The 5th Rangsit University International Design Symposium
“Work in Progress 5 : Design Spectrum” 28th April, 2017
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EXECU T I V E C O M M I TTE E Associate Professor Dr. Tan Jeanne Institute of Textiles & Clothing, The Hongkong Polytechnic University, Hongkong. • Franyo Aatoth Artist creator of exceptional graphic works, France. • Geri Forkner Textile Artist, USA. • Sridhar Ryalie Design Researcher, India. • Ms. Taeko Isu Art Director / Design unit “NNNNY” member, Japan. • Professor Vichoke Mukdamanee National Artist. • Assosiate Professor Kamol Phaosavasdi Chulalongkorn University. • Assosiate Professor Sone Simatrang Silpakorn University. • Assosiate Professor Pisprapai Sarasalin Dean, Faculty of Art and Design, Rangsit University. • Somchai Jongsaeng Silpathon Award in Design. • Jitsing Somboon Head of Designer, Greyhound.
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PROPOSAL & OBJECTIVE 4 —
The 5th Rangsit University International Design Symposium
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As designers we craft, make, and invent physical object, spaces, and visual images to cultivate a quality of life. Design is not an isolated object of beauty, but an integral part of everyday life. We have seen that design can be a powerful force that changes the way of life, behavior, culture, education, way of communication, and our perception of the world. The motivations behind what we design are very critical. Our questions, assumptions, experiments, and solutions have proven that design can improve lives and find powerful solutions for man and his environment. Our efforts have been successful, but there is still much more. We are re-learning, re-questioning, re-thinking, and will continue to re-invent our word with different design approaches that bring together technology, sustainability, crafts, politics, businesses, and much more. We have questions that we are pursuing and ideas that we are experimenting with to create changes. We believe that a designer’s work in progress should fight for good design. The 5th Rangsit University International Design Symposium entitled “Design Spectrum” is held under the collaboration of Rangsit University National and International Research Conference, the Faculty of Art and Design, the Faculty of Digital Art and the Council of Fine and Applied Arts Deans of Thailand, Our committee and participants are composed of professionals and academics from 9 countries - Thailand, Japan, India, China Hong Kong, The Netherlands , Germany, Spain, France, and the United States of America. “Spectrum”, principally, a design created with elements including line, shape, color, value and texture that are put together using principles of unity, variety, emphasis, balance and scale. Scientifically, spectrum is defined as a condition that is not limited to a specific set of values but can vary, without steps, across a continuum. Design spectrum in our sense refers to a principle of design varieties that contributes to a way to combine the visual elements to achieve elaborate and complex relationships in different angles. It reflects the varieties and diversity of the shape, space, color and light, to raise our cultural and socio-economic awareness of this vulnerable world.
Considering the rich and diverse complexity of relationships between design and spectrum, the International Design Symposium will be a platform for participants and valuable guests from various disciplines to further explore and share these research topics. The Faculty of Art and Design at Rangsit University would like to invite designers, artists, researchers, thinkers, innovators, and makers from various disciplines to join us and share their research, processes, art projects, views and opinions on how the design can change the world. OBJECTIVES To foster an academic collaboration among international institutions. To be a venue for researchers, designers, artists, thinkers, inventors, and makers from different disciplines to share their work in progress. To discuss ways to build an “Asia Style” sustainable society and to make understanding of our designer’s role and vision in order to create good design as nature does.
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Associate Professor Pisprapai Sarasalin Dean of Faculty of Art and Design, Rangsit University, Thailand
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The 5th Rangsit University International Design Symposium
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OPENING SPEECH FOR DEAN 2017
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Vice President for Development and Financial Plans of Rangsit University, Dr. Attawit Ourairat, Vice Presidents, Deans, distinguished keynote speaker, Ms.Taeko Isu, distinguished participants, faculty members and students. As designers, our focus and efforts need to look beyond the object. The things we invent and improve are actually the starting point, not the finish line. We are talking about design as a starting point, as a catalyst, as a powerful force that effects behavior, communication, education, tradition, and as a result, our perception of the world. The motivations behind what we design are very critical. Our questions, assumptions, experiments, and solutions have proven that design can improve lives and find powerful solutions for man and his environment. Our efforts have been successful, but there is still much more. We are re-learning, re-questioning, and will continue to reinvent our world with different design approaches that bring, culture, technology, sustainability, crafts, politics, business, and much more. The Fifth Rangsit University International Design Symposium entitled “Design Spectrum” is held under the collaboration of Rangsit University National and International Research Conference, the Faculty of Art and Design, the Faculty of Digital Art and the Council of Fine and Applied Arts Deans of Thailand. Our committee and participants are composed of professionals and academics from 11 countries - Thailand, Japan, India, China, Hong Kong, The Netherlands, Germany, Spain, France, Italy and the United States of America. Our annual event aims to not only foster an academic collaboration among international institutions, but also serve as a platform for researchers, designers, artists, thinkers, inventors, and makers from all disciplines to share their ongoing work. “Design Spectrum” highlights a wide range of design disciplines. It explores the various interpretations that designers and artists employ to manifest their viewpoint and displays the countless possibilities that cross the boundaries in our work.
And today, we are here to celebrate the work of Ms. Taeko Isu, the art director of NNNNY, a design group consisting of editor, designer, illustrator and programmer. She works on various mediums, ranging from printed matters, website, spaces, movies, products and so on. In addition to her remarkable works including art direction of Japan’s leading department store PARCO and top artist band, The Yellow Monkey, she has been awarded RGB Prize and Tokyo Type Directors Club Annual Award in 2015. Her work reflects Japanese culture, so called “Shibuya Culture” very bold and daring, represent a new viewpoint of her own interpretation of a modern Japanese youth culture. I do hope that this sharing will be an inspiration to all of us to continue our work in progress. Lastly, on behalf of the Faculty of Art and Design, I’d like to take this opportunity to express my profound gratitude to Dr. Attawit Urairat, Vice President for Development and Financial Plans for his overwhelming support for this conference. I’d like to extend a special thank you to our executive committees for judging exhibition’s work, our guest keynoted speaker, and all of our friends from around the world who have made the effort to come to Thailand and to share their works in this conference. Thank you to all who shared their times and energy to make the conference possible. May I invite Dr. Attawit Urairat please kindly deliver an opening remarks. Thank you very much.
Associate Professor Pisprapai Sarasalin Dean of Faculty of Art and Design, Rangsit University, Thailand
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TAEKO ISU Art Director Design Unit “Nnnny” Member
She is the art director of NNNNY, a design group consists of Editor, Designer, Illustrator, Programmer. She works on printed matters, website, spaces, movie, product, and so on. She also run a pop-up store PHYSICAL TEMPO which sells curated original artworks from various creators.
