Belgravia Residents' Journal August 2013

Dear Resident

,

Rather than the hills, it is the Georgian terraces and verdant squares which are alive with the sound of music this month, as the BBC Proms descends upon Chelsea and Hyde Park. Our contributing editor Josephine O’Donoghue examines the festival's illustrious history with director of the BBC Proms Roger Wright (p. 4). Meanwhile Henry Hopwood-Phillips reviews several of the key Proms sessions at Cadogan Hall and the Royal Albert Hall (p. 6).

BELGRAVIA

With the wedding seasoned in full swing, the chances are you might need something special to wear. Annabel Harrison pops down to Jenny Packham’s Bridal Boutique on Elizabeth Street to discuss the brand's 25th anniversary and how the designer crafts timeless garments that enchant women all over the world (p. 22).

Henry Hopwood-Phillips has the pleasure of meeting and interviewing another inspirational woman for the August edition of the Journal, Nathalie Hambro (p. 20). The Belgravian-based artist, jewellery designer and author divulges a multitude of stories about her life, including why Harvey Nichols invested in her metal lunchbox.

Resident’s Journal

Please do not hesitate to get in contact with your feedback, email: Belgravia@residentsjournal.co.uk.

Above /

Managing Editor Katie Randall

Senior Designer Sophie Blain

Publishing Director Giles Ellwood

General Manager Fiona Fenwick

Associate Publisher Sophie Roberts

Editorial Assistants Lauren Romano, Lulu Rumsey

Head of Finance Elton Hopkins

Client Relationship Director Felicity Morgan-Harvey

Editor-in-Chief Lesley Ellwood

Production Hugo Wheatley, Alex Powell, Oscar Viney

Communications Director Loren Penney

Main Editorial Contributor Henry Hopwood-Phillips

Managing Director Eren Ellwood

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Contributing Editor Josephine O’Donoghue

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The Belgravia Residents’ Journal is published independently by Runwild Media Group with regular editorial contributions from The Belgravia Residents’ Association. To become a member of the BRA, visit www.belgraviaresidents.org.uk.

We would highly value any feedback you wish to email us with: belgravia@residentsjournal.co.uk; or telephone us on 020 7987 4320.

w w w. R e s i d e n t s J o u r n a l . c o . u k (020) 7987 4320

Dear Resident

,

Rather than the hills, it is the Georgian terraces and verdant squares which are alive with the sound of music this month, as the BBC Proms descends upon Chelsea and Hyde Park. Our contributing editor Josephine O’Donoghue examines the festival's illustrious history with director of the BBC Proms Roger Wright (p. 4). Meanwhile Henry Hopwood-Phillips reviews several of the key Proms sessions at Cadogan Hall and the Royal Albert Hall (p. 6).

With the wedding season in full swing, the chances are you might need something special to wear. Annabel Harrison pops down to Jenny Packham’s Bridal Boutique on Elizabeth Street to discuss the brand's 25th anniversary and how the designer crafts timeless garments that enchant women all over the world (p. 22).

Henry Hopwood-Phillips has the pleasure of meeting and interviewing another inspirational woman for the August edition of the Journal, Nathalie Hambro (p. 20). The Belgravian-based artist, jewellery designer and author divulges a multitude of stories about her life, including why Harvey Nichols invested in her metal lunchbox.

Please do not hesitate to get in contact with your feedback, email: Belgravia@residentsjournal.co.uk.

Above / The Seagull, oil on linen by Valery Koroshilov, courtesy of the Osbourne Studio Gallery (see page 10)

Managing Editor Katie Randall

Senior Designer Sophie Blain

Publishing Director Giles Ellwood

Main Editorial Contributor Henry Hopwood-Phillips

General Manager Fiona Fenwick

Associate Publisher Sophie Roberts

Editorial Assistants Lauren Romano, Lulu Rumsey

Head of Finance Elton Hopkins

Client Relationship Director Felicity Morgan-Harvey

Editor-in-Chief Lesley Ellwood

Production Hugo Wheatley, Alex Powell, Oscar Viney

Communications Director Loren Penney

Managing Director Eren Ellwood

Contributing Editor Josephine O’Donoghue

BBC Proms:

An urban classic

Josephine O’Donoghue meets Roger Wright, Director of the BBC Proms, to discuss this year’s installment of the biggest music festival in the world

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t has been a long time coming but the sunshine has finally arrived, Wimbledon is finished (with unusually fantastic results) and we’re in the midst of the BBC Proms, one of the great aural highlights of British summertime.

In its 118th year, the proms fill nearly four weeks of summer (12 July – 7 September) with note after note of perfectly executed music

from the world’s finest orchestras, soloists, opera companies, musicians and conductors.

The Proms, as always, offer a breath-taking line-up of musical excellence, but 2013 happens to also celebrate a number of important anniversaries, prompting a number of one-off sessions. Two hundred years of Wagner is marked by Daniel Barenboim’s complete performance of the Ring cycle, the first ever in a single Proms festival; Giuseppe Verdi’s 200 year anniversary is celebrated with performances from two leading Italian orchestras (the Orchestra and Chorus of the Academy of Santa Cecilia in Rome and the Orchestra Sinfonica di Milano

Giuseppe Verdi); and Benjamin Britten’s centenary is marked with no less than 12 concerts.

‘It is the largest music festival in the world,’ says Roger Wright, Director of the BBC Proms. ‘It’s anniversary time for the likes of Britten, Verdi and Wagner, then Lutoslawski [but we also have] a broader Polish thread and of course a lot of Tchaikovsky.’

But the run of ‘firsts’ aren’t only limited to the music played this year; in another exciting ‘first’ for the Proms, Marin Alsop is set to take the world-famous stage as the first woman to conduct the BBC Symphony Orchestra, and the first woman ever to lead the Last Night of the Proms in its history. On 7 September, American-born Marin will close the Proms with the traditional Rule, Britannia!

Jerusalem and the National Anthem.

Marin’s appearance at the final prom is all the more significant for its popularity, often cited as the nation’s favourite. ‘It’s tradition,’ says Roger. ‘[It’s] the one that brings the UK and actually the world together. I used to live in Hamburg; German TV covered it and loved it […] Even in Tokyo you’d get the Japanese waving flags

The Belgravia Residents’ Journal did attempt to tease out the director’s favourite genre or composer, but Roger was having none of it. ‘I couldn’t possibly give you that,’ he says with a wry smile, ‘I have a very broad taste. If I were to give you one name I’d have to give another and then another and tie myself up in knots. Desert Island Disks would be impossible.’

For more information, visit bbc.co.uk/proms

It’s anniversary time for the likes of Britten, Verdi and Wagner, then Lutoslawski singing Land of Hope and Glory. I think this especially became the case when The Proms established itself in the 1950s, when it was televised for the first time. If Wimbledon marks the start of summer in the British calendar, the Last Night marks its end.’

However, alongside 118 years of tradition and excellence in classical music, the Proms are also keen to diversify their offering and this year are presenting a fantastic range of performances structured around families, new-comers to classical music, and young people. After all, the original vision of The Proms is ‘to bring the best classical music in the world to the broadest audience,’ Roger says. ‘Concerts like Dr. Who would be great for families, and Prom 40, also called the 6 Music prom, is our first such foray and features great classic bands presented by Steve Lamacq.’

This aforementioned Prom 40, which unites BBC Radio 6 Music’s Steve Lamacq and Radio 3’s Tom Service is the first ever collaboration between these two very different radio stations. Double Mercury Prizenominated Laura Marling, 6 Music’s own Cerys Matthews and The Stranglers also feature, alongside the London Sinfonietta, playing works

by Varèse, Berio, John Adams and Anna Meredith.

The classical carnival, with some 92 performances, doesn’t pay for itself however. It costs £9 million to host the Proms whilst takings currently sit around the £4 million mark. This leaves £5m remaining, which is subsidised with license fee money. ‘The BBC has funded and run the proms since 1927 but many still think we merely broadcast them,’ Roger protests, hoping to enlighten the more confused.

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INTERESTING FACTS: • All six of Tchaikovsky’s numbered symphonies will be performed across the festival • There are nine major operas this year: Tippett’s The Midsummer Marriage, Britten’s Billy Budd and seven complete Wagner operas • The National Youth Orchestra of the United States of America will perform in their first trip to Europe • There are 18 world premieres this year, including 14 BBC commissions • The Warsaw Philharmonic Orchestra makes its Proms debut • The 2013 Proms will be broadcast on more platforms and with more television broadcasts than ever before • The annual Family Prom is a musical version of Michael Rosen’s We’re Going on a Bear Hunt • There will be 13 late-night proms • For every concert, 1,000 £5 tickets will be available on the day • Doctor Who celebrates 50 years with two concerts on 13 and 14 July

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Music to my ears Henry Hopwood-Phillips reviews Prom 4 at the Royal Albert Hall and Chamber Music 1 at Cadogan Hall

Prom 4: Les Siècles The Rite of Spring Played on the original instruments relevant to each period, François Xavier Roth’s orchestra, Les Siècles, has mastered not only the different aesthetics of sound but also the different ways in which the music was articulated within and between epochs.

Highlights from Jean-Baptiste Lully’s Le Bourgeois Gentilhomme include Roth thumping his cane on the floor to keep the beat, the lively percussion in Canaries which echoes with the ghosts of late medieval music and the sulky oriental swagger of Ceremonie pour les Turcs.

Jean-Philippe Rameau’s Les Indes Galantes was a little more restrained. At a time in which the ‘Italian Question’ with all its

Highlights from Jean-Baptiste Lully’s Le Bourgeois Gentilhomme include Roth thumping his cane on the floor

Spanish cadences surprised, but his Madrilene surpassed it. A doleful conversation between woodwinds immediately transports the imagination to the dusty plains of south eastern Spain, El Cid and the Moors, before the coconut shell-cum-horse hooves spring into life sending the rest of the orchestra into a flurry of adventures.

Igor Stravinsky’s controversial Rite of Spring followed. The piece’s exotic polytonal harmonies verge on dissonance and only semi-resolve themselves in tense frenzies. And no wonder. Stravinsky’s vision for the piece was of a ‘solemn pagan rite: wise elders, seated in a circle, watching a young girl dance herself to death [for Spring].’

The execution of this vision prompted the most notorious audience riot in history in Paris, 1913, but since the 1960s Stravinsky’s glissandos, stampeding drums, exploding woodwind, shrieking violins and whooping horns have found acceptance and ignited more than a few loves with audience members who might have previously written off the genre as staid.

extreme and rapid chromaticism, angular virtuosic writing confronted French formalism, the composer clearly steered a middle course.

Léo Delibes’ Mazurka from his ballet Coppélia was superb. Music tends to bifurcate into one of two camps; charming or powerful. This, however, straddles both. You can see why Tchaikovsky was so influenced by him. The textures of melodies are constantly dancing, hurdling, vaulting over one another. In an age of particularly silly operettas, the Mazurka is one of the few weighty contributions to a sea of triteness.

My first proper encounter with Jules Massenet was unexpected. In Le Cid, Andalouse’s haunting flute solo and lilting

Chamber Music 1: Ravel, Mozart and Lutoslawski With the Norwegian Classic BRIT award-winner Vilde Frang on the violin and Michail Lifits, Uzbek virtuoso on the piano, the first chamber music prom of 2013 commenced at the highest level. In Ravel’s Violin Sonata, two voices, a piano and a violin, soar, plummet, compete and collide; only occasionally converging and falling into accord in a celestial conversation. Both enjoy such breathless snatches of the melody that one is left delightfully co-opted into the piece, if only to glue the fractions together.

Mozart’s Violin Sonata in G Major, K379, was kept light; the adagio did not descend into stodge and the andante cantabile didn’t slide into saccharine sentimentality, as it is want to do.

Partita, one of Lutoslawski’s later works, was last on the bill.

