February 16, 2017
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Bidding begins February 9 Bidding closes February 16
An initial bid must be placed on lots by 6pm Thursday, February 16th. A one hour extended bidding period begins followed immediately by the 30 Minute Rule at 7pm. All times in RR Auction guidelines and instructions are stated according to EST.
Beatles ............................................................................ 2
Music of the 1950s......................................................... 71
Elvis Presley................................................................... 28
Music of the 1960s......................................................... 73
Bob Dylan ...................................................................... 31
Music of the 1970s......................................................... 82
Jimi Hendrix ................................................................... 33
The Joey Ramone Collection......................................... 97
Rolling Stones................................................................ 42
The Monte A. Melnick Ramones Collection...................113
The Doors....................................................................... 49
Ramones ..................................................................... 125
Grateful Dead................................................................. 51
Punk Rock ................................................................... 130
Led Zeppelin.................................................................. 58
Music of the 1980s....................................................... 134
Pink Floyd ...................................................................... 60
Prince........................................................................... 137
Country........................................................................... 63
Music of the 1990s and Beyond .................................. 188
Jazz/Blues/Standards..................................................... 64
Terms and Conditions .................................................. 189
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Robert S. Eaton Sr. 1940–2001
Beatles
Exceptionally rare fully signed Hoffman photo 7001. Beatles Signed Photograph. Sensational
vintage glossy 7 x 9 original group photo of the Beatles by photojournalist Dezo Hoffman, showing the Fab Four in their early mod-style collarless suits, signed in black ballpoint, “Paul McCartney” and “Ringo Starr,” in blue ballpoint, “John Lennon,” and in black ink, “George Harrison.” In very good condition, with scattered overall creasing trimmed edges, and tape remnants to top and bottom edges of reverse. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “These signatures date from early 1964, right around the time when The Beatles first came to American to play on the Ed Sullivan show. Beatles signed collarless suit photos are extremely rare and desirable.” Eager to distance the band from their leather-clad past, manager Brain Epstein commissioned Beatles tailor Dougie Millings to create a more refined and modish style for his young Beatles upstarts. Topped with their trademark collarless jackets, the resulting slim-fitting suits were first worn by the Beatles on stage and for television appearances in early 1963. By the time the Beatles played the Ed Sullivan Show on February 9, 1964, and their subsequent first concert on American soil at the Washington Coliseum two days later, the Fab Four and their clean-cut image had sparked an international phenomenon soon to be deemed the British Invasion. Fully autographed Hoffman photos showing the band in their collarless suits remain tremendously sought after by collectors, especially signed directly on the iconic image. Pre-certified REAL. Starting Bid $2500
2 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
The Fab Four in ‘63, with Lennon signing twice
7002. Beatles Signed Photograph. Vintage glossy 8 x 10 Radio Times merchandizing photo of the Fab Four posing with Lennon’s Rickenbacker 325, signed in blue ballpoint, “George Harrison,” “Paul McCartney,” “Ringo Starr, xx,” and “John Lennon,” who signs a second time in the lower right, “John.” Reverse bears copyright text for Radio Times. In very good condition, with creasing to the upper and lower left corners, heavy creasing to the right side passing through the end of Lennon’s full signature and McCartney’s signature, and a tear to the right edge touching Lennon’s hair; fair contrast to the lower Lennon signature against his dark suit. Consignor notes that the signatures were obtained by Beatles fan Patricia Dean, who entered a competition held by the UK newspaper Disco to win tickets to meet the Beatles after they performed at Cambridge’s Regal Cinema on November 26, 1963. In spite of the condition, this is a fantastic, fully signed photo with crisp signatures and a great, uncommon image. Pre-certified REAL. Starting Bid $1000
Beatles | February 16, 2017 3
Beatles signed 1963 PYX program with classic Hoffman cover 7003. Beatles Signed 1963 PYX Program. Extremely rare
1963 PYX Productions Limited program for the Beatles, 7.25 x 9.5, twenty-eight pages, signed on the front cover in fountain pen, “Paul McCartney,” in blue ballpoint, “John Lennon” and “Ringo Starr,” and in black ballpoint, “George Harrison, xxx.” The front cover features Dezo Hoffman’s iconic photograph of the band in their matching gray collarless suits. In very good to fine condition, with a central vertical fold, edge wear and surface loss to right edge, an ownership signature above McCartney’s, and some light foxing (mainly to reverse).
Accompanied by a letter of provenance from the original recipient, in part: “This booklet was issued for the visit by the Beatles to St. Helier, Jersey, Channel Islands in August 1963. A friend and I attended two of their concerts and having found where they were staying, we left our copies on the desk in the hotel foyer. George Harrison came back earlier…and kindly signed his name plus three xxx’s! John, Paul and Ringo duly arrived and signed all the programs, of which there were possibly a dozen…The Beatles could be seen driving around freely on the island in their convertible and would often stop to offer people a ride. This happened to us in the area of St. Brelade’s bay, but we declined as we were going in the opposite direction!” The Fab Four played a series of five shows on the Channel Islands between the dates of August 6th and 10th, with a lone show at Guernsey’s Candie Gardens bookended by four performances at Jersey’s The Springfield Ballroom. Only a few days prior, the Beatles had played at the Cavern Club for the final time. With Hoffman imagery and a crisp cast of signatures, this is an immensely desirable program signed during the nascent stages of Beatlemania. Pre-certified REAL. Starting Bid $2500
4 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Post-Beatles document for Apple Music
7004. Beatles Signed Document: Lennon, Harrison, Starr. Partial DS, signed twice by Lennon, “John Lennon,” once by
Harrison, “George Harrison,” and once by Starr using his legal name, “R. Starkey,” one page, 8.5 x 11, no date but circa 1970s. Final page of a legal document, presumably concerning Apple Music, Inc., appointing Marc Weitzen to “the office of Assistant Secretary of the Corporation.” In fine condition, with strip of tape to reverse of left edge resulting in some discoloration and wrinkling to left edge of front; signature area remains clean and unaffected. Weitzen was serving in the position of assistant secretary of Apple Music by the end of 1974. As a document signed well after the Beatles disbanded, this is extremely rare and highly sought-after. Pre-certified REAL. Starting Bid $1000
Beatles | February 16, 2017 5
One Beatle and two Stones on a scarce multi-signed A Hard Day’s Night ticket 7005. Beatles 1964 ‘A Hard Day’s Night’ Multi-Signed Premiere Ticket. Rare color
7.25 x 4.5 ticket for the royal world premiere of the 1964 film A Hard Day’s Night at London’s Pavilion Theatre July 6, 1964, signed and inscribed on the reverse in blue ballpoint by Ringo Starr, Rolling Stones guitarists Brian Jones and Keith Richards (who adds the inscription, “Best Wishes to Geoff”), and by actor Wilfrid Brambell, who played Paul McCartney’s grandfather in the film. Issued as Seat No. 15, Dress Circle Row G, the ticket shows heart-shaped portraits of each Beatle, and notes the attendance of Princess Margaret and the Earl of Snowdon. In fine condition, with strips of toning to vertical edges of signed side, and a small tear and pin hole to top edge of ticket side. Accompanied by a letter of provenance from the niece of the recipient, in part: “My great aunt Kate Canty was an actor and later a casting director with London Press Exchange...she met and cast many famous actors, film stars and musicians. This is how she, and her associates, collected signatures and photos.” The world premiere of A Hard Day’s Night was a momentous event and an early birthday present for Starr, who turned twenty-four the following day. The Beatles’ first film proved to be a huge commercial and critical success, adding even greater momentum to the Beatlemania spectacle. A unique combination of famous signers, each a notable figure in the realm of British entertainment. Pre-certified REAL. Starting Bid $500
The Beatles prep for a Magical Mystery Tour in Newquay 7006. Beatles Signed 1967 Postcard.
Vintage color 5.75 x 4 picture postcard of Watergate Bay near Newquay, Cornwall, signed and inscribed on the reverse in black ballpoint, “To Anne, love from John Lennon,” “Paul McCartney,” and “Ringo Starr.” Includes a set of four original color 3.25 x 3.5 candid snapshots of the band in a hotel lobby in Newquay where the signatures were acquired. In fine condition, with a few light creases and spots of minor soiling, and all three signatures a few shades light, but still completely legible, due to irregular ink flow. Accompanied by a certificate of authenticity from Tracks. On September 12, 1967, the Beatles arrived in Newquay to film scenes for their upcoming made-for-TV short-film Magical Mystery Tour. Their brief two-week production period is noted as being one of the last times the band was openly accessible to the public, stopping at various countryside hotels and establishments throughout filming. Pre-certified REAL. Starting Bid $300
6 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
The Fab Four and the fifth Beatle 7007. Beatles and Brian Epstein Signatures in Autograph Album. Desir-
able vintage autograph book, 6.75 x 5.25, signed inside on two album pages; one signed in black ballpoint, “John Lennon,” and the other signed in black ballpoint, “Ringo Starr” and “Paul McCartney,” and in blue ballpoint, “George Harrison.” The multi-signed page is also signed in black ballpoint by Brian Epstein. In fine condition. Accompanied by a letter of provenance, in full: “This is to certify the autographs of the Beatles, including Brian Epstein, were obtained in the early 1960’s at Heathrow Airport by my father in law Chris Nichols when he worked as a Customs and Excise officer at the airport. John came through passport control after the other 3 Beatles and Brian, hence he is not on the same page in the book as it was filled by the others.” Backed by great provenance, this is an exceptionally crisp set of signatures enhanced furthermore by the presence of Epstein, their trusted manager and band-appointed fifth Beatle. Pre-certified REAL. Starting Bid $500
Pre-Beatles Sutcliffe writes to an old flame 7008. Stuart Sutcliffe Autograph Letter Signed.
Rare ALS in ink and pencil, signed “Stuart F. V. Sutcliffe,” six total pages, 8 x 10, no date but circa 1959. Lengthy letter addressed to his former girlfriend Sheila Garbe, in part: “It occurs to me that you will wonder why I am writing-that is if you ever open the letter. Well I [am] writing for no other reason than that I would like to write to you from time to time, providing of course you don’t mind, I would even like you to me, telling me how you are getting on, the kind of things you are doing for example...You will remember me telling you about some commissions for portraits that have materialized, well I am doing one at the moment of a young girl who lives in Childwall...I am getting £20 for this, and at least another commissions immediately after this...Another thing is that I am getting either a small car or a motor bike in about three weeks. The only reason I might get another bike instead of a car is that it takes so long to learn to drive and get a license, also every friend you have immediately thinks that you are some kind of unpaid taxi...I have finished that portrait of yours and framed it. I think the likeness is very good. In fact I was amazed at the way it came so easily and quickly and everyone who has seen say it is like you.” In fine condition, with central intersecting folds, paperclip holes to top left edge and scattered creasing. On the constant urging of roommate and Liverpool College of Art classmate John Lennon, Stuart Sutcliffe joined The Quarrymen in late January 1960, purchasing a bass guitar with money he earned from selling one of his paintings. Along with Lennon, Sutcliffe is credited with creating the band name ‘Beetles,’ an ode to Buddy Holly and the Crickets. Pre-certified REAL. Starting Bid $300
Beatles | February 16, 2017 7
Sgt. Pepper’s signed in 1967— the year of its iconic release 7009. Paul McCartney Signed Album.
Sgt. Pepper’s Lonely Hearts Club Band album signed and inscribed along the top in ballpoint, circa late 1967, “To Stephen, very best from Paul McCartney.” In fine condition, with irregular ink adhesion and lightness to signature. The record is not included. Accompanied by full letters of authenticity from Perry Cox, Tracks, and Frank Caiazzo, as well as a letter of provenance from the original recipient’s family, which notes that the album was signed for a well-known antiques dealer in Chelsea, Stephen Long, whose counted minor royals and other notable figures among his customers—including, apparently, Sir Paul McCartney. Copies of the iconic Sgt. Pepper’s album signed in the year of its release are extremely scarce and desirable. Pre-certified REAL. Starting Bid $500
Desirable example of With the Beatles 7010. Paul McCartney Signed Album. With the Beatles
album signed and inscribed on the front cover in black felt tip, “To Jerry, thanks, all the best! Paul McCartney.” In very good condition, with scattered moderate creasing, separation to upper right, some edge chipping, and spots of staining, heaviest to reverse. The record is not included. A sought-after example of the Beatles’ second studio album, signed later by the famed bassist and frontman. Pre-certified REAL. Starting Bid $300
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7013. Paul McCartney Handwritten Letter on Postcard. Uncommon ALS signed “Paul, Linda, and kids,” one 7011. Paul McCartney Signed Album. Please Please Me
album signed on the front cover in black felt tip by McCartney. In very good to fine condition, with scattered creases and edge wear and marks to reverse. The record is included. Pre-certified REAL. Starting Bid $200
page on a 6 x 4 postcard depicting a New Orleans street corner, no date. Letter to “Rose,” in full: “All our love we’re having great time trying to think of what to say. Studio great, weather fine, (with slight nip in air), Keep cool.” In very good to fine condition, with moderate creasing and notations on black ink affecting portions of writing. Pre-certified REAL. Starting Bid $200
Paul forwards a fan to the 1962 Beatles Fan Club 7012. Paul McCartney Typed Letter Signed. TLS signed “Love, Paul McCartney, xxx,” one page, 8 x 10.75, no date but circa late 1962/early 1963. Letter to Jean, in full: “Thanks for your letter, nice to hear from you. I’ve enclosed your photo’s O.K.? Incidentally, if you’re interested, the fan club address is: Miss R. Brown, 90 Buchanan Rd., Wallasey, Cheshire. Thanks once again for your congratulations and things.” In very good condition, with several intersecting folds, scattered creasing, and two bits of tiny separation along folds. The Beatles Fan Club was originally founded by Roberta ‘Bobbie’ Brown in 1962. Working from her home with the help of her friends, Brown collected names and addresses from Beatles fans interested in any upcoming shows. The popularity of the Fan Club exploded on April 15, 1962, when the group organized a fan night with The Beatles as the headlining act. Ultimately, its wild growth and successive costs prompted manager Brian Epstein and the band themselves to organize and finance the club. A fantastic early letter relating to the imminent growth of the Beatles. Precertified REAL. Starting Bid $300
Beatles | February 16, 2017 9
7014. Paul McCartney Signed Photograph. Color glossy 10 x 8 photo of the Beatles after they were awarded with Member of the Most Excellent Order of the British Empire medals from Queen Elizabeth II at Buckingham Palace on October 26, 1965, signed in black felt tip by McCartney, with the paraph of his signature touching the tip of his nose. In fine condition. Pre-certified REAL. Starting Bid $200
Beautiful limited edition McCartney-Martin ‘Yesterday for Montserrat’ 7015. Paul McCartney and George Martin Signed ‘Yesterday’ Lithograph. Gorgeous limited
edition 20 x 14.5 lithograph entitled ‘Yesterday for Montserrat,’ numbered 24/500, signed in the lower border in pencil, “Paul McCartney” and “George Martin.” The lithograph is double-sided and faithfully reproduces Martin’s original score for the song ‘Yesterday.’ Nicely framed with a caption to an overall size of 29 x 24, featuring a window in the backing for viewing the reverse. In fine condition. Accompanied by the original box and a signed letter of provenance from George Martin, stating that these were originally sold to benefit The Sir George Martin Music Foundation to aid the Caribbean island of Montserrat in constructing a new community center after it was devastated by a volcanic eruption in June 1997. Pre-certified REAL. Starting Bid $300
10 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Rare McCartney signed baseball 7016. Paul McCartney Signed Baseball. Official Rawlings Major League baseball prominently signed in black felt tip on the sweet spot, “Paul McCartney.” In fine condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “This signature was obtained on November 13, 2006, at the Virgin Megastore in New York City, when Paul was there to promote his new U.S. tour DVD and classical CD releases. McCartney signed baseballs are extremely rare.” Pre-certified REAL. Starting Bid $300
7017. Paul McCartney Signed Book. Signed book: Paint-
ings. London: Little, Brown and Company, 2000. Hardcover with dust jacket, 10.25 x 12.75, 148 pages. Signed on the half-title page in black felt tip, “Cheers! Paul McCartney, 2000.” In fine condition. Accompanied by a letter of provenance from the original recipient, “I was at Waterstone’s 13 December in 2000 and met Paul McCartney and he signed his Painting book.” Also accompanied by a flyer for a book signing at Waterstone’s in Piccadilly. Pre-certified REAL. Starting Bid $200
7018. Paul McCartney Signed CD Booklet. White Album CD booklet signed on the front cover in black felt tip by McCartney. In fine condition. The CD is not included. Pre-certified REAL. Starting Bid $200
Beatles | February 16, 2017 11
7020. John Lennon Signed 1967 Receipt. Invoice from Hunter Films Lim-
ited for the five-day licensing of the films “The Hustler,” “Oni Baba,” and “Hemingway’s Adventures of a Young Man” for the period of January 14–19, 1967, one page, 8 x 7, stamp-dated February 9, 1967, and signed in the lower right in ballpoint by Lennon. Upper portion features a typed address field, “J. Lennon Esq., Beatles Ltd., c/o Bryce Hammer & Co., 23, Albermarle Street, Piccadilly, W. 1.” In fine condition, with mild scattered creasing. Provenance: Christie’s 2006. Pre-certified REAL. Starting Bid $300
Lennon assigns full copyright for ‘Blackbird’ 7021. John Lennon and Neil Aspinall Signed 1968 ‘Blackbird’ Contract. Desir-
able DS, one page both sides, 8 x 13, October 15, 1968. Memorandum of agreement between Northern Songs Limited and Maclen (Music) Limited, John Lennon, and Paul McCartney, in which the former party will be assigned “the full copyright for all countries of the World for the duration and all extensions” of the “musical work or composition entitled—’Blackbird.’” Signed at the conclusion in black felt tip by Lennon, and countersigned in black ballpoint by Maclen representative Neil Aspinall. In fine condition, with mild creasing to top and bottom edges and tiny tear to top edge. ‘Blackbird’ was written by Paul McCartney and recorded on June 11, 1968, at London’s EMI’s Abbey Road Studios. The tender acoustic song was inspired by rising racial tensions in the United States during the civil rights movement, with McCartney later explaining that ‘blackbird’ is a synonym for a ‘black girl,’ the term ‘bird’ being British slang for girl. The song has since become one of the most recorded tracks in music history, and is one of several timeless moments found on the Beatles’ classic White Album. Pre-certified REAL. Starting Bid $500
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Twice-signed Lennon sheet from 1968 7022. John Lennon Twice-Signed Sheet. Uncommon
off-white 3 x 2 slip signed twice in ballpoint by John Lennon. Matted to an overall size of 6.75 x 5.75. In very good condition, with several heavy creases and a tear through bottom signature. Accompanied by a letter of provenance, in part: “In the early 1980’s I was working at a call center in Bristol…Chatting one day with one of them, ‘C,’ revealed that she had the autograph, and as a fan I was excited to see it, with a view to possibly persuading her to sell it to me…‘C’ had been at the ‘Rock & Roll Circus’ concert in 1968, where the Rolling Stones, John & Yoko, The Who, Eric Clapton & others performed. ‘C’ was in a crowd of fans who passed paper & autograph books forward. She was hoping for Mick Jagger, but was comically disappointed to receive the Lennon autograph back.” Pre-certified REAL. Starting Bid $300
Lennon writes out a list of items prior to his 1969 trip to Denmark 7023. John Lennon Handwritten List. Amazing handwritten list by John Lennon penned in ink on an off-white sheet of 8.5 x 11 ABKCO memorandum sheet, no date but circa late 1969. The list is addressed to “Peter” and from “them,” with the subject “Weekend,” in full: “Toothbrush; hair dryer brush / Dr. Hangs Soap in brown bottle / shaving gear (wet) / ginseng / Pair of sox / Polo sweater (one each) dark / Johns jeans (blue with pockets in cupboard) / Yokos brown pants(on bed) / That Guitar from England [adding a sketch of a guitar] / anything else you can think of worth taking / coupla teashirts (dark) / Book. i. Ching (i have coins) / extra glasses & little tape recorder (on bed).” In very good condition, with three horizontal folds, small bits of separation along edges, and a few small spots of staining and water smudges. The recipient is likely Peter Brown, an employee at Apple who also worked for Lennon. Consignor notes that the list was drawn up prior to Lennon and Ono’s trip to Denmark on December 20, 1969. The couple flew to the small city of Aalborg and stayed at a Ellidsbolvej farmhouse inhabited by Ono’s first husband Tony Cox, his new wife Melinde, and the six-year-old daughter of Ono and Cox, Kyoko. The pair remained with the Coxes over the new year and returned to England on January 25, 1970, most notably with newly and shortly cropped hairdos. This period abroad also produced the famed ‘Denmark tapes’ which sold at auction in 2002 and 2003. Pre-certified REAL. Starting Bid $500
Beatles | February 16, 2017 13
One-of-a-kind album inscribed to a close friend
7024. John Lennon Signed Album With Sketch. Walls and Bridges album signed and inscribed in blue ballpoint, “To Richard and Cynn ‘Home,’ with love and tee shirts from yer old pal, John, 74,” with the addition of one of his self-portrait doodles and sketches of an elephant and a dog; Lennon has also drawn genitalia on one of the soccer players depicted on the album. In very good to fine condition, with edge and corner creasing, tear to lower right corner, and three spots of staining to upper right corner. The record is included. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, who notes that this album cover was signed for Richard and Cynthia Ross, who were at the time the owners of Home restaurant in Manhattan, where Lennon was a regular patron and a friend of the Ross family. Lennon had a close relationship with Richard Ross, and they had an ongoing inside joke regarding elephants—as evidenced by Lennon’s playful sketch following the warm inscription. The Beatles star also produced some t-shirts for the Home restaurant, which he also alludes to here. A wonderful, especially personal signed piece. Pre-certified REAL. Starting Bid $1000
14 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Sought-after edition of Grapefruit signed by John and Yoko 7025. John Lennon and Yoko Ono Signed Grapefruit Book. Signed book:
Grapefruit. First Sphere Books edition. London: Sphere Books, 1971. Softcover, 5 x 5. Signed on the first free end page in black felt tip by John Lennon and in blue felt tip by Yoko Ono. In fine condition, with a few unobtrusive spots of foxing to right edge of signed page. Consignor notes that both signatures were obtained at Selfridge’s in London on July 15, 1971, at the launch of this paperback edition of Yoko’s book. A sought-after dual-signed book with great cult appeal, the cover of this uncommon Sphere edition integrates the cheeky subject matter of Ono’s 1966 short film Bottoms. Pre-certified REAL. Starting Bid $500
Twice-signed 1963 Harrison promo with a thoughtful note 7026. George Harrison TwiceSigned Handwritten Letter on Fan Club Photograph.
Uncommon twicesigned ALS, one page on a 5.5 x 4.25 official Beatles Fan Club promo card, circa 1963. On the reverse, Harrison writes, in full: “Dear Sue, Sorry I haven’t got any paper, but I hope you won’t mind too much. I am glad you liked the show at Portsmouth last week. Thanks for your letter, cheerio, love from George Harrison, xxxx.” Also signed on the front of the card, “George Harrison.” In very good condition, with a heavy central vertical fold (with small tears at edges) and scattered creasing. Accompanied by a certificate of authenticity from Tracks. A highly desirable vintage format signed twice by the Beatles guitarist. Pre-certified REAL. Starting Bid $300
Beatles | February 16, 2017 15
Harrison pays Ginger Baker 7027. George Harrison Signed Check. Harrisongs Ltd. check, 7.75
x 3.5, filled out in another hand and signed by Harrison, “George Harrison,” payable to Cream drummer Ginger Baker for £37.32, February 10, 1972. In fine condition. Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “This check-being made out to a rock & roll star, and as nicely signed as it is-is one of the best examples of a George Harrison check in existence.” Baker played the drums for Harrison’s song ‘I Remember Jeep’ on All Things Must Pass, and Harrison played rhythm guitar for Cream’s ‘Badge’ in 1969. A unique connection between two great British rock musicians. Pre-certified REAL. Starting Bid $200
7028. George Harrison ‘Live in Japan’ Signed Book. Signed
book: Live in Japan. Limited edition, numbered 1233/3500. Surrey, England: Genesis Publications, 1993. Leather-bound hardcover with slipcase, 10.5 x 13.75, 274 pages. Signed on the colophon in black ink by Harrison. Slipcase includes a limited edition two-CD set of 19 songs recorded by Harrison and Eric Clapton and Band in Japan between December 11 and 17, 1991, as well as a souvenir pack containing two access passes and guitar picks from Harrison and Clapton. In fine condition. Pre-certified REAL. Starting Bid $200
7029. George Harrison Signed Racing Program. Uncommon color race program for the British Formula One Grand Prix at the Silverstone Circuit on July 12-14, 1979, 6 x 8.25, thirty-two pages, signed on the designated autograph page on the inside of the back cover in blue ballpoint by George Harrison and Jackie Stewart. In fine condition, with some wear and a diagonal crease to top left edge of signed page, broaching end of Harrison. Accompanied by a letter of provenance from the original recipient, in part: “Growing up in Northampton, Silverstone was my local race track and I would often go to race meetings there with my friend Simon...I was 20 years old when we went to this particular Grand Prix. Whilst I don’t remember much about the race itself I do remember that at the end of the race we blagged our way into the paddock...We were happily strolling around looking at cars when we came across the Ford Hospitality unit...we spotted Jackie Stewart and right alongside him George Harrison just about to emerge from the fenced off bit. [We] approached them both and asked them to sign our programmes. They were both incredibly polite...I did consider keeping hold of it but I have been its custodian for the last 37 years...I have the memory that I met a Beatle and a World Champion.” Stewart won three Formula One World Driving Championships-the 1969 and 1973 Italian Grand Prixs, and the 1971 Austrian Grand Prix. Pre-certified REAL. Starting Bid $200
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Four days before the Beatles breakup 7030. Ringo Starr Typed Letter Signed. TLS, one page,
8.25 x 7.75, Beatles & Co. letterhead, April 6, 1970. Letter to terry, in full: “Thank you for your letter which I enjoyed reading very much. It is always nice to hear from you, and to know we always have your support.” In very good to fine condition, with intersecting folds, scattered creasing and edge wear. Although John Lennon had exited the band in September of the previous year, the news of the Beatles breakup wasn’t publicly disclosed until April 10, 1970, when a press release for Paul McCartney’s debut solo effort affirmed his own departure and the band’s subsequent dissolution. Enhanced by its coveted Savile Row address, this boldly signed letter was written mere days before the Beatles officially called it quits. Pre-certified REAL. Starting Bid $300
7031. Ringo Starr Signed Check. Subafilms Ltd. business check, 7.75 x 3.5, filled out in another hand and signed by Starr, “R. Starkey,” payable to South Eastern Electricity Board for £19.32, June 7, 1972. In fine condition. Pre-certified REAL. Starting Bid $200
7032. Ringo Starr Signed Photograph. Color glossy 8 x 10 photo of Paul McCartney, John Lennon, and Ringo Starr posing in New York’s Central Park in 1964, signed in thin black felt tip, “Ringo,” adding a large star. In fine condition. Pre-certified REAL. Starting Bid $200
7033. Ringo Starr Pair of Signed Photographs. Pair of color satin-finish 4 x 5 photos of Starr, both signed in silver ink, “Ringo.” In overall fine condition. Pre-certified REAL. Starting Bid $200
Beatles | February 16, 2017 17
7034. Ringo Starr Pair of Signed Drum Sticks. Pair of Ringo Starr-model American Hickory Millenium II Pro-Mark drum sticks, 16.5˝ long, one signed in black felt tip, “Ringo.” In fine condition. Pre-certified REAL. Starting Bid $200
7036. Wings Photograph. Glossy 10 x 8 silver gelatin
photo of Wings during a 1973 performance, with Paul McCartney seated at his Fender Rhodes electric piano on the far right. Reverse bears a Neil Jones photo credit and a London Features International Ltd. stamp. In fine condition, with scattered creasing. Starting Bid $200
7035. George Martin Typed Letter Signed. TLS, one
page, 8 x 10, A. I. R. Record Productions letterhead, August 7, 1968. Letter to Marty Horstman, in part: “I have now had an opportunity of hearing your disc of Griff Blazey. I think he has a very pleasant voice and I would like to hear him in the Studio. The only problem is that at the moment I am working on a new Beatles’ L. P. and this gives me no time for other work. I am going on holiday in September but will have time at the beginning of October to hear Griff Blazey. I am sorry for the delay and of course I will quite understand if you have had any alternative offers. However, if you would like to contact me the first week of October I would be delighted to arrange to hear your artist in our Studios.” In very good condition, with several folds, creasing, paperclip marks and tear to middle right edge. After auditioning at Abbey Roads for Wally Ridley, David Griffith, or Griff Blazey, returned to the London studios and auditioned for George Martin, who provided some piano playing during the audition. Ultimately, Blazey’s country music singing style was not conducive to the acts Martin was currently promoting. Pre-certified REAL. Starting Bid $200
7037. Paul McCartney, Elton John, and Friends Signed 1977 Awards Program. Program for the 1977 Capital Radio Music Awards at the Grosvenor House Hotel on February 3, 1977, measures 8.25 x 11.5, two pages, signed and inscribed on the second page in ink and ballpoint, “Paul McCartney,” “To both of you, love, Elton John,” “Love, Twiggy, xxx,” “Many Booga Roogas, Andy Fairweather Low,” and one other. In fine condition, with a heavy vertical crease. Pre-certified REAL. Starting Bid $200
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Grammy nomination presented to The Beatles for Help!
7038. Beatles 1965 ‘Help!’ Grammy Nomination. Scarce and sought-after Grammy nomination plaque, 8.5 x 10.5, reading: “The National Academy of Recording Arts and Sciences presents this certificate to The Beatles in recognition of Nomination for the Best Contemporary (R & R) Performance - Group (Vocal or Instrumental), Help!, for the awards period 1965.” The certificate features a background image of the iconic Grammy award and a printed signature of NARAS President Francis Scott. Reverse bears a Perma Plaque label, which was the company that manufactured these plaques for the National Academy of Recording Arts and Sciences. In fine condition, with some minor scuffing and marks to laminate. Incredibly successful, the album featured classics such as ‘Help!,’ ‘Ticket to Ride,’ and ‘Yesterday.’ An incredible piece related to one of the Beatles’ most beloved records. Starting Bid $1000
Beatles | February 16, 2017 19
Sought-after ‘Open-End’ interview of the Beatles 7040. Beatles ‘Open-End Interview / I Want To Hold Your Hand’ 45 RPM Record. Rare Capitol Records ‘Compact
33’ 7-inch promo record for an “Open-End Interview with The Beatles,” with side one featuring ‘I Want to Hold Your Hand,’ and side two featuring ‘This Boy / It Won’t Be Long.’ Includes original black-andwhite picture sleeve. In fine condition, with some scattered creasing to the sleeve. To promote the Meet the Beatles album and their forthcoming first visit to America, Capitol Records organized an ‘open-end’ interview with the Beatles and sent the recording over to American radio stations in early 1964. The ‘open end’ format of the interview-the original voice of the interviewer was edited out of the recording-allowed local disc jockeys to read scripted questions along with the recording to sound as if they were personally conducting the interview. A highly desirable and early promo record from the Fab Four. Starting Bid $300
7041. Beatles ‘Don’t Let Me Down / Get Back’ 45 RPM Record. Uncom-
mon Apple Corps ‘Custom Recording’ 45 rpm single album for ‘Get Back / Don’t Let Me Down,’ with attractive green label with white apple on each side. Includes the original “The Beatles on Apple” paper sleeve. In fine condition, with some creasing to the sleeve. Starting Bid $200
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Complete set of the Beatles’ fan club Christmas records 7042. Beatles Records and Newsletter. Uncommon complete
set of seven souvenir 7-inch flexi-disc Christmas records from the Official Beatles Fan Club of Great Britain, dated between 1963 and 1969, each housed in their original paper sleeves. Includes three of the original newsletter inserts, for the 1964, 1966, and 1967 records (1963 and 1969 were not issued with inserts, so only 1965 and 1968 are missing). In overall fine condition. Starting in 1963, the Beatles began a holiday tradition of recording Christmas messages for their fans and distributing them for free to fan club members; they were only available through the Official UK Beatles Fan Club, and never released for sale. Complete sets of these Christmas records are quite scarce, and the 1963 example is especially coveted. Starting Bid $500
Extremely rare 1964 tickets for a “Beatles for Brady” Xmas show 7043. ‘Beatles for Brady’ Pair of 1963 Ticket Stubs. Original light blue ticket stubs for a “The Beatles for Brady” at London’s Odeon Theatre on December 29, 1964, measuring 3.25 x 4, presented by Brian Epstein and listed as “A Gala Performance of the Beatles Christmas Show.” Issued for Row H and Seat No. 4. In fine condition. Starting Bid $200
Full ticket to the postponed 1966 Crosley Field show 7044. Beatles 1966 Crosley Field Unused Concert Ticket. Original unused beige 4 x 1.5 concert ticket for a
Beatles performance held at Crosley Field in Cincinnati, Ohio, on August 20, 1966, at 8:30 p.m., issued for Box 103, Tier 7, and Seat 3. In fine condition, with a trivial hole to end of “Beatles.” The concert was ultimately postponed until the following day at noon due to heavy rain and the risk of electrocution. Starting Bid $300
Beatles | February 16, 2017 21
7045. Beatles Pair of ‘Hard Days Night” Tickets. Pair of unused blue die-cut oversized 9 x 3.75 souvenir tickets for a
special matinee showing of ‘A Hard Day’s Night’ at San Francisco’s New Royal Theatre on August 13, 1964, at 4:00 p.m. Tickets are numbered 810 and 824. In overall fine condition, with a crease passing through both McCartney heads. Starting Bid $200
The Piccadilly Circus premiere of Yellow Submarine 7046. Beatles Yellow Submarine Oversized Premiere Movie Ticket. Sought-after and colorful
large format 6.25 x 5.75 movie ticket stub to the world gala premiere of the Beatles’ 1968 film Yellow Submarine, held at the London Pavilion on July 17, 1968, designated as Row T, Seat No. 1. In fine condition, with a central vertical fold. Consignor notes that the ticket originates from the collection of John Coates, who worked on the direction and production of the animated film. Yellow Submarine received rave critical reviews upon its release and subsequently helped expand animated film to a more mature audience. With characters developed from an earlier cartoon version of ‘Strawberry Fields Forever,’ the film’s surreal visual style inspired Terry Gilliam’s animations for Do Not Adjust Your Set and Monty Python’s Flying Circus, as well as for the Schoolhouse Rock vignettes on ABC. A desirable and highly displayable ticket commemorating the Beatles’ unsung cinematic impact. Starting Bid $300
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Mint Heswall Jazz Club handbill for “The Fabulous Beatles” 7047. Beatles 1962 Heswall Jazz Club Handbill. Rare original orange 5.25 x 10.5 handbill for a performance by “The Fabulous Beatles” at the Heswall Jazz Club on September 25, 1962, listing Gerry and the Pacemakers as the supporting act and Derek Jeffery as the event disc jockey. In fine condition. Accompanied by a letter of provenance from Jeffery: “This is to confirm that the [item] is an original handbill from a concert held by The Beatles and Gerry and The Pacemakers at the Heswall Jazz Club on the Tuesday 25th September 1962. I was the disc jockey at the concert and I am listed on the handbill.” The Beatles played a series of three dates at the Heswall Jazz Club in 1962—March 24, June 30, and September 25, which this handbill indicates. Given that Ringo Starr joined the band on drums just a month prior, this is a decidedly early and crisp Beatles concert flyer. Starting Bid $300
7048. Rory Storm and the Hurricanes Cavern Club Handbill. De-
sirable original circa 1960 Cavern Club handbill, 6.5 x 8, listing Rory Storm and the Hurricanes as a performer alongside The Zenith Six on Saturday, February 20th. Vertically signed along the right side in blue ballpoint by Johnny Byrne, “Not to be reproduced or photocopied, Johnny Guitar.” The handbill lists upcoming concerts between the dates of February 18th and March 6th, with performers including: The Jazzmakers; The Wolverines Jazz Band and The Blue Genes; Alex Welsh & His Band and The Blue Genes; Graham Stewart’s New Orleans Jazz Band; and The Fabulous American Folk Singer Jesse Fuller and Terry Lightfoot’s Band. In very good to fine condition, with intersecting folds and scattered creasing. Starting Bid $200
7049. Beatles 1963 Cavern Club Membership Card.
Rare Cavern Club membership card booklet for 1963, 2.5 x 4, four pages, with the owner’s personal information filled in on the inside front cover. Inside pages have club rules, a calendar, and pages for notes. Cover also notes the card’s expiration on December 31, 1963. In very good condition, with moderate wear from use. Starting Bid $200
Beatles | February 16, 2017 23
7052. Beatles 1960s Cavern Club Poster. Uncom-
7050. Beatles Cavern Club Business Card. Original unissued circa 1960s Cavern Club business card, 4 x 1.5, listing address and telephone number, with the Cavern Club pennant to left side. In fine condition. Starting Bid $200
7051. Beatles NEMS Business Card. Original business card, 6 x 2.5, issued for Brian Epstein’s company NEMS Enterprises, and featuring shaded portraits of the Beatles. In fine condition. Consignor notes that this business card originates from the collection of former Cavern Club compere Bob Wooler, a pivotal figure in the Merseyside music scene of the early sixties. Starting Bid $200
mon and vibrantly colored 15 x 20 promotional poster for The Cavern Club in Liverpool, with a large blank space intended for adding performance updates. Text along the left side reads, “Home of the Mersey Beat,” and the lower portion lists several bands that have played the venue, including: The Beatles, The Searchers, Gerry and the Pacemakers, Cilla Black, The Yardbirds, Georgie Fame, and The Who. Rolled and in very good condition, with moderate creasing, heaviest to middle. Starting Bid $200
7053. Beatles Cavern Club Promo Card. Crisp original circa 1963 promo card for The Cavern Club, 6.25 x 4, depicting the young band on the front with the caption, “The Cavern—The home of the Beatles.” The reverse bears an image of a red Cavern Club pennant and reads, “When you come to Liverpool……you must visit the Cavern!” In fine condition. Starting Bid $200
7054. Beatles ‘Help’ One Sheet Poster. Help! (United Artists, 1965). One sheet movie poster (27 x 41). The second feature film made by the Beatles, starring John Lennon, Paul McCartney, George Harrison, and Ringo Starr. In fine condition. Starting Bid $200
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Rare Sgt. Peppers promo poster 7055. Beatles ‘Sgt. Pepper’s Lonely Hearts Club Band’ Poster. Vintage color 25 x 18 UK EMI Records promotional
poster for the release of the Beatles’ eighth full-length album Sgt. Pepper’s Lonely Hearts Club Band, showing the band in their multicolored uniforms as seen on the album gatefold. Rolled and in fine condition. Consignor notes that the poster was originally displayed in record stores prior to the album release date of June 1, 1967. An exceedingly sought-after promo poster that is rarely seen in such spectacular condition. Starting Bid $300
7057. Beatles Trading Cards.
7056. Paul McCartney Liverpool High School Program. Unsigned pro-
gram for the Liverpool Institute High School Speech Day on December 15, 1959, five pages, 8 x 10, naming McCartney as an award winner in the “Special Prizes” list, “Prize for Art…J. P. McCartney.” In fine condition, with two faint vertical folds. Starting Bid $200
Circa 1964 value package of “Beatles Color Photos” Topps trading cards, consisting of three sealed ten-card packs, with each card measuring 2.5 x 3.5 or 3.5 x 2.5. Reverse of each numbered card bears a question-andanswer format, with lower border reading: “T. C. G., Printed in U. S. A.” The cards were manufactured by Topps in association with the Trading Card Guild of Brooklyn, New York. In fine condition, with the main packaging no longer sealed. Starting Bid $200
7058. Beatles Yellow Submarine Oversized Production Drawing. Exceptional
original production drawing from the 1968 Beatles film Yellow Submarine, showing a group of forty-three characters in various costume. Accomplished in graphite on an oversized untrimmed 33.5 x 16 animation paper. Total image measures 22.75 x 6. Rolled and in fine condition, with spots of toning. Starting Bid $200
