RSNO Spring/Summer Digital Season: Cello Jewels

Scotland’s National Orchestra 1

Chamber:

CELLO JEWELS

Spring/Summer 2021

Available from Fri 16 April 2021

NINE SPECTACULAR CONCERTS BROADCAST FROM OUR HOME TO YOURS Featuring Thomas Søndergård • Nicola Benedetti Elim Chan • Benjamin Grosvenor Paul Lewis and more

On Sale Now! rsno.org.uk

RSNO: Scotland’s National Orchestra 3

Chamber:

CELLO JEWELS

Each player in the RSNO is a star in their own right – and when you get them on their own, they’ve got some great stories to tell! For Principal Cello Aleksei Kiseliov, that means teaming up with acclaimed Scottish pianist Alasdair Beatson in the ebullient Cello Sonata by the youthful Richard Strauss, plus Beethoven at his most exuberant and some sheer magic from the Czech forests – a concert that’s small in scale but huge in personality.

BEETHOVEN Variations in F Major on ‘Ein Mädchen oder Weibchen’ for Cello and Piano Op66 [10’] BEETHOVEN Cello Sonata No5 in D Major Op102 No2 [19’] R STRAUSS Cello Sonata in F Major Op6 [25’] DVOŘÁK Silent Woods for Cello and Piano Op68 No5 [5’] Aleksei Kiseliov Cello Alasdair Beatson Piano RECORDED AT THE RSNO CENTRE, GLASGOW Broadcast Fri 7 May 2021, 7.30pm This performance has been recorded for the RSNO Archive.

Supported by the Iain and Pamela Sinclair Legacy.

Jack Hunter Director Diego Almazán Camera Supervisor Nelisa Alcalde Camera Operator Wilfred Magnussen Video Editor Audio feed courtesy of BBC Radio 3 Hedd Morfett-Jones Post-production Sound Supervisor

This performance was recorded by BBC Radio 3

Next Digital Season Concert

DVOŘÁK SYMPHONY No7 Recorded at the RSNO Centre, Glasgow Broadcast date: Fri 14 May 2021, 7.30pm

Lutosławski Mala suita Dvořák Symphony No7 Marta Gardolińska Conductor

POLSKA SCOTLAND Financed by the Ministry of Culture, National Heritage and Sport of the Republic of Poland as part of the Multi-annual Programme NIEPODLEGŁA 2017–2022

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Welcome Dear friends Welcome to the RSNO’s fourth concert in this Spring/Summer Digital Season.

The concert features the RSNO’s fabulous Principal Cello Aleksei Kiseliov with acclaimed Scottish pianist Alasdair Beatson.

It is often said that great orchestral playing requires a chamber music mindset, with a musician’s ears and eyes alert to every nuance and the conductor only required to guide the musical shapes. I think the converse is also true. Great chamber music playing requires a grasp of symphonic scale and drama that must transcend the small number of musicians required. This concert is certainly symphonic in scale! With music by Beethoven, Richard Strauss and Dvořák, and performances full of energy and drive from Aleksei and Alasdair, the only thing small scale is the number of musicians on stage.

The concert includes some of the most joyous music imaginable, and throughout the performances the sheer pleasure of musicmaking is clearly written on the faces of the performers. We all miss live music, but the cameras do give us a chance to focus in on the players and see close-ups of some of the interactions that are so fundamental to great chamber music playing.

As we edge ever closer to the return of audiences, I’d like to thank you again for your support of the RSNO throughout this Digital Season.

Alistair Mackie CHIEF EXECUTIVE

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Variations in F Major on ‘Ein Mädchen oder Weibchen’ for Cello and Piano Op66 When the 21-year-old Ludwig van Beethoven travelled to Vienna in 1792, his patron, Count Waldstein, expressed the hope that he would ‘receive the spirit of Mozart from the hands of Haydn’. High hopes existed that the young lion from Bonn might become Mozart’s successor.

Five years earlier, still a teenager, Beethoven had auditioned for Mozart and was apparently accepted. Fate intervened. Beethoven was obliged to go straight home upon receiving news that his mother was on her deathbed.

By the time he was able to return to Vienna, Mozart too had died.