For the most part, the piece lacks bars and must be improvised; it is full of passion, dead-ends, frustration and deflation. It is erratic and irate and full of loneliness. It agitates and is powerful in its capacity to do so.

All images courtesy of BBC Proms

A Bitcoin

Prospectus

Felix Martin guides the uninitiated Tom Hardman around the weird and whacky labyrinth of monetary reality

I

have a confession to make. Before reading this book, I was of the Lockean school of coinage. A bit of a ‘goldbug’, the philosopher John Locke and I had a residual belief in the pound as a definite and ‘natural’ weight of bullion; I had naively supposed this constituted an article of common sense rather than a wild abstraction. So Felix Martin’s book comes less as a breath of fresh air than a hurricane from the Alps to my monetary world view.

Taking us from the year dot to the present day in a mere 300 pages is itself an achievement, but making those 300 feel like a much slimmer volume on a topic as dry as money is really quite exceptional.

Martin outlines money’s three roles: it forms a universally applicable value, a system of accounting, and enables decentralised transfer. He recounts the fei currency of the Yap islanders (Yap is the westernised name of Wa’ab, an island in the Caroline Islands of the western Pacific Ocean) to show how absurd it is to think that coins or tokens are themselves money, and a story about Irish bank closures to demonstrate that money is not state-owned.

Key to the book is the acknowledgement that currency is not a physical thing but a unit of measurement, a social construct rather than a physical reality. William Lowndes, the Secretary to the Treasury of Great Britain under King William III and Queen Anne, argued in the 17th century that if the pound lost value against silver, it lost it because the pound had lost value. Conversely, John Locke thought that the pound lost value because coinage had lost its silver.

The latter’s argument won the day, putting the cart most firmly in front of the horse.

The aforementioned ‘cart’ harmed economic reality by converting what had previously been recognised as political questions into pseudo-scientific ones. Imposing a single, lifeless aspect, which

Relatively Speaking

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Money: The Unauthorised Biography, by Felix Martin £20, The Bodley Head (London), 2013

Tom Hardman talks with Katerina Cosgrove about her new novel Bone Ash Sky

stablishing common ground on a book that revolves around genocide and conflict in Armenia, Syria and Lebanon isn’t easy. So I seize on William Dalrymple’s journeys in From the Holy Mountain with relief to begin my conversation with Katerina, a text with which we have both engaged.

Then, dismissing this common ground as swiftly as it had been stumbled upon, I enquire what the gist of her new book Bone Ash Sky is. ‘Well I’m an unapologetic relativist. Genes are ingredients and the environment is the cooking,’ she replies playfully. This clearly has ramifications on how she views the convulsive Levantine crucible that looms so large as the backdrop to her book.

‘Don’t you think that leaves us morally unequipped for defence against other beliefs,’ I quip, polite diplomacy in tatters.

‘As Bertrand Russell said “nations less civilised than themselves but not so destitute of social cohesion” tend to win historically,

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nature had blessed with a variety of social dimensions. This chilling artificial monotony has exacted costs on society described well by contemporary philosophers such as Michael Sandel.

Refusing to pause for too long, Martin notes that monetary theory has been slowly shoulder-barged out of the legitimate spheres of orthodox economic theory to the latter’s expense. American economist Hyman Minsky had warned that monetary stability would squeeze risk into other parts of the balloon, such as asset markets. The financial journalist and one-time editor-in-chief of The Economist Walter Bagehot warned that the politics of credit were not amenable to academic theorising. Many others stressed concerns that chopping debt into tiny pieces didn’t necessarily improve the overall original risk. All were dismissed.

Ending on a hat-tip to the headline-grabbing virtual currency, bitcoin, Martin notes that the state’s control over the monetary standard is never complete. If the monetary standard, like totalitarian language, becomes so detached from reality as to be useless in the eyes of its users, society can and will improvise an alternative. Bitcoin, a currency whose strength is almost solely based on the hope it will one day disintermediate banks, has yoyoed between $7 (£4) a year ago to $266 (£178) in April and back down to $70 (£47) at time of press. ‘May you live in interesting times,’ as the Chinese say.

or as Thomas Sowell said more forcefully, “If the battle for civilization comes down to the wimps versus the barbarians, the barbarians are going to win.”’

Not convinced, Katerina replies that, ‘History should not determine the future, it exists to be transcended.’ I suggest the Middle East may be a place that could be described as having too much history. ‘Yes, it weighs it down,’ Katerina agrees. Giving me an example of this, she notes ‘how women are used as tools in the book, both in war and peace.’ Reflecting on the sunset of the conversation, I arrive at the conclusion that if the book packs half the punch Katerina does, it’s going to be a corker.

Bone Ash Sky by Katerina Cosgrove, £12.99 Hardie Grant Books, 2013

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The Notebook

Who and what have been moving and shaking in Belgravia recently? We bring you up to date

Magic carpet

Shoppers can now stroll past the world’s most iconic buildings whilst indulging in a spot of retail therapy at the Burlington Arcade. The Arcade’s beautiful new carpet, designed by Brintons Carpets and LINLEY, features depictions of celebrated buildings from around the world.

Local residents as well as international visitors will marvel at LINLEY’s elegant yet witty design – look out for Mary Poppins and Quasimodo who also make an appearance.

David Linley’s Belgravia-based company are famous for creating bespoke interiors and this elegant carpet confirms the brands position as one of the top designers in London. (burlington-arcade.co.uk)

erfield Photography: Justin Sett

Photography: Justin Setterfield

Bluebird Care opens offices in Westminster A new office for Bluebird Care recently opened on Churton Street. The official launch was attended by Westminster Councillor Lady Christabel Flight, Westminster City Council’s Champion for Older People. Bluebird Care is a nationwide organisation which helps elderly and vulnerable people to live independent lives in their own homes. They support adults with learning disabilities, dementia and physical disabilities and are committed to providing home services to help residents both in Westminster and across the country.

For more information visit bluebirdcare.co.uk/Westminster or call 020 7976 6163

The edge

Knives from Edge of Belgravia will be arriving in Heal’s stores this autumn.

The company, founded in Belgravia and now based in Pimlico, creates high-quality chef knives which combine sharpness with sophisticated design. Edge of Belgravia launched in America in March of this year. Their knives have either ceramic or Damascus steel blades and are kitchen essentials for any discerning chef.

(edgeofbelgravia.co.uk)

Vera Wang at H.R. Stokes

Brides-to-be and party hostesses in need of beautiful wedding invitations need look no further than H.R. Stokes. The personal stationers are now stocking Vera Wang’s elegant stationary collection, as well as a wide variety of beautifully designed bespoke letterheads and invitations.

58 Elizabeth Street, SW1W 9PB, 020 7730 7073 (hrstokes.com)

Couture culture

After achieving widespread success in her homeland of Bulgaria, fashion designer Nevena Nikolova has finally arrived in London to a sigh of relief from couture lovers across the capital. The couturier’s first atelier opened in May on Lowndes Street in Knightsbridge, allowing clients to book appointments with the brilliant designer, who skillfully creates garments that fit perfectly. Nevena has designed exquisite ranges of evening and daywear, as well as stunning collections of bridal gowns. Her clothing has been described as elegant, modern and feminine, often including delicate lace (a favourite fabric va Nikolo Nevena of the designer, who adores its intricacy).

Nevena has garnered great fame for her designs in Sofia, the Bulgarian capital, and is certainly a talent to watch in London. Ladies, form an orderly queue.

Nevena Couture operates by appointment only, for more information visit nevena.co.uk and to book a consultation call 020 3539 8738 12a Lowndes Street, SW1X 9EX

Photography: John Swannell Words / Claudia Wilson B E L G R AV I A R E S I D E N T S ’ J O U R N A L

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The Calendar Bringing you the lowdown on local events in August

Steal my sunshine

Summer has certainly arrived at The Osborne Studio Gallery, where a series of bright daubings by award-winning Russian figurative painter Valery Koroshilov are displayed until 4 August. Koroshilov’s new works depict the essence of childhood adventure at the seaside in a series of portraits painted at his studio in Samos, an island in the jewel-toned Aegean Sea. The beautiful works truly capture the playful spirit of their young subjects and will leave visitors longing for a few rays of sunshine of their own.

The Osborne Studio Gallery in partnership with The Horsebox Gallery 2 Motcomb Street, SW1X 8JU 020 7235 9667 (osg.uk.com)

Clockwise from top: The Song of The Wind, oil on linen, 100 x 100 cm Waiting For The Rainbow, oil on linen, 100 x 100 cm The Seagull, oil on linen, 60 x 70 cm All by Valery Koroshilov, courtesy of the Osbourne Studio Gallery

Belgravia Writing Competition

The Belgravia Residents’ Association is calling all writers, young and old, to pick up their pens and write a short story. As mentioned recently by Sara Oliver in the Belgravia Residents’ Association’s column, the story must have the title ‘A Stranger in Belgravia’. The winner of this competition will see their tale published, so use the summer to seek some inspiration and then email your entry to communications@belgraviaresidents.org.uk before the end of November.

For more information visit belgraviaresidents.org.uk

Summer art attack

Learn to perfect your brushstrokes, master portrait painting and draw like a professional at the Summer Workshops run by the Mall Galleries between 12-22 August. Artists from the Federation of British Artists will instruct pupils and help them to develop their skills over a series of roaming classes. Lessons will take place in various areas dotted around the Mall Galleries, giving pupils free reign to seek out inspiring subject matter to sketch, draw and paint.

Tickets £60 (£55 concessions and £45 for FBA Friends), to book a place email info@mallgalleries.com The Mall, SW1Y 5BD (mallgalleries.org.uk) Left: Melissa Scott-Miller RP

Boutique baking

Master the art of whipping up an award-winning ganache and piping with exacting precision on Peggy Porschen’s Boutique Baking Course, taking place on 17 August. Family and friends will marvel at your newfound prowess in the kitchen after you learn how to perfectly bake and decorate glorious cakes, including a Victoria sponge and a dark chocolate truffle cake.

For more information and to book call: 020 7730 1316 30 Elizabeth Street, SW1W 9RB (peggyporschen.com)

Photography / Georgia Glynn-Smith

Snap happy

Photography / Callum Cheatle

HandleBards ride into town

Morgan Howell’s first exhibition at Snap Galleries, which runs from 1-31 August, will take visitors back to the golden age of seven-inch singles. Howell has created super-sized seveninch records with beautiful hand painted label artwork and bags, allowing visitors to reminisce about their favourite tunes from the days before CD’s and iTunes. Howell is a Fellow of The Royal Society of Art and some of his work has been shortlisted for The Royal Academy Summer Exhibition, so he is certainly a talent to watch.

12 Piccadilly Arcade, SW1Y 6NH, 020 7493 1152 (snapgalleries.com)

The cycling acting troupe HandleBards are set to perform Twelfth Night at the Royal Hospital Chelsea on 23 August. The four-man company have been cycling around the country performing Shakespeare’s play at numerous pit-stops and have covered a distance equivalent to that between Land’s End and John O’Groats in the process (even more of a feat given that the actors carry all their props with them, and even power the stage lights with some furious peddling). Audience members will certainly enjoy this new take on the Bard’s classic. £15 (£10 concessions), for tickets contact the Box Office on: 020 7881 5324 or email boxoffice@chelsea-pensioners.org.uk Royal Hospital Road, SW3 4SR (chelsea-pensioners.co.uk)

Images / Morgan Howell courtesy of snapgalleries.com

Do you have an event that you’d like us to cover? Send us an email: belgravia@residentsjournal.co.uk Words / Claudia Wilson

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Art Focus

Out and about on the Belgravia art trail, and beyond...

