"Work in Progress 5: Design Spectrum" by Rsu ArtandDesign

THE 5TH Rangsit University International Design Symposium

â&#x20AC;&#x153;Work in Progress 5: Design Spectrumâ&#x20AC;? 28th April, 2017

EXECU T I V E C O M M I TTE E

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Associate Professor Dr. Tan Jeanne Institute of Textiles & Clothing, The Hongkong Polytechnic University, Hongkong. • Franyo Aatoth Artist creator of exceptional graphic works, France. • Geri Forkner Textile Artist, USA. • Sridhar Ryalie Design Researcher, India. • Ms. Taeko Isu Art Director / Design unit “NNNNY” member, Japan. • Professor Vichoke Mukdamanee National Artist. • Assosiate Professor Kamol Phaosavasdi Chulalongkorn University. • Assosiate Professor Sone Simatrang Silpakorn University. • Assosiate Professor Pisprapai Sarasalin Dean, Faculty of Art and Design, Rangsit University. • Somchai Jongsaeng Silpathon Award in Design. • Jitsing Somboon Head of Designer, Greyhound.

The 5th Rangsit University International Design Symposium

“Work in Progress 5 : Design Spectrum” 28th April, 2017

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PROPOSAL & OBJECTIVE 4 —

The 5th Rangsit University International Design Symposium

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As designers we craft, make, and invent physical object, spaces, and visual images to cultivate a quality of life. Design is not an isolated object of beauty, but an integral part of everyday life. We have seen that design can be a powerful force that changes the way of life, behavior, culture, education, way of communication, and our perception of the world. The motivations behind what we design are very critical. Our questions, assumptions, experiments, and solutions have proven that design can improve lives and find powerful solutions for man and his environment. Our efforts have been successful, but there is still much more. We are re-learning, re-questioning, re-thinking, and will continue to re-invent our word with different design approaches that bring together technology, sustainability, crafts, politics, businesses, and much more. We have questions that we are pursuing and ideas that we are experimenting with to create changes. We believe that a designer’s work in progress should fight for good design. The 5th Rangsit University International Design Symposium entitled “Design Spectrum” is held under the collaboration of Rangsit University National and International Research Conference, the Faculty of Art and Design, the Faculty of Digital Art and the Council of Fine and Applied Arts Deans of Thailand, Our committee and participants are composed of professionals and academics from 9 countries - Thailand, Japan, India, China Hong Kong, The Netherlands , Germany, Spain, France, and the United States of America. “Spectrum”, principally, a design created with elements including line, shape, color, value and texture that are put together using principles of unity, variety, emphasis, balance and scale. Scientifically, spectrum is defined as a condition that is not limited to a specific set of values but can vary, without steps, across a continuum. Design spectrum in our sense refers to a principle of design varieties that contributes to a way to combine the visual elements to achieve elaborate and complex relationships in different angles. It reflects the varieties and diversity of the shape, space, color and light, to raise our cultural and socio-economic awareness of this vulnerable world.

Considering the rich and diverse complexity of relationships between design and spectrum, the International Design Symposium will be a platform for participants and valuable guests from various disciplines to further explore and share these research topics. The Faculty of Art and Design at Rangsit University would like to invite designers, artists, researchers, thinkers, innovators, and makers from various disciplines to join us and share their research, processes, art projects, views and opinions on how the design can change the world. OBJECTIVES To foster an academic collaboration among international institutions. To be a venue for researchers, designers, artists, thinkers, inventors, and makers from different disciplines to share their work in progress. To discuss ways to build an “Asia Style” sustainable society and to make understanding of our designer’s role and vision in order to create good design as nature does.

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Associate Professor Pisprapai Sarasalin Dean of Faculty of Art and Design, Rangsit University, Thailand

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The 5th Rangsit University International Design Symposium

OPENING SPEECH FOR DEAN 2017

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Vice President for Development and Financial Plans of Rangsit University, Dr. Attawit Ourairat, Vice Presidents, Deans, distinguished keynote speaker, Ms.Taeko Isu, distinguished participants, faculty members and students. As designers, our focus and efforts need to look beyond the object. The things we invent and improve are actually the starting point, not the finish line. We are talking about design as a starting point, as a catalyst, as a powerful force that effects behavior, communication, education, tradition, and as a result, our perception of the world. The motivations behind what we design are very critical. Our questions, assumptions, experiments, and solutions have proven that design can improve lives and find powerful solutions for man and his environment. Our efforts have been successful, but there is still much more. We are re-learning, re-questioning, and will continue to reinvent our world with different design approaches that bring, culture, technology, sustainability, crafts, politics, business, and much more. The Fifth Rangsit University International Design Symposium entitled “Design Spectrum” is held under the collaboration of Rangsit University National and International Research Conference, the Faculty of Art and Design, the Faculty of Digital Art and the Council of Fine and Applied Arts Deans of Thailand. Our committee and participants are composed of professionals and academics from 11 countries - Thailand, Japan, India, China, Hong Kong, The Netherlands, Germany, Spain, France, Italy and the United States of America. Our annual event aims to not only foster an academic collaboration among international institutions, but also serve as a platform for researchers, designers, artists, thinkers, inventors, and makers from all disciplines to share their ongoing work. “Design Spectrum” highlights a wide range of design disciplines. It explores the various interpretations that designers and artists employ to manifest their viewpoint and displays the countless possibilities that cross the boundaries in our work.

And today, we are here to celebrate the work of Ms. Taeko Isu, the art director of NNNNY, a design group consisting of editor, designer, illustrator and programmer. She works on various mediums, ranging from printed matters, website, spaces, movies, products and so on. In addition to her remarkable works including art direction of Japan’s leading department store PARCO and top artist band, The Yellow Monkey, she has been awarded RGB Prize and Tokyo Type Directors Club Annual Award in 2015. Her work reflects Japanese culture, so called “Shibuya Culture” very bold and daring, represent a new viewpoint of her own interpretation of a modern Japanese youth culture. I do hope that this sharing will be an inspiration to all of us to continue our work in progress. Lastly, on behalf of the Faculty of Art and Design, I’d like to take this opportunity to express my profound gratitude to Dr. Attawit Urairat, Vice President for Development and Financial Plans for his overwhelming support for this conference. I’d like to extend a special thank you to our executive committees for judging exhibition’s work, our guest keynoted speaker, and all of our friends from around the world who have made the effort to come to Thailand and to share their works in this conference. Thank you to all who shared their times and energy to make the conference possible. May I invite Dr. Attawit Urairat please kindly deliver an opening remarks. Thank you very much.

Associate Professor Pisprapai Sarasalin Dean of Faculty of Art and Design, Rangsit University, Thailand

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THE 5TH Rangsit University International Design Symposium

TAEKO ISU Art Director Design Unit “Nnnny” Member

She is the art director of NNNNY, a design group consists of Editor, Designer, Illustrator, Programmer. She works on printed matters, website, spaces, movie, product, and so on. She also run a pop-up store PHYSICAL TEMPO which sells curated original artworks from various creators.

