RR Auction: Hollywood featuring Robert Shelton's Old Tucson Collection by RR Auction

Featuring The Robert Shelton “Old Tucson Studios” Collection

HOLLYWOOD May 17 - May 23 • www.RRAuction.com

Contents Old Tucson Studios Collection of Bob Shelton .................................................................................................. 2 Western Hollywood ........................................................................................................................................... 31 Classic Hollywood............................................................................................................................................. 43

Vintage Costumes & Props .............................................................................................................................. 65

Marilyn Monroe ................................................................................................................................................ 71 Magnum Photographs ...................................................................................................................................... 79

Awards .............................................................................................................................................................. 87 Posters & Lobbycards ...................................................................................................................................... 97

Classic Television ........................................................................................................................................... 104 Scripts............................................................................................................................................................ 107 Contemporary Hollywood................................................................................................................................ 120

Star Wars ....................................................................................................................................................... 124 Contemporary Costumes and Props ............................................................................................................ 127

Animation ...................................................................................................................................................... 130

Conditions of Sale.......................................................................................................................................... 140

Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com

Joseph DelGrippo Director of Sports Auctions joseph.delgrippo@RRAauction.com

Carla Eaton Owner, Auctioneer carla.eaton@rrauction.com

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Special Thanks: Harry Kleiman

ROBERT SHELTON’S

Old Tucson Studios Collection

obert “Bob” Shelton was a cinematic industry icon and all-around Tucson, Arizona legend best known for literally bringing Hollywood to the desert. When Bob purchased Old Tucson in 1958, his original intentions were for a Western theme park, but to the benefit of us all, the story took an unexpected, albeit befitting turn. The intricately authentic set, originally built for 1940’s film Arizona, starring Jean Arthur and William Holden, ended up becoming the filming home to over 300 motion pictures, all under the masterful helm of Shelton. Born in Columbus, Ohio on March 21, 1915, Shelton was—first and foremost—an incredible person. His friends will passionately tell you no one ever had a bad word to say about him. Regardless of his personal well-being, even towards the end of his rich 95-year-long life, Bob’s concern was always others above all else: “how are you and your family,” he would inquire. The many employees of Old Tucson over the course of his career there (1958–1985) felt the exact same way, especially after Bob retired and the studio was turned over to new management. Originally a country club developer, Shelton first investigated Old Tucson as a site for a theme park. Having gone unused for two decades, it had seen better days, but Bob had a special feeling for its potential and once said, “As I walked around in the rubble, I felt a spirit that said ‘do it.’” The movie magic at Old Tucson really all started for Bob when he befriended Western legend John Wayne in the early 1960s, as ‘The Duke’ searched for a place to film McClintock. Wayne and Shelton were fast friends and the larger-than-life star became a studio investor, integral to its success. Among the numerous films filmed at Old Tucson are: Gunfight at the OK Corral (1956), Cimarron (1959), four John Wayne flicks Rio Bravo (1959) McClintock (1963), El Dorado (1966), and Rio Lobo (1970), and Tombstone (1993). Cult classic Old West sixties and seventies TV shows Little House on the Prairie, Gunsmoke, and High Chaparral also called Old Tucson home. Fondly referred to as “Tucson’s Movie Man,” Bob was as well-known in Hollywood as he was in the desert, and counted icons John Wayne, Elizabeth Taylor, Lee Marvin,

Bob Shelton (left) with good friend & Hollywood legend John Wayne at Old Tucson Michael Landon, Maureen O’Hara, Robert Wagner, and Paul Newman among his many friends. On April 25, 1995, a devastating fire rocked Old Tucson destroying much of the studio, including countless costumes and props lost to the destruction. That unfortunate event renders these remarkably intact Old Tucson relics direct from the studio’s founder extremely rare and highly sought-after by Hollywood collectors. Bob’s beloved widow, Carolyn Olson Shelton, is partnering with RR to bring this remarkable collection to light in the hopes of placing these rare relics in the hands of people who will treasure them. Bob always intended to create a museum for fans to enjoy, and although the painstaking work required for that endeavour did not come to pass, Carolyn and we hope you will take up his mantle and curate these Western artifacts as your own. Join us in commemorating the history of this wonderful man, his beloved “Old Tucson,” and this once-in-alifetime sampling of film artifacts integral to Hollywood magic over several decades.

OLD TUCSON STUDIOS COLLECTION

Presented by John Wayne during the filming of Rio Lobo

7001. John Wayne: Winchester Centennial 1966 Carbine Gifted by Wayne to Shelton. Ex-

traordinary Winchester Centennial ‘66 Model 1894 carbine, serial #61475, presented by John Wayne to Old Tucson Studios founder Bob Shelton during the filming of Rio Lobo, engraved on the gold-plated receiver, “To Robert Shelton, From John Wayne, 1970.” The lever-action carbine features a 20˝ long heavy octagon barrel, caliber .30-30 Winchester. Designed to be reminiscent of their first product, the brass-framed Winchester 1866 ‘Yellow Boy,’ this handsome firearm has a gold-plated receiver and forend cap, curved brass buttplate, saddle ring, and straight hand stock crafted from select walnut. Accompanied by a color print of Wayne presenting this exact rifle to Shelton; a custom-made rustic wooden display stand; three framed photographs of Shelton with Wayne (including one showing Shelton presenting Wayne with a rifle, which prompted the later gift of this one to Shelton); and the dark green thick corduroy vest that Shelton is seen wearing in the latter image, which has an MGM Studio tag sewn into the back and was most likely part of the Old Tucson Studios wardrobe. These wonderful images of Wayne and Shelton together on the Old Tucson sets demonstrate their lasting friendship, as does the impressive engraved Winchester presented to Shelton as a token of gratitude by the icon of Western cinema.This transfers as a modern firearm Starting Bid $500

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Wayne’s parting gift from the set of McLintock!

7002. John Wayne: ‘McClintock’ Mug Gifted from Wayne to Shelton. Attractive ceramic mug with gold-painted handle

made to commemorate the 1963 western comedy McLintock!, given to Robert Shelton by movie legend John Wayne, who starred as the film’s title character, George Washington ‘G. W.’ McLintock. The front of the mug shows a green weather vane with golden bull and a cowboy hat above the film’s title, and the reverse reads: “‘Ho, Macklin,’ Bob from Duke.” The bottom is marked “Wallace, China, California, U.S.A.” In fine condition. A wonderfully appealing ceremonial mug and present from John Wayne, whose appearance in McLintock!, which proved a surprise box office success, helped to assuage the losses Wayne incurred from his Oscar-winning and overly expensive war film The Alamo. Starting Bid $200

A token of appreciation from the Duke

7003. John Wayne: ‘El Dorado’ Mug Gifted from Wayne to Shelton. Ceramic mug with gold-painted handle made to commemorate the 1966 western El Dorado, given to Old Tucson founder Bob Shelton by movie legend John Wayne, who starred as gunslinger-for-hire Cole Thornton. The front of the mug shows a rainbow leading over mountains and two horsemounted cowboys to a pot of gold above the words “El Dorado,” with the reverse boldly reading: “Bob from Duke.” The bottom features a stamp for The Mug Shop. In fine condition. A thoughtful and appealing gift from the movie legend to the overseer of the famed Old Tucson Studios. Starting Bid $200

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Splendid original concept painting for El Dorado’s saloon 7004. El Dorado Saloon Concept Painting.

Fantastic original concept painting of a saloon’s interior for the 1967 Paramount Pictures Western film El Dorado, directed by Howard Hawks and starring John Wayne and Robert Mitchum. Accomplished in gouache on a 19.5 x 10.75 sheet, with a stamp to the lower right corner noting the unit art director and illustrator (rendered indiscernible against the dark background of the scene). The strikingly detailed concept artwork portrays a stereotypical Old West saloon, complete with a piano player on the right, card table at center, and bar on the left, with a mysterious stranger walking through the swinging saloon doors. A cowboy with a holstered gun on his belt stands in the foreground on the far left, framing the classic scene. Double-matted and framed to an overall size of 28.5 x 19.75, with an engraved plaque reading: “Howard Hawks ‘El Dorado,’ John Wayne, Robert Mitchum.” In fine condition. This is a marvelous piece of concept art which closely mirrors and clearly inspired Mitchum’s famous vengeance scene in the saloon, where he barks, ‘Let me hear you laugh!’ The film later returns to the saloon for the shootout finale. It is rare to have a piece of concept art so closely aligned to a scene in the film, let alone such a memorable one—a stunning piece of production artwork from one of John Wayne’s classic Westerns. Starting Bid $200

7005. El Dorado Polish Poster. Origi-

nal color 22.5 x 32.5 Polish poster from 1973 for the classic Paramount Pictures Western film El Dorado (released in America in 1967), directed by Howard Hawks and starring John Wayne and Robert Mitchum. Designed by noted Polish illustrator Jerzy Flisak, the poster features a stylized graphic of an Old West gunslinger holding a crutch, as Mitchum’s character (Sheriff J.P. Harrah) must do after being wounded. Framed to an overall size of 24 x 34. In fine condition, with smoothed central vertical and horizontal folds. Starting Bid $200

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7006. El Dorado Original Costume Design by Joe De Yong. Orig-

inal hand-painted costume design for Arthur Hunnicutt’s role as Bull Harris in the 1967 Paramount Pictures Western film El Dorado, accomplished by noted Old West artist and Hollywood consultant Joe De Yong on an off-white 12.25 x 18 sheet, signed in the lower right in paint, “Joe De Yong.” The costume concept shows the bearded character in a fulllength pose, wearing a fringed leather jacket, brown pants, and cowboy boots with spurs, with a six shooter holstered on his belt. Matted to an overall size of 19.5 x 26, with a caption affixed at the bottom. In fine condition, with tape to the top and bottom of the mat, and wear to edges. Starting Bid $200

7007. El Dorado Original Costume Design by Joe De Yong. Origi-

nal hand-painted costume design for Arthur Hunnicutt’s role as Bull Harris in the 1967 Paramount Pictures Western film El Dorado, accomplished by noted Old West artist and Hollywood consultant Joe De Yong on an off-white 12 x 18 sheet, signed in the lower right in paint, “Joe De Yong.” The costume concept shows the bearded character in a full-length pose, wearing a blue cavalry shirt, brown pants, and cowboy boots with spurs, with a six shooter holstered on his belt. Matted to an overall size of 19 x 26, with a block of toning at the bottom of the mat from a detached caption. In fine condition. Starting Bid $200

7008 . El Dorado Original Costume Design by Joe De Yong. Original hand-painted costume designs for Arthur

Hunnicutt’s role as Bull Harris in the 1967 Paramount Pictures Western film El Dorado, accomplished by noted Old West artist and Hollywood consultant Joe De Yong on an off-white 12.75 x 8.75 sheet, signed in the lower right in paint and pencil, “Joe De Yong.” The concept sketches show the character’s bearded visage at four different angles, each with his hat in a different position—tipped back to reveal his face, and pulled down over his eyes to give an air of mystery. The sketches are annotated by De Yong, “Howard Hawks: ‘El Dorado’” and “Hats: ‘Bull Harris.’” Matted to an overall size of 20 x 15, with a partial caption affixed at the bottom. In very good to fine condition, with toned adhesive to the top of the page, and some chips and tears to edges of the mat. Starting Bid $200

7009. John Wayne Oversized Vintage Original Photograph. Huge over-

sized 15.75 x 21.75 print of John Wayne as Wil Andersen in the 1972 Western film The Cowboys, showing him holding a shotgun in one hand and a revolver in the other. Rustically matted and framed to an overall size of 29.5 x 35.5. In fine condition. Starting Bid $200

7010. Collection of Four Guidon Poles including one from John Wayne’s The Alamo. Collection

of four military guidon poles from the collection of Old Tucson Studios founder Robert Shelton, including: one used in John Wayne’s 1960 film The Alamo, measuring 93˝ long, with a black body and pointy silverpainted tip, featuring three pennants in green, white, and red (the colors of the Mexican flag); and three used in the 1986 television miniseries Dream West, measuring 96˝ long, with black bodies and gold-painted round toppers, all featuring single red pennants with golden Mexican crests depicting a bird holding a snake in its beak. In very good to fine condition, with scattered paint loss, and one of the poles from Dream West cracked in half. Starting Bid $200

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7011. Old Tucson Studios Saddlebags. Brown leather saddle bags from Old Tucson Studios, with each side featuring three straps with brass buckles for closure, with saddle ring loops at the back of each pouch. Similar saddlebags are seen on Burt Lancaster’s horse in the 1957 film Gunfight at the O.K. Corral, and in productions like High Chaparral and other Westerns shot at Old Tucson. In very good to fine condition. A desirable equine accouterment from the legendary Western studio. Starting Bid $200

Garner’s screen-worn Stetson from The New Maverick

7012. James Garner’s Screen-Worn Hat from ‘The New Maverick’.

James Garner’s screen-worn black Stetson cowboy hat from the 1978 made-for-television Western film The New Maverick, in which Garner reprised his role as Bret Maverick, first played in the Maverick television series that aired on ABC from 1957 to 1962. The black fur hat is size 7 3/8 and features the colorful Stetson emblem emblazoned at the top of the white satin lining. Gilt-stamped on the black leather headband are a Stetson maker’s mark, “XXXXX Stetson,” and “King’s Western Wear, Inc., Van Nuys, California.” Wrapped around the exterior is a thin black-andgray hatband ribbon secured by a small metal buckle. In fine condition. The New Maverick served as the pilot for a failed series, Young Maverick, which was canceled after six episodes and featured Garner only briefly at the beginning of the first. Garner would later star in Bret Maverick, another attempt at a revival of the television series in 1981. A desirable screen-used piece of Western-wear from the wardrobe of the popular actor. Starting Bid $200

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7013. Elizabeth Taylor’s Screen-Worn Skirt from ‘Poker Alice’ with Wig Stand, Script, and Ephemera. Elizabeth Taylor’s screen-worn petticoat skirt from her role as professional gambler Alice Moffit in the 1987 made-for-television Western romance movie Poker Alice. The pink petticoat is decorated with lace along the bottom, clusters of pink ribbons, and colorful floral ribbons, and is marked inside the waist in black felt tip, “E. T. Poker Alice.” As this was worn under her pink gown, it is not visible in the film. In very good to fine condition, with some tears and fraying to the lace.

Also includes: A foam female head used as a wig stand during production, marked on the bottom in felt tip, “Elizabeth Taylor, Wig Stand, ‘Poker Alice,’ March 1987, Old Tucson.” An unsigned second draft script inside New World Television wrappers. A third final draft script, signed and inscribed on the front cover in ink to Old Tucson Studios founder Bob Shelton by Elizabeth Taylor (“To Bob, Much love, Elizabeth”), Tom Skerritt (“Thanks, Shoot ‘em up, Bob, Tom Skerritt”), George Hamilton (“As always—great! George Hamilton”), Richard Mulligan (“Thank you, Bob, Richard Mulligan”), Pat Corley (“Thanks for looking so well!…Pat Corley”), Arthur Allan Seidelman (“Thank you for the wonderful hospitality of Old Tucson, Art Seidelman”), Harvey Matofsky (“To Mr. Old Tucson, Thank you for all your help and cooperation and friendship, Harvey”), and Renée Valente (“To Bob—What would we have done without you—nothing! No picture! No fun! No great memories! Thanks for al—Renée Valente”). Three images of Taylor on the set of the film. A souvenir modern antique-style biography of Alice Tubbs, alias ‘Poker Alice,’ framed to an overall size of 9.75 x 11. A crew “Poker Alice, Transportation Department” trucker-style baseball cap (with broken snapback closure). A print of the real-life “Deserted Home of Poker Alice,” framed to an overall size of 18 x 14, and marked with a date of 1982 on the reverse. In overall very good to fine condition. Starting Bid $200

7014. George H a m i l t o n’ s Screen-Worn and Signed Sh i r t f ro m ‘Poker Alice’.

George Hamilton’s screenworn off-white tuxedo shirt from the 1987 made-for-television Western romance Poker Alice, in which Hamilton plays the sidekick and cousin of Elizabeth Taylor’s title character. The Asten button-up cotton shirt with mandarin collar is signed on the left chest area in black ink, “Poker Alice, love, George Hamilton,” who draws a heart with arrow. In fine, used condition. Starting Bid $200

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7015. The Last Hard Man: Charlton Heston and James Coburn ScreenWorn Wardrobe and Gun Rack. Remarkable collection

of screen-used items from the 1976 Western prison break film The Last Hard Men, consisting of Charlton Heston’s sheriff costume, James Coburn’s prisoner outfit, and a wallmounted gun rack used in the sheriff’s office. Includes: Charlton Heston’s screen-worn costume from his role as retired Arizona Ranger Captain Sam Burgade, comprising his soft tan long-sleeved shirt with red bandana, black vest, and brown pants. The chamois shirt features two button-down pockets on the chest and a purposefully made bullet hole to the right side, with a 20th Century Fox tag sewn into the back, filled out in type: “Job: A/23, Date: 10/15, Name: C. Heston.” The faded red bandana is tied under the collar, and the black vest worn over the shirt is included. The brown pants are unlabeled. Includes a glossy 6.5 x 9.5 photo of Heston in this costume on horseback, posing beside Old Tucson Studios founder Bob Shelton, signed and inscribed in black felt tip by Heston, “Bob—it was fine to work with you, Chuck.” James Coburn’s screen-worn costume from his role as escaped prisoner Zach Provo, comprising his worn out gray-and-white striped shirt and pants. The shirt features five black buttons down the front for closure, with unhemmed sleeve cuffs and bottom. The pants have a drawstring waistband and “Amalgamated Clothing Workers of America” label sewn inside. Both the pants and shirt are marked “LW 3” in felt tip, perhaps indicating an originally intended use for Larry Wilcox, who also appeared in the film; however, Coburn is seen wearing this costume in scenes after their escape. Also includes a green felt cap with two white stripes. A screen-used wall-mounted wooden gun rack from the sheriff’s office, measuring 38˝ x 3˝ x 2˝, featuring notches for six rifles and one chain with leather belts for securing a firearm. In overall very good to fine condition. Starting Bid $200

7016. Addams Family: Ted Cassidy Signed Photograph. Vintage glossy

7.75 x 9.75 close-up photo of Ted Cassidy as Lurch, the large butler from The Addams Family, signed and inscribed in black ink, “To Bob & Jeannie, My best always to two good friends, Ted Cassidy, ‘Lurch.’” Framed to a slightly larger size. In very good to fine condition, with slight rippling to photo. Starting Bid $200

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7017. Architectural Wood Turning from Paramount Studios Back Lot. Decorative architectural wood

turning piece from Paramount Studios’ Western Street backlot, recovered before the street was dismantled in 1979. The fragment measures 4˝ x 6.5˝ x 3.5˝, and is painted light gray. In very good condition, with some chipping and wear to the paint, and a bit of splintering at the base. Paramount Studios’ Western Street served as a location for such television classics as Bonanza and Have Gun – Will Travel. Starting Bid $200

Incredible script archive from Old Tucson Studios

7018. Old Tucson Large Original Script Archive. Col-

lection of nearly 200 original scripts for film and television projects produced between the 1960s and 2000s at the legendary Old Tucson Studios. The majority of the scripts are stapled or bradbound, with many scripts bearing annotations or supplementary notes. In overall very good to fine condition. Accompanied by various packets, biographical sketches, and information sheets for other Old Tucson productions, as well as an undated script for a project entitled A Far Ride into Yesterday. View a more detailed list online at www.RRAuction.com. Starting Bid $200

Highlights include: • The Ballad of Dingus Magee (1969) • Come Again Another Day (1963) • Have Gun - Will Travel (two episodes, 1963) • Monte Walsh (1969) • Valdez Is Coming (1969) • Go West, Young Girl (1978) • Gunsmoke (three episodes, 1971–1972) • Joe Kidd (1972) • The Johnny Cash Show (1971) • The Mark of Zorro (1974) • The Villain (1979) • The Wild Wild West Revisited (1979) • Young Pioneers (1976) • Calamity Jane (1984) • Cannonball Run II (1984)

• Dallas (1981) • Flashpoint (1984) • The Gambler (1980) • Lonesome Dove (1989) • Pink Cadillac (1985) • Revenge of the Nerds (1984) • Stagecoach (1986) • Stones for Ibarra (1988) • Three Amigos (1986) • The Cisco Kid (1990) • City Slickers (1991) • Gunsmoke: To the Last Man (1992) • Thelma & Louise (1991) • Tombstone (1993) • Young Guns II (1990) • The Young Riders (34 scripts, 1989–1992)

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Gifted by Bonanza’s Ben Cartwright to the Old Tucson founder

7019. Doeskin Pants and Leather Vest from Bonanza and The High Chaparral. Wardrobe pieces from Old Tucson Studios, including: a brown leather vest associated with the classic Bonanza television series, lined in gray satin; a pair of cotton doeskin trousers associated with the The High Chaparral television show, bearing a Nudie’s Rodeo Tailors tag inside the waistband; and a beige cotton long-sleeved shirt with a single pocket on the chest, like that worn by Anthony Zerbe in The Young Riders, bearing a Western Costume Co. stamp inside above the back hem. In fine condition. Starting Bid $200

7020. ‘Arizona’ Pair of Original Premiere Publications. Un-

7021. Bonanza Playing Cards Gifted to Shelton by Lorne Greene. Desir-

able deck of playing cards from the Bonanza television series, given to Robert Shelton by Lorne Greene, who famously played Ben Cartwright on the classic Western show. The still-sealed red box is emblazoned with a golden “Ponderosa Park” emblem on one side, and features a color image of the Cartwrights—Dan Blocker, Lorne Greene, and Michael Landon—on the other. In fine condition. Starting Bid $200

common pairing of publications related to the premiere of the 1940 Western film Arizona, which starred Jean Arthur, William Holden, and Warren William, and was directed by Wesley Ruggles. The first is an original program for the film’s world premiere in Tucson, Arizona on November 15-16, 1940, 20 pages, 9 x 12, which features a cast list, a story outline, and various scenes from the film. The second item is a hardcover souvenir booklet with front cover showing imagery from the film’s poster and reading: “The Winning of a Mighty Empire Inspired The Making of a Great Picture.” The 36-page booklet measures 14 x 12 and features an assortment of behind-the-scenes images, with sections dedicated to Ruggles, the main cast and writers, a section of the screenplay, and background information on the construction of Old Tucson, the city built by Columbia Pictures for the film. In overall very good to fine condition, with notable wear and creasing to covers of both booklets. After reading Clarence Budington Kelland’s novel of the same name, Ruggles convinced Columbia Studios to green-light Arizona for filming in a location some 10 miles south of downtown Tucson in the Sonoran Desert. When filming was completed, the site lay dormant for a few years during World War II before coming under new management and continuing on as Old Tucson Studios, the premiere filming destination for a myriad of popular Western movies and television programs. Starting Bid $200

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7022. Michael Patrick Carter’s Scre en-Worn Costume from Legend. Michael

Patrick Carter’s screen-worn costume from his role as Ben Davenport in the ‘Knee-High Noon’ episode of the UPN sci-fi Western television series Legend, which first aired on May 23, 1995, comprising his leather coat, hat, shirt, pants and boots. The handsome cream-colored leather coat features detailed beaded decorative trim lining the front and collar, and has six rustic wood-look buttons for closure. The light gray suede cowboy hat features matching beadwork as a hatband, with a brown leather headband inside, bearing a gilt-stamped maker’s mark of the American Hat Co. of Conroy, Texas, and size of “7 1/8.” The cream-colored long-sleeve shirt is a size small, and has the Wah-Maker Old West Clothing label sewn in the back. The light brown cotton pants have copper buttons on the waistband and a cinch belt on the back. The brown leather cowboy boots, made by Justin Boots, are marked inside as size 5D. In fine condition, with some scattered staining to the exterior of the coat. Carter is seen in the show wearing this leather coat and gray hat with a matching vest in the episode. Starting Bid $200

7023. Chapman Drugstore/Speed, Kansas Collection of Antiques: Large Brass Megaphone, Medicine Bottle, and Iron Pestle. Collection of items ac-

quired by Old Tucson Studios founder Robert Shelton from the estate of Dr. Harold J. Chapman, a physician and pharmacist in old-time Speed, Kansas. Includes: a large antique circa 1920s brass megaphone used for announcing stage events at Speed’s historic theater, which has been fashioned into a lamp measuring 42˝ tall; a heavy iron mortar and pestle from Dr. Chapman’s drugstore, measuring 8.5˝ tall and 8.25˝ in diameter, with the pestle measuring 11˝ long; and a full bottle of “Chapman’s Female Tonic: An Excellent Combination for Diseases Peculiar to Women,” inside its original decorative box. In overall very good condition. An article about Dr. Chapman published in the Phillips County Centennial and Progress Edition, 1872–1972, reads, in part: ‘With the removal of Dr. Chapman’s hospital, office, drugstore and theatre furnishings, Speed sinks further into obscurity. Old Tucson was built as a movie location for the film ‘Arizona.’ After this filming the Tucson Jaycees ran it as a tourist attraction without much success. Then a rancher from the southern part of Kansas, Robert Shelton, bought it as a commercial investment. Dr. Chapman Jr. approached Shelton about his father’s belongings becoming a part of Old Tucson. Shelton flew to Speed to investigate. A merger was completed and Chapman is now a partner in the venture.’ Starting Bid $200

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7024. Joseph Cotten and Van Heflin Ties. Two neckties associated with awardwinning actors: Joseph Cotten’s screen-worn black tie from his role as the mysterious Dupin in the 1951 noir thriller The Man with a Cloak, with a tag annotated in ink, “544. Joseph Cotton [sic]”; and Van Heflin’s brown tie from an unknown film, with a tag annotated in ink, “Van Heflin.” In overall fine condition, with two small safety pins at the end of Cotten’s tie. Starting Bid $200

The Old Tucson Sound Stage’s first script—signed by Robert Taylor, Russell Johnson, and Barry Sadler 7026. ‘Death Va l l e y D a y s ’ Signed Script.

7025. Cowboy Chaps Gifted to Bob Shelton From Casey Tibbs. Light brown

leather cowboy chaps given by noted cowboy, world champion rodeo rider, and actor Casey Tibbs to Old Tucson Studios founder Robert Shelton during the filming of the 1967 film El Dorado. The chaps consist of supple light brown zippered leggings with inherent leather belt and metal buckle, annotated on the waistband in black felt tip: “Bob Shelton” and “Bob Shelton, 3450 N. Columbus Blvd., Tucson, Ariz. 795-2225.” In very good to fine condition, with a few light stains. Accompanied by a magazine article about Tibbs, a two-time holder of the ‘World All-Around Cowboy Champion’ title, six-time world saddle bronc riding champion, and 1951 world bareback bronc riding champ, who went on to find success in Hollywood as a stunt man, coordinator, technical director, livestock consultant, wrangler, and actor for the film industry. Starting Bid $200

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Original script for an episode of Death Valley Days entitled ‘The Pieces of the Puzzle’ by Glenhall Talylor, 8.5 x 11, signed on the front cover in red felt tip by actors Robert Taylor, Russell Johnson, Garry Walberg, and Barry Sadler; and director Jean Yarbrough. The script is mounted against four of its pages and framed in a shadowbox to an overall size of 22 x 24.5; a detached engraved plaque to the lower right reads: “First Script, Old Tucson Sound Stage, January 1968.” In very good to fine condition, with Sadler’s signature faded but visible, toned adhesive to edges and corners of the mounted pages, and the frame and glass somewhat loose. An interesting piece of Old Tucson history, made all the more intriguing by the signature of Barry Sadler, a real-life war hero who is best remembered for his hit song, ‘The Ballad of The Green Berets.’ Starting Bid $200

“I only regret that I have so few hairs to give for my country” 7027. Cecil B. deMille Signed Letter with Hair Strand. TLS signed “Cecil B.

deMille,” one page, 8.5 x 11, Cecil B. DeMille Productions letterhead, no date but postmarked November 14, 1942. Letter to Paul W. Young in New York, in full: “As this is the first time I’ve ever had a price on my head, it is also the first time that I ever promised the public something I couldn’t deliver. When, after placing a price of $5,000,000 in war bonds on Veronica Lake’s famous forelock, I asked if anyone in the Lux Radio Theatre audience would care to buy a ten cent war stamp for a lock of my own hair, I didn’t accept such an avalanche of ‘takers.’ The mail orders are heaped high on my desk. And it takes no more than a glance in the mirror to convince me that I have been caught, as it were, with my hair down. But I am willing to do the best I can. How many hairs make a lock is, of course, a moot question anyway, so I enclose a single hair to assure you of my good intentions. Even at this rate, I doubt if I shall have enough single hairs to go around, and may have to resort to the installment plan—i.e., give my sparse locks time to renew themselves after the first shearing in order to accumulate enough hair to pay off the balance of my creditors. I only regret that I have so few hairs to give for my country.” Affixed to the upper left corner are a ten-cent war stamp, patriotic ribbon, and single strand of deMille’s hair. Mounted along with the original mailing envelope and framed to an overall size of 12 x 16.5. In fine condition. Starting Bid $200

7028. Leif Erickson–Attributed Pants (2) from The High Chaparral. Two pairs of khaki pants attributed to Leif

Erickson and his role as ‘Big John’ Cannon in the Western television series The High Chaparral, which aired on NBC from 1967 to 1971. Both pairs of pants have Nudie’s Rodeo Tailors labels sewn inside the waistband. In overall fine condition, with general wear. Starting Bid $200

7029. Spurs from ‘F Troop’ Gifted to Shelton By Forrest Tucker. Pair of costume spurs from the satirical Wild

West sitcom F Troop, which ran on ABC from 1965 to 1967, given by Forrest Tucker (who starred as Sergeant Morgan O’Rourke) to Old Tucson Studios founder Robert Shelton. Both spurs feature two brown leather straps, a short metal chain, and prop rowels rounded for safety, with maker’s marks stamped in the heels: “U.S., A.B.” In fine condition. Starting Bid $200

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7032. Go West, Yo u n g G i r l s Signed Mini Poster. Pink-and-black

7030. Father Murphy Signed Script. Brad-bound script

for the first episode of the western drama television series Father Murphy, 106 pages, 8.5 x 11, dated January 12, 1981, signed on the front cover in ink by lead actor Merlin Olsen, Jack Lilley (stage driver), Kent McCray (producer), Erika Wernher (script supervisor), Frank Kennedy (extras casting), Dean Wilson (property master), and Rusty Hendrickson. In very good to fine condition, with some creases to front cover, and notable tears to back cover. Accompanied by a second unsigned copy of the script. Starting Bid $200

poster from the 1978 TV movie Go West, Young Girls featuring a “National Police Digest” image of Billy the Kid with the headline, “Billy the Kid, Is He Really Dead?,” 11.25 x 14.25, signed and inscribed in ballpoint to Old Tucson Studios founder Robert Shelton by the lead actresses, “To Bob—Happiness, Karen Valentine” and “Sandra Will”; the director, “Alan J. Levi”; the writer-producer, “Bob—Thanks for Old Yuma—George Yanok”; and the unit production manager, “Bob, Thanks & Best Wishes, ‘Go West Young Girls,’ Mar. 1978, Jon Andersen.” Matted and framed to an overall size of 18.5 x 22.5. In fine condition, with a fold along the left edge. The film, which follows a female New England reporter and the widow of a cavalry officer on an Old West adventure, was shot entirely at Old Tucson Studios in March 1978. Starting Bid $200

Four foot–tall boot from Old Tucson’s art department 7031. Giant Fiberglass Boot from Old Tucson Art Department. Gi-

ant black fiberglass boot from the Old Tucson Studios art department, measuring an enormous 46˝ x 36˝ x 14˝, which may have been used as a set decoration sign to signify a cowboy boot repair shop—this type of huge boot can be seen hanging above an Old Tucson storefront in the 1969 film Young Billy Young, starring Robert Mitchum, and in at least two episodes of The High Chaparral. In very good to fine condition, with scattered scuffing and scratching to exterior. Starting Bid $200

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7033. ‘Hawmps!’ Lot: Photo, Poster, Script, Buckle, Button, and Mug.

Six items associated with the 1976 Western slapstick film Hawmps!, including an oversized cast photo, one-sheet poster, original script, belt buckle, pinback button, and mug. Items are: an oversized 20.5 x 11.5 old-style cardstock print of the Hawmps! cast with their camels, framed to an overall size of 24 x 15; an original framed color 27 x 41 one-sheet poster for the film, proclaiming it as “a riotous adventure about camels in the cavalry”; an original script for Hawmps!, 152 pages, 8.5 x 11, with the front cover detached but present; a 3˝ diameter belt buckle featuring the Hawmps! logo, made by Lewis Buckles of Chicago; a 2.25˝ diameter pinback button depicting the Hawmps! logo; and a gilt-handled mug featuring the Hawmps! logo, inscribed on the reverse to Old Tucson founder Bob Shelton and signed by producer/director Joe Camp, “Bob, Thanks so much for everything! Joe.” In overall very good to fine condition. Starting Bid $200

7034. High Chaparral Group: Scripts, Photos, and Signed Mark Slade Photo. Group of six items related to The High Chaparral, a Western-themed tele-

vision series starring Leif Erickson and Cameron Mitchell that aired between 1967 to 1971, with items including: a glossy 7.5 x 9.25 of Mark Slade as Billy Blue from the show, signed and inscribed in black felt tip, “To Bob & Jane—I never thought I’d ever swing with a shoot’em up, but nice I did. I’m glad I could be here with you folks. Many thanks for everything! Mark Slade, ‘Blue,’” who adds a small sketch below; a pair of brad-bound scripts for episodes entitled ‘Grady Graham Don’t Lie,’ dated December 4, 1967, and ‘Shakespeare in the Desert,’ dated February 25, 1969; and three glossy photos, 8 x 10 and 10 x 8, showing moments from the show filmed at the famous Old Tucson Studios, including: a Native American stuntman falling off a horse, Mitchell throwing another stuntman from a horse with a pole, and another of Erickson and Mitchell getting instructions from the director. In overall very good to fine condition, with some wear to scripts, and ‘Grady Graham’ cover detached but held on by staple to upper section. Starting Bid $200

7035. Highway to Heaven Lot of Scripts and Hat. Group of five 8.5 x 11 brad-bound Michael Landon Productions final draft scripts for the NBC television drama series Highway to Heaven, which includes: a 106-page script for the show’s pilot, dated February 7, 1984; a 54-page script for ‘To Touch the Moon,’ episode 3 of season 1, dated June 21, 1984; a 56-page script for ‘One Fresh Batch of Lemonade,’ episode 6 of season 1, dated June 29, 1984; a 59-page script for ‘To Bind the Wounds,’ episode 18 of season 2, dated December 17, 1985; and a 51-page script for ‘Why Punish the Children?,’ episode 9 of season 4, dated April 23, 1987. Also included is a blue-and-white trucker-style snapback cap with front crown reading in blue text: “Michael Landon Productions, ‘Highway to Heaven.’” In overall very good to fine condition, with some slight wear and creasing to script covers, and light stains to cap crown and cracking to inner board of brim. Starting Bid $200

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7038. Michael Landon Kansas Street ‘Little House on Prairie’ Print.

7036. ‘I Married Wyatt Earp’ Belt Buckle Gifted to Shelton From Marie Osmond and Kenny Rogers Buckle. Two belt buckles

for made-for-television Western movies shot at Old Tucson Studios: a 3.75 x 2.25 belt buckle for the 1983 film I Married Wyatt Earp, which starred Marie Osmond as Josephine ‘Josie’ Marcus, given to Old Tucson founder Robert Shelton by Osmond, and engraved on the reverse, “Thank you, Love, Marie”; and a 3 x 2.5 belt buckle associated with the 1980 film The Gambler, which starred Kenny Rogers as Old West gambling man Brady Hawkes, featuring the singer-actor’s name in the center. In overall fine condition. Starting Bid $200

Envisioned by a prolific concept artist—King Kong is captured! 7037. King Kong (1976) Original Concept Drawing by Artist Mentor Huebner.