Mind the gap

Only the Belgravia Residents’ Journal would cover Mexican revolutionary Emiliano Zapata Salazar and Henry VIII in the same breath. New and old worlds collide at two of London’s best galleries this month

Mexico, A Revolution in Art: 1910-1940

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he exhibition examines the intense 30 year period of artistic creativity that followed political tumult in the early 20th century in Mexico.

Though the times push and strain forward towards ‘progress’ and ‘modernity’ through war, the spirit and the genius of the Mexican people remains arrested by the false starts of its dead civilisations. The strange fruit of ‘Goitia’s Hanged Men ii’ (1914) feels indigenous, not Latin. The solo eye emerging from the rotting flesh reminds one of a mesoamerican sacrificial mask. Perhaps this is no coincidence; Goitia cultivated a reputation as a mystic.

The genius of the Mexixan people remains arrested by the false starts of its dead civilisations This odd feeling pervades the exhibition. Morado’s famous ‘Carnival in Huejotzingo’ (1939) encapsulates this eerie, haunting, carnival atmosphere perfectly; it has something of the ridiculousness of Don Quixote about it, especially when taking into account the hobby horse.

Roberto Montenegro’s ‘Mayan women’ and David Alfaro Siqueiros’ ‘Zapata’ (1931) are the signature pieces of this cartoonish direction. Both artists hit on truths that would perhaps have been inadequately expressed had they stuck to their subjects’ simple physicalities.

Another strong piece in the gallery is Diego Rivera’s ‘Dance in Tehuantepec’ (1928). It sets loud, excited, agitated colour and expression against fixed, rigid, tense postures. The sexes, so alien to one another, but also requiring contact, revolt: society’s daily civil war asserts itself against the occasional friction of politics.

Last of note is Paul Strand’s photograph, entitled ‘Cristo with Thorns’ (1933), which features a mask of Jesus, pulling an expression that borders on horror. Even the Catholic Church in Edward Burra’s ‘Mexican Church’ is surrounded by ghoulish clergy and haloed by macabre cherubs. Jesus is made to look spectral in an image that harks back to the Lamentation Tradition. The whole building feels less like a temple than an oversized catafalque. Whatever you think of this riotous cavalcade of colour and death, the exhibition certainly has character.

Diego Rivera, Dance in Tehuantepec (Baile in Tehuantepec), 1928. Collection of Clarissa and Edgar Bronfman Jr., courtesy of Sotheby’s, New York / © 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / DACS

6 July – 29 September, Royal Academy, Burlington House Piccadilly, W1J 0BD (royalacademy.org.uk) José Chávez Morado, Carnaval en Huejotzingo (Carnival in Huejotzingo), 1939. Collection of Phoenix Art Museum, gift of Dr. & Mrs. Loyal Davis. © DACS 2012

In Fine Style

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eeking some sort of chronology, I espy a posthumous portrait of Edward IV, first king of the Yorkist line. His deathly pallor, refusing to colour the podgy pale mass of dough; his dolly mouth, completely undermined and overwhelmed by the bulbous chin below, and his beady eyes all give the overall impression of a deflated milk carton.

Really kicking the exhibition off, however, is his grandson, Henry, who was described by the Venetian Ambassador in 1516 as ‘the best dressed sovereign in the world.’ Henry admittedly cuts a far better figure – though he is still quite clearly cut from the same cloth as Edward.

The exhibition, as its title In Fine Style gives away, is unapologetic about focusing more on the dress than the person, noting that though clothes cover the body they reveal far more than they conceal. The clothes, however, did not catch my eye quite as much as I had anticipated. Instead the small shifts in fashions concentrated and leveraged all my attention on the greater changes in faces and persons.

Henry VIII looked droll, Mary I steely. Edward VI looked as though he had been robbed of the right to be precocious; heaped, prematurely, in all the honours precocity angles after: his bonnet, his gown, his dagger all puff out at rakish angles, making manly claims on his boyish frame.

Nearby, a bust chiseled of Catherine d’Medici stands too honest – like a bulldog in a ruff. I’m surprised posterity has paid her the injury of preserving it.

In the background of paintings, Rome begins to encroach.

Palladian architecture and bucolic classical motifs transform countrysides into arcadias.

Before 1630, most of the paintings have entire foreheads, cheeks and chins that are left undeveloped. Mountains of icing-esque flesh envelop what would have been features.

Hands look as though they have been cut from paper. Whole crowds have their faces stencilled. Only later is the soul seen to sit in and fill out the flesh.

A good example of this soul invasion is Van Dyck’s Charles I, which was sent off to Bernini to be made into a bust. Charles’ eyes betray an otherwise haughty expression often coloured as emotionally backwards by our jocular connotations of the cavalier.

‘The Presentation of a Pineapple to King Charles II’ is symptomatic of the larger trend displayed at the exhibition. The perspective is advanced and technically developed. However, the texture and details are found wanting. The splash of the fountainhead’s water hitting the basin is reduced to lines of tippex. Still worse, the stone steps have all the texture of a lego block.

What we see here is the awkwardly constructed bridge between meaning and execution as focus. The clothes are merely the medium.

10 May – 6 October, Queen’s Gallery, Buckingham Palace, SW1A 1AA (royalcollection.org.uk) Clockwise from top left: Sir Anthony Van Dyck, Charles I, 1635-6, Royal Collection Trust © Her Majesty Queen Elizabeth II, 2013 British School, Charles II Presented with a Pineapple, c.1675-80, Royal Collection Trust © Her Majesty Queen Elizabeth II, 2013 Centre: Henry VIII by Joos van Cleeve, c.1530-35 Royal Collection Trust © Her Majesty Queen Elizabeth II, 2013 Bottom left to right: Margaret of Austria, Queen Consort of Philip III of Spain by Juan Pantoja de la Cruz, c.1605, Royal Collection Trust © Her Majesty Queen Elizabeth II, 2013 Mary I wearing the famous La Peregrina pearl, after Anthonis Mor van Dashorst, 1554-9, Royal Collection Trust © Her Majesty Queen Elizabeth II, 2013 Portrait of an Unknown Woman by Marcus Gheeradts the Younger, c.1590-1600 Royal Collection Trust © Her Majesty Queen Elizabeth II, 2013

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Scrutinising

Scruton

Renowned as one of the world’s greatest philosophers, Roger Scruton parts with some morsels of worldly wisdom at the behest of the Belgravia Residents’ Journal

Do you believe that Europe is a political abstraction or a pre-political reality?

Europe, as understood by the ‘EU machine,’ is an abstraction. There is a pre-political reality too, which is shaped by national loyalty, Christian religion, territorial jurisdiction and the sense of deep settlement through language, custom and the building of towns – all things that are anathema to the ‘EU machine,’ with the possible exception of the last.

Journalist James Delingpole believed that collaborating with the political thinker Phillip Blond was your biggest mistake. Do you see any future for the ‘red Tory’ agenda (which merges left and right) now that it has been jettisoned by Cameron?

I am not sure that I have exactly collaborated with Phillip Blond, though we did write a pamphlet together on the gay marriage debate. I am not enamoured of the ‘red Tory’ idea, being an oldof Oxford University Press Roger Scruton in 2007, courtesy

Of course we are living in a period of decline... The only question is whether something is rising to replace [it] fashioned blue Tory myself, who adheres to a philosophy based on national sovereignty, civil society and respect for the law.

Whether the future of the ‘red Tory’ idea, or of any other idea, is dependent on not being jettisoned by Cameron is another matter.

What are your thoughts on deep ecology with regards to green conservatism?

Deep ecology [the idea that mankind must transcend its anthropocentric view of the environment] is a kind of religious substitute for the alienated and the disenchanted, while green conservatism means ordinary, natural stewardship, exercised by those who love the place that is their home.

If conservatism is to have a future in the UK, is it more likely to reside in UKIP than in the Conservative party?

UKIP will not be able to represent the conservative movement in our country once the UK ceases to exist. Toryism is an English phenomenon, and will triumph again only if the English are allowed to declare their independence. In which case there will be no UK independence party.

N. N. Taleb recently gave a series of predictions about how the world will differ in 25 years’ time to The Economist. Would you care to give your own?

I am not good at predicting but I imagine there will be major conflicts in European cities 25 years hence, with their growing Muslim populations. Also that the conflict between Sunni and Shia will have led to war in the Middle East.

Could one meaningfully refer to the current period of Western civilisation as part of a ‘decline’?

Of course we are living in a period of decline – decline of the old forms of legal order, the old religions, the old forms of culture and knowledge. The only question is whether something is rising to replace them. It is always dangerous to be pessimistic about this: you can too easily fall in love with the idea of decline, like Oswald Spengler did; but still, the message of Richard Wagner’s Der Ring still needs to be taken to heart ‘alles, was ist, endet.’

For more information on Roger Scruton and his works visit roger-scruton.com

Basqueing in Belgravia Hailing from a Michelin-starred dynasty, Henry Hopwood-Phillips has high expectations for Elena Arzak’s Basque cuisine

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estled on the ground floor of the Halkin Hotel is an underpublicised corner of the Tate Modern. Its bald floors, sanitised lines, bleach-white walls, slightly phallic (spice tube) ceiling and lack of windows leave one feeling as though they might have wandered into one of the gallery’s conceptual art installations.

The minimalist chic it aims for was eviscerated around the same time people realised it was socially acceptable to articulate their gut-feelings about Tracey Emin, I feel.

A phenomenon roughly coterminous with Tony Blair’s ‘Cool Britannia’, itself about as ‘cool’ as the tired adjective was even at that time. But at least the gallery has the excuse of the passage of time; Ametsa with Arzak Instruction was founded in March this year by Elena Arzak, who wields three Michelin stars alongside her father Juan Arzak at the original Arzak in San Sebastian, Spain, and was voted Veuve Clicquot’s World’s Best Female Chef earlier this year.

Halting my grumpy reaction to the room in its tracks were the apertivos, the amuse bouche. The English don’t have a name for these teasers because we don’t have starters to starters. These arrived on what I suppose were scientific apparatus, the sort you might find in a school laboratory. But after devouring them, I performed a total volte face and decided I’d been unduly harsh on the room. Perhaps this was in fact a science lab of cuisine. Each parcel of food was incredible.

Highlights were the chorizo con mango, which blended fruity and peppery notes, sweet and savoury, before adding a creamy smoky coda. The kataifi con pastel de cabracho (kataifi with scorpion

fishcake) which looked like baklava but tasted as though some sort of heavenly submarine delicacy had died within its crispiness.

My entrante, bogavante con aceite blanco (lobster with white olive oil) raised the bar further still. One of their more sporty chefs seems to have netted a cloud (cassava starch and fibre) and sat parts of an incredibly tender steam-cooked lobster upon it. The chicken-campari demiglace drizzled all over the lobster added the perfect amount of piquancy to the otherwise odd combination of cumulus and crustacean.

Wow, this is earth-shattering stuff.

Being an utter philistine who refuses to dabble in the culinary dark arts, I thought I’d be safe plumping for tacos de vacuno mayor con vino ‘viejo’ (beef fillet with aged red wine). Nothing was wrong with it but not enough was right, in my opinion, to justify its price, and the pineapple accompaniment appeared to add colour for colour’s sake rather than taste.

The chocolate slabs were nice. The pumpkin ice cream even nicer. It was all really, really nice.

Don’t worry I’m not fitfully inarticulate. I’m just smoldering. Having been burnt by Michelin starred restaurants whose tasting menus have involved plates as big as wheels, food the size of pencil sharpeners and squirts of jus that wouldn’t fill a pipette, I avoided Ametsa’s tasting menu like the plague. This was a mistake. I feel as though I’ve missed Ametsa’s chef d’oeuvre.