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BIOGRAPHY

Sex: Female Website: nnnny.jp

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National: Japanese E-mail: info@nnnny.jp

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Selected Works

Awards SEIKO ITO [SHINAINARU] Tokyo Type Directors Club Annual Awards 2015: RGB Prize Japan Media Arts Festival Recommended Works Nominate KUCHIRORO [CD] Artwork Tokyo Type Directors Club Annual Awards 2012: RGB Prize

2017:

Music Video ZOMBIE-CHANG “I Can’t Get to Sleep” Museum of Contemporary Art Tokyo “MOT satellite”: Art Direction

2016:

“The Yellow Monkey” Advertisement: AD Art Direction

2015:

National Museum of Emerging Science And Innovation (Miraikan), Permanent Exhibition “CELLS in Progress” and “Song of ANAGURA”: Art Direction

2014:

Red Bull Music Academy Tokyo 2014: Art Direction PARCO Summer Campaign: Art Direction

2013:

Point Of View “POV Store” SHIBUYA PARCO: Planning/Art Direction

2011-2016: PHYSICAL TEMPO: Art Direction

“Work in Progress 5 : Design Spectrum” 28th April, 2017

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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keynote speaker

t a eko isu

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keynote speaker

t a eko isu

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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keynote speaker

t a eko isu

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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keynote speaker

t a eko isu

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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keynote speaker

taeko isu

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keynote speaker

t a eko isu

THE 5TH Rangsit University International Design Symposium

ARTIST DESIGNER

01 : Mirko Martin / Germany

12 : Martin Sjoberg / Sweden

02 : Michael Beckers / Germany

13 : Ou li Pin / China

03 : Gyula Sagi / Germany

14 : Ling Lin / China

04 : Francesca Lima / Italy

15 : Leon (Yu Heng) / China

05 : Giuseppe Guerriero / Italy

16 : Fajr Mohamed / India

06 : Aatoth Franyo / France

17 : Arahmaiani Feisal / Indonesia

07 : Geri Forkner / U.S.A.

18 : Prof. Vichoke Mukdamanee / Thailand

08 : Arta Ajeti / U.S.A.

19 : Assoc. Prof. Kamol Phaosavasdi / Thailand

09 : Giles Ryder / Australia

20 : Assoc. Prof. Sone Simatrang / Thailand

10 : Philipp Hicker / Australia

21 : Somchai Jongsaeng / Thailand

11 : Gabriela Ibarra Hernandez / Ecuador

22 : Jitsing Somboon / Thailand

INTERNATIONAL & COMMITTEE

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/ 01 / Mirko Martin / Title : “Untitled” from the series “L.A. Crash” (a series of 70 photographs, 2006-2011, various sizes) / Street Photography from Los Angeles between fact and fiction. / GERMANY

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1971 – 1976 : Studies of art and history of art at the Accademy of Arts in Düsseldorf/Germany with Professors J. Beuys, R. Sackenheim, B. Kerber and W. Spies 1975 : master-class student of Prof. J.Beuys Exhibitions : During the sventies exhibitions in Essen, Frankfurt and Mönchengladbach. After completion of his studies he worked for about 20 years without any public appearance. Since 2000 : Picking up again on exhibition activities he had continuous exhibitions e.g. at Kunstverein Erkelenz, Kulturbahnhof Nettersheim, Kunstturm Amern, kunstraumno.10, BIS, Museum Schloss Rheydt, Galerie Artwork Viersen and Galerie Slowboy in Düsseldorf. He is also regularly participating in the yearly two day ‘open atelier’ event of his hometown Mönchengladbach. About his art : Similar to sampling in music Michael Beckers re-composes and re-arranges in a kind of crossover activity existing pictures and fragments of pictures from totally different contexts into his paintings. In his art Kirchner meets Comic, Abstract Expressionism meets pictograms or a newspaper clip photograph meets children’s toys. During that process he creats new and unique sceneries that generally don’t allow any unambivalent interpretation.

/ 02 / Michael Beckers / Title : “Kabuki V, Kabuki II, Kabuki I” / Techniques : Acrylic paint on card board, 2016 / Germany a r t ist & d e s i g n e r i n e x h i b i t i o n

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/ 04 / FRANCESCA LIMA / Title : THE NEW PILOTS LUGGAGE : Design make travel easier. Flight bags play an invaluable role for pilots and aviators. With pilots bag, aviators can have quick access to navigation charts,fright plans,headsets,airport direction,portable GPS, receivers and much moire.It can be challenging manage all the

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equipment one needs for a safe and enjoyable

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flights. Pilot bags should have several different

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compartments that can be accessed while in the

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air. / ITALY

/ 05 / GIUSEPPE GUERRIERO / Title : Physical Sequencer in conjunction with YAMAHA / The Physical Sequencer : a grid-based, humanscale interface for musical expression. The spread of powerful laptops have made live computer music a common experience but the great majority is not an overtly physical experience, as is found in more traditional / 03 /

models of musical performance. / ITALY

GYULA SAGI / Techniques: “ Ink on Paper 2016” / GERMANY

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/06 / ATOTH FRANYO / Title : “Field” / Techniques : Oil on Canvas 2016 / FRANCE

/ 07 / Geri Forkner / Title : Clothes Line, 2017 / Techniques : Textile / USA.

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On August 22, 2016 I started a time based art project using thing from my overwhelming accumulated stash; things too good to throw away but nobody wants. Finally, I got up the courage to do away with these things holding me back. I decided to hang them outside and let nature take charge, I added a few textiles at a time to a frame, timidly at first, bringing some things back inside. Stepping in an ant bed the first day resulted in several painful bites,s reinforcing that the project is hard in many ways. It hurts to get rid of things while useless to keep them. The Project progressed and defined itself. I randomly photographed the pieces and made journal entries, Connections happened. A clothesline emerged. I gathered clothesline photos I’d taken on trips over many years (to me, the “real” part of a country), printed them on organza, and added hand embellishment. Nature did tis part in her relentless way. Long drought conditions bleached the pieces in strong sun but changed them little. A huge windstorm in November blew several pieces to the ground to remain where they fell. Winter rains and freezing conditions began to do their job. The first part of the project will end December 22, four months after it started when parts of the pieces will be cut up and added to the bundles project.

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/ 08 / ARTA AJETI / Title : “Infinite Regress”, 2016 – Page from my graphic novel about a near death experience. – Bath / Title : “Brick”, 2016 – Page from my graphic novel about a near death experience. / Title : “Open”, 2016 – Page from my

/ 09 / GILES RYDER / Title : “GRIDS - A NULLIST STATEMENT “ 2016 / Techniques : Painting / AUSTRALIA

graphic novel about a near death experience. / Techniques : gouache paint on paper / NEWYORK, USA

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Now I am locking down the space and recording marking it horizontally and vertically - but without concern for the landscape. That would be making a pictorial space. I am moving the space locking it down with two colours. A flattened space. There is a silence in this space. Perhaps something could be planed for this grid? No that would end up being architecture. I am cutting into it but not puncturing these grids it is being intersected with texture and drops of colours. Now there is sound and a kind of structure between these two surfaces. But it’s not that, then it would be music. I am moving the same colours at the same time across this series. I am trying for a system - a process for success. But its not that, that would be design. Now Im trying to make a process but the process always breaks. History.Now I am breaking it, I am filling the spaces the spaces between you and it. It is in this space and the intersections of all these spaces that makes the Painting become a painting. A zero space for the future.

