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CONTENTS November 2016 Regulars
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8 Editor’s letter 10 Five minutes with... Tailor Thom Whiddett 12 Couture culture The worlds of fashion, film and art collide in November’s cultural round-up 76 Check mate Time to invest in tartan’s midi skirt and tailored trouser makeover 118 Remembering Mayfair The photographic legacy of Rolls-Royce and Bentley in London
Features 17 Maintaining the magic Mayfair figureheads discuss the area’s past, present and future
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22 Bed of roses Staying in is the new going out thanks to bedding expert Frette, discovers Marianne Dick 26 Blueprint for the future Camilla Apcar meets Zaha Hadid’s successor 30 The Assouline aesthetic A library designed by the power couple is the ultimate style statement
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62 The Asian equation Camilla Apcar reports on the appetite for contemporary Asian art 70 Fashion conscious As Bottega Veneta reaches 50, creative director Tomas Maier reveals his highlights 72 Basic instinct Simple separates set fashion brand Goat apart, says Kari Colmans 90 Walking on water In search of the finest superyacht interiors, David Taylor sets sail
34 Collection
67 Fashion
94 Health & beauty
113 Travel
55 Art
87 Interiors
104 Food & drink
119 Property
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EDITOR’S LETTER
editor
From the NOVEMBER 2016 s ISSUE 062
Acting Editor Hannah Lemon Deputy Editor Camilla Apcar Contributing Editor Lauren Romano Jewellery Editor Olivia Sharpe Watch Editor Richard Brown Editorial Assistant Marianne Dick Editorial Intern Jacinta Ruscillo Sub Editor Francesca Lee-Rogers
Senior Designer Daniel Poole
“Architecture is about communication. Buildings need to be expressive”
Design Intern Paris Fielder
Patrik Schumacher
Brand Consistency Laddawan Juhong
Production Hugo Wheatley Jamie Steele Danny Lesar Alice Ford General Manager Fiona Fenwick Executive Director Sophie Roberts Managing Director Eren Ellwood
Proudly published by
Zaha Hadid Architects can make any building a modern masterpiece, so should the opportunity arise to create my ideal home, I would invite its director Patrik Schumacher (p.26) to build the structure. Assouline’s new interiors arm (p.30) would be called upon to kit out the library with statement type-set carpets and glossy books, while Frette (p.22) furnishes the bedroom in fine linens. How fortuitous, then, that this month’s issue features all of the above for the ultimate plush property, as well as the glamorous accessories (cars from Aston Martin on page 108, and a wardrobe from Bottega Veneta on page 70) to go with it. Where would I put such a palace? Mayfair, of course. Its streets, boutiques and sense of community has maintained its magic for centuries, as we find out on page 17 ahead of The Mayfair Awards 2016.
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Hannah Lemon Acting Editor Follow us on Twitter @MayfairMagazine
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IMAGE CREDIT: SUNNY HARNETT MODELLING A BLACK-AND-WHITE SWISS RAYON TWEED DRESS SUIT BY ANDRÉE, FEBRUARY 1952 ©GLEB DERUJINSKY, FROM CAPTURING FASHION: DERUJINSKY (FLAMMARION, 2016). SEE PAGE 12
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REGULARS
5 MINUTES WITH...
I have a one-year-old son, Max. So my favourite shop at the moment is Cashmirino in the Burlington Arcade.
My personal style is modern but grown-up. A favourite piece of mine is the light-weight suede field jacket from the new Thom Sweeney ready-to-wear collection, in our store on Bruton Place.
I started my career with work experience at Esquire magazine. There was an article on the renaissance of English tailors, which included Timothy Everest. I went to his boutique on Elder Street, fell in love with it and soon signed up for an apprenticeship.
Or else 5 Hertford Street or Le Petit Maison.
If you are in Mayfair, you have to visit the area around The Connaught hotel. Mount
THOM WHIDDE WHIDDETT The proud co-founder of tailor Thom Sweeney describes his view from the top
Street, the square, the fountain – it’s idyllic.
Our store on Weighhouse Street is my favourite building in London. It’s quite quirky – it used to be an art gallery, with three floors. Now we have one level for all the suit makers, one with all the fabrics and one that’s a private area for clients.
Being off Savile Row sets us apart a bit. It seems less intimidating to come in. It’s not too stiff or British.
I was 22 when Luke Sweeney and I started our tailoring business. There were just four
Ten years ago, suits had lost their appeal for the young generation in London.
of us in a room of a Mayfair house. There was no shopfront or overheads and just a handful of customers.
Generally, they were just something you had to wear for work.
Once, we were asked to make an all-in-one jumpsuit. It was made out of heavy pinstripe flannel for a Chinese client who was very extravagant.
The best place to eat in Mayfair has to be the Brasserie at the Arts Club. 10
CLOCKWISE FROM TOP: THOM WHIDDETT (LEFT) AND LUKE SWEENEY; THE CONNAUGHT HOTEL; THE ARTS CLUB; CHAMBRAY SHIRT, SUEDE FIELD JACKET, BOTH THOM SWEENEY, THOMSWEENEY.CO.UK
“Being off Savile Row sets us apart a bit. It seems less intimidating to come in – it’s not too stiff or British”
But the fashion scene is different today. Young people are really passionate about bespoke clothing.
My favourite memory of London has to be when Max was born in Chelsea and Westminster Hospital. Nothing can beat that can it? s L U X U RY L O N D O N . C O. U K s
The superlative-charged chronograph. 50 mm case in BreitlightÂŽ. Exclusive Manufacture Breitling Caliber B12 with 24-hour military-style display. Officially chronometer-certified.
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LITERARY ITINERARY
AGENDA Reminiscent of Victorian and Edwardian times, Duke Street’s Gallery 8 will hold an exhibition in November called The Many Complaints of Elephants, showcasing the much-admired illustrator E.C. Woodard. Her whimsical juxtaposition of anthropomorphic animal characters in unconventional settings – sometimes dreamlike, sometimes seemingly mundane – fuses humour with an element of darkness, layering bright colour over sepia tone. The Cornish artist’s clients have included Alexander McQueen, Roald Dahl and the National Trust. From 22 November, Gallery 8, 8dukestreet.co.uk
Couture culture THEATRE
No Man’s Land Harold Pinter’s No Man’s Land returns to Wyndham’s Theatre, starring Patrick Stewart and Sir Ian McKellen as its protagonists. A nihilistic study of human behaviour, the absurdist fictional production is set in a North West London house and follows a night of discussion between four drunken men. Scattered with Pinter’s typically long pauses and dark satire, the play represents an awkward limbo between life and death and touches on the nature of strength and sensitivity among men. Although witty and comedic throughout, it remains thoroughly eerie, raising provocative questions and leaving answers hanging in the void. Until 17 December, Wyndham’s Theatre, wyndhamstheatre.co.uk
PHOTOGRAPHY: JOHAN PERSSON
During the Golden Age of post-war European haute-couture, Gleb Derujinsky’s work took fashion photography to new heights. The American’s distinctively glamorous style, together with their exotic backdrops continue to be celebrated time and time again – most recently in a new volume published by Rizzoli. Here the diversity of Derujinsky’s career comes to life in full-page glory: he also won awards for cinematography, was a musician, a jewellery designer, ski instructor as well as a pilot, each adding a new perspective to his prolific, adventurous and altogether beautiful projects. Derujinsky: Capturing Fashion, £55, published by Rizzoli, rizzoliusa.com
IMAGE: ©GLEB DERUJINSKY, FROM CAPTURING FASHION: DERUJINSKY (FLAMMARION, 2016)
IMAGES © FABRIZIO MALTESE
REGULARS
TOP PICKS Statement centrepieces Make conversational waves with a striking display
FILM
After Love
T
his minimalist film stars Bérénice Bejo and Cédric Kahn as a couple living together before their divorce settlement. Directed by Joachim Lafosse, it is almost entirely contained within the Belgian apartment that was once their happy family home. Suffocating yet passionate, After Love is tangible and
#1 Frozen bowl, £1,130, lasvit.com
poignant portrayal of a broken marriage and the pair’s mutual determination to protect their daughters from the turmoil. The endurance of modern relationships is explored, as well as the idea that although it might never fade, love does not always conquer all. In cinemas now from 28 October
#2 Swarovski centrepiece, £1,995, selfridges.com
#3 Snowflake vase, £1,350, waterford.co.uk
Pop into Sketch and marvel at Lara Bohinc’s celestial marble creations in Because The World is Round – a new retrospective featuring selected works from her 2014 Salone del Mobile show, in collaboration with Lapicida
#4 Jeremy Maxwell Dior Maison vase, £1,200, dior.com
#5 Lladró Naturo centrepiece, £600, harrods.com
STARGAZER CANDLEHOLDER, £350; SOLARIS KINETIC TABLE, £45,000, LARABOHINC.COM. BECAUSE THE WORLD IS ROUND, UNTIL 31 NOVEMBER, SKETCH, 9 CONDUIT STREET, W1S, SKETCH.LONDON
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IMAGE: GROSVENOR’S LONDON ESTATE, MOUNT STREET, MAYFAIR
Local news Light it up The Mount Street Christmas lights will be switched on at the end of November, by a celebrity guest who will be revealed a week before. Boutiques and restaurants in the area will host festive treats to sweeten the cold weather: don’t miss Christian Louboutin’s crépèrie and mince pies from Mount Street Deli. A Christmas extension of the Mayfair Market will also take place from 23 November. Mayfair Market, Brown Hart Gardens, W1K, Christmas Lights, 24 November, Mount Street, W1K, grosvenorlondon.com
IMAGE: JULIE WILSON
CREATURES GREAT AND SMALL
IMAGE: BASED UPON
Natural wonder The Lost Fragment is art studio Based Upon’s latest sculpture, now on display in Berkeley Square. Weighing in at five tonnes, the low-lying form is made of solid granite and bronze, and harks back to the earliest era of human existence. Shaped like an arrow, it points towards the Isle of Skye (the conceptual and physical origin of the work), provoking themes of displacement and eventual homecoming. Against the granite, the glistening bronze suggests the human attempt to improve nature as a prosthetic fallacy. Until the end of December, Berkeley Square, W1J, basedupon.com
In Association with The Residents’ Society of Mayfair & St James’s Committee Members
CHAIRMAN
Lois Peltz (Policy & Traffic)
SECRETARY
The Society of Wildlife Artists is holding its annual exhibition, The Natural Eye at the Mall Galleries for just over a week: all the pieces on show are, of course, subjects of the natural world. One of the selected submissions is by animal sculptor Julie Wilson, who works closely with the David Shepperton Wildlife Foundation. Her giraffe sculpture, Up and Against, is a realistic and moving interpretation. Until 6 November, Mall Galleries, The Mall, SW1Y, mallgalleries.org.uk
Richard Cutt (Crossrail & Finance)
PLANNING APPLICATIONS Ronald Cottee (Planning)
REGULARS
Odyssey of a King Rémy Martin has come together with Hemès, silversmith Puiforcat and Saint Louis to create a one-of-a-kind Louis XIII champagne cognac set that features a hand-stitched leather trunk, three white gold pipettes and the Louis XIII blend in a mouth-blown, hand-engraved crystal magnum decanter and glasses. The masterpiece has just been on display at Burlington Arcade and will be auctioned in aid of The Film Foundation by Sotheby’s on 16 November. Its inspiration comes from the first shipments of the cognac in the late 1870s and is named after the King’s Odyssey. 16 November, sothebys.com, louisxiii-cognac.com
LIONS IN PINK Thomas Pink, the British shirt maker and the official outfitter of the British and Irish Lions rugby club, is launching its own exclusive club that will be open to the public. Captained by rugby legend Brian O’Driscoll, the opening is set to kick off the preparations for the Lions’ 2017 tour to New Zealand in June. In true rugby-club fashion, the three-day event will include a wine-tasting, an initiation night and a rugby quiz with O’Driscoll and his teammates. Everyone is welcome, especially those who love rugby, fashion and fun. 8-10 November, 4 Dover Street, W1S, lionsrugby.com
Pint-size suprises
To raise money and awareness for The Hepatitis C Trust, artistic initiative Art on a Postcard will hold its annual secret auction at Maddox Gallery on 17 November. Hopeful bidders will be able to view the 400 postcardsized artworks at the gallery during the week before the auction, inlcuding pieces donated from the likes of Damien Hirst, Grayson Perry, Peter Blake and Gilbert and George. But which miniature masterpiece bidders will end up with is entirely anonymous until the auction is over – it’s all in the element of surprise. Viewing from 10 November, Maddox Gallery, 9 Maddox Street, W1S, artonapostcard.com
MEMBERSHIP
Howard Evans (Events & Membership)
s L U X U RY L O N D O N . C O. U K s
TRAFFIC Lois Peltz
POLICE
Marie-Louise Burrows
LICENSING
Derek Stratton
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COURVOISIER.COM
Courvoisier. the Napoleon device and Le Cognac de Napoleon are trademarks of Courvoisier S.A.S. ©2016 Courvoisier S.A.S.
from left: burlington arcade ©David Burrows; SHOPS ON MOUNT STREET ©Pete Spiro; Allies, a statue of Franklin D. Roosevelt and Winston Churchill where Old Bond Street meets New Bond Street ©chris dorney
2016
As celebrations kick off for The Mayfair Awards 2016, we turn to figureheads in the area to determine what has moulded Mayfair’s past, present and future. Hannah Lemon reports
W
hen you say the word ‘Mayfair’ at a dinner party, it always draws the biggest smiles, the most interested questions and, normally, an audible sigh of jealousy. This is because anyone who wants to enjoy the crème de la absolute crème of tailoring, fine dining, entertainment, relaxation and, of course, shopping, heads to this discerning precinct of London. But why? How did it get to be such a valued set of streets? And where does it go from here? As The Mayfair Magazine’s annual celebration The Mayfair Awards 2016 draws near, we have brought together our sponsors to eke out the answers to
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these questions over breakfast at Rossana’s luxury kitchens flagship store on Duke Street. Up until the late 1600s, believe it or not, Mayfair was largely a patchwork of fields and farmland. It wasn’t until the turn of the 18th century that developments really began, mostly around the Shepherd Market area to make way for the May Fair (granting the place its name). As well-to-do families rolled in – the Grosvenors, the Berkeleys and the Burlingtons – so did popularity for this plot of land, bringing with it a well-heeled crowd: Lord Horatio Nelson, Winston Churchill and even Her Majesty the Queen, who was born on Bruton Street.
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Once the pastry-fuelled discussion of the area gets underway, unsurprisingly it is Grosvenor, associate sponsor for the Awards, that stands in the limelight. Founded in 1677, it controls about 30 per cent of the wider Mayfair area and has invested a staggering £785 million into its regeneration. “The Grosvenor Estate has really paved the way for the direction of Mayfair,” says David Lee, head of sales for Pastor Real Estate, the headline sponsor for the Awards. “There’s a huge amount of development taking place around Grosvenor Square, for example.” It also claims that out of 700 shops across the estate, only 17 per cent are chain stores.