The chicken-campari demiglace drizzled all over the lobster added the perfect amount of piquancy to the otherwise odd combination

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Halkin Street, SW1X 7DJ, 020 7333 1234 (comohotels.com/thehalkin)

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James Purdey & Sons Ltd. 57 - 58 South Audley Street, London W1K 2ED +44 (0)20 7499 1801 www.purdey.com

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Great British

The Belgravia Residents’ Journal discovers the best bolthole out of town to enjoy the impending shooting season

Shoot-out

Where should you enjoy the shooting season?: Stone House, Sussex Owner Jane Dunn talks us through the fascinating history of her glorious Sussex home What is the history of Stone House?

It was built in 1495, as a dower house and it belonged to the ancestors of my husband Peter. Six generations after it was first built, it was given to the female line of the family, the Roberts.

The lady in question married, so the family name became Roberts-Dunn – but Peter has since dropped the ‘Roberts’ name.

In 1986, it was converted into a hotel with eight rooms.

What sort of activities are on offer to visitors?

There’s a company that organises hot-air ballooning for visitors. There is also shooting and from 20 October there will be a wonderful pheasant shoot, run by John Carr. He also runs a partridge shoot on the downs above New Haven and Piddinghoe. There are so few shoots near to London, so it’s very special that you can do it here right outside the front door.

Is it true that you have won quite a few cooking awards and have a wine cellar housing more than 400 wines?

I have a great childhood friend, who was Chairman of the Masters of Wine, Nicholas Clarke – so that’s why we have an exceptional wine list.

What sort of food do you grow on the grounds?

We have an outstanding garden where we grow lots of herbs and vegetables, as well as Worcesterberries, mulberries, raspberries and alpine berries. From the garden, we make jams, conserves, opera baskets, pickles, quinces and pickled walnuts.

What is your favourite room in the house?

I love the rooms with four-poster beds. They have bathrooms so big that you could host a small cocktail party in them.

Celebrities have copied this style in their own homes.

When are your busiest times?

In the summer we’re busy because of Glyndebourne Festival, but in the winter we’re busy thanks to the shooting season, which runs from the end of October to the end of January.

Rushlake Green, Heathfield East Sussex, 01435 830 553 (stonehousesussex.co.uk)

Be Prepared Shoot manager Liam Stokes tells the Journal why August is the opportune month to get ready for the shooting season ahead

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s the sun appears and temperatures finally begin to climb, it is, of course, time to turn our thoughts to the shooting season.

To some, this may seem a little counterintuitive, others probably never stop thinking about it, but mid-summer is the time to plan where you’ll be shooting when October rolls around. I have never been one of those people who spends the summer pining for my tweeds; summer is for fly fishing and roe bucks at dawn, for gundog scurries and pigeons both clay and animal. But as a shoot manager, I can never put the pheasants totally out of my mind.

The shooting year never stops and it is easy to be caught by surprise. I’ll be taking delivery of my birds, fully feathered and ready for release, in the next few weeks. The crops and woodland shrubs are growing spectacularly in the damp, warm conditions and the game farms are reporting few problems. All very good omens.

Days are already selling fast, so between sips of G&T in the sun, be sure to take a second to call up your favourite shoot organisers and get a date in the diary.’

Shooting calendar 2013-14 Grouse: 12 August – 10 December Ptarmigan: 12 August – 10 December Snipe: 12 August – 31 January Blackgrouse: 20 August – 10 December Partridge: 1 September – 1 February Woodcock (Scotland): 1 September – 31 January Duck & Goose (inland): 1 September – 31 January Duck & Goose (below high water mark): 1 September – 20 February Coot/Moorhen: 1 September – 31 January Golden Plover: 1 September – 31 January Woodcock: 1 October – 31 January Pheasant: 1 October – 1 February

Dates from shootinguk.co.uk

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Wonderland

Katie Randall falls through the rabbit hole into a brand new world of calm, miles away from the hustle and bustle of London

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s I wander the twisting corridors of The Lanesborough Hotel, I feel akin to Alice in Wonderland in the storybook, each step taking me farther and farther from reality. When I arrive in the modest yet elegant Spa Studio, I am greeted by cookies (fit for the Mad Hatter’s tea party) and Marina, the spa manager and my expert therapist and skincare guru.

I swiftly realise that Marina is something of an artist This particular spa features a favoured skincare brand of mine, La Prairie, and I plump for a detoxifying and exfoliating facial to slough away dead skin cells, revealing a radiant glow just in time for the sunshine. It is important to note, Marina tells me, that La Prairie are so coveted by the spa (not to mention by fans worldwide) because the brand caters for all skin types, with a range for each concern.

With a cool glass of water in hand, Marina and I discuss the goals and desires for my skin. She astutely identifies that my particular concerns (congestion and pigmentation) would benefit from a gentle yet deeply cleansing facial and we opt for the Marine Biology range for this blissful treatment hour. Curious as George, I also enquire about the other products in La Prairie’s arsenal. I learn that the Caviar range (the most popular and widely-known of La Prairie’s products) features gold powder for a shimmering glow and

Beluga caviar extract to nourish and firm the skin; the Radiance collection of lotions and potions delivers luminosity; and the Platinum range recharges the electrical balance of the skin to plump and rejuvenate.

In the treatment room, I settle into a wide bed next to a soothing wall feature which subtly changes hue through a selection of pale rainbow shades. Marina first cleanses my skin, ensuring there is ‘no make-up left on the canvas,’ before she begins (she even asks me if I am going out after the treatment and if I would prefer her to leave my mascara on, truly thoughtful).

The word ‘canvas’ perfectly highlights my therapist’s skill; I swiftly realise that Marina is something of an artist. Her hands deftly apply creams and massage my skin firmly but gently as I drift in and out of a light sleep.

Emerging an hour later, I feel just as I should: refreshed and revived.

My softened skin glows for days. Alice may have found Wonderland, but I’ll stick with The Lanesborough, thank you very much.

Hyde Park Corner, SW1X 7TA, 020 7259 5599 (lanesborough.com)

SPA STUDIO TREATMENT HOURS Monday to Friday: 8am to 10pm Saturday to Sunday: 9am to 9pm

Beauty &Grooming Outside-in beauty and TLC on our doorstep, for him and for her

The mane event

One afternoon in early July, I had the pleasure and good fortune to meet the legendary hair stylist Errol Douglas. I was excited to experience the talent of one of London’s preeminent hairdressers, who has won several of the world’s most coveted beauty industry awards. As the appointed President of the Fellowship for British Hairdressing, there is nothing that this man does not know about the hair on our heads; serving as a testament to this fact, he received his 17th consecutive nomination for British Hairdresser of The Year in 2013.

As I sat in the chair at the salon, ready to place my hair in the hands of a master, I was intrigued to learn more about this stylish hairdresser, now very much a celebrity in his own right. I was introduced to Errol Douglas within minutes of arrival and his graciousness was outdone only by his expertise.

After a shampoo and conditioning treatment (using Moroccanoil Moisture Repair Shampoo) and a hydration mask, Errol put his magic hands to work. He asked me about my lifestyle, as my new style would have to fit around school runs and social activities. We decided on a loosely tousled wave that could be fixed into a soft, messy bun, but when let loose for the evening, the curls would still be intact. He finished off my look with Moroccanoil’s Frizz Control spray and then we sat down to discuss his achievements, including a new range of electrical hair care products.

As the ambassador for Moroccanoil, can you tell us what attracted you to the brand?

I am delighted to be the ambassador for this amazing line of haircare products. The brand approached me, as I was one of the original hair stylists to use and promote the products. I love the timeless packaging of the products, which appeals to the eyes and senses.

You have won numerous awards throughout your distinguished career. What personal achievement are you most proud of?

For me, the most exciting personal achievement was receiving an MBE from Her Majesty Queen Elizabeth II in 2008. Not only was it surreal in terms of being inside Buckingham Palace and meeting the Queen, but to have your family with you to celebrate the moment, that was truly unforgettable.

Tell us more about your exciting range of styling tools (launched this summer) and the unique Keratin capsule system?

The Errol Douglas Infrared Hair Dryer (£59.99) and Treat & Style Straightener (£109.99) launched in late July in more than 240 Boots stores nationwide. The hair straightener features the first ever Keratin capsule system built into the actual iron, which straightens the hair, releasing conditioners as it goes to deliver megawatt shine. The vapour-infused treatment capsules penetrate deep into the cuticle, aided by an integrated temperature controlled mechanism, leaving the hair shiner and healthier.

Spanish scent

The fine fragrance house Floris launches a new scent this September, aptly named Soulle Ámbar. According to the Ebury Street boutique manager, this new addition to the Floris collection is ‘a distinctive fragrance with a twist, for an elegant person who enjoys quality, style and a dash of quirkiness.’ The scent takes its name from sunlight and the eastern winds of the Mediterranean island of Minorca.

Soulle Ámbar combines top citrus notes of bergamot and pineapple with base notes of traditional orientals such as amber, vanilla, and musk. An uplifting scent, it will undoubtedly prove perfect for Indian summer nights.

As part of this exciting launch, Floris is pleased to offer the first 25 readers of the Belgravia Residents’ Journal a complimentary gift.

Customers who spend £75 in the Ebury Street store will receive a free hand cream and two fragrance samples of their choice. Show the Journal at the till to receive the gift.

Eau de Toilette 100ml, £75, Eau de Toilette 50ml, £55. 147 Ebury Street, SW1W 9QN, 020 7730 0304 (florislondon.com)

Where do you draw inspiration from?

Most importantly I draw inspiration from the people around me and from the community of Belgravia; from the neighboring businesses and the joint partnerships we have developed with Neil Strain, Rachel Vosper, The Berkeley and The Jumeriah Carlton Hotel respectively. We work together to support the residents and businesses of Belgravia, and I would definitely say that part of our salon’s success is our collaboration with other businesses. I believe success breeds success.

18 Motcomb Street, SW1X 8LB, 020 7235 0110 (erroldouglas.com) Words / Briana Handte Lesesne B E L G R AV I A R E S I D E N T S ’ J O U R N A L

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The

Belgravian A Renaissance woman

Il y a parmis nous une sublime femme à la chevelure de flamme qui, depuis qu’elle a traversé la manche a tout chamboulé (there’s a flame haired beauty in our midst and she’s been shaking things up since crossing the channel). But she speaks English, so fortunately you won’t have to take the Journal’s word that she’s a bit of an eccentric

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here are some who try to look different; there are some who try to think differently; there are those who manage both but lack the resolve to do anything with their difference. Then there is Nathalie Hambro. Born in Paris, at the ripe old age of twelve she knew she would leave her ville natale for London.

‘Paris is so parochial, London so cosmopolitan,’ she explains in a language that is not French but not quite English either. The words emerge, half-formed, in English from a musical French gloop.

La patrie did impart some of its genie on Hambro before she left. She undertook a History of Art course at l’Ecole du Louvre, then while she was a guest visitor at a Fontainebleau’s business school, she met her former husband, who soon after whisked her over la Manche to a life of domestic bliss.

This was the 1970s, however, and the young Nathalie, ‘spoilt on French cuisine,’ found that she had ‘developed a discerning palate.’ Britain is not full of charcuteries. Reversing Oscar Wilde’s famous dictum (‘to live within one’s means is to suffer from a lack of imagination’), she demonstrated that living within her means required more imagination than exceeding them ever would.

In an age in which the British considered drowning frozen prawns in mayonnaise the height of culinary sophistication, Nathalie felt she had something to contribute. ‘I wanted to show that preparing good food doesn’t have to be complicated, you just have to be a little bit obsessive about it.’

Armed with some steaming baskets and a lot of dedication, Nathalie produced Particular Delights (1981). ‘Perhaps it looks a little tame now,’ she mumbles modestly, but the sentiment is an indication of the book’s success. It heralded what would become a food revolution in Britain. This was recognised, even at the time, with the likes of Nigel Slater calling it a ‘little gem of a book.’

