Portfolio R. Hunter

T h e s is s h ow “ E ver yth in g�

6032 Bu r nban k Plac e San Jo s e , C a l i fo r n i a 9 5 1 2 0 Un i t e d State s + 1 408 89 1 5 3 5 7 | r ya n h u n t e r0 6 @ g m a i l . com

Ryan Hunter 6 0 3 2 B u r n b a n k P lac e San Jo s e , Califo r nia 95120 U SA + 0 0 1 4 0 8 8 9 1 5357 // r yanhunte r06@ gmail.c o m

Education

leadership

09/201 1 - 0 6 / 2 0 1 4 C a l i for n i a Po lyt e ch n i c S t a t e U n iver s ity / / San Lu i s Ob i s p o, C A / / B A A rch i t e cture

2014 2014

2010

2008 2008 2009 2006

09/201 2 - 0 3 / 2 0 1 3 D IA B a u h a u s D e s s a u , H o ch s chule An h alt / / D es s au , Ge r m a ny / / S t u d y A b roa d 08/200 9 - 0 5 / 2 0 1 1 I l l i n oi s In s t i t u t e o f Te ch n o l o g y // Ch icag o, I L / / A r c h ite cu t re

// Fifth Ye ar A rc hite c ture Stud e nt Co m m it t ee // Gr ap hic De s ign and Co nte nt Ed ito r - ADD Public atio n (A nnual De p ar tme ntal P ubli ca t ion) // CBF (Co lle ge Bas e d Fe e s ) A rc hite c t ur e Dist r ibutio n Co mmitte e // A IA S We s t Valle y P re s id e nt // A IA S We s t Valle y P ro fe s s io nal Stud ent Lesion // iitA IA IS Tre as ure r // R e build ing To ge the r

work Experience R oseRyan / / M ar ke ting In t e r n Newar k, Califo r n ia / / 2 0 1 3 - C u r re n t As a m ar ketin g in te r n I w a s t a s ke d t o h e l p with the prod u c tio n an d pr epa r a t i on of A ccou n t A n a lys i s a nd d ata sor tin g . Wo r kin g c lo s e ly w i t h t h e m a r ke t i n g d i re cto r o n assistin g develo pm ent a n d i m p l e m e n t a t i o n o f m a r ke ting, bu sin es s de ve lo pme n t , a n d p u bl i c re l a t i on p l a n s .

Ter r y J M ar tin & A s s oci a t e s / / Arch i t e ct u r a l In t e r n Los G a to s , Califo r n ia / / S u m m e r 2 0 1 1 Ter r y M ar tin an d A s s o ci a t e s i n t ro d u ce d m e t o m any o f dif fere n t f ac ets o f ar ch i t e ct u re a n d t h e m a ny f u n d ame ntal in tr icacies . Wo r kin g w i t h t h e ci t y a g e n ci e s , cl i e n t s , and the h ead ar c h itec t, I w as a bl e t o t a ke a g e nu i n e k n ow l e d ge o f h ow to s tar t an d fini s h t h e s u b m i t t a l p ro ce s s a s we ll as accep t an d dir ec t c h a n g e o rd e r s a n d p roj e ct d i re ctio n.

Stein be r g A r c h itec ts / / Arch i t e ct u r a l In t e r n San Jos e , Califo r n ia / / 2 0 0 8 - 2 0 0 9 At Ste in ber g I w as i n t ro d u ce d t o m a ny of t h e Civic projects th e y wer e wo r k i n g on t o m a ke s u re t h e y we re for mally c lo s e d o u t by t h e C a l i for n i a G ove r n m e n t age nc y D SA (D ivis io n o f Sta t e A rch i t e ct ). Th e s e p roj e ct s r ange d f rom sc h o o ls an d u n ive r s i t i e s t o ci v i c a n d g ove r n me nt.

