zedong to an American war correspondent
123. Mao Zedong Autograph Letter Signed to War Correspondent Helen Foster Snow. Exceedingly rare ALS in Chinese calligraphy, beautifully written and signed by Mao Zedong, two pages, 7.75 x 10.75, Ministry of Government and Military Affairs letterhead, no date but circa late 1930s. Untranslated handwritten letter by Mao Zedong addressed to Helen Foster Snow (“Mrs. Snow,” written “Sinuo Nü”), executed in exceptionally bold Chinese calligraphy and signed at the conclusion by Mao. In full (translated): “Ms. Snow, your letter can be ordered for the whole Hunan Province to research and carry out accordingly.” In very good to fine condition, with toning and staining, not at all affecting Mao’s very bold handwriting.
Under the pseudonym Nym Wales, American journalist Helen Foster Snow (1907-1997) arrived in China in 1932 as a newspaper correspondent, and almost immediately became a war correspondent instead. With her husband Edgar Snow, she was one of the first foreign journalists to reach the Communist stronghold at Yan’an in 1937, and was able to personally interview Mao Zedong and other leaders of the movement, including Kang Keqing, whose husband was the future head of state Zhu De. Today, Snow is better remembered in China than in her homeland, but remains particularly notable for her interviews with Mao and her work in China during the Japanese invasion. Starting Bid $10000
Royalty
Extremely rare autograph letter by Marie Antoinette on the Russian royals’ incognito visit to Paris, sent to her sister
125. Marie Antoinette Rare Handwritten Letter on Russian Royalty to Her Sister, Marie-Christine d’Autriche. Exceedingly rare unsigned handwritten letter in French by Marie Antoinette, three pages on two adjoining sheets, 4.5 x 7.25, June 21, 1782. Marie Antoinette writes to her sister, Marie-Christine d’Autriche. The future Paul I, who is currently on a mission to the Kingdom of France for his mother Catherine II, was charged as an unofficial ambassador with requesting the benevolent neutrality of Louis XVI regarding the partition of the Ottoman Empire that Russia and Austria had been secretly planning since 1780. For his occasion, the Tsarevich and his wife Maria Feodorovna (née Sophie Dorothea of Württemberg) traveled incognito under the names of “comte et comtesse du Nord.” Marie-Antoinette, at the request of her brother (the Austrian emperor Joseph II), paid special attention to her two hosts. In fine condition. This unsigned letter is typical of those that Marie Antoinette penned to people close to her; an extremely scarce format, we have offered only three other autograph letters by Marie Antoinette. A rare, superior example with intriguing royal content. Starting Bid $1000
126. Princess Diana Autograph Letter Signed. ALS signed “Diana,” one page both sides, 4.75 x 7.5, Kensington Palace letterhead, September 17, 1989. Handwritten letter to her bodyguard, Sgt. Ronald Lewis, in full: “It has been a long time since the ‘A’ team got together under one roof & I think we ought to do something about that! Please could you put October 11th in your diary & say that you will be there!… Please!” In fine condition. Accompanied by the original transmittal envelope addressed in Diana’s hand, “Sgt. Lewis,” and initialed, “D.,” as well as a color satin-finish 10 x 12 photograph of Princess Diana attending her brother’s wedding on September 16, 1989, the day before this letter was written; perhaps seeing friends and family at the wedding inspired her to write this letter, organizing a gathering of old companions. Starting Bid $200
Rare letter from the new Queen of England, sending thanks for “sympathy on the death of my father”
127. Queen Elizabeth II Rare Autograph Letter Signed on the Death of Her Father, King George VI. Rare ALS signed “Elizabeth R.,” one page, 4.75 x 7.5, Clarence House letterhead, March 30, 1952. Handwritten letter to Richard, in full: “I feel I must send you my belated but very sincere thanks for your kind letter of sympathy on the death of my father, which touched me very much. It has been greatly strengthening to us to know that the thoughts and prayers of so many people have been with us. The happy days at Piccadilly will always be pleasant memories, and I have appreciated so much the kind letters which I have received from all of your family. Thank you again for writing.” In very fine condition. A scarce and touching letter from Queen Elizabeth sending thanks for a sympathy letter on the death of her father, whose reign as monarch was passed to his eldest daughter after his passing on February 6, 1952. A sought-after handwritten letter dated to a new era of British rule. Starting Bid $200
“Marye the quene”— a rare autograph of ‘Bloody Mary’
128. Queen Mary I Signature. Catholic Queen of England and Ireland from 1553 until her death, whose brutal persecution of Protestants earned her the nickname ‘Bloody Mary’ (1516–1558); a daughter of King Henry VIII, she was succeeded by Elizabeth I upon her death. Rare and highly sought-after ink signature, “Marye the quene,” on an off-white 6.5 x 1.75 vellum slip clipped from a document, annotated “1557” in the upper left, with “Mary by the grace of God, Quene of England,” boldly penned in manuscript below. Affixed along with an embossed paper seal and document section (“Defender of the faithe…”) to an off-white 12 x 18 sheet, with an 18th-century engraving of Mary I hinged above. In very good condition, with scattered mottled staining, and fading to the first half of the signature. Starting Bid $500
Mandela’s powerful ‘Key & Bars’ lithograph, numbered 81 of 3000 Activists and Social Leaders
131. Nelson Mandela Signed Limited Edition ‘Key & Bars’ Lithograph and Replica Key. Highly sought limited edition 10.5 x 16 lithograph by Nelson Mandela entitled ‘Key & Bars,’ which depicts four dark vertical lines representing the bars of his prison cell at Robben Island above a cast replica of a cell key, both the key and the lithograph are numbered 81/3000, with the latter signed neatly in pencil, “N. Mandela,” below a larger black paint facsimile. The lower left corner bears Mandela’s official embossed ‘clasped hands’ blindstamp. Handsomely matted in a shadowbox frame to an overall size of 17.5 x 23 x 2.5. In fine condition. A simple yet powerful work that symbolizes Mandela’s 27 years of incarceration—a desirable low-number example of this coveted edition and the first to be made available to the public; the first five lithographs were presented to members of the Mandela family. Starting Bid $500
“Hoping everything will be in order without having to study the authorities’ faces”
130. Mikhail Bakunin Autograph Letter Signed, While Exiled from Russia. Russian revolutionary who was a principal founder of the ‘social anarchist’ tradition (1814–1876). ALS in German, signed “M. Bakunin,” one page, 8 x 12.25, December 11, 1861. Handwritten letter to the political writer Friedrich Kapp, who had emigrated to the United States in 1850. In part (translated): “Unfortunately, I didn’t find you at home—I would have introduced you to the democrat Fickler. I’ve left my papers at your office with Mr. Zitz, hoping everything will be in order without having to study the authorities’ faces.” Addressed on the reverse in Bakunin’s hand, “Herrn Frederik Kapp.” In very good to fine condition, with light creasing, primarily to the top blank area, and a small edge separation repaired with tape on the reverse. Bakunin, sentenced to lifelong exile, had recently escaped from Siberia to America via Japan, and writes to Kapp a few days before his departure for England. Starting Bid $1000
On Stanley’s search for Livingstone:
“May God speed every effort to save one of the greatest men of our time, or if he is dead, to save his discoveries!”
132. Florence Nightingale Autograph Letter Signed: “I send you my little mite for Dr. Livingstone’s Search”. ALS, one page, 5 x 8, 35 South Street letterhead, January 23, 1872. Handwritten letter to “Sir Bartle Frere,” in part: “I send you my little mite for Dr. Livingstone’s Search. May God speed every effort to save one of the greatest men of our time, or if he is dead, to save his discoveries! If it cost £10,000 to send him a pair of boots, England ought to give it. But England provides the great men—and then England leaves them to perish!” Mounted, matted, and framed to an overall size of 10 x 12.5. In fine condition, with trivial paper loss to the upper left edge of the letter, and some chipping to the frame.
The recipient of this letter, Henry Bartle Frere (1815–1884), was a British colonial administrator who served as governor of Bombay from 1862 to 1867. During that time, Frere hosted Scottish missionary and explorer David Livingstone as he prepared for his expedition in search of the source of the Nile. Frere seconded a number of Bombay army sepoys to accompany the expedition and, in January 1866, sent it underway to Zanzibar in a government steamer. Shortly after arriving on the African continent Livingstone completely lost contact with the outside world for six years, falling seriously ill and never fulfilling his mission.
In 1869, Henry Morton Stanley was sent to search for Livingstone by the New York Herald newspaper. Stanley eventually found Livingstone in the town of Ujiji on the shores of Lake Tanganyika on November 10, 1871, apparently greeting him with the now famous words ‘Dr. Livingstone, I presume?’ Stanley had originally planned to depart quickly for Zanzibar, racing back to the outside world with news of his achievement. Instead, he stayed with Stanley, nursing him back to health and assisting in his expedition at Lake Tanganyika. After five months together, the men parted ways on March 14, 1872, with Livingstone remaining behind to continue his search for the source of the Nile. Stanley’s finding of Livingstone—finally reported in the May 2, 1872, edition of the New York Herald under the headline ‘Livingstone Safe’—was an international sensation. Starting Bid $200
Businessmen
Tesla Model S sun visor signed in person by Elon Musk in 2013
133. Elon Musk Signed Tesla Model S Sun Visor. Rare and desirable driver’s side sun visor removed from a Tesla Model S, signed on the mirror cover in black felt tip by Elon Musk. In fine condition. The Tesla Model S, introduced in 2012 as the electric automaker’s second vehicle, has been recognized as one of the most significant and influential electric cars in the industry. As one of the first electric cars to rival and surpass traditional luxury vehicles, it has accelerated the shift toward sustainable transportation worldwide. Elon Musk’s autograph is scarce and highly desirable, particularly in this unique format—it is the first piece of Tesla hardware signed by Musk that we have offered.
Consignor notes: “I was an early adopter to the Model S. When my vehicle was ready in March of 2013 I got a call from the Tesla delivery person saying my vehicle was ready before the expected delivery date and that if I’d like to pick it up at the Tesla design center in Hawthorne I could and that Elon would be there to meet the few customers. This was very early on and Elon was not the ‘Elon’ that he is today—I
didn’t know much other than I was an auto enthusiast and this was something unique. So, when I went to pick up the Tesla, sure enough, Elon was there taking time with each customer—maybe a total of four.
When he and his assistant came to my vehicle he took his time, showed how the radio worked and some of the other features. When he was ready to go his assistant asked me if I wanted him to sign my car. My initial thought was, interesting—he’s like the EV Carroll Shelby. I asked where he would sign and she said the visor so I said sure, why not. Two years later, after the vehicle had already burned through one of its drive units and I was getting tired of the maintenance, I decided to sell it but had the wherewithal to replace my visor. They were discontinuing that style of visor anyway and replacing it with something else so the service center was happy to make the exchange. Since then it’s sat in a drawer in my filing cabinet and Elon, and Tesla, have become something very different than that pick up day over a decade ago!” Starting Bid $1000
134. Elon Musk Signed Photograph. Color satin-finish 13.5 x 10.5 photo of Elon Musk and Kanye West at SpaceX headquarters in 2021, signed in felt tip by Elon Musk. In very fine condition, with a PSA/DNA label affixed to the lower right. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $300
135. Elon Musk Signed Photograph. Color satin-finish 10.5 x 13.5 photo of Elon Musk standing inside a SpaceX stage, signed in blue felt tip. In very fine condition, with a PSA/DNA label affixed to the lower left corner. Nicely double-matted and framed to an overall size of 18 x 22. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $300
Scientists, Inventors, and Technology
Upon founding the Royal Astronomical Society in 1820, Babbage ponders “the idea of offering a medal for the discovery of comets”
136. Charles Babbage Autograph Letter Signed, Proposing a Royal Astronomical Society Comet Medal. Pioneering British mathematician and mechanical engineer (1791-1871) whose Difference Engine and Analytical Engine are generally acknowledged as the first programmable computers. ALS signed “C. Babbage,” one page, 7 x 8.75, June 25, 1820. Handwritten letter to a gentleman, in part: “We are in want of a motto for our medal. What is your opinion of the following one, ‘Aerias penetrasse danos.’ It seems rather appropriate for an instrument which possessed an enormous space penetrating power. I was sitting…yesterday with Sir W. Herschel conversing about the objects of the Astron. Soc. when he suggested the idea of offering a medal for the discovery of comets. Perhaps when we are more numerous we may have a separate Comet medal.” In fine condition.
Babbage was instrumental in establishing the Royal Astronomical Society in 1820, which sought to support astronomical research by standardizing astronomical calculations and circulating data amongst researchers. These directions were closely connected with Babbage’s ideas on computation, and in 1824 he won the Gold Medal of the Royal Astronomical Society, cited ‘for his invention of an engine for calculating mathematical and astronomical tables.’ That medal bore the Society’s motto, ‘Quicquid nitet notandum,’ which translates to ‘Whatever shines should be observed.’ Starting Bid $200
Signed
copy
of Charles Babbage’s first
paper read before the Royal Society, laying the groundwork for symbolic computation
137. Charles Babbage Signed Book - Observations on the Analogy Which Subsists Between the Calculus of Functions. Signed book: Observations on the Analogy Which Subsists Between the Calculus of Functions and Other Branches of Analysis by Charles Babbage. London: Offprint from The Philosophical Transactions, printed by W. Bulmer and Co., 1817. Custom leather-bound hardcover with marbled boards, 7.75 x 10, 22 pages. Signed on the title page in ink by Babbage, “From the Author.” In fine condition, with light foxing and toning to the textblock.
Charles Babbage’s 1817 paper “Observations on the Analogy Which Subsists Between the Calculus of Functions”—first paper read by Babbage himself to the Royal Society after his selection as a member—is one of his early works, introducing his ideas on functions and symbolic operations. In it, Babbage explores analogies in calculus and aims to generalize operations beyond numerical values to apply to functions themselves, laying the groundwork for the concept of symbolic computation. The paper is highly innovative and brought from French mathematician Augustin-Louis Cauchy the remark that it proved that ‘in the land of Newton there were still geometricians who worked for the progress of analysis’—the note of surprise is not hidden in this somewhat back-handed compliment. This work foreshadows Babbage’s later innovations in mechanical computation and demonstrates his early focus on abstract mathematical principles. Starting Bid $200
The computing pioneer signs his paper on games of chance, offering a mathematical exploration of the famed ‘Martingale’ betting system
138. Charles Babbage Signed Book - An Examination of Some Questions Connected with Games of Chance. Signed book: An Examination of Some Questions Connected with Games of Chance by Charles Babbage. Edinburgh: Offprint from Transactions of the Royal Society of Edinburgh, printed by P. Neill, 1820. Custom leather-bound hardcover with marbled boards, 7.75 x 10, 25 pages. Prominently signed on the title page in ink by Babbage, “From the Author.” In fine condition, with light foxing and toning to the textblock.
In his 1820 paper “An Examination of Some Questions Connected with Games of Chance,” Charles Babbage explores mathematical theories surrounding probability and its applications in games of chance. Babbage offers a mathematical examination of the famous ‘Martingale’ betting system—doubling the bet after every loss—and examines various scenarios, such as coin flips and ball-drawing, to develop insights into the nature of randomness and statistical predictability. Babbage’s work laid an early foundation for understanding probability, foreshadowing his later contributions to mathematics and computing. Starting Bid $200
Signed mathematical paper by computing pioneer Charles Babbage
139. Charles Babbage Signed Book - On the Application of Analysis to the Discovery of Local Theorems and Porisms. Signed book: On the Application of Analysis to the Discovery of Local Theorems and Porisms by Charles Babbage. Edinburgh: Offprint from Transactions of the Royal Society of Edinburgh, printed by P. Neill, 1822. Custom leather-bound hardcover with marbled boards, 7.75 x 10, 16 pages. Prominently signed on the title page in ink by Babbage, “From the Author.” In fine condition, with light foxing and toning to the textblock, and offsetting to the last page from the facing plate. In this paper, Babbage explores mathematical techniques for identifying specific relationships within broader general theorems. Babbage’s work primarily addresses porisms, a class of geometric propositions describing conditions for which certain mathematical properties hold. This early mathematical inquiry laid groundwork for methods in algebraic and analytical problem-solving, emphasizing the use of analysis in uncovering hidden properties in equations and systems. Starting Bid $200
140. Charles Babbage Autograph Letter Signed. ALS signed “C. Babbage,” three pages on two adjoining sheets, 3.5 x 5.25, East Horsley letterhead, December 27, 1849. Handwritten letter to Mme. de Falcon, in part: “I am truly glad to find that you are yet in London. I shall leave this place early tomorrow morning and hope to reach you… by one or half past one o’clock. You will have much to do previous to your departure. I hope therefore that instead of being an impediment you will make me useful…I am glad to hear that you have made such comfortable arrangements for M. de Falcon.” In fine condition. Starting Bid $200
Rare scientific pamphlets from Marie Curie’s personal library, both with her “Madame Curie” stamp
142. Marie Curie’s Scientific Pamphlets‘Fundamental Properties of the Elements’ and ‘Etude des Trajectoires des Rayons’. Two scientific pamphlets from the personal library of Marie Curie, both with her “Madame Curie” rubber stamp to the front wrapper or title-page. Includes: “(Faraday Lecture), The Fundamental Properties of the Elements” by Theodore William Richards, published in Washington, D.C., by the U.S. Government Printing Office in 1912, 6.25 x 9.5, 20 pages; and “Etude des Trajectoires des Rayons ? dans l’Argon par la Methode de D.T.R. Wilson,” by Francis Perrin, published in Paris by Les Presses Universitaires de France in 1922, 6.25 x 9.5, eight pages, stamped “Madame Curie” on the title page. Housed together in a handsome custom-made half morocco presentation folder with marbled slipcase. In very good to fine condition, with some light dampstaining to the bottom of the pages of the Perrin booklet. Provenance: Lot 34, PBA Galleries, May 23, 2002. Starting Bid $300
Radioactivity results from Marie Curie’s lab— a sought-after 1924 assay certificate
143. Marie Curie Document Signed - Certificate of Assay for the Emission of Radiation. Polish-born French physicist (1867–1934), she and her husband Pierre discovered two new elements, polonium and radium, in 1898. In 1911 she won the Nobel Prize for Chemistry. She died of leukemia brought about by her work with radioactive material. Partly-printed DS in French, signed “M. Curie,” one page, 8 x 12.5, July 16, 1924. Scarce “Institut du Radium, Laboratoire Curie” certificate, no. 1613, documenting an assay regarding the emission of radiation, approved at the conclusion in ink by Curie as director of the laboratory. In fine condition. Starting Bid $500
“The demonstration of its operation will make you grasp the mechanism of wireless telegraphy”—
Branly’s communication to the Academy of Sciences, explaining the principles of his important invention
141. Edouard Branly Autograph Manuscript Signed - Draft of His Communication to the Academy of Sciences Exposing the Principles of Wireless Telegraphy. French inventor (1844–1940) primarily known for his involvement in wireless telegraphy. Important AMS by Edouard Branly on wireless telegraphy, ten pages, 5.5 x 8.5, no date, signed and inscribed on the first page in bold ink, “A Madame Paganon, Hommage et souvenir de collaboration, E. Branly.” Handsomely custom-bound by R. Aussourd in olive morocco decorated on the covers with straight and curved gilt fillets, spine with decorated ribs, with the bookplate of Michel de Bry affixed to the front pastedown.
Branly’s draft of his communication to the Academy of Sciences exposing the principles of wireless telegraphy. A brilliant and relentless scientist, Edouard Branly conducted his research in a small, very modest physics laboratory set up at the Catholic Institute of Paris to which he was attached. On November 24, 1890, Edouard Branly presented to the Academy of Sciences his invention of a spark-sensitive switch, or “coherer,” the bestknown form of which is the metal filing tube, which is the main organ of wireless telegraphy receiving devices.
The manuscript, written in the first person, contains numerous revisions, additions and corrections. After an introduction on electric telegraphy, Branly develops his invention (translated): “It was in 1890 that I discovered and studied in a complete way the switch sensitive to the spark…the demonstration of its operation will make you grasp the mechanism of wireless telegraphy.” This switch, with its metal filing tube, obeys the spark at a distance of a few meters but also allows transmissions of 500 kilometers. He continues his explanation: “The radiation
of the spark makes the filing conductive, which gives the filing tube the name of radioconductor.”
Branly immediately thought of remote control and military applications and concluded that wireless telegraphy was superior, “which would be able to replace any other telegraphy.” Branly did not worry about finding an industrial or commercial application for his invention and others knew how to take advantage of it. His findings were subsequently improved and practically applied by Oliver Lodge and Guglielmo Marconi, which resulted ten years later in the first successful transatlantic communications. In fine condition, with worn joints to the binding. Starting Bid $5000
Researching military capabilities for the US Navy during WWI, Edison seeks results of experiments conducted on “Submarine explosives”
144. Thomas Edison World War
I-Dated Typed Letter Signed on Submarine Explosives.
TLS signed “Thos. A. Edison,” one page, 8.5 x 11, From the Laboratory of Thomas A. Edison letterhead, August 6, 1917. Letter to General Henry L. Abbot, a longtime U.S. Army engineer who, after the Civil War, commanded the engineer battalion at Willet’s Point, New York, and made substantial contributions to the coast defense systems of the United States of that period, particularly in the submarine mine system and in the use of seacoast mortars. In full:
“Will you kindly favor me with some information with regard to experiments conducted by yourself on Submarine explosives. I am interested in the following points:
1. Nature of explosives used.
2. Amount of explosive used.
3. Distance of explosive from target.
4. Effect on target.
5. Nature of target.
6. Pressure developed by the explosive.
Any information or references will be greatly appreciated.” In fine condition.
Thomas Edison was a major advocate for military preparedness at the outset of World War I. He was appointed to head a naval advisory board by Secretary of the Navy Josephus Daniels in 1915, tasked with the evaluation of public proposals to improve military capabilities, especially to counter submarine threats. In 1917, Edison began to focus his own research on the protection of surface ships from submarine attack—this letter, sent to one of the Army’s leading experts on submarine munitions, clearly stems from those investigations. Edison also studied camouflage methods, smoke reduction, ship navigation, and submarine detection in an effort to protect American shipping. His influence also led to the establishment of the Naval Research Laboratory, laying the foundation for the U.S. government’s future investment in technological innovation for national security. A great letter with rare content connected to the legendary inventor’s work for the U.S. Navy. Starting Bid $1000
Edison graciously writes to the Prince of Wales—future King Edward VII— to accept the Albert Medal in 1892
145. Thomas Edison Autograph Letter Signed to the Prince of Wales: “I have received the Albert Medal which was awarded to me by the Council of the Society of Arts”. ALS signed “Thomas A. Edison,” one page, 8.5 x 11, From the Laboratory of Thomas A. Edison letterhead, November 28, 1892. Handwritten letter to “His Royal Highness, The Prince of Wales, President, Society of Arts, London, England,” in full: “I have received the Albert Medal which was awarded to me by the Council of the Society of Arts, also the communication with relation thereto that you did me the honor to address to me, and for which I beg you to accept my sincere thanks. The honor conferred upon me by the Society of Arts, has caused me much gratification and I appreciate it very highly. I am availing myself of the good offices of the British Minister at Washington to transmit this note to you.” In fine condition.
The Albert Medal of the Royal Society of Arts was instituted in 1864 as a memorial to the late Prince Albert, who had been President of the Society for 18 years. In 1892, the Society awarded American inventor Thomas Edison the medal ‘in recognition of the merits of his numerous and valuable inventions, especially his improvements in telegraphy, in telephony, and in electric lighting, and for his discovery of a means of reproducing vocal sounds by the phonograph.’ A remarkable, neatly penned letter from the pioneering inventor to an English royal, graciously accepting his well-deserved award. Starting Bid $500
146. Thomas Edison Signature. Classic ink ‘umbrella’ signature of Thomas Edison, “Thos. A. Edison,” on an off-white 5 x 3 card. In fine condition. Starting Bid $200
Einstein writes to a fellow mathematician on his Unified Field Theory research, incorporating “gravitational equations,” “electromagnetic field equations,” and his favorite equation: “Rik = 0”
147. Albert Einstein Autograph Letter Signed on Unified Field Theory with Gravitational Equations (including his favorite, “Rik =0”). ALS in German, signed “A. Einstein,” one page, 8.5 x 11, May 27, 1929. Handwritten letter to German mathematician Chaim Herman Muntz, mentioning the ‘gauge problem’—an important concept in modern physics that Einstein was working on with his assistant Cornelius Lanczos. In part (translated): “I thank you for sending these calculations. It will be important to know how many equations are equivalent to the condition Sauv = 0; that is still unclear to me. Regarding the problem as a whole, Lanczos’s discovery changes the situation fundamentally. My opinion is now oriented around the following considerations: It is impossible that the equations Rik = 0 hold in general, since these equations alone already satisfy causality. Therefore E1 = E2 = 0 cannot be the case. I begin with the field equations and decompose them into [mathematical equations]…(symmetric)…[mathematical equations]…(antisymmetric).”
Following much more math, Einstein writes: “It is quite natural to consider (I) as the ‘gravitational equations,’ (III) as the electromagnetic field equations. The parenthesis in (III) is then the electric field strength Fua. Then, however, we cannot set the antisymmetric equations (II), since they would require the vanishing of the field (pure gravitational field). (III) is—this is the important point—derived from (I) alone. There are, however, only 10 independent equations. We would still certainly have to add the equations Sauv=0, if that is permitted, i.e. if there is no overdetermination. I am not sure about that. Then, the terms with E1 would vanish, while E2 would be a temporarily unknown constant. The gravitational equations (in vacuum) would then differ from the Rik = 0 only in terms of second order, which should be permissible. It would in any case be essential that E2 ≠ 0.” In fine condition. Accompanied by the original mailing envelope, addressed in Einstein’s hand to Muntz.
Published as part of The Collected Papers of Albert Einstein, Volume 16: The Berlin Years: Writings & Correspondence, June 1927-May 1929 (English Translation Supplement), Document 537, p. 461.
Einstein began his correspondence with Muntz in 1927, and in 1928 was writing to him on ‘distant parallelism,’ an extension of Riemannian geometry in which new mathematical objects, called ‘tetrads’ are introduced, which allow for the comparison of the direction of vectors at distant points of the spacetime. This letter relates to those investigations, which Einstein felt to be important as a mathematical attempt at a unified field theory—the incorporation of electromagnetism and gravitation in a single field theory. Although he published a number of papers on the subject from 1928 to 1931, the work is considered inaccurate and not recognized by physicists of today.
During this period Einstein was working closely with colleagues Herman Muntz and Cornelius Lantz on formalizing the ‘Unified Field Theory of Gravitational Force and Electromagnetism.’ Einstein’s article ‘On Unified Field Theory’ was presented on January 10, 1929, and published on January 30, 1929, by the Prussian Academy of Sciences. In the article he discloses the final stages of the development of this theory, and it reveals critical stages in the solution that he presents. The theory tried to achieve one unified formula that would unite the electromagnetic and gravitational fields and present them as different manifestations of a single universal force. At the article’s close, Einstein expresses appreciation for Muntz’s assistance: ‘It is my pleasant duty to thank Dr. H. Müntz for his laboriously precise calculation of the centrally symmetric problem on the basis of Hamilton’s principle the results of his calculation suggested to me the method used here.’
It is significant that, in this letter, Einstein pens his “gravitational equations,” “electromagnetic field equations,” and one of the fundamental equations of his General Relativity Theory: “Rik = 0,” the equation for a vanishing Ricci Curvature Tensor. The Ricci Curvature Tensor measures the deviation of a curved spacetime from a Euclidean framework, and it is a concept of central importance for Einstein’s General Relativity and Unified Field Theories. When the Ricci Curvature Tensor is equal to a zero value, the equation betokens a spacetime that is stable and static (neither expanding nor contracting). “Rik = 0 ” has been called ‘Einstein’s favorite equation’ and Einstein spent the second half of his life and career attempting to fine tune the precise value of this equation. Starting Bid $1000
“This contraction is a consequence of the special theory of relativity”— Einstein comments on the Michelson-Morley experiment and the Lorentz transformation equations
148. Albert Einstein Typed Letter Signed on the History of Special Relativity, Discussing the “Michelson Experiment” and Lorentz Transformations. TLS signed “A. Einstein,” one page, 8.5 x 11, blindstamped personal Princeton letterhead, August 6, 1947. Letter to H. B. Whetsel, in full: “Historically the development of the matter you are interested in was as follows: The negative result of the Michelson experiment caused an embarrassing situation. Fitz Gerald and H. A. Lorentz, independently from each other, have remarked that the discrepancy between experiment and theory vanishes when the hypothesis of contraction was introduced. Later on it was found that this contraction is a consequence of the special theory of relativity, so that no arbitrary hypothesis had to be made with respect to moving solid bodies.” In fine condition, with some light soiling and toning along the edges. Accompanied by the original mailing envelope.
In this significant letter, Einstein refers to the ‘Michelson–Morley experiment,’ conducted in 1887, which was an attempt to measure the motion of the Earth relative to the ‘luminiferous aether,’ a permeating space then thought to carry light waves. Using a system of mirrors and a device called an interferometer, Albert Michelson and Edward Morley were able to measure the speed of light by looking for interference fringes between the light which had passed through the two perpendicular arms of their apparatus. They proposed that these would oc-
cur since the light would travel faster or slower in the ‘same’ direction as the Earth was moving through the ether than in the perpendicular direction. Although Michelson and Morley were expecting to measure different speeds of light in various directions, they found no such differences. This result was the first strong evidence against some aether theories, and initiated a line of research that eventually led to Einstein’s development of special relativity in 1905.
George FitzGerald and Hendrik Lorentz sought to explain the null result of the Michelson-Morley experiment by suggesting that objects moving through the ‘luminiferous ether’ would contract in length along the direction of their motion, effectively canceling out any expected difference in the measured speed of light. Lorentz introduced a ‘length contraction equation,’ developing it further into Lorentz transformations, in connection with his theory of electrons.
Although this interpretation by Lorentz was incorrect, the equation was correct and formed the basis of Einstein’s Theory of Relativity. In fact, the contraction of length and time in objects traveling near the speed of light completely changed the common ideas of space and time. In the present letter, Einstein summarizes the Michelson/Lorentz story and concludes that the contradiction is a consequence of the Special Theory of Relativity. Starting Bid $2500
Einstein declines to associate with Charles Lindbergh,
“who
hasn’t shown much concern for the suffering of human beings”
149. Albert Einstein Autograph Letter Signed on Humanity: “If quantity would substitute for quality we’d be in great shape”. ALS in German, signed “A. Einstein,” one page, 8.5 x 11, December 21, 1937. Handwritten letter to Ruth Norden, who was responsible for translating a number of Einstein’s writings into English, including his 1938 article ‘Why do they hate the Jews?’—Einstein’s only public discussion of Hitler’s campaign against the Jews. In part (translated): “You have done a great translating job and it is factually better than the original. The community that you take interest in seems very likable to me, except for Lindberg [Charles Lindbergh], who hasn’t shown much concern for the suffering of human beings. As far as Maderiaga [Salvador de Madariaga] is concerned, I am not quite sure whether he is an honest human being—so I’ll have to add a question mark to him as well…I would also accept Andre Gide and Albert Schweitzer as well. Maybe [Ignazio] Silone as well…Is there any Russian out there that seems acceptable and has not been decapitated yet? I know of none, and neither do I know any Scandinavian, Dutch, South American, Spaniard and none from the English Colonies. Just like with Freud; probably only to be used as a one-horse carriage.