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/ 11 / Gabriela Ibarra Hernandez / Title: Innova “Die Fete” is one of the most traditional festivals in lower Austria. It’s an annual gathering where everyone from

Co-working Center, 2016 / Ecuador

surrounding cities enjoy fresh cocktails, delightful summer night, and the music provided by local DJs. With the 21st edition, a collection of Die Fete posters include the combination of straight lines in triangular forms, with colorful splash representing an unforgettable and endless night in Patzmannsdorf, Austria.

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“STAY HIP, RECYCLE AND UPCYCLE” Innova Center seeks to be a co-working space in which people can find everything they need to work in multiple areas and also places of entertainment, promoting the exchange of knowledge among professionals. In an old two-floor house, located in one of the most important office areas of the city, Quito-Ecuador. The target is the generation of millennials, entrepreneurs who seek a space to develop their ideas and make contacts with people

/ 10 / Philipp Hicker / Title: “Die Fete”, 2017 / Australia

of different specialties. The design results in a flexible and fun place to be in, with several areas for activities.

As people become more environmentally and socially aware about the choices they make, they look for new

trends like good quality, stylish and low impact products. This place responds to different preferences to attract the new generations. The design concept blends with the local environment, integrating natural elements and textures contrasting with the modern side of the city, represented by bright and fun colors that awaken people’s senses. In addition, in contrary to globalized technological world we live in, all the spare areas of the house are designed to promote book swapping and stimulating relaxing activities. a r t ist & d e s i g n e r i n e x h i b i t i o n

Modern meets sustainable, demonstrating the potential of putting waste material to stylish or new use. a r t ist & d esig ner in exhib it io n

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MARTIN SJOBERG / Title : “Male in motion” (Me) ,2016. / Material ,polished bronze. / I have attached a picture of an other piece, that I would like to have close to the sculpture. In the size sculpture. In the size of an A4. / SWEDEN

/ 13 / OU LI PIN / Title : “Bodhidharma Buddhist Monk” (The Master of Zen), “Seascape Thailand”, “Sirindhorn Princess“ ”Beautiful Thai women” / ”Beautiful Chinese women” / “Peng Liyuan The First Lady of China”/ Techniques : Chinese Traditional Painting & Oil Painting. / CHINA a r t ist & d e s i g n e r i n e x h i b i t i o n

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/ 15 / Leon ( Yu Heng ) / Title : ”Lost” – Morning in a pasture of Yunnan , a goat got lost from his group., “Clock” – One afternoon in Tianjin , the giant shadow of Tianjin tower became a watch pointer., ”Us” – Uncommon friendship. / Techniques : Photography 2017 / CHINA

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/ 14 / Ling Lin / Title : “Fleeting Fortune“ / Techniques : Water Color on Paper,2017 / For 2017( the year of rooster ) Midnight , everyone look up to the sky. Time stops and fire rooster passes by. Under its wing, fortune turns into gold and fly into everyone’s eye. / CHINA

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Increasing population, lack of available land, and shriveled economic conditions are three of the biggest issues plaguing the metropolis of Beijing, China. These issues have caused a serious drop in the standards of living, forcing architects and engineers to conceive innovative solutions to improve the quality of life for Beijing residents. The construction of prefabricated micro-apartment towers has fast become a popular trend due to the quick

/ 17 / Arahmaiani Feisal / Title : “Various”, 2006-2016 / Techniques : Performance Art / INDONESIA

construction process and space saving advantages. By combining the design strategy of the prefabricated Nakagin Capsule Tower with the flexible living space of Domestic Transformer, we can introduce a new generation of customizable apartments. The highly flexible design of each apartment will allow residents the opportunity to alter and expand the space according to their needs, allowing them to maximize space and improve their living experience. The resulting tower prototype will be a prefabricated and replicable residential tower with replaceable modules inserted via pre-existing slots of the tower structure.

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/ 16 / Fajr Mohamed / Title: “Modular Housing”, 2016 / India

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/ 18 / PROF. VICHOKE MUKDAMANEE (NATIONAL ARTIST) / Title : Look after His Majesty s spirit in His Journey to Heaven. / Techniques : Mixed Media. / THAILAND

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/ 19 / ASSOC. PROF. KAMOL PHAOSAVASDI / Privacy The present of object [ image ] is not represent anything more than an existing of content that communicates through a specific audience somehow it related to visual perception in particular as move from personal [ private ] to public. It is the representation throughout the communication of contemporary culture with an essential of social media. / THAILAND

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/ 20 / ASSOC. PROF. SONE SIMATRANG AND VIDEO PRODUCTION TEAM / Title : Meru.Hassadelink Bird in Lanna Culture / Story Telling : Video 30 minutes Copy Right : Sone Simatrang And Video Production Team and Kobe Design University, Japan. / THAILAND

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/ 21 / SOMCHAI JONGSAENG I DECA ATELIER / Title : DHARMASHRAM / Concept : The Dhamma training community for all ages, learning to lead a life of awareness in Dhamma, Natures and Self-dependent, to live a more meaningful life and die a noble death. / THAILAND

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/ 22 / JITSING SOMBOON / Title : “ Contemporary shit ” 2017 / Techniques : Art of Composition / “The who??” is the composition art project after from “The Who?”. The project that represent about the age of finding themselves in every generations through the music band fashion clothing for music band “The who??”. This is another project which are made especially for this band and also talking about social through music lyric and clothing. / THAILAND

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THE 5TH Rangsit University International Design Symposium

ARTIST DESIGNER MIX MEDIA & SCULPTURE 01 : Anupong Suttaluk 02 : Ekachai Somboon 03 : Nijapa Hamilton 04 : Tonkao Nitasganjananon

VISUAL DESIGN

FASHION DESIGN

18 : Vichai Mekkerdchoo

05 : Supreeya Suthamtarikul

19 : Chaiporn Panichrutiwong

06 : Laddawan Sarapat

20 : Arttawut Changvittaya

07 : Lalita Seemontara

21 : Gomesh Karnchanapayap

08 : Seksarit Thanaprasittikul

22 : Jinabhadr Kantaputra

CERAMICS

23 : Vishnunad Katanyuthaveethip

09 : SiripenThananantakit

DIGITAL ART

10 : Supaporn Attakomon

24 : Asso. Pakorn Prohmvitak

PHOTOGRAPH

25 : Hathaichanok Chiengthong

11 : Warawan Suwannaphati

26 : Pathom Supreeyaporn

12 : Sukkasam Auyto

27 : Phanas Phokthavi

13 : Assist. Prof. Surapong Eiampichairit

28 : Sutat Palama

PAINTING

FILM

14 : Suttichart Sarapaiwanich

29 : Prinda Setabundhu

15 : Wannaporn Chujitarom

30 : Assist. Prof. Thammasak Aueragsakul

16 : Natthaphom Trairatthitikan

31 : Panot Susuwan

17 : Thanapon Junkasain

32 : Anupong Charoenmitr

THAILAND

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The forest is the most valuable and useful asset to our mankind. We have been dependant upon it directly by the essential need for life. The

MIX MEDIA & SCULPTURE / 01 / Anupong Suttaluk / Title : “Waterfront life inscription”, 2017 /

forest indirectly helps to prevent a natural disaster. The forest effect is also related to the social economy as well. Therefore, we need to share

Techniques & materials : Mix media ,Old wooden shipwreck with Steel

the responsibility to save the forest from all sorts of calamities. I was

welded structure , Old stump &Video / Size : 420x250 cm / Thailand

thus inspired to create my work on, “The Mixed Media Art Of Rebirth”.