ANDREW LOVE, CHAIRMAN OF THE RITZ CLUB AND DEPUTY CHAIRMAN OF THE RITZ LONDON ©DIEGO ECHEVERRY
DAVID LEE, HEAD OF SALES AT PASTOR REAL ESTATE ©DIEGO ECHEVERRY
“It’s not just about a great address, but the quality of every detail, such as the art one hangs” “Grosvenor is really careful in considering which retailers come to the area,” says Sophie Roberts, executive director of The Mayfair Magazine. “All the landowners, in fact, cherry-pick who comes here, which ensures that there are no other streets like them.” One particular promenade, Mount Street, receives a salute of admiration from the breakfast group and mutual head nods at the improvement seen in the past year, with Lee dubbing it “one of the best high streets in the world”. It’s unsurprising given the programme to transform the road cost Grosvenor £80 million, with £10 million of that spent on public realm improvements. A far cry from the days when St George’s workhouse used to reside there back in the 19th century or when there were 19 empty shops on the road in the 1990s. It’s not just this corner that has been spruced up – renovations on Dover Street and Bruton Street have brought in everyone from Victoria Beckham to William & Son. “Similarly, New Bond Street towards Oxford Circus used to be a no man’s land,” says Darren Miller, head of UK operations for Rossana. “Now it is filled with interesting stores. People are almost running out of space.”
GROSVENOR SQUARE GARDEN
MOUNT STREET
The influx of high-end boutiques has meant that most labels have had to up their game. “All the shops have improved their visual offering,” explains Andrew Love, chairman of The Ritz Club and deputy chairman of The Ritz London, the venue for the Awards. “Fenwick in particular has improved its window displays, popping up like a spring flower. This competitive nature has the standards constantly increasing.” “More and more young talent feel the need to be here too,” adds Chanda Pandya, brand director at Rossana. “It’s becoming increasingly competitive for each business, restaurant, bar, hotel or even luxury residential development. It’s not just about a great address but the quality of every detail, such as the art one hangs.” With a category at the Awards dedicated to new openings, including Gormley & Gamble and Sophia Webster, it highlights the obvious attraction of W1 for fashion labels, as well as new restaurants, such as Sexy Fish and Park Chinois.
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“I can’t see this interest stopping for a long time yet,” adds Pandya. ”Plus, the surrounding areas all benefit from the investment.” As well as the new, Mayfair has always emphasised its heritage and the age-old craftsmanship and skills residing here. “Companies like Asprey have traditional workshops, where they make things by hand on site,” says Miller. “I’ve been there a few times when they are creating jewellery and setting diamonds.” It may be an expensive place for a factory but local businesses are keen to invest in Mayfair, including the likes of Mount Street Printers, which has masses of machinery dedicated to printing tucked behind the shopfloor. “At The Ritz we have a resident builder,” adds Jackie McDevitt, public relations manager for The Ritz. “And it’s a real talking point for local press and guests. Our chef, our concierge – it’s these people who make the difference.” “It’s true,” continues Pandya. “Heritage and history play a part in any luxury brand. It’s all part of Mayfair being a lifestyle, not just a place to buy the latest designer bag.” Westminster Council, land owners and planners are insistent on keeping the ‘look’ of Mayfair. Back in 1939, three-quarters of the area’s houses were used as offices. This continued after World War II, despite many of the buildings being reduced to rubble, such as Aldford House, Londonderry House and Chesterfield House. Since then, there has been an interesting reverse in the trend for commercial usage and the property market in Mayfair has become a key player on the international stage. Lee notes that while the housing market is successful, new legislation has dented it. “An extra three per cent of stamp duty for second homes and buy-to-lets kicked off in April this year,” he explains. “It was a good tactic to try and calm the overall increase in prices, but the stamp duty costs have sky rocketed. We just have to move forward and wait for the next autumn statement.” However, with shoppers from Europe, the Far East and the Middle East, the area’s popularity is never going to dissipate. Plus, the local community keeps people engaged here. “I, for one, have been visiting the same barber in
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Shepherd Market for 40 years,” chuckles Love. “And there is The Residents’ Society of Mayfair and St James’s (RSMSJ),” explains Roberts, “which is the most active and prolific society in London.” Events such as Grosvenor’s Summer in the Square, the RSMSJ’s Summer Garden Party in Mount Street Gardens and Pastor’s Christmas lights in Shepherd Market ensure that interest is piqued.
“Everyone wants to put money in a safe haven and Mayfair is just that” What does 2017 bring with it? “It’s hard to say what’s going to be next,” says Lee, “but Crossrail will undoubtedly bring huge change. It’s going to increase Transport for London’s central network by about ten per cent.” The tunnels, which are 30 metres below Oxford Street, are finished, as is the structure of the western ticket hall on Davies Street. Up to 220,000 passengers a day are expected to use the station and 300,000 sq ft of retail, commercial and residential space has been approved above the eastern ticket hall on Hanover Street. “It’s a huge undertaking, but it will ensure that this area remains the ultimate luxury shopping destination,” adds Love. With the US Embassy moving south of the river and the Canadian Embassy now in Trafalgar Square, there are other important developments making headway. “The new owners have to retain the façade of the US Embassy’s rather impressive structure. I believe they are planning to create a luxury hotel,” says Lee. “Everyone wants to put money in a safe haven and with all the turmoil
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THE ROYAL ACADEMY OF ARTS
CHANDA PANDYA, BRAND DIRECTOR, AND DARREN MILLER, HEAD OF UK OPERATIONS AT ROSSANA ©DIEGO ECHEVERRY
abroad, Mayfair is still regarded as just that.” All the new properties, hotels, shops and restaurants continue to make Mayfair a better place for Londoners to live and work. “A certain type of person who wants to live a particular lifestyle heads to Mayfair,” says Pandya. “For many people it’s aspirational, but for those who finally get here, they don’t want to – or need to – ever leave.” The Grosvenors, after all, have been here for more than four centuries. The winners for The Mayfair Awards 2016 will be announced in the December issue after the ceremony on 25 October, themayfairawards.co.uk
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REGENT STREET OLD BOND STREET FENCHURCH STREET
FROM LEFT: THE SOUTH AUDLEY STREET STORE, IMAGE ©PAOLA PANSINI. BELOW: THE ASHLEY HICKS COLLECTION
HERVÉ MARTIN
INTERVIEW
Bed roses of
As the world’s most prestigious bedding company rolls into Mayfair, Marianne Dick speaks to CEO Hervé Martin, the man who is making staying in the new going out
A
n understated Italian homeware brand has recently opened the doors of its new British flagship on a corner of South Audley Street. Aside from the New Bond Street store that opened in 1977 and closed at the turn of the millennium, Frette has been a quietly familiar presence in Mayfair for decades. Its sumptuous bed sheets, indulgent dressing gowns and cloud-like towels are an advantage of staying at many of the area’s most exclusive hotels. “London was the number one place in the world where we wanted to introduce the new expression of Frette because it is probably – in Europe certainly – the most international city in the world,” explains CEO Hervé Martin in his melodic French accent. “We chose Mayfair because it is in the heart of the city, but we also wanted to remain in a cosy, more exclusive section. And I very much liked what was happening with the regeneration around Mount Street and South Audley Street.” Slipping between Frette sheets, Martin tells me, is a feeling incomparable to any other brand in the industry. Only the finest materials are used – for example, cotton supplies are bought from El Amria in Egypt where they produce some of the longest fibres in the
world, resulting in a smoother finish when the threads are twisted. This superior quality has been around ever since the company started out as Frette, Payre & Chaboud in Grenoble in 1860. By 1978, the company had two factories in Monza and a shop on Milan’s fashionable shopping street Via Manzoni. Between 1879 and 1881, the business encountered many changes and emerged as the Monza-based E. Frette & C., a collaboration between Edmond Frette (of the original line-up) and two Italian associates, Giuseppe Maggi and Carlo Antonietti. During this period, E. Frette & C. were commissioned to produce linen for the Italian ministry and its embassies worldwide – a tradition that still stands today. In 1881, the brand became an official purveyor for the Italian royal family and subsequently more than 500 noble European dynasties began ordering the company’s bespoke goods, often embellished with their family crests. While personalisation was once reserved for certain clientele only, bespoke services are being steadily introduced into more stores as part of Martin’s vision of Frette’s ‘new expression’. The Mayfair flagship, for one, has a dedicated enclave where clients are invited to relax and discuss
“The Mayfair flagship has a dedicated enclave where clients are invited to relax and discuss the tailor-made options”
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the many tailor-made options on offer, during a private consultation. At the turn of the 20th century, Frette became synonymous with the luxury experiences at the most established hotels, including The Ritz in Paris and The Savoy in London. Today, its sheets are well known for lining the beds of establishments of equal calibre, such as Claridge’s and The Connaught. “We try to be where quality, sophistication and beauty is located,” says Martin. More obscurely, Frette threads have been draped over the altar of St Peter’s Basilica in the Vatican and the tables of the Titanic, and are still used in the dining cars of the Orient Express. Despite its far-reaching presence, there remains a relative hush around Frette; it is rumoured to be the preferred bedfellow of many high-profile figures, including Cameron Diaz and Madonna. “We’ve been supported by the best clients in the world for many decades, and it’s the relationship we have with them that brings a sense of luxury to the brand,” says Martin. Despite this, the CEO seems quite determined to expose Frette to a wider market while retaining important elements of its prestigious history. “Each of us belong to a family line and carry a piece of that DNA with us,” he explains, “yet we try to reinvent or define ourselves because we don’t want to be just a descendant of our grandparents. In the same way, Frette is doing exactly that: we are defining ourselves.” The new store marks a significant milestone for the brand. The interiors were envisaged by Britt Moran and Emiliano Salci at Dimore Studio – an Italian duo who have designed stores for Aesop and Hermès, and whose sophisticated Art Deco style showcases the Frette collections seamlessly. Blue tones feature prominently throughout; a continuation of recently redesigned packaging that Martin describes as “fresh, crisp, modern and Mediterranean”. The complex jacquard pattern – a Frette trademark that came into production
INTERVIEW
CLOCKWISE FROM LEFT: FRETTE LINENS, IMAGE ©FEDERICO CEDRONE; ASHLEY HICKS COLLECTION; THE BESPOKE AREA IN THE NEW SOUTH AUDLEY STREET STORE, IMAGE ©PAOLA PANSINI; SOUTH AUDLEY STREET STORE EXTERIOR, IMAGE ©PAOLA PANSINI; THE ASHLEY HICKS COLLECTION. ALL IMAGES COURTESY OF FRETTE
around 1880 when the revolutionary Vicenzi loom was introduced – has been translated into elements of the new store, including the feature wall that frames the central staircase. “The autumn and winter collections were actually born with the very simple idea that it would be a reference to jacquard,” says Martin. “For me, the thread is not only the basis of the fabric and the decorations, but it is also the thread that links the Frette of the past and the Frette of tomorrow. “The Doppio Ajour bedspread that you will find in the window is part of this idea: it is a beautiful piece – quite dramatic – and is today’s reinterpretation of the Frette jacquard.” Prior to Martin’s leadership at Frette, which began in 2014, he worked for leading names including Louis Vuitton, Baccarat, Cartier and Kenzo. In the luxury world Martin is a marketing magician and undeniably he has made quite an impact in the past two years. “My goal is to constantly update products to make the classics of tomorrow,” he says. “It is important that our designs refer to the customers and the lifestyle of this century – we need to evolve and innovate.” Collaboration is not an unfamiliar concept to Martin. The brand has an ongoing programme dubbed Frette Creates that champions up-andcoming designers and works with established talent like Ashley Hicks, who has created the UKexclusive Salvadori range in celebration of the new Mayfair store. Martin divulges however, that he would be interested in working with art directors and fashion designers such as Dries Van Noten, Karl Lagerfeld and Alexander Wang in the future. “I think that there is something happening at the moment, which after years of people wanting to go out and show off what they have, marks a return to the development of and great interest in interior design and sophistication at home,” remarks Martin. There may be a revolution stirring in the world of interiors, but one thing is for certain: there’s a French revolution flourishing in the world of Frette. Hervé Martin has made his bed, and we don’t think he’ll have any qualms about lying in it. 43 South Audley Street, W1K, frette.com
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Blueprint for the future When Zaha Hadid passed away in March, her office partner Patrik Schumacher suddenly became the architectural practice’s new principal. Camilla Apcar meets him to talk about Hadid’s legacy, his plans for the firm and its latest furniture collection
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atrik Schumacher joined Zaha Hadid Architects as a student in 1988, two years before completing his architectural diploma, when the practice was still a small studio. After Hadid passed away in March, Schumacher – by then office partner and a director – was chosen to lead as its new principal. The circumstances of Schumacher’s move into the spotlight were tragically unforeseen, and the sudden loss of the ‘starchitect’ of such a large research-led firm – now with 400 creatives, built from just four in 1979 – was also somewhat unprecedented. “Emotionally it was very tough, of course. For 30 years Zaha and I were communicating daily and bouncing ideas off each other,” says the German-born architect. “We built the brand together.” Hadid’s legacy has already written itself. In 2004 she became the first female winner of the Pritzker
INTERVIEW
Architecture Prize, and the first woman to receive the Royal Institute of British Architects gold medal, earlier this year. Despite struggling to win proposals for decades in the UK, her prolific work is internationally renowned and valued for eschewing stylish fads in favour of the theoretical. The Hadid aesthetic is unmistakable: concrete, glass and steel brought together in vast futuristic forms that play with curves. Two prime examples are buildings that Schumacher co-designed with the architect herself – the Guangzhou Opera House (pictured top right), with its freestanding concrete auditorium set inside an angular exposed granite and glass-clad steel frame; and the MAXXI museum in Rome (pictured above),
“Architecture is about communication. Buildings needs to be expressive” where swerving ceiling tracks and staircases put black and white in curvilinear contrast, leading to a periscope-like viewing platform over the city. “Architecture is about communication,” says Schumacher. “[Buildings] need to be expressive.” The Guggenheim Museum in Taiwan and London Aquatics Centre (pictured right) are among the many other cultural sites the firm has to its name, and its portfolio of mixed-use residential and office headquarters is growing steadily. The Middle East remains an important market, where the practice is working on the Central Bank of Iraq. Elsewhere, the new and improved Beijing airport is under construction (pictured above right).
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PREVIOUS PAGE, CLOCKWISE FROM TOP: MAXXI MUSEUM, PHOTOGRAPHY: HÉLÈNE BINET; GUANGZHOU OPERA HOUSE, PHOTOGRAPHY: HUFTON + CROW PHOTOGRAPHERS; BEIJING NEW AIRPORT TERMINAL BUILDING, RENDER BY METHANOIA ©ZAHA HADID ARCHITECTS; LONDON AQUATICS CENTRE, PHOTOGRAPHY: HUFTON + CROW; PATRIK SCHUMACHER, PHOTOGRAPHY: MARTIN SLIVKA CLOCKWISE FROM TOP LEFT: CENTRAL BANK OF IRAQ, COURTESY OF ZAHA HADID ARCHITECTS; LISSE CHANDELIER, COURTESY OF DAVID GILL GALLERY; MESSNER MOUNTAIN MUSEUM CORONES, SOUTH TYROL, ITALY, PHOTOGRAPHY: ©INEXHIBIT.COM; LIQUID GLACIAL CONSOLE 2; ULTRA STELLAR COFFEE TABLE; ULTRA STELLAR CHAIR; ULTRA STELLAR TABLE, ALL FOUR COURTESY OF DAVID GILL GALLERY
Zaha Hadid Architects now has 54 projects in 26 countries either under construction or in detailed design, and will complete a building every year for the rest of the decade. Its offices can be found across the globe from Hong Kong to New York and are soon to come in Dubai and Mexico City. Yet it is down to Schumacher, in large part, to shape the firm’s future. The question of how to move on without the eponymous founder remains a difficult one, and the answer remains to be seen in the coming years. “Zaha was very intuitive in her way of working,” Schumacher describes, “while I have an element of analytic overlay and reflection – to write, theorise and explain the rationality of what we’re doing. I think it’s important to explain that the environments [we are creating] aren’t only stimulating, but very efficient in structuring the live processes of our contemporary world.”