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BIOGRAPHY
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Sex: Female Website: nnnny.jp
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National: Japanese E-mail: info@nnnny.jp
AWARDS SEIKO ITO [SHINAINARU] Tokyo Type Directors Club Annual Awards 2015: RGB Prize Japan Media Arts Festival Recommended Works Nominate KUCHIRORO [CD] Artwork Tokyo Type Directors Club Annual Awards 2012: RGB Prize
“Work in Progress 5 : Design Spectrum” 28th April, 2017
THE 5TH Rangsit University International Design Symposium
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SELECTED WORKS 2017:
Music Video ZOMBIE-CHANG “I Can’t Get to Sleep” Museum of Contemporary Art Tokyo “MOT satellite”: Art Direction
2016:
“The Yellow Monkey” Advertisement: AD Art Direction
2015:
National Museum of Emerging Science And Innovation (Miraikan), Permanent Exhibition “CELLS in Progress” and “Song of ANAGURA”: Art Direction
2014:
Red Bull Music Academy Tokyo 2014: Art Direction PARCO Summer Campaign: Art Direction
2013:
Point Of View “POV Store” SHIBUYA PARCO: Planning/Art Direction
2011-2016: PHYSICAL TEMPO: Art Direction
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keynote speaker
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taeko isu
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keynote speaker
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taeko isu
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keynote speaker
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taeko isu
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keynote speaker
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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taeko isu
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keynote speaker
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taeko isu
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keynote speaker
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taeko isu
THE 5TH Rangsit University International Design Symposium
ARTIST DESIGNER
01 : Mirko Martin / Germany
12 : Martin Sjoberg / Sweden
02 : Michael Beckers / Germany
13 : Ou li Pin / China
03 : Gyula Sagi / Germany
14 : Ling Lin / China
04 : Francesca Lima / Italy
15 : Leon (Yu Heng) / China
05 : Giuseppe Guerriero / Italy
16 : Fajr Mohamed / India
06 : Aatoth Franyo / France
17 : Arahmaiani Feisal / Indonesia
07 : Geri Forkner / U.S.A.
18 : Prof. Vichoke Mukdamanee / Thailand
08 : Arta Ajeti / U.S.A.
19 : Assoc. Prof. Kamol Phaosavasdi / Thailand
09 : Giles Ryder / Australia
20 : Assoc. Prof. Sone Simatrang / Thailand
10 : Philipp Hicker / Australia
21 : Somchai Jongsaeng / Thailand
11 : Gabriela Ibarra Hernandez / Ecuador
22 : Jitsing Somboon / Thailand
INTERNATIONAL & COMMITTEE
“Work in Progress 5 : Design Spectrum” 28th April, 2017
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/ 01 / MIRKO MARTIN / Title : “Untitled” from the series “L.A. Crash” (a series of 70 photographs, 2006-2011, various sizes) / Street Photography from Los Angeles between fact and fiction. / GERMANY
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1971 – 1976 : Studies of art and history of art at the Accademy of Arts in Düsseldorf/Germany with Professors J. Beuys, R. Sackenheim, B. Kerber and W. Spies 1975 : master-class student of Prof. J.Beuys Exhibitions : During the sventies exhibitions in Essen, Frankfurt and Mönchengladbach. After completion of his studies he worked for about 20 years without any public appearance. Since 2000 : Picking up again on exhibition activities he had continuous exhibitions e.g. at Kunstverein Erkelenz, Kulturbahnhof Nettersheim, Kunstturm Amern, kunstraumno.10, BIS, Museum Schloss Rheydt, Galerie Artwork Viersen and Galerie Slowboy in Düsseldorf. He is also regularly participating in the yearly two day ‘open atelier’ event of his hometown Mönchengladbach. About his art : Similar to sampling in music Michael Beckers re-composes and re-arranges in a kind of crossover activity existing pictures and fragments of pictures from totally different contexts into his paintings. In his art Kirchner meets Comic, Abstract Expressionism meets pictograms or a newspaper clip photograph meets children’s toys. During that process he creats new and unique sceneries that generally don’t allow any unambivalent interpretation.
/ 02 / MICHAEL BECKERS / Title : “Kabuki V, Kabuki II, Kabuki I” / Techniques : Acrylic paint on card board, 2016 / GERMANY a r t ist & d e s i g n e r i n e x h i b i t i o n
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/ 03 / GYULA SAGI / Techniques: “ Ink on Paper 2016” / GERMANY
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/ 04 / FRANCESCA LIMA / Title : THE NEW PILOTS LUGGAGE : Design make travel easier. Flight bags play an invaluable role for pilots and aviators. With pilots bag, aviators can have quick access to navigation charts,fright plans,headsets,airport direction,portable GPS, receivers and much moire.It can be challenging manage all the equipment one needs for a safe and enjoyable
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flights. Pilot bags should have several different
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compartments that can be accessed while in the
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air. / ITALY
/ 05 / GIUSEPPE GUERRIERO / Title : Physical Sequencer in conjunction with YAMAHA / The Physical Sequencer : a grid-based, humanscale interface for musical expression. The spread of powerful laptops have made live computer music a common experience but the great majority is not an overtly physical experience, as is found in more traditional models of musical performance. / ITALY
a r t ist & d e s i g n e r i n e x h i b i t i o n
the 5th rangsit university international design symposium
/06 / ATOTH FRANYO / Title : “Field” / Techniques : Oil on Canvas 2016 / FRANCE
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“work in progress 5: design spectrum” 28th april, 2017
/ 07 / Geri Forkner / Title : Clothes Line, 2017 / Techniques : Textile / USA.
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On August 22, 2016 I started a time based art project using thing from my overwhelming accumulated stash; things too good to throw away but nobody wants. Finally, I got up the courage to do away with these things holding me back. I decided to hang them outside and let nature take charge, I added a few textiles at a time to a frame, timidly at first, bringing some things back inside. Stepping in an ant bed the first day resulted in several painful bites,s reinforcing that the project is hard in many ways. It hurts to get rid of things while useless to keep them. The Project progressed and defined itself. I randomly photographed the pieces and made journal entries, Connections happened. A clothesline emerged. I gathered clothesline photos I’d taken on trips over many years (to me, the “real” part of a country), printed them on organza, and added hand embellishment. Nature did tis part in her relentless way. Long drought conditions bleached the pieces in strong sun but changed them little. A huge windstorm in November blew several pieces to the ground to remain where they fell. Winter rains and freezing conditions began to do their job. The first part of the project will end December 22, four months after it started when parts of the pieces will be cut up and added to the bundles project.
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/ 08 / ARTA AJETI / Title : “Infinite Regress”, 2016 – Page from my graphic novel about a near death experience. – Bath / Title : “Brick”, 2016 – Page from my graphic novel about a near death experience. / Title : “Open”, 2016 – Page from my graphic novel about a near death experience. / Techniques : gouache paint on paper / NEWYORK, USA
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/ 09 / GILES RYDER / Title : “GRIDS - A NULLIST STATEMENT “ 2016 / Techniques : Painting / AUSTRALIA
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Now I am locking down the space and recording marking it horizontally and vertically - but without concern for the landscape. That would be making a pictorial space. I am moving the space locking it down with two colours. A flattened space. There is a silence in this space. Perhaps something could be planed for this grid? No that would end up being architecture. I am cutting into it but not puncturing these grids it is being intersected with texture and drops of colours. Now there is sound and a kind of structure between these two surfaces. But it’s not that, then it would be music. I am moving the same colours at the same time across this series. I am trying for a system - a process for success. But its not that, that would be design. Now Im trying to make a process but the process always breaks. History.Now I am breaking it, I am filling the spaces the spaces between you and it. It is in this space and the intersections of all these spaces that makes the Painting become a painting. A zero space for the future.