Ludwig van Beethoven (1770–1827)

FIRST PERFORMED Vienna, 1798 DURATION 10 minutes

Beethoven composed several sets of variations on operatic arias by Mozart, including two from The Magic Flute for cello and piano: first ‘Ein Mädchen oder Weibchen’ (probably 1798), and later ‘Bei Männern’ (1801). In ‘Ein Mädchen oder Weibchen’, Papageno, feathery sidekick to the opera’s loftier hero Tamino, is daydreaming about his ideal girlfriend. A lively, hummable song with simple harmonies, it lends itself ideally to Beethoven’s bent for transformative variations, a form the composer espoused in myriad guises throughout his career. Each of the 12 variations casts new light on the original, punctuated by startling modulations and including two minor-key numbers that darken the tone considerably on the way to the joyous finale. © Jessica Duchen

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Cello Sonata No5 in D Major Op102 No2 In 1815 Beethoven was suffering physically, mentally and materially. Worsening deafness was only the beginning. Some of his patrons, ruined by the Napoleonic wars and runaway inflation, had reneged on providing his annual stipend; he therefore had to resort largely to composing commercial dross to order. The Cello Sonatas Op102 – the last of his five works in this genre – provided a welcome alternative.

Ludwig van Beethoven (1770–1827)

FIRST PERFORMED Jedlersee, Vienna, 1815 DURATION 19 minutes Allegro con brio Adagio con molto sentimento d’affetto–Attacca Allegro–Allegro fugato

The Sonatas’ dedicatee was Countess Anna Maria von Erdödy, periodically a close friend of Beethoven’s. He had lodged briefly in her house in 1808-9, an episode which ended with a fallout; their friendship was re-established early in 1815. It was at her country estate at Jedlersee that Joseph Linke, cellist of the Schuppanzigh Quartet, premiered the D Major Sonata, the countess herself playing the piano.

The opening movement’s terse, energetic theme is punctuated with declamatory cello statements; a more introspective second subject follows. The concentration of Beethoven’s writing, the development’s startling twists and turns, all point towards his late style of the 1820s. The Adagio carries the most emotional weight, exploiting the cello’s depth, breadth and dark eloquence.

Finally, after a mysterious transition, Beethoven unleashes a full-blown fugue, prefiguring his mighty contrapuntal creations in the later Hammerklavier Piano Sonata Op106 and the Grosse Fuge for string quartet Op133. © Jessica Duchen

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Cello Sonata in F Major Op6 Richard Strauss is more known for orchestral tone poems and operas than for chamber music; and when it comes to soloists rising out of his sumptuous orchestral textures, it’s his own instrument, the violin, that you’ll hear most often.

However, one of his first musical successes, in 1883 aged 19, was his Cello Sonata, composed for his friend Hanuš Wihan, the Czech cellist of the Munich Court Orchestra who 12 years later would also become the dedicatee of Dvořák’s Cello Concerto.

Richard Strauss (1864-1949)

FIRST PERFORMED Nuremberg, 6 December 1883 DURATION 25 minutes Allegro con brio Andante ma non troppo Finale: Allegro vivo

Inevitably for a teenage work, this isn’t quite the Strauss of those aforementioned mature works with their rich textures and advanced harmonic language. Instead, it feels more linked to the composers he would have recently studied, such as Beethoven and Schumann, albeit already with his own brand of drama and passion. Take the opening Allegro con brio, featuring both big-boned heroism and romance, and a crisply rendered central fugue.

The central slow movement is more introspective, flitting between wistful brooding with occasional shades of funeral march, and more ardent, long-lined lyricism.

The Allegro vivo finale opens feather-light, with puckish flutterings containing a distinct whisper of Mendelssohn. Then, as with the previous two movements, it progresses through a succession of moods and styles before, after dropping down to pianissimo, it concludes with a fortissimo flourish. © Charlotte Gardner

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Silent Woods for Cello and Piano Op68 No5 It’s a strange thing that while Dvořák’s Cello Concerto of 1894 is one of the greatest cello concertos in the repertoire, Dvořák’s own relationship with the instrument was a real slow-burn affair. In fact, his initial view of the instrument was that ‘high up it sounds nasal, and low down it growls’. So while the direct impetus for composing his eventual masterpiece was a Brooklyn concert where he heard Victor Herbert’s own newly penned Cello Concerto – having arrived in the USA two years previously to take up the directorship of the new National Conservatory of Music of America – the initial seeds had in fact been sown back in his native Bohemia, thanks to his friendship with the Concerto’s eventual dedicatee, Hanuš Wihan.

Antonín Dvořák (1841-1904)

FIRST PERFORMED Rakovnik, Bohemia, 1892 DURATION 5 minutes

Of those various seeds, Silent Woods was an especially important one. Also written for Wihan, it’s an arrangement of the fifth piece from Dvořák’s 1884 four-hand piano cycle, From the Bohemian Forest, and they premiered it together during Dvořák’s farewell tour before leaving for that aforementioned New York position. It was such an immediate hit that in 1893 Dvořák transcribed it for orchestra, bringing him one step closer to concerto territory.