After Hadid passed away, the practice had a week of contemplation during which friends and colleagues gathered in its Clerkenwell headquarters every day. “There was a huge wave of sympathy and encouragement, people wishing us well and wanting us to continue. We gathered everybody in the office to talk about Zaha’s legacy, what we have achieved and how we will be moving on… how we also need to reinvent ourselves partially, and remain innovative.” This innovation is key to Schumacher’s vision; environmental and material efficiency is just as important to him as design and aesthetics. “We are very savvy when it comes to the computational [intelligence] within our design process, using evolutionary algorithms and structural organisation in respect to fabrication logics,” he explains, expounding with academic enthusiasm on the ‘synergies’ between architectural theory and modern technology. The practice is also looking at 3D-printing in concrete and other materials, as well as robotic fabrication techniques. “The next stage of innovation is no longer coming from small studios, as it was maybe 30 years ago,” he continues. “That was when we had to break the mould of modernism into the study
INTERVIEW
Hadid’s sculptural, almost fluid limited editions straddle the fine line between furniture and works of art of more complex urban situations. [Today], larger firms have the chance to build research departments. It’s a bit like Google in the world of tech. You have some start-ups, but in the end it’s larger firms that are really cutting-edge and bringing things into realisation.” Schumacher is also investing in what he refers to as ‘social functionality enhancement’. “We want to model the live process that goes on in buildings,” he says. The concept is particularly relevant for large buildings or complexes, and the company uses digital technology to simulate how people gather, communicate and roam in certain spaces. The practice’s future and any reinvention will call on its vast team, who are all given their own artistic scope. Ever-wary of falling into routines, “Zaha’s contribution really was to create that open-source ambience for creative flourishing,” recalls the new principal. Perhaps testament to this freedom, none of the practice’s talents have left since March, he reports, even though headhunters came knocking thick and fast. Another area that Schumacher is turning his attention to is the firm’s interior design arm: sculptural, almost fluid limited editions that straddle the fine line between furniture and works of art. The latest collection, UltraStellar, marks a departure from the sleek acrylic and often transparent icy shapes that have characterised Zaha Hadid furniture to date. It is her final collection for Mayfair gallerist David Gill, who will be exhibiting the works until 29 October and selling them thereafter. Packed with wooden furniture and orange or lime leather, the new series includes tables – large and small – as well as benches and chairs. The
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change of direction was inspired by looking back at 1950s and ’60s modernist timber furniture, says Schumacher. “It’s something we’ve never done before, and is very organic.” Acrylic has not been left entirely behind, however – it is married with the collection’s walnut curvature. The Liquid Glacial range (from around £16,000), launched in 2012, has been extended with two consoles and a bowl in both clear acrylic and sterling silver. Gill has also unveiled a sinuous steel and glass chandelier (pictured above), a cobweb-like design that was initially shown as a prototype at the 2014 London Design Festival and now manufactured for the first time. “These pieces are more unique and varied because they are robotically constructed or milled,” says Schumacher. “The technology of [their] making is not premised on mass production and uses complex curvature, which has a tactile quality. They are inherently appealing, like the forms of nature. There’s a strong continuity between buildings and the theory of furniture.” The future, it seems, is bright. zaha-hadid.com, David Gill Gallery, 2-4 King Street, SW1Y, davidgillgallery.com
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The Assouline
AESTHETIC For bibliophiles and tastemakers alike, a library designed by Martine and Prosper Assouline is the ultimate in home improvements. Camilla Apcar steps inside the power couple’s world
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side from the late Melvil Dewey perhaps, no one understands libraries quite like Prosper and Martine Assouline do. The husband and wife team have been publishing the smartest of tomes since 1994 (1,500 and counting), and after opening its first international flagship on Piccadilly, Assouline has spent the past two years formalising another aspect of its empire: interiors. The idea behind Assouline’s ‘cultural lounge department’ was kindled by demand from those visiting the London bookshop asking for their own private library designed in the same impeccably stylish way. Little wonder: huge armchairs are set beside low tables, tempting escape to another realm for those with even five minutes to sit and read, while bookcases are surrounded and topped by intriguing antiques, sculptures and memorabilia. Upstairs, every object on display is for sale – from a miniature golden statue of a rhinoceros to tribal masks – each sourced by the couple themselves on their travels. Prosper’s most beloved find was an embroidered Chinese chinoiserie chair made in England in 1852 that had been kept in a Japanese city of temples. “You can feel the quality of the English craftmaker,” he enthuses, lapsing in and out of French in his excitement. “It had been a donation from a pharmacy in Kyoto in the early 19th century.” Other pieces at the Piccadilly bookshop-cumlibrary come from two furniture collections of the
MARTINE AND PROSPER ASSOULINE
INTERVIEW
Piccadilly’s Maison offers a taste of what can be created for one’s own home – a contemporary, cultural cabinet of curiosities Assoulines’ own design, Allure and High Society (both from £585). Red or cream lacquered bookcases tower alongside coffee tables and sofas with plenty of hand-applied gold leaf, red leather and bronze detailing. Best of all is a three-panel wood screen (£9,685, pictured left) wrapped in leather and embossed with Assouline’s signature Didot typeface – one side in gold and the other in silver – and similarly type-set carpets made from New Zealand wool (£42 per sq m). Martine’s favourite is the X bookstand (£3,185, pictured left). “It comes in lacquered beige and dark bronze and different type of woods,” she says. “It’s like a sculpture and is very elegant. FROM TOP: HIGH SOCIETY AT MAISON ASSOULINE PICCADILLY ©OLIMPIA CASTELLINI; DIDOT SCREEN; ALLURE X BOOKSTAND
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CALEDONIA ASSOULINE CULTURE LOUNGE
HIGH SOCIETY AT MAISON ASSOULINE PICCADILLY ©OLIMPIA CASTELLINI
“Prosper and I were visiting the oriental section of the Metropolitan Museum of Art in New York and discovered an old wooden bookstand carrying a 16th-century book. I fell in love and he designed a 21st-century version of it.” The Assoulines’ London ‘Maison’ offers a taste of the cultural lounge that can be created for one’s own home. Under the couple’s personal guidance, each project is designed to capture the spirit of the existing house. “It’s not just about bringing in designer furniture, but mixing the furniture and objects [like] a contemporary cabinet of curiosities,” says Prosper. The essentials for every cultural lounge of course include “a good chair to sit on with a good book,” he says. “You also need a globe, because it makes you daydream about travelling.” Martine agrees: “a great table or high bookstand, and a very comfortable armchair or sofa bed with the most important thing – good light!” “I want people to feel comfortable and calm,” says Prosper. “My first reference is a public library, where you don’t have a phone or television: it’s the most peaceful place in the world because you’re surrounded by culture.” The pair have also developed a set of five scented candles – Paper, Culture Lounge,
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Leather, Wood and Havana (from £32) – to complement their interior designs. “We smelt something like 3,000 books and found just three that we felt were right,” says Prosper. These were then analysed to create the scents. For those enamoured by the Assouline aesthetic and dreaming of an entire home designed by their hand, it may come as a disappointment that other residential rooms are not on the agenda at present. “To tell you the truth, I don’t want to move away from the library,” says Prosper. “The dining room is something that interests me a lot – but if I do one, I will design it like a library. To have dinner surrounded by books with a ladder and a chandelier would be amazing.” Assouline also works with property developers and hoteliers. Its projects have included a threefloor apartment in Miami, as well as properties in Beijing, Dubai and Houston. The Patina hotel in Singapore will soon open featuring an Assoulinedesigned lobby, rooms and shop. The pair recently worked on a big development at The Four Seasons in Miami. “The old part of the building dates back to the 1920s, and they asked us to design a private suite at the Surf Club,” describes Prosper. “I created it completely in the spirit of Hemingway, including a replica of his boat.” It is a time-consuming endeavour and not every interior project is taken on, as Assouline’s primary focus remains on publishing. “We need to understand people’s interests – whether they are more art or fashion-led – because we put in a lot of our own books, as well as vintage ones,” Prosper continues. To wit, a house with 5,000 volumes has just been finished, each ready to be plucked from the shelves. “To create a book, an object or a piece of furniture is extremely different,” says Martine. “The only common element is taste, and strangely enough, Prosper and I share exactly the same taste.” A flawless sense of style seems intrinsic to the Assoulines. Cultivating it, Martine says, is not unlike training to be a runner or a dancer. “The more you practice, the stronger you are. Taste goes the same way.” interiors@assouline.com, 196a Piccadilly, W1J, assouline.com
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Fit like a
GLOVE K
arl Lagerfeld has his fingers on the pulse at Chanel, especially with the brand’s latest watch model. The black-and-white J12 XS collection emulates the creative director’s famous monochrome aesthetic, and includes a limited edition range of fingerless lambskin gloves – onto which the watch can be strapped – that references Karl’s own style signature. One of the most impressive pieces is the large watch cuff (pictured), which fuses high-tech black ceramic, steel and diamonds. The most notable thing about the J12 XS, however, is its size. The model has been whittled down to 19mm – dainty, but full of attitude. From £3,775, chanel.com
IMAGE COURTESY OF: CHANEL
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Urban Jurgensen Advert - RWMG 333x235mm.indd 2
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Watch news WORDS: RICHARD BROWN
Setting sail for the America’s Cup
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rom 18-20 November, the city of Fukuoka in Japan will host the ninth and final leg of the Louis Vuitton America’s Cup World Series. Skippered by Sir Ben Ainslie, British challenger Land Rover BAR tops the leader board, ahead of cup defender Oracle Team USA and Emirates Team New Zealand. The 2013 America’s Cup saw Ainslie and the Oracle team claw back a seven point deficit by winning eight consecutive races, in one of the greatest comebacks in sporting history. Acting as the event’s official timing partner, Bremont has announced two new additions to its America’s Cup collection. Both the Regatta AC and
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Regatta OTUSA chronographs feature a date window and 12-hour counter at six o’clock and 5-minute countdown timer at 12 o’clock. The sportier Regatta OTUSA model also boasts an additional 15-minute countdown display and is available in titanium (£4,995, pictured above right), whereas the sleeker Regatta AC version is delivered in either polished steel (£4,995) or rose gold (£11,995, pictured above left). The winner of the 35th America’s Cup will be determined in Bermuda next June, the leading challenger having emerged from the Qualifier and Playoff rounds that follow the initial nine-leg Series. bremont.com, americascup.com 37
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In pursuit of the perfect pilot’s watch As the sporty sister brand to the more classic Frédérique Constant, Alpina has cornered the market when it comes to entry-level action watches. Its latest innovation, the Startimer Pilot Automatic Chronograph, is a distinctly ergonomic piece with highly-legible sub-dials and luminous indexes. Military dial colours come in either black, petrol blue or dark green. Alpina’s distinctive red triangle sits at 12 o’clock and a date window is found at 3 o’clock. Fans of early pilot watches will appreciate the large 44mm case, oversized screw-in crown and chunky leather strap. £2,090, alpina-watches.com
SOMETHING OLD, SOMETHING NEW The meteoric rise of Tudor after its 2014 re-release onto the UK market has sparked not inconsiderable interest in the brand’s creations of yore. So much so that Burlington Arcade’s David Duggan has become the first retailer to stock both vintage and new models side by side. Present-day Black Bay pieces (from £2,120) and Pelagos dive watches (from £3,200) sit next to their vintage counterparts: Tudor Submariners from the 1960s and 1970s (pictured below, from £7,750). Also on show are rare early versions of the original Advisor watch, the Oyster Prince Submariner (pictured above, POA) that became the timekeeping instrument of choice for the US Navy and the Marine Nationale Française. Burlington Arcade, W1, tudorwatch.com
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Farer’s mechanical debut While in recent years we’ve witnessed an explosion in home-grown ‘fashion watches’ (think Olivia Burton, Shore Projects and Sekford), you can still count the number of British brands producing serious numbers of mechanical watches on one hand. Bremont, Christopher Ward, Schofield and Pinion will get you to four; Farer will now take you to five. Until recently, Farer sat firmly within the fashion watch sector, but has now announced its first collection of automatics. As with all UK mechanical watch brands, Farer is reliant on Switzerland for its self-winding movements (the ETA-produced Calibre 2824-2, in this case), but names such as Beagle and Endurance nod toward decidedly British underpinnings. The three 39.5mm timepieces are designed to be unisex. Each comprises a stainless steel case and a sapphire crystal case-back, through which an engraved oscillating weight is visible. £875, farer.com s L U X U RY L O N D O N . C O. U K s
M ANUFACTUR E DE H AU TE H OR LOGER IE
TONDA CHRONOR ANNIVERSAIRE
Rose gold case Rose gold openworked movement Integrated split second chronograph Big date at 12 h Hermès alligator strap Made in Switzerland parmigiani.ch
ATELIER PARMIGIANI 97 MOUNT STREET, MAYFAIR, LONDON W1K 2TD, TEL. 020 7495 5172 LONDON SELFRIDGES, THE WONDER ROOM | WATCHES OF SWITZERLAND | FROST OF LONDON HARROGATE & YORK ODGEN | SCOTLAND AND NEWCASTLE ROX DIAMONDS AND THRILLS
Parmigiani_HQ • Visual: Tonda Chronor Anniversaire • Magazine: Mayfair 26_10_16 (GB) •
Ready for take off: ONBOARD WITH THE BREITLING RACING TEAM
The Red Bull Air Race World Championship is designed to push the planet’s best pilots to the limit. As the season reaches its conclusion, Holly Fradley discovers just what that means, courtesy of official timekeeper Breitling
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word of warning. If you suffer from generalised anxiety disorder and one day someone invites you to experience the fastest motorsport on the planet, from a pilot’s seat, rather than the spectator stands, do not seek solace from the internet. As with any undiagnosed medical affliction, Google’s search results are not the most reassuring. My invitation came courtesy of Breitling, official timekeeper to the Red Bull Air Race World Championship, an event designed to provide the most advanced aerial challenge in any stunt pilot’s calendar. Nervous didn’t come close. Breitling has been involved with the Championship since 2007, its entrants in the 2016 season taking the form of France’s François Le Vot and legendary British aerobat Nigel Lamb. You don’t have to overhype the synergies that exist between a low-level, high-speed aeroplane competition and a company that has cultivated its image around precision. Aviation is Breitling’s thing. Inventors of the first wrist chronograph in 1915; the first