Not to be confined to a kitchen, however, Nathalie heard that she might be able to get her foot in the door of Vogue if she organised and shot a double-page-spread picnic scene for the magazine. ‘But it didn’t work out.’ ‘Why?’ I enquire; surprised at the setback, especially in the knowledge that she eventually became a contributing editor. ‘It was too dark,’ she says wryly, her feline green eyes lighting up. ‘How did you manage make a picnic scene too dark?’ I titter incredulously, finding it hard to imagine how she could have possibly made bottles of Taittinger in hampers look menacing. ‘Let’s just say there were limbs around the place.’ An odd denouement – ‘so how did you land a job in the end?’

‘That was all thanks to the late fashion magazine editor Liz Tilberis.’

Swirling like a compass Nathalie soon changed tack again, however, when an opportunity arose to travel to Hong Kong and compile a design book. ‘It wasn’t a normal tome, more a coffee table book.’ ‘Yes,’ I hum, thinking of a £50 brick on my own. ‘It costs around £150,’ she clarifies. For £150, I’d have expected an antique

coffee table to come with my book I exclaim – admittedly in my head.

Nathalie, refusing to be penned into the civilised stations of the Far East, went rogue and found herself travelling through the likes of mainland China, Thailand, Laos, Burma and India on her own. ‘I had no trouble at all,’ she soothes ‘but this is because I changed my body language.’ Immersing herself, she ‘avoided travellers at all costs. It is at markets, particularly food ones, where you can observe people and absorb their culture. I learnt the most here... and ate the best food.’

She returned, inspired by the street-food. Having made a prototype metal lunchbox based on those used by the oriental stalls, she discovered that it required 15,000 orders to justify production costs. ‘So there I was wandering around getting no luck at the beginning, nobody was interested in my lunchbox,’ she smiles, before a monsoon of luck fell at once: ‘Harvey Nichols, which had just launched their Fifth Floor food emporium, said they would make a substantial order and offered me a concession (Mary Portas was the creative driving force there at the time). Thanks to my high visibility there, the lunchbox was featured on TV and became iconic.’

Venturing into fashion, Nathalie decided to continue the industrial metal route. Utilitarian-inspired handbags made of stainless steel, bronze and copper, complete with riveting, were soon soaked in their own torrential cloudburst of luck.

‘A curator from the V&A loved them and this gave me instant credibility.’ They now sit in V&A’s Permanent Collection. ‘You are chopping and changing so much,’ I say, half-exasperatedly trying to follow the twists in the plot. ‘I like to pioneeyahh,’ comes the response.

‘You like to what, sorry? Pioneer?’ I chuckle, a tad cheekily. But I can mock because I am secretly in love with her voice. ‘You don’t know when the moment will come to move on to the next challenge but when it does, I follow my instinct,’ she says.

Eventually, via a very circuitous route in jewellery and fashion, she settled on a formulation she had initially suspected but mistrusted: ‘when it becomes fashionable – I get bored.’ Nathalie isn’t a head of the curve; she is ahead of the graph. Perhaps sensing this, a few months ago her acquaintance Annoushka Ducas, (of jewellery brand Annoushka) offered her the best patch of Sloane to show the world some very peculiar sculptures of tools and ‘mobiles’. ‘I want people to reassess their perception of tools and machinery through my artworks, especially when they are showcased in a different context, such as with Annoushka’s feminine jewellery.’

There are other things Nathalie has done. But some people can’t be covered in 1,000 words. My eyes wander from her hair to her eyes, on to the flies or bees she has tattooed in odd places, and back again.

‘Henry,’ she says, catching my attention, ‘now, you must tell me all about yourself...’

La patrie did impart some of its genie on Hambro before she left

(fullofchic.com) Illustration / Russ Tudor Words / Henry Hopwood-Phillips

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Ahead of the

Pack

Annabel Harrison speaks to globally renowned designer Jenny Packham about the British brand’s 25th birthday, its Belgravia boutiques and beautiful bridal wear

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thereal silk chiffons in pale waterfall blues, soft eucalyptus greens and delicate lilacs are cinched at the waist... Bold sunset oranges and full mimosa yellows explode on the runway. Decadently sparkling, swinging minis dazzle... Mesmerising, figure-hugging, full length gowns in heavy silk crêpes drip with Swarovski crystals...’ These evocative words, used to describe the exquisite S/S 2013 Collection, give a sartorial snapshot of what one could expect to find if let loose in Jenny Packham’s showrooms; a veritable treasure trove of evening gowns and glittering accessories.

If you’re yet to marry, or have an important black tie event to attend, there is every chance that the name Jenny Packham will be on your dream dress wish list. In an age where it seems ‘anything goes’ when it comes to wedding dresses – from floral patterns to black via mid-length and colour – Jenny’s bridal gowns are the perfect antidote for those who prefer a more traditional look. Elegant, beautiful and glamorous, they also happen to be the stuff of little girls’ (and grown women’s) dreams. When she was younger, Jenny herself was ‘in love with Sunday afternoon

Hollywood films and their stars – Marilyn Monroe, Cyd Charisse, Tippi Hedren. I’d have loved to have acted and gone to Hollywood. However, it only took me two drama lessons to know this was a mad dream. I was asked to walk around the room in a ‘jazzy’ style and this remains one of my most challenging moments.

I am much happier backstage and always have been. I decided to be a designer at 11 and have never wanted to be anything else.’ In order to fulfil this single-minded ambition, Jenny studied at one of the world’s most prestigious art and design colleges, Central Saint Martins. She is now counted among its most notable alumni in a Vogue-esque roll call of designers that includes Alexander McQueen, Sarah Burton, Stella McCartney and Christopher Kane. At Saint Martins, Jenny explains, ‘creativity was king and everything else fell away. It was the idea that was paramount.

It sounds so obvious but a beautifully crafted, poor design is useless.’ Her advice to those starting out in the business, which is so different today, is that designers must make the most of being able to promote collections globally via the web. ‘I think the key is to be niche and excel at what you do.’ Self belief, a refusal to fail and retail experience are all essential.

Jenny launched her own eponymous label in 1988 after graduating and, in the 25 years since, the company’s offering has expanded to encompass everything from bridal and evening wear to accessories, resort, ready-to-wear and lingerie collections.

Three flagship stores can be found in London (two on Elizabeth Street in Belgravia and another on Mayfair’s Mount Street), as

well as in Paris and New York, and the collections are available at Harrods and Harvey Nichols. Jenny deems Belgravia a unique area of London: ‘It has historical charm combined with an exciting collection of high end, contemporary brands.’ Bridal wear is undoubtedly an area for which Jenny has become renowned worldwide; how does it feel to be the designer of choice for many brides on the most important day of their life? ‘Like walking in a “jazzy” way! It’s such a special day and to be part of these women’s history makes me feel very proud and honoured.’

In an age where images can fly around the internet in seconds, Jenny and her team remain professional and discreet, keeping essential details, and the whims of clients, close. However, it became apparent (not long after her every move was of global interest) that

Creativity was king and everything else fell away.

It was the idea that was paramount

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the Duchess of Cambridge liked the brand as much as the rest of us. The roster of internationally famous fans is lengthy and reads almost like a list of Oscar nominees – Angelina Jolie, Cameron Diaz, Kate Winslet, Diane Kruger, Kate Hudson, Adele – but for every one of these women, there are thousands more who adore the Jenny Packham designs. These customers range from about 18 to 45 and they are deemed by the brand to be ‘confident, style aware, international, intelligent women who have high disposable incomes.’

These are characteristics which could be equally applied to the woman at the helm of the company, together with her partner Mathew Anderson, CEO of Jenny Packham; they are a seriously impressive husband-wife partnership. The most difficult part of the job, Jenny admits, ‘is, like most working mothers, trying to keep the balance between home and work [but] fortunately Mathew and I have always worked together which has great advantages.’

Jenny describes herself, when asked, as ‘relentless, fearless, grounded, creative and possibly annoying’ but Blaire McColl, international brand director at Jenny Packham, chooses the adjectives talented, honest, thoughtful, gracious and admirable.

‘I’m lucky enough to spend a lot of time with Jenny and have travelled the globe with her. I respect her enormously. She’s a very talented designer who loves her job.’

This talented designer is inspired particularly by the 1930s era, Paris and the Art Deco movement, and each collection has a wealth of ideas, as well as a story, behind it. For the A/W 2013 Collection, for example, entitled La Salonnière, Jenny took her inspiration from the great intellectual salons of 17th century Paris, where noble and cultured women gathered to discuss art, philosophy and literature. ‘The salonnières were admired and

respected for their sharp wit and good taste and the splendour and sophistication of their rooms reflected the passion and energy of the women that filled them. This collection is inspired by the rich tones and hues of these salons, the shades of midnight blue, scarlet reds, cinnamon and lustrous opals and by the spirit of freedom that imbued them.’

Jenny Packham’s 25th anniversary celebrations were anchored in July by a star turn in the V&A’s Fashion in Motion series, which showcases fashion as it is meant to be seen – in movement. Previous designers featured include Christian Lacroix, Alexander McQueen and Vivienne Westwood. Four free catwalk shows in July promenaded highlights of Packham’s collections to date along the catwalk, a prospect about which Fashion in Motion curator Oriole Cullen was very enthusiastic: ‘To reach 25 years is a real achievement and a great success story for British fashion.’

As one would expect, Jenny loves shopping herself and wearing other designers’ collections (I’m not surprised; although the consensus nowadays seems to be that we shouldn’t save special or formal items for special, formal events, wearing a gorgeous gown from her own collection to pick up children from school or for food shopping may be too much). Jenny is ‘a big fan of Pierre Hardy and Prada for shoes. I have an eclectic wardrobe of mostly black with a splash of statement accessories.’

Jenny Packham is a woman who knows exactly what she’s doing, with the requisite combination of talent and determination, and I see no reason why the brand won’t continue to enchant women worldwide.

After all, if the best things about your job include ‘the never-ending opportunity to be creative,’ Jenny has the opportunity to do this week in, week out, for as long as women want to wear her designs.

Bridal Boutique, 75 Elizabeth Street 020 7730 2264 Accessories Boudoir, 34 Elizabeth Street 020 7730 4883 (jennypackham.com)

All images courtesy of Jenny Packham

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B E L G R AV I A R E S I D E N T S ’ J O U R N A L

‘A Stranger to Belgravia�

Annual Writing Competition Submit your story by 30th November 2013

Visit website for full entry details www.belgraviaresidents.org.uk Get social on twitter, facebook, pinterest Also check out www.perfectlybelgravia.co.uk

Photography by Erran Stewartby Erra

Photography by Sam Churchill

Belgrave Square BBQ

British Polo Day

Summer

Loving

Belgravia has been in a celebratory mood this season, with summer parties, barbecues and sporting events galore‌

Motcomb Street Party B.R.A Summer Garden Party

Photography by Mitzi de Margary and Tom Hardman

Photography by Pukka PR

Residents’ Culture Exploring the minutiae of residents’ explorations and encounters

Wise

Owl

Wise Owl discusses Trade Union funding

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s we all know, the Labour Party owes its very existence to the funding provided by the Trade Union movement but in the 21st century members of Trades Unions should be allowed to subscribe to other political parties if they wish. There is, in fact, a judgment, that of the Taff Vale Railway case of 1906, which ruled in favour of members who wished to give their political subscriptions to the Liberal Party not the Labour Party.

As a student of history, I am extremely surprised that not one person has mentioned this landmark judgment. It is astonishing how ignorant many politicians [with the exception of the very erudite Jacob Rees-Mogg] are of basic political and constitutional history. In my view, anyone entering Parliament [the House of Lords or Commons] for the first time should do a basic course in history and British constitution. After all, our legislators should have a good working knowledge of important Acts of Parliament and landmark judgements.

On a separate note, it is totally unacceptable to give bonuses to civil servants in the Ministry of Defence while sacking soldiers and not giving proper or adequate care to those injured in the service of this country.