Just five minutes long, Silent Woods opens and closes in slow and dreamy major-tonality lyricism, the tempo increasing slightly for a contrasting minor-keyed central section. © Charlotte Gardner

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Aleksei Kiseliov CELLO France and England. His appearances at the Franco-Byelorussian Musical Spring were a huge success. In 1998 his performances in the Cortot Hall and Trianon Theatre in Paris were equally well received.

In 2000 Aleksei began studying with Tilman Wick in Hanover and three years later moved to London to study with Jerome Pernoo at the Royal College of Music. From 2007 he studied with Raphael Wallfisch while pursuing the Artist Diploma course at the RCM. Later he had a year of lessons with Natalie Clein at Trinity Laban.

Aleksei has been the Principal Cello of the RSNO since 2011.

Born in Belarus, he began his musical studies when he was five at the Republican Music College. He was eight when he gave his first public recital, and a year later toured to Holland as a soloist with the Chamber Orchestra of the Republican Music College. He developed his work as a soloist, performing with the State Chamber Orchestra and Symphony Orchestra of Belarus. It was at this time that he won the international competition Music of Hope and later in 1997, at the age of 12, he was a prizewinner at the Tchaikovsky International Youth Competition in St Petersburg. He became Belarus Pupil of the Year and a scholar of the President’s Fund of Belarus, and received a special prize from the Vladimir Spivakov Fund.

Still young, Aleksei began performing as a soloist with the Belarus Philharmonic Society and the Opera and Ballet. Further engagements followed in Germany, Holland,

In 2008 and 2009 Aleksei directed his own international music festival, Melodrama, in London and Minsk. His solo and concert work has developed in Europe, the UK and USA, as well as in Belarus. He now combines his solo career with his Principal role with the RSNO, and also teaches at the Royal Conservatoire of Scotland.

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Alasdair Beatson PIANO Two new recordings are released this spring: three Beethoven sonatas for violin and fortepiano with Viktoria Mullova on Onyx, and a solo piano recital, Aus Wien, on Pentatone.

These join Alasdair’s acclaimed discography of solo and chamber recordings, on modern and period pianos, on the BIS, Claves, Champs Hill, Evil Penguin, Pentatone and SOMM labels.

Scottish pianist Alasdair Beatson works prolifically as a soloist and chamber musician.

Despite the shadow of Covid, he has kept busy during 2020/21, playing several times at Wigmore Hall, recording concerts for BBC Radio 3 alongside Alina Ibragimova, Aleksei Kiseliov and the Nash Ensemble, and joining Royal Northern Sinfonia as concerto soloist.

Alongside a particular affinity with the classical repertoire and the music of Schumann and Fauré, Alasdair often explores the more exotic: Catoire, Pierné, Thuille; Debussy’s Jeux (in the composer’s arrangement for solo piano); Ligeti’s Horn Trio; Harrison Birtwistle’s Harrison’s Clocks; and Thomas Adès’ Piano Quintet. His concerto repertoire includes works by Hans Abrahamsen, Bach, Bartók, Sally Beamish, Fauré, Hindemith, Mozart, Stravinsky and Messiaen. In recent years he has appeared with the Britten Sinfonia, Moscow Virtuosi, Scottish Chamber Orchestra, Scottish Ensemble, Sønderjyllands Symphony Orchestra, Tapiola Sinfonietta and RSNO.

A regular participant at the International Musicians Seminar, Prussia Cove, Alasdair took part in their tours of 2007 and 2011, and collected the 2008 RPS Award for Chamber Music on their behalf. He has worked closely with composers George Benjamin, Birtwistle, Cheryl Frances-Hoad and Heinz Holliger. Future plans include the first performances of a new piano concerto written for him by Helena Winkelman.

Alasdair was a student of John Blakely at the Royal College of Music, London, and Menahem Pressler at Indiana University. He teaches solo piano at the Royal Birmingham Conservatoire and regularly mentors for the London-based Chamber Studio. From 2012 to 2018 he was founder and artistic director of Musique à Marsac, and since 2019 is co-artistic director of the Swiss chamber music festival at Ernen.

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Supporting the RSNO I am honoured and extremely proud to be Music Director of the RSNO. It is through the continued generosity of you, our friends, donors and supporters, that we can continue to achieve and realise the most ambitious goals of the Orchestra.