Stylish original concept drawing of Kong by Mentor Huebner for the 1976 Paramount Pictures remake of the classic monster film King Kong, accomplished in charcoal on an off-white 17 x 22 sheet, signed and inscribed in the lower right in pencil, “Bob—From Mentor.” The large, imposing drawing shows the fearsome gorilla secured in a form-fitting barrel-shaped metal cage, restrained with shackles at its ankles. Matted and framed to an overall size of 22 x 28, with the backing captioned: “One of the original designs submitted for holding ‘King Kong’ after being captured—to Bob Shelton from artist and studio art department.” In very good to fine condition, with light wrinkling and uniform toning, and the sheet slightly loose at the top of the mat. Mentor Huebner (1917–2001) was a leading Hollywood production illustrator and storyboard artist who worked on more than 250 films, including King Kong (1976), Blade Runner (1982), The Thing (1982), Dune (1984), and Francis Ford Coppola’s Dracula (1992). Starting Bid $200

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Limited edition 24.5 x 19.25 print showing Michael Landon against the Kansas Street set at Old Tucson Studios, numbered 2/500, signed and inscribed in pencil by the artist, “To Bob Shelton, thanks for all your help and contribution! M. Montafio.” Mounted to a foamcore board and in very good to fine condition, with some small scattered surface losses. Starting Bid $200

7039. Michael LandonSigned ‘Little House on the Prairie’ Script. Brad-bound

original final draft script for a Little House on the Prairie episode entitled ‘Marvin’s Garden,’ season nine, episode 12, dated October 27, 1982, 51 pages, 8.5 x 11, signed on the front cover in black ink, “Best wishes & thanks, Michael Landon.” In fine condition, with light staining to left side of cover. Accompanied by an unsigned photo of Landon as Charles Ingalls in the show. For the ninth and final season, the show’s title was renamed Little House: A New Beginning. Starting Bid $200

7040. Ava Gardner and John Huston Signed and Production-Made Photograph from TheLife and Times of Judge Roy Bean. Production-

made vintage matte-finish 19.5 x 29.5 photo of Ava Gardner as Lillie Langtry from the 1972 film The Life and Times of Judge Roy Bean, signed and inscribed after production in black felt tip, “For Robert Shelton, with all good wishes, Ava Gardner,” and signed on a slip applied at the bottom by the director, “John Huston.” Based on the shape and texture, the Huston-signed slip is evidently a trimming from the edge of the oval photograph. Displayed in an ornate 23 x 34 gilt frame, which has a repaired crack and some chipping to the lower right, and damage to the bow-shaped ornament at the top. The photograph itself is in fine condition, with a few light creases near Gardner’s inscription.Starting Bid $200

7041. Crew Jacket from Life and Times of Judge Roy Bean. Lightweight white zippered crew jacket from the production of the 1972 Western film The Life and Times of Judge Roy Bean, directed by John Huston and starring Paul Newman. Made by Collegiate-Pacific, the cotton/polyester blend jacket is size XL and features black lettering on the back in a Western-style typeface: “Paul Newman in The Life and Times of of Judge Roy Bean, Fall 1971, Produced by John Foreman, Directed by John Huston.” In fine condition. The production of the film took place in the fall of 1971, and it was released on December 18, 1972; portions of the film were shot at Old Tucson Studios. Starting Bid $200

7042. Screen-Used Brass Spittoon from The Life and Times of Judge Roy Bean.

Screen-used brass spittoon from the 1972 film The Life and Times of Judge Roy Bean, directed by John Huston and starring Paul Newman. The spittoon stands 9.75˝ tall, measures 9.25˝ in diameter, and is embossed on two sides with the image of a train’s steam engine, marked below, “Union Pacific R.R.” In very good to fine condition. Parts of The Life and Times of Judge Roy Bean were filmed at Old Tucson Studios, in addition to several other sites in Arizona. Starting Bid $200

7043. Arthur L o e w, S r .’ s Twin Pewter Flasks. Arthur

Loew, Sr.’s pair of large silvercolored flasks, each measuring approximately 6.5˝ x 9.5˝ x 2˝ and marked as having a 64-ounce capacity, manufactured in England by A.W.F. & Co. The handsome twin flasks are held inside a fitted light brown leather briefcase, measuring 14.5˝ x 11˝ x 3˝, monogrammed on the top with his initials, “A. M. L.” In very good to fine condition, with wear, scuffing, and splits to the exterior of the briefcase. Obtained from the estate of Arthur Loew, Sr., and accompanied by a later handwritten notecard describing the piece: “Arthur Loew, Sr., president of Loew International, built theatres around the world. He and these antique flasks survived a plane crash in Africa.” Starting Bid $200

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7044. MGM Founder Marcus Loew Sr.’s Top Hat. MGM

founder Marcus Loew, Sr.’s black top hat, featuring a soft black fur exterior with black felt hatband, cream-colored satin lining (marked inside with his initials, “ML,” handpainted in gold), and supple brown leather inner headband. The satin lining is marked with the retailer’s label, “McCue Bros. and Drummond, New York,” listing their several addresses. In very good to fine condition, with the inner band partially detached, and some wear and fraying to the hat’s edges. Obtained from the estate of Marcus Loew’s son, Arthur Loew, Sr., who served as a president of Loew’s International. Starting Bid $200

7045. MGM Studio 1948–1949 Actors & Actresses Oversized Photograph. Rare

large 30 x 20 cardstock print of 58 actors under contract to MGM for the years 1948–1949, including Errol Flynn, Clark Gable, Ava Gardner, Judy Garland, Katharine Hepburn, Fred Astaire, Mario Lanza, Peter Lawford, Ginger Rogers, Frank Sinatra, Spencer Tracy, Lionel Barrymore, Ethel Barrymore, Lassie, and others. Double-matted and framed to an overall size of 36 x 26. In fine condition. Accompanied by a key identifying all 58 subjects. Originally obtained from an MGM auction. Starting Bid $200

7046. Old Tucson ‘Deadwood Dick’ Stage Show Painting. Original painting from Old

Tucson Studios accomplished in acrylic on a 29 x 14.25 canvas panel in a primitive folk art style, depicting a scene on stage for “Deadwood Dick.” The scene features desperadoes at a bar on the left, two hanged outlaws, a trio of female performers, a woman sitting at a table, and a piano man on the right side. A bulletin posted on the wall reads: “Wanted Dead or Alive, Deadwood Dick, 1000.00 Reward.” In the upper right is a cast list poster, describing Deadwood Dick as the “Longest Running Live Show in Tucson History.” Cloth-matted and framed to an overall size of 33.75 x 18.75. In fine condition. Starting Bid $200

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7047. Old Tucson ‘Kowloon Alley’ Wooden Sign. Wooden sign from Old Tucson Studios, measuring 21 x 9, with black hand-painted lettering: “Kowloon Alley, 15-16-17.” The reverse is annotated in pencil, “’Quest,’ Columbia Studio, 1975, Old Tucson, China Town, Brian Keith, Keenan Wynn,” with an upside-down annotation, “Green Dragon Lane.” The sign retains a single metal screw eye to the upper right. In very good to fine condition. Starting Bid $200

7048. Old Tucson Collection of Artifacts: Adobe Bricks, Clay Lamp, and Clay Chapel. Col-

lection of props from Old Tucson Studios, including: two styrofoam prop bricks from the John Wayne era at Old Tucson, each measuring 15.5˝ x 7.5˝ x 3˝, painted with a tan adobe-type stucco finish; a terra-cotta clay lamp, measuring approximately 6˝ x 9˝ x 6˝, with flower and petal-shaped cutouts on the sides; and a miniature terra-cotta clay chapel, measuring 7.25˝ x 13˝ x 9˝, featuring ornate cutout designs on the front and sides, with the open front doorway flanked by two towers with steeples, and the rear featuring a raised dome with thin triangular window slits. In overall very good to fine condition. A scarce assortment of original props used throughout the course of decades at Old Tucson, where John Wayne famously starred in four films—Rio Bravo (1959), McLintock! (1963), El Dorado (1966), and Rio Lobo (1970). As many of the studio’s props were destroyed in its 1995 fire, any surviving pieces represent sought-after relics from the heyday of Old West cinema. Starting Bid $200

7049. Old Tucson Crew Clothing From Shelton’s Collection. Collection of film crew and event clothing from

the collection of Old Tucson Studios founder Robert Shelton, including: a black jacket for The Young Riders (XL); a light gray film crew sweatshirt for The Young Riders (XL); a black t-shirt for Four Eyes (XL); a black t-shirt for Spaghetti Western Night featuring Will Strickland, Glen Gold, and Shane & Alex Stevens (XL); a light blue t-shirt for Moonshine and Sassafras (XL); a white t-shirt for the 2002 Spring Back Alley Film Festival in Tucson (L); a gray t-shirt for the 1996 Kent McCray Producer Award (XL); a white t-shirt reading “The Man, The Myth, The Legend” (XL); and a beige snapback baseball cap embroidered in black, “Legend.” In overall very good to fine condition, with scattered staining to the Moonshine and Sassafras shirt. Starting Bid $200

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7050. Old Tucson Moonshine and Sassafras Model and Original Posters. Three

items: a miniature wooden folk art model of a horse-drawn cart labeled “Dr. Curems Indian Snake Oil,” measuring 24˝ x 8˝ x 5.5˝, signed in gold ink on the base by the artist, “Fred Reed, 1976,” featuring a scene with a Native American Indian pouring snake oil into a jar, and a mountebank ‘doctor’ selling oils to plain folk off the back of the carriage; and two original color 14 x 22 Old Tucson Studios posters advertising the live performance of Moonshine and Sassafras, an “old-time tent musical,” which features the silhouette of a horse-drawn carriage similar to the wooden model. One poster has been permanently laminated against a heavy 17 x 25 wooden plaque. In very good to fine condition, with repairs to cracks on the wooden model, including at one horse’s feet and the Indian’s arm. Starting Bid $200

7052. Shirts and Pants from Old Tucson Studios. Three

7051. Coat and Vests from Old Tucson Studios. Three

wardrobe pieces from Old Tucson Studios, with no definitive associations to specific films or shows, including: Bob Shelton’s personally-worn light brown suede coat decorated with ornate Native American Indian beadwork across the back and shoulders (like that seen in The Young Riders), size 44, with maker and retailer’s tags inside, “Jack Henry, Kansas City” and “Styled by Scully, in Los Angeles,” possibly worn in films or TV shows in which he made cameo appearances; a light brown suede vest with four silver-toned medallions on the front, three pockets, and brown stitching on the shoulders; and a black vest with a thick corduroy front and solid black satin panel on the back. One of Bob Shelton’s white silk personal handkerchiefs, embroidered with an “S,” is inside the coat’s inner pocket. In overall very good to fine condition, with general wear and buttons missing from the black vest. As most of Old Tucson’s wardrobe burned in the studio’s 1995 fire, very few pieces survive today—had these not been in Shelton’s possession at the time, they too would have been consumed. Starting Bid $200

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wardrobe pieces from Old Tucson Studios, with no definitive associations to specific films or shows, including: a green floral-patterned long-sleeved shirt with three buttons on the front, size XL, like those worn by Apaches and Mexicans in the TV series High Chaparral; a khaki chamois longsleeved shirt with two pockets on the chest and epaulets on the shoulders, size XL, with a “Sy Devore” label sewn into the collar; and dark brown leather pants with a brown satin lining, size 42R, with maker’s labels inside, “Styled by Don Carlos in Spain” and “Made in Peru, 100% Leather.” In overall fine condition. As most of Old Tucson’s wardrobe burned in the studio’s 1995 fire, very few pieces survive today—had these not been in Shelton’s possession at the time, they too would have been consumed. Starting Bid $200

7053. Old Tucson Studios Antique Trunk Prop Screen-used in High Chaparral. Huge antique

trunk prop from Old Tucson Studios used on screen in the Western-themed television series The High Chaparral (which aired on NBC from 1967– 1971), measuring approximately 32˝ x 22˝ x 17˝, with a dark brown leather exterior, marked on the cover: “Warranted Sole Leather With Steel Springs.” The trunk has a faux latch on the front, and opens to reveal a storage area featuring red faux-leather covers with decorative gilt edging, comprising one large chamber and three smaller compartments with flipforward front panels. The decorative interior lifts out of the trunk to reveal a larger storage compartment underneath. In very good to fine condition, with wear to both the exterior and interior. Starting Bid $200

7054. Old Tucson Studios Collection of Photos and FDCs.

Collection of 14 photos and 58 FDCs commemorating the famous Old Tucson Studio. Each cover measures 8.75 x 4 and features a cachet honoring Old Tucson with upper text noting that the cover was designed for the “Rural Branch Post Office,” which was established on December 2, 1968, with each cover postmarked with corresponding date. The photos, glossy and semi-glossy, range in size from 8 x 10 to 11 x 8.5, and feature actors, scenes, and filming sequences at Old Tucson, with actors including Kirk Douglas, Robert Mitchum, Carlos Romero, and Michael Keep, and film and television titles including Death Valley Days, High Noon, Part II: The Return of Will Kane, and The Gal Who Took the West. Five of the photos are framed to slightly larger sizes, with backing of two frames noting that they derive from the personal collection of Old Tucson founder Bob Shelton. In overall very good to fine condition, some scattered wear to photos and framed. Starting Bid $200

7055. Old Tucson Studios Collection of Rare Surviving Artifacts/Props: Wooden Lamp, Cigar Cutter, Straw Hats, etc.. Unique collection of rare sur-

viving props and set decor pieces from Old Tucson Studios, including: a large antique wooden pulley converted into an electric lamp with two lightbulb sockets, which may have been used in the Bonanza barn; an antique tobacco and cigar cutter made by the Goddard Grocer Co. of St. Louis, bearing a 1914 patent date; a pair of ladies’ cream-colored leather gloves with ornate Native American Indian beadwork designs, one with fringe along the edge and one without (and exhibiting some damage where the fringe would be); two damaged straw hats; two empty prop Japanese cans of Dr. Pepper; a small metal canister wrapped in Japanese silk with a floral pattern; a black plastic box with gold Japanese lettering, containing a small plastic samurai hat, a Japanese doll, and a small gold dragon. In overall very good to fine condition. An interesting and varied lot of surviving Old Tucson relics. Starting Bid $200

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7056. Old Tucson Studios Deer Skull and Antlers Mount. Antique German deer skull and antlers display from Old Tucson Studios, measuring approximately 35˝ x 37˝ x 15˝, with the skull inscribed, “Oublen, 11.10.1930.” The skull is mounted on a wooden plaque. In fine condition. Old Tucson typically used these types of mounts as props displayed over doorways or as wall decor for interiors. Starting Bid $200

7057. Old Tucson Studios Group of (3) Copper Vessel Props. Group of three antique-style copper vessels from Old Tucson Studios, including: a large copper teapot-style kettle with curved copper carrying handle and bone-knobbed fixed lid, measuring approximately 13.5˝ x 12˝ x 10˝, similar to those seen on the Father Murphy TV show, which was filmed at Old Tucson from 1981–82; a large oval lidded copper storage bin made by Revere Ware, measuring approximately 27˝ x 13˝ x 15˝, with brown wooden handles on either side and a black wooden handle on the cover; and a heavy ancient-style open circular copper vessel, measuring approximately 19˝ x 13˝ x 15.5˝, with crude metal loops riveted on opposite sides as handles. In overall very good condition. Starting Bid $200

7058. Old Tucson Studios Mounted Texas Longhorns Prop. Huge pair of mounted Texas longhorns from Old Tuc-

son Studios, measuring approximately 44˝ x 12˝ x 21˝, with a thick leather-and-rope wrapped center, decorated with rivets in the form of a curvy swastika (in this case, a motif used by southwestern Native American Indian tribes like the Navajo and Hopi, rather than its deplorable later symbolism). The horns are mounted on a smaller wooden plaque, which could likely no longer support their weight if hung on a wall. In fine condition, with some cracking to the wooden mount. This is the only pair of horns that Old Tucson Studios founder Bob Shelton kept in his office, which means they meant a great deal to him—of all the horns that he could have chosen to preserve, he chose these. As a relic of Old Tucson Studios’ representation of the American southwest, this surviving cinematic artifact is a decidedly impressive piece. Starting Bid $200

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7059. Old Tucson Studios Originating Prints and Signs. Group of

prints and signs from Old Tucson Studios, some of which were acquired by Robert Shelton from other production houses, including: an antique print by Kurz & Allison of Chicago showing “Col. Theodore Roosevelt, U.S.V.” leading his cavalry on horseback, framed to an overall size of 23.5 x 29.5, marked on the reverse, “20th C-Fox, 32-2-18497”; an antique color 15.5 x 18 metal print with curled edges advertising “Capitol’s Non-Tox” beverage, made in Denver, Colorado, marked “CBS” on the reverse; an antique-style color poster print of an advertisement for “Scotch Oil,” framed to an overall size of 19 x 28.75; a 20 x 24 print of a charcoal drawing of John Wayne done by Gary Saderup in 1988, with the artist’s signature inherent to the image; and a 28.5 x 17.5 print of a set design drawing for the 1973 TV movie The Boomtown Band & Cattle Company, showing a horse-drawn wagon passing through wild terrain, clipped to a 30 x 20 mount which is annotated in felt tip, “Exterior Bozeman Trail.” In overall very good to fine condition, with scattered surface scuffs and scratches, and a repaired diagonal tear to the right edge of the Boomtown Band & Cattle Company print. Starting Bid $200

7060. Old Tucson Studios Painted Cattle Skull Prop. Hand-painted

cattle skull prop from Old Tucson Studios, measuring approximately 22˝ x 21˝ x 15˝, featuring painted Native American Indian designs on the forehead with dark red paint around the eye sockets. In very good to fine condition, with some fracturing and deterioration over time, as is expected with organic material. An interesting decorative piece from Old Tucson as one of few surviving props. Starting Bid $200

7061. Old Tucson Studios Pair of Prop Scales. Two

prop balance scales from Old Tucson Studios: an antique gold and silver assessor’s scale on a wooden base, measuring 22˝ x 25˝ x 10˝, with one pan held by a fixed brass arm and the other attached by a chain; and a precision gold weighing scale made by Fairbanks, measuring 17˝ x 18.5˝ x 7˝, featuring identical weighing platforms and a weight beam across the front, as well as an “Underweight/Overweight” readout at the top. In overall very good to fine condition. Starting Bid $200

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7062. Old Tucson Studios Rare Surviving Artifact/Prop Collection: Sword, Shield, Staff, Etc. Unique collection of rare surviving

props and set decor pieces from Old Tucson Studios, some of which were acquired from other production houses by Robert Shelton. Includes: an ornately decorated sword with leather scabbard, featuring scrollwork with a red-and-blue crest on the guard, with matching designs along the first quarter of the blade; a thick leather waist belt; a golden Egyptian gladiator staff with a knob at one end and sharpened spear point at the other; a wood-and-leather circular war shield; a gray British policeman’s helmet, with a photograph of Shelton purchasing 1900 wardrobe pieces from an MGM auction (this style of police helmet seen in the image); four gray hat stands; a small wooden printing press prop; and a brass candle holder with glass windows on all four sides. In overall very good to fine condition. As most of Old Tucson’s set, prop, and wardrobe elements were consumed in the studio’s 1995 fire, any surviving pieces are highly desirable, and the diversity of this lot makes it especially interesting. Starting Bid $200

7063. Old Tucson Studios Rare Surviving Artifacts/Props: Painting, Wooden Angel, Framed Cork Artwork. Fascinating group of surviving

gold-colored artwork and set decor from Old Tucson Studios, including: an original painting of a reclining female nude, signed “Keppel,” framed to an overall size of 35˝ x 25˝, which likely hung behind the bar in saloon scenes; a huge three-dimensional wooden wall hanging portraying a golden angel in high relief, measuring approximately 36˝ x 18˝ x 7˝; and two unusual original cork carving castle pictures, individually framed to 18˝ x 10.5˝ and 13˝ x 14.5˝. In overall very good to fine condition. An interesting quartet of Old Tucson artwork. Starting Bid $200

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7064. Old Tucson Studios Tack Collection: Leather Saddle, Saddle Bags, and Bridle. Three pieces of horseassociated tack materials from Old Tucson Studios, including: a large light brown leather saddle with metal stirrups, with metal plate reading, “Super Quality, MFKG Co., English Saddlery”; small brown leather saddlebags with single-strap belts for closure; and an American military cavalry bridle, featuring dark brown leather belts, a metal bit, and brass badges featuring the Great Seal of the United States. In overall very good to fine condition, with scattered cracking and flaking to leather. An interesting lot of equestrian gear from the prolific Western film studio. Starting Bid $200

7065. Old Tucson Studios: Antique Leather Carrying Case and Hat Box. Two antique leather carrying case

props from Old Tucson Studios: a brown leather cylindrical hardshell carrying case, measuring 17˝ long and 10˝ in diameter, with metal rivets lining the edges and tooled designs on the exterior, as well as two leather straps (one broken) and working latch; and a matching brown leather hardshell hat box, measuring approximately 14˝ x 15˝ x 13˝, with a handsome deep maroon satin lining inside, stamped inside the lid, “Dunlap & Co.” The latch mechanism on the front of the hat box remains functional, and has an ornate tooled sunburst pattern around the edges; two of the leather straps used to secure the cover of the hat box are broken, and one strap is missing. In overall very good condition. Starting Bid $200

7066. Painting of the Train ‘Reno’ by Carney Waller. Original

painting of the train ‘Reno’ by Carney Waller showing a Native American Indian on horseback firing a gun at the steam engine as it thunders through a desert in the American West, accomplished in acrylic on 23.5 x 17.5 canvas, signed and dated in the lower right corner, “Carney Waller, 1973.” Framed to an overall size of 30.5 x 24.75, with the backing curiously noting: “Presented to Bob Shelton, President of Old Tucson Studios, 1967”; the backing may have been repurposed from another frame. In fine condition. Waller was a native of Alabama who helped to build sets on many Western films, including John Wayne’s 1970 movie Rio Lobo. Starting Bid $200

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7067. Robert Shelton’s Golden Boot Award and Mug. Three Golden Boot Awards souvenirs

from the personal collection of Old Tucson founder Bob Shelton, including: a large dark ceramic boot commemorating the 9th Annual Golden Boot Awards, measuring 10.5˝ in height and 10˝ in length, with forefoot section marked in gold: “The Golden Boot Awards, August 17, 1991”; and a glass mug and off-white polo shirt, size extra large, honoring The 8th Annual Golden Boot Awards held on July 28, 1990. In overall fine condition. Starting Bid $200

7068. Bob Shelton’s Personal Pins and Pocket Items Including ‘High Chaparall’ & John Wayne Knife.

Old Tucson Studios founder Robert Shelton’s collection of pins and personal knickknacks, including: a keyring engraved with his name and “High Chaparral, 1969/70”; a sterling silver badge depicting a camera, engraved, “T.F.C., 1982–86”; a collectible pocket knife featuring color imagery of John Wayne on the handle, in its original box; film-related pins including Old Tucson, Golden Boot (1999), Screen Actors Guild (2008), AFC, a Tucson cactus, dramatic masks, two for Film in Arizona, and two for the Fox Theatre; non-film pins including America’s Most Wanted, 9-11 heroes, Rotary International, a presidential seal, and two for the inaugural baseball game at Tucson Electric Park; and a one-dollar MGM Grand casino token. In overall fine condition. Starting Bid $200

7069. The Ten Commandments Production Design Binders. Two binders containing photographic prints of original

production designs and storyboards for Cecil B. DeMille’s epic 1956 religious film The Ten Commandments, totaling nearly 400 pages, with sections broken up by dividers identifying the “Sequence,” many dated April 27, 1955. Sequences portrayed include the “Valley Pasture & Mt. Sinai,” “The Burning Bush,” “Palace Hall of Audience—Per Ramses,” “The Exodus,” “Defile & Red Sea,” “The Chariot Assembly,” “The Edge of the Nile,” “The Bathing Pavilion,” “Construction Area,” and “Brick Pits.” The fascinating pages include notes (the vast majority inherent to the images, with some very sparse handwritten notes), concerning the location of the shot, description, camera to be used, and special effects needed for the scene. In fine condition. The Ten Commandments earned wide acclaim for its lush, detailed set designs, lavish art direction, and robust special effects—in addition to winning the Oscar for ‘Best Effects, Special Effects,’ it was nominated for ‘Best Cinematography, Color,’ ‘Best Art Direction-Set Decoration, Color,’ and ‘Best Costume Design, Color.’ Starting Bid $200

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Beautiful Paramount-created Ten Commandments tablets 7070. Pair of Presentation Tablets from The Ten Commandments.

Beautiful pair of two presentation tablets created by Paramount to precisely replicate those used in Cecil B. DeMille’s epic 1956 religious film The Ten Commandments, cast in a composite resin material which has been hand-painted with a reddish speckle finish to resemble granite quarried from Mount Sinai. Each tablet measures 12˝ x 23˝ x 1.25˝, and they are deeply engraved with early Canaanite script transcribing the Ten Commandments as written by ‘the finger of God.’ They are displayed side-by-side in a wooden 32.25˝ x 26.5˝ x 4˝ shadowbox case with a recessed green felt backing, featuring two engraved plaques in the center. The first plaque describes the tablets: “These tablets are replicas of those used in the Cecil B. DeMille production ‘The Ten Commandments.’ The granite tablets used in the production were hewn from the rare red granite brought from Mt. Sinai near the Gulf of Suez and the Red Sea; from the hallowed ground where Moses stood when God revealed himself in the burning bush and where the Ten Commandments were written with the finger of God. Mr. DeMille consulted with scholars of the Oriental Institute of the University of Chicago, and Dr. Ralph Marcus wrote for him a version of the Ten Commandments in early Canaanite lettering. This manner of writing was practiced in the late Bronze Age, (circa 13th Century, B.C.), which is the era of Moses.” The second plaque translates the early Canaanite script: “The Ten Commandments. / I am Yhwh thy God. There shall not be to thee other Gods. / Thou shalt not make for thyself a graven image. / Thou shalt not take the name of thy God in vain. / Remember the Sabbath Day to sanctify it. / Honor thy father and thy mother. / Thou shalt not murder. / Thou shalt not commit adultery. / Thou shalt not steal. / Thou shalt not bear false witness against thy fellow. / Thou shalt not covet the household of thy fellow.” In fine condition. Accompanied by a provenance statement from Old Tucson Studios founder Robert Shelton, dated July 2010, describing when Shelton came into possession of these tablets: “Old Tucson Studio provided location services and facilities to the major studios for over 35 years. It purchased sections of Paramount Studios’ western street when they dismantled it. Over the years, Old Tucson accumulated large amounts of movie equipment, pro[p]s, wardrobe and artifacts. In the early 1970’s I was at Paramount, purchasing and loading a semi-trailer of equipment, when the studio through Jerry Cook, a studio executive, offered me the opportunity to personally acquire a rare set of their Ten Commandments.” Also includes an original color one sheet movie poster for the 1972 US re-release of the film, 27 x 40, stapled along the edges to a foamcore board. The poster’s artwork portrays Charlton Heston as Moses, triumphantly holding the Ten Commandments tablets above his head as the Red Sea parts in the background. A beautiful presentation associated with one of the most identifiable, iconic props in cinema history—the tablets from The Ten Commandments. Starting Bid $500

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One-of-a-kind archive from the estate of Adolph Zukor, founder of Paramount Pictures 7071. Adolph Zukor Large Archive.

Large archive of material from the estate of Paramount Pictures founder Adolph Zukor, containing correspondence, financial documents, photographs, award certificates, scrapbooks related to Zukor’s international travels, and related ephemera. Highlights of the archive include three items signed by Adolph Zukor, a photograph inscribed to Zukor by President Herbert Hoover, several certificates recognizing Zukor’s mammoth achievements in the motion picture industry, a large file of correspondence related to the ‘silver jubilee’ anniversary of the founding of Paramount Pictures, and scrapbooks containing original photographs of Zukor’s trips to South America and Hungary. Born in Austria-Hungary in 1876, Zukor arrived in New York City as an immigrant in 1891. He became involved in the motion picture industry in 1903, when he loaned money to his cousin to invest in a chain of theaters. He established the Famous Players Film Company in 1912 to distribute French films in America, and merged with Jesse L. Lasky to form Famous Players-Lasky in 1916. He then organized a merger into Paramount Pictures Corporation, and continued to grow the company into an empire by acquiring smaller studios and distributors. A big believer in the power of stardom, Zukor signed and developed many of the leading heroes of the silent screen, such as Mary Pickford, Marguerite Clark, Pauline Frederick, Douglas Fairbanks, Gloria Swanson, Rudolph Valentino, and Wallace Reid. In 1949, Zukor received an Honorary Academy Award, recognizing the ‘man who has been called the father of the feature film in America, for his services to the industry over a period of forty years.’ This archive from Zukor’s estate was part of the collection of Old Tucson Studios founder Bob Shelton, who was once married to Zukor’s granddaughter, Jane Loew. In overall good to fine condition. Starting Bid $300

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7072. Three Amigos Collection of (5) Concept Prints and Poster. Col-

lection of five prints of concept drawings associated with Old Tucson Studios and the production of the 1986 Western comedy Three Amigos, which starred Steve Martin, Chevy Chase, and Martin Short as the titular trio. The prints range in size from 26 x 24 to 48 x 24, and depict the courtyard of El Guapo’s Mission, the front of El Guapo’s Mission, a modern main street view at Old Tucson, and two prints of another angle of the main street filled with Old West characters. Includes an original color one sheet movie poster for Three Amigos, framed to an overall size of 28 x 41. In overall very good condition, with several edge tears and some tape to edges. Directed by John Landis, the successful film cast comedians Martin, Chase, and Short as three silent film stars who are mistaken for real heroes and asked to defeat the bandit El Guapo, played by Alfonso Arau. Starting Bid $200

7073. Warner Brothers Large Brass Goblet. Large brass prop

goblet from Warner Bros. Studios, measuring 6˝ in diameter and 10˝ tall, with the studio’s inventory number faintly etched on the bottom, “WB M280.” The goblet features a simple design around the rim, with a thick stem and weighted base. In very good to fine condition, with light wear and tarnishing. Starting Bid $200

7074. Ornate Screen-Worn Snake Top Hat from The Young Riders. Impressive screen-

worn top hat from the Western television series The Young Riders, worn by Seth Foster in the ‘Blood Moon’ episode that aired on October 13, 1990. The ornate hat features an authentic rattlesnake hide wrapped around the exterior as a hatband, with the snake’s skull in the front posed with intimidating open jaws. Positioned behind the snake’s fanged visage are feathers, two wing-shaped snakeskin pieces, and the jaws of a small mammal. The inside top and inner headband bear maker’s marks, “Charlie 1 Horse, Custom Designed Hats.” In fine condition. Starting Bid $200

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7075. William Zivic Artwork from Shelton’s Personal Collection. Original artwork by William

Zivic showing an Apache warrior wielding a shotgun on horseback from the opening of The High Chaparral, accomplished in pen-and-ink and watercolor on a light brown 11.5 x 8.5 sheet, signed and dated in the lower right corner, “W. T. Zivic, ‘71.’” The reverse is annotated in another hand with the artist, date, and title, “Wm. T. Zivic, Tucson, Ariz, Mar. 1971, ‘Mescalero.’” Handsomely cloth-matted and framed to an overall size of 20 x 17. In fine condition, with a semicircular stain to the lower portion of the mat. Accompanied by a framed color 16 x 12 print of a Western coach chase scene by Vic Donahue. Born in 1930, William Zivic is known for his paintings that capture the land and people of the American West. Starting Bid $200

WESTERN HOLLYWOOD Hero shirt from Barry’s role as Bat Masterson 7076. Gene Barry’s Screen-worn Shirt from Bat Masterson. Gene Barry’s screen-worn shirt from his

starring role in the classic NBC television series Bat Masterson, which aired from 1958–1961. The tan longsleeved shirt features two pouch pockets on the chest and retains four buttons down the front (one is a slightly different color, and two are missing), with a Western Costume Co. tag sewn inside the placket, filled out in type: “No. 2131-1, Name: Gene Barry, Chest: 42.” In very good condition, with some fraying and staining to the back shoulder area, and repairs to a tear near the replaced button. Barry wore this type of shirt while riding from town to town, where he donned his fancy duds. He is seen in this style on the cover of the Dell comic book Bat Masterson #8, issued in October 1961. Starting Bid $200

7077. Lionel Barrymore’s Screen-worn Coat from Duel in the Sun. Lionel

Barrymore’s screen-worn coat from his role as Senator Jackson McCanles in King Vidor’s 1946 epic Technicolor Western film Duel in the Sun. The dark reddish-brown velvet coat features three pouch pockets on the front, three brown buttons for closure, and tan velvet lapels. The interior is lined in charcoal satin, with a Western Costume Co. tag sewn inside the right breast pocket, annotated in ink: “No. 2, Name: L. Barrymore, Chest: 47.” The lapels have been altered for a later production with the addition of the silk overlay. In fine condition. A desirable screenworn wardrobe piece from the prolific Oscar-winning actor and member of the legendary theatrical Barrymore family. Starting Bid $200

7078.Randolph Scott’s Screen-used Hand-drawn Map from The Bounty Hunter. Screen-used

hand-drawn prop map from the 1954 Warner Bros. Western film The Bounty Hunter, used on screen by the film’s hero, Randolph Scott, in his role as bounty hunter Jim Kipp. Accomplished in graphite and brown colored pencil, the map measures 28.75 x 20, and depicts areas of Colorado, Kansas, New Mexico, Texas, and “Indian Territory.” Landmarks, rivers, and major cities are marked, including “Twin Forks,” which was Kipp’s destination. The map is carried by Randolph Scott in two scenes, and can be seen in a close-up of Kipp pointing to “Twin Forks” as his destination. Mounted and framed to an overall size of 36 x 24.5. In fine condition, with some light staining. Accompanied by a metallic 7 x 5 print featuring four stills in which the map is seen. Starting Bid $200

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7079. George Brent’s Screen-worn Coat from Silver Queen. George Brent’s

screen-worn coat from his starring role as dapper gambler James Kincaid in the 1942 Western film Silver Queen. The brown coat features thin black-and-orange stripes, and has three flap pockets on the front along with three brown buttons for closure (the fourth button is missing). The interior is lined in dark brown satin, with a Western Costume Co. tag sewn inside the right breast pocket, annotated in ink: “Name: G. Brent, Chest: 42.” In very good to fine condition, with a split to the seam at the left shoulder, and some fraying and splitting to the satin lining. Starting Bid $200

Screen-worn shirt from the 1939 Cagney-Bogart Western

7080. James Cagney’s Screen-worn Shirt from The Oklahoma Kid. James Cagney’s screen-worn

shirt from his starring role as outlaw Jim Kincaid (the ‘Oklahoma Kid’) in the 1939 Warner Bros. Western film The Oklahoma Kid. The gray long-sleeved shirt features a single pocket and three buttons on the front, and a white strap at the bottom to keep it tucked in. A Warner Bros. Pictures, Inc., tag is sewn in the collar, annotated in ink: “16, Gar. No. J. Cagney, 4 Shirts.” In fine condition, with one button missing from the right cuff. Directed by Lloyd Bacon, The Oklahoma Kid cast James Cagney as the titular gunslinger opposite Humphrey Bogart’s vicious black-clad villain in a classic tale of vigilantism during the Oklahoma land rush. A stunning screen-used piece from a noteworthy, Oscar-winning actor of Hollywood’s Golden Age. Starting Bid $300

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7081. Harry Carey, Sr.’s Screen-worn Suit from The Shepherd of the Hills.

Harry Carey, Sr.’s screen-worn suit from his role as Daniel Howitt in the 1941 Paramount drama The Shepherd of the Hills, which was John Wayne’s first Technicolor film. The navy blue suit jacket features four polished dome-shaped buttons on the front for closure, and is lined in black satin with a Western Costume Co. tag sewn in the back, annotated in ink: “3 pc., Name: Harry Carey, Chest: 40.” The matching navy blue pants have a Western Costume Co. label sewn into the waistband, annotated in ink with fellow actor Robert Taylor’s name, a common discrepancy in men’s suits from the Western Costume Co. In fine condition. Starting Bid $200

7082. Richard Dix’s Screen-worn Coat from Man of Conquest. Richard Dix’s

screen-worn coat from his starring role as Sam Houston in the 1939 Western film Man of Conquest, a biopic of Houston focusing on his relationship with Andrew Jackson and his role during the Texas Revolution. The long navy blue coat features two golden buttons on the front, with black-and-gold ribbons on the cuffs. The interior is lined in green satin, with a Western Costume Co. tag sewn in the back, annotated in ink: “No. 23413 #13, Name: Richard Dix, Chest: 44, Le Fevre.” In fine condition. Starting Bid $200

7083. Wild Bill Elliott’s Screen-worn Coat from Plainsman and the Lady. Wild Bill

Elliott’s screen-worn coat from his starring role as Sam Colton in the 1946 Republic Pictures Western film Plainsman and the Lady. The dark maroon coat features thin orange pinstripes, two faux flap pockets, and two brown buttons for closure. The interior is lined in gray satin, with a Western Costume Co. tag sewn inside the right inner breast pocket, stamped “No. 31286,” and annotated in ink: “Name: Bill Elliott, Chest: 41.” A modern Western Costume barcode is also affixed in the collar. In fine condition, with staining to the interior lining. Starting Bid $200

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7086. James Garner’s Screenworn Shirt from Support Your Local Sheriff.