Philip Hammond must be told to cancel these bonuses and give the money to members of the armed forces particularly widows, orphans and injured soldiers.

Old

Sloper An old sloper laments unnecessary developments

W

e must be thankful that the Grosvenor Estate realised their mistake in ever permitting the hideous 1960s Grey Coat Hospital School to be erected on Bourne Street.

A few years ago, the estate announced that it would be demolished and replaced with traditional housing, which would blend into Belgravia. It was also thrilling to see the new Infirmary at the Royal Hospital go up in a traditional style.

How utterly horrifying it was, then, for many of us to walk along to Grosvenor Gardens to see an entire block diagonally opposite, on the corner of Victoria Street and Buckingham Palace Road, demolished, with a mountain of rubble resembling bomb site clearances after WWII. This was at least an interesting block, with a fine office block opposite the Victoria Palace Theatre, a former Midland Bank building on the Grosvenor Gardens corner, a plethora of Victorian buildings and shops, including some which had been at one point houses, and the old Metropole Theatre building.

This is an unacceptable development of irreplaceable buildings. We have all witnessed the gradual destruction of the buildings in Victoria Street, many of which were fine useable buildings. These have been replaced by, in my opinion, modernist monstrosities, one of which, next to the Town Hall has already had to be demolished.

One of the great tragedies which we have experienced since the 1960s is the slow but relentless destruction of our towns and cities, more than often under Conservative councils. We must impress upon our councillors the need for a greater appreciation for our heritage.

Illustrations / Mai Osawa The opinions expressed are not those of the Residents’ Journal B E L G R AV I A R E S I D E N T S ’ J O U R N A L

027

Residents’ Culture Sara Oliver relates the news of the Belgravia Residents Association

The Residents’ Association’s

August round-up S

ummer has definitely arrived. So too, has a Stranger to Belgravia, a short story we want you, our readers to write whilst on your summer break.

Harry Ball, author of Wheels and The Timely Twins (available at Belgravia Books) very kindly offered a few writing tips while I was having my hair done in Motcomb Green. Here are some of Harry’s suggestions to get you started: ‘A story needs to have a beginning, middle and an end, and the character must be on a journey from one place to another.

Allow the character to be taken out of his/her comfort zone into a situation they find uncomfortable.

The situation or character needs to be dealt with and as the climax or crisis point is reached, something happens to turn the situation around and then they recieve the payoff.’

Please think of Belgravia when on holiday this year and take a few pictures for us to see. We are keen on pictures involving travel, which can be uploaded to our ‘Voyage To Belgravia’ competition page on Flickr.

The competition has been kindly sponsored by Ayrton Wylie estate agents.

We are starting to think about the Black Book and are taking bookings for advertising; please contact us if you would like to contribute towards the enhancement of Belgravia’s community spirit.

Please consider joining us on our philanthropic grand tour to Monte Carlo. The trip will take place on the 8 June 2014; all details are available on request.

We have been invited once again to enter a garden design to the Chelsea Flower Show in 2014. If you are able to help make this happen in conjunction with the B.R.A. then please get in touch.

by Sara Oliver

It gives me great pleasure to introduce our first young intern, Isobel King, who will be contributing to this month’s column. Her four-week apprenticeship will focus on the ‘Voyage To Belgravia’ photography competition. Without further ado, over to you Izzy…

As a young adult, I know that for some of my contemporaries, the prospect of going on a guided tour around historical buildings can seem tiresome. But a trip with the Belgravia Residents Association puts forward a strong argument against such preconceptions.

On Wednesday 3 July, I was invited to one of the Heritage Trail trips to Bexley Heath – home to two famous English Heritage sites, 18th century Danson House, and fine Tudor house, Hall Place. Both awakened in me a renewed sense of curiosity about the history surrounding such grand estates.

Our day began with a guided tour of Danson House, a beautiful stately home built in 1766. It had fallen into ruin, until English Heritage invested £5 million into its restoration.

Her Majesty The Queen reopened Danson House on 26 July 2005.

Our group leader, Sara Oliver, and her husband Charles, discovered they had family relations linked to the house. Charles’ great grandfather John Johnson was born there and had lived there with his wife and family.

Our tour guide explained that the architecture had been inspired by Greek designs of pavilions. The front door (made of mahoganny oak with two slabs of cut glass framed at the top) would have impressed guests, as this sort of design was cutting-edge technology in days gone by.

The sofa and chairs in the drawing room were originally part of an extensive collection from Venetian Italy. However, English Heritage first discovered the current sofa at the back of an old London cinema. Mirrors in the drawing room create a sense of infinity, if you stand in the middle of both, as the reflections seem to go on and on.

Until next month...

belgraviaresidents.org.uk

Belgravian moments Briana Handte Lesesne visits Istanbul for a whistlestop tour

O

ne weekend in June, my husband whisked me off to Istanbul to attend a black tie wedding on the Bosphorus. As far as weekends go, I have to admit that this one ranked up there as one of the most memorable I have experienced.

During our visit, we managed to include a few tourist visits to the Grand Bazaar, where we were beckoned by shop owners to buy gold, sweets, teas and leather goods; the Blue Mosque (Sultan Ahmed Mosque); and one of the world’s most recognisable buildings, the Hagia Sophia, brimming with dazzling icons and mosaics. We also soaked up the culture and history of the Pera Palace Hotel at afternoon tea. Built in 1892 for the purpose of hosting the passengers of the Orient Express, it became the playground for celebrities including King Edward VIII, Greta Garbo and Alfred Hitchcock. Agatha Christie stayed in Room 411, where it is alleged she penned Murder on the Oriental Express whose opening scene is set in Istanbul.

I must admit, however, with all due respect to the wonders of the city, the highlight of my weekend was Saturday night’s black tie wedding reception held at our host’s summer palace compound. Early evening, pre-sunset, my husband and I were met at the Çıragan Palace by a private yacht that took us across the waters. As if stepping onto a literal red carpet, we were escorted onto the grounds. I have never seen such beautiful, lush gardens, rich with magnolia and citrus trees.

The guest list included a ‘who’s who’ of Turkish society and a few of my countrymen, including three US senators.

Turkish women are some of the most beautiful I have ever seen, with their elegant evening dresses, bejeweled necklines and gracious demeanor. We were seated at the Sakayık

B E L G R AV I A R E S I D E N T S ’ J O U R N A L

(paeonia) table with crystal candelabras that seemed to touch the sky and fuschia paeonias tumbling out of delicate vases.

After a Turkish feast, followed by traditional sweets that melted in the mouth, the bride and groom made their walk down the red carpet as husband and wife, accompanied by an almost eerie, ethereal wedding song that hushed the crowd into silent reverance.

With dancing under an iron-wrought pavilion, the full moon of the summer solistice lit up the lapping waters and reflected off the many bridges that link the city. As we were escorted back onto our yacht in the pre-dawn hours of the morning, I glanced at my husband in his white tuxedo as if I were Audrey Tatou in a Chanel No. 5 commercial, and we headed back to the Çıragan Palace, a former residence of Ottoman sultans, for a night cap by the infinity pool as if disappearing into the Bosphorous in front of us. Istanbul has always been on my ‘top 10 places to visit’ list and my June weekend was well worth the wait.

029

Planning &Development Keeping you in the know about important street plans affecting Belgravia

PLANNING APPLICATIONS

DATE RECEIVED

ADDRESS

PROPOSAL

20 June

Piccadilly Arcade

Minor shop front alterations

21 June

Belgrave Road

Erection of single storey extension at second floor level

2 July

St James’s Square

Tending to an Ailanthus tree

planned road works

STREET

PLANNED WORK

DATES

WORKS OWNER

Cadogan Square

Laying of carriageway and footway

1-7 August

Fulcrum Pipelines Limited 0845 641 3010

Brompton Road

Installation of a new water meter

5-11 August

Thames Water 0845 920 0800

Ormond Yard

Disconnection of gas main in carriageway

Until 17 August

Nation Grid Gas 0845 605 6677

Eaton Place

Electricity disconnection works

19-23 August

UKPN East & Lon LTD 0800 028 4587

Fire Station Update

Cllr Nickie Aiken, Westminster City Council’s cabinet member for community protection, has commented on the current fire station situation in the borough of Westminster. The area potentially faces the loss of fire stations and a reduction of engines to save funds. Cllr Nickie Aiken says: ‘We [have] made the case for Chelsea Fire Station to retain two engines.

However, we are still deeply disappointed that Westminster fire station itself remains on the hit list. We hope our arguments about response times will still be heard before a final decision is taken.’

Do you wish to comment on any local planning stories? Send us an email to: belgravia@residentsjournal.co.uk

The Belgravia

Directory

A compendium of the area’s key establishments

Estate Agents Andrew Reeves 77-79 Ebury Street 020 7881 1366

Harrods Estates 82 Brompton Road 020 7225 6506

Savills 139 Sloane Street 020 7730 0822

Ayrton Wylie 16 Lower Belgrave Street 020 7730 4628

Henry & James 1 Motcomb Street 020 7235 8861

Strutt & Parker 66 Sloane Street 020 7235 9959

Best Gapp & Cassells 81 Elizabeth Street 020 7730 9253

John D Wood 48 Elizabeth Street 020 7824 7900

W A Ellis 174 Brompton Road 020 7306 1600

Cluttons 84 Bourne Street 030 3773 0020

Knight Frank 82-83 Chester Square 020 7881 7722

Wellbelove Quested 160 Ebury Street 020 7881 0880

Food & Drink BARS

CAFÉS

Amaya Halkin Arcade, Motcomb Street 020 7823 1166

Bella Maria 4 Lower Grosvenor Place 020 7976 6280

The Garden Room (cigar) The Lanesborough Hyde Park Corner 020 7259 5599

Caffe Reale 23 Grosvenor Gardens 020 7592 9322

The Library Bar (wine) The Lanesborough Hyde Park Corner 020 7259 5599

PUBLIC HOUSES/ DINING ROOMS The Antelope 22-24 Eaton Terrace 020 7824 8512

The Orange 37 Pimlico Road 020 7881 9844 theorange.co.uk

The Thomas Cubitt 44 Elizabeth Street 020 7730 6060 thethomascubitt.co.uk

The Pantechnicon 10 Motcomb Street 020 7730 6074 thepantechnicon.com

RESTAURANTS Como Lario 18-22 Holbein Place 020 7730 9046

Motcombs 26 Motcomb Street 020 7235 6382 motcombs.co.uk

Mango Tree 46 Grosvenor Place 020 7823 1888

Health & Beauty BARBER

DOCTORS

GYM/ FITNESS

Giuseppe D’Amico 20 Eccleston Street 020 7730 2968

The Belgrave Medical Centre 13 Pimlico Road 020 7730 5171

The Light Centre Belgravia 9 Eccleston Street 020 7881 0728

The Belgravia Surgery 26 Eccleston Street 020 7590 8000

Colin & Karen Hair Design 39 Lower Belgrave Street 020 7730 7440

DENTIST The Beresford Clinic 2 Lower Grosvenor Place 020 7821 9411

B E L G R AV I A R E S I D E N T S ’ J O U R N A L

HAIR SALONS

The Daniel Galvin Jr. Salon 4a West Halkin Street 020 3416 3116

MEDISPA

Bijoux Medi-Spa 149 Ebury Street 020 7730 0765

031

Home ANTIQUES Bennison 16 Holbein Place 020 7730 8076 Turkmen Gallery 8 Eccleston Street 020 7730 8848

BUILDER Capital Projects Ltd Gillingham Street (off Ecceleston Square) 07793 777 043 capitalprojectslondon.co.uk

Patrick Jefferson 69 Pimlico Road 020 7730 6161

FINISHING TOUCHES

ARCHITECTS/ DESIGN

Paint Services Company 19 Eccleston Street 020 7730 6408

Marston & Langinger 194 Ebury Street 020 7881 5700 Paul Davis + Partners 178 Ebury Street 020 7730 1178