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MIX MEDIA & SCULPTURE / 02 / Ekachai Somboon / Title : “Rebirth” , 2017 / Techniques : The The traditional way of life of people is related to water. The River canals serve as important element of the

Mixed Media Art / Size : 1.50x1.70 m. / thailand

waterfront community. The Waterfronts often have a section that extends into. The water, symbolizing the connection between the outside world, using waterways for transportation and water activities. The change of the waterfront community is caused by the development of infrastructure such as roads. Cause changes in community style, waterfront relations decrease. For that reason, it inspired me to create art in the art of mix media to reflect on the current state of change in the current waterfront community. a r t ist & d e s i g n e r i n e x h i b i t i o n

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The whale trail project was created to help raise $300,000 for the non-profit organization and charities in New England area. Organized by Mystic Coast and Country Travel Industry Association, Inc. For this event, there are 50 Fiberglass whale sculptures. Size of the sculpture 5 feet long, 3.5 feet high and 2.3 feet wide. Each whale weighs about 150 pounds (68 kg). All whale sculptures were displayed throughout the New England area and had auctioned off at the Mystic Marriott Hotel and Spa Groton, CT with 100 percent of the proceeds benefiting various non-profit organizations. I was invited to create a sperm whale, I titled the whale “ Whale-Getarain,” which represents

MIX MEDIA & SCULPTURE / 04 / Tonkao Nitasganjananon / Title : “Unclear Relationship”,

the fruit of the earth transposed into the fruit of the sea. The Whale-Getarain is covered with

2017 / Techniques : Mixed medias; Multimedia, motion pictures,

thousands of beans with a automotive clear coated glaze, which took 350 hours to complete. This

photography and art installation. / Size : 6x9x6 Inches / Thailand

whale was auctioned to benefit Seabird Enterprise charity in the town of Groton, CT, a non-profit organization that provides opportunities to students and adults with mental retardation and/or developmental disabilities in the community. This whale sculpture was display at New England Aquarium, Boston Massachusetts before got auction off.

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Modernity leads to a lack of clarity at times, which may be swallowed up in haste could make one lose identity. Sometimes, we may be lost in people and in the haste of the city until we are unable to connect or relate with others or surroundings. In Bangkok, with a variety of classes, races, religions, values, and cultures from people from everywhere makes it become unique blending with urban lifestyle with modernity. A center of everything as Capital Concentration, which accumulates a surplus value, prosperity and opportunity for everyone, a center of government, high-level technology and public transportation. It is a place where people are seeking for especially, the exploited workers.

MIX MEDIA & SCULPTURE / 03 /

Sky train is one of the choices of city transportation that helps avoid the traffic congestions,

Nijapa Hamilton / Title : “The Whale-Getarain” , 2017 / Techniques

but it is very busy in rush hours when all people using it to reach their destination. Crowded in

and materials : The whale fiber sculpture is covered with thousands of beans with automotive clear coated glazing / Size : 5 feet long, 3.5 feet high and 2.3 feet wide. Each whale weighs about 150 pounds (68 kg). / Thailand

the small bogies with little space to either standing or sitting, with clear windows covered with advertisement sunshade, make physically and mentally suffocate. Each stop and move creates a rhythm as keeping drawing dash lines on a paper. The views of urban city are also changing from the moving of the train passing by. The only place that helps comfort myself is the scenery though windows of chaotic urban and buildings and people who are waiting for the train and the train that runs in the opposite side. These are the variety moments of harmony that I want to pay attention to and decide to capture views through my smart phone as a modern tool.

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t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

FASHION DESIGN / 05 / Supreeya Suthamtarikul / Title : “Zodiac sign: Rooster from 2D to 3D”, 2017 / Techniques : 3D and Digital printing : Fashion Design / Size : 70 x 200 cm. / Thailand

Nature is something that is linked to human, especially the flowers that help to create beauty to the world. Flowers are comparable to human mental nourishment. The greenness of the grass and colourful blossom leaves is a sense of relaxation. Such as purple, in theoretically it is the color of caring for the heart to calm and endure the feelings of sadness or loss of mind. Purple shades is also helps to restore the balance of the mind from sorrow. Indigo is a color that has the power to stimulate the brain to be furious, encourages creativity and instincts. Green is the symbolic of a new beginning. Also heal the mind to feel refreshed, relaxed, etc. To create a piece of art by bringing flowers to inspire. It is also help to create peace and relax the mind of the creator too.

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The Thai zodiac is a classification scheme that assigns an animal and it reputed attributes to each year in a repeating 12 year cycle. The zodiac year of 2017 is Rooster which is widely associated with Thai culture. Also, the ancient zodiac sign was created in many types of design. They are even no evidence to identify the artist. According to Rooster, it is described a

FASHION DESIGN / 06 /

person’s personality or events in his or her life to the supposed influence

Laddawan Sarapat / Title : “Nature light reminiscence“, 2017

of the person’s particular relationship to the cycle. Moreover, Rooster in the Thai Horoscope implies luxury, beauty and wealth. Thai Horoscope prediction is also connected to Chinese Horoscope and zodiac sign.

a r t ist & d e s i g n e r i n e x h i b i t i o n

/Techniques : Shadow applique, Embroidery, Felt / Material : Silk, Chiffon, Ribbon, Bead, Embroidery thread, felting wool / Size : 100x250 cm. / thailand

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

From the theme “Design Spectrum”, I interpreted the meaning of the

FASHION DESIGN / 08 /

dispersion of light by using the concept from my impression when I had

SEKSARIT THANAPRASITTIKUL / Title : “What Remains Is Future”,

opportunity to visit Naples Florida, United State of America. I sat back and

2017 / Techniques and materials : Traditional tailoring techniques,

watched the sunset with the orange light that touched the water surface, the

such as basting stitches, padding and hand-sewing are used. Basting

sea surface and the sand. It brought these memories into the art of wearing.

stitches are left on the piece in order to reflect the beauty of what

The idea is to bring art combined with fashion design through the crochet

remains from the process of making clothes. / Thailand

techniques. I choose materials with light reflectance to represent the concept of light dispersion, ie, copper wire, crystals. Use crochet techniques to represent waves that hit the sand, to make the surface see through by using copper wire and the reflection of the crystals.

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Poetic statement from Patti Smith featured in Ann Demeulemeester ‘s collection in 2007, “What Remains Is Future”, has inspired the project. It suggests that beautiful future can be created from what remains in the

FASHION DESIGN / 07 / Lalita Seemontara / Title : “Wave & Wires” 2017 / Extended Abstract Form (For creative works) / Thailand a r t ist & d e s i g n e r i n e x h i b i t i o n

present time. According to the statement, the project is based on such profound idea with an aim to find new possibilities in fashion design.