Beatles | February 16, 2017 25
7063. Beatles and George Martin 1963 Dezo Hoffmann Oversized Photograph. Mod-
7060. Beatles Yellow Submarine Production Drawing.
Original production drawing featuring the Blue Meanies from the 1968 Beatles f i l m Ye l l o w Submarine, showing nine of the crazed creatures side-byside and numbered 1 through 9. Accomplished in graphite on untrimmed 16 x 12.5 animation paper. Image measures 14.5 x 2.5. In fine condition, with a few spots of light toning. Starting Bid $200
ern satin-finish 12 x 9.5 print of the Beatles and George Martin from an original negative by photographer Dezo Hoffman, taken while the Beatles were recording their debut album Please Please Me at London’s Abbey Road Studios on February 11, 1963. In fine condition. Starting Bid $200
7064. John Lennon 1963 Dezo Hoffmann Photograph. Modern
7061. Beatles Cartoon Production Drawing.
Original production drawing featuring the Beatles from the band’s cartoon series, showing the Fab Four running away with terrified expressions. Accomplished in graphite and colored pencil on untrimmed 13 x 10.5 animation paper. Image measures 10.25 x 5.75. In fine condition, with some mild toning. Starting Bid $200
7062. John Lennon and Paul McCartney 1963 Dezo Hoffmann Oversized Photograph. Modern satin-
finish 12 x 9.5 print of Paul McCartney and John Lennon from an original negative by photographer Dezo Hoffman, taken while the Beatles were recording their debut album Please Please Me at London’s Abbey Road Studios on February 11, 1963. In fine condition. Starting Bid $200
glossy 8 x 10 print from an original negative by photographer Dezo Hoffman, showing John Lennon getting his haircut at Horners Barber Shop In Liverpool on March 25, 1963. Reverse bears copyright stamps for Rex Features and RDR Productions. In fine condition, with scattered creasing and scratched and spot to upper background. Starting Bid $200
7065. George Harrison and Ringo Starr 1963 Dezo Hoffmann Photograph.
Modern glossy 10 x 7 photograph of George Harrison and Ringo Starr from an original negative by photographer Dezo Hoffman, taken outside Liverpool’s Cavern Club on August 30, 1963. Stamped on the reverse by Dezo Hoffman, Rex Features Ltd., and RDR Productions. In fine condition, with slight trimming and a few light creases. Starting Bid $200
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7066. John Lennon ‘Bag One’ Portfolio Bag. Uncommon white heavy-duty vinyl bag originally issued with Lennon’s famous lithograph suite, 34 x 25.5, printed on one side with a John Lennon facsimile signature and large black block letters, “Bag One.” Bag retains its original handles, zippers, closure buckle and straps, and luggage tag. In very good to fine condition, with scattered surface marks. This case once held a series of fourteen lithographs, the originals of which were given to Yoko Ono as a wedding gift to celebrate their marriage and subsequent honeymoon in Amsterdam. As sets of the ‘Bag One’ lithographs have been broken up and sold individually over the years, these folio bags have been separated from their original contents and sporadically appear for sale. Starting Bid $200
7067. John Lennon and Yoko Ono 1969 Flyer. Original 1969 John and Yoko flyer promoting “Love & Peace,” 6 x 4, stamped in the lower right corner, “Krishna [Hare].” Printed by Templering Ltd. Mitcham Surrey. In fine condition. Accompanied by a letter of provenance from former Apple Scruff Lizzie Bravo, in part: “One day in 1969, outside the Apple building at 3 Savile Row, I was given a pile of these ‘Love & Peace John and Yoko’ flyers and asked to spread them around…I believe it was Anthony Fawcett, John & Yoko’s personal assistant at the time who gave them to me…I walked around Piccadilly Circus and handed them out to people.” A rare flyer dating to the honeymoon period of John Lennon and Yoko Ono, who spent their first week as newly weds by cozily campaigning their Bed-In for Peace in the presidential suite at the Hilton Amsterdam in late March 1969. Starting Bid $200
7068. John Lennon: How I Won the War Lobby Cards. Set of seven color United Artists lobby cards for the 1967 film How I Won the War, each 10 x 8, depicting John Lennon as Gripweed during various moments of the movie. In overall fine condition, with mild toning. Starting Bid $200
Beatles | February 16, 2017 27
Elvis Presley
Impressive oversized photo of Presley from G. I. Blues 7070. Elvis Presley Oversized Signed Photograph. Incredible vintage matte-finish
11 x 14 publicity photo for the 1960 film G. I. Blues, depicting Presley in a military uniform, nicely signed and inscribed in blue ballpoint, “To Buddy, from, Elvis Presley.” Reverse is stamped “Coming soon Elvis in ‘G.I. Blues’ A Hal Wallis Production.” In very good condition, with professional archival repairs to several former tears (one through a portion of the inscription), and scattered overall creasing (some through hair line and left ear, and heaviest to lower right corner); the restored condition is highly displayable. An impressive oversized portrait of the King from G. I. Blues, his first film following his honorable discharge from the Army on May 5, 1960. Signed photos of Presley remain extremely uncommon in such prodigious size. Pre-certified REAL. Starting Bid $500
7071. Elvis Presley Acetate of Second Album. Rare RCA Victor ‘Reference
Recording’ acetate of the 1956 album Elvis, with labels on both sides bearing ink notations, “33 1/3, Elvis Presley,” with side one bearing number “G2WP-7207,” and the other, “G2WP-7208.” In fine condition. This acetate includes an alternate version of the record’s eighth track ‘Old Shep.’ Released on October 19, 1956, Elvis debuted on Billboard’s Top 200 in late 1956 before rising to No. 1 and holding the top spot for five weeks. Starting Bid $200
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One-of-a-kind RCA reference recordings for King Creole 7072. Elvis Presley Pair of 33 RPM King of Creole Reference Recordings. Exceedingly
rare pair of raw and unedited RCA Victor 33 rpm reference recordings created for the motion picture King Creole, complete with talking and pre-recording voice labeling in which Elvis can be heard speaking with fellow musicians and singers between songs. The first record bears an RCA Victor ‘Reference Recording’ label annotated in ballpoint, “J-100A, Elvis Presley,” with the second similarly labeled and annotated, “J-100B, Elvis Presley.” These records hold the songs and music used in the making of the movie, and this is the one-of-a-kind ‘producer’s reference’ set given to Elvis after its completion; the only other copy of this album is the master set in the RCA Victor audio archives. Upon receiving the records, Elvis presented them to his close friends Sgt. William A. Norwood and his wife Olly. In overall fine but fragile condition. A compact disc copy of the recording is included. King Creole, released in 1958, was the fourth feature film of Elvis Presley’s career and debuted to both commercial and critical success; Elvis would also later say that his role as Danny Fisher was his favorite of all the characters he portrayed in film. The soundtrack was well-received at home and abroad, with the album reaching number one in the UK and the single ‘Hard Headed Woman’ topping the Billboard charts to become the first rock and roll single to earn an RIAA Gold Record. These unique reference recordings from the production of King Creole are thus not only incredibly rare Elvis materials, but hold a significant place in rock and roll history as a whole. Starting Bid $1000
7073. Elvis Presley ‘I Need Your Love Tonight’ 45 RPM Record.
Coveted RCA Victor 45 rpm single album for ‘I Need Your Love Tonight / A Fool Such as I.’ Includes the original color picture sleeve. In fine condition. Starting Bid $200
Elvis Presley | February 16, 2017 29
7074. Elvis Presley 1955 EZ Country Promo Record. RCA Vic-
tor promotional E-Z Country Programming compilation mono record featuring two songs by Elvis Presley: ‘Heartbreak Hotel’ on side one, and ‘I Was the One’ on side two. Other artists on the record include Hank Snow, Hawkshaw Hawkins, Chet Atkins, Jim Reeves, and Eddy Arnold. In fine condition. Having achieved some success as a country artist on Sun, Elvis earned his true breakthrough when he moved to RCA in 1955 and released his first hit, ‘Heartbreak Hotel.’ Starting Bid $200
7076. Elvis Presley 1955 EZ Country Promo Record.
Scarce circa 1955 RCA Victor promotional E-Z Pop Programming compilation record featuring two songs by Elvis Presley, ‘I Forgot to Remember to Forget’ and ‘Mystery Train,’ with other featured artists including: Perry Como, Eddy Arnold, Jaye P. Morgan, Chet Atkins, Eddie Fisher, Kay Starr, Dinah Shore, and Vaughn Monroe. In fine condition. Starting Bid $200
Elvis concert tickets from September 1977 7075. Elvis Presley Sheet of Unperforated 1977 Concert Tickets. Unperforated sheet of yellow “Elvis in Concert” tickets, 5.5 x 13.25, consisting of eight tickets for an Elvis Presley show at the Savannah Civic Center in Savannah, Georgia, on September 28, 1977, with a showtime of 8:30 p.m. Each ticket is typed “ELVIS,” and issued for Balcony section 8 (Row M, seats 12-14; Row N, seats 1-5). In fine condition. The concert ultimately never took place as Presley passed away on August 16, 1977, at the age of 42. Starting Bid $200
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7077. Elvis Presley Sheet of Unperforated 1977 Concert Tickets. Unperforated sheet of blue “Elvis in Concert” tickets, 5.5 x 13.25, consisting of eight tickets for an Elvis Presley show at the Hulman Civic University Center at Indiana State University on September 26, 1977, with a showtime of 8:30 p.m. Each ticket is typed “ELVIS,” and issued for Entrance A section 201 (Row KK, seats 9-16). In fine condition. The concert ultimately never took place as Presley passed away on August 16, 1977, at the age of 42. Starting Bid $200
Bob Dylan
Exceedingly rare 1962 Dylan set list, including “The Street, Low Down Ways, Let Me Die”
7078. Bob Dylan Signature and Partial Handwritten Set List. Two scarce items: a felt tip signature, “Bob Dylan,” on an
off-white 4.25 x 3.75 lined sheet; and a rare circa 1962 handwritten partial set list in pencil on a 2.5 x 6.25 sheet filled with doodles. The remaining portion of the set list reads: “The Street, Low Down Ways, Let Me Die,” with vertical writing near the bottom, “People are, people can’t see, what you want.” Both sides of the sheet are filled with pencil doodles. In overall very good to fine condition, with absent upper left portion to list and mild toning to signature.
The remarkable, extremely rare set list surely refers to the songs ‘Man On The Street,’ ‘Quit Your Low Down Ways,’ and ‘Let Me Die In My Footsteps.’ It seems that Dylan rarely performed any of these songs live, and the only record of him playing any of them together was at the Finjan Club in Montreal on July 2, 1962, where he played both ‘Quit Your Low Down Ways’ and ‘Let Me Die In My Footsteps.’ Recordings of all three also appear on the Witmark Demos bootleg. A unique offering from the great enigmatic singer-songwriter, whose autographic material is very scarce. Precertified REAL. Starting Bid $500
Bob Dylan | February 16, 2017 31
Gold record for the 1975 LP Blood on the Tracks 7079. Bob Dylan Sales Award: Blood on the Tracks. Official floater-style RIAA gold sales award presented “to Columbia Records to commemorate the sale of more than 500,000 copies of the Columbia Records long-playing record album ‘Blood on the Tracks.’” Framed with its disc, plate, and album cover image to an overall size of 16.75 x 20.75. Award retains its original backing. In fine condition, with a block of red paint to the left side of the frame. Considered one of Dylan’s best albums, Blood on the Tracks reached number one on the Billboard 200 charts and in 2003 was ranked number 16 on Rolling Stone’s list of the 500 greatest albums of all time. Starting Bid $200
7080. Bob Dylan Photograph. Vintage glossy 8 x 10 silver gelatin photo of Dylan with his harmonica in January 1974. Reverse bears Neal Preston and London Features International Ltd. credit stamps, as well as editorial notations. In fine condition, with scattered creases and surface marks from notations on reverse. Starting Bid $200
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Jimi Hendrix
Rare fully signed poster of the Experience
7081. Jimi Hendrix Experience Signed Poster. Amazing color 32.25 x 21.5 Pop Foto poster of the Jimi Hendrix Experi-
ence, signed in black felt tip by Jimi Hendrix, and in ballpoint by Noel Redding and Mitch Mitchell, who has signed his first name twice. In fine, folded condition, with scattered creases and tiny separations along small portions on folds. Accompanied by a color 3.25 x 3.25 candid photo of Hendrix taken at the time of signing, as well as a Playboy signed by Uschi Obermaier, whom Hendrix shared a brief affair, as well as two photos of Obermaier with filmmaker and then boyfriend Rainer Langhans. Consignor notes that the Experience autographs were obtained outside Berlin’s Kempinski Hotel on January 23, 1969. Following their concert at Berlin’s Sportpalast, the members of the Jimi Hendrix Experience returned to the Kempinski Hotel and caroused with numerous partygoers in the lounge area. Among the many women in attendance was Obermaier, a German fashion model and member of Kommune 1, a far-left political commune that soon called Hendrix its most famous guest. By that point, Hendrix and the Experience had been in Europe for nearly three weeks, playing several Scandinavian and West Germany dates in support of the band’s third and final album, Electric Ladyland. Given the band’s scarcity across all formats, a fully signed Jimi Hendrix Experience poster serves as a true musical rarity and a must-have for all serious Hendrix collectors. Pre-certified REAL. Starting Bid $2500
Jimi Hendrix | February 16, 2017 33
Remarkable JHE photo, signed by all members and twice by Hendrix
7082. Jimi Hendrix Experience Twicesigned Photograph. Vintage glossy 5 x 7 Polydor publicity photo of the Jimi Hendrix Experience, signed in red felt tip by Jimi Hendrix, Mitch Mitchell, and Noel Redding, with Hendrix signing again along the bottom in blue ballpoint. Reverse bears a German Polydor stamp. In very good condition, with moderate overall creasing, pin holes top and bottom edges, and collector’s label affixed to lower portion. Consignor notes that the signatures were obtained following a Jimi Hendrix Experience concert at Berlin’s Deutschlandhalle on September 4, 1970, only two weeks before Hendrix succumbed to a drug overdose. Items signed twice by the virtuoso guitarist are seldom encountered, with this example, also signed by his two Experience band mates, existing as a true musical rarity. Pre-certified REAL. Starting Bid $1000
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Exceedingly rare handwritten letter from 1968 7083. Jimi Hendrix Autograph Letter Signed.
ALS, one page, 7.25 x 10, American Airlines letterhead, November 16, 1968. Letter to “Jerry,” in full: “Your sister is out of sight plus beautiful plus groovy plus ALIVE plus electric. I hope well for you in the future of whatever you may go through. Remember yourself.” Below, he sketches a heart and adds “to your sister.” In fine condition, with interesting folds and mild creasing and toning; the overall visual appeal of this rare piece remains. Accompanied by a letter of provenance from the original recipient, in part: “In November of 1968, my sister Melinda had a flight from New York to L.A. On the flight roster of important people was the name Jimi Hendrix...She introduced herself & told him she wa s a fan of his & had a brother that really liked his music also. But she was too embarrassed to ask for his autograph...she finally asked him but he said he was a little busy right then...As he was leaving the plane, he went up to my sister and apologized... and said give me your brother’s address and I will send him my autograph. A few days later I received a letter and autograph from Jimi Hendrix.” This incredibly rare letter comes from a significant time in Hendrix’s career-on November 16, 1968, his recently released album Electric Ladyland hit number one on the Billboard charts. Despite his wild success and wilder lifestyle-with nearly any woman he pleased at his fingertips-Hendrix was so enamored with the recipient’s sister that he decided to sit down, compose, and send this incredible letter. Boasting quintessentially ‘out of sight’ content from the iconic rock star, this is an extraordinary piece. Pre-certified REAL. Starting Bid $2500
Jimi Hendrix | February 16, 2017 35
Full Experience lineup dating to the 1969 Royal Albert Hall gigs
7084. Jimi Hendrix Experience Signed Program. Extremely rare program for a concert by the Jimi Hendrix Experience
at London’s Royal Albert Hall on February 18, 1969, 8.25 x 10, eight pages, signed inside on the first page in blue ballpoint by Jimi Hendrix (adding “Love to you”), Noel Redding, and Mitch Mitchell. Also signed by the members of Redding’s band Fat Mattress, including: Neil Landon, Jim Leverton, Eric Dillon, and one other. In very good condition, with heavy intersecting folds and moderate overall creasing. Experience manager Mike Jeffrey scheduled a pair of February shows at London’s Royal Albert Hall on the 18th and 24th, with the aim of producing enough quality material to release a live album by the early summer. The twin dates proved a good idea; the preceding European tour had caused further unrest between Hendrix and his band mates, and was marred by several lackluster performances. Jeffrey’s ulterior motive of recording a television special also seemed in jeopardy, and so when the show on the 18th turned out to be a disaster, with Mitchell and Redding sleepwalking through the set, the show of the 24th proved the savior. Much to Jeffrey’s delight, the band entire showed up for the second concert, with Hendrix throwing out the set list and playing several original blues numbers and a rare encore with Traffic’s Dave Mason and Chris Wood, and percussionist Rocki Dzidzornu. These were the final UK concerts consisting of the original Experience lineup. Pre-certified REAL. Starting Bid $1000
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Remarkable autograph album featuring Hendrix and The Who 7085. Jimi Hendrix and Keith Moon Signed Autograph Book. Superb mid-to-late 1960s autograph book, 4.75 x 4,
signed inside by a slew of British rock bands, with two members of the Jimi Hendrix Experience signing on a single page, “Love Always, Jimi Hendrix,” and “Noel Redding, xx,” and two members of The Who on individual pages, “Keith Moon,” and “John Entwistle.” Hendrix also sketches a small heart below his signature. Other bands identified inside include the Artwoods (led by Ronnie Wood of the Rolling Stones, his brother Art Wood, Keef Hartley, and future Deep Purple keyboardist and founding member Jon Lord), Ultra Sounds, The Trend, Graham Bell, the Jimmie Brown Sound, the Alan Bown Set, the Honeycombs, the Quotations, the Golden Brass, West Bank Avenue, Distortion, The Symbols, and Pinky & the Phellows. In fine condition, with wear to covers and fragile spine. Accompanied by a modern reprint photo of Hendrix with The Who. The Who and the Jimi Hendrix Experience appeared together at the Saville Theatre on January 29, 1967, in a show produced by Beatles manager Brian Epstein; consignor notes that these signatures were acquired that very night. Pre-certified REAL. Starting Bid $1000
Fantastic 1967 handbill signed by the little-known opening act—Jimi Hendrix 7086. Jimi Hendrix Signed Handbill. Rare signed handbill for a Jimi Hendrix concert held at the Capitol Theatre in Cardiff, Wales, on April 26, 1967, 5.5 x 9, signed and inscribed on the reverse in blue ballpoint, “to Susan, Love & Happiness forever, Jimi Hendrix,” who has added “to” below. Top edge bears a collector’s date notation. In very good condition, with a trimmed bottom edge, a clipped upper right corner tip and toned adhesive remnants to top edge, a mounting remnant to lower right corner tip, and scattered folds and creases (affecting a portion of the inscription and the top of the signature). Accompanied by a certificate of authenticity from Tracks and an e-mail from the original recipient, in part: “I was on my way home from school and happened to look towards a lake near where I lived and Jimi Hendrix was in a rowing boat. His roadey was actually doing the rowing. He rowed over towards the bank where I was standing and Jimi signed the flyer. I asked him to dedicate Hey Joe to me (as I was going to the concert that evening) and after he sang it, he said it was for Sue who I met this afternoon.” Accompanied by a copy of a photo of Hendrix sitting backstage with Cat Stevens, Humperdinck, and Gary Walker. Buried behind the chart-topping Walker Brothers, Cat Stevens, and Engelbert Humperdinck, the Jimi Hendrix Experience received modest billing on their stop at Cardiff’s Capitol Theatre on April 26th. By the time they returned for their second show there in November of the same year, they were one of the most sought-after tickets in live music, soaring high off the successful debut of Are You Experienced and their now-legendary performance at the 1967 Monterey Pop Festival. A remarkable early handbill-uncommon and sought-after in its own right-from just months before his rise to rock stardom. Pre-certified REAL. Starting Bid $1000
Jimi Hendrix | February 16, 2017 37
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From Hendrix to Zeppelin— vintage signatures from classic rock’s greatest performers 7087. Classic Rock Legends Signatures: Hendrix, Led Zeppelin, Deep Purple, Canned Heat. Incredible collection of vintage signatures from the Jimi
Hendrix Experience, Led Zeppelin, Deep Purple, Canned Heat, and Buffalo Springfield, each band signing on individual off-white 8.5 x 11 sheets of Denny’s Music Shop letterhead. The Jimi Hendrix Experience sheet, signed in blue ballpoint, “Stay Groovy, Jimi Hendrix,” “Best wishes, Noel Redding, Jimi Hendrix Experience!” and “Take care! Mitch”; the Led Zeppelin sheet, signed and inscribed in pencil, “To Denny, best wishes & thanks, Jimmy Page,” “Best wishes, Robert Plant,” “Best wishes, John Bonham,” and “Good Luck & Thanks, John Paul Jones,” with collector’s notations along the top (including an earlier form of the band’s name “Led Zeppilen”); the Deep Purple sheet, signed and inscribed in black ballpoint, “To Denny, Regards from Ritchie Blackmore, Guitar, 22 yrs,” “To Denny’s, regards from Rod Evans of ‘Deep Purple,’ age 21 yrs…,” “Regards to Denny’s Music Shop, Ian Paice, age 20 yrs, drums,” “All the Best to ‘Denny’s,’ Nicky Simper, 23 years, Bass,” and “Thanks Denny, Jon (organ, age unimportant),” with collector’s ink notations to top; the Buffalo Springfield sheet, signed in black ballpoint, “Merry Christmas & love from Buffalo Springfield, Jim Price,” “Don Poncher,” “Dewey Martin,” “Gary Rowles,” “Bob Apperson,” and “David Price”; and the Canned Heat sheet, signed and inscribed in black ballpoint, “To Denny’s, Alan Wilson, harp, slide guitar, vocal, 25 yrs. old,” “To Denny’s, Boogie is it, Bob Hite, Vocal, 25 yrs.,” “To Denny’s, Henry Vestine—Lead guitar & Raccoon sound effects, 23 years & several months & some days,” “To Denny’s, Fito, Drums,” and “Larry Taylor, Canned Heat,” who signs again at the bottom, adding “Bass, 26.” In overall very good to fine condition. Accompanied by a letter of provenance from original recipient Dennis Handa, in part: “From 1965 through 1973 I owned a music store in Portland, Oregon, called Denny’s Music. Through a friend of mine we became the main source of furnishing stage equipment for major concert tours in the Northwest USA. In the 60’s–early 70’s bands typically would bring their personal gear but would send a Rider ahead requesting what they needed for onstage gear. This was before the big trucks, lighting etc...My store had an arrangement with Sunn Amplifiers and Fender to furnish gear for the Concerts as part of a PR program for the companies.” The first concert Denny’s supported was a Jimi Hendrix Experience, Vanilla Fudge, and Soft Machine showcase at Portland’s Memorial Stadium in September 1968, with Handa attesting that he obtained the signatures backstage after the concert. When Led Zeppelin arrived in the northwest in December 1968, Denny’s received a call stating that snowy roads had prevented the band’s personal gear to arrive at their next gig at Portland’s Civic Auditorium. Handa agreed to provide instruments and the band showed up at his store later that day, with Page choosing an Epiphone Casino guitar, Bonham a Ludwig drum set, and Jones a Fender Precision bass. After selecting their equipment, the band and Handa celebrated at a local pub: “I remember everyone looking at them strange, thinking they were just some hippies...They were very young and this was at the start of their career and US tours.” Handa obtained their autographs when he collected the instruments. That same month, Denny’s arranged equipment at Portland’s Elk Temple for Deep Purple, furnishing the band with Fender gear and hanging with them after the concert in a back room where the band played an impromptu concert and Handa obtained their autographs. Additionally, Handa notes that both the Canned Heat and Buffalo Springfield signatures were obtained after concerts Denny’s had supplied with extra stage gear. Given the period of these signatures and the successive impact each of these bands would have on the domain of classic rock, this is an unprecedented assortment of vintage autographs, boasting some of music’s most sought-after and influential names. Pre-certified REAL. Starting Bid $1000
Jimi Hendrix | February 16, 2017 39
Fabulously rare unused cover proof for Electric Ladyland 7088. Jimi Hendrix Experience: Electric Ladyland Alternate Album Cover Proof. Exceedingly rare alter-
nate album cover proof designed for Jimi Hendrix’s 1968 masterpiece Electric Ladyland, 12 x 12.5, portraying Hendrix with Mitch Mitchell and Noel Redding, along with psychedelic comic book-style text, “Electric Ladyland, The Jimi Hendrix Experience.” Double-matted and framed to an overall size of 18.5 x 19. In fine condition, with a few mild creases.
This proof was designed by the Warner Bros. Records art department in 1968 as the proposed front cover for Hendrix’s classic double album, but ultimately it was decided to go with the iconic close-up of Hendrix’s head without any text. The image of Hendrix and his bandmates used on this proof was chosen for the back cover, but the final product used an entirely different, more traditional typeface for the text. Proofs like these were produced in very small numbers to be reviewed by the artists and record executives to approve prior to manufacture, and this example comes from a Warner Bros. Records executive. Given that only a few other examples are known to have survived, this is an exceptionally desirable, museum-quality Hendrix piece. Starting Bid $300
Contract for the Jimi Hendrix Experience’s first tour 7089. Jimi Hendrix 1967 Colston Hall Concert Agreement. Rare venue con-
tract, five pages, 8 x 13, no date but circa early 1967. Agreement between the City of Bristol and promoters Harold Davison Ltd., for the rental of Colston Hall for a Walker Brothers concert on April 25, 1967, for a total charge of £73.10.0. Signed at the conclusion by a Harold Davison representative. In fine condition, with a central vertical crease and bent upper right corner tip. On April 25, 1967, the Jimi Hendrix Experience performed a pair of shows at Colston Hall as part of the The Walker Brothers headlining ‘package tour’ alongside other acts like Cat Stevens, Engelbert Humperdinck, The Californians, The Quotations, and MC Nick Jones. This was the Jimi Hendrix Experience’s first-ever tour. Starting Bid $300
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7090. Jimi Hendrix Oversized Photograph. Limited
edition 9 x 13 silver gelatin photo of Hendrix swinging around the back of a convertible, numbered 50/200, matted to an overall size of 15.5 x 19.5. Stamped “Jimi Hendrix” in the lower left, and the mat’s backing bears a “The Jimi Hendrix Exhibition” label. In fine condition. Starting Bid $200
7091. Jimi Hendrix Photograph. Fantastic 8 x 10
silver gelatin photo of Hendrix playing his famous white upside-down Fender Stratocaster guitar. Reverse bears London Features International Ltd. labels. In fine condition, with scattered surface impressions and a notated piece of masking tape to upper border. Starting Bid $200
Jimi Hendrix | February 16, 2017 41
Rolling Stones
Uncommon vintage portrait of the Stones
7093. Rolling Stones Signed Photograph. Vintage glossy 8 x 10 photo of the Rolling Stones on the water with a bridge in the background, signed in blue ballpoint by Charlie Watts, Keith Richards, Mick Jagger, Brian Jones, and Bill Wyman, with one adding “Love!” and an unknown hand adding “Stones” in the upper left corner. In very good condition, with scattered creasing, a small edge tear, tape remnants to corners, and some contrast to the signatures (mainly to the Jagger). The Stones remain scarce in vintage photos of this particular size. Pre-certified REAL. Starting Bid $200
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7095. Rolling Stones Signed Program Page. Vintage ballpoint sig-
natures, “Love, Keith Richard, xx,” “Bill Wyman,” “Brian Jones,” “Charlie Boy, xx,” and “Mick Jagger,” on an off-white 7 x 9.5 program page, signed on the reverse by Julie Grant. In very good condition, with folds, creasing, and trimming. Accompanied by a letter of provenance from the brother of the original recipient, in part: “The autographs were obtained by my sister on Tuesday 25th August 1964 at the Odeon Cinema Weston-super-Mare, Somerset.” Pre-certified REAL. Starting Bid $200
The Stones debut in America as “England’s Newest Hit Makers” 7096. Rolling Stones Signed Album. England’s
Newest Hit Makers album signed on the back cover in black ink, “Mick Jagger,” “Love, Bill Wyman,” “Brian Jones,” “Love, Keith Richards,” and “Charlie Boy, xxx.” In very good condition. The record is included. Accompanied by a full letter of authenticity from REAL. Following the release of their self-titled debut in the UK on April 16, 1964, the American edition of the Rolling Stones’ debut was released by London Records roughly a month and a half later on May 30, 1964. In addition to having a slightly different track listing, the album was accompanied by a subhead, “England’s Newest Hit Makers,” which would inevitably become the official title. A seldom-encountered example of the Stones’ American debut that is enhanced markedly by a full lineup of vintage signatures. Starting Bid $200
Rolling Stones | February 16, 2017 43
Velvet pants shared by Jagger, Richards, and Parsons 7097. Mick Jagger, Keith Richard, and Gram Parsons Worn Blue Velvet Pants. Mick Jagger’s custom-made sage green velvet pants, personally worn and shared by Jagger and band mate Keith Richards, and gifted to musician Gram Parsons circa 1968. The front of the pants consist of two buttons and a zipper, with the rear featuring an adjustable belt. The waist measures approximately 13˝ across, and the pants, with notable high hem, measure approximately 40˝ in length. In very good condition, with extensive wear from use and some staining to back.
Accompanied by a copy of a letter of provenance from John Nuese, a close friend of Parsons and a founding member of the International Submarine Band, dated October 24, 2007, who lists them as “Blue velvet pants, custom made for Mick Jagger, used by Mick and Keith Richards, then given by Mick to Gram Parsons.” Also accompanied by five images: one of Jagger wearing the pants; another showing the pants displayed with two images of the pants being worn on different occasions by Jagger and Richard, the latter sitting with Parsons in the back of a convertible; a third depicting Richards and Parsons in conversation; and two others of Richards and Parsons at Joshua Tree, the location Parsons later died. The high hem of the lower pant leg can be plainly identified in the convertible and Joshua Tree photos, and very clearly match the same pants offered here. The item is also accompanied by various written materials relating to the pants and Parson’s connection and musical relationships with both Nuese and the Rolling Stones. Nuese is widely credited with introducing Parsons to country music while the latter was a student at Harvard University in 1966. The pair formed the country rock outfit The International Submarine Band, and released one full-length album, Safe at Home, before Parsons joined The Byrds roughly two years later. Unsettled by the band’s upcoming concert tour of apartheid South Africa, Parsons left the Byrds during a tour of England in summer 1968 and, with nowhere to go, moved in with Rolling Stones guitarist Keith Richards. The pair developed a close relationship that included clothes swapping and countless hours of playing obscure, heart-tugging country songs. In the book Twenty Thousand Roads: The Ballad of Gram Parsons and his Cosmic American Music, Pamela Des Barres, a mutual friend of Parsons and Richards, is quoted as saying: ‘Gram and Keith were kind of in love. I’m sure they never did anything physical, but they had this incredible mutual admiration society. They understood each other and wanted to take parts of each other and make them their own…They took different pieces of clothing from each other and traded. Gram started wearing makeup like Keith and Keith started wearing Nudie bells. It was incredible to watch.’ Unfortunately, much of Parson’s willingness to enjoy the Rolling Stones lifestyle attributed to increased drug use, his ousting from The Flying Burrito Brothers, and a prolonged lapse in original material. Parsons passed away at the age of twenty-six from an overdose of morphine and alcohol. These pants, worn by three legitimate heroes of the 1960s rock landscape, neatly tie together the intimacy shared by Parsons and his friends in the Rolling Stones. Starting Bid $1000
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7099. Rolling Stones 1963 Odeon Theatre Handbill.
Vintage original color 10 x 7 handbill for a Rolling Stones performance at Liverpool’s Odeon Theatre on October 13, 1963, listing other acts like the Everly Brothers, Bo Diddley, Bob Bain, The Flintstones, Julie Grant, and Mickie Most, and featuring images of the Everly Brothers in tuxedos and Bo Diddley in western attire. In very good to fine condition, with scattered creasing, a central vertical crease, a few edge tears, and a collector’s notation towards bottom. A wonderfully bright and displayable vintage handbill from the Rolling Stones’ first major UK concert. Starting Bid $200
7100. Rolling Stones Concert Ticket. A beautiful unperforated 7.5 x 10.75 sheet of five blue tickets for a Rolling Stones concert at the Tangerine Bowl in Orlando, Florida, on October 24, 1981, featuring red foil-embossed Rolling Stones ‘tongue’ images. In fine condition. Starting Bid $200
7101. Mick Jagger Signed Sheet Music. Sheet music booklet for ‘It’s Only Rock ‘n Roll,’ six pages, 9 x 12, signed on the front cover in blue felt tip by Mick Jagger. In fine condition, with scattered creasing and stains. Pre-certified REAL. Starting Bid $200
Rolling Stones | February 16, 2017 45
7102. Ronnie Wo o d S i g n e d Poster. Color 25 x
35.5 poster proof of Ronnie Wood’s selfportrait, signed and inscribed in the lower border in blue felt ink by Wood to “Alan and Gwen,” and dated September 14, 1989. Rolled and in very good condition, with overall scattered moderate creasing and edge dings. Pre-certified REAL. Starting Bid $200
7105. Rolling Stones 1973 German Concert Poster. Desirable
color 23.5 x 33 poster for a Rolling Stones concert at the Sporthalle in Koln, Germany on September 4, 1973, showing a David Thorper photo of a painted face on a woman’s nude body, and listing Billy Preston as the special guest. Rolled and in very good to fine condition, with scattered creases and edge tears. Starting Bid $200
Vivid pair of one-of-a-kind 1989 Rolling Stones poster designs 7103. Rolling Stones Pair of Gary Grimshaw Original Artwork.
Original pair of circa 1989 hand-colored preliminary designs for Rolling Stones posters by psychedelic artist Gary Grimshaw, both accomplished on artist’s boards with a mixture of ink, paint, and colored pencil and marker around affixed cutout images of the band. The first piece, 9.75 x 14.25, shows the band with their instruments playing above silver shadows, the band’s logo outlined in red, with “Silver Anniversary” barely visible in the black lower portion; the second, 10 x 15, features the band posing together with sunglasses, the band’s logo filled in red, with the lower portion listing the supporting act, “Living Colour,” and concert information, “October 25-26-28-29, Shea Stadium.” Pencil notations immediately below the band read: “Steel Wheels Tour—1989.” Both boards are signed twice along the bottom in black ink by Grimshaw, who adds “1989 ArtRock.” In overall fine condition. Grimshaw initially made his name as the main poster artist for Detroit’s Grande Ballroom. Influenced by Stanley Mouse, Rick Griffin, and Victor Moscoso, Grimshaw has earned his own place within the rock and roll art scene by producing psychedelic posters for bands like Cream, The Who, and the Jimi Hendrix Experience. These preliminary mock-ups were created for the Rolling Stones in order to gain their approval for poster production—unfortunately, however, they were not approved and therefore never printed. Overall, this is wonderful, unique original artwork by one of rock’s most esteemed artists. Starting Bid $200
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7106. Rolling Stones 1976 German Concert Poster.
Appealing color 23.5 x 33 poster for two Rolling Stones concerts at Olympiahalle in Munich, Germany on June 16 and 17, 1976, depicting the band at the base of a large mountain, with text reading below, “Rolling Stones, Tour of Europe, ‘76.” Rolled and in fine condition, with a central horizontal fold. Starting Bid $200
7107. Rolling Stones 2016 Cuban Concert Poster.
Original limited edition green-and-black 19.5 x 27.5 poster commemorating the Rolling Stones’ historic concert at the Ciudad Deportiva in Havana, Cuba on March 25, 2016, numbered #2/50, blindstamped in the lower corners by Estudio Arnes. Rolled and in fine condition, with some surface scuffing. Designed by famed Cuban artist Aristides E. Hernandez and produced by Estudio Arnes, only a small batch of 50 were made.Starting Bid $200
7108. Rolling Stones Set of (3) Lithos Signed by John Rowlands. Three limited edition 19 x 13 artist proof prints, each signed in the lower border in pencil by photographer John Rowlands: one color print showing the Rolling Stones in concert in 1975, numbered AP 2/15; another color print showing the Rolling Stones in concert, numbered AP 9/15; and a black-and-white print of a shirtless Mick Jagger, numbered AP 8/15. In overall fine condition. Starting Bid $200
Rolling Stones | February 16, 2017 47
7109. Rolling Stones Photograph.
Glossy 10 x 8 silver gelatin photo of the Rolling Stones during a sweaty performance, showing Mick J a g g e r, B i l l Wyman, and Keith Richards together. Reverse bears a Michael Putland photographer’s stamp. In fine condition, with a red notation to top edge. Starting Bid $200
7112. Mick Jagger Set of (3) Photographs. Three silver gelatin photos of Mick Jagger, 8 x 10 and 10 x 8, including: a glossy photo of Jagger smoking a cigarette on stage, bearing a Michael Putland credit stamp on the reverse; a glossy photo of him shirtless and swinging a microphone stand, also bearing a Putland credit stamp; and a satin-finish portrait of him wearing a white satin floral shirt, credited on the reverse to Malcolm Heywood. In overall fine condition. Starting Bid $200
7110. Rolling Stones Pair of Photographs. Two
excellent silver gelatin photos: a satin-finish 9.5 x 12 photo of Mick Jagger holding two harmonicas and speaking to a reporter, bearing an affixed London Features International Ltd. label on the reverse; and a glossy 8 x 10 photo of the shirtless Jagger during a wild performance with the rest of the band seen in the background, bearing a Michael Putland photographer’s stamp on the reverse. In overall fine condition, with scattered creasing (heaviest to the oversized photo). Starting Bid $200
7113. Keith Richards and Ronnie Wood Set of (3) Photographs. Three sharp photos of the Rolling Stones guitar-
ists: a glossy 8 x 10 silver gelatin photo of Keith Richards posing with his shirt open in front of a rustic shed, bearing a Michael Putland credit stamp on the reverse; a satin-finish 8 x 10 photo of Ronnie Wood playing his Fedner Telecaster, bearing a Dave Plastik/Retina Ltd. label on the reverse; and a glossy 6 x 8 silver gelatin close-up photo of Richards, bearing a London Features International Ltd. stamp on the reverse. In overall fine condition. Starting Bid $200
7111. Mick Jagger Set of (3) Photographs. Three glossy 6
x 8 silver gelatin photos of Jagger: one of him on stage at an outdoor venue during their 1981 tour, reaching out toward the massive audience; one of him playing his Gibson SG guitar during their 1982 tour; and another of him standing on stage during the 1982 tour. All bear Michael Putland photo credits on the reverse. In overall fine condition. Starting Bid $200
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The Doors
The Doors sit with Guy Webster in 1966
7114. The Doors Set of Guy Webster Photographs and Color Slides. Highly appeal-
ing set of photographic material by Guy Webster, deriving from a photo session with The Doors in 1966, including: four identical 2 x 2 color slides of the band in an upward angle pose, with one slide annotated in blue ink, “1966/1999, Guy Webster”; an original Kodak 3.75 x 4.75 color negative of the band, depicting a large portrait of Jim Morrison layered over the other three members; a series of six satin-finish photos, four of which are 11 x 14 portraits of each band member, with the remaining two 14 x 11 full band pictures (five of the pictures are annotated on the reverse in blue ink, “1966/1999, Guy Webster”). In overall fine condition. Webster is considered an early innovator of rock-and-roll photography, and is famous for capturing a variety of legendary acts at the peak of their creative energies, including The Rolling Stones, The Mamas and the Papas, The Beach Boys, The Byrds, Simon and Garfunkel, and Chicago. His most famous photo, however, is probably the classic image of Jim Morrison with his hand outstretched toward the camera. An uncommon, highly displayable selection of photographs taken at the start of The Doors’ most iconic period. Starting Bid $200
7115. The Doors 1967 KRNT Theater Concert Ticket. Origi-
nal unused pink 4 x 1.25 concert ticket for a performance by The Doors at the KRNT Theater in Des Moines, Iowa, on September 27, 1967, at 8:00 p.m., issued for Left Section H, Row 15, and Seat 23. In fine condition. A truly crisp example. Starting Bid $200
The Doors | February 16, 2017 49
7116. The Doors Signed Photograph: Manzarek, Krieger, and Densmore. Color glossy 10 x 8 photo of The Doors, signed in blue felt tip by Ray Manzarek, Robby Krieger, and John Densmore. In fine condition. Pre-certified REAL. Starting Bid $200
7117. The Doors Photograph. Glossy 8 x 10 silver gelatin
photo of The Doors in a casual setting, with Jim Morrison seated at lower right. Reverse bears a London Features International Ltd. stamp and label. In fine condition, with two bits of adhesive remnant to upper blank border. Starting Bid $200
7118. The Doors and Others Set of (5) Tickets. Five unused tickets for performances at the KRNT Theater in Des Moines, Iowa, 4 x 1.25, dating from 1967 to 1972, for shows including: The Doors, The Johnny Cash Show, Bread, The Supremes, and Homer & Jethro. In overall fine condition. Starting Bid $200
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Grateful Dead
Stunning original 1979 enameled gold ‘Steal Your Face’ pendant by Owsley ‘Bear’ Stanley 7120. Grateful Dead Gold ‘Steal Your Face’ Pendant By Owsley Stanley.