BREITLING’S EMERGENCY NIGHT MISSION, THE WORLD’S FIRST WATCH WITH AN IN-BUILT DUALFREQUENCY PERSONAL LOCATOR BEACON, IS NOW AVAILABLE WITH ORANGE OR YELLOW ACCENTS, £15,340
chronograph to feature an independent pushpiece in 1923; and the first company to subsequently present a two push-piece chronograph in 1934, Breitling spent its early years conceiving devices that proved particularly practical for pilots. The brand cemented its standing in the aviation industry with the 1952 launch of the Navitimer. The watch’s complex slide rule allowed pilots to calculate fuel consumption with a glance towards their wrist. Think of it as the world’s first smart-watch. It’s a sunny Sunday morning in August at Blackbushe Airport, Surrey, and my heart is in my mouth. This afternoon, the 14 pilots that make up the Red Bull Air Race Masterclass will compete in the Ascot leg of the World Championships. Before that? A taster session in a two-seater stunt plane and speeds of up to 200mph. “You must remember to keep communicating with me throughout the flight,” says Francis Barros, my pilot for the day and three-time winner of Brazil’s National Aerobatic Championship. “I will need to know that you are still conscious.” The cockpit before me has pedals and a
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joystick. “Avoid touching them at all costs,” says Barros. In front, a Garmin camera is positioned unflatteringly close to my face. We begin with an airport flyover and some turns at speed through a series of 25 metre-high air-filled pylon gates. So far, still conscious. Next, a couple of barrel rolls, some loops and a stall turn. We’d agreed beforehand that a thumbs up from me meant that I was comfortable for Barros to go faster. Surprisingly, I found that both of my thumbs were up. Then, astonishingly, I was allowed to take control of the joystick. Ten minutes, 5Gs and one breathtaking experience of a lifetime later, I was back on the ground, the blood beginning to find its usual route around my body. Barros, the flight, and the Ascot race that followed were incredible. The Garmin video of my face under g-force, not so much. Following the cancellation due to high winds of the final race in Las Vegas in October, Germany’s Matthias Dolderer was named the 2016 Red Bull Air Race World Champion. Breitling’s Nigel Lamb and François Le Vot finished fourth and 12th, respectively. redbullairrace.com; breitling.com MAIN IMAGE: NIGEL LAMB OF GREAT BRITAIN PERFORMS DURING THE TRAINING OF THE FIRST STAGE OF THE RED BULL AIR RACE WORLD CHAMPIONSHIP IN ABU DHABI, UNITED ARAB EMIRATES ON 10 MARCH 2016, PHOTOGRAPHY: PREDRAG VUCKOVIC; ALL IMAGES ©RED BULL MEDIA HOUSE
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Reach for the stars Bridal and ready-to-wear designer Jenny Packham has created an exclusive fine jewellery collection for Goldsmiths. It comprises three engagement rings – Gloria, Aurora and Étoile – and each style arrives with matching earrings and a pendant to complete the bridal suite. The brilliant-cut Art Deco Gloria ring was inspired by the 1920s Hollywood starlet Gloria Swanson, while both Étoile (a brilliant-cut single halo) and Aurora (an oval double halo) were inspired by the night sky. From £600-£7,800, goldsmiths.co.uk
Jewellery
news
WORDS: OLIVIA SHARPE
Two by two
HEART OF GOLD The modern trend for rose gold engagement rings has now been given a timeless appeal thanks to Tiffany & Co.’s latest collection. As part of the celebrations to mark the 130th anniversary of its famous Tiffany Setting that lifts the stone above the band (first introduced in 1886 by founder Charles Lewis Tiffany), the jeweller has reimagined this classic ring – featuring six platinum prongs that elevate the central stone above the band – in contemporary 18-karat rose gold. It also comes with a matching rose gold and diamond pavé wedding band. From £1,150, tiffany.co.uk
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The animal kingdom has once again been brought to life in the world of high jewellery by Van Cleef & Arpels. From elephants and giraffes to parrots and penguins, each creature in this menagerie-inspired line comes in the form of precious clips (presented as a pair or singularly). The eternal faithfulness of penguins, which are known to mate for life, has been illustrated in a tender composition featuring diamonds, black onyx and two shades of coral on the base to represent their icy homeland, while the allure of the mythical phoenix (pictured) has been depicted in golden mother-of-pearl and diamonds. Noah’s Ark collection, POA, vancleefarpels.com
True colours An engagement ring should be a reflection of one’s personality, and when it comes to Fabergé’s new collection, it certainly does just that. In tribute to its colourful creative history, the house has replaced the traditional white diamond with emeralds, rubies and sapphires. Within each engagement ring and wedding band there is an additional concealed gemstone of matching colour to symbolise an unbroken bond between the couple. From £857, faberge.com s L U X U RY L O N D O N . C O. U K s
C H R I S T M A S AT T H E R I T Z
www.theritzlondon.com/christmas Mayfair November16 issue.indd 1
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With the holiday season fast approaching, get your brain in Christmas shopping mode with these luxurious gift ideas for him and her
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Raise a glass The best thing about a whisky connoisseur is that they’re always the easiest member of the family to buy for when it comes to choosing a gift. The only decision to be made, then, is between two of The Macallan’s single malts. The Macallan Gold Limited Edition Gift Tin brings to life the natural beauty and quality of the oak used to make the casks with beautiful photography, making it a decorative and eye-catching keepsake for whisky enthusiasts. But if you’re looking to go the extra mile, choose The Macallan Rare Cask, which sees soft notes of opulent vanilla and raisin pique the nose, giving way to a sweet ensemble of apple, lemon, and orange. A single malt produced through meticulous dedication to wood – with some of the casks used to age the whisky from sherry bodegas no longer in existence – it is the perfect gift for those who are fans of craftsmanship and quality. As Mark Twain once said: “Too much of anything is bad, but too much good whisky is barely enough.” The Macallan Gold Limited Edition Gift Tin, £38; The Macallan Rare Cask, £200, themacallan.com
Rituals and relaxation Roasting chestnuts. Spiced gingerbread. Mulled wine. Nothing has the ability to evoke an emotion quite like our sense of smell. And while the heady aromas of Christmas are just the ticket around December, everyone needs a scent to see them through the rest of the year, too. Step forward the new luxury gift sets from Rituals, with their unique blend of home and body products; a great gift idea for almost anyone. Available in small, medium, large and extra large, choose between The Ritual of Dao, The Ritual of Sakura, The Ritual of Laughing Buddha and The Ritual of Ayurveda for a special lady in your life, and either The Ritual of Samurai or The Ritual of Hammam for a man who prides himself on looking sharp. Bursting with shower foams and scrubs, body creams, muds and oils, the extra large gift sets contain a unique combination of home and body products. What’s more, the new environmentally-friendly packaging can be reused as a keepsake box for your jewels or mementos. Rituals new Christmas Gift Sets, small, £19.50; medium, £29.50; large, £39.50; extra large, £65, uk.rituals.com
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All that glitters Hailing from Beirut, jewellery house Yeprem’s story goes back more than 50 years when Lebanese-born Yeprem Chakardemian’s mother gave him a gold bracelet. Having re-moulded his inheritance into a pristine ornament, he knew he was destined to create luxurious jewellery. Inspired by the female form, each piece truly works as a sculptural extension of the body, be it a bangle, a necklace, a ring or an ear cuff. As truly standout works-ofart, each design is best worn as a centerpiece with little or no other adornment. Just as beautiful but totally different in style is Noudar, whose founder and designer Noor Al Fardan was always fascinated with watches and the mechanisms behind the art of watchmaking. This greatly influenced Noudar’s jewellery by emphasising the importance of movement and flexibility: mosaics, cameos and edgy rings are meticulously crafted to wrap around whichever body part they are designed to adorn. Finally, for a gift with star quality, choose an item from Jade Jagger’s Stellar collection, which includes white gold star pendants, rings and bangles. Wear each piece on its own for a simple, chic look, or stack for a more eclectic image. After all, life is too short to wear boring jewellery. yepremjewellery.com, noudar.com, jadejagger.co.uk, kovadi.com
CLOCKWISE FROM LEFT: TELL ME YOUR STORY EARRINGS, MARIA KOVADI, £2,700; STELLAR BANGLE, JADE JAGGER, £16,272; LACE RING, NOUDAR, £20,500; CLEAVAGE RING, YEPREM, £7,200
Perfect scents For a foolproof Christmas gift, the perfect scent always makes perfect sense. An encounter between two symbols of excellence – Maison Baccarat and Maison Francis Kurkdjian – Baccarat Rouge 540 fuses the ethereal facets of jasmine and the radiance of saffron, carrying with it ambergris mineral notes and woody tones of freshly cut cedar. Or for a more floral choice, Luxury by Mizensir – the fragrance house founded by Alberto Morillas, one of the world’s most renowned perfumers – magnifies the natural scent of the skin with a splash of orange tree flower and a touch of iris, combined with notes of benzoin, vanilla and tonka bean. For that special man in your life, choose Creed’s Aventus, a heroic fragrance that is for the bold, spirited and confident: top note blackcurrant blends with bergamot from Italy, while apple and pineapple mingle with the middle notes of birch and jasmine, and base hints of oakmoss and vanilla. As the bottle motif suggests, Aventus’s roots are very classic, yet the fragrance is contemporary, forceful and roaring with energy. Creed available from Creed Boutique, 99 Mount Street, W1K, creedfragrances.co.uk; Maison Francis Kurdjian and Mizensir available from Black Hall Perfumery at Harrods, harrods.com
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LEFT: LUXURY FROM MIZENSIR, £165 CENTRE: BACCARAT ROUGE 540 MAISON FRANCIS KURKDJIAN ICONIC BOTTLE, NATURAL SPRAY, 70ML, £195. ALSO AVAILABLE IN A LIMITED AND NUMBERED BACCARAT CRYSTAL EDITION, 100ML, £3,000; RIGHT: AVENTUS FOR HIM, FROM £99-£490
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An oud to tradition There are few perfumes with a history so ingrained in a region’s culture as oud. Famed for its talismanic heritage, Arabian Oud sources its elixir from the most expensive scented wood known to man. The Agarwood tree, from which the wood originates, is indigenous to only a few remote regions in India, Malaysia, Cambodia, Indonesia and Brunei, and the trees are left to mature for hundreds of years before the perfume is extracted. If you’re looking for a truly precious gift to give, the House’s Kashmir scent is an ideal choice for men, with its fruity top notes of Japanese yuzu, blackcurrant and plum; heart notes of oud, rose and jasmine; and earthy base notes of white musk, Kashmir oud and vanilla. Meanwhile, women will adore Madawi with its combination of Eastern and Western aromas. Expect softer top notes of peach and apple blossom, but the signature base notes of wild rose, musk and patchouli. If you’re left wanting more, then head online, or to the European flagship store on Oxford Street. Set over two floors, the lower floor is reserved for VIP customers by appointment only. Kashmir, £175; Madawi, £160, 435-437 Oxford Street, W1C, arabianoud.co.uk
Swiss precision What to buy for the tech fan who has everything? Swiss start-up SIRIN LABS has just the answer with its first product, SOLARIN. Launched this May, the smartphone already boasts an A-list clientele and is the result of more than two years of intensive research and development. SOLARIN is pioneering in both appearance and function, offering superior features such as an industry-leading camera, a screen of unbeatable clarity, the richest sound system, unrivalled global connectivity and WiGig (the WiFi of the future), all of which are safeguarded by state-of-the-art cyber-threat protection. This is further enhanced by the military-standard 256-bit AES (aka super strong security software), which ensures that your private information stays, well, private. The result is the best of both worlds: a top of the range handset with an unrivalled level of privacy that can’t be found outside of the agency world. As well as online, SOLARIN can be bought from its Bruton Place boutique and Harrods’ Technology department. The specialist teams based in each store offer clear consultation, full joining assistance and will provide on-going support to the lucky receiver. It certainly beats another pair of novelty socks. From £9,500 + VAT, 34 Bruton Place, W1J, 020 7495 8572, sirinlabs.com
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Hidden gem An exceptionally rare jewellery experience awaits you in the heart of Mayfair’s Royal Arcade, where international awardwinning jeweller Calleija has opened his brand new multi-level boutique. One of the world’s leading jewellers, Calleija is renowned for meticulous attention to detail, skilled craftsmanship, carefully curated coloured gems and spectacular diamonds. Most notable are the Australian Argyle pink, brilliant white and striking yellow diamonds and, of course, the brand’s signature stone, the Glacier®. Dedicated to creating personalised bespoke gifts of the highest quality, Calleija encourages one’s personal style to be expressed through the exquisite wonders of each jewel. Each design is bespoke from start to finish and is both drawn and crafted by hand, a process that is mastered by Calleija’s dedicated team of artisans, who will assist you in creating the perfect gift. As one of the most well-renowned Australian jewellers in the world and with more than 35 years’ experience in the industry, the brand’s founder John Celleija is notorious for his relentless quest to create spectacular masterpieces from the finest diamonds and gemstones, making Celleija the go-to boutique for jewellery that will no doubt be passed down through generations. Remember: diamonds are forever, not just for Christmas. 28 Old Bond Street, No. 7 The Royal Arcade, W1S, calleija.com
LEFT: ‘THE AUDREY’ RING, 6.53CT DIAMOND, ROSE GOLD AND PLATINUM BANDS, ENCRUSTED WITH RARE PINK AND WHITE DIAMONDS. RIGHT: ‘MINI BELLARINA’ NECKLET, WHITE DIAMONDS AND ROSE GOLD
One man’s treasure While you won’t find anything that resembles ‘trash’ on the super stylish pre-owned luxury clothing portal Vestiaire Collective, you may just find some treasure. Featuring only the most coveted brands – from Chanel, Louis Vuitton and Céline to Burberry, Hermès and Gucci – the site, which can be accessed online or through the easy-to-use app, attracts a community of more than five million fashion lovers who buy and sell. If you weren’t hot off the mark the first season around, or if it’s vintage you’re after, you’ll find more than 400,000 pre-loved items for sale: from accessories to clothes and interior finds, all of which have been vetted for authenticity and style by the in-house quality control team. If your mantra is ‘out with the old and in with the new’, then why not try the highly efficient concierge service, which provides a complete end-to-end selling facility to the London area. It’s a one-stop treasure trove of gifting ideas. vestiairecollective.com