7084. Clint Eastwood Signed Photograph. Glossy 14 x 10 photo of Eastwood in his famous Spaghetti Western role as ‘the Man with No Name,’ signed in blue felt tip. In fine condition, with scattered light creasing. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7085. Wild Bill Elliott’s Screen-worn Tunic from Frontiers of ‘49. Wild Bill

Elliott’s screen-worn tunic from his leading role as Maj. John Freeman in the 1939 film Frontiers of ‘49. The beige Western-style tunic features brown leather accent stitching around the collar and two chest pockets, and is decorated with fringe on the sleeves and shoulders. A strap at the bottom is designed to keep the tunic tucked in, which bears a United Costumers, Inc. label with the name struck through, stamped as “No. 4793, L. 42.” Elliott wore this style tunic for all his Columbia films, but this one can be traced to this film due to it having two pockets. In fine condition, with light staining to sleeves. A fantastic screen-worn piece from the rugged Western hero. Starting Bid $200

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James Garner ’s screen-worn shirt from his leading role as gunfighter Jason McCullough in the 1969 Western comedy Support Your Local Sheriff! The white corduroy long-sleeved shirt features a single breast pocket and six pearloid buttons for closure. A Western Costume Co. tag is sewn in the collar, marked “Marcus,” and filled out in type: “Name: James Garner #1, Chest: 44 1/2, Sleeve: 34, Collar: 16 1/2.” Also bears a red Western Costume Co. ink stamp inside along the rear hem. In fine condition. Starting Bid $200

7087. Gabby H a ye s S i g n e d Photograph. Pop-

ular American radio, film, and television actor (1885–1969) who is best remembered for his roles in Western films as the colorful sidekick to the leading man. Vintage glossy 3.5 x 5.5 British postcard photo of Hayes in costume, signed in fountain pen, “’Gabby’ Hayes.” In fine condition. Starting Bid $200

7 0 8 8 . Ja m e s Ke a c h’ s Screen-worn Jacket from The Long Riders. James

Keach’s screen-worn coat from his role as Jesse James in the 1980 outlaw Western film The Long Riders. The long black wool coat features two faux flap pockets on the front and three black buttons for closure. The interior is lined in black satin, with a Western Costume Co. tag sewn inside the right breast pocket, filled out in type: “No. 2602-1 (Large), Name: James Keach, Chest: 41 1/2, Sleeve: 17.” In fine condition. Starting Bid $200

7089. Jock Mahoney’s Screen-worn Coat from Yancy Derringer. Jock

Mahoney’s screenworn coat from his title role in the 1958–1959 CBS Western television series Yancy Derringer. The light gray jacket lacks buttons and features two slit pockets on the front. The interior is lined in mauve satin, with a Western Costume Co. tag sewn inside the left breast pocket, filled out in type: “No. 2972-1, Name: Jock Mahoney, Chest: 43 1/2.” In fine condition. The 34-episode series starred Mahoney as Yancy Derringer, an ex-Confederate soldierturned-gambler recruited to work as a secret agent in New Orleans. Starting Bid $200

7090. Jock Mahoney’s Screen-worn Long Coat from Yancy Derringer.

J o c k M a h o n e y ’s screen-worn long coat from his title role in the second half of the 1958–1959 CBS Western television series Yancy Derringer. The light gray coat features two flap pockets on the front, a single button for closure, and two-tone lapels. The interior is lined in light pink satin, with a Western Costume Co. tag sewn inside the right breast pocket, filled out in type: “No. 2401-1, Name: Jock Mahoney, Chest: 43.” In fine condition, with a few stains to the lining and some fading to sleeves and collar. The 34-episode series starred Mahoney as Yancy Derringer, an ex-Confederate soldierturned-gambler recruited to work as a secret agent in New Orleans. Starting Bid $200

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7091. Mike Mazurki’s Screen-worn Coat from Dakota. Mike Mazurki’s

screen-worn coat from his role as ‘Bigtree’ Collins in the 1945 Republic Pictures Western film Dakota, which starred John Wayne as John Devlin. The long tweed coat has a faint goldenrod-and-blue line pattern and features two flap pockets on the front, along with three white-and-brown buttons for closure. The interior is lined with two-tone brown and burnt umber satin, and a Western Costume Co. tag is sewn inside the right inner breast pocket, annotated in black ink: “Name: M. Mazurki, Chest: 46.” In fine condition. A desirable screen-worn coat from a classic John Wayne Western. Starting Bid $200

7092. John McIntire’s Screen-worn Shirt from Wagon Train. John McIntire’s screenworn shirt from his role as Christopher Hale in the 1963–64 season of Wagon Train, the Western television series’ only full season in color. The brown long-sleeved shirt features two flap pockets on the chest and a horizontal band of yellow piping, and has a Western Costume Co. tag sewn in the collar, filled out in type: “No. 2724-3, Name: John McIntyre [sic], Chest: 44, Sleeve: 35.” In fine condition. Starting Bid $200

7093. Paramount Pictures Stembridge Ammo Boxes.

Two different empty ammunition boxes for flash powder blanks from Stembridge Gun Rentals at Paramount Studios, the main armory for Hollywood founded in 1919. The larger box, labeled as a “1/2 Load” of 25 20-gauge shells, measures 4˝ x 4˝ x 2.5˝, and is marked with a 1970 date code (“1270”). The smaller box, labeled as a “1/4 Load” of 5-in-1 blanks, measures 4.75˝ x 2.25˝ x 1.75˝, and is marked with a 1982 date code (“Jan 82”). Both bear 1950s-era Paramount labels despite their later date codes. The 1970 box could easily have been used at Old Tucson Studios for Bonanza or High Chaparral. In fine condition. Starting Bid $200

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Worn by Gilbert Roland in his last cinematic role 7094. Gilbert Roland’s Screenworn Jacket from Barbarosa. Gil-

bert Roland’s screen-worn jacket from his role as Don Braulio Zavala in the 1982 Western film Barbarosa, which was the final film role of Roland’s long and prolific career. The dark brown wool jacket features a soft suede brown collar, two faux front flap pockets, and three black-and-white buttons for closure. The interior is lined in dark brown satin, and a Western Costume Co. tag is sewn inside the right breast pocket, filled out in type: “No. 2031-2, Name: Gilbert Roland, Chest: 40, Sleeve: 16 1/2.” In fine condition. Starting Bid $200

7095. James Stewart and Marlene Dietrich Signed Photograph. Glossy 10

x 8 photo of Marlene Dietrich, James Stewart, and Brian Donlevy during a scene from the 1939 Western film Destry Rides Again, signed in black felt tip by Stewart and in blue felt tip by Dietrich. In fine condition, with a few light surface creases. Starting Bid $200

7096. James Stewart Signed Photograph. Ex-

cellent matte-finish 11 x 14 silver gelatin photo of Stewart and his wife, Gloria Hatrick McLean, relaxing on the set of the 1957 Western film Night Passage, signed in black felt tip, “James Stewart,” and by his wife, “Gloria.” Reverse bears a Modern Screen Photograph stamp with pencil notations. In fine condition, with light creasing to the edges and sides. Photographs signed by both Stewart and McLean—a couple that shared 44 years of marriage—remain quite scarce, with this candid on-set image all the more desirable. Starting Bid $200

7097. Jack Warden’s Screenworn Coat from Billy Two Hats.

J a c k Wa r d e n ’s screen-worn coat from his role as Sheriff Henry Gifford in the 1974 Western film Billy Two Hats. The simple charcoalcolored coat features two black buttons on the front for closure, with two smaller black buttons on each cuff. The interior is lined with matching dark gray satin, and a Western Costume Co. tag is sewn inside the right breast pocket, filled out in type: “No. 2897-1, Name: Jack Warden, Chest: 45, Sleeve: 16 1/2.” In fine condition, with wear along edges of the lapels. Starting Bid $200

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7098. John Wayne Signed Photograph. Matte-finish

7.5 x 9.5 photo of Wayne as he appeared in one of his later Western films, signed and inscribed in black felt tip, “Bill, Stay happier than I look in this picture, John Wayne, 1978.” Double-matted and framed to an overall size of 12.5 x 15.5. In fine condition. The original recipient of the photo, Bill Kelly, was a prolific journalist and author who conducted an interview with Wayne on November 28, 1978; the interview was the last movie legend ever gave, as Wayne died on June 11 of the following year. The interview, conducted at the actor’s home, was published in South Bay magazine in July 1981 and in Kelly’s book/CD Empty Saddles. Accompanied by several pieces of documentation, including a copy of the interview as published in the magazine, a CD copy of Empty Saddles, and 23 color reprints of photos taken at Wayne’s home on the day of the interview. Starting Bid $200

7099. John Wayne Signed Photograph. Glossy 9.75

x 7.75 Paramount Pictures publicity photo of Wayne as Sean Mercer in a scene from the 1962 adventure film Hatari!, signed and inscribed in black felt tip, “Stephen—Probably the most fun in my life, John Wayne.” Triple-matted and framed to an overall size of 17.5 x 16. In very good to fine condition, with scattered light creasing. Starting Bid $200

7100. John Wayne Signed Photograph.

Fantastic matte-finish 7.25 x 9.25 photo of Wayne as Wil Andersen in the 1972 Western film The Cowboys, boldly signed and inscribed in black felt tip, “Katie—Good Luck, John Wayne, 1974.” In very good to fine condition, with trimmed edges and some light creasing. Starting Bid $200

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7101. John Wayne S i g n e d Ph o t o graph. Unique vin-

tage glossy 3.5 x 5.75 candid photo of Wayne in his street clothes, suited up and wearing a fedora, prominently signed in fountain pen, “John Wayne.” In fine condition. Starting Bid $200

The Duke requests a “raincheck” for two beauty pageants 7102. John W a y n e Typed Letter Signed.

TLS, one page, 6 x 8, personal letterhead, April 5, 1976. Letter to Cindy Adams, in part: “Nothing would please me more than to be able to give you an affirmative answer for both of the beauty pageants, but I have already committed to be in Arizona on May 14 and in New Orleans on July 4. Therefore, I must send my regrets. Perhaps if next year’s contestants feel the same, you could give me a raincheck.” In fine condition. Accompanied by the original mailing envelope and a full letter of authenticity from PSA/ DNA. Starting Bid $200

John Wayne’s vest from his California Gold Rush classic 7103. John Wayne’s Screen-worn Vest from In Old California. John

Wayne’s screen-worn vest from his role as Tom Craig in the 1942 gold rush Western film In Old California. The cream-colored vest features four golden buttons down the front, and has a Western Costume Co. tag sewn in the back, annotated in ink: “No. 1, Name: John Wayne, Chest 46 1/2.” The vest was later shortened at the bottom, presumably so that it could be worn by a smaller actor. While Wayne is not seen wearing a four-button vest in the film, he is seen in a pre-shortened vest in this style, and the label matches those from In Old California. In very good condition, with fraying and repairs at shoulders. Starting Bid $200

Celebrating the Western legend, photo archive with Wayne, Cooper, Mix, and many more 7104. Collection of (4) Original Vintage Western Hollywood Photo Albums.

Fantastic assortment of four vintage photo albums containing hundreds of photographs and images from early Western films, including original stills, promo cards, and second-generation prints, as well as sundry images clipped from genre books, magazines, newspapers, and programs. The largest of the albums, 12˝ x 14.5˝ x 2.75˝, celebrates entirely the incredible film career of John Wayne, with images portraying the ‘Duke’ as a handsome young actor in his earliest starring roles and then as the larger-than-life grizzled veteran from classic films like The Searchers and True Grit. The smallest of the albums, 10˝ x 12˝ x .75˝, focuses exclusively on the career of dashing early Western star Buck Jones, which details his career through numerous clipped program and newspaper photos. The remaining two albums include a great variety of wonderful early images of many famous Western movie stars, including: John Wayne, Elvis Presley, Clint Eastwood, Paul Newman, Kirk Douglas, Gregory Peck, Henry Fonda, Peter Fonda, Audie Murphy, James Garner, Gary Cooper, Clayton Moore, Lon Chaney, Jr., Randolph Scott, Hoot Gibson, Buck Jones, Buster Crabbe, Tom Mix, Gabby Hayes, Ben Johnson, Fred MacMurray, Jock Mahoney, Omar Sharif, Yul Brynner, Alan Ladd, Burt Lancaster, Billy Anderson, William Boyd, Tim Holt, Johnny Mack Brown, Sunset Carson, William Elliott, George O’Brien, Buddy Roosevelt, Rex Bell, Bob Allen, Tom Keene, Tom Tyler, Russell Hayden, Hopalong Cassidy, Sunset Carson, Jack Hoxie, Art Acord, Buzz Barton, Ted Wells, Jack Holt, Richard Arlen, Ben Corbett, Jack Perrin, Wally Wales, Bob Custer, Buddy Roosevelt, Yakima Canutt, Tom Santschi, Cullen Landis, Bill Cody, Bob Reeves, Wally West, Neal Hart, Harry Carey, William Desmond, Franklyn Farnum, Pete Morrison, William Fairbanks, Leo Maloney, Don Coleman, Ruth Mix, Fred Humes, Edmund Cobb, Lane Chandler, Al Hoxie, Art Mix, Buffalo Bill, Jr., Kermit Maynard, William Russell, J. Warren Kerrigan, Reb Russell, Jack Luden, William Duncan, Wallace McDonald, George Houston, Tex Harding, Jim Bannon, David Sharpe, Kirby Grant, Lee Powell, Wallace MacDonald, Bob Steele, and others. In overall very good to fine condition. Devotedly and painstakingly assembled, these four albums represent a simply outstanding visual history on the Old West heroes and heroines that dominated movie theater marquees for decades. Starting Bid $200

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7105. Western Hollywood Vintage Original Photo Album. Impressive vintage

leatherbound photo album with ornate gilt-stamped covers, measuring 10˝ x 12.25˝ x 4.25˝, containing over 500 photographs from early Western films, including original stills, promo cards, and second-generation prints, as well as various images clipped from books, magazines, and programs. Actors seen in the album include John Wayne, Clint Eastwood, Peter Fonda, Gary Cooper, Dustin Hoffman, Charlton Heston, William S. Hart, Pedro Armendáriz, Tom Mix, Buck Jones, Pete Morrison, Richard Dix, Warner Baxter, Ken Maynard, Hoot Gibson, Will Rogers, Jack Holt, Wally Wales, Rex Bell, Tim McCoy, Raymond Hatton, Fred Thomson, Ruth Roland, Bob Steele, Al Jennings, Tom Tyler, Yakima Canutt, George O’Brien, Joe Bonomo, William Duncan, Harry Carey, Art Acord, William Farnum, J. Warren Kerrigan, Douglas Fairbanks, Sr., Roy Stewart, Ted Wells, Bill Patton, Dick Hatton, Jack Hoxie, Neal Hart, Jack Perrin, Fred Humes, Roy Hughes, Billy Sullivan, Newton House, Buddy Roosevelt, Ashton Dearholt, Denver Dixon, Ruth Mix, Bill Cody, Tom Keene, Reb Russell, Bob Allen, Leo Carrillo, Allan Lang, Johnny Mack Brown, Lash LaRue, Sunset Carson, Montie Montana, and many more. Many of the photographs are annotated in an unknown hand to identify the actors and years of the films, which range from the early 1920s to 1970. In very good to fine condition. Starting Bid $200

7106. Western Hollywood Vintage Original Photo Album. Thick vintage leatherbound photo album with ornate gilt-stamped covers, measuring 10.5˝ x 12.5˝ x 3.75˝,

containing approximately 240 glossy photographs, mostly 8 x 10 and 10 x 8, including original stills and second-generation prints from Western films. Actors seen in the album include Hoot Gibson, Harry Carey, William Farnum, Douglas Fairbanks, William Desmond, Bill Patton, Neal Hart, Frank Church, Tom Mix, Buck Jones, Leo Maloney, Pete Morrison, Dick Hatton, J. Warren Kerrigan, Jack Hoxie, Jack Holt, Buddy Roosevelt, Fred Thomson, Jack Perrin, Yakima Canutt, Richard Six, Art Acord, Ted Wells, Tim McCoy, Ken Maynard, Jack Luden, Buffalo Bill, Jr., Tom Tyler, Bob Steele, Snowy Baker, Buzz Barton, Fred Humes, Bob Custer, Wally Wales, John Wayne, Gary Cooper, Randolph Scott, Rex Bell, George O’Brien, and others. Many of the photographs are annotated in an unknown hand to identify the actors and years of the films, which range from 1916 to 1939. In very good to fine condition. Starting Bid $200

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7107. Western Hollywood Vintage Original Photo Album. Massive vintage photo album custom-bound in soft brown leather, measuring 10˝ x 12.25˝ x 4.25˝, containing approximately 600 photographs from early Western films, including original stills, promo cards, and second-generation prints, as well as various images clipped from books, magazines, and programs. Actors seen in the album include John Wayne, Steve McQueen, James Stewart, Clint Eastwood, Gary Cooper, James Garner, Lee Van Cleef, Robert Mitchum, Kirk Douglas, Henry Fonda, Burt Lancaster, Randolph Scott, Audie Murphy, Rory Calhoun, George Montgomery, Roy Rogers, Gabby Hayes, Wild Bill Elliott, Sunset Carson, William Boyd, Tom Mix, Bill Patton, Johnny Mack Brown, Anne Baxter, Jennifer Holt, Ellen Drew, Gene Autry, Gail Davis, Virginia Grey, Will Rogers, Jack Holt, Fred MacMurray, James Arness, Ken Maynard, Richard Dix, Tom Tyler, George O’Brien, Rex Bell, Jack Randall, Bob Baker, Bill Cody, Buzz Barton, Buddy Roosevelt, Ted Wells, Fred Church, Jack Perrin, Tom Keene, Bob Steele, Pete Morrison, Leo Maloney, Jack Hoxie, Roy Stewart, Tim McCoy, Hoot Gibson, Fred Thomson, Buck Jones, and many more. Many of the photographs are annotated in an unknown hand to identify the actors. In very good to fine condition. Starting Bid $200

7108. Western Hollywood Vintage Original Photo Album of William S. Hart. Thick vintage screw-bound photo album with wooden covers featuring decorative latches and borders and a full-length pasted image of Western silent film legend William S. Hart, measuring 11.25˝ x 14˝ x 2˝, containing over 300 images dedicated to the prolific film career of Hart and consisting almost entirely of movie scenes clipped from books, magazines, and programs showing the stoic actor as he shoots pistols, ends bar fights, leads wagon trains, romances leading ladies, and horses around with his brown and white pinto Fritz, replete with his trademark intensity and unflinching glare. The opening page of the album features a handwritten list of Hart’s many films between the years 1914 and 1925, and many of the photographs are annotated in an unknown hand to identify the actors, locations, and years of the images, which range from 1905 to 1938. In very good to fine condition. Starting Bid $200

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7109. Western Legends Signed Book. Signed book: Legends. Limited edition, numbered 226/250. Reno, Nevada: Jack Bacon and Company, 2006. Clothbound hardcover with slipcase, 9.25 x 9.75. Signed on their respective pages in blue felt tip by over 40 Western stars, including: James Arness, Eddy Arnold, Irene Bedard, Powers Boothe, Brooks and Dunn, Red Buttons, Harry Carey, Jr., Roy Clark, Lacy J. Dalton, Charlie Daniels, Jack Elam, Sam Elliott, Rhonda Fleming, Lou Glanzman, Lee Greenwood, Monte Hale, Emmylou Harris, Harry Jackson, Adam Jahiel, Stuart Kaminski, Thomas ‘Doc’ Kaminski, Frankie Laine, Trini Lopez, Barbara Mandrell, Kevin McCarthy, The Oak Ridge Boys, Hugh O’Brian, Riders in the Sky, Julie Ritter, Dale Robertson, Mickey Rooney, The Statler Brothers, Mel Tillis, Randy Travis, Eli Wallach, Dennis Weaver, and Adam West. In very fine condition. Accompanied by a certificate of authenticity from the publisher. Starting Bid $200

7110. Bill Williams’s Screen-worn Jacket from The Alamo. Bill Wil-

liams’s screen-worn coat from his uncredited role as a Tennessean in the 1960 epic war film The Alamo. The red military uniform coat features a blue collar, gray chest panel, gray-and-white padded shoulders, and white piping chevrons on the cuffs, with seven mirror-finish buttons on the front. The interior is lined in gray satin and white cotton, with a Western Costume Co. label sewn into the back, filled out in ink and type: “No. 2101-2, Name: Bill Williams, Chest: 42.” In fine condition. Williams was a horse rider and Hollywood stuntman who appeared in several Westerns from the late 1940s through mid-1960s; he was killed while performing a routine stunt with a colleague during The Hallelujah Trail (1965), when he was accidentally crushed by the wheels of a wagon. Starting Bid $200

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CLASSIC HOLLYWOOD Oversized Richee portrait inscribed by Arthur to her grandmother, using her given name 7111. Jean Arthur Signed Photograph. Vintage sepia matte-

finish 14 x 11 photo of the young Jean Arthur posing with a Saint Bernard, neatly signed and inscribed in fountain pen using her given name, “To my Grandmother, With a very great admiration and much love, Gladys.” Blindstamped in the lower right corner by noted Paramount photographer Eugene Robert Richee. In very good to fine condition, with small defects to the borders, including some loss to the top edge, all easily matted out. Born Gladys Georgianna Greene, the actress took on the name ‘Jean Arthur’ after being discovered by Fox Film Studios while she was doing commercial modeling in New York City in the early 1920s. A remarkable oversized portrait of the charming comedienne. Starting Bid $200

Rare pairing of Jake and Elwood Blues 7112. Blues B ro t h er s : B e lushi and Aykroyd Signatures. Very

desirable pair of signatures from the stars of the 1980 musical comedy The Blues Brothers, signed and inscribed on individual offwhite 5 x 3 cards in blue ink, “To Joe, John Belushi” and “To Joe, Greetings, Dan Aykroyd.” In overall very fine condition. Signatures from both Belushi and Aykroyd are rarely offered together, making this a must-have for fans of the blues, cinema, or classic Saturday Night Live. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7113. Humphrey Bogart Document Signed. DS,

one page, 8.5 x 11, March 25, 1949. Agreement between Humphrey Bogart and Warner Bros. in which the former approves Stuart Heisler as the director of the film Chain Lightning. Signed at the conclusion by Bogart. In fine condition. The 1950 aviation film featured Bogart as an ex-bomber pilot turned freelance daredevil; it was one of the actor’s final films with Warner Bros. Starting Bid $300

7114. Humphrey Bogart Signature. Vintage

fountain pen signature, “Humphrey Bogart,” on a light blue 4.75 x 2.75 album page, with notation below dating the signature to April 19, 1951. In fine condition, with a light block of toning from prior display. Accompanied by a large unsigned portrait of Bogart. Starting Bid $200

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7115. Marlon Brando Signature. Vin-

tage fountain pen signature and inscription, “To John, Marlon Brando,” on an off-white 6.5 x 4.25 album page. In fine condition, with a faint block of toning from prior display. Accompanied by an unsigned glossy photo of Brando as Johnny Strabler from the 1953 film The Wild One. Starting Bid $200

7116. Louise Brooks Signature. Legendary

screen actress of the silent era (1906-1985) whose brief but successful career ended with her retirement from show business in 1931. Scarce and bold Ink signature, “Louise Brooks, 25/7/70,” on an off-white 5 x 3 card. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7117. Luis Bunuel Autograph Letter Signed. Highly influ-

ential Spanish-born filmmaker (1900–1983) remembered for making surrealism irresistible by mixing it with deft filmmaking techniques and suave direction of action. His Un Chien Andalou (1928) remains an icon of avant-garde cinema. Though he remained controversial for the duration of his career, he attained a measure of Hollywood respectability with Academy Award nominations for his screenplays for The Discreet Charm of the Bourgeoisie (1972) and That Obscure Object of Desire (1977). ALS in French, signed “L. Bunuel,” one page, 5.5 x 3.5, August 17, 1932. Letter to Norah and Georges [Auric], in full (translated): “After spending some time in the mountains I stopped for a few days in San Sebastian intending to go to Madrid soon. And you, are you in Paris? I think not, but I don’t know your address. I hope this postcard will be forwarded to you. If you have time, I would be very happy to have your news. As for me, there is very little: I am still waiting for a call from the USSR. The day before yesterday I gave my script to Braumberger who seems very disposed to produce it and delighted…except that he needs to find money, which is an extremely easy thing to do these days. In any case, there will be no music, Georges, no Wagner, rest assured. No news from friends, except from Marie-Laure and Charles.” In fine condition. Starting Bid $200

Original oil painting by James Cagney for Jack Webb’s birthday—an artistic gift from Hollywood’s legendary gangster to TV’s great detective 7118. James Cagney Original Painting with Poem Gifted to Jack Webb. Original

painting by Oscar-winning actor James Cagney, done as a birthday gift for fellow actor Jack Webb, accomplished in oil on a 7.25 x 13.25 board, signed in the lower left in white paint, “J. Cagney.” The lively Impressionist-style artwork shows a bouquet of bursting red flowers against a streaky mustard-colored background. Displayed in its original 11 x 17.25 frame, with an autograph poem on the backing in black felt tip, signed “Jim C.” Cagney pens a poem entitled “A Birthday Jingle,” in full: “For Jack, upon his natal day, / A deserved pallette knife bouquet / For his devotion to one unhappy land / Means more to him than trees & sand / or movies shown on Channel Seven / For all its faults to him it’s Heaven.” In very good to fine condition, with tears and crude tape repairs to the damaged backing. Accompanied by a letter of provenance from 1990, stating: “I purchased this painting in 1988 from Mrs. Jack Webb, at an estate sale, at her daughter’s home in Santa Monica, Calif. It was painted exclusively for Jack Webb by James Cagney, as a birthday gift.” Cagney earned his fame as one of Hollywood’s most distinctive tough guys, playing gangsters in classics like The Public Enemy (1931), Taxi! (1932), Angels with Dirty Faces (1938), and White Heat (1949). Webb, on the other hand, is remembered for his role as the straight-laced detective Sgt. Joe Friday in the the Dragnet franchise. A unique piece of original artwork painted by one noteworthy actor for another. Starting Bid $200

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From James Dean’s fifth-grade notebook 7119. James Dean Handwritten Calendar. Handwrit-

ten schoolwork in ink, one page, 4.25 x 4.5, removed from James Dean’s 5th grade notebook. The sheet consists of an unfilled chart headed with the days of the week, “Sat, Sun, Mon, tue, Wed, thur, Fir,” with the reverse bearing another student’s schoolwork about Lewis and Clark. In fine condition. Encapsulated in a Beckett/JSA authentication holder. Starting Bid $200

7120. Marlene Dietrich Signed Photograph. Brilliant

vintage matte-finish 10.25 x 13.25 reclined half-length portrait of Dietrich in a polka-dot dress, attractively signed and inscribed in white ink to acclaimed stage and screen actor Clifton Webb. In fine condition, with a small indention to lower right. Starting Bid $200

7122. Easy Rider Signed Poster. Mod-

ern color 27 x 40 reproduction of the one-sheet movie poster for the classic 1969 motorcycle film E a s y R i d e r, signed in blue felt tip by Peter Fonda and Dennis Hopper. In fine condition. Originally obtained by inperson specialist Mike Wehrmann. Starting Bid $200

7123. W. C. Fields Signed Photograph.

Fantastic vintage mattefinish 8 x 10 photo of Fields in a doublebreasted suit with a cane over his shoulder, vertically signed and inscribed in fountain pen, “To Anna Platt, Jr., from her sweet heart, Bill Fields.” Reverse bears a “1934” date notation in pencil. In fine condition, with a crease to the lower right corner. Starting Bid $200

7121. Easy Rider Signed Album. Easy Rider soundtrack album signed on the front cover in blue felt tip by Peter Fonda, Dennis Hopper, and Jack Nicholson. In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

7124. Greta Garbo Signed Check. Chase Manhattan

Bank check, 6 x 2.75, filled out in type and signed boldly by Garbo, payable to D. G.–H. & J., Inc. for $968.90, October 1, 1973. In fine condition. From the estate of Greta Garbo. Starting Bid $200

Hollywood | May 23, 2019 45

7 1 2 5 . Ju d y Garland S i g n a t u re .

Vintage green fountain pen signature and inscription, “To Joe, Judy Garland,” on an off-white 5 x 3 card bearing a small affixed image of the actress. Notation on the reverse dates the signature to January 3, 1961. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7126. Judy Garland Signed Check. Bankers Trust

Company check, 6.5 x 2.75, filled out in another hand and signed by Judy Garland, payable to Israel Rappaport for $200, April 1, 1952. In fine condition. Dr. Israel Rappaport was the uncle of Garland’s third husband, businessman Sidney Luft. Starting Bid $200

Brando, Cazale, De Niro, and seven other stars from The Godfather series 7127. The Godfather Signature Collection.

Highly sought-after collection of vintage signatures from 10 actors and actresses from the Oscar-winning crime series The Godfather, each accomplished in ink or fountain pen on individual off-white 5 x 3 cards, with signers including: Marlon Brando, Robert De Niro, Robert Duvall, Diane Keaton, Talia Shire, John Cazale, Richard Castellano, James Caan, Abe Vigoda, and Richard Conte. With the exception of the Brando, all of the cards are inscribed to “Joe,” and four cards have small affixed images of the respective signer. In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Highlighted by the presence of Brando, De Niro, and the elusive Cazale, this is a fabulous collection of crisp, clean autographs from many of The Godfather’s biggest names. Starting Bid $300

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Deluxe-bound Gone With the Wind shooting script presented to Leslie Howard by David O. Selznick—“with the fond (but probably futile) hope that he’ll finally read it!” 7128. Leslie Howard’s Gone With the Wind Final Shooting Script Inscribed by David O. Selznick. Final shooting

script for the classic 1939 Selznick International film Gone With the Wind, richly custom-bound in full maroon morocco by producer David O. Selznick and presented to actor Leslie Howard as a Christmas gift following the release of the movie. The front cover and spine are beautifully gilt-stamped, “Gone With the Wind, Screen Play,” with the recipient’s name stamped at the bottom right of the front cover, “Leslie Howard.” Perfectly signed and inscribed on the first free end page in fountain pen, “For Leslie—with the fond (but probably futile) hope that he’ll finally read it! David S., Xmas, 1939.” The volume totals 273 pages with gilt top edges, comprising the 256-page script, original yellow Selznick International wrappers, actor and staff credit pages, endpapers, and eight pages with affixed glossy stills from the film bound in. In fine condition, with light cover wear. Accompanied by a custom-made clamshell case, as well as a photocopy of an article that appeared in the Winter 2014 issue of Fine Books & Collections, which depicts this script and discusses Selznick’s Gone With the Wind presentation scripts in great detail. When Gone With the Wind finished filming, and indeed as each person finished their respective employment as production progressed, David O. Selznick collected and destroyed the shooting scripts for reasons of secrecy. Following the film’s Atlanta premiere on December 15, 1939—just in time for Christmas—Selznick personally inscribed and signed specially bound copies of the final GWTW shooting script and presented them to a certain number of cast, crew, and associates. His pithy and perfectly in-context inscriptions in these prized scripts add an exceptional dimension—in this instance he refers to the fact that Leslie Howard apparently never read Margaret Mitchell’s book or the full script, learning only the lines necessary for his portrayal of the weak-willed Ashley Wilkes. Howard did not want the role, but was persuaded by Selznick to take it when he was also offered the Associate Producer position on Intermezzo in which he starred with Ingrid Bergman, shooting some of that film at the same time as GWTW. Howard also received the highest rate of any of the GWTW stars at $7,500 per week. It was Howard’s last American film, and he was the only actor not to attend the Atlanta premiere (director Victor Fleming did not either, due to a falling out with Selznick). Howard instead returned to Britain to help with the effort in World War II, and he was killed when his plane was shot down during a diplomatic mission in 1943. While most of these scripts were specially bound in maroon cloth and leather, a select handful of recipients—including stars Clark Gable, Vivien Leigh, Leslie Howard, and Olivia de Havilland—received deluxe full leather bindings. The script presented to Olivia de Havilland appeared at auction in 1997, where it achieved a $40,250 result; a year earlier, Clark Gable’s deluxe script achieved the remarkable price of $244,500. An exceptional, one-of-a-kind star script from one of Hollywood’s iconic films, which celebrates its 80th anniversary this year. Starting Bid $5000

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7132. Audrey Hepburn Signature. Vintage blue

7129. Gone With the Wind: Vivien Leigh Signature.

Vintage fountain pen signature, “Good luck to you, from Vivien Leigh, 1941,” on a pink 4.5 x 3.75 album page. Cornermounted to a cardstock sheet along with a portrait of Leigh as Scarlett O’Hara in her classic role in Gone With the Wind. In fine condition, with an old tape stain along the left edge. Starting Bid $200

fountain pen signature, “Audrey Hepburn,” on an off-white 5 x 3 card bearing a small affixed image of the actress. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7130. Gone With the Wind: Hattie McDaniel Signature. Actress

(1895–1952) who earned a place in Hollywood history as the first AfricanAmerican performer to win an Academy Award for her memorable turn as Mammy in Gone with the Wind. Sought-after vintage fountain pen signature and inscription, “My Very Best Wishes To William Shaffer, From Hattie McDaniel, 9/20/40,” on a yellow 5 x 3.5 album page, affixed to a slightly larger album page. Corner-mounted to a cardstock sheet along with a portrait of McDaniel in her iconic role. In fine condition, with scattered light creasing. McDaniel had become the first African-American to win an Oscar just six months and twenty-two days before signing this autograph—the Academy Awards took place on February 29, 1940, at the Coconut Grove Restaurant of the Ambassador Hotel in Los Angeles. Starting Bid $200

7131. Audrey Hepburn Signature. Vintage green

ink signature, “Audrey Hepburn,” on a light pink 6 x 4.5 album page. In fine condition. Starting Bid $200

48 www.RRAuction.com | (603) 732-4280

7133. Alfred Hitchcock Original Sketch.

Original sketch by Alfred Hitchcock of his unmistakable self-portrait profile, accomplished in fountain pen on an off-white 5 x 3 card, signed and inscribed, “To Joe, from, Alfred Hitchcock.” Upper right corner bears a small affixed image of the director, and notation on the reverse dates the signature to December 19, 1961. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7134. Alfred Hitchcock Typed Letter Signed. TLS,

one page, 6.25 x 9, personal letterhead, January 19, 1960. Letter to Bo Ohlsson, in full: “Thank you very much for your most considerate letter. In accordance with your request, I am enclosing an autographed picture.” In fine condition, with moderate scattered creases and central vertical and horizontal folds. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $200

From Walt Disney and Grace Kelly to Emma Watson and Daniel Radcliffe—over 20,000 signatures spanning fifty years of cinema 7135. Hollywood Autograph Collection. Amazing collec-

tion of approximately 20,000 ink signatures on individual 5 x 3 cards, most inscribed to “Joe,” originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Spanning five decades of entertainment, these signatures primarily consist of actors and actresses, but also include some filmmakers, musicians, and other figures of note. Represented here are everyone from the obscure, journeymen actors of Hollywood’s golden age to early examples of today’s stars of cinema. The earlier cards tend to have small affixed portraits, and some have the date that they were acquired recorded on the reverse. In terms of scope, quantity, and condition, this is the finest in-person collection we have handled in over thirty years. In very fine overall condition. View additional names and images online at www.RRAuction.com. Hollywood: Josephine Baker, Lucille Ball, Ingmar Bergman, Ingrid Bergman, Louise Brooks, Luis Bunuel, Richard Burton, John Carradine, Ted Cassidy, Gary Cooper, George Cukor, Linda Darnell, Brandon deWilde, Walt Disney, Divine, Diana Dors, Pete Duel, Michael Dunn, Frances Farmer, Marty Feldman, Federico Fellini, Peter Finch, Betty Grable, Hugh Griffith, Edmund Gwenn, Gabby Hayes, Susan Hayward, Jim Henson, Jon-Erik Hexum, Judy Holliday, Darla Hood, Anissa Jones, Jennifer Jones, Andy Kaufman, Grace Kelly, Ernie Kovacs, Akira Kurosawa, Veronica Lake, Harold Lloyd, Peter Lorre, Zeppo Marx, Toshiro Mifune, Thomas Mitchell, Vic Morrow, Audie Murphy, Paul Newman, Barbara O’Neil, Warren Oates, Katina Paxinou, Ed Platt, Freddie Prinze, Gilda Radner, Claude Rains, Basil Rathbone, Donna Reed, Christopher Reeve, Harold Sakata, Jean Seberg, Peter Sellers, Robert Shaw, Anna Nicole Smith, Barbra Streisand, Patrick Swayze, Spencer Tracy, Miyoshi Umeki, Guy Williams, Anna May Wong, and Natalie Wood. Early examples of modern stars: Cate Blanchett, Sandra Bullock, Bradley Cooper, Tom Cruise, Leonardo DiCaprio, Kirsten Dunst, Mel Gibson, Tom Hanks, Anne Hathaway, Philip Seymour Hoffman, Scarlett Johansson, Angelina Jolie, Daniel Day Lewis, Viggo Mortensen, Brittany Murphy, Eddie Murphy, Brad Pitt, Daniel Radcliffe, Eddie Redmayne, Meg Ryan, Quentin Tarentino, Charlize Theron, Paul Walker, Emma Watson, Kate Winslet, and Anton Yelchin. Music: Louis Armstrong, Bono, Jacques Brel, Cab Calloway, Johnny Cash, Harry Chapin, Nat King Cole, Bobby Darin, Dr. Dre, Duke Ellington, Cass Elliott, Ella Fitzgerald, Aretha Franklin, Alan Freed, Heavy D, Michael Hutchence, Mahalia Jackson, Elton John, Joni Mitchell, Rick Nelson, Yoko Ono, Tom Petty, Robert Plant, Lou Reed, Keith Richards, Nina Simone, Cat Stevens, Rod Stewart, Sting, Tom Waits, Dennis Wilson, and Neil Young. Others: Pearl Buck, Robert F. Kennedy, Stephen King, Rudolf Nureyev, Arthur Miller, Sugar Ray Robinson, and Tennessee Williams. Starting Bid $1000

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Amazing Who’s Who in Hollywood magazines signed by 500+, highlighted by Marilyn Monroe, Humphrey Bogart, John Wayne, Marlon Brando, Judy Garland, and Elizabeth Taylor

7136. Who’s Who in Hollywood Autograph Books: 1952 and 1953. Extraordinary signed 1952 and 1953 editions of “Who’s Who in Hollywood,” published by Dell, totaling 200 pages, bound together in worn paperstock 8.5 x 10.75 wrappers, signed inside in ink by well over 500 actors and actresses, with highlights including: Marilyn Monroe, Humphrey Bogart, John Wayne, Elizabeth Taylor, Judy Garland, Grace Kelly, Montgomery Clift, Vivien Leigh and Marlon Brando, Dean Martin and Jerry Lewis, Bud Abbott and Lou Costello, Bette Davis, Gary Cooper, Joan Crawford, Marlene Dietrich, Errol Flynn, Hedy Lamarr, Ronald Reagan, Peter Lawford, Audie Murphy, Claude Rains, Rock Hudson, Groucho Marx, Lucille Ball, Harold Lloyd, Margaret Hamilton, Elsa Lanchester, Basil Rathbone, Boris Karloff, Peter Lorre, and Buster Keaton. The 1952 edition is far more comprehensively signed than the 1953 version, which is comparatively sparse. In overall very good to fine condition, with heavy wear to the homemade covers, and expected general handling wear and toning to interior pages; Brando’s signature exhibits poor contrast against the dark background. A unique assemblage of autographs featuring Hollywood’s premier legends of the silver screen, along with their supporting casts—a literal who’s who of cinematic icons. Complete list of signers is available online at www.RRAuction.com. Starting Bid $1000

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7137. Leslie Howard Signed Photograph. Attractive vintage

matte-finish 7 x 10 close-up photo of Howard in a jacket and tie, signed in fountain pen, “Sincerely, Leslie Howard.” In fine condition, with some mild rippling. Starting Bid $200

7138. Howard Hughes and Louis B. Mayer Document Signed. DS, signed “Howard R. Hughes” and “L. B. Mayer,” two pages, 8.5 x 11, March 13, 1933. Agreement regarding the sale of stock footage and equipment by Hughes’s Caddo Company to MGM, in part: “With reference to the film sold to you…we agree that…we will not sell or license the negative or positive print so retained by us…in any motion pictures produced by anyone other than The Caddo Company, Inc. or Hughes Products Co., Ltd. You, of course, shall have the right to use, sell, lease, license and/or otherwise deal in or with respect to all or any negatives, lavender prints and/or positives sold to you under the terms…With reference to the equipment and the film sold to you…Said equipment and said film and all rights in and to the same are hereby transferred to you, free from and claim, lien or encumbrance.” Signed at the conclusion in fountain pen by Hughes as president of The Caddo Company, and countersigned by Louis B. Mayer as vice president of MGM. In very good to fine condition, with some creases, several folds, and staple holes and file holes to the top edge. The Great Depression had sent Hughes and his Caddo Company into financial calamity, and he was ultimately forced to dissolve the company and sell off its assets. MGM took the opportunity to purchase aerial equipment and stock footage shot during the production of Hell’s Angels, which was integrated into the 1933 MGM releases of Today We Live and The White Sister. A fantastic document connecting two top movie moguls of Hollywood’s ‘Golden Age.’ Starting Bid $200

52 www.RRAuction.com | (603) 732-4280

Howard Hughes thanks Red Skelton for his “fine show” for oil drillers 7139. Howard Hughes Typed Letter Signed.