The absence of live performance and the separation of musicians from the stage make these difficult times for all. It has reinforced for us all how vital music is in helping us overcome hardship, fear and loneliness. The creativity and dedication shown by RSNO musicians in recent months has been incredible. This is despite the pattern of our working lives being dramatically

interrupted and being separated, not just from one another, but also from our audiences and communities. I hope you will choose to support us now as we adapt and embark upon this next chapter in RSNO history.

Thank you for your support

Thomas Søndergård MUSIC DIRECTOR, RSNO

RSNO Conductors’ Circle The RSNO Conductors’ Circle is an inspirational group of individual supporters at the heart of the RSNO’s Individual Giving programme.

Our members’ annual philanthropic gifts enable us to realise the Orchestra’s most ambitious goals. Conductors’ Circle members support inspirational concert performances for our audiences alongside transformational education programmes in communities across Scotland, via our ground-breaking initiative Music for Life.

The relationship between the RSNO and Conductors’ Circle members involves exceptional levels of access to all aspects of Orchestra life. We design bespoke private events tailored to individual interests and passions, providing insight into the artistic process and bringing our supporters further into the RSNO family. Members of the Conductors’ Circle benefit from an intimate and long-lasting connection with the RSNO Artistic Team and particularly with RSNO Music Director Thomas Søndergård, Principal Guest Conductor Elim Chan and the many

renowned guest Conductors we are privileged to welcome to the RSNO each year.

The RSNO is very grateful for the continued support of its Conductors’ Circle: Ardgowan Charitable Trust Geoff and Mary Ball Sir Ewan and Lady Brown Ian and Evelyn Crombie Carol Grigor and the Trustees of Dunard Fund Gavin and Kate Gemmell Kenneth and Julia Greig Ms Chris Grace Hartness Kat Heathcote and Iain Macneil Bruce and Caroline Minto David and Alix Stevenson Eric and Karen Young We would also like to thank those generous donors who wish to remain anonymous.

For more information on Individual Giving and becoming part of the Conductors’ Circle please contact Jenny McNeely at jenny.mcneely@rsno.org.uk

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Patron Programme CHAIR PATRON From musical activities in schools with the musicians of the future to working in community venues across Scotland, as a Chair Patron you are enabling RSNO musicians to explore the many facets of their art and the positive impact it has on people’s lives. Supporting an individual musician puts you at the heart of the RSNO family. You’re connected directly to the musicians on stage and get to enjoy privileged behind-the-scenes access. RSNO musicians truly appreciate our Chair Patrons and enjoy developing personal relationships with our supporters.

Assistant Conductor Kellen Gray

Cello Aleksei Kiseliov PRINCIPAL

Horn Christopher Gough PRINCIPAL

First Violin Maya Iwabuchi LEADER Sharon Roffman LEADER

Kennedy Leitch

Alison Murray

Arthur Boutiller

David McClenaghan

The Bill and Rosalind Gregson Chair

The Ardgowan Charitable Trust Chair

Patrick Curlett

Rachael Lee

Trumpet Christopher Hart PRINCIPAL

The Solti Foundation Chair

Dunard Fund Chair

Tamás Fejes Assistant LEADER

ASSISTANT PRINCIPAL The RSNO Circle Chair

Jane Reid

The James Browning Chair

ASSISTANT PRINCIPAL The David and Anne Smith Chair

The Christine and Arthur Hamilton Chair

Double Bass Ana Cordova PRINCIPAL

The James Wood Bequest Fund Chair

The Kate and Gavin Gemmell Chair

Alan Manson

John Clark

Elizabeth Bamping

Flute Katherine Bryan PRINCIPAL

The Hugh and Linda Bruce-Watt Chair The WL and Vera Heywood Chair

The Gregor Forbes Chair

The David and Anne Smith Chair

Second Violin Xander van Vliet PRINCIPAL

Helen Brew ASSISTANT PRINCIPAL

Sophie Lang

The Ian and Evelyn Crombie Chair

Oboe Adrian Wilson PRINCIPAL

Viola Lisa Rourke SUB PRINCIPAL

Peter Dykes

The Hilda Munro Chair

The Meta Ramsay Chair

David Martin

The Miss Grace MM Mitchell Bequest Chair

Francesca Hunt

The Rolf and Celia Thornqvist Chair

The Gordon Fraser Charitable Trust Chair

The Hedley Wright Chair

ASSOCIATE PRINCIPAL Witherby Publishing Group Charitable Trust Chair

Cor Anglais Henry Clay PRINCIPAL

The Springbank Distillers Chair

ASSISTANT PRINCIPAL Mr & Mrs Pierre and Alison Girard The J & A Mitchell Chair

Ms Chris Grace Hartness

Marcus Pope SUB PRINCIPAL

The Nigel and Margot Russell Chair

Trombone Dávur Juul Magnussen PRINCIPAL The Mitchell’s Glengyle Chair

Lance Green

ASSOCIATE PRINCIPAL The William Cadenhead Chair

Timpani Paul Philbert

Ms Chris Grace Hartness

Percussion John Poulter

ASSOCIATE PRINCIPAL The Dot and Syd Taft Chair

Director of Concerts and Engagement Bill Chandler The James and Iris Miller Chair