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

CERAMICS / 10 / Supaporn Attakomon / Title : “Natura Naturata ”, 2017 / Techniques : Carbonization Earthenware / Size 80x120x13 cm. / Thailand CERAMICS / 09 / Siripen Thananantakit / Title : “Emotion 01”, 2017 / Techniques : Ceramics / Thailand

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Cells are the smallest unit of all organisms. Each type of them has distinct functions, but they all act as an indicator of life. Cells are consisted in The creative work “ the emotion” sense of sight. As a result of the reflection of light. Surface absorption of

plants, animals, or humans; together they create such an ecosystem

the surface. Difference of texture Induce feelings.

and other organisms. Thus, the idea of this work comes from here. This

The ceramic work shows the Visual Texture and the Tactile Texture. With the physical appearance of the

project is about taking the shapes of the small cell units to form a new

surface like luster , semi-matt , crawling , it absorbs light. And it produces refraction of light, to resulting in

shape. Mixing color experiments from natural materials through the

dimensional perspective. It is spectrum on my ceramic work.

pottery process, the simple combustion method of carbonization makes the work come out in assorted colors, as similar as the joint creation between humans and nature.

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

Nature is a wonderful mystery. It can create beauty and artwork as no artists can do.It is the design and creation of unique and unique art that is the only piece in the world. These set of photography are inspired me, while I went to Antelope Canyon, USA. I was surprise when I saw the amazing , beautiful area which made and design by nature. Antelope Canyon was formed by erosion of Navajo Sandstone, primarily due to flash flooding and

photographY / 12 /

secondarily due to other sub-aerial processes. Rainwater,

Sukkasam Auyto / Title : “We see the nature. The

especially during monsoon season, runs into the extensive

nature sees us.”, 2017 / Techniques : Photography /

basin above the slot canyon sections, picking up speed

Size : 14x20 inch, 14x20 inch, 20x20 inch / Thailand

and sand as it rushes into the narrow passageways. Over time the passageways eroded away, making the corridors deeper and smoothing hard edges in such a way as to form characteristic ‘flowing’ shapes in the rock. Flooding in the canyon still occurs. (Wikipedia : 7 April 2017) Line, color, light and shadow, angle of view, form, timing and perception are the representative or the factor which affect for inform, create image and set up the imagination of artists or designers. Nature is a mystery and a miracle to search on all sides.In view of designe. —

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Natural surroundings play important roles in everyone’s life. Yet, city people live their lives so far away from nature and so little with it. Every single natural element, including fallen leaves and humus on the ground, is part of the ecosystem. Yet, city people loathe it, saying it is dirty. Every day, I come to work here at Rangsit University and I see these things and this natural aspect of the place. I see naturally-woven roots anchoring a tree firmly to the earth. I see fallen leaves lying under its trees. Every morning before a majority of people are yet to arrive at this workplace, a bird flies to grab a banyan seed to feed itself and then it soars to another tree. Every morning, birds sing soundly choral music. An idea came to mind that I could create a set of creative pieces. Through my physical and emotional connection with this nature, I began taking photographs of it. The collection of my photographs is displayed here. The collection is called “We see the nature. The nature sees us.” Taken with my mobile phone camera, almost all of the photographs capture natural elements at Rangsit University. Then, some creativity and imagination was added

photographY / 11 / Warawan Suwannaphati / Title : “DESIGN BY NATURE”, 2017 / Title : Techniques : Digital Print / Size : 16x20 inch : 3 piece. /

in order to create wild pictures aimed at conveying the feeling of connection to nature. When we see nature and understand its importance, we will care and preserve it. We will protect trees, big and small, bushes and seasonal plants, along with other natural elements. And this nature will return its support for us, such as cleaning the air and giving shades. That is the nature sees us.

Thailand a r t ist & d e s i g n e r i n e x h i b i t i o n

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PHOTOGRAPHY / 13 / Assist.Prof. Surapong Eiampichairit / Title : “Element of faith”, 2017 / Techniques : Photography / Size : 20 x 30 inch : 3 piece / Thailand

This Set of 8 Art pieces ’s created for Concept “Wake Up Early” That Exhibited at Buddhadasa Indapanno Archives (BiA) ‘Suan Mokkh Bangkok’ in February 2017.

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“We all started drawing by copying something already. But many times we just peel the skin of what we like. Forget the inherent nature of that. so anyway. If identity discovery is a destination. Trying to peel off other influences is the most important step. First peel is easy But After is hard. peel, peel, peel ... Until Only thing left is us.”

PAINTING / 14 / SUTTICHART SARAPAIWANICH / Title : “LOG …(ลอก)”, 2017 / Society of Faith in Dhamma It creates peaceful peace together. Even ethnicity If the security in the Dharma is

Techniques : Ink and Pastel on color Papers. / Size 21x29.7 cm. 8

peaceful. When faith is expressed by the substitution of the Dharma. With symbol To faith Faith of the element.

pieces / Thailand

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

PAINTING / 15 / Wannaporn Chujitarom / Title : “Into The Wilds Spectrum”

Samak 8 or the way to nirvana. It is comparable to the first tabloid right

Collection, 2017 / Techniques : Acrylic painting on canvas. / Size

before the next tablet, that is to be right before the start to the direction

(3 pieces) included: 100x100 cm. (1piece), 90x30cm. (2pieces) /

that they intend to go. It is a deep and profound truth that reminds the

Thailand

wrongdoer of doing things very well.

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PAINTING / 16 / Natthaphom Trairatthitikan / Title : “Procedure“ , 2017 / In the 21st century, Concrete Jungle become our new home, which reflected urban life. But deeply inside, that

Techniques : Ballpoint pen Drawing. / Size : 99x69 cm. / thailand

we are never forget “We are wildlife” , the spectrum will reflected inside out of us. Digital Art, Where the Art meet with Technology, Augmented Reality (AR) is the new technology to promote an art expression, in this collection “Into The Wilds Spectrum”will transform the painting to become a moving painting. a r t ist & d e s i g n e r i n e x h i b i t i o n

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King Bhumibol Adulyadej was the ninth monarch of Thailand from the Chakri dynasty. Which my perception about him has come from to many media. For example television it has especially important media in this issue. It sends information to me every day until I recognize to every activity about him. Although he was died on 13 October 2016

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but he is not disappear in my memory and I believe that people in Thailand think alike me. Also these reason are

Vichai Mekkerdchoo / Title : “I Cross a Very Large Distance”,

become to my inspiration to create Art work for people have realize to goodness of King Bhumibol Adulyadej. By

2017 Portrait of Society 2517 / Techniques :Film & Video Mono Print

overlapping important several past event images for represent to several activity of King Bhumibol Adulyadej in

Water Color / Thailand

my memory. Although those image have blur but unable to forget.