TLS, one page, 7.25 x 10.25, personal letterhead, October 17, 1947. Letter to Red Skelton, in full: “It was very generous of you to put on such a fine show for the American Association of Oil Well Drilling Contractors. I have heard from several sources what an enjoyable evening you gave them, and I know they will never forget it. The contractors all join me in my expression of deep appreciation to you.” In very good to fine condition, with light irregular overall toning. Starting Bid $200

7140. Grace Kelly Signature. Attrac-

tive vintage fountain pen signature, “Grace Kelly,” on an off-white 5 x 3 card. Notation on the reverse dates the signature to September 20, 1966. In very fine condition. An appealing and well-centered example. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7141. Charles Laughton Signed Photograph. Ex-

ceptional vintage glossy 10.75 x 13.5 head-andshoulders portrait of Charles Laughton with a pensive stare, signed and inscribed in black fountain pen. Blindstamped in the lower right by famed Hollywood photographer Otto Dyar. In fine condition, with a few scattered creases. Starting Bid $200

7144. Jayne Mansfield Signed Photograph. Lovely

vintage glossy 8 x 10 photo of Mansfield kneeling in a sultry full-length pose, signed in blue fountain pen, “Warmly, Jayne Mansfield.” In fine condition, with trimmed right edge. Accompanied by a variety of unsigned material from the ‘Official Jayne Mansfield Fan Club,” including: a ‘Magnificent Mansfield’ booklet with small glossy photos of the starlet, 10 glossy glamour photos, a welcome letter to the fan club, and a 1958 winter news bulletin. Starting Bid $200

7142. Bruce Lee Signature. Ideal vintage fountain pen signature and inscription, “To Joe, Best Wishes, Bruce Lee,” on an off-white 3 x 5 card, with a collector’s date notation to the reverse of June 23, 1967. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through 2000s. A boldly penned, pristine signature from the legendary kung fu master, signed after he came to prominence as Kato in The Green Hornet. Starting Bid $300

7145. Jayne Mansfield Signed Photograph. Vintage

glossy 8 x 10 photo of the blonde bombshell in a breathless closeup pose, signed and inscribed in fountain pen, “To Billy, My extra best! And save some California sunshine for me! Jayne Mansfield.” In fine condition, with three small binder dings along the left edge. Starting Bid $200

7143. Peter Lorre Signed Document. DS, one

page, 8.5 x 11, November 15, 1937. Document between Twentieth CenturyFox Film Corporation and Peter Lorre, in which the studio notifies him that they will exercise an option to extend the terms of his contract for another year. Signed at the conclusion in fountain pen by Lorre to acknowledge receipt of the notice, and countersigned by three studio officials. In fine condition. Starting Bid $200

7146. Dean Martin and Jerry Lewis Signed Photograph. Vintage glossy 8

x 10 photo Dean Martin as Al Crowthers and Jerry Lewis as Melvin Jones in the 1952 comedy Sailor Beware, signed in fountain pen by the tag-team comedy legends. In very good to fine condition, with some staining to the lower left edge, and staple holes to the top center above Martin’s head. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

Hollywood | May 23, 2019 53

First edition signed by Groucho, Zeppo, Gummo, and Harpo 7147. Marx Brothers Signed Book.

Signed book: The Marx Brothers by Kyle Crichton. First edition. Garden City, NY: Doubleday & Company, 1950. Hardcover with dust jacket, 5.75 x 8.5, 310 pages. Signed and inscribed on the title page in blue ballpoint under their cartoonish portraits, “Dear John—The one on top is Groucho— Regards—,” “Zeppo,” and “Gummo,” and signed in fountain pen, “Harpo.” Gummo also signs on behalf of his brother, “Chico.” Autographic condition: fine. Book condition: near fine to fine in a very good price-clipped dust jacket. A desirable book, quite scarce in this condition, signed by four members of the legendary comedy troupe. Starting Bid $200

Marx pitches for Dodge Motors

7149. Steve McQueen Signature. Vintage

fountain pen signature and inscription, “To Joe—from, Steve McQueen,” on an off-white 5 x 3 card. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7150. Lewis Milestone Signed Photograph.

Academy Award-winning director (1895–1980) known for Two Arabian Knights and All Quiet on the Western Front. Vintage matte-finish 6 x 8.75 portrait by J. Mandel of Paris, warmly signed and inscribed in fountain pen, “To ‘Soop,’ who always says nice things about me, Milly.” In fine condition, with a few areas of light silvering. Starting Bid $200

7148. Harpo Marx Signed Document. DS, one

page, 8.5 x 11, October 7, 1936. Advertising endorsement agreement by which Marx grants permission to use his name and photograph “with the following statement…containing favorable comment on a Dodge Motor Car…’The remarkable ease of operation, responsive power and true economy of my new Dodge gives me a driving satisfaction that I have never before known.’” Boldly signed at the conclusion in fountain pen. In fine condition. Starting Bid $200

54 www.RRAuction.com | (603) 732-4280

7151. Sal Mineo Signed Document. DS, two pages, 8.5 x 11, January 7, 1956. Agreement between MGM and Mineo, concerning reimbursement of living expenses in relation to “the rendition of your services for us in the role of ‘Romolo’ in our photoplay now entitled ‘Somebody Up There Likes Me.’” Signed at the conclusion in blue ballpoint by Mineo and countersigned in fountain pen by a Loew’s vice president. In fine condition. A desirable document connected to an Oscarwinning boxing film. Starting Bid $200

7152. Frank Morgan Signed Photograph.

Contract player at Metro-Goldwyn-Mayer (1980–1949) remembered for his celebrated performance as the title role in The Wizard of Oz. Fantastic vintage glossy 8 x 10 MGM promo photo of the great character actor, signed and inscribed in fountain pen, “To Eddie, Sincerely, Frank Morgan.” In very good to fine condition, with scattered light bends and creases. Starting Bid $200

7153. Audie Murphy Signed Photograph.

Vintage glossy 8 x 10 Universal Pictures publicity photo of Murphy in a dapper up-close pose, signed and inscribed in fountain pen, “Best wishes to Joe, Audie Murphy.” In fine condition, with some small surface impressions above Murphy’s head. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7154. Paul Newman and Robert Redford Group Lot. Two items: a DS, one page, 8.5 x 3.5, November 9, 1968, a report of taxes withheld at source from the state of California Income Tax Division, sent to Twentieth Century Fox Film Corporation, filled out and signed by Paul Newman; and a personal check, 6 x 2.75, filled out and signed by Robert Redford, payable to Tor Allan for $4,044, dated January 5, 1984. In overall fine condition. Starting Bid $200

Remarkable 1936 Romeo and Juliet script, signed by Rathbone, Shearer, Barrymore, and Thalberg 7155. Romeo and Juliet Cast-signed Script. Original brad-bound production-used script for the 1936 MGM film Romeo and Juliet, 93 pages, 8.5 x 11, November 13, 1935, signed on the front cover in fountain pen by numerous members of the cast and crew, including Norma Shearer (who adds, “as ‘Juliet’”), John Barrymore, Basil Rathbone, C. Aubrey Smith, Conway Tearle, Edna May Oliver, Ralph Forbes, Reginald Denny, Andy Devine, Violet Kemble Cooper, Henry Kolker, Maurice Murphy, Katherine DeMille, director George Cukor, screenwriter Talbot Jennings, producer Irving Thalberg, composer Herbert Stothart, art director Cedric Gibbons, and other crew members including Edwin B. Willis, Margaret Booth, Oliver Messel, Agnes de Mille, literary consultant William Strunk, Jr., William Daniels, and Douglas Shearer. In fine condition. When Romeo and Juliet was made its budget reached two million dollars, becoming MGM’s most expensive sound film up to that time. With a star-studded cast and lavish sets, the film received a mixed reception but earned four Academy Award nominations, all of which are represented here—Thalberg for best picture, Shearer for best actress, Rathbone for best supporting actor, and Gibbons for best art direction, although none of them ultimately took home the top prize. For the cinematic adaptation of arguably the most famous story ever told, this near-fully signed script is a treasure to behold. Starting Bid $200

Hollywood | May 23, 2019 55

Guest registry for the famed Davies wedding party of Johnnie Ray, signed by dozens of Hollywood elite 7156. Johnnie Ray Wedding Registry Signed by Hollywood Celebrities. Incredible

vintage leather-bound registry for the lavish wedding party of Johnnie Ray and Marilyn Morrison at the estate of actressturned-socialite Marion Davies on October 4, 1952, with front cover lined with ornate giltstamped borders and central cursive text reading: “Marion Davies, Introduces The Newlyweds, Marilyn and Johnnie Ray, Fourth of October 1952.” The registry measures 11.25 x 14.5 and is signed inside on the first 15 pages by well over 500 guests, which includes a dazzling assemblage of some of Hollywood’s brightest stars. Highlights include: Judy Garland, Gary Cooper, Joan Crawford, Lana Turner, Tony Curtis, Marion Davies, Lex Barker, Barbara Stanwyck, Edward G. Robinson, Cesar Romero, George Burns, Louella Parsons, Debbie Reynolds, Ricardo Montalban, Van Johnson, Ann Sothern, Nancy Sinatra, Dinah Shore, George Montgomery, Claire Trevor, Ann Miller, Danny Kaye, Jane Powell, Jack Benny, Fernando Lamas, Johnnie Ray, Clifton Webb, Robert Stack, Sid Luft, Nanette Fabray, Gower Champion, Kathryn Grayson, Danny Thomas, Cornel Wilde, Herbert Marshall, Rory Calhoun, William Bendix, Rhonda Fleming, David Wayne, Jerry Colonna, Ed Wynn, Audrey Totter, Jeanne Crain, Carl Laemmle, Jr., Patrice Wymore, Esther Williams, Tab Hunter, Hoagy Carmichael, James Mason, Joan Davis, Johnny Green, Keenan Wynn, Judy Canova, Broderick Crawford, Peggy Ann Garner, Denise Darcel, Edgar Bergen, Richard Conte, and many more. In fine condition, with light cover wear, and some loss to the head and foot of the spine. Davies welcomed rock pioneer Johnnie Ray and his new wife Marilyn Morrison to Hollywood with a now legendary star-studded wedding party on her sprawling eight-acre estate. The event reportedly cost Davies an estimated $25,000 to wine and dine a guest list of 700 with ’40 cases of champagne, 80 beef tenderloins, [and] 50 pounds of caviar.’ Although the wedding party now lives on in ‘Tinseltown’ lore, the marriage of Ray and Morrison fell apart two years later due in large part to ongoing rumors of Ray’s sexuality. A sensational assortment of silver-screen royalty deriving from one of Hollywood’s most publicized and exclusive get-togethers. Starting Bid $300

7157. Rat Pack Set of (4) Signatures. Four vintage signatures of members of the Rat Pack, signed in ink or felt tip on individual off-white 5 x 3 cards, including: Frank Sinatra, Dean Martin, Sammy Davis, Jr., and Joey Bishop. With the exception of the Martin card, all others are inscribed to “Joe” and feature small affixed images of the respective signer. In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

56 www.RRAuction.com | (603) 732-4280

7160. Elizabeth Taylor Signed Photograph.

7158. Dorothy Stratten Signature. Playboy Playmate-

turned-actress (1960-1980) who was murdered by her estranged husband at the age of 20. Vintage fountain pen signature and inscription, “To Joe, love, Dorothy Stratten, xox,” on an off-white 5 x 3 card. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7159. Sharon Tate Signature. Vintage

fountain pen signature and inscription, “Joe, Best wishes, Sharon Tate,” on an off-white 5 x 3 card bearing a small affixed image of the actress. Notation on the reverse dates the signature to January 25, 1964. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

Beautiful glossy 7.5 x 9.25 photo of Elizabeth Taylor in a stunning close-up pose, signed nicely in blue ballpoint. In fine condition, with trimmed edges. Starting Bid $200

7161. Elizabeth Taylor Signed Photograph.

Beautiful color glossy 8 x 10 photo of the two-time Oscar winner in a light green top, signed in blue felt tip by Elizabeth Taylor. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

Moe, Shemp, and Larry pay their bills 7162. Three Stooges Group of (3) Signed Checks. Fantas-

tic grouping of three personal checks, each filled out and signed by the respective Stooge: Moe Howard (April 5, 1975); Shemp Howard (February 7, 1947); and Larry Fine (July 2, 1969). Nicely double-matted and framed with a still to an overall size of 14 x 24.5. In overall very good to fine condition, with a central vertical fold to both Shemp and Moe, and some light creasing to Moe. Starting Bid $200

Hollywood | May 23, 2019 57

7163. Three Stooges Signatures. Three signatures

from members of The Three Stooges, signed and inscribed in green fountain pen on individual off-white 5 x 3 cards, including: “To Joe, Sincerely, The 3 Stooges, Moe Howard,” “To Joe, Sincerely, Larry Fine, 3 Stooges,” and “To Joe, Best of everything, Curly-Joe DeRita, of the 3 Stooges.” The DeRita card bears a small affixed image. In overall fine condition, with an area of adhesive residue on the Howard card where a small photo was once affixed. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7164. Rudolph Valentino Signed Document. Partly-

printed promissory note, 8.25 x 3.25, filled out in another hand and signed in bold green ink by Valentino, “R. Valentino,” payable to his New York attorney Louis H. Moos for $50, June 2, 1920. In fine condition, with areas of thin paper to the upper corners. Accompanied by a copy of letter from Moos to Valentino, dated April 12, 1922. Starting Bid $200

7165. Erich von Stroheim Signed Photograph. Vin-

tage matte-finish 7.25 x 9.5 photo of von Stroheim as Field Marshall Erwin Rommel in Billy Wilder’s 1943 film Five Graves to Cairo, signed and inscribed in fountain pen, “To ‘Peggy’—in sincere appreciation with all my kindest & most cordial wishes, Erich von Stroheim, Nov. 14th 1945.” Double-matted and framed to an overall size of 13.5 x 15.5. In fine condition. Von Stroheim’s portrayal of Rommel was widely admired by film critics. Starting Bid $200

7166. John Wayne Signature. Vin-

tage fountain pen signature and inscription, “To Joe, John Wayne,” on an offwhite 5 x 3 card. Notation on the reverse dates the signature to May 20, 1962. In fine condition, with an area of adhesive residue to the lower right corner where a small photo was once affixed. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7167. Wizard of Oz Group of (6) Signed Items. Group

of six items individually signed by key actors from the classic 1939 film The Wizard of Oz, including: a personal check filled out in another hand and signed by Judy Garland, dated March 3, 1965; a Lake Pillsbury Properties business check filled out in type and signed by Jack Haley, dated November 25, 1970; and four ink and pencil signatures of Billie Burke, Margaret Hamilton, Bert Lahr, and Frank Morgan (ins) on separate cards or album pages, all four of which are encapsulated in their own PSA/DNA authentication holders, with the Hamilton graded “NM-MT 8.” In overall fine condition, with a partially removed bank strip covering the bottom of Garland’s signature. Accompanied by a full letter of authenticity from PSA/DNA for the Morgan signature. Starting Bid $200

58 www.RRAuction.com | (603) 732-4280

Auntie Em’s studio personnel record 7169. Wizard of Oz: Clara Blandick Document Signed.

7168. Wizard of Oz: Charley Grapewin Signed Document. Character actor (1869–1956) best known for his role as Uncle Henry in The Wizard of Oz. DS, signed “Charley Grapewin,” one page, 4.25 x 2.5, July 16, 1937. Screen Actors Guild card by which Grapewin elects to come under terms set forth in “paragraph 19 of the ‘Producer-Screen Actors Guild Basic Minimum Contract of 1937.’” Signed along the bottom in fountain pen by Grapewin. In fine condition, with two file holes to the top and staple holes to the right edge. Starting Bid $200

American actress (1880–1962) who is best known for her memorable role as Auntie Em in The Wizard of Oz. DS, signed “Clara Blandick,” one page, 8.5 x 11, June 29, 1936. Studio employee personnel record filled out in type and signed at the conclusion in fountain pen by Blandick. The document lists her name, Hollywood address, phone number, and physical characteristics. Items of note include “Date Born” (“Refuses to state”), and “Place of Birth” at “Sea”—she was in fact born aboard the ship Willard Mudgett, captained by her father, on June 4, 1876. Stamped at the top, “Received, June 29 1936, Accounting Dept.” In fine condition, with trimming to the top, presumably done by the studio. Starting Bid $200

Natalie Wood’s last passport— issued to the actress in 1981 7170. Natalie Wood’s 1981 Passport. Natalie Wood’s

personal passport, number B2547720, issued on July 11, 1981. Passport measures 3.5 x 5.75 and is filled out in type on an opening page with her married name, “Natalie Wood-Wagner,” with the spouse area notably left blank. Affixed to the facing page is her color 2 x 2 passport photo, signed along the edge in ink, “Natalie Wagner.” None of the other pages in the passport are marked or stamped; Wood had a very limited opportunity to use the passport, as she drowned less than five months later. In fine condition. A unique personal memento from the well-regarded actress, who met a tragic fate just months after it was issued. Starting Bid $200

Hollywood | May 23, 2019 59

7171. Fred Astaire Signed Photograph Starting Bid $200

7172. Lauren Bacall Group of (3) Signed Photographs Starting Bid $200

7173. Ernest Bachrach Signed Photograph Starting Bid $200

7174. Ethel Barrymore Signed Photograph Starting Bid $200

7175. Beach Party Signed Poster Starting Bid $200

7176. Ray Bolger Signed Photograph Starting Bid $200

7177. Billie Burke Signed Photograph Starting Bid $200

7178. Ralph Byrd Signed Photograph Starting Bid $200

7179. Marcel Carne Signed Photograph Starting Bid $200

7180. Montgomery Clift Signature Starting Bid $200

7181. Elisha Cook Signed Photograph Starting Bid $200

7182. Gary Cooper Signed Document Starting Bid $200

7183. Sammy Davis, Jr Signature Starting Bid $200

7184. The Day the Earth Stood Still Signed Souvenir Script Starting Bid $200

7185. Olivia de Havilland Group Lot Starting Bid $200

60 www.RRAuction.com | (603) 732-4280

7186. Easy Rider Signed Photograph Starting Bid $200

7187. Douglas Fairbanks Painting from Mary Pickfordâ&#x20AC;&#x2122;s Estate Starting Bid $200

7188. Errol Flynn Signed Check Starting Bid $200

7189. Clark Gable Signature Starting Bid $200

7190. Clark Gable Signed Check Starting Bid $200

7191. Clark Gable Signed Receipt Starting Bid $200

7192. Betty Grable Signed Photograph Starting Bid $200

7193. Cary Grant Signature Starting Bid $200

7194. Jack Haley Signed Photograph Starting Bid $200

7197. Rita Hayworth Signature Starting Bid $200

7195. Rex Harrison Group of (4) Signed Photographs Starting Bid $200

7198. Van Heflin Signed Photograph Starting Bid $200

7199. Charlton Heston Signed Mini Poster Starting Bid $200

7196. Susan Hayward Signed Photograph Starting Bid $200

7200. Dustin Hoffman Signed Photograph Starting Bid $200

Hollywood | May 23, 2019 61

7201. John Huston and Elia Kazan Group Lot Starting Bid $200

7202. James Bond Group of (6) Signatures Starting Bid $200

7203. James Bond: Diana Rigg and George Lazenby Signed Photograph Starting Bid $200

7204. James Bond: Harold Sakata Signature Starting Bid $200

7205. James Bond: Pedro Armendariz Signature Starting Bid $200

7206. James Bond: Richard Kiel Signed Photograph Starting Bid $200

7207. Boris Karloff Signature Starting Bid $200

7208. Buster Keaton Signature Starting Bid $200

7209. King Kong Signatures Starting Bid $200

7210. King Kong: Fay Wray Signed Photograph Starting Bid $200

7211. Vivien Leigh and Laurence Olivier Signatures Starting Bid $200

7212. Vivien Leigh Signature Starting Bid $200

7213. Vivien Leigh Signature Starting Bid $200

7214. Sheldon Leonard Signed Photograph Starting Bid $200

7215. Sergio Leone Signature Starting Bid $200

7216. E. K. Lincoln Group Lot of Mug, Photo, and Postcard Starting Bid $200

62 www.RRAuction.com | (603) 732-4280

7217. Harold Lloyd Signed Document Starting Bid $200

7218. Jayne Mansfield Signature Starting Bid $200

7221. Harpo Marx Signature Starting Bid $200

7222. Jeanne Moreau Signed Photograph Starting Bid $200

7223. Paul Muni Typed Letter Signed Starting Bid $200

7224. Ona Munson Signed Photograph Starting Bid $200

7225. J. Carrol Naish Signed Photograph Starting Bid $200

7226. Paul Newman and Joanne Woodward Signatures Starting Bid $200

7227. Paul Newman and Minnesota Fats Signed Photograph Starting Bid $200

7228. David Niven Signed Photograph Starting Bid $200

7229. Maureen Oâ&#x20AC;&#x2122;Sullivan Signed Photographs Starting Bid $200

7230. Peter Oâ&#x20AC;&#x2122;Toole Signed Photograph Starting Bid $200

7231. Gregory Peck Signed Photograph Starting Bid $200

7232. Max Reinhardt Signed Photograph Starting Bid $200

7219. Dean Martin and Jerry Lewis Signed Photograph Starting Bid $200

7220. Dean Martin Signed Photograph Starting Bid $200

Hollywood | May 23, 2019 63

7233. Roy Rogers and Dale Evans Document Signed Starting Bid $200

7234. George C. Scott Autograph Letter Signed Starting Bid $200

7235. Simone Signoret Signed Photograph Starting Bid $200

7236. James Stewart Original Sketch Starting Bid $200

7237. Barbra Streisand Signed Photograph Starting Bid $200

7238. Elizabeth Taylor Signature Starting Bid $200

7239. King Vidor Group Lot Starting Bid $200

7240. Raquel Welch Signed Photograph Starting Bid $200

7241. Orson Welles Signature Starting Bid $200

7242. Wizard of Oz Group of (4) Signatures Starting Bid $200

7243. Wizard of Oz Signed Souvenir Script Starting Bid $200

7245. Wizard of Oz: E. Y. Harburg Signed Photograph Starting Bid $200

7246. Wizard of Oz: Jack Haley Signed Photograph Starting Bid $200

7247. Wizard of Oz: Ray Bolger Signed Photograph Starting Bid $200

64 www.RRAuction.com | (603) 732-4280

7244. Wizard of Oz: Buddy Ebsen Signed Photograph Starting Bid $200

7248. Natalie Wood Signature Starting Bid $200

VINTAGE COSTUMES & PROPS

7249. Danny Beck’s Screen-worn Suit from Man of a Thousand Faces. Danny Beck’s screen-worn three-piece houndstooth suit from

his role as vaudeville comedian Max Dill in the 1957 film Man of a Thousand Faces, a biopic of Lon Chaney that starred James Cagney. The jacket features three black buttons on the front for closure and is lined in brown satin, with a Western Costume Co. tag sewn inside the right breast pocket, filled out in type: “No. 2229-1, Name: Danny Beck, Chest: 45.” The matching vest has a solid front and brown satin back, and has a Western Costume Co. tag sewn in the back, filled out in type, “No. 2229-1, Name: Danny Beck,” with the chest annotated as “48.” The wide pants have a Western Costume Co. tag sewn into the waistband, filled out in type, “No. 2229-1, Name: Danny Beck,” with several stamps reading: “1910 Suit, 3 pc., W.C.C. G #18.” In fine condition. Starting Bid $200

7250. Don DeFore’s Screenworn Coat from Without Reservations. Don DeFore’s

screen-worn coat from his role as 1st Lt. ‘Dink’ Watson in the 1946 RKO comedy Without Reservations, which starred John Wayne and Claudette Colbert. The khaki militarystyle coat features two large golden Air Force buttons on the front (with a third replaced by a traditional brown button), four flap-style front pockets secured by matching Air Force buttons, and pairs of black-andblue ribbons around each cuff. The interior is lined in tan satin, and a Western Costume Co. tag is sewn inside the right breast pocket, stamped as “No. 31109,” and filled out in ink: “Name: D. DeFore, Waist: 34, Inseam: 32.” In fine condition, with pinholes to the lapels and shoulders. Starting Bid $200

7251. Louis Hayward’s Screenw o r n Coat from The Son of Monte Cristo.

Louis Hayw a r d ’ s screen-worn coat from his starring role as Edmund Dantes, Jr., in the 1940 swashbuckling adventure film The Son of Monte Cristo. The simply-styled soft brown coat features two blackand-white buttons on the front for closure. The interior is lined in olive satin, and a Western Costume Co. tag is sewn inside the right breast pocket, annotated: “McCready Social, Name: L. Hayward, Chest: 39.” In fine condition. Starting Bid $200

Hollywood | May 23, 2019 65

7252. Douglass Dumbrille’s S c re e n -wo r n Coat from The Buccaneer. Dou-

glass Dumbrille’s screen-worn coat from his role as Governor Ferdinand Claiborne in the 1938 adventure film The Buccaneer, a story of the Battle of New Orleans produced and directed by Cecil B. DeMille. The ornate dark maroon coat features six mirror-finish golden buttons on the front with a hook-and-latch closure mechanism, beautiful gold ribbon trim, and long tails in the back. The interior is lined in black satin, with a Western Costume Co. tag sewn in the back, annotated, “Dumbrille.” In fine condition, with fading to shoulders. Starting Bid $200

7254. James MacArthur’s Screen-worn Coat from Kidnapped. James MacAr-

thur’s screen-worn coat from his role as David Balfour in the 1960 Disney film Kidnapped, a screen adaptation of Robert Louis Stevenson’s classic 1886 novel. The simple black coat features six wooden buttons on the front for closure and is lined in light brown satin, with a Western Costume Co. tag sewn in the collar, filled out in type: “No. 2056-3, Name: James MacArthur, Chest: 38.” In very good to fine condition, with the thread of the bottom button quite loose, and some splitting and fraying to interior seams. Starting Bid $200

7253. Screen-used Lamp from How to Marry a Millionaire. Elegant glass lamp base used on screen in several 20th Century-Fox productions between 1939 and 1956, including: How to Marry a Millionaire (1953) with Marilyn Monroe, Betty Grable, and Lauren Bacall; The Girl Can’t Help It (1956) with Jayne Mansfield; That Night in Rio (1941) with Alice Faye, Don Ameche, and Carmen Miranda; Down Argentine Way (1940) with Betty Grable and Carmen Miranda; and Day-Time Wife (1939) with Tyrone Power and Linda Darnell. The crescent-shaped base measures 8.5˝ tall and 4.25˝ in diameter, and features a dangling black-and-white beaded decoration below the main lamp platform. Etched on the bottom with the studio’s inventory number: “20th C-Fox, 32-2-25416.” In fine condition. Accompanied by a 15.75 x 19.75 display reproducing stills from these five films in which the lamp base is seen. Starting Bid $200

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7257. Lloyd Nolan’s Screen-worn Police Coat from A Tree Grows in Brooklyn. Lloyd No7255. John Justin’s Screen-worn Coat from King of the Khyber Rifles. John Justin’s screen-worn coat from his

role as Lt. Geoffrey Heath in the 1953 adventure film King of the Khyber Rifles. The red coat is adorned with twelve ornate golden buttons on the chest, and features navy blue trim lined with golden piping. The interior is lined with peach satin, with a Western Costume Co. tag sewn in the back, filled out in type: “No. 33-2878-1, Name: John Juston [sic], Chest: 40, Sleeve: Ch 2.” In very good to fine condition, with fraying and losses to the lining, and wear to the golden ribbon on the collar. Starting Bid $200

lan’s screen-worn police coat from his role as Officer McShane in the 1945 20th Century-Fox coming-of-age drama A Tree Grows in Brooklyn. The navy blue coat features five golden buttons for closure featuring the Seal of New York City, with three buttons featuring an ornate “P” on each cuff. The interior is lined in black satin, with a Western Costume Co. tag sewn in the collar, stamped as “No. 29528,” and annotated in ink, “Lloyd Nolan.” In fine condition, with fraying to the lining inside the cuffs and collar. Adapted for the screen from Betty Smith’s classic novel of the same name, A Tree Grows in Brooklyn was nominated for two Oscars (winning one) and was selected for preservation in the United States National Film Registry by the Library of Congress as being ‘culturally, historically, or aesthetically significant.’ Starting Bid $200

Screen-worn suit from Knox’s Oscar-nominated turn as President Woodrow Wilson 7256. Alexander Knox’s Screen-worn Suit from Wilson. Alexander Knox’s

screen-worn suit from his Oscar-nominated role as Woodrow Wilson in the 1944 20th Century-Fox biopic Wilson, consisting of the suit jacket with matching pants. The jacket features three dark buttons on the front for closure, and is lined in dark brown satin, with a Western Costume Co. tag sewn inside the right breast pocket, stamped with “No. 28870,” and annotated in ink: “Name: Alex Knox, Chest: 39.” The matching pants are stamped inside on the pockets in red, “Western Costume Co.,” and black, “W.C.C., Suit 2 pc., G #49,” with the size, “32x31.” In fine condition. For his exemplary portrayal of President Wilson, Knox received the Academy Award nomination for Best Actor in a Leading Role; although he did not win, the film did take home five Oscars at the 1945 Academy Awards. Starting Bid $200

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7258. Donald O’Connor’s Screenworn Capezio Tap Shoes from Singin’ in the Rain. Donald

O’Connor’s custom-made Capezio tap shoes attributed by his family to screenuse in his role as Cosmo Brown in the classic 1952 musical film Singin’ in the Rain. The black leather tap shoes are tightly laced and bear faded gilt Capezio maker’s stamps on the gray insoles. In very good to fine condition, with flaking to the leather and obvious signs of wear and use. Accompanied by an original Donald O’Connor business card. In Singin’ in the Rain, O’Connor famously did an impressive dance that culminated in a series of backflips off the wall. He won the 1953 Golden Globe for ‘Best Actor - Comedy or Musical’ for his memorable performance. Starting Bid $200

7259. Jack Pennick’s Screen-worn Uniform Tunic from Wee Willie Winkie.

Jack Pennick’s screen-worn uniform tunic from his uncredited role as a soldier in the 1937 adventure film Wee Willie Winkie, which was directed by John Ford and starred Shirley Temple. The tan tunic features five ornate golden buttons on the front for closure, two pockets on the chest secured by smaller golden buttons, and epaulets on each shoulder with matching buttons. A United Costumer’s, Inc. tag is sewn inside the placket (annotated with indistinguishable writing), and the actor’s size and name, “42, Pennock [sic],” are annotated in ink inside the collar. In fine condition. Accompanied by a still of Pennick wearing the tunic as Shirley Temple, in her role as Priscilla ‘Winkie’ Williams, looks up at him. Starting Bid $200

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7260. Robert Prosky’s Screenworn Suit from T h e Na t u r a l .

Robert Prosky’s screen-worn threepiece suit from his role as The Judge in the classic 1984 baseball film The Natural. The brown jacket has two buttons on the front for closure and is lined in brown satin, with a Western Costume Co. tag sewn inside the right breast pocket, filled out in type: “No. 2752-1, Name: Robert Prosky, Chest: 44-47, Sleeve: 17.” The matching vest has a solid front and brown satin back, and has a Western Costume Co. tag sewn in the back, also filled out in type: “No. 2752-1, Name: Robert Prosky, Chest: 44-47.” The pants have a Western Costume Co. tag sewn into the waistband, filled out in type: “No. 83676, 2752-1, Name: Robert Prosky, Waist: 48, Inseam: 29 1/2.” In fine condition. Starting Bid $200

7261. Anne Shirley’s Screen-worn Skirt from Anne of Windy Poplars. Anne Shirley’s screen-worn skirt from her role as Anne Shirley in the 1940 RKO film Anne of Windy Poplars, the sequel to 1934’s Anne of Green Gables. The long navy skirt has a short zipper in the back, with tag sewn into the seam, annotated: “G2616, A. Shirley, 1906.” In fine condition. Shirley began her career as a child actress under the stage name Dawn O’Day, until playing Anne Shirley in the screen adaptation of Lucy Maud Montgomery’s classic Anne of Green Gables in 1934; after that, she retained the stage name Anne Shirley for the rest of her career. Starting Bid $200

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7262. William Talman’s Screen-worn Jacket from The Racket. William Talman’s

screen-worn jacket from his role as honest cop Bob Johnson in the 1951 film noir The Racket. The navy blue jacket features four golden anchor buttons on the front, with black bands on both cuffs. The interior is lined in navy satin, with a Western Costume Co. tag sewn inside the right breast pocket, filled out in type: “No. 52 2703 1, Name: W. Talman, Chest: 42, Sleeve: 18 1/2.” In fine condition. Starting Bid $200

7263. Mills Watson’s Screen-worn Suit from Charley and the Angel.

Mills Watson’s screen-worn suit from his role as Frankie Zuto in the 1973 Disney family comedy film Charley and the Angel, consisting of the suit jacket with matching pants. The navy blue pinstriped suit jacket features wide lapels with two front flap pockets and two buttons for closure, and is lined in black satin, with a Western Costume Co. tag sewn inside the right breast pocket, filled out in type: “No. 25101, Name: Mills Watson, Chest: 43, Sleeve: 17 1/2.” The matching pants have a Western Costume Co. tag sewn into the waistband, reading, “No. 25101, Name: Mills Watson, Waist: 34 1/2, Inseam: 29,” as well as stamps, “W. C. Co.,” “34 x [31],” and “Suit, 2 pc.,” among other markings. In fine condition. Starting Bid $200

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MARILYN MONROE 7 2 6 4 . Ma r i l y n Monroe and A r t h u r M i l le r Original Vintage Photograph. Orig-

inal vintage glossy 8 x 7.5 silver gelatin photo of Monroe and Arthur Miller talking to a fan. Reverse is stamp-dated June 26, 1959, and bears a Barney Stein credit stamp. In fine condition, with trimmed edges, a few small creases, and a couple of small spots to her face. Starting Bid $200

7265. Marilyn Monroe and Arthur Miller Original Vintage Photograph. Origi-

nal vintage glossy 7.75 x 7.5 silver gelatin photo of Marilyn Monroe hugging Arthur Miller during a sidewalk interview on June 22, 1956, shortly before their wedding. Reverse bears a United Press International Photo credit stamp. Includes the original typed caption, which was once affixed to the reverse. In fine condition, with trimmed edges. Starting Bid $200

7267. Marilyn Monroe Original Vintage Photograph. Original vintage semi-glossy 9 x 7 silver gelatin photo showing Marilyn Monroe dancing in a black cocktail dress at Ciroâ&#x20AC;&#x2122;s, a famous Sunset Strip nightclub, circa September 1951. Reverse bears Pictorial Parade/Bob Beerman credit stamps. In fine condition. In this superb image, Marilyn is seen wearing the black velvet belt offered as lot 7290. Starting Bid $200

7266. Marilyn Monroe and Arthur Miller Original Vintage Photograph.

Original vintage glossy 7.25 x 8.75 silver gelatin photo of Monroe and Miller together, showing the lanky playwright kissing the actressâ&#x20AC;&#x2122;s forehead. Reverse bears a Movie Life credit stamp and editorial annotation. In very good condition, with trimmed edges, a couple of surface scratches, creasing to the right edge, and light impressions from notations on the reverse. Starting Bid $200

7268. Marilyn Monroe and Arthur Miller Wedding Original Vintage Contact Sheet. Stunning original vin-

tage glossy 10 x 8 silver gelatin contact sheet print featuring 34 images in total, with 21 showing Marilyn Monroe on her wedding day, July 1, 1956. The intimate images include two of the wedding cake, two portraits of Monroe alone in her veil, and 19 showing Miller and Monroe together during the ceremony, including one of Miller taking a sip from a goblet of wine to observe ancient Jewish ritual. Photos along the top show photographers in their cars and the wedding venue, the home of their friends Mr. and Mrs. James Barrett in Waccabuc, New York. In fine condition, with scattered light creasing. Starting Bid $200

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7272. Marilyn Monroe and Jack Warner Original Vintage Photograph. Original

7269. Marilyn Monroe and Arthur Miller Original Vintage Photograph.

Original vintage glossy 8.5 x 6.5 silver gelatin photo of Marilyn Monroe and Arthur Miller posing with the writerâ&#x20AC;&#x2122;s parents, Mr. and Mrs. Isadore Miller, in 1956, at Arthurâ&#x20AC;&#x2122;s home in Roxbury, Connecticut. Reverse bears an International News Photos credit stamp. In very good to fine condition, with trimmed edges, a crease to the lower left corner, and light rippling from a former caption on the reverse. Starting Bid $200

vintage glossy 7.5 x 7.75 silver gelatin photograph of Marilyn Monroe with photographer Milton Greene and studio head Jack L. Warner, showing Monroe holding up a large Warner Bros. key presented to welcome her to the studio for The Prince and the Showgirl in March 1956. Reverse bears a stamp for The American Weekly. In fine condition, with trimmed edges, and a few small creases. Starting Bid $200

7270. Marilyn Monroe and Billy Wilder Original Vintage Glossy Photograph. Original

vintage glossy 7 x 9.5 silver gelatin photo of Marilyn Monroe with director Billy Wilder, who helmed her classic comedies The Seven Year Itch and Some Like It Hot. Monroe is in a glamorous white dress, and Wilder wears his typical sweater. Reverse bears a Bruno Bernard/Globe Photos credit stamp. In fine condition. Starting Bid $200

7271. Marilyn Monroe and Billy Wilder Original Vintage Photograph. Original

vintage glossy 7 x 9 silver gelatin photo of Marilyn Monroe with director Billy Wilder on the set of The Seven Year Itch in 1954. Reverse bears an International News Photos credit stamp and an affixed caption, which notes that she had filed for divorce from Joe DiMaggio one day earlier. In fine condition. Starting Bid $200

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7273. Marilyn Monroe and Ken Murray Original Vintage Photograph. Original

vintage glossy 9 x 7 silver gelatin photograph of Monroe and comedian Ken Murray in a side-byside close-up shot. Reverse bears a Phil Stern/Photoplay credit stamp and Photoplay Magazine Library stamp, dated August 7, 1952. In fine condition, with a few light paperclip impressions to the left edge. Starting Bid $200

7274. Marilyn Monroe and Laurence Olivier Original Vintage Contact Sheet.

Original vintage glossy 10 x 8 silver gelatin contact sheet print featuring ten images in total, with most showing Marilyn Monroe and Laurence Olivier seated together at a table during a dinner event. Monroe is dressed in an elegant little black dress, while Olivier wears a dashing suit and tie. In fine condition, with light edge rippling and a grease pencil editorial notation to one image. Starting Bid $200