H u n ter Co n s tr u c tio n C o. / / L a b ore r B u tte , M o n tan a / / 2 0 0 5 - 2 0 0 8 I wor ke d o n mu ltip l e h o u s i n g p ro j e ct s a n d pe r s o nal resid en c e s th r o u gh o ut M on t a n a , a n d B i g S k y A re a . I was resp ons ible fo r c leani n g a n d p re p a r i n g con s t r u ct i o n s ite s for th e e r e c tio n o f s t r u ct u re s a n d bu i l d i n g s . U nlo ad s an d loa ds m ater ials , r e a d s p l a n s a n d s p e ci fi ca t i o n s, te nd s mach in es , mixe s c o n cre t e , p ou r s co n cre t e , a n d as s is ts car penter s , o per atin g e n g i n e e r s , a n d ot h e r con s tr uc tio n site wor ke r s .

Awards + honors G er ma n E x c h an ge Pr o g r a m , A l t e n s t e i g G e r m a ny K u mam o to J apan es e S t u d e n t E x ch a n g e , K u m a m ot o Jap an Illin ois I n s titu te o f Te ch n o l o g y L e a d e r s h i p Aca d e my Illin ois I n s titu te o f Te ch n o l o g y Tr a n s fe r S ch ol a r s h i p

skill set

P ro fic ie ncy

(4) Years extensive wood shop Mac / PC Proficient Auto CAD (2012) Archi CAD (11,12,15) Vector Works Adobe Photoshop Adobe InDesign Adobe Illustrator Rhino Grasshopper Revit VRay Artlantis Sketchup Microsoft Word Microsoft Powerpoint Microsoft Excel Keynote Pages

Languages Englis h // Native Ge r man // Inte r me d iate

references Do ug Jac ks o n // P ro fe s s o r Cal Po ly SLO + 1 310 227 7919 // T he s is A d vis o r Mani Farhad i // Se nio r A s s o c iate at Ste inb er g Ar chit ect s +1 408 295 5446 // Co lle ague Eve Mur to // Mar ke ting Dire c to r at R o s e R ya n +1 510 456 3056 // Co lle ague Ed ward Janke // P r inc ip al Janke and A s s o c ia t es +1 408 244 0344 // P ro fe s s o r

Contents

P1 P2 P3 P4 P5

Complete Stop Expanses Mar i ne Lab Vel l um Ever ythi ng

C o m p l et e Sto p a new u rban typ ol ogy

Bac he lo r s o f A rc hite c ture T he s is Chic ago, Illino is , U SA 2013-2014

A b s t r a ct

Site: Ch ic ago, Il l i n o i s

T he c o nte mp o r ar y c ity is p lague d with the p re c o nc e ive d not ions o n h ow we move thro ugh, o n, and aro und s p ac e . T he d e ve lo p me nt of spa ce t h a t h a s b e e n s e p ar ate d by s tre e ts and the “fre e d o m� o f move me nt t hr oug h t h e ci t i e s in a ho r izo ntal manne r make s the s p atial d e ve lo p me nt mor e cons e q u e n t i a l in the way whic h we p e rc e ive and c o nc e ive the c ity. T he develo p m e n t a nd c o ns ump tio n o f no n-s p ac e and the way in whic h the spa ces b e com e blur re d with o ne ano the r c an r ad ic ally s ke w the way in which we t r a d i t i on ally d is c e r n o ur s ur ro und ings . Imp le me nting ne w fo rc e s to t he exi s t i n g f a b r ic o f the c ur re nt c ity c an c hange the way in whic h we use spa ce i n u n p re dic te d way s .

Citie s built with the ind us tr ial mind s e t auto matic ally p o s e s it s ow n n o t i o n fo r the us e o f p ublic s p ac e , p r ivate s p ac e , and no n-s p ac e wi t hin t he con t e x t o f the c ity and urb an fab r ic . T hro ugh the us e o f multi-s urfa ce a nd mu l t i - f u nc tio nal s p ac e , arc hite c ture has the ab ility to re c re ate and redevelo p t h e u se s and manip ulatio ns o f s ite s , the p e rc e ive d id e a o f tr ans p or t a t ion, a n d t h e way in whic h we s e e , us e , and inte r ac t with urb anity s o it ca n be m a n i p u l a te d into a hy p e r ty p e s p ac e .