In memory of a dear friend, Fiona H

Bassoon David Hubbard PRINCIPAL

The James and Morag Anderson Chair

We would like to acknowledge the generous contribution of Mr Hedley Wright in supporting the RSNO Chair Patron Programme.

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LEARNING AND ENGAGEMENT PATRON Our Learning and Engagement activity is structured around our Music for Life programme. From apps for babies to concerts and workshops for school children, and lunchtime concerts for older adults, the range of projects is vast. As a Patron, you will have access to our projects to bring you closer to the communities we serve across Scotland.

Learning and Engagement Patrons Neil and Nicola Gordon Professor Gillian Mead Mr Maurice Taylor CBE Witherby Publishing Group Charitable Trust NEW WORKS PATRON The RSNO is dedicated to bringing new works and outstanding new talent to audiences across Scotland. Our New Works Patrons contribute a significant legacy to orchestral music that extends beyond the RSNO, providing new music for orchestras and audiences around the world – for generations to come.

New Works Patron Susie Thomson We are also grateful to those who give but wish to remain anonymous.

If you would like more information or would like to discuss how you can become part of the RSNO Family of Supporters, please contact Jenny McNeely, Head of Individual Giving and Partnerships, at jenny.mcneely@rsno.org.uk

We would like to thank all those who have made donations to the RSNO Covid Appeal over the recent months. The generosity of our supporters at this time is deeply appreciated.

Musical Memories Leave a gift to the RSNO and ensure future generations can create their own Musical Memories of the Royal Scottish National Orchestra.

We all have special Musical Memories. It could be learning to play an instrument when you were a child, or a special piece of music that just left you breathless the first time you heard the Orchestra play it. Maybe it was seeing a soloist you had always wanted to hear, or just a great concert shared with friends. Memories such as these make music such an important part of our lives.

Leaving a gift to the RSNO in your will is the single most important way you can help us to make music and to create memories. Your legacy will support the work of the Orchestra for years to come, ensuring that we can continue to bring great music to a new generation of children, young people and adults right across Scotland.

It is easy to leave a gift. After you have made provisions for family and friends, please think of the Orchestra.

Your gift is important to us and to everyone in Scotland who enjoys music. Contact your solicitor to draft a will or add a codicil to your current will.

If your estate is subject to inheritance tax, a gift to a charity, such as the RSNO, is tax-free and will reduce the amount of tax payable to the Government. Please ask your solicitor for details.

For more information please visit rsno.org.uk/memories If you would like to discuss this further, please contact Kirsten Reid, Individual Giving and Partnerships Officer, in the strictest confidence at kirsten.reid@rsno.org.uk To the many among you who have pledged to leave a gift already – thank you.

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Charitable Trusts and Foundations Charitable trusts and foundations have a long and illustrious history of supporting the RSNO, both on the concert platform and through our Learning and Engagement programmes in the community. Grants and awards of all sizes are greatly appreciated, and range from one-off donations for specific projects through to large-scale support over a number of years, including support of the acclaimed RSNO Junior Chorus and our flagship educational project, the National Schools Concert Programme. We are fortunate in having developed long-term relationships with a number of trusts who have sustained their invaluable support over many years, enabling a significant amount of our work and mission to go ahead each year that otherwise would simply not happen. Our 2020:21 Season of concerts and Learning and Engagement programmes is generously supported by the following trusts and foundations: Aberbrothock Skea Charitable Trust Aberdeen Endowments Trust Alexander Moncur Charitable Trust Austin and Hope Pilkington Trust Balgay Children’s Society Boshier-Hinton Foundation Cruden Foundation David and June Gordon Memorial Trust D’Oyly Carte Charitable Trust Dunclay Charitable Trust Educational Institute of Scotland Ettrick Charitable Trust Fidelio Charitable Trust Forteviot Charitable Trust Gannochy Trust Garrick Charitable Trust Gordon Fraser Charitable Trust Hugh Fraser Foundation Idlewild Trust James Wood Bequest Fund Jean & Roger Miller’s Charitable Trust Jennie S. Gordon Memorial Foundation John Ellerman Foundation John Mather Charitable Trust John Scott Trust Fund J T H Charitable Trust Leche Trust Leng Charitable Trust McGlashan Charitable Trust MEB Charitable Trust Meikle Foundation Michael Tippett Musical Foundation Mickel Fund Murdoch Forrest Charitable Trust Nancie Massey Charitable Trust Noël Coward Foundation Northwood Charitable Trust PF Charitable Trust Privy Purse Charitable Trust PRS Foundation R J Larg Family Trust Robertson Trust