Looking at today’s humankind, one can only notice with regret that the numbers do not make up for quality: if quantity would substitute for quality we’d be in great shape compared to tiny old Greece.
Finally, I have to express my condolences for your poor wallet since you have sent such a lengthy telegram. I was very
touched and will show it to your potential husband to keep him from making the wrong decision; so please keep me informed.” In fine condition, with a small repaired tear to the slightly trimmed bottom edge.
Einstein’s letter seems to refer to his contribution to the Westinghouse ‘5,000-Year Time Capsule,’ deposited at the site of the New York World’s Fair in September 1938. As reported by the New York Times, the time capsule carried Einstein’s original letter in German along with an ‘authorized English translation,’ evidently by Norden, in part: ‘Our time is rich in inventive minds, the inventions of which could facilitate our lives considerably. We are crossing the seas by power and utilize power also in order to relieve humanity from all tiring muscular work. We have learned to fly and we are able to send messages and news without any difficulty over the entire world through electric waves. However, the production and distribution of commodities is entirely unorganized, so that everybody must live in fear of being eliminated from the economic cycle…Furthermore, people living in different countries kill each other at irregular time intervals, so that also for this reason any one who thinks about the future must live in fear and terror. This is due to the fact that the intelligence and character of the masses are incomparably lower than the intelligence and character of the few who produce something valuable for the community. I trust that posterity will read these statements with a feeling of proud and justified superiority.’ The time capsule also held submissions by author Thomas Mann and physicist Robert A. Millikin, despite Einstein’s other suggestions here. Starting Bid $1000
“On
the Resolution of the Differential Equation axndx = dy+y2dx”—an incredibly rare mathematical manuscript by Leonhard Euler, a towering figure in modern math
150. Leonhard Euler Autograph Mathematical Manuscript Signed: “On the Resolution of the Differential Equation”. Swiss mathematician and physicist (1707–1783) who founded the studies of graph theory and topology and made pioneering and influential discoveries in many other branches of mathematics; he introduced much of modern mathematical terminology and notation. Autograph manuscript signed in Latin as the author, “Auct. Leonhardo Euler,” four pages on two adjoining sheets, 7.5 x 9.25, no date but likely circa 1730s. Untranslated handwritten manuscript entitled “De Resolutione Aquationis Differentialis axndx = dy+y2dx [On the Resolution of the Differential Equation axndx = dy+y2dx].” Euler pens the mathematical manuscript in his typically neat Latin, carefully written for interpretation by a typesetter. In very good to fine condition, with overall light creasing and minor fold splits, soiling to the first page, and wear to the edges which does not affect any of the handwriting.
Euler was a prolific author of research papers and mathematical monographs. When Swedish mathematician Gustaf Eneström completed a comprehensive survey of Euler’s works in the early 20th century, he counted and enumerated 866 distinct
works; most historical scholars today refer to the works of Euler by their number in the Eneström index. While this paper does not appear to have been indexed by Eneström, a longer one upon the same subject—“Constructio aequationis differentialis axndx = dy+y2dx [Solution to differential equations of the form axndx = dy+y2dx],” written in 1733 and published in 1738—was recorded as Enestrom Number 31. In 1755, Euler would publish Institutiones Calculi Differentialis (Foundations of Differential Calculus), laying the groundwork for differential calculus.
Leonhard Euler’s legacy endures as one of the most prolific and influential mathematicians in history, with contributions spanning calculus, number theory, and graph theory. His development of Euler’s formula and the concept of functions shaped modern mathematics and physics, bridging complex numbers with exponential functions and laying the foundation for modern analysis. Euler’s vast contributions continue to influence fields from engineering to economics to music theory, underscoring his profound impact on both theoretical and applied mathematics. Starting Bid $1000
“I have not done much physics last month (Bohr was away to Russia),” writes Gamow as he comes to America, “but hope to plunge again in the nuclear buzness on my arrival”
151. George Gamow Autograph Letter Signed: “Hope to plunge again in the nuclear buzness on my arrival”. Influential Russian-born theoretical physicist and cosmologist (1904–1968) who was a leading advocate of the ‘Big Bang’ theory. ALS signed “G. Gamow,” one page, 8.25 x 10.75, June 6, 1934. Handwritten letter to physicist Samuel Abraham Goudsmit, professor at the University of Michigan, written from Copenhagen while en route to America. In part: “Thank you very much for your kind letter with complete indications how to deal with American customers and passport-controllers. I will try to follow these indications and hope successfully as I
am well educated by the corresponding officials on the Russian fron[t]ier. It is so extremely pity that I will not see you in Ann-Arbor but I hope that we shall meet in some other point of the earth surface…I have not done much physics last month (Bohr was away to Russia and we mainely spend the time on the strand and in cinema) but hope to plunge again in the nuclear buzness on my arrival to Ann-Arbor.” In fine condition. Fleeing increasing oppression in Russia, Gamow attempted to defect several times during the early 1930s and in 1934 finally settled in the United States, where he became a professor at George Washington University. Starting Bid $500
“I impress upon your friendly heart the urgent need for the theodolite. Without it, I can do nothing”
152. Carl Friedrich Gauss Rare Autograph Letter Signed, Requesting a Theodolite: “Without it, I can do nothing”. German mathematician and physical scientist (1777-1855) who contributed significantly to many fields, including geometry and astronomy; he is often referred to as the ‘prince of mathematicians’ or ‘the greatest mathematician since antiquity.’ ALS in German, signed “Gauss,” one page both sides, 4.75 x 7.75, April 6, 1821. Handwritten letter to Munich engineer Georg von Reichenbach concerning the dispatch of a theodolite, a precision optical instrument for measuring angles, incorporating two small sketches. In part (translated): “Your dear letter of December 21st of last year has given me, my most esteemed and dearest friend, courage and reassurance, as you promised me the theodolite for this April and the stadia rod for next July. Trusting in this promise, I have now taken all my measures for the triangulation, my assistants have been appointed and are about to begin the campaign; I am already having signal towers built at the suitable points, etc. So please send the theodolite as soon as it is ready, without delay. With regard to the stadia rod, I am willing to wait until July, especially since, according to your letter, I have further improvements to hope for, and I do not wish
to deprive Mr. Prof. Bohneberger of his. But once again, dearest Reichenbach, I impress upon your friendly heart the urgent need for the theodolite. Without it, I can do nothing and am in the greatest difficulty. Should, therefore—against my hope—the completion of this instrument be delayed by a few weeks longer than you promised, I earnestly request you to send me immediately, under my address, the theodolite of Mr. Prof. Schumacher, as he kindly offers to lend it to me for a short time in case of need, as he will also have written to you himself. Since only a small repair needs to be made to this instrument, which can be done in a few days, I count on this as the surest option. The successful progress of my operation depends primarily on a good start. May I add one more request regarding the theodolite, it would be to set up the thread network in this way [a small drawing], i.e., instead of a single vertical thread, to insert a double one, with a distance of about 30” or 40”. I have found such an arrangement very useful when sighting very distant faint objects. But if, upon receipt of this, the network is already finished, leave it as it is, at least I would not want the dispatch of the instrument to be delayed by even one day.” In fine condition. Starting Bid $1000
One of the earliest Google, Inc. checks, paying for “rent + sec deposit” on the company’s first office space
153. Google: Sergey Brin Signed Check for Google’s First Office Space (January 1999) - PSA MINT 9. Historic Google, Inc. business check, 6 x 2.75, filled out in another hand and signed by Brin, “Sergey Brin,” payable to Geonexus for $33,475, January 19, 1999, with the memo noting: “rent + sec deposit.” Google’s address is given as “555 Bryant #106, Palo Alto, CA 94301.” In fine condition. Encapsulated and graded by PSA/DNA as “MINT 9.”
Google, Inc. was officially incorporated on September 7, 1998, by Sergey Brin and Larry Page, as a way to bring their ‘PageRank’ algorithm—an improved method of ranking internet search results, developed in the course of their Stanford doctoral work—to the masses. This check, written just four months later, is therefore one of the earliest checks written after the founding of Google. Moreover, it secured the company’s first office space: having received several million dollars in venture capital investments, Google, Inc. moved out of its Menlo Park garage (at the home of Susan Wojcicki) and into its first real office space in Palo Alto’s ‘Lucky Building’—famed as an incubator for several noted Silicon Valley startups—at 165 University Avenue. The recipient of this check, Geonexus Communications, Inc., is documented as having offices at 165 University Avenue from at least 1994 to 1999; Google might have been subletting the space from what seems to be a now-defunct company.
Representing Google’s early, rapid growth—the firm occupied the ‘Lucky Building’ for only a few months before needing to move to an even larger space, a victim of its own success— this check documents an important investment as Google’s innovative search began to catch on.
The consignor notes: “In August of 1998, Andy Bechtolsheim wrote a check to Google for $100,000 becoming the initial investor in the company. It took a few weeks for the check to be cashed because Google was not yet an incorporated company. On September 7 1998, Google became an incorporated company and the first checking account with the name Google Inc was opened. The address used to open the account, 555 Bryant #106 Palo Alto CA is currently a UPS Store which Google used as a mailing address. The actual offices were in a garage in Menlo Park. It appears that the first check number used to set up the account was number 2000 to give the appearance of an established account/company…
I joined the company in April of 2002. I worked in the Finance department as the manager of Disbursements and Payroll. I was the first manager level hired in the Finance department. I came across these checks as we were moving from one location to another, as we did frequently. The checks were to be discarded to make room for other files. The company was growing very fast at the time. I kept them thinking it would be fun to have from a historical perspective.” Starting Bid $200
Larry Page invests in new computers for Google, Inc., as their innovative search starts to catch on— an early check from 1999
154. Google: Larry Page Signed Check to King Star Computers - PSA MINT 9. Google, Inc. business check, 6 x 2.75, filled out and signed by Larry Page, “Lawrence Page,” payable to “Kingstar” for $4561.66, no date but processed by the bank on April 16, 1999. Google’s address is given as “165 University Ave., Palo Alto, CA 94301,” otherwise known as the ‘Lucky Building’ or ‘Karma Building.’ In fine condition. Encapsulated and graded by PSA/DNA as “MINT 9.”
Google, Inc. was officially incorporated on September 7, 1998, by Sergey Brin and Larry Page, as a way to bring their ‘PageRank’ algorithm—an improved method of ranking internet search results, developed in the course of their Stanford doctoral work—to the masses. This check, dating to mere months later, is not only quite early in the company’s history, but represents a major purchase as it began to scale—computers bought from one of its most important vendors.
King Star Computer, based in Santa Clara, would soon build Google’s infamous ‘corkboard’ system—a modest (but effective) group of custom-built server racks which featured standard, off-the-shelf PC motherboards seated on raw corkboard for insulation. At the time the order was placed in the summer of 1999, the entirety of Google’s search engine was running on just over a hundred servers. Google commissioned King Star Computer to build out a 21-rack setup of 20 shelves a piece, each shelf carrying four servers—for a grand total of 1,680. Google’s eighth employee, network engineer Urs Hölzle, later reflected: ‘At the time of the order, we had a grand total of 112 servers so 1680 was a huge step. But by the summer, these racks were running search for millions of users. In retrospect
the design of the racks wasn’t optimized for reliability and serviceability, but given that we only had two weeks to design them, and not much money to spend, things worked out fine.’
Having received several million dollars in venture capital investments, Google, Inc. had just moved out of its Menlo Park garage (at the home of Susan Wojcicki) and into its first real office space in Palo Alto’s ‘Lucky Building’—famed as an incubator for several noted Silicon Valley startups. In addition to documenting a computing infrastructure investment as Google’s search began to catch on, this check represents Google’s early, rapid growth—the firm occupied the ‘Lucky Building’ for only a few months before needing to move to a larger space, a victim of its own success. Google began building custom billion-dollar data centers in 2006, and today spends upwards of $5B per quarter on its worldwide data center infrastructure.
The consignor notes: “King Star Computer Inc. would play a significant role in the creation and success for Google. They were the provider of the servers that powered the search results for the company for many years. I joined the company in April of 2002. I worked in the Finance department as the manager of Disbursements and Payroll. I was the first manager level hired in the Finance department. I came across these checks as we were moving from one location to another, as we did frequently. The checks were to be discarded to make room for other files. The company was growing very fast at the time. I kept them thinking it would be fun to have from a historical perspective.” Starting Bid $200
Choice 1976 Apple Computer Company to
an electronics warehouse, boldly signed by
Steve Jobs in July 1976—the
debut of the Apple-1
156. Steve Jobs Signed 1976 Apple Computer Check to Quement Electronics. Early Apple Computer Company check, 6 x 3, filled out in black felt tip and signed by Jobs, “steven jobs,” payable to Quement Electronics for $24.75, July 16, 1976. Headed “Apple Computer Company,” the check uses Apple’s first official address at “770 Welch Rd., Ste. 154, Palo Alto”—the location of the answering service and mail drop that they used while still operating out of the famous Jobs family garage. In very fine condition. Boldly filled out and signed by Jobs during this foundational era of Apple Computer, this is an ideal example of his autograph.
During this period in the summer of 1976, just a few months after founding the Apple Computer Company, Jobs and Wozniak were hard at work building their first product. In March 1976, Wozniak had completed work on an innovative microcomputer design—now known as the Apple-1 Computer—and Jobs suggested that they sell it. Based on the early date, this check for $24.75 to Quement Electronics—a barn-sized electronics warehouse in San Jose specializing in ham radio gear and electronic parts—likely represents payment for component parts affiliated with the production of early Apple-1 systems.
Though initially conceived as a kit to be soldered together by the end user—like most enthusiast computers of the era— the Apple-1 became a finished product at the behest of Paul Terrell, owner of The Byte Shop in Mountain View, California, one of the first personal computer stores in the world. Terrell offered to buy 50 of the computers—at a wholesale price of $500 a piece, to retail at $666.66—but only if they came fully assembled. With this request, Terrell aimed to elevate the computer from the domain of the hobbyist/enthusiast to the realm of the mainstream consumer. Wozniak later placed Terrell’s purchase order in perspective: ‘That was the biggest single episode in all of the company’s history. Nothing in subsequent years was so great and so unexpected.’
Thus, the Apple-1 was one of the first completely assembled ‘personal’ computers that simply worked out of the box with a few accessories that could be purchased from a local electronics store (a power supply, case, keyboard, and monitor were not included). Altogether, over a span of 10 months or so, Jobs and Wozniak produced about 200 Apple-1 computers and sold 175 of them. A superb check signed by the innovative personal computing pioneer. Starting Bid $2500
“In
1899 I detected feeble impulses emanating from Mars”—Tesla ponders extraterrestrial life in
a truly extraordinary handwritten letter
to Universal Pictures founder Carl Laemmle
155. Nikola Tesla Autograph Letter Signed on Extraterrestrial Life: “In 1899 I detected feeble impulses emanating from Mars”. ALS signed “Nikola Tesla,” one page on vellum parchment, 6.75 x 9, July 15, 1937. Fascinating handwritten letter to Universal Pictures co-founder Carl Laemmle, in full: “For the album of a man of your genius and ideals, who lives among stars, the following message I just cabled to the ‘Weekly Star,’ Toronto, would seem appropriate.
‘Undoubtedly there are myriads of planets in the universe which were, are, or will be abodes of life in its highest forms. The same formative principles must be operative in the building up of the bodies of the inhabitants and their perceptions of the external world must be closely similar to ours. It is highly probable that many are as far, or even more, advanced than ourselves. Codes for communication and mutual understanding can be readily formulated on the basis of commonly perceived universal truths.
In 1899 I detected feeble impulses emanating from Mars which seemed to convey the idea of numbers. This discovery I announced through the Red Cross in 1900. Broadly considered, communication between two planets involves as an essential and indispensable condition the coincidence in time of the same phases of development on them. It is this rigid requirement which makes the practical solution of the problem so formidably difficult, not to mention the quick and unceasing motions of the planets. The task would be immensely simplified if the transmission could be effected with infinite velocity for then the same phases of development on the two planets
would always coincide in time whatever be the distance. By my inventions it has become possible to transmit considerable amounts of energy at distances of thousands of light years and if received, it can be easily detected in many ways.’” In very good to fine condition, with areas of staining from old adhesive residue on the back, and a mottled appearance due to the nature of the vellum, not at all affecting readability.
In 1899, while conducting radio experiments at his experimental station outside of Colorado Springs, Tesla reported hearing unusual, rhythmic sounds from his receiver. In a letter to Julian Hawthorne, Tesla contended that these signals were evidence that ‘intelligent beings on a neighboring planet’ must be scientifically more advanced than Earthlings. In this remarkable letter, he contemplates the ease with which his hunt for extraterrestrial life could be accomplished were it not for the bounds of spacetime. As any intergalactic communication is constrained by the speed of transmission, he observes that two life forms must be sufficiently well developed at the same time in order to make contact.
It has since been hypothesized that Tesla may have intercepted Marconi’s European experiments in July 1899-Marconi may have transmitted the letter S (dot/dot/dot) in a naval demonstration, the same three impulses that Tesla hinted at hearing in Colorado-or signals from another experimenter in wireless transmission. A unique and important autograph letter by the celebrated inventor, whose eccentric ways and marvelous mind doubtlessly inspired some of ‘mad scientist’ characters brought to the screen by Laemmle in the 1920s and 30s. Starting Bid $2500
“Look at what Mr. Römer, a Dane and second to none among our contemporary astronomers, has written to me”
157. Gottfried Wilhelm Leibniz Autograph Letter Signed on the Mathematics of Determining the Astronomical Date of Easter. Highly-renowned German mathematician and philosopher (1646–1716). ALS in Latin, signed “G. G. L.,” three pages on two adjoining sheets, 4 x 6, March 2, 1700. Handwritten letter to the Helmstedt theologian Johann Andreas Schmidt, about the mathematics of determining the date of Easter—a topical subject, as the Gregorian calendar reform had been introduced in the Protestant countries only the previous day. Leibniz considered this a rash undertaking, as scholars were still in disagreement about the correct way to establish the date of Easter astronomically.
In part (translated): “You know that the thought of continuing the Centuriators’ work was undertaken among you by the late Mr. Meier; and you will understand from his friends what resources he intended to use. I do not know what has become of the collected works of the early authors. Will you add anything to their centuries themselves? Certainly, much has come to light since then, which could help correct them. I prefer Baronius’s annalistic method to the one they followed. However, each
method has its advantages. If anything useful arises, I will note it for your project….Look at what Mr. Römer, a Dane and second to none among our contemporary astronomers, has written to me. Please return this to me, and, in the meantime, discuss his doubts, unnamed, either directly with him or me, along with Mr. Hamberg and Mr. Junius, and make sure that their responses reach me. Please consider his suggestions yourself. Of his three methods, I do not believe the last will be chosen, nor will the first be easily reached. Therefore, we must consider the middle approach for now, until another proves preferable; and, in the meantime, the difficulties will need to be clarified. As to why I brought Mr. Wagner with me for a few days, he has written a detailed explanation.” In fine condition, with scattered light foxing and toning. In 1699, Danish astronomer Ole Rømer—discoverer of the speed of light and inventor of the modern thermometer—suggested a revised calendar, so that Easter was scheduled according to the moon.
Published in the Leibniz Akademie-Ausgabe, Vol. I, 18, no. 244. Starting Bid $1000
Marvelous FDC collection signed by 60 Nobel Prize-winning scientists, including Niels Bohr, James Chadwick, and Linus Pauling
159. Nobel Prize-Winning Scientists (60) Signed Cover Collection, with Niels Bohr, James Chadwick, and Linus Pauling. Significant collection of 60 FDCs individually signed in ink by a renowned Nobel Prize-winning scientist in the fields of chemistry, medicine, and physics. The collection dates from 1914 to 1959, covering two World Wars and over 40 years of significant scientific pursuits that helped shape modern society. A notable sampling of the figures found herein includes legendary physicists Niels Bohr, James Chadwick, Louis de Broglie, and C. V. Raman, and brilliant chemists like Irving Langmuir, Harold Urey, Otto Hahn, Glenn T. Seaborg, and Linus Pauling. All the covers bear sciencerelated cachets and postage stamps that add extra visual appeal, and each includes its own presentation sheet with a small portrait and typed caption. An outstanding assemblage of some of history’s finest scientific minds, a collection augmented by its desirable single-signed cover format and its pervasive clean, well-centered signatures. In overall fine condition.
A complete list of the included laureates can be found in our online description. Starting Bid $300
Important theological statement by Isaac Newton, embodying the core of his religious heresy and
his
belief that the Church had corrupted the true doctrine of Christ
158. Isaac Newton Handwritten Manuscript on Religion, Concerning a Translation of the Nicene Creed and the True Doctrine of Christ. Important handwritten religious manuscript by Isaac Newton, one page, 7.5 x 3, no date. Newton weighs in on a central tenet of Christianity, researching the origin of the doctrine of the trinity, writing in full: “The Council of Nice in decreeing the son to be ὁμοούσιος consubstantial to the father, understood that the father & son were two substances. For so the word ὁμοούσιος implies. But Hosius who (a - Athanas) published the Nicene Creed translated it unius substantiæ, & this translation gave occasion to some of the Latins to take the father & son for one single substance, & to the Greeks of this opinion to translate unius substantiæ by μιᾶς οὐσίας and μιᾶς ὑποστάσεως & to the western bishops in the Council of Serdica to declare that μίαν εἶναι ὑπόστασιν
that there is but one hypostasis of the father & son & holy Ghost.” Archivally corner-mounted and framed under museum glass with a portrait, plaque, and descriptive caption to an overall size of 20.5 x 17. In fine condition. Accompanied by a full letter of authenticity from PSA/DNA.
This significant autograph statement illuminates the core of Newton’s religious heresy. Newton held a view of the Trinity at variance with the Church of England—a heretical view punishable by death—and he here articulates the basis for
his theological perspective. Newton believed that the ancient Church had corrupted the true doctrine of Christ, and the present document shows Newton demonstrating that the orthodox doctrine of the Trinity is based in a mistranslation of a key term of the Nicene Creed. A cornerstone text of Christian faith, the Nicene Creed was drafted in 325 AD as the result of a council convened by the Emperor Constantine. The Council of Nicea had a primary objective of settling the disputed questions of the relationship and difference of Christ the Son and God the Father. Many of the terms used in the Nicean debates were drawn from pre-Christian philosophy, and their precise meaning was unclear to many of the clerics attending the Council. Newton here records how the Greek term homoousios, used in the Creed to describe the relationship of Christ and God, was erroneously translated as “one in substance” rather than as “consubstantial” (or “similar in substance”).
Scholars now increasingly recognize the importance of Newton’s theological views for an understanding of the whole man and his science. Newton himself kept his heretical religious views secret, and his heirs suppressed his manuscripts on theology for 200 years after his death—and they are only now beginning to see the light of day. The present document superbly testifies to Newton’s critical mind and philosophic acumen; its use of Greek writing is uncommon. A central document for our understanding of Newton’s view of God. Starting Bid $2500
Two months after the atomic bombings of Hiroshima and Nagasaki, Oppenheimer commends the efforts of a Los Alamos machinist and his “contribution to the development of the atomic bomb”
160. Robert Oppenheimer Typed Letter Signed to a Manhattan Project Employee “essential to the development of the atomic bomb”. TLS signed “J. R. Oppenheimer,” one page, 8.5 x 11, P.O. Box 1663, Santa Fe, New Mexico letterhead, October 1, 1945. Letter to George A. Bryan, in full: “This letter is to acknowledge your contribution to the development of the atomic bomb. The striking success of this project was only made possible by the work and sacrifices of the military members. According to your group leader, you are to be commended for five months spent in the project machine shops engaged as a machinist in the fabrication of equipment and parts which were essential to the development of the atomic bomb. You and your colleagues have consistently turned out high quality work and throughout the long period of high pressure effort you have cheerfully cooperated in meeting the most urgent demands of the project.” In fine condition, with some light creasing to the right side.
An exceptional letter from the director of the Los Alamos Laboratory, dated two months after the atomic bombings of Hiroshima and Nagasaki and a month after the close of World War II. Oppenheimer writes a gracious letter to a technician in the special engineering detachment, a group that was essential to the development and successful detonation of the first atomic bomb. He acknowledges the difficulty of the position, with its inherent sacrifices and its “long period of high pressure effort.”
Oppenheimer mailed numerous letters of gratitude to former Los Alamos employees, some of which reemphasized the ‘absolute secrecy’ of the work, a mandate initiated by President Franklin D. Roosevelt, and a chief concern of General Leslie R. Groves. Anyone on the grounds of Los Alamos needed a purpose and a pass, information was compartmentalized, all employees were required to sign secrecy oaths, and signs and billboards across the facility admonished workers: ‘What you see here, what you do here, what you hear here, when you leave here, let it stay here!’ Secrecy proved a daunting task of the Manhattan Project, which, at its peak in June 1944, employed about 129,000 workers. Starting Bid $300
“Get on the List”—rare surviving “Apple-II Advance Order Information” brochure from the personal collection of Apple co-founder Ron Wayne
161. Ron Wayne’s Apple II Advance Order Information Brochure. Ron Wayne’s original “Apple-II Advance Order Information” brochure released by Apple Computer in early 1977, four pages, 8.5 x 11, signed on the front in black ink by the Apple cofounder, “Ronald G. Wayne,” who signs over his embossed personal seal. The brochure, which bears Apple’s first official address at “770 Welch Road, Palo Alto, CA”—the location of an answering service and mail drop that the company used while still operating out of the famous Jobs family garage—contains ample technical information relative to the Apple II computer, including specifications for “Video Display,” “Memory,” “I/O,” and “Software,” which includes “APPLE BASIC…an integer BASIC supplied in 6k bytes of ROM.” Most significantly, the brochure contains a “Get on the List” offer section and form with purchase options for quantity and memory. A section marked “The Offer,” reads, in full: “We expect a sizable backlog of orders almost immediately after APPLE-II is nationally announced in April. This advance offer is extended to allow you to order an Apple-II from the first production run, thus be guaranteed delivery by April 30, 1977. The terms of the advance order are as follows:
1. All orders will be processed on a firstcome, first-served basis regardless of quantity.
2. A deposit of one-third (1/3) of the total dollar amount ordered will be required and must accompany the order, the balance due on delivery.
3. All California residents must add 6 1/2% sales tax on retail orders.
4. Apple will pay all shipping (UPS) and order handling charges.
5. Delivery is guaranteed on or before April 30, 1977.
In very fine condition. A rare surviving piece of Apple II ephemera that predates the unit’s release and subsequent ascent as America’s most influential personal computer.
Provenance: Christie’s Auctions, The Ron Wayne Apple Archive, December 2014. Starting Bid $300
New-in-box, factory-sealed example of the original iPhone with iTunes icon
162. Apple iPhone (First Generation, Sealed 8GB). Unopened first generation original Apple iPhone, Model A1203, Part No. MA712LL/A (8GB), Serial No. 87817EL3WH8. The box features a life-size image of the iPhone with thirteen icons on the screen, indicating that it is from the later production run of original iPhones; the 13th icon, for iTunes, was introduced to the packaging in late 2007. In brand new, factory-sealed condition. Accompanied by the original sales receipt from the AT&T store in Portland, Oregon, dated May 16, 2008.
‘iPhone is a revolutionary and magical product that is literally five years ahead of any other mobile phone,’ Steve Jobs said during his keynote speech that introduced the innovative product. He was right. Developed in secrecy, the original iPhone is the smartphone that transformed the industry, revolutionizing cellphone design as one of the first ‘slate’ form factor phones. The iPhone removed nearly all physical controls in favor of an easy-to-use capacitive touchscreen interface. It put the internet into our pockets with the first full-featured mobile web browser, and essentially launched the market for apps with the introduction of the App Store, making third-party applications easy to access and download. The iPhone ushered in the modern age of the smartphone and catapulted Apple to the top of the charts as one of the world’s most valuable companies. Starting Bid $1000
163. Apple iPod U2 Special Edition (2004, Sealed - 20GB). Unopened fourth generation original Apple iPod U2 Special Edition, Part No. M9787LL/A (20GB), Serial No. JQ5027GZS2X, released for Mac and Windows. The sides of the box show life-size images of the device’s front screen and case back, the latter featuring facsimile signatures of each member of U2. Another side contains an image of the band, and the underside contains the device’s specifications. In brand new, factory-sealed condition.
Launched to coincide with the release of U2’s album How to Dismantle an Atomic Bomb, this U2 Special Edition iPod was the first of four released by Apple between 2004 and 2006, with the second version based on an iPod photo and the third and fourth versions based on 5th-generation iPods. They were available in two storage capacities, 20 GB and 30 GB, and these iPods came preloaded with U2’s entire music catalog, including the new album. In addition to the unique design and preloaded content, the U2 iPods also included exclusive U2-branded earphones and a coupon for a discount on the complete box set of U2’s digital music collection. Starting Bid $200
164. Cuff-style Brass Microscope by George Sterrop (c. 1750). Antique British hand-made Cuff-style compound microscope by George Sterrop, circa 1750, featuring the handsome brass optical device, 12˝ tall, mounted upon a square 7˝ x 7˝ x 2˝ mahogany base, with a slide-out tray containing spare lenses, specimen slides, and other accessories. The microscope’s body tube has a tapered, threaded end for removable objective lenses, a single-lens eyepiece at the top, and a stage engraved with the maker’s name around the central hole, “Sterrop London.” The brass pillar support features a Hevelius focus screw for fine adjustment, and a single-sided mirror on a rotating gimbal mount is affixed to the base. In very good to fine condition. A similar example is held by the Golub Collection of Antique Microscopes, University of California, Berkeley. Starting Bid $300
Rare, complete example of the Gilbert U-238 Atomic Energy Laboratory— the ‘most dangerous toy in history’
165. Gilbert U-238 Atomic Energy Laboratory. Rare, complete example of the Gilbert U-238 Atomic Energy Laboratory in its original reed suitcase, measuring 25˝ x 16.5˝ x 5˝, created by Alfred Carlton Gilbert, known for his development of the Erector Set and popular chemistry kits. The laboratory kit contains a cloud chamber allowing the viewer to watch alpha particles traveling at 12,000 miles per second, a spinthariscope showing the results of radioactive disintegration on a fluorescent screen, and an electroscope measuring the radioactivity of different substances in the set: carnotite, autunite, torbernite, and uraninite.
Includes the original “Gilbert Atomic Energy Manual,” a “Prospecting for Uranium” guide published by the US Atomic Energy Commission and US Geological Survey, and a “Dagwood Splits the Atom” instructional comic book. Also includes a letter from the A. C. Gilbert Co., dated September 25, 1953, referring to the “Atomic Energy Lab,” in part: “We regret exceedingly to advise you that we have discontinued manufacturing this Laboratory and it was very difficult to obtain some of the materials and also due to Government Restrictions.” In very good to fine condition, with some scuffing to the case.