Fo r mally, arc hite c ture is c o ns tr ic te d with the us e o f the d om a in or o n e p u r p o s e func tio n that has c re ate d the c o nd itio n that we c ur re nt ly live .

W i t h t h e ove r us e o f the c ur re nt tr ans p o r tatio n is s ue s c o mb ining pr og r a m a n d ci rculatio n to fo r m muli-func tio nal s p ac e c an p ro mo te and redevelop a re a s w i t h a high inte ns ity o f inte rc hange to p ro mo te s p o ntaneous unp l a n n e d e ve nts and c o nte x tual lo o s e ne s s o f the ove r all c ity s p e c tacle . The re d e ve l op me nt o f high inte ns ity are as as a c ataly s t fo r a r ad ius o f t he curre n t ci t y wo uld c re ate a muc h mo re livable p e d e s tr ian fr ie nd ly p la ce for s u ch i n t e r ac tio ns to take p lac e .

Chic ago, like many A me r ic an c itie s c o nne c te d in d iffe re nt w ays by o t h e r s t i muli, is a c ity hub his to r ic ally ro o te d in time as a s to p, c o nnect ing t h e g re a t lake s to the Mis s is s ip p i R ive r. A s we ll as , a s to p p ing ground for t h e g rowing ind us tr ial s o c ie ty initially he lp ing the e ffo r ts to c o nnect t he e a s t a n d the we s t. Fo r mally fo und e d o n this fo r m o f tr ans p o r tatio n, C hica g o con t i nu e s to grow as a me tro p o lis fe e d ing fro m its ad jac e nt c itie s to pr ov ide t h e wor k ing fo rc e fo r Chic ago p re fe c ture . Influx o f p e o p le d aily, fo r ces t he ci t y t o b e c o me s o me thing o f a p e rfo r manc e (ac to r s e ns e ) as a s y s tem t ha t i s s t r u g g l ing to s e p ar ate the ms e lve s fro m the tr ad itio nal way I whic h we use a n d d e ve lo p the c ity p ar tic ular ly c o nc e r ning no n-s p ac e ins tanc e s .

R e d e ve lo p ing no n-s p ac e inte rc hange s and inje c ting us e able pr og r a m b a ck i n t o the s e s p ac e s ho p e fully ins p ire s the way in whic h we lo o k at t hese a re a s . Th e c ultur al he ightfie ld (d e mo gr ap hic s , his to r y, c ulture , tr anspor t a t i on , ci rc ulatio n, c o nte x t, vo id s , s o lid s , no is e , vie ws , move me nt, e t c . ) t ha t cu r re n t ly e x is ts within the c o nte x t o f the c ity will he lp d e fine and infor m t h e d e s i g n d e c is io ns o f the s p e c ial c o nte x t o f the c ity and give an ident it y t o a n on -s p ac e .

s tre e ts

pa r k s t r e e t s

p ar k

U r ban t yp ol og y a s a bu i l d i n g t yp e will b e ab ale to b r ing a ne w fo r m o f c ity life to the c ity. C r ea t in g a p l a ce fo r b ot h u n p ro g r a m m e d and p ro gr amme d build ing s p ac e the re is an o p p o r tunit y for s po n t a n e o u s e ve n t s t o t a ke p l a ce amo ngs t the c ity me tro p o lis . T his e nd e avo r is c re ate d thro ug h a s er ie s of p ro g r a m m i x u p s a s we l l a s the s ub tr ac tio n o f p ro gr am all to ge the r. T he s ub tr ac tio n wit hin th e p rog r a m s u rf a ce g i ve s a n i ce b a c kd ro p fo r us e that c o uld take p lac e b o th p e r mane nt and flexible a cco rd i n g t o t h e n e e d s of t h e p e o p le that inhab it it. It is als o imp o r tant to re alize the d e velopme n t. H owe ve r, t h e m i x i n g of p ro g r am, p e o p le , c ar s , and e ve nts c aus e s a p ro ble m in its own r ig ht .