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Nowadays, society has changed rapidly with new evolution and innovation coming in continuously. World has quick development which one side has benefits to humankind. However, there are lots of questions that we are able to trust such all new things that occurred or not. Something enter to society but make something vanish away, is this correct? From this concept, the writer would like to present another view point of society that

PAINTING / 17 / Thanapon Junkasain / Title : “King of Thailand”, 2017 / Techniques : Acrylic color on canvas. / Size : 170x190 cm. / Thailand a r t ist & d e s i g n e r i n e x h i b i t i o n

comes with new innovation. From works “Portrait of Society” the writer wants to present another side of portrait of society which has complexity and distrust by presenting works in Mono Print Water Color technique for this view point purpose. a r t ist & d esig ner in exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

VISUAL DESIGN / 20 / Dr. Arttawut Changvittaya / Title : “JUST DO IT @ Nike Thailand”, 2016 / Techniques & materials : The “Just Do It” design is cut by laser using MDF wood, the wood’s thickness is 10 millimeters. The “Just Do it” is then painted in white color. Each letter is nailed and glued down on another MDF board (240 x 270 cm), this MDF board is laminated with concrete pattern. / Size : exhibition 59.4x84.1cm. / 2 pieces . / Thailand

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Nike is the world largest1 sport equipment and apparel manufacturer and retailer. There are 1,045 retail stores2 worldwide (all in formation has been

VISUAL DESIGN / 19 /

updated since 2016). Even though, Nike stores have reached global scale, the only team that is qualified to design all Nike products are located in Oregon,

Chaiporn Panichrutiwong / Title : “In remembrance of my

USA. Different design teams from other regions may participate in design but

king”, 2017 / Techniques and materials : Photoshop Digital painting

only in the area of Marketing.

on Paper printize29.7 x 42 cm. / Thailand

The Marketing team for Nike Thailand has two roles that is related to marketing. The first part is in-store marketing (eg. visual merchandise) and the second part is out-of-store marketing such as paid marketing media (eg.

October 13,2016 we lost our beloved king. As an artist, I wanted to share some memory about him through my painting. Since I was a kid, at 8 pm I saw him on the Royal affair and agenda news. He often visited people in remote places and various parts of Thailand. Any rough roads had never been any obstacles to him. He would get to the destination on foot with a map in his hand and a camera hanging on his neck. My memory of our late beloved king was created with a digital painting technique and shared on Facebook. A columnist name “Plew See Ngearn” asked to take my painting published as a cover of his pocket book titled “We miss our King”. His reason was simply given to me that the painting is colorful and the king has a soft smile. Most paintings he had seen were created differently. a r t ist & d e s i g n e r i n e x h i b i t i o n

television, radio, online). The media agency that is responsible for out-outstore marketing has been assigned by Nike headquarter and the agreement cannot be altered. As for the in-store marketing, Nike Thailand is able to contribute towards in-store visual design. There is only one Nike flagship store in Thailand which is located in Siam Square One. The author of this paper is the key personnel in designing and implementing Visual Communication design at this flagship store for the past 3 years.

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VISUAL DESIGN / 22 / Jinabhadr Kantaputra / Title : “The Lover: Fruits Nutrition throughout the Year”, 2017 / Techniques : Computer generated using two applications, Adobe Illustrator & Adobe PhotoShop / Size : 20x30 Inches. / Thailand

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VISUAL DESIGN / 21 / Gomesh Karnchanapayap / Title : “His Majesty’s Perseverance”, 2017 / Techniques : Digital Sculpting using ZBrush Software / Size : Digital Sculpture with Physical dimension of 56x40x90cm. / thailand

Nowadays, the livelihood of humans pays more and more attention to consumption, most of the time, beyond the controllable limit. This shows that consumption is considered a big issue and also plays an important role in the livelihood of mankind. Actually, the main purpose of consumption is just to nourish the body so as to prolong the lives, but not for other reasons. The consumption that makes other lives suffer, in particular, the lives of animals that are considered less intelligent and inferior to us, is cruel and selfish. This disrespected idea is especially ingrained in humans, and is hard to change.

I remember well the day of his majesty’s King Bhumibol’s passing, I was in shock while the nation’s in pain.

The reason’s not because he’s a King but he’s the most beloved King of all time for his great sacrifice for the

most of whom are carnivorous in nature. He thought that animal consumption indicated the selfishness of mankind and was

nation. His majesty’s 70 years reign have brought the nation a lot of joy and advancements. Then that very day

considered sinful as other lives were killed just for the sake of consumption. He talked about the bad sides of eating animal

I know my pain must be redirected for something else—something great. As a 3D Sculptor, I decided to initiate

flesh, and the good sides of having fruits and vegetables instead, basing on the Theravada Buddhism doctrine. Though an

a personal project that tell the tales of this great king in an never before seen format, Digital Sculpture, that

interesting book, it still lacks a good illustration that would help readers easily understand the ideas of refraining from

let us re-live the very moment the Great King’s devoted to the nation.

eating animals.

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Written by Lieutenant Dr. Kosol Kantaputra (M.D.), the book, titled “Natural Foods”, described the livelihood of humans,

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VISUAL DESIGN / 23 /

When I was first visit Angkore Wat…in Cambodia. I was impressed by the

Vishnunad Katanyuthaveethip / Title : “Chakras : The

stone craftjng in battle scene.That time almost sun set.It was dark and

Electromagnetic Spectrum.”, 2017 / Techniques : Infographic / Size : 20x24 inches. / Thailand

and feel mistery.I love that emotion .So I drew those scenes and then reverse to be negative and put some color on it to make nighttime piece.

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The frequency range of the electromagnetic spectrum that is visible to the human eye (and which we refer to as ‘color’) is a very small region in the entire range of photon energies we have observed in nature. Before Isaac Newton, it was believed that white light was colorless. In the 17th century the word spectrum was introduced into optics by Isaac Newton, referring to the range of colors observed when white light was dispersed through a prism. Light from many different sources contains various colors, each with its own brightness or intensity. A rainbow, or prism, sends these component colors in different direction, making them individually visible at different angles. The word Chakra derives from the Sanskrit word meaning “wheel”, as well as “circle” and “cycle”. It’s described by many as a spinning wheel of light. The chakras are thought to vitalise the physical body and to be associated with interactions of a physical, emotional and mental nature. They are considered loci of life energy or prana, which is thought to flow among them along pathways called nadi. The function of the chakras is to spin and draw in this energy to keep the spiritual, mental, emotional and physical health of the body in balance. A development in Western practices dating back to the 1940s is to associate each one of the seven chakras to a given color and a corresponding crystal. For example, the chakra in the forehead is associated with the color purple, so to

DIGITAL ART / 24 /

try and cure a headache a person might apply a purple stone to the forehead.

Assoc. Pakorn Prohmvitak / Title : “Night Troops in Cambodia”,

Patricia Mercier introduces the relation of color energy to the science of the light spectrum. Recent Western traditions

2017 / / Techniques : Digital art / Size : 12x14 inches. 3 pieces. /

associate colors and physiomotional functions for each of the seven main chakras.

Thailand

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King Bhumibhol has been reverend by each every of his Thai subjects. He has been our inspiration for goodness and virtue as well as a role model in every aspect of life. Certainly, he will always be remembered and imprinted on our hearts..and forever.

DIGITAL ART / 25 / Hathaichanok Chiengthong / Title : “The killing fields”, 2017 / Techniques : Digital art / Size : 20x30 inch. / thailand

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From the inspiration of taking the Khmer Rouge captured Phnom Penh in 1975, many thought the killing would end. Instead it started a long nightmare in which three million Cambodians would die in the “killing fields.”