ARTEFACTS Odyssey Fine Arts 24 Holbein Place 020 7730 9942

Rachel Vosper (candles) 69 Kinnerton Street 020 7235 9666 Ramsay (prints) 69 Pimlico Road 020 7730 6776

FURNITURE Ciancimino 85 Pimlico Place 020 7730 9959 Humphrey-Carrasco 43 Pimlico Road 020 7730 9911

Soane 50-52 Pimlico Road 020 7730 6400 Westenholz 80-82 Pimlico Road 020 7824 8090

GALLERIES

Jamb 107a Pimlico Road 020 7730 2122

88 Gallery 86-88 Pimlico Road 020 7730 2728

Lamberty 46 Pimlico Road 020 7823 5115

Gauntlett Gallery 90-92 Pimlico Road 020 7730 7516

Linley 60 Pimlico Road 020 7730 7300

The Osborne Studio Gallery 2 Motcomb Street 020 7235 9667

Ossowski 83 Pimlico Road 020 7730 3256

INTERIOR DESIGN

Zuber 42 Pimlico Road 020 7824 8265

Chester Designs 9 Chester Square Mews 020 7730 4333

Fashion BOUTIQUES Le Spose Di Giò (wedding dresses) 81 Ebury Street 020 7901 9020 le-spose-di-gio.it

Christian Louboutin 23 Motcomb Street 020 7245 6510

Philip Treacy 69 Elizabeth Street 020 7730 3992

Patricia Roberts 60 Kinnerton Street 020 7235 474

Herve Leger 29 Lowndes Street 020 7201 2590

Lord Milner Hotel 111 Ebury Street 020 7881 9880

Westminster House Hotel 96 Ebury Street 020 7730 4302

The Diplomat Hotel 2 Chesham Street 020 7235 1544

Lynton Hotel 113 Ebury Street 020 7730 4032

BOUTIQUE

Lime Tree Hotel 135-137 Ebury Street 020 7730 8191

Nevena Couture (clients by appointment only)

12a Lowndes Street 020 3539 8738 nevena.co.uk

Hotels B&Bs B+B Belgravia & Studios@82 64-66 Ebury Street 020 7259 8570 Belgravia Hotel 118 Ebury Street 020 7259 0050 Cartref House 129 Ebury Street 020 7730 6176

Morgan Guest House 120 Ebury Street 020 7730 2384

Astors Hotel 110-112 Ebury Street 020 7730 0158 The Belgravia Mews Hotel 50 Ebury Street 020 7730 5434

The Rubens at the Palace 39 Buckingham Palace Road 020 7834 6600

Services BANKS Duncan Lawrie Private Banking 1 Hobart Place 020 7245 1234 duncanlawrie.com Royal Bank of Scotland 24 Grosvenor Place 020 7235 1882

BOOKMAKERS Coral Racing 67 Pimlico Road 020 7730 6516

EDUCATION Cameron House School 4 The Vale 020 7352 4040 Eaton House School 3-5 Eaton Gate 020 7924 6000 Francis Holland School 39 Graham Terrace 020 7730 2971 Garden House School Turks Row 020 7730 1652

William Hill 12 Buckingham Palace Road 08705 181 715

GEMS Hampshire School 15 Manresa Road 020 7352 7077

CHARITIES

Glendower Preparatory School 86-87 Queen’s Gate 020 7370 1927

British Red Cross 85 Ebury Street 020 7730 2235

SOLICITORS Child & Child 14 Grosvenor Crescent 020 7235 8000 childandchild.co.uk

Hill House International Junior School Hans Place 020 7584 1331 Knightsbridge School 67 Pont Street 020 7590 9000

Miss Daisy’s Nursery Ebury Square 020 7730 5797 More House School 22-24 Pont Street 020 7235 2855 Queen’s Gate School 133 Queen’s Gate 020 7589 3587 Sussex House School 68 Cadogan Square 020 7584 1741

Neill Strain Floral Couture 11 West Halkin Street 020 7235 6469

LIBRARY Victoria Library 160 Buckingham Palace Road 020 7641 1300

MOTORING Belgravia Garage 1 Eaton Mews West 020 7235 9900

POST OFFICE

Thomas’s Kindergarten 14 Ranelagh Grove 020 7730 3596

Post Office 6 Eccleston Street 0845 722 3344

EXCLUSIVE

PRINTING & COPYING

The Caledonian Club 9 Halkin Street 020 7235 5162 caledonianclub.com

FLORISTS

Printus 115a Ebury Street 020 7730 7799

TRAVEL Bravo Travel 6 Lower Grosvenor Place 0870 121 3411

Judith Blacklock Flower School 4-5 Kinnerton Place South 020 7235 6235

Speciality Shops BAKERIES

CONFECTIONERS

Baker & Spice 54-56 Elizabeth Street 020 7730 3033

Peggy Porschen 116 Ebury Street 020 7730 1316

Ottolenghi 13 Motcomb Street 020 7823 2707

Rococo Chocolates 5 Motcomb Street 020 7245 0993

CIGAR SPECIALIST

DELI

Tomtom Cigars 63 Elizabeth Street 020 7730 1790

BOOKS Belgravia Books 59 Ebury Street 020 7259 9336 belgraviabooks.com

B E L G R AV I A R E S I D E N T S ’ J O U R N A L

La Bottega 25 Eccleston Street 020 7730 2730

GREENGROCERS Charles of Belgravia 27 Lower Belgrave Street 020 7730 5210 The Market Quarter 36 Elizabeth Street 020 7824 8470

JEWELLERS Elizabeth Gage 5 West Halkin Street 020 7823 0100 eg@elizabeth-gage.com elizabeth-gage.com David Thomas Master Goldsmith 65 Pimlico Road 020 7730 7710 De Vroomen 59 Elizabeth Street 020 7730 1901

NEWSAGENT Mayhew Newsagents 15 Motcomb Street 020 7235 5770

PERFUMERIES Annick Goutal 20 Motcomb Street 020 7245 0248

Floris 147 Ebury Street 020 7730 0304 florislondon.com

Pet accessories Mungo & Maud 79 Elizabeth Street 020 7022 1207

PharmacY A. Moore Chemist & Belgravia Health Foods 25e Lowndes Street 020 7235 5887

033

savills.co.uk

1 MAISONETTE WITH PRIVATE GARDEN IN NEED OF MODERNISATION eaton square, sw1 Entrance hall ø reception room ø kitchen ø master bedroom suite ø 2 further bedrooms ø bathroom ø garden ø 174 sq m (1,877 sq ft) ø EPC=D

Savills Sloane Street Tom Wilson twilson@savills.com

020 7730 0822 Guide £4.25 million Leasehold, approximately 70 years remaining

savills.co.uk

1 CONTEMPORARY APARTMENT IN THIS MODERN PORTERED BUILDING montrose place, sw1 3 bedrooms ø 3 bathrooms ø open plan reception/dining room ø kitchen ø utility room ø cloakroom ø one underground parking space ø 24 hour concierge ø air conditioning ø administration charges apply ø Council Tax=H ø EPC=B

£4,500 per week Furnished

Savills Sloane Street Gilly Hayden ghayden@savills.com

020 7590 5073

savills.co.uk

1 A MODERN HOUSE IN THIS NEW BUILD GATED DEVELOPMENT dorset mews, sw1 3 double bedrooms ø 4 bathrooms ø reception room ø dining room ø eat-in kitchen ø one car parking space ø porter ø 241 sq m (2,600 sq ft) ø administration charges apply ø Council Tax=H ø EPC=D

£2,400 per week Furnished

Savills Sloane Street Murdi Van Hien mvanhien@savills.com

020 7730 0822

savills.co.uk

1 A BEAUTIFULLY REFURBISHED GRADE II LISTED BELGRAVIA TOWNHOUSE chester street, sw1 6 bedrooms ø 3 reception rooms ø 6 bathrooms ø off-street parking ø eat-in kitchen ø roof terrace ø administration charges apply ø Council Tax=H ø EPC=E

Savills Sloane Street Mark Tunstall mtunstall@savills.com

020 7824 9005 £4,500 per week Furnished

HANS CRESCENT, LONDON. SW1X LEASEHOLD ONE BEDROOM GROSS INTERNAL AREA: 860 SQ FT/ 80 SQ M

ÂŁ1,990,000 stc Reception room, Kitchen/breakfast room, Cloakroom, Double bedroom, Bathroom.

A stunning one-bedroom apartment on the third floor (no lift) extending to circa 860 square feet in a converted period house, in this exclusive location in the very heart of Knightsbridge, just behind Harrods, The property has been recently refurbished to the highest detailed specification.

The elegant accommodation includes a beautiful south west-

facing reception room and a large double bedroom with ensuite bathroom quietly situated to the rear. Numerous famous retail and restaurant facilities are immediately to hand and Knightsbridge underground station (Piccadilly line) provides quick access to all parts of the capital and Heathrow airport. EPC rating F.

BELGRAVIA OFFICE 1 Motcomb Street, London SW1X 8JX +44 (0)20 7235 8861

belgraviaoffice@henryandjames.co.uk

henryandjames.co.uk

HANS CRESCENT, LONDON. SW1X LEASEHOLD TWO BEDROOMS GROSS INTERNAL AREA: 962 SQ FT/ 89 SQ M

£2,750,000 stc Reception room, Dining room, Master bedroom with en suite, Second bedroom, Shower room, Lift, Residential caretaker.

On the second floor of a smart residential block in this exclusive Knightsbridge location, an immaculate two bedroom apartment with excellent accommodation including two good double bedrooms, a bright “double aspect” drawing room and a dining room leading into a stylish modern kitchen. The property has been recently refurbished by Italian craftsmen

to the highest detailed specification. Features include teak parquet flooring & low voltage lighting throughout. It has direct lift access and the building has a resident caretaker. A host of famous retail and restaurant facilities are immediately to hand. EPC rating D.

BELGRAVIA OFFICE 1 Motcomb Street, London SW1X 8JX +44 (0)20 7235 8861

belgraviaoffice@henryandjames.co.uk

henryandjames.co.uk

CHESHAM MEWS, LONDON. SW1X FOUR BEDROOMS UNFURNISHED

ÂŁ2,450

PER WEEK stc Four bedrooms, Four bathrooms, Two reception rooms, Garage, Lift, Air conditioning, Private garden.

Accommodation comprises a master bedroom suite with walk-in wardrobe and bathroom, two further en suite double bedrooms, fourth en suite single bedroom/study, reception room, large open plan kitchen/dining/living area, two guest cloakrooms, utility room, a west-facing private patio garden and an integral garage. The house is neutrally decorated

throughout and further benefits from solid wooden flooring in the principal areas, air-conditioning, an internal lift and additional mews parking. Available unfurnished for a long term let. Potential tenants are advised that administration fees may be payable when renting a property. Please ask for details of our charges. EPC rating D.

BELGRAVIA OFFICE 1 Motcomb Street, London SW1X 8JX +44 (0)20 7235 8861

belgraviaoffice@henryandjames.co.uk

henryandjames.co.uk

SLOANE GARDENS, LONDON. SW1W TWO BEDROOMS FURNISHED

ÂŁ995

PER WEEK stc Two bedrooms, Two bathrooms, Office, Interior designed, Resident housekeeper, Profesionally managed.

A stunning interior designed 2 bedroom apartment located in this lovely red-brick period building moments from Sloane Square. A glass roof dome and windows with lovely views to both east and west sides of the building provide an abundance of natural light. Accomodation comprises of two double bedrooms fitted with bespoke wardrobes, two bathrooms

(one en suite), a spacious reception room, fully fitted kitchen with a breakfast bar and a separate home office. Stained oak floors have been laid in reception areas and carpets in the bedrooms. Potential tenants are advised that administration fees may be payable when renting a property. Please ask for details of our charges. EPC rating C.