M o tio n p a r a l l a x m i s t a ke s ca n h ave tr agic c o ns e q ue nc e s . O ve r 1000 p e o p le a ye ar are killed a t r ailr o a d cro s s i n g s e a ch ye a r i n t h e U SA . Pe rc e p tual naive te is p ar t o f the p ro ble m. Mo s t of us h ave on ly l i m i t e d e x p e r i e n ce w i t h tr ains . Tr ains are b igge r than o the r moving o b je c ts with w hich we h ave e x p e r i e n ce . B a s i ca l ly, we do no t re alize jus t how fas t tr ains tr ave l; we und e re s timate t heir s pe ed . Al s o, l oo k i n g a t a t r a i n coming r ight at yo u p rovid e s a minimum o f s p e e d c ue s . T hat is t he r eas on t h a t t r a i n s n ow s p or t t wo lights in fro nt, ins te ad o f o ne . O fte n, the s e c o nd light re volves to pr ov i d e f u r t h e r d i s t a n ce cu e s , e s p e c ially at night. Le s s tr agic ally, but e x hib iting the flip s ide of th is p h e n om e n o n , i s ou r d i f fi cu l t y i n e s timating the s p e e d o f o b je c ts s malle r than o ur us ual e xper ie n c e , m o t orcycl e s , fo r e x a m p l e . We te nd to ove re s timate the s p e e d o f a mo to rc y c le b e c aus e it is s m alle r t h a n a ca r. Te l l t h a t t o t h e o ffic e r s as the y wr ite yo u a s p e e d ing tic ke t. But, re me mb e r, t he r adar g u n d oe s n o t h ave o u r p e rce p tual c har ac te r is tic s .

A vis ualizatio n o f the c o ming fre e way is s ue s a nd t he ine vitable ne e d to c re ate a mo re ve r tic al s yst em w it h the up tic k o f p o p ulatio n migr ating toward s the a lr ea dy ove rc rowd e d c itie s o f the wo r ld .

w s u m in t e r s m er u n pa sun th path

ber decem1 june 2

21

Sun Study

Site Placement

Site Placement Site

Lake Shore Drive L a ke Sho re Dr.

Lake Shore Drive

Chicago River Walk Entry

Chicago River Walk Entry

Lake Shore Drive

Chicago River Walk Entr

Green Spaces Gr eem Spa ce

Chicago River Walk Entry Chic ago R ive r Walk

Green Spaces

Green Spaces

Green Spaces

8.30 pm

5.24 am

7.16 am

4.30 pm

w s u m in t e r s m er u n pa sun th path

b decem1 june 2

er 2

Sun Study

1

are as o f s p e c ia l/ s o c ia l/p hy s ic a l int e r c ha ng e c u ltu r e / e xhi b i t i on n igh t life r ec r e atio n pr o fo r m an c e e du c atio n r etail / mic r o re t a i l c o mmu n ity s po r ts

O n Ex tre mity : Ye s te rd ay s ext r em e is to mo r rows s tatus q uo. In this w ay, cult ur e is a p ro d uc t o f o ngo ing a ug m ent a t ions to the ze nith o f the p re vious g ener a t ion.

It move s in s uc h p owe rful w ays t ha t it s mo me ntum and influe nc e a r e difficult - if no t imp o s s ible - to resist . However, the ine vitable is no t c r uel. t he lenient s ho uld e r s o f o ur fo re fathe r s have a lr ea dy re ve ale d the gro und fro m w hich we ca n p ro je c t the future , and the i r shoulder s a r e a c o ns tant re mind e r that not hing is r ea lly o r iginal - no r c an it re main ext r em e .