Beautiful circa 1979 circular Grateful Dead ‘Steal Your Face’ pendant made by Owsley ‘Bear’ Stanley, .9999 gold and enamel, measuring .75˝ in diameter, 13.6 grams, engraved on the reverse, “Apr. 1979, OS.” In fine condition, with tiny imperfections to enamel on the right side. Owsley ‘Bear’ Stanley was a central figure in the 1960s San Francisco music scene and in the history of the Grateful Dead. He began as an LSD manufacturer and later became involved in operating the Grateful Dead’s soundboard, pioneering cutting-edge sound systems and archiving hundreds of their live shows. He began working with gold and enamel in 1977, and originally gave this piece to the consignor in 1979. The consignor met Bear in spring 1978 when working the soundboard for opening acts at a Robert Hunter show. There was a ‘technical delay’ before Hunter came on, and he found that the sound equipment had been disassembled and was being put back together by Bear, who did not like the way it was wired. Bear later showed him some of the enameled jewelry he was working on, and said he was making something that might be of special interest. The following spring, the consignor purchased this ‘Steal Your Face’ pendant from Bear at a Grateful Dead show. An early example of one of Bear’s legendary enamel pendants, this is an incredibly desirable piece. Starting Bid $1000
The 1993 Grateful Dead lineup 7121. Grateful Dead Signed Photograph. Satin-finish 10 x 8 publicity photo of the Grateful Dead circa 1993, signed in black felt tip by Jerry Garcia, Billy Kreutzmann, Vince Welnick, Bobby Weir, Phil Lesh, and Mickey Hart, with one adding in the upper left, “Get well, gal!” In fine condition, with brushing to Kreutzmann’s signature. Accompanied by a full letter of authenticity from REAL. Boldly signed by each pictured Dead member, this is an ideal example further enhanced by its pristine condition. Starting Bid $300
Grateful Dead | February 16, 2017 51
Riding with Jerry and the Dead 7122. Grateful Dead Signed Photograph. Great color
semi-glossy 10 x 7.75 photo of the Grateful Dead posing with a motorcycle against a surreal rainbow and storm background, signed in blue felt tip by Jerry Garcia, Phil Lesh, Brent Mydland, and Bob Weir. In fine condition, with contrast to Garcia’s last name against his facial area. A tremendously attractive signed photo highlighted the presence of the band’s influential frontman. Pre-certified REAL. Starting Bid $200
West 70th, New York City—1988 document signed by Garcia, Weir, and Rock Scully
7123. Grateful Dead Signed Document. DS, signed “Jerry Garcia” and “R. Weir,” eleven pages, 8.5 x 11, October 6, 1988. An agreement outlining details for a penthouse renovation at 213 West 70th Street in New York by which Garcia and Weir hire Gibco Builders, including “demolition…Intercom, Carpet, renovation of Public Corridors except as noted.” Document is housed in a binder with numerous other papers and documents related to the project, including a New York certificate of capital improvement, January 30, 1989, signed again by Bob Weir, “R. Weir.” Two additional documents are signed by Rock Scully, a longtime manager of the band. Expected document wear and tears to binding holes to the first page, otherwise fine condition. Accompanied by a full letter of authenticity from PSA/DNA. Garcia and Weir first met on New Year’s Eve 1963, befriending over a love of the Beatles and soon forming a band called Mother McCree’s Uptown Jug Champions, which over time was renamed The Warlocks and, eventually, the Grateful Dead. An intriguing East Coast document that presents opportunity for further Dead research. Pre-certified REAL. Starting Bid $200
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Multi-signed playing card Dead design from 1989 7124. Grateful Dead Signed Pelon. Brilliant color t-shirt
artwork pelon of falling Grateful Dead playing cards, including a queen of hearts, an ace of spades with skull, a pair of Dead-style kings, and a card listing locations for upcoming shows. Signed in black felt tip by Jerry Garcia, Bobby Weir, Phil Lesh, Mickey Hart, Vince Welnick, and Bill Kreutzmann. In fine condition. Accompanied by a full letter of authenticity from REAL. This particular design was used for a series of east coast shows in October of 1989. A highly attractive display piece with fantastic imagery, enhanced furthermore by the low quantities in which these scarce pelons were printed. Starting Bid $300
7125. Grateful Dead Pellon. Awesome circa
1988 color 15.75 x 19.75 tshirt artwork pellon of a skeleton surfing across the state of California below a massive sun and a huge Grateful Dead logo, designed by artist Rick Griffin. In fine condition. An immensely attractive display piece with brilliant color. Pellons are used to print samples of a t-shirt design before a larger run is made; they are rare, as only a few of each were made. Rick Griffin, universally considered to be the greatest rock artist of all time, grew up amidst the surfing culture of southern California and began drawing the comic strip ‘Murphy’ for Surfer magazine in 1961. He later became known as a leading designer of psychedelic concert posters and a contributor within the underground comix movement. Starting Bid $200
7126. Grateful Dead Liberty Artwork.
Amazing original hand-painted Grateful Dead artwork, accomplished in graphite, ink, and gouache on 13.75 x 13.75 artist’s board, showing the head of a skeletal Statue of Liberty, with sun blazing inside her skull, and set against a starry backdrop and in between a Grateful Dead logo. In fine condition, with a piece of tape to each edge. Starting Bid $200
Grateful Dead | February 16, 2017 53
Magnificent ‘Dead’ album artwork 7127. Grateful Dead Dave’s Picks Volume 8 Original Artwork. Fantastic original hand-painted gouache and ink
album artwork for the cover of the Grateful Dead live threeCD set Dave’s Picks Volume 8, 16 x 11.5, signed in the lower right in pencil by the artist, “2013, Timothy Truman.” The excellent artwork portrays a patriotic Civil War-styled skeleton band complete with guitars and drums. Professionally framed with acid-free matting, archival hinges, and UVresistant museum glass to an overall size of 30.5 x 25.5. In very fine condition. Accompanied by five of Truman’s digital model sheets and reference prints used in the creation of this artwork, all signed by Truman. The limited edition CD set, released in 2013, features the complete Grateful Dead concert from November 30, 1980, at the Fox Theatre in Atlanta, Georgia. With superb detail and an interesting image, this is a wonderful and unique piece. Starting Bid $300
The history of Garcia’s guitars
7128. Jerry Garcia Guitar Artwork by Timothy Truman. Collection of three original hand-painted gouache artworks
depicting Garcia playing his guitars “Wolf,” “Rosebud,” and “Tiger,” 9.75 x 15, all signed in black ink in a lower corner by artist Timothy Truman, dated 2011, and labeled with the name of the guitar. Each is professionally framed with acid-free matting, archival hinges, and UV-resistant museum glass to an overall size of 19 x 25. In overall very fine condition. An exceptional chronicle of the guitars Garcia famously played throughout his career. Starting Bid $300
54 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Massive painting of the Grateful Dead lead man 7129. Jerry Garcia Original Painting By Ocean Clark.
Enormous original painting of Jerry Garcia holding his guitar by his side, acrylic on stretched canvas, 35 x 45.5, signed in the lower right in paint by the artist, “Ocean Clark.” In fine condition. Starting Bid $200
7130. Grateful Dead Lithograph Signed By Hirschfeld. Wonderful limited edition 24 x 16.75 Al Hirschfeld print entitled ‘The Grateful Dead,’ showing the legendary jam band in Hirschfeld’s trademark style, numbered 270/350, and signed in the lower right in pencil by the artist. Matted and framed. In fine condition. Accompanied by a certificate of authenticity from the Garcia Weir Gallery. Pre-certified PSA/DNA. Starting Bid $200
Grateful Dead | February 16, 2017 55
7132. Grateful Dead Lot of (5) Bill Graham Handbills.
7131. Grateful Dead 1981 German Concert Poster.
Beautiful color 33.25 x 24 poster for a Grateful Dead concert at Walter-Kobel-Halle in Russelsheim, Germany on October 13, 1981, showing male and female skeletons admiring a sunset view of a huge harbor with several bridges and buildings, with the band logo along the top and “in Concert ‘81” hanging below the firmament. Rolled and in fine condition, with a central vertical crease. Starting Bid $200
Set of five psychedelic ‘Bill Graham presents’ lobby cards designed by Wes Wilson, each 4.75 x 7.5, promoting multi-day concerts at San Francisco’s Fillmore Auditorium, including: a three-day concert on November 18-20, 1966, with the Grateful Dead, the James Cotton Blues Band, and Lothar and the Hand People; a three-day concert on November 25-27, 1966, with Jefferson Airplane, the James Cotton Blues Band, and Moby Grape; a pair of lobby cards for a two-day ‘New Year Bash’ concert on December 30 and 31, 1966, with Jefferson Airplane, the Grateful Dead, and the Quicksilver Messenger Service; and a three-day concert on February 24-26, 1967, with the Grateful Dead, Otis Rush and His Chicago Blues Band, and The Canned Heat Blues Band. In overall very good to fine condition, with general handling wear and pin holes to the February 1967 card and one of the ‘New Year Bash’ cards. Starting Bid $200
7133. Grateful Dead Handbill. Wonderful gold-colored Grateful Dead Fan Club handbill designed by Stanley Mouse, 8 x 10.5, headed “The Golden Road to Unlimited Devotion,” with a photo collage of the band in center and Chinese symbols on either side. The lower portion features an unused mailing section, with $1 membership fee granting access to “Pictures, Interviews, Bumper Stickers, Secrets, Buttons, Bios on Each Dead, Discount on Pig Pen T-Shirts, Personal Answers to Fan Letters.” In fine condition. ‘The Golden Road (To Unlimited Devotion)’ is the opening track from the band’s self-titled 1967 debut album. Images of Garcia on Grateful Dead handbills are very rare, making this a particularly sought-after example. Starting Bid $200
56 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7136. Jerry Garcia Oversized Photograph. Well-com-
posed glossy 9.5 x 12 silver gelatin photo of Jerry Garcia riding a camel in Egypt. Reverse bears an Adrian Boot photographer’s stamp. In fine condition, with scattered creasing and a red mark to the upper right blank border. Starting Bid $200
7137. Jerry Garcia Photograph. Vin-
7134. Grateful Dead Handbill. Scarce color 8.5 x 11 handbill for two Grateful Dead concerts at San Francisco’s Avalon Ballroom on December 23–24, 1966, showing a horned Santa Claus against a surreal spiral pattern, and listing the Steve Miller Blues Band and Moby Grape as the supporting acts. Right border bears a preprinted signature of the artist, Victor Moscoso. Catalog designation FD-40-OHB-A. In fine condition. Victor Moscoso, one of San Francisco’s leading psychedelic poster artists, was a master of color theory and a student of the influential Josef Albers. Starting Bid $200
tage glossy 8 x 10 silver gelatin photo of the thick-bearded Garcia in a leather shirt. Reverse bears a London Features International Ltd. stamp. In fine condition, with scattered creases and corner wear. Starting Bid $200
7135. Grateful Dead 1969 Hyde Park Pass. Scarce or-
ange 8 x 4 backstage pass for a “Free Concert” at London’s Hyde Park on September 6, 1969, listing in the lower left, “Musicians Enclosure, Non Transferable.” In fine condition. Accompanied by a letter of provenance, in full: “This is to confirm the authenticity of the Jefferson Airplane/Grateful Dead backstage pass for the ill-fated Hyde Park free concert 1969. This was an event that I spent some time staying at the Airplane mansion on Fulton St. organizing. The bill would also have included Quicksilver Messenger Service, Sons of Champlin, Joy of Cooking and Ace of Cups. A late pull out by Warner Bros., who were to underwrite the costs of the London portion of the tour caused it to be called off.” Starting Bid $200
Grateful Dead | February 16, 2017 57
Led Zeppelin
Led Zeppelin’s fully signed 1969 debut 7138. Led Zeppelin Signed Album.
Amazing self-titled album crisply signed on the front cover in blue ballpoint by Jimmy Page, and on the back cover in blue ballpoint by Robert Plant, John Bonham, and John Paul Jones. In fine condition, with a few small creases. The record is not included. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the original recipient, reading, in part: “After the concert ended the band left the stage followed by the bouncer. The bouncer then came back across the stage over to us and said Led Zeppelin had invited us backstage to meet...I remember Robert Plant seemed to take a fancy to me (I was 17 years old at the time) and we ‘snogged’ and he chatted for a while. He said he’d like to take me home—I didn’t know if he was serious or not but I had a boyfriend... so I just laughed it off. However he signed my LP cover and kindly passed it to the rest of the band.” Obtained backstage at the Liverpool Stadium on November 29, 1971, this remarkable album is perhaps the most pristine fully signed example we’ve ever offered, and made rarer still by the generational attitude, a period in which autograph-seeking had grown passe within musical and counterculture fandom. A true piece of rock history signed by all four original band members while the band were on tour promoting their newest material, the landmark Led Zeppelin IV album. Pre-certified REAL. Starting Bid $2500
58 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7140. Led Zeppelin Signed Program Page. Desirable color program page featuring a
marquee sign reading, “Tonite 800 PM, Led Zeppelin, Sold Out,” 9 x 12, signed in ink during the late 1980s by Jimmy Page, Robert Plant, and John Paul Jones. In fine condition, with scattered creasing and skipping to Jones’s signature. Accompanied by a full letter of authenticity from REAL. Starting Bid $200
Vibrant hand-colored Led Zeppelin artwork
7141. Led Zeppelin Gary Grimshaw Original Artwork.
One-of-a-kind original pair of hand-colored preliminary designs for a Led Zeppelin 20th Anniversary poster by psychedelic artist Gary Grimshaw, both 6 x 9.25, individually affixed to slightly larger mats, signed on the mats in black ink, “1988 ArtRock, Gary Grimshaw,” adding “Sketch #1” and “Sketch #2” to the respective work. Accomplished with a mixture of ink, paint, and colored pencil and marker around affixed cutout images of the band, with differing “Led Zeppelin” logos, “20th Anniversary” text, and background designs; both pieces share a noticeably purple and magenta color pattern. In overall fine condition. Influenced by Stanley Mouse, Rick Griffin, and Victor Moscoso, Grimshaw has earned his own place within the rock and roll art scene by producing eclectic posters for bands like Cream, The Who, and the Jimi Hendrix Experience. A band’s approval must be obtained before printing a poster using their name and likeness; these preliminary mock-ups were created for Led Zeppelin for this purpose. The final “20th Anniversary” poster featured the background from the first sketch and the logo from the second, with a Zeppelin airship added behind the logo. Starting Bid $200
7142. Led Zeppelin 1980 Chicago Ticket.
Still-sealed unused yellow 5.5 x 1.75 ticket for a Led Zeppelin concert to be held at the Chicago Stadium on November 10, 1980, seat number F29 in aisle 1 of section A, affixed to a certificate of authenticity indicating that this original ticket was “cancelled due to the death of legendary drummer John Bonham-the day the tickets were released, September 25, 1980.” In fine condition. Starting Bid $200
7143. Led Zeppelin Oversized Photograph.
Matte-finish 12 x 10 silver gelatin photo of Jimmy Page and Robert Plant performing, with John Bonham barely visible at the drum kit in the background. Reverse bears a London Features International Ltd. label. In fine condition, with scattered creasing (heaviest to corners). Starting Bid $200
Led Zeppelin | February 16, 2017 59
Pink Floyd
The four writers of The Wall 7144. Pink Floyd Signed Album.
Coveted The Wall album signed and inscribed on the front cover in black felt tip, “To David, David Gilmour,” and in black felt tip, “Nick Mason,” “Roger Waters,” and “Richard Wright.” In very good to fine condition, with a ring of wear, rubbing, and a sticker remnant to upper right corner. The record is not included. This fully signed copy of The Wall, the last studio album to feature Pink Floyd’s classic early lineup, features a bold cast of autographs against a crisp and wholly iconic background. A highly sought-after piece. Pre-certified REAL. Starting Bid $500
Yuletide greetings from Pink Floyd 7145. Pink Floyd Signed Holiday Card. Wonderful off-white 5 x 3.5 greeting card with mistletoe design and printed holiday greeting, signed in black ballpoint, “Rog,” and in blue ballpoint, “Rick,” “Nick,” and “David.” Published by Delgado. In very good to fine condition, with two strips of toned tape remnants to each vertical edge, and some scattered ink flecks, mainly to upper left. Accompanied by a 1969 UK Pink Floyd tour program. An uncommon early example of the classic Pink Floyd lineup, only months removed from the release of their fourth full-length album, Ummagumma, a double album that earned the band their first taste of high chart standings as they pushed forward without founding member Syd Barrett. Pre-certified REAL. Starting Bid $300
60 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Incredibly rare fully signed 1972 Dark Side of the Moon tour program
7146. Pink Floyd Signed Program. Exceedingly rare unofficial 1972 UK Dark Side of the Moon tour program, six pages,
8.5 x 11, signed on the front cover in blue ballpoint by David Gilmour and Richard Wright, and red ballpoint by Roger Waters, and signed on the back cover in blue ink by Nick Mason. The program can be opened so that all signatures are displayed. In very good condition, with intersecting folds, scattered creasing, and some fading to Mason’s signature. An amazing and immensely rare piece not just of Pink Floyd history, but of music history itself-Dark Side of the Moon would go on to become the longest charting album ever released. A true Pink Floyd relic signed during a most pivotal period in the band’s history. Pre-certified REAL. Starting Bid $500
Pink Floyd | February 16, 2017 61
Michael Jackson
7148. Michael Jackson Signed Photograph. Color glossy
10 x 7.75 photo of Jackson performing in front of a sea of people during the Dangerous tour, prominently signed in silver ink. In fine condition, with skipping to signature. Accompanied by a photo taken at the time of signing, as well as a certificate of authenticity from PSA/DNA. Pre-certified REAL. Starting Bid $200
7150. Michael Jackson Set of (4) Photographs. Four glossy silver gelatin photos of Michael Jackson: a 6 x 8 photo of Jackson in his famous ‘Beat It’ leather jacket; a 6 x 8 photo of Jackson performing in his badge-adorned ‘Bad’ era leather outfit; a 7 x 9 photo of Jackson at the 1989 Soul Train Awards in Los Angeles; and a 10 x 8 photo of Jermaine and Michael Jackson in concert during the Victory Tour. In overall fine condition. Starting Bid $200
7149. Jackson Five Set of (3) Photographs. Three glossy silver gelatin photos of the Jackson Five, including: an 8 x 10 photo of the group posing on a park bench; a 10 x 8 photo of the Jackson Five performing on stage, dated 1972 on the reverse; and an 8 x 6 photo of The Jacksons performing in later years. All bear London Features International Ltd. labels on the reverse. In overall very good to fine condition, with scattered creasing and an absent lower right corner tip to the 10 x 8 photo. Starting Bid $200
62 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Country
The country music pioneer’s spelling book
7151. Jimmie Rodgers Signed Book. Singer-songwriter (1897–1933), known as the ‘Singing Brakeman’ and ‘Yodeling Cowboy,’ who melded jazz, blues, and Southern mountain music, and became one of the first superstars of country music, and one of the original inductees into the Country Music Hall of Fame in 1961. Scarce 1841 The Elementary Spelling-Book, 4.25 x 6.75, signed on the inside of the back cover in black ink, “Jimmie Rodgers.” Presented in a 12.25 x 8.25 picture box with a nameplate affixed to the viewing glass and soft lining to the interior. In very good condition. Despite the fragile state of the book, Rodgers’s signature remains bold and clear. Originates from an archive of material from the collection of Rodgers’ aunt and cousins. Pre-certified REAL. Starting Bid $200
Country | February 16, 2017 63
Jazz, Blues, and Standards
Remarkable Kriegsmann portrait inscribed to “D-Dan, my man”
7152. Charlie Parker Signed Photograph. Brilliant vintage glossy 7.75 x 9.5 publicity photo of Parker by James J. Kriegs-
mann of New York, signed and inscribed in fountain pen, “To D-Dan, My man, Best wishes, your friend forever, Charlie Parker.” In very good to fine condition, with trimmed edges and scattered creasing. A remarkable image with a ‘jazzy’ inscription by the sax legend. Pre-certified REAL. Starting Bid $1000
64 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Stunning King-signed Lucille guitar
7153. B. B. King Signed Guitar. Lovely ebony-bodied Epiphone B. B. King Lucille right-handed electric guitar with gold hardware and pearloid fret markers, serial no. 12081505920, signed on the body in silver ink by King. Includes a Gibson hardshell case. In fine condition, with light contrast to the signature due to poor ink adhesion. Accompanied by a full letter of authenticity from JSA. Pre-certified REAL. Starting Bid $200
7154. B. B. King Signed Document. DS, signed “Riley
B. King,” one page both sides, 8.5 x 13.5, March 1, 1962. Popular songwriter’s contract between Macadell Publishing Co., and Ronie Rae, Alan Knight, Maxwell Davis, and B. B. King, in which the latter party transfers the rights to “the original musical composition...at present entitled ‘You Ask Me.’” Signed at the conclusion in black ballpoint by King. In fine condition. Pre-certified REAL. Starting Bid $200
Huge array of blues legends
7155. Blues Legends Multi-Signed Book. Signed book: Blues Who’s Who. First edition. NY: Arlington House Publishers,
1979. Hardcover with dust jacket, 8.75 x 11.25, 775 pages. Signed in various ink types and felt tip by over 70 blues greats, including: Clarence ‘Gatemouth’ Brown, George ‘Wild Child’ Butler, Eddy Clearwater, James Cotton, Bo Diddley, Floyd Dixon, Honeyboy Edwards, Buddy Guy, B. B. King, Sam Myers, Odetta, Pinetop Perkins, Snooky Pryor, Son Seals, Hubert Sumlin, Koko Taylor, Rufus Thomas, Junior Wells, and many more. Also signed and inscribed on the half-title page in black felt tip by the author Sheldon Harris. In fine condition, with a few tears and creases to dust jacket. A highly desirable tome filled with some of the greatest names—both lesser known and widely known—that the blues has to offer. Pre-certified REAL. Starting Bid $200
Jazz / Blues / Standards | February 16, 2017 65
7158. John Lee Hooker TwiceSigned Album Page. Off-white 4.25
x 3.75 album page signed twice in ballpoint by John Lee Hooker. The page is also signed and inscribed in another hand. In fine condition. Pre-certified REAL. Starting Bid $200
7156. Muddy Waters Signed Record. Chess Records 78
rpm single album for ‘I’m Your Hoochie Cooche Man / She’s So Pretty,’ signed on the label in blue ballpoint by Waters. In fine condition. This is arguably one of Water’s most famous tracks. Pre-certified REAL. Starting Bid $200
7157. Blues Legends Set of (5) Signed Albums. Five albums signed by notable blues legends, with titles including: The Fabulous Furry Lewis, signed and inscribed on the reverse in black ballpoint by Furry Lewis and Harry E. Godwin, who adds “6/19/79”; Boogie Woogie House Party, signed on the front cover in blue ink by Meade ‘Lux’ Lewis; Mance Lipscomb Vol. 3: Texas Songster in a Live Performance, signed and inscribed on the reverse in black felt tip by Mance Lipscomb; The All Star Blues World of Maestro Willie Dixon, signed and inscribed on the front cover in ballpoint by Willie Dixon, Lafayette Leake, Buster Benton, Carey Bell, Clifton James, and Freddie Dixon; and Slidewinder, signed on the front in blue ballpoint by J. B. Hutto. In overall very good condition, with some scuffing to albums and light foxing to Lewis. The records are not included. Pre-certified REAL. Starting Bid $200
7161. Paul Butterfield Signed Contract. DS, signed “Paul V. Butterfield,” two pages, 8.5 x 11, October 15, 1968. Agreement between Butterfield and Stanley Kain for the Butterfield Blues Band to appear at the Adelbert Armory in Cleveland on November 9, 1968.” Signed at the conclusion in ballpoint by Kain and Butterfield. Second page is a rider outlining the band’s technical requirements, including “high quality speaker systems such as the Altec A7 or A7-500 ‘Voice of the Theatre’” and stage lights, initialed “PB” in ballpoint by Butterfield. Copies of both pages are also stapled to the contract. In fine condition, with some staining to top of first page. Pre-certified REAL. Starting Bid $250
66 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Unique Miles Davis-inspired trumpet by the ‘father of digital art’
7162. Newport Jazz Festival Trumpet. One-of-a-kind trumpet created by renowned digital artist Laurence Gartel for the 2015 Newport Jazz Festival in honor of the legendary Miles Davis. This ‘Newport Jazz Festival Horn’ is a traditional metal trumpet wrapped in vinyl, prismatic material, and colored duct tape to create a unique piece of art. Gartel has also signed the inside of the bell in black felt tip, adding the date of 2015. The finished Newport horn was also translated into limited edition runs of t-shirts and prints. In fine condition. Considered the ‘father of digital art,’ the New York born-and-raised Gartel has worked in the digital medium for nearly forty years—preceding even the advent of the personal computer. Gartel taught Andy Warhol to use the Commodore Amiga in order to make a Debbie Harry album cover, and was friends with many of those in the NYC art scene. Gartel’s work has been exhibited at the Museum of Modern Art, Long Beach Museum of Art, Princeton Art Museum, and Norton Museum of Art, and is also included in the permanent collections of the Smithsonian Institution’s Museum of American History, Bibliothque Nationale in Paris, and Victoria and Albert Museum in London. He was the official artist of the 57th Annual Grammy Awards, and created a massive Grammy statue wrapped in psychedelic vinyl that still resides at The Recording Academy. Starting Bid $500
Jazz / Blues / Standards | February 16, 2017 67
7163. American Blues and Gospel 1970 Festival Poster. Superb
German color 23.5 x 33 poster for the 1970 American Blues & Gospel Festival at the Circus Krone in Munich, Germany from November 14-19, 1970, showing a pigeon jailed within a guitar frame and listing performers below, including: Sister Rosetta Tharpe, Willie Dixon and the Chicago Blues All Stars, and Champion Jack Dupree. Poster bears two contemporary information labels. Rolled and in fine condition, with minor edge creases and tiny pin holes to corners. Starting Bid $200
7164. Atlanta Jazz Festival Poster. Col-
orful commemorative 20 x 27 poster for the Atlanta Jazz Festival, May 27–30, 1994. Rolled and in very good to fine condition, with scattered creasing. Starting Bid $200
7166. Jim Marshall Set of (7) Jazz and Blues Photographs.
Collection of seven original semi-glossy silver gelatin photos by great music photographer Jim Marshall, including: an 8 x 10 photo of Gerry Mulligan playing his baritone saxophone; an 8 x 10 close-up of Jackie McLean playing his alto sax; a 10 x 8 photo of Benny Golson with his tenor saxophone; an 8.25 x 12.75 photo of Lee Konitz with a cigarette dangling from his fingers, mounted to a same-size board; an 11 x 14 photo of Yusef Lateef playing his tenor sax; a 14 x 11 photo of Charles Lloyd outdoors; and a 14 x 11 photo of Steve Lacy posing with his soprano saxophone. All bear Jim Marshall photographer’s stamps on the reverse. In overall fine condition. Starting Bid $200
7167. Jim Marshall Set of (6) Jazz and Blues Photographs. Collec-
tion of six original silver gelatin photos, mostly semi-glossy, by great music photographer Jim Marshall, including: an 8 x 10 photo of John Coltrane emotionally playing his tenor saxophone; an 8 x 10 photo of Miles Davis and Harry James on stage; an 8 x 10 photo of Thelonious Monk at his piano, taken from behind; an 8 x 10 photo of Blue Mitchell wailing on his trumpet; a 10 x 8 photo of saxophonist Paul Gonsalves and bandleader Duke Ellington; and an 11 x 8 photo of Johnny Hodges affixed to a same-size mount. All bear Jim Marshall photographer’s stamps on the reverse. In overall fine condition. Starting Bid $200
7165. Jim Marshall Set of (6) Jazz and Blues Photographs.
Collection of six original semi-glossy silver gelatin photos by great music photographer Jim Marshall, including: an 11 x 14 photo of Elvin Bishop with his resonator guitar; a 14 x 11 photo of Odetta during an energetic performance; a 10.5 x 7.75 photo of Bukka White and Piano Red affixed to a 14 x 11 mount; a 10 x 8 photo of Big Joe Turner singing into a microphone; an 8 x 10 photo of King Curtis with his tenor saxophone; and a 10 x 8 photo of Bill Graham in front of one of his famous concert posters. All bear Jim Marshall photographer’s stamps on the reverse. In overall fine condition. Starting Bid $200
68 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7168. Jim Marshall Set of (6) Jazz and Blues Photographs. Collection of six
original silver gelatin photos, mostly semi-glossy, by great music photographer Jim Marshall, including: a 6.75 x 10 photo of Ray Charles in studio; a casual 10 x 8 photo of Thelonious Monk relaxed and holding his hat; a cool 8 x 10 photo of King Curtis with his tenor sax; a 10 x 8 photo of Roland Kirk smoking a pipe; a 10 x 8 photo of promoters Bill Graham and Tom Donahue; and a 10 x 8 photo of Bill Graham at his desk. All bear Jim Marshall photographer’s stamps on the reverse. In overall fine condition. Starting Bid $200
7169. Frank Sinatra Signed Document. DS, one
onionskin page, 8.5 x 11, May 1, 1953. An amendment to an agreement between Capitol Records and Sinatra, in which the latter agrees to notify Capitol of any future agreements “which would preclude any of the programs you record for ‘The Capitol Show’ from being sponsored.” Signed at the conclusion in blue ballpoint by Sinatra, and countersigned in black ink by Capitol Records President Glenn E. Wallichs. In fine condition, with some minor edge tears. Pre-certified PSA/DNA. Starting Bid $200
7171. Sammy Davis, Jr. Signed Program and Handbill. Vintage
program for a series of concerts by Sammy Davis, Jr., at Liverpool’s Empire Theatre commencing on April 1, 1963, 6.5 x 8.75, twelve pages, signed on the front cover in black ballpoint, “My best, Sammy Davis, Jr.” Also includes the original color 7 x 4.5 handbill, showing Davis, Jr., on the front, with reverse listing admission prices and theatre information. In overall very good condition, with extensive wear and pin holes to each corner; heavier wear to handbill, including a large tear to center. Pre-certified PSA/ DNA. Starting Bid $200
7170. Frank Sinatra Set of (5) Photographs. Five silver gelatin photos of Sinatra, including: a matte-finish 9.75 x 8 photo of him in profile singing into an NBC microphone; a glossy 6.5 x 8.5 portrait of him in a suit and tie; a glossy 8 x 10 publicity still for the 1964 Rat Pack film Robin and the 7 Hoods; a glossy 10 x 8 photo of Sinatra in another film; and a glossy 10 x 8 photo of Sinatra late in his career. Most bear London Features International Ltd. stamps or labels on the reverse. In overall fine condition, with a few creases. Starting Bid $200
Jazz / Blues / Standards | February 16, 2017 69
Remarkable collection from Garland’s legendary Palace Show Tour
7172. Judy Garland Original 1952 Palace Tour Reel-to-Reel Audio Tape. One-of-a-kind collection of three items, highlighted by a Scotch reel-
to-reel audio tape of a Garland performance from her 1951-1952 Palace Theater Show Tour, from the estate of singer, dancer, and make-up artist Ricky Riccardi. Also included is a Dunhill Rollalite lighter given to Riccardi by Garland, engraved on the top, “Ricky, Love Judy, Palace 1951.” Additionally included are two programs, one listing Riccardi as one of the performers in Judy’s show and signed by him and the other back-up performers; the other program includes an image of him dancing with her during a show. In overall fine condition, with the cover of the signed program missing. Garland’s performances at the Palace were triumphant and received rave reviews—her show lasted for nineteen weeks, breaking all box office records. After her NYC finale on February 24, 1952, Judy went to California to play a four-week engagement at the Los Angeles Philharmonic and, lastly, San Francisco’s Curran Theater from May 26, though June 22, 1952. Based on the tracks this original reel-to-reel tape contains (which includes favorites Get Happy and Over the Rainbow), this was more than likely recorded at the Curran, during an unidentified night of her brief run—a potentially unique offering. Her final night in San Francisco was documented on the 1993 CD Judy Garland in Concert: The Beginning and the End, now out of print. Accompanied by a CD transfer of the tape’s complete 54 minute recording. A remarkable assemblage from this historic period of Garland’s career.Starting Bid $200
70 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
1950s Classic 1950s rock ‘n’ roll shirt worn by Buddy Holly 7173. Buddy Holly’s Personally-Owned and -Worn Dress Shirt. Buddy Holly’s
personally-owned and -worn gray button-up short-sleeved dress shirt made by Don Portuga of Portugal, size “15-M-15.5,” with Holly’s initials written on the tag in an unknown hand. In very good to fine condition, with an overall shade of toning. Accompanied by a letter of provenance from Holly’s widow, Maria Elena Holly, dated April 8, 2010, certifying it as having been owned and worn by Buddy Holly. The pattern on this shirt offers a distinct 1950s vibe, making it an ideal personal piece from a central figure in the early history of rock and roll. Starting Bid $300
Bopper sings the blues: “Memories got me felling way down low” 7174. Big Bopper Handwritten Lyrics. Stage name of J. P. Richardson (1930-1959) whose big voice and exuberant personality made him an early rock and roll star. He tragically died in a plane crash along with fellow musicians Buddy Holly and Ritchie Valens. Handwritten lyrics, unsigned, one lined page, 3.25 x 6.5, no date. The Big Bopper pens the lyrics to an apparently unpublished song entitled “Dim Dim Lights, (Music Soft & Slow).” In part (spelling and grammar retained): “Dim, Dim Lights Music soft & slow / Memories got me felling [sic] way down low / People around me / a laughin and a dancing / But I keep thinking / of Past romancing.” Handsomely double-matted and framed with two images to an overall size of 15.25 x 22. In fine condition. Although this song went unrecorded, it was probably inspired by-or served as the inspiration forearly rock and roller Bill Haley’s 1955 hit, ‘Dim, Dim the Lights, (I Want Some Atmosphere).’ A very bold, clean example of the Big Bopper’s songwriting talents. Accompanied by a full letter of authenticity from PSA/DNA and a full letter of authenticity from REAL. Starting Bid $200
Music of the 1950s | February 16, 2017 71
7177. Fats Domino Signed Document. DS,
7175. Buddy Holly ‘That’ll Be the Day’ Album. Rare That’ll Be the Day mono album with matrix numbers “MG6148T4” and “MG6149T3.” In fine condition. The record is included. Starting Bid $200
signed “Antoine Fats Domino,” one page, 8.5 x 11, June 20, 1977. American Federation of Musicians of the United States and Canada booking contract in which Domino agrees to perform two sets at the Lake Lavon Country Club in Preston, Texas, on July 6, 1977, for a total sum of $4000. Signed at the conclusion in black felt tip by Domino. Attached are two copies of the contract and two letters from an Associated Booking Corp. representative. In fine condition. Pre-certified REAL. Starting Bid $200
7178. Roebuck Staples Signed Document. Gospel
7176. Chuck Berry Signed Guitar. Fantastic gold sparkle SX semi-hollowbody right-handed electric guitar with a silhouette design of Chuck Berry, signed on the pickguard in silver ink, “C. Berry.” In fine condition. Pre-certified REAL. Starting Bid $200
singer and songwriter (1914-2000) who was the patriarch of The Staples Singers, which included his daughter Mavis. DS, one page both sides, 8.5 x 11, January 7, 1959. Standard American Federation of Musicians phonograph recording contract between Vee Jay Records and Staples to record the songs ‘I’m Leaning,’ ‘Going Away,’ ‘So Soon,’ and ‘I’m So Glad.” Signed at the conclusion in ballpoint by Staples. In fine condition. Both PSA/ DNA and Roger Epperson (REAL) have seen this item but, due to lack of exemplars, have not issued an official opinion. As this is a legal document we have no reason to doubt the authenticity of the item. Starting Bid $200
72 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
1960s 7183. The Beach Boys Signed Photograph. C i r c a
7180. Arthur Lee Signed Ticket Stub. Vintage green 2.5 x 3.25 ticket stub for a show at Santa Clara County Fairgrounds on February 11, 1967 (Abraham Lincoln’s 158th birthday), showing President Lincoln playing the guitar, with featured bands The Chocolate Watchband, Mojo Men, and Love, signed on the reverse in black ballpoint by Love’s charismatic lead singer, “Love, Arthur Lee.” In fine condition. Starting Bid $200
7181. Beach Boys Concert Poster. Two-color 17 x 26.75 concert poster for the Beach Boys with special guest Billy Joel at Illinois River Jam III in Peoria on August 9, 1976. Rolled and in fine condition, with a few spots of foxing. Starting Bid $200
7182. Beach Boys Signed Album. Here Comes the Night 12˝ promo single on translucent blue vinyl, signed on the label in ballpoint and felt tip by Brian Wilson, Dennis Wilson, Mike Love, and Al Jardine. In fine condition. The white cardboard sleeve is included. Pre-certified REAL. Starting Bid $200
1964-65 glossy 10 x 8 publicity portrait of The Beach Boys, signed in black ballpoint by Al Jardine, Mike Love, and Brian, Carl, and Dennis Wilson, with all but Love signing first name only. In fine condition. A highly desirable and fully signed example of the band early in their careers. Pre-certified REAL. Starting Bid $200
7184. Jimmy Boyd Signed Document. American singer,
musician, and actor (19392009) who is best remembered for his recording of the song ‘I Saw Mommy Kissing Santa Claus.’ Scarce DS, four pages, 8.5 x 14, April 14, 1964. Agreement between Vee Jay Records and Boyd for a period of one year, in which time the latter “agrees to record and Company will accept commercially satisfactory ‘master’ records of the equivalent of 12 record sides, or more...at 45RPM or the equivalent thereof in playing time.” Signed at the conclusion in blue ballpoint by Boyd, and countersigned by a Vee Jay Records representative. Attached is an artists advance sheet for Boyd. In fine condition, with spots of soiling . Pre-certified PSA/DNA. Starting Bid $200
7185. Bee Gees Signed Billboard Ad. Billboard chart
listing the album Spirits Having Flown at number one, 9.5 x 12.75, signed in felt tip by Barry Gibb, Robin Gibb, and Maurice Gibb. In fine condition. Pre-certified REAL. Starting Bid $200
Music of the 1960s | February 16, 2017 73
“I’d say that guitar is a Gibson ‘Flying Arrow’—Hendrix has one” 7186. Jeff Beck Autograph Letter Signed. ALS
signed “Jeff,” three pages, 6.75 x 9, February 13, [1968]. Letter to Darryl Stolper, in part: “I was so glad to hear Albert King was good. I heard ‘cold feet.’ And had heart failure! Please send copy! As Eric Clapton is soon leaving I thought I may as well give him all the records as well, to give to you. I have a tape recorder ‘Sony.’ Stereo. Solid state so any tapes would be welcome. Please for give my new single! ‘Love is Blue.’ But Mickie Most (my producer) think its a smash for me in Britain as it is No. 1 in U.S.A. I hope you like my version best. There are 8! The flipside is more my scene. A song that Rod [Stewart] and myself wrote. Maybe you could plug it for us! I’m so pleased that you and Mary are cool again...What day is Mary’s birthday! I can’t remember...I still care about her very much. But I try not to think about it for very obvious reasons. Is the new ‘Beach Boys’ album out over there can you get one I heard it supposed to be fantastic...I had an idea, if I find an offer of a hot-rod in a magazine I’ll cut out the ad, and send it, then perhaps we can go from there.” He adds an interesting postscript in the lower right, “Judging by your drawing I’d say that guitar is a Gibson ‘Flying Arrow’—Hendrix has one.” In fine condition. Accompanied by the original mailing envelope and a detailed letter of provenance from the original recipient, a close friend of Beck who first introduced Beck to Mary Hughes. Hughes, a ‘Beach Party’ actress mentioned twice in the Beck song ‘Psycho Daisies,’ became romantically involved with the guitarist and was one of the instigators of Beck’s departure from the Yardbirds—he was spending more time with her than the band. Offering spectacular content on music of the period, this is a truly remarkable letter. Pre-certified REAL. Starting Bid $200
7187. British Rock Collection of (5) Signed Items. Collection of five items consisting of signatures related to 1960s British
rock, including: yellow album page signed in ballpoint by Herman’s Hermits members Barry Whitwam, Derek Leckenby, Karl Green, Keith Hopwood, and Peter Noone, who signs, “Love Herman”; a green album page signed in blue ballpoint by The New Vaudeville Band members Alan Klein, Henri Harrison, Bob ‘Pops’ Kerr, Hugh ‘Shuggy’ Watts, Stan Haywood, and Mick Wilsher; an off-white album page signed in ballpoint by 10cc members Eric Stewart, Tony O’Malley, Stuart Tosh, Paul Burgess, Rich Fenn, and Graham Gouldman; a beige album page signed in ballpoint by The Crazy World of Arthur Brown members Arthur Brown, Drachen Theaker, Vincent Crane, and Sean Greenwood; and a yellow slip signed in black felt tip by Klaus Voormann. In overall fine condition. Starting Bid $200
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7191. Eric Clapton Pair of Signed Programs. Two
7188. James Brown Handbill. Vintage
color 6.75 x 9.5 handbill for a hometown performance from James Brown and the Revue at the Bell Auditorium in Augusta, Georgia, on February 13, 1968, showing the young entertainer with text reading: “A Show for the Entire Family.” In fine condition. Starting Bid $200
programs: one for the 1985 North American Behind the Sun tour, 9 x 13, sixteen pages, signed and inscribed in blue ballpoint, “To Sean, Eric Clapton”; and another for the 1988 25th Anniversary tour, signed and inscribed on the first page in black felt tip, “To Craig, Eric Clapton, 88,” and also signed inside by some of Clapton’s band, including Nathan East and Mark Knopfler. In overall fine condition, with cover wear.Pre-certified REAL. Starting Bid $200
7189. The Byrds Set of (4) Signed Items. Four items:
a pink 6.75 x 5 album page signed in ink by Kevin Kelley, Chris Hillman, and Roger McGuinn; and a set of three Byrds promo cards, each 6.24 x 3.25, individually signed in blue ink by Kevin Kelley, Chris Hillman, and Roger McGuinn. In overall fine condition. Consignor notes that these signatures were obtained during the band’s South African tour of 1968. An uncommon and short-lived Byrds lineup. Pre-certified REAL. Starting Bid $200
7192. Eric Clapton Signed Guitar. Black-bodied Fender Squier Bullet Strat right-handed electric guitar, signed on the white pickguard in blue felt tip by Eric Clapton. In fine condition. Pre-certified REAL. Starting Bid $300
7190. Eric Clapton Oversized Photograph. Vintage satin-
finish 9.5 x 12 photo of Clapton playing his Fender Stratocaster guitar on stage, with a massive drum set seen in the background. Reverse is stamp-dated July 19, 1978, and bears a Simon Fowler photographer’s stamp. In fine condition. A well-known English photographer, Fowler has created album covers for artists including The Pretenders, The Human League, Enya, and Queen. Starting Bid $200
7193. Classic Rock Set of (4) Programs. Rare set of four vintage programs, including: a 1964 Rolling Stones program from the band’s first American tour, 10 x 12.75, twenty pages; a souvenir program for a concert featuring the Grateful Dead, Country Joe and the Fish, and the Young Rascals at the Oakland Auditorium on June 28, 1967, 8.5 x 11, twelve pages; a souvenir program for The Who’s 1971 American tour, 10 x 13, fourteen pages; and an official trilingual program for David Bowie’s 1983 North American ‘Serious Moonlight’ tour, 9.5 x 13, fifty-six pages. In overall fine condition. Starting Bid $200
Music of the 1960s | February 16, 2017 75
7194. Classic Rock Set of (7) Programs. Assemblage of
seven vintage classic rock programs, including: a 1966 North American tour program for the Rolling Stones, showing the cover of their fourth studio album; a program for the 1972 Exile US tour of the Rolling Stones; a program for the 1978 US tour of the Rolling Stones; a program for the 1967 US tour of The Who, featuring wonderful “Life-Lines” sections for each member; a program for the 1967 Surrealistic Pillow tour of Jefferson Airplane; a program for the 1966 US tour of The Mamas and the Papas; and a program for two Siouxsie and the Banshees concerts at Royal Albert Hall on September 30 and October 1, 1983, opening up to a color 27 x 18 poster (from the Robert Smith period). In overall very good to fine condition. Starting Bid $200
Fantastic oversized lenticular album cover
7195. Cream ‘Disraeli Gears’ Lenticular Cover Oversized Display. Unusual oversized 23.5 x 22 lenticular display
of the Disraeli Gears album cover, framed to an overall size of 28 x 26. In fine condition. The psychedelic three-dimensional effect produced by this highly uncommon lenticular print makes for impressive display. Starting Bid $200