BELGRAVIA OFFICE 1 Motcomb Street, London SW1X 8JX +44 (0)20 7235 8861

belgraviaoffice@henryandjames.co.uk

henryandjames.co.uk

One Hyde Park, Knightsbridge, SW1 Located at One Hyde Park in the heart of fashionable Knightsbridge, this 3 bedroom apartment has been exquisitely designed by Candy & Candy and provides stunning views of London. A tenant will have full access to the neighbouring Mandarin Oriental residents’ services, as well as use of all the exclusive facilities; 24/7 concierge, private cinema, private events room for large groups, virtual experience room, squash court, fully equipped gym, two private exercise studios, ozone pool, Jacuzzi, two saunas, two steam rooms and two treatment rooms. The apartment itself is over 2 floors and covers an area of approx. 4068 sq. ft. It comprises 2 reception rooms, balcony, dining room, kitchen, 3 double bedrooms (2 with en-suites), shower room, underground private parking, wine cellar, and separate storage area. Available for long term lets on a furnished basis. EPC rating C. £16,500 per week 020 7225 6602 Karen.boland@harrodsestates.com

KNIGHTSBRIDGE OFFICE: 82 BROMPTON ROAD LONDON SW3 1ER T: +44 020 7225 6506 MAYFAIR OFFICE: 61 PARK LANE LONDON W1K 1QF T: +44 020 7409 9001 CHELSEA OFFICE: 58 FULHAM ROAD LONDON SW3 6HH T: +44 (0) 20 7225 6700 HARRODSESTATES.COM

Lyall Street, Belgravia, SW1X A beautiful, newly refurbished first floor lateral apartment situated in the heart of prime Belgravia in this period white stucco fronted building. The accommodation of approx.

1227 square foot / 114 square meters comprises master bedroom with en suite bathroom, second double bedroom with en suite bathroom, reception room with dark wood floors and fully fitted bespoke kitchen with Miele appliances.

The apartment is situated conveniently between Sloane Square and Knightsbridge and all the amenities these prime areas have to offer, and is available for long lets on a furnished basis. EPC Rating C.

ÂŁ1,950 per week 020 7225 6759 katarina.rhodes@harrodsestates.com

KNIGHTSBRIDGE OFFICE: 82 BROMPTON ROAD LONDON SW3 1ER T: +44 020 7225 6506 MAYFAIR OFFICE: 61 PARK LANE LONDON W1K 1QF T: +44 020 7409 9001 CHELSEA OFFICE: 58 FULHAM ROAD LONDON SW3 6HH T: +44 (0) 20 7225 6700 HARRODSESTATES.COM

KnightFrank.co.uk

Chester Square, Belgravia SW1 Seven bedroom family home with roof terrace

A Grade II Listed, white stucco fronted family home located in one of Belgravia’s most sought after locations.Master bedroom with en suite bathroom, 6 further bedrooms, 4 further bath/ shower rooms, Drawing room, Dining room, Kitchen, Family room, Study, Laundry room, Guest cloakroom, Terrace, Balcony, Storage room. Approximately 379 sq m (4,088 sq ft) Freehold Guide price: £10,950,000 (BGV130048)

KnightFrank.co.uk/belgravia belgravia@knightfrank.com 020 3641 5910

KnightFrank.co.uk

Eaton Place, Belgravia SW1X Top floor maisonette with roof terrace

A luxury apartment located in this converted white stucco fronted building, with large private roof terrace and lift access. Master bedroom with en suite bathroom, 2 further bedrooms, family bathroom, reception room, kitchen, dining room, guest cloakroom, roof terrace, lift access. EPC Rating: E. Approximately 140 sq m (1,509 sq ft)

KnightFrank.co.uk/belgravia belgravialettings@knightfrank.com 020 641 6006

Unfurnished Guide price: ÂŁ1,950 per week (BEQ112248)

(All potential tenants should be advised that, as well as rent, administration fees will apply when renting a property. Please ask for details of our charges.)

Mews in Belgravia Grosvenor’s offering of newly redeveloped contemporary mews houses to rent in Belgravia is unparalleled. Charming exteriors are complimented by creative interior design and architecture to create surprisingly light and open living spaces.

Complimented by high quality fittings this approach creates a home environment that is as relaxing as it is impressive.

For more information on our upcoming pipeline of mews houses, contact us on 0207 312 6449 or residential.lettings@grosvenor.com

2013-07-04 15:41:47

1

RESIDENTIAL

cluttons.com

Bourne Street London SW1W reception room I 3 bedrooms I 3 bathrooms I kitchen/breakfast room further bedroom/study | garden | EPC rating D A newly refurbished Belgravia townhouse with charming period features and plenty of storage, ideally situated between Sloane Square and Eaton Square

Unfurnished ÂŁ1,750 per week Belgravia office

belgravia@cluttons.com

020 7730 0303

1

RESIDENTIAL

cluttons.com

Whitehall Court London SW1 reception room with open-plan kitchen I bedroom I bathroom 24hr porterage | lift | EPC rating E A beautiful one bedroom apartment in the prestigious portered mansion building Whitehall Court, ideally located between the River and St James Park

Unfurnished ÂŁ675 per week Belgravia office

belgravia@cluttons.com

020 7730 0303

West Eaton Place, Belgravia SW1 • 3 Bedrooms

• Kitchen / breakfast room

• 1 Bathroom

• Approx. 1,475 sq ft (137 sq m)

• 1 Shower room (en suite)

• EPC rating: current (E) potential (D)

• Double reception room

Guide price £2,950,000 Leasehold with 98 years remaining

For more information call Daniel Wiggin on 020 7306 1610 or email dwiggin@waellis.com

“ A very well balanced and comfortable family maisonette on the third and fourth floors of this handsome stucco-fronted period building” W.A.Ellis LLP 174 Brompton Road London SW3 1HP

waellis.com

Pembroke House, Chesham Street SW1 • 2 Bedrooms

• Garden

• 2 Bathrooms

• Porter

• Guest cloakroom

• Approx. 1,485 sq ft (138 sq m)

• 2 Reception rooms

• EPC rating: current (D) potential (C)

• Fully fitted kitchen

“ A bright and contemporary maisonette in this portered building in the heart of Belgravia”

£1,925 per week Unfurnished

For more information call Lucy Morton on 020 7306 1630 or email lmorton@waellis.com

W.A.Ellis LLP 174 Brompton Road London SW3 1HP

waellis.com

Potential tenants are advised that administration fees may be payable when renting a property. Please ask for details of our charges.

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77-79 Ebury Street, Belgravia, SW1W 0NZ www.andrewreeves.co.uk

Artillery Mansions, Westminster SW1 £1,250,000 Leasehold A well-proportioned two bedroom apartment on the third floor of this purpose-built development. Comprising two double bedrooms, two bathrooms, a separate fully-fitted kitchen and large living room with balcony overlooking the courtyard. This prestigious property benefits from 24 hour concierge and underground parking, and is convenient for shopping in Victoria Street and transport connections at St James’s Park, Westminster & Victoria Stations.

• Large living room with balcony • 2 double bedrooms, 2 bathrooms • Underground parking • 24-hour concierge • Leasehold – 985 years remaining

Eccleston Square, Westminster SW1 £1,150 per week Unfurnished A simply magnificent and spacious two bedroom, two bathroom first floor period apartment situated at this exclusive address with views over Eccleston Square. The accommodation comprises an impressive living room, fully fitted kitchen/ breakfast room, two double bedrooms and two luxury marble-clad bathrooms. The property benefits from high ceilings and many other period features. There is also private access to the garden square.

• Spacious apartment • Large living room • 1,561 sq ft • 2 bedrooms, 2 bathrooms • High ceilings • Private access to garden square

Lettings Office: lettings@andrewreeves.co.uk +44 (0)20 7881 1366

Sales Office: sales@andrewreeves.co.uk +44 (0)20 7881 1333

ESTATE AGENTS, SURVEYORS AND PROPERTY CONSULTANTS 81 Elizabeth Street, Eaton Square, London SW1W 9PG Tel: 020 7730 9253 Fax: 020 7730 8212 Email: reception@bestgapp.co.uk

www.bestgapp.co.uk Over 100 years experience in Belgravia

EBURY STREET, LONDON SW1 A spacious 2 bedroom apartment with private garden in the heart of Belgravia. With a large double reception with dining area, fully fitted kitchen opening out onto large private patio garden, 2 double bedrooms and plenty of storage. Presented in fantastic condition and set moments from all the amenities this sought after area has to offer.

ÂŁ750 PW

* * * *

Two Double Bedrooms Private Patio Garden Double Reception Room Sought After Location

Chelsea Fulham & Parsons Green Kensington & Holland Park Knightsbridge, Belgravia & Mayfair Notting Hill & Bayswater West Chelsea & South Kensington

Sales 020 7225 3866 Sales 020 7731 7100 Sales 020 7938 3666 Sales 020 7235 9959 Sales 020 7221 1111 Sales 020 7373 1010

Lettings 020 7589 9966 Lettings 020 7731 7100 Lettings 020 7938 3866 Lettings 020 7235 9959 Lettings 020 7221 1111 Lettings 020 7373 1010

City Office Professional Valuations UK Commercial & Residential Residential Investment Property Management

020 7600 3456 020 7318 5039 020 7629 7282 020 7318 5196 020 7052 9417

struttandparker.com

Eaton Place | Belgravia | SW1 1,440 sq ft (133.8 sq m) EPC rating D

A two bedroom balcony flat located on the first floor of a white stuccofronted building in the heart of Belgravia.

Hall | Drawing room | Kitchen | Master bedroom with en-suite bathroom and mezzanine gallery | Second double bedroom | Shower room | Guest cloakroom | Two balconies Asking price: ÂŁ3,950,000 Leasehold

Knightsbridge 020 7235 9959 JSA Savills 020 7730 0822 bertie.hare@struttandparker.com

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Free QR code readers are available to download from our website at struttandparker.com/qrcode

Cadogan Place | Knightsbridge | SW1 4,016 sq ft (373.10 sq m) EPC rating D

A unique triplex apartment with the original front door and roof terrace in this white stucco fronted terrace overlooking gardens and tennis court.

Own front door | Entrance hall | Reception room | Dining room | Kitchen/breakfast room | Master bedroom suite | 2 further en suite bedrooms | Study/bedroom 4 | Roof terrace | Patio Asking price: ÂŁ12,500,000 Share of Freehold

Knightsbridge 020 7235 9959 charlie.willis@struttandparker.com

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Chelsea Fulham & Parsons Green Kensington & Holland Park Knightsbridge, Belgravia & Mayfair Notting Hill & Bayswater West Chelsea & South Kensington

Sales 020 7225 3866 Sales 020 7731 7100 Sales 020 7938 3666 Sales 020 7235 9959 Sales 020 7221 1111 Sales 020 7373 1010

Lettings 020 7589 9966 Lettings 020 7731 7100 Lettings 020 7938 3866 Lettings 020 7235 9959 Lettings 020 7221 1111 Lettings 020 7373 1010

struttandparker.com

Lyall Mews | Belgravia | SW1 3,841 sq ft (356.8 sq m) EPC rating C

A sensational recently rebuilt and fully modernised house offering nearly 4,000 sq ft with extensive parking.

Entrance hall | Drawing room | Sitting room | Dining room | Kitchen | Study | Master suite | 4 further bedrooms | 4 further bathrooms | Staff kitchen | Garage | Mews parking Asking price: ÂŁ8,500,000 Freehold

Knightsbridge 020 7235 9959 james.gilbert-green@struttandparker.com

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BELGRAVIA Resident’s Journal w w w. R e s i d e n t s J o u r n a l . c o . u k 020 7987 4320