Produced only in 1950 and 1951, with fewer than 5000 sold total, this set is extremely rare, and highly coveted. In 2006, the pop culture publication Radar Magazine called the lab set one of ‘the 10 most dangerous toys of all time’ because of the radioactive material it included. The professional journal IEEE Spectrum published a more-detailed review in 2020, discussing the kit in the context of the history of science education kits and safety concerns. It described the likely radiation exposure as ‘minimal, about the equivalent to a day’s UV exposure from the sun,’ provided that the radioactive samples were not removed from their containers, in compliance with the warnings in the kit instructions. Starting Bid $300
Rare, functional example of the original Kodak— the camera that brought photography to the masses
166. Kodak Camera (c. 1888) - The Legendary First Roll-film Camera. Extraordinary, well-preserved example of ‘The Kodak’—the first roll-film camera famously developed by George Eastman and introduced in 1888, bringing photography to the masses. The camera measures 3.25˝ x 4˝ x 6.75˝ and features a functioning ‘barrel’ shutter, with tension set by a pull string and activated by a button on the side. The rear of the leather-covered case is impressed with the serial number, “3840,” and a ‘Patent Pending’ notice. Retains the winding key film advance mechanism on top. In fine to very fine condition, with a few minor scratches to the leather; all mechanisms appear to function properly.
When the Kodak was introduced, most cameras were large and used fragile glass plates which had to be developed by the photographer; the Kodak introduced lightweight rolls of film as a photographic medium. The Kodak’s advertising slogan, ‘You push the button, we do the rest,’ summed up its business model: after taking 100 photos, the camera was returned to Kodak. They developed the film, printed the photos, and sent the photos and the reloaded camera back to the customer, ready for another 100 shots.
The Kodak made photography available to everyone. Other ads proclaimed, ‘Anybody can use it,’ and demonstrated that the simple device offered ‘photography reduced to three motions.’ Pull the cord, turn the key, press the button—and repeat for 100 pictures.
These cameras are very rare, having only been produced for a short time in 1888, before being replaced by a newer model: the Kodak No. 1, which offered an improved shutter system. This one is complete, shutter working, and in remarkable condition. Starting Bid $300
167. NASA ROLM Mil-Spec Computer Control Panel. Rack-mountable ROLM computer control panel, measuring 19˝ x 8.75˝ x 6˝, with a ROLM Mil-Spec Computers label on the top: “Control Panel, Model 1648, Serial No. 378, Options 42, 81, Assembly 1 of 1, Loc. A4.” Tied to the grounding pin is a NASA-JSC parts control tag, and affixed to the front plate is a label designating it as a “Flight Box.” The control panel boasts several LED indicators (“Carry,” “XMD,” “OVF,” “Exp Mem,” “ION,” “IBN,” “Fetch,” “Execute,” “Run”), two display screens marked “Address” and “Data,” a bank of 16 toggle switches, and control switches along the bottom. In very good to fine condition. The control panel is likely affiliated with the Spacelab program, as it is rack-mountable and originates from JSC. Starting Bid $200
Intellectuals
“Your sonnet also once again shows that psychoanalysis does not always fantasize but often only discloses what was kept secret”
178. Sigmund Freud Autograph Letter Signed: “Psychoanalysis does not always fantasize but often only discloses what was kept secret”. ALS in German, signed “Freud,” one page both sides, 5.25 x 8.25, personal “Prof. Dr. Freud” letterhead, April 21, 1912. Handwritten letter to the medical doctor, writer and poet Hugo Salus, in part (translated): “Accept our most sincere thanks for the kind reception of ‘Imago,’ which indeed requires sympathy to sustain itself in the hostile world. Your sonnet also once again shows that psychoanalysis does not always fantasize but often only discloses what was kept secret. However, please do not be displeased if I do not firmly commit to publishing it in Imago, where we currently lack the space for it. Rather, with your consent, I would prefer to transfer it to the Zentralblatt für Psychoanalyse, which has been paying attention to confirmations of our propositions in poetic works for some time. As you know, it is the same publisher as Imago.” In fine condition, with a short split to the central horizontal fold. Accompanied by an export certificate from the French Ministry of Culture. A significant letter by Dr. Freud, acknowledging the adoption of his psychoanalytic practices by members of the arts community. In 1912, Salus’s sonnet ‘Der Knabe’ appeared in No. 12 of the Zentralblatt für Psychanalyse und Psychotherapie, a publication co-edited by Sigmund Freud. Starting Bid $1000
“The ‘Yearbook for psychoanalytic and psychopathological research’ edited by Jung is due to be published in 2-3 weeks”
179. Sigmund Freud Autograph Letter Signed on the First Psychoanalytic Journal. ALS in German, signed “Freud,” one page, 8.25 x 10.75, personal letterhead, January 21, 1909. Handwritten letter to the German psychiatrist and pioneer of sexology, Albert Moll. The letter was part of an ongoing correspondence between the two men after Moll had written to Freud asking him to participate in the planned ‘Journal of Psychotherapy and Medical Psychology.’ In full (translated): “I very much regret that I was so negligent in making the reservation this time. I have omitted the habit of sending work for some time, but that doesn’t help now and I must thank you under these circumstances for allowing me to reprint it in March. I will write to Enke today and hope that you will help me to get his consent, which should not be difficult given the insignificance of the damage to your side. The ‘Yearbook for psychoanalytic and psychopathological research’ edited by Jung is due to be published in 2-3 weeks.” Freud adds a brief postscript: “P.S. Your last letter was mistakenly addressed to IX Ferstelgasse.” In fine condition, with creases to the corners, and file holes in the left margin. Albert Moll (1862-1939) was a neurologist, psychologist, sexologist, and ethicist. Alongside Iwan Bloch and Magnus Hirschfeld, he is considered the founder of medical psychology and sexology.
The first International Psychoanalytical Congress (IPC) occurred on April 27, 1908, and served as an international meeting of colleagues who shared a common interest in psychoanalysis. The event was initiated by Carl Jung and Welsh psychoanalyst Ernest Jones, with Freud eventually welcoming the idea and suggesting Salzburg as the host location. Jones wished its title to be the International Psychoanalytical Congress, but it was Jung who decided to call it the First Congress for Freudian Psychology.
Among the results of this first IPC was Freud’s presentation of the case of the Rat Man, and the inception of the first psychoanalytic journal, the Yearbook for Psychoanalytic and Psychopathologic Research, a forum dedicated to the latest research and theoretical developments in the fields of psychoanalytic thought.
As quoted from his 1914 book History of the Psychoanalytic Movement, Freud gives an account of the Salzburg meeting and the referenced journal: ‘The result of this first psychoanalytic congress was the founding of a periodical which began to appear in 1909 under the name of ‘Jahrbuch fur Psychoanalytische und Psychopathologische Forschungen,’ published by Bleuler and Freud, and edited by Jung.’ Starting Bid $1000
Manuscript fragments affiliated with Rousseau’s lost work on the history of women
181. Jean-Jacques Rousseau Handwritten Manuscripts on Isabella of Valois and Pope Sixtus V. Important Swiss-French philosopher and writer (1712-1778) who held that the individual is essentially good but usually corrupted by society. Two handwritten partial manuscript fragments by Jean-Jacques Rousseau, totaling nine pages on six sheets, 7.5 x 10, no date but circa 1745–1750. Excerpts from biographical works penned in the hand of Rosseau, stemming from his time as the private secretary to the famous salonnière Louise Marie Madeleine Fontaine, called Madame Dupin (1706–1799). Includes: an excerpt of a manuscript on the life of Isabella de Valois, Queen of England, by Jean Froissart, as printed in Bernard de Montfaucon’s ‘Monuments de la monarchie française’ (1729) and from Charles Baunier’s ‘Recueil historique, chronologique et topographique des abbayes de France’ (1729) concerning the reception of a bishop by the abbess of Notre Dame aux Nonnains in Troyes; and an excerpt from ‘The Life of Pope Sixtus the Fifth’ by the protestant historian Grégorio Leti, recording examples of Sixtus’ harsh punishments in cases related to the honor of women. In overall fine condition. Housed together in a brown linen folder.
When Jean-Jacques Rousseau was introduced to Madame Dupin in 1743 he was immediately drawn to the salonnière who was famed for her beauty, wit, and intelligence. Although the infatuated Rousseau had to be discouraged from making unrequested advances to her, Madame Dupin employed the young philosopher as her private secretary and tutor for her son Jacques-Armand in 1745. During his employment Rousseau was mainly occupied with research for Madame Dupin’s magisterial work ‘On the Equality of Men and Women’ and the transcription of her dictation. The excerpts at hand were part of Madame Dupin’s highly ambitious project.
The manuscript of this pioneering text on women’s rights comprised almost 2,000 pages organized in 47 chapters but was never to be published. Despite an often difficult relationship with Madame Dupin, Rousseau remained on friendly terms with the family after his discharge in 1751 and received some financial support later on. In his posthumously published ‘Confessions,’ he prizes Madame Dupin’s charm and beauty. Concerning the question of the role of women in society and women’s rights, Rosseau held contrarian views to his employer as laid down in ‘Émile, ou De l’éducation’ and other important works. Starting Bid $1000
Explorers and Archeologists
Sought-after signature and letter display of the two African
explorers
182. Henry M. Stanley and David Livingstone Letter and Signature Display. Two items: an ALS signed “Henry M. Stanley,” one page, 4 x 5.5, 2 Richmond Terrace letterhead, January 19, 1896, handwritten to Mrs. Beit, in full: “True to my promise I beg to send the very latest photo taken. I send it with my best wishes for you & yours during the New Year”; and a bold ink signature, “David Livingstone, 5th March 1858,” on an off-white 3.5 x 2.5 sheet. Both are matted and framed together with portraits and engraved plaques to an overall size of 16 x 22.5. In overall fine condition. Starting Bid $200
American West
Outstanding double-signed portrait of the Wild West icon
184. William F. ‘Buffalo Bill’ Cody Signed Photograph. Vintage mattefinish 3.75 x 5.5 portrait of Cody by the Marceau Studio of New York, affixed to its original 5.75 x 7.5 mount, signed on the mount in bold ink, “W/. F. Cody, ‘Buffalo Bill.’” In fine condition, with toning from prior display and trimmed edges to the mount. An elegant, handsome portrait of the celebrated Wild West showman. Starting Bid $200
Cody recommends a reliable worker, who “has been in the employ of Buffalo Bill’s Wild West for ten seasons, 1887 to 1897”
185. William F. ‘Buffalo Bill’ Cody Typed Letter Signed, Recommending a Long-Term Employee of Buffalo Bill’s Wild West. TLS signed “W. F. Cody,” one page, 8.5 x 11, illustrated Buffalo Bill’s Wild West letterhead, October 18, 1897. Letter of recommendation for an employee, in full: “The bearer of this, Martin Flynn, has been in the employ of Buffalo Bill’s Wild West for ten seasons, 1887 to 1897, and has performed all duties required of him to our entire satisfaction.” In very good to fine condition, with light toning and short splits to the ends of the intersecting folds. Starting Bid $200
Notorious Figures
186. Carlo Gambino Signed Check. Boss of New York’s most powerful crime family (1902–1976) and model for the title character in Mario Puzo’s The Godfather. S.G.S. Associates business check, 8.25 x 3, filled out in another hand and signed by business partners George Schiller and Henry H. Saltzstein, payable to Carlo Gambino for $1,000, August 21, 1963, endorsed on the reverse by the crime boss, “Carlo Gambino.” In fine condition. After the Apalachin Meeting in 1957, and the imprisonment of Vito Genovese in 1959, Gambino took over the Commission of the American Mafia until his death from a heart attack on October 15, 1976. During more than 50 years in organized crime, he served only 22 months in prison for a tax evasion charge in 1937. From the New York Times: ‘From 1955 to 1965, Gambino was a one-third owner of a labor relations concern called SGS Associates, Inc., whose clients included Wellington Associates, the real estate com pany that owns the Chrysler Building and other major prop erties in the city; Flower and Fifth Avenue Hospitals, and the Concord Hotel at Kiamesha Lake, N.Y. The company was dissolved after Gambino’s connection with it was disclosed.’ Starting Bid $200
A Ruby bullet— fired from the gun that shot Lee Harvey Oswald
187. Jack Ruby: Bullet Fired From the Gun that Shot Oswald. A bullet shot by the actual .38 caliber Colt Cobra revolver, Serial #2744 LW, used by Jack Ruby to shoot Lee Harvey Oswald on November 24, 1963, in the basement at Dallas Police Headquarters, along with its spent cartridge case. The bullet and casing, identified as part of the ‘Owner’s Proof Edition,’ are mounted in a display with an engraved plaque, photograph, and certificate of authenticity from Anthony V. Pugliese III of the National Historical Mint. Framed to an overall size of 19 x 25. In fine condition. Starting Bid $200
Pattons presents a portrait to his WWI tank instructor: “To my friend and teacher”
292. George S. Patton Signed Photograph to His WWI Tank Instructor. Vintage matte-finish 8 x 10 bust-length photo of Patton in uniform, signed and inscribed in fountain pen, “To my friend and teacher…G. S. Patton, Jr., Lt. Gen.,” with the recipient’s name, “General Koechlin Schwartz,” filled out in a secretarial hand. In very good to fine condition, with the signature a shade light, some old adhesive residue in the borders, and some light silvering to darker areas of the image.
French General Koechlin-Schwartz was one of Patton’s instructors in tank handling in Langres, France, during the
First World War. As recorded in The Patton Papers, KoechlinSchwartz once told him: ‘The poorer the infantry, the more artillery it needs; the American infantry needs all it can get.’
An unexpected reunion with the general is reported in Patton: Ordeal and Triumph by Ladislas Farago: ‘He was highly flattered when a French general praised him.for his bold off-beat maneuvers. He was General Koechlin-Schwartz…who now told him at an unexpected reunion in Brittany, ‘Had I taught 25 years ago what you are doing, I should have been put in a madhouse. But when I was told that an Allied armed division was heading for Brest, I knew it was you!’’ Starting Bid $500
Cornwallis on his placement within Thomas Paine’s Rights of Man—
“After broiling seven years in this country, I should not relish being hanged as an Aristocrate as soon as I get home, and I don’t see how I could possibly escape after being placed by Mr. Paine between Catherine and Tippoo”
291. Charles Cornwallis Writes from Calcutta, Leery of His Return to England Due to the Words of Thomas Paine - “I should not relish being hanged as an Aristocrate…I don’t see how I could possibly escape”. ALS as Governor-General of India, signed “Cornwallis,” one page both sides, 7.5 x 9.5, October 14, 1792. Handwritten letter from Charles Cornwallis, addressed from Calcutta, in full: “I have received your letter of the 29th of March, and am much obliged to you for transcribing the substance of what you said in Parliament especially the Indian War, and my sentiments previous to it. You will long since have learnt by my letter that went in the Pheonix, that I felt no serious displeasure at any thing you had said or written, and I trust, you will think no more about the matter. Every thing is quiet in this quarter of the Globe, and we are anxiously turning our eyes to the event of the War on the Continent, and what is still more in interesting to us, the progress of the Associators and Reformers in England. I hope they will not establish La Lanterne [the iron lamp-post at the corner of Parisian streets, used by Revolutionary mobs for lynchings] in London, for after broiling seven years in this country, I should not relish being hanged as an Aristocrate as soon as I get home, and I don’t see how I could possibly escape after being placed by Mr. Paine between Catherine [the Great] and Tippoo [the Sultan of Mysore], who have neither of them shown any respect for the rights of Man.” In fine condition.
Cornwallis had a distinguished and successful career after the debacle of Yorktown (for which he was not personally blamed) and served as Governor-General of India from 1786 to 1793. Thomas Paine’s Rights of Man had been published in 1791, embodying the ideas of liberty and equality, and defending the French Revolution against the attacks of Edmund Burke. It was written before the execution of Louis XVI and the excesses of the Terror, and when Britain and France were still at peace. An establishment figure like Cornwallis would have regarded “Associators” (those in England who had formed ‘associations’ in support of the principles of the Revolution) and “Reformers” with deep suspicion.
Paine’s bracketing of Cornwallis with Catherine and the Great and the bloodthirsty Tippoo does seem excessive and his annoyance is understandable. It occurs in a passage where Paine is advocating spending the nation’s wealth on a system of supporting the elderly instead of maintaining hereditary privilege: ‘Let peace and justice, let honour and humanity, let even hypocrisy, sycophancy, and Mr. Burke, let George [III]… Let Catherine, Cornwallis or Tippoo Sahib, answer the question.’ Starting Bid $1000
Archive of documents from a French Resistance doctor recognized as Righteous Among the Nations for saving Jews during World War II
293. World War II: French Resistance - Archive of Dr. Simone Schmidt, Honored by Yad Vashem as Righteous Among the Nations. Dr. Simone Schmidt was a highly accomplished physician, a decorated public servant, and a courageous member of the French Resistance. Her story, as reflected through these documents, is one of professional excellence intertwined with extraordinary bravery during the darkest periods of the 20th century. Born on May 10, 1911, in Paris, she completed her medical training and earned her Doctor of Medicine degree on August 11, 1938, just before the outbreak of World War II. Her education not only enabled her to pursue a career in medicine but also became a critical tool for saving lives under the Nazi occupation. Included is her medical diploma, granted by the Faculty of Medicine in Paris and dated August 11, 1938, confirming that she successfully completed her medical education and was authorized to practice medicine.
During the war, Dr. Schmidt was stationed at the Montauban Hospital, in the Tarn-et-Garonne department, where she provided medical care to many in need. However, her role extended far beyond that of a typical physician. With the rise of German control and the collaborationist Vichy regime, Schmidt used her position to assist members of the Resistance and those persecuted by the Nazis. Her “Carte de Combattant Volontaire de la Résistance” documents her voluntary participation in the Resistance, a movement made up of individuals committed to undermining the German occupation. Through issuing false medical certificates and coordinating escapes, Schmidt risked everything to protect those in hiding, including Jews and Resistance fighters.
In the archive is Dr. Simone Schmidt’s “Carte de Combattant Volontaire de la Résistance,” acknowledging her voluntary participation in the French Resistance. It lists her residence in Montauban at 78 rue de la République. The card, issued on October 17, 1959, bears her photo and signatures, along with official stamps validating her involvement in the resistance movement during World War II. The designation on this card reflects her courageous efforts during the occupation.
One particularly significant act involved Mr. Goldstein, a Jewish refugee who had taken shelter near Montauban. When the militia closed in, Goldstein fled, only to be wounded and captured. Schmidt intervened by issuing a certificate stating that he was medically unfit to be transported, delaying his arrest and ultimately enabling his escape. This act of defiance came at a great
personal cost, as Schmidt was arrested for aiding his escape and issuing fraudulent medical documents. Rumors spread that she had been executed, but investigations after the war revealed that she had survived, a testament to her resilience.
Her actions did not go unrecognized. After the war, Simone Schmidt was officially honored for her contributions: she was promoted to Chevalier de l’Ordre de la Santé Publique on January 15, 1950, by the French Ministry of Public Health, acknowledging her commitment to public health and her vital work during and after the war. This honor reflects not only her competence as a physician but also the impact of her service on the broader community.
Then, in 1962, she received the “Carte du Combattant,” recognizing her as a veteran of the conflict. Issued by the Office National des Anciens Combattants et Victimes de la Guerre, the card recognizes Simone Schmidt as a combatant for her participation in war efforts. The card includes her name, address in the Seine department, and birth date of May 10, 1911, in Paris. It was issued on December 18, 1962, and was valid until December 17, 1967, indicating official recognition of her veteran status. The card is signed by both the secretary general and the head of the departmental office.
Simone Schmidt’s most enduring recognition came from Yad Vashem in 1991, when she was named Righteous Among the Nations for her efforts to save Jews during the Holocaust. This honor is reserved for non-Jews who risked their lives to rescue Jews from persecution, and Schmidt’s name was engraved on the Wall of Honor at Yad Vashem in Jerusalem. This distinction serves as a lasting tribute to her humanity and courage. Included are photographs of Dr. Schmidt visiting Israel and her name on the Wall of Honor, as well as an earlier candid.
Finally, the lot is bolstered by dozens of pages of testimony regarding Dr. Simone Schmidt’s good works, including descriptions of her courageous acts. Together, these documents tell the extraordinary life story of Dr. Simone Schmidt—a woman who embodied both professional dedication and moral courage. As a physician, she saved lives; as a member of the Resistance, she risked her own. Her recognition as Righteous Among the Nations ensures that her name and actions will be remembered, standing as an enduring reminder of the power of compassion and bravery in the face of injustice. Starting Bid $1000
Remarkable roughly 500-year-old handwritten letter from the 16th-century Genoese admiral Andrea Doria
294. Andrea Doria Autograph Letter Signed - Amazing 478-Year-Old Artifact . Italian condottiero and admiral from Genoa (1466–1560). Partial ALS in Italian, one page both sides, 8.5 x 11.75, October 9, 1545. Untranslated letter to Prince Ferdinand Gonzaga recommending the endorsement of Andronicio di Spinosa, with the second part of the letter written entirely in the hand of Doria, who signs at the conclusion of the second page. In very good to fine condition, with scattered light toning and a circular seal-related stain. Starting Bid $200
Napoleon seeks to supply
“the necessary tools for 800 workers” at the close of 1811
297. Napoleon Letter Signed, Requesting Tools for “800 workers”. LS in French, signed “Np,” one page, 7.25 x 9, December 29, 1811. Addressed from Paris, a letter to his Minister of War, the Duc de Feltre, General Henri-Jaques Guillaume Clarke (loosely translated): “It seems to me opportune that the Marine which has a lot of means should provide the necessary tools for the workers, the containers and also the docking. Please send me a report that lets me know which are the necessary tools for 800 workers, how many containers, and of which type. Finally which is the number of horses necessary. After this, I pray to God that could grant you the Holy Guard.” In fine condition. Starting Bid $300
Rare bilingual
financial document from Napoleon Bonaparte’s campaign in Egypt:
“Poussielgue will have these two notes settled”
295. Napoleon Document Signed - Settling Debts During His Campaign in Egypt. Scarce manuscript DS in Arabic and French, signed “Bonaparte,” one page, 4 x 6.25, February 3, 1799. Financial document in Arabic writing, transcribed below in French (translated): “Note of what is due to the Molla of Cairo, according to his old regulations by the farmers of the Customs of Boulac, Damietta and Alexandria, for the present year 1213 of the Hegira. Paras 19500.” At the bottom of the page is summary of the notes, 19500 and 31550, adding up to 51050 paras, annotated to the right: “The Molla begs the general in chief to be kind enough to have these two notes paid to him, which will put him in a position to make preparations for his trip.” Napoleon signs in the lower right,
“Bonaparte,” below a manuscript endorsement: “Poussielgue will have these two notes settled,” referring to financial administrator Jean-Baptiste-Étienne Poussielgue. In very good to fine condition, with trimmed edges, and repaired paper loss to the lower right corner tip.
This letter dates to Napoleon’s campaign in Egypt and Syria, which he proclaimed to ‘defend French trade interests’ and to establish ‘scientific enterprise’ in the region. One of the campaign’s enduring legacies was discovery of the Rosetta Stone on July 15, 1799, inspiring a burst of Egyptomania across Europe. Starting Bid $300
Napoleon Bonaparte orders troops from north to south, just days before his triumphant victory in the Battle of Marengo
296. Napoleon Letter Signed as First Consul of the French Republic, Days Before his Triumph at Marengo. LS in French, signed “Bonaparte,” one page, 7 x 9.25, engraved ‘Bonaparte I Consul of the Republic’ letterhead, June 1, 1800. Untranslated letter boldly signed at the conclusion by Napoleon Bonaparte as First Consul of the French Republic. Napoleon orders troops to move from north to south, mere days before his greatest victory at the Battle of Marengo. In fine condition, with a “Documents / Autographes” ink stamp to the lower margin. An exceptionally well-preserved letter boasting an ideal, dark signature of the celebrated French leader.
The Battle of Marengo, fought on June 14, 1800, is often considered one of Napoleon Bonaparte’s greatest victories, as it solidified his position as First Consul of France and allowed him to secure control over Northern Italy. Initially, French forces were pushed back by the Austrian army, but a bold counterattack in the afternoon turned the tide of battle. This unexpected win re-established Napoleon’s dominance in Europe and turned the tide of the War of the Second Coalition against Austria. Starting Bid $300
Nelson sends thanks
“the flattering compliment paid me by sending me the plan for an attempt to destroy the Dutch ships at Goree”
298. Horatio Nelson Autograph Letter Signed, Thanking the Secretary to the Board of Admiralty for “the plan for an attempt to destroy the Dutch ships at Goree”. War-dated ALS signed “Nelson & Bronte,” two pages both sides, 7.25 x 9.25, September 11, 1801. Handwritten letter to Secretary to the Board of Admiralty Evan Nepean, written on board HMS Amazon, enthusiastically offering his opinion on a plan to destroy the Dutch fleet at Goree. In full: “I feel sensibly the flattering compliment paid me by sending me the plan for an attempt to destroy the Dutch ships at Goree, and nothing could give me more real satisfaction than the aiding and assisting in any manner for the success of the enterprise, all thoughts of prize money to come (if you will believe me) sink to nothing for although I do not believe I am 10,000£ in the world, yet I declare to God I would not do an unhandsome thing by a brother officer & be worth millions…I am one of those
who are of the opinion Boats might burn our fleet at Spithead or Torbay, and that there is nothing which boats may not accomplish by surprise…the boats must be in several divisions under officers of movement. The smaller the divisions the better. 30 boats can certainly be fitted to fire carcasses, and if these have resolution 4 or 5 to each ship of the line of fire each 3 to 4 carcasses into the ship, will the carcasses not be broke to pieces passing through the ships side and will the combustible take fire after such a resistance. Capt. Congreve can tell you. If he says yes, then there requires only for the service to be directed.” Professionally inlaid into slightly larger sheet and in fine condition. Plans to destroy enemy fleets in port continued to be discussed after Nelson’s failed raids at Boulogne in August 1801, but were finally shelved on account of the inherent difficulties and the peace concluded in the autumn. Starting Bid $1000
Aviation
Garros sends photos of his first aerial victory:
“I missed the ‘beautiful shot’ and I am sorry”
319. Roland Garros Autograph Letter Signed on His First Aerial Victory in World War I: “The enemy plane, in flames, circled for half a minute below me before crashing”. Early French aviator and a fighter pilot (1888–1918) during World War I. A tennis center was named after him in the 1920s, the Stade de Roland Garros, the stadium that accommodates the French Open tournament, which is officially called Les internationaux de France de Roland-Garros (the ‘French Internationals of Roland Garros’). Rare ALS in French, signed “Garros,” one page both sides, 8.25 x 10, April 5, 1915. Handwritten letter sent shortly after his first aerial victory in World War I, in part (translated): “I have asked my friend Ajalbert to send the photos that I was able to take of the wreckage of the downed aircraft and the two German corpses…I missed the ‘beautiful shot’ and I am sorry. The enemy plane, in flames, circled for half a minute below me before crashing. I had ten times the time to take it. Alas I had left to bomb and not to hunt and I did not have my Vérascope!…I took about 10 views of Nieuport after the last bombing by the 420s; I have in particular one or two holes of 420…the weather is still difficult for aerial photography, the cold is such that it is impossible to take off your gloves even for a moment, it is difficult to do delicate things with aviator gloves…But count on one or two very impressive numbers as soon as the weather is nice. It is essential, otherwise I will get into the most serious trouble, that no one knows that you have photos of me.” In very good to fine condition, with scattered light foxing, and repaired paper loss which affects several words of text. Starting Bid $200
Space Exploration
Limited edition ‘In the Beginning’ lithograph by the Greenwich
Workshop
signed by 20 legendary Apollo astronauts
330. Apollo Astronauts (20) Multi-Signed Limited Edition Print by Alan Bean - ‘In the Beginning’. Limited edition color 22.5 x 28.5 lithograph of an Alan Bean painting entitled ‘In the Beginning…,’ numbered 746/1000, signed in pencil by 20 Apollo astronauts below their respective mission emblem: Wally Schirra, Walt Cunningham, Frank Borman, Jim McDivitt, Rusty Schweickart, Tom Stafford, Buzz Aldrin, Michael Collins, Charles Conrad, Richard Gordon, Alan Bean, Fred Haise, James Lovell, Harrison Schmitt, Charlie Duke, Dave Scott, Al Worden, Alan Shepard, Stu Roosa, and Edgar Mitchell. Triple-matted and framed to an overall size of 32 x 38. In very fine condition, with some scratches to the frame. Accompanied by a certificate of authenticity from the publisher, The Greenwich Workshop. Starting Bid $200
331. Naval Aviation in Space Multi-Signed (9) Print with Neil Armstrong. Limited edition color 20.75 x 28 print entitled ‘Naval Aviation in Space,’ numbered 300/1000, signed in pencil in the lower border by the original nine astronauts: Rick Hauck, Alan Shepard, Neil Armstrong, Charles Conrad, Jack Lousma, John Glenn, Gene Cernan, James Lovell, and Wally Schirra. Also signed by the artist, R. L. Rasmussen. Triple-matted and framed to an overall size of 28.75 x 36. In fine condition. Accompanied by the original certificate of authenticity. The signatures represent all of NASA’s space programs, and include the first American in space, the first American to orbit the earth, and the first and last men to walk on the moon. The nine astronauts who signed were part of a symposium held at the Naval Aviation Museum in 1989 and the print was originally issued as a fundraiser. Starting Bid $200
338. Apollo 8 Flown Robbins Medallion. Flown sterling silver Apollo 8 Robbins medallion, measuring approximately 1.5˝ x 1.25˝, featuring a raised design of the mission insignia on the face—an “8” looping around the Earth and Moon, reflecting both the mission number and the circumlunar nature of the mission. The reverse is engraved with the mission dates, “Dec. 21–27, 1968,” and serial number, “280.” Stamped below with the Robbins “Sterling” hallmark. Condition is mint state, with minor tarnishing. A superb flown keepsake from the historic Apollo 8 mission, representing mankind’s first journey to the ‘dark side of the moon.’ Starting Bid $500
339. Apollo 9 Flown Robbins Medallion. Flown sterling silver Apollo 9 Robbins medallion, approximately 1˝ in diameter, with a raised design of the mission insignia on the face—the orbiting CM and LM with Saturn V launch vehicle, and mission number “IX” at center. The reverse is engraved with the mission dates, “March 3–13, 1969,” and encircled by the surnames of the astronauts in raised text: “McDivitt, Scott, Schweickart.” The medal is serial numbered “288” and stamped below with the Robbins “Sterling” hallmark. Condition is mint state. Starting Bid $200
340. Apollo 10 Flown Robbins Medallion. Flown sterling silver Apollo 10 Robbins medallion, measuring approximately 1.25˝ x 1.25˝, featuring a raised design of the shield-shaped mission insignia on the face—a Roman numeral “X” towering over the lunar surface, with the CM and LM in orbit, with the crew’s surnames in the border: “Stafford, Young, Cernan.” The reverse is engraved with the mission dates, “May 18–26, 1969,” and serial number, “67.” Stamped below with the Robbins “Sterling” hallmark. Condition is mint state. Starting Bid $300
Carried to the moon on Apollo 11— a highly sought Robbins medallion from mankind’s first lunar landing mission
341. Apollo 11 Flown Robbins Medallion. Historic flown sterling silver Apollo 11 Robbins Medallion, approximately 1.25˝ in diameter, with a raised design of the iconic Apollo 11 mission insignia on the face—a bald eagle landing on the cratered lunar surface, clutching olive branches of peace in its talons, with Earth above in the distance. The reverse is engraved with the last names of astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins, along with the launch date (“July 16, 1969”), moon landing date (“July 20, 1969”), and return date (“July 24, 1969”). The medallion is serial numbered “286.” Condition is mint state, with minor tarnishing. Starting Bid $1000
Uninscribed signed trio of NASA WSS lithographs of the Apollo 11 astronauts
342. Apollo 11 (3) Signed Photographs - Uninscribed NASA WSS Lithos. Soughtafter set of three official color 8 x 10 NASA lithographs of the Apollo 11 crew members posing in their white space suits against a lunar backdrop, individually signed in blue and black felt tip: “Neil Armstrong,” “Buzz Aldrin,” and “Michael Collins, Apollo XI CMP.” In overall fine to very fine condition, with trivial creases to borders. Accompanied by a certificate of authenticity from Novaspace for the Aldrin signature. An appealing uninscribed lot of the famed Apollo 11 astronauts. Starting Bid $1000
343. Neil Armstrong Signed Photograph. Scarce color 5.5 x 3.5 postcard photo of the Apollo 11 Lunar Module Eagle’s ascent from the lunar surface, signed in black felt tip, “Neil Armstrong.” In fine condition. Accompanied by a full letter of authenticity from Zarelli Space Authentication. An uncommon and historic image signed by mankind’s first moonwalker. Starting Bid $200
Art, Architecture, and Design
410. Pablo Picasso Autograph Letter Signed. ALS in French, signed “Picasso,” one page, 8.25 x 10.5, May 3, 1950. Handwritten letter to his friend and financial advisor Max Pellequer, in full (translated): “Here is the check and here is the letter. But I see the letter is well annotated. Have a good holiday in Poulesse and Santerre.” In very good to fine condition, with some creasing in the blank areas. Starting Bid $200
Literature
427. James M. Barrie Signed Photograph. Scottish author and dramatist (1860-1937) best known for the classic children’s play Peter Pan. Vintage matte-finish 4 x 6 full-length photo of the celebrated novelist and playwright in an introspective pose, neatly signed in fountain pen, “Yours sincerely, J. M. Barrie.” Reverse bears the label of Court Photographer Hay Wrightson. In fine condition. Starting Bid $200
“When I saw VALIS it was not a thing among things but was how plural things fitted together”
428. Philip K. Dick Typed Letter Signed on VALIS, Philosophy, and Religion. TLS signed “Love, Phil,” with a sketch of a Christian fish, two pages, 8.5 x 11, September 9, 1981. Letter to science fiction author Patricia Warrick. Full text available online at www.RRAuction.com. In fine condition. Accompanied by the original mailing envelope. Starting Bid $200
“I should much like to bring my young friend here, Evelyn Dubourg (now 16, but I have known her since she was 10)”
430. Charles L. Dodgson Autograph Letter Signed, Presenting “Three Doubtful Hypotheses” While Inviting a Young Friend to the Theatre. ALS signed “C. L. Dodgson,” one page both sides, 3.75 x 6, January 17, 1878. Handwritten letter to “Mrs. Tolhurst,” in part: “If you have the theatricals again, & if I am able to come, & if there is room enough (three doubtful hypotheses) I should much like to bring my young friend here, Evelyn Dubourg (now 16, but I have known her since she was 10), & her brother Augustus. I have told Evelyn I am giving you a ‘hint’ to invite her, & she hopes I shall make it strong enough to run no risk of not being understood!” In fine condition.