Ronald Miller Foundation Russell Trust RVW Trust Scott-Davidson Charitable Trust Solti Foundation Stevenston Trust Tay Charitable Trust Tillyloss Trust Trades House of Glasgow W A Cargill Fund Walter Craig Charitable Trust Walter Scott Giving Group Wavendon Foundation William Syson Foundation Witherby Publishing Group Charitable Trust We are also grateful to a number of trusts that wish to stay anonymous.

If you would like more information about our work and how you can make a difference, please contact Ajda Šubelj, Head of Trusts and Projects, at ajda.subelj@rsno.org.uk

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RSNO Circle The Circle is a vital part of the RSNO family. Our community of music-lovers inspire and support us.

Supporting us by joining the Circle will help us to bring music to so many people, from our Learning and Engagement programmes to our brand-new digital performances. As part of our community and family, we will keep in touch with our exclusive magazine Inner Circle, our Circle member webpage and invitations to special events throughout the year.

To find out more about joining the Circle please visit rsno.org.uk/circle or get in touch with our Individual Giving and Partnerships Officer, Kirsten Reid, RSNO, 19 Killermont Street, Glasgow G2 3NX Email: kirsten.reid@rsno.org.uk To all our existing Circle members, thank you. Thank you for your unwavering support that allows us to continue sharing the joy of music.

Virtuoso

Ms Catherine Y Alexander Mrs A M Bennett Dame Susan and Mr John Bruce Mrs Stina Bruce-Jones Stephen and Morny Carter Philip and Mary Contini Sir Sandy and Lady Crombie Gavin and Kate Gemmell Dr M I and Mrs C R Gordon Scott and Frieda Grier Iain MacNeil and Kat Heathcote Miss A McGrory Miss M Michie Mr James Miller CBE Meta Ramsay Mr George Ritchie Mr P Rollinson Mr and Mrs W Semple Mr Ian Taft Claire and Mark Urquhart Raymond and Brenda Williamson Mr Hedley G Wright

Symphony

Ronnie and Evelyne Anderson Mr Alan and Mrs Carolyn Bonnyman Mr John Brownlie Miss L Buist Mr and Mrs J K Burleigh Mr J L Donaldson Mr I Gow Mr J D Home Mrs J Kennedy Mrs A Lamont Mr I C MacNicol Professor J and Mrs S Mavor Mrs A McQueen Morag Millar Mr Miller Graham and Elizabeth Morton Mr and Mrs David Robinson Mr D Rogerson Mrs Ann M Stephen Mr Alistair M and Mrs Mandy Struthers Mr and Mrs M Whelan Mrs A Wolfson

Concerto

Dr K Chapman and Ms S Adam Mr A Alstead Miss D Blackie Mr L Borwick Neil and Karin Bowman Dr C M Bronte-Stewart Dr F L Brown Mr and Mrs Burnside Ms H Calvert Mr A Campbell Sir Graeme and Lady Catto Mr R Cavanagh Myk Cichla Dr J Coleiro Mr and Mrs B H Cross Christine and Jo Danbolt Mr P Davidson Mr J Diamond Miss C Dixon-Carter OBE Mr S Dunn Mr C Ffoulkes Mrs E Gibb Mr and Mrs M Gilbert Professor J R and Mrs C M Gray Mr W Gray Mrs S Hawthorn Richard and Linda Holden Mr N Jack Mr and Mrs S G Kay Mr and Mrs W Kean Mrs M King Norman and Christine Lessels Mr Alistair Mackie Mr D MacPherson Mr R G Madden Mr S Marwick Mr and Mrs G McAllister Ms M McDougall Mr E and Mrs S McGeachan Mr Rod McLoughlin Mrs B Morinaud Mr A Morrison Mrs A C Morrison Dr and Mrs D Mowle Mr and Mrs D Pirie Ms A and Miss I Reeve

Miss L E Robertson Ross family Dr and Mrs G K Simpson Mr and Mrs A Stewart Mrs M Stirling Mr G Stronach Dr G R Sutherland Mr I Szymanski Professor D E M Taylor Mr and Dr Tom Thomson Mr J B and Mrs M B Watson Mr and Mrs D Weetman Mrs Wigglesworth Mr and Mrs Zuckert