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As Loïc would have it We’re huge fans of British lifestyle brand Lilou et Loïc, which offers a range of luxury scented home fragrance, bath and body products. Decadent oversized bath foam decanters in handmade glass are filled with luxurious scented bath foam for the perfect present. Refillable, they will be the centrepiece of any bathroom. Or gift the Luxury Body Butter, which nourishes and hydrates the skin. Presented in a beautiful handmade glass jar, it can be refilled or reused throughout the home. Other gift options include scented candles, stylish room diffusers, or oversized Emperor candles. The fragrance library has been developed to offer an extensive range of scents that appeal to both sexes, such as Ginger & Saffron for some festive ambience or Black Amber & Saffron for Middle Eastern opulence. Candles make the ideal treat for party hosts or a special teacher at school. To top it off, everything is stylishly packaged in its signature grey and white striped cylinder gift boxes, to eliminate any Christmas shopping stress. All products are developed and manufactured in the UK and are paraben free. From £30, lilouetloic.com
Off the wall If your walls are begging for a standout vintage find, then nothing says New York loft quite like an Art Deco poster. Pullman Editions designs striking original limited-edition posters, and its latest pieces feature glamorous travel destinations from around the world, winter sports in the European Alps, and the greatest historic automobiles. With the finest vintage posters reaching as much as £30,000 (on the rare occasions they become available), Pullman Editions produces new artworks to provide a modern alternative to the costly period originals. Hand-painted by leading poster artists, each with their own unique signature style, its editions combine originality with the quintessential heritage and dramatic imagery of vintage posters. Available in strictly limited editions of 280, they are printed using traditional techniques on 100 per cent cotton fine art paper, and are signed, hand-numbered and bear Pullman Editions’ embossed stamp of authenticity. An ideal gift for a house-proud friend or loved one, choose a monochrome frame against a feature wall for that magazine-perfect look. £395 each (unframed), 94 Pimlico Road, SW1W, 020 7730 0547, pullmaneditions.com
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Perfect skin – the perfect gift The Laser Treatment Clinic, located on London’s renowned Harley Street, has been helping both women and men achieve their beauty and grooming goals since 2000, and the clinic has been effectively treating all types of unwanted skin lesions for the past 17 years. It offers advanced skin rejuvenation treatments for acne, scars, stretch marks, pigmentation, unwanted tattoos, sun damage, thread veins, rosacea and black skincare concerns. The Laser Treatment Clinic uses its own brand of highly natural and highly effective advanced Marine Skin Care products, in synergy with cutting-edge laser treatments to achieve amazing results. It’s never too late to start looking after your skin, and this is one of the best places to start. Take advantage of the Christmas offers by booking a free consultation with a skin specialist or simply purchase a laser treatment or skincare product gift voucher, for someone special. Christmas special offer: up to 50 per cent off laser skincare treatments (for a limited time period) The Laser Treatment Clinic, 1 Harley Street, W1G, 020 7307 8712, thelasertreatmentclinic.com
A sweet deal For that one person who is impossible to buy for, we suggest a trip to chocolate aficionado Leonidas for something simply irresistible. Having celebrated its centenary three years ago by receiving a Royal Warrant from His Majesty King Philippe of Belgium, even the fussiest of foodies will delight in the Snow Queen chocolate box with its four delicious Christmas tree treats. The milk chocolate is filled with oozing dulce de leche, a caramelised milk cream; the white with speculoos, a spiced Belgian biscuit; the dark with a mandarin ganache and the dark Christmas tree with Indian black Assam tea, mixed with fruits and spices. With a story that began in 1910, when Leonidas Kestekides represented Greece at the Brussels World Exhibition, winning the bronze medal for his artisanal confectionery, and then gold at The International Exhibition in Ghent, these prize-winning luxuries are as highly revered today as they were when first created. Crafted using the finest fresh ingredients – real Belgian chocolate, vanilla from Madagascar, oranges from Valencia and almonds from California – each is blended by a maître chocolatier with more than 100 years of Leonidas family knowhow under its (elasticated) belt. leonidas.com
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N E E D • T O • K N O W For our readers, Leonidas is pleased to offer a free 150g gift box filled with a selection of chocolates (worth £7.35) for all purchases over £22* during November 2016 in the following participating stores only: Formosa Flowers & Chocolaterie, 2 Formosa Street, W9 1EE. Leonidas, The Arcade, 20 Liverpool Street, EC2M 7PN. Leonidas, 125 Kensington Arcade, Kensington High Street, W8 5SF. Leonidas, 12 Oak Road, Ealing Broadway Shopping Centre, W5 3SS. Manon Café, 43-45 Eastcheap, EC3M 1JA. Manon Café, 85 King William Street, EC4N 7BL. Manon Café, 110 Fleet Street, EC4A 2AF. Manon Café, 21 Copthall Avenue, EC2R 7BP. Leonidas, 132 St John’s Wood High Street, NW8 7SE. Leonidas Harrods (Chocolates & Confectionery, Ground Floor). *Terms and conditions apply: offer limited to one free gift box per transaction, per day and per customer
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’Tis the season
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LEFT: FORTNUM & MASON CLASSIC CHRISTMAS HAMPER, £165
After more than 300 years making Christmas merrier, Fortnum & Mason has merry-making down to a fine art. Nobody does the festive season quite like Fortnum’s. The famous shopfront window displays are always a treat, but it’s inside where the real magic happens. For friends near and far, hampers are packed from bottom-to-brim with yuletide delights. In the extraordinary Food Halls, there’s food and drink enough to cover every inch of your festive feast. And in The Christmas Shop there are beautiful decorations, show-stopping crackers, personalised stockings for people and pets, and advent calendars – including one filled with tea. The man in red himself even stops in every year to read a Christmas story and take last-minute present requests. With gift personalisation and worldwide delivery in-store and online – and with a selection of travel-ready gifts at their St. Pancras and Heathrow Terminal 5 stores too – Fortnum’s has Christmas all wrapped up like pigs in blankets. All you need to do is make your list and check it twice. 181 Piccadilly, W1A, fortnumandmason.com
It’s a date
FROM LEFT: PATEK PHILIPPE LADIES’ MECHANICAL SELF-WINDING ANNUAL CALENDAR WITH MOONPHASE IN WHITE GOLD (REF 4948G) AND IN ROSE GOLD (REF 4948R), BOTH £51,030
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The Christmas countdown has begun and those looking for a gift that will stand the test of time should look no further than Patek Phillipe. The brand’s Annual Calendar offers a fusion of tradition and innovation that has proved popular with watch connoisseurs and enthusiasts ever since it was patented in 1996. Created with the idea that the calendar only needs to be adjusted once a year on 1 March (to accommodate the variable duration of February), this technical timepiece automatically displays the month, the day of the week and the correct number of days for each month, but must be manually adjusted when it comes to a leap year. This year marks the Annual Calendar’s 20th anniversary, so there’s no better time to purchase this watch. There are a number of styles and designs to choose from, including the Ref. 4948G that features a minimalist charcoal grey dial and Breguet-style numerals. For those with a penchant for sparkle, Patek Phillipe has combined technical mechanism with refined beauty to produce the rounded Ref. 4947, which stands out thanks to its wave-shaped band and graduated Top Wesselton diamonds. The Haute Joaillerie Model, Ref. 4948, is another that will appeal to magpies, with no fewer than 388 diamonds set in its case and a striking mother-of-pearl dial. From £36,220, patek.com
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Available exclusively in fine wine shops and in the best restaurants. www.champagne-billecart.com
Signe d’exception
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All brand names, product names, and trademarks are the property of their respective owners. Certain trademarks, registered trademarks, and trade names may be used in this document to refer to either the entities claiming the marks and names or their products. Crestron disclaims any proprietary interest in the marks and names of others. Crestron is not responsible for errors in typography or photography. Š 2016 Crestron, Ltd.
ART
T
he late American photographer Robert Mapplethorpe would have turned 70 this year. In celebration of his life’s work, Alison Jacques Gallery is mounting an exhibition of his stylised black and white images, curated by Juergen Teller – the German talent lauded for his own star-studded fashion photography. The show will demonstrate how Mapplethorpe flitted between capturing fetishes and floral fancies on camera, not to mention the downright bizarre: eight frogs sat on a white plate, for example. Teller on Mapplethorpe, 18 November – 7 January 2017, 16-18 Berners Street, W1T, alisonjacquesgallery.com
A telling
TALE FRENCH VOGUE, 1986, SILVER GELATIN PRINT, ©ROBERT MAPPLETHORPE FOUNDATION, NY, COURTESY ALISON JACQUES GALLERY, LONDON
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director and partner of Skarstedt gallery
Art news WORDS: CAMILLA APCAR
Friends in high places As post-war Italian art continues to pour into the market (thanks in large part to the creeping up of Italian legislation that requires an export licence for any work more than 50 years old), Mazzoleni Art is showing two significant artists – and friends – side by side. Lucio Fontana was a leader of Arte Povera and remains so at auction today (his Concetto spaziale, Attese achieved £1.4 million at Christie’s in October and examples in white, blue and copper are among the works in this exhibition). Fausto Melotti’s sculptural reputation is perhaps less well known, but as Mazzoleni illustrates, both artists explored the great industrial changes taking place in Italy through their masterful use of space and form. Fontana/Melotti: Angelic Spaces and Infinite Geometries, until 18 November, 27 Albemarle Street, W1S, mazzoleniart.com
Leading the fine print The late Brooklyn-born graphic artist Peter Paul Piech spent the majority of his working life in Britain, creating socio-political woodcut and linocut prints – some in editions of 75, others featuring entirely unique typesetting. Waterhouse & Dodd is bringing more than 60 to light in a rare exhibition that includes prints celebrating the words of Martin Luther King and John F. Kennedy. 22 November – 17 December, 47 Albemarle Street, W1S, waterhousedodd.com
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What inspired the gallery’s recent move to Bennet Street? After four successful years on Old Bond Street, we were looking to build on what we had established and to present more comprehensive historical exhibitions. With three interconnected galleries, the new space is an exciting platform for our artists. Why did you choose Cindy Sherman and David Salle for your latest exhibition? Salle’s Tapestry Paintings and Sherman’s History Portraits were both created between 1988 and 1991, and are widely considered to be among their most accomplished work. Both were key figures in the New York ‘Pictures Generation’ movement of the mid-1970s and 1980s, a period that is key for us, and both draw upon existing imagery – Renaissance portraits, and 16th or 17thcentury tapestries. How does your London clientele differ from that of your New York gallery? London has always been Europe’s art capital for international collectors, a global hub that attracts international buyers including Americans. Perhaps the main difference is that there is more emphasis on the historical. Who is the latest artist to join your roster? We are delighted that Eric Fischl, a contemporary of David Salle, joined the gallery at the end of last year. Cindy Sherman and David Salle: History Portraits and Tapestry Paintings, until 26 November, 8 Bennet Street, SW1A, skarstedt.com
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CLOCKWISE FROM TOP: LUCIO FONTANA, CONCETTO SPAZIALE, 1962, COPPER, 57.5 X 83.2CM, COURTESY MAZZOLENI ©FONDAZIONE LUCIO FONTANA, MILAN; DAVID SALLE, BACKDROP, 1990, OIL AND ACRYLIC ON CANVAS, 243.8 X 309.9CM, ©DAVID SALLE, COURTESY OF SKARSTEDT; PAUL PETER PIECH, COLOUR IS THE PLACE, 1977, LINOCUT PRINT, 64 X 45CM, ©OF THE ARTIST, COURTESY OF WATER-HOUSE & DODD; FAUSTO MELOTTI, TRE TEMPI, 1971, BRASS, 60 X 60 X 15CM, EDITION OF FOUR, COURTESY MAZZOLENI ©FONDAZIONE FAUSTO MELOTTI AND HAUSER & WIRTH
with BONA MONTAGU,
Ming Polychromed Bodhisattva, 1368-1644 AD, Wood, China
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ART
Prize lots LEFT: JEAN ROYÈRE, SOFA AND PAIR OF ARMCHAIRS, 1950S, WALNUT-VENEERED WOOD, FABRIC, SOFA: 77 X 222 X 93CM, EACH ARMCHAIR: 74 X 90 X 90CM, THE DESIGN SALE AT PHILLIPS, 21 SEPTEMBER, PHILLIPS.COM, IMAGE COURTESY OF PHILLIPS
SOLD: £221,000 E S T I M AT E : £ 4 0 , 0 0 0 - £ 6 0 , 0 0 0
Sofa and pair of armchairs, Jean Royère “This fine example of Royère’s work exemplifies what collectors focus on – design that evinces quality, beauty, excellent condition and provenance. All these factors can determine the value of the object, and the burgeoning demand for remarkable works has established a competitive market where exceptional prices are being achieved. The Royère pieces in our design sale had conservative estimates, which attracted greater bidding competition in the saleroom.” – Alexander Payne, worldwide head of design at Phillips UPCOMING
Beautiful, hallo, space-boy painting, Damien Hirst with David Bowie, 1995 David Bowie was a bright, powerful force within the worlds of music and fashion, but perhaps less sensationalised was his presence in the art world. In 1996 he described Damien Hirst’s kaleidoscopic spin paintings as “unconcerned with the savageness of life. It’s optimistic, it’s here and it’s now”. Hirst was inspired to create the whimsical spin paintings by an episode of Peter, and in 1995 he Blue Peter and Bowie created Beautiful, hallo, space-boy painting together. This collaboration between two cultural icons is among the works coming up for sale from the David Bowie collection at Sotheby’s, including furniture by Ettore Sottsass and the Milan-based Memphis group. Estimate £250,000-£350,000, Bowie/Collector – Part I: Modern and Contemporary Art, Evening Auction at Sotheby’s, 10 November, sothebys.com 58
RIGHT: EDVARD MUNCH, TWO HUMAN BEINGS. THE LONELY ONES (W. 157; SCH. 133), 1899, WOODCUT PRINTED IN TURQUOISE-BLUE, BLACK, REDDISHORANGE, YELLOW, BROWN AND GREEN FROM THREE BLOCKS AND A STENCIL FORMING THE CENTRAL PART OF THE FOREGROUND AND PRINTED IN BROWN AND GREEN IN THE MANNER OF A MONOTYPE, WOLL’S STATE V OF VIII, SIGNED IN PENCIL, PRINTED BY THE ARTIST OR NIELSON C.1917, ON CREAM WOVE PAPER, PRINTED WITH RELIEF VERSO, FRAMED, PRINTS & MULTIPLES SALE AT SOTHEBY’S, 27 SEPTEMBER, SOTHEBYS.COM, IMAGE COURTESY OF SOTHEBY’S
LEFT: DAMIEN HIRST WITH DAVID BOWIE, BEAUTIFUL, HALLO, SPACE-BOY PAINTING, 1995, SIGNED BY DAMIEN HIRST, SIGNED WITH INITIALS AND DATED 95 BY DAVID BOWIE, HOUSEHOLD GLOSS ON CANVAS, DIAMETER: 213.4CM, IMAGE COURTESY OF SOTHEBY’S RIGHT: A MAGNIFICENT AND VERY RARE LARGE FAMILLE ROSEENAMELLED TURQUOISEGROUND ‘BATS’ VASE, QIANLONG INCISED AND GILT SIXCHARACTER SEAL MARK AND OF THE PERIOD (1736-1795), 68.3CM HIGH, IMAGE ©CHRISTIE’S IMAGES LIMITED 2016
SOLD: £1.6 MILLION E S T I M AT E : £ 4 0 0 , 0 0 0 – £ 6 0 0 , 0 0 0
Two Human Beings. The Lonely Ones, Edvard Munch “Munch is universally recognised for his innovations in printmaking, pushing the medium to its greatest effects. The notable provenance of this exceptional impression of Two Human Beings made it all the more appealing to collectors: it was acquired directly from the artist in 1942. A striking combination of colours give the work an ethereal quality, making it one of the most desirable prints by Munch to have come to auction in recent years.” – Séverine Nackers, head of prints at Sotheby’s Europe UPCOMING
Famille Rose-enamelled turquoise-ground bats vase, Qianlong period In our Western culture bat imagery tends only to appear around Halloween, whereas in China they are said to symbolise health, prosperity, virtue and a tranquil, natural death. The word for bat – fu – sounds the same as the word for happiness, thus they appear on many Chinese works of art. This piece from the Qianlong period (the peak of Chinese ceramic production) features opaque enamels and bright hues. Estimate £700,000-£1 million, Fine Chinese Ceramics & Works of Art at Christie’s King Street, 8 November, christies.com s L U X U RY L O N D O N . C O. U K s