Dodgson has always been well-known for his love of children, hosting parties and picnics for them at his cottage. Though many believe that the writer’s obsession with young girls was innocent, common and perfectly acceptable during his time, it remains a dubious subject. In this instance, he takes the liberty of inviting one of these young friends, “now 16,” to a theatrical production. His letter opens with “three doubtful hypotheses,” presenting something of a logical riddle characteristic of his writings. An intriguing and controversial letter by the Alice’s Adventures in Wonderland author. Starting Bid $300
“Mister
Papa” returns to Africa—
“I have to go, at the request of the Game Department, to kill a very large elephant”
432. Ernest Hemingway Writes from Kenya During His Second African Safari, One Month After the Publication of The Old Man and the Sea. TLS in Spanish, signed “Mister Papa,” two pages, 8 x 10, October 14, 1953. Addressed from Africa and sent to Roberto Herrera Sotolongo, Hemingway’s secretary and photographer in Cuba, the letter constitutes a very lively testimony to his second Kenyan safari (1953-1954) during which the aging writer sought to rediscover the sensations that, 20 years earlier, had inspired masterpieces such as The Short Happy Life of Francis Macomber and The Snows of Kilimanjaro. In part: “Dear and much appreciated Monstruo: I passed through Nairobi yesterday, finished the first preparations for the safari and received your letter with the checks for the guys including the mysterious check from Canada (from one of my illegitimate children?) and the important dividend check for Miss Mary. I think it might be dangerous to cash the one from Canada. Is it certified? Maybe it’s the eye of Moscow or the big whore. Speaking of which, what’s the news from Planet Putareal? Tell me about Floridita and give my greetings and my most sincere love to Leo and my hello to everyone in the bar and to Alvarez…The great Mayito is in Tanganyika these days and will join us next week at Patricio’s estate. Mayito is known around here as the best Cuban shot. He kills more people than typhus or Pepe Quintanilla. He is a very good shot and shoots faster than his shadow.”
Hemingway asks him to contact “the Illustrious Don Andres” and read him what he wrote to him because he does not have his contact information and gets up every day at 4 a.m., walking 10 to 15 miles a day, so that by evening he is dead and unable to sign checks. But he still dragged two 192 kg lions for almost two thousand meters. “After writing to you last time, Theisen and I took some photographs that promise to be magnificent. Me very close to a couple of superb rhinoceroses, and photographs of very beautiful buffalo. There is also an impala that jumped 28 feet to land inside the jeep and “poor dad” who is holding the beast by the scruff of the neck; Theisen took it from the outside with his flash at 5000th of a second (I don’t remember the number). If successful, it will be one of the best action photos of the year.” He notes
that he and Mary have had trouble with buffalo and lions, but it’s better to rely on the pictures than to try to convince “the sovereign public with the fucking words.”
“We formed a Masai gang, real ‘balls,’ it’s called Los Honest Ernie’s. Tomorrow morning, I have to go, at the request of the Game Department, to kill a very large elephant, a sort of vendetta of the employees of the ‘Kenia marble quarries.’ Hemingway thanks him for his diligence regarding taxes and sends him a check for $400 with instructions to settle various small debts. “Please write to Coats and Dorsey, tell them I am spending my time outside civilization and can’t deal with the insurance papers…I spent two hours in Nairobi signing everything. What you mustn’t tell them is that I met Shevlin at the New Stanley and we got drunk together. As he is going to the Rio Tana this morning for a big elephant, I lend him my gun…If Mr. Mayito continues not to write to his family, tell them that his health is resplendent, his humor is good, and his luck too. He is very popular here, as everywhere else, and he is already something of a legend for his gallantry, his ‘cojones’ and his way of handling the gun. He speaks African dialects as if he were born on the banks of the Guaso Nyieri.” Hemingway adds a brief handwritten postscript: “Many blessings and memories of Mary. It’s all tan, healthy and content.” In fine condition. Accompanied by the original mailing envelope, annotated vertically on the front in Hemingway’s hand: “Answered, Enclosed check for $400 for salary and expenses, cables - mail etc.”
An important letter from Hemingway dating to a brief two-year window that proved vital to both his health and legacy. A month before typing this letter, Hemingway’s classic The Old Man and the Sea was published to international acclaim, and the book’s widespread influence was a chief cause for his back-toback reception of two of literature’s most prestigious awards: the Pulitzer and the Nobel Prize. Despite the success, the author struggled with his health and alcoholic reliance, and two near-fatal plane crashes during his African expedition in January 1954 left Hemingway with injuries that would plague him for the rest of his life. Starting Bid $500
“Have not had a drink since March 5th except wine. It’s lonely. Weight 209 – 210. Blood pressure good again.”
433. Ernest Hemingway Autograph Letter Signed from Cuba, Struggling with Publishers, Limiting His Alcohol Intake: “Have not had a drink since March 5th except wine. It’s lonely” ALS signed “Un abrazo, Papa,” three pages, 8.5 x 11, Finca Vigia (Cuba) letterhead, May 24, 1957. Handwritten letter to his friend Gianfranco Ivancich, in part: “Have started many letters to you but have always held them up waiting to hear from those two Princes Mondadori and Einaudi [the Italian publishers Arnoldo Mondadori and Giulio Einaudi]. Now Einaudi writes he paid Dr. Camerino 5 million lire (less taxes) May 20th. Sure he is Einaudi I have to ask: Did he really do this? / How much did he promise to pay? / How much does he owe? / Did he ever make a stock payment?
Thanks for paying…I feel badly you had to use some of farm money. Let me know so as to make a credit…I have called Mondadori May 10—. Nando letter gave no business details stop Einaudi did not mention collected editions stop impossible for me to give consent until Einaudi deposits money…he has owed and promised for so long stop must also know royalties proposed to be paid me all editions cheap and collected and see whether I agree with these royalties stop you can see impossibility allowing me Einaudi dispose of my property that he has not paid for and then me agreeing to accept reduced royalties on my property which he would sell to you stop First Einaudi must pay me what he owes stop then I must examine your terms which I have never received stop.
Sent this and he answered that he had written an exhaustive letter about terms etc. But it has never come and today is the 26th of May. So you please if you let me know exactly what Einaudi has paid since the first of the year. (I need to know that for income tax anyway) and what Einaudi has promised to pay and not paid.
Here we have rain, rain, rain just as we used to have drought. It has rained all but 3 days for 3 months. Sometimes day and night both. Very strange weather. We are now on the 3rd planting of the garden. I enjoy your letters about the country very much but each time I have started to write you on Sundays there has been some of this cursed Mondadori and Einaudi business that have been waiting an answer for. They want me to agree to something like a Pazzo without being given
the details and I am afraid that they fear to give the details because they are crooked and so much to my disadvantage.
Denis, our friend in the game department in Kenya was supposed to come over here in June to fish. Now he doesn’t arrive until July. That makes it impossible to go to Pamplona. I had hoped we all could go. Will have to figure out something else. Have not had a drink since March 5th except wine. It’s lonely. Weight 209 – 210. Blood pressure good again. Mary is healthy but is fed up with the weather and not doing anything creative.
We both miss you very much. The pool is fine and the place green as a jungle. Politics uncertain but country very prosperous with 6 cents sugar. Skyscrapers everywhere now like in Caracas. Gregorio, René, Paco Garay, Sinsky all send their best. Your letters about the country and the people and the river make me very happy. Please forgive me for writing such poor letters. Much love to the family.”
Hemingway met Gianfranco Ivancich in 1949, at the bar of a hotel in Venice: they started a conversation about their first point in common: war wounds, which were still painful. In the process, Hemingway met Adriana, Gianfranco’s sister, then aged 19, who would become his muse. She inspired Renata in Beyond the River and Under the Trees, for which she designed the cover for the Scribner edition.
Gianfranco made his first trip to Cuba in 1950. ‘Hemingway allowed him to live for three years in the Finca tower and offered him his paternal friendship’ (Jeffrey Meyers). Gianfranco was short, stocky, handsome, quiet, modest, and distant, and was hardly in unison with Hemingway’s noisy companions, Meyers says. Between several trips to Venice, Gianfranco made another long stay at Finca Vigia, between 1954 and 1956. Hemingway saw in Gianfranco ‘a masculine version and a substitute for Adriana,’ but above all a confidant and discreet companion, whose absence weighs on him: ‘We miss you a lot, and it’s very sad to see someone leave who was always around, a bit like a brother. Now I have no more friends, no more drinking companions and no more brave banana pickers.’ In fine condition. Accompanied by the original mailing envelope addressed in Hemingway’s hand and by two export certificates from the French Ministry of Culture. Starting Bid $500
“I will see to it that James Bond eats the right kind of butter in future”—rare Fleming letter boasting two direct “James Bond” references
431. Ian Fleming Typed Letter Signed - “I will see to it that James Bond eats the right kind of butter”. Rare TLS, one page, 5 x 8, personal ‘4 Old Mitre Court’ letterhead, September 10, 1963. Letter to Dr. Mary K. Williams, in full: “Thank you very much for your cautionary letter of September 3rd and I will see to it that James Bond eats the right kind of butter in future. But I am terribly sorry to hear of your misfortune, and I send you my and James Bond’s wishes for an early recovery.” In very fine condition. Accompanied by the original mailing envelope. A desirable letter from the revered British novelist that contains the seldom-seen presence of two “James Bond” references; direct mentions by Fleming of
special agent 007 are scarce and highly sought-after.
Fleming took rooms in Mitre Court Chambers to use as a writing office during his final years when the success of the Bond series allowed him to stop working for Kemsley at The Sunday Times. The rooms were just off Fleet Street in an area of London mostly populated by journalists and the legal profession. Fleming’s friend Rennie Hoare, of the banking dynasty, found him the rooms: Mitre Court was at the back of Hoare’s Bank and was owned by the bank. Fleming died the following year from a heart attack at the age of 56. Starting Bid $500
“I have never made talks, even of an informal nature, except brief remarks on the occasion of the premiere of ‘Gone With the Wind’”
435. Margaret Mitchell Typed Letter Signed on ‘Gone With the Wind’ and Speaking Engagements. World War II-dated TLS signed “Margaret Mitchell Marsh,” one page, 7.25 x 10.5, personal letterhead, April 16, 1941. Letter to Miss Woodall, referencing the screen version of her best-seller, in full: “I am sorry that I was not at home when you telephoned. As I am expecting momentarily to go out of town on business, I thought perhaps it would be best to write you instead of phoning you, because I might not find you at home, just as you found me away. I think you and the other girls are very sweet to want me to act as one of your sponsors. I feel sincerely flattered by this invitation, for such things mean more to me than you girls can ever know.
I am very sorry I cannot be your sponsor. If my situation were different, nothing could give me more pleasure. But my mail is heavy, my business affairs keep me constantly occupied and I am never certain when I will be in town. More than that, I have never made talks, even of an informal nature, except brief remarks on the occasion of the premiere of ‘Gone With the Wind.’ I must speak frankly, and I hope you girls will understand. I have been so busy in the past five years that I have been unable to accept any invitations to sponsor various classes in Atlanta schools. In some of these classes there were my own relatives, in others the children of my good friends. Of course I wanted to accept these invitations, but the pressure has been so heavy upon me that it was impossible. Now, having refused a number of invitations of this nature from friends, I cannot accept any, for I would not have those I had refused think I was slighting them. It was good of you to ask me and I thank you.” In fine condition. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $200
434. C. S. Lewis Typed Letter Signed. Influential Irish author and scholar (1898-1963), a former atheist who became an eloquent convert to Christianity, best known for his works on Christian theology and his much-beloved, seven-book juvenile fantasy series The Chronicles of Narnia. TLS, one page, 8 x 3.5, April 17, 1956. Letter to “Mr. Risley,” in full: “I enclose the photo, signed. It was already cracked across when it reached me.” In fine condition. Starting Bid $200
View additional images online at www.RRAuction.com
Unique guestbook of the Los Angeles Friday
Morning Club, signed by Ayn Rand, Richard Nixon, Margaret Bourke-White, and a multitude of painters, Pulitzer Prize winners, and politicians
436. Ayn Rand, Richard Nixon, and Notables Signed Guestbook. Leatherbound hardcover guestbook from the “Friday Morning Club” of Los Angeles, California, measuring 9.25 x 11.25, signed throughout in ink by hundreds of attendees—highlighted by politicians, artists, writers, journalists, explorers, and royalty—dated from October 5, 1945 to October 21, 1955.
Key signatures are: then-Congressman Richard Nixon and his wife, Patricia R. Nixon (November 14, 1947); Atlas Shrugged author Ayn Rand (November 10, 1950); Prince Peter of Greece and Denmark, and his wife Irene (October 8, 1948); important photojournalist Margaret Bourke-White and tennis legend Alice Marble (January 23, 1953); and fashion photographer and costume designer Cecil Beaton (January 22, 1954).
Other autographs of interest include: Indian freedom fighter and socialist leader Yusuf Meherally, who coined the term ‘Quit India’; perennial Socialist Party presidential candidate Norman Thomas; journalist Hubert Renfro Knickerbocker, who won the Pulitzer Prize for his reporting on the Soviet Union; journalist Walter Duranty, who also won a Pulitzer for his reporting on the Soviet Union; Korean-born activist No-Yong Park, a prominent self-proclaimed Chinese immigrant lecturer and writer; painter Nell Walker Warner; painter Orpha Klinker; Burmese singer Ma Than E; photographer and journalist Harrison Forman (who reported from China and interviewed Mao Zedong during WWII), plus his wife Sandra Carlyle Forman; English poet Alfred Noyes; writer and lecturer Lewis Browne; painter Nordica D’Orsay; foreign affairs writer Henry C. Wolfe; economist Stuart Chase; travel writer and lecturer Burton Holmes; actor and politician Orville Caldwell, first deputy mayor of Los Angeles; author and translator Louis Adamic; polar explorer Hubert Wilkins; actress Mabel Albertson, remembered for her role as Phyllis Stephens in the TV sitcom Bewitched; drama critic and author John Mason Brown; famed private detective Raymond C. Schindler; opera singer Ezio Pinza; composer Meredith Willson; historian Will Durant; adventurer Carveth Wells; illustrator J. Duncan Gleason (with sketch); Pulitzer Prize-winning journalist Herbert Agar; art historian James H. Breasted, Jr.; FBI handler James C. Ellsworth; Rear Admiral Ellis M. Zacharias; Ra’ana Liaquat Ali Khan, the first lady of Pakistan; economic journalist Henry Hazlitt; author Florence Ryerson, co-writer of the script for the 1939 film The Wizard of Oz; publisher and politician Dwight Griswold; gossip columnist Igor Cassini; journalist Dorothy Thompson, sometimes called the ‘First Lady of American Journalism’; newspaper publisher Cornelius Vanderbilt IV; Los Angeles Police Department chief William H. Parker; author Irving Stone; Communist Party infiltrator Herbert Philbrick; and many dozens more.
In overall very good to fine condition, with heavy scuffing and some flaking to the leather exterior
The Friday Morning Club, founded in 1891 by Caroline Severance, was a prominent women’s organization in Los Angeles focused on social reform and civic engagement. It became a hub for progressive causes, including women’s suffrage, education, and community welfare, attracting influential speakers and activists from around the world. The signers here offer a fascinating glimpse into a cross-section of mid-century American culture in Los Angeles, highlighted by a number of famous and influential names. Starting Bid $200
“At last I am free”—released from the Charenton lunatic asylum, the Marquis de Sade tends to his business affairs
437. Marquis de Sade Autograph Letter Signed on His Release from Charenton: “At last I am free”. Notorious French novelist and playwright (17401814) whose violent sexual escapades and depravity-infused works gave rise to the word ‘sadism.’ ALS in French, signed “de Sade,” one page, 6.5 x 8.5, April 6, 1790. Handwritten letter to “Monsieur Gauffridi,” in part (translated): “I am informing you, my dear Monsieur Gauffridi, that at last I am free and by means of a judgement rendered, the administration of my property is annulled, I alone now enjoy it, I alone now manage it. It will be only with me that you will do business; but before a thousand explanations, before any details, as the first thing is to eat…I owe about fourteen livres which has been advanced to me in order to begin to live, I beg of you to send me a letter quickly containing a thousand crowns (3,000 francs) at least, which sum which will enable me to leave you in complete peace until the month of July, a period when most likely I shall go to my country place. Not having had the guidance of my affairs, I do not not know how to thank you enough for the care you have taken with them. I do not write much but it is urgent and I urge you to make haste about this matter.”
He goes on to itemize 3,000 francs worth of his debts, “To those who have been good enough to give me money with which to live—900, Note of honor drawn on the 1st of May—500, To live until July—1600,” and requests that Gauffridi “send this sum with the greatest speed possible.” In fine condition, with an “Autograph Collection of Dr. Max Thorek” stamp at the top.
The Marquis de Sade had just been released from the Charenton insane asylum after more than a decade of confinement, and here writes to Gaspard Gaufridy, his family friend and lawyer who managed the finances of his estates at Mazan, Saumane, Arles, and La Coste. Having written prolifically while imprisoned, de Sade launched his career as a writer, anonymously publishing Justine, or The Misfortunes of Virtue, in 1791, followed by several more works in the Justine and Juliette series. In the autumn of 1799, Napoleon staged his coup d’etat and would later order de Sade’s arrest as part of a crackdown on immorality, returning him to confinement at the insane asylum Charenton, where he would spend the rest of his days. Starting Bid $300
Music
Bernstein renders himself as a rational humanist, but who inhales “cosmic energies”
453. Leonard Bernstein Exceptional Self-Defining Autograph Letter Signed to His Manager, Harry Kraut. ALS signed “Lenny,” one page both sides, 6.75 x 9.75, April 7, 1987. Handwritten letter to his manager, Harry Kraut, in full: “Having just finished Martin Gardner’s brilliant/ hateful wipe-out of occultism (in the N.Y. Review of Books, apropos of recollected oeuvre of Shirley MacLaine) I find myself beset by feelings of paradox and thinking of you. I guess your paradoxical duality is one of the things I most like in you (and, for that matter, in any thinking feeling person (including myself, in those ever-decreasing moments when I like myself)).
Which of us worth his salt is not a paradoxnick? There’s something in The Bible we all believe, even if not literally; and there’s also something in Darwin and Freud that grabs us equally. Wm. Blake vs. Martin Gardner, X vs. Y, and on down the list of all the antitheses that engender free inquiry and democracy.
I like to think of myself, and of you, as primarily rational humanists; but then, there I go inhaling cosmic energies via Aaron Stern. And then, there you go, so movingly, pursuing your profound and loving experiment with Patrick Porter. I can’t tell you how touching I find it. This is not a sketch for some future lecture, but a spontaneous love-letter on your birthday. Have a happy one, and many more…” In very fine condition. Accompanied by the original envelope addressed by Bernstein, who adds his initials to the reverse flap, “LB.”
In 1971 Bernstein appointed ‘Harry Kraut, a music-loving Harvard Man…with a shrewd business-trained eye who had worked at the Boston Symphony for thirteen years, most recently as manager of Tanglewood,’ to head Amberson Inc., the company Bernstein created to manage his professional affairs. Kraut produced such television programs as Bernstein at Tanglewood, Bernstein at 70, and Bernstein and the New York Philharmonic.
An appealing content-rich letter that finds Bernstein referencing a handful of notable names, including actress Shirley MacLaine, with whom Bernstein shared an interest in reincarnation and Eastern mysticism, the “occultism” alluded to in an article by writer Martin Gardner, as well as historical figures like artist William Blake, naturalist Charles Darwin, and psychoanalyst Sigmund Freud. Starting Bid $200
Chopin sells foreign publishing rights to his Mazurkas, Op. 59— his evocative expressions of Polish culture, composed for solo piano
454. Frederic Chopin Twice-Signed Document, Selling Copyright to a Trio of Solo Piano Mazurkas, Op. 59. Polish composer (1810–1849) considered one of the great masters of Romantic music. Partly-printed DS, signed “F. Chopin,” one page, 10.25 x 16, August 1845. An assignment of copyright for a trio of Chopin’s solo mazurkas, with the receipt confirming payment below. In part: “I have this day sold to Messrs. Christian Rudolph Wessel & Frederic Stapleton, Importers and Publishers of Foreign Music…at the price or sum of Ten Pounds…all my Copyright and Interest, present and future…for the Kingdom of Great Britain and Ireland, of and in the following work: Trois Mazurkes pour Piano, Op. 59.” Next to the work’s title is a brief musical quote from the beginning of the piece, penned by an amanuensis. At the conclusion, Chopin acknowledges his receipt of £10 for the sale of the publishing rights to the work. For both signatures, Chopin signs in ink over a still-visible pencil guideline. In very good to fine condition, with a few small stains, and old repairs and reinforcements to damage along the right edge, none of which affects the two signatures or body of the document itself.
Frédéric Chopin’s Mazurkas, Op. 59, composed and published in 1845, are a set of three piano pieces that reflect his deep connection to Polish folk music. These works blend traditional dance rhythms with Chopin’s unique harmonic language, showcasing complex chromaticism and rhythmic intricacy. The trio opens with a warm and comforting Mazurka in A minor, followed by a short, memorable Mazurka in A-flat major, and closes with the fast-paced Mazurka in F-sharp minor, which carries an energetic and powerful melody. Chopin’s Mazurkas, Op. 59, embody both nostalgia and innovation, making them among his most evocative explorations of Polish cultural themes. Starting Bid $1000
America’s most popular song— Hoagy Carmichael’s original manuscript of “Stardust”
457. Hoagy Carmichael Signed Musical Manuscript for ‘Stardust’ - “The original manuscript of Stardust”. Significant musical manuscript signed at the head, “The original manuscript of Stardust—1927, Hoagy Carmichael,” one page, 9 x 12.5, totaling 33 measures from the popular refrain of Carmichael’s classic, the first five with lyrics penciled beneath: “I wonder why I spend the lonely hours dreaming of a song.” This early and incomplete rendition differs slightly from the later lyrics by Mitchell Parish (‘Sometimes I wonder why I spend the lonely nights dreaming of a song’); interestingly, the manuscript version notably lacks the word ‘Sometimes,’ and the corresponding pickup notes have been crossed out in pencil. This omission suggests that while the musical idea was present in 1927 (the date of our manuscript), it wasn’t revived until two years later, when it was included in the first published version of January 1929. In fine condition, with splitting to the central horizontal fold.
Carmichael, who had little formal musical training, had to rely on others to write out music for him. About a performance manuscript of Stardust being prepared for the premier recording, Hoagy wrote a musician: ‘I’ve got the recording date all set… and am having a slave right [sic] some orchestrations so the rest of the braves can learn the ballyhoo and pick up the throbs’ (Stardust Melody, Sudhalter). The son of a silent film piano accompanist, Hoagy Carmichael learned to play the piano by ear. Putting himself through college by performing with groups like Carmichael’s Collegians, the young Hoosier left Indiana after his 1926 graduation from law school and went to Florida in search of a job, but his legal career was short-lived. While in Florida, Carmichael heard Red Nichols’ recording of his own song Washboard Blues and he quit the Florida practice, determined to earn a living as a songwriter. There are as many stories about Carmichael’s creative endeavors as there are versions of Stardust and, predictably, one of the most repeated stories is how Carmichael came to write his famous tune.
In the BBC program ‘Sometimes I Wonder: The Hoagy Carmichael Story,’ Carmichael recounts the song’s origins as follows: ‘Well, I got the idea just walking across the campus one night. I’d just left the college hangout called the Book Nook, and I was going over to my grandmother’s house to spend the night. And I started a-whistling and I whistled this opening strain of Stardust, and I knew that I had something very strange and different. And so I knew I was prone to forget things, tunes, and I ran back to the Book Nook, and got the Greek that owned it, Pete Costas, I got him to open up the front door so I could get back in and play the piano for a little bit, and see the melody, that opening strain, just see the notes on the piano so I could visualize them. Then I went home, and I had an old grand piano there in that house that I’d bought, that wouldn’t stay in tune, so I worked on the melody and finished the chorus in the next day or two.’
Music historians disagree about when Carmichael completed what ultimately became the first published version of Stardust. Despite the apocryphal nature of Carmichael’s story we do know that he and ‘his pals’ recorded the first version of the song, still wordless, with Gennett Records on Halloween 1927. Of that Stardust recording session, one of the band members, Maury Bennett remembers, ‘The first we’d heard of it was the evening before… it was a pretty ragged performance, mainly because there was no adequate preparation or rehearsal. Hoagy hadn’t yet written the number down on paper, and it wasn’t orchestrated. In fact, I don’t think he was too sure himself about how he wanted it played.’
The Library of Congress copyright office received a manuscript leadsheet for Stardust (also not in Hoagy’s hand) on January 5, 1928, indicating that during the three months between our manuscript, the October recording, and January’s copyright date, Carmichael fleshed out a ‘final’ version including a verse and chorus. Meanwhile, Carmichael was publishing other songs with the Mills Music Company and in 1929 he moved to New York City where he met Louis Armstrong, Benny Goodman, and the man who would become his song-writing partner, Johnny Mercer, with whom he wrote many hits, including Lazy Bones.
On January 29, 1929, Mills published Stardust as a wordless instrumental and five months later, in May 1929, they printed another version, this time including Mitchell Parish’s lyrics. The following May, Isham Jones recorded the song (without lyrics) using a slowed-down tempo that gave it a ballad-like quality. It was the Jones recording that first popularized Stardust and made it into ‘one of the most enduring of all pop standards, being recorded more than 1,100 times and reportedly translated into 30 languages…’ (New Grove Dictionary of American Music).
Subsequent recordings of Stardust were made by such diverse talents as Louis Armstrong, Chet Baker, Pat Boone, The Boswell Sisters, John Coltrane, Bing Crosby, Ella Fitzgerald, Willie Nelson, Dizzy Gillespie, Liberace, Artie Shaw, and Sarah Vaughan. In fact, Stardust is probably America’s, if not the world’s, most recorded song: Hoagy Carmichael’s son reported that a Pennsylvania record collector had amassed over 1,800 different versions. ‘The Guinness Book of World Records gives the title of most-recorded song to Lennon and McCartney’s Yesterday, with 1,600 versions, but the evidence favors Star Dust’ (Detroit Free Press, Stryker). It appears that no other early Stardust manuscripts are in the Library of Congress or the University of Indiana (the principal repository of Carmichael’s papers). Our manuscript, the rare original of America’s most popular tune, is housed in a custom-made presentation folder with slipcase. Starting Bid $1000
The Russian symbolist composer publishes his Prometheus
456. Alexander Scriabin Autograph Letter Signed, Publishing His Tone Poem Prometheus, op. 60. Influential composer and pianist (1871-1915) widely considered to be the main Russian symbolist composer. ALS in Russian, signed “A. Scriabin,” one page both sides, 3.5 x 4.5, January 12, 1911. Handwritten letter to Baron Nikolai von Struve in relation to his tone poem, Prometheus, op. 60. Scriabin informs Struve that he has sent him the last set of corrected proofs. He’s discussing corrections which are to be made to the instrumental parts, and whether they will be made by the printer—if so, he insists that an experienced man should be chosen; he also gives his opinion on the wrappers for the printed edition which are to have a design by the Symbolist artist Jean Delville, requesting that Delville’s name should be given due prominence, and finally that the instrumentation should also be printed in German. In fine condition, with two file holes to the edge.