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“Die Fete” is one of the most traditional festivals in lower Austria. It’s an annual gathering where everyone from surrounding cities enjoy fresh cocktails, delightful summer night, and the music provided by local DJs. With the 21st edition, a collection of Die Fete posters include the combination of straight lines in triangular forms, with colorful splash representing an unforgettable and endless night in Patzmannsdorf, Austria.
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/ 10 / PHILIPP HICKER / Title: “Die Fete”, 2017 / AUSTRALIA
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/ 11 / GABRIELA IBARRA HERNANDEZ / Title: Innova Co-working Center, 2016 / ECUADOR
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“STAY HIP, RECYCLE AND UPCYCLE” Innova Center seeks to be a co-working space in which people can find everything they need to work in multiple areas and also places of entertainment, promoting the exchange of knowledge among professionals. In an old two-floor house, located in one of the most important office areas of the city, Quito-Ecuador. The target is the generation of millennials, entrepreneurs who seek a space to develop their ideas and make contacts with people of different specialties. The design results in a flexible and fun place to be in, with several areas for activities.
As people become more environmentally and socially aware about the choices they make, they look for new
trends like good quality, stylish and low impact products. This place responds to different preferences to attract the new generations. The design concept blends with the local environment, integrating natural elements and textures contrasting with the modern side of the city, represented by bright and fun colors that awaken people’s senses. In addition, in contrary to globalized technological world we live in, all the spare areas of the house are designed to promote book swapping and stimulating relaxing activities.
Modern meets sustainable, demonstrating the potential of putting waste material to stylish or new use. a r t ist & d e s i g n e r i n e x h i b i t i o n
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/ 12 / MARTIN SJOBERG / Title : “Male in motion” (Me) ,2016. / Material ,polished bronze. / I have attached a picture of an other piece, that I would like to have close to the sculpture. In the size sculpture. In the size of an A4. / SWEDEN
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/ 13 / OU LI PIN / Title : “Bodhidharma Buddhist Monk” (The Master of Zen), “Sirindhorn Princess“, “Peng Liyuan The First Lady of China”, “Seascape Thailand”, ”Beautiful Thai women”, ”Beautiful Chinese women” / Techniques : Chinese Traditional Painting & Oil Painting. / CHINA a r t ist & d e s i g n e r i n e x h i b i t i o n
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/ 14 / LING LIN / Title : “Fleeting Fortune“ / Techniques : Water Color on Paper,2017 / For 2017( the year of rooster ) Midnight , everyone look up to the sky. Time stops and fire rooster passes by. Under its wing, fortune turns into gold and fly into everyone’s eye. / CHINA
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/ 15 / LEON ( YU HENG ) / Title : ”Lost” – Morning in a pasture of Yunnan , a goat got lost from his group., “Clock” – One afternoon in Tianjin , the giant shadow of Tianjin tower became a watch pointer., ”Us” – Uncommon friendship. / Techniques : Photography 2017 / CHINA
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Increasing population, lack of available land, and shriveled economic conditions are three of the biggest issues plaguing the metropolis of Beijing, China. These issues have caused a serious drop in the standards of living, forcing architects and engineers to conceive innovative solutions to improve the quality of life for Beijing residents. The construction of prefabricated micro-apartment towers has fast become a popular trend due to the quick construction process and space saving advantages. By combining the design strategy of the prefabricated Nakagin Capsule Tower with the flexible living space of Domestic Transformer, we can introduce a new generation of customizable apartments. The highly flexible design of each apartment will allow residents the opportunity to alter and expand the space according to their needs, allowing them to maximize space and improve their living experience. The resulting tower prototype will be a prefabricated and replicable residential tower with replaceable modules inserted via pre-existing slots of the tower structure.
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/ 16 / FAJR MOHAMED / Title: “Modular Housing”, 2016 / INDIA
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/ 17 / ARAHMAIANI FEISAL / Title : “Various”, 2006-2016 / Techniques : Performance Art / INDONESIA
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/ 18 / PROF. VICHOKE MUKDAMANEE (NATIONAL ARTIST) / Title : Look after His Majesty s spirit in His Journey to Heaven. / Techniques : Mixed Media. / THAILAND
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/ 19 / ASSOC. PROF. KAMOL PHAOSAVASDI / Privacy The present of object [ image ] is not represent anything more than an existing of content that communicates through a specific audience somehow it related to visual perception in particular as move from personal [ private ] to public. It is the representation throughout the communication of contemporary culture with an essential of social media. / THAILAND
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/ 20 / ASSOC. PROF. SONE SIMATRANG AND VIDEO PRODUCTION TEAM / Title : Meru.Hassadelink Bird in Lanna Culture / Story Telling : Video 30 minutes Copy Right : Sone Simatrang And Video Production Team and Kobe Design University, Japan. / THAILAND
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/ 21 / SOMCHAI JONGSAENG I DECA ATELIER / Title : DHARMASHRAM / Concept : The Dhamma training community for all ages, learning to lead a life of awareness in Dhamma, Natures and Self-dependent, to live a more meaningful life and die a noble death. / THAILAND
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/ 22 / JITSING SOMBOON / Title : “ Contemporary shit ” 2017 / Techniques : Art of Composition / “The who??” is the composition art project after from “The Who?”. The project that represent about the age of finding themselves in every generations through the music band fashion clothing for music band “The who??”. This is another project which are made especially for this band and also talking about social through music lyric and clothing. / THAILAND
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a r t ist & d e s i g n e r i n e x h i b i t i o n
THE 5TH Rangsit University International Design Symposium
ARTIST DESIGNER MIX MEDIA & SCULPTURE 01 : Anupong Suttaluk 02 : Ekachai Somboon 03 : Nijapa Hamilton 04 : Tonkao Nitasganjananon
VISUAL DESIGN
FASHION DESIGN
18 : Vichai Mekkerdchoo
05 : Supreeya Suthamtarikul
19 : Chaiporn Panichrutiwong
06 : Laddawan Sarapat
20 : Dr. Arttawut Changvittaya
07 : Lalita Seemontara
21 : Gomesh Karnchanapayap
08 : Seksarit Thanaprasittikul
22 : Jinabhadr Kantaputra
CERAMICS
23 : Vishnunad Katanyuthaveethip
09 : Siripen Thananantakit
DIGITAL ART
10 : Supaporn Attakomon
24 : Asso. Pakorn Prohmvitak
PHOTOGRAPH
25 : Hathaichanok Chiengthong
11 : Warawan Suwannaphati
26 : Pathom Supreeyaporn
12 : Sukkasam Auyto
27 : Phanas Phokthavi
13 : Assist. Prof. Surapong Eiampichairit
28 : Sutat Palama
PAINTING
FILM
14 : Suttichart Sarapaiwanich
29 : Prinda Setabundhu
15 : Wannaporn Chujitarom
30 : Assist. Prof. Thammasak Aueragsakul
16 : Natthaphom Trairatthitikan
31 : Panot Susuwan
17 : Thanapon Junkasain
32 : Anupong Charoenmitr
THAILAND
“Work in Progress 5 : Design Spectrum” 28th April, 2017
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MIX MEDIA & SCULPTURE / 01 / ANUPONG SUTTALUK / Title : “Waterfront life inscription”, 2017 / Techniques & materials : Mix media ,Old wooden shipwreck with Steel welded structure , Old stump &Video / Size : 420x250 cm / THAILAND
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The water, symbolizing the connection between the outside worlds, using waterways for transportation and water activities. The change of the waterfront community is caused by the development of infrastructure such as roads. Cause changes in community style, waterfront relations decrease. For that reason, it inspired me to create art in the art of mix media to reflect on the current state of change in the current waterfront community. Objectives Aims or Purposes: To reflect the changing state of community life along canals that are affected by the growth of urban society. ar t ist & d e s i g n e r i n e x h i b i t i o n
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The forest is the most valuable and useful asset to our mankind, it indirectly helps to prevent a natural disaster. Therefore, I need to share the responsibility to save the forest from all sorts of calamities, as an artist, is the process of bringing back to life the normal condition of nature. To focus on everyone contributing their responsibilities and awareness to protect, save, love the trees by replacing the ones which have been destroyed.By leaving such a tragic end to nature when there is a calamity. Representing the reflection of the result of how nature once appeared by re-creating the parts of the trees as a dreamlike existence of the trees that spring to life from the dead ones.