7196. Crosby, Stills, and Nash Signed Lithograph.
Color 22 x 14 print of the self-titled Crosby, Stills & Nash album cover, signed in the lower border in pencil by David Crosby, Stephen Stills, and Graham Nash. Rolled and in fine condition, with dings to lower right corner. Pre-certified REAL. Starting Bid $200
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7197. El Tempos Signed Document. DS, five
pages, 8.5 x 14, May 27, 1963. Contract between Vee Jay Records and El Tempos in which they agree “to record...commercially satisfactory ‘master’ records of the equivalent of Eight (8) record sides.” Signed at the conclusion in ballpoint by William Gillison, Billy Taylor, Al Johnson, Willie Lowe, and Otis Toliver. In fine condition. In 1963 the El Tempos released ‘My Dream Island,’ which sold poorly; interestingly, however, Bunny Wailer recorded several successful cover versions of the tune under the title ‘Dreamland.’ Exemplars from this era are virtually nonexistent and, because the band has signed with their legal names, our thirdparty authenticators are unable to render an opinion. As this is a legal document we have no reason to doubt the authenticity of the item. Starting Bid $200
7198. Janis Joplin Oversized 1969 Francesco Scavullo Photograph. Brilliant 8.75 x 12.75 silver gelatin photo of
Janis Joplin in a lively and cheerful full-length pose, taken by Francesco Scavullo during a 1969 photo shoot. In very good condition, with moderate creasing and heavy edge wear, with some emulsion loss. Starting Bid $200
7199. Janis Joplin Photograph. Crystal-clear glossy 6.5 x 8.75 silver gelatin photo of Joplin emotionally wailing into a microphone. Reverse bears an S.K.R. Photos International credit stamp. In fine condition, with trimmed edges, creasing, and surface scuffs. Starting Bid $200
Music of the 1960s | February 16, 2017 77
7200. Lovin’ Spoonful Collection of Signed Photos and Document.
Collection of five items: a DS signed “John Sebastian P/A,” one page, 8.25 x 11, March 21, 1966, for a performance by The Lovin’ Spoonful at Bloomsburg State College; and four color semi-glossy heavyweight photos of the individual members of Lovin’ Spoonful, each approximately 7.5 x 9.5, signed in blue ballpoint by John Sebastian, Steve Boone, Joe Butler, and Zal Yanovsky (first name only), who signs again on the reverse. Also includes a transparent flip-top Plexiglas box presented to Kama Sutra record executive Ian Ralfini for the release of the 1967 compilation album The Best of The Lovin’ Spoonful. In overall very good to fine condition, with scattered creasing and a surface impression on Zal’s photo from his second signature on the reverse, and some holes and paper loss to the document. Pre-certified REAL. Starting Bid $200
7201. New Riders of the Purple Sage Signed Guitar.
Blue sparkle ‘B’ right-handed stratocaster-style electric guitar, signed on the body in silver ink by David Nelson, Buddy Cage, Michael Falzarano, Ronnie Penque, and Johnny Markowski. In fine condition. Pre-certified REAL. Starting Bid $200
7202. Peter, Paul & Mary Signed Photograph.
Glossy 8 x 10 photo of the folk revival group with their instrument cases, signed in black ink by Peter Yarrow, Paul Stookey, and Mary Travers. In fine condition. Pre-certified REAL. Starting Bid $200
7203. The Rivingtons Signed Document. Doo-wop group active during the 1960s known for their single ‘PapaOom-Mow-Mow.’ DS, two pages, 8.5 x 14, November 2, 1964. Addendum to a previous agreement between Vee Jay Records and producer Adam Ross concerning their “producers agreement covering the exclusive service of the artists named herein (The Rivingtons).” Signed at the conclusion in ballpoint by Ross and The Rivingtons members Al Frazier, Carl White, and Sonny Harris. In fine condition. Pre-certified REAL. Starting Bid $200
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7204. Grace Slick Silver Spoon Pendant.
Grace Slick’s silver necklace pendant, measures 1.75˝ in length, with ends featuring a flower design and a small spoon tip. Affixed to a notarized letter of provenance bearing two color 3.5 x 3.5 candid photos of Jefferson Airplane performing on stage; the letter reads, in part: “On May 9th, 1969, I went to a Jefferson Airplane concert in Memorial Hall in Kansas City, Kansas. There wasn’t really any security before the concert. I knew where the dressing room was and wandered down there before the concert…and hung around in the dressing room until people started going out for the concert. I went onto the stage with a group of people from the dressing room and sat on the left side of the stage during the concert and took a couple of photos. While Grace Slick was dancing and singing I saw something glitter from her neck to the floor. After the concert I went over and picked up a small silver pendant with a spoon at one end and a flower at the other.” In fine condition. Accompanied by a certificate of authenticity from Rockaway Records. Starting Bid $200
1974 Tommy call sheets, fully signed by The Who, Clapton, and Ann-Margret 7205. The Who ‘Tommy’ Signed Call Sheets. Remarkable
original Robert Stigwood Organization call sheets from the production of The Who’s 1975 film Tommy for the ‘Pinball Wizard’ scene, three pages, 8 x 13, May 8, 1974, signed on the last page in blue ballpoint by Pete Townshend, Keith Moon, John Entwistle, Roger Daltrey, Eric Clapton, and Ann-Margret. The call sheet offers information concerning the actors and extras needed, time and locations, production staff and equipment required, and various other shooting details for the scene. Notably, the sheet indicates that the sound department must bring, “Playback and tapes ‘PINBALL WIZARD.’ P.A. System.” In fine condition, with some scattered foxing and staining; the signed page remains very clean. Tommy was first released by The Who in 1969, an album they envisioned as a singular ‘rock opera,’ telling the story of a ‘deaf, dumb and blind kid.’ In 1975, it was adapted for the screen with a star-studded cast that included members of The Who, AnnMargret, Eric Clapton, Tina Turner, Elton John, and Jack Nicholson. Pete Townshend oversaw the production of an entirely new Tommy album for the soundtrack, this time using synthesizers to create orchestral arrangements he had envisioned and taking advantage of the available musicians. These original call sheets, signed by key members of The Who and their co-stars, are a truly awesome relic of one of The Who’s most ambitious projects. Pre-certified REAL. Starting Bid $500
Music of the 1960s | February 16, 2017 79
7206. The Who 1966 NME Oversized Photograph. Vintage semi-glossy 11.25 x 7.5 double-weight photo of The Who performing at the New Musical Express poll winner’s concert held at Wembley’s Empire Pool on May 1, 1966. The Beatles played on the same legendary bill, hence the presence of Ringo Starr’s drum kit in the background. Reverse bears three stamps and “Agfa” watermarks. In fine condition, with some edge wear. Starting Bid $200
7207. The Who Photograph. Vintage glossy 10 x 8 silver gelatin photo of The Who band members Roger Daltrey, John Entwistle, Keith Moon, and Pete Townshend. Reverse is date-stamped December 28, 1974, and bears a London Features International Ltd. stamp. In fine condition, with scattered creasing and surface impressions from notations on reverse. Starting Bid $200
The Who bring Tommy to Germany 7208. The Who Signed G er m a n Concert Poster. Fan-
tastic circa 1970 color 33 x 23.5 poster promoting a concert by The Who in Germany, signed in ballpoint by Roger Daltrey, P e t e To w n shend, John Entwistle, and Keith Moon. The poster depicts two hands playing a disintegrating guitar, with large text below, “The Who Live in Germany.” Rolled and in good to very good condition, with overall creasing, tack holes to top and bottom border, and several horizontal tears repaired on the reverse with clear tape. In support of their lauded rock opera Tommy, The Who embarked on a brief European tour at the start of 1970, continuing their trend of the previous year by performing at opera houses. Following showings in Paris and Copehagen, the band played a series of three concerts in Germany—two at the Opernhaus on January 26-27, and the last at the Deutschland Stadt Opera House on the 28th. Roughly two weeks later, The Who recorded their landmark live album Live at Leeds at the Leeds University Refectory on February 14, 1970. Pre-certified REAL. Starting Bid $1000
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Full vintage cast of The Who 7209. The Who Signed Magazine Photograph. Desirable circa 1970 8 x 11 Pop Foto magazine photo of The Who, signed in blue ballpoint by Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon. In fine condition, with some mild scattered creasing. Accompanied by a color 3.5 x 3.5 candid photo of Townshend taken at the time of signing. Pre-certified REAL. Starting Bid $200
7211. The Who: Keith Moon Photograph. Un-
7210. The Who Signed Album. It’s Hard album signed on
the front cover in blue felt tip by Roger Daltrey, Pete Townshend, John Entwistle, and Kenney Jones. In fine condition. The record is not included. Pre-certified REAL. Starting Bid $200
usual glossy 8 x 10 silver gelatin photo of The Who drummer Keith Moon playfully making an angry face, outlined with white editorial paint. Reverse bears an S.K.R. Photos International credit stamp. In fine condition, with scattered creasing, surface impressions, and corner wear. Starting Bid $200
Music of the 1960s | February 16, 2017 81
1970s
7213. ABBA Signed Postcard Photograph. Uncommon circa 1976 color glossy
4 x 6 postcard photo of ABBA, signed in blue ballpoint by Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. In fine condition, with corner wear, two spots of tape residue to top and bottom edges and some signature contrast. Accompanied by copied images of the original mailing envelope. Precertified REAL. Starting Bid $200
Let There Be Rock with Scott and crew 7214. AC/DC Signed ‘ Let There Be Rock’ Album. Let There Be Rock
album signed on the front cover in blue ballpoint, “Bon,” “Cliff Williams,” “Malcolm Young,” and “Angus Young, AC/DC.” In fine condition, with mild edge creasing, purple mark to upper left corner, and transparent acid-free tape to reverse of all four borders. The record is not included. Accompanied by a full letter of authenticity from REAL. Given Scott’s untimely death in 1980, items signed by the lead singer and his AC/DC cohorts are very scarce and extremely desirable. Starting Bid $200
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Debut AC/DC album signed by the classic lineup 7215. AC/DC Signed ‘High Voltage’ Album. High Voltage
album signed on the front cover in black ballpoint, “Bon,” “Malcolm,” “Phil AC/DC,” “Angus Young,” and “Mark Evans.” In very good to fine condition, with scattered creasing and stains, and transparent acid-free tape to reverse of all four borders. The record is not included. Accompanied by a full letter of authenticity from REAL. High Voltage, the full-length debut from AC/DC, received its international release on April 30, 1976, and contained tracks from their two previous Australia-only issued albums, High Voltage and T.N.T. Despite earning initial middling reviews, the album has earned triple platinum status and features stadium anthems like ‘T.N.T.,’ ‘Live Wire,’ and ‘It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll).’ Bearing the alternative cover artwork, this debut album boasts a complete cast of these legendary Aussie rockers, and is made all the more desirable by the presence of both Scott and Evans—Scott tragically died in 1980 as the band were gaining massive international momentum, and Evans was replaced by Cliff Williams in 1977 due to ‘musical differences.’ Starting Bid $200
7216. AC/DC Signed ‘Let There Be Rock’ Album. Let There Be Rock album signed on the front cover in blue felt tip by Cliff Williams, Phil Rudd, and Angus and Malcolm Young, the latter two adding “AC/DC.” In fine condition, with mild edge creasing, and transparent acid-free tape to four reverse edges. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200
7217. AC/DC Signed Album: Angus and Malcolm Young. If You Want Blood album signed on the front cover
in silver ink by Angus and Malcolm Young, with both adding “AC/DC.” In very good to fine condition, with scuffing and a ring of wear, transparent acid-free tape to reverse of all four borders, and a masking tape notation to reverse. The record is not included. Accompanied by a full letter of authenticity from JSA.Starting Bid $200
Music of the 1970s | February 16, 2017 83
Seldom-seen ‘Girls Got Rhythm’ EP with Scott 7218. AC/DC Signed EP Album Sleeve. Scarce Atlantic Recording 45
rpm EP record for ‘Girls Got Rhythm,’ measures 7.25 x 14.75 open, signed on the band image in blue ballpoint, “Bon,” “Malcolm Young,” “Cliff, AC/ DC,” “Angus, AC/DC,” and “Phil, AC/DC.” In fine condition, with scattered creasing and a ‘ring of wear.’ Accompanied by a full letter of authenticity from REAL. An uncommon title and format enhanced furthermore by the presence the band’s legendary second singer. Starting Bid $200
7219. AC/DC Signed Guitar. Red-bodied right-handed
Gibson Epiphone electric guitar, signed on the body in black felt tip, “’For Those About to Rock!’ Malcolm Young, AC/DC,” “Phil Rudd, AC/DC,” “Cliff Williams, AC/DC,” “Angus Young,” and “Brian Johnson.” In fine condition. Pre-certified REAL. Starting Bid $200
7220. AC/DC: Angus and Malcolm Young Signed Photograph. Glossy 10 x 8 Atlantic Records publicity photo
of the Young brothers playing guitar on stage, signed in blue felt tip by both. In fine condition, with corner creasing. Precertified REAL. Starting Bid $200
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Desirable early AC/DC lineup with Scott and Evans 7221. AC/DC Signed Sticker. Uncommon vintage AC/ DC logo sticker with a baseball cap design, 5 x 6, signed in blue ballpoint by Bon Scott, Malcolm Young, Angus Young, Phil Rudd, and Mark Evans, all but Evans signing with just their first name and adding “AC/DC.” The decal is unused and retains its original backing. Slight creasing, a couple faint spots of discoloration, and a tack hole to cap button, otherwise fine condition. The consignor notes that this was signed during AC/DC’s tour in Tasmania in 1976. Pre-certified REAL. Starting Bid $200
7223. Allman Brothers Band Signed Guitar.
7222. Alice Cooper Signed Album. Billion Dollar Ba-
bies album signed on the front cover in blue felt tip, “Alice Cooper,” “Million Dollar Babies, Billion Dollar Babies, Trillion Dollar Babies, Zillion Dollar Babies, Michael Bruce,” “Dennis Dunaway, Billion $ Babies,” and “Neal $mith.” In very good to fine condition, with a bit of surface loss to top edge and a tear to lower left corner. The record is included. Pre-certified REAL. Starting Bid $200
Cream-bodied Crescent right-handed stratocasterstyle electric guitar, signed on the body and pickguard in black and blue felt tip by Gregg Allman, Jaimoe, Butch Trucks, Warren Haynes, Marc Quinones, Derek Trucks, and Otell Burbridge. In fine condition. Pre-certified REAL. Starting Bid $200
Music of the 1970s | February 16, 2017 85
7224. Allman Brothers Band Signed Pelon. Colorful t-shirt artwork pelon of The Allman Brothers Band logo centered at the top of a wreath consisting of leaves and red mushrooms, reading below, “Gateway 2000 Tour, The Holiday Celebration, December 10, 1994, Sioux City Iowa,” 22 x 19, signed in black felt tip by Gregg Allman, Dickey Betts, Jaimoe, Butch Trucks, Warren Haynes, Allen Woody, and Marc Quinones. Matted and framed. In fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200
7226. Allman Brothers Lot of (12) Checks. Group of six
7225. Allman Brothers Collection of Contracts. Grouping of five American Federation of Musicians of the United States and Canada contracts relating to various concerts, each signed by a secretary or manager, including: an agreement between ICM and Gregg Allman relating to a performance by the Gregg Allman Band at Tommy’s in Dallas, Texas, on March 13, 1989; an agreement between the Paragon Agency and Dickey Betts for an Allman Brothers Band concert at Wings Stadium in Kalamazoo, Michigan, on June 22, 1979; an agreement between Empire Agency and Gregg Allman for a Gregg Allman Band concert at Nick’s Uptown in Dallas, Texas, on December 28, 1983; an agreement between the Paragon Agency and Chuck Leavell for a Sea Level concert at the Scope Arena in Norfolk, Virginia, on September 4, 1977; and an agreement between the Associated Booking Corporation and Duane Allman for two Allman Brothers Band concerts at the Capitol Theatre in Portchester, New York, on January 22 and 23, 1971. Each document bears an attached rider listing band information and further terms and/or venue requirements. In overall very good to fine condition. Also accompanied by a Gregg Allman Band tour information packet and Epic Records publicity photo. Starting Bid $200
checks signed or endorsed by members of the Allman Brothers Band, dated between 1967 and 1978, with five individually endorsed on the reverse by Gregg Allman, Dickey Betts, Butch Trucks, tour manager Twiggs Lyndon, Jr., and Janice Allman, the first wife of Gregg Allman. Also includes a check signed by Shelly Allman, the mother of Duane and Gregg, and a set of six checks from the Allman Brothers Band, No Exit Music Company, and Walden Artists. In overall fine condition. Starting Bid $200
7227. Badfinger Set of (5) Signed Checks. Set of five
Badfinger Enterprises checks, each 8.25 x 3, filled out in another hand and signed by manager Stan Polley, individually made payable to Joseph Molland, Peter Ham, Michael Gibbons, Thomas Evans, and manager William Collins, with each recipient endorsing the reverse, dated between 1972 and 1974. In overall fine condition. Pre-certified REAL. Starting Bid $200
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7228. Badfinger: The Iveys Signed Photograph. Vintage circa
7231. Cheap Trick Signed Album.
1968 glossy 10 x 8 Apple Records publicity photo of The Iveys, signed and inscribed in black felt tip, “To Kathy, much love, Ron [Griffiths], xxxxx,” “Love, Pete [Ham], xxx,” “Love, Mike [Gibbins], x,” and “To Kathy, Love, Tom [Evans], xx,” who draws an arrow to his image. In very good condition. Signing with Apple in July of 1968, The Iveys changed their name to Badfinger just sixteen months later, making signed Iveys publicity photos especially scarce. Pre-certified REAL. Starting Bid $200
Dream Police album signed on the front cover in black felt tip by Robin Zander, Rick Nielsen (adding a face), Tom Peterson, and Bun E. Carlos. In fine condition, with a small spot of adhesive remnant to upper right. The record is included. Pre-certified REAL. Starting Bid $200
7229. David Bowie Photograph. Fab-
ulous glossy 10 x 8 silver gelatin photo of Bowie in a handsome suit against an interesting brightly lit background. Reverse bears a Neal Preston-Andy Kent photographer ’s credit and London Features International Ltd. stamp. In fine condition. Starting Bid $200
7232. Cheap Trick Signed Album. Cheap Trick at Budokan album signed on the front and back covers in black felt tip by Robin Zander, Rick Nielsen (adding a face), Tom Peterson, and Bun E. Carlos. In fine condition. The record is included. Accompanied by a letter of provenance from the original recipient, in part: “[The] LP was signed at the Worthington Hotel downtown Ft. Worth, after Cheap Trick played the Caravan of Dreams Club near the hotel. I got the LP signed at the hotel bar area late that night after the show.” An ideal Cheap Trick display piece. Pre-certified REAL. Starting Bid $200
7233. Alice Cooper 1975 German Concert Poster. Color
7230. David Bowie Signed Compliments Card. Ballpoint
signature of David Bowie, who adds the year, “93,” on a white 5.25 x 3.25 Isolar compliments card partially affixed to a white 7 x 9.5 sheet bearing an affixed image from Aladdin Insane. In very fine condition. Isolar was Bowie’s production company. Pre-certified REAL. Starting Bid $200
33 x 23.5 poster for an Alice Cooper concert at Circus Krone in Munich, Germany on September 8, 1975, as a part of the “Welcome to My Nightmare” tour, showing Cooper on stage with a large Cyclops creature behind him, and listing performers Jozef Chirowski, Whitey Glan, Steve Hunter, Prakash John, and Dick Wagner. Rolled and in fine condition, with scattered creasing, heaviest to top edge. Starting Bid $200
Music of the 1970s | February 16, 2017 87
7236. Neil Diamond Handbill.
7234. Alice Cooper Signed Guitar. Black right-handed B. C. Rich Warlock Edge electric guitar, signed on the body in pink paint pen by Alice Cooper, who adds a killer self portrait to top of body. In fine condition, with a chip to bottom edge of body. Accompanied by a certificate of authenticity from PSA/ DNA. Pre-certified REAL. Starting Bid $200
Vintage color 8.5 x 9.5 handbill for one of Bill Quarry’s “Teens ’N Twenties” concerts featuring Neil Diamond and The Spyders at the Rollarena in San Leandro, California, on May 20, 1966, listing The Harbinger Complex, Mark and The Uptowners, and The Epics as supporting acts. The handbill advertises that Diamond is “Direct from New York!!!” and will be “Singing his hit ‘Solitary Man.’” In fine condition. Bill Quarry was one of the most respected promoters in the East Bay area during the 1960s and 70s, best known for hosting his ‘Teens ’N Twenties’ dances throughout Northern California. His first show at the Rollarena was on December 31, 1965, and it soon became the premier venue in the East Bay. Thanks to his success, Quarry was able to book a number of the best up-and-coming acts—especially notable was Neil Diamond, and this handbill represents his first-ever show in California. Starting Bid $200
The tragic young guitarist of Deep Purple
7235. Deep Purple: Tommy Bolin’s Signed Passport. Bolin’s personal passport, number F1103348, issued circa 1975. Passport measures 3.75 x 6, and contains his personal information on the inside of the front cover, with another hand adding his given name, “Mr. Richard Bolin.” Affixed opposite the personal information page is Bolin’s 3 x 3 passport snapshot, vertically signed on the left side, “Tommy Bolin.” Balance of the pages bear visa stamps from around the world, dated between 1975 and 1976, including those from the United Kingdom, Australia, and New Zealand. In fine condition, with expected wear from use, wrinkling to photo, and adhesive remnants to back cover. Bolin was a member of Deep Purple for less than a year before the band broke up in July of 1976. Not long after releasing his second solo album, Private Eyes, Bolin died from a drug overdose at the age of twenty-five on December 4, 1976. Pre-certified REAL. Starting Bid $200
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7237. Eagles Set of (3) Signed Items. T h r e e
items: a glossy 10 x 8 photo of the Eagles, signed in blue felt tip by Bernie Leadon; an On the Border album, signed on the front cover in blue felt tip by Bernie Leadon and Randy Meisner; and a program for the Eagles’ 1996 world tour, signed on the front cover in blue felt tip by Joe Walsh and Timothy B. Schmit. In overall fine condition, with wrinkling and light yellow stain to center of photo. The record is not included. Pre-certified REAL. Starting Bid $200
7238. The Eagles Signed CD Booklet. Hotel
California CD booklet signed in silver and black felt tip by Don Felder, Randy Meisner, Don Henley, Joe Walsh, and Glenn Frey. In fine condition. The CD is not included. Accompanied by a full letter of authenticity from REAL.
7240. The Eagles Signed Photograph. Glossy 10 x 8
publicity photo of the Eagles seated with their gear boxes, signed in black felt tip by Joe Walsh, Timothy B. Schmit, Don Henley, Don Felder, and Glenn Frey. In fine condition. Pre-certified REAL. Starting Bid $200
Starting Bid $200
7239. The Eagles Signed Oversized Photograph. Un-
common color glossy 11 x 14 photo of the Eagles in an early fulllength pose, signed in blue felt tip by Don Felder, Glenn Frey, and Bernie Leadon, and in red felt tip by Randy Meisner. In fine condition, with brushing to the Leadon signature. Pre-certified REAL. Starting Bid $200
7241. Electric Light Orchestra Signed Album. Time
album signed and inscribed on the front cover in blue ballpoint, “To Nick, Best wishes, Kelly,” adding a smiley face and another signature below, “Bev Bevan,” “Richard Tandy,” “Dave Morgan,” and in black ink, “Mik Kaminski”; the reverse is signed in blue ballpoint, “Jeff Lynne,” “Louis Clark,” “Jasper Carrott,” “Trevor Francis,” and two others. In very good condition, with scattered creasing and surface scuffing and some signature contrast to dark portions of the background. The record is not included. Pre-certified REAL. Starting Bid $200
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7242. Fleetwood Mac Signed 1990 Tour Program.
Program for Fleetwood Mac’s 1990 ‘Behind the Mask’ world tour, 11 x 14, twenty-eight pages, signed on the front cover in blue felt tip by Billy Burnette, John McVie, Stevie Nicks, Rick Vito, and Mick Fleetwood, who has signed again on an inside image in black felt tip. Also included is a glossy 8 x 10 Warner Bros. publicity photo of Christine McVie, signed in green felt tip, “Thank you! Christine McVie.” In overall fine condition, with some minor edge creasing and corner tip wear to program. Pre-certified REAL. Starting Bid $200
7244. Fleetwood Mac Signed Promo Poster. Appealing color 18 x 19.5 promotional poster for the release of Fleetwood Mac’s 1997 live album The Dance, signed in black felt tip, “Love-Stevie Nicks,” “Christine McVie,” “Lindsey Buckingham,” “John McVie,” and “Mick Fleetwood.” Affixed to a slightly larger mount. Dry mounted and in very good condition, with several horizontal creases and a stain to top edge. Pre-certified REAL. Starting Bid $200
Engaging Rolling Stone cover 7243. Fleetwood Mac Signed Photograph. Soughtafter color semi-glossy 10 x 11.5 book photo of Fleetwood Mac lying in bed together, taken by photographer Annie Leibovitz and used for the March 24, 1977, cover of Rolling Stone magazine, signed in black felt tip, “Mick Fleetwood,” “Love, Stevie Nicks,” “John McVie,” “Christine McVie,” and “Lindsey Buckingham.” Double-matted and in fine condition. Although Buckingham and Nicks had broken up shortly beforehand, when the Leibovitz photo shoot had wrapped and their bandmates departed, Buckingham later explained that he and Nicks remained on the bed for several minutes longer, ‘After all that we’d been through, knowing that we loved each other—somehow, we just couldn’t get up.’ Deriving from their highly successful Rumours period, this is a warm and enduring depiction of a band well-known for its interpersonal dramas. Pre-certified REAL. Starting Bid $200
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Original artwork by famed poster artist Alton Kelley
7247. KISS Oversized Photograph. Satin-finish 12 x 9.5 7245. Foreigner ‘Double Vision’ Artwork. Vibrantly colored original hand-painted concept artwork by Alton Kelley for Double Vision, the second full-length album from Foreigner. The vivid logo design has been accomplished in ink and gouache on black 19.25 x 15.25 artist’s board, showing a pair of metallic band names over three triangles, and the album name along the top. Signed in the right side of the logo in black ink by the artist, “Kelley,’78.” Matted and in fine condition. Although photographic images were ultimately settled on for use on the Double Vision album cover, this artwork is even more vibrant and was painted by one of the most important gig poster artists of the 1960s and 1970s. Kelley was a frequent collaborator with fellow noted poster artists Stanley Mouse, Rick Griffin, Victor Moscoso, and Wes Wilson. Intended for Foreigner’s very successful Double Vision album, this is an exceedingly desirable piece of original artwork. Starting Bid $300
photo of KISS in full costume and makeup. Reverse bears a Paul Cox photographer’s stamp. In fine condition, with scattered creasing (heaviest to lower left), mild yellowing to portions of blank background, and surface marks to left side. Starting Bid $200
7 2 4 6 . E l t o n Jo h n O ve r s i z e d Ph o t o graph. Vintage glossy 8
x 12 silver gelatin photo of John relaxing on a busily patterned sofa in front of a luxurious bar and city skyline. Reverse is datestamped July 6, 1974, and bears a Neil Jones photographer’s stamp. In fine condition, with scattered creasing, trimmed edges, and editorial paint to lower right. Starting Bid $200
7248. Kiss Signed Album. Alive II album signed on the front cover in silver ink by Peter Criss (adding 2013), Paul Stanley, Gene Simmons, and Ace Frehley (adding a playing card). In very good condition, with moderate ring of wear and edge dings. The record is not included. Pre-certified REAL. Starting Bid $200
Music of the 1970s | February 16, 2017 91
Van Zant, Gaines, and other classic Skynyrd players 7249. Lynyrd Skynyrd Signed Display. Uncommon Japanese tour program signed inside on their respective images in blue felt tip by Ronnie Van Zant, Steve Gaines, Gary Rossington, Leon Wilkeson, Leslie Hawkins, Billy Powell, and Artimus Pyle, who signs upside down. Matted and framed with the front cover to the program and a UDO Artists ticket for a Lynyrd Skynyrd concert at Tokyo’s Nakano Sun Plaza on January 21, 1977, to an overall size of 25.5 x 40. In fine condition. Highlighted by the presence of Van Zant and Gaines, both of whom passed in a plane crash on October 20, 1977, this is an amazing multi-signed display of a classic Skynyrd lineup. Starting Bid $200
Marley offers his signature as a Christmas gift to his doctor’s secretary 7250. Bob Marley Signature. Ballpoint
signature and inscription, “To Terese Adorjan, All the best wishes, Love, Bob Marley,” on an off-white 8.25 x 6 sheet. Sheet is also signed by Marley’s friend and owner of Tuff Gong Records, soccer star Alan Cole, and also signed by one other member of Marley’s entourage. In fine condition. Accompanied by a statement of provenance which reads, in part: “This autograph of Bob Marley was signed at Christmas 1980 in person by Bob Marley in Rottach-Egern, Bavaria, Germany. The recipient of this signed autograph was Mrs. Terese Adorjan, who was the secretary of Bob Marley’s personal doctor-Dr. Issels... while he was treated for cancer for several months...until a few days prior to his untimely death at age 36...Mrs. Adorjan saw Bob Marley each day for several months and was given this autograph by Marley as a personal Christmas present.” Statement includes an image of Adorjan holding the signature. A magnificent example of one of music’s most desirable and elusive signatures. Pre-certified REAL. Starting Bid $300
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7252. Marshall Tucker Band Lot of (5) Checks . Set
7251. Bob Marley Oversized Photograph. Wonderful semi-glossy 12 x 9.5 silver gelatin photo of Marley with his arms spread wide during an emotional performance. Reverse bears an Elaine Bryant/London Features International Ltd. credit stamp. In fine condition, with creasing (mainly to blank borders) and some tiny edge tears. Starting Bid $200
of five Capricorn Records checks, each made payable to an original member of the Marshal Tucker Band for $648.06, 7.5 x 3.5, dated March 8, 1978, individually endorsed on the reverse by Doug Gray, Jerry Eubanks, Toy Caldwell, George McCorkle, and Tommy Caldwell. In overall fine condition, with paper loss to right edge of Caldwell check. Accompanied by a glossy photo of the band bearing preprinted signatures, and two unsigned documents. Pre-certified REAL. Starting Bid $200
Fully signed A Night at the Opera 7253. Queen Signed Album. A Night at the Opera album signed on the front cover in black felt tip by John Deacon, Brian May, and Roger Taylor, and in green felt tip by Freddie Mercury. In very good to fine condition, with overall light toning, ring of wear, and a few unobtrusive stains to reverse. The record is included. Consignor notes that the signatures were obtained at a rare in-store appearance at Strawberries in Boston, Massachusetts, on January 28, 1976. Accompanied by a modern reprint of a photograph taken at the time of signing. Queen’s epic thirty-three date A Night at the Opera tour—their third on American soil—included a pair of concerts at the Boston Music Hall on January 29 and 30, 1976. The tour is notable for the debut performance of ‘Bohemian Rhapsody.’ Pre-certified REAL. Starting Bid $200
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Rare handbill for Queen’s 1974 UK tour 7254. Queen Signed Handbill. Phenomenal UK handbill promoting Queen’s spring tour of 1974, measures 8.25 x 11.75, listing March tour dates and showing the band as pictured on the gatefold of their 1974 album Queen II, signed blue ballpoint by Freddie Mercury and Brian May, in black ballpoint by Roger Taylor, and in black felt tip by John Deacon. In very good condition, with moderate overall creasing and wrinkling, stray red mark to bottom edge, and brushing to Deacon. Queen’s landmark second album, Queen II, was released on March 8, 1974. The consignor notes that this was signed at the County Ballroom in Taunton, England, on March 30, 1974. Signed very early in Queen’s remarkable career and at a pivotal time for the band, this is an exceedingly desirable piece. Pre-certified REAL. Starting Bid $500
7255. Queen: Freddie Mercury Signed Album. The Works album signed on the front cover in blue ballpoint by Mercury. In fine condition. The record is included. Consignor notes that the signature was obtained during Queen’s The Works Tour at Munich’s Olympiahalle on September 16, 1984. Pre-certified REAL. Starting Bid $200
7256. Bruce Springsteen Pair of Photographs. Two glossy 8 x 10 silver gelatin photos: one of Springsteen aggressively playing his Fender Telecaster guitar, bearing an Ebet Roberts photographer’s credit on the reverse; and one of him in his leather jacket, bearing a Bob Sorce photographer’s credit on the reverse. Both are also labeled on the reverse by London Features International Ltd. In overall fine condition, with scattered creasing to the photo of him in the leather jacket. Starting Bid $200
94 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7259. Van Halen ‘1984’ Signed Album. 1984 album
7257. Bruce Springsteen Signed Album. Darkness on
signed on the front cover in blue felt tip by Michael Anthony, and Eddie and Alex Van Halen. In fine condition. The record is not included. Pre-certified REAL. Starting Bid $200
the Edge of Town album signed on the front cover in black felt tip. In fine condition. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200
7258. Bruce Springsteen Signed Original Poster Artwork by Gary Grimshaw.
Original handcolored preliminary design for a Bruce Springsteen concert poster by psychedelic artist Gary Grimshaw, 11 x 17, signed and inscribed in black felt tip, “To Julie, Bruce Springsteen.” Accomplished with a mixture of ink, paint, and colored pencil and marker around an affixed cutout image, the poster was designed for “A Concert to Benefit the Christic Institute,” at Los Angeles’ Shrine Auditorium on November 16, 1990, and lists Bonnie Raitt and Jackson Browne as special guests. Affixed to a slightly larger mat, and signed on the mat in black ink by the artist, “Gary Grimshaw,” adding “1990 ArtRock.” In fine condition. Influenced by Stanley Mouse, Rick Griffin, and Victor Moscoso, Grimshaw has earned his own place within the rock and roll art scene by producing eclectic posters for bands like Cream, The Who, Led Zeppelin, and the Jimi Hendrix Experience. Springsteen appeared solo for the first time since his rise to fame at the 1990 Christic Benefit shows, which took place on November 16–17 at LA’s Shrine Auditorium. The emotional, solo acoustic sets are considered some of his finest live performances, and were recently released as part of his ongoing Live Archive series. Authentic Springsteen signatures on original artwork are of the utmost desirability. Pre-certified REAL. Starting Bid $200
7260. Van Halen Pair of Signed CD Booklets. CD
booklets for Diver Down and For Unlawful Carnage Knowledge, the first signed and inscribed in blue felt tip, “Steve-Keep gettin’ crazy-VH style!! Michael Anthony,” “David Lee Roth,” “Eddie Van Halen,” and “Alex Van Halen,” and the second signed in blue felt tip, “Michael Anthony.” In overall fine condition. The CDs are not included. Pre-certified REAL. Starting Bid $200
7261. Van Halen Signed ‘Women and Children First’ Album. Women and Children
First album signed on the front cover in blue felt tip by Michael Anthony, and Alex and Eddie Van Halen, with the latter adding “V. H. ‘95.” In fine condition, with a ‘ring of wear’ and surface loss to top edge. The record is not included. Pre-certified REAL. Starting Bid $200
7262. Van Halen Signed CD Booklet. Women and
Children First CD booklet signed in blue felt tip by David Lee Roth, Michael Anthony, and Alex and Eddie Van Halen. In fine condition. The CD is not included. Pre-certified REAL. Starting Bid $200
Music of the 1970s | February 16, 2017 95
7264. Frank Zappa Oversized Photograph. Satin-
7263. Edgar and Johnny Winter Signed Guitar. Redbodied Fender Squier Bullet Strat right-handed electric guitar, signed on the body in silver and gold ink by Edgar and Johnny Winter. In fine condition. Accompanied by a full letter of authenticity from PSA/DNA for the Johnny signature. Pre-certified REAL. Starting Bid $200
finish 9.5 x 12 photo of Frank Zappa relaxing on a couch with his legs crossed. Reverse bears a Simon Fowler photographer’s stamp. In fine condition, with mild toning to upper and lower blank borders. Starting Bid $200
7265. 1970’s Rock Collection of (3) Signed Items. Collection of three items: circa 1974 ballpoint signatures and inscrip-
tions by Bad Company, “Best Wishes, and Thanks Apollo, Boz [Burrell],” “Lots of Love, Simon Kirke,” “Love, Paul Rodgers,” and “Thanks a lot, see you soon, Mick Ralphs,” on an off-white 7.25 x 9.5 album page, also signed on the reverse by the Jack Bruce Band, including Jack Bruce, Mick Taylor, Carla Bley, Ronnie Leahy, and Bruce Gary; a vintage glossy 10 x 8 A&M Records promotional photo of Pablo Cruise, signed and inscribed in black felt tip to radio station KSJO by Dave Jenkins, Cory Lerios, Steve Price, and Bruce Day; and an uncommon glossy 8 x 10 group publicity photo of Natural Gas, signed in black felt tip by all four members: Peter Wood (ins), Joey Molland, Mark Clarke, and Jerry Shirley. In overall fine condition. Bad Company is pre-certified by REAL. Both of the others have been seen by PSA/DNA and Roger Epperson (REAL) but, due to lack of exemplars, have not issued an official opinion. Starting Bid $200
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The Joey Ramone Collection The famed Ramones front man and countercultural icon who defined punk for a generation, Joey Ramone is a larger-than-life figure in the history of rock music. The Ramones burst onto the New York music scene and took it by storm—their unbridled energy and frenetic pace was unlike anything that had come before. Most of their songs were under two minutes, and entire sets might last only twenty. Joey Ramone was crucial to their initial success—he was the one front man on the burgeoning New York punk scene that was unique, the rest mere carbon copies of each other. He had a distinct style—long black hair, leather jacket, sunglasses—to match what would become one of the most recognizable voices in punk. It is hard to quantify the lasting effect of the Ramones on music and culture in general. Music historian Jon Savage wrote that their debut album “remains one of the few records that changed pop forever,” while critic Stephen Thomas Erlewine declared that their “first four albums set the blueprint for punk.” In an article for Slate, Douglas Wolk named the Ramones “easily the most influential group of the last 30 years.” Of all members of the band, Joey Ramone stands out in particular—he was the face of the group and molded their unique sound. In remembering Ramone, MTV called him the “iconic godfather of punk.” It is not often that the opportunity arises to purchase items directly from a legend’s estate, and these items come with impeccable provenance—directly from Ramone’s brother and sometime musical partner, Mickey Leigh. In addition to working on his own projects, Leigh recorded backing vocals for a number of Ramones songs, including ‘Blitzkrieg Bop.’