7275. Marilyn Monroe and Laurence Olivier Original Vintage Photograph.

7278. Marilyn Monroe Original Vintage Photograph.

Original vintage glossy 8 x 10 silver gelatin photograph of Marilyn Monroe in a leotard and fishnet leggings, spreading her arms wide as she stands atop a pedestal. In fine condition, with some light staining inherent to the original negative. Starting Bid $200

Original vintage glossy 5.75 x 7.75 silver gelatin photo of the elegant Marilyn Monroe getting a light for her cigarette from actor Laurence Olivier, her co-star in the 1957 film The Prince and the Showgirl. Reverse bears a copyright stamp and affixed caption. In fine condition. Starting Bid $200

7276. Marilyn Monroe and Marlon Brando Original Vintage Contact Sheet.

Fabulous original vintage glossy 10 x 8 silver gelatin contact sheet print featuring 36 images in total, with most showing Marilyn Monroe and Marlon Brando during an NBC interview. Each image has been labeled with silver ink. In very good to fine condition, with wrinkling to the left edge. Starting Bid $200

7279. Marilyn Monroe Original Vintage Photograph. Original vin-

tage glossy 7 x 8.75 silver gelatin photograph of Monroe seductively glancing over her shoulder, with a scarf fluttering behind her. Reverse bears a Photoplay Magazine Library stamp. In fine condition, with trimmed edges, and a light emulsion stain to the background. Starting Bid $200

7277. Marilyn Monroe Collection of (10) Original Vintage Photographs. Group of ten original vintage

glossy silver gelatin photos of Marilyn Monroe in a black cocktail dress at the 1951 Hollywood Foreign Correspondents Association luncheon at Mocambo, the famous Sunset Strip nightclub. The photographs measure 4.5 x 3.5 or 3.5 x 4.5, and all are blank on the reverse. In overall fine condition. In these wonderful original photographs, Marilyn is seen wearing the black velvet belt offered as lot 7290. Starting Bid $200

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7280. Marilyn Monroe Original Vintage Photograph. Original

7282. Marilyn Monroe Original Vintage Photograph. Original vintage

glossy 6.5 x 8.75 silver gelatin photo of Monroe attending her husband Arthur Miller’s play ‘A View from the Bridge’ at its opening night in London. Reverse bears Globe Photos credit stamps and an affixed caption. In fine condition, with trimmed edges and scattered light creasing. Starting Bid $200

vintage glossy 7.75 x 10 silver gelatin photo of Monroe as Sugar ‘Kane’ Kowalczyk in the 1959 film Some Like It Hot, with a United Artists copyright notice in the lower border. In fine condition. Starting Bid $200

7281. Marilyn Monroe Original Vi n t a g e Ph o t o graph. Original vin-

tage glossy 7 x 9 silver gelatin photo of Monroe seductively nibbling on a pearl necklace, with artist’s embellishments to her top inherent to the image. In very good to fine condition, with light surface gouging (including outlines to her lashes, lips, and hair). Starting Bid $200

7283. Marilyn Monroe Original Vintage Photograph. Original vin-

tage glossy 7.25 x 9 silver gelatin photo of Monroe as Sugar ‘Kane’ Kowalczyk in a scene from the 1959 film Some Like It Hot, showing her breaking ice into the sink. Reverse bears a stamp from The American Weekly. In fine condition. Starting Bid $200

Beautiful vintage in-person Marilyn autograph— graded by PSA/DNA as MINT 9 7284. Marilyn Monroe Signature - PSA/DNA MINT 9. Gorgeous vintage fountain pen signature

and inscription, “To Joe, Best Wishes, Marilyn Monroe,” on an off-white 5 x 3 card, with a small magazine portrait of the blonde bombshell affixed to the lower corner. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through 2000s. Encapsulated by PSA/DNA, with the perfect autograph graded MINT 9. Starting Bid $500

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7287. Marilyn Monroe, Arthur Miller, and Yves Montand Original Vintage Photograph. Origi-

nal vintage glossy 9 x 7 silver gelatin photograph of Arthur Miller, Simone Signoret, Yves Montand, Marilyn Monroe, and Frankie Vaughan at a cocktail party hosted by Monroe in Montand’s honor. Monroe, Montand, and Vaughan appeared together in the 1960 film Let’s Make Love. Reverse bears an affixed caption and “George Zeno Collection” stamp. In fine condition. Starting Bid $200

7285. Marilyn Monroe Photograph Signed by Joe DiMaggio.

Glamorous glossy 8 x 10 photo of Marilyn Monroe wrapped in a fur shawl, signed in blue felt tip by former husband and Hall of Fame baseball legend Joe DiMaggio. In fine condition. Very uncommon, as DiMaggio steadfastly refused to sign Monroe items; this item was obtained when a collector tricked DiMaggio into signing by matting over this image and having him sign in an opening underneath a baseball photo. Starting Bid $200

7288. Marilyn Monroe, Arthur Miller, Vivien Leigh, and Laurence Olivier Original Vintage Photograph.

Original vintage glossy 6 x 6.25 silver gelatin photograph of Laurence Olivier, Vivien Leigh, Marilyn Monroe, and Arthur Miller together in England. Reverse bears a London Express News copyright stamp. In fine condition, with trimmed edges. A fine image of these star-studded couples. Starting Bid $200

7286. Marilyn Monroe Signed Check. Marilyn Monroe Productions check, 8.25 x 3, filled out in type and signed by Monroe, payable to Hedda Rosten for $71.14, June 16, 1959. Encapsulated in a PSA/DNA authentication holder. In fine condition. Writers Norman and Hedda Rosten first met Monroe in 1955 when their friend, legendary photographer Sam Shaw, arrived at their Brooklyn apartment with the blonde starlet by his side. Best friend and former roommate to Arthur Miller’s soon-to-be exwife Mary, Hedda was initially hesitant to befriend Monroe, but as time passed the Rostens grew to become two of the actress’ most trusted allies. When Monroe and Miller married the following year, Hedda served as her maid of honor. Starting Bid $500

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Desperate letter from Monroe to Lee Stasberg— “As you know, for years I have been struggling to find some emotional security with little success, for many different reasons” 7289. Marilyn Monroe Typed Letter Signed. TLS signed

“Marilyn,” two pages, 8.5 x 11, December 19, 1961. Letter to mentor and acting instructor Lee Strasberg, in full: “This is an important personal letter and please don’t start to read it until you have the time to give it your careful thought. This letter concerns my future plans and therefore concerns yours as well since my future development as an artist is based on our working together. All this is an introduction; let me outline the recent events, my ideas and my suggestions. As you know, for years I have been struggling to find some emotional security with little success, for many different reasons. Only in the last several months, as you detected, do I seem to have made a modest beginning. It is true that my treatment with Dr. Greenson has had its ups and downs, as you know. However, my overall progress is such that I have hopes of finally establishing a piece of ground for myself to stand on, instead of the quicksand I have always been in. But Dr. Greenson agrees with you, that for me to live decently and productively, I must work! And work means not merely performing professionally, but to study and truly devote myself. My work is the only trustworthy hope I have. And here, Lee, is where you come in. To me, work and Lee Strasberg are synonymous. I do not want to be presumptuous in expecting you to come out here for me alone. I have contacted Marlon on this subject and he seems to be quite interested, despite the fact that he is in the process of finishing a movie. I shall talk with him more thoroughly in a day or two. Furthermore, and this must be kept confidential for the time being, my attorneys and I are planning to set up and [sic] independent production unit, in which we have envisaged an important position for you. This is still in the formative phase, but I am thinking of you in some consultative position or in whatever way you might see fit. I know you will want enough freedom to pursue your teaching and any other private interests you might want to follow. Though I am committed to my analysis, as painful as it is, I cannot definitively decide, until I hear from you, because without working with you only half of me is functioning. Therefore, I must know under what condition you might consider coming out here and even settling here. I know this might sound quite fantastic, but if you add up

all the possible advantages it should be quite a rewarding venture. I mean not only for Marlon and me—but for others. This independent production unit will also be making pictures without me—this is even required for legal reasons. This will offer an opportunity for Susan if she should be interested and perhaps even for Johnny. And Paula would have a great many opportunities for coaching. As for you, Lee, I still have the dream of you some day directing me in a film! I know this is a big step to take, but I have the wish that you might realize out here some of the incomplete hopes that were perhaps not fulfilled for you, like Lincoln Center, etc. So I don’t know how else to persuade you. I need you to study with and I am not alone in this. I want to do everything in my power to get you to come out—within reason—as long as it is to your advantage as well as mine. So, Lee, please think this over carefully; this is an awfully important time of my life and since you mentioned on the phone that you too felt things were unsettled, I have dared to hope. I have meetings set up with Marlon and also with my attorneys and will phone you if there are any important new developments. Otherwise, please get in touch with me.” In fine condition. Accompanied by the original mailing envelope. Strasberg was an Austrian-born actor, director, and theatre practitioner who cofounded the Group Theatre in 1931 and, twenty years later, became the director of the prestigious Actor’s Studio in New York City. While living in Manhattan, Monroe became Strasberg’s most popular student, bringing great attention to the acting studio while esteeming Strasberg as a sort of father figure. Starting with the divorce of husband Arthur Miller, 1961 was a difficult year for Monroe, who was beset by a host of ailments and canceled her lone acting project when NBC refused to hire Strasberg as the director. Monroe moved back to California in the spring and, in her attempt to “live decently and productively,” sought to create a new production company with the aid of Marlon Brando and Strasberg, to who she admits: “without working with you only half of me is functioning.” The extent of Monroe’s adoration for Strasberg is represented in her final will, in which she bequeathed all of her personal belongings and seventy-five percent of her estate to the acting coach. Redolent of the desperation that consumed the final months of her life, this is a rare and intimate letter from the legendary starlet. Starting Bid $2500

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Marilyn’s personally-worn elegant velvet belt— with photographic provenance! 7290. Marilyn Monroe’s Personally-Owned and -Worn Black Velvet Belt.

Marilyn Monroe’s personally-owned and -worn elegant black velvet waist belt, measuring 28.5˝ long, featuring a supple black leather inner waistband, black velvet exterior, and matching thick black velvet–wrapped buckle. The back of the inner waistband is stamped with a worn “Saks Fifth Avenue” retailer’s label. Monroe is seen wearing this exact belt in photographs taken at Ciro’s Nightclub circa September 1951 and at the Hollywood Foreign Correspondents Luncheon, held on October 25th, 1951 (see lots 7267 and 7277), and it very closely resembles the one she wears on-screen in the 1951 comedy As Young As You Feel—it is quite possibly this same belt, as Marilyn often supplied her own accessories for wear in her earlier movie roles. She is also seen wearing this belt with a black cape-and-gown outfit on February 14, 1953, in photographs taken at the wedding reception of Hollywood gossip columnist Sheilah Graham and in a photograph taken by Andre de Dienes at a bookstore. Includes an original semi-glossy 10.25 x 11 silver gelatin print of the image captured by de Dienes, showing Marilyn wearing this belt while paging through Irving Shulman’s The Big Brokers, bearing an Andre de Dienes credit stamp on the reverse. In fine condition, with light wear from use. Provenance: The Personal Property of Marilyn Monroe, Part of Lot #124, Christie’s, October 27–28, 1999. The original Christie’s lot tag is attached, stamped with Marilyn’s facsimile signature on one side, and photocopies of the original invoice, bidder paddle, and lot description are included. Also accompanied by a certificate of authenticity from OneWest Publishing for the Andre de Dienes photograph. A spectacular piece of Marilyn’s personal wardrobe, made all the more remarkable by its comprehensive photographic provenance. Starting Bid $500

As seen on her apartments’ bookshelves, an inspirational volume from Marilyn’s collection 7291. Marilyn Monroe’s Personally-Owned Book. Rare book from

Marilyn Monroe’s personal library: Something to Live By, collected and annotated by Dorothea S. Kopplin. Later printing. NY: Permabooks, 1948. Hardcover, 4.25 x 6.5, 241 pages. Lines in a poem about life and death on pages 195–196 have been lightly underlined in pencil, presumably done by Monroe to underscore text that appealed to her. This book can be seen in multiple photographs taken in her various apartments between 1951 and 1953. Marilyn counted her personal library as one of her prized possessions, and though she lived quite a transient lifestyle and apparently wasn’t that fussed about material things, she packed up her books and took them with her wherever she moved. The opportunity to acquire such a volume, so frequently captured with Marilyn in her varied photo shoots, rarely comes about. In fine condition, with light age toning to the interior pages. Provenance: The Personal Property of Marilyn Monroe, Part of Lot #559, Christie’s, October 27–28, 1999; the Christie’s “Personal Property of Marilyn Monroe” bookplate from the sale is affixed to the front pastedown. Starting Bid $300

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MAGNUM PHOTOGRAPHS Co-founded by pioneering street photographer Henri Cartier-Bresson, famed for snapping the ‘decisive moment’ through his lens, Magnum is an international photographic cooperative renowned for its excellence in artistic photojournalism. Magnum’s photographers have come to be revered for their unique takes on everything from serious subjects like war and famine, to lighter fare in fashion and cinema. These wonderful images—captured by important photographers like Cartier-Bresson, David Seymour, Dennis Stock, Elliott Erwitt, Ernst Haas, and Eve Arnold—represent some of the finest Hollywood pictures taken by Magnum’s artists.

7292. Act of Love Group of (7) Original Photographs by David Seymour. Seven original vintage semi-glossy

photographs taken by David Seymour on the set of the 1953 romantic drama Act of Love, ranging in size 11.5 x 8 to 8.5 x 11.75. The images include portraits of Kirk Douglas and Dany Robin, Douglas and director Anatole Litvak rehearsing a scene, and multiple behind-the-scenes images of different sets. All but one bear David Seymour/Magnum Photos credit stamps on the reverse. In overall fine condition. Starting Bid $200

7293. Act of Love: Anatole Litvak and Dany Robin Pair of Original Photographs by David Seymour.

Two outstanding original vintage semiglossy silver gelatin photos taken by David Seymour on the set of the 1953 film Act of Love: an 11.75 x 9 photo of director Anatole Litvak demonstrating how to clutch the hair of actress Dany Robins; and an 11.5 x 8 photo of French actor Serge Reggiani executing it perfectly as Litvak looks on. Both bear David Seymour/Magnum Photos credit stamps on the reverse. In overall fine condition. Starting Bid $200

Hollywood | May 23, 2019 79

7294. James Cagney Trio of Original Photographs by Dennis Stock. Three

original vintage semiglossy 10 x 8 silver gelatin photos of James Cagney in Western garb, taken by Dennis Stock in 1950. Cagney is shown in a close-up profile pose; standing in front of farm equipment; and with three other folks, two of whom are on horseback. All bear Dennis Stock/ Magnum Photos credit stamps on the reverse. In overall fine condition. Starting Bid $200

7296. Audrey Hepburn and Lucien Legrand Original Photograph by David Seymour. Wellcomposed original vintage semi-glossy 11.75 x 7.75 silver gelatin photo of Audrey Hepburn imitating the pose of ballet instructor Lucian Legrand during rehearsals for the film Funny Face, taken in 1956 by David Seymour. Reverse bears a David Seymour/ Magnum Photos credit stamp. In fine condition. Starting Bid $200

7295. The Desperate Hours Trio of Original Photographs by Elliott Erwitt. Three oversized original

vintage semi-glossy silver gelatin photos associated with the 1955 film noir The Desperate Hours, taken by Elliott Erwitt. Includes: a 9 x 13.5 photo of lighting director Vic Jones taking a reading on the set of The Desperate Hours; a 13.25 x 9 photo of the lighting setup on the set; and a 10.25 x 13.5 close-up photo of director William Wyler in action. All bear Elliott Erwitt/Magnum Photos credit stamps on the reverse, and two have affixed captions. In overall very good to fine condition, with some creasing to edges and corners. Starring Humphrey Bogart and Fredric March, The Desperate Hours was the first black-and-white film in VistaVision, Paramountâ&#x20AC;&#x2122;s wide-screen process. Starting Bid $200

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7297. Audrey Hepburn and Lucien Legrand Original Photograph by David Seymour. Original vintage semi-

glossy 7.75 x 11.75 silver gelatin photo of Audrey Hepburn rehearsing with ballet instructor Lucian Legrand for the film Funny Face, taken in 1956 by David Seymour. Reverse bears a David Seymour/Magnum Photos credit stamp. In fine condition. Starting Bid $200

7298. Audrey Hepburn Original Photograph by David Seymour.

Striking original vintage semi-glossy 7.75 x 11.5 silver gelatin photo of Audrey Hepburn posing in a ballet position with her hands over her head during a rehearsal for the film Funny Face, taken in 1956 by David Seymour. Reverse bears a David Seymour/Magnum Photos credit stamp. In fine condition.

7300. Audrey Hepburn Original Photograph by David Seymour.

Starting Bid $200

7299. Audrey Hepburn Original Photograph by David Seymour. Attractive original vintage semi-glossy 7.75 x 11.75 silver gelatin photo of Audrey Hepburn rehearsing her ballet dancing for the film Funny Face, taken in 1956 by David Seymour. Reverse bears a David Seymour/ Magnum Photos credit stamp. In fine condition. Starting Bid $200

Charming original vintage semi-glossy 8 x 11.75 silver gelatin close-up photo of Audrey Hepburn in a winter coat, taken in 1956 by David Seymour. Reverse bears a David Seymour/Magnum Photos credit stamp. In fine condition, with a few surface scuffs. Starting Bid $200

7301. Alfred Hitchcock a n d Ve r a Miles Original Photograph by Elliott Erwitt. Won-

derful original vintage semiglossy 14 x 11 silver gelatin photo of director Alfred Hitchcock and actress Vera Miles taken by Elliott Erwitt in 1957, with Hitchcock portrayed in an ever-recognizable profile pose. Reverse bears an Elliott Erwitt/Magnum Photos credit stamp and pencil annotation. In very good condition, with an inch-long tear to the top edge and creasing to corner tips. Hitchcock and Miles are remembered for working together on The Wrong Man in 1956 and Psycho in 1960. Starting Bid $200

7302. Elia Kazan Original Photograph by Elliott Erwitt. Original

vintage semi-glossy 14 x 11 silver gelatin photo of Elia Kazan on the set of On the Waterfront in 1954, taken by Elliott Erwitt. Reverse bears an Elliott Erwitt/Magnum Photos credit stamp and pencil annotation. In very good to fine condition, with creasing and dings to edges. Starring Marlon Brando and Eva Marie Saint, On the Waterfront won eight Academy Awards, with Kazan taking home honors for Best Director. Starting Bid $200

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7303. Grace Kelly Original Photograph by Elliott Erwitt. Elegant

7306. Gina Lollobrigida Original Photograph by David Seymour.

original vintage semi-glossy 14 x 11 silver gelatin photo of Grace Kelly taken by Elliott Erwitt at the WaldorfAstoria party for her engagement to Prince Rainier of Monaco in January 1956. The beautiful actress is seen in a white gown and pearl necklace, framed by two gawking guests. Reverse bears an Elliott Erwitt/Magnum Photos credit stamp and pencil annotation. In very good to fine condition, with creasing and a couple tiny tears to edges. Starting Bid $200

7304. Vivien Leigh Trio of Original Pho-

tographs by Ernst Haas. Three original vintage semi-glossy silver gelatin photos taken by Ernst Haas on the set of the 1955 film The Deep Blue Sea, 11.75 x 8 and 8 x 11.75, all capturing actress Vivien Leigh and director Anatole Litvak in the frame, with lighting fixtures and other set elements visible. All bear Ernst Haas/Magnum Photos credit stamps on the reverse, with additional penciled captions. In overall fine condition. Starting Bid $200

Original vintage semi-glossy 8.5 x 11.75 silver gelatin photo of Gina Lollobrigida doing her hair and makeup in a spot-lit mirror, taken by David Seymour. Reverse bears a David Seymour/Magnum Photos credit stamp. In fine condition, with a trivial crease to one corner tip. Starting Bid $200

7307. Gina Lollobrigida Original Photograph by David Seymour. Original

vintage semi-glossy 11.75 x 8 silver gelatin photo of Gina Lollobrigida posing in a doorway, taken by David Seymour in Venice in 1954. Reverse bears a David Seymour/Magnum Photos credit stamp. In fine condition. Starting Bid $200

7308. Marilyn Monroe Original Diptych Photograph by Eve Arnold.

Beautiful original vintage semiglossy 21 x 13 silver gelatin diptych photo of Marilyn Monroe taken by Eve Arnold in 1960, showing the nude actress wrapped in a bedsheet, resting between takes during a studio session for the making of The Misfits. Printed on two sheets, each half of the photograph measures 10.5 x 13. Reverse is blank with toned adhesive residue. In very good to fine condition, with some creasing and curling to corners and edges, toned tape residue and surface chipping to corners, and tack holes to corners. Starting Bid $200

7305. Gina Lollobrigida Group of (6) Original Photographs by David Seymour. Group of six original vintage silver gelatin photos taken

by David Seymour, 7 x 10.5 and 10.5 x 7, showing Italian actress Gina Lollobrigida stretching and exercising, with her husband Milko Skofic seen in some of the images. All bear David Seymour/Magnum Photos credit stamps on the reverse, some with additional penciled captions. In overall fine condition. Starting Bid $200

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7309. Marilyn Monroe Original Photograph by Eve Arnold. Intimate

original vintage semiglossy 7.5 x 13.25 silver gelatin photo of Marilyn Monroe taken by Eve Arnold in 1960, showing the nude actress under the sheets, resting between takes during a studio session for the making of The Misfits. Reverse is blank with toned adhesive residue. In fine condition, with light creasing to corner tips. Starting Bid $200

7310. Marilyn Monroe Original Photograph by Eve Arnold.

Original vintage semi-glossy 7.75 x 11.75 silver gelatin photo of Marilyn Monroe taken by Eve Arnold in 1960, showing the blonde actress having a drink while preparing for a stills session. Reverse bears an “Eve Arnold - magnum” credit stamp. In fine condition. Starting Bid $200

Misfit Monroe through CartierBresson’s lens 7311. Marilyn Monroe Original Vintage Photograph by Henri Cartier-Bresson.

Exquisite original vintage semi-glossy 6.75 x 10 silver gelatin photograph taken by legendary Magnum photographer Henri Cartier-Bresson on the set of The Misfits, showing Monroe looking out of a farmhouse window. Reverse bears Henri Cartier-Bresson/Magnum Photos credit stamps. In fine condition, with two creases to the right border. Starting Bid $200

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7313. The Pride and the Passion Group of (5) Original Photographs by Ernst Haas. Five original vintage

semi-glossy photographs of the Spanish set of the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas, ranging in size from 11.75 x 8 to 11.75 x 9. The images include a castle explosion, behind-the-scenes workers setting up explosives, and stagehands carrying a dummy. All bear Ernst Haas/ Magnum Photos credit stamps on the reverse. In overall fine condition. Starting Bid $200

7314. The Pride and the Passion: Cary Grant Original Photograph by Ernst Haas.

Original vintage semi-glossy 9.5 x 13.75 silver gelatin photo of Cary Grant as Capt. Anthony Trumbull in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Grant is shown in a close-up at the end of a cannon. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition, with wear and light creasing to corners. Starting Bid $200

7315. The Pride and the Passion: Cary Grant Original Photograph by Ernst Haas. Original vintage semi-glossy

11.75 x 8 silver gelatin photo of Cary Grant as Capt. Anthony Trumbull in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Grant is shown loading a cannon during the storming of Avila. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition. Starting Bid $200

7312. The Pride and the Passion Group of (5) Original Photographs by Ernst Haas.

Five oversized original vintage semi-glossy photographs of the Spanish set of the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas, ranging in size from 13.75 x 8.25 to 14 x 9. The images include cannons firing, the fields filled with actors and extras, and a close-up side view of retreating soldiers. All bear Ernst Haas/Magnum Photos credit stamps on the reverse. In overall fine condition. Starting Bid $200

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7318. The Pride and the Passion: Frank Sinatra Original Photograph by Ernst Haas. Original vin-

tage semi-glossy 12 x 8.5 silver gelatin photo of Frank Sinatra in costume as Miguel in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition. Starting Bid $200

7319. The Pride and the Passion: Sophia Loren Original Photograph by Ernst Haas. Beautifully 7316. The Pride and the Passion: Cary Grant Original Photograph by Ernst Haas. Original vintage semi-glossy

8.25 x 11.75 silver gelatin photo of Cary Grant in costume as Capt. Anthony Trumbull in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition. Starting Bid $200

composed vintage semi-glossy 11.75 x 7.75 silver gelatin photo of Sophia Loren as Juana in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Loren dominates the center of the frame, shown desperately tugging a rope. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition. Starting Bid $200

7317. The Pride and the Passion: Frank Sinatra Original Photograph by Ernst Haas.

Original vintage semi-glossy 9.25 x 13.75 silver gelatin photo of Frank Sinatra as Miguel in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Reverse bears an Ernst Haas/ Magnum Photos credit stamp. In fine condition, with wear and light creasing to corners. Starting Bid $200

7320. The Pride and the Passion: Sophia Loren Pair of Original Photographs by Ernst Haas. Two original

vintage semi-glossy silver gelatin photos of Sophia Loren in costume as Juana in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Both show her dancing in a fluttering dress, with one measuring 8.75 x 11.75 and the other measuring 7.75 x 12. Both bear Ernst Haas/ Magnum Photos credit stamps on the reverse. In overall fine condition. Starting Bid $200

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7321. The Pride and the Passion: Sophia Loren Original Photograph by Ernst Haas. Original

vintage semi-glossy 7.75 x 11.75 silver gelatin photo of Sophia Loren in costume as Juana in the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition, with a light diagonal crease to the upper left. Starting Bid $200

7322. The Pride and the Passion: Sophia Loren Pair of Original Photographs by Ernst Haas. Two original vintage

semi-glossy silver gelatin photos of Sophia Loren in costume as Juana on the set of the 1957 Napoleonic War film The Pride and the Passion, taken by Ernst Haas. Both show her wearing a headscarf, with one measuring 12 x 8 and the other measuring 8 x 11.75. Both bear Ernst Haas/Magnum Photos credit stamps on the reverse. In overall fine condition. Starting Bid $200

7324. Frank Sinatra Original Photograph by Ernst Haas. Well-composed original vintage semi-glossy 12 x

7.75 silver gelatin photo of Frank Sinatra smiling for a group of young fans, taken by Ernst Haas. Reverse bears an Ernst Haas/Magnum Photos credit stamp. In fine condition. Starting Bid $200

7 3 2 5 . Wi l l i a m Wyler Original Photograph by Elliott Erwitt.

Original vintage semi-glossy 14 x 11 silver gelatin photo of Oscar-winning director William Wyler slouched in an armchair with a cigarette dangling from his lips, taken by Elliott Erwitt. Reverse bears an Elliott Erwitt/Magnum Photos credit stamp and pencil annotation. In very good to fine condition, with creasing and dings to edges. Starting Bid $200

7323. The Pride and the Passion: Sophia Loren Trio of Original Photographs by Ernst Haas. Three original vintage

semi-glossy silver gelatin photos taken by Ernst Haas on the set of the 1957 Napoleonic War film The Pride and the Passion, ranging in size from 11.75 x 7.75 to 12 x 8.5, capturing an action-packed sequence in which Sophia Loren runs away from an explosion and falls down. All bear Ernst Haas/Magnum Photos credit stamps. In overall fine condition. Starting Bid $200

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AWARDS

7326. Buster Crabbe’s 1927 Pan-Pacific Swimming Meet Bronze Participation Medal. Attractive bronze participation medal issued to Buster Crabbe for the 1927 Pan-Pacific Swimming Meet, a two-day international swimming event held in Osaka, Japan, in which Crabbe won the 440-meter freestyle and came in second in the 300 meters medley. Bronze, 60 mm, 138 gm, sponsored by Hochi Shinbun Newspaper Co. and made by Shogo Sato, Nezu-Yaegaki-Cho, Hongo, Tokyo. Complete with its original wooden presentation case, gilt-stamped on the lid in Japanese. In fine condition. Provenance: Estate of Buster Crabbe. Crabbe would go on to win the bronze medal in the 1500 meter freestyle at the 1928 Amsterdam Olympics, and the gold medal in 400 meter freestyle at the 1932 Los Angeles Olympics, before moving on to a Hollywood career in which he played Tarzan, Flash Gordon, and Buck Rogers. Starting Bid $200

7327. Randy Kerber Grammy Nomination for ‘Over the Rainbow’. Grammy

nomination certificate, 8.5 x 10.75, presented by the National Academy of Recording Arts and Sciences to “Randy Kerber, Instrumental Arranger, in recognition of Nomination for the Best Instrumental Arrangement Accompanying Vocal(s), ‘Over the Rainbow’ (Track from One Voice), for the awards period 1987.” In fine condition, with a tiny chip to the upper left corner. Known primarily for his work in film, Kerber has worked on over 800 motion pictures including Titanic, A Beautiful Mind, and the Harry Potter series. He earned an Oscar nomination in 1986 for his work on the score for The Color Purple, and was nominated for a Grammy for his arrangement of ‘Over the Rainbow’ for Barbra Streisand. Originally written by Harold Arlen and Yip Harburg, the classic song was made famous by Judy Garland in The Wizard of Oz. Starting Bid $200

7328. Burt Lancaster Laurel Award.

An “Exhibitor Laurel Award” plaque presented to Burt Lancaster for the period of 1955– 1956, measuring 7 x 9.25, with an engraved plate at the bottom, “Burt Lancaster, Top Ten Star.” Above is a plaque portraying an Oscar-like figure holding a film reel, with text reading: “Exhibitor Laurel Awards, 1955–56, Voted by the film buyers of the motion picture industry. This Official Certification carries with it the appreciation of the Theatre Industry for a job well done—Jay Emanuel, Publisher.” In very good to fine condition, with light scratching to the wood and the plaque. In 1955–56, Lancaster starred in four films—The Kentuckian, The Rose Tattoo, Trapeze, and The Rainmaker—earning the most acclaim for his stunt-filled role as Mike Ribble in Trapeze. Starting Bid $200

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Rare 1953 Photoplay Magazine Gold Medal awarded to Fox for With a Song in My Heart 7329. Photoplay Gold Medal Award for With a Song in My Heart. Ex-

tremely rare Photoplay Magazine Gold Medal for the 1952 musical film With a Song in My Heart, measuring 2.5˝ in diameter and weighing 5.5 ounces, stuck from 14K gold by Tiffany’s. The front features the traditional symbolic dramatic masks raised in high relief against laurels and a film reel, encircled by the text, “The Photoplay Magazine Medal.” The reverse is handsomely engraved: “Presented on behalf of The American Movie-Going Public to Twentieth Century-Fox, Producers of ‘With a Song in My Heart,’ Most Popular Motion Picture for the year 1952.” The medal is marked “Tiffany & Co.” along the lower rim, and bears a “14 Kt Gold” hallmark on the bottom edge. Complete with its original presentation case. This is the studio’s medal, which producer Darryl F. Zanuck presented to the widow of the film’s co-producer, Lamar Trotti, who had passed away in August 1952. In fine condition. Accompanied by an original menu for the Photoplay Gold Medal Awards Dinner, which was hosted at the Beverly Hills Hotel on February 9, 1953, as well as a modern display print showing the Los Angeles Times column about the dinner and images from the event. It was a big night for 20th Century-Fox, as their superstar Marilyn Monroe received a special award and appeared in a memorable gold lamé dress. In addition to the studio winning the gold medal for With a Song in My Heart, its star, Susan Hayward, was recognized as ‘Most Enjoyed Actress’ for her portrayal of Jane Froman in the film. Starting Bid $500

7330. Daniel Radcliffe’s Personally-Owned Signed Shoes. Hand-

some pair of brown leather Diesel mid shoes, personally–owned and –worn by actor Daniel Radcliffe, who has signed the heels of both shoes in black felt tip. The shoes, size 8.5, feature an upper leather section, relatively smooth rubber soles, and side zip closures. In fine, used condition. Consignor notes that these shoes were originally contributed to the charity Small Steps Project. Accompanied by a photo of Radcliffe bearing a pre-printed signature. Starting Bid $200

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Burt Reynolds wins ‘Favorite Motion Picture Actor’ at the 1984 People’s Choice Awards 7331. Burt Reynolds People’s Choice Award.

People’s Choice Award presented to Burt Reynolds as “Favorite Motion Picture Actor” at the 10th Annual People’s Choice Awards at the Santa Monica Civic Auditorium on March 15, 1984, measuring 14˝ in height with a square base of 3.75˝, and weighing approximately 11.5 pounds. This gorgeously rendered crystal award in the shape of a flame was made by Orrefors and is etched with the image of hands clapping, with lower base section neatly engraved: “The People’s Choice Award, 1984, Burt Reynolds, Favorite Motion Picture Actor.” Lower edge of base marked: “Orrefors Olle Alberius 1985 No. 7 R. P.” In very good to fine condition, with some missing glass to an area of cracking to bottom left of flame, and a handful of chips and dings, notably to top edge and back left edge of base, and a tiny chip to flame tip; despite its flaws, the award remains impressive and entirely displayable. Accompanied by a color transparency of Reynolds holding this very award. One of the biggest stars of the 1970s, Reynolds received this People’s Choice Award in 1984 during the beginning of his career downturn. The year of this award Reynolds starred in a pair of highly anticipated films—Cannonball Run II, a sequel to the successful cross country road race comedy from a few years prior, and City Heat, a buddy crime-comedy with Clint Eastwood, who shared the People’s Choice podium with Reynolds in 1984 when both men were deemed “Favorite Motion Picture Actor.’ The films were panned by critics and earned modest to poor showings at the box office, with Reynolds’ streak of three consecutive People’s Choice Awards coming to an end the following year. Reynolds returned to the People’s Choice Awards in 1991 when he served as host and won ‘Favorite Male Performer In A New TV Series’ for his role in Evening Shade. Provenance: Julien’s Auctions, December 2014: The Collection of Burt Reynolds. Starting Bid $300

7332. Rosalind Russell Look Magazine Award.

Look Magazine film achievement award plaque presented to Rosalind Russell in 1947, measuring 6.5 x 10, featuring an inset “Look Award” medallion and engraved plaque, “Rosalind Russell, Look, 1947, Film Achievement Award.” In very good to fine condition, with some dings to the wood and tarnishing to the plaque. Accompanied by a modern glossy photo showing Russell holding this plaque along with other famous recipients of Look awards. In 1947, she earned an Oscar nomination for her role in the adaptation of Eugene O’Neill’s play Mourning Becomes Electra. It was taken for granted that Russell would win the Academy Award—to the point that she began to rise from her seat just before the winner’s name was called—but Loretta Young was named Best Actress instead. This film achievement award from Look Magazine represents a fine consolation prize, awarded to one of the finest actresses of the age. Starting Bid $200

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7333. Ed Sullivan Emmy Award Nomination. Emmy nomination plaque,

9 x 11, reading: “Academy of Television Arts and Sciences Presents this Certificate to ‘Ed Sullivan Show’ in Recognition of Nomination for the Best Musical, Variety, Audience Participation or Quiz Series For the Year 1957.” The background features an image of the iconic Emmy Award statuette. In fine condition, with light overall age wear. The Ed Sullivan Show had won an Emmy the year before for ‘Best Variety Series,’ but did not prevail as a winner in 1957. Starting Bid $200

HORROR Terrific inscribed portrait of Chaney as the Wolf Man 7335. Lon Chaney, Jr. Signed Photograph. Popular

7334. Lon Chaney, Jr. Signature.

Vintage ink signature, “Lon Chaney,” on a light green 5 x 4 album page with a small image of the famed character actor affixed to lower left corner. Signed and inscribed on the reverse in fountain pen by Wizard of Oz actress Margaret Hamilton. In fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

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character actor (1906–1973) who attained fame playing such classic horror characters as the Wolf Man, Frankenstein’s monster, the Mummy, and the Son of Dracula. Rare and extraordinary glossy 8 x 10 full-length photo Chaney posing as the Wolf Man with his arms frightfully raised, beautifully signed and inscribed in purple fountain pen, “Luck Joan, Lon Chaney, Jr.” In fine condition. An exceedingly rare signed image of Chaney in one of his most iconic horror roles. Starting Bid $300

Early portrait with seldom-seen signature as “Creighton Chaney”

7336. Lon Chaney, Jr. Signed Photograph. Handsome

vintage matte-finish 8 x 10 photo of the young Chaney in an open-collared shirt, signed in fountain pen with the original form of his name, “Creighton Chaney.” In fine condition, with a couple of slight surface creases. A striking close-up portrait enhanced by this early, sought-after version of his signature. Starting Bid $200

7337. Lon Chaney, Sr. Signature.

Vintage pencil signature and inscription, “To Edward Bassett, Sincerely, Lon Chaney,” on a light green 5.25 x 4.25 album page. In very good to fine condition, with light toning and staining. Accompanied by an unsigned 7.25 x 9 cardstock MGM promo portrait of Chaney. A desirable autograph by the iconic ‘Man of a Thousand Faces.’ Starting Bid $200

7338. Peter Cushing Signed Photographs. Two items: a

glossy 10 x 8 Cinerama publicity photo of Peter Cushing in the 1972 horror film Asylum, signed and inscribed in blue ink, “Linda, may God’s blessing be with you always, in all sincerity, Peter Cushing”; and a 5.5 x 8.25 book page with images of Cushing on either side, signed in blue ink on one side, and then twice more by Cushing on the other. In overall fine condition. Starting Bid $200

“You will find me and Prince Randion, the human torso, and myself in a great still photo from ‘Freaks’” 7339. Johnny Eck Autograph Letter Signed. Freak

show performer (1911–1991) missing the lower half of his torso, best known for his role in Tod Browning’s 1932 cult classic film Freaks. He was often billed as the amazing ‘HalfBoy’ and ‘King of the Freaks.’ ALS signed “Johnny,” one page, 5.75 x 7.5, October 22, 1987. Letter to a friend, in part: “Sorry for the delay—busy here every day, painting window screens for customers. A big thing in Baltimore! Try to get a copy of Psychtronic (Encyclopedia of Film (3,000 movies plus amazing stills!) You will find me and Prince Randion, the human torso, and myself in a great still photo from ‘Freaks’ page 260.” In fine condition. Accompanied by an unsigned original 10 x 8 glossy still from Freaks, showing Eck posed atop a platform Starting Bid $200

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7340. Frankenstein: Colin Clive Signed Photograph. English