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MIX MEDIA & SCULPTURE / 02 / EKACHAI SOMBOON / Title : “Rebirth” , 2017 / Techniques : The Mixed Media Art / Size : 1.50x1.70 m. / THAILAND
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t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
The whale trail project was created to help raise $300,000 for the non-profit organization and charities in New England area. For this event, there are 50 Fiberglass whale sculptures. Size of the sculpture 5 feet long, 3.5 feet high and 2.3 feet wide, weighs about 150 pounds (68 kg). The Whale-Getarain is covered with thousands of beans with a automotive clear coated glaze, which took 350 hours to complete. This whale was auctioned to benefit Seabird Enterprise charity in the town of Groton, CT, a non-profit organization that provides opportunities to students and adults with mental retardation and/or developmental disabilities in the community. This whale sculpture was display at New England Aquarium, Boston Massachusetts before got auction off. The challenge for this project was less than 8 weeks to complete the project. I wanted this project to be fun and enjoyable with the crazy timeline so I invited my coworkers, friends, neighbor and my husband to participate on this project after work hours and weekend. We had worked around 12-15 hrs. on the weekend.
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MIX MEDIA & SCULPTURE / 03 / NIJAPA HAMILTON / Title : “The Whale-Getarain” , 2017 / Techniques and materials : The whale fiber sculpture is covered with thousands of beans with automotive clear coated glazing / Size : 5 feet long, 3.5 feet high and 2.3 feet wide. Each whale weighs about 150 pounds (68 kg). / THAILAND
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MIX MEDIA & SCULPTURE / 04 / TONKAO NITASGANJANANON / Title : “Unclear Relationship”, 2017 / Techniques : Mixed medias; Multimedia, motion pictures, photography and art installation. / Size : 6x9x6 Inches / THAILAND
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To convey the message of time that you never realize the reality that it not as exactly as you expect and unsure that what you see is either your perception or truth that cause you are in the unclear relationship between yourself and other surroundings. My felling of the unclear relationship between crowed people and the Bangkok city through the blur of pictures. The work combines a variety technique such as mixed media; conceptual photography, motion picture and projection and art installation.
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t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
FASHION DESIGN / 05 / SUPREEYA SUTHAMTARIKUL / Title : “Zodiac sign: Rooster from 2D to 3D”, 2017 / Techniques : 3D and Digital printing : Fashion Design / Size : 70 x 200 cm. / THAILAND
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Introduction: The Thai zodiac is a classification scheme that assigns an animal and it reputed attributes to each year in a repeating 12 years cycle. The zodiac year of 2017 is Rooster. It is widely associated with Thai culture. Rooster in the Thai Horoscope implies luxury, beauty and wealth. Objectives Aims or Purposes: To explore the possibilities of 2 and 3dimension design for creative evening wear. Process or Methods: To represent luxury, beauty and wealth, researcher uses new form of “Sin” and 3D pattern design of Rooster’s tail. Then design Thai Zodiac graphic in antique style for projecting the body of dress. Conclusion: Thai Zodiac Year: The spectrum of design is the connection from 2D to 3D.
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Nature is something that is linked to human, especially the flowers that help to create beauty to the world. Flowers are comparable to human mental nourishment. The greenness of the grass and colorful blossom leaves is a sense of relaxation. Such as purple, in theoretically it is the color of caring for the heart to calm and endure the feelings of sadness or loss of mind. Purple shades is also helps to restore the balance of the mind from sorrow. Indigo is a color that has the power to stimulate the brain to be furious, encourages creativity and instincts. Green is the symbolic of a new beginning. Also heal the mind to feel refreshed, relaxed, etc. To create a piece of art by bringing flowers to inspire. It is also help to create peace and relax the mind of the creator too. Using a ‘shadow applique’ technique that uses a thickness of different fabrics to overlap each other to create light and shade. Embroidery to feel like a natural flower field using thin fabrics, soft and smooth.
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FASHION DESIGN / 06 / LADDAWAN SARAPAT / Title : “Nature light reminiscence“, 2017 /Techniques : Shadow applique, Embroidery, Felt / Material : Silk, Chiffon, Ribbon, Bead, Embroidery thread, felting wool / Size : 100x250 cm. / THAILAND
a r t ist & d e s i g n e r i n e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
From the theme “Design Spectrum”, I interpreted the meaning of the dispersion of light by using the concept from my impression when I had opportunity to visit Naples Florida, United State of America. I sat back and watched the sunset with the orange light that touched the water surface, the sea surface and the sand. It brought these memories into the art of wearing. The idea is to bring art combined with fashion design through the crochet techniques. I choose materials with light reflectance to represent the concept of light dispersion, ie, copper wire, crystals. Use crochet techniques to represent waves that hit the sand, to make the surface see through by using copper wire and the reflection of the crystals. Crochet techniques until the copper wire take a dress form.
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FASHION DESIGN / 07 / LALITA SEEMONTARA / Title : “Wave & Wires” 2017 / Extended Abstract Form (For creative works) / THAILAND ar t ist & d e s i g n e r i n e x h i b i t i o n
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FASHION DESIGN / 08 / SEKSARIT THANAPRASITTIKUL / Title : “What Remains Is Future”, 2017 / Techniques and materials : Traditional tailoring techniques, such as basting stitches, padding and hand-sewing are used. Basting stitches are left on the piece in order to reflect the beauty of what remains from the process of making clothes. / THAILAND
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The project is a visualization of how beautiful future can be created from what remains, in other words, new design can be created from the remaining parts. As the idea is reinterpreted in fashion context, the design process focuses on experimental approach, involving the integration of left-over fabric pieces remaining from cutting fabric into the construction of clothing. The experimental approach allows new possibilities in design process. Unlike working on 2-dimensional sketches in usual fashion design, the process significantly requires 3-dimensional experiment to integrate the left-over pieces into the construction of the garment. In addition, unusual shapes of those left-over pieces become a key component that results in new design, creating unexpected shapes, forms and construction.