Touring overseas with Joey Ramone— the singer’s 1981–1986 passport 7266. Joey Ramone’s 1981 Signed Passport. Joey Ramone’s personal pass-
port, number 020037426, issued on October 7, 1981. Passport measures 3.25 x 5, and contains his typed personal information with affixed 1.25 x 1.75 passport snapshot on the inside of the front cover, signed vertically on the adjacent page in blue ballpoint with his given name, “Jeff Hyman.” Balance of the pages bear visa stamps from around the world, dated between 1981 and 1986, including those from Denmark, Scotland, and France. In fine condition, with expected wear. Accompanied by a letter of authenticity from the Joey Ramone Estate. The Ramones’ tireless work ethic in the studio and on the road resulted in four albums between the years of 1981 and 1986, with subsequent tours both home and abroad supporting their billing as one of music’s hardest working bands. The release of 1981’s Pleasant Dreams heard the band tackle a more heavy metal style, while 1983 follow-up Subterranean Jungle was a more raw, throwback album made notable by the exit of drummer Marky Ramone and the entrance of Richie Ramone, who added new life to the band’s 1984 release Too Tough to Die. By the time the Ramones had released and toured for their 1986 record Animal Boy, the group had played roughly 500 shows across thirteen countries. An important personal effect used by the band’s influential front man. Pre-certified REAL. Starting Bid $1000
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Unique Japanese guitar owned by Joey Ramone 7267. Joey Ramone’s Personal Guitar. Joey Ramone’s personally-owned and -used turquoise-colored Kurosawa Marine Rider right-handed electric guitar with built-in amp and speaker and pearloid pickguard. Guitar is missing whammy bar and battery cover on reverse is partially cracked. Includes leather strap. In fine condition. Although Joey Ramone never traditionally played an instrument during his career with the Ramones, the lanky front man did, on occasion, write songs on the guitar. According to bassist CJ Ramone, during the late ‘70s and early 1980s, Joey dabbled with a one-string acoustic guitar before he was turned on to open chord tuning and began experimenting with a black Ibanez guitar. While little is known about the Kurosawa guitar company, the Marine Rider is exclusively made and sold in Japan, and was likely purchased by Joey Ramone during one of the band’s five Japanese tours in the early-to-mid 1990s. Interestingly, the guitar’s pickup is reminiscent to the style found on a Mosrite guitar, the signature instrument of Johnny Ramone. Starting Bid $1000
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Stylish leather jacket owned by the Ramones lead singer 7268. Joey Ramone’s Leather Jacket. Joey Ramone’s personally-owned and -worn black leather hooded jacket, size large, manufactured by Studio Siena for Men. The long leather jacket with drawstring hood features a zippered front, cuffs, and front pockets, the latter of which sit atop large flap pockets; the lined interior reveals a hidden pocket on left breast. Included within a zippered pocket are various personal effects of Joey Ramone, including: a five dollar bill; fifty cents in change; a receipt of $87.85 for “Food” at Sonali Restaurant; a small comfort strip bandage; a flyer for a “Dread & Alive” concert with reverse promoting a walk for “Indigenous People” on December 10, 2000; a dental office memo sheet issued to “Jeffrey Hyman,” dated February 14, 2000; and a keychain flashlight for horror punk/ska band The Independents. In fine condition, with expected wear. Given the band’s iconic and trademark leather style, this handsome hooded jacket exists as a wonderful extension to the influential Ramones frontman. Starting Bid $500
Leather pants from the lanky Ramones front man 7269. Joey Ramone’s Leather Pants. Joey Ramone’s personally-owned and
-worn black leather pants. The custom-made pants measure approximately 43˝ from hip to ankle, are zippered on the outside of each pant leg, and have pockets on the front and back. In very good to fine condition, with adhesive strips to back side of pants, likely from previous display. A fantastic piece which perfectly captures the classic punk essence of this legendary musical icon. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $500
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Joey’s studded leather glove 7270. Joey Ramone’s Studded Glove. Joey Ramone’s
personally-owned and -worn left-handed black leather glove, size medium, with silver stud pattern, Velcro wrist strap, and breathable knuckle holes. In fine, well-used condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
The punk’s prescription glasses
7271. Joey Ramone’s Prescription Glasses. Joey Ramone’s personally-owned and -worn eyeglasses with gray-tinted ovaline prescription lenses. Bronze-colored frames measure 5.25˝ wide and are missing the left temple; the inside of the right temple bears identification marks, “1/25 12K GF, Ovaline 2, 50 x 20.” Includes the original Myoptics hard case. In very good to fine condition, with expected wear from use. Accompanied by a letter of authenticity from the Joey Ramone Estate. In addition to his trademark leather, gangly frame, and long black hair, Ramone’s glasses were an integral component to his iconic punk rock look. Starting Bid $500
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Windbreaker for a “Founding Member” of the Ramones 7272. Joey Ramone’s Founding Members Jacket.
Joey Ramone’s official Ramones “Founding Member” black button-up windbreaker, size XL, made by Auburn Sportswear. Printed on the left breast is “Ramones Founding Member” and the band’s web address; the back features the band’s name in bold red lettering, with “1-2-3-4 Cretins wanna hop some more,” printed underneath. In fine condition, with some wrinkling. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
Joey Ramone’s punk leather bracelets
7273. Joey Ramone’s (3) Personally-Owned and -Worn Bracelets. Three black leather bracelets personally-owned and -worn by Joey Ramone, including: a 9.5˝ finger-to-wrist ‘figure eight’ bracelet with belt buckle; an 8˝ bracelet with silver and black buttons and snap closure; and a 9˝ bracelet with studded spikes and belt buckle. In overall very good to fine condition, with expected wear from use. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7274. Joey Ramone’s Studded Belt. Joey Ramone’s personally-used and -worn black leather belt, 28.5˝ in length (complete), with scaled pattern of silver diamonds and metal buckle. In very good condition, with belt broken into two pieces, and wear to buckle. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
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7275. Joey Ramone’s Set of (3) T-Shirts. Joey Ramone’s personally-owned and -worn t-shirts dating to the late 1980s and early 1990s, including: an extra-large black Soundgarden short-sleeve for the band’s 1991 album Badmotorfinger, with album cover design on front and band and album name on back; an extra large black long-sleeve for the horror-punk/ska band The Independents, with large skull and logo on front, large logo on the back, and logos on the sleeves; and an extra large red shortsleeve for Fall Fest Homecoming 1988 at Stony Brook University in New York, with the event name and musical note with leaf on front. In overall very good to fine condition, with expected wear from use (a few holes and rips to the Soundgarden shirt). Accompanied by a letter of authenticity from the Joey Ramone Estate. The Ramones were no strangers to SUNY, playing the university a total of three times between 1977 and 1989. Starting Bid $200
7277. Joey Ramone’s Collection of (6) Ramones Records. Grouping of six Ramones albums from the personal
7276. Joey Ramone’s Earrings and Pin. Three items from the personal collection of Joey Ramone: a silver .5 x 1.25 retro microphone pin; and a pair of earrings, each 2˝ long, consisting of a series of five maroon balls and one larger green ball. In overall fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
collection of band frontman Joey Ramone, with titles including: the group’s 1976 self-titled debut; 1977’s Leave Home; 1978’s Road to Ruin; 1980’s End of the Century; 1981’s Pleasant Dreams; and a promotional copy of Pleasant Dreams. In overall very good to fine condition, with discount cuts to three albums. The records are included. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
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Joey Ramone’s extensive singles collection, including The Beatles, The Rolling Stones, and Stevie Wonder
7278. Joey Ramone’s Collection of 45 RPM Records. Joey Ramone’s personal collection of
over eighty 45 RPM single album records, with highlights including: Love Me Do / P. S. I Love you by The Beatles; Lola / Apeman by The Kinks; Hot Stuff / Fool to Cry by The Rolling Stones; Ain’t She Sweet / Nobody’s Child by The Beatles; I Want to Hold Your Hand / I Saw Her Standing There by The Beatles; Nobody Told Me by John Lennon; Walk This Way by Run DMC; Howling at the Moon by the Ramones; Red Red Wine by UB40; Bang Bang by Iggy Pop; The Shape of Things to Come by The Seclusions; Dream On by Aerosmith; Born to Be Wild by Steppenwolf; Someone Saved My Life Tonight by Elton John; Let’s Pretend by the Raspberries; You Are the Sunshine of My Life by Stevie Wonder; A Little Bit Me, a Little Bit You by The Monkees; Young Blood by Bad Company; A Well Respected Man by The Kinks; I Can’t Control Myself by The Troggs; and Go to Hell by Alice Cooper. Many of the albums do not include original paper sleeves (five paper sleeves are without physical records). In overall very good to fine condition, with scattered soiling and scuffing, and a few albums cracked. Accompanied by a letter of authenticity from the Joey Ramone Estate. A highly appealing and eclectic collection of albums that offers great insight into the listening habits of the Ramones singer. Starting Bid $500
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7279. Ramones S i g n e d Ph o t o graph. Ideal glossy
10 x 8 Radioactive Records publicity photo of the Ramones seated together, signed in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “95’.” In very fine condition. Accompanied by an unsigned photo of the band accepting a Hollywood Rockwalk plaque, and a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
7280. Joey Ramone Handwritten Lyrics. Joey Ramone’s handwritten working lyrics to an unpublished song on both sides of an off-white 11 x 8.5 sheet. The untitled and unsigned lyrics, in full: “If things weren‘t strange / enough / If things weren‘t freaky / enough / If ya got a problem just / pick up a gun / & blow your schoolmates / away classmates / blow your co-workers / If the world wasn’t violent / enough—if things weren‘t / freaky enough / just wait.” In fine condition, a central vertical crease and a couple trivial edge tears. Accompanied by a letter of authenticity from the Joey Ramone Estate. An atypically dark offering from the Ramones frontman. Precertified REAL. Starting Bid $200
“Got a craving for a feeling,” writes Ramone, “Its been a long long long time” 7283. Joey Ramone Handwritten Notes.
Joey Ramone’s handwritten working lyrics to an unpublished song on an offwhite 11 x 14 sheet. The unsigned lyrics, in full: “Got a cravin / gotta cravin for a feelin / got a craving for a feeling / Its been a long long long time / Cant let it get me down / Its been a long time since I heard that sound / did people quit tryin / been a long long long time / ride ride ride the rush / on the fluffy cloud where the kick is lush / ride ride ride the rush.” Ramone vertically adds two possible titles on the left side, “Crave That” and “Am I the Only One Around.” Affixed to a same-size sheet of cardboard, with the reverse bearing a matted and ripped photo of a punk band. In very good condition, with scattered rubbing and staining and surface loss to lower right corner tip. Accompanied by a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
7281. Joey Ramone Handwritten Lyrics. Joey Ramone’s
handwritten lyrics to an unpublished song written on both sides of an unopened off-white 9 x 12 envelope from Corcorans of New York, bearing an affixed label addressed to “Jeff Hyman.” The untitled and unsigned lyrics, in full: “What’s with all / the violence / hatred / copycat killings / shootin’s in school / ain’t you got any / imagination gun violence / ain’t cool / what happened to / fist fightin / enraged—bout whats / goin on around here / this countrys / really fallen by / the fuckin / wayside waistside / or is it the media that inspires this jive / but I’m / glad to be alive / is it the government / It’s like a bad / movie on the / late late show.” In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. An interesting opinion on the state of the country from the late great punk rocker. Pre-certified REAL. Starting Bid $200
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7284. Joey Ramone Handwritten Notes.
Joey Ramone’s handwritten notes on both sides of an off-white 12 x 9 sheet. The front side, written in blue felt tip, concerns promotion for pop punk band Holly and the Italians, in part [spelling and grammar retained]: “Holly Beth Vincent’s that is Holly’s back!! with a new exciting band of Italians / New lineup consisting of Holly Vincent, singer/ songwriter, ry guitarist / Jimmy Ripp, Tom Verlaine’s Television, Kid Creole Coconuts, Lead Guitar / Debut in Dec. / 1st single Tell That / Original drummer who played on right to be an Italian 1st album”; the reverse, written in black ballpoint, relating to the Uncle Floyd Show and Alan Arkush, in part: “X Domenetric is it cool to use / The Uncle Floyd Show is back premierin ol Hallows eve on Halloween nite / Alan Arkush director of Hollywood Bolavard—the unfamous RnR High School & current Rave Up!! Get Crazy starring Malcom McDowell, Daniel Stern, John Densmore.” In fine condition, with tiny edge creases and tears. Accompanied by a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
“Sounds like a riot & a great time”—handwritten notes from Joey Ramone
7285. Joey Ramone Handwritten Notes. Joey Ramone’s
handwritten notes on an off-white 11 x 8.25 notebook page, written in black ballpoint, in part [spelling and grammar retained]: “Sounds like a riot & a great time is garenteed for all Nielsen & Ramone / To acquire tickets to attend show or to send demo tapes or pictures, For bands IMF, For the wall / The address is / Congrat to Sct V for wisking up those Emmys, well deserved.” In fine condition, with toning. Accompanied by a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
Joey preps for Shrapnel and Get Crazy releases 7286. Joey Ramone Handwritten Notes. Joey Ramone’s
handwritten notes on both sides of an off-white 11 x 8.5 notebook page. Both sides written in blue ballpoint; the front is related to an upcoming release from punk band Shrapnel, in part [spelling and grammar retained]: “N.J. based / signed to Electra / Shrappnel 5 song mini LP / get names, 5 guys, Danny Ray L Guitar / Didn’t Know I Loved you Till I Saw You Run, Master of My Destiny, Crime / Explosive, Powerful, Teen Anthems, Produced by Ritch Cordell & Glen Kolotkin.” The reverse concerns information on the soundtrack for the 1983 film Get Crazy, in part: “Ramones update, alive & well, Johnny’s mending fine, 10th anniversary / Including, Great Dance Tunes, Title theme, Get Crazy Sparks, Chop Suey Ramones, Baby Sister Lou Reed, Marshall Crenshaw / Get Crazy soundtrack album contains 12 great original songs never heard before or appearing on any other LP.” In fine condition, with scattered creasing and mild edge toning. Accompanied by a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
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Joey names his favorite music videos—“You Got Lucky,” “Beat It,” “Billy Jean,”and “Shock the Monkey” 7287. Joey Ramone Handwritten Notes. Joey Ra-
mone’s handwritten notes on both sides of an off-white 11 x 8.25 notebook page, penned in black and blue ballpoint. The front side features notes on producer Alan Lorber and his brother’s band, in part [spelling and grammar retained]: “The Ratlers currently pre-recording 4 songs in the studio…with producer / Alan Lorbel / who’s career began in the early 60’s as a top notch arranger—producer—songwriter, publisher, has 90 chart singles & albums attributed to his credit / working with such great artists, Carol King, Leber & Stoller, Jerry Coffey, Phil Spector.” The reverse continues on Lorber, and mentions music videos from 1981 and 1982, in part: “Best rock videos, You Got Lucky Tom Petty, Imaginative, Beat It, Billy Jean, Herbie Hancock, Rock, Psycho Therapy, RnR Radio, Shock the Monkey, Love Me Two Times / Involved producing for such artists Shirells—Jackie Wilson, Lovin Spoonful, Originally called Mugwumps consitin of Cass Elliot, John Philps & Split to Calf, John Sabation joining up, Neil Sedaka—(Breaking Up Is Hard to Do) etc—Ultimate Spinach, Orpheus to name a few.” In fine condition, with a small stain. Accompanied by a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
“Updates on me, Dee, Richy contributin new song” 7288. Joey Ramone Handwritten Notes. Joey
Ramone’s handwritten notes on both sides of an off-white 9 x 6.75 sheet, penned in blue ballpoint. The front side, in full [spelling and grammar retained]: “If you did not receive your album from WB, please advise at once of this / We, the undersigned, having enjoyed listening to your station to date, would be even more loyal were we able to hear the music of our favorite group (The Ramones).” The reverse, in part: “Updates on me, Dee, Richy contributin new song / Get Crazy soundtrack / MTV same national, sort of like BBC even rock video.” Another hand has added three names and numbers in black ballpoint. In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
106 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
The Ramones singer’s personal address books
7289. Joey Ramone’s Pair of Address Books.
Joey Ramone’s personallyowned and -used address books, 7.25 x 9 and .75 x 6.25, annotated in his own hand and that of his assistant, with over forty instances of Ramone’s distinctive handwriting throughout, consisting mainly of the names and numbers of various friends, relatives, and associates; the inside front and back covers to the larger book are penned entirely in Ramone’s hand. The first book, leather-bound with three-ring binder, lists contact information for several notable acquaintances, including: Debbie Harry, Boz Scaggs, Jim Jarmusch, Dee Dee Ramone, Bob Gruen, Lemmy Kilmister, Kim Thayil, Lars Frederiksen, Sean Lennon, Monte Melnick, Matt Pinfield, Steven Tyler, Sebastian Bach, Arturo Vega, and Cameron Crowe. The second book, partial six-ring binder, features additional names and numbers, with highlights including: Rick Nielsen, Steven Van Zandt, and Steven Seagal. In overall good to very good condition, with a expected wear from use and a few pages detached from larger book; the smaller book bears obvious wear including creasing, tears, and overall staining affecting the readability of some of the entries. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7290. Joey Ramone’s Collection of Calendars. Joey Ramone’s collection of five Rhino Rock ‘N’ Roll calendars for the years 1987, 1988, 1990, 1991, and 1998, with the latter example featuring numerous handwritten notations by Ramone in ballpoint and felt tip on the months of March, April, May, August, September, October, November, and January (1999), with March bearing the most handwriting; the majority of notes indicate the days Ramone was scheduled to attend “Physical Therapy” or “PT.” June and July are missing from the 1998 calendar. Also included is an Anabas Look Book series for Marilyn Monroe, and a Back to Mono vinyl box set from Phil Spector (records included). In overall very good to fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
Joey Ramone Collection | February 16, 2017 107
7292. Joey Ramone’s ‘Mondo Bizarro’ Argentinean Sales Award. S c a r c e
CAPIF (Argentine Chamber of Phonograms and Videograms Producers) gold sales award presented to [translated] “The Ramones certifying that the album published by EMI Odeon entitled ‘Mondo Bizarro’ reached the accolade of gold record.” Framed with its plate, CD, and CD booklet to an overall size of 14 x 18.25. In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7 2 9 3 . Jo ey Ramone’s ‘Acid Eaters’ Argentinean Sales Award.
Uncommon CAPIF (Argentine Chamber of Phonograms and Videograms Producers) gold sales award presented to [translated] “The Ramones certifying that the album published by EMI Odeon S. A. I. C. Argentina entitled Acid Eaters reached the accolade of gold record.” Framed with its plate, CD, and CD booklet to an overall size of 11.25 x 20.75. In fine condition, with chips to frame. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7294. Joey Ramone’s Money Magazine Article. Joey Ramone’s personally-owned and -displayed article from the May 2000 issue of Smart Money Magazine, two pages (pp. 87 and 88), 8.5 x 10.5. A part of Michael Kaplan’s “Me & My Money” series, the article is entitled “Off the Charts,” with subhead, “These days Joey Ramone finds the stock market more thrilling than the mosh pits.” Both pages show images of Ramone, including one with Merrill Lynch broker Marty Lutschaunig, and feature a highlighted quote on the second page: “‘It’s my new religion,’ says Joey Ramone of watching the stock market. It’s almost like music-making—a passion.’” The pages are expertly lacquered onto a 22.75 x 15.25 wooden display with an affixed engraved nameplate. In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7 2 9 5 . Jo e y Ramone’s 1981 All the Way Oversized Flag.
Highly appealing off-white nylon flag for the Ramones, 29.75 x 22, featuring the band name in large red lettering, the Ramones presidential seal, and “All the Way” and “1981” in the lower corners. Includes original wooden pole. In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. The song ‘All the Way’ was featured on the band’s fifth full-length album, 1980’s End of the Century. Starting Bid $200
108 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7296. Joey Ramone’s Collection of (4) Tickets and Passes.
Assortment of four passes and tickets from the personal collection of Joey Ramone, including: a red 4.75 x 3.25 working personnel sticker pass for a Joan Jett and the Blackhearts concert, annotated in black felt tip, “Ramone”; a white-and-green 4 x 3 backstage JAM pass sticker, annotated in blue ballpoint, “Ramones 5/17/80”; a red-and-blue 6.5 x 2.75 ticket for a Ramones concert at Newcastle’s Mayfair Ballroom on May 15, 1986; and a beige 2.75 x 5.5 ticket for a Ramones concert at the Markthalle Hamburg on October 30, 1981. In overall very good condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7298. Joey Ramone’s Snake Artwork. Joey Ramone’s
personally-owned wooden hand-painted snake artwork, 10.75 x 5 x 1.25, depicting a vibrantly colored snake with various flower and geometric patterns. Reverse is signed in silver ink by the artist, “K. O’Neill, Sante Fe.” In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
Brilliant ‘Nightclub’ artwork from the late James Rizzi
7297. Joey Ramone’s James Rizzi Signed Artwork.
Joey Ramone’s personally-owned limited edition artwork by artist James Rizzi entitled ‘Nightclub,’ numbered AP 11/20, and signed in pencil in the lower border, “James Rizzi…1983.” The mixed media artwork depicting a hectic scene in a large nightclub, with numerous cutout figures of young people dancing, smoking, eating, and drinking at a bar. Matted and framed to an overall size of 25.75 x 21.75. In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Rizzi was a pop artist from Brooklyn, New York, known for his bright and vivid threedimensional artwork. He designed artwork for Ramone’s May 2001 memorial concert. Starting Bid $200
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7300. Joey Ramone’s Wooden Wolf Artwork. Joey
Ramone’s personally-owned wooden hand-painted coyote artwork, 4 x 11 x 1.5, depicting a howling blue coyote wearing a black-and-white polka dot bandana. Bottom is etched with artist’s initials, “U. G.” In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7302. Joey Ramone’s Snake Artwork. Joey Ramone’s
personally-owned metallic snake artwork, 16.25 x 12.5 x 1.5, depicting a coiled snake with flicking tongue; the purple and silver body features a variety of lines and geometric patterns. Reverse features three affixed support boxes, and is engraved with the date, “1990,” and the artist’s name, “Thomas Mann.” In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
Surreal light bulb artwork owned by Joey Ramone 7301. Joey Ramone’s Light Bulb Artwork. Unique and vibrantly colored original artwork from the personal collection of Joey Ramone. The ‘lamp-like’ piece of art stands approximately 17˝ in height, and is composed of an evenly ribbed base rising up into a hand with four light bulbs balancing precariously on the fingertips; the whole of the work is painted in vivid, psychedelic pattern, featuring an assortment of ‘Cubist’ style faces and colorful embellishments. In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
110 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7 3 0 3 . Jo ey R a m o n e’s Rolling Stones Oakland Coliseum Poster. Sought-
after 13.75 x 21.5 Bill Graham poster for back-to-back Rolling Stones concerts at the Oakland Coliseum on November 9, 1969, listing the show times at 6:30 and 10:30 p.m. Matted and framed to an overall size of 18.5 x 26.25. In fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. The Stones played a a total of seven backto-back concerts during their legendary seventeen-stop 1969 American tour. Starting Bid $200
7304. Joey Ramone’s Portsmouth Concert Poster. Giant-
sized and neon orange 40 x 29.75 poster for a Ramones concert at the Portsmouth Guildhall on January 24 [1980], listing The Boys as the special guests, and affixed to same-size piece of cardboard. In good condition, with scattered creases, soiling, and white paint blots, a tear to top edge, and paper loss and wear to edges. Accompanied by a letter of authenticity from the Joey Ramone Estate. The state of this vibrant poster harbors a great deal of Ramones punk spirit. Starting Bid $200
7305. Joey Ramone’s Mondo Bizarro’ Signed France Mini Poster. Uncommon
French color cardboard promo for the release of the Ramones’ twelfth full-length album, Mondo Bizarro, 11.75 x 13, signed in black felt tip by Marky, CJ, Johnny, and Joey Ramone, who adds “94’.” The promo shows the front cover of the album and lists the September 21st [1992] release date in the lower border. Affixed to the reverse is a piece of foam board from previous display. In very good to fine condition, with a crease to lower left corner and dings to corner tips. Accompanied by a letter of authenticity from the Joey Ramone Estate. Pre-certified REAL. Starting Bid $200
7306. Joey Ramone’s Diamonds Are Forever Movie Poster.
Diamonds Are Forever (United Artists, 1971). One sheet movie poster (27 x 41). Action-adventure film starring Sean Connery, Jill St. John, and Charles Gray is the seventh installment of the James Bond series by Eon Productions, in which Bond Bond infiltrates a diamond smuggling ring and uncovers a plot to build a space-based laser weapon. Affixed to a same-size piece of cardboard. In good condition, with a tear to bottom edge, scattered soiling, paper loss, and edgewear; a green strip of tape has been affixed over rating, with handwritten notation adding “PG.” Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7307. Joey Ramone’s Ned Kelly Movie Poster. Ned Kelly (United
Artists, 1970). One sheet movie poster (27 x 41). Historical western starring Mick Jagger and Mark McManus in a biographical story of the 19th century Australian bushranger Ned Kelly. The film is best remembered for its soundtrack featuring music by Shel Silverstein, Kris Kristofferson, and Waylon Jennings. Jagger claims to have never seen the film. Affixed to a same-size piece of cardboard. In very good condition, with wear and creases to edges, tack holes to corners, scattered staining, and a puncture to left side. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
Joey Ramone Collection | February 16, 2017 111
7308. Joey Ramone’s Fostex Multitrack Recorder. Joey Ramone’s Fostex X-15 Multitracker tape cassette deck, 12 x 2.75 x 7.75, with original buttons, knobs, and slides for equalizer, Monmix, and channel sections. Bottom of deck bears the serial number, “539037,” and manufacturer information: “DC: 11V–15V, Sum–2, ‘C’ Size, R14 or Equiv.” Does not include original AC adaptor. In very good to fine condition. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
7309. Joey Ramone’s Pair of Yamaha Studio Speakers. Joey Ramone’s pair of Yamaha NS–10M studio monitors (A and B), both 15 x 8.5 x 7, with front grill and white bass/mid driver cone; reverse bears original terminal knobs, matching serial numbers, “177177,” and manufacturer information, “Nominal Impedance: 8 Ohms, Power Capacity: Program 60 Watts, Max 120 Watts.” Includes original speaker wires. In overall fine condition, with center of paper woofer partially pushed inward on B speaker. Accompanied by a letter of authenticity from the Joey Ramone Estate. The NS-10 became a standard nearfield studio monitor in the music industry among rock and pop recording engineers, and is known as a speaker that easily reveals poor quality in recordings. Starting Bid $200
7310. Joey Ramone’s Portable Television. Joey Ramone’s portable Sony Trinitron KV-10FMR20 color television with FM radio and Mega Bass speaker system, featuring 11˝ screen, headphone jack on right side, adjustable antenna, and coaxial cable and audio/video inputs for Video option on reverse. In very good to fine condition; the television appears to be in working order. Accompanied by a letter of authenticity from the Joey Ramone Estate. Starting Bid $200
112 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
The Monte A. Melnick Ramones Collection For over two decades, Monte A. Melnick, a native of Forest Hills, New York, and a childhood friend of original Ramones drummer Tommy (Ramone) Erdelyi, assumed the enviable task of being the full-time tour manager of the Ramones. As the band’s sound evolved, so did Monte’s job title, and it wasn’t long before he took upon other default roles such as soundman, stage manager, road manager, personal chauffeur, road crew handler, and the personal assistant to the band’s lanky leading frontman, Joey Ramone. If the Ramones needed something done, rest assured that Monte was the man to see it through. In addition to all of the sights, sounds, stories, and scars accrued over most of the 2,263 live performances, Monte amassed a once-ina-lifetime collection of memorabilia related to the world’s most popular and influential punk rock band. From backstage passes and leather gloves to signed photos, albums, US and international posters, Monte’s collection spans shabby nightclubs, soldout festivals, the seat-shaking anthem spray-painted with a surname every young musician wanted as their own—Ramone. Monte A. Melnick is also the author of “On The Road with the Ramones,” a book in which several of the here-offered items are pictured. The Ramones are the seminal punk rock band, Rock & Roll Hall of Famers, Grammy & MTV’s Lifetime Achievement Award winners and inductees into The Library of Congress’ National Recording Registry.
The brief Elvis Ramone lineup
7312. Ramones Signed Photograph. Rare semi-glossy 10 x 8
Sire Records publicity group photo of The Ramones, signed in black felt tip by Johnny, Dee Dee, and Joey Ramone, and Clem Burke, the latter two adding “87.” In fine condition, with light brushing to the Burke signature. Burke joined The Ramones for two shows under the stage name Elvis Ramone following Richie Ramone’s sudden departure in late August of 1987. A desirable and uncommon lineup of the leather-clad punk rockers. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
7313. Ramones Signed Photograph. Desirable satin-finish 8 x 10 photo of the Ramones and Homer Simpson during a performance, signed in black felt tip by Johnny, Marky, and Joey Ramone, who adds “95’.” In fine condition. The Ramones crashed a classic episode of The Simpsons entitled ‘Rosebud,’ memorably singing a raucous rendition of ‘Happy Birthday’ to Mr. Burns. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
The Monte A. Melnick Ramones Collection | February 16, 2017 113
7314. Ramones Signed Photograph. Glossy
10 x 8 photo of the Ramones posing with their gear and instruments, signed in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “1991.” In fine condition. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
7315. Ramones Signed Photograph. Uncom-
mon color satin-finish 8.5 x 10.25 photo of the Ramones posing behind a distorted red screen, signed in black felt tip by Johnny, Marky, CJ (who adds a stick figure), and Joey Ramone (who adds “1992”). Also signed by the photographer, “1992, George DuBose.” In fine condition, with trimming and scattered creasing. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
7317. Ramones 1981 Dusseldorf Signed Poster.
Vividly colored colored 23.25 x 33 poster promoting a Ramones concert at Tor 3 in Dusseldorf, Germany, on November 28, 1991, depicting a large group image of the band and a baseball bat-wielding presidential seal below, signed in black felt tip by Johnny, Marky, CJ (adding a small stickman), and Joey Ramone (adding “1991”). In very good to fine, folded condition, with scattered creasing and a few edge tears. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
7316. Ramones Signed Photograph. Glossy 8
x 10 Sire Records publicity photo of the Ramones in their trademark leather, signed in black felt tip by J o e y, J o h n n y, Richie, and Dee Dee Ramone, the latter signing first name only. In fine condition, with light toning to upper left corner. The Monte A. Melnick Ramones Collection. Precertified REAL. Starting Bid $200
7318. Ramones 1986 Berlin Signed Poster. Vibrantly colored 23.25 x 33 poster for a Ramones concert at Eissporthalle in Berlin, Germany on November 27, 1989, listing Ghost Dance and Plan B as supporting acts, and signed in black felt tip by Johnny, CJ, Marky, and Joey Ramone, who adds “89.” In fine, folded condition. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
114 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7321. Ramones 1990 Spain Signed Oversized Poster.
7319. Ramones 1986 Brandeis University Poster Signed by Richie and Johnny. Color 16.75 x 21.75 concert poster
Scarce 49 x 34 poster for a Ramones concert at the Velodromo de Anoeta in San Sebastian, Basque Country, Spain on December 2, 1990, with huge white band name along the top and the Ramones presidential seal on left, signed on the central white bar in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “1990.” In fine, folded condition. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
for a Ramones show at Brandeis University’s Levin Ballroom on December 4, 1986, depicting the band in their trademark leather, signed on their image in black felt tip by Richie and Johnny Ramone. In very good condition, with heavy folds and moderate creasing. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
7320. Ramones 1989 Australia Oversized Signed Poster.
Huge color 39.25 x 55 poster promoting the Ramones’ return to Australasia in November 1989, showing blue caricatures of the band against an orange background, nicely signed in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “89.” Rolled and in fine condition, with creasing, pin holes to corners, and tiny edge tears. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
7322. Ramones 1992 Signed Rock Alliance Poster. Large
color 27.5 x 39 poster for a Ramones concert at Auditorium Flog in Florence, Italy on March 15, 1992, signed in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “1992.” Poster features the Ramones eagle against stacked band logos. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
The Monte A. Melnick Ramones Collection | February 16, 2017 115
7323. Ramones 1996 Signed Adios Amigos Poster.
Desirable color 23.25 x 33 poster for a Ramones concert at Huxley’s Neue Welt in Berlin, Germany on January 28, 1996, signed in black felt tip by Johnny, Marky, CJ, and Joey Ramone, who adds “96.” Issued during the Adios Amigos tour, the Old West inspired poster features mug-shots of all four members and lists Rammstein as the special guest. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Pre-certified REAL. Starting Bid $200
7325. Ramones 1978 Bataclan Oversized Poster. Beautiful orange-and-yellow 47.25 x 30.5 poster for a Ramones concert at the Bataclan in Paris on September 18, 1978, with Sire Records logo in upper left corner. In fine, folded condition, with scattered creasing, tiny edge tears and corner wear. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7326. Ramones 1980 Brussels Oversized Poster. Massive 28.25 x 40 poster for a Ramones concert at Ancienne Belgique in Brussels, Belgium on February 12, 1980, listing the U.K. Subs as the supporting act. The poster features a flag-holding pinhead riding a missile with a “U.S.S. Ramona” seal; the End of the Century album cover is featured in the lower right corner. In fine, folded condition, with some wear to right edge. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7327. Ramones 1980 Manchester Apollo Poster. Hot pink-and-black 40 x 30 poster for a Ramones concert at England’s Manchester Apollo on October 4, 1980, with large bold lettering listing the Ramones and supporting act the Spectres. In fine, folded condition, with corner tip bends. From The Monte A. Melnick Ramones Collection. Starting Bid $200
116 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7328. Ramones 1980 Odeon Hammersmith Poster. Appeal-
ing blue 40 x 30 poster for a Ramones concert at London’s Odeon Hammersmith on August 19, 1980, listing The Spectres as the special guests. In fine, folded condition, with a couple tiny edge tears. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7329. Ramones 1980 Park Place C a rd i f f Oversized Poster. Im-
pressive bright green 40 x 30 poster for a Ramones concert at Cardiff University in Wales on January 22, 1980, highlighted by large, bold lettering and text along the bottom, “No Under 18’s.” In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7331. Ramones 1980 Turin Italy Poster. Uncommon
color 26.75 x 34.75 poster for a Ramones concert at the Palasport in Turin, Italy on February 18, 1980, showing a band image from their Rocket to Russia album and large band logo along the bottom. In fine condition, with scattered creasing and folds. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7330. Ramones 1980 Rainbow London Poster.
Scarce 40 x 30 poster for a Ramones concert at the Rainbow Theatre in London’s Finsbury Park on February 9, 1980, listing power pop combo The Boys as the supporting act. In fine, folded condition. From The Monte A. Melnick Ramones Collection. In April 1979, the Ramones released their first live album, It’s Alive, which was recorded at the Rainbow Theatre on December 31, 1977. Starting Bid $200
7332. Ramones 1981 Belgium Poster. Uncommon 22 x
32.5 poster for a Ramones concert at the Ancienne Belgique in Brussels, Belgium on November 18, 1981, featuring a large image of the band’s presidential seal surrounded by four sketches of the artwork from the Rocket to Russia album. In fine, folded condition, with corner creases. From The Monte A. Melnick Ramones Collection. Starting Bid $200
The Monte A. Melnick Ramones Collection | February 16, 2017 117
7333. Ramones 1981 Brooklyn College Poster. Fantastic color 12.5 x 19.5 serigraphic poster for a Ramones concert at Brooklyn College’s Whitman Hall on January 3, 1981, showing the band below an engraving of indigenous villagers, with text reading above, “The Century May Be Over, But The Party Has Just Begun!” In very good to fine condition, with a horizontal fold and scattered creasing. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7334. Ramones 1981 London Oversized Poster. Huge
40 x 29.75 poster for a ‘midnight’ Ramones concert at the Venue in London, England on November 19, 1981, listing the event as “Midnight Madness” and promoting the band’s “New album on WEA ‘Pleasant Dreams’ and new single ‘She’s a Sensation.’” In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7335. Ramones 1985 ‘Longest Day’ Festival Oversized Poster. Massive color 40.75 x 61 poster for The Longest Day
concert held at Buckinghamshire, England’s Milton Keynes Bowl on June 22, [1985], listing U2, the Ramones, Billy Bragg, Spear of Destiny, R.E.M., and Faith Brothers as the main card, with large bold lettering declaring that the event is “SOLD OUT.” In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7336. Ramones 1985 Glascow Oversized Poster. Original black-and-neon-pink 40 x 29.5 poster for a Ramones concert at Glasgow’s Barrowlands Ballroom on October 18, [1985], listing The Sex Gods as the supporting act, and asserting that it’s the “only Scottish show.” In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
118 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7337. Ramones 1985 Lyceum in the Strand Poster.