Ex pan ses P RES ERVATI ON AS P ROVOC ATI ON

Cas tle P inc kne y re vitalizatio n & re s to r atio n Char le s to n, No r th Caro lina, U SA

Th is c o m pe titio n is i n t e n d e d for s t u d e n t s wo r king in multi-d is c ip linar y te ams in the fie ld s o f arc hite c tur e la ndsca pe arch itec tu r e , an d c i t y a n d re g i on a l p l a n n i n g t o rethink the ab and o ne d e ar ly nine te e nth c e ntur y fo r t. Tas ked t o pr eser ve , in ter pr e t an d r e-im a g i n e t h e e x t a n t h i s t or i c f a br ic as e mble matic o f the c o untr y ’s e ar ly atte mp ts to c rea t e a feder a l d efens e s y s tem an d t h e s i t e a s a n e co - t o u r i s t a n d e d uc atio nal d e s tinatio n. T he s o lutio n to the p ro je c t was fo cused on t hr ee d if fere n t as pe c ts ; Hi s t or i ca l , E d u ca t i o n a l , a n d Re cre atio nal. T he s e thre e as p e c ts we re a gre at c hanc e fo r us to explor e new optio n s an d de ve lo p a n e w i d e n t i t y t o b o t h C h ar le s to n and the is land . In the p ro c e s s we e x p lo re d is s ue s of a ccess, t he relatio n s h ip be twee n p re s e r v a t i o n a n d d e s i g n (bo th arc hite c tur al and land s c ap e ), o ff-gr id e ne r gy c o ns umpt ion, cha ng ing climate patter n s , w a t e r m a n a g e m e n t , l a n d u s e , and hab itat p ro te c tio n. With that o ur final d e s ign p rovo ked a pr ofound reth i n kin g o f o u r c ur re n t co nve n t i o n s a b ou t p re s e r vatio n, d e s ign, c o mmunity, the e nviro nme nt, and he r itage t our ism .

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Our decision for preservation of the fort was to blend the building into our pier structure. To achieve this effect, the castle is partially deconstructed to become a sloping wall the borders a pathway towards the pier ramp.

Likewise, pier material follows the walkway on the opposite side. This way guests feel the transition from then to now. Within the castle will be a shade pavilion to house exhibits to inform visitors of what daily life within the castle was like through history.

d et ail p ath s e c tio n

Underneath the hill is the Southern arboretum. This semi-enclosed room is meant to resemble an everglade hammock with varying sized trees and a collage of textures from foliage, moss, and bark. The naturalistic pathway evokes a feeling of mystery as visitors twist around the forest.

The walls of the arbor room are twenty-foot Plexiglas windows. Light shines into and through the leaves and visitors can look out up in the framed blue glass.

ne w glas s p avilio n wall s e c tio n

in te r io r c as tle s ec t i o n

e x i s t i ng wall p re s e r vatio n

M AR I N E L AB MARI NE RES EARC H I NS TI TU TE

Sus tainable mar ine re s e arc h and e d uc atio n c e nte r St. Cro ix , A me r ic an Vir ign Is land

T h e o ri gi nal i nt ent of t h e b u i l d i n g w a s t o c re a t e e pigenetic la ndsca pe w ith a n interco nnectio n o f pro gram and co nnectiv i t y t hroug h v i s u a l a n d p h y s i c a l i n t e r a ctio ns. This pro ject ha s kept the co re intent w hile prov iding a mo re f or mal i nt er a c t i o n w i t h t h e e x i s t i n g l a ndsca pe to crea te a n o pera tive la ndsca pe ra ther th an the mo re tra d i t i ona l host l a n d s c a p e . O v e r w h e l m i n g idea s w e w a nted to keep inta ct a nd lucid w ere the us e of linki ng c omp onent s, t h e s p re a d o f k n o w l e d g e f ro m the resea rch la bs to the educa tio n center f o r the public , interacti ons b et ween p ro g r a m a n d c i rc u l a t i o n , a nd mimicry o f the interco nnected eco lo gica l system in whic h t he bui l d i ng ha s b een p l a c e d .