Sonata

Ms S Ace Mr K Allen Mrs P Anderson Ms D Baines Mr O Balfour Mr N Barton Dr A D Beattie Professor G Beeston Mrs H Benzie Mr R Billingham Lord and Lady Borthwick Rev P Boylan John Bradshaw and Shiona Mackie Lady J Bute Miss S M Carlyon Mrs H S Chalmers Mr J Claxon Mr T Cole and Mrs J Leslie-Cole Lady Coulsfield Adam and Lesley Cumming Ms K Cunningham Mr F Dalziel and Mrs S Walsh Dr J K and Mrs E E Davidson Mr and Mrs K B Dietz Mrs C Donald Jane Donald and Lee Knifton Ms P Dow Mrs P du Feu Mr John Duffy Mr and Mrs M Dunbar Mr R M Duncan

Brigadier and Mrs C C Dunphie Mrs E Egan Mr R Ellis Miss L Emslie Mr R B Erskine Dr E Evans Mr D Fraser Mr D and Mrs A Fraser Mr D Frew Ms J Gardner Dr P and Dr K Gaskell Mr W G Geddes Mrs M Gibson Mr D Gibson Mrs M Gillan Mr R M Godfrey Dr J A Graham and Mrs H M Graham Professor and Mrs A R Grieve Mr and Mrs G Y Haig Lord and Lady Hamilton Dr P J Harper Dr N Harrison Mr and Mrs R J Hart Mr D Hartman Ms V Harvey Dr and Mrs P Heywood Bobby and Rhona Hogg Mr R Horne Mr and Mrs F Howell Mrs A S Hunter Professor R N Ibbett Ms J Incecik Mr A Kilpatrick Professor and Mrs E W Laing Mr J P Lawson Mr and Mrs J Lawson Mr R M Love Dr D A Lunt Mrs Lesley P Lyon Mr and Mrs R MacCormick Mr and Mrs MacGillivray Lady Lucinda L Mackay Dr A K and Mrs J C Martin Mr and Mrs J Martin Mr and Mrs D H Marwick Ms S McArthur Mr G McCormack

Mrs L McCormick Mrs M McDonald Mr M McGarvie Mrs C McGowan-Smyth Dr Colin McHardy Dr A H McKee Mr Patrick McKeever Mr G McKeown Ms H L McLaren Mrs E McLean Ms Fiona McLeod Mr and Mrs B Mellon Mr and Mrs I Mills Mrs P Molyneaux Mr R Morley Mr B Morrison Mr K M Murray Mr B and Mrs C Nelson Mr and Mrs K O’Hare Professor Stephen Osborne and Frank Osborne Mr and Mrs K Osborne Dr G Osbourne Ms S Park Mr R Parry Mr J Paterson Misses J and M Penman Mr I Percival Dr M Porteous Mr J W Pottinger Miss J A Raiker Mr W Ramage Mr M Rattray Ms F Reith Mrs D A Riley Dr and Mrs D Robb Mrs E Robertson Mr I Robertson Mr H and Mrs J Robson Ms A Robson Mrs E K Ross Mrs S Scott Mrs J Shanks Mr J A Shipley Dr M J and Mrs J A Shirreffs Dr Colin and Mrs Kathleen Sinclair Mr M J Smith

Mrs E Smith Mr M A Snider Dr and Mrs B Stack Mrs Lorna Statham Mrs T Stevenson Rev N and Mr R Stewart Mrs R F Stewart Mr and Mrs Struthers Mr and Mrs B Tait Dr and Mrs T Thomson Mr C Turnbull Dr S Tweedie Dr Morag Ward Mr W Watters Dr and Mrs T Weakley Mrs V Wells Mr G West Miss M Whitelaw Dr and Mrs D T Williams Mr D Woolgar Mr R Young

Thank you to all our members of the Circle, including those who wish to remain anonymous. Every one of you makes a real difference.