Huge and vibrantly colored 40.25 x 30 poster for a pair of Ramones concerts at the Strand in London’s Lyceum Theatre on February 24 and 25, 1985, listing Gene Loves Jezebel and Restless as supporting acts. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7339. Ramones 1986 Steele Hall Mini Poster. Uncommon 12 x 19 poster for a Ramones concert at Fredonia State University’s Steele Hall on April 11, 1986, showing the band in the lower portion and listing The Splat Cats as the opening act. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7338. Ramones 1986 Cornwall Coliseum Poster. Brilliant color 20 x 29.75 poster for a Ramones concert at St. Austell’s Cornwall Coliseum on May 9, [1986], with wonderfully bold promotion and “Gabba Gabba Hey!” in the lower left. In fine, folded condition, with scattered creases and a few paperclip holes. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7340. Ramones 1985 UK Poster. Rare neon yellow 40 x 30 poster for a Ramones concert at the Queens Students Union in Belfast, Northern Ireland on June 26, 1985, featuring silhouettes of the band against a setting sun, inspired by the cover of their eighth full-length album Too Tough to Die. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
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7341. Ramones 1987 Munich Poster. Superb color 23.25 x
33 poster for a Ramones concert at Alabamahalle in Munich, Germany on October 9, 1987, promoting their Half Way to Sanity tour, and listing Gaye Bikers on Acid as special guests. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7342. Ramones 1987 Italy Poster. Bold color 39.25 x 27.25 poster for a Ramones concert at Milan, Italy’s Prego Club on October 11, 1987, with “Unica Data In Italia,” and listing Gaye Bykers on Acid as the supporting act. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7344. Ramones 1990 Belgium Poster. Terrific red-and-
orange 38.25 x 25.5 poster for a Ramones concert at the Sportpaleis in Antwerp, Belgium on October 19, 1990, listing Godfathers as the supporting act. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
120 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7345. Ramones Rock and Roll High School Call Sheets and Notebooks. Interesting group lot of material related to the locational filming of the 1979 film Rock ‘n’ Roll High School, including: a copied draft of a shooting script for the initial twenty days of filming, dated between November 27 and December 22, 1978; a total of nineteen copies of street maps for the Los Angeles area, with several bearing points of interest and filming routes in red felt tip; a Rock ‘n’ Roll High School crew list; a production contact list; and a copied shot list packet for December 14th, scenes 88-122, breaking down the filming of the Ramones performance, with additional stage layout charts. Also included: a final draft of a shooting script for the Ramones’ music video ‘Substitute,” seven pages, dated December 22, 1993; two thick Rock ‘n’ Roll High School note pads; and a Ramones notepad. In overall very good to fine condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7346. Ramones 1992 Cologne Poster. Yellow-and-pink 39.25 x 27.25 poster for a Ramones concert at E-Werk in Koln, Germany on December 5, 1992, in support of their Mondo Bizarro tour, with large Ramones eagle in center. In fine, folded condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7347. Ramones Collection of Tour Itineraries. Three
tour itineraries for the Ramones, each listing venue information, hotel accommodations, and/or travel arrangements: an itinerary for the band’s UK 1977 tour, dated between December 17th and January 1st, with front cover promoting Rocket to Russia; a supplemental itinerary for the already mentioned 1977 tour, listing advanced hotel accommodations and travel arrangements; and an itinerary for the Ramones’ 1978 European tour, dated between September 5th and October 9th. In overall very good to fine condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7348. Ramones Collection of Tour Itineraries. Set of five tour itineraries for
the Ramones, each listing venue information, hotel accommodations, and/or travel arrangements, including: a spiral-bound itinerary for a Summer 1985 Germany tour, dated between June 27th and July 4th, with front cover reading, “The Return of the Ramones”; an itinerary for the Autumn British leg of the 1980 European tour, dated between October 1st and 13th, with front cover reading, “Non-Stop Around the World Tour!!!”; an itinerary for the 1980 UK tour, dated between January 15th and February 9th; an itinerary for a Summer 1985 European tour, dated between June 22nd and July 7th; and an itinerary for The Longest Day at the Milton Keynes Bowl on June 22, 1985, listing information for U2, the Ramones, Billy Bragg, Spear of Destiny, R.E.M., and Faith Brothers. Itineraries feature various handwritten notations. In overall very good to fine condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
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7351. Ramones Collection of (13) Passes. Set of thir-
7349. Ramones Collection of Tour Itineraries. Set of
four tour itineraries for the Ramones, each listing venue information, hotel accommodations, and/or travel arrangements, including: an itinerary for a Non Stop 1980 Japan tour, dated between June 24th and July 5th, with extra details on magazine interviews and photo sessions; an itinerary for a three-day concert series at the London Lyceum, dated February 24-27, 1985; an itinerary for the 1980 European tour, dated between August 26th and September 20th; and the second itinerary for the 1980 European tour, dated between September 11th and October 1st. Itineraries feature various handwritten notations. In overall very good to fine condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
teen unsigned passes for various Ramones concerts, ranging in size from 2.25 x 3.25 and 4.25 x 3, and dated between 1979 and 1995. Passes include: an all access pass for the 1992 Loco Live tour; an all area access pass for the 1985 New Music Awards; a pass for a 1991 tour with large red pinhead skull; and a pass for the 1995 Dour Festival bearing the Adios Amigos cover. In overall fine condition. The Monte A. Melnick Ramones Collection. Starting Bid $200
7352. Ramones Collection of (13) Passes. Set
of thirteen unsigned passes for various Ramones concerts, ranging in size from 2 x 3.25 and 4.75 x 5.75, and dated between 1979 and 1996. Passes include: an All the Way 1981 crew pass showing a swooping eagle; a talent pass for the 1995 MTV Movie Awards; a stage pass into Exhibition Stadium at the 1979 Canadian World Music Festival; and an all access pass for two Coney Island High concerts on February 27 and 28, 1996. In overall fine condition. The Monte A. Melnick Ramones Collection. Starting Bid $200
7353. Ramones Collection of (13) Passes. Set
7350. Ramones Flag. Excellent black nylon flag for the Ramones, 30 x 22.75, featuring the band name in large white lettering, the Ramones presidential seal, and “Non Stop” and “World Tour” in the lower corners. Includes original wooden pole. In fine condition, with wrinkles. With the exception of November, the Non Stop World Tour covered each month of 1980. From The Monte A. Melnick Ramones Collection. Starting Bid $200
of thirteen unsigned passes for various Ramones concerts, ranging in size from 3 x 3.25 and 4.5 x 2.25, and dated between 1983 and 2000. Passes include: a pass for the Too Tough to Die tour of 1984-85; an all access pass for the Acid Eaters tour; an all access pass for the Mondo Bizarro tour; and a pass for the 1984 Subterranean Jungle tour, with pictograms of a lizard and baseball bat. In overall fine condition. The Monte A. Melnick Ramones Collection. Starting Bid $200
122 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7354. Ramones Collection of (8) Passes and Tickets. Grouping of
eight passes and tickets for various commemorative Ramones concerts and events, ranging in size from 2.5 x 4.25 to 8 x 3.25, and dated between 2001 and 2013, including: two all access passes for Joey’s 50th Birthday Bash at the Hammerstein Ballroom on May 19, 2001; two tickets for Joey Ramone’s Birthday concerts, dated May 19, 2006 and 2009; a pass issued to Monte Melnick for the 2013 CBGB Festival, with lanyard; an all access pass for the Ramones 30th anniversary party at the Avalon Theatre on September 12, 2004, with lanyard; an all access pass for CJ Ramone’s Reconquista 2011 tour, with lanyard; and a VIP pass for a Johnny Tribute at the Hollywood Forever cemetery on August 1, 2008, with lanyard. In overall fine condition. Accompanied by various material related to The Long Island Hall of Fame Second Induction Award Ceremony at the Garden City Hotel on October 30, 2008, including an invitation, driving directions, VIP ticket and talent pass, program, and seating card. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7356. Ramones Collection of (15) Stickers and Passes.
Set of fifteen unsigned stickers and concert passes for the Ramones, ranging in size from 2.5 x 3.5 and 5.75 x 4.25, and dated between 1976 and 1991, including: three backstage sticker passes for a concert at the Hollywood Palladium on August 14, 1981; two identical stickers of the front cover for the band’s self-titled debut; three identical stickers of the front cover for the band’s third album Rocket to Russia; a backstage sticker pass with felt tip notations reading “Ramones, Talking Heads”; and a photo access sticker pass for a 1990 show in Copenhagen, Denmark on March 22, 1990, with a great airplane design. In overall fine condition. The Monte A. Melnick Ramones Collection. Starting Bid $200
7355. Collection of Passes and Pins. Set of fifteen
laminated concert passes for various Ramones concerts and other rock showcases, ranging in size from 2.5 x 4.25 to 4.25 x 3, and dated between 1986 and 1997. Highlights include: a pass for a Ramones Mississippi Nights concert at Laclede’s Landing in St. Louis, Missouri, on September 29, 1988; a pass for a Ramones concert at De Kreun in Kortrijk, Belgium, on February 2, 1996, issued to “Monte Melnick— Ramones”; a Lollapalooza 1996 radio channels pass listing bands like the Ramones, Metallica, Soundgarden, and Rancid; and a VIP pass for Motorhead’s 1997 Overnight Sensation tour. Also includes three guest pins for the US Festival and a back stage pass pin for a show at Friars Aylesbury. In overall fine condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7357. Ramones Collection of (5) Commemorative Items. Uncommon assemblage of five commemorative
Ramones items, including: a black Ramones license plate holder, with “Ramones” at the top and “Gabba Gabba Hey” at the bottom; a small puzzle toy from the 1985 TorhoutWerchter festival; a black matchbook with gilt lettering from the Ramones’ “Sold Out” show at Seattle’s Hippodrome on May 4, 1983; an unused pair of circa 1991 black crew socks with green lettering, “Ramones, Loco Live”; and an unopened 50ml nip of imported Ramones mezcal with a label showing the ¡Adios Amigos! album cover. The nip includes the agave worm. In overall fine condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
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7359. Ramones Collection of (11) Guitar Picks. Set
7358. Ramones Tonight Show Papers. Unique assemblage of material from Ramones tour manager Monte Melnick concerning the band’s’ appearance on The Tonight Show with Jay Leno on October 16, 1992, including: a TLS and ALS from Melnick, both signed “Monte,” one dated October 2, 1992, relating to personnel and equipment the Ramones will bring to the recording. Other items include: a rental equipment requirement list; a stage and microphone layout chart; and Melnick’s copy of a fax correspondence between Tonight Show representatives listing items and information needed for the Ramones spot, such as: equipment list, payroll information, call times, wardrobe, Tonight Show band personnel, a production/technical rider, two stage layout charts, and a full band roster listing the given names, ages, social security numbers, and addresses of each Ramone member. The latter Tonight Show correspondence has been annotated by Melnick. In overall fine condition. Accompanied by the original mailing envelope. From The Monte A. Melnick Ramones Collection. The Ramones played three songs on the show: Censorshit, Take It as It Comes, and I Wanna Be Sedated. Starting Bid $200
of eleven unused off-white 1.25 x 1.25 guitar picks, each bearing black lettering, “Ramones.” In overall fine condition. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7360. Ramones Photograph By George DuBose.
Circa 1987 8 x 10 silver gelatin photo of the Ramones in a full-length group pose by photographer George DuBose, signed on the reverse in black ballpint, “DuBose 1987.” In fine condition, with some scattered light surface creases. Accompanied by an unsigned glossy 10 x 8 Sire Records publicity photo of the Ramones, also featuring Clem Burke in the lineup as Elvis Ramone. From The Monte A. Melnick Ramones Collection. Starting Bid $200
7361. Ramones Press Kit. Uncommon 1977
Sire Records publicity packet for the Ramones. The yellow presentation folder, 8.75 x 11.5, contains four unsigned glossy 8 x 10 and 10 x 8 photos of the band, a Sire bio sheet, and nine copies of magazine and newspaper articles featuring the band, with publications including: People Weekly, The New Yorker, Rolling Stone, and Hit Parader. In fine condition. From The Monte A. Melnick Ramones Collection. The Ramones released two albums in 1977-Leave Home and Rocket to Russia-both of which helped cement the band as the world’s most exciting new act. Starting Bid $200
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The Ramones unplugged
7363. Ramones Signed Guitar.
Natural-finish Ovation right-handed acoustic roundback guitar, signed on the body in black felt tip by Joey, Johnny, Marky, and Dee Dee Ramone. Includes the original hardshell case. In very good to fine condition, with cracking to finish and considerable wear to the case. An appealing and uncommon format signed by the classic Ramones lineup. Pre-certified REAL. Starting Bid $300
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Vintage Mosrite signed by the original Ramones bassist 7364. Dee Dee Ramone Signed Mosrite Bass Guitar. Vintage
cream-boded Mosrite Ventures right-handed electric bass guitar signed on the body in black felt tip by Dee Dee Ramone and his wife Barbara Zampini, who adds a star after her name. Bass is missing original knobs, lifting to top pickup, and affixed labels to head and reverse of body. In very good condition, with extensive wear from use including scuffing, chipping, and yellowing to portions of paint; the rough condition adds to the item’s overall ‘punk’ aesthetic. After leaving the Ramones in 1989 to pursue a brief hip-hop career, founding member Douglas Colvin, aka Dee Dee Ramone, transitioned from bass to guitar and formed the Ramones tribute band The Ramainz with Marky Ramone, CJ Ramone, and his second wife Barbara Zampini, whom he married in 1997. Given his fervent departure from the instrument later in his career, basses signed by Dee Dee remain especially rare and highly coveted by collectors. Pre-certified REAL. Starting Bid $500
A musical gift from the Ramones guitarist 7365. Johnny Ramone Personally Gifted ‘Mark-2’ Signature Model Guitar. Teal-bodied
Japanese Mosrite Mark II-style Johnny Ramone signature right-handed electric guitar, personally gifted by Johnny Ramone to a close friend. Includes an ALS addressed to “Brandon,” signed “Johnny,” one page, 5.5 x 8.5, no date, “From the Desk of Johnny Ramone” letterhead, in full: “I bought this guitar for you for your birthday and I want you to have it. Don’t worry there is no payback. Whether we are friends again one day or never speak again, I just want you to have a nice birthday present. Despite what has been said, written or done in anger in the past we will always care about you.” Also includes the original hardshell Ramones guitar case. In fine condition. Accompanied by a photo of Ramone and the recipient, as well as a certificate of authenticity signed by Ramone. Supported by rock solid provenance, this handsome guitar epitomizes the well-known generosity and iconic punk rock flair of Johnny Ramone. Starting Bid $500
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The four Ramones drummers 7366. Ramones Signed Pickguard. White Stratocaster-
style pickguard, signed in black felt tip by Marky, Richie, and Tommy Ramone, and Clem Burke, who adds “AKA Elvis Ramone.” In fine condition. Burke joined The Ramones for two shows under the stage name Elvis Ramone following Richie Ramone’s sudden departure in late August of 1987. An uncommon collection of all four Ramones drummers. Pre-certified REAL. Starting Bid $200
7368. Ramones Signed ‘Road to Ruin’ Radio Sampler Album. Road
to Ruin ‘radio sampler’ promo album signed on the front cover in blue felt tip by Joey, Johnny, Marky, Richie, and Dee Dee Ramone. In very good to fine condition, with a ‘ring of wear,’ scattered creasing and corner dings, and a bit of surface loss towards upper right. The record is included. Pre-certified REAL. Starting Bid $200
7367. The Ramones ‘End of the Century’ Signed Album. End of the Century album signed on the front cover in black felt tip by Joey, Johnny, Marky, and Dee Dee Ramone. In fine condition, with a ‘ring of wear’ and a few edge dings. The record is included. Accompanied by a letter of provenance from the original recipient, in part: “It was 1981 and my college roommate and I heard that The Ramones were touring and coming to the Tampa Theater…my roommate’s brother worked in local radio/TV in the Tallahassee area…[and] he told us to ‘bring something with you’ in case he could get us to see the band…I would like to say the pre-show ‘meet and greet’ backstage was the greatest day of my life. It wasn’t. The management for both the band and the venue kept us a good 50 feet away from the group…Still, I got to see the band in person and thanked them (from afar) for signing my LP.” Pre-certified REAL. Starting Bid $200
7369. Ramones Signed ‘Rock Around the World’ TV Album. Very
rare Rock Around the World album featuring “The Ramones’ Beat From The Street,” signed on the front cover in black felt tip by Johnny, Tommy, Dee Dee, and Joey Ramone, who adds “89.” In fine condition, with a ding to lower right corner tip. The record is included. This live Ramones performance aired on the Rock Around the World radio show in Boston on September 6, 1976. Pre-certified REAL. Starting Bid $200
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7370. Ramones Signed ‘I Wanna Be Sedated’ RPM. I Wanna Be Sedated
7374. Ramones Unissued ‘Crummy Stuff’ 45 RPM.
single album signed on the front cover in black felt tip by Johnny, Marky, Dee Dee, and Joey Ramone, who adds “89.” In fine condition, with ink smudges to reverse. The record is included. Pre-certified REAL. Starting Bid $200
7371. Ramones Signed ‘Pleasant Dreams’ Album.
Pleasant Dreams album signed on the front cover in black felt tip by Johnny, Marky, Dee Dee, and Joey Ramone, who adds “88.” In fine condition, with corner tip dings. The record is not included. Pre-certified REAL. Starting Bid $200
7372. Ramones ‘Adios Amigos!’ Signed Album.
Adios Amigos! album signed on the front cover in black felt tip by Joey, Johnny, CJ, and Marky Ramone. In fine condition. The record is included. Pre-certified REAL. Starting Bid $200
Rare 45 rpm test pressing of the song ‘Crummy Stuff,’ signed on the front cover in blue felt tip, “Dee Dee.” The original white sleeve bears a custom contemporary label to upper right corner. In fine condition, with ring of wear and tiny spots of staining. The record is included. Dee Dee Ramone wrote the song ‘Crummy Stuff,’ the fourth single from the Ramones’ ninth studio album, Animal Boy. Starting Bid $200
7375. Ramones ‘Sterling Sound’ PreProduction Set of Records.
Rare Sterling Sound preproduction pressings for sides A and B of the final and fourteenth Ramones studio album, Adios Amigos! Includes the original white paper sleeves and box, stamp-dated April 19 and 24, 1995. In very good to fine condition, with some staining to box. The records are included. Recorded in January and February of 1995, Adios Amigos! was released to warm critical reviews on July 18, 1995. Starting Bid $200
7373. Ramones ‘Subterranean Jungle’ Signed Album. Subterranean Jungle
album signed on the front cover in black felt tip by Joey, Johnny, Dee Dee, and Richie Ramone, with the latter using his original stage surname of “Beau.” In fine condition, with scattered creasing and edge dings. The record is not included. Richie Ramone adopted the surname ‘Beau’ while playing with his original band, Velveteen. He used the name only briefly after joining the Ramones in February 1983, making items bearing the ‘Richie Beau’ signature quite scarce. Pre-certified REAL. Starting Bid $200
7376. The Ramones Signed CD Boxset. We’re Outta Here!
CD boxset signed on the front of the display box in black and blue felt tip by Joey, Johnny, Marky, CJ, Tommy, and Dee Dee Ramone, road manager Monte Melnick, and art director Arturo Vega. In fine condition, with wear to edges and corners of box. In addition to the CD and VHS, also included is an in-store Tower Records pass for We’re Outta Here!, signed on the reverse in blue felt tip by all six Ramones. Pre-certified REAL. Starting Bid $200
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7377. Ramones Signed Ticket.
Uncommon ticket for a Ramones concert at the T. V. Club in Dublin, Ireland on June 25, 1985, issued as No. 994, signed on the reverse in blue felt tip by Joey, Johnny, Richie, and Dee Dee Ramone, with the latter signing first name only. In very good condition, with overall wear including creasing and toning. Pre-certified REAL. Starting Bid $200
7379. Joey Ramone Oversized Photograph. Fantastic semi-glossy 9.25 x 12 silver gelatin photo of Ramone in concert behind a microphone, clad in one of his iconic leather jackets. Reverse bears a Paul Canty photographer’s stamp. In fine condition, with scattered creasing and surface impressions to lower portion. Starting Bid $200
7378. Johnny Ramone Autograph Letter Signed. ALS, one
page, 6 x 9, no date, but postmarked October 19, 1996. Letter to Robert Fullmer, in full: “Good to hear from you. You probably know by now our last show was August 6th in Los Angeles. They filmed it for video release around Christmas. Some guests played with us (Dee Dee sang Love Kills, Rancid played 53 & 3, Lemmy sang & played on Ramones, Eddie Vedder sang on Anyway You Want It). It was fun for me a little too exciting. I don’t think you were there, I’m sorry, but I was away and did not get your letter till much later. Hope you are doing well, and thanks for all your support. It was fun for 22 years, but I’d rather stop while our fans still enjoy it.” In fine condition. Accompanied by the original mailing envelope, addressed in Ramone’s own hand. Pre-certified REAL. Starting Bid $200
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Punk Rock
Vicious-era fully signed Never Mind the Bollocks 7381. Sex Pistols Signed Album.
Never Mind the Bollocks, Here’s the Sex Pistols album signed on the front cover in black ballpoint by Johnny Rotten, Paul Cook, Steve Jones, and Sid Vicious, the latter signing first name only. In very good to fine condition, with scattered surface scuffing, heaviest to top edge, a light ‘ring of wear,’ and bit of surface loss to upper left. The record is included. Accompanied by a full letter of authenticity from REAL, as well as a letter of provenance, in part: “Autographed by the group at the concert they played in Huddersfield on Xmas day 1977. The autographs were obtained by a local guy who has taken his brother’s two young children to the afternoon performance which was a special show just for the children of local fire-service men who were at that time on a strike… the concert was put on free-of-charge by Virgin Records. His older brother…arrived a short while after and was amazed to find that his brother had managed to get the autographs of the Sex Pistols, as they still had somewhat of a ‘nasty’ reputation but they were by all accounts, laughing and joking around with everyone and taking the time to talk with any fans that wanted to meet them.” Fully signed albums from the Sid Vicious era remain exceedingly rare, with this example serving as the first we have ever offered. Starting Bid $300
7383. Sex Pistols Pair of Oversized Photographs. 7382. The Sex Pistols ‘God Save the Queen’ Promo Poster. Rare German blue 28 x 7 promotional poster for the
1977 single ‘God Save the Queen’ by The Sex Pistols, showing the famous defaced image of Queen Elizabeth II by Jamie Reid on both ends, with center portion reading [translated], “The incredible single from England’s most impossible band The Sex Pistols, now available.” In fine, folded condition. Starting Bid $200
Tw o g l o s s y 8.25 x 11.5 silver gelatin photos of the key members of the Sex Pistols: one showing Johnny Rotten holding a can of beer; and one of Sid Vicious holding a Fanta. Both bear Adrian Boot photographer’s credit labels in the lower border. In overall fine condition. Starting Bid $200
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7384. The Clash Signed Oversized Poster. Fantastic 29 x 58 poster promoting the
1991 box set compilation album Clash on Broadway, depicting a rainy nighttime street scene with the band members above, prominently signed in silver ink by Joe Strummer, Mick Jones, Paul Simonon, and Topper Headon. Professionally restored, rolled and in fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $300
Strummer’s ode to “All the Young Punks” 7385. The Clash: Joe Strummer Handwritten Lyrics. Joe Strummer’s unsigned handwritten lyrics to the song “All the Young Punks,” one page on the reverse of an 8.5 x 13 CBS Recording Studios track split sheet, no date but circa 1978. Strummer pens three verses, making several strikethroughs and emendations in the process, in full: “I was hanging about down the Market St. / Kos I spent a lotta time on my feet / When I saw some passing yobbos / and we did chance to speak / Well I knew how to sing / an they knew how to pose / an one of em had a Les Paul / Heart attack machine / No one pays to ride on this rock n’ roller coaster/ we went out an got our name in small print on the posters / ‘course we got a manager / an though he aint the mafia / a contract is a contract / when they get em out on yer / Face front you got the future / shining like a piece of gold / but I swear as we get closer / it looks more like a lump of coal / but it’s better than the factory / that’s no place to waste your youth / I worked there for a week once / but they soon gave me the boot.” Strummer adds an alphabet to the lower portion, striking through six of the letters and writing above four, “Bo,” “Co,” “Master,” and “Post.” Reverse of page bears notations in another hand. In very good condition. ‘All the Young Punks (New Boots and Contracts)’ was the tenth and final song on Give ‘Em Enough Rope, the second fulllength album from The Clash, and the first to be released in the United States, preceding their self-titled debut by a full year. Upon its American release, the song title was changed to ‘That’s No Way to Spend Your Youth,’ similar to a line found in the last verse, before ultimately changing back. In keeping with the album’s contemporary themes of societal and global hardship, this is a fantastic set of original lyrics penned in the hand of The Clash’s lead vocalist. Pre-certified REAL. Starting Bid $2000
Punk Rock | February 16, 2017 131
7386. The Clash: Joe Strummer Handwritten Lyrics. Joe Strummer’s handwritten lyrics to an unpublished song, one page, 5.75 x 8.25, no date, penned in blue ballpoint on the reverse of Colin Blunstone’s personal letterhead. The untitled lyrics, in part: “The T-R-A-I-N-was late / the M-A-N-was late / we W-A-I-T-E-D by the gate / you know we D-I-D-N-T like his face / there’d been duffers on the pitch / and this geezer he looked too rich / an I gotta prove that I’m a man / n’ I gotta hack him to the ground / n’ I can’t pass when it’s my turn / n’ it’s my only chance to make ‘em squirm / n’ to see, what it’s like / to kick some death, out of life / and to run off, in the night / it might be wrong, but we done it right / we’re not asking you, say what you like / talk yourself stupid, get on your bike / you never bin done, you can have what you like / n’ who else can we punch tonight.” In very good to fine condition, with light stains, intersecting folds, and general handling wear. Pre-certified REAL. Starting Bid $300
Handwritten Clash song list with “Remote Control,” “Bored with the U.S.A.,” and “(White Riot)” 7387. The Clash: Paul Simonon Handwritten Set List. Paul Simonon’s handwritten song list, one page, 8.25 x 11.75, penned in black felt tip for Melody Maker journalist and first Clash manager Caroline Coon, no date but circa 1977. The list consists of titles for nineteen songs, with Simon adding additional notes to several, including: “White Riot-Backdrop-N. I.?,” “1977-Row of coffins, Elvis Etc...,” “Janie Jones Holloway-Star’s that went to her parties,” “Remote Control,” “Bored with the U.S.A.,” “(White Riot),” “Hate & War,” “What’s My Name-Group,” “Deny,” “London’s Burning-old picture of London 1666,” “Careers-Army-Bus Drive-Ambulance man,” “Cheat,” “Protex-Durex,” “Police & Thieves,” “48 Hours,” “Garageland,” “Capital Radio-In tune with nothing,” “Complete Control,” and “City of the Dead.” In fine condition, with a rough top edge and mild edge toning. Coon requested the song list, which contains nearly every song from the Clash’s self-titled debut, so she could use them in an article prior to their release; the same list was used in the production of the group’s first songbook. Pre-certified REAL. Starting Bid $200
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7388. The Clash Pair of Typed Lyric Sheets Annotated by Strummer and Simonon. Pair of typed lyric sheets for
the song ‘White Riot,’ each one page, 8.5 x 13 and 8.25 x 11.75, no date but circa 1977. The larger sheet is a draft copy with black ink notations by Paul Simonon, who adds the line, “White Riot, I Wanna Riot, White Riot, A Riot of My Own,” at the top and bottom, and makes a few other small emendations to the body. The same sheet also bears pencil notations by Joe Strummer, who adds directional arrows to the middle chorus line, changes ‘people’ to “Man,” and makes a couple other small style changes. The second sheet serves as a final lyric copy. In overall fine condition, with editorial notations to both and edge wear and toning to larger page. Melody Maker journalist and first Clash manager Caroline Coon requested the lyric sheets so she could use them in an article prior to the release of the band’s self-titled debut album; the same lyric sheets were used in the production of the group’s first songbook. Pre-certified REAL. Starting Bid $200
7389. The Clash Oversized Photograph. Early semi-
7391. The Replacements Poster. Very early and rare
glossy 12 x 9.25 silver gelatin photo of Mick Jones, Joe Strummer, and Paul Simonon holding their guitars in a warehouse. Reverse bears an Elaine Bryant photographer’s stamp. In fine condition, with staining to bottom border (not affecting the image), edge creases, and chipping with bits of emulsion loss to bottom edge. Starting Bid $200
7390. Black Flag Handbill. Uncommon 8.5 x 11 handbill for a Black Flag concert at Barrington Hall in Berkeley, California, on February 20, 1981, showing large faces of concerned adults and listing Flipper and Sick Pleasure as supporting acts. In fine condition, with a few pinholes and a surface tear to upper right. Starting Bid $200
yellow 11 x 17 poster for a concert by The Replacements at the Big Beat in Ann Arbor, Michigan, on August 12, 1983, showing an image of the band, four newspaper snippets, and listing the 3-D Invisibles as the supporting act. In fine condition. This show came during the band’s first national tour, during which they traveled in a beat up van with a single roadie. The Big Beat was a dive above a German restaurant on the outskirts of Ann Arbor, shaped like a bowling alley with one tiny stage at the end. An unusual piece from the earliest days of The Replacements. Starting Bid $200
7392. The New York Dolls 1973 Mini Poster. Rare
vintage off-white 8.25 x 11.75 handbill for a concert by The New York Dolls at Warwick University on November 22, 1973, showing three voluptuous nude women and an 18th century British dandy, noting “late bar” and “late transport.” In very good condition, with scattered creasing, border toning, and stain to one face. Starting Bid $200
Punk Rock | February 16, 2017 133
1980s
7393. U2 Signed Photograph. Semi-glossy 10 x 8 cardstock photo of U2 posing in front of the Harmony Motel, signed in black felt tip, “Edge,” “Larry,” “Adam,” and “Bono, 87.” In fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200
7394. U2 Signed Album. October album signed on the front cover in black ballpoint, “Edge,” and in blue ballpoint, “Best wishes, Adam,” “Bono 81, October,” and “Larry.” In fine condition. The record is included. Accompanied by a full letter of authenticity from REAL. A highly sought-after record enhanced markedly by its excellent condition and Bono’s atypical addition of “October.” Starting Bid $200
7395. Stevie Ray Vaughan Signed Pass and Display.
Felt tip signature, “Stevie Ray Vaughan,” on a green 4.25 x 3.75 triangular after show guest pass for the In Step tour. Matted and framed with a concert ticket for a Stevie Ray Vaughan and Double Trouble concert at Auditorium Shores in Austin, Texas, on May 4, 1990, as well as a large green 10.5 x 16.5 poster and a set of vendor, VIP, crew, and all access passes from the May 4th show, to an overall size of 20 x 28.25. In fine condition. Pre-certified REAL. Starting Bid $200
134 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7396. Stevie Ray Vaughan Signature. Choice felt tip signature, “Stevie Ray Vaughan,” on an off-white 5 x 3 card. Encapsulated in a plastic PSA/DNA authentication holder. In fine condition. Pre-certified REAL. Starting Bid $200
7399. Metallica Oversized Photograph. Superb semi7397. Stevie Ray Vaughan Photograph. Glossy 10 x 8
silver gelatin photo of Stevie Ray Vaughn in sharp focus in the foreground, with his band Double Trouble—Chris Layton and Tommy Shannon—blurred in the background. Reverse bears a Tony Mottram photographer’s credit. In fine condition. Starting Bid $200
glossy 12 x 9.5 silver gelatin photo of Metallica during the 1980s beneath a sign reading, “Pool - Fun - Beer.” Reverse bears a Ross Halfin photographer’s label. In fine condition. Halfin toured with many of the great metal and hard rock bands of the 1980s and has published a book entitled The Ultimate Metallica: Photographs by Ross Halfin. Starting Bid $200
7398. Metallica Signed Album. Jump in the Fire album signed in silver ink by Cliff Burton, Kirk Hammett, Lars Ulrich, and James Hetfield. In fine condition. The record is included. Pre-certified REAL. Starting Bid $200
7400. Tom Petty and the Heartbreakers Signed Guitar.
Cream-bodied Fender Squier Bullet Strat right-handed electric guitar, signed on the body and white pickguard in blue felt tip by Tom Petty, Ron Blair, Steve Ferrone, Scott Thurston, and Mike Campbell, who adds “HBs.” Includes a hardshell case. In fine condition. Accompanied by a full letter of authenticity from PSA/DNA. Pre-certified REAL. Starting Bid $200
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7401. Whitney Houston Signed Photograph. Satin-finish 8 x 10 Arista Records publicity photo of Houston with arms akimbo in a half-length pose, signed in blue felt tip. In fine condition. Consignor notes that the signature was obtained in person outside of Munich’s The Charles Hotel in 2010. Pre-certified REAL. Starting Bid $200
7402. Madonna Photograph. Matte-finish 8 x 10 silver gelatin photo of Madonna performing in a lacy white dress during the 1985 The Virgin Tour, her debut concert tour. Reverse bears a Neal Preston/Camera 5 Inc. credit stamp and 1986 copyright date. In fine condition. Starting Bid $200
7403. American Rock Collection of (4) Signed Items. Collection of four items, including: signatures of The Smithereens
(Dennis Diken, Jim Babjak, Pat DiNizio, and Mike Mesaros) on an off-white sheet; signatures of Vixen (Roxy Petrucci, Jan Kuehnemund, Janet Gardner, and Share Pedersen) on an off-white card, all signing with first names only; signatures of War (Lonnie Jordan, Lee Oskar, Harold Brown, and Luther Rabb) on a light green sheet; and a check signed by Eric Carr of KISS using his given name, “Paul C. Caravello.” In overall fine condition. Starting Bid $200
136 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Prince THE THERESE STOULIL COLLECTION | LOTS 7406-7438
“
He was an extremely smart, articulate man with a very, very quick wit. He was driven by his creativity— there was always the next record, the next video, the next tour—it was 24/7. I will treasure those memories as well as the lifelong friendships I have to this day because of Prince and working at Paisley Park
”
Therese Stoulil was hired by PRN Productions as Production Coordinator in 1986 and spent the next decade working for Prince. When he moved into Paisley Park in 1987, Stoulil’s first project was cataloguing all recordings before filing them in the vault. On most mornings, she came to work to find a cassette on her desk signaling her to type up the lyrics of a song he had recorded the night before. In 1989, she would become Prince’s personal assistant and handle all elements of his personal and professional life until 1996. In these positions, she had the privilege of listening to nearly everything Prince recorded from 1986–1996. In addition to working on hundreds of unreleased recordings, she worked on the Batman soundtrack, Graffiti Bridge, Sign o’ the Times, the Black Album, and Diamonds and Pearls.
The only visible signs of Prince are a trophy case in the lobby and this private room in the basement filled with commemorative platinum albums, photos and framed posters. Archivist Therese Stoulil files recordings inside the adjacent vault.
1993’s Act II Tour Stage-Worn Bolero Jacket 7406. Prince Black and White Striped Bolero Jacket. Prince’s
black-and-white striped bolero jacket designed by Stacia Lang for the 1993 Act II Tour of Europe, made of a fine silk and featuring two black buttons on the front, three white buttons on each sleeve, and five alternating black and white buttons on the lower back. In fine condition. Lang’s original design sketch is shown online, but not included in the sale. From the collection of Prince’s assistant Therese Stoulil. Following the Act I Tour of the United States in the spring of 1993, Prince took Europe by storm in Act II, traveling far and wide throughout the continent from July through September. Focusing on his greatest hits during the whirlwind concert series, Prince played in a total of eleven different countries. A flashy wardrobe piece designed for the successful tour, this is an exceedingly desirable item. Starting Bid $1000
Prince | February 16, 2017 137
138 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Exquisite jacket worn on screen in Under the Cherry Moon
7407. Prince’s Screen-Worn Under the Cherry Moon Lace and Beaded Jacket. Prince’s exquisitely made screen-
worn beaded jacket from the 1986 film Under the Cherry Moon. The stunning lace jacket is covered in intricate, shimmering beadwork and faux pearls, and features a bolero-style front with a long, cape back. This piece has never been laundered due to the delicate beading, and Prince’s makeup is still present on the collar. In fine condition. The jacket is easily photo-matched to the scene in the film where Prince and Mary are in the convertible under the full moon. From the collection of Prince’s assistant Therese Stoulil. Under the Cherry Moon was Prince’s second movie as an actor (following Purple Rain), and his directorial debut. The soundtrack—the Parade album—was released to wide acclaim and featured Prince classics including ‘Kiss,’ ‘Mountains,’ and ‘Girls & Boys.’ Boasting ironclad provenance, this is a one-of-a-kind, elaborate wardrobe piece from one of Prince’s films of the 1980s. Starting Bid $2500
Prince | February 16, 2017 139
One of Prince’s favorite vests
7408. Prince’s Stage-worn Black Polka Dot Vest. Prince’s stage-worn black polka-dotted vest made of a black mesh fabric with silkscreened cream-colored polka dots, featuring ten black buttons on the front and a cinch belt on the lower back. This was one of Prince’s favorite vests and he wore it on stage on many occasions. In fine condition, with expected wear from frequent use. From the collection of Prince’s assistant Therese Stoulil. Prince can be seen wearing this vest in many different photographs. A rare, highly desirable stage-worn piece. Starting Bid $500
7409. Prince’s Personally-Owned and -Worn Pink Double-Breasted Vest. Prince’s personally-owned and -worn circa 1986 bright pink satin doublebreasted vest with a cream-colored cotton lining, featuring a total of ten buttons on the front and a cinch belt on the lower back. In fine condition. From the collection of Prince’s assistant Therese Stoulil. During the Parade Tour timeframe, Prince took to wearing three-piece suits. Starting Bid $300
140 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7410. Prince’s Personally-Owned and -Worn Pink Three-Button Vest.
Prince’s personally-owned and -worn circa 1986 bright pink satin vest with a creamcolored cotton lining, featuring three cream-colored buttons on the front and a cinch belt on the lower back. In fine condition. From the collection of Prince’s assistant Therese Stoulil. During the Parade Tour timeframe, Prince took to wearing threepiece suits which included this type of vest. Starting Bid $300
Worn on stage during The Nude Tour
7411. Prince’s Stage-Worn Forearm Wrist Cuffs. Prince’s pair of black forearm cuffs, measuring 16˝ long, made of spandex arms with long black thread as fringe. In fine condition. From the collection of Prince’s assistant Therese Stoulil. From the Nude Tour. Starting Bid $300
Prince | February 16, 2017 141
7412. Prince Promotional ‘My Name Is Prince’ T-Shirt. Scarce black Prince
promo t-shirt made by Fruit of the Loom, size large, featuring an impressive golden raised Minneapolis Police badge emblem with “Prince” at the bottom, and a large golden Prince symbol on the back. In fine condition. From the collection of Prince’s assistant Therese Stoulil. These shirts were produced as a promotional item and feature the same design as the shirt Prince wore in the ‘My Name is Prince’ video. Starting Bid $200
7413. Prince Graffiti Bridge Crew Jacket. Black-and-
white wool-and-leather official crew jacket made by DeLong, size 44L, embroidered on the left breast with silver text, “Graffiti Bridge, Film Crew,” with the year on the back in gold, “’90.” In fine, never worn condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
7414. Prince and the New Power Generation Tour Jacket. Black wool-and-leather
jacket from Prince’s 1992 world tour, size medium, embroidered on the left breast with his iconic symbol and silver text, “Prince & the New Power Generation, World Tour 1992,” and personalized on the right, “Therese.” The back features a large yellow embroidered Prince symbol. In fine, never worn condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
142 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Used during a 1986 London aftershow performance
7415. Prince’s Stage-Used Parade Tour Paisley Tambourine. Wonderful
wooden single row tambourine with an appealing black paisley design on the head, 10˝ in diameter, featuring blackand-white ribbons tied to the thumb hole. Prince used this tambourine during an aftershow performance at Busby’s on August 13, 1986, after playing Wembley Arena in London during the Parade Tour. In fine condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
7416. Prince Sign O’ the Times Tour Book and Mirrored Heart Wristband. Two
items: a promotional mirrored heartshaped wristband from the 1987 Sign o’ the Times tour, measuring approximately 5 x 4.5; and a 1987 Sign o’ the Times tour book, 12 x 12, featuring an image on the front cover of Prince wearing this type of wristband (not this exact one). In fine condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
Prince | February 16, 2017 143
Beautiful Warner-Pioneer Batman soundtrack award
7417. Prince’s Batman Gold Album Award. Handsome Warner-Pioneer Corporation gold album sales award, measuring 7 x 5 x 1.5, constructed of fine blue azure glass with a “GA” medallion in the center and a plaque reading, “Gold Album, Batman, Prince, Warner-Pioneer Corporation.” The reverse is etched, “1989.10.15, Kazuo Mochizuki, President, JPRA.” In fine condition. From the collection of Prince’s assistant Therese Stoulil. Prince recorded the soundtrack for the 1989 Batman film, and the album remained at number one on the Billboard charts for six consecutive weeks. A stunning piece representing the remarkable success of this album. Starting Bid $300
Beautiful award for the 1989 Madonna-Prince collaboration 7418. Prince’s Japan Grand Prix 1990 Award.