Picasso in portrait
Both a biographical and an artistic study, Jack Watkins enjoys the National Portrait Gallery’s latest exhibition on the 20th-century Spanish master
“A
picture lives a life like a living creature,” Pablo Picasso once remarked, “undergoing the changes imposed on us by our life from day to day. This is natural enough, as the picture lives only through the man who is looking at it.” People have been looking at Picasso’s pictures for decades, but the National Portrait Gallery’s new exhibition – which includes more than 75 portraits in various media – includes oft-lauded masterpieces like Self-Portrait with Palette as well as examples previously unseen in Britain. All phases of the artist’s career are covered, though it would be unwise to describe the show as tracking his stylistic evolution. Picasso simply didn’t operate like that. Frequently quizzed on the matter, he replied that to him, there was no past or future in art. “If a work of art cannot always live in the present, it must not be considered art at all,” he once said. “The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.” Picasso was a superb portraitist, not least because his skill was honed by looking at and copying the Old Masters. “They say I can draw better than Raphael,” he told his friend Gertrude Stein years later. “And they’re probably right.” One of his first self-portraits, painted in 1900 when he was at art school in Barcelona, Self Portrait with a Wig (pictured far right), clearly echoes the 18th century. By 1904 he had settled in Paris, with lodgings and a studio in Montmartre. Among his friends there was the poet Guillaume Apollinaire. He
CLOCKWISE FROM TOP: PABLO PICASSO, PORTRAIT OF OLGA PICASSO, 1923, PRIVATE COLLECTION ©SUCCESSION PICASSO/ DACS LONDON, 2016; PORTRAIT OF LEE MILLER AL’ARLESIENNE, 1937, THE PENROSE COLLECTION ©SUCCESSION PICASSO/ DACS, LONDON 2016, IMAGE: ©ROLAND PENROSE ESTATE, ENGLAND 2014, ALL RIGHTS RESERVED; SELF-PORTRAIT WITH WIG, 1900, MUSEU PICASSO, BARCELONA, MPB 110.053, ©SUCCESSION PICASSO/ DACS, LONDON 2016; SELF-PORTRAIT WITH PALETTE, 1906, PHILADELPHIA MUSEUM OF ART: A. E. GALLATIN COLLECTION, 1950 ©SUCCESSION PICASSO/ DACS, LONDON 2016; PHOTOGRAPH AND DIGITAL IMAGE ©PHILADELPHIA MUSEUM OF ART ©ESTATE OF PABLO PICASSO/ ARTISTS RIGHTS SOCIETY (ARS) NEW YORK
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would later produce a pencil drawing of Apollinaire, while he was recovering from trepanation following a head wound sustained serving in World War I. Picasso recoiled from the still espoused Academy view that portraiture should adhere to a fixed, conventional representation of beauty, and look ‘finished’. Indeed, some of the caricatures in the exhibition, first created to amuse relatives, were also a subversive reaction to the stylistic straightjacket his teachers had tried to impose. Even so, he did not entirely give up classical drawing and painting from life, shown in Portrait of Olga Picasso, his first wife (pictured left). “We are heirs to Rembrandt, Velázquez, Cézanne, Matisse. A painter always has a father and a
depiction was “undoubtedly her, but with none of the conventional attributes of a portrait”. Another close friend in the show is writer, artist and film director Jean Cocteau. He introduced Picasso to the Russian ballet director Serge Diaghilev, and provided him access to Parisian high society. Also featured is a Cubist painting of Daniel-Henry Kahnweiler, an early champion of the artist’s work. Picasso added the suggestion of eyes, an ear lobe and clasped hands to help the viewer find some element that could be understood, sustaining their interest and encouraging them to look more closely at the overall effect. This wouldn’t be a true Picasso exhibition without some pictures devoted to his lovers. These include Marie-Thérèse Walter, Françoise Gilot and his second wife Jacqueline Roque. Gilot, an artist and critic, published her controversial Life With Picasso in 1964, creating an image of the artist as a manipulative, sadistic seducer of a young girl – he was 62 and she was 21 when they met. Picasso tried to prevent the book’s publication but failed. It sold over one million copies. How true a picture that was we will never know, but it certainly hasn’t dimmed the appeal of his art. Picasso Portraits, until 5 February, npg.org.uk
Frequently quizzed on the matter, he replied that to him, there was no past or future in art mother; he doesn’t emerge out of nothing,” said the painter who, by his 90s, had come to consider himself as the last great classical master. Picasso had absolute creative freedom. He did not paint to commission and tended only to depict those within his circle of intimates. His oil painting of the photographer Lee Miller (pictured above) incorporated elements of caricature, and was created just after he had completed his 1937 mural masterpiece Guernica. Miller’s husband, the Surrealist Roland Penrose, said that the yellow-skinned, green-haired
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The
Asian equation Scholarly representations of rocks and the natural world occupy the work of the most sought-after contemporary Asian artists. Camilla Apcar explores the market’s collectable heights and inky depths
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s Asia’s wealth continues to grow, so does the region’s art market. Asian artists are achieving record prices at auction, and galleries around the world are representing a record number in response to collectors’ interests – and Mayfair is no exception. “South Korean artists represent our five bestselling artworks at the moment,” says Jean-David Malat, director of Opera Gallery. “Sculptors like Seo Young Deok or innovative mixed
media artists such as Ran Hwang have now entered collections alongside renowned international artists.” The gallery will host a group show of Asian art next year including Hwang, who brings tiny buttons, beads and pins together to form intricate Buddhas, blossoms and birds on vast panels, inspired by natural motifs and Zen Buddhism (pictured above right). Malat also holds works by Lee Ufan, perhaps one of the best known practicing South Korean artists. Ufan’s £1 million With Winds chased the hammer prices achieved by Gerhard Richter
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and Jean-Michel Basquiat at Sotheby’s this October, and Opera Gallery currently holds a smaller scale example from the same monochrome series. This ever-increasing appetite for Asian art has also encouraged new spaces to flourish on the continent itself. Fifth-generation dealer Fayez Barakat has just opened a new gallery in Seoul (pictured below), joining his spaces in Mayfair, Beverly Hills and Abu Dhabi. “By choosing a modern city with such a profound history and dynamic future,” says the dealer, “we are taking a step further in our vision of integrating ancient art in contemporary times.” It’s true that at Sotheby’s October contemporary sale in Hong Kong, which totalled about £8.5 million, household names such as Kusama Yayoi, Nara Yoshitomo and Ai Weiwei continued to lead the pack. Yet another sale dedicated to contemporary ink art brought in nearly £3 million and presents a group of living artists revitalising ancient traditions. “From calligraphy to watercolour, Daoist paintings to
porcelain, ink is and always will be what defines Asia in artistic history,” says Mayfair gallerist Ben Brown. “It’s a pretty small category compared to the rest of the contemporary Asian art market, because it appeals to a very select group of collectors who are generally also interested in classical Chinese ink paintings and history,” says Mee-Seen Loong, Sotheby’s worldwide head of contemporary ink art. Although growing slowly, ink represents a sound market that is still in its early stages – and indeed collectible. Works might start at a few thousand pounds at auction, like Chen ChiKwan’s charming Autumn Colours (pictured overleaf) that sold for £6,306 at Sotheby’s sale. It also boasts a broad visual spectrum. “Many of [these] artists are very scholarly, so will choose subjects linked to the literati: landscapes, studies of rocks and flowers,” Loong describes. “There is another group that I would consider diarists, recording everyday life and some portraits. Then there’s a group that tends towards abstraction.” A common thread are those who were born in China but have lived in the United States for some years. Among the most popular at auction is Liu Dan, whose representations of scholar’s rocks (pictured below) are particularly sought-after. These stones with unusual shapes have inspired Chinese literati about the wonders of nature for over a thousand years, representing a ‘microcosm of the universe’ upon which to meditate. One such piece by Dan sold for £431,852 at Sotheby’s, the second-highest
OPPOSITE PAGE: KAZUKO SHIIHASHI, MAPLE, 2015, JAPANESE HANDMADE PAPER CRUSHED AND GLUED ON WOOD PANELS, GOLD LEAF, NATURAL MINERAL PIGMENTS, 90 X 90CM, COURTESY OF KAMAL BAKHSHI MODERN ASIAN ART. THIS PAGE, FROM TOP: RAN HWANG, ODE TO SECOND LOVE B/W, 2016, BUTTONS, PINS, AND BEADS ON PANEL, 120 X 200CM; BARAKAT GALLERY SEOUL; LIU DAN, SMALL YING STONE, 2014, INK ON PAPER, 142.7 X 367.1CM, COURTESY OF SOTHEBY’S
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price achieved at October’s ink sale, followed by the artist’s Sunflower (£163,962) that features a calligraphic inscription of a letter from Vincent van Gogh. Other big names include C.C. Wang and Xu Bing, while works by Zao Wou-Ki continue to stun at all levels. The late Chinese-French artist’s work straddles Impressionism and Abstract Expressionism, as seen in Sotheby’s beautiful evening sale headliner Paysage dans la Lune that sold for around £4.6 million (pictured above right), and smaller ink works for upwards of £43,000. From 3 to 12 November, the 19th edition of Asian Art in London will bring together more than 60 dealers, auction houses and museums across the capital. Mayfair specialists will open their doors until late on 7 November and stage exhibitions to coincide with the event – and the prevailing popularity of ink art can be found here too. Gallery Elena Shchukina will present Returning Home, an exhibition of contemporary ink wash and oil paintings by Paris-based Chinese artist Chen Jiang-Hong from 3 November. It is influenced by his time living between two cultures, and merges colourful abstraction with the practice of ancient Chinese calligraphy. Elsewhere, Eskenazi on Clifford Street will show paintings by modernday literati champion Zeng Xiaojun until 25 November. He has created ten pieces especially for the show – mainly bonsai trees and twisting roots (pictured above right) – that are not only astonishingly detailed, but hauntingly realistic. Away from the cross-capital event, Rossi & Rossi’s roster includes Ma Desheng, a self-trained woodblock craftsman from Beijing. His monochrome prints depict the human condition under Chinese Communism during the 1970s, and the gallery holds a strong collection of his large-scale nudes created in the decades after he had relocated to Europe. Meanwhile, Hong Kong-based artist Nicole Wong uses ink in an altogether different manner in Until I Get It
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FROM TOP: ZAO WOUKI, PAYSAGE DANS LA LUNE, 1954, OIL ON CANVAS 117 X 88.5CM, COURTESY OF SOTHEBY’S; ZENG XIAOJUN, BONSAI VI, 2016, INK AND COLOUR ON PAPER, 138 X 180CM; CHEN CHI-KWAN, AUTUMN COLOURS, 1986, INK AND COLOUR ON PAPER, HANGING SCROLL, 33.5 X 44CM, COURTESY OF SOTHEBY’S
Right, made up of thousands of dates stamped – just like in library books – in uniform columns beginning with the artist’s date of birth in 1990 and ending in 2014. Among the artists that Ben Brown Fine Arts has exhibited this year is Qin Feng, whose silk cotton and linen paper works either use ink or borrow heavily from the tradition in acrylic. At Sotheby’s, two of his ink, coffee and tea on linen paper works were estimated from £20,000. “Collectors are gaining access to a lot of great artists as yet unheard of in the West,” says the gallerist. “With ink, contemporary artists are looking to reshape this ancient medium and transform it into something completely innovative.” asianartinlondon.com, barakatgallery.com, benbrownfinearts.com, eskenazi.co.uk, galleryelenashchukina.com, operagallery.com, rossirossi.com, sothebys.com
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FASHION
Candy shop
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he new REDValentino store on Sloane Street is a delicate shade of pink. Yet this is not such a revelation, perhaps, for those that already know that RED is an acronym for ‘Romantic Eccentric Dress’, rather than an allusion to the colour. The 170 sq m space was envisaged by architect and designer India Mahdavi and Valentino’s creative director Pierpaolo Piccioli as an intimate, dreamlike space: a concept reflected in the foamy walls and giant white Rubik’s cubes. You may also recognise the bubblegum-hued chairs with backs that resemble sponge fingers from the well-documented Gallery at sketch, another Mahdavi masterpiece. REDValentino, 133 Sloane Street, SW1X, redvalentino.com
IMAGE COURTESY OF REDVALENTINO
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IMAGE CREDIT: BILLY & HELLS
FASHION
Bloody Mary The House of Tudor was a ruthless, decadent but well-dressed dynasty. In his new collection – The Golden Age – Christian Louboutin takes style notes from powerful leaders such as Elizabeth I and Mary Queen of Scots, who draped themselves in layers of embellished velvets and lavish embroidery. Expect inky crimson, jade and violet hues with details including studs and chains, and of course, those blood red soles. From £495, 17 Mount Street, W1K, christianlouboutin.com
Style update WORDS: MARIANNE DICK
STORIES ON SILK
Shoe-stopper
Inspired by anything from Star Wars to Abstract Expressionism, Emma J Shipley draws her fantastical prints by hand before they are brought to life on technicolour scarves, bags and cushions. A recent collaboration with Aspinal of London ondon has seen the creation of this ethereal Pegasus print, an addition to the brand’s latest pearl-themed autumn to winter collection. From £25, Emma J Shipley x Aspinal of London, 25 Brook Street, W1K, aspinaloflondon.com
This year marks a decade of unwavering success for the musical Wicked Wicked. To celebrate this milestone, shoe designer Lucy Choi has created a limited edition capsule collection inspired by the production’s two main characters. Gold and black beading cascades over Glinda’s spellbinding stilettos, while Elphaba’s pumps are a devilish combination of black and emerald leather. £225, 18 Connaught Street, W2, shoplucychoilondon.com
Posh pyjamas Nightwear is no longer a bashful affair as brands like Olivia von Halle reignite the desire for chic lounging à la Mademoiselle Chanel. Starting on Halloween, Harrods will host a threemonth pop-up flaunting von Halle’s slinky two-pieces and slip dresses, which can be monogrammed or made-tomeasure in true atelier style. Pyjama set, £345, Olivia von Halle, available exclusively at Harrods, harrods.com
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Fashion conscious As Bottega Veneta celebrates its 50th anniversary, Marianne Dick asks creative director Tomas Maier about his highlights from 15 years at the helm of the industry’s most considerate brand
TOMAS MAIER PHOTOGRAPHY: COLLIER SCHORR
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his year has marked many milestones for Bottega Veneta. Founded 50 years ago in Vicenza by Michele Taddei and Renzo Zengiaro, it quickly became a name associated with craftsmanship (the brand’s name translates literally to ‘Venetian workshop’), understated style and a unique intrecciato leather weave. After Taddei and Zengiaro retired in the 1990s, Bottega Veneta’s sales drastically declined. It even began introducing ‘BV’ logos to its collections to keep up with the labelobsessed consumers – a big taboo since its company motto was (and still is): “when your own initials are enough”, in a nod to its trademark lack of unnecessary ostentation. In 2001, Gucci Group (since acquired by Kering, the luxury goods behemoth) took over the label and recruited Tomas Maier, a former womens’ ready-to-wear designer at Hermès, to take the reins as creative director in an attempt to return the brand to its glory.