7342. Frankenstein: Marilyn Harris Signed Photograph.

actor (1900–1937) remembered for his portrayal of Dr. Henry Frankenstein in James Whale’s classic Universal horror films. Vintage matte-finish 5 x 7 photo of Clive in a suit and tie, signed in fountain pen, “Best wishes, Colin Clive.” Rev er s e bear s a George Askey credit stamp. In fine condition. Starting Bid $200

Child actress (1924–1999) who appeared in several Hollywood productions in the 1930s and 1940s, best remembered for her role as ‘Little Maria’ in the 1931 horror film Frankenstein. Choice glossy 10 x 8 photo of ‘Little Maria’ with the monster in Frankenstein, signed and inscribed in blue felt tip, “The Best to Dale, Marilyn Harris, ‘Little Maria.’” In very fine condition. Starting Bid $200

7341. Frankenstein: Elsa Lanchester Signed Photograph. Glossy 4 x 5 photo of Lanchester as the Bride of Frankenstein, signed in black felt tip. In fine condition. Starting Bid $200

7343. Frankenstein: O. P. Heggie Signature.

Character actor (1877– 1936) who portrayed the kindly blind hermit in The Bride of Frankenstein. Rare vintage fountain pen signature, “Sincerely, O. P. Heggie,” on an offwhite 3.5 x 6 album page, dated “3/7/23” in another hand. Also signed above by Helen Hayes and one other. In fine condition. Starting Bid $200

The genius behind Universal Studios 7344. Carl Laemmle Signed Photograph. German pioneer in American filmmaking and founder of Universal Studios (1867–1939), who, with the help of his son Carl Laemmle, Jr., produced many of the classic horror films of the 1930s. Fabulous vintage glossy 8 x 10 photo of Laemmle in formal attire, signed in fountain pen, “Cordially—Carl Laemmle.” In fine condition. Starting Bid $200

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Rare photo signed by the monster zombie of Plan 9 from Outer Space 7345. Tor Johnson Signed Photograph. Professional wres-

tler and actor (1903–1971) known in the wrestling world as the Super Swedish Angel. Johnson is best remembered for his roles in a number of B-movies, including Ed Wood’s iconic Plan 9 from Outer Space. Vintage glossy 8 x 10 photo of four images of Tor Johnson as he appeared in films like Plan 9 from Outer Space and Night of the Ghouls, signed and inscribed in black ink, “Best Wishes and Good Luck To My Friend ‘David West,’ From Tor Johnson, Hollywood, Calif., 5–13–60,” with Johnson adding on the reverse, “Yes David I was on ‘Groucho Marx Show.’” In fine condition, with scattered light creasing, and light surface impressions from Johnson’s notation on the reverse. A magnificent photo of the Swedish giant and fan-favorite of the horror industry—Johnson remains scarce across all formats, with this representing only the fifth signed photo we have ever offered. Starting Bid $300

Lugosi as the Count of Transylvania 7346. Bela Lugosi Signed Photograph. Very rare vintage glossy 7.75 x 10 photo of Lugosi in a mesmerizing close-up pose as the vampyric Count Dracula, signed and inscribed in white ink, “To Esther & Jo Ann, best wishes, Bela Lugosi.” In very good to fine condition, with the right edge trimmed off, and irregularity to the emulsion around the perimeter which touches the signature. Portraits of Lugosi as his most famous character, and arguably the most iconic of the horror canon, remain exceedingly rare, with this example augmented by its bold signature and furthermore by Lugosi’s wonderfully sinister scowl. Starting Bid $300

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7 3 47. B e l a L u g o s i Document Signed. DS,

A bloody-good Lugosi

signed “Bela Lugosi,” one page both sides, 8.25 x 13.75, November 10, 1949. Contract in which Lugosi agrees to be represented by the William Morris Agency for a period of three years, signed at the conclusion in fountain pen. In fine condition. During this three-year period near the end of his life, Lugosi would appear as Count Dracula on the Paul Winchell Show in 1950, played the Vampire in Vampire Over London in 1952, and starred as Dr. Zabor in Bela Lugosi Meets a Brooklyn Gorilla in 1952. Starting Bid $200

A portrait gift for the wife of ‘Dracula’ 7349. Bela Lugosi Signed Photograph. Vintage pearlfinish 8 x 10 photo of an artist’s ‘pen and ink style’ sketch of a Dracula-like image, originally done by N. Goode, boldly signed and inscribed in fountain pen, “To Ruth, with sincere regards, Bela Lugosi.” In fine condition, with old mounting residue on the reverse. Starting Bid $200

7350. Bela Lugosi Signed Photograph. Very early

7348. Bela Lugosi Signed Photograph. Vintage mattefinish 8 x 10 close-up photo of Bela Lugosi in later age, signed and inscribed to his wife, Lillian Arch, in green fountain pen, “To Lillian—Bela.” In very fine condition. Consignor notes that this originally came directly from the Lugosi family. Starting Bid $200

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vintage matte-finish 3.25 x 5.25 Hungarian postcard photo showing Lugosi in a white jacket and smoking a cigarette, by Angelo of Budapest, signed in fountain pen, “Lugosi Bela.” In very good to fine condition, with a crease passing through his forehead, and light silvering to the darker areas of his face. Starting Bid $200

7351. Maria Ouspenskaya Signature. Vintage

fountain pen signature, “Maria Ouspenskaya,” on a light blue 4.5 x 2.75 album page. Matted with a glossy photo of Ouspenskaya and the Wolf Man to an overall size of 16 x 12. In fine condition. Starting Bid $200

7353. Vincent Price Signed Photograph.

Glossy 10 x 8 United Artists publicity photo of Vincent Price as Edward Lionheart in the 1973 horror comedy Theatre of Blood, signed in blue felt tip. In fine condition, with some faint rippling. Starting Bid $200

7 3 5 2 . Vi n c e n t Price Signed Check and Letter. Two items: an

ALS, one page, 7.25 x 10.5, personal letterhead, no date but circa early 1966, to artist Donald Burrows, in part: “I am dreadfully sorry I never got to Mobile—what a time I had making a stab at it from Houston but the fog just wouldn’t rise. I had in hand your most interesting slides and was anxious to see the work first hand as I never can judge abstracts from slides. I’m sorry to have to say at the moment our budget is used up until next summer but I hope later we can make contact”; and a personal check, 6 x 2.75, filled out and signed by Price, payable to La Casa Rosa for $32.47, July 10, 1978. In overall fine condition. Starting Bid $200

7354. Vincent Price Signed Photograph. Glossy 10 x 8 American International publicity photo of Price as Dr. Anton Phibes in the 1971 cult classic The Abominable Dr. Phibes, signed in black felt tip, “My Best, Vincent Price.” In very good to fine condition, with scattered light creasing and surface impressions. Starting Bid $200

7 3 5 5 . Vi n c e n t Price Signed Sketch. Original felt tip self-portrait sketch made by Vincent Price on an off-white 8.25 x 10.5 sheet, with Prince signing below, “Vincent Price by V. P.” In fine condition. Starting Bid $200

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Striking early costume sketch by the noted horror director 7356. James Whale Signed Costume Sketch. British-born

film director (1889–1957) who helmed such horror classics as Frankenstein, The Bride of Frankenstein, and The Invisible Man. After a series of strokes left Whale physically weak, he committed suicide by throwing himself into his swimming pool. Original vintage pencil and watercolor sketch of a grimacing woman in Victorian clothing accomplished by Whale on an off-white 7 x 9 sheet, captioned “Freda Fay as ‘Mrs. Otherly,’” and signed in pencil, “J. Whale 1920.” The consignor notes that the drawing is a costume sketch for an Irish production of Simon Cameron’s Abraham Lincoln: Sketches from behind the Footlights. In fine condition. A decade before his debut in cinema, Whale had garnered acclaim for himself as a set and costume designer on the British theater scene. Having enlisted in the army during World War I and commissioned a second lieutenant, he was captured and made a prisoner of war in 1917. It was during this imprisonment that Whale discovered a flare for staging theatrical productions, leading him to an eventual encounter with Frankenstein’s monster. Whale’s autograph remains quite rare in any form, making this original sketch a particularly desirable example. Starting Bid $200

Universal Studios file copy script for “‘The Wolf Man’ with Lon Chaney and An All Star Cast” 7357. The Wolf Man Original Universal Studios File Script.

Original unsigned Universal Studios file copy script for “’The Wolf Man’ with Lon Chaney and An All Star Cast,” 8.5 x 11, dated December 5, 1941, stamped on the cover sheet, “Property of Universal City Studios, Return to Central Files,” and “File Copy, Return to Central Files.” In very good to fine condition, with soiling to the cover sheets, and overall moderate handling wear. The classic Universal horror film, written by Curt Siodmak and directed by George Waggner, featured Lon Chaney, Jr. in the iconic title role, and featured an all-star supporting cast of Claude Rains, Warren William, Ralph Bellamy, Patric Knowles, Bela Lugosi, Evelyn Ankers, and Maria Ouspenskaya. Considered one of the finest horror films ever made, it cast a great influence on the depiction of werewolves in popular culture. Starting Bid $300

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POSTERS & LOBBYCARDS 7358. The Avengers One Sheet Movie Poster.

(Republic, 1950) Original color 27 x 41 one sheet movie poster for the Republic Pictures release of the 1950 swashbuckling adventure film The Avengers, directed by John H. Auer and starring John Carroll, Fernando Lamas, and Adele Mara. The poster features tremendous artwork of two brawny and bare-chested men with drawn swords below an amorous embrace with bold yellow text to the right: “A Great Rex Beach Adventure!” Below the large film title are images of men riding horses away from burning buildings, a man in an underwater duel with a shark, and the film’s production credits. Lower right corner is numbered: “38886, 49/635.” In very good to fine condition, with tack holes to the corners, and some tears and fold splits. Starting Bid $200

7359. The Beast of Hollow Mountain One Sheet Movie Poster. (United Art-

ists, 1956) Fantastic original color 27 x 41 one sheet movie poster for the United Artists release of the 1956 Weird West horror film The Beast of Hollow Mountain, inspired by a story written by special effects innovator Willis O’Brien and starring Guy Madison and Patricia Medina in what is cinema’s first film to show dinosaurs and cowboys in the same picture. The richly colored poster features the large head of a toothy dinosaur with images of cowboys against a red background with bold caption to right side: “From the dim dawn of history…a monster beyond belief!” Lower border bears an NSS caption line and is numbered “56/360.” In fine, folded condition, with pin holes to corners and light rippling at the bottom. Starting Bid $200

Rare Billboard Girl one sheet, an early Crosby vehicle for Mack Sennett 7360. Billboard Girl One Sheet Movie Poster. (Educational-Mack Sennett, 1932) Original color 27 x 31 one sheet movie poster for the 1932 educational featurette Billboard Girl, starring Bing Crosby and directed by Leslie Pearce. The poster shows a young sign walker wearing a billboard with a girl holding a megaphone and boldly reading: “Mack Sennett presents Bing Crosby in ‘The Billboard Girl,’ Radio’s Baron of Baritones.” Upper right of teal background calls the film “A Comedy Featurette,” and the lower border features credits and the Educational Pictures logo. In fine, folded condition, with small separations to intersecting folds. Billboard Girl was the fourth of the six short films Crosby made for Mack Sennett, a series that helped the former launch his career as a solo performer. The same year this film was released, Crosby made his feature-length film debut in The Big Broadcast, starring opposite George Burns and Gracie Allen. Starting Bid $200

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7361. The Black Scorpion Insert Movie Poster.

(Warner Bros., 1957) Original color 14 x 36 insert movie poster for the Warner Bros. release of the 1957 giant insect horror film The Black Scorpion, directed by Edward Ludwig and starring Richard Denning, Mara Corday, and Carlos Rivas, with stop motion animation special effects by Willis O’Brien. The film’s storyline concerns giant scorpions wreak havoc across the rural countryside after volcanic activity frees them from the earth. The poster shows Corday posing behind a large scorpion monster head above the film’s title logo, with upper portion reading: “He’ll get you—scared stiff!” Three advisory circles to lower section read: “Shown uncut! Every terror exactly as filmed,” “We urge you not to panic or bolt from your seats!,” and “Don’t be afraid to scream! It helps relieve the tension!” Lower border bears an NSS caption line and numbered “57/523.” In very good condition, with tack holes to the corners, a couple of extra horizontal folds, and dampstaining and related rippling to the bottom. Starting Bid $200

7362. The Brain Eaters Insert. (American Interna-

tional, 1958) Original color 14 x 36 insert movie poster for the American International release of the 1958 science fiction-horror film The Brain Eaters. Produced by an uncredited Roger Corman and Ed Nelson, who stars alongside Alan Jay Factor, Joanna Lee, and a young Leonard Nimoy, the film’s storyline concerns a small town that is overrun by creatures that attach themselves to people’s heads and overtake their minds, turning them into zombies. This vividly colored poster is dominated by the large head of a yellow-eyed woman with sharp teeth and open skull revealing a brain under the bold yellow title logo, with text to right side reading: “Crawling, slimy things terror-bent on destroying the world!” Lower border bears an NSS caption line and is numbered “58/419.” In very good condition, with dampstaining and associated rippling to the top and bottom. After the release of The Brain Eaters, science fiction author Robert A. Heinlein sued for plagiarism, asking for damages of $150,000 and claiming that the film ripped off his novel The Puppet Masters. Starting Bid $200

7363. The Brain That Wouldn’t Die Insert Movie Poster. (American International, 1962) Original color 14 x 36 insert movie poster for the American International release of the 1962 science fiction horror film The Brain That Wouldn’t Die. Directed by Joseph Green and starring Jason Evers, Virginia Leith, and Eddie Carmel, the film’s storyline concerns a doctor who keeps his girlfriend’s head alive after she is decapitated in a car crash and then sets out to find her a new body. The poster depicts Leith as the disembodied Jan Compton attached to medical equipment with bold film title below and upper portion reading: “Alive…Without a Body…Fed by an Unspeakable Horror from Hell!” Lower border bears an NSS caption line and is numbered “62/244.” In very good condition, with overall creasing. Starting Bid $200

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7366. Gorgo One Sheet Movie Poster.

7364. The Brave Tin Soldier Lobby Card. (Celebrity

Productions, 1934) Original color 14 x 11 lobby card for the Comicolor cartoon The Brave Tin Soldier by Ub Iwerks, which was adapted from Hans Christian Andersen’s fairy tale ‘The Steadfast Tin Soldier.’ The lobby card features a wonderful full-color portrayal of a scene from the film showing the soldiers marching. Includes a worn paper folder from the Continental Lithograph Corp. In fine condition, with uniform toning. Starting Bid $200

(MGM, 1961) Original color 27 x 41 one sheet movie poster for the MetroGoldwyn-Mayer release of the 1961 science fiction monster film Gorgo, which focuses on a young sea monster named Gorgo that is captured and transported back to London with his gigantic mother Ogra in hot pursuit. The poster features impressive artwork of Ogra wreaking havoc and smashing famous London landmarks under large bold text: “Like Nothing You’ve Ever Seen Before!” Lower border features a National Screen Service line and is identified as “61/36.” In very good to fine, folded condition. Starting Bid $200

7365. The Colossus of New York Insert. (Paramount,

1958) Original color 14 x 36 insert movie poster for the Paramount Pictures release of the 1958 science fiction film The Colossus of New York. Produced by William Alland, directed by Eugène Lourié, and starring Ross Martin, Otto Kruger, and Mala Powers, the movie concerns a scientist that transplants the brain of his brilliant but recently deceased son into the massive body of a frightening cyborg that soon supplants his son’s benevolent mind with that of a sinister robot. The poster depicts the colossus with glowing eyes holding a woman against a nocturnal cityscape, with lower portion showing a fleeing crowd and an image of the monster hovering above a dozing Powers. Lower border bears an NSS caption line and is numbered “58/279.” In very good condition, with a punch hole to the top border, and dampstaining and associated overall rippling. Starting Bid $200

7367. The Grim Game Lobby Card. (Paramount, 1919)

Fabulous original 14 x 11 lobby card for the silent drama The Grim Game, starring famed escape artist and stuntman Harry Houdini. The text reads: “Jesse L. Lasky presents Houdini in The ‘Grim Game,’ by Arthur B. Reeve and John W. Gray, Directed by Irvin Willat, A Paramount-Artcraft Picture.” The right side boasts a spectacular image of Harry Houdini performing a dramatic aerial stunt, descending a rope from one airplane to another. In fine condition, with light wear. Starting Bid $200

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7368. House of Usher Insert Movie Poster. (Amer-

ican International, 1960) Original color 14 x 36 insert movie poster for the American International release of the 1960 horror film House of Usher, which was directed by Roger Corman, starred Vincent Price, Myrna Fahey, and Mark Damon, and was written by Richard Matheson from the short story ‘The Fall of the House of Usher’ by Edgar Allan Poe. The poster shows three men descending into a crypt and carrying a coffin, with its horrified occupant pictured below, and the title logo in bold green and yellow lettering: “Edgar Allen Poe’s classic tale of the ungodly… the evil House of Usher.” A quote from Poe in white text reads: “’I heard her first feeble movements in the coffin…we had put her living in the tomb.” Lower portion features cast images and production credits, with bottom border bearing an NSS caption line and numbered “60/224.” In very good, folded condition, with corner staple holes, overall creasing, and a couple of extra horizontal folds. Starting Bid $200

7370. James Bond: Live and Let Die One Sheet Movie Poster. (United

Artists, 1973) Original color 27 x 41 poster for the United Artists release of the 1973 spy film Live and Let Die, the eighth installment in the James Bond series and the first to feature Roger Moore as Agent 007. The poster features fantastic Robert McGinnis artwork of James Bond surrounded by a vivid array of playing cards, speed boats, alligators, sharks, and a quartet of sensuous Bond girls. Lower border features a NSS caption block and is identified in the lower border: “West Hemi. 73/35, ‘Live and Let Die.’” In very good to fine, folded condition, with tack holes to the top, a short edge tear, and light fold wear. Starting Bid $200

7369. It! The Terror from Beyond Space One Sheet Movie Poster. (United Artists, 1958) Original color 27 x 41 one sheet

movie poster for the United Artists release of the science fiction horror film It! The Terror from Beyond Space, which depicts the film’s hostile creature towering above the Martian landscape with Marshall Thompson and Shirley Patterson pictured to the lower right corner. Bold text to the upper portion reads: “The Revelation Shocker of Things to Come! $50,000 Guaranteed!” with blue offer box below, “By a World-renowned Insurance Company to the First Person Who Can Prove ‘IT’ Is Not On Mars Now!” In very good to fine condition, with scattered light creasing, and a split to the top of the vertical fold. The premise of the film inspired Dan O’Bannon’s screenplay for Ridley Scott’s classic 1979 sci-fi film Alien. Starting Bid $200

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7371. Mad Max One Sheet Movie Poster. (American International,

1979) Original color 27 x 41 one sheet movie poster for the American International release of George Miller’s dystopian action film Mad Max, which starred Mel Gibson in the title role. The poster features brilliant artwork by Bill Garland of a man wearing a black leather police uniform against a background with police car, burning buildings, and a man and motorbike lying on the ground. Bold text to upper portion reads: “The Maximum Force of the Future.” Lower border features a National Screen Service Corporation caption block with lower right numbered “80029, ‘Mad Max.’” In very good to fine, folded condition, with light overall rippling. Starting Bid $200

7372. Kronos One Sheet Movie Poster.

(20th Century Fox, 1957) Original color 27 x 41 one sheet movie poster for the 20th Century Fox release of the 1957 science fiction film Kronos, also known as Kronos, Destroyer of the Universe, which was directed by Kurt Neumann and starred Jeff Morrow and Barbara Lawrence. The poster features a large, stories-tall fourlegged machine with electrified antenna towering above images of the film’s cast. The film’s title dominates the left side in bold 3-D lettering with captions blocks reading: “Planet Robber Tramples the Earth!” and “Conqueror of the Universe!” Lower border bears an NSS caption line and is numbered “57/161.” In fine, folded condition. Kronos has since earned cult status among sci-fi and horror fans alike, and the storyline has been praised for its prudent portrayal of the negative effects of over-consumption of both natural and man-made resources. Starting Bid $200

7373. The Magnetic Monster Insert Movie Poster. (United Artists,

1953) Highly collectible original color 14 x 36 insert movie poster for the United Artists release of the science fiction film The Magnetic Monster, produced by Ivan Tors and George Van Marter, directed by Curt Siodmak and an uncredited Herbert L. Strock, and starring Richard Carlson, King Donovan, and Jean Byron. The poster shows a scientist wearing a radioactive suit below a throng of people in a state of panic, with bold text reading: “Cosmic Frankenstein Terrorizes Earth! See terror sweep through the heart of a city in the dead of night!” Lower border features a National Screen Service Corporation caption block with lower right numbered “53/151.” In very good, folded condition, with light creasing and soiling, tack holes to the corners, and two extra horizontal folds. Starting Bid $200

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7374. Mothra One Sheet Movie Poster. (Colum-

bia, 1962) Original vibrantly colored 27 x 41 one sheet movie poster for the Columbia Pictures release of the science fiction kaiju film Mothra, which depicts the colossal moth above the title logo and two native dancers with red background showing military aircraft bombing the creature. Bold text to upper portion reads: “Mightiest Monster In All Creation! Ravishing A Universe For Love!” In fine condition, with a short fold split and a couple of short edge tears. The creation of Japan’s Toho Studios, Mothra would become the studio’s second most popular kaiju character after Godzilla, appearing in seven Godzilla sequels and then in her own trilogy in the 1990s. Starting Bid $200

7375. Orchestra Wives One Sheet Mov i e Po s t er.

(Twentieth Century Fox, 1942) Original color 21 x 41 one sheet movie poster for the 1942 musical Orchestra Wives, starring Ann Rutherford, George Montgomery, and Glenn Miller. The handsomely designed poster shows a large image of Miller playing his trumpet above film title, credits, and several artistic portraits of the cast. The poster is affixed to a slightly larger canvas mount. Rolled and in fine condition. Among stars like Rutherford, Montgomery, Miller, and Cesar Romero, Orchestra Wives featured uncredited appearances by Jackie Gleason, Harry Morgan, and Dale Evans. The film’s main production number, ‘I’ve Got a Gal in Kalamazoo,’ was nominated for Best Music, Original Song at the 15th Academy Awards. Starting Bid $200

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7376. The Road Warrior Pair of One Sheet Movie Posters. Very desirable pair of color 27 x 41 one sheet movie

posters for the Warner Bros. release of George Miller’s 1981 post-apocalyptic action film The Road Warrior, the highly acclaimed sequel to 1979’s Mad Max. The first poster features a large well-armored truck driving away from a sun-splashed oil refinery with halves of figures to either side of poster; figure on right undoubtedly that of Mel Gibson’s title character Mad Max, and the left figure clad with a crossbow gauntlet worn by Wez, a mohawked, leather-clad biker played by actor Vernon Wells. Upper text reads: “In the future, cities will become deserts, roads will become battlefields and the hope of mankind will appear as a stranger.” Lower right corner identifies the poster as “NSS–820083.” The second poster shows Gibson in a full-length pose as the armed and leather-wearing title character against a black background with left side dominated with bold red and white reviews from critics lauding the movie as “An astonishing action masterpiece” and “A sensational slam-bang end-of-the-world picture.” Lower right corner identifies the poster as “Style B,” with identical NSS number. In overall fine, folded condition. Starting Bid $200

7377. Vertigo Set of (8) Lobby Cards. (Paramount,

1958) Complete set of eight original 14 x 11 lobby cards for Alfred Hitchcock’s classic 1958 psychological thriller Vertigo, starring James Stewart and Kim Novak. The dramatic redhued lobby cards feature stills from the iconic movie, which is remembered as one of the defining works of Hitchcock’s prolific career in cinema. In overall fine condition, with old tape to reverse edges of lobby cards #1 and #4, and mild staining to the lower border of card #1. Starting Bid $200

7378. The Screaming Skull Insert Movie Poster. (American International,

7379. War of the Satellites Insert. (Al-

1958) Original color 14 x 36 insert movie poster for the American International release of the 1958 horror film The Screaming Skull. Directed by Alex Nicol, who co-stars alongside John Hudson, Peggy Webber, and Russ Conway, the film’s storyline concerns a neurotic newlywed woman who believes she is being haunted by the ghost of her new husband’s previous wife. This terrifically designed poster shows a large skull with bloody mouth looming over a horrified woman with white text to left side reading: “The tortured ghost who claimed vengeance in the bride’s bedroom.” Upper carnival-style caption box reads, “Free!! We guarantee to bury you without charge if you die of fright during Screaming Skull!” and lower orange box reading: “Warning! …This ghost will haunt you forever!” Lower border bears an NSS caption line and is numbered “58/355.” In very good condition, with overall creasing and rippling, and dampstaining to the bottom. Starting Bid $200

lied Artists, 1958) Original color 14 x 36 insert movie poster for the Allied Artists release of the 1958 science fiction film War of the Satellites, produced and directed by Roger Corman, and starring Richard Devon, Dick Miller, and Susan Cabot. This highly appealing poster shows an astronaut floating in space under the bold title logo and a large spherical spaceship, with white lettering to right side: “Life Magazine says— ’The ultimate in scientific monsters.’” Lower border bears an NSS caption line and is numbered “58/207.” In very good condition, with dampstaining and associated rippling to the top and bottom. Rapidly filmed and released to exploit the media frenzy surrounding the launch of the Sputnik satellite, War of the Satellites was released as a double feature with Attack of the 50 Foot Woman. Starting Bid $200

7380. X: The Man with the X-ray Eyes One Sheet Movie Poster. (American International, 1963) Excellent original color 27 x 41 one sheet movie poster for the American International release of the 1963 science-fiction horror film X: The Man with the X-ray Eyes, directed by Roger Corman, written by Ray Russell and Robert Dillon, and starring Ray Milland as Dr. James Xavier, a world-renowned scientist, whose experiments with X-ray vision go awry. The poster features the film title over an intense large image of the main antagonist whose eyes reveal the skeletons of a shapely woman and a laboratory monkey, with lower portion featuring production credits. Lower border bears an NSS caption line and is numbered “63/285.” In fine, folded condition, with light edge rippling. Starting Bid $200

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CLASSIC TELEVISION 7381. Batman Signed Photographs.

7383. Clyde Beatty Signed Photograph.

Two glossy 8 x 10 photos: a color photo of Batman and Robin posing on a hillside, signed and inscribed in blue felt tip, “Hi Bill, Adam West,” and in black felt tip, “Burt Ward, Robin”; and a photo of Catwoman in a playful full-length pose, signed in black felt tip, “Purrr, Purrr, Purrr, Sincerely, Lee Meriwether,” who draws a small cat face below. In overall very fine condition. Starting Bid $200

7382. Batman: West a n d Wa r d Signed Photograph.

Color satinfinish 14 x 11 photo of Batman speaking on the Batmobile’s phone as Robin looks on, signed in blue felt tip, “Adam West, Batman” and “Burt Ward, Robin.” In fine condition, with a PSA/DNA label affixed to lower right corner. Accompanied by a certificate of authenticity from PSA/DNA. Starting Bid $200

Animal trainer and circus impresario (1903–1965) who appeared in several biggame-themed films in the 1930s through 1950s. Vintage glossy 8 x 10 photo of Beatty in a suit and tie, boldly signed and inscribed in fountain pen, “To ‘Louisa Lester,’ with sincere wishes, Clyde Beatty.” In very good to fine condition, with scattered light creasing and a slight brush to the inscription. Starting Bid $200

7384. Hugh Beaumont Signature. Actor, televi-

sion director, and writer (1909–1982) who is best known for his portrayal of Ward Cleaver on the television series Leave It to Beaver. Ink signature, “Hugh Beaumont,” on an off-white 5 x 3 card. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7385. Beverly Hillbillies Group of (9) Signatures.

Collection of signatures from nine actors and actresses from the popular comedy series The Beverly Hillbillies, each accomplished in ink or fountain pen on individual off-white 5 x 3 cards, with signers including: Buddy Ebsen, Irene Ryan, Donna Douglas, Max Baer, Jr., Bea Benaderet, Elvia Allman, Raymond Bailey, Nancy Kulp, and Harriet MacGibbon. All of the cards are inscribed to “Joe,” and six of the cards have small affixed images. In overall fine condition, with an area of adhesive residue on the Ryan card where a small photo was once affixed. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

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7386. Charlie’s Angels Group of (5) Signatures. Sig-

natures from five gorgeous actresses that starred in the popular crime drama television series Charlie’s Angels, each signed and inscribed in ink or felt tip on individual off-white 5 x 3 cards, with signers including: “For Joe, Happiness, Farrah Fawcett,” “To Joe, Jaclyn Smith,” “To Joe, Kate Jackson,” “To Joe, Shelley Hack,” and “Joe, love & luck, love, Tanya Roberts.” In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7 3 8 7. T h e H o n e y mooners Group of (4) Signatures.

Vintage signatures from the four main stars of The Honeymooners, signed and inscribed in fountain pen on individual off-white 5 x 3 cards: “To Joe, Jackie Gleason,” “To Joe—Best wishes, Art Carney,” “To Joe, Best wishes, Audrey Meadows,” and “To Joe, Joyce Randolph, ‘Trixie Norton.’” The Meadows card bears a small affixed image. In overall fine condition, with a few small stains to the Gleason card, and an area of adhesive residue on the Carney and Gleason cards where a small photo was once affixed. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7388. The Honeymooners Signed Photograph.

Glossy 10 x 8 photo of the Kramdens and the Nortons on Ralph’s bus, signed in black felt tip by Art Carney, Audrey Meadows, and Joyce Randolph. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7389. The Lone Ranger: Moore and Silverheels Signatures. Vintage signa-

tures from the two main stars of The Lone Ranger television series, signed and inscribed in ink on individual off-white 5 x 3 cards: “To Joe, The Lone Ranger, Clayton Moore, 1957” and “To Joe, Best always, Jay Silverheels, Tonto.” Both cards bear a small affixed image of the respective signer. In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7390. The Mary Tyler Moore Show Group of (7) Signatures. Signatures

of seven actors and actresses from The Mary Tyler Moore Show, each accomplished in ink or fountain pen on individual off-white 5 x 3 cards, with signers including: Mary Tyler Moore, Edward Asner, Ted Knight, Valerie Harper, Georgia Engel, Betty White, and Cloris Leachman. All of the cards are inscribed to “Joe,” and three cards bear small affixed images of the respective signer. In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7391. MASH Signature Collection.

Collection of signatures from 11 actors and actresses from the Emmy-winning war comedy-drama series M*A*S*H, each accomplished in ink or felt tip on individual off-white 5 x 3 cards, with signers including: Alan Alda, Loretta Swit, Jamie Farr, William Christopher, Harry Morgan, Mike Farrell, Gary Burghoff, David Ogden Stiers, Larry Linville, Wayne Rogers, and McLean Stevenson. Seven of the cards are inscribed to “Joe,” and the Rogers card has a small affixed image. In overall fine condition, with an area of adhesive residue on the Morgan card where a small photo was once affixed. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

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7393. The Munsters Group of (5) Signatures.

7392. Monty Python Signatures.

Very desirable complete set of Monty Python signatures signed on six individual off-white 5 x 3 cards in ink or felt tip, including: John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin, and Graham Chapman. All but the Gilliam card are inscribed to “Joe.” In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7394. Diana Rigg Signed Photograph. Appeal-

ing glossy 11 x 14 full-length photo of Diana Rigg as the armed and leatherclad Emma Peel from the adventure television series The Avengers, signed in blue felt tip. In fine to very fine condition. Consignor notes that Rigg signed while performing on Broadway in the revival of My Fair Lady. Starting Bid $200

7395. S h e rl o c k Holmes: Brett and Hardwicke Signatures. Fountain pen

signatures from the two main stars of the Sherlock Holmes television series, signed and inscribed in ink on individual off-white 5 x 3 cards: “To Joe, from, Jeremy Brett” and “To Joe, Best wishes, Edward Hardwicke.” The Brett card bears an affixed image of the actor. In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

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Signatures of five actors and actresses from the popular sitcom The Munsters, each accomplished in ink or fountain pen on individual off-white 5 x 3 cards, with signers including: Fred Gwynne, Yvonne De Carlo, Al Lewis, Pat Priest, and Butch Patrick. All of the cards are inscribed to “Joe,” and three of the cards have small affixed images. In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7396. Star Trek Group of (8) Signatures. Signa-

tures of seven actors and actresses from the original Star Trek television series, each accomplished in ink or felt tip on individual off-white 5 x 3 cards, with signers including: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, and Grace Lee Whitney. With the exception of the Kelley and Nichols, all of the cards are inscribed to “Joe,” and the Shatner bears a small affixed image. In overall very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7397. Star Trek: Shatner and Nimoy Signed Photograph.

Color satin-finish 16 x 20 photo of Star Trek’s Captain Kirk and Mr. Spock, signed in black felt tip by William Shatner and in blue felt tip by Leonard Nimoy. In fine condition, with a JSA label affixed to lower right corner. Accompanied by a certificate of authenticity from JSA. Starting Bid $200

SCRIPTS 7398. 3rd Rock from the Sun Cast-signed Script. Brad-bound

white-and-pink final draft script for the 3rd Rock from the Sun episode ‘Moby Dick,’ season three, episode six, 55 pages, 8.5 x 11, dated August 22, 1997, signed on the front cover in black felt tip by John Lithgow, Joseph Gordon-Levitt, Jane Curtin, French Stewart, Wayne Knight, Elmarie Wendel, Kristen Johnston, and Simbi Kali. In fine condition, with some faint stains and an ownership stamp to upper front cover. Starting Bid $200

7400. The Big Bang Theory Cast-signed Script. Brad-bound

final draft script for The Big Bang Theory episode ‘The Athens Recurrence,’ season three, episode 10, 41 pages, 8.5 x 11, dated November 9, 2009, signed on the front cover in black felt tip by Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, and Kunal Nayyar. In fine condition. Starting Bid $200

7399. Apollo 13 Original Script Signed by James Lovell.

Very desirable original brad-bound fourth revised screenplay for the 1995 Universal Pictures space docudrama Apollo 13, approximately 141 pages, 8.5 x 11, signed on the title page in black felt tip, “James Lovell, Apollo 13 CDR,” who adds in the upper left: “Houston, we’ve had a problem…it looks to me that we are venting something out in space…it’s a gas of some sort…” The reverse of several pages feature ink and pencil sketches by an unknown cast or crew member (presumably a set or costume designer given their nature), which consist of storyboard-style sequences, character sketches, and a few unrelated. Includes three color glossy candids from the film set, with moonwalker Dave Scott visible in one, a color 2.25 x 2.25 slide of the three main Apollo 13 actors intended for promotion, and a Universal Pictures press packet for the film. In overall fine condition. Accompanied by a certificate of authenticity from Astronaut Central and two photos of Lovell taken at the time of signing. Starting Bid $200

7401. Cheers Cast-signed Script. Very appealing brad-bound Paramount Pictures first draft script for the final Cheers episode, ‘One for the Road,’ season 11, episode 26, 106 pages, 8.5 x 11, dated March 23, 1992, signed on the front cover in felt tip by Ted Danson, Kirstie Alley, Woody Harrelson, Rhea Perlman, John Ratzenberger, George Wendt, and Kelsey Grammer. In fine condition. Accompanied by a full press folder for the 1992–1993 season of Cheers, which includes a variety of publicity photos and info packets. ‘One for the Road,’ the 98-minute final episode of Cheers, first aired on NBC on Thursday night, May 20, 1993, to an audience of approximately 42.4 million households, making it the second-highest-rated series finale of all time behind M*A*S*H, and the highest-rated episode of the 1992–1993 television season in the United States. Starting Bid $200

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7405. Everybody Loves Raymond Cast-signed Script. Brad-bound white-

7402. City Slickers Original Draft Script S i g n e d by Billy Crystal. Very rare

original bradbound ‘rainbow’ preproduction draft screenplay for the 1991 Columbia Pictures western comedy City Slickers, approximately 116 pages, 8.75 x 11.25, signed on the Castle Rock Entertainment studio wrapper in black felt tip, “’There’s nothing like bringing in the herd,’ Best wishes—Billy Crystal.” The title page is signed in black felt tip by Bill Henderson, who starred in the film as Dr. Ben Jessup. The script includes the original red production wrapper. In fine condition. Starting Bid $200

7403. Jeff Conaway’s Castsigned Script for Babylon 5. Brad-bound rainbow final

draft script belonging to actor Jeff Conaway for the featurelength television film Babylon 5: The River of Souls, 94 pages, 8.5 x 11, dated March 30, 1998, signed on the front cover in felt tip by Conaway, in addition to four other cast members: “A pleasure to work with you! Peace, Martin Sheen, 4/20/98, ‘BJ,’” “Jeff Doucette,” “I hope we see more & more of these, see you soon! Jerry Doyle,” and “Dear Jeff—I’ll never forgive you for leaving Taxi! Much love, Tracy Scoggins.” In fine condition, with expected wear from use. Starting Bid $200

7404. The Drew Carey Show Castsigned Script.

Brad-bound shooting draft script for The Drew Carey Show episode ‘Golden Boy,’ season four, episode three, 52 pages, 8.5 x 11, dated September 1, 1998, signed on the front cover in black felt tip by Drew Carey, Diedrich Bader, Christa Miller, Kathy Kinney, Craig Ferguson, and Ryan Stiles. Includes a glossy 8 x 10 Warner Bros. publicity photo of The Drew Carey Show cast, signed in black felt tip by each pictured actor. In overall fine condition, with bands of toning to left and bottom edges. Starting Bid $200

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page shooting script for the Everybody Loves Raymond episode ‘She’s the One,’ season seven, episode nine, 34 pages, 8.5 x 11, dated October 23, 2002, signed on the front cover in black felt tip by Ray Romano, Patricia Heaton, Brad Garrett, Doris Roberts, and Peter Boyle. In fine condition. Starting Bid $200

7406. Everybody Loves Raymond Cast-signed Script. Brad-

bound white table draft script for the Everybody Loves Raymond episode ‘Debra’s Parents,’ season nine, episode seven, 39 pages, 8.5 x 11, dated October 19, 2004, signed on the front cover in black felt tip by Ray Romano, Patricia Heaton, Brad Garrett, Doris Roberts, and Peter Boyle. In fine condition. Starting Bid $200

7407. Everybody Loves Raymond Cast-signed Script.

Brad-bound table draft script for the Everybody Loves Raymond episode ‘The Home,’ season nine, episode one, 42 pages, 8.5 x 11, dated August 23, 2004, signed on the front cover in black felt tip by Ray Romano, Patricia Heaton, Brad Garrett, Doris Roberts, and Peter Boyle. In fine condition, with faint crease to lower left of front cover. Starting Bid $200