Whilst Prometheus is not named in the text, it is clearly the work under discussion: it had been first performed in Moscow on 2nd March that year under the baton of Serge Koussevitzky. Baron Nikolai von Struve (1876-1920) was the director of the music publishers Russian Musical Editions (founded by Koussevitzky) which published the work, with its striking cover by Delville, in 1912. Scriabin’s letters are very scarce and rarely offered. Starting Bid $500
Liszt writes to his student and promoter: “Concert journeys are quite absurd for me”
455. Franz Liszt Autograph Letter Signed: “Concert journeys are quite absurd for me”. ALS in German, signed “F. Liszt,” three pages on two adjoining sheets, 4.25 x 7, June 21, 1874. Handwritten letter to pianist and conductor Walter Bache, who studied under Liszt and served as a champion of his works in England. In full (translated): “In the fond memory and heartfelt enjoyment of your generous approbation, I am often with you; But unfortunately I seldom succeed in writing to my worthiest friends, as my time is frittered away by a crowd of burdensome unprofitable letters. I have just sent such a one to Mr. Eggers in Liverpool. The good man invited me to the festival there, recommended me to ‘reflect’ about it, and offered me 10 guineas to play as a fee—without considering that after all I might have something other and better to do than accept this sort of invitation. Concert journeys are quite absurd for me. Fulfilling my duties in Pest and Weimar provide me with quite enough trouble and inconvenience. The rest may remain undecided.” Affixed to a larger scrapbook page and in fine condition, with scattered light staining. Accompanied by the original mailing panel, addressed in Liszt’s own hand, affixed to a slightly larger card. Starting Bid $200
Scarce signed candid of Charlie Parker— a great, bold autograph of ‘Bird’
458. Charlie Parker Signed Photograph. Vintage textured semi-glossy 5 x 3.5 candid photo of Charlie Parker with two admirers, signed and inscribed in fountain pen, “To Dorothy & Bob, Good Luck, Charlie Parker.” In fine condition. Accompanied by a full letter of authenticity from REAL. Scarce in signed photographs of any size, Parker’s autograph ranks among the most highly sought of all jazz signatures. Starting Bid $500
Stacked signatures of
‘John, Paul, George, and Ringo,’ obtained in 1963 by the ABC Theatre projectionist
459. Beatles Signed 1963 Autograph Album - Uninscribed with Desirable ‘John, Paul, George, and Ringo’ Signature Order. Vintage ‘Blackpool’ autograph album, 4.75 x 4.25, containing a rare set of Beatles signatures penned on the same page in ballpoint: “John Lennon,” “Paul McCartney,” “George Harrison,” and “Ringo Starr.” The consignor notes that the autographs were obtained at the ABC Theatre in Blackpool, Lancashire, England, on either July 7, 1963, August 11 or 25, 1963, or September 7, 1963. In fine condition, with a tape-repaired spine. Of particular note is the desirable ‘John, Paul, George, and Ringo’ ordering of the signatures.
Accompanied by a certificate of authenticity from Tracks and by a letter from the son-in-law of the original recipient: “The autographs…were collected by my wife’s father William (Bill) Kingwell who worked at the ABC Theatre Blackpool Lancashire, in the 1950s, 1960s, and I think the early 1970s. He was a projectionist at the ABC in the winter months, but in the summer was an electrician working on the stage setups.” Starting Bid $1000
“9/11/64
- Met the Beatles”— neat autographs of McCartney, Lennon, and Starr
460. Beatles Signatures: McCartney, Lennon, and Starr. Vintage circa 1964 ballpoint signatures and inscriptions— ”To Susan, love from Paul McCartney, xxx,” “To Susan, Love from Ringo Starr, xxx,” and “To Susan, Love from John Lennon, xxx”—inside a vintage 6 x 4.75 hardcover autograph album. The McCartney and Starr signatures are penned on opposite sides of the same page; preceding the Beatles autographs are pages signed by various friends and acquaintances, all of which have been neatly folded in half. Inside the back cover is an inscription: “Date to remember: 9/11/64 - Met the Beatles.” In fine condition, with irregular toning to the McCarney page. Starting Bid $500
Handwritten letter to the guitar tech that was “forever tuning” the guitars of George Harrison and Eric Clapton during their 1991 Japanese Tour
461. Beatles: George Harrison Autograph
Letter Signed to His Japanese Tour Guitar Tech. ALS signed “George,” penned in black felt tip on the inside of a greeting card bearing a work by Henri Matisse, measuring 10 x 6.75 open, no date [1991]. Handwritten letter of thanks to Alan Rogan, who served as the guitar tech for both Harrison and Eric Clapton during their cooperative Japanese tour in December 1991. In full: “Thanks for everything during the tour, all your help and forever tuning - tuning - tuning - up - tuning down - up - down. Well here’s a little dosh to get yourself something with – maybe a nice striped Georgio Armanalegi shirt to show my thanks!” In very fine condition. Accompanied by a certificate of authenticity from Tracks. Originates from the estate of Alan Rogan. Starting Bid $300
Lennon and Ono boldly endorse a ‘Justice for John and Yoko Committee’ petition: “The Lennons make a singular cultural contribution to our nation”
462. Beatles: John Lennon and Yoko Ono Signed ‘Justice for John and Yoko Committee’ Petition Form. Fantastic original 7 x 11 ‘Justice for John and Yoko Committee’ petition form, beautifully signed in bold felt tip, “John Lennon,” adding his address at The Dakota, “1-W. 72 St., N.Y. N.Y. 10023,” plus a classic caricature doodle of himself and Yoko Ono; also signed below by Yoko, “Yoko Ono Lennon.” At the top of the form is a five-paragraph statement endorsing the Lennons as individuals of singular artistic or cultural accomplishment, and therefore welcome to live and work within the United States of America. The petition closes: “In the belief that the principles of our constitution guarantee as fundamental personal rights the entitlement of John Lennon and Yoko Ono to live and work freely in our country, I wish to publicly add my name to those who oppose their impending expulsion and who support the legal and legislative steps necessary for their permanent residence in the United States.” The bottom edge has a ‘lick and stick’ band of adhesive, and the reverse is pre-printed as no-postage necessary business reply mail addressed to the Justice for John and Yoko Committee. In fine condition, with trimmed edges.
These petitions were inserted into John and Yoko’s 1972 album Some Time in New York City as a means to raise support for their American residency: John Lennon faced deportation from the United States after his temporary visa expired, largely due to a 1968 marijuana conviction in the UK. However, many believed the Nixon administration targeted Lennon because of his outspoken anti-war activism and broad influence over countercultural youth movements. Lennon and his wife, Yoko Ono, fought the deportation in court for several years, arguing it was politically motivated. In 1975, after an outpouring of public support and numerous legal efforts, Lennon won the battle, allowing him to stay in the U.S. and eventually obtain a green card. A remarkable piece boasting ideal, incredibly bold autographs of John Lennon and Yoko Ono. Starting Bid $1000
Array of wedding keepsakes from the 2002 matrimony of Paul McCartney and Heather Mills,
highlighted by a dual-signed
greeting
card and reception photo
463. Beatles: Paul McCartney and Heather Mills Wedding Collection with Dual-Signed Card and Photograph. Collection of 10 items from the wedding of Paul McCartney and Heather Mills, which was held at San Salvator’s Church in the village of Glaslough in County Monaghan, Ireland, on June 11, 2002, which is highlighted by a post-wedding greeting card and a color photo of the happy groom, both of which are signed by Paul McCartney and Heather Mills. The greeting card features a front image of the joyous newlyweds, measures 10 x 7 open, and is signed and inscribed inside in blue ballpoint, “+ Paul,” and in black ballpoint, “Dear Dave + Jane, It was great to see you at our wedding. Hope you enjoyed it as much as we did. Thanks for your wonderful champagne glasses. Much love, Heather.” The color photo, glossy, 10 x 8, shows McCartney leaning on a chair as his bride watches from nearby, signed and inscribed in the lower border in black felt tip, “x Paul,” who adds a heart, and “To the Nix’s, love Heather.”
Also included with the collection is a ‘Save the date’ card with a front image of McCartney and Mills; the official wedding invitation card with a printed ‘Directions’ sheet; a pair of ‘Order of Service’ wedding programs; two rolled ‘Premiere Linen’ wedding table napkins with handwritten name cards for the Nixs; and a pair of Waterman of Paris ballpoint pens engraved on the body, “Love Paul & Heather,” with presentation box and original wrapping paper and ribbon (one package unopened). In overall fine to very fine condition. Accompanied by three official glossy wedding photos, 8 x 10 and 10 x 8, showing the bride and groom, the wedding party, and the Glaslough welcoming banner, as well as an announcement card for the birth of the couple’s daughter, Beatrice Milly, on October 28, 2003.
The recipients, David and Jane Nix, are the husband-and-wife duo who founded the Donor Family Network in 1997, after their daughter died in a road traffic collision. Starting Bid $300
464. Beatles: Paul McCartney Signed Christmas Card. Christmas card with a painting by Carl Ludwig Fahrbach, measuring 7 x 10 open, signed and inscribed inside in black felt tip, “To Fenella, love, Paul McCartney.” The consignor notes that the signature dates to the 1980s. In very fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200
Season’s greetings from Paul McCartney and Heather Mills
465. Beatles: Paul McCartney and Heather Mills Signed Christmas Card. Christmas card with a holiday image by artist Reuben McHugh entitled ‘Fairy Lights,’ measures 9 x 9.5 open, signed and inscribed inside in black ink, “+ Paul,” and in blue ink, “Dave & Jane, hope all the family have a great one and a fabulous New Year, lots of love, Heather.” The copyright on the back of the card is dated 2002. In very fine condition. The recipients, David and Jane Nix, are the husband-and-wife duo who founded the Donor Family Network in 1997, after their daughter died in a road traffic collision. The couple became friends with Paul McCartney and attended his wedding to Heather Mills in 2022. Starting Bid $200
Dylan’s landmark heartbreak album, beautifully signed in silver
466. Bob Dylan Signed Album - Blood on the Tracks. Blood on the Tracks album signed beautifully on the front cover in silver ink by Bob Dylan. In very fine condition. The record is included. Accompanied by a full letter of authenticity from REAL and a letter of provenance from Dylan’s manager, Jeff Rosen.
Many critics consider Blood on the Tracks to be Dylan’s finest work. With songs like ‘Tangled Up In Blue’ and ‘Shelter from the Storm,’ it is a gut-wrenching account of the dissolution of his marriage. Dylan has denied that the songs on the album are autobiographical, but it’s impossible not to hear his pain on tracks like ‘You’re a Big Girl Now’ and ‘If You See Her, Say Hello.’ The common thread throughout is the pain that comes when love dies. Blood on the Tracks endures as one of Dylan’s most honest and heartfelt recordings. An unbelievable example of one of Dylan’s greatest albums, signed in a controlled environment, for his trusted business manager of 30-plus years. An unprecedented event, especially for the ever-elusive Dylan. Starting Bid $500
Remarkable, early letter by Janis Joplin to her boyfriend—swearing off drugs and alcohol, the one-time “King-Beatnik & Attention-Seeker” introduces her family, including a musically talented sister: “She’s learned to play guitar quite well...& she sings Joan Baez ballads in a very sweet voice”
467. Janis Joplin Autograph Letter Signed on Family, Sobriety, and College: “I thought that I looked like everyone else sort of. But I’m still just sort of different somehow”. Charming ALS signed “I love you so, J—,” eight pages on four sheets, 6 x 9, 1965. Handwritten letter to her boyfriend, Peter de Blanc, incorporating several detailed sketches of her new clothing—including a pair of lacy underpants! Joplin expresses satisfaction with her schoolwork, remarks that her natural skin color is returning (having changed her lifestyle to avoid drugs and alcohol), and introduces her family. Joplin describes a religious and adoring mother, a reluctantly wealthy father, a Baez-ballad singing sister, and a fawning brother. She suggests the possibility of a wedding at home, hoping that he might be able to leave San Francisco.
In part: “Sigh, I really miss you. I’m sitting in the Student Union of Lamar Tech having just done a magnificent job on my first History test & I miss you… I LOVE YOU. I hope you still love me. Write me? Please! What’s new? Have you heard from the Army? Have you found a job?…Are we going to be together before Christmas? Should I plan on enrolling next semester? I’m just waiting for you, you know--tell me what you want me to do…you should see me—I’m not ‘green’ anymore—just barely regular-people color!…I just went to the store and bought myself three more dresses w/ the new checking acct that my Father gave me (my first!) Sigh! Wow it’s really nice to be here again—everyone is so nice & loves me & I’m so happy…Let me introduce my family:
My mother—Dorothy—worries over & loves her children dearly. Republican and Methodist, very sincere, speaks in cliches which she really means, and is very good to people…My father—richer than when I knew him & kind of embarrassed about it—very well read—history his passion—quiet and very excited to have me home because I’m bright and we can talk…
My sister—15 years old—lovely sweet girl (I very magnanamously [sic] bought her a make-up bag—y’know, show her a few tricks, heh heh. You should see her!)…She’s learned to play guitar quite well on a guitar I gave her last year & she sings Joan Baez ballads in a very sweet voice. In fact, tonight she’s singing at MYF & I’m going to hear her…My father…said that Laura had said that she didn’t think that I was wrong in anything that I had ever done & that made me feel very nice…We talk about folk music & I talk about you & she’s thrilled for me.
My brother—Michael—now about 5´ tall! Absolutely huge & grown almost…floppy hair, levis & bicycles. Loves me dearly—wants me to live at home and likes to show off and impress me…he’s a nice little boy!…So, aside from the two cats, Dusty & Bonita, you’ve met my family. I hope you like them—they like you. I have your picture on the desk where I do my homework…Everyone agrees that you’re handsome!
Last night Mother & I talked about having a home wedding—she thought it would be nice—I said that you wanted to get married in the Church, but maybe we would get married here w/ a pastor or some such—we were just talking though—no plans or anything. I just like an excuse to talk about you. I really miss you—it’s been 5 days, you know. I don’t know whether I can last 6 mo’s—I’d probably come to San Francisco just to see you. I love you…I miss being able to fix things for you & do things for you & make you proud of me & looking at you & walking with you…
Funniest thing though—I thought that since I wasn’t KING-BEATNIK & ATTENTION-SEEKER anymore and I wore dresses and shoes & makeup & acted quietly and everything that I looked like everyone else sort of. But I’m still just sort of different somehow. I mean all those blithering coeds w/ thin cotton print dresses and blondish fluffy hair and Texas drawls and Oh now y’all cum on!’s, just know I’m not one of them. But then that’s fair I guess—I know they’re not one of my kind of people either… I have 5 new dresses: stripe…green…maroon… green w/ white lace…green shirtwaist…and a new pair of petti-pants!” She sketches each garment above its caption.” In fine condition.
Janis Joplin (1943-1970), whose blues-belting voice assaulted the psychedelic scene of the late 1960s, hid a tumultuous inner life, whose revelation in this letter helps explain how she became the symbol of power and passion that she remains today. Before her rise as the lead of Big Brother & the Holding Company in the summer of 1966, Joplin had taken a break from her life in San Francisco, leaving behind a lover there: Peter De Blanc. De Blanc supported Joplin’s determination to sober up by moving to her home town of Port Arthur, Texas, where she attended school at Lamar University. Their plan to marry was broken off when she learned that De Blanc was expecting a child with another woman. Joplin returned to San Francisco in June 1966 and joined Big Brother & the Holding Company to launch her legendary career. Starting Bid $1000
“Rasta
Fari, Roots, Bob Marley”–the reggae legend plays Maryland during his 1978 Kaya Tour
469. Bob Marley Signature with Backstage Pass (Landover, Maryland on June 16, 1978). Desirable ballpoint signature, “Rasta Fari, Roots, Bob Marley,” on an off-white 3.25 x 4.5 sheet of notebook paper. In fine condition. Accompanied by an unused ‘Backstage’ sticker pass from Dimensions Unlimited, Inc., marked “Rasta” in an unknown hand, which the consignor attests derives from Marley’s concert at the Capital Centre in Landover, Maryland, on June 16, 1978, as part of his Kaya Tour. Starting Bid $300
Pink Floyd signs during their 1977 In the Flesh tour
470. Pink Floyd Signatures - Dating to their 1977 In the Flesh Tour. Blue ink signatures of Pink Floyd musicians Nick Mason, Roger Waters, David Gilmour, and Richard Wright, on a pink 5.5 x 4 album page. Collector’s notation in the lower right corner states that the autographs were obtained in Stafford, UK, on March 28, 1977. Reverse of the page bears the signature of Nils Lofgren. In fine condition. Accompanied by a certificate of authenticity from Tracks. On this date, Pink Floyd performed at the New Bingley Hall as part of their 1977 In the Flesh tour in support of their album Animals. Starting Bid $300
Elvis signature obtained on the set of Stay Away Joe in Arizona
471. Elvis Presley Signature. Vintage felt tip signature, “Elvis Presley,” on a light green 5 x 3 sheet, with toning from prior display. In fine condition, with a block of toning from prior display. Accompanied by a candid 2.5 x 3.5 color snapshot of Presley in a red convertible on the set of the 1968 film Stay Away Joe, in Cottonwood, Arizona. Consignor states that her family went to Cottonwood when they heard Presley was there filming. Her uncle arranged for the family to meet Elvis, where they each received an autograph while they met in between takes. Starting Bid $200
“Give It The Works This Christmas”— rare 1984 Xmas card from Queen
473. Queen Rare Signed 1984 Christmas Card - “Give It The Works This Christmas”. Extremely rare Christmas card sent out by Queen during the band’s ‘The Works Tour’ in 1984, with the front showing a brilliantly illuminated stage and packed arena, measures 20 x 8 unfolded, signed inside below a printed greeting, “Give It The Works This Christmas, from, Queen,” in blue ballpoint by Freddie Mercury and John Deacon, in black ballpoint by Brian May, and in silver ink by Roger Taylor. In fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $500
Iconic Cloud guitar played by Prince before an aftershow party in Copenhagen during his 2002 One Nite Alone...Tour
472. Prince-Played Schecter ‘Cloud’ Electric Guitar from a 2002 VEGA Aftershow in Copenhagen, Denmark. Stunning Schecter ‘Diamond Series’ Cloud electric guitar personally played by Prince before an aftershow party held at the VEGA House of Music mere hours after he performed at the Falconer Salen in Copenhagen, Denmark, on October 25, 2002, as part of his One Nite Alone…Tour. The beautiful guitar, serial number 0217604, features a metallic pearl finish, golden hardware, and a cloud-inspired design to the body, horn, and headstock, with reverse marked: “Manufactured exclusively for NPG by Schecter Guitar Research.” The battery plate bears an affixed “Set Up to Play by Schecter, U.S.A.” label. Includes a Wells Baxstage gig bag. In fine condition, with expected signs of light use.
Accompanied by a laminated backstage pass for Prince’s show at Falconer Salen and by a letter of provenance from the guitar’s past owner, Arne Jensen, who worked as a part of the staff crew at VEGA Musikken Hus in Denmark in 2002: “In late October of that year, Prince had played a concert the same evening at Falconer Salen in my hometown of Copenhagen and then performed his aftershow party at Vega Musikken Hus until very late in the night.
Prince had many pieces of equipment with him that evening and had used some to warm up, including the white Cloud guitar. I remember, there were two Cloud guitars in the club that night, a blue one and this white one. He did not take them into the live performance but the white cloud and also a bass guitar were used to warm up.
When Prince and the crew were leaving the venue, the case for the white cloud was found to be damaged and would not close, also part of the interior lining had been torn and the guitar would not sit properly inside the case. It was decided that the guitar would be left as there was not other flight case to transport it in. The plan was going to be to display
the guitar at Vega but this never happened. I have kept it for many years in storage. It is in a condition that shows that it has gone many years in my case. It also shows all the signs that it had obviously been used many times before that night in 2002…I have great memories of this night with Prince. It was a special evening.”
Luthier Dave Rusan was working at Knut-Koupée Music, a store owned by local guitarist Jeff Hill, when he was asked to create the iconic Cloud guitar in 1983. Prince, a regular customer at the South Minneapolis shop, was talking with Hill at the counter when Rusan arrived for work. Prince and Hill moved to the back office, and after some time, the latter returned with exciting news for Rusan: ‘Prince is going to make a movie. He needs a guitar, and you’re going to make it.’
The requested Purple Rain guitar was to feature a design inspired by the bass owned by Prince’s childhood friend and former bass player, André Cymone. Other than the body style, Rusan was told that the guitar ‘had to be white, and it had to have gold hardware.’ In the end, Rusan made four Cloudstyle guitars for Prince in the mid 1980s, the last of which for a contest giveaway sponsored by Warner Bros. in 1985.
Prince had several other Cloud guitars commissioned over the years, including those from Schecter, who later produced a limited run to be sold to the public during the artist’s ‘Hit and Run’ tour of 2014-15. According to the Schecter website: ‘We have never publicly sold guitars that we made for Prince. He has always custom ordered them from us exclusively for his own use. Only one time during the ‘Hit and Run Tour’ did he have Schecter create a production run of guitars that he sold exclusively at his shows…All guitars shown on our website are purely to commemorate the works that we created for him. We have always respected his wishes to not recreate the guitars and resell them.’ Starting Bid $2500
“Sparks fly!! on E Street”—Springsteen’s working lyrics for the “E Street Shuffle”
476. Bruce Springsteen Handwritten Working Lyrics for the “E Street Shuffle”. Handwritten working lyrics by Bruce Springsteen for the “E Street Shuffle,” two lined notebook pages, 8 x 10.5, no date but circa 1973. Springsteen’s complete, original handwritten lyrics for ‘The E Street Shuffle,’ the headline track from his second studio album, The Wild, the Innocent & the E Street Shuffle, released on November 5, 1973. On this track, Springsteen delivers a lyrical masterpiece from the boardwalk of Asbury Park, New Jersey. The lyrics begin: “Sparks fly!! on E Street when the boy prophets walk in handsome and hot / All the little girls souls grow weak when the manchild gives them a double shot / them schoolboy pull out all the stops on a Friday night / those teenage tramps in skintight pants do the E Street dance and it’s all right / (Well) the kids down there are either dancing or hooked up in a scuffle.” Springsteen pens 43 lines of lyrics with a few deletions and superscript including several notations and corrections. In very good to fine condition, with overall light creasing. Accompanied by full letters of authenticity from JSA and REAL.
“The E Street Shuffle” is the energetic opening track from Bruce Springsteen’s 1973 album The Wild, the Innocent & the E Street Shuffle. The song blends storytelling with fullband rock ‘n’ roll to capture the youthful chaos and street life of New Jersey. With playful, jazzy rhythms, its dynamic shifts and brass flourishes helped to define the early sound of the E Street Band, and the song marked Springsteen’s evolution toward more ambitious storytelling on his second studio album.
In the spring of 2014, nearly 40 years to the day since they took their name, the E Street Band was inducted into the Rock and Roll Hall of Fame, and the surviving original members were all on hand. When the modern E Street Band took the stage the first song they played as members of the Rock and Roll Hall of Fame was the only song fit for the occasion: the “E Street Shuffle.” Original handwritten lyric manuscripts by Springsteen are exceedingly rare and highly prized. This is one of the most important lyric manuscripts to surface publicly, from arguably one of the most creatively significant periods in Springsteen’s life as an artist. Starting Bid $2500
Over 50 stunning oversized ‘Born in the U.S.A. Tour’ photographs of Bruce Springsteen and the E Street Band rocking at the Los Angeles Memorial Coliseum
477. Bruce Springsteen Collection of (56) ‘Born in the U.S.A. Tour’ Oversized Photographs by Mark Leivdal. Outstanding collection of 56 original silver gelatin photographs of Bruce Springsteen and the E Street Band taken by photographer Mark Leivdal during the band’s fournight residency at the Los Angeles Memorial Coliseum in Los Angeles, California, on September 27, 29, 30, and October 2, 1985, which concluded his historic ‘Born in the U.S.A. Tour.’ These striking images primarily focus on Springsteen, well-muscled from two years of weightlifting, clad in a cut-off plaid shirt and playing his beloved signature guitar, a one-of-a-kind ‘1950s mutt,’ a Fender electric guitar with a Telecaster body and an Esquire neck.
Other images also pictured E Street Band members like Clarence Clemons, Patti Scialfa, and Max Weinberg. The collection contains 45 photos measuring 11 x 14 and 14 x 11, with 10 color examples, and 11 photos measuring 16 x 20 and 20 x 16, with three photos in color. Each satin-finish photo is individually matted, with the reverse of all but four examples numbered. Identifying numbers for the photographs include: (smaller) 1, 3, 6-8, 11-16, 18-20, 22-25, 27-30, 32, 33, 37-41, 51-59, 64, 65, and 70; (larger) 71-73, 78, 80, 81, 83, 86, and 88-90. Matted individually to overall sizes ranging from 16 x 20 to 24 x 20. In overall fine condition. Accompanied by 19 strips of photographic negatives containing images of the offered photographs, as well as a matted photograph of the photographer, Mark Leivdal, which includes a short printed obituary. Starting Bid $200
478. Bruce Springsteen and the E Street Band Signed Album - Born to Run. Born to Run album signed and inscribed on the front cover in blue ballpoint, “to Linda, a great fan—Thanks!!! Bruce Springsteen,” and on the reverse in various inks by band members Steven Van Zandt, Clarence Clemons, Garry Tallent, Roy Bittan, Max Weinberg, and Dan Federici. Stamped on the reverse in silver: “Demonstration, Not For Sale.” In fine condition. The record is included.
A spectacular assemblage of vintage, period signatures from Springsteen and the E Street Band, nicely penned on one of their greatest albums: released in 1975, Born to Run is widely considered to be Bruce Springsteen’s breakthrough work. The album blends rock, soul, and poetic storytelling, capturing themes of hope, escape, and the pursuit of freedom. Featuring iconic tracks like the title song ‘Born to Run and ‘Thunder Road,’ it cemented Springsteen’s reputation as a major voice in American rock. Starting Bid $300
Jackson signs on 98 Degrees for a rendition of ‘Man in the Mirror’ at his Madison Square Garden ‘30th Anniversary Celebration’
479. Michael Jackson and 98 Degrees Signed Contract. DS, one page, both sides, 8.5 x 14, August 22, 2001. An agreement between World Events, LLC and boy band 98 Degrees for the latter to perform for a “2 hour prime time television special…tentatively entitled ‘Michael Jackson: 30th Anniversary Celebration, The Solo Years,” which is to be held on September 7 and 10, 2001, at Madison Square Garden in New York City. Signed at the conclusion in black felt tip by Michael Jackson, in ballpoint by producer David Gest, and in black ink by 98 Degrees members Nick Lachey, Jeff Timmons, Justin Jeffre, and Drew Lachey. In very good to fine condition, with creasing to the top of the page. Accompanied by a certificate of authenticity from Tracks. On September 10th, 98 Degrees joined Usher and Luther Vandross for a rendition of ‘Man in the Mirror.’ Starting Bid $200
Rare twice-signed example of James Dean’s 1948 high school yearbook Classic Entertainment
626. James Dean Twice-Signed Yearbook. Softcover 1948 ‘Black and Gold’ yearbook from Fairmount High School in Indiana, 8 x 10.75, signed inside twice in ballpoint by the young James Dean: once on the basketball roster page, “Jim Dean”; and once on the autograph page, “Jim Dean, ‘Rack.’” Dean is also pictured in the yearbook as part of the Thespian Society and in the cast of the Junior Class Play. In very good condition, with the front cover detached, the back cover held in place with old tape, and the Dean signature on the multi-signed page also held in place with old tape having evidently been clipped out at one time.
In addition to his junior class portrait, Dean is pictured as a member of the speech department, the 4-H Club, the ‘F’ Club, as a player on the school’s basketball team (“Jim Dean, who made a fine showing on the second team last year and as guard this year on the first. Should be a regular next year”), and as a member of the Junior Class Play, which performed the three-act comedy ‘Our Hearts Were Young and Gay,’ with Dean cast in the role of the bespectacled Otis Skinner. Although he is not in the group photo, Dean is also listed as a member of the baseball team.
This historic yearbook offers a glimpse back in time to the small hometown where Dean grew up, during the high school years that helped to create the legend. Dean caught a taste of the acting bug by joining the junior class play, and reportedly earned the nickname “Rack” for helping his uncle rack up the balls at a local pool hall. Signed by Dean as an overachieving 17-year-old, this splendid yearbook offers an uncommon glimpse into the formative high school years of one of Hollywood’s most iconic and tragic stars. Starting Bid $300
Scarce handwritten letter by
Greta Garbo, sending thanks for a Christmas present
627. Greta Garbo Autograph Letter Signed. ALS in pencil, one page, 6 x 6.5, no date. Handwritten letter to “Bob,” in full: “I hope you are well and it is nice that you wrote me. I wanted to thank you for the xmas gift that you sent me. Please take care and bless you, Greta Garbo.” In very fine condition. Garbo is scarce in handwritten letters and rarely signed with her full name, typically preferring her initials. A fantastic piece from the silent screen icon. Starting Bid $200
“For Grace to meet at studio”—a fantastic “personal concept” for Hollywood royalty
628. Edith Head Signed Original Outfit Sketch for Grace Kelly. Fantastic original fashion concept sketch for one of Grace Kelly’s personal outfit designs, accomplished by Head’s protégé Bob Mackie in graphite and watercolor on an 11.75 x 17 sheet of sketch paper. The full-length sketch shows the design for a short, elegant dress and topcoat, signed in the lower right in pencil, “For Grace to meet at studio on 8/12, please, ready, Edith.” In very good to fine condition, with light wrinkling and creasing. Starting Bid $200
“I hope you will send me the ‘quality’ stuff”—Bruce Lee writes to his dealer and Fist of Fury co-star
630. Bruce Lee Autograph Letter Signed to Drug Dealer and Fist of Fury Co-Star Robert Baker: “I hope you will send me the ‘quality’ stuff”. ALS signed “Bruce,” one page both sides, 6.5 x 11, no date. Handwritten letter to friend and actor Robert Baker, in full: “Been resting and reading your book that you’ve sent. By now you should have received my money order. Though I feel that it might be a slight delay because of your friend’s situation, I hope you will send me the ‘quality’ stuff you said you will send (‘it has never been from the street’). In the meantime, I’m getting a ‘quality’ spoon and a Quadrabeam scale. Do send it ‘Air-Mail’ like yesterday (HA! HA!). Take good care, my friend.” On the reverse, he adds a postscript: “Bob, deep regrets for your friend being busted—I’ve received your book and know more about it and come to respect it—you know what I can do and what I won’t do. Friend, rush the sparkle ‘quality’ lots!” In fine condition.
Robert Baker is best known for portraying the Russian villain Petrov in the 1972 movie Fist of Fury, a role he landed thanks to Lee, his Jeet Kune Do instructor, who hand-picked Baker to play the character due to his height and ‘tough guy’ appearance. In addition to being his pupil and confidant, Baker, for a time, also served as Lee’s personal drug dealer. While some in Hollywood suspected Lee of using drugs, his correspondence with Baker during this time period all but confirms it, with Lee sending this thinly veiled request for ‘quality stuff’—before proceeding to comment candidly on the acquisition of related paraphernalia. These secret habits may have contributed to Lee’s early death at the age of 32. Starting Bid $1000
1969 National Karate Championship, signed beautifully by guest judge Bruce Lee
631. Bruce Lee Signed 1969 National Karate Championship Program. Rare original program for the 1969 National Karate Championship held at the Washington D.C. Armory on May 10 and 11, 1969, 16 pages, 8.5 x 11, signed nicely on the front cover in blue ballpoint by Bruce Lee, who, being close friends with event organizer Jhoon Ree, acted as a guest judge for the event and is pictured several times within the program. In very good to fine condition, with a few light stains, a small area of surface loss to the top edge, and interior pages detached from the cover (but all present). Accompanied by a full letter of authenticity from Beckett Authentication Services and an original color glossy 7 x 5 photo of Lee at the event, which shows him seated and smiling at a signing event between athletes Joe Lewis and Jhoon Ree. The reverse of the photo bears “A Kodak Paper” watermarks and is annotated “Original Photo, Bruce Lee Signing at 1969 National Karate Championship.”