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t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
CERAMICS / 09 / SIRIPEN THANANANTAKIT / Title : “Emotion 01”, 2017 / Techniques : Ceramics / THAILAND
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“ Emotion No.1 ” sense of sight. As a result of the reflection of light. Surface absorption of the surface. Difference of texture Induce feelings. The ceramic work shows the Visual Texture and the Tactile Texture. With the physical appearance of the surface like luster , semi-matt , crawling , it absorbs light. And it produces refraction of light, to resulting in dimensional perspective. It is spectrum on my ceramic work. The body used is Stone Ware. It is mixed without sand .Mix Slip casting and Hand Forming .Glazed with raku glazed . The Emotion pottery is then firing at a temperature of 1030 C and dipped into rice husk to create reduction atmosphere.
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CERAMICS / 10 / SUPAPORN ATTAKOMON / Title : “Natura Naturata ”, 2017 / Techniques : Carbonization Earthenware / Size 80x120x13 cm. / THAILAND
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Introduction : This project is about taking the shapes of the small cell units to form a new shape. Mixing color experiments from natural materials through the pottery process, Objectives Aims or Purposes : - to create the work inspired by the natural power and colors - to experiment color mixing from tempera colors Conclusion : The creation of this work used the tempera colors to decorate and experiment various methods of carbonization, including outdoor carbonization, carbonization in a pot, carbonization with burning paddy husks. This assorted method of carbonization will give distinct colors. But when putting them together, the differences can still co-exist, like the coloring of the nature.
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t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
Nature is a wonderful mystery.It can create beauty and artwork as no artists can do.It is the design and creation of unique and unique art that is the only piece in the world. These set of photography are inspired me, while I went to Antelope Canyon, USA. Line, color, light and shadow, angle of view, form, timing and perception are the representative or the factor which affect for inform, create image and set up my imagination. These photographs were taken by the DSLR small camera and the mobile phone with only existing light.
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PHOTOGRAPHY / 11 / WARAWAN SUWANNAPHATI / Title : “DESIGN BY NATURE”, 2017 / Title : Techniques : Digital Print / Size : 16x20 inch : 3 piece. / THAILAND a r t ist & d e s i g n e r i n e x h i b i t i o n
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PHOTOGRAPHY / 12 / SUKKASAM AUYTO / Title : “We see the nature. The nature sees us.”, 2017 / Techniques : Photography / Size : 14x20 inch, 14x20 inch, 20x20 inch / THAILAND
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Natural surroundings play important roles in everyone’s life. The collection is called “We see the nature. The nature sees us.” Taken with my mobile phone camera, almost all of the photographs capture natural elements at Rangsit University. Then, some creativity and imagination was added in order to create wild pictures aimed at conveying the feeling of connection to nature. When we see nature and understand its importance, we will care and preserve it. We will protect trees, big and small, bushes and seasonal plants, along with other natural elements. And this nature will return its support for us, such as cleaning the air and giving shades. That is the nature sees us. The technique used in this collection is “Digital Photo Collage & Montage.
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t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
PHOTOGRAPHY / 13 / ASSIST.PROF. SURAPONG EIAMPICHAIRIT / Title : “Element of faith”, 2017 / Techniques : Photography / Size : 20 x 30 inch : 3 piece / THAILAND
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Introduction A society with faith in Dharma is a society of peace, despite racial diversity. Faith in Dharma can be conveyed through symbols, which also represent one’s belief in their own truth. Objectives, Aims and Purposes Faith in Dharma was conveyed through religious symbols, which were disguised in different shapes and forms. All parts combined, just like all aspects of community that bonded to create a society of faith. That is how it was in the old days. Just like mulberry paper, faith is so fragile that, if carelessly taken, it could be torn. When the drive for commercial purposes beats the ambition for wisdom and truth, faith in one’s own identity could be broken.
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PAINTING / 14 / SUTTICHART SARAPAIWANICH / Title : “LOG …(ลอก)”, 2017 / Techniques : Ink and Pastel on color Papers. / Size 21x29.7 cm. 8 pieces / THAILAND
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Introduction : Purposes of This works’s for Share my vision about a different between Inspiration and Copy, that Confused among New Artists and students today. Process : Inspiration and Copy ’ve a thin line separate from each other. Every artists must have inspiration works, but if they can’t find unique style, their work may look like their inspiration. To show this concept, I chose Style of Fan Art for this set of arts, I chose Eight Famous Comic Characters for drawing and Coloring in my Style. I Drawing Outline of these characters same as original but coloring as it peel from their skins to send a message about relation between Our Identity and Our Inspiration. It’s look like I steal Famous characters to transform to my works but it not like the original, So what is it? What it belongs to? That answer’s different by audience and I hope this question and different answers can answer a question about Inspiration and copy. a r t ist & d e s i g n e r i n e x h i b i t i o n
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PAINTING / 15 / WANNAPORN CHUJITAROM / Title : “Into The Wilds Spectrum” Collection, 2017 / Techniques : Acrylic painting on canvas. / Size (3 pieces) included: 100x100 cm. (1piece), 90x30cm. (2pieces) / THAILAND
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In the 21st century, Concrete Jungle become our new home, which reflected urban life, but deeply inside, that we are never forget “We are wildlife”. The spectrum reflected inside out of us. Digital Art, Where the art meet technology, Augmented Reality(AR) is the new technology to promote an art expression, this collection transform the painting to become an animation. ar t ist & d e s i g n e r i n e x h i b i t i o n
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“What is real’s fake what is real’s Trust. The man knows himself only.” Introduction : Samak 8 or the way to nirvana. It is comparable to the first tabloid right before the next tablet, that is to be right before the start to the direction that they intend to go. It is a deep and profound truth that reminds the wrongdoer of doing things very well. Process or Methods : In our opinion is a myth around. And Ignorance is a myth as well. (Based on personnel). According to Roland Barthhes’ theory, the idea of the system procession is a set of ideas called “connotation”. But as I see I think the Buddha is much more boarder. He sees an ignorance, foolishness, system profession. He see an ignorance, foolishness, system possesses and he knows a source of identity.
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PAINTING / 16 / NATTHAPHOM TRAIRATTHITIKAN / Title : “Procedure“ , 2017 / Techniques : Ballpoint pen Drawing. / Size : 99x69 cm. / THAILAND
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t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
King Bhumibol Adulyadej was the ninth monarch of Thailand from the Chakri dynasty. Which my perception about him has come from to many media. For example television it has especially important media in this issue. It sends information to me every day until I recognize to every activity about him. Although he was died on 13 October 2016 but he is not disappear in my memory. Consequently, these reasons are become to my inspiration to create Art work by bring important several past event of King Bhumibol Adulyadej such as an image of succession to the throne of King Bhumibol Adulyadej, an image of his suggestion to government for while Thailand had crisis, and an image of his project activity for people in Thailand etc. Which I’m bring these image to sketch on computer by overlapping each image on one fame. Finally, this art work on computer become to my inspiration to create painting by Acrylic color on canvas.