In th i s scheme we are l o o k i n g t o h a v e a d y n a m i c f o r m tha t ca n ca rry yo u thro ugh the building in developed s pace – b ot h i nsi d e a n d o u t s i d e – w h i l e l i n k i ng yo u w ith the rest o f the buildings tho ugh the a pparent g e o me try of t he b ui l d i n g s f o r m a l m a s s i n g q u a lities. “ The vo id is ra ther a n o pera tive subsystem link ed t o th e dy na mi c p roc e s s e s o f s p a c i n g a n d o c c u pa tio n. Such vo ids ha ve sha ped w ithin them generators of s eparati ons, hal l ows, i n c i s i o n s a n d p o s s i b l e f re e cha nnels o f ro uting a nd rela tio nship.” ( Ga usa , G uallart, M ul l er, Sor i a no, P or r a s , M o r a l e s , p g . 3 5 3 ) T h ese rela tio nships ha ve beco me bo th visua l, mo tivational, g e nerati v e d ev el op m e n t s t h a t b r i n g o n e b a c k to the idea o f linking the la ndsca pe w ith bo th the ev eryday u ser an d oc c asi ona l vi s i t o r o f t h e b u i l d i n g .

Co nc e p t o f Nature

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Linking b e twe e n Clust er s

M an i f o l d fu rni tu re c omp eti ti on

10th A nnual Ve llum Co mp e titio n SLO, C A , U SA 2013

man· i· fold adjective 1. many an d var io u s .

“th e implic atio n s of t h i s d e ci s i o n we re m a n i fo ld ”

s y n o n y m s : m a ny, nu m e r o u s , mu l t i p l e , mu l t i f a r i o u s , l e

g i o n , d i ve r s e , v a r i o u s , s e ve r a l , v a r i e d , d i f fe r e n t , m i s c e l

lan e o u s , as s o r t e d , s u n d r y; M o re

h avin g many dif fe r e n t for m s or e l e m e n t s . “th e appeal o f t h e cr u s a d e w a s m a n i fol d ” s y n o n y m s : m a ny, nu m e r o u s , mu l t i p l e , mu l t i f a r i o u s , l e g i o n , d i ve r s e , v a r i o u s , s e ve r a l , v a r i e d , d i f fe r e n t , m i s c e l lan e o u s , as s o r t e d , s u n d r y

T he b e auty o f fur niture is fo und with gr a dua l com p re he ns io n in c o njunc tio n with human condit ion q ualitie s o f the wo r k. T his b e auty is felt w hen t he ind ivid ual find s s o me thing o f inte re s t wit hin t he disc ove r y o f p o s s ib ilitie s the p ie c e o f fur nit ur e ha s t o o ffe r. With the jux tap o s itio n o f d is c over y, you a lso have c o mp le x ity and a c o up le s e c o nd s of per plexion.

T his might s e e m d aunting, howe ve r, when you st a r t to unfo ld the p o s s ib ilitie s yo u c an s tar t t o int er a ct with the fur niture in var io us way s allowing one t o be to ge the r with the fur niture r athe r than pur ely spectato r. Fo r Manifo ld, it is imp o r tant that t he infor m a tio n is re le as e d gr ad ually ho ld ing the inter est of t he us e r to d is c ove r and unfo ld the p o s s ib il it ies t ha t lie within what c an b e an e ve r c hanging and mult ifa cet ed e x c hange .