During his lifetime, Bruce Lee appeared at select tournaments as a special guest, judge, or performer. Jhoon Rhee, the father of American Tae Kwon Do, first met Bruce Lee in 1964 at Ed Parker’s Long Beach International Karate Championships and, impressed with Lee’s showmanship, invited the young martial artist to collaborate on future projects and events. Lee appeared at several Jhoon Rhee national championships where he famously performed feats like his two-finger push-up and his one-inch punch and served as either a special guest or a celebrity judge. Starting Bid $1000
“Love
and Kisses, Marilyn Monroe”
633. Marilyn Monroe Signature. Superlative, large vintage ballpoint signature, “To Reg Eatwell, Love and Kisses, Marilyn Monroe,” on a pink 7 x 4.5 album page. In very fine condition. Consignor notes that Monroe signed while in England to film The Prince and the Showgirl. An extraordinary exemplar. Starting Bid $500
632. Steve McQueen Signed Photograph. Vintage glossy 8 x 10 close-up photo of the ever-cool Steve McQueen smoking a cigarette taken by William Claxton, prominently signed in blue felt tip by the screen icon. In fine condition, with some light rippling to the top edge. Starting Bid $200
634. Christopher Reeve Signed Photograph. Exceptional vintage glossy 8 x 10 photo of Christopher Reeve in his iconic role as Superman, boldly signed in fountain pen. In very fine condition. A choice, highly desirable example. Starting Bid $200
Animation and Comic Art
Walt Disney Studios
Disney appoints the board of directors for Disneyland’s holding company in 1958
737. Walt Disney Document Signed for WED Enterprises - Disneyland’s Holding Company. DS, signed “Walter E. Disney,” two pages, 8.5 x 11, February 24, 1958. Document headed “Minutes of the 1958 Annual Meeting of the Shareholders of WED Enterprises, Inc.,” in part: “Both of the corporation’s only shareholders, to-wit: Walter E. Disney and William H. D. Cottrell, as Voting Trustees of WED Enterprises, Inc., were present…Royal Clark, the Secretary of the corporation, was also present…The President announced that the board of directors of the corporation should be elected. Whereupon, by a unanimous vote, the following persons were elected directors of the corporation to serve for the ensuing year and/or until their respective successors are elected: Walter E. Disney, Loyd Wright, Sr., William H. D. Cottrell, Royal Clark, Richard F. Irvine, Diane D. Miller, Sharon Mae Disney.” Signed
at the conclusion in blue ballpoint by Walt Disney and signed twice by William H. D. Cottrell; also signed by Royal Clark as secretary. In fine condition.
Walt Disney formed Walt Disney, Inc. on December 16, 1952, in order to fund and oversee the development of Disneyland; in 1953, he changed the firm’s name to WED Enterprises, using his initials rather than his full name to avoid confusion with his film production company. He provided the startup money for the park from his own personal fortune, funneled through WED Enterprises. Since it was a separate entity from the Walt Disney Company, the development of the park could be conducted in secret and without disclosure to shareholders. A fantastic Disney document. Starting Bid $500
738. Walt Disney Signed Photograph. Vintage mattefinish 7.75 x 9.75 photo of the entertainment icon in a suit and tie, prominently signed in fountain pen, “Walt Disney.” In very good to fine condition, with a few tiny spots to Disney’s face and a fleck of surface loss near the start of the signature; notations and old tape damage in the borders could easily be matted out to produce an attractive display. Starting Bid $300
739. Walt Disney Signature Display. Attractive vintage ballpoint signature, “Walt Disney,” on an off-white 4.75 x 3.25 sheet. Nicely double-matted and framed with a large mattefinish photo of a young Disney posing with several Mickey Mouse dolls to an overall size of 19 x 22.25. In fine condition, with some very light creasing. Accompanied by a full letter of authenticity from Beckett Authentication Services. Realizing the great potential that Mickey Mouse could have in the character merchandise business, Walt and Roy Disney accepted an offer from imaginative businesswoman Charlotte Clark to produce the very first Mickey Mouse plush dolls—the original set pictured here cuddled up with Walt circa 1932. Starting Bid $300
740. Minnie Mouse color model cel from Puppy Love. (Walt Disney Studios, 1933) Original color model cel of Minnie Mouse from Puppy Love, depicting Mickey’s girlfriend in a wonderful full-length pose. The cel, which is placed on a laser copy background similar to the original image, is signed in the lower right corner, “Pillet,” likely Disney inker Yuba Pillet. The image measures 2.5 x 4.5, with overall dimensions of 15.5 x 11. In fine condition, with trivial rippling and scuffs. Starting Bid $200
741. Monty and Abner production cel from The Country CousinOscar Winner for Best Animated Short Film. (Walt Disney Studios, 1936) Original production cel featuring Monty and Abner Mouse from the Oscar-winning Silly Symphonies short The Country Cousin, showing the quarreling mice in full-length poses. The cel is trimmed to 7.25 x 3.5 and applied to a 12.5 x 10.5 production cel. Image measures 7.25 x 3.5. In fine condition. Based on one of Aesop’s Fables, The Town Mouse and the Country Mouse, The Country Cousin won the Oscar for Best Animated Short Film at the 9th Academy Awards, beating out The Old Mill Pond and Popeye the Sailor Meets Sindbad the Sailor. Starting Bid $200
742. Bashful production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel of Bashful from Snow White and the Seven Dwarfs, depicting the shy dwarf in a full-length pose with his arms behind his back. The cel has been trimmed and applied to a woodgrain background as prepared by the Disney Studio to be sold at the Courvoisier Galleries. Image measures 2 x 3.75, with a mat opening of 7 x 7. The mat, which measures 13 x 13, is annotated in pencil, “Bashful,” and bears a WDP stamp. The piece has the original Disney Courvoisier Galleries label on the reverse. In fine condition. Starting Bid $200
743. Bashful production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel of Bashful from Snow White and the Seven Dwarfs, showing the shy dwarf with his arms behind his back in an ideal upright and full-length pose. The cel has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Image measures 2.25 x 5, with a mat opening of 4.75 x 6.75. Matted and framed to an overall size of 12 x 14.5. In fine condition. Starting Bid $200
Dopey gets soapy during
the
washing sequence:
“Original work from Snow White and the Seven Dwarfs”
744. Dopey production cels from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel of Dopey from Snow White and the Seven Dwarfs, which depicts the young dwarf and a slippery bar of soap during the film’s memorable washing sequence. The cel, which has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale, features an attractive overlay special effects cel that fills the scene with floating bubbles. The full-length image measures 6 x 2.75 (Dopey with soap bar), with a mat opening of 8.25 x 8.5. Matted to an overall size of 14 x 17. Reverse of mat bears an affixed Walt Disney Enterprises copyright label from 1937, which states: “Original work from Snow White and the Seven Dwarfs.” In fine condition, with some light toning and rippling to the effects cel. Starting Bid $300
745. Dopey, Happy, and Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel featuring Dopey, Happy, and Sneezy from Snow White and the Seven Dwarfs, showing them at the foot of their beds within their forest cottage. The cel has been trimmed to image and placed on a highquality printed key master background giclee. Character image measures 5.75 x 4.25, with overall dimensions of 17 x 11. In fine condition. Starting Bid $300
746. Frank Follmer concept painting from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original concept painting of Snow White and the seven dwarfs—Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy, and Dopey—by Frank Follmer, accomplished in watercolor on a 17.5 x 10.5 sheet. The artwork is set outside the dwarfs’ woodland cottage and depicts Snow White offering a haircut and beard trim to her friends, who are pictured lined awaiting their turns. Signed in the lower right corner in pencil, “Frank Follmer.” Double-matted to an overall size of 22 x 15. In fine condition. Starting Bid $200
747. Happy and Sneezy production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original full-figure production cel featuring Happy and Sneezy from Snow White and the Seven Dwarfs, showing the diminutive pair looking quite surprised. The cel has been trimmed and applied to a woodgrain background as prepared by Courvoisier Galleries for sale. Image measures 5 x 4, with a mat opening of 10 x 6.5. Handsomely framed to an overall size of 18.5 x 15. In fine condition. Starting Bid $200
Scarce Courvoisier
portrait display of Snow White, the original Disney princess
748. Snow White production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937) Original production cel of Snow White from Snow White and the Seven Dwarfs, showing the original Disney princess in an adorable half-length pose. The cel has been trimmed and applied to a woodgrain background as prepared by Courvoisier Galleries for sale. Image measures 3 x 4, with a mat opening of 5.25 x 5.5. Matted and framed to an overall size of 12.75 x 14.75. In fine condition, with some staining to lower right of mat. A rare, very desirable portrait production cel of Snow White. Starting Bid $500
749. Snow White production cel from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937)
Great original production cel featuring Snow White from Snow White and the Seven Dwarfs, showing the original Disney princess in a lovely three-quarterlength pose, her eyes closed and mouth open in song. The cel is trimmed to image and placed on a color giclee background. Image measures 2.75 x 6.25, with overall dimensions of 17 x 11.5. In fine condition. An attractive example of an iconic Disney character. Starting Bid $300
750. Vultures production layout drawing from Snow White and the Seven Dwarfs. (Walt Disney Studios, 1937)
Original production layout drawing of two vultures from Snow White and the Seven Dwarfs, showing the scheming birds perched on a gnarled tree branch. Accomplished in graphite and colored pencil on 11.25 x 9 animation paper, marked “56” in the lower left corner. Character images both measure about 2 x 2.5, and the rest of the drawing is filled with pencil slashes evoking a hard-driving rain. Double-matted to an overall size of 18 x 15.75. In fine condition. A great mood drawing featuring these seldom-seen Snow White characters. Starting Bid $200
751. Mickey Mouse production concept painting from Brave Little Tailor. (Walt Disney Studios, 1938)
Original concept painting of Mickey Mouse from Brave Little Tailor, which depicts the front cover of a book with an image of Mickey in his tailor garb holding a pair of scissors and posing in golden scrollwork. Accomplished in graphite and watercolor on untrimmed 12.5 x 10 sheet of illustration board marked “5” in the lower right corner. Total image measures 11.5 x 9. Double-matted to an overall size of 16 x 13. In fine condition. A beautifully done concept piece from a classic Oscar-nominated Disney short. Starting Bid $200
752. Donald Duck production concept painting from Donald’s Golf Game. (Walt Disney Studios, 1938) Original concept painting of Donald Duck from Donald’s Golf Game, which depicts the front cover of a book with an image of Donald in his golfing garb as he lines up a short put on the green. Accomplished in graphite and watercolor on untrimmed 12.5 x 10 sheet of illustration board, with the total image measuring 11.75 x 8.5. Double-matted to an overall size of 16 x 13. In fine condition. An attractive Donald Duck concept piece. Starting Bid $200
Donald’s Golf Game production cels from Disney’s Studio Art Props Department, with
‘Walt
Disney’ inscription by staff artist Hank Porter
753. Donald Duck and Nephews production cels from Donald’s Golf Game. (Walt Disney Studios, 1938) Original full 12-field production cels of Donald Duck and Huey, Dewey, and Louie from Donald’s Golf Game, specially matted by the Studio Art Props Department, signed and inscribed on the mat in the hand of Disney staff artist Hank Porter—”To Jack Skirball, Sincerely, Walt Disney.” The scene depicts the three ducklings eagerly watching their enthusiastic uncle, who is holding a golf club and wearing a flat cap in a great full-length pose. Character images measure 2.75 x 3.5 (Donald) and 4.5 x 3.25 (his nephews), with a mat opening of 10.75 x 8.5. In fine condition, with some missing paint to Donald’s left leg.
Hank Porter (1900-1951) arrived at Disney in 1936 and served as a staff artist of the Disney Publicity Art Department until 1950. He designed posters, penciled and inked several Sunday comic pages, and, during World War II, designed many insignias for military units. Exemplified here, Porter was one of the first to be authorized to sign Walt Disney’s name for him, and his stylized signature was found for years on fan cards and other items. Starting Bid $300
Courvoisier set-up from The Hockey Champ of Donald playing pond hockey with Huey, Dewey, and Louie
754. Donald Duck and nephews production cels from The Hockey Champ. (Walt Disney Studios, 1939) Original production cels featuring Donald Duck and his nephews from The Hockey Champ, showing Donald teaching Huey, Dewey, and Louie how to skate, shoot, and handle the puck. The cels have been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Images measure 3 x 4 (Donald) and 3 x 4.25 (nephews), with a mat opening of 9.5 x 7.75. Nicely framed to an overall size of 19 x 18. In fine condition, with a bit of lifting and loss to paint (most noticeably to the green band on one of the hockey sticks). A great Couvoisier set-up in its original mat. Starting Bid $300
Impressive Courvoisier set-up from the Oscar-winning 1939 short film, The Ugly Duckling
755. Ugly Duckling and bird family production cels from The Ugly Duckling - Oscar Winner for Best Short Subject (Cartoons). (Walt Disney Studios, 1939) Original production cels of the Ugly Duckling and a family of birds from The Ugly Duckling, showing the titular white duck playing tugof-war with a mother bird intent on feeding a worm to her nest of hungry, tearful chicks. The cels have been trimmed and applied to a hand-painted background as prepared by Courvoisier Galleries for sale. Character images measure from .9 x 5.25 (mother bird and ugly duckling) to 2.5 x 2 (chicks), with a mat opening of 9.75 x 8. Framed to an overall size of 20 x 20. In fine condition, with light toning to the background. This film, adapted from Hans Christian Andersen’s famous fairy tale, won the 1939 Academy Award for Best Short Subject (Cartoons), and also happened to be the last entry in the Silly Symphony series. Starting Bid $300
756. Bacchus, Jacchus, and Satyr concept storyboard drawing from Fantasia. (Walt Disney Studios, 1940) Appealing original production concept storyboard drawing from the ‘Pastoral Symphony’ segment of Fantasia, showing Bacchus—the wine-loving Roman god of parties—riding atop his pet donkey Jacchus, with a horn-blowing Satyr in the foreground. Accomplished in color pastels on 12 x 10 brown paper. In fine condition, with pinholes to corners and one clipped corner tip, all minor flaws that could be easily matted out for an attractive display of Disney merriment. Starting Bid $200
757. Chernabog production drawing from Fantasia. (Walt Disney Studios, 1940) Original production drawing of Chernabog from Fantasia, showing the imposing demon during the terrifying ‘Night on Bald Mountain’ sequence. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper marked “136” in the lower right corner. Image measures 10.75 x 8. In fine condition, with some creasing near the top. Starting Bid $200
758. Chernabog production drawing from Fantasia. (Walt Disney Studios, 1940) Original production drawing of the mighty Chernabog from Fantasia, showing the imposing demon with wings spread wide during the terrifying ‘Night on Bald Mountain’ sequence. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper, marked “313” in the lower corner. Image measures 9.75 x 11. In fine condition, with scattered creases. Starting Bid $200
Large and magical early concept painting
of Mickey the wizard during the ‘Sorcerer’s Apprentice’ segment of Fantasia
759. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, which shows the young wizard-to-be in Yen Sid’s hat, his arms extended and his fingers pointing as he directs a sentient broom to carry buckets of water to the basin pool. Accomplished in watercolor and gouache on 11 x 8 artist paper. Archivally matted and framed to an overall size of 22 x 19.25. In fine condition. A well-done piece of concept art from a Disney classic. Starting Bid $500
Concept painting of Mickey Mouse as the star-spinning ‘Sorcerer’s Apprentice’
760. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, which shows the young wizard-to-be during his magical dream sequence: standing atop a pinnacle and wearing the mystical hat of the Sorcerer Yen Sid as a comet streaks past in the sky. The black night sky background is neatly dotted with stars. Accomplished in gouache on black 9.75 x 9 artist’s board. In fine condition, with tack holes to corners. Starting Bid $500
Impressive concept scene of Mickey the powerful from Fantasia’s ‘Sorcerer’s Apprentice’ sequence
761. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, showing the young wizard-to-be wearing Sorcerer Yen Sid’s magic hat during a dream sequence: standing atop a rocky pinnacle and commanding waves to shoot up all around him. Accomplished in gouache on black 7 x 6.5 artist’s board. In fine condition, with tack holes to corners. Starting Bid $500
Fantasia concept piece of Mickey surfing on Yen Sid’s spellbook
762. Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Original concept painting of Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, which shows the young wizard-to-be using Yen Sid’s magical spell book to ride a wave in the flooded tunnels of the sorcerer’s tower. Accomplished in gouache on black 9.5 x 8.5 artist’s board. In fine condition, with tack holes to corners. An exciting scene from an iconic Disney film. Starting Bid $500
763. Satyr and Centaurette concept production drawing from Fantasia. (Walt Disney Studios, 1940) Appealing original conceptual production drawing from the ‘Pastoral Symphony’ segment of Fantasia, showing a small green satyr playing his plan flute much to the delight of an attractive Centaurette pictured in a galloping dance. Accomplished in color pastels on 12 x 9.25 brown paper. In fine condition, with pinholes to corners. Starting Bid $200
764. Satyr and Centaurs production storyboard drawing from Fantasia. (Walt Disney Studios, 1940) Impressive original production storyboard drawing from the ‘Pastoral Symphony’ segment of Fantasia, depicting a satyr whistling nervously as he’s surrounded by a group of three large Centaurs. Accomplished in blue artist pencil on an untrimmed 12 x 10 sheet of animation paper, with the total character image measuring 8 x 6. The reverse bears a ‘Concert Feature’ stamp dated November 6, 1939, issued as “Seq. No. 04.1, Sketch No. 1330.” In fine condition, with pinholes to borders. Starting Bid $200
Amazing hand-painted 45-scene storyboard sequence of the powerful Tyrannosaurus and Stegosaurus battle from Fantasia’s epic ‘The
Rite of Spring’ segment
765. Tyrannosaurus and Stegosaurus battle sequence (45) production storyboard paintings from Fantasia. (Walt Disney Studios, 1940) Magnificent original production storyboard paintings from Fantasia, containing 45 hand-painted scenes from the epic ‘The Rite of Spring’ sequence, which vividly depicts the dramatic dinosaur battle between a Tyrannosaurus and a Stegosaurus. Each scene is accomplished in colored pastel on an individual 3.5 x 2.75 sheet that has been chronologically arranged and affixed to a 40 x 21.5 poster-sized backing sheet, the reverse of which is marked as “H12A,” “26,” and “A40.” The sequence is brilliantly realized and is in keeping with the remarkable finished product found in the film; a Tyrannosaurus emerges from the shadows on a stormy night and pursues a pack of herbivorous dinosaurs, as the slowest of the group, a wellarmored Stegosaurus, is forced to defend itself from the great jaws of its attacker. In the end, the Tyrannosaurus fatally bites its prey and concludes the segment’s memorable life-and-death lesson. Matted and in overall fine condition. Accompanied by a color 13 x 10 lobby card for Fantasia, which depicts the two dinosaurs fighting under a bolt of lightning. While the majority of storyboards are sketched hastily in pencil, this marvelous 45-scene sequence is achieved in splendid, visceral color, with each beautifully realized scene a true mini-masterpiece of scope and detail. Starting Bid $1000
Extremely rare Yen Sid and Mickey concept artwork from Fantasia
766. Yen Sid and Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Rare original concept painting of Yen Sid and Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, showing the powerful sorcerer ushering along his pupil to begin his cleaning duties of the inner sanctum, with Mickey shown holding a water bucket and Yen Sid pictured gripping a broom and wearing his magical spired hat. Accomplished in gouache on black 7.25 x 7 artist’s board. In fine condition, with tack holes to corners. Yen Sid remains rare across all early Disney production formats, and the inclusion of Mickey Mouse elevates this unique concept piece into a must-have Disney creation. Starting Bid $500
Fantasia concept artwork of wizard Yen Sid and his nervous pupil, Mickey Mouse, from the ‘Sorcerer’s Apprentice’ segment
of Fantasia
767. Yen Sid and Mickey Mouse concept painting from Fantasia. (Walt Disney Studios, 1940) Rare original concept painting of Yen Sid and Mickey Mouse from the ‘Sorcerer’s Apprentice’ segment of Fantasia, which shows Mickey nervously holding two buckets as his master, the powerful sorcerer Yen Sid, stands by with a broom, silently commanding that his pupil begin his cleaning chores. Accomplished in gouache on black 7.25 x 6.25 artist’s board. In fine condition, with tack holes to corners. A beautifully rendered concept piece from one of Disney’s most iconic and important films. Starting Bid $500
Elusive Yen Sid
concept artwork from
Fantasia—
an uncanny depiction of one of Disney’s most enigmatic creations
768. Yen Sid concept painting from Fantasia. (Walt Disney Studios, 1940) Rare original concept painting of Yen Sid from the ‘Sorcerer’s Apprentice’ segment of Fantasia, showing the powerful sorcerer in an imposing half-length pose with large intense eyes and a glowing orange beard, his left hand gripping a wooden staff, and his head peaked with his magical spired hat. The element of light surrounding the splayed fingers of his right hand suggests that the sorcerer may be performing a spell. Accomplished in gouache on black 6.75 x 6.75 artist’s board. In fine condition, with tack holes to corners. Yen Sid remains rare across all early Disney production formats, with this early concept painting proffering an entirely uncommon and unique representation of one of Disney’s most mysterious characters. Starting Bid $300
769. Blue Fairy production drawing from Pinocchio. (Walt Disney Studios, 1940) Sought-after original production drawing of the Blue Fairy from Pinocchio, which shows the benevolent wishmaker in a splendid full-length pose with upright wings and her magic wand. Accomplished in graphite and colored pencil on animation paper, with the image measuring 4 x 7. Double-matted and framed to an overall size of 18.5 x 17. In fine condition. Starting Bid $200
Pinocchio and Jiminy Cricket cel set-up with lovely Courvoisier background
770. Pinocchio and Jiminy Cricket production cels from Pinocchio. (Walt Disney Studios, 1940) Original production cels featuring Pinocchio and Jiminy Cricket from Pinocchio, showing the puppet-turned-boy looking at Jiminy Cricket, who is perched upon a flower. The cel has been trimmed and applied to an airbrushed background as prepared by Courvoisier Galleries for sale. Images measure 6 x 6.5 (Pinocchio) and 1.75 x 1.5 (Jiminy Cricket), with a mat opening of 9.5 x 7.5. Framed to an overall size of 16.5 x 16.5. In fine condition. A great Courvoisier set-up from the popular Oscar-winning animated feature. Starting Bid $500
Wonderful ‘underwater’ Pinocchio cel paired with a preliminary production background of the ocean floor
771. Pinocchio production cel and preliminary production background from Pinocchio. (Walt Disney Studios, 1940) Original production cel and production background from Pinocchio, showing the title character underwater and tied to a rock anchoring him to the ocean floor. The cel is placed on a matching hand-painted preliminary background of the lush seabed, which was created during production but not used in the film. The image measures 3 x 4.5, with overall dimensions of 12 x 9. The reverse of the background bears a handwritten inscription, which reads: “A little late for your 2nd Anniversary but better late than never. - From your ‘Big Brother’ at Disney’s, Bill, (‘Jingles’), October 16, 1940.” In fine condition, with tape to edges. A gorgeous full cel featuring the main character paired with a well-done background to make an impressive and unique display. Starting Bid $500
772. Pinocchio production storyboard drawing from Pinocchio. (Walt Disney Studios, 1940) Terrific original production storyboard drawing of Pinocchio from the animated classic of the same name, which shows the boy puppet in full-length profile as an off-screen Geppetto attempts to dress him for school. Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper, which is marked “3” in the lower right. Total image measures 7.5 x 5. In fine condition. Starting Bid $200
773. Mrs. Jumbo and Stork production cel set-up from Dumbo signed by Ward Kimball. (Walt Disney Studios, 1941) Very attractive original production cel set-up of the Stork and Mrs. Jumbo from Dumbo, which is signed in black felt tip by noted Disney animator Ward Kimball. The cels depict the belated stork in a full-length pose next to Mrs. Jumbo, relieved to have finally been delivered her baby elephant. The cels have been trimmed and applied to a hand-painted background of a hay-strewn train wagon, which was prepared for sale by Courvoisier Galleries. Character images measure 3.5 x 4 (Stork) and 4.75 x 5.25 (Mrs. Jumbo), with a mat opening of 11 x 8.25. Reverse of the background bears two Walt Disney Productions copyright stamps. Double-matted to an overall size of 18 x 15.25. In fine condition, with some light curling to the upper section, and the signature a shade light. Starting Bid $200
774. Bambi production cel from Bambi. (Walt Disney Studios, 1942) Original production cel of Bambi from the Oscarnominated film of the same name, showing the beloved young deer enjoying a romp on some slippery ice. The cel is placed on a matching color print of a frozen pond. Image measures 4 x 4, with a mat opening of 10.5 x 7.5. Triple-matted and framed to an overall size of 18.5 x 15.5. In fine condition. Starting Bid $200
Rare early
Bambi and Thumper concept drawing by one of Disney’s Nine Old Men
775. Marc Davis concept drawing of Bambi and Thumper from Bambi. (Walt Disney Studios, 1942) Original concept drawing of Bambi and Thumper by legendary Disney animator Marc Davis for Bambi, which depicts the bunny poking up from the forest underbrush to say hello to his fawn friend. Accomplished in graphite and charcoal on 7 x 5.25 animation paper, the lower left of which bears the WDP [Walt Disney Productions] stamp. Doublematted and framed to an overall size of 17.75 x 14.5. The consignor notes that the piece was sold in the Courvoisier Art Program and is marked Seq. 43 along the bottom border. In fine condition.
One of Disney’s Nine Old Men, the legendary core animators of early Disney films, Davis joined Disney in 1935 as an apprentice animator on Snow White and the Seven Dwarfs. He continued to work on classic films like Bambi, Cinderella, and Alice in Wonderland, and then later transferred to Disney’s Imagineering team where he contributed whimsical story and character concepts for Disneyland attractions like the Haunted Mansion, It’s a Small World, and Pirates of the Caribbean. Davis is probably best known as the father of some of Disney’s most memorable animated women, including Cruella De Vil from One Hundred and One Dalmatians, Maleficent from Sleeping Beauty, and Tinker Bell from Peter Pan. Starting Bid $500
Beautifully realized watercolor painting by Disney chief illustrator Gustaf Tenggren for the children’s book Farm Stories
776. Gustaf Tenggren watercolor painting of a duck family from Farm Stories. (Giant Golden Book, 1946) Gorgeous original watercolor painting by Gustaf Tenggren for the children’s book Farm Stories, which depicts a mallard standing on a rock and quacking to a group of five other ducks. Accomplished in watercolor on untrimmed 9.5 x 6 artist paper, marked “P. 58” in the lower border; the final version was ultimately printed on page 82 of the book. Included with the painting is a special limited first edition of Farm Stories, numbered 110/650, hardcover, published by Simon and Schuster in 1946, signed on the colophon in bold ink by Tenggren and by authors Kathryn and Byron Jackson. In overall fine condition, with some wear and areas of paint to book covers. A noted Swedish-American artist, Tenggren was a chief illustrator for The Walt Disney Company in the late 1930s before moving on to work on children’s Little Golden Books. Some of the films he worked on were Snow White, Pinocchio, Fantasia, and Bambi. Starting Bid $300
Beautiful large Br’er Bear and Rabbit cel set-up with hand-painted custom background
for Song of the South
777. Br’er Bear and Br’er Rabbit production cels from Song of the South. (Walt Disney Studios, 1946) Scarce original production cels of Br’er Bear and Br’er Rabbit from Song of the South, showing the dimwitted bear in a confused half-length pose as the rope-bound rabbit hangs in the air, his hands placed under his chin to show frustration. The cels have been trimmed to image and applied to a beautiful hand-painted custom-prepared background. Character images measure 5 x 5 (bear) and 3 x 4.75 (rabbit), with a mat opening of 14.25 x 10.75. Triple-matted and framed to an overall size of 25.5 x 21.5. In fine condition. Starting Bid $300
779. Br’er Fox and Br’er Bear production cel from Song of the South. (Walt Disney Studios, 1946) Scarce original production cel of Br’er Fox and Br’er Bear from Song of the South, which depicts the unlikely partners looking over a row of bushes. The cel, which is slightly trimmed to 11.75 x 9.75, is placed on a matching 17 x 11 studio laser background from the same film. Total character image measures 4.25 x 6.5. In fine condition, with trivial crackling to paint. Starting Bid $300
778. Br’er Bear production cel from Song of the South. (Walt Disney Studios, 1946) Scarce original production cel of Br’er Bear from Song of the South, depicting the slowwitted antagonist holding his club in a large, nearly full-length pose. The cel, which is marked “A170” in the lower right, is placed on a key master giclee background of a forest, field, and blue sky. Image measures 4 x 7.75, with overall dimensions of 15.25 x 11. In fine condition, with light rippling to the slightly trimmed cel edges. Starting Bid $200
780. Br’er Fox production cel from Song of the South. (Walt Disney Studios, 1946) Original production cel of Br’er Fox from Song of the South, showing the crafty fox in a half-length talking pose. The cel is trimmed to 5.5 x 7.75. Image measures 5 x 5.25, with a mat opening of 5.25 x 5.75. Triple-matted to an overall size of 11 x 12. In fine condition. Starting Bid $200
781. Br’er Rabbit and Br’er Fox production cel from Song of the South. (Walt Disney Studios, 1946) Original production cel featuring Br’er Fox and Br’er Rabbit from the ‘Uncle Remus’ tales portrayed in Song of the South, showing the clever fox preparing to roast the rabbit after capturing him. The cel is placed on a color key master giclee background. Image measures 6.5 x 6.75, with overall dimensions of 13.5 x 10.5. In fine condition. A large uncommon image from a controversial Disney feature. Starting Bid $300
783. Bongo and Lulubelle production cel from Fun and Fancy Free signed by Ward Kimball. (Walt Disney Studios, 1947) Original production cel of Bongo and Lulubelle from the animated anthology film Fun and Fancy Free, which is signed in black felt tip by Ward Kimball, who adds “(Bongo!).”
The image, which shows the two bears rear-to-rear in full-length poses, measures 4.25 x 3, with a mat opening of 9.5 x 7.5. Triple-matted and framed to an overall size of 18.25 x 16.25. In fine condition. Starting Bid $200
Beautiful Blair concept painting of Br’er Rabbit autumn’s escape in Song of the South
782. Mary Blair concept painting of Br’er Rabbit, Fox, and Bear from Song of the South. (Walt Disney Studios, 1946) Original concept painting by Mary Blair for Song of the South, depicting Br’er Rabbit moments after escaping from the custody of Br’er Bear and Br’er Fox, whom both are shown in wide-mouthed surprise as Br’er Rabbit happily alights onto the great bear’s back. Inspired by a classic folktale as told by Joel Chandler Harris in his ‘Uncle Remus’ stories, Blair brilliantly executes the Southern scene with a gorgeous autumnal color palette of red and orange trees. Accomplished in tempera on 10.75 x 10.25 artist’s board. In fine condition, with tack holes to corners. Starting Bid $1000
The magical moonlit dance of Cinderella and Prince Charming, a romantic concept painting from the legendary Mary Blair
784. Mary Blair concept painting of Cinderella and Prince Charming from Cinderella. (Walt Disney Studios, 1950) Gorgeous original concept painting by Mary Blair for Cinderella, which depicts Cinderella and Prince Charming during a romantic nighttime dance. Accomplished in tempera on an 11 x 10 illustration board, the scene beautifully portrays the couple dancing hand-in-hand along the shore of a pond, its surface highlighted by a pair of swans and the reflection of the sky’s full moon and array of twinkling stars. Adding extra magic to the scene is a swirling brush of gold rising high above the treeline before vanishing into the starry purple-hued firmament. In fine condition, with tack holes to corners.
Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World) and, her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. Starting Bid $1000
Cinderella’s midnight rush from the royal palace, a lovely fairytale concept piece from the great Mary Blair
785. Mary Blair concept painting of Cinderella’s midnight flight from Cinderella. (Walt Disney Studios, 1950) Exquisite original concept painting by Mary Blair for Cinderella, which shows the iconic title character descending the royal palace stairs to her awaiting magical horse-drawn carriage moments after the stroke of midnight. The expertly realized painting depicts the moonlit castle in its grand entirety, with its multiple lit windows, cloud-scraping spires, and pristine frontage with hedgerows and an oval driveway. Magical elements include a starry sky with a full moon and Cinderella’s glowing ivory coach. Accomplished in tempera on 9.25 x 8.5 illustration board. In fine condition, with tack holes to corners.
Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World) and, her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. Starting Bid $1000
Alice encounters a talking rose in the garden of Wonderland, a beautiful painting by Disney concept artist Mary Blair
787. Mary Blair concept painting of Alice and Red Rose from Alice in Wonderland. (Walt Disney Studios, 1951) Original concept painting by Mary Blair of Alice and a talking red rose from Alice in Wonderland, which depicts the instantly recognizable title character in her blue dress in the garden. Surrounded by giant leaves and flowers, the diminutive Alice is startled by the presence of a large sentient red rose that lifts one of its leaves in a surprising gesture. Accomplished in tempera on 10.75 x 9 artist’s board. In fine condition, with tack holes to corners. A beautifully realized concept piece of Alice’s troublesome trip to the garden of Wonderland.
Mary Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World) and, her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. Starting Bid $1000
Captured by the queen—a vivid concept painting of Alice and the White Rabbit by Mary Blair
788. Mary Blair concept painting of Alice, White Rabbit, and Playing Cards from Alice in Wonderland. (Walt Disney Studios, 1951) Dramatic original concept painting by Mary Blair for Alice in Wonderland, portraying a distressed Alice being carried away by her arms and legs by the Queen of Hearts’ sentry of playing cards, with the White Rabbit hopping along with his pocket watch. The vivid artwork portrays the nerve-wracking scene from a great overhead angle, with Alice wide-eyed and helpless as she’s hauled across the bright green lawn by a quartet of imposing guards. Accomplished in tempera on 9.5 x 9.25 artist’s board. In fine condition, with tack holes at corners.
Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World) and, her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. Starting Bid $1000
Hanging with the Cheshire Cat in Tulgey Wood, a surreal Mary Blair concept painting for Alice in Wonderland
789. Mary Blair concept painting of the Cheshire Cat from Alice in Wonderland. (Walt Disney Studios, 1951) Incredible original concept painting by Mary Blair for Alice in Wonderland, showing the Cheshire Cat, with his trademark mischievous grin, hanging from his tree in the mysterious Tulgey Wood. Beautifully rendered in shades of purple, green, and black, the moonlit scene is a superb example of Blair’s artistic style—the composition is dominated by contrasts of dark and light, with all elements taking on simplified, organic shapes. Accomplished in tempera on 9 x 8.75 artist’s board. In fine condition, with tack holes at corners.
Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World) and, her largest work ever, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. A marvelous, surrealistic example of Blair’s original artwork featuring one of Disney’s most desirable characters. Starting Bid $1000
Superb Captain Hook concept drawing by Joe Grant, one of Disney’s most celebrated character designers
790. Captain Hook concept drawing from Peter Pan by Joe Grant. (Walt Disney Studios, 1953) Terrific original concept drawing by Joe Grant of Captain Hook. Accomplished in colored pastel on an untrimmed 12.5 x 15.5 sheet of animation paper, the drawing depicts the infamous Neverland pirate in a marvelously conceited full-length walking pose, his eyes confidently shut as he struts in colorful attire with a cane. In very good to fine condition, with toning and scattered edgewear, including small tears and paper loss to upper corners.
Joe Grant was a conceptual artist, storyboard artist, and screenwriter (1908–2005) who worked for Disney from 1932 to 1949 and then again from 1989 until his death at the age of 96. In this regard, Grant worked on all of the classic Disney films and then again during the studio’s renaissance era. The film Chicken Little, released six months after his death, along with Pixar’s Up, released four years after his death, were both dedicated to his memory. Starting Bid $200
Dual-cel set-up of Captain Hook and Wendy Darling with large master background of the Jolly
Roger
792. Captain Hook and Wendy Darling production cels and master background from Peter Pan. (Walt Disney Studios, 1953) Superb original production cels of Captain Hook and Wendy Darling from Peter Pan, which depicts the excited Neverland pirate on the deck of his notorious ship, the Jolly Roger, while his young captive, Wendy, having refused to join his crew, prepares to walk the plank…and fall into the arms of her friend and secret savior, Peter Pan. The cels are placed on a wonderful handpainted master background of the ship’s deck. Captain Hook measures 4.75 x 8, and Wendy measures 1.25 x 4.5, with overall dimensions of 19 x 14. Matted to an overall size of 20 x 16. In fine condition, with some paint loss to the dastardly pirate’s hook. Starting Bid $300
Uncommon Captain Hook and Tinker Bell cel set-up with hand-painted Jolly Roger production background
791. Captain Hook and Tinker Bell production cels and production background from Peter Pan. (Walt Disney Studios, 1953) Original production cels and production background of Captain Hook and Tinker Bell from Peter Pan, showing the pixie alighting on the hook of the Neverland pirate captain, who is pictured in a half-length pose. The Tinker Bell cel has been trimmed to image and applied to the Captain Hook cel, which is placed on a handpainted production background of Hook’s ship the Jolly Roger, the bottom edge of which is marked as “2074 Sc-42, Seq. 04.0.” Total character image measures 4.25 x 6.75, with overall dimensions of 15.5 x 12.5. In fine condition, with a few small marks to the cel. Starting Bid $500
Attractive full-figure production cel of Neverland’s pirate boss
793. Captain Hook production cel from Peter Pan. (Walt Disney Studios, 1953) Original production cel of Captain Hook from Peter Pan, depicting the Neverland villain in a great full-length profile pose, his feet bare and his right hand adjusting the sleeve near his notorious hook. The cel has been trimmed to the image and applied to a clear overlay cel, which has been placed on a color giclee background of the Jolly Roger pirate ship. Image measures 5.5 x 7.75. In fine condition. Starting Bid $200
A Peter Pan masterpiece from the mind of Mary Blair—Peter Pan and Tinkerbell soar with the Darlings from London to Neverland
794. Mary Blair panorama concept painting of Peter Pan, Tinker Bell, and the Darling children from Peter Pan. (Walt Disney Studios, 1953) Outstanding original panoramic concept painting by Mary Blair of Peter Pan, Tinker Bell, Wendy, John, and Michael soaring over London en route to the island of Neverland. Accomplished in tempera on 20 x 9.25 artist’s board, the scene imaginatively portrays Peter Pan and Tinker Bell teaching the Darling children to fly, leading them on a starry night flight far away from foggy London, with Tower Bridge and the River Thames shown below. Blair’s strong use of light and dark works brilliantly here, with the soaring children and Tink’s golden dust trail juxtaposing beautifully above the vast blue cityscape aglow with moonshine and speckled with distant headlights and lit windows. In fine condition, with tack holes to corners.
Blair was a concept artist for Disney during the 1940s and early 1950s, working on designs for such films as Peter Pan, Cinderella, and Alice in Wonderland. She also created designs for several Disney attractions (including It’s a Small World) and, her largest work, the multi-story mosaic in Disney World’s Contemporary Hotel concourse. A conceptual masterpiece and a quintessential panoramic painting from the legendary Mary Blair. Starting Bid $1000
795. Peter Pan production cel from Peter Pan. (Walt Disney Studios, 1953) Original production cel of Peter Pan from the classic Disney movie of the same name, which depicts the title character in a half-length pose smiling and seated with his pan flute. The cel is slightly trimmed and placed on a color giclee background of a bedroom in the Darling house. The Peter Pan image measures 5 x 8, with overall dimensions of 16 x 12.5. In fine condition. Starting Bid $200
796. Peter Pan production cel from Peter Pan. (Walt Disney Studios, 1953) Large and dramatic original production cel featuring Peter Pan from Peter Pan, showing the title character crawling backward on a ship mast and peering defiantly at the sharp point of Captain Hook’s sword. The cel is placed on a matching color copy background. Image measures 9 x 7, with overall dimensions of 17 x 12. In fine condition, with hairline cracks to paint in his chest. Starting Bid $200
797. Wendy and Michael Darling and Lost Boys concept storyboard drawing from Peter Pan. (Walt Disney Studios, 1953) Original concept storyboard drawing of Wendy and Michael Darling and several members of the Lost Boys from Peter Pan, depicting Wendy helping Michael get dressed while Rabbit, Cub, Skunk, and Fox hang the Twins from a chandelier during a makebelieve Indian ceremony. Accomplished in graphite and colored pencil on untrimmed 15.5 x 12.5 animation paper, which is marked below as “Sc 24.1, Seq. 12, 6 1⁄4 F.” Total image measures 12 x 7.5. In fine condition, with slight edgewear, including three short tears and light stains. A rare and action-packed 16-field multi-character drawing from this classic Disney adventure. Starting Bid $200
798. Wendy Darling production cel from Peter Pan. (Walt Disney Studios, 1953) Original production cel of Wendy Darling from Peter Pan, placed on a color copy background from the same film. The scene depicts the eldest of the Darling children in a demure full-length pose, seated on a large bed inside of a Neverland tree-house. The image measures 2.75 x 5.5, with overall dimensions of 17 x 12.5; the lower right corner of the cel is marked “A77.” In fine condition, with light creasing to the background. Single-character production cels of Wendy Darling remain uncommon, with this being a particularly lovely example. Starting Bid $200
A romantic moonlit stroll by Disney legend Eyvind Earle for Lady and the Tramp’s iconic ‘Bella Notte’ sequence
799. Eyvind Earle panorama concept painting from Lady and the Tramp. (Walt Disney Studios, 1955) Exquisite original panorama concept painting by Eyvind Earle from Lady and the Tramp, showing the title canines walking on a park path during the iconic ‘Bella Notte’ sequence. In his distinctive style, Earle captures the nighttime scene with a charming sense of secrecy and isolation, spotlighting the dogs under stars and moonlight to emphasize their growing bond amid a jealous crowd of trees and ferns. Accomplished in tempera on 23.5 x 9.75 artist’s board, signed in the lower right corner in pink paint by Earle. In fine condition, with tack holes to corners. Disney artist Eyvind Earle, who later became Sleeping Beauty’s production designer, created almost 50 miniature concept sketches for the ‘Bella Notte’ sequence and was a key contributor to the classic film. Starting Bid $1000
Gorgeous Eyvind Earle panoramic concept painting of Tony’s Restaurant at the start of Lady and the Tramp’s memorable ‘Bella Notte’ sequence
800. Eyvind Earle panoramic concept painting of Lady and Tramp from Lady and the Tramp. (Walt Disney Studios, 1955) Brilliant original panorama concept painting by Eyvind Earle from Lady and the Tramp, showing the two title canines standing on the sidewalk in front of Tony’s Restaurant at the start of the iconic ‘Bella Notte’ sequence. With the soft light from the interior of the restaurant serving as a focal point, the nighttime scene is rich with an abundance of detail that paints a serene downtown filled with lamplight, rows of trees, a star-filled night, and the silhouette of nearby buildings. Accomplished in gouache on 23 x 9.5 artist’s board, signed in the lower right corner in white paint by Earle. In fine condition, with tack holes to corners. Disney artist Eyvind Earle, who later became Sleeping Beauty’s production designer, created almost 50 miniature concept sketches for the ‘Bella Notte’ sequence and was a key contributor to the classic film. An amazingly detailed panoramic view from one of Disney’s foremost imagineers. Starting Bid $1000
Full-length Lady and Tramp cels strolling on a production ‘fence and sidewalk’ background
801. Lady and Tramp production cels and production background from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cels and production background from Lady and the Tramp, which shows the two dogs walking on a sidewalk in front of a fence. The two canine cels have been trimmed to size and expertly set on an overlay cel, which is placed on a hand-painted production background that is initialed and annotated along the right border: “2079–SEQ. 1.1–Sc. 17.1, SA 18.1.” Character images measure 5 x 3.25 (Lady) and 4.25 x 6.75 (Tramp), with overall dimensions of 16.5 x 13.5. In very good to fine condition, with some light edge creasing to cel, and wear, a couple of small tears, and adhesive remnants to background edges. Starting Bid $300
“An original celluloid drawing actually used in a Walt Disney production”—ideal Lady and Tramp two-cel set-up sold at the Art Corner in Disneyland
802. Lady and Tramp production cels from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cels of the two title canines from Lady and the Tramp, which shows the canine couple walking and talking together in wonderful full-length poses. Total character image measures 3.5 x 3.5 and the trimmed cels are matted together to an overall size of 9.5 x 8 x 9; the reverse of the mat bears an affixed gold Walt Disney Productions label, which states, “This is an original celluloid drawing actually used in a Walt Disney production,” as well as a stamp indicating that the cel was originally for sale at the Art Corner in Disneyland. In fine condition, with some stains to the mat. Starting Bid $200
The sinister Siamese cat sisters of Lady and the Tramp
803. Si and Am production cels from Lady and the Tramp. (Walt Disney Studios, 1955) Original production cels of Si and Am from Lady and the Tramp, which shows the two devious Siamese cat sisters slinking across the carpet of the Darling living room. The cels are placed on a key print background from the same film. Both feline images measure 4.25 x 3.5, with overall dimensions of 20 x 16. In fine condition. Starting Bid $300
804. Tinker Bell production cel and Prince production cel from The Truth About Mother Goose. (Walt Disney Studios, 1957) Original production cel of Tinker Bell with a production cel of a young prince from The Truth About Mother Goose, which depicts the Neverland pixie about to use her magic wand on the expecting prince, signed in black felt tip by noted animator Marc Davis. Images measure 2.5 x 4.75 (prince) and 2.75 x 3 (Tink), with a mat opening of 9 x 10. The cels are placed on a color Disney lithograph background, which was originally sold at Disneyland in the 1950s. Triple-matted and framed to an overall size of 16.5 x 17.5. In fine condition. Starting Bid $200
Beautiful Briar Rose concept painting by the great Eyvind Earle
806. Eyvind Earle concept painting of Briar Rose from Sleeping Beauty. (Walt Disney Studios, 1959) Marvelous original mini panorama concept painting by Eyvind Earle for Sleeping Beauty, which portrays Briar Rose seated at the edge of a woodland stream as a group of four birds fly peacefully overhead. Earle expertly captures the serenity of the moment, infusing the lush forest with softened hues of green and beige as a flow of bright blue stream water rushes below the feet of Briar Rose, here shown with closed eyes enjoying a well-earned respite after a morning spent picking berries in the forest. Accomplished in gouache on 14 x 6.25 artist’s board, signed in the lower right corner in black paint, “Eyvind Earle.” Archivally mounted and framed to an overall size of 22.5 x 14.75. In fine condition, with tack holes to corners.
Legendary Disney artist Eyvind Earle was Sleeping Beauty’s production designer, and Disney gave him a significant amount of freedom in designing the settings and selecting colors for the film. Earle also painted the majority of the backgrounds himself, and his stylistic influence is readily apparent in the final product. Starting Bid $500
A romantic forest dance between Briar Rose and Prince Philip from Sleeping Beauty’s
‘Once Upon a Dream’ sequence
805. Briar Rose and Prince Phillip production cel from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel featuring Briar Rose and Prince Phillip from Sleeping Beauty, depicting the pair dancing together in the forest during the ‘Once Upon a Dream’ sequence. The cel is placed on a matching color studio copy background. Full character image measures 2.25 x 2.5, with overall dimensions of 17 x 12.5. In fine condition, with a few trivial creases. Starting Bid $200
Eyvind Earle’s
flawless study of good
versus
evil—a stunningly achieved Sleeping Beauty concept painting of the final battle between Prince Phillip and Maleficent the dragon
807. Eyvind Earle concept painting of Prince Phillip and Maleficent from Sleeping Beauty. (Walt Disney Studios, 1959) Magnificent original concept painting by Eyvind Earle for Sleeping Beauty, which vividly depicts the final showdown between Prince Phillip and Maleficent, the latter shown following her transformation into a massive fire-breathing dragon. Wearing a bright red hero’s cape, Prince Phillip stands valiantly with his magical Sword of Truth as he advances toward his monstrous opponent, perched brilliantly atop her castle against a darkened sky of grays and blacks. The scene is executed with quintessential Earle style, its perfect balance of dark and light spotlighting our hero and villain whilst adding detailed depth and danger to the craggy, thorn-covered forest that sets the stage for this climactic battle between good and evil. Accomplished in gouache on 13.75 x 6 artist’s board, signed in the lower right corner in pink paint by Eyvind Earle. In fine condition, with tack holes to corners.
Legendary Disney artist Eyvind Earle was Sleeping Beauty’s production designer, and Disney gave him a significant amount of freedom in designing the settings and selecting colors for the film. Earle also painted the majority of the backgrounds himself, and his stylistic influence is readily apparent in the final product. His talents are most evident in this design from the film’s climactic conclusion, one of the studio’s most ambitious sequences ever conceived. Starting Bid $500
Bonfire of the spinning wheels—a gorgeous Eyvind Earle original panorama for Sleeping Beauty
808. Eyvind Earle panorama concept painting for Sleeping Beauty. (Walt Disney Studios, 1959) Beautiful original panorama concept painting by Eyvind Earle for Sleeping Beauty, showing Flora, Fauna, and Merryweather inside the throne room of King Stefan’s Castle. Flora is shown at center walking in profile toward an open wall, whereas the other two good fairies are seen near the throne chair dais. Bookended by castle stonework, the interior of the castle is richly decorated with a variety of warm, regal colors, hanging banners, columns, candles, and high arches. Scope and detail aside, what Earle doesn’t show the viewer is perhaps the work’s most impressive feature: the open left wall glows with the fire of burning spinning wheels from the courtyard below, its shine and sound drawing the attention of Princess Aurora’s fairy godmother. Accomplished in gouache on 18.5 x 6.25 artist’s board, signed in the lower right corner in pink paint by Eyvind Earle. In fine condition, with tack holes to corners.
Legendary Disney artist Eyvind Earle was Sleeping Beauty’s production designer, and Disney gave him a significant amount of freedom in designing the settings and selecting colors for the film. Earle also painted the majority of the backgrounds himself, and his stylistic influence is readily apparent in the final product. Starting Bid $500
Prince Phillip and Samson storm Maleficent’s castle against a magnificent multi-plane production ‘dungeon’ background from Sleeping Beauty
810. Prince Phillip and Samson production cel and multi-plane production background from Sleeping Beauty. (Walt Disney Studios, 1959) Original production cel and multi-plane production background featuring Prince Phillip and Samson from Sleeping Beauty, showing the prince riding his trusty steed while wielding his enchanted Shield of Virtue and mighty Sword of Truth in the scene where he goes to attack Maleficent. The cel is placed on a hand-painted two-layer multiplane production background from the scene where Prince Phillip is shown his dismal future by Maleficent: a fate where he leaves her castle old and weary after decades chained in her dungeon. The image measures 5.5 x 9, with overall dimensions of 30 x 13. In fine condition, with some soiling and trivial edge tears to the backgrounds. Multi-plane backgrounds are very rare and this is an especially vivid, action-packed set-up. Starting Bid $500
Multilayered puppy cels with hand-painted barn background for One Hundred and One Dalmatians
811. Puppies production cels and production background from One Hundred and One Dalmatians. (Walt Disney Studios, 1961) Original production cels and production background of two Dalmatian puppies from One Hundred and One Dalmatians, picturing the two pups in full-length profile poses. The cels are placed on a hand-painted production background of the interior of a barn, its borders filled with piles of hay. A third cel is placed below the puppy cels to add outlines and extra dimension to the hay. The bottom edge of the impressively painted background is marked “Normal - 2110 Seq. .015, Sc. 55.” In fine condition. In the film, the Dalmatians sought refuge from a winter storm inside a dairy barn, where they were treated to warm milk and a night’s sleep. A great multilayered cel set-up from the Disney canine classic. Starting Bid $300
Huge original Mary Blair concept artwork of Native American children for Disneyland’s iconic ‘It’s a Small World’ ride
812. Mary Blair concept painting of Native American children for the It’s a Small World ride. (Walt Disney Studios, circa 1963) Original concept painting by Mary Blair of Native American children for the ‘It’s a Small World’ exhibit and ride created by WED Enterprises for the 1964 New York World’s Fair. The brightly colored work shows an orange-and-yellow field with nine children, each dressed in traditional striped clothing, with one group working with pottery and another watching a nearby rabbit. Accomplished in tempera on 14 x 17 artist’s board. In fine condition, with tack holes to corners.
Mary Blair, who had been an art director on several Disney animated features, including Cinderella, Alice In Wonderland, and Peter Pan, developed the ‘It’s a Small World’ attraction’s whimsical design and color styling. Blair had formerly painted Native American villagers when she was designing her now iconic concept art for Neverland. A wonderful piece of concept art for a popular Disney attraction, and unequivocally the largest piece of Blair artwork that we have offered. Starting Bid $1000
A pirate’s booty—original concept painting for Disneyland’s famed Pirates of the Caribbean by Marc Davis, one of Disney’s ‘Nine
Old Men’
813. Pirates of the Caribbean ride concept painting by Marc Davis. (Walt Disney Studios, circa 1960s) Desirable original concept painting by Marc Davis for Disneyland’s famous dark ride attraction Pirates of the Caribbean, which depicts a pirate in a merry full-length pose carrying an anguished rope-bound wench over his shoulder, signed in the lower right in black felt tip by Davis. Accomplished in ink and watercolor on untrimmed 12 x 10 heavyweight art paper, the scene is impressively captured through its use of balanced color and engaging action, the woman’s desperate flailing an apparent source of comedy for the single-toothed, rifle-armed pirate. In fine condition, with tack holes to corners.
One of Disney’s Nine Old Men, the legendary core animators of early Disney films, Davis joined Disney in 1935 as an apprentice animator on Snow White and the Seven Dwarfs. He continued to work on classic films like Bambi, Cinderella, and Alice in Wonderland, and then later transferred to Disney’s Imagineering team where he contributed whimsical story and character concepts for Disneyland attractions like the Haunted Mansion, It’s a Small World, and Pirates of the Caribbean. Davis is probably best known as the father of some of Disney’s most memorable animated women, including Cruella De Vil from One Hundred and One Dalmatians, Maleficent from Sleeping Beauty, and Tinker Bell from Peter Pan. Starting Bid $500
A pirate and his treasure—original concept painting for Disneyland’s famed Pirates of the Caribbean by Marc Davis, one of Disney’s
‘Nine Old Men’
814. Pirates of the Caribbean ride concept painting by Marc Davis. (Walt Disney Studios, circa 1960s) Desirable original concept painting by Marc Davis for Disneyland’s famous dark ride attraction Pirates of the Caribbean, which depicts a pirate slumped and seated against a treasure chest, signed in the lower right in black felt tip by Davis. Accomplished in ink and watercolor on untrimmed 12 x 10 heavyweight art paper, the scene is rendered expertly with great color and attitude, the dangerous pirate guarding his treasure with cool defiance, a cutlass piercing the sand at his feet, a pistol gripped in his palm, and a large skulland-crossbones flag hanging threateningly at his back. In fine condition, with tack holes to corners. Starting Bid $500
A walk in the woods—a visually appealing Copper production cel with a lovely preliminary handpainted forest background for Fox and the Hound
815. Copper production cel and preliminary production background from The Fox and the Hound. (Walt Disney Studios, 1981) Original production cel and preliminary production background featuring Copper from The Fox and the Hound, which shows the hound puppy in a full-figure walking as he heads into the opening of a large down log. The Copper cel is trimmed to size and applied to a beautiful hand-painted preliminary background of a lush forest. The character image measures 4 x 2.75, with overall dimensions of 16.25 x 12.5. In fine condition. Starting Bid $200
816. Jake presentation cel and master background from The Rescuers Down Under. (Walt Disney Studios, 1990) Attractive special presentation cel and master background of Jake from Rescuers Down Under, which shows the heroic kangaroo mouse in a lunging full-length pose. The cel is placed on a hand-painted production background from the same film, which places Jake on the side of a metal roof against a blue sky with clouds. Image measures 7.25 x 5.75, with a mat opening of 11.75 x 8.75. Cloth-matted and framed to an overall size of 20.75 x 17.5. The lower right corner bears the silver Walt Disney Company seal. In fine condition. Accompanied by a certificate of authenticity from Disney Enterprises. Starting Bid $200
Dreamlike fine art painting of the iconic Cinderella castle by a veteran Walt Disney background artist
817. James Coleman original fine art painting for Cinderella - ‘Path to the Palace’. Gorgeous original painting by Disney artist James Coleman entitled ‘Path to the Palace,’ accomplished beautifully in watercolor on 7.5 x 11.5 artist paper, which is signed in the lower left in blue pencil by Coleman. The dreamlike painting offers a striking fairy tale view of Cinderella’s magical coach making its way down the wooded path to Prince Charming’s majestic castle, its iconic spires touching the glowing dusk sky and setting sun. Attractively mounted and framed to an overall size of 16 x 20. In fine condition.
James Coleman is a prominent fine artist for the Walt Disney Company, who initially worked in the Walt Disney mail room before being promoted to Background Department Supervisor, a position he held for nearly 17 years. While at Disney, Coleman styled and worked on 12 films and over 30 short subjects which included Mickey’s Christmas Carol, The Fox and the Hound, The Great Mouse Detective, The Black Cauldron, The Little Mermaid, and Academy Award-winning Beauty and the Beast. All of which came to life with Coleman’s background images gracing the silver screen. Starting Bid $200
818. Peter Pan, Tinker Bell, and the Darling Children limited edition cel from Peter Pan - ‘Peter Pan Flying Over London’. (Walt Disney Studios, 1993) Desirable limited edition
Peter Pan cel entitled ‘Peter Pan Flying Over London,’ numbered 284/500, which fantastically depicts Peter Pan, Tinker Bell, and the Darling Children soaring high above London en route to Neverland. The cel is placed on a matching color copy background of London at night. Total character image measures 11.5 x 4, with a mat opening of 15.5 x 11. Clothmatted and framed to an overall size of 23.75 x 19.25. The lower right bears the golden Walt Disney Company seal. In fine condition. A wonderful limited edition cel honoring one of Disney’s most iconic sequences—this presentation sold out quickly when it was released over 30 years ago. Starting Bid $200
Warner Brothers Studio
819. Road Runner Original Drawing by Chuck Jones. Original drawing by Chuck Jones of the Road Runner squawking “Beep Beep!!” in a full-length running pose, accomplished in graphite on an off-white 11 x 8.5 sheet of his personal ‘From: Chuck Jones’ stationery, signed and inscribed below, “From the Road-Runner & Chuck Jones, 1975.” Affixed to a 14 x 11 cardstock mount and in fine condition. Starting Bid $200
Hanna-Babera Studios
Full original storyboard for ‘The Drive-In,’ a classic early Season One episode of The Flintstones
820. The Flintstones rare complete storyboard drawing booklet for The Flintstones episode ‘The Drive-In’. (Hanna-Barbera Studios, 1960) Rare complete production storyboard drawing booklet for a classic episode of The Flintstones, which contains a total of 437 hand-drawn scenes from ‘The Drive-In,’ which originally aired on December 23, 1960, as the 13th episode of season one. Accomplished in graphite and colored pencil across 49 sheets of 12.5 x 10.5 animation paper, the storyboard follows Fred Flintstone and Barney Rubble as they start up their own drive-in restaurant, without telling their wives, Wilma and Betty, who grow very suspicious of all the odd calls they’re getting. The pages, which are all identified as “P8” in the upper border, contain dialogue and animation instructions. In fine condition, with some edgewear confined mostly to the first and last pages. A rare opportunity to own a full storyboard booklet for one of the most popular episodes from the original season of The Flintstones. Starting Bid $1000
Over 40 storyboard pages for three episodes of the original The Fantastic Four animated series, including the iconic opening title sequence
821. Fantastic Four (42) production storyboard opening title and episode pages from The Fantastic Four. (Hanna-Barbera Studios/ Marvel Comics, 1967) Impressive collection of 42 original production storyboard pages from the classic animated television series The Fantastic Four, consisting of 9 pages from the show’s opening title sequence, 6 pages from episode four, ‘Invasion of the Super Skrulls’ (originally aired ??September 30, 1967), 9 insert pages from episode eight, ‘Three Predictions of Dr. Doom’ (October 28, 1967), and 18 pages from episode nine, ‘Behold a Distant Star’ (November 4, 1967). The majority of the storyboard pages are accomplished in graphite and colored pencil on untrimmed 12.5 x 10 animation sheets, with exceptions found within the opening sequence pages, which also feature felt tip embellishments and roughly 20 scenes xeroxed from show episodes and affixed in place.
The opening title pages, which contain 81 scenes with narration text and artist annotations, show the iconic Marvel comic book superheroes as they were introduced across all 20 episodes of the series’ first and only season. The storyboard for ‘Behold a Distant Star’ includes pages 2 and 13-29 and contains 162 hand-drawn scenes, which include the first appearances of Skrull Warlord Moorat and Princess Anelle. The storyboard for ‘Invasion of the Super Skrulls’ includes pages 30-34 and 36 and contains 54 hand-drawn scenes, and the storyboard for ‘Three Predictions of Dr. Doom’ is numbered as “26-6,” identified as inserts A, B, and C, and features 70 hand-drawn scenes. In overall fine condition, with edgewear, mostly to the first page of the opening title sequence, and some scattered stains, including rusty paperclip marks. Starting Bid $200
786.
809.
822.
823.
Starting
827.
824. Mickey Mouse and Special Effects production drawing from Shanghaied. Starting Bid $200
828.
Starting
825.
Starting Bid $200
826.
Starting
829.
830.
831.
832.
833.
Ferdinand and Matador production cel from Ferdinand the Bull. Starting Bid $200
Frank Follmer preliminary model sheet production drawing of Dopey from Snow White and the Seven Dwarfs. Starting Bid $200
Frank Follmer concept painting from Snow White and the Seven Dwarfs. Starting Bid $200
Frank Follmer concept drawing from Snow White and the Seven Dwarfs. Starting Bid $200
Frank Follmer preliminary model sheet production drawing of Pluto. Starting Bid $200
Donald Duck production drawing from Moose Hunters.
Bid $200
Mickey Mouse production drawing from Mickey’s Grand Opera. Starting Bid $200
Goofy production drawing from Mickey’s Service Station.
Bid $200
Mickey and Minnie Mouse production drawing from Two-Gun Mickey.
Minnie Mouse production drawing from Camping Out.
Bid $200
Mickey Mouse and nephews production drawing from Mickey’s Nightmare. Starting Bid $200
Maleficent production drawing from Sleeping Beauty. Starting Bid $200
Alice production cel from Alice in Wonderland. Starting Bid $200
834.
Starting
838.
Starting Bid $200
835.
836.
Starting
839.
Starting Bid $200
Starting
845.
Starting
837.
Starting
840. Frank Follmer concept drawing from Fantasia. Starting Bid $200
843. Stromboli production drawing from Pinocchio. Starting Bid $200
846.
Starting Bid
841.
844.
Starting Bid $200
847.
Starting Bid $200
Donald Duck production cel from Lucky Number.
Goofy, Donald Duck, and Mickey’s nephews production cel from a Walt Disney’s Wonderful World of Color television cartoon.