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PAINTING / 17 / THANAPON JUNKASAIN / Title : “King of Thailand”, 2017 / Techniques : Acrylic color on canvas. / Size : 170x190 cm. / THAILAND
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“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
VISUAL DESIGN / 18 / VICHAI MEKKERDCHOO / Title : “I Cross a Very Large Distance”, 2017 Portrait of Society 2517 / Techniques :Film & Video Mono Print Water Color / THAILAND
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Introduction : World has quick development which one side has benefits to humankind. However, there are lots of questions that we are able to trust such all new things.From this concept, the writer would like to present another view point of society that comes with new innovation. From works “Portrait of Society” the writer wants to present another side of portrait of society which has complexity and distrust by presenting works in Mono Print Water Color technique for this view point purpose.People focus to the new innovative society or Social Media. Process or Methods : From this concept, the writer believes Mono Print Water Color technique could be respond such concept. Mono Print Water Color technique is one time printing that is original and fully express. a r t ist & d e s i g n e r i n e x h i b i t i o n
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VISUAL DESIGN / 19 / CHAIPORN PANICHRUTIWONG / Title : “In remembrance of my king”, 2017 / Techniques and materials : Photoshop Digital painting on Paper printize29.7 x 42 cm. / THAILAND
Introduction : My most memorable moment about the King Rama IX was when he visited various and remote places in Thailand on foot with maps in his hand and a camera hanging on his neck. I’d like to use the digital technique to express this precious memory through a colorful painting of our beloved King with his soft smile. ObjectivesAims or Purposes : In memory of our beloved King Process or Methods : Painted with Photoshop software and printed on an A3 size paper. Also published as a cover of the pocket book titled “We miss our king” ar t ist & d e s i g n e r i n e x h i b i t i o n
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VISUAL DESIGN / 20 / DR. ARTTAWUT CHANGVITTAYA / Title : “JUST DO IT @ Nike Thailand”, 2016 / Techniques & materials : The “Just Do It” design is cut by laser using MDF wood, the wood’s thickness is 10 millimeters. The “Just Do it” is then painted in white color. Each letter is nailed and glued down on another MDF board (240 x 270 cm), this MDF board is laminated with concrete pattern. / Size : exhibition 59.4x84.1cm. / 2 pieces . / THAILAND
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Nike flagship store at Siam Square One is considered to be the prime strategic location for Nike Thailand. Due to its location, a Landmark was created to emphasize its significance. The central concept of this Landmark is the integration between the local (Thai) culture and the global (headquarter) culture. The “Thainess” features were incorporated into the masterpiece, culturally wise, creating a good association among the local and the global. The purpose of the Landmark is to create an online social diffusion among Thai and foreign customers. The benefit of the in-store Landmark is two-fold. Firstly, when customers post these Landmark pictures on social network, they are promoting Nike brand. Secondly, it helps connect the in-store marketing to the outside world (eg. social media). Moreover, through the help of social media, local marketing can spread worldwide. This occurrence has never happened before in the field of Visual Communication in Thailand. a r t ist & d e s i g n e r i n e x h i b i t i o n
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VISUAL DESIGN / 21 / GOMESH KARNCHANAPAYAP / Title : “His Majesty’s Perseverance”, 2017 / Techniques : Digital Sculpting using ZBrush Software / Size : Digital Sculpture with Physical dimension of 56x40x90cm. / THAILAND Objectives Aims or Purposes : To create a digital sculpture in remembrance of King Bhumibol the Great. Process or Methods : I Started the creation process by pencil sketching based on photographs. After the composition’s been set, the overall form’s sculpted in Pixologic ZBRush. Upon the sculpt completion, the digital sculpture’s then exported to KeyShot for final video presentation.
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VISUAL DESIGN / 22 / JINABHADR KANTAPUTRA / Title : “The Lover: Fruits Nutrition throughout the Year”, 2017 / Techniques : Computer generated using two applications, Adobe Illustrator & Adobe PhotoShop / Size : 20x30 Inches. / THAILAND
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Introduction: Written by Lieutenant Dr. Kosol Kantaputra (M.D.), the book, titled “Natural Foods”, described the livelihood of humans, most of whom are carnivorous in nature. He talked about the bad sides of eating animal flesh, and the good sides of having fruits and vegetables instead. Objectives Aims: To reflects the ideas of consuming the natural food. Concept: Fruits show beautiful shape, wonderful colors, and many flavors. The aroma of ripe fruit has been tempting mankind since the beginning of the time. Actually, fruits nutrition is throughout the year among the toxic environment. a r t ist & d e s i g n e r i n e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
VISUAL DESIGN / 23 / VISHNUNAD KATANYUTHAVEETHIP / Title : “Chakras : The Electromagnetic Spectrum.”, 2017 / Techniques : Infographic / Size : 20x24 inches. / Thailand
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Introduction : The frequency range of the electromagnetic spectrum that is visible to the human eye (and which we refer to as ‘color’) is a very small region in the entire range of photon energies we have observed in nature. A development in Western practices dating back to the 1940s is to associate each one of the seven chakras to a given color and a corresponding crystal. Patricia Mercier introduces the relation of colors and physiomotional functions for each of the seven main chakras. Objectives Aims or Purposes : To reveal the Spectrum of light that related to the Human body. Conclusion : The seven colors of the spectrum are related to the human body especially the human health, as described in the Ayurvedic for more than 5,000 years ago.
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“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
When I was first visit Angkore Wat…in Cambodia. I was impressed by the stone craftjng in battle scene.That time almost sun set.It was dark and and feel mistery.I love that emotion .So I drew those scenes and then reverse to be negative and put some color on it to make nighttime piece.
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DIGITAL ART / 24 / ASSOC. PAKORN PROHMVITAK / Title : “Night Troops in Cambodia”, 2017 / / Techniques : Digital art / Size : 12x14 inches. 3 pieces. / THAILAND a r t ist & d e s i g n e r i n e x h i b i t i o n
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DIGITAL ART / 25 / HATHAICHANOK CHIENGTHONG / Title : “The killing fields”, 2017 / Techniques : Digital art / Size : 20x30 inch. / THAILAND
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The inability to see Being deliberately twisted It’s scary, not knowing where it ends. The journey to the “killing fields.” this picture wants to tell about the people blindfolded, walking in rows the ground full of blood the Cambodian genocide. The process sketching with pencil Composition in Program Photoshop and then paint Color and blends everything is harmony experiment the emotion of war.
ar t ist & d e s i g n e r i n e x h i b i t i o n
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
King Bhumibhol has been reverend by each every of his Thai subjects. He has been our inspiration for goodness and virtue as well as a role model in every aspect of life. Certainly, he will always be remembered and imprinted on our hearts..and forever. The process separate into 6 parts. For the first part, Traditional Face Sketching on Paper. Second part, 3D Modeling the Face in Autodesk Maya 2016.Third part, Creating Grass Texture using V Ray Fur Plug-in (an Autodesk Maya 2016 extension). Fourth part, Lighting and Rendering the Scene using V Ray Renderer. Fifth part, Rendered image for additional mood and tone with Adobe Photoshop CC. Sixth part, Digitally Printed on Paper. In order to achieve hyper realistic style for a Digital 3D Grass Sculpture, one should consider the minute details and properties of the grass. Should the blades of the grass are too large, the sculpture would appear to be small. By reducing the blade size, the sculpture then appear grander.