“When I joined the house it was losing its identity and roots, so I instituted our four cornerstones of outstanding craftsmanship, timeless yet innovative design, contemporary functionality and the highest quality materials,” says Maier. “Once these principles had been defined, I went on to develop Bottega Veneta into a full-range luxury lifestyle brand. This philosophy continues to drive everything we produce today.” It quickly became clear that Maier was the right man for the job: the first bag he designed was the Cabat, the sort of open tote that requires skilled craftsmen to weave leather strips in the intrecciato style (pictured below), a process that takes two days. The bag is revamped every season, making this year the 15th anniversary of both Maier’s leadership and the bag that established his career as creative director. “This item is iconic because it represents everything Bottega Veneta should be and transcends seasons: timeless and unique. I wanted it to be unlined, as beautiful on the
CREATING THE CABAT BAG AND INTRECCIATO WEAVE. OPPOSITE: LOOKS FROM THE S/S17 ANNIVERSARY SHOW
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“Design is about creating items that combine craft and functionality” inside as on the outside and to reflect Bottega Veneta’s philosophy of understatement, luxury and contemporary functionality,” explains Maier. The designer is influenced by a range of sources that spread far wider than the brand’s heritage or industry trends. In 2002, Maier introduced his ‘Art of Collaboration’ campaign, which has since seen an enviable list of photographers – including Juergen Teller, Alex Prager and Erwin Olaf – interpret the company’s ethos and collections in their own way, resulting in dramatically different shots each season. “I have always been inspired by and passionate about many things: art, architecture, photography, music, the places and things I have discovered on my travels and throughout my life,” he says. “Each of them enriches my life and feeds my creativity in different ways.” One of Bottega Veneta’s most deep-rooted values is its craftsmanship, and it is something that Maier has taken care to nourish and cultivate. One of Maier’s favourite moments was when he first met the artisans: “I was very moved by their incredible passion for their work, even then when the company was struggling to survive.” A second highlight came in 2013, when the new atelier was opened at the restored 18th-century Villa Schroeder-Da Porto in northern Italy. “It took seven years of planning and construction, and I couldn’t have been more proud.” It is here – surrounded by a 55,000 sq m park – that the magic really happens. The site serves as a base for the craftsmen and houses the school that trains future generations of leather workers. The headquarters is also a pioneering example of environmental sustainability, and was the first in the fashion and luxury sector to be awarded
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the Leadership in Energy and Environmental Design certificate at Platinum level in the New Construction and Major Renovation category. “Sustainability is an important priority for the company and ties into our philosophy. We want to have the least harmful environmental impact because it is our heritage to protect – both people and place,” says Maier. Today the brand also stretches across the fragrance, jewellery, furniture and home accessories sector – this year also marks the tenth anniversary of its homeware collection. “From the beginning I had in mind a vision for Bottega Veneta that would encompass different categories, creating beautiful pieces with a very precise aesthetic, to remain objects of beauty for years to come,” says Maier. “Design is about creating items that combine craft and functionality, and complement an outfit or space without calling attention to themselves.” The recent S/S17 anniversary show in Milan Bottega Veneta featured long, fluid silhouettes and stark, simple shapes, as well as butterfly prints and wedge heels that are so emblematic of the label. Fifteen new bag styles were presented alongside 15 beloved designs from the archives including the boxy Knot clutch with its engraved metal clasp. Touchingly, a red intrecciato clutch was carried by Lauren Hutton, who famously wore it in the 1980 film American Gigolo, as she walked arm in arm with model du jour Gigi Hadid in the show’s finale. I ask Maier about the best sartorial advice he has ever been given. “Jean-Louis Dumas at Hermès once said to me, ‘Always think, there needs to be passion and patience’,” Maier recalls. “I think that is a great piece of advice, especially in the market that we are in, in this luxury world. I think it’s not only about the passion for what we create and what we put out there, but also the patience to let the product come to life and to let the product be understood.” Suddenly, Maier’s approach at Bottega Veneta seems to fall into place. It is not just a brand for those who are conscious of fashion – it is a brand for those who really understand it. 14 Old Bond Street, W1S, bottegaveneta.com
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Basic
instinct Famed for its simple separates, fashion brand Goat is marking 15 years this month with a key edit of its cult wardrobe essentials. Kari Colmans gets down to business with founder Jane Lewis
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ane Lewis hasn’t slept all week. She’s got three pre-teens, the youngest of which has tonsillitis. It’s only 11am, although for her it feels like it should be bedtime already. But despite the fuzzy head, she looks effortlessly chic, guided as she is by an innate style compass. Dressed simply
JANE LEWIS
in a black, long-sleeved shift dress that stops just above the ankle and black slip-on loafers (despite it being the hottest September day on record for more than 100 years), her hair is shoved into a messy bun revealing big gold hoops, and there’s just a hint of mascara on her top lashes. “As a working woman with three children I spend as little time as possible getting ready in the morning,” she says, as she very much switches ‘on’ for our interview. “I have items in my wardrobe that I turn to whatever the season. I dress for the life that I live. Most days I’m in the studio in jeans and a T-shirt. I’m constantly running around and I don’t have time to think about fashion for long.” We’re meeting in Lewis’ Marylebone-based office, while the rest of the team rushes around us, offering herbal teas and clearing away the piles of glossy fashion tomes and reels of fabric that scatter Goat HQ. Having started out in the art industry with the intention of becoming a dealer, Lewis made a sideways move to work for a runway fashion brand before deciding to launch her own label. She had no training – “I just fell into it” – but within only five minutes I can see that as a businesswoman, she would have succeeded in whatever she’d set out to achieve. “My vision was to launch a brand,” she says, “brand being the key word. Because establishing a brand versus launching a fashion company are two
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“I’ve achieved what I set out to do in as much as I’ve created a brand with a very loyal following”
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“Goat is the kind of brand that spans all ages. You wear it: it doesn’t wear you”
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very different things. The original vision was to create a tightly edited, key capsule collection. I wanted to produce pieces that were the best of their kind, to hone down the perfect crew neck, a really good pair of fitted trousers, a great coat. These sound very basic, and they are, ostensibly. But simplicity done well is very hard to achieve.” Marking 15 years since its inception, the brand launched Goat 15 in October, a concise selection of hero pieces from the archives. “The process of choosing them has been really fun and nostalgic; a trip down memory lane,” says Lewis. “Part of Goat’s ethos is a belief in style over fashion. We turned to those pieces that have withstood fashion trends. If something is as near to perfect as it can possibly be, and it has survived a fashion cycle to become noteworthy for its own style, then you’ve created a modern classic. You can’t improve something that’s already perfect.” Lewis called upon her own team as well as notable members of the fashion press, trusted buyers, industry insiders and long-time supporters to help her cherry-pick the items for the range, although she won’t give any famous names away, in keeping with her overall philosophy of discretion. “For me though, we had to have a Lola dress (a wool-crepe shift), which I have in many colours, and the Anthem top (a cocoon-shaped long sleeve top). It’s the kind of thing I throw on with my jeans and trainers and wear all the time. It’s super versatile. They’re my personal favourites.” In a way, Goat 15 represents the fruits of the brand’s labour; a postscript to the last decade and a half. “It’s stood the test of time,” Lewis says, proudly. “I’ve achieved what I set out to do in as much as I’ve created a brand with a very loyal following. We are the go-to for core wardrobe pieces. The market is so saturated, there’s almost too much choice. Goat is the kind of brand that spans all ages. You wear it: it doesn’t wear you. It’s my greatest hope that people wear Goat according to their own style and their own life demands.” I ask how the affordable luxury market has developed since she started out, as there are now far more brands offering beautiful basics than 20 or so years ago. “Fashion has become more extreme at both ends of the market and luxury has become such an overused term,” she concedes. “And I think in a way it has created
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stagnation; we are all caught in the headlights of this continuous and ferocious cycle. People are considering their purchases more than ever, as a result of too much choice, investing in an annual wardrobe as the seasons have become almost obsolete. They are honing in on quality and longevity because that’s the real meaning of value and luxury. Fashion is fleeting and transient, it burns itself out before it’s even begun. Stylish pieces withstand it all. It’s preferable to have style over fashion.” In terms of the future, she’d love to venture into accessories, as well as growing the online business and launching in the US. “I’d like to build on where we are,” she says. “Ultimately, I’d just like to be around in 15 years and to be part of the future.” Lewis is extremely articulate, and quite intimidating for a decidedly tiny person, but her whole persona softens as the conversation moves from work to play. With a family home just around the corner in Bayswater (as well as another in Tel Aviv), she loves being based in Marylebone. “This is my patch,” she smiles. “I live near here, I went to school near here: I’m a West End girl at heart.” Her favourite places to grab a quick lunch are Defune, a little Japanese restaurant on the corner of George Street or Il Baretto on Blandford Street for Italian food. She’s also choosing to spend the holiday season in England: she loves London at this time of year because it’s “eerily quiet and so easy to get around”, although she and the family will be venturing to Sussex for Christmas. “Once I’m decamped and settled, I’m just as happy with a roaring log fire watching an old film. The quiet life suits me too.” And when she gets a rare moment alone, she loves nothing more than to lose herself in a good book, following the advice of her book club. She recommends A Little Life by Hanya Yanagihara, which she loved, and Exposure by Helen Dunmore. “I have a raft of books ready for half term,” she says wistfully. “I read obsessively or not at all. I can’t dip in and out. If I’m invested in something, then I’m invested 110 per cent.” That I can believe. The Goat 15 collection is available now both online and in-store. 4 Conduit Street, W1S, goatfashion.com
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Topcoat, £3,630, jumper, £1,295, and trousers, £1,990, all Ralph Lauren Collection, ralphlauren.co.uk
CHECK
MATE Throw out the heavy woollen blankets and Scottish kilts, tartan has had a makeover this season with oversized coats, tailored trousers and flared midi skirts P h o t o g r a p h y : H E L E N E S A N D B E RG S t y l i n g : K AR E N M U N N I S
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LEFT Jacket and skirt, POA, both Lisa Redman for Holland & Sherry, lisaredman.co.uk; blouse, £1,140, Ralph Lauren Collection, as before; socks, £10, Falke, falke.com; shoes, £350, Robert Clergerie, robertclergerie.com; bag, £1,395, Jimmy Choo, jimmychoo.com
ABOVE Fitted rib tube top, £440, bustier, £1,050, and skirt, £1,350, all Victoria Beckham, victoriabeckham.com; gloves, £129, Dents, dents.co.uk; socks, just seen, £10, Falke, as before
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ABOVE Coat, £395, Harris Wharf London, available at Workshop, 19 Islington High Street, N1; dress, £480, Toga Pulla, available at matchesfashion.com; socks, £10, Falke, as before; shoes, £120, Underground, underground-shop.co.uk
RIGHT Coat, £2,295, and dress, £1,995, both Burberry, burberry.com
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CREDITS Hair: Adam Garland using Cloud Nine and Oribe Make-up: Shama at One Represents using MAC Cosmetics Model: Lucy Evans at Select Model Management Photographer’s assistant: Max Barlow Stylist’s assistants: Sarah Akinola and Holly Lissack
23 K EN S I N GTON PAR K ROAD , W 11 2EU S U N S P E L .C O M
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FASHION
Town and country Too often, fashion can become a lacklustre and serious affair, which is why we need dandy designers such as Simon Carter to spruce things up. His A/W16 collection is inspired by the idea of town versus country: bumpkins can flaunt their favourite root vegetables, mushrooms, insects and fauna on their shirts while city boys peacock in historic hats and quirky robot prints. And for the most extraordinary evenings, only a paisley printed velvet dinner jacket – with matching lining, of course – will do. From £25, 34 Shepherd Market, W1J, simoncarter.net
Style spy WORDS: MARIANNE DICK
My M/G Mark Giusti Farhat really is a cosmopolitan man. The designer was born in Lebanon, grew up in Africa and is now based in London, where he creates beautiful bags that are handmade by Italian artisans. The influence of his diverse background blossoms through his designs, which are often embossed and lined with intricate prints inspired by Byzantine mosaics. For truly one-off pieces, the brand now offers My M/G: a bespoke service that offers the addition of initials, names or serial numbers. Cambridge briefcase, £580, markgiusti.com
New knits It may come as a surprise that Richard James Mayfair – the diffusion line from the Savile Row suit maker – has only just introduced knitwear into its collection. These winter warmers come in two classic shapes, perfect for layering under sharp tailoring. The textured merino wool crew neck comes in either burgundy or navy, while roll necks are a little more daring in grey or blue ombre. In-keeping with the tailor’s ethos, these new pieces fuse Savile Row classicism with the flamboyance of the modern gent. £110, Richard James Mayfair, houseoffraser.co.uk s L U X U RY L O N D O N . C O. U K s
MR PORTER’S APOTHECARY L’Officine Universelle Buly is a French perfumer and apothecary inspired by Jean-Vincent Bully’s original 18th-century shop full of curious tonics and scented vinegars. Current owners Ramdane Touhami and Victoire de Taillac-Touhami reinvented the brand in 2014, yet carefully retained its bohemian charm with illustrated packaging and eccentric products such as badger hair toothbrushes, combs for all occasions and natural blends like the famous crème pogonotomienne. While the Paris store is certainly worth a visit, the products are thankfully now available to buy via Mr Porter. From £24, mrporter.com, buly1803.com
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PROMOTION
A new way of seeing Eyewear designer Tom Davies shares the secret to producing his striking frames and reveals plans for the new Carbon Horn collection with Lauren Stevens
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o British eyewear designer Tom Davies, sporting an ill-fitting or poorly manufactured pair of glasses is practically an offence, a notion that inspired the birth of his eponymous eyewear label. With three bespoke optician stores in London and a new boutique in The Royal Exchange opening in November, Tom Davies is one of the most respected in his field – attracting attention from the likes of Angelina Jolie, Henry Cavill and, most surprisingly, Carrie Fisher’s dog. “As a thank you for all her frames, Carrie invited me to be her date at the Star Wars: The Force Awakens premiere. I didn’t want to give her loads of glasses in return, so I thought I would make her dog a pair,” he says matter-offactly. “I sat in my workshop and thought, ‘What can I do that’s nice for Carrie? How can I make a pair of dog glasses fit?’ I had to really think about the size and everything. He tolerated them for about three seconds and then threw them off.” The eyewear designer’s own workshop employs more than 100 people. Another factor that sets Davies apart from the rest is the level of skill and precision that goes into making each pair. For example, highly-trained experts are called in to use a pantograph, a device that creates bespoke frames. “It’s not something I can teach anybody – actually, I can’t even do it – and it’s not something that you could learn in two or three months. If you’re a pantograph master you need to have ten years’ experience. We could hire anyone who can use a pantograph, but we only hire masters.” And with such great demand for Davies’ eyewear, it’s little surprise that he requires the best of the best. For some clients, a personalised frame means a completely new design. “Firstly, we take a series of measurements and photographs. These then go to the design studio where the eyewear is designed and then sent to the workshop to be made,” Davies explains. “We produce all of our own frames so that every step of the process can be carefully controlled. This ensures the highest level of quality and craftsmanship.” The Carbon Horn collection is the best-selling across all three of the designer’s stores in Knightsbridge, Chelsea and Canary Wharf. The unusual layering of Buffalo horn with