DIGITAL ART / 26 / Pathom Supreeyaporn / Title : “Strength of the Land”, 2017 / Techniques : Digital art / Size : 17x22 inch. / thailanD

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This set of art pieces aims at finding out the feasibility of the new concept

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of visual storytelling. The experiment sets the origin of the visual images to

Sutat Palama / Title : “who is this person?”, 2017 / Techniques

come from the elements of architecture, the art form which has extremely different style and usage from the other kinds of art and is not intended to tell the story before. The research will interpret those visual elements of

: Digital Painting and print on paper. / Size : 30x75 cm , 2 pieces. / thailand

architecture, select the noticeable pieces, transfer the concept of narrative into them by methods of digital art, and compose them with each other. The origin of the story, with these processes, did not come from a tale, literary, or character; but it came from visual elements that are interpreted. The scope of the study is analyzing related information to create a set of visual art hybrid in order to achieve narrative and communication. The result of the experiments is that architectural elements can be applied to be the starting points of various sequential picture story types. However, the styles of the stories come from each person’s experience, concept, interpretation, and arrangement. Knowledge of integrating different art forms will be published and continually used to be a track of art concept development.

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DIGITAL ART / 27 / Phanas Phokthavi / Title : “Architectural Elements to be the Starting Point of Sequential Picture Story “Monitor”, 2017 / Techniques

The Illustrations be created for a book was intended to be read by young children and absorbed in the beautiful

: Digital Photography - Digital Art / Size: - Process 1 pcs A2 42.0x59.4

Dharma of Her Royal Highness Princess Maha Chakri Sirindhorn when she was young. Lay the foundation for

cm / Monitor” the story 2 pcs A2 42.0x59.4 cm. / Thailand

the kids. She is a good example and inspire them to be will prepared for parents, families and society.

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Creativity is the force behind all human creation. This writing discusses the

FILM / 30 /

importance of creative processes in general and demonstrates its role in

Asst. Prof. Thammasak Aueragsakul / Title : “ Fah-Tor-

my multimedia work in collaboration with composer Jiradej Setabundhu—I

Fun: The Inspiring King (Animation)”, 2017 / Techniques : Wacom

Cross a Very Large Distance—focusing on the creative challenges which

Pen Tablet, Computer / Mins. : Animation Files Length 7.00 min. (1

I believed every artist has to confront when creating any new work. The

Chapter) / thailand

writing begins with a general observation of creativity before proceeding to examine the ideas, problems, and solutions behind the work.

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“Fah-Tor-Fun: The Inspiring King” is an animation project conceived by Department of Intellectual Property – Ministry of Commerce (Thailand) in honoring King Bhumibol Adulyadej for his innovative genius. Department of Intellectual Property appointed Thai Digital Entertainment Content Federation (TDEC) as the key producer of the project invited by TDEC, Assistant Professor Thammasak Aueragsakul was involved as an Art Director and Adviser to the project. The first season of the project’s very successful both from Television Broadcasting and Online Media. For this, Department of Intellectual Property has decided to continue a second season whish’s in time for His Majesty’s 88th Birthday.

FILM / 29 / Prinda Setabundhu / Title : “I Cross a Very Large Distance”, 2017 / Techniques : Film & Video / Thailand a r t ist & d e s i g n e r i n e x h i b i t i o n

The title “Fah-Tor-Fun” is an analogy. For his majesty’s innovative ideas can be compared to “Sky”, which inspires his subjects and the process of realizing such ideas is like making “Dreams”, come to fruition bringing more happiness, and advancement to the nation. a r t ist & d esig ner in exhib it io n

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“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

FILM / 32 / Anupong Charoenmitr / Title : “Just Dance” 2013 / Techniques & materials : Single Channel Video, Sound Installation / Size : Room dimensions variable / Thailand

Documentary films will present a concerted effort. Unity of harmony help each other’s farmers recover. And most importantly, the traditional culture of rice. Roots and the way of life of farmers back to the field again.

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FILM / 31 / PANOT SUSUWAN / Title : “The Dramatic of Rice” / Techniques & materials : Cannon 5 D Mark 3 ,Sony NGV 20 , Go Pro Hero 5, Dolly ,Adobe Premier Pro CC2017 / 48 MIN. AVC Inter -Class100 1080 50P / Thailand Anupong Charoenmitr (b.1981,Bangkok) finished his BA in fine art photography at Rangsit University, Bangkok and is graduate his MA in fine art at the Faculty of Painting, Sculpture and Graphic Arts, Silpakorn University. His work comes from private interests and previous experience of self-perceived of the course of things as well as social and collective memories of people. Anupong was selected for Cross Stitch, an exhibition for young artists initiated by the Bangkok Art and Culture Center (Bangkok, 2013). Had exhibitions in foreign country such Incubarte7 by LA METRO GALLERY (Spain, 2015), -5 MINUTES International Short Video Biennial by P74 Gallery (Slovenia,2015). Get 1st Prize International Video Festival DIGITALBIGSCREEN 2015 at Trbovlje NewMedia City (TNM), (Slovenia,2015).. His work was selected as one of 10 finalists in the video section of the international Arte Laguna Prize (Italy, 2014), and was selected as one of 3 finalists in Digital/video section of Prudential Eye Awards at ArtScience Museum (Singapore, 2016). Currently a full-time lecturer for the Visual Effects Branch, Faculty of Digital Art at Rangsit University. a r t ist & d e s i g n e r i n e x h i b i t i o n

a r t ist & d esig ner in exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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grand opening

symp o siym & exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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grand opening

symp o siym & exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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grand opening

symp o siym & exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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grand opening

symp o siym & exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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grand opening

symp o siym & exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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grand opening

symp o siym & exhib it io n

t h e 5 th ra n g sit un ive rsi t y i n t e r n a t i o n a l d e s i g n s y m p o s i u m

“ wo r k in p r o g r ess 5 : d esig n sp ect r um” 28 t h a p r il, 2017

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grand opening

symp o siym & exhib it io n

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รศ.พิศประไพ สาระศาลิน / ที่ปรึกษา Assoc. Prof. Pisprapai Sarasalin

/ ฝ่ายงบประมาณ / อาจารย์สุเทพ โลหะจรูญ / หัวหน้าคณะทำ�งาน Sutep Lohacharoon

ดร.วราวรรณ สุวรรณผาติ / ที่ปรึกษา

นางสาวทัศนีย์ บูรณจารุพันธุ์ / คณะทำ�งาน

Dr. Warawan Suwannaphati

Tassanee Buranjarupan

อาจารย์วิชัย เมฆเกิดชู / ที่ปรึกษา Vichai Mekkerdchoo อาจารย์บัณฑิต เนียมทรัพย์ / ประธานกรรมการ Bundit Niamsup อาจารย์สุเทพ โลหะจรูญ / กรรมการ Sutep Lohacharoon อาจารย์สุชีพ กรรณสูต / กรรมการฝ่ายจัดนิทรรศการ Sucheep Karnasuta (ผู้ทรงคุณวุฒิในประเทศ) อาจารย์อำ�พรรณี สะเตาะ / กรรมการฝ่ายจัดนิทรรศการ Aumpanee Satoh (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์สิรดา ศ.ไวยาวัจมัย / กรรมการฝ่ายจัดนิทรรศการ Sirada Vaiyavatjamai (ผู้ทรงคุณวุฒิต่างประเทศ)