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DIGITAL ART / 26 / PATHOM SUPREEYAPORN / Title : “Strength of the Land”, 2017 / Techniques : Digital art / Size : 17x22 inch. / THAILAND
a r t ist & d e s i g n e r i n e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
This set of art pieces aims at finding out the feasibility of the new concept
of visual storytelling. The experiment sets the origin of the visual images to come from the elements of architecture, the art form which has extremely different style and usage from the other kinds of art and is not intended to tell the story before. The research will interpret those visual elements of architecture, select the noticeable pieces, transfer the concept of narrative into them by methods of digital art, and compose them with each other. The origin of the story, with these processes, did not come from a tale, literary, or character; but it came from visual elements that are interpreted. The scope of the study is analyzing related information to create a set of visual art hybrid in order to achieve narrative and communication. The result of the experiments is that architectural elements can be applied to be the starting points of various sequential picture story types.
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DIGITAL ART / 27 / PHANAS PHOKTHAVI / Title : “Architectural Elements to be the Starting Point of Sequential Picture Story “Monitor”, 2017 / Techniques : Digital Photography - Digital Art / Size: - Process 1 pcs A2 42.0x59.4 cm / Monitor” the story 2 pcs A2 42.0x59.4 cm. / THAILAND
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DIGITAL ART / 28 / SUTAT PALAMA / Title : “who is this person?”, 2017 / Techniques : Digital Painting and print on paper. / Size : 30x75 cm , 2 pieces. / THAILAND
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The Illustrations be created for a book was intended to be read by young children and absorbed in the beautiful Dharma of Her Royal Highness Princess Maha Chakri Sirindhorn when she was young. Lay the foundation for the kids. She is a good example and inspire them to be will prepared for parents, families and society.The process separate into 4 parts. . For the first part, Find Information and photos from academic documents. Sketch and composition. Second part, I painted this sketch in monochrome focus the values. Third part, I start adding in colour through different layer types. Sometimes colour layers or even overlay layers is usually how I get the base colours down. Rendering light ,shade ,shadow. Fourth part, The final detailing and cleanup of rogue lines, highlights, deep shadow, etc. a r t ist & d e s i g n e r i n e x h i b i t i o n
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Creativity is the force behind all human creation. This writing discusses the importance of creative processes in general and demonstrates its role in my multimedia work in collaboration with composer Jiradej Setabundhu—I Cross a Very Large Distance—focusing on the creative challenges which I believed every artist has to confront when creating any new work. The writing begins with a general observation of creativity before proceeding to examine the ideas, problems, and solutions behind the work.
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FILM / 29 / PRINDA SETABUNDHU / Title : “I Cross a Very Large Distance”, 2017 / Techniques : Film & Video / THAILAND ar t ist & d e s i g n e r i n e x h i b i t i o n
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FILM / 30 / ASST. PROF. THAMMASAK AUERAGSAKUL / Title : “ Fah-TorFun: The Inspiring King (Animation)”, 2017 / Techniques : Wacom Pen Tablet, Computer / Mins. : Animation Files Length 7.00 min. (1 Chapter) / THAILAND
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“Fah-Tor-Fun: The Inspiring King” is an animation project conceived by Department of Intellectual Property – Ministry of Commerce (Thailand) in honoring King Bhumibol Adulyadej for his innovative genius. Department of Intellectual Property appointed Thai Digital Entertainment Content Federation (TDEC) as the key producer of the project invited by TDEC, Assistant Professor Thammasak Aueragsakul was involved as an Art Director and Adviser to the project. The first season of the project’s very successful both from Television Broadcasting and Online Media. For this, Department of Intellectual Property has decided to continue a second season whish’s in time for His Majesty’s 88th Birthday. The title “Fah-Tor-Fun” is an analogy. For his majesty’s innovative ideas can be compared to “Sky”, which inspires his subjects and the process of realizing such ideas is like making “Dreams”, come to fruition bringing more happiness, and advancement to the nation. a r t ist & d e s i g n e r i n e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
Documentary films will present a concerted effort. Unity of harmony help each other’s farmers recover. And most importantly, the traditional culture of rice. Roots and the way of life of farmers back to the field again.
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FILM / 31 / PANOT SUSUWAN / Title : “The Dramatic of Rice” / Techniques & materials : Cannon 5 D Mark 3 ,Sony NGV 20 , Go Pro Hero 5, Dolly ,Adobe Premier Pro CC2017 / 48 MIN. AVC Inter -Class100 1080 50P / THAILAND
ar t ist & d e s i g n e r i n e x h i b i t i o n
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
FILM / 32 / ANUPONG CHAROENMITR / Title : “Just Dance” 2013 / Techniques & materials : Single Channel Video, Sound Installation / Size : Room dimensions variable / THAILAND
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The word “peace” is differently defined according to a social context. Tranquility and nonviolence are part of its definitions. A society is made up with different ethnic and religious groups together with sets of law and regulations, which are constructed to conduct human activities and dictate what they can or cannot do. Everyman in every era yearns for tranquility and peace so they could harmoniously live. But if we consider what really have happened from the past until now, we might realize that sometimes unorthodox thinking leads to conflict; and conflict leads to violence and threatened force which finally end with loss. So a question arises: to whom the pacification we fight for belongs, whether political reconciliation is just temporary; where the true peace dwells or if ‘peace’ we struggle for just only ideally exists -- peace keeps dancing in human mentality like a highest form of performance that conceals the weariness and despair towards the society we involve