$200
Pluto production drawing from Puss Cafe.
Bid $200
Goofy production drawings from How to Play Baseball.
842. Jiminy Cricket model sheet drawing from Pinocchio signed by Ward Kimball.
Bid $200
Frank Follmer preliminary model sheet production drawing of Madame Upanova. Starting Bid $200
Chernabog and demons production drawings from Fantasia.
Minnie Mouse production drawing from a Walt Disney Studios cartoon.
Pluto production drawing from Society Dog Show.
Bid $200
Mickey Mouse, Pluto, and Judge production drawing from Society Dog Show.
Bid $200
Mickey Mouse and Pluto production drawing from Society Dog Show. Starting Bid $200
Stan Laurel production drawing from Mother Goose Goes Hollywood.
Bid $200
848.
851.
852.
855. Marc Davis (5) character studies and concept drawings from The Black Cauldron. Starting Bid $200
854. Mel Shaw concept painting from The Fox and the Hound. Starting Bid $200
853. Mickey Mouse, Minnie Mouse, Goofy, Pluto, and Donald Duck special edition sericel entitled ‘The Fab Five’. Starting Bid $200
Lafayette production cel from The Aristocats. Starting Bid $200
Donald Duck and Nephew production cels from This is Your Life, Donald Duck. Starting Bid $200
605. U2, Buddy Guy, and The Pretenders 2005 Rock and Roll Hall of Fame... Starting Bid $200
606. The Who: Pete Townshend Signed Photograph
609. The Clash Signed 45 RPM Single Record'Bankrobber' Starting Bid $200
610. Beastie Boys Signed Poster Starting Bid $200
611. Bee Gees Signed Photograph Starting Bid $200
612. Beyonce and Pink Signed Pepsi Sweepstakes Poster Starting Bid $200
613. Michael Jackson Signed Photograph Starting Bid $200
614. Michael Jackson Signed Photograph Starting Bid $200
615. George Michael Signed Photograph Starting Bid $200
616. Pointer Sisters Signed Maxi-Single AlbumGoldmine Starting Bid $200
617. Britney Spears Signed CD Booklet - ...Baby One More Time Starting Bid $200
618. Spice Girls Signed Photograph Starting Bid $200
619. Taylor Swift Signed Photograph Starting Bid $200
620. Taylor Swift Signed CD - Speak Now Starting Bid $200
621. Taylor Swift Signed Album Insert - The Tortured Poets Department Starting Bid $200
622. Taylor Swift Signed Print Starting Bid $200
623. Taylor Swift Signed CD Insert - The Tortured Poets Department Starting Bid $200
624. Wilson Phillips Signed Photograph Starting Bid $100
629. Audrey Hepburn Signed Photograph Starting Bid $200
638. Back to the Future: Fox and Lloyd Signed BookGrays Sports Alma... Starting Bid $200
642. Brigitte Bardot Autograph Letter Signed with Sketch Starting Bid $200
635. Actors and Actresses Multi-Signed (11) Menu including Sean Conner... Starting Bid $200
639. Anne Bancroft and Patty Duke Signed Photograph Starting Bid $200
643. Ingmar Bergman Signed Photograph Starting Bid $200
646. Lenny
Check Starting Bid $200
647.
Starting Bid $200
636. Fred Astaire Signed Photograph Starting Bid $200
640. Brigitte Bardot Signed Photograph Starting Bid $200
644. Anthony Bourdain Signed Book - A Cook's Tour Starting Bid $200
637.
Signed Photograph Starting Bid $200
641. Brigitte Bardot Signed Photograph Starting Bid $200
645. Marlon Brando and Jessica Tandy Signed Playbill for 'A Streetcar ...
Starting
Fred Astaire
Bruce Signed
James Caan Signed Photograph
648. Lon Chaney, Jr. Signed Photograph Starting Bid $200
649. Charlie Chaplin Signed Book - My Autobiography
Bid $200
650. Cheech and
Signed Album - Big Bambu Starting Bid $200
654.
Oversized Original Photograph by Roy Schatt Starting Bid $200
Starting Bid $200
651.
Starting Bid $200
655.
Oversized Original Photograph by Roy Schatt Starting Bid $200
659.
Signature Starting Bid $200
652.
Signed Photograph Starting Bid $200
656.
Chandler Signed Photograph Starting Bid $200
Starting Bid $200
653.
Starting Bid $200
Starting Bid $200
Starting Bid $200
Chong
Joan Crawford Signed Photograph
Daniel Day-Lewis
James Dean Oversized Original Photograph by Roy Schatt
James Dean
James Dean
Dracula: Helen
657. Clint Eastwood Signed Photograph
658. Clint Eastwood Signed Photograph
Frances Farmer
660. Harrison Ford Signed Photograph
661. Greta Garbo Signed Check
662. Judy Garland Signature Starting Bid $200
663. Gone with the Wind: Walter Plunkett Signed Limited Edition Costum
664. Cary Grant Signed Photograph Starting Bid $200
665. Susan Hayward Signed Photograph Starting Bid $200
666.
Starting Bid
Starting
Starting
671.
Starting
675.
Starting
Tippi Hedren Signed Photograph
$100
667. Katharine Hepburn Signed Photograph Starting Bid $200
668. Bill Hicks Signed Photograph Starting Bid $200
669. Anthony Hopkins Signed Photograph Starting Bid $200
670. Leslie Howard Signature
Bid $100
Jeffrey Hunter Signed Photograph
Bid $200
672. Grace Kelly Signed Photograph Starting Bid $200
673. Bert Lahr Signed Photograph Starting Bid $200
674. Bruce Lee (3) Photographs for Enter the Dragon
Bid $200
Vivien Leigh Signed Photograph
Bid $200
676. Vivien Leigh Signed Photograph as Scarlett O'Hara Starting Bid $200
677. Sophia Loren (5) Signed Photographs Starting Bid $200
678. Anna Magnani Signed Photograph Starting Bid $200
679. Dean Martin and Jerry Lewis Signed Photograph Starting Bid $200
680. Groucho Marx Signed Photograph Starting Bid $200
681. Ona Munson Signed Photograph Starting Bid $200
682. Jack Nicholson Signed Photograph Starting Bid $200
684. Una O'Connor Signed Photograph
Bid $100
685. Claude Rains Signed Photograph Starting Bid $200
686. Basil Rathbone Signed Photograph Starting Bid $200
687. Basil Rathbone Signature Starting Bid $100
688. Christopher Reeve Signed Photograph Starting Bid $200
689. Harold Sakata Signed Photograph Starting Bid $200
690. Arnold Schwarzenegger Signed Photograph Starting Bid $200
691. Jean Seberg Signature Starting Bid $200 692. Jerry Seinfeld Signed and Filled-Out Questionnaire
693. Frank Sinatra Signature Starting Bid $200
694. Sylvester Stallone Signed Photograph Starting Bid $200
695. Star Wars: Carrie Fisher Signed Photograph Starting Bid $200
696. Star Wars: Carrie Fisher Signed Photograph Starting Bid $200
697. Star Wars: Mark Hamill Signed Photograph Starting Bid $200
698. Star Wars: John Williams Autograph Musical Quotation Signed Starting Bid $200
699.
Streisand Signed Album Box SetYentl Starting Bid $200
703.
Signatures Starting Bid $200
Starting Bid $200
700. Preston
Signature Starting Bid $200
704.
Document Signed Starting Bid $200
708.
Starting Bid $200
701.
Photograph Starting Bid $100
705.
Signature Starting Bid $100
709.
Quotation Signed: "Come up and see me sometime... Starting Bid $100
Starting Bid $200
Starting Bid $200
710.
Starting Bid $200
Barbra
Sturges
Gloria Swanson Signed
702. Quentin Tarantino and Steve Buscemi Signed Laserdisc - Reservoir ...
Three Stooges
Dimitri Tiomkin and Louis B. Mayer
Helen Twelvetrees
706. Christopher Walken Signed Photograph
707. Orson Welles Signed Photograph
Orson Welles Signed Photograph as Macbeth
Mae West Autograph
John Williams Signed Photograph
711. Wizard of Oz: Ray Bolger Signed Photograph Starting Bid $200
712. Wizard of Oz: Bert Lahr Signature Starting Bid $100
713. Jose Raul Capablanca Autograph Letter Signed on "Arranging the Ch... Starting Bid $200
714. Enzo Ferrari Signature Starting Bid $200
715.
Signed 1950 Brooklyn Dodgers Yearbook Starting Bid $200
719.
Signed Warm-up Jacket with Larry Bird, Julius ... Starting Bid $200
720.
Jackie Robinson
716. Babe Ruth Signature in an Autograph Album, with Jim Braddock, Viv... Starting Bid $200
717. Hank Aaron and Al Downing Signed Photograph Starting Bid $200
718. Roger Bannister Signed Book - First Four Minutes Starting Bid $200
Basketball Legends
Primo Carnera Signature Starting Bid $200
721. Mickey Cochrane Signed Photograph Starting Bid $200
722. Phil and Tony Esposito Signed Oversized Photograph Starting Bid $100
723. Roger Federer (4) Signed Promo Cards Starting Bid $200
724. Gordie Howe Signed Oversized Photograph Starting Bid $100
725. Bobby and Brett Hull (2) Signed Photographs Starting Bid $100
726. Mario Lemieux Signed Photograph Starting Bid $100
727. Mickey Mantle Signed Photograph Starting Bid $200
728. Roger Maris Signed Photograph Starting Bid $200
729. Minnesota Vikings 'Purple People Eaters' Signed Oversized Photogr
730. Miracle on Ice (2) Signed Photographs Starting Bid $200
Starting Bid $200
Starting Bid $200
Starting Bid $100
Starting Bid $200
Starting Bid $200
Starting Bid $200
Starting Bid $200
731. Miracle on Ice MultiSigned (20) Oversized Photograph
732. Miracle on Ice: Herb Brooks Signature Display
733. Bobby Orr Signed Limited Edition Oversized Photograph
734. Pele Signed Photograph
735. Eugen Sandow Signed Photograph
736. Emil Zatopek Typed Letter Signed
906. Werner Heisenberg Signed Photograph
Conditions of Sale
ANYONE EITHER REGISTERING TO BID OR PLACING A BID (“BIDDER”) ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH R&R AUCTION COMPANY OF MASSACHUSETTS, LLC (“RR AUCTION”) TOGETHER WITH BIDDER, THE “PARTIES”).
This Agreement contains important provisions that control rights and liabilities, and specifically has provisions governing how disputes are handled as well as LIMITATIONS OF LIABILITY that can be imposed upon RR Auction, WAIVER OF JURY and ARBITRATION PROVISIONS. This acknowledgement is a material term of these Conditions of Sale and of the consideration under which RR Auction agrees to these terms. PLEASE READ CAREFULLY.
The following terms and conditions (“Conditions of Sale”) constitute the sole terms and conditions under which RR Auction will offer for sale and sell the property on its website, and/or described in the catalog of items for auction (the “Catalog”). These Conditions of Sale constitute a binding agreement between the Parties with respect to the auction in which Bidder participates (the “Auction”). By bidding at the Auction, whether in person, through an agent or representative, by telephone, facsimile, online, absentee bid, or by any other form of bid or by any other means, Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby.
Section 1
The Parties1.1 RR Auction and Auction
This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www.RRauction.com Internet site. The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog.
1.2
Bidder
Bidder shall mean the original Bidder on the property offered for sale by RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal.
The rights granted to Bidder under these Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise without the express written assent of RR Auction. Bidder may not transfer, assign, or otherwise convey these Conditions of Sale or any of the rights herein, and such purported transfer, assignment, or conveyance shall be null and void. No third party may rely on any benefit or right conferred on any Bidder by these Conditions of Sale, and no third party is intended as a beneficiary of these Conditions of Sale.
Bids will not be accepted from minor persons under eighteen (18) years of age without a parent or legal guardian’s written consent containing an acknowledgment of the Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder.
All Bidders must meet RR Auction’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the Auction.
If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid and agrees to be bound by these Conditions of Sale in addition to company for whom the Bidder is acting
By accepting the Conditions of Sale, Bidder personally and unconditionally guarantees payment.
Section 2 Bidding Privileges
2.1 In order to place bids, Bidders who have not established an account with RR Auction must either furnish satisfactory credit information (including two collectibles-related business references) or supply additional information if requested, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Privileges will be granted at the sole discretion of RR Auction. Additionally, Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide a cash deposit prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue.
2.2 Bidder providing any false or misleading information provided in connection with the registration shall be a material breach of the Conditions of Sale and in addition to any other remedies at law shall excuse RR Auction from performance under these Conditions of Sale, including the right to any refund.
2.2 Bidding privileges may be revoked without notice, for any reason, at the sole discretion of RR Auction .
Section 3
Buyer’s Premium
3.1 The Bidder acknowledges and agrees that a 25% buyer’s premium will be added to the hammer price on all individual lots sold in timed and live Auctions. . For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is earlier. Bidder’s failure to pay any payment in full when due required shall constitute a material breach, and in addition to other damages available under contract or law, at RR Auction’s election, RR Auction may cancel the sale and require full premium still be due along with interest at 1.5% per month from the date of breach, or at the maximum legally allowable rate.
Section 4
Bidding
4.1 Each Bidder’s determination of its bid should be based upon its own examination of the item(s) and independent investigation, rather than the any reliance as to what is represented in the Catalog, online or elsewhere. Bidder affirms that it regards any statements made by RR Auction concerning the item as solely opinion and that Bidder is making its own inspection and independent evaluation of the goods, and is not relying upon any description or statements by RR Auction (including as to quality, authenticity, provenance, ownership, liens existing, on goods legality, or value) in making its determination to bid on or purchase an item. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS CONCERNING ANY AND ALL PURCHASES TO THE FULLEST EXTENT UNDER APPLICABLE LAW.
4.2 RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a reoffering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake.
4.3 All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder.
4.4 Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder and Bidder has fully satisfied any outstanding financial obligations to RR Auction (including as it concerns aby other lots). RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder.
4.5 It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all risk of loss upon the earlier of shipment to Bidder or in Bidder’s possession.
4.6 Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder fur-
ther grants RR Auction a lien consisting of a senior security interest (or purchase money security interest to the extent applicable) in such sums or items to the fullest extent applicable, authorizes RR Auction to file documents concerning the interest, and Bidder agrees to execute any further documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued fees and expenses, until the indebtedness is paid.
4.7 By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction.
4.8 RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders.
Section 5 Bidding Options
5.1 Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid.
5.2 When identical bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins.
5.3 In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction.
5.4 RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive.
Section 6 Payment
6.1 Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than sixty (60) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder.
6.2 Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot.
6.3 All sales for total invoices greater than $1,000 are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements.
6.4 All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks.
6.5 In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment.
6.7 If RR Auction refers any unpaid invoice to an attorney for collection, the Bidder agrees to pay and shall be liable for RR Auction’s attorney’s fees, court costs, and other collection costs incurred by RR Auction in addition to the invoice amount and interest the greater of 1.5% per month or at the maximum legally allowable rate from date of invoice to collection. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.
6.8 RR Auction shall have a lien against the merchandise purchased by the Bidder (as well as to the extent it is a consignor any other monies owed or due to Bidder) to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.
6.9 All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. RR Auction clients with an invoice totaling $1,000 or under will have the option to pay by VISA, Mastercard, Discover or Paypal. All Paypal payments must be sent to FinanceDepartment@ rrauction.com. Authorize.net, a third-party service provider contracted by RR Auction for processing on-line payments, charges a nonrefundable service fee of 3%, which will be added to your final invoice should you pay by credit/debit card.
Section 7 Sales Tax
RR Auction is a remote seller and we are now required to collect Sales/Use Tax from our bidders. The states that we have nexus in we will be required to collect and remit sales tax on your behalf. Each state has different requirements to meet nexus. When RR Auction has achieved a certain monetary and/or invoice threshold in each state we will apply sales tax to your total invoice. The states that are affected are: ARIZONA, ARKANSAS, CALIFORNIA, COLORADO, CONNECTICUT, FLORIDA, GEORGIA, ILLINOIS, INDIANA, IOWA, KANSAS, KENTUCKY, MAINE, MARYLAND, MASSACHUSETTS, MICHIGAN, MINNESOTA, NEBRASKA, NEVADA, NEW JERSEY, NEW YORK, NORTH CAROLINA, OHIO, OKLAHOMA, PENNSYLVANIA,RHODE ISLAND, TENNESSEE, TEXAS, UTAH, VIRGINIA, WASHINGTON, WISCONSIN
If we have not achieved nexus in a particular state it is still your responsibility to pay sales tax on your purchases.
The sales tax rate is determined by the State, Country, and City where purchases are shipped to. If you decide to pick up your purchases at our New Hampshire location you will not be required to pay sales tax. The State of New Hampshire does not have a general sales and use tax. All purchases picked up at our Massachusetts location will be taxed at the current rate of 6.25%.
If you have a resale number please email Sue@RRAuction.com or fax to (603) 732-4288 a copy of your state resale certificate and you will be exempt from paying sales tax.
Section 8
Delivery; Shipping; and Handling Charges
Bidder is liable for shipping and handling and providing accurate information as to shipping or delivery locations and arranging for such. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that
service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction.
Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.
All duties, customs, and any other import charges are the responsibility of the bidder.
Section 9
Title
Title shall not pass to the successful Bidder until all invoices of Bidder (including those pertaining to the item(s) at issue) and amounts owed to RR Auction are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.
Section 10
Rights Reserved
RR Auction reserves the right, at any time before, during or after an auction has ended to: withdraw any lot before or at the time of the Auction, cancel any bid, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal, cancellation, or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone at any time.
Section 11
Conducting the Auction
11.1 RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages.
11.2 RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auctions record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale.
11.3 Reserves
Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own. RR Auction may execute bids consecutively or otherwise up to one bid increment below the reserve.
11.4 Off-Site Bidding
Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form.
11.5 Estimate Prices:
In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading).
11.6 Owned or Guaranteed Property:
RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction.
11.7 Before the Auction:
Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment.
11.8 Maximum Bids In All Auctions:
To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under Bidder’s bid.
11.9 Successful Bids:
The fall of RR Auction’s hammer indicates the final bid. RR Auction will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice.
11.10 Unsold Lots:
If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.
11.11 Bidding in Timed Auction:
Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.
To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.
Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/ EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/ EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion.
11.12 Bidding - Internet Live Auction:
Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right.
To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including
but not limited to transmission, execution or processing of bids.
During live internet or live auction, property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid or bids (successively or otherwise) on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. All auctions for lots are with reserve unless specifically stated otherwise.
During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www.invaluable. com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third-party sites carry an additional Buyer’s Premium.
11.13 Miscellaneous:
Agreements between Bidders and Consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.
Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with ”donot-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available.
11.14 Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.
Section 12
RR Auction’s Remedies
Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of material breach or default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under subpart (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any Bidder’s property in RR Auction’s possession or to which title has not yet passed to Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the
Commonwealth of Massachusetts.
Section 13 Warranties
13.1 RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold ”as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright, trademark, or other intellectual property (including exhibition or reproduction rights) related to the item, or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title.
13.2 All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices.
13.3 Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly.
13.4 All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “AC”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The AC inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the AC and such purported transfer, assignment, or conveyance shall be null and void.
Section 14
Firearms
RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm.
Section 15
Unauthorized Statements
Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed Bidder and by an authorized officer of RR Auction by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.
Section 16
Bidder’s Remedies
16.1 Except as stated expressly herein, Bidder’s sole and exclusive remedy related to or pertaining to items it bids upon, views, or purchases from RR Auc-
tion, and any claims by Bidder related to authenticity, ownership, condition, title or value, shall be against Consignor only.
16.2 This section sets forth the sole and exclusive remedies of Bidder as against RR Auction (inclusive of its affiliates, officers, managers, employees or agents), or in any way arising out of, related to, or in connection with these Conditions of Sale, , and is expressly in lieu of any other rights or remedies which might be available to Bidder by law. Time is of the essence with respect to these procedures.
16.3
Title to Items
The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, satisfactory to the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction may make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand (if any made), RR Auction may disclose the identity of the Consignor to Bidder and may assign to Bidder all or some of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and/or assignment, all responsibility and liability of RR Auction, if any, with respect to said lot or item shall automatically terminate related to or arising from these Conditions of Sale or such transaction operating as a complete waiver and general release by Bidder as to RR Auction and its agents, contractors, and affiliates, as to any and all claims concerning or related to the item, if any . RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction by Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances.
16.4 Authenticity Challenge Process
(1) If Bidder wishes to dispute or challenge the Authenticity of the lot or item (including asserting that it is incorrect), Bidder must adhere to the following procedure: Within 30 days of the Auction Date, Bidder must present written evidence to RR Auction, that the lot is not authentic as determined by a known expert in the field (and one recognized by RR Auction within its discretion) and send the physical item or lot at issue to RR Auction along with all evidence relied upon by Bidder for contesting the Authenticity. (“Authenticity Challenge Process”) “Authenticity” shall mean a gross discrepancy in the between the description, genuiness, or attribution of the item as represented by RR Auction in the Catalog or at the auction, and the item. If RR Auction concurs that the lot is not Authentic as was represented (it is sole discretion), Bidder’s sole and exclusive remedy as against RR Auction (inclusive of its affiliates, agents, employees, and contractors) shall be a refund of the purchase price of the subject item paid by Bidder, with no other costs, liabilities or amounts recoverable by Bidder. If RR Auction does not agree with the assertion by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale. Strict adherence to the Authenticity Challenge Process is a condition of standing for Bidder to initiate suit or claim.
(2) So long as Bidder has complied with the Authenticity Challenge Process, any claim, suit or action, by Bidder concerning an AC or Certification of Authenticity, or related to the authenticity of the item must, without any exception, be brought within one (1) year of Auction Date and is subject to the other limitations and conditions stated in the Conditions of Sale.
16.5 Other Issues. Any dispute or claim by Bidder against RR Auction (or its affiliates, directors, employees, officers, agents, or contractors)) other than Authenticity, concerning any item or lot bid upon, or purchased, including value, title, condition, bidding process, or description must be asserted (if at all) in the following manner:
(1) If the description of any lot in the Catalog is materially or grossly incorrect (e.g., gross cataloging error), or there is any other gross material issue pertaining to the item or lot, the item or lot may be returned if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date with explanation in writing.. If there is any discrepancy between the description in the Catalog and a certificate of auction, then the description in the certificate of auction (“Lot Challenge Process”). This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction within the period of time stated herein or not materially or grossly in deviation from the description. Such a refund is subject to RR Auction’s sole discretionary review, and any request for refund must be made concurrently with returning the physical item or lot to RR Auction. Any item not returned within said frame will constitute acceptance of the item and a waiver and release of
any and all claims by Bidder pertaining to the item other than with respect to authenticity; and
(2) Provided that the Bidder has engaged in the Lot Challenge Process, any claim concerning such must be brought no later than one (1) year of the Auction Date for the item or lot at issue and is subject to the other limitations and conditions stated in the Conditions of Sale.
NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED OR PROVIDED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE AND BIDDERS OR AS MAY BE REQUIRED BY LAW. FAILURE TO COMPLY WITH SUCH SHALL BE A COMPLETE DEFENSE TO ANY CLAIMS BY BIDDER RELATED TO THE CONDITIONS OF SALE, ANY AUCTION OR BID.
16.6 LIMITATION OF LIABILITY. For any and all claims by Bidder arising out of or related to this Agreement, Bidder’s viewing, bid, or purchase of items, or any agreement between the Parties, or otherwise, Bidder agrees that to the fullest extent such can be limited under the law, Bidder shall have no right to recover and hereby waives any and all rights to recover from against RR Auction or its affiliates, directors, employees, officers, agents, or contractors, consequential or indirect damages, lost profits damages, punitive, exemplary, statutory (or multiplier damages), physical or emotional distress damages, general or special damages of any kind (beyond amounts actually paid by Bidder for item(s) at issue), and in the event of recovery of any damages whatsoever, such shall be limited by the amounts actually paid by Bidder to RR Auction for the item(s) at issue in such claim, or if no money was paid to RR Auction by Bidder for items at issue, or there items are at issue, the amount of $150.00.
Section 17
RR Auction’s Additional Services
For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge.
Section 18
Headings
Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer.
Section 19
Entire Agreement
Except to the extent Bidder is also a consignor (in which case the terms of the consignment agreement shall also govern), these Conditions of Sale constitute the entire agreement between the Parties together with the terms and conditions contained in the auction Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.
If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court or arbitrator of competent jurisdiction, the remaining parts of the agreement and remainder of the sections or terms and provisions of the section and all sections shall continue in full force and effect without being impaired or invalidated in any way.
Section 20
Governing Law and Enforcement
20.1 The Parties agree that all agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location.
20.2 The Parties agree that these Conditions of Sale, any other related agreement(s), along with all claims between the Parties, including those arising out of or related to such are governed by the laws of the Commonwealth of Mas-
sachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute between the Parties, including but not limited to those related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the ”Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”) The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA in Boston, Massachusetts, unless the Consumer Arbitration Rules apply, in which case, such rules and venue will govern. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall also recover all of its related fees and costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and costs, if RR Auction prevails, such recovery, in addition to all remedies available at agreement or law, shall include the Buyer’s Premium as defined in these Conditions of Sale. Federal arbitration law, including the Federal Arbitration Act apply to this agreement to arbitrate and its related provisions. The arbitration and all related proceedings shall be held strictly confidential and all documents and discovery shall be held confidential and not used, published or disclosed publically or to anyone outside the Parties or expert consultants or counsel who shall agree to hold such confidential.
20.3 The Parties consent to the Commonwealth of Massachusetts as exclusive jurisdiction and venue for all claims between the Parties except as provided specifically herein and may seek confirmation of the decision in the Arbitration pursuant to the Federal Arbitration Act in any Court of competent jurisdiction, including the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts. To the extent such is necessary under the law, RR Auction may enforce the Arbitration award against Bidder and any related Party in any court of competent jurisdiction. Nothing in this Agreement shall be construed as RR Auction consenting to jurisdiction or venue in any location outside of the Commonwealth of Massachusetts.
THE PARTIES MAY NOT BRING CLAIMS AGAINST EACH OTHER AS A CLASS OR CLASS MEMBER IN ANY CLAIMED CLASS, OR IN A REPRESENTATIVE ACTION UNLESS OTHERWISE AGREED. UNLESS OTHERWISE AGREED, THE CLAIMS AGAINST EACH OF THE OTHER CANNOT BE CONSOLIDATED OR JOINED WITH MORE THAN ONE ADDITIONAL PERSON OR ENTITIES’ CLAIMS. NO INJUNCTIVE OR DECLATORY RELIEF SOUGHT BY BIDDER IF ANY, CAN AFFECT OR BE ORDERED TO AFFECT ANY OTHER BIDDERS OR PERSONS.
20.4 Except as provided specifically in these Conditions of Sale in Bidder’s Remedies against RR Auction (along with its affiliates, directors, agents, officers, employees, and contractors) for any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other related agreement(s), brought by Bidder must be brought within the earlier of the Auction Date as it pertains to the item(s) at issue or no later than one (1) year of the acts, omissions or circumstances occurred giving rise to the alleged claim, without exception. This provision is intended as a full, complete and absolute bar to and release of any claims by Bidder initiated after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by Bidder. These provisions are consideration for the execution of these Conditions of Sale.
20.5 To the fullest extent under applicable law and except as specifically stated herein Bidder hereby holds harmless, releases and discharges RR Auction and its agents, officer’s directors, affiliates, successors, and assigns from any and all claims, liabilities, obligations, promises, agreements, damages, causes of action, suits, demands, losses, debts, and expenses of any nature whatsoever, known or unknown, suspected or unsuspected existing prior to these Conditions of Sale. Bidder agrees to the Conditions of Sale and upon each instance that Bidder participates in any auction, bids, or otherwise agrees to such terms and reaffirms this release as of the date of so participating or agreeing unless Bidder otherwise provides clear written notice to RR Auction prior to so bidding.
20.6 The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction.
20.7 Liquidated Damages for Specific Breaches
In the event that Bidder provides false information in connection with registering for bidding, fails to correct or update information or breaches the Conditions of Sale by failing to pay the purchase price when due after becoming the winning bidder, as liquidated damages associated with such breaches, R&R may obtain from Bidder the greater of (1) 150% the reserve of the item (if any); (2) the amount bidder bid; or (3), the full amount that bidder would have otherwise paid. Bidder will also be liable for an additional 20% of such amount to account for additional administrative costs, shipping, additional advertising, and other dam-
ages and liabilities fees that are difficult to calculate on an item-by-item basis.
20.8 Indemnity. Bidder agrees to defend, indemnify, hold harmless RR Auction (along with its officers, directors, agents, contractors, and affiliates) from and against any and all claims, costs, fees, damages, and liabilities arising out of or related to these Conditions of Sale, view of items, or lots, bidding, or participation in any auction by RR Auction, and/or or in any way connected to any item you viewed, bid upon or purchased through RR Auction.
Section 21: State-by-State Law Issues
This Auction is being conducted in and the sale shall take place in the State of Massachusetts. Notwithstanding, the foregoing, should these terms and conditions violate the law of any State should that state’s law be found to govern, or any provision herein determined to be invalid, the clause itself and the remainder of the Agreement shall be valid to the fullest extent allowed. Also, to the extent other states law apply to any transaction arising out of the Agreement (without admitting such), RR Auction states:
For Residents of California:
SALE OF AUTOGRAPHED COLLECTIBLES: AS REQUIRED BY LAW, A DEALER WHO SELLS TO A CONSUMER ANY COLLECTIBLE DESCRIBED AS BEING AUTOGRAPHED MUST PROVIDE A WRITTEN EXPRESS WARRANTY AT THE TIME OF SALE. THIS DEALER MAY BE SURETY BONDED OR OTHERWISE INSURED TO ENSURE THE AUTHENTICITY OF ANY AUTOGRAPHED COLLECTIBLE SOLD BY THIS DEALER.
A written express warranty is provided with each autographed collectible, as required by law. This dealer may be surety bonded or otherwise insured to ensure the authenticity of any autographed collectible sold by this dealer.
Section 22
Glossary of Condition terms
Information provided to prospective Bidders with respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by RR Auction.
Use of the following terms constitutes an opinion as follows:
VERY FINE describes an item believed to be in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance.
FINE is the most common statement of condition, and applies to most items that we offer. It describes items that we believe to show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors.
VERY GOOD describes an item that we believe exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example).
GOOD describes an item which we believe to have obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise believed to be exceedingly rare or important.
Bidder may call and request further details and information about RR Auction’s opinions concerning any item via phone or email which shall provided in RR Auction’s discretion.
Certificate of Auction, Certificate of Authenticity and Goods Acquired:
Bidder warrants that Bidder (and its agents, assigns, successors, and affiliates) shall not purposely deface, destroy, dismember, cut-up into parts the item or Lot purchased at auction from RR Auction and in the event such shall occur whether purposefully or accidently, Bidder (and its agents, assigns, successors, and affiliates) shall refrain from advertising, promoting, or marketing the item as having been purchased from RR Auction and shall in no event display, expressly claim, or imply that the item was certified or auctioned in such state by RR Auction. As liquidated damages for such breach, Bidder agrees to be liable to RR Auction for the greater of the amount of three (3) times the hammer price of the item along with all other fees and costs as otherwise provided in this Terms of Sale.