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1”

13.39”

4” 1” 4”

1.68”

T h e op tio n s :

58

4” ”

Mate rials : (3 ) s he e ts o f 1” ultr a lightwe ight md f (16) hinge s (128) 1/2”s c re ws Paint and P r ime r Ste ps of Fabrication: 1 2 3 4 5 6 7

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cre a t e cu t fi l e fo r t h e cn c mac hine to maintain ac c ur ac y o f the ind ivid ual tr iangle s cu t t h re e s h e e t s o f on e i nc h ultr a light we ight md f o n the c nc mac hine d r y a s s e m bl e t h e e i g h t y eight tr iangle s to make s ure the hinge s line up g l u e i n d i v i d u a l t r i a n g l e s i nto e ight s e c tio ns o f e le ve n tr iangle s s a n d u n t i l s m oo t h p r i m e a n d p a i n t t h e e i g h t ind ivid ual s e c tio ns a s s e m bl e a n d a t t a ch h i n g e s

*i n or de r for t h e s ys t e m t o wor k t h e t r ia n g le h a s t o b e a d e r iv a t ive o f t h e 3 -4 -5 P y t h a g o r e a n T h e ore m t r i a n g l e t o a l l ow t h e ma n i pu l at io n o f t h e ove r a ll s y s t e m

4”

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3.25” 1”

4” 4” 2”

. 2 5”

4”

“ … y o u d on ’t wa n t t o r ev ea l a l l t h e info r ma tio n in o ne s ho t be cau s e t her e i s a qua nt i t a t i v e l i m it in the “input” c a pa c ity o f h um a n c og n i t i on . T h e r ec ep t i on mus t a lwa ys ta ke pla c e bit w is e . ” Aut h or U nk now n)

Ev ery t hi ng Thes i s exp o sit io n

Stud io D. J a ck son T he s is S how SLO, C A, USA 2014

Eve r y thing

E ve r yt h i n g is an ins tallatio n s howc as ing the c ulminatio n o f a ye a r o f i n t e n s i ve arc hite c tur al re s e arc h and d e s ign wo r k.

E ve r yt h i n g fe a t u re s the wo r k o f Do ug Jac ks o n’s twe nty the s is s t u d e n t s , a t C a l Poly San Luis O b is p o ’s Co lle ge o f A rc hite c ture a n d E nv i ro n m e n t a l De s ign. De s ignInte llige nc e re c e ntly name d C a l Poly’s p rog r a m numb e r o ne in the ir 2014 r ankings .

E ve r yt h i n g p re s e nts twe nty uniq ue and p rovo c ative a rch i t e ct u r a l t h e s i s p ro je c ts . T he d ive r s e s p e c tr um o f s tud e nt’s p ro j e ct s a re u n i t e d with a c o mmo n amb itio n: to re fr ame the p hys i ca l wor l d a s a p lac e o f augme nte d e x p e r ie nc e . T he s e t h e s i s p roj e ct s a re f ur the r re p re s e nte d with ad d itio nal c o nte nt a n d m e d i a t h a t e m p has ize s c o nve r ging re s e arc h inte re s ts and a g e n d a s , s i t u a t i n g t he s e inte re s ts within the c o nte x t o f c ur re nt a rch i t e ct u r a l d i s cou r s e and c o nte mp o r ar y c ulture .

In co m p l e t ing the ir final und e r gr ad uate wo r k, this s t u d i o h a s b e e n fo cus e d o n c halle nging e x is ting c o nc e p tio ns o f a rch i t e ct u re i n t h e i r the s is manife s to s and p ro je c ts . Eve r y thing w i l l p rov i d e v i s i t or s with d igital and p hy s ic al e x p e r ie nc e s , p re s e n t i n g wor k t h ro ugh p hy s ic al me ans with the ad d itio nal ove r l ayi n g o f m e dia, inc lud ing augme nte d re ality, wr itte n wo r k s , a n d fi l m .

th an k yo u fo r yo u r c o n s i d e r a t i o n 6032 B u r n ban k Plac e S a n Jo s e , C a l i fo r n i a 9 5 1 2 0 U nite d State s + 1 408 8 9 1 5 3 5 7 | r ya n h u n t e r0 6 @ g m a i l . com