a r t ist & d e s i g n e r i n e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
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grand opening
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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sympo s i y m & e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
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grand opening
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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symp o s i y m & e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
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grand opening
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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symp o s i y m & e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
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grand opening
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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symp o s i y m & e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
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grand opening
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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symp o s i y m & e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
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grand opening
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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symp o s i y m & e x h i b i t i o n
t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m
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grand opening
“work in prog re ss 5 : d e s i g n s p e c t r u m ” 2 8 t h a p r i l , 2 0 1 7
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symp o s i y m & e x h i b i t i o n
DESIGN SYMPOSIUM 2017
/ คณะกรรมการและคณะทำ�งาน / รศ.พิศประไพ สาระศาลิน / ที่ปรึกษา ASSOC. PROF. PISPRAPAI SARASALIN ดร.วราวรรณ สุวรรณผาติ / ที่ปรึกษา DR. WARAWAN SUWANNAPHATI อาจารย์วิชัย เมฆเกิดชู / ที่ปรึกษา VICHAI MEKKERDCHOO อาจารย์บัณฑิต เนียมทรัพย์ / ประธานกรรมการ BUNDIT NIAMSUP อาจารย์สุเทพ โลหะจรูญ / กรรมการ SUTEP LOHACHAROON อาจารย์สุชีพ กรรณสูต / กรรมการฝ่ายจัดนิทรรศการ SUCHEEP KARNASUTA (ผู้ทรงคุณวุฒิในประเทศ) อาจารย์อำ�พรรณี สะเตาะ / กรรมการฝ่ายจัดนิทรรศการ AUMPANEE SATOH (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์สิรดา ศ.ไวยาวัจมัย / กรรมการฝ่ายจัดนิทรรศการ
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SIRADA VAIYAVATJAMAI (ผู้ทรงคุณวุฒิต่างประเทศ)
The 5th Rangsit University International Design Symposium
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ดร.สุพพตา วรรณวีรติกุล / กรรมการฝ่ายจัดนิทรรศการ DR. SUPPATAR WANVIRATIKUL (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์ลลิตา สมันตร / กรรมการฝ่ายพิธีการ LALITA SEEMONTARA อาจารย์ณัฐพงศ์ ศรีปุงวิวัฒน์ / กรรมการฝ่ายจัดเลี้ยง NATTAPHONG SRIPUNGWIWAT อาจารย์คงรัฐ สุนทรโรจน์พัฒนา / กรรมการฝ่ายประชาสัมพันธ์ KONGRATA SUNTORNROJPATTANA อาจารย์เอกชัย สมบูรณ์ / กรรมการฝ่ายสถานที่ EKACHAI SOMBOON อาจารย์ชินภัศร์ กันตะบุตร / กรรมการฝ่ายลงทะเบียน JINABHADR KANTAPUTRA อาจารย์อนันต์กิตติ์ จันทรไกร / กรรมการฝ่ายโสตทัศนูปกรณ์ ANUNKIT CHANKRI นางชฎารัตน์ บุญถนอม / เลขานุการ CHADARAT BOONTHANOM นางสาวรณิดา หาญเพชรไทย / ผู้ช่วยเลขานุการ RANIDA HARNPETTHAI
/ ฝ่ายงบประมาณ / อาจารย์สุเทพ โลหะจรูญ / หัวหน้าคณะทำ�งาน SUTEP LOHACHAROON นางสาวทัศนีย์ บูรณจารุพันธุ์ / คณะทำ�งาน TASSANEE BURANJARUPAN นางชฎารัตน์ บุญถนอม / คณะทำ�งานและเลขานุการ CHADARAT BOONTHANOM / ฝ่ายนิทรรศการ / อาจารย์สุชีพ กรรณสูต / ที่ปรึกษาคณะทำ�งาน SUCHEEP KARNASUTA (ผู้ทรงคุณวุฒิในประเทศ) อาจารย์อำ�พรรณี สะเตาะ / หัวหน้าคณะทำ�งาน AUMPANEE SATOH (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์สิรดา ศ.ไวยาวัจมัย / คณะทำ�งาน SIRADA VAIYAVATJAMAI (ผู้ทรงคุณวุฒิต่างประเทศ) ดร.สุพพตา วรรณวีรติกุล / คณะทำ�งาน SUPPATTAR WANVIRATIKUL (ผู้ทรงคุณวุฒิต่างประเทศ)
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อาจารย์ดนุ ภู่มาลี / คณะทำ�งาน
97
DANU PHUMALEE (สูจิบัตร) อาจารย์พิสิษฐ์ โพธิ์แก้ว / คณะทำ�งาน PISIT POKAEW นายลอย บุญจันทร์ / คณะทำ�งาน LOYD BOONJUN นายไพฑูรย์ เข็มกลัด / คณะทำ�งาน PITOON KHEMKLAD นายฉลอ เสียสูงเนิน / คณะทำ�งาน CHALOR SIASOONGNOEN นางนุชรัช พระมุนี / คณะทำ�งานและเลขานุการ NUCHARACH PRAMUNEE นายอครพล กฤตฤานนท์วงศ์ / รูปเล่มสูจิบัตร AKARAPON KRITRUENONWONG
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DESIGN SYMPOSIUM 2017
/ ฝ่ายพิธีการและต้อนรับ / อาจารย์ลลิตา สีมันตร / หัวหน้าคณะทำ�งาน LALITA SEEMONTARA อาจารย์สิรดา ศ.ไวยาวัจมัย / คณะทำ�งาน SIRADA VAIYAVATJAMAI อาจารย์อนัญญาลัลน์ วัฒนะนุพงษ์ / คณะทำ�งาน ANUNYARAN WATTANANUPONG นางสาวนวรัตน์ ป้องจิตใส / คณะทำ�งาน NAWARAT PONGJITSAI นางสาวรณิดา หาญเพชรไทย / คณะทำ�งานและเลขานุการ RANIDA HARNPETTHAI / ฝ่ายแฟชั่นโชว์ / อาจารย์สุปรียา สุธรรมธารีกุล / หัวหน้าคณะทำ�งาน
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The 5th Rangsit University International Design Symposium
98
SUPREEYA SUTHAMTARIKUL อาจารย์ลัดดาวัลย์ สารพัฒน์ / คณะทำ�งาน LADDAWAN SARAPAT อาจารย์พชร รัตนคุปต์ / คณะทำ�งาน PATCHARA RATTANAKUP อาจารย์เสกสฤษฎ์ ธนประสิทธิกุล / คณะทำ�งาน SEKSARIT THANAPRASITTIKUL อาจารย์กำ�จร แซ่เจียง / คณะทำ�งาน KAMJORN SAECHEONG / ฝ่ายจัดเลี้ยง / อาจารย์ณัฐพงศ์ ศรีปุงวิวัฒน์ / หัวหน้าคณะทำ�งาน NATTAPHONG SRIPUNGWIWAT อาจารย์ลัดดาวัลย์ สารพัฒน์ / คณะทำ�งาน LADDAWAN SARAPAT นางสาวนวรัตน์ ป้องจิตใส / คณะทำ�งานและเลขานุการ NAWARAT PONGJITSAI
/ ฝ่ายประชาสัมพันธ์และบันทึกภาพ / อาจารย์คงรัฐ สุนทรโรจน์พัฒนา / หัวหน้าคณะทำ�งาน KONGRATA SUNTORNROJPATANA อาจารย์อนันต์กิตติ์ จันทรไกร / คณะทำ�งาน ANUNKIT CHANKRI อาจารย์พิพัฒน์ ลิ้มประไพพงษ์ / คณะทำ�งาน PIPAT LIMPRAPAIPONG นาวสาวไปรมา บุญชู / คณะทำ�งานและเลขานุการ PRAIMA BOONCHU / ฝ่ายสถานที่ / อาจารย์เอกชัย สมบูรณ์ / หัวหน้าคณะทำ�งาน EKACHAI SOMBOON นายไพฑูรย์ เข็มกลัด / คณะทำ�งาน PITOON KHEMKLAD นายฉลอ เสียสูงเนิน / คณะทำ�งาน CHALOR SIASOONGNOEN นาวสาวไปรมา บุญชู / คณะทำ�งานและเลขานุการ PRAIMA BOONCHU / ฝ่ายลงทะเบียนและประเมินผล / อาจารย์ชินภัศร์ กันตะบุตร / หัวหน้าคณะทำ�งาน JINABHADR KANTAPUTRA อาจารย์วิษณุนาท กตัญญูทวีทิพย์ / คณะทำ�งาน VISHNUNAD KATANYUTHAVEETHIP ผศ.ดนยา เชี่ยวัฒกี / คณะทำ�งาน DANAYA CHIEWWATTAKEE นางนุชรัช พระมุนี / คณะทำ�งาน NUCHARACH PRAMUNEE นางไพริน กันภัย / คณะทำ�งานและเลขานุการ PAIRIN KANBHAI
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FACULTY OF ART AND DESIGN, RANGSIT UNIVERSITY 52/347 Muang Ake, Paholyothin Rd., Lakhok, Pathumtani 12000 Thailand TEL : +66 02-9972222 # 3631 E-mail : workinprogress@rsu.ac.th
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