The 5th Rangsit University International Design Symposium

COMMITTEE OF DESIGN SYMPOSIUM 2017

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/ คณะกรรมการและคณะทำ�งาน /

ดร.สุพพตา วรรณวีรติกุล / กรรมการฝ่ายจัดนิทรรศการ Dr. Suppatar Wanviratikul (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์ลลิตา สมันตร / กรรมการฝ่ายพิธีการ Lalita Seemontara อาจารย์ณัฐพงศ์ ศรีปุงวิวัฒน์ / กรรมการฝ่ายจัดเลี้ยง Nattaphong Sripungwiwat อาจารย์คงรัฐ สุนทรโรจน์พัฒนา / กรรมการฝ่ายประชาสัมพันธ์ Kongrata Suntornrojpattana อาจารย์เอกชัย สมบูรณ์ / กรรมการฝ่ายสถานที่ Ekachai Somboon อาจารย์ชินภัศร์ กันตะบุตร / กรรมการฝ่ายลงทะเบียน Jinabhadr Kantaputra อาจารย์อนันต์กิตติ์ จันทรไกร / กรรมการฝ่ายโสตทัศนูปกรณ์ Anunkit Chankri นางชฎารัตน์ บุญถนอม / เลขานุการ Chadarat Boonthanom นางสาวรณิดา หาญเพชรไทย / ผู้ช่วยเลขานุการ Ranida Harnpetthai

นางชฎารัตน์ บุญถนอม / คณะทำ�งานและเลขานุการ Chadarat Boonthanom / ฝ่ายนิทรรศการ / อาจารย์สุชีพ กรรณสูต / ที่ปรึกษาคณะทำ�งาน Sucheep Karnasuta (ผู้ทรงคุณวุฒิในประเทศ) อาจารย์อำ�พรรณี สะเตาะ / หัวหน้าคณะทำ�งาน Aumpanee Satoh (ผู้ทรงคุณวุฒิต่างประเทศ) อาจารย์สิรดา ศ.ไวยาวัจมัย / คณะทำ�งาน Sirada Vaiyavatjamai (ผู้ทรงคุณวุฒิต่างประเทศ) ดร.สุพพตา วรรณวีรติกุล / คณะทำ�งาน Suppattar Wanviratikul (ผู้ทรงคุณวุฒิต่างประเทศ)

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อาจารย์ดนุ ภู่มาลี / คณะทำ�งาน

Danu Phumalee (สูจิบัตร) อาจารย์พิสิษฐ์ โพธิ์แก้ว / คณะทำ�งาน Pisit Pokaew นายลอย บุญจันทร์ / คณะทำ�งาน Loyd Boonjun นายไพฑูรย์ เข็มกลัด / คณะทำ�งาน Pitoon Khemklad นายฉลอ เสียสูงเนิน / คณะทำ�งาน Chalor Siasoongnoen นางนุชรัช พระมุนี / คณะทำ�งานและเลขานุการ Nucharach Pramunee นายอครพล กฤตฤานนท์วงศ์ / รูปเล่มสูจิบัตร Akarapon Kritruenonwong

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อาจารย์ลลิตา สีมันตร / หัวหน้าคณะทำ�งาน Lalita Seemontara อาจารย์สิรดา ศ.ไวยาวัจมัย / คณะทำ�งาน Sirada Vaiyavatjamai อาจารย์อนัญญาลัลน์ วัฒนะนุพงษ์ / คณะทำ�งาน Anunyaran Wattananupong นางสาวนวรัตน์ ป้องจิตใส / คณะทำ�งาน Nawarat Pongjitsai นางสาวรณิดา หาญเพชรไทย / คณะทำ�งานและเลขานุการ Ranida Harnpetthai / ฝ่ายแฟชั่นโชว์ / อาจารย์สุปรียา สุธรรมธารีกุล / หัวหน้าคณะทำ�งาน Supreeya Suthamtarikul

The 5th Rangsit University International Design Symposium

COMMITTEE OF DESIGN SYMPOSIUM 2017

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/ ฝ่ายพิธีการและต้อนรับ /

อาจารย์ลัดดาวัลย์ สารพัฒน์ / คณะทำ�งาน Laddawan Sarapat อาจารย์พชร รัตนคุปต์ / คณะทำ�งาน Patchara Rattanakup อาจารย์เสกสฤษฎ์ ธนประสิทธิกุล / คณะทำ�งาน Seksarit Thanaprasittikul อาจารย์กำ�จร แซ่เจียง / คณะทำ�งาน Kamjorn Saecheong / ฝ่ายจัดเลี้ยง / อาจารย์ณัฐพงศ์ ศรีปุงวิวัฒน์ / หัวหน้าคณะทำ�งาน Nattaphong Sripungwiwat อาจารย์ลัดดาวัลย์ สารพัฒน์ / คณะทำ�งาน Laddawan Sarapat นางสาวนวรัตน์ ป้องจิตใส / คณะทำ�งานและเลขานุการ Nawarat Pongjitsai

/ ฝ่ายประชาสัมพันธ์และบันทึกภาพ / อาจารย์คงรัฐ สุนทรโรจน์พัฒนา / หัวหน้าคณะทำ�งาน Kongrata Suntornrojpatana อาจารย์อนันต์กิตติ์ จันทรไกร / คณะทำ�งาน Anunkit Chankri อาจารย์พิพัฒน์ ลิ้มประไพพงษ์ / คณะทำ�งาน Pipat Limprapaipong นาวสาวไปรมา บุญชู / คณะทำ�งานและเลขานุการ Praima Boonchu / ฝ่ายสถานที่ / อาจารย์เอกชัย สมบูรณ์ / หัวหน้าคณะทำ�งาน Ekachai Somboon นายไพฑูรย์ เข็มกลัด / คณะทำ�งาน Pitoon Khemklad นายฉลอ เสียสูงเนิน / คณะทำ�งาน Chalor Siasoongnoen นาวสาวไปรมา บุญชู / คณะทำ�งานและเลขานุการ Praima Boonchu / ฝ่ายลงทะเบียนและประเมินผล / อาจารย์ชินภัศร์ กันตะบุตร / หัวหน้าคณะทำ�งาน Jinabhadr Kantaputra อาจารย์วิษณุนาท กตัญญูทวีทิพย์ / คณะทำ�งาน Vishnunad Katanyuthaveethip ผศ.ดนยา เชี่ยวัฒกี / คณะทำ�งาน Danaya Chiewwattakee นางนุชรัช พระมุนี / คณะทำ�งาน Nucharach Pramunee นางไพริน กันภัย / คณะทำ�งานและเลขานุการ Pairin Kanbhai

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FACULTY OF ART AND DESIGN, RANGSIT UNIVERSITY 52/347 Muang Ake, Paholyothin Rd., Lakhok, Pathumtani 12000 Thailand TEL : +66 02-9972222 # 3631 E-mail : workinprogress@rsu.ac.th

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