Gorgeous trophy from the 1990 Japan Record Awards, measuring 4.5 x 9.5 x 2.25, featuring a gold medallion in the center, with etched text reading, “The Japan Grand Prix ’90, The Grand Prix Album of the Year, Producer, Like a Prayer, Prince.” The reverse is etched, “JPRA Award, 1990.3.12.” Includes the original presentation box and a letter on Warner-Pioneer Corporation letterhead sent to music executive Alan Leeds, in part: “The enclosed award is for ‘Love Song’s’ producer.” In fine condition. From the collection of Prince’s assistant Therese Stoulil. Prince co-wrote, co-performed, and co-produced ‘Love Song,’ which appeared as the third track on Madonna’s 1989 album Like a Prayer; Prince also played guitar on three of the album’s songs, though he remained uncredited. An exceptional award honoring a remarkable collaboration between two of the era’s premier pop music icons. Starting Bid $300
144 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Personally approved 12˝ test pressing—sent “2 the Club”
7419. Prince and the New Power Generation ‘Gett Off’ Test Pressing. Unique test pressing of ‘Gett Off’ personally
approved by Prince, bearing a sticky note on the cardboard sleeve labeled in Prince’s hand with instructions to bring it to his Glam Slam nightclub, “2 the Club.” The disc has a white Specialty Records Corporation label reading: “Date: 7-25-91, Acc’t: W.B., Title: Gett Off 12˝, Artist: “Prince, Mtx. No. A-SR2-DMM-1, Rec. No. 0-40138.” The sleeve is annotated in black felt tip, “Gett Off 12˝ Maxi.” In fine condition, with some spots of scuffing and corner creases to sleeve. From the collection of Prince’s assistant Therese Stoulil. In 1989, Prince opened a nightclub in Minneapolis called ‘Glam Slam’-named after one of his singleswhich became one of the city’s hot spots. He later remixed the single under the title ‘Glam Slam ‘91,’ which then became the basis for ‘Gett Off.’ An interesting, unique item connecting Prince’s music with his other business ventures. Starting Bid $200
Limited edition promo from Prince’s allotment 7420. Prince The Gold Experience Limited Edition Promo Album. The
Gold Experience special limited edition 1995 promo album from the artist’s allotment, no. 1953, featuring two gold-colored translucent vinyl discs. In fine condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
Prince | February 16, 2017 145
Exceedingly rare 1995 proof of “The Versace Experience,” personally approved by Prince 7421 . Prince ‘The Versace Experience (Prelude 2 Gold)’ Test Pressing Promo Cassette. One-of-a-kind test
pressing of the promotional cassette of previously unreleased material given to attendees of the Versace collection of Paris Fashion Week over the course of three consecutive days, beginning on July 8, 1995. The cassette is labeled “Proof Cassette - Zomax Optical Media,” and is filled out by hand, “Customer: Paisley Park, Title: The Versace Experience.” This is the proof which was personally approved by Prince for production. The case has the insert reading, “The Versace Experience - Prelude 2 Gold.” In fine condition. The promotional copies of ‘The Versace Experience: Prelude 2 Gold’ given away during the Paris Fashion Week are extremely rare on their own, and are among the most soughtafter and valuable cassette tapes ever produced. The tape was mostly used as a promotional tool for Prince’s upcoming album The Gold Experience, and featured tracks edited and remixed specifically for this promo—some of which were never released anywhere else. As the test pressing of this desirable cassette which was personally approved by Prince, this is an absolutely remarkable item and almost certainly the rarest Prince cassette tape to ever appear on the market. Starting Bid $300
7422. Prince and the New Power Generation ‘Gett Off’ 12”. Sought-after
limited edition (white cover) 12˝ promo single of ‘Gett Off (Approx: Damn Near 10 Min.)’ by Prince and The New Power Generation, still sealed in its original plastic. In fine condition. From the collection of Prince’s assistant Therese Stoulil, who notes that this was from Prince’s ‘stash.’ Prince had 1500 copies of this record pressed to give away in honor of his 33rd birthday, and it is the only time the unique version of ‘Gett Off’ was released. Starting Bid $200
7423. Prince Sexy MF 12” Single. Lim-
ited edition 12˝ single of ‘Sexy MF’ by Prince and The New Power Generation on transparent yellow vinyl, still sealed in its original plastic. In fine condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
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Prince’s 1993 Brit Award acceptance speech, read by Cher on his behalf 7424. Prince Signed Handwritten Brit Awards Acceptance Speech. Handwritten and signed speech by
Prince inside of a 5.75 x 8.75 card featuring his symbol on the front, circa 1993. Prince’s acceptance speech for the 1993 Best International Artist Brit Award, intended for Kylie Minogue to read on his behalf. In full: “Dear Kylie, please read this note in acceptance 4 the Best International Artist Award—’Thank u! P.S.—In all my trips abroad, I can honestly say, I’ve never felt very far from home. As long as I live and there is an appreciation of what I do, I will continue to do...my best. Peace and New Power,’ Prince.” Interestingly, Prince sketched a small picture of an eye in every instance he used “I.” Includes the envelope addressed in Prince’s hand, “Kylie.” In fine condition, with some brushing to writing. Minogue was a presenter at the 1993 Brit Awards and announced Prince as the winner of Best International Solo Artist, but at the last minute, the show’s producers ultimately asked Cher to read his speech. An excellent autographed Prince item representing his enormous success on the international stage. Pre-certified REAL. Starting Bid $300
To Herb Ritts on a Paisley Park session: “I had a lot of fun shooting & I’m sure we did good stuff” 7425. Prince Handwritten Note To Herb Ritts and Pair of Photos.
Handwritten note, unsigned, one page, 4 x 6, “From the desk of Prince” letterhead, circa 1991. A note to photographer Herb Ritts, written after a photo shoot at Paisley Park in 1991. In full: “Although it took me a day 2 realize it—I had a lot of fun shooting & I’m sure we did good stuff. Thank u.” Includes two cardstock photos of images captured during the shot, each framed to 13 x 13. In fine condition. From the collection of Prince’s assistant Therese Stoulil. In addition to his renowned fashion photography, Herb Ritts won multiple MTV Video Awards for his music videos— among the superstars he worked with in addition to Prince were Madonna, Janet Jackson, Chris Isaak, and Mariah Carey. A unique note connecting two great artists. Pre-certified REAL. Starting Bid $200
Prince | February 16, 2017 147
7426. Prince Signed Handwritten Note. Handwritten note signed with his ‘Prince’ symbol, one page, 8.5 x 11, no date. Note to his assistant asking that she send flowers to Lenny Kravitz and Morris Day, also mentioning Mavis Staples. In full: “Therese-this is early but please send good luck flowers 2 Lenny and Morris the night of their shows in Chicago. Also arrange 4 Mavis 2 go with us 2 both shows. Cards should read-Whup some ass! ” Also bears notes on the reverse in another hand. In fine condition. From the collection of Prince’s assistant Therese Stoulil, who notes that Prince and Mavis Staples attended both shows. An uncommon piece providing several ideal musical connections. Pre-certified REAL. Starting Bid $200
“Tell the band 2 rehearse Diamonds & Pearls”
7427. Prince Signed Handwritten Note. Handwritten
note, signed “P,” one page, 8 x 10.5, no date. In full: “Therese, please tell the band 2 rehearse Diamonds & Pearls and the dancers 2 rehearse Willing and Able. Tell them I’ll be in at 4:30. Please retype ‘Teacher’ and leave corrected copy in A and destroy the rest.” In fine condition, with some scattered ink flecks to top half. From the collection of Prince’s assistant Therese Stoulil. An uncommon example of Prince’s handwriting, as he typically used cursive. Pre-certified REAL. Starting Bid $200
7428. Prince Handwritten Note. Handwritten note by Prince, unsigned, one page on a 4 x 6 notecard headed “From the desk of Prince,” circa 1991. A note concerning the song ‘U’ on Paula Abdul’s 1991 album Spellbound. In full: “Therese, Tell Jill the live version of ‘U’ is completed. She should call Gemma at Virgin and tell her so, and u should send 2 Keith A.S.A.P. (the 24-track masters we keep safeties). Thank u.” In fine condition. From the collection of Prince’s assistant Therese Stoulil. ‘U’ was written, produced, and largely recorded by Prince (credited to Paisley Park). Pre-certified REAL. Starting Bid $200
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7429. Prince Handwritten Note. Handwritten note by Prince, unsigned, one page on a 4 x 6 notecard headed “From the desk of .” A note to his assistant. In full: “& Therese-can u get video, & pix of this band (see enclosed letter).” In fine condition. From the collection of Prince’s assistant Therese Stoulil. Pre-certified REAL. Starting Bid $200
Recording ‘Standing At The Alter’ 7430. Prince Handwritten Note. Handwritten note by
Prince, unsigned, one page, 8.5 x 11, no date. A note to his assistant concerning his collaboration with Margie Cox. In full: “Therese, please send one cassette 2 Margie & one 2 Greg Sain with lyrics. Corrections 2 be made on lyrics are on my desk. Tell the 2 of them I’d like them 2 sing A.S.A.P. 2night perhaps. Margie has all high parts and B.G’s Greg has low parts and B.G’s. Please tell my band 2 continue with list and I’ll try 2 come in late. Was up all night. Also reschedule Earl 4 3:00 p.m. unless called.” In fine condition, with creasing to three corners. From the collection of Prince’s assistant Therese Stoulil. Margie Cox was a local singer and Prince had just written a song, ‘Standing At The Alter,’ with her in mind; she did record vocals that night along with Greg Sain. The song was eventually released on Prince’s 1994 1-800-NEWFUNK album. Pre-certified REAL. Starting Bid $200
Prince | February 16, 2017 149
Request for Claire Fisher to “Go 4 Broke” on the soundtrack to Graffiti Bridge 7431. Prince Handwritten Note. Handwritten notes by Prince, unsigned, one
page, 8.5 x 11, circa 1990. Letter concerning the soundtrack for the 1990 sequel to Purple Rain, Graffiti Bridge. In full: “Therese: Please send 2 Claire Fisher 4 Orchestration. Tell him I’d like a full orchestra. There are 12 open tracks. Tell him 2 go 4 broke and play something thruout the whole song. I’ll edit what I can’t use. If he is unable 2 do the date ask him 4 recommendations of other people. Tell him I hope he’s in good health & spirits. Thanks.” In fine condition, with a tiny portion of paper loss to upper edge. From the collection of Prince’s assistant Therese Stoulil. Claire Fischer wrote several orchestral arrangements for Prince, and recorded string overdubs for the Graffiti Bridge soundtrack at Mad Hatter Studios in Los Angeles. Pre-certified REAL. Starting Bid $200
Prince’s personal copy of the rare Sacrifice of Victor
7433. Prince’s Own ‘Prince Presents: The Sacrifice of Victor’ Book. Prince’s personally-owned copy of an extremely
rare book: Prince Presents The Sacrifice of Victor. First edition. Paisley Park Enterprises, 1994. Hardcover with dust jacket, 12.5 x 9.25. The book presents a black-and-white pictorial journey of Prince during the 1992 Act I Tour, and features photographs taken by Terry Gydeson. This is Prince’s own copy which he kept on the coffee table in his office at Paisley Park for several years. In fine condition. From the collection of Prince’s assistant Therese Stoulil. This is a very rare and collectible book on its own, and virtually impossible to find in hardcover. Starting Bid $300
150 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7434. Prince’s 1996 Grammy Invitation. Prince’s invi-
tation packet for the 38th Annual Grammy Awards held on February 28, 1996, consisting of the following: two sheets headed “Your Category and Nomination,” listing Prince as the nominee for Best R&B album as the artist and producer of The Gold Experience and as a nominee for Best Male R&B Vocal Performance on the song ‘I Hate U’; the mailing envelope addressed to “Prince (Artist Formerly Known)” at Paisley Park; the Grammy nominee RSVP reply card and return envelope; an invitation card and envelope; and a form letter. In fine condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
Rare sealed promo copy of ‘P Control,’ from the VH-1 Fashion Awards
7435. Prince’s Own VH1 Program and Cassette. Prince’s personally-owned promo
cassette tape of the song ‘P Control’ given to guests at the VH1 Fashion & Music Awards on December 3, 1995, where he performed the song; and the official program for the event which was given to Prince. The rare tape is still sealed and has a label reading, “P Control, Promotional Copy Only, Not 4 Sale.” Side A features “P Control - House Mix” and side B features “P Control - Club Mix.” In fine condition. From the collection of Prince’s assistant Therese Stoulil, who notes that only a few hundred cassettes of the rare version of the song were pressed. Starting Bid $200
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Graffiti Bridge Premiere Programs—one used by Prince
7436. Prince Graffiti Bridge Set of (4) Programs. Four identical programs from the Los Angeles premiere of the 1990 film Graffiti Bridge, 9 x 12, two pages, one of which was Prince’s and given to his assistant as they left the theater. In fine condition. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
7437. Prince Under the Cherry Moon Premier Travel Itinerary Memo. Photocopied internal PRN Productions
travel memo, one page, 8.5 x 11, June 1986. An itinerary for the Prince and the Revolution’s travel to Sheridan, Wyoming, for the MTV Under the Cherry Moon Premier Party on July 1, 1986. The document describes the schedule from June 30-July 4, which included a performance at McNichols Arena in Denver on July 2nd. In fine condition, with a few spots of toning and crease to lower left corner. From the collection of Prince’s assistant Therese Stoulil. Starting Bid $200
7438. Prince’s Billboard Contest Offer. Unopened piece of mail advertising a TDK/Billboard songwriting contest, 9 x 6, addressed to “Prince R. Nelson, Box 364, Chanhassen MN 55317.” The envelope reads, “If you write songs, read how you could win $25,000.00--and a professional recording contract.” In very good to fine condition, with some handling wear. From the collection of Prince’s assistant Therese Stoulil, who writes, “Prince had a personal PO box where his magazines and personal mail were delivered. The housekeeper had picked up the mail and put it on his kitchen table. Later that day when he came into work he handed this to me with a sly smile and said ‘Tell Billboard-I’ve got this covered.’” Starting Bid $200
152 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
THE STACHIA FIELDER COLLECTION | LOTS 7441-7466
“
With Prince you had to read between the lines.. to “interpret” what he wanted...His requests were very short, his answers were even shorter. He always started a conversation the same way, “Um, Stachia?” and he never said goodbye...My respect for such a talented man continues, Rest In Peace, Prince.
”
Stachia Fiedler was the office manager for PRN Productions and an assistant to Prince’s personal secretary Karen Krattinger from 1985–1989, as well as an assistant to Paisley Park Studios facility manager Harry Grossman. Over the years, she acquired numerous items of interest ranging from awards and tour materials to personally worn costuming from Prince’s films.
Fine lace gloves worn in Purple Rain
7441. Prince’s Purple Rain-Worn White Lace Gloves. Prince’s personally-
worn long white lace gloves, measuring 21.5˝ long, worn in the classic 1984 film Purple Rain and during the Purple Rain tour. One glove has a tag inside the sleeve, “LaCrasia.” In fine condition. From the collection of Prince’s assistant Stachia Fiedler. Accompanied by images showing Prince wearing these gloves. As stylish gloves from Prince’s Purple Rain wardrobe, these are of the utmost desirability. Starting Bid $300
Prince | February 16, 2017 153
Purple Rain–era lace worn by Prince himself 7442. Prince’s Purple Rain EraWorn Black Lace Gloves. Prince’s
personally-owned and -worn Purple Rain-era black lace gloves, each measuring 9˝ long, accompanied by an image of him wearing the gloves. In fine condition. From the collection of Prince’s assistant Stachia Fiedler. A distinctive piece of Prince’s wardrobe. Starting Bid $300
Sparkling rehearsal-used glitter cane
7443. Prince’s Glitter Cane. Lucite glitter cane used by Prince
around Paisley Park Studios, measuring 36˝ long, filled with glitter and a dense liquid. Purchased in 1985 for Prince’s house on Galpin Boulevard in Chanhassen, Minnesota. In fine condition. From the collection of Prince’s assistant Stachia Fiedler. Assistants Karen Krattinger and Susannah Melvoin purchased several of these wands for Prince at a small shop in SoHo, Manhattan. He enjoyed them so much, often carrying them into rehearsals, studios, and offices, that he had them made into ‘glitter’ canes. Starting Bid $200
154 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7447. Prince’s Recording Studio-Used Large Paisley Scarf.
7445. Prince Under the Cherry Moon ScreenUsed White Clutch. White satin-
covered clutch purse used by Francesca Annis in her role as Mrs. Wellington in the 1986 movie Under the Cherry Moon, measuring 9 x 4.5 x .5, featuring a snap closure, mirror inside the cover flap, and jewels on the front. In very good condition, with scattered marks to exterior. From the collection of Prince’s assistant Stachia Fiedler. This can be seen in the opening credits and start of the movie, with a close-up about four-and-a-half minutes into the film. Starting Bid $200
7446. Prince’s Personally-Owned and -Worn Black Fur Muff and Strip. Prince’s personally-owned and -worn black fur-like feathered muff and fabric strip. The cuff-type muff measures approximately 13 x 8 and the fabric strip measures 36˝ long. The muff has snaps at both ends and the backing of the strip is lined with snaps; the wardrobe department designed these so that they could be pieced together and interchanged for many different applications. In fine condition. Includes an image of Prince dressed in this type of material, which he would wear as capes and on his arms and legs as cuffs. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
Large black paisley scarf used to decorate Prince’s Paisley Park recording studio, measuring 45 x 45, labeled “Patricia, Paris.” In fine condition. From the collection of Prince’s assistant Stachia Fiedler, who notes that Prince decorated the walls with many of these scarves because he liked the way they looked when they blew around. Starting Bid $200
7448. Purple Tambourine Used During Purple Rain Tour.
Superb dark purple double row tambourine with a 10˝ open head, as used during Prince’s Purple Rain Tour of 1984-1985. In fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
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7449. Prince’s Purple RainEra Jeweled Star Brooch. Extra jew-
eled star brooch personally worn by Prince during the Purple Rain era, measuring 4˝ in diameter, with nine strands of jewels suspended below. Examples of this brooch were worn on the back of black leather motorcycle jackets in the 1984 film, with this item being used as a personal piece of costume jewelry. In fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7451. Prince ‘Parade’ Platinum Sales Award.
Official RIAA flower hologram-style platinum sales award presented “to Stachia Fiedler to commemorate the sale of more than 1,000,000 copies of the Paisley Park Records album and cassette ‘Parade.’” Framed with its disc, cassette, and plate bearing a small image of the album cover to an overall size of 17 x 21. Award retains its original backing with a Fitzgerald Hartley Marketing label. In fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7452. Prince ‘Parade’ Gold Sales Award. Official RIAA flower hologram-style gold sales award presented “to Stachia Fiedler to commemorate the sale of more than 500,000 copies of the Paisley Park Records album and cassette ‘Parade.’” Framed with its disc, cassette, and plate bearing a small image of the album cover to an overall size of 17 x 21. Award retains its original backing with a Fitzgerald Hartley Marketing label. In fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
156 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7453. Prince ‘Sign O’ The Times’ Platinum Sales Award. Official RIAA flower hologram-style platinum sales award presented “to Stachia Fiedler to commemorate the sale of more than 1,000,000 copies of the Paisley Park Records album and cassette ‘Sign ‘o’ the Times.’” Framed with its disc, cassette, and plate bearing a small image of the album cover to an overall size of 17 x 21. Award retains its original backing with a Fitzgerald Hartley Marketing label. In fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7455. Prince ‘Purple Rain’ Collection of Items. Collection
of nine Purple Rain era items, including: a rare Purple Rain promo umbrella, measuring 36˝ across when open; a gray tour jacket embroidered in purple thread on the left breast, “Purple Rain, Prince and the Revolution”; a set of three promo pins sealed in their original plastic; a promo Prince head shot pin; a purple metal “Prince” pin; a Prince 1999 cassette tape; a Prince and the Revolution 1984-1985 tour book; a Purple Rain t-shirt depicting Prince on a motorcycle; and a Prince and the Revolution muscle shirt. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
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7456. Prince Collection of Around The World in a Day Items. Collection of six items from the
Around the World in a Day era, including: a scarce laminated pass for Prince’s 27th birthday party at Prom Center in St. Paul, Minnesota, on June 7, 1985; a Christmas card bearing a pre-printed signature inside, designed by the same artist who made the birthday party pass, Elizabeth Moore; a “Raspberry Beret” VHS tape; a 7˝ single of ‘Pop Life’ in its picture sleeve and a 12˝ promo single of ‘Pop Life’ in its cardboard sleeve; and a copy of the Around the World in a Day album personally given by Prince to Stachia Fiedler. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler, who notes that, although she had talked to Prince many times on the phone, did not meet him until he personally gave her the Around the World in a Day album. He had been constantly calling to ask if his allotment of records had arrived at the office, and when they did he arrived to pick them up. He opened the box and gave this copy to Stachia Fiedler, and this exchange served as their in-person introduction to each other. Starting Bid $200
7457. Prince ‘Parade’ Collection of Items. Collection of twelve items from the Parade era, including: a Parade LP; a 12˝
single of ‘Anotherloverholenyohead’; a 12˝ promo single of ‘Kiss’; a 12˝ promo single of ‘Mountains’; a Prince and the Revolution Parade tour book; a white Prince and the Revolution Parade tour t-shirt; a black Parade sweatshirt; three VHS tapes, labeled “Kiss,” “Mountains, 05/16/86,” and “U Got the Look, Paris 1987, Parade, 9/19/86 (Cobo Hall)”; a photo of Prince’s cats; and a Parade era headshot pin. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7458. Prince Collection of Under the Cherry Moon Items.
Collection of seven items from the Under the Cherry Moon era, including: a VHS tape of the Under the Cherry Moon movie; a VHS tape entitled “MTV Networks, Inc., ‘Under the Cherry Moon,’ Prince’s Premiere Party 60:00, w/ Commercial Black, 7-10-86, #86023”; three color photos of Prince, 8 x 10 and 10 x 8, two showing him on stage and one showing him with children from the movie; an invitation to Prince and the Revolution at the Theatre de Verdure on October 27, 1985, with a form letter in French regarding the concert; and a paperstock 11 x 11 publicity head shot bearing a pre-printed signature. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
158 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7459. Prince Collection of Sign O’ The Times Items.
Collection of material from the Sign o’ the Times era, including: a two-page Warner Bros. media information release with a typo circled in blue ballpoint by Prince, which he gave to his assistant to relay to the studio; a 7˝ 45 rpm single of ‘U Got The Look’; a glossy 8 x 10 publicity photo; a Sign o’ the Times World Tour book; Sign o’ the Times double album with blue heart-shaped sticker on the cover; a 12˝ Sign o’ the Times maxi single; a mirrored heart-shaped promo wristband; three gold-colored peace sign jewelry pieces, the type of which Prince would wear on chains, necklaces, boots, and so on; a peace sign hoop earring, the type of which Prince is seen wearing in the tour book; a white guitar stick pin; a Sign o’ the Times VIP tour pass; one of Prince’s guitarist Miko Weaver’s personal guitar picks; a single ‘U Got the Look’ cassette tape; a Sign o’ the Times poster; a Sign o’ the Times VHS tape; four Sign o’ the Times Tour t-shirts; and a Sign o’ the Times movie t-shirt. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7460. Prince Collection of LoveSexy-Era Items. Collection of nu-
merous items from the Lovesexy era, including: Stachia Fiedler’s Lovesexy staff all-access pass; three satin-finish 8 x 10 Prince publicity photos by Joel Bernstein; a satin-finish 10 x 8 photo of Prince on stage; a Lovesexy tour book; the Lovesexy LP; a Lovesexy poster; a photocopy of a Backstage magazine article about the tour; three 7˝ 45 rpm singles of ‘I Wish U Heaven,’ ‘Glam Slam/ Escape,’ and ‘Alphabet St.’; a sealed single cassette of ‘I Could Never Take the Place of Your Man/Hot Thing’; a sealed single cassette of ‘I Wish U Heaven’; two tickets; three pink ‘$100’ bills blown out to fans during the Lovesexy concerts; two pins; six color snapshots of the stage set-up; one candid photo of the tour van; a Lovesexy sweatshirt; a VHS tape of ‘I Could Never Take the Place of Your Man’; and a VHS tape of ‘I Wish U Heaven.’ In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
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7461. Prince B a t m a n Promotional Mirror Wr i s t b a n d and Brochure. Two
promotional items for the 1989 Batman film for which Prince recorded the soundtrack, including: a mirrored bat-shaped wristband still covered in its original protective plastic, measuring 7.75 x 3.25, featuring a black elastic wristband; and a sales brochure for collectibles and gifts inspired by the motion picture. In overall very good to fine condition, with some scuffing to the protective plastic sheet. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7462. Prince’s Birthday Masquerade Ball Pair of PartyUsed Ceramic Masquerade Faces. Two exotic ceramic
masks used as decorations for Prince’s parties. One measures 5.75 x 8 and features a piano design across the top, with a label on the reverse reading: “Designer: Pelzman Designs,” believed to have been used at Prince’s 27th birthday party at Prom Center in St. Paul, Minnesota, on June 7, 1985, an ‘Around the World in a Day’ masquerade ball and costume contest. The other measures 5.75 x 6.5 and has a black, purple, and pink design on the face with a black teardrop, engraved on the reverse: “Clay Art, 1988 SF USA,” likely used at the Paisley Park grand opening party. In overall fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7463. Prince Collection of Albums and Set Lists. Collection of 14 items, including: a 24-page set list packet with lyrics for Prince and the Revolution, which were given to band members to learn the correct lyrics of Prince’s songs; an eight-page Prince and the Revolution set list with lyric sheets; an in-house list of Prince music videos; a three-page Prince discography for 1978-1987; a seven-page internal PRN Productions tour schedule for the Japanese leg of the 1988-1989 Lovesexy tour, January-February 1989; a four-page internal revised tour schedule dated November 30, 1988; seven albums (For You, Controversy, 1999, Around the World in a Day, Parade, Sign o’ the Times, and Lovesexy); and a Graffiti Bridge cassette tape. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler, who notes that she typed up the lyrics sheets based on rehearsal tapes given to her by Prince, as he sometimes changed the lyrics or verses for certain songs during his tours. Starting Bid $200
160 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
74 6 4 . Prince Collection of (6) Fan Club Items.
Collection of six Prince fan club items, including: a The New Breed fan club membership card; a color glossy 3.5 x 5 candid photo of Prince performing taken by a fan; a New Breed fan club double-sided color 27 x 36 poster, with one side showing Prince and the other showing him with his band; a New Breed newsletter; and two issues of the Controversy UK fan magazine. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
7466. Prince Paisley Park Collection of Items. Col-
7465. Prince Collection of Press Materials (11). Col-
lection of eleven magazines and press clippings related to Prince, including: Rolling Stone, October 18, 1990; Black Beat, May 1988; Right On!, December 1985; Black Radio, September 23, 1988; Newsweek, May 4, 1987; Musician, November 1988; Rolling Stone, April 24, 1986; Rolling Stone Special Double Issue, December 15-29, 1988; Billboard, April 25, 1987; an article removed from USA Today, September 16, 1988; an article removed from Rolling Stone, November 1, 1990; and a few photocopies of articles on Prince. In overall very good to fine condition. From the collection of Prince’s assistant Stachia Fiedler. Starting Bid $200
lection of eleven items related to Paisley Park, including: a Paisley Park Studios brochure complete with the business card of Harry Grossman, the facility manager; a Paisley Park Studios mug; Paisley Park Studios sunglasses owned by Harry Grossman; a lucite keychain with the Paisley Park Studios logo; an all access badge used for the 1988 grand opening gala of Paisley Park Studios; a very rare golden metal keychain with enameled red, yellow, and gold Paisley Park logo, engraved on the reverse, “Paisley Park Studios1987-’Thank You,’” which was given to Stachia Fiedler for saving the company $60,000 in insurance costs that year, plus a letter from Prince’s accountant Fred Moultrie thanking her for the same; an announcement related to Harry Grossman leaving Paisley Park and introducing Craig Rice as the new facility manager; a Christmas card signed by members of the Paisley Park staff; issues number one and two of On the Rocks magazine, both featuring images of Paisley Park Studios on the back cover; an issue of the Star Tribune Sunday Magazine, August 14, 1988, with a cover story about Prince’s Paisley Park; and a photocopied article about the studio. In overall very good to fine condition. Starting Bid $200
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THE HELEN HIATT COLLECTION | LOTS 7467-7485
“ ”
Working for Prince was a once in a lifetime experience. I will be dining on stories forever!
Costume designer Helen Hiatt worked for Prince from 1985–1991, directing the design and management of wardrobe for personnel, music videos, and photo shoots, and dressed Prince for all of his tours during that period. She got her start while working in the wardrobe department for 1984’s Purple Rain, advancing into a higher role when Prince decided to set up a proper costume shop in 1985. Hiatt was part of or in charge of everything having to do with Prince’s wardrobe during from 1985–1991, and found the work both exciting and challenging. During this tenure with Prince, Hiatt obtained a variety of wardrobe elements, handwritten notes, and awards which are now being offered for the first time.
Earring personally worn by Prince 7467. Prince’s Worn Hoop Earring and Silk Screen Test.
Unique pairing of wardrobe items: one of Prince’s personallyworn gold-tone hoop earrings, measuring 2.75˝ in diameter, kept in a kit used by costume designer Helen Hiatt in used to provide Prince with common wardrobe elements at his request; and a silk screen test pattern reading, “Prince,” on a light blue 16 x 8 piece of fabric. Includes a satin-finish 7 x 10 photo of Prince wearing this style of earring and the costume for which the silk screen pattern was used. In fine condition. From the collection of costume designer Helen Hiatt. Starting Bid $200
162 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Personally-owned and -worn in the Purple Rain era
7468. Prince’s Worn Purple Rain White Button-Down Shirt and Cufflinks. Iconic white ruffled shirt worn by Prince during the Purple Rain era. The shirt is made of a light material with faux pearl buttons, and a ruffled chest, collar, and sleeves. A tag is sewn inside the collar with purple thread reading, “Prince.” Includes the two jeweled cufflinks worn with this shirt. Also includes an issue of the Prince fan club magazine ‘Controversy,’ featuring an image inside of Prince wearing this style of shirt and cufflinks. In fine condition, with a stain on the inside cuff and worn elastic on the sleeves. From the collection of costume designer Helen Hiatt. The tag was made for the shirt by Sara Daubney, who worked in the costume shop for the movie; many shirts of this type were made for the film and the tour. The accompanying cufflinks were cut off from one of these prior to laundering. An amazing Prince piece worn during the height of his 1980s fame. Starting Bid $1000
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Wardrobe changes for 1990’s Nude Tour 7470. Prince Handwritten and Signed Wardrobe Changes List. Handwrit-
ten list by Prince, signed at the top, “Prince,” one page, 5.5 x 8.25, no date but circa 1990. A handwritten list of wardrobe changes given to his costume designer Helen Hiatt, headed, “Prince Changes.” In part: “1. Black & white like yesterday no coat. 2. White shirt…3. Change suit. 4. White with Green Circles.” The second section is headed “Game Boyz,” in full: “1. Black & white pajamas. 2. Vest outfit. 3. Batdance. 4. Partyman. 5. Black & white sweater outfit.” The top of the sheet also has a game of tic-tac-toe, which the consignor notes was won by Prince. In fine condition. From the collection of costume designer Helen Hiatt. The Game Boyz were a dance trio that joined Prince on his Nude Tour in 1990. Pre-certified REAL. Starting Bid $200
Shopping notes for his costume designer, including “right” and “wrong” collars 7471. Prince Handwritten Shopping Notes. Handwritten notes in pencil by Prince, unsigned, one page, 5.75 x 8.25, no date. Notes for his costume designer Helen Hiatt, addressed to “Helen.” In full: “Go shopping in Munich & Paris and bring back any cool inexpensive ‘everything.’ dresses, tops, skirts, shoes, hats, pants. I will choose when u show me. Thanx. Also New Floral outfit needs wire in the collar so it doesn’t fold over.” Prince then sketches two collars, labeling them “right” and “wrong.” In fine condition, with a few creases. From the collection of costume designer Helen Hiatt. A unique piece, as Prince was famous for his wild and flamboyant attire. Pre-certified REAL. Starting Bid $200
164 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Prince’s outfits and two games of tic-tac-toe 7472. Prince Handwritten and Signed Wardrobe List. Handwritten list in
pencil by Prince, signed at the bottom, “Prince,” one page, 7.75 x 10.5, no date but circa 1990. A handwritten list of wardrobe changes given to his costume designer Helen Hiatt, in full: “White Joboxer with Short Sleeve. Game Boyz—White P.J.’s— note: Stripes should be same configuration as black P.J.’s. 2nd Changes—White Joboxer & Top. 2nd Change: Game Boyz Blue & Black vibe. Last change: Green circle/G.B.—Black Pajamas (if the Game Boyz don’t have white shirts get some 4 future dates.” The bottom of the sheet also has two games of tic-tac-toe, one which was a draw and one which the consignor notes was won by Prince. In fine condition, with an absent lower right corner and some brushing to pencil. From the collection of costume designer Helen Hiatt. The Game Boyz were a dance trio that joined Prince on his Nude Tour in 1990. Pre-certified REAL. Starting Bid $200
“Miles!” writes to Prince, complete with musical sketches and a self-portrait 7473. Miles Davis Handwritten and Twice-Signed Note to Prince. Cryptic ALS signed twice, “miles!,” one page, 6 x 8.75, no
date. Letter written to Prince by Miles Davis, in part: “Happy Birth Day. Sorry I missed the concert. Kiss! 1. Business! 2. When do we record? 3. Your shoes or xxxxx. 4. Call me.” Davis adds a series of sketches in his recognizable style at the top of the page, and signs both in the upper left corner and at the conclusion. In very good condition, with intersecting folds and scattered creasing. From the collection of costume designer Helen Hiatt. Davis’s sketches are especially interesting, as they seem to be related to his music. The leftmost drawing looks like a treble clef and stave, while the sketch in the upper right appears to be a self-portrait—it is a figure facing left and holding a trumpet, with the abstract instrument reduced to its circular bell and three valves. Prince and Davis had much in common—both musical geniuses with enigmatic personas, obsessed with the perfection of their craft. Prince admired Davis as one of his musical heroes, and after Davis’s reemergence on the scene in the early ’80s he looked to Prince as the future of popular music. In his autobiography published in 1990, Davis—typically a harsh critic—offered tremendous praise for Prince, writing, ‘He can be the new Duke Ellington of our time if he just keeps at it.’ They collaborated during the late 1980s and early 1990s, and were in the process of working together when Davis passed in 1991. A truly remarkable piece connecting two of the most innovative artists in music history. Pre-certified REAL. Starting Bid $500
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7474. Prince Black Album Bootleg. Unofficial bootleg release of Prince’s Black Album with a sticker on the upper left of the album sleeve, “Limited Edition, Prince Black Album, Digitally Rerecorded, Half Speed Stereo, Master, WX 147.” The vinyl bears white “Morris Ashbey” labels with “M.A. 12 401” and a 1988 copyright date. In very good condition, with moderate scattered creasing (heaviest to upper left) and unglued bottom edge of the sleeve. From the collection of costume designer Helen Hiatt. Starting Bid $200
Unique fitting room candids
7475. Prince Fitting Room Set of (3) Polaroids. Three one-of-a-kind
candid Polaroid color photos of Prince taken in his Paisley Park wardrobe room, each 3.5 x 4.25, showing him from different angles during a fitting. In fine condition, with the upper left corner clipped off one (the consignor notes that this was done by Prince himself). From the collection of costume designer Helen Hiatt. Starting Bid $200
7476. Prince Lovesexy Gold Sales Award. Official ‘R’ hologram-style RIAA gold record sales award presented “to Helen Hiatt to commemorate the sale of more than 500,000 copies of the Paisley Park Records album and cassette ‘Lovesexy.’” Framed with its plate, cassette, disc, and a small image of the album cover to an overall size of 17 x 21. Award retains its original backing with a Fitzgerald Hartley Marketing label. In fine condition. From the collection of costume designer Helen Hiatt. Starting Bid $200
166 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7477. Prince B a t m a n Platinum Sales Award.
Official ‘R’ hologramstyle RIAA multi-platinum record sales award presented “to Helen Hiatt to commemorate the sale of more than 2,000,000 copies of the Warner Bros. Records album and cassette ‘Batman.’” Framed with its plate, cassette, disc, and a small image of the album cover to an overall size of 17 x 21. Award retains its original backing with a Fitzgerald Hartley Marketing label. In fine condition. From the collection of costume designer Helen Hiatt. Prince recorded the soundtrack for the 1989 Batman film, and the album remained at number one on the Billboard charts for six consecutive weeks. Starting Bid $200
7479. Prince Batman Collection of Photos and Poster.
Collection of five Batman-era items, including: four color glossy publicity photos of Prince, 8 x 10 and 10 x 8, two of which show him in a Batman tank top; and a color 22 x 36 poster depicting a shirtless Prince from the same period. In very good to fine condition, with moderate creasing to the rolled poster. Prince recorded the soundtrack for the 1989 Batman film, and the album remained at number one on the Billboard charts for six consecutive weeks. Starting Bid $200
7478. Prince Graffiti Bridge Gold Sales Award.
Official ‘R’ hologram-style RIAA gold record sales award presented “to Helen Hiatt to commemorate the sale of more than 500,000 copies of the Paisley Park Records album, cassette and C.D. ‘Graffiti Bridge.’” Framed with its plate, CD, cassette, disc, and a small image of the album cover to an overall size of 17 x 21. Award retains its original backing with a Fitzgerald Hartley Marketing label. In fine condition, with a few chips and scuffs to frame. From the collection of costume designer Helen Hiatt. Starting Bid $200
7480. Prince Collection of Posters. Collection of six Prince posters, generally measuring about 22 x 36, including: a folded color poster of Prince playing his guitar; a rolled color Lovesexy-era poster; a rolled color Europe ’88 poster; a rolled black-and-white European Tour 1990 poster; a rolled black-and-white Grafitti Bridge-era poster; and a rolled Purple Rain-era poster. In very good to fine condition, with some scattered creasing. From the collection of costume designer Helen Hiatt. Starting Bid $200
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7481. Prince C ol le ction of (10) Programs and Magazines. C o l -
7484. Prince Japanese Parade Tour Jacket. Bright
lection of ten Prince magazines and programs, including: Musician, October 1984; Rolling Stone, September 1985; 1987 Sign o’ the Times Tour program; 1988 Lovesexy Tour program; Musician, November 1988; Official Members 1990 Yearbook; Controversy, 1990; Controversy, 1991; Graffiti Bridge; and a Prince and the Revolution program. In very good to fine condition. From the collection of costume designer Helen Hiatt. Starting Bid $200
yellow denim jacket for the Japanese leg of of Prince and The Revolution’s 1986 Parade Tour, made by the Warner-Pioneer Corporation, labeled on the left breast in black text, “Prince and the Revolution, Parade Tour, Special Guest Star, Sheila E., Japan, 1986,” with a large image of the shirtless Prince on the back bordered by vertical text, “Prince and the Revolution / Parade.” In fine condition. From the collection of costume designer Helen Hiatt. Starting Bid $200
7482. Prince Collection of (4) Photographs. Four
publicity photos of Prince from various eras, including: a glossy 8 x 10 photo of him in a sharp suit and tie; a glossy 8 x 10 photo of him wearing a bandanna pulled over one eye; a color satin-finish 10 x 8 Purple Rain publicity photo; and a color 9.5 x 13 paperstock photo featuring four identical images of Prince shrouded in darkness. In fine condition, with scattered creasing to the paperstock photo. From the collection of costume designer Helen Hiatt. Starting Bid $200
7485. Prince Sign o’ the Times Jacket. Official Prince
Sign o’ the Times tour jacket from 1987 made by Ceerkay of London, featuring the words, “Prince, Tour 1987,” on the left breast and, “Prince, Sign o’ the Times, Tour 1987,” on the back. The label is annotated in black felt tip, “Helen.” In fine condition. From the collection of costume designer Helen Hiatt. Starting Bid $200
7483. Prince Laminated Passes. Five laminated concert
passes for various Prince shows, including: a backstage pass for the Werchter Festival Ground, August 4, 1990; an “I Was There!” passs for the Ahoy, Rotterdam, May 30; a green “Paisley Park Simulcast” pass; a VIP pass for the 1990 Nude Tour; and a pass for the “Rock & Pop” show in Buenos Aires on January 21, 1991. In fine condition. From the collection of costume designer Helen Hiatt. Starting Bid $200
168 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
THE GWEN LEEDS COLLECTION | LOTS 7487-7499
“
I was blessed with many amazing experiences while working with Prince for which I am forever grateful. But what affected me the most was Prince’s tireless work ethic and belief in himself. He didn’t take no for an answer and his positivity was contagious—he made you feel that anything was possible.
”
Gwen Leeds was Prince’s assistant tour manager for the legendary Purple Rain, Parade, Sign o’ the Times, and Lovesexy tours of the 1980s. The wife of longtime tour manager and Paisley Park Records president Alan Leeds, Gwen worked at Paisley Park from its opening in 1988 through 1990 before founding her own fashion styling business.