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A big Thank You to our supporters FUNDERS

CORPORATE SUPPORTERS

PRINCIPAL MEDIA PARTNER

PRINCIPAL TRANSPORT PARTNER

BROADCAST PARTNER

PARTNERS Glasgow Chamber of Commerce • Institute of Directors • Scots Magazine The Scottish Council for Development & Industry • Smart Graphics

PROJECT PARTNERS Abertay University • Children’s Classic Concerts • Children’s Hospices Across Scotland • Dundee University • Gig Buddies Glasgow Association for Mental Health (GAMH) • Glasgow Life • Horsecross Arts • National Youth Orchestras of Scotland Prescribe Culture (University of Edinburgh) • Royal Conservatoire of Scotland • Scottish Book Trust Tayside Healthcare Arts Trust • Usher Hall • Young Scot

CHAIR SPONSORS

If you would like more information about sponsorships, corporate partnerships or fundraising events with the RSNO, please contact Kirsten Reid, Individual Giving and Partnerships Officer, at kirsten.reid@rsno.org.uk

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Royal Scottish National Orchestra PATRON

CHIEF EXECUTIVE

Jenny McNeely

Her Majesty The Queen

Alistair Mackie Nicola Shephard

Graham Ramage

EXECUTIVE ASSISTANT

HEAD OF INDIVIDUAL GIVING AND PARTNERSHIPS GRAPHICS AND NEW MEDIA DESIGNER

Kirsten Reid

INDIVIDUAL GIVING AND PARTNERSHIPS OFFICER

RSNO BOARD OF DIRECTORS

CONCERTS AND ENGAGEMENT

Elected Directors Dame Susan Bruce DBE

Bill Chandler

Sam Stone

CHAIR

Ajda Šubelj

John Heasley

Michael Cameron

DRIVER AND DEPUTY STAGE MANAGER

HONORARY TREASURER

Samantha Campbell

Liz Wallace

DIRECTOR OF CONCERTS AND ENGAGEMENT

HEAD OF LEARNING AND ENGAGEMENT

Hugh Bruce-Watt Kat Heathcote Linda Holden Neil McLennan Costa Pilavachi David Robinson Gurjit Singh Lalli Jane Wood

Bekah Cork

ARTISTIC PLANNING AND TOURS MANAGER

DEPUTY ORCHESTRA MANAGER

Angela Moreland

Rosie Kenneally

CHIEF OPERATING OFFICER

Ted Howie

Jack Hunter

Richard Payne

Irene McPhail

Tammo Schuelke

Hedd Morfett-Jones

Matthias van der Swaagh

Susan Rennie

Craig Swindells

Abby Trainor

Christine Walker

Jade Wilson

STAGE AND PRODUCTION MANAGER CHORUS MANAGER

Company Secretary Gordon Murray

FACILITIES COORDINATOR

Ewen McKay

CONCERTS ADMINISTRATOR

THE CITY OF EDINBURGH COUNCIL

COMMUNICATIONS MANAGER (MATERNITY COVER)

Emma Hunter

ARTISTIC PLANNING MANAGER

Cllr Lezley Marion Cameron

HEAD OF TRUSTS AND PROJECTS

FINANCE AND CORPORATE SERVICES

LIBRARIAN

GLASGOW CITY COUNCIL

INFORMATION SERVICES MANAGER

CREATIVE ASSISTANT

HEAD OF ORCHESTRA MANAGEMENT

Nominated Directors Cllr Frank Docherty

TRUSTS AND PROJECTS COORDINATOR

Flora Farqhuarson

LEARNING AND ENGAGEMENT OFFICER

Player Directors Dávur Juul Magnussen Sophie Lang Kennedy Leitch Paul Philbert Janet Richardson Lorna Rough

Naomi Stewart

EXTERNAL RELATIONS

VIDEO PRODUCER

ACCOUNTS AND PAYROLL ASSISTANT DIGITAL MANAGER

FINANCE MANAGER ADMINISTRATOR

FINANCE ASSISTANT

PROGRAMMES EDITOR

Royal Scottish National Orchestra 19 Killermont Street Glasgow G2 3NX T: +44 (0)141 226 3868 W: rsno.org.uk

EXTERNAL RELATIONS ADMINISTRATOR

Scottish Company No. 27809 Scottish Charity No. SC010702

Dr Jane Donald

DIRECTOR OF EXTERNAL RELATIONS

Ian Brooke

RSNO COUNCIL

Constance Carter-Fraser

Baroness Ramsay of Cartvale

Jessica Cowley

Lady Gibson Ms Ruth Wishart

Carol Fleming

/royalscottishnationalorchestra

Lorimer Macandrew

@RSNO

CHAIR

MARKETING MANAGER HEAD OF MARKETING

DIGITAL CONTENT PRODUCER

@rsnoofficial

COMMUNICATIONS MANAGER (MATERNITY LEAVE)

Youtube.com/thersno

Catriona Mackenzie

The RSNO is one of Scotland’s National Performing Companies, supported by the Scottish Government.

Orchestra list and programme details correct at time of going to print. Contents © Copyright RSNO and named authors.