7408. Everybody Loves Raymond Script S i g n e d by Ray Romano and Philip Rosenthal.

7410. Frasier Cast-signed Script. Original brad-bound

Special leather-bound King World Productions souvenir shooting script for the pilot episode of the hit sitcom television series Everybody Loves Raymond, 47 pages, 9 x 11.75, dated April 19, 1996, signed on the title page in black felt tip by lead actor Ray Romano and by writer and creator Philip Rosenthal. In fine condition. Starting Bid $200

7409. Family Guy Castsigned Script. Brad-

bound 20th Century Fox rainbow production script for the Family Guy episode entitled ‘Blue Harvest,’ season six, episode one, 8.5 x 11, dated September 23, 2007, signed on the front cover in black felt tip by Seth MacFarlane (who adds a small sketch of Stewie’s head), Alex Borstein, Seth Green, Mila Kunis, Mike Henry, and Alec Sulkin. In fine condition. ‘Blue Harvest’ was the first part of the series’ trilogy Laugh It Up, Fuzzball, a crossover and parody retelling of the original three Star Wars films. Starting Bid $200

Paramount Pictures final draft script for the Frasier episode ‘You Scratch My Book…,’ season two, episode 15, 48 pages, 8.5 x 11, dated December 16, 1994, signed and inscribed on the front cover in black felt tip, “Chris, All the best—Kelsey Grammer,” “To Chris—Regards, David Hyde Pierce,” “Hi Chris—Best wishes, John Mahoney,” “Hi Chris, The best always! Jane Leeves,” and “Hey Chris! with best wishes, Peri Gilpin.” In fine condition, with trivial creasing to front cover. Starting Bid $200

7412. Gunsmoke Script Signed by William Kelley. Original brad-bound

final draft script for the Gunsmoke episode ‘Bohannan,’ season 18, episode three, 63 pages, 8.5 x 11, dated May 1, 1972, signed and inscribed on the front cover by writer William Kelley, “June 19, 1972, For Doug Menville: With best regards—and the hope that you will be autographing a Gunsmoke for me one of these short Mondays—Bill Kelley.” In fine condition, with some ink smudging to beginning of inscription. Starting Bid $200

7411. Fright Night Cast-signed Original Draft Script. Extremely rare original brad-

bound ‘rainbow’ final draft screenplay for the fan-favorite 1985 Columbia Pictures horror film Fright Night, approximately 105 pages (includes various color rewrite and draft pages), 8.5 x 11, signed and inscribed on the front cover in black felt tip by four cast members and the director: “To Rich ‘Giovani’ Jurek, xo, Amanda Bearse, ‘Amy,’” “Who’s Giovanni? Will Ragsdale, ‘Charley,’” “Gee-ovani, this cool! To Rich—Jonathan Stark, ‘Billy,’” “Gianefen–Vanni!!? Stephen Geoffreys, ‘Evil Ed,’” and “Dear Giovanni, Thanks! Tom Holland,” who also signs on the title page in black ink, “Tom Holland (creator) Aug. 4, 2018.” Also included: a glossy 10 x 8 photo of the six stars of Fright Night, signed in black felt tip by Chris Sarandon, Ragsdale, Bearse, Geoffreys, and Stark; and the original Columbia Pictures press kit for Fright Night, which includes publicity photos, credit list, story sheet, and production information. In overall fine condition. Starting Bid $200

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7416. The King of Queens Cast-signed Script. Brad-

74 1 3 . T h e King of Q u e e n s Cast-signed Script. Brad-

bound final draft script for The King of Queens episode ‘Flash Photography,’ season five, episode eight, 59 pages, 8.5 x 11, dated October 10, 2002, signed on the front cover in black felt tip by Kevin James, Leah Remini, and Jerry Stiller. In fine condition. Accompanied by a glossy 8 x 10 of the three King of Queens stars, with signatures inherent to the photograph. Starting Bid $200

74 1 4 . T h e King of Q u e e n s Cast-signed Script. Brad-

bound final draft script for The King of Queens episode ‘Home Cheapo,’ season nine, episode seven, 55 pages, 8.5 x 11, dated January 25, 2007, signed on the front cover in black felt tip by Kevin James, Leah Remini, and Jerry Stiller. Includes a glossy 8 x 10 of the three King of Queens stars, who each sign in blue or black felt tip. In overall fine condition, with a JSA label affixed to lower right front cover. Accompanied by a certificate of authenticity from JSA. Starting Bid $200

7415. The King of Queens Castsigned Script.

Brad-bound final draft script for The King of Queens episode ‘Name Dropper,’ season seven, episode five, 62 pages, 8.5 x 11, dated September 30, 2004, signed on the front cover in black felt tip by Kevin James, Leah Remini, and Jerry Stiller. In fine condition, with authenticity labels affixed to lower right corner of front cover. Accompanied by a certificate of authenticity from JSA. Starting Bid $200

110 www.RRAuction.com | (603) 732-4280

bound final draft script for The King of Queens episode ‘Strike, Too,’ season three, episode six, 63 pages, 8.5 x 11, dated September 22, 2000, signed and inscribed on the front cover in black ballpoint, “To Jennifer, All the best! Kevin James,” “To Jennifer, Kisses! Leah Remini,” and “Jennifer, love, Jerry Stiller.” In fine condition, with slight soiling to cover. Starting Bid $200

7417. The King of Queens Castsigned Script.

Brad-bound final draft script for The K i ng of Queens episode ‘Domestic Disturbance,’ season seven, episode 10, 59 pages, 8.5 x 11, dated November 11, 2004, signed on the front cover in black felt tip by Kevin James, Leah Remini, and Jerry Stiller. In fine condition. Accompanied by a glossy photo of the three actors with signatures inherent to the photo. Starting Bid $200

74 1 8 . T h e Last Airbender Final Script Signed by M. Night Shyamalan. Very

attractive and exceedingly rare hardcover final screenplay for the 2010 Paramount Pictures fantasy film The Last Airbender, handsomely bound with 115 gold-colored interior pages, 8.75 x 11.25, signed on the title page in black felt tip by M. Night Shyamalan, who also adds his initials to the last page of the script. The front cover is marked in the lower right, “Film Crew,” indicating that this was one of a limited number of specially bound screenplays distributed amongst the crew. In fine condition. Starting Bid $200

7419. Mad About You Cast-signed Script.

Brad-bound shooting script for the Mad About You episode ‘Back to Work,’ season six, episode 14, 54 pages, 8.5 x 11, dated January 23, 1998, signed on the front cover in various colored felt tip by Paul Reiser, Helen Hunt, John Pankow, Cynthia Harris, Mary Matalin, Steven Anderson, Fred Willard, and one other. In very good to fine condition, with some scuffs and a couple tears to front cover. Starting Bid $200

7420. Marooned Original Draft Script. Very rare early

original brad-bound second estimating draft screenplay for the Oscar-winning 1969 Columbia Pictures space drama Marooned, starring Gregory Peck, Richard Crenna, David Janssen, James Franciscus, and Gene Hackman. The screenplay, “Production No. 8742,” 203 pages, 8.5 x 11, dated June 30, 1965, notes on the front cover: “When this script has served your purpose, return to stenographic dept.” In fine condition, with light toning. Starting Bid $200

7422. MASH Cast-signed Script. Brad-

bound revised final draft script belonging to a member of the wardrobe department for the M*A*S*H episode ‘None Like It Hot,’ season seven, episode six, 42 pages, 8.5 x 11, dated September 11, 1976, signed on the front cover in black felt tip by Alan Alda, Loretta Swit, Harry Morgan, and Mike Farrell, who adds “Peace!,” and in black ink by Jamie Farr, who adds “MASH, 4077.” The script includes the 20th Century Fox call sheet and shooting schedule, as well as 11 pages of scene-by-scene wardrobe details for the episode’s main cast. In fine condition, with expected wear from use. Starting Bid $200

7421. Marooned Original Final Script. Very

rare original brad-bound final draft screenplay for the Oscar-winning 1969 Columbia Pictures space drama Marooned, starring Gregory Peck, Richard Crenna, David Janssen, James Franciscus, and Gene Hackman. The screenplay, marked “Marooned” on the spine, 153 pages, 8.5 x 11, dated October 16, 1968, features the original light blue wrapper with movie poster imagery of floating astronaut and capsule. In very good to fine condition, with soiling, toning, and handling wear from use. Starting Bid $200

7423. MASH Script Signed by Alan Alda. Bracket-bound

second revised final script for the M*A*S*H episode ‘Dear Sigmund,’ season five, episode seven, 32 pages, dated September 3, 1976, signed on the front cover in black ink by writer and main star Alan Alda. In fine condition. Accompanied by a letter of transmittal from Alda’s assistant, donating the script to a charity auction. Alda won two awards for the episode: the Directors Guild of America’s Award for Outstanding Directing in a Comedy Series in 1976, and the Primetime Emmy Award for Outstanding Directing for a Comedy Series in 1977. Starting Bid $200

7424. Molly’s Game Script Signed by Aaron Sorkin. Extremely

rare specially bound hardcover final shooting screenplay for the critically acclaimed 2017 STX Films crime drama Molly’s Game, 186 pages, 8.75 x 11.25, signed and inscribed on the title page in black felt tip by screenwriter Aaron Sorkin to a crew member named “Hans,” whose name has been crossed out on the front cover. In fine condition. Sorkin’s screenplay for Molly’s Game earned him nominations at the Academy Awards, Golden Globes, Writers Guild of America Awards, and BAFTA Awards. Starting Bid $200

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74 2 6 . T h e Monkees Signed Photograph and Script S i g n e d by Micky Dolenz. Two

items: a color glossy 10 x 8 photo of The Monkees sitting in personalized director’s chairs, signed in felt tip by David Jones, Mickey Dolenz, Peter Tork, and Michael Nesmith; and a brad-bound revised final draft script for The Monkees episode ‘I Was a 99-Pound Weakling,’ season two, episode six, 27 pages, 8.5 x 11, May 3, 1967, signed on the front cover in black felt tip by Dolenz. In overall fine condition, with some wear to script cover. Starting Bid $200

7425. The Mask of Zorro Cast-signed Original Script.

Original brad-bound ‘rainbow’ revised screenplay for the blockbuster 1998 TriStar Pictures swashbuckler film The Mask of Zorro, approximately 130 pages (includes various color rewrite and shooting pages), 8.5 x 11, signed on the front cover in black felt tip by Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, Stuart Wilson, and director Martin Campbell. Also included is an original bracket-bound storyboard book and a beige production cap for The Mask of Zorro, both of which are signed in black felt tip by Banderas, Hopkins, Zeta-Jones, Wilson, and Campbell. In overall fine condition. Accompanied by an invitation to a Mask of Zorro wrap-party at the La Joya Hotel and the Excellencia Hotel. Consignor notes that the collection originates from the personal collection of Producer Doug Claybourne. Starting Bid $300

7427. Priscilla Presley’s Script for Dallas. Brad-

bound final draft script belonging to actress Priscilla Presley for the Dallas episode ‘Trial and Error,’ season eight, episode 23, 56 pages, 8.5 x 11, signed prominently on the front cover in blue felt tip by Presley, with an ownership notation to upper border. Presley highlights a few sections of dialogue to the script. In fine condition, with expected wear from use. Starting Bid $200

A classic TV mash-up of Roseanne and Gilligan’s Island 7428. Roseanne and Gilligan’s Island Cast-signed Script. Original bradbound final draft script for the Roseanne episode ‘Sherwood Schwartz—A Loving Tribute,’ season seven, episode 25, 49 pages, 8.5 x 11, dated April 6, 1995, signed on the front cover in black felt tip by Roseanne Barr, John Goodman, Laurie Metcalf, Sara Gilbert, Michael Fishman, Johnny Galecki, Estelle Parsons, Glenn Quinn, and Martin Mull. The script is also signed by several cast members from Gilligan’s Island, who guest-starred on the show: Bob Denver, Russell Johnson, Tina Louise, Dawn Wells, and Sherwood Schwartz. In fine condition. Accompanied by a letter of provenance stating that the autographs were obtained at CBS Studios during the Roseanne taping. The season seven finale of Roseanne, ‘Sherwood Schwartz: A Loving Tribute’ originally aired on ABC on May 24, 1995 and included a wonderful Gilligan’s Island fantasy sequence that transformed family members into the sitcom’s characters. A decidedly rare, multi-signed script honoring two classic television programs. Starting Bid $200

112 www.RRAuction.com | (603) 732-4280

Cast-signed script for the classic ‘Van Buren Boys’ episode

7429. Seinfeld Cast-signed Script. Sought-after brad-

bound full script revision for the Seinfeld episode ‘The Van Buren Boys,’ season eight, episode 14, 62 pages, 8.5 x 11, dated January 13, 1997, signed on the front cover in blue felt tip by Jerry Seinfeld, Julia Louis-Dreyfus, Michael Richards, and Jason Alexander. In fine condition. A desirable fully signed script for a classic Seinfeld episode that features Kramer and George having run-ins with The Van Buren Boys, a dangerous street gang named after the eighth American president, Martin Van Buren. Starting Bid $200

7430. Sherlock Castsigned Script. Original

bracket-bound UK-issued shooting script for the special feature-length Sherlock episode ‘The Abominable Bride,’ 123 pages, 8.25 x 11.75, dated December 19, 2014, signed on the front cover in black ballpoint by Benedict Cumberbatch, Martin Freeman, Mark Gatiss, and Andrew Scott. In fine condition. Accompanied by a copy of a letter of authenticity from Hartswood Films. Starting Bid $200

74 3 1 . T h e Simpsons Cast-signed Script. Very

desirable bradbound 20th Century Fox table draft script for The Simpsons episode ‘My Mother the Carjacker,’ episode two, season 15, 45 pages, 8.5 x 11, dated October 3, 2002, signed and inscribed on the front cover in black felt tip, “Matt Groening, 2002,” “Hey Bo, whaddaya know, D’oh! Homer Simpson, Dan Castellaneta,” “Hi Bo—from your pals Moe, Apu & Hank Azaria,” “Bo—Best wishes, Harry Shearer,” and “Hi Bo—From your pal, Lisa Simpson, (Yeardley).” In fine condition. Accompanied by a letter of provenance from the original recipient: “From 2000–2006, when I was younger and starting out in the film industry, I lived in Los Angeles. In 2002, my friend…happened to be dating a young lady who worked for The Simpsons…. She was able to arrange for a small group of us…to attend a cast table reading. As not only a fan of the show, but as a young actor, this was a huge treat for me.” Starting Bid $200

7432. That ‘70s Show Group of (4) Cast-signed Scripts. Group lot

of four 8.5 x 11 final draft scripts for season seven episodes of That ‘70s Show, with episode titles including: ‘Rip This Joint’ (ep. 6), ‘Angie’ (ep. 8), ‘You Can’t Always Get What You Want’ (ep. 9), and ‘Surprise, Surprise’ (ep. 10). Each script signed on the front cover in black felt tip by numerous cast members, including: Mila Kunis, Ashton Kutcher, Laura Prepon, Danny Masterson, Wilmer Valderrama, and others. In overall fine condition. Starting Bid $200

Hollywood | May 23, 2019 113

7433. The Abbott and Costello Show Group of (3) Scripts Starting Bid $200

7434. According to Jim Cast-signed Script Starting Bid $200

7435. According to Jim Cast-signed Script Starting Bid $200

7436. According to Jim Cast-signed Script Starting Bid $200

7437. America’s Funniest Home Videos Script Signed by Daisy Fuentes and John Fugelsang Starting Bid $200

7439. Loni Anderson’s Script for The Mullets Starting Bid $200

7440. Jorge Garcia’s Script for Becker Starting Bid $200

7441. Becker Cast-signed Script Starting Bid $200

7442. Becker Cast-signed Script Starting Bid $200

7443. Becker Cast-signed Script Starting Bid $200

7444. Mel Blanc’s Script for The Jetsons Starting Bid $200

7445. Breaking Bad Script Signed by Bryan Cranston and Aaron Paul Starting Bid $200

7446. Columbo Script Signed by Peter Falk Starting Bid $200

114 www.RRAuction.com | (603) 732-4280

7438. Richard Anderson’s Script for Kung Fu: The Legend Continues Starting Bid $200

7447. Dom DeLuise’s Original Script for Happy Starting Bid $200

7448. Dharma and Greg Cast-signed Script Starting Bid $200

7449. Angie Dickinson’s Script for Police Woman Starting Bid $200

7450. Angie Dickinson’s Script for Police Woman Starting Bid $200

7451. Bradford Dillman’s Script for The Streets of San Francisco Starting Bid $200

7452. The Drew Carey Show Script Signed by Drew Carey Starting Bid $200

7453. The Ellen Show Cast-signed Script Starting Bid $200

7454. Morgan Fairchild’s Scripts (3) for That ‘70s Show Starting Bid $200

7455. Family Guy Script Starting Bid $200

7456. Family Guy Script Signed by Patrick Meighan Starting Bid $200

7457. Family Ties Script Signed by Meredith Baxter Starting Bid $200

7458. The Fanelli Boys Cast-signed Script and Photographs Starting Bid $200

7460. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7461. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7462. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7459. Fences Script Signed by Denzel Washington and Viola Davis Starting Bid $200

Hollywood | May 23, 2019 115

7463. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7464. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7465. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7466. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7467. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7468. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7469. Redd Foxx’s Script for Sanford and Son Starting Bid $200

7470. Redd Foxx’s Script for The Royal Family Starting Bid $200

7471. Redd Foxx’s Script for The Royal Family Starting Bid $200

7472. Valerie Harper’s Script for Rhoda Starting Bid $200

7473. Valerie Harper’s Script for Rhoda Starting Bid $200

7474. Valerie Harper’s Script for Rhoda Starting Bid $200

7475. Valerie Harper’s Script for Rhoda Starting Bid $200

7476. Valerie Harper’s Script for Rhoda Starting Bid $200

7477. Valerie Harper’s Script for Rhoda Starting Bid $200

7478. Valerie Harper’s Script for Rhoda Starting Bid $200

116 www.RRAuction.com | (603) 732-4280

7479. Valerie Harper’s Script for Rhoda Starting Bid $200

7481. Florence Henderson’s Script for It’s Garry Shandling’s Show Starting Bid $200

7480. Hell or High Water Cast-signed Script Starting Bid $200

7482. Howard Hesseman’s Script for Head of the Class Starting Bid $200

7483. Honey I Shrunk the Kids Cast-signed Script Starting Bid $200

7484. Hot in Cleveland Cast-signed Script Starting Bid $200

7485. The Jeff Foxworthy Show Script Signed by Jeff Foxworthy Starting Bid $200

7486. The Jeff Foxworthy Show Script Signed by Jeff Foxworthy Starting Bid $200

7487. Jesse Cast-signed Script Starting Bid $200

7488. Just Shoot Me Cast-signed Script Starting Bid $200

7489. The King of Queens Script Signed by Kevin James and Leah Remini Starting Bid $200

7490. Kung Fu: The Legend Continues Script Signed by David Carradine Starting Bid $200

7491. Michele Lee’s Script for Knots Landing Starting Bid $200

7492. George Lopez Cast-signed Script Starting Bid $200

7493. The Mary Tyler Moore Show Cast-signed Script Starting Bid $200

Hollywood | May 23, 2019 117

7494. MASH Script Signed by Alan Alda Starting Bid $200

7495. Murphy Brown Cast-signed Script Starting Bid $200

7496. Murphy Brown Script Signed by Candice Bergen and Faith Ford Starting Bid $200

7497. Newhart Scripts (3) Signed by Bob Newhart Starting Bid $200

7498. Bernie Orenstein’s Script for Sanford and Son Starting Bid $200

7499. Our Gang Cast-signed Script Starting Bid $200

7500. The Parkers Cast-signed Script Starting Bid $200

7501. The Partridge Family Script Signed by Shirley Jones Starting Bid $200

7502. Rhea Perlman’s Script for Cheers Starting Bid $200

7503. Michelle Phillips’s Script for Knots Landing Starting Bid $200

7504. Pirates of the Caribbean Script Signed by Ted Elliott and Terry Rossio Starting Bid $200

7505. The Practice Cast-signed Script Starting Bid $200

7506. John Ratzenberger’s Script for Cheers Starting Bid $200

7507. Doris Roberts’s Script for Everybody Loves Raymond Starting Bid $200

7508. The Rookie Original Script Starting Bid $200

7509. Roseanne Cast-signed Script Cover Starting Bid $200

118 www.RRAuction.com | (603) 732-4280

7510. Shopgirl Script Signed by Steve Martin Starting Bid $200

7511. Smallville Cast-signed Script Starting Bid $200

7512. Step by Step Cast-signed Script Starting Bid $200

7513. Suddenly Susan Cast-signed Script Starting Bid $200

7514. Suddenly Susan Cast-signed Script Starting Bid $200

7515. Lea Thompson’s Script for Caroline in the City Starting Bid $200

7516. The Town Script Signed by Ben Affleck Starting Bid $200

7517. Toy Story 3 Mini Script Signed by Michael Arndt Starting Bid $200

7518. Rudy Vallee’s Script for The Fleischmann’s Yeast Hour Starting Bid $200

7520. Kristin Bauer van Straten’s Pair of True Blood Scripts Starting Bid $200

7519. Kieren van den Blink’s Script and Storyboards for Wolverine and the X-Men Starting Bid $200

7521. Who’s the Boss Cast-signed Script Starting Bid $200

7522. Wings Cast-signed Script Starting Bid $200

Hollywood | May 23, 2019 119

CONTEMPORARY HOLLYWOOD 7526. Clint Eastwood Signed Photograph.

7523. Christian Bale Signed Photograph.

Color satin-finish 11 x 14 full-length photo of Christian Bale as Batman, signed in black felt tip. In fine condition, with scattered light creasing. Originally obtained by inperson specialist Mike Wehrmann. Starting Bid $200

Color glossy 10 x 8 photo of Eastwood in his memorable role as Dirty Harry’s Harry Callahan, signed in blue felt tip. In fine condition, with a couple of small surface creases. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7524. Mel B r o o k s Signed Mini Posters. Two

color satin-finish 12 x 18 photos reproducing the posters for Blazing Saddles and Young Frankenstein, individually signed in blue felt tip by director Mel Brooks. In fine condition, with some light edge creasing to the Blazing Saddles photo. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7527. Chris Farley Signature. Sought-

after ink signature and inscription, “To Joe, Chris Farley,” on an off-white 5 x 3 card. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7525. Francis Ford Coppola Signed Photograph.

Satin-finish 11 x 14 photo of Francis Ford Coppola holding his three Oscars from the 47th Academy Awards ceremony, signed in blue felt tip. In fine condition. Accompanied by a certificate of authenticity from PSA/DNA. Coppola won Oscars for Best Picture, Director, and Best Screenplay Adapted from Other Material (with Mario Puzo) for his masterful sequel, The Godfather Part II. Starting Bid $200

120 www.RRAuction.com | (603) 732-4280

7528. Fright Night Lobby Card Set. Appealing group lot of eight color 14 x 11 Columbia Pictures lobby cards for the 1985 comedy horror Fright Night, with each lobby card showing memorable scenes from the ‘vampire next door’ cult classic that features actors Chris Sarandon, William Ragsdale, Amanda Bearse, Roddy McDowall, and Stephen Geoffreys. In overall fine condition. Starting Bid $200

7529. Game ofThrones Signed Mini Poster.

Color satin-finish 12 x 18 photo of a poster for the award-winning HBO series Game of Thrones, signed in blue felt tip by George R. R. Martin, Peter Dinklage, Emilia Clarke, Aidan Gillen, Charles Dance, Sophie Turner, Maisie Williams, Isaac Hempstead Wright, John Bradley, Gwendoline Christie, Sibel Kekilli, Rose Leslie, Liam Cunningham, Nikolaj Coster-Waldau, Kit Harington, and Michelle Fairley. In fine condition, with scattered light creasing and tape along the top edge of the reverse. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7532. James and the Gia n t Pe a c h Original Storyboards.

(Walt Disney Studios, 1996) Four original storyboard drawings for the animated musical fantasy film James and the Giant Peach, accomplished in ink and colored pencil on individual white 8.25 x 5.25 sheets. The scenes consist of James pointing to a compass on the peach’s stem, captioned with handwritten dialogue, “James: Hello! I’ve swung the compass!”; a spider being dressed up as a ladybug, captioned with typed dialogue, “Spider: Why, thank you Mrs. Ladybug”; a scene with James and several of his bug friends hopping a fence; and a distant view of the peach illuminated by rays of sunlight passing through dark clouds. Matted together to an overall size of 29.5 x 24.5. In fine condition. Starting Bid $200

7530. Anthony Ho p k i n s S i g n e d Photograph. Excellent color satin-finish 16 x 20 photo of the confined Dr. Hannibal Lecter from the Oscarwinning 1991 film The Silence of the Lambs, signed in black felt tip. In fine condition. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

7531. Hugh Jackman Signed Photograph. Color

satin-finish 11 x 14 photo of Jackman as Wolverine in X-Men, signed in blue felt tip. In fine condition, with some creasing in the left border. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7533. Claudia Jennings Signature.

Playboy Playmate of the Year (1949–1979) and cult B-movie star until her tragic early death in a car accident. Uncommon ink signature and inscription, “To Jo—Best of all—Claudia Jennings,” on an off-white 5 x 3 card. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

7534. The Lord of the Rings Signed Poster. Original color

27 x 40 one-sheet movie poster for the 2001 film Lord of the Rings: Fellowship of the Ring, signed in blue felt tip by Elijah Wood (2), Ian McKellen, Orlando Bloom, Sean Bean, John RhysDavies, Dominic Monaghan, Sean Astin, Ian Holm, Billy Boyd, and director Peter Jackson. In very good condition, with scattered light creasing, and a tear to the upper left edge. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

Hollywood | May 23, 2019 121

7535. Pearl H a r b o r Signed Poster. (Touch-

stone, 2001) Original color 29 x 60 banner movie poster for the 2001 romantic war drama Pearl Harbor, signed in black felt tip by several members of the cast and crew, including: Ben Affleck, Kate Beckinsale, Cuba Gooding, Jr., Jon Voight, Dan Aykroyd, Alec Baldwin, Josh Hartnett, Michael Bay, Jerry Bruckheimer, Tom Sizemore, Cary-Hiroyuki Tagawa, Jaime King, William Lee Scott, and Ewen Bremner. Rolled and in fine condition, with scattered light creasing. Starting Bid $200

7536. Luke Perry Signed Photograph. Color

glossy 8 x 10 photo of Luke Perry during his years on Beverly Hills, 90210, signed in blue felt tip. In very fine condition, with some creasing and emulsion irregularity. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7537. The Rocky Horror Picture Show Signed Photograph. Color glossy 10 x 8 photo of Dr. Frank N.

Furter, Magenta, and Columbia during a scene from the 1975 cult classic The Rocky Horror Picture Show, signed in black felt tip, “Tim Curry,” “Love, Patricia Quinn, x,” and “Nell Campbell.” In fine condition, with a vertical bend to the left of Curry’s head. Starting Bid $200

122 www.RRAuction.com | (603) 732-4280

Spectacular limited deluxe edition of The Tales of Beedle the Bard

7538. J. K. Rowling Signed Book. Signed book: The Tales of Beedle the Bard. Deluxe collector’s edition, limited issue, numbered 19/100. London: Children’s High Level Group, 2008. Ornately embellished hardcover, 4.75 x 6.75, 179 pages. Beautifully signed on the half-title page in blue felt tip, “J. K. Rowling.” Complete with its beautiful embroidered velvet bag, illustration prints, and large leatherbound clamshell case with cardstock slipcover. Autographic condition: fine, with a Rowling hologram affixed to the signed page. Book condition: NF in an NF clamshell case. A scarce and luxurious limited edition. Starting Bid $200

Superb signed first edition of Harry Potter and the Half-Blood Prince

7539. J. K. Rowling Signed Book. Signed book: Harry

Potter and the Half-Blood Prince. First British edition. London: Bloomsbury, 2005. Hardcover, 5.5 x 8, 607 pages. Signed on the title page in black ballpoint, “J. K. Rowling.” Autographic condition: fine. Book condition: VG+/None. A wonderful example of the sixth and penultimate novel in the Harry Potter series. Starting Bid $200

Desirable early printing of the first Harry Potter book, signed by the author

7540. J. K. Rowling Signed Book. Signed book: Harry Potter and the Philosopher’s Stone. First edition, second printing. London: Bloomsbury, 1997. Softcover, 5 x 7.75, 223 pages. Signed on the title page in black felt tip, “J. K. Rowling.” Autographic condition: fine. Book condition: VG/ None, with light edgewear. Starting Bid $200

7542. Signs Signed Poster.

(Touchstone, 2002) Original color 27 x 40 one sheet movie poster for the 2002 science fiction horror film Signs, which focuses on a former Episcopal priest who discovers a series of crop circles in his cornfield and soon realizes that they’re the result of extraterrestrial life. The poster is signed in gold ink by director M. Night Shyamalan, Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin, and Cherry Jones. Rolled and in fine condition, with scattered light creasing, a chip to right edge, and a tear to bottom edge. Starting Bid $200

7543. The Sopranos Signed Photograph. Col-

or satin-finish 11 x 14 photo of the Sopranos cast playing cards, signed in blue felt tip by James Gandolfini, Tony Sirico, Steven Van Zandt, and Michael Imperioli. In very good to fine condition, with a bend to the upper right corner, and the sentiment following Van Zandt’s signature (“was here”) extending off the bottom of the photograph. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7544. Steven Spielberg Signed Magazine. Terrific

7541. Arnold Schwarzenegger Signed Print. Limited edition color 16 x 9.75 Senigraph print for the 1996 action film Eraser, showing a close-up image of Arnold Schwarzenegger as hero US Marshal John Kruger, numbered 34/250, signed in the lower border in pencil by Schwarzenegger. Cloth-matted and framed with a plate and three frames of the corresponding film footage to an overall size of 26.75 x 24.25. In fine condition, with some light scuffing to the frame. Accompanied by a certificate of authenticity from Warner Bros. and Hollywood Archive Collectibles. Starting Bid $200

copy of Time magazine from June 23, 1975, with the front cover showing an artistic image of a large great white shark and bold yellow text, “Super Shark, ‘Jaws’ on Film and Other Summer Thrillers,” 76 pages, 8.25 x 11, signed nicely on the cover in blue felt tip by Steven Spielberg. In fine condition. Accompanied by a certificate of authenticity from PSA/DNA. Starting Bid $200

Hollywood | May 23, 2019 123

7545. Sylvester Stallone Signed Photograph. Color

satin-finish 11 x 14 photo of Sylvester Stallone as iconic boxer Rocky Balboa, signed in blue felt tip. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7546. John Travolta Signed Poster. Modern color 27 x 40

reproduction of the one-sheet movie poster for Paramount’s popular 1977 disco film Saturday Night Fever, signed in blue felt tip by John Travolta. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7547. The Walking Dead: Lincoln and Reedus Signed Photographs. Two color satin-finish 14 x 11 photos of the

stars of The Walking Dead, individually signed in blue felt tip by Andrew Lincoln and Norman Reedus. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

STAR WARS 7548. J. J. Abrams Signed Script.

Brad-bound souvenir script for Star Wars: The Force Awakens, 8.5 x 11, signed on the front cover in blue felt tip by writer-director J. J. Abrams. In fine condition, with a Beckett Authentication Services label affixed to the lower right corner. Accompanied by a certificate of authenticity from Beckett Authentication Services. Starting Bid $200

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7549. Carrie Fisher and Peter Mayhew Signed Photograph. Desirable color satin-finish 14 x 11 photo of Princess

Leia and Chewbacca during a scene in Star Wars, signed in blue felt tip by Carrie Fisher and Peter Mayhew, who adds “Chewbacca.” Lower left corner bears an affixed Star Wars authenticity label. In very fine condition. Starting Bid $200

7553. Frank Oz Signed Photograph. Color satin-

7550.Alec Guinness Signed Photograph. Glossy 8 x 10

finish 11 x 14 photo of Yoda from Star Wars, prominently signed in blue felt tip by puppeteer and voice actor Frank Oz. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

photo of Guinness as Obi-Wan Kenobi in Star Wars, signed in purple felt tip, “All good wishes, Alec Guinness.” In very fine condition. Starting Bid $200

7551. James Earl Jones and Dave Prowse Signed Photograph. Color

satin-finish 14 x 11 photo of Darth Vader strangling Captain Antilles in an effort to find the stolen Death Star plans in a scene from Star Wars, signed in silver ink, “James Earl Jones,” and in black felt tip, “What have you done with those plans? Darth Vader, Dave Prowse.” In very fine condition. Starting Bid $200

7552. George Lucas Signed Mini Poster. Color satin-fin-

ish 12 x 18 poster reproducing the poster for the original 1977 Star Wars film, signed in gold ink by director George Lucas. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

7555. Star Wars ‘Style A’ One Sheet Movie Poster. Rare original color 27 x 41 ‘Style A’ one sheet poster for the 1977 space opera Star Wars, which features Tom Jung’s classic artwork of Luke Skywalker, Princess Leia, and R2-D2 and C-3PO against a background of Darth Vader, the Death Star, and a fleet of starships. White text to upper section reads: “A long time ago in a galaxy far, far away…” Lower portion bears the film’s logo, credits, and production details, with bottom border featuring NSS information and identified as “One Sheet—Style ‘A,’ 77/21.” In fine, folded condition, with minor splitting at fold intersections. Starting Bid $200

7554. Sebastian Shaw Signature. English actor, director, and writer (1905–1994)

known for his Shakespearean roles, though he is perhaps most famously remembered for his brief but important role as Anakin Skywalker at the end of the third Star Wars film, Return of the Jedi. Uncommon ink signature and inscription, “To Joe, good wishes, Sebastian Shaw,” on an off-white 5 x 3 card. In very fine condition. Originally obtained in person by a New York autograph collector who collected from the 1950s through the 2000s. Starting Bid $200

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7556. Star Wars ‘Style D’ One Sheet Movie Poster. Scarce original color 27

x 41 ‘Style D’ or ‘circus style’ one sheet poster for the 1977 space opera Star Wars, which features incredible artwork design by Charlie White III and Drew Struzan of a tattered Star Wars poster peeling back to reveal a wooden fence or wall. The poster includes a wide variety of enduring Star Wars characters and symbols, such as: Luke Skywalker, Princess Leia, Hans Solo, Obi-Wan Kenobi, Chewbacca, R2-D2 and C3PO, the Death Star, the Jawas, the landspeeder, stormtroopers, and Darth Vader with a Dracula-type cape. Large bold text to upper section reads: “Star Wars, A long time ago in a galaxy far, far away…” Lower portion features cast and crew credits and production details, with bottom border featuring NSS information and identified as “Style D, 77021, ‘Star Wars.’” In fine, folded condition. The D-style poster was produced for the 1978 summer re-release of Star Wars and is purportedly one of George Lucas’ favorite posters for the film. Starting Bid $200

Scarce vehicle design blueprints for the original Star Wars

7557. Star Wars Original Blueprints. Highly displayable set of three detailed production blueprints used for vehicle design planning for the classic 1977 space opera Star Wars: Episode IV—A New Hope, with drawings including: a “T.I.E. Fighter” blueprint, 36 x 23.75, dated September 19, 1975, sheet 2 of 2, drawing No. 502, featuring fantastic rear and side angles of the Imperial fleet workhorse drawn by “Gawley”; a ”Luke’s Landspeeder” blueprint, 36 x 21.5, dated September 12, 1975, with “20 Century Fox Ltd. The Star Wars” stamp to lower right identifying the plan as “Prod. No. E76/1” and “Drg. No. 58,” with blueprint featuring side, rear, and overhead view of Luke’s old X-34 Landspeeder; and a “Y-Wing Fighter” blueprint, 36 x 24, dated September 8, 1975, sheet 1, drawing No. 501, which shows two differing side profiles of the Rebel Alliance starfighter drawn by “Gawley,” with annotations listing “R2 D2 Location,” “Wing Location,” and “Torpedo Tube.” Rolled and in overall very good to fine condition, with light creasing to all three, and scratches and an area of paper loss to ‘T.I.E. Fighter.’ Starting Bid $200

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CONTEMPORARY COSTUMES & PROPS Gemini 8 instrument panels from the Oscarwinning film First Man 7558. First Man Screen-used Gemini Capsule Panels. Outstanding group

of screen-used set decorations from the Oscar-winning 2018 film First Man, consisting of four true-to-life replica sections of the interior of the Gemini 8 capsule, instrument panels that were prominently featured in the film’s harrowing ‘Agena spin’ sequence with Ryan Gosling and Christopher Abbott acting as Command Pilot Neil Armstrong and Pilot Dave Scott. The panels range in size from approximately 9.75˝ x 11.75˝ x 3˝ to 20˝ x 22˝ x 14˝, and include: the Command Pilot’s main instrument panel, which received the most screen time and is featured repeatedly in quick close-up shots as Gosling attempts to halt the tumbling Gemini capsule, with replicated instruments including a roll rate gauge (viewed full-screen several times) and a flight director/attitude indicator (not the one used in the film, but a closely matching example); a circuit breaker panel located to the immediate left of Gosling during the scene, featuring 41 switches; a circuit breaker panel located to the immediate right of Abbott, featuring 41 switches; and an overhead panel located between Gosling and Abbott, featuring 64 switches. In overall fine condition, with expected wear from use; the propulsion quantity indicator is detached from panel, but is entirely capable of being reattached to main panel. Accompanied by several images of the panels as they were seen in the film. Among the most impressive modern screen-used film props we’ve ever offered, these four panels were painstakingly designed and assembled to accurately duplicate the pilot console of the Gemini 8 spacecraft. The incredible attention to detail put into First Man, a biopic on the life of Apollo 11 moonwalker Neil Armstrong, was recognized with four Academy Award nominations—Best Production Design, Best Sound Editing, Best Sound Mixing, and Best Visual Effects—with the film winning the latter due to its many dramatic launch and space-related sequences. While screen-used props remain uncommon, large set decorations such as these, created with such immense skill and care, are rarely seen offered at auction—incredible Gemini 8 replica instrument panels that are, in and of themselves, intricate works of art ideal for collectors of space or cinema. Starting Bid $500

7559. Michael Gambon’s Screenworn Jacket from Toys. Michael Gam-

bon’s screen-worn coat from his role as psychotic Lieutenant General Leland Zevo in the 1992 fantasy comedy film Toys. The dark green military-style jacket features four flap pockets on the front, and black bands on the cuffs. The interior is lined in olive satin, and a Western Costume Co. tag is sewn inside the right breast pocket, filled out in type: “No. 22652-1, Name: Michael Gambon, Chest: 46R, Sleeve: 18 1/2.” In fine condition, with all buttons removed. Starting Bid $200

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7560. The Incredible Hulk Laboratory Props. Collection of screen-used props from the blockbuster 2008 Marvel Studios superhero film The Incredible Hulk. These items were handled by actor Edward Norton as Bruce Banner during a scene in which the doctor, in his quest to find a cure for his gamma-irradiated curse, takes a sample of his own blood and sends vials of it to ‘Mr. Blue,’ cellular biologist Dr. Samuel Sterns, who is played by actor Tim Blake Nelson. The items include: a plastic tube or vial, 6.25˝ in length, filled with red faux blood and the outside bearing a tape strip marked: “Mr. Green”; a pair of syringes, both approximately 6.5˝ in length, one real and the other a ‘safety’ version, with the real version featuring a coil of plastic tubing; and a pair of cardboard show boxes wrapped in brown paper, 11.75 x 6.5 x 4, both featuring address labels marked: “Mr. Blue, P. O. Box 35627, N.Y. NY 10026, USA.” Both boxes and the vial feature affixed labels from Propworx. In overall very good to fine condition, with tearing to the end of one box. The lot is accompanied by a certificate of authenticity from Propworx. Starting Bid $200

7561. Indiana Jones and the Temple of Doom Production-Used Thugee Bow. Production-

used silver-colored Thuggee bow from the classic 1984 action-adventure film Indiana Jones and the Temple of Doom, measuring 43˝ long and 8˝ wide, featuring animal heads carved into each end. This bow was used in the scene when the Thuggee archers fired arrows at Indiana Jones across a deep ravine. In very good to fine condition, with scattered wear to paint and the string missing. Accompanied by a certificate of authenticity from The Prop Store of London, two printed screenshots of the bows in use, and three postcards depicting Harrison Ford as Indiana Jones. A desirable prop weapon from the second film of the beloved Indiana Jones franchise. Starting Bid $200

7562. Iron Man II Court Props. Collection of screen-used

props from the blockbuster 2010 Marvel Studios superhero film Iron Man 2. The props were handled by actor Garry Shandling as United States Senator Stern and by Robert Downey, Jr. as Tony Stark, aka Iron Man, during a court scene in which Stern presents Stark with a congressional subpoena. The props include: a brown wooden gavel, 10˝ in length, and matching base, 4˝ in diameter; and a white 8.5 x 11 sheet, both sides, containing the subpoena, which reads, in part: “You are commanded to appear before the United States Senate Arms Committee at a hearing duly noticed, to testify on the contractual agreement by and between ‘Stark Industries’ and the United States Government to provide weapons and equipment to the U.S. Military.” The sheet and wooden base feature affixed labels from Propworx. In overall fine condition. The lot is accompanied by a certificate of authenticity from Propworx. Starting Bid $200

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7563. Iron Man II ID Badge Props.