Exceedingly rare autograph draft: “The Screams of Passion, by Prince” 7487. Prince ‘The Screams of Passion’ Handwritten Lyrics. Handwritten and signed draft in pencil of lyrics for ‘The
Screams of Passion’ entirely in Prince’s hand, one page, 8 x 10.5, circa 1984. The page is headed “The Screams of Passion, by Prince.” In part: “There’s a gentle autumn breeze that / blows whenever we be lyin’ in my bed / The moon appears and disappears / You look at me my clothes I quickly shed...Is it Sunday? Or is it passion / Help me / Do u want my passion / If u want my love, If u want my body baby.” In very good to fine condition, with a small bit of blue tape to top edge obscuring portion of song title, light scattered creasing, bottom right corner folded forwards, and show-through from a few lines of writing on reverse. From the collection of Prince’s assistant tour manager Gwen Leeds, who notes that Prince would frequently hand write song lyrics in a notebook and then ask that they be typed and supplied to his record company for registering and licensing. This was released as the first single off of the 1985 album The Family, thus becoming the first song credited to the band. It was also the first Prince-related track to feature a string orchestration by Clare Fischer, who would become a frequent collaborator throughout Prince’s career. Pre-certified REAL. Starting Bid $500
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From Prince’s personal wardrobe 7488. Prince’s Circa Late 1980s Boots Personally-Owned and -Worn Blue Leather Boots. Prince’s
personally-owned and -worn dark blue leather boots from the late 1980s, made by Zodiac, USA, featuring a tall wooden heel. The boots measure an overall 9˝ long and 7˝ tall. In very good condition, with expected wear from considerable use. These boots are unique in that Prince wore them as part of his personal wardrobe, rather than as part of an on-stage costume. From the collection of Prince’s assistant tour manager Gwen Leeds. A wonderful pair of stylish, personal shoes from the legendary entertainer. Starting Bid $500
Rare passes for the world premiere and after party of Purple Rain
7489. Prince Pair of Purple Rain Premiere Invitations. Two rare items: a silver folding 9 x 4 ticket for the world premiere of Purple Rain at Mann’s Chinese Theatre in Hollywood on July 26, 1984; and a white 5 x 3 pass for admission to the Purple Rain after party at the Palace following the premiere. In overall very good condition, with wear from use, including scattered creasing (with a heavier center vertical crease to silver invitation), a faint stain to the smaller invitation, and mounting remnants to reverse of each. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
170 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7490. Prince Set of (5) Purple Rain Tour Daily Memos. Five photocopied
daily memos from the Purple Rain Tour, dated from November 11, 1984, to February 23, 1985, listing hotels, venues, schedules, and room lists for the crew and musicians. All measure 8.5 x 11 except for the first, which measures 8.5 x 14 and includes an invitation for a private after party during the tour’s opening series of shows in Detroit. The others include: November 23, 1984, in Philadelphia; December 9, 1984, in Chicago; December 24, 1984, in Minneapolis, which refers to his hometown Christmas shows; and February 23, 1985, in Los Angeles. In overall fine condition. From the collection of Prince’s assistant tour manager Gwen Leeds, who notes that Prince, Sheila E., and the members of The Revolution are listed under pseudonyms in the room lists. These daily memos were prepared by the tour managers and distributed nightly under each member of the entourage’s hotel room door. Starting Bid $200
7492. Prince 1986 Under the Cherry Moon Handbill and Invitation. Two items: a 5.75 x 8.25 Dutch handbill for
the release of Prince’s Under the Cherry Moon on September 11, 1986; and an invitation for a “Disco Party” for the cast and crew of Under the Cherry Moon held at the Superstar Club in Nice, France, on October 6, 1985, 8.25 x 11.75, with a map stapled to the invitation highlighted with the route to the club. In overall very good to fine condition, with scattered creasing, a central horizontal fold, and minor mounting remnants to top of reverse. Starting Bid $200
7491. Prince 1985 Pair of Invitations. Two invita-
tions for private parties: one sought-after stylized 5.5 x 4.25 invitation card to Prince’s 27th birthday party at Prom Center in St. Paul, Minnesota, on June 7, 1985, admitting the recipient and one guest for an ‘Around the World in a Day’ masquerade ball and costume contest, clearly stating along the bottom, “No costume-No admittance”; and an invitation to a private Prince and the Revolution show at the Theatre de Verdure on October 27, 1985, during the shooting of Under the Cherry Moon. In overall fine condition, with mounting remnants to reverse of each and small bits of surface loss to front right of concert invitation. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
7493. Prince 1986 Japan Parade Tour Jacket. White denim jacket for the Japanese leg of Prince and The Revolution’s 1986 Parade Tour, made by the Warner-Pioneer Corporation, labeled on the left breast in black text, “Prince and the Revolution, Parade Tour, Special Guest Star, Sheila E., Japan, 1986,” with a large image of the shirtless Prince on the back bordered by vertical text, “Prince and the Revolution / Parade.” In fine condition. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
Prince | February 16, 2017 171
7494. Prince 1987 ‘Sign O’ the Times’ Pair of Concert Tickets. Two full tickets
for international shows during Prince’s 1987 Sign o’ the Times Tour, including: one 3.5 x 7.5 ticket for the show on Prince’s birthday at Milan’s Palatrussardi, June 7, 1987; and one 6.75 x 2.75 ticket a show by the Prince-produced Madhouse at the Paris jazz club New Morning on June 15, 1987. Madhouse was Prince’s support band on the Sign o’ the Times Tour, and did a one-off club gig in Paris for which this was a ticket. In overall fine condition, with light mounting remnants to reverse of each. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
7495. Prince 1988 Lovesexy Tour Set List. Photocopied
set list used during Prince’s 1988 Lovesexy Tour, one page, 8.5 x 11, specifically used for the July 8th show at Palais Omnisports in Paris, France. The set list has several notations inherent to the photocopy, as well as a few additional ballpoint notations in an unknown hand; this was evidently used by someone in the tour’s wardrobe department to remind them of their costuming ‘cues’ for various songs. In very good condition, with several intersecting folds and overall scattered creasing. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
7496. Prince 1988 Lovesexy Tour Credit List and Rental Authorization. Two items: a letter by Alan Leeds on PRN
Productions letterhead, one page, circa 1988, in part: “This shall serve as authorization for charge back to Prince for: Piano rental and video equipment rental for both March 30th through April 6, 1988 and also for the coming visit to France: July 2 through July 14, 1988”; and an original typed list of the cast and crew of the 1988 Lovesexy Tour intended for the publishers of the tour program book. In overall fine condition. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
7497. Prince 1989 Paisley Park Newsletter. Scarce “Paisley Park Studios Update” newsletter, four pages, 8.5 x 11, issued in early 1989. These newsletters were sent to clients in film and music to market Paisley Park within the industry, and refers to the filming of Old Explorers on the Paisley sound stage, offers information about technical advances at Paisley Park, lists major clients, and makes reference to Prince’s recording of the soundtrack for Batman. In fine condition, with standard mailing folds. From the collection of Prince’s assistant tour manager Gwen Leeds. As these newsletters were not meant for fans or the general public, they are quite rare. Starting Bid $200
172 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7498. Prince Set of (3) Tour Programs and Poster.
Collection of four items: three original tour book programs for three of Prince’s tours of the 1980s, including Parade (1986), Sign o’ the Times (1987), and Lovesexy (1988); and a color 24 x 36 Lovesexy poster. In overall fine condition, with creasing and tears to bottom left portion of poster; the programs remain in exceptional condition. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
7499. David Bowie 1987 Milan Concert Ticket. Ticket with detached stub to a show on David Bowie’s Glass Spider Tour in Milan, Italy on June 10, 1987, measuring a combined 4 x 7.5. In fine condition, with light intersecting folds to larger portion and adhesive mounting remnants to reverse. Prince was in Milan for the 1987 Sign o’ the Times Tour, playing four shows at the Palatrussardi from June 7-11. June 10th was the off day, and Bowie invited the ‘Purple Gang’ to come to his show that night. From the collection of Prince’s assistant tour manager Gwen Leeds. Starting Bid $200
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THE SOPHIE ROUX COLLECTION | LOTS 7501-7511
“
Besides the tremendous creative talented artist Prince was, I also remember his human kindness and the discrete humanitarian person he was, as I saw him playing with my one-year-old son, when I attended his intimate wedding with Mayté, and when he financially assisted our housekeeper’s sister who required urgent surgery
”
Sophie Roux first met Prince in Nice, France, while working in the art department on the set of Under the Cherry Moon in 1985, under the supervision of the renowned production designer Richard Sylbert. In 1988, she became Prince’s personal assistant for his Paris estate, moving into his apartment on Avenue Foch. For nearly ten years, she organized his Parisian life, running his residence, arranging decorations and setting up his apartment prior to each visit. She was also his Paris liaison, tasked with organizing parties, his attendances at fashion shows, shopping for his wardrobe, and introducing him to the hot spots of Parisian nightlife—while also attending to his many varied and eclectic requests.
Prince’s immaculate ‘Symbol’ inspired wool coat 7501. Prince’s Personally-Owned and -Worn Cream Colored Wool Coat. Prince’s
personally-owned and –worn cream-colored plush wool coat. This exquisite coat measures approximately 42˝ in length, and features five wool-covered buttons, two collar clasps, two front pockets, and a brilliant patterned satin lining with hidden pocket to left chest. Aside from its notable softness, the coat is accented by a myriad of golden embroideries on the cuffs, the front pockets, and on both sleeves, with each bearing the New Power Generation symbol (left sleeve is readable, right can be read via mirror). The back likewise features golden flourishes around a prominent central mandala. In fine condition, with a trace of foundation makeup inside the collar, which also bears toning from a wooden coat hanger. From the collection of Prince’s Parisian assistant Sophie Roux. This wonderful coat was custom-made by Prince’s personal wardrobe department, and represents a significant piece of clothing made for and worn by the late pop legend. Starting Bid $1000
174 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Ornate walking cane designed by Versace
7502. Prince’s Personally-Owned and -Used Custom Versace Rhinestone Walking Cane. Prince’s personally-used rhinestone-studded waking cane custom
designed by Gianni Versace. The cane measures 34˝ in length, and consists of a clear, hard plastic shaft, a metal ferrule and collar with swirling rhinestone patterns to top and bottom, and a spherical knob studded entirely with rhinestone and four Versace symbol medallions. In fine condition, with some rhinestones missing from knob, collar, and lower swirl pattern. From the collection of Prince’s Parisian assistant Sophie Roux. Embodying Prince’s trademark flair for high fashion, this intricate cane, custom-designed by the late Italian designer, is a magnificently ornate accessory related to both pop culture icons. Starting Bid $1000
7503. Prince’s Pair of Paris Apartment Paisley Pattern Cloth and Blue and Gold Table Runner. Pair of elaborate Bohemian style tapestries used by Prince in his Parisian apartment in the late 1980s, including: a large colorful silk cover, approximately 35 x 56, with patterns of blue, red, and green, and various embroidered beads; and a light blue and pale gold table runner, approximately 20 x 61, with intricate patterns and fringed ends. In the late 1980s, Prince wanted his bedroom decorated in such a style, covering furniture with different fabrics or draping or hanging them from the ceiling. The larger piece was used to cover a low television stand, and the smaller piece was on the top of a long narrow table where fashion magazines and flowers bouquets were displayed. In overall fine condition, with some missing beads, and a couple stains to runner. From the collection of Prince’s Parisian assistant Sophie Roux. Starting Bid $200
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7504. Prince’s Wedding Napkins and Gift . Three items related to the wedding of Prince and Mayte Garcia, including: two off-white 4.5 x 4.5 wedding cocktail napkins with gilt monograms combining the Prince symbol and Garcia’s first initial; and a white chocolate dolphin still in its original wrapper. These items were displayed on each table at the wedding reception in Paisley Park. Prince and Mayte Garcia were married on Valentine’s Day 1996 in Minneapolis. Also includes a typed letter from the offices of Gianni Versace addressed to Prince’s assistant Sophie Roux, which described the content of a suitcase given to her to bring to the wedding. In overall fine condition. From the collection of Prince’s Parisian assistant Sophie Roux. Starting Bid $200
7506. Prince’s Pair of 1987 Paisley Park Photos from His Paris Apartment. Two unsigned graphic photos taken
7505. Prince Handwritten Note. Cautionary note writ-
ten in the hand of Prince in pencil on a lightly lined 8 x 10.5 notebook page, no date, in full: “DO NOT ENTER! BY PENALTY OF DEATH!,” with a line of four small hearts above. In fine condition. Consignor notes that the page was left in his Parisian apartment during one of his visits. From the collection of Prince’s Parisian assistant Sophie Roux. Starting Bid $200
by Prince’s assistant Sophie Roux, both 5.75 x 8.5, artfully depicting the exterior of Paisley Park before its 1987 opening. Both are individually and creatively matted with Paisley backdrop paper and framed to overall sizes of 9.5 x 12. In overall fine condition. From the collection of Prince’s Parisian assistant Sophie Roux. These photos were hung in the makeup room of Prince’s suite in his Parisian apartment. Starting Bid $200
176 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Unique images of Prince in Paris 7507. Prince Set of (4) Unreleased 1988 Original Photographs. Set of
four unreleased matte-finish prints, 6.25 x 9.25 and 9.25 x 6.25, taken of Prince at the beginning of the 1988 European Lovesexy tour in Paris. The photos include: a close-up of Prince with a hand in his hair; a close-up of Prince resting his chin on his arm, with large hoop earring visible; Prince sitting on a stoop with coat on his lap; and Prince looking at a variety of coats in a store, the hand of a mannequin over his head. Reverse of each photo initialed by the consignor, who was requested by Prince to photograph him in a Parisian courtyard and then when he went shopping in the city later that day. In overall fine condition. No rights are given or implied; these photos cannot be reproduced for any purpose without the consent of Sophie Roux. From the collection of Prince’s Parisian assistant Sophie Roux. A wonderful set of never-before-seen photos that portray Prince in artfully tranquil poses. Starting Bid $200
7508. Prince 1988 Lovesexy Tour Set List with Notations Dictated by Him. Unique set list
from the first concert of Prince’s 1988 European Lovesexy tour, two pages, 8.5 x 11, listing twenty songs on the first set, and another fourteen on the second. The concert took place at the Palais Omnisports de Paris-Bercy in Paris, on July 8, 1988, and was filmed for a live video. Both sheets bear notations written in the hand of Prince’s assistant Sophie Roux. After the concert was finished, Roux and Prince sat down together to watch the show footage, with Roux jotting down all of Prince’s directions on how the video should be edited; the notations are a mixture of English, French, and symbols for light color, actions, and stage and musician positions. Ultimately, the edited video was used on TV to promote upcoming European shows. In fine condition. From the collection of Prince’s Parisian assistant Sophie Roux. Starting Bid $200
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7509. Prince Pair of ‘Graffiti Bridge’ Shooting Scripts. Two brad-bound shooting scripts for the 1990 Prince-directed film Graffiti Bridge: a second draft, 8.5 x 11, forty-eight pages, dated January 5, 1990; and a fourth draft, 8.5 x 11, sixty-six pages, February 1, 1990. In overall very good to fine condition, with some staining and first couple pages no longer affixed to second draft. From the collection of Prince’s Parisian assistant Sophie Roux. Starting Bid $200
7511. Prince Under the Cherry Moon Collection of Production Items. Collection of items related to the pro-
7510. Prince ‘America’ Call Sheet and Video Clips Shooting List. Call sheet packet for the Cavallo, Ruffalo
& Fargnoli production of the Prince music videos “America” and “Paisley Park,” six pages, 8.25 x 11.75, October 27, 1985. The sheets list various information regarding production staff, contacts, scheduling, and filming locations, including: times for makeup and hair, wardrobe, and rehearsal; a filming layout for the first and second takes at the Theatre de Verdure; a transport list for “America,” and additional production and performer lists. The live videos for the songs were shot at a private Prince and The Revolution concert at the Theatre De Verdure in Nice, France, on October 27, 1985, during the shooting of the film Under the Cherry Moon. In fine condition. From the collection of Prince’s Parisian assistant Sophie Roux. Starting Bid $200
duction of the Prince-directed film Under the Cherry Moon, including: a maroon 9 x 2.5 Cherry Moon Productions plate removed from the office door at the Victorine Studios in Nice, France; a set of five copied sketches for a cushioned headboard used for Mary’s bedroom, with stapled swatch of ivory satin and a color glossy 5 x 4 candid photo of the finished headboard on set; a final copied sketch of the drapes and background design used for the ‘girls and boys’ scene in the restaurant, with silver and zebra-pattern swatches of fabric and a glossy 5.5 x 8.5 photo of the finished scene; a final sample of Prince’s character’s calling card at the Venus de Milo Piano Bar, as well as two preliminary example copies; an off-white 8.25 x 11.5 sheet of Under the Cherry Moon production letterhead; and a black-and-white decal sticker with the Under the Cherry Moon logo. In overall very good to fine condition. From the collection of Prince’s Parisian assistant Sophie Roux, who notes that Prince loved the headboard and had it shipped to Minneapolis, where he used it in the guest room of his house on Galpin Blvd. Starting Bid $200
178 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
THE ELIZABETH MOORE COLLECTION | LOTS 7514-7516
“
Writing about my time with Prince, gives me an opportunity to revitalize the magic he shared. His presence on this planet had a powerful impact on all who encountered him...Whether you heard him on the radio, or were standing next to him playing on stage, he had a profound influence on who you were, he had a keen ability to encourage others in becoming their creative best.
”
Elizabeth Moore began her career with Prince as a catering server during the Purple Rain Tour rehearsals in September of 1984 just after she received her BFA from the Minneapolis College of Art. By late October of that year her serving duties expanded into attending to Prince’s dressing room and shortly after was asked to go on tour as his personal Wardrobe Assistant. Prince was a source of inspiration to Elizabeth’s art. As their relationship grew, he entrusted her to be in charge of designing and decorating his many extravagant events. She worked creatively and intimately with Prince to design his personal invitations and greeting cards, the original artwork for which is offered here.
Artwork for Prince’s 1986 Christmas card, drawn by his Purple Rain wardrobe assistant 7514. Prince 1986 Christmas Card Original Artwork.
Original artwork drawn by Elizabeth Moore for Prince’s 1986 Christmas card, with the image measuring 5.75 x 8.5 on a 16 x 13 sheet, depicting an angel on top of the world. Signed and dated in the lower right by the artist. Matted to an overall size of 21 x 18. In fine condition, with some spots of staining and two small pieces of toned tape remnants; artwork itself remains fairly unaffected. Accompanied by the corresponding Christmas card that used this artwork, which bears a pre-printed Prince signature inside. From the collection of Elizabeth Moore, who worked for Prince on the Purple Rain Tour as his personal wardrobe assistant, as well as event designer and decorator; she also worked intimately with Prince designing and creating original artwork for his party invitations and personal holiday cards. Starting Bid $1000
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One-of-a-kind artwork for Sheila E.’s birthday invite 7515. Prince 1986 Shiela E 29th Birthday Party Original Artwork. Original artwork drawn by Eliz-
abeth Moore for Sheila E.’s 29th birthday party, with the image measuring 6.5 x 3.5 on a 16 x 13 sheet, portraying two medieval musicians on a checkerboard floor; the embellishments in the corners and center are on a celluloid overlay. Signed and dated in the lower right by the artist. Matted to an overall size of 21 x 18. In fine condition, with some portions of staining to lower blank portion and a fold to lower right corner of celluloid. Accompanied by the corresponding invitation that used this artwork, which has details for the party on the reverse: “A Birthday for Sheila E., You & one guest are invited to the celebration at: ‘Vertigo,’ 1924 S. Grand, downtown L.A. at the corner of Olympic, Thursday December 11, 1986, 9:00 P.M., (please present this invitation at the door).” From the collection of Elizabeth Moore, who worked for Prince on the Purple Rain Tour as his personal wardrobe assistant, as well as event designer and decorator; she also worked intimately with Prince designing and creating original artwork for his party invitations and personal holiday cards. Starting Bid $1000
Large, vivid original artwork for the ‘89 PRN Productions Christmas card 7516. Prince 1989 Christmas Card Original Artwork. Colorful original artwork
by Elizabeth Moore for PRN Productions’s 1989 Christmas card, with the image measuring 11.75 x 11.5 on a 17 x 14 sheet, featuring a peaceful dove encircled by vibrant holiday-themed patterns. Signed and dated in the lower right by the artist. Matted to an overall size of 22 x 19. In fine condition, with some mild staining to upper left blank portion, well away from artwork itself; stamp transference to front of corresponding card and adhesive remnants to reverse. Accompanied by the corresponding Christmas card that used this artwork. From the collection of Elizabeth Moore, who worked for Prince on the Purple Rain Tour as his personal wardrobe assistant, as well as event designer and decorator; she also worked intimately with Prince designing and creating original artwork for his party invitations and personal holiday cards. Starting Bid $1000
180 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Sent from France while filming Under the Cherry Moon 7519. Prince 1985 Autograph Letter Signed. ALS
signed “Love God, Prince,” one page, 8.25 x 11.75, [September 30, 1985]. Letter to Jackie Swanson, written from Nice, France, while working on the film Under the Cherry Moon. In full: “Hurry with my car, darling, it’s a bit cold.” In fine condition, with scattered creases. Accompanied by the original mailing envelope, as well as a glossy 10 x 8 publicity photo of Prince taken at La Victorine Studios in Nice by Jeff Katz. Katz shot Prince for hours while listening to music from a little boom box; one of the photos taken during the session became the cover shot for his Parade album, which served as the soundtrack for Under the Cherry Moon. Pre-certified REAL. Starting Bid $300
“I made a song about u and I sing it before every Tuesday’s rehearsal” 7520. Prince Autograph Letter Signed in Card . ALS signed “Love God, Prince,” one page inside a 10 x 7 card depicting Gwili Andre, no date but circa 1985. Letter to Jackie Swanson, in full: “Are u well, today? I hope so. I am in Minnesota rehearsing 4 a world tour. I made a song about u and I sing it before every Tuesday’s rehearsal. It’s a cute little ditty entitled ‘Palamino Pleasure Ride.’ Please send me pictures of u, I miss your smile. I am very happy and I hope u are 2.” In fine condition. Accompanied by an envelope addressed in Prince’s hand, “J. S.,” as well as Swanson’s airline tickets for a visit to Prince. Pre-certified REAL. Starting Bid $300
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Signed with his name and a symbol: “We dance & sing everyday getting ready 4 a summer tour” 7521. Prince Autograph Letter Signed. ALS signed with a symbol and “Stay
Happy, Prince,” one page, 4 x 6, “From the desk of Prince” letterhead, no date. Letter to Jackie Swanson, in full: “Jackie, just a note 2 tell u all is well. We dance & sing everyday getting ready 4 a summer tour. I’ll send u my new disc when it’s mastered (tech term).” In fine condition, with some mild foxing. Accompanied by an envelope stylishly addressed in Prince’s hand, “Jackie S,” with a note on the flap, “Sealed with Spit.” Pre-certified REAL. Starting Bid $200
“Very hectic!,” Prince exclaims, “Finished Graffiti Bridge” 7522. Prince Autograph Letter Signed. ALS signed “Almond Haid,” one page both sides, 4 x 6, “From the desk of Prince” letterhead, no date but circa 1990. Letter to Jackie Swanson, in full: “Jackie, cool 2 hear from u. All is well. But very hectic! Never did so much at one time in my life. Finished Graffiti Bridge. It comes out Aug. 10. I start a tour of Eur. & Japan in June. Bought a disco in Mpls called the Glam Slam. 2 Sharp! Over. U should come visit sometime. Please send picture. Miss your face. Bye.” In fine condition, with sports of foxing. Accompanied by an envelope addressed in Prince’s hand, “Jackie S,” with a note on the flap, “Sealed with Spit.” Also includes a close-up 4.75 x 4.75 silver gelatin photo of Prince’s eyes. In 1989, Prince opened a nightclub in Minneapolis called ‘Glam Slam’—named after one of his singles— which became one of the city’s hot spots. Graffiti Bridge, not released until November 1990, was the much-anticipated sequel to Purple Rain. Pre-certified Starting Bid $200
182 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7523. Prince Set of (5) Unsigned Holiday Cards. Col-
lection of five Christmas cards sent by Prince between the mid-1980s and early 1990s, measuring from 6.25 x 4.5 to 5 x 7, one secretarially signed in purple ink and the others bearing pre-printed signatures. The images on the fronts of the cards include: an embossed image of Paisley Park; pink text reading, “I wish u Heaven”; an angel on top of the world; a heart made of peace symbols; and a Christmas tree scene. In overall fine condition. Accompanied by two of the original mailing envelopes. Starting Bid $200
7524. Prince ‘Purple Rain’ Signature Display. Impressive Purple Rain display highlighted by a red ballpoint signature, “Prince R. Nelson,” on a 3.5 x 1 slip clipped from a check, matted along with a signed photo of Apollonia Kotero, and signatures of Morris Day and Clarence Williams III. Framed to an overall size of 33 x 26. The display also features a miniature replica of Prince’s guitar. In fine condition. Accompanied by a full letter of authenticity from REAL for the Prince signature. Starting Bid $200
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Prince commits to play “The Kid” in Purple Rain
7525. Prince Signed Document. Desirable DS, signed “Prince Rogers Nelson,” ten total pages, 8.5 x 11, October 28, 1983.
Employment lending agreement between Water productions and PRN Music Corporation, in which Prince agrees to play the role of “The Kid” in the tentatively titled picture “Purple Rain.” Signed on the second page in black ballpoint by Prince. Includes the eight-page employment agreement detailing additional terms and requirements, signed at the conclusion by Water Production’s executive Fred Moultrie. In fine condition. Accompanied by an unsigned sheet music booklet for the Purple Rain soundtrack, as well as a full letter of authenticity from PSA/DNA. Purple Rain follows the story of ‘The Kid,’ the gifted but troubled front man of the pop group The Revolution, who struggles to find love and success at Minneapolis’ competitive First Avenue nightclub. Released a month after his album of the same name, Purple Rain, Prince’s feature film debut, proved a rousing commercial success that elevated him into a true international star. Subsequently, Prince became the first singer to simultaneously hold the No. 1 album, single, and film in the US, with Purple Rain receiving the Academy Award for Best Original Score in 1985. An absolutely one-of-a-kind document confirming Prince’s commitment to a film that would forever cement his position within the annals of popular music. Pre-certified REAL. Starting Bid $2500
184 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Uncommon portrait of the innovative pop legend 7526. Prince Signed Photograph. Highly desirable glossy 8
x 9.75 half-length photo of the late pop star, prominently signed in blue felt tip, “Love God—Prince.” In fine condition, with a partly erased stray ink mark above the sentiment. Accompanied by a full letter of authenticity from REAL. An exceedingly desirable, prominently signed image. Starting Bid $300
7527. Prince Mini Shaker from ‘One Night Alone’ Tour . Miniature black-and-purple maraca shaker from the 2002 One Nite Alone Tour, measuring 5˝ long, with white text reading, “Prince.” In fine condition. Starting Bid $200
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7530. Prince Photograph. Glossy 6 x 8 silver gelatin photo of Prince wearing a unique polka-dotted outfit and posing on an industrial staircase. Reverse bears a Frank Griffin/London Features International Ltd. credit stamp. In fine condition. Starting Bid $200
7528. Prince Photograph. Glossy 6 x 8 silver gelatin
photo of Prince in concert wearing a flamboyant alphanumeric outfit and cowboy hat. Reverse bears a Frank Griffin/London Features International Ltd. credit stamp. In fine condition. Starting Bid $200
7531. Prince Photograph. Glossy 6 x
8 silver gelatin photo of Prince wearing a cropped top and smiling behind a microphone. Reverse bears a Granitz/ London Features International Ltd. credit stamp. In fine condition. Starting Bid $200
7532. Prince Photograph. Glossy
7529. Prince Photograph. Fantastic 6 x 8 silver gelatin photo of Prince cradling his guitar between his legs on stage. Reverse bears a London Features International Ltd. stamp and label. In fine condition. Starting Bid $200
6 x 8 silver gelatin photo of Prince doing an energetic dance move in a white suit. Reverse bears a Kevin Mazur/ London Features International Ltd. credit stamp. In fine condition. Starting Bid $200
186 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
7535. Prince Photograph. Satin-fin-
ish 8 x 10 silver gelatin photo of the shirtless Prince wearing a cropped top behind a microphone. Reverse bears a Steve Granitz/Retna Ltd. credit label. In fine condition. Starting Bid $200
7533. Prince Photograph. Glossy 8 x 10 silver gelatin photo
of the shirtless Prince making peace symbols with his hands. Reverse bears an Ebet Roberts/London Features International Ltd. credit stamp. In fine condition. Starting Bid $200
7534. Prince Photograph. Glossy 8 x 10 silver gelatin photo of the shirtless Prince playing his uniquely designed guitar. Reverse is annotated in pencil, “Cherry Moon Premiere,� and bears an Ebet Roberts credit stamp and London Features International Ltd. label. In fine condition. Starting Bid $200
7536. Prince Photograph. G r e a t
satin-finish 8 x 10 silver gelatin photo of Prince emotionally jamming on his unique guitar. Reverse bears a Retna Pictures Ltd. credit label. In fine condition. Starting Bid $200
7537. Prince Photograph. Glossy 10 x 7.5 silver gelatin
photo of the shirtless Prince wearing lacy gloves and pants. Reverse bears a Retna Pictures Ltd. credit label. In fine condition, with trimmed edges. Starting Bid $200
Prince | February 16, 2017 187
1990s and beyond Scarce lyrics from By the Way: “I change the key from C to D / You see to me it’s just a minor thing” 7539. Red Hot Chili Peppers: Anthony Kiedis Handwritten Lyrics. Handwritten lyrics by Kiedis,
unsigned, two pages, 8.5 x 10.75, no date. Keidis’s handwritten lyrics for the song “Minor Thing,” used during recording sessions at Chateau Marmont in Los Angeles. In part: “I change the key from C to D / You see to me it’s just a minor thing / He knows everything / To readjust I’ve got to trust / That all the fuss is just a minor thing / He knows everything / It’s just a minor thing / And I’m a minor thing / He knows everything.” In fine condition, with a rough top edge. ‘Minor Thing’ was the third-to-last track on the Red Hot Chili Peppers’ tremendously successful 2002 album By the Way. Pre-certified REAL. Starting Bid $300
7541. Beastie Boys Pair of Photographs.
Two early satin-finish 10 x 8 photos: one of Ad-Rock, MCA, and Mike D wearing suits; and one of Mike D suggestively squeezing a beer can during a performance. Both are labeled on the reverse by London Features International Ltd. In fine condition, with scattered creases and corner wear. Starting Bid $200
7542. John Mayer Signed Guitar.
7540. Nirvana Print Signed by Artist Greg Watermann. Desirable 16 x 20 print showing
Kurt Cobain, Krist Novoselic, and Dave Grohl, signed in the lower border in pencil by the photographer, “Oct. 22-Phoenix, Watermann ‘91.” In fine condition. Starting Bid $200
188 Marvels of Modern Music | www.RRAuction.com | (603) 732-4280
Natural-finish Fender right-handed acoustic guitar, signed on the body in black felt tip by John Mayer, who adds “03.” In fine condition. Pre-certified REAL. Starting Bid $200
CONDITIONS OF SALE ANYONE EITHER REGISTERING TO BID OR PLACING A BID (“BIDDER”) ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH R&R AUCTION COMPANY OF MASSACHUSETTS, LLC (“RR AUCTION,” TOGETHER WITH BIDDER, THE “PARTIES”). The following terms and conditions (“Conditions of Sale”) constitute the sole terms and conditions under which RR Auction will offer for sale and sell the property described in the catalog of items for auction (the “Catalog”). These Conditions of Sale constitute a binding agreement between the Parties with respect to the auction in which Bidder participates (the “Auction”). By bidding at the Auction, whether in person, through an agent or representative, by telephone, facsimile, online, absentee bid, or by any other form of bid or by any other means, Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby. This acknowledgement is a material term of these Conditions of Sale and of the consideration under which RR Auction agrees to these terms. RR Auction and Auction: This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www. RRauction.com Internet site (“RRauction.com”). The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog. Bidder: Bidder shall mean the original Bidder on the property offered for sale by RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal. The rights granted to Bidder under these Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise without the express written assent of RR Auction. Bidder may not transfer, assign, or otherwise convey these Conditions of Sale or any of the rights herein, and such purported transfer, assignment, or conveyance shall be null and void. No third party may rely on any benefit or right conferred on any Bidder by these Conditions of Sale, and no third party is intended as a beneficiary of these Conditions of Sale. Bids will not be accepted from minor persons under eighteen (18) years of age without a parent’s written consent containing an acknowledgment of the Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder. All Bidders must meet RR Auction’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the Auction. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid. By accepting the Conditions of Sale, Bidder personally and unconditionally guarantees payment.
Credit: In order to place bids, Bidders who have not established credit with RR Auction must either furnish satisfactory credit information (including two collectibles-related business references) or supply additional information if requested, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Credit will be granted at the discretion of RR Auction. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number, or the last four digits thereof, so a credit check may be performed prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue. Buyer’s Premium: The Bidder acknowledges and agrees that a 22.5% buyer’s premium will be added to the hammer price on all individual lots sold in timed Auctions (the “Buyer’s Timed Premium”), and a 25% buyer’s premium will be added to the hammer price on live Auctions (the “Buyer’s Live Premium,” together with the Buyer’s Timed Premium, the “Buyer’s Premium”). For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is later. All purchases delivered to Massachusetts are subject to applicable Massachusetts sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Bidding: Each Bidder’s determination of its bid should be based upon its own examination of the item(s), rather than the strict reliance as to what is represented in the Catalog, online or elsewhere. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS OF VALUATION CONCERNING ANY AND ALL PURCHASES. RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake. All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder. Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder. RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder. It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all RISK OF LOSS once the lot(s) is in Bidder’s possession. Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction
a purchase money security interest in such sums or items to the extent applicable, and agrees to execute such documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued expenses, until the indebtedness is paid. By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction. RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders. In the event of a successful challenge to the title to any goods purchased pursuant to these Conditions of Sale and the exclusive remedies provided herein, RR Auction agrees to reimburse any Bidder in an amount equal to the successful bid price actually paid by Bidder at auction plus any Buyer’s Premium actually paid, in full and complete satisfaction of all claims, which once tendered by RR Auction, relieves and releases RR Auction from any responsibility whatsoever to the Bidder, even if the instrument is not cashed or is returned. Bidding Options: Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid. When identical mail or facsimile bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins. In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction. RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive. Payment: Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibil-
ity (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than thirty (30) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder. Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements. All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment. If RR Auction refers any invoice to an attorney for collection, the Bidder agrees to pay attorney’s fees, court costs, and other collection costs incurred by RR Auction. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys. RR Auction shall have a lien against the merchandise purchased by the Bidder to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the “Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession. All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. Delivery; Shipping; and Handling Charges: Bidder is liable for shipping and handling. RR Auction is unable to
combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction. Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs. Title: Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper. Rights Reserved: RR Auction reserves the right to withdraw any lot before or at the time of the Auction, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone. Conducting the Auction: RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages. RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auction’s record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale. Reserves: Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own. Off-Site Bidding: Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form. RR Auction’s Remedies: Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of default. In such
event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any property in RR Auction’s possession owned by such Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the Commonwealth of Massachusetts. Warranties: RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold “as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright or other intellectual property (including exhibition or reproduction rights) or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title. All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices. Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot
prior to bidding, and RR Auction urges Bidders to avail themselves accordingly. All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “Certification of Authenticity”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The Certification of Authenticity inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the Certification of Authenticity, and such purported transfer, assignment, or conveyance shall be null and void. The Certification of Authenticity is valid from date of the Auction in which Bidder was awarded the lot (the “Auction Date”) until five (5) years after the Auction Date, without exception. FIREARMS. RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm. Limitation of Damages: In the event that RR Auction is prevented for any reason from delivering any property to Bidder, or Bidder is otherwise dissatisfied with the performance of RR Auction, the liability, if any, of RR Auction, shall be limited to, and shall not exceed, the amount actually paid for the property by Bidder. In no event shall RR Auction be liable for incidental, special, indirect, exemplary or consequential damages of any kind, including but not limited to loss of profits, value of investment or opportunity cost. Unauthorized Statements: Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction. Bidder’s Remedies: Under no circumstance will RR Auction incur liability to a Bidder in excess of the purchase price actually paid. This section sets forth the sole and exclusive remedies of Bidder in conformity with the Warranties and Limitation of Damages provisions of these Conditions of Sale, and is expressly in lieu of any other rights or remedies which might be available to Bidder by law. The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, in the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction shall make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other
amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand, RR Auction shall disclose the identity of the Consignor to Bidder and assign to Bidder all of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and assignment, all responsibility and liability, if any, of RR Auction with respect to said lot or property shall automatically terminate. RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction - this remedy is as to the Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances. If Bidder wishes to challenge the AC within the period of the Certification of Authenticity, Bidder must present written evidence that the lot is not authentic as determined by a known expert in the field. If RR Auction agrees that the lot is not as represented, Bidder’s sole and exclusive remedy shall be a refund of their purchase price, with no other costs, liabilities or amounts recoverable. If RR Auction does not agree with the claim by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale. Any such challenge concerning an AC or Certification of Authenticity must, without any exception, be brought within one (1) year of Bidder’s notice to RR Auction of Bidder’s contention that the lot was not authentic, or six (6) years from the Auction Date, whichever is sooner. If the description of any lot in the Catalog is materially incorrect (e.g., gross cataloging error), the lot is returnable if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date. If there is any discrepancy between the description in the Catalog and the AC, then the description in the AC shall control. This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction. NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE. RR Auction’s Additional Services: For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge. Headings: Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer. Entire Agreement: These Conditions of Sale constitute the entire agreement between the parties together with the terms and conditions contained in the Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties. If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court
of competent jurisdiction, the remaining sections or terms and provisions of a section shall continue in full force and effect without being impaired or invalidated in any way. Governing Law and Enforcement The Parties agree that any agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location. The Parties agree that these Conditions of Sale, and any other related agreement(s) are governed by the laws of the Commonwealth of Massachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the “Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”). The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall be entitled to recover all of its related costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. The Parties agree that Bidder shall have no right to recover consequential or indirect damages, or lost profits damages. The Parties consent to the enforcement of the decision in the Arbitration pursuant to the Federal Arbitration Act in either the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts. Except as provided in Bidder’s Remedies with regard to the Certification of Authenticity, any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other agreement(s) between the Parties must be brought within one (1) year of the acts, omissions or circumstances giving rise to the alleged claim, without exceptions. This provision is intended as a full, complete and absolute release of any claims after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding on all parties in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by either RR Auction or Bidder. These provisions are consideration for the execution of these Conditions of Sale. The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties’ agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction. Notwithstanding the foregoing, RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration related to or arising out of any Auction of an item sold for less than $10,000. This right shall relate to the individual item price, such that RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration for items that in the aggregate exceed $10,000. The prevailing Party in such a proceeding shall be entitled to recover all of its related costs, whether before or after the formal institution of the proceeding, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. This right of enforcement is unique to RR Auction, and these Conditions of Sale are a waiver by the Bidder of any right to enforcement or adjudication outside of an Arbitration.
CONDUCT OF AUCTION Estimate Prices: In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 7324280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading). Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction. Before the Auction: Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment. Maximum Bids – All Auctions: To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under Bidder’s bid. Successful Bids: The fall of RR Auction’s hammer indicates the final bid. RR Auction will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice. Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers. Bidding—Timed Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.
Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/ EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/ EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion. Bidding - Internet – Live Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. Property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www.invaluable.com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third party sites carry an additional Buyer’s Premium. Miscellaneous: Agreements between Bidders and Consignors to effectuate a nonsale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s
Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available. Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.
GLOSSARY OF CONDITION TERMS FOR DECADES, RR AUCTION HAS LED THE INDUSTRY IN PROVIDING AN ACCURATE AND DETAILED CONDITION STATEMENT FOR EACH ITEM THAT WE SELL. STARTING IN 2016 WE’VE DECIDED TO TAKE A FRESH APPROACH TO DESCRIBING EACH ITEM’S CONDITION. As our website and catalog images continually improve, and bidders can see obvious details from those excellent images, we’ve decided to simplify things, using the same terminology to describe an item’s overall condition (on an ascending scale of 1 to 4: good, very good, fine, very fine), but only adding specific details, if any, that would not be obvious from the illustration. VERY FINE describes an item in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance. FINE is the most common statement of condition, and applies to most items that we offer. It describes items that show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors. VERY GOOD describes an item that exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example). GOOD describes an item with obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise exceedingly rare or important. Of course we’re more than happy to provide more in-depth information about any item via phone or email. We hope this new system will make for easier reading and a more pleasant bidding experience.
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REMARKABLE RARITIES JOHN F. KENNEDY SPACE EXPLORATION MARVELS OF MODERN MUSIC www.RRAuction.com
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(603) 732-4280
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Boston, Massachusetts