Pair of screen-used visitor badge props from the blockbuster 2010 Marvel Studios superhero film Iron Man 2. The badges were worn by background actors during the film’s Senate hearing regarding the Stark Industries weapons agreement with the United States. The plastic ‘day pass’ visitor badges, with attached shirt clips, measure 2 x 3.25 and are similarly marked “V, Visitor, United States Senate Hearing Room,” and respectively numbered “0813” and “7913.” Reverse of badges feature affixed labels from Propworx. In overall fine condition. The lot is accompanied by a certificate of authenticity from Propworx. Starting Bid $200

7564. Iron Man II Office Props.

Awesome collection of screen-used props from the blockbuster 2010 Marvel Studios superhero film Iron Man 2. Each of the props were handled by actor Robert Downey, Jr. during an office scene in which his character Tony Stark, aka Iron Man, watches a video of his father and sips some chlorophyll while going through a box of his father’s old files and papers. The props include: a silver 2.75 x 4.25 hand-held Sharp YOP20H calculator; a drinking glass 6.25˝ tall with remnants of the green chlorophyll solution; and an impressively detailed group of six off-white 7.25 x 9.75 notebook pages, annotated on the front and back in black ink with scientific notes and sketches, with one particularly excellent page dedicated to the origin of “Vibranium” and mentioning Wakanda, the home country of the Black Panther, which reads, in part: “Fast forward to when T’Chaka, father of the current Black Panther T’Challa was king when the Vibranium mound was discovered underground.” The calculator, glass, and a sheet of paper feature affixed labels from Propworx. In overall fine condition. The lot is accompanied by a certificate of authenticity from Propworx. Starting Bid $200

7565. Vincent Kartheiser’s Screen-worn Suit from Mad Men. Vincent Kart-

heiser’s screen-worn threepiece suit from his role as Pete Campbell on the popular AMC television series Mad Men, which aired from 2007–2015. The dark navy blue suit jacket has three navy buttons on the front for closure and is lined with paisley-patterned navy blue satin, with a Western Costume Co. tag sewn inside the left breast pocket, filled out in type: “No. 83676, Name: Mad Men Pete, Chest: 38.” The matching vest features a solid front and paisley-patterned satin back, and has an identical Western Costume Co. tag sewn in the back. The pants have a Western Costume Co. tag sewn into the waistband, filled out in type: “No. 83676, Name: Mad Men Pete, Waist: 32.” In fine condition. Starting Bid $200

7566. SeaQuest DSV Screen-Worn Costume. Screen-worn full-length navy blue zipup jumpsuit from the sci-fi TV series SeaQuest DSV, which aired on NBC from 1993 to 1996. The suit features embroidered patches on both shoulders, a “SeaQuest DSV 4600” patch on the chest, and a Velcro strip for application of a name tag (not present). In fine condition, with general wear. Accompanied by a commercially available SeaQuest DSV baseball cap and an unopened SeaQuest DSV action figure. Starting Bid $200

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ANIMATION Harry Kleiman, Animation Expert Like most children who grew up in the Sixties, I watched Saturday morning cartoons and Walt Disney’s Wonderful World of Color. Beyond simply enjoying them, I was curious as to how they were made and eagerly reached out to Hanna-Barbera Studios and Walt Disney Productions—within weeks I received packages from each including informational booklets and publicity materials. Being an impressionable eleven-year-old boy, I was ecstatic! I wrote to every Studio and animator in Hollywood I was able to find an address for. They all told me about animation and gave me free hand-painted cels and drawings. I was fascinated with the beauty of animation and wanted to learn and collect as much as I could. In the summer of 1968, when our family moved to Los Angeles, I was able to actually visit the studios to see how animation was made. Nearly everyday after school for the next six years, I visited the animation studios and related companies in the LA area. Everyone was extremely nice to me, and not only did my love for animation grow, my love for the generation of people that made these very special cartoons perhaps surpassed it. I think I had more fun visiting with the people, hearing their stories, and learning from them—even more than getting the free cels and drawings. My dream was to meet Walt Disney, so I asked every Disney-related person I met, “what was it like to work with him.” I like to think I got to know him pretty well even though I never truly got to meet him. Despite that, I was privileged enough to meet and converse with, just to name a few: Walter Lantz, Bob Clampett, Bill Hanna, Joe Barbera, Bob Singer, Tiger West, Harry Love, Alex Lovy, Norm Prescott, Chuck Jones, Robert McKimson Sr., and Jr., Marc Davis, Ollie Johnston, Frank Thomas, Les Clark, John Lounsbery, Ward Kimball, Don Foster, June Foray, Ducky Nash, Jay Ward, Andy Engman, Grim Natwick, Tex Avery, Friz Freleng, Eyvind Earle, Toby Bluth, Don Bluth, Gary Goldman, several Bill Melendez Studio animators, John Pomeroy and many, many, more—including hundreds of ‘ink and paint’ ladies, story people, camera operators, and film editors.

Magnificent portrait signed by Disney—graded by PSA/DNA as GEM MINT 10 7568. Walt Disney Signed Photograph - PSA/DNA GEM MINT 10. Outstanding vintage matte-finish 8 x 10 photo of the animation wizard wearing a reindeer tie and seated casually, boldly signed and inscribed in fountain pen, “To James H. Petter, With best wishes, Walt Disney.” In fine condition, with rippling to the top and bottom edges. Encapsulated by PSA/DNA, with the pristine autograph graded GEM MINT 10. Starting Bid $300

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7570. Batman Comic Book #16 (1943) - CGC Restored 6.5. Desir-

7569. Walt Disney Signed Check. Sought-after personal check, 8.5 x 3, filled out in another hand and signed by Disney, “Walter E. Disney,” payable to Walt Disney Special Acct. for $275, March 19, 1947. In fine condition. Starting Bid $300

able issue of Batman #16, published by DC for April–May 1943, which features the origin and first appearance of Bruce Wayne’s butler Alfred, as well as an appearance by the Joker. Encapsulated and graded by CGC as “Apparent 6.5 Moderate (A),” with restorations including color touch, tear seals, spine splits sealed, reinforcements, and all three edges trimmed. Starting Bid $200

Marvelous master set-up from Gulliver’s Travels, Fleischer’s first animated feature 7571. Princess Glory and Prince David production cel and production background from Gulliver’s Travels. (Fleischer Studios, 1939) Extremely scarce and historical original production cel and master production background featuring Princess Glory and Prince David from Gulliver’s Travels, showing them in the kissing scene near the beginning of the film. The cel is placed on a hand-painted production background from the same film, with hand-painted bridge overlay; the cel and background are from the same sequence, but not key. Character image measures 2.75 x 6.75, with a mat opening of 13 x 10. Double-matted to an overall size of 20 x 16. In fine condition. Loosely adapted from Jonathan Swift’s novel of the same name, this impressive Technicolor production was Fleischer Studios’ first feature-length animated film. Starting Bid $1000

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Rare set-up from Fleischer’s Mr. Bug Goes to Town 7572. Smack the Mosquito and Honey Bee production cels and production background from Mr. Bug Goes to Town. (Fleischer Studios, 1941) Original production cels

and production background featuring Smack the Mosquito and Honey Bee from Mr. Bug Goes to Town, showing both insect characters on concrete steps. The cels are trimmed to image and applied to a full 16-field cel overlay, and placed on a handpainted production background from the same film. Smack the Mosquito’s image measures 4.5 x 5.5 and the Honey Bee image measures 3 x 5.5, with a mat opening of 16 x 12. Matted to an overall size of 20 x 16. In fine condition. A super rare, beautiful set-up from this great cartoon. Fleischer set-ups are the rarest of the major studios. Starting Bid $300

7573. Sleepy production cel from Snow White and the Seven Dwarfs.

(Walt Disney Studios, 1937) Original production cel featuring Sleepy from Snow White and the Seven Dwarfs, showing the classic character reclining on a pillow with a fish-shaped flute in his lap. The cel has been applied to an airbrushed starry background as prepared by Courvoisier Galleries for sale. Image measures 7 x 5.5, with a mat opening of 9 x 7. Triple-matted to an overall size of 14 x 11.75. In fine condition. A handsome set-up portraying one of Snow White’s beloved seven dwarfs. Starting Bid $200

Mickey, Donald, and Goofy meet Willie the Giant in ‘Mickey and the Beanstalk’ 7574. Willie the Giant, Mickey Mouse, Donald Duck, and Goofy production key master background set-up from Fun and Fancy Free. (Walt Disney Studios,

1947) Beautiful original production key master panorama background set-up featuring Willie the Giant, Mickey Mouse, Donald Duck, and Goofy from the ‘Mickey and the Beanstalk’ segment of Fun and Fancy Free, in the scene where the gang first sees the giant. In this incredible matching background panorama set-up, the miniscule Mickey, Donald, and Goofy are seen on the first step of the staircase inside the huge castle, with Willie lumbering through an archway on the left side, bouncing his blue-and-white ball. The cels are trimmed to image and applied to their matching hand-painted panoramic production background. The Willie the Giant image measures 2.75 x 4.5 and the tiny image of Mickey, Goofy, and Donald measures .75 x .5, with overall dimensions of 27.5 x 11.75. Handsomely triple-matted to an overall size of 34 x 18. In fine condition. A masterpiece in detail and perspective, this is an extremely rare key set-up from a memorable Disney retelling of a classic fairy tale. Starting Bid $1000

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Where the magic begins!—key master set-up of Merlin’s lab from The Sword in the Stone 7575. Merlin production key masterbackground set-up from The Sword in the Stone.

(Walt Disney Studios, 1963) Fantastic original production key master background set-up featuring Merlin from The Sword in the Stone, showing the eccentric wizard in his living room lab of magic. The cel is placed on its lush matching handpainted 16-field background, which is one of the most important backgrounds in the film. Character image measures 2.5 x 4.75, with a mat opening of 14.25 x 10.25. Matted to an overall size of 20 x 16. In fine condition. An immaculately detailed piece from a popular film, which the New York Times praised as ‘an eye-filling package of rollicking fun and thoughtful common sense.’ Starting Bid $1000

7576. Merlin and Sir Ector production key master background set-up from The Sword in the Stone. (Walt

Disney Studios, 1963) Original production key master background set-up featuring Merlin and Sir Ector from The Sword in the Stone, showing them inside the castle in front of a treasure chest. The cels are placed on their detailed matching handpainted 16-field background, with extra special effect starburst overlay. Merlin’s image measures 5.5 x 7 and Sir Ector’s image measures 4 x 7.75, with a mat opening of 13.75 x 9.75. Impressively quadruple-matted to an overall size of 21 x 17. In fine condition. A wonderful full-figure portrayal of the two forces in Arthur’s life from the beloved animated musical. Starting Bid $500

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7578. Sir Ector and the Knights production cels from The Sword in the Stone. (Walt Disney Studios, 1963) Original production

cels featuring Sir Ector and the Knights from The Sword in the Stone, showing Sir Ector in front flanked by one of his associates, with four knights (including Sir Pellinore) in the background. The cels are placed on a color laserprint background. Total character image measures 15.25 x 8.25, with a mat opening of 20.25 x 10.5. Double-matted to an overall size of 30 x 20. In fine condition. Starting Bid $200

7577. Wart (King Arthur) and Hawk production cels and preliminary background from The Sword in the Stone. (Walt Disney Studios, 1963) Original production cels and preliminary background featuring Wart (King Arthur) and the Hawk from The Sword in the Stone. The vivid scene shows the frightened Wart (Arthur’s nickname), having been turned into a bird by Merlin, being chased through the forest by a gray hawk. The cels are placed on a hand-painted preliminary background from the film. Wart’s image measures 4.25 x 3.5 and the hawk measures 7.5 x 5.25, with a mat opening of 14.25 x 10.5. Double-matted to an overall size of 19 x 16. In fine condition. Starting Bid $300

Robin Hood swings over the Rhino Guard at Prince John’s castle 7579. Robin Hood and Rhino Guards p ro d u c t i o n key master background set-up from Robin Hood. (Walt Disney

Studios, 1973) Dramatic original production key master background set-up featuring Robin Hood from Robin Hood, showing the virtuous robber fox swinging over the rhino guards in front of the wall at Prince John’s castle. The cels are placed on their matching hand-painted panorama production background showing the castle at dusk. Robin Hood’s image measures 4.5 x 5 and the total rhino guard image measures 25 x 6.75. Double-matted to an overall size of 28 x 16, with a mat opening of 22 x 10; the mat covers sections of the rhino guard cels at the lower corners. In fine condition. A large and sensational rendering from the 1973 Disney film which has become a cult classic. Starting Bid $500

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Robin Hood and Sir Hiss in disguise during the archery competition

7580. Robin Hood and Sir Hiss production cels and production background from Robin Hood. (Walt Disney Studios, 1973) Original production cels and production background featuring Robin Hood and Sir Hiss from Robin Hood, showing Robin Hood disguised as a stork during the archery tournament, as Sir Hiss, concealed in a pink balloon, spies on the event. The cels are placed on a well-done hand-painted panorama production background from the same film: the Robin Hood cel is key to the background, and Sir Hiss is from this part of the film but not key to this background. Robin Hood’s image measures 6.5 x 8.75 and Sir Hiss measures 3 x 5.5, with a mat opening of 23 x 9.75. Double-matted to an overall size of 30 x 16. In fine condition. A beautiful set-up from a memorable scene. Starting Bid $500

7581. Robin Hood and the Sheriff of Nottingham production cels and preliminary background from Robin Hood. (Walt

Disney Studios, 1973) Original production cels and preliminary background featuring Robin Hood and the Sheriff of Nottingham from Robin Hood, showing the two fighting—the fat sheriff wields a club over his head, and Robin Hood protects himself with a chair. The cels are key to each other, and are placed on a hand-painted preliminary background from the same film, with impressive key matching special effects flame overlay. Robin Hood’s image measures 3.75 x 5.25 and the Sheriff of Nottingham measures 4.25 x 5.25, with a mat opening of 14 x 10. Double-matted to an overall size of 17.75 x 14. The piece has silver Walt Disney Company seals to lower corners. In fine condition, with rippling to edges of the fire overlay cel. Accompanied by a certificate of authenticity from the Walt Disney Company. A great, action-packed scene with impressive fiery effects. Starting Bid $300

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7582. Tod and Widow Tweed production key master background set-up from The Fox and the Hound. (Walt

Disney Studios, 1981) Original production key master background set-up featuring Tod the Fox and Widow Tweed from The Fox and the Hound, showing Tod being chased by a chicken as Widow Tweed milks a cow. The cels are placed on their detailed matching hand-painted production background of a barn’s interior. Total character image (Tod, Widow Tweed, chicken, and cow) measures 11.25 x 8.75, with a mat opening of 13.5 x 10.5. Double-matted to an overall size of 20 x 16. In fine condition. An action-packed key master background set-up from Disney’s successful 1981 feature. Starting Bid $300

Mickey and Scrooge in Disney’s Dickens adaptation 7583. Mickey Mouse and Scrooge production cels and production background from Mickey’s Christmas Carol. (Walt

Disney Studios, 1983) Original production cels and production background featuring Mickey Mouse and Scrooge from Mickey’s Christmas Carol, showing them at the woodstove and coal bucket inside Scrooge’s office. Both full 16-field cels are placed on a 16-field hand-painted production background of Scrooge’s office, with key line background overlay cel. The cel of Mickey is key to a very similar background that appeared when Scrooge first entered the office, and caught Mickey trying to put a piece of coal in the stove; this background appears moments later, after Scrooge knocks the coal from Mickey’s hand. The cel of Scrooge appears after Donald reappears at the office door, hangs a wreath on the doorknob, and wishes Scrooge another merry Christmas. Mickey’s image measures 3.5 x 4.5 and Scrooge measures 4.5 x 3.75, with a mat opening of 14 x 11. Double-matted to an overall size of 19.5 x 16.5. In fine condition. An important, near-matching set-up from Disney’s classic adaptation of A Christmas Carol by Charles Dickens, starring Mickey Mouse as Bob Cratchit and Scrooge McDuck as Ebenezer Scrooge. Starting Bid $500

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7584. Tod, Boomer, and Dinky production cel and production background from The Fox and the Hound. (Walt Disney Studios, 1981)

Very funny original production cel and production background featuring Tod, Boomer, and Dinky from The Fox and the Hound, showing a bewildered Tod the Fox with Dinky the Finch and Boomer the Woodpecker perched upon his shoulders. The cel is placed on a hand-painted production background from the same film. Total character image measures 8 x 7.5, with a mat opening of 14.25 x 10.25. Double-matted to an overall size of 20 x 16. The piece has the silver Walt Disney Company seal to lower left. In fine condition. A great set-up featuring a large image of these classic woodland friends. Starting Bid $300

Amazing Disney-made super panorama featuring thirty legendary characters, as they appeared in Who Framed Roger Rabbit

7585. Roger and Jessica Rabbit, Baby Herman, and Entire Cast panorama production cel set-up from Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Amazing original production cel set-up featuring Roger and Jessica

Rabbit, Baby Herman, and the entire cast of cartoon legends from Who Framed Roger Rabbit, including Mickey Mouse, Bugs Bunny, Betty Boop, Koko the Clown, Dumbo, Daffy Duck, Goofy, Minnie Mouse, Yosemite Sam, Peter and the Wolf, Tweety Bird, Br’er Bear, Clarabelle Cow, Sylvester Cat, Spike the Dog, Foghorn Leghorn, Ferdinand the Bull, the Old Knight, and Reluctant Dragon—thirty characters from different animation studios, marking a once-in-a-lifetime collaboration. The cels are trimmed to image and placed on their airbrushed super panorama background, as prepared by Disney for their ‘Art of Who Framed Roger Rabbit’ sale at Sotheby’s. The amazing total character image measures 38 x 11.5, with a mat opening of 39.5 x 9.5. Matted to an overall size of 47 x 17. The mat bears a blindstamped “The Art of Who Framed Roger Rabbit” auction seal to lower right. In fine condition. Accompanied by a certificate of authenticity from the Walt Disney Company. Provenance: The Art of Who Framed Roger Rabbit, Lot #305, Sotheby’s, June 28, 1989, where it sold for the princely sum of $33,000. This is a historically significant piece as it represents a collaboration of multiple competing animation studios—Steven Spielberg convinced Warner Bros., Fleischer Studios, King Features Syndicate, Felix the Cat Productions, Turner Entertainment, and Universal Pictures/Walter Lantz Productions to ‘lend’ their characters to Disney for the film, which allowed all of these animated icons to appear together for the first time. For example, Disney’s Donald Duck and Warner’s Daffy Duck appear as equally talented dueling pianists, and Mickey Mouse and Bugs Bunny also share a scene. An absolutely magnificent piece of animation history. Starting Bid $1000

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7586. Hyacinth Hippo production cel from Who Framed Roger Rabbit. (Walt Disney Studios, 1988) Original

production cel featuring Hyacinth Hippo from Who Framed Roger Rabbit, showing the large pink ballet-dancing hippo in a yellow tutu. The cel is applied to a special color ‘key master’ photographic background depicting detective Eddie Valiant (played by Bob Hoskins), as prepared by Disney for their ‘Art of Who Framed Roger Rabbit’ sale at Sotheby’s. Character image measures 7.5 x 9.75, with a mat opening of 19 x 13. Matted to an overall size of 26 x 20. The mat bears a Sotheby’s lot label to lower left, and a blindstamped “The Art of Who Framed Roger Rabbit” auction seal to lower right. In fine condition. Provenance: The Art of Who Framed Roger Rabbit, Lot #374, Sotheby’s, June 28, 1989. The only matching color backgrounds were produced for this sale—they were all one-of-a-kind production key master set-ups sold by Disney at Sotheby’s. Starting Bid $200

7587. John Smith and Rifle hand-painted cels and production background from Pocahontas. (Walt Disney

Studios, 1995) Original hand-painted custom cels prepared specifically for this production background featuring John Smith and a rifle from Pocahontas, showing the rifle pointing at Smith as he stands in the forest with his hands in the air and a raccoon on his shoulders. The cels, hand-painted by Disney artists from the supervising animators’ original line drawings for Disney’s ‘Art of Pocahontas’ sale at Sotheby’s, are placed on their matching hand-painted production background from the film. John Smith’s image measures 3 x 5 and the rifle measures 6.5 x 5.5, with a mat opening of 16 x 11. Matted to an overall size of 22 x 17. The piece has the gold Walt Disney Company seal to lower right. In fine condition. Accompanied by a certificate of authenticity from the Walt Disney Company. Provenance: The Art of Pocahontas, Lot #195, Sotheby’s, February 24, 1996. Starting Bid $200

7588. Mrs. Brisby and Teresa production cel and pan production background from The Secret of NIMH.

(Don Bluth Productions, 1982) Original production cel and panorama production background featuring Mrs. Brisby and her daughter Teresa from The Secret of NIMH, showing Teresa bandaging her mother’s hand. The cel is placed on a handpainted panorama production background from the same film, showing a warm interior setting lit by a large candle. Total character image measures 5.25 x 5, with a mat opening of 21.75 x 9.75. Matted to an overall size of 30 x 18. In fine condition. The Secret of NIMH marked Don Bluth’s directorial debut, and won the Saturn Award for Best Animated Film from the Academy of Science Fiction, Fantasy and Horror Films. A very rare set-up from a widely acclaimed animated feature. Starting Bid $300

138 www.RRAuction.com | (603) 732-4280

7589. Disneyland Enchanted Castle Original Vintage Photograph Starting Bid $200

7590. Mickey Mouse Original Vintage Photograph Starting Bid $200

7591. Walt Disney and Ed Sullivan Original Vintage Photograph Starting Bid $200

7592. Disneyland Ride Original Vintage Photograph Starting Bid $200

7593. Disneyland Monorail Original Vintage Photograph Starting Bid $200

7594. Walt and Roy Disney Original Vintage Photograph Starting Bid $200

7595. Walt Disney Original Vintage Photograph Starting Bid $200

7596. Walt Disney Original Vintage Photograph Starting Bid $200

7597. Walt Disney and Shirley Temple Original Vintage Photograph Starting Bid $200

7598. Walt Disney Original Vintage Photograph Starting Bid $200

7599. Walt Disney Studios Original Vintage Photograph Starting Bid $200

7600. Walt Disney Studios Original Vintage Photograph Starting Bid $200

7602. Sleeping Beauty and Prince Philip Limited Edition Lladro Statue Starting Bid $200

7603. Anastasia sericel from Anastasia Starting Bid $200

7601. Walt Disney Studios Original Vintage Photographs of Pinocchioâ&#x20AC;&#x2122;s Monstro the Whale Maquette Starting Bid $200

Hollywood | May 23, 2019 139

CONDITIONS OF SALE ANYONE EITHER REGISTERING TO BID OR PLACING A BID (“BIDDER”) ACCEPTS THESE CONDITIONS OF SALE AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE AGREEMENT WITH R&R AUCTION COMPANY OF MASSACHUSETTS, LLC (“RR AUCTION,” TOGETHER WITH BIDDER, THE “PARTIES”). The following terms and conditions (“Conditions of Sale”) constitute the sole terms and conditions under which RR Auction will offer for sale and sell the property described in the catalog of items for auction (the “Catalog”). These Conditions of Sale constitute a binding agreement between the Parties with respect to the auction in which Bidder participates (the “Auction”). By bidding at the Auction, whether in person, through an agent or representative, by telephone, facsimile, online, absentee bid, or by any other form of bid or by any other means, Bidder acknowledges the thorough reading and understanding of all of these Conditions of Sale, all descriptions of items in the Catalog, and all matters incorporated herein by reference, and agrees to be fully bound thereby. This acknowledgement is a material term of these Conditions of Sale and of the consideration under which RR Auction agrees to these terms.

also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue. Buyer’s Premium: The Bidder acknowledges and agrees that a 25% buyer’s premium will be added to the hammer price on all individual lots sold in timed and live Auctions. Buyer’s premium for our Sports Auctions is 20%. For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is later. All purchases delivered to Massachusetts are subject to applicable Massachusetts sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Pennsylvania sales or use tax may be due in connection with the purchase and delivery of tangible personal property to Pennsylvania individuals and businesses. The purchaser is required to file a use tax return if tax is due in connection with the purchase and delivery in the Commonwealth. This notice is required pursuant to the provisions of the Tax Reform Code of 1971. 72 P.S. § 7213.2.

RR Auction and Auction: This Auction is presented by RR Auction, a d/b/a/ of R&R Auction Company of Massachusetts, LLC, as identified with the applicable licensing information on the title page of the Catalog or on the www.RRauction.com Internet site (“RRauction.com”). The Auction is conducted under these Conditions of Sale. Announcements and corrections from the podium at live auctions and those made through the Conditions of Sale appearing on the Internet at RRauction.com supersede those in the printed Catalog.

Bidding: Each Bidder’s determination of its bid should be based upon its own examination of the item(s), rather than the strict reliance as to what is represented in the Catalog, online or elsewhere. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS OF VALUATION CONCERNING ANY AND ALL PURCHASES.

Bidder: Bidder shall mean the original Bidder on the property offered for sale by RR Auction and not any subsequent owner or other person who may acquire or have acquired an interest therein. If Bidder is an agent, the agency must be disclosed in writing to RR Auction prior to the time of sale, otherwise the benefits of the warranty shall be limited to the agent and not transferable to the undisclosed principal.

RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake.

The rights granted to Bidder under these Conditions of Sale are personal and may not be assigned or transferred to any other person or entity, whether by operation of law or otherwise without the express written assent of RR Auction. Bidder may not transfer, assign, or otherwise convey these Conditions of Sale or any of the rights herein, and such purported transfer, assignment, or conveyance shall be null and void. No third party may rely on any benefit or right conferred on any Bidder by these Conditions of Sale, and no third party is intended as a beneficiary of these Conditions of Sale. Bids will not be accepted from minor persons under eighteen (18) years of age without a parent’s written consent containing an acknowledgment of the Conditions of Sale herein and indicating their agreement to be bound thereby on behalf of the Bidder. All Bidders must meet RR Auction’s qualifications to bid. Any Bidder who is not a client in good standing of RR Auction may be disqualified at RR Auction’s sole option and will not be awarded lots. Such determination may be made by RR Auction in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. RR Auction reserves the right to exclude any person from the Auction. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid. By accepting the Conditions of Sale, Bidder personally and unconditionally guarantees payment. Credit: In order to place bids, Bidders who have not established credit with RR Auction must either furnish satisfactory credit information (including two collectibles-related business references) or supply additional information if requested, well in advance of the Auction. Bidders who are not members of RRAuction.com should pre-register before the close of the Auction to allow adequate time to contact references. Credit will be granted at the discretion of RR Auction. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number, or the last four digits thereof, so a credit check may be performed prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may

All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder. Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder. RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder. It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all RISK OF LOSS once the lot(s) is in Bidder’s possession. Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction a purchase money security interest in such sums or items to the extent applicable, and agrees to execute such documents as may be reasonably necessary to grant RR Auction such security interest. Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued expenses, until the indebtedness is paid. By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction. RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders. In the event of a successful challenge to the title to any goods purchased pursuant to these Conditions of Sale and the exclusive remedies provided herein, RR Auction agrees to reimburse any Bidder in an amount equal to the successful bid price actually paid by Bidder at auction plus any Buyer’s

Premium actually paid, in full and complete satisfaction of all claims, which once tendered by RR Auction, relieves and releases RR Auction from any responsibility whatsoever to the Bidder, even if the instrument is not cashed or is returned. Bidding Options: Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid. When identical mail or facsimile bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins. In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction.

completed using the selected funding source, Bidder agrees to complete payment. If RR Auction refers any invoice to an attorney for collection, the Bidder agrees to pay attorney’s fees, court costs, and other collection costs incurred by RR Auction. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys. RR Auction shall have a lien against the merchandise purchased by the Bidder to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the “Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession. All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC.

RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive.

Sales Tax: RR Auction is a remote seller and we are now required to collect Sales/ Use Tax from our bidders. The states that we have nexus in we will be required to collect and remit sales tax on your behalf. Each state has different requirements to meet nexus. When RR Auction has achieved a certain monetary and/or invoice threshold in each state we will apply sales tax to your total invoice. Please go to our terms on our website to see the states that are affected.

Payment: Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from RR Auction’s premises by the Bidder at his/ her expense not later than thirty (30) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder.

The sales tax rate is determined by the State, Country, and City where purchases are shipped to. If you decide to pick up your purchases at our New Hampshire location you will not be required to pay sales tax. The State of New Hampshire does not have a general sales and use tax. All purchases picked up at our Massachusetts location will be taxed at the current rate of 6.25%.

Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements. All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be

If we have not achieved nexus in a particular state it is still your responsibility to pay sales tax on your purchases.

Pennsylvania sales or use tax may be due in connection with the purchase and delivery of tangible personal property to Pennsylvania individuals and businesses. The purchaser is required to file a use tax return if tax is due in connection with the purchase and delivery in the Commonwealth. This notice is required pursuant to the provisions of the Tax Reform Code of 1971. 72 P.S. § 7213.2. If you have a resale number please email Sue@RRAuction.com or fax to (603) 732-4288 a copy of your state resale certificate and you will be exempt from paying sales tax. Delivery; Shipping; and Handling Charges: Bidder is liable for shipping and handling. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction. Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs. Title: Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-

party shipper. Rights Reserved: RR Auction reserves the right to withdraw any lot before or at the time of the Auction, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone. Conducting the Auction: RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages. RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments. RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auction’s record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale. Reserves: Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own. Off-Site Bidding: Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of these Conditions of Sale and the terms contained on the Registration Form. RR Auction’s Remedies: Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any property in RR Auction’s possession owned by such Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the Commonwealth of Massachusetts.

Warranties: RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold “as is” and “where is”. By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright or other intellectual property (including exhibition or reproduction rights) or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title. All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices. Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly. All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “Certification of Authenticity”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The Certification of Authenticity inures only to the original Bidder (as shown in RR Auction’s records). Bidder may not transfer, assign, or otherwise convey the Certification of Authenticity, and such purported transfer, assignment, or conveyance shall be null and void. The Certification of Authenticity is valid from date of the Auction in which Bidder was awarded the lot (the “Auction Date”) until five (5) years after the Auction Date, without exception. FIREARMS. RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm. Limitation of Damages: In the event that RR Auction is prevented for any reason from delivering any property to Bidder, or Bidder is otherwise dissatisfied with the performance of RR Auction, the liability, if any, of RR Auction, shall be limited to, and shall not exceed, the amount actually paid for the property by Bidder. In no event shall RR Auction be liable for incidental, special, indirect, exemplary or consequential damages of any kind, including but not limited to loss of profits, value of investment or opportunity cost. Unauthorized Statements: Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents

that such statement is authorized, unless reduced to a writing signed by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.

one employed by RR Auction or acting as agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.

Bidder’s Remedies: Under no circumstance will RR Auction incur liability to a Bidder in excess of the purchase price actually paid.

If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court of competent jurisdiction, the remaining sections or terms and provisions of a section shall continue in full force and effect without being impaired or invalidated in any way.

This section sets forth the sole and exclusive remedies of Bidder in conformity with the Warranties and Limitation of Damages provisions of these Conditions of Sale, and is expressly in lieu of any other rights or remedies which might be available to Bidder by law. The Bidder hereby accepts the benefit of the Consignor’s warranty of title and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, in the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction shall make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand, RR Auction shall disclose the identity of the Consignor to Bidder and assign to Bidder all of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and assignment, all responsibility and liability, if any, of RR Auction with respect to said lot or property shall automatically terminate. RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction - this remedy is as to the Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances. If Bidder wishes to challenge the AC within the period of the Certification of Authenticity, Bidder must present written evidence that the lot is not authentic as determined by a known expert in the field. If RR Auction agrees that the lot is not as represented, Bidder’s sole and exclusive remedy shall be a refund of their purchase price, with no other costs, liabilities or amounts recoverable. If RR Auction does not agree with the claim by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale. Any such challenge concerning an AC or Certification of Authenticity must, without any exception, be brought within one (1) year of Bidder’s notice to RR Auction of Bidder’s contention that the lot was not authentic, or six (6) years from the Auction Date, whichever is sooner. If the description of any lot in the Catalog is materially incorrect (e.g., gross cataloging error), the lot is returnable if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date. If there is any discrepancy between the description in the Catalog and the AC, then the description in the AC shall control. This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received by RR Auction. NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE. RR Auction’s Additional Services: For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge. Headings: Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer. Entire Agreement: These Conditions of Sale constitute the entire agreement between the parties together with the terms and conditions contained in the Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by any-

Governing Law and Enforcement The Parties agree that any agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location. The Parties agree that these Conditions of Sale, and any other related agreement(s) are governed by the laws of the Commonwealth of Massachusetts, without regard for its conflict of laws principles. The Parties agree that any dispute related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the “Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”). The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall be entitled to recover all of its related costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. The Parties agree that Bidder shall have no right to recover consequential or indirect damages, or lost profits damages. The Parties consent to the enforcement of the decision in the Arbitration pursuant to the Federal Arbitration Act in either the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts. Except as provided in Bidder’s Remedies with regard to the Certification of Authenticity, any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other agreement(s) between the Parties must be brought within one (1) year of the acts, omissions or circumstances giving rise to the alleged claim, without exceptions. This provision is intended as a full, complete and absolute release of any claims after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding on all parties in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by either RR Auction or Bidder. These provisions are consideration for the execution of these Conditions of Sale. The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties’ agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction. Notwithstanding the foregoing, RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration related to or arising out of any Auction of an item sold for less than $10,000. This right shall relate to the individual item price, such that RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration for items that in the aggregate exceed $10,000. The prevailing Party in such a proceeding shall be entitled to recover all of its related costs, whether before or after the formal institution of the proceeding, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. This right of enforcement is unique to RR Auction, and these Conditions of Sale are a waiver by the Bidder of any right to enforcement or adjudication outside of an Arbitration.

CONDUCT OF AUCTION Estimate Prices: In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 732-4280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading). Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction. Before the Auction: Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment. Maximum Bids – All Auctions: To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under Bidder’s bid. Successful Bids: The fall of RR Auction’s hammer indicates the final bid. RR Auction will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice. Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers. Bidding—Timed Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they

receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion. Bidding - Internet – Live Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing. RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. Property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve. During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www. invaluable.com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third party sites carry an additional Buyer’s Premium. Miscellaneous: Agreements between Bidders and Consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available. Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Bob Eaton CEO, Acquisitions (800) 937-3880 ext. 102

RR IS TRAVELING TO YOU! Our consignment team will be traveling from coast to coast curating our upcoming sales. Same-day travel anywhere in New England and Tri-State area for qualifying collections.

A FEW CITIES WE ARE STOPPING AT: New York, NY Los Angeles, CA Chicago, IL Houston, TX Phoenix, AZ Philadelphia, PA Elizebeth Otto Consignment Director (800) 937-3880 ext. 118

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Donâ&#x20AC;&#x2122;t see your city? Call and we will stop to see you too! $5 Million Available in Advances Call today and find out more!

SET UP A TIME TO MEET OUR TEAM (800) 937-3880 Bob@RRAuction.com Jon Siefken Consignment Director (800) 937-3880 ext. 103

WE ARE CURRENTLY SEEKING CONSIGNMENTS FOR MANY OF OUR EXCITING SALES

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REMARKA

SPORTS OLYMPICS PRESIDENTS ANIMATION

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(603) 732-4280

Boston, Massachusetts