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carbon fibre (which took Davies two years to perfect) has proved to be his best invention to date. “I liked the way the carbon fibre was shining through the horn on the inside, so rather than hiding it, I made it a feature. The horn is also very light, and thin frames are very fashionable. People are buying them all over the world,” he says. “On my desk at the moment are 12 more designs for my next Carbon Horn collection, which I’ll hopefully be launching in January. I think the range could well be one of my signature pieces; I could imagine selling them for the next ten years.” 54 Sloane Square, SW1W, tdtomdavies.com
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INTERIORS
U
northodox furniture brand RhubarbLondon is the brainchild of Shaun Brownell: a self-taught designer who originally trained as an aeronautical engineer. Brownell acquires vintage chairs and restores them using old clothing – most effectively, tweed suits and military uniforms. This particular recliner is an early 20th-century French mahogany frame that has been re-upholstered in two Dunn & Co Harris houndstooth tweed jackets, with plaited tan leather arm supports to enhance the equestrian ensemble. To finish? Some well-placed pheasant feathers. An ideal feature piece for your library or study. The Dapper tweed armchair, £6,290, RhubarbLondon, 1stdibs.com
Seated and
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INTERIORS
From house to home No other members’ club quite reaches the realms of laid-back luxury like a Soho House, with their squishy leather armchairs, mismatched vintage furnishings and understated lighting. The group has now launched Soho Home: a stylish e-store where you can buy your favourite pieces from any of its clubs, including the Little House Mayfair and Dean Street Townhouse outposts. The chunky Barwell glassware and trademark stripy beach towels are at the top of our wish list. From £6, sohohome.com
Interiors news WORDS: MARIANNE DICK
SUAVE SCENTS Tom Ford’s Private Blend Eau de Parfums are not scents that can easily get lost in a crowd. The designer has now introduced candles based on six of his most popular blends, so your signature aroma can stay with you throughout the day and into the night. We recommend the Tobacco Vanille for a deeply warming accompaniment to a romantic evening indoors. Tobacco Vanille candle, £165, Tom Ford, tomford.com
Modern classic Vladimir Kagan – one of the most prolific interior designers of the 20th and 21st centuries – also passed away this year, at the age of 88. His sensual, pioneering and anatomically-inspired designs hold a vintage appeal reminiscent of post-war fashion (Marilyn Monroe and Andy Warhol were just two of his A-list customers), and are still coveted by homeowners today. In celebration of Kagan’s legacy, Holly Hunt upholstered and showcased some of his designs in a limited collection during September’s London Design Festival. The pieces, including the curved Barrel chair and the Serpentine sofa, are now available to buy from the showroom. POA, Holly Hunt, 20 Grafton Street, W1S, hollyhunt.com
Crystal architecture A new VIP name has been added to the Burlington Arcade runway, nestled between its antique jewellery treasure troves and fragrant perfume emporiums. Lalique – so suited to the arcade that we couldn’t believe it wasn’t already there – announced its arrival last month with a glamorous party and the unveiling of the Fontana bowl. Inspired by the dynamism of water, it is the latest addition to the Crystal Architecture range by the late award-winning architect Zaha Hadid – a collaboration that began two years ago. £7,500, Lalique, 42 Burlington Arcade, W1J, lalique.com
THE HOLLY HUNT SHOWROOM PHOTOGRAPHY: ED REEVE
PROMOTION
GOING FOR
GOLD Ross Norman, CEO of gold bullion and precious metals broker Sharps Pixley, talks to Jacinta Ruscillo about the business, the accessibility of gold trading and its unique benefits
W
ith the recent Brexit upheaval, the US presidential elections and the instability of the Chinese economy, the final quarter of 2016 seems to be concluding with a rather uncertain future. But this brings financial volatility for the stock market, and with its inverse correlation to gold, it also means that the necessity for insurance is increasing. Demand for the yellow element is on the rise. Sharps Pixley knows more about this than most with its all-encompassing brokerage that puts tangible bullion on the market for investors of all sizes – investments start from just £40. Buyers and sellers can enter the St James’s Street showroom and benefit from the complete package: authentication, information, competitive pricing and storage. As CEO Ross Norman describes, Sharps Pixley is “an old name with a modern twist”. The company dates back to the 18th century, when William Sharp started with diamond brokerage in 1778, but is now owned by German parent company Degussa and has become a disruptive force in international gold trade. But why should we buy gold? Although it can be compared more to an insurance asset rather than to an active yielding share price, it offers an unmovable store of value in the
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long-term. Money may be a great trading commodity, but gold has and will always retain its value. “Gold is not an Armageddon asset,” explains Norman. “Rather than buying gold as a response to the economic climate, it’s more effective to have it as a permanent insurance asset in stable times too, which will always protect wealth from currency weakness.” Everyone’s financial situation is different so there is never one way to advise people on gold allocation. Norman’s golden rule is “to be well-informed before investing”. So Sharps Pixley provides an online, real-time information platform of everything relating to the gold and metal markets. This gives the best overview for investors to make informed decisions on diversifying a portfolio as well as assessing the risk for their individual wealth. As well as buying and selling services, the company also specialises in storage vaults and deposit boxes for discerning clients’ valuables. There’s no doubt that Sharps Pixley is a safe pair of hands – a wealth management haven for the unpredictable future. Sharps Pixley, 54 St James’s Street, SW1A sharpspixley.com
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Walking
water
on
At the Monaco Yacht Show, David Taylor tours a multi award-winning superyacht and explores the next step for luxury life on the ocean
I
nteriors are hard to get right at the best of times. Every piece of furniture, every fitting, has to work perfectly with the room, its surroundings and the people who live there. That’s without mentioning other factors such as outside light and changing seasons. Imagine, then, having to work through all of these considerations, but with the added problem of your house floating on the sea. This is the challenge that faces the interior designers of superyachts. At the Monaco Yacht Show, any designer worth their salt plies their potential customers with champagne and promises – yours will be the biggest, the fastest, there’ll
be a helipad. It’s only when the yacht has been bought that owners begin to think about what to put in it. “There is a behaviour that is very unique to the boat world, and particularly to the superyacht world, where we will have a conversation with a customer, and they will really focus heavily on the base price of the yacht itself,” says Kiran Haslam, marketing director of Princess Yachts. “It might mean six or seven consultations, over a period of seven months to a year, before we finally arrive at an agreement. Then, all of a sudden they start selecting different specifications for the interiors without questioning the price.
INTERIORS
They might very quickly accumulate four or five million pounds of options. The cost for the décor is never a discussion point – it’s what they want.” This is writ large on the final night of the Yacht Show, when I step onto the Galactica Super Nova (GSN), built by Heesen Yachts and designed by Espen Øino’s Andrea Bonini. The 70-metre beauty won Finest New Superyacht at the show, and it’s easy to see why. The exterior is sleek and bold without being garish, and has unbelievably clean lines. This theme continues once I step aboard. It’s difficult to describe just how immaculately put together the living spaces are: the decks wouldn’t look out of place in a Mayfair mansion. Bonini takes me round the boat as we set off for Nice, amid a cacophony of horns signalling the end of the show. This is no ordinary superyacht (if there is such a thing): there’s a six-metre swim-jet infinity pool with a waterfall, glasspanelled bottom and spa jets; 92 square metres of entertaining space; a foredeck that can be transformed into a touch-and-go helipad or outdoor cinema; a sumptuous indoor living and dining area; a master bedroom as big as my flat; and a fully-fledged lift to access all three floors.
ABOVE: 70M GALACTICA SUPER NOVA ©GUILLAUME PLISSON TOP RIGHT: ACE BY WINCH DESIGN ©KLAUS JORDAN RIGHT: 70M GALACTICA SUPER NOVA INTERIOR ©DAVID CHURCHILL
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“We’re starting to get a lot of high-end expectations and demanding requests”
All of this, and decorated to the highest standard. As Bonini walks past a small table, for instance, he explains that they developed technology enabling them to bend teak so that the table’s surface design remains consistent. The level of detail and dedication shown by the designers, and by association, the owners, is second to none. This personal, unique touch is ever-more important when the money involved reaches new heights. Andrew Winch, founder of Winch Design, believes that yacht designers are at the height of their powers: “I was in Paris visiting about six different artisan studios, and I had the best day ever. There are some fantastic craftspeople. “We’ve made furniture for yachts that is totally unique. It might be a coffee table that’s also a planetarium. We do bespoke everything, down to carpets, sofas, table linens, and china. “Who wants their yacht to look like someone else’s? It’s got to be unique.” Haslam agrees: “Everyone is pushing more for a service-oriented interaction with the manufacturer. On a 40-metre boat, you might interact with the Princess design studio and say, ‘My daughter’s favourite teddy bear is pink – I want that to match the carpet.’” “Customers really know what they want – it’s a lot to do with the digital age and how they interact with the world around them. They see a lot of things on Pinterest, lots of inspirational pictures, and say this is the look and feel that I want. We’re starting to get a lot of high-end expectations and demanding requests.”
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FROM TOP: 44.8M FLYING DRAGON; 56M PANTHALASSA, BOTH Y.CO
Although owners are submitting more elaborate requests, the purpose of these spaces seem to be changing, with a generation of young millionaires bringing a new focus to the water. The ease of moving from dining table to jet ski is becoming ever-more important. Charlie Birkett, co-founder and CEO of yacht charter company Y.CO, sees this as a good challenge: “It shows that we’re moving with the times. It challenges young and even established yacht designers to move away from the conventional approach. “A new tier of clients are looking at yachting in a completely different way. They are young, very active: they like watersports, they want to be on the water. They design their boats in a way where there’s more focus on having one-deck living space. It’s about having fun on the water rather than just sitting there in a penthouse: you’re in a beach house.” A sumptuously decorated beach house that can go to any shore in the world. There are worse places to be.
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IMAGE CREDIT: ©GUERLAIN
HEALTH & BEAUTY
What lies beneath
Beauty news WORDS: MELISSA EMERSON
Dream a little dream Fashion photographer Sarah Moon has teamed up with NARS for a limited edition collection launching on 1 November. The looks – inspired by classic cinema and Moon’s trademark ethereal, dreamy images – include bold red lips and smoky greys and purples for eyes. The Give In Take Dual-Intensity Eye and Cheek Palette, exclusive to Space NK, is an ideal all-in-one gift. From £13, narscosmetics.co.uk
HYDRATING HEROES The latest products to join Liz Earle’s skincare range are the Superskin Dry Oil For Body and Treatment Oil For Body – a hydrating duo made with a powerful combination of plant oils. Cranberry seed is rich in omega three, six and nine, while British borage helps skin retain good levels of moisture. Rosehip oil, with its high levels of essential fatty acids, similarly boosts moisture retention and keeps skin smooth. The Dry Oil comes in spray-on form and dries quickly (so you can dress straight afterwards), but for a more indulgent ritual, take some time out to massage the rich Treatment Oil into your skin. £35 each, uk.lizearle.com
Complexions can vary with changing seasons and climates, but your skin’s undertones are a more constant indicator of its colour. Guerlain was guided by 44 women of different ages and skin tones to settle on the shades for its new Lingerie de Peau foundation, which has six degrees of intensity – from porcelain to ebony – and three undertones (cool, neutral and warm). Its ‘micro-mesh’ texture entwines correcting pigments with natural silk and linen fibres for seamless and undeniably radiant coverage. £38.50, houseoffraser.co.uk
An all-day glow Constructed like a fragrance (with top, mid and base notes), Suqqu’s Extra Rich Cream Foundation is designed to evolve throughout the day for longerlasting wear. ‘Reflexion Oil’ sits at the surface to give an initial dewy glow, then later breaks down to reveal a milky ‘Glow Liquid’ of pearl pigments that boost shine and keep skin looking velvety by controlling natural oil levels. Finally, natural extracts such as cherry tree leaf and Japanese kelp extract help to hydrate. £65, selfridges.com
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06/10/2016 09:39
PROMOTION
Starry nights Light up winter evenings and celebrate Christmas with Rituals
T
here are festivals throughout the world that celebrate light, from Diwali to Hanukkah, and this winter Rituals is celebrating Christmas with its new, limited edition The Ritual of Light Collection. Inspired by sparkling Christmas trees, candles in churches, and roaring fires on cold winter nights, Rituals also hopes to remind everyone to kindle their inner light this festive season. The collection encourages people to take a moment to reflect, and not only offer gifts but their time, attention and love to family and friends. The range of comforting and indulgent home and body products includes candles, shower foam, and tea, to promote an atmosphere of peace and serenity, and all the products are scented with classic orange and cinnamon notes for a festive feel.
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Take some time out to indulge in a decadent bath by soaking in the Rituals creamy bath foam, and use the body scrub with its organic sugar and soothing jojoba and sweet almond oils to give dull skin its glow back. Complete the scene with the metallic scented candle, which is also available in an extra large size with three wicks and 70 hours of burning time as a statement centrepiece. Finally, add fragrance sticks to extend the scent throughout the home. From December, sets of six fortune crackers will also join the range – perfect for an elegant touch to table settings. Each contains a quote or saying and either a miniature Fortune shower oil, The Ritual of Dao Stress Relief serum or The Ritual of Ayurveda hand balm. From £8.50, uk.rituals.com
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HEALTH & BEAUTY
S PA R E V I E W
The pharaoh effect September’s diamond facial review is trumped by this month’s gold – a recent trend on the beauty scene promising the ultimate skin brightening. Jacinta Ruscillo puts it to the test at The Dorchester
A
side from being the last pharaoh of Ptolemaic Egypt and having famous love affairs with Julius Caesar and Marc Antony, Cleopatra was well known for being a timeless icon of female beauty. It’s no surprise then that she has been the subject of extensive historical research; her beauty regime is said to have consisted of milk and honey baths, almond ointments and, most excitingly, a golden face mask that she wore every night while she slept. Wandering into The Dorchester on a sunny but noticeably autumnal afternoon, I feel optimistic that the Pure Gold and Collagen Facial by Carol Joy London might just give me the pharaoh effect. A welcoming receptionist greets me at the spa, a serene and floral underground labyrinth of therapy rooms, steam rooms and relaxation suite. I follow her into a treatment room dressed in a fluffy robe and sink into the bed while my skin consultation is carried out.
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Using Carol Joy London products, containing refined golden millet oil, my therapist performs a massaging ritual onto my skin and décolletage before steaming and extractions. The collagen treatment includes a firming and plumping mask followed by a myofascial massage, which involves gently pinching the skin to lift and tone. Then, with the precision of a master jeweller, my therapist lays the pure 24-karat gold leaf onto areas prone to ageing, including the eye area, smile lines and forehead. As the gold works its magic, I enjoy a soothing acupressure head massage. After 60 minutes, it’s over with a spritz of 100 per cent collagen and as I glance in the mirror to see the results, I am suitably impressed. My complexion looks strikingly plumper and re-energised as a result of the regenerative properties of gold. A glass of Laurent-Perrier and a pistachio biscotti in the relaxation room is the perfect way to end my treatment and although my regular beauty regime may not resemble that of an Egyptian queen, I am made to feel like one. Carol Joy London Pure Gold and Collagen Facial, from £220, The Dorchester Spa, 53 Park Lane, W1K, dorchestercollection.com
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&
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Face the facts It’s that time of year when the streets display a noticeable increase in men sporting moustaches: Movember. With men’s health in the headlines, Dr Tim Lebens, private GP at The Wellington Hospital, explains how to spot the signs of prostate cancer and how to seek treatment
M
ovember aims to improve attitudes towards men’s health, highlighting health concerns such as testicular and prostate cancer. The Movember community has raised £443 million to date and funded more than 800 programmes in 21 countries. Prostate cancer is the most common cancer in men, though only a proportion of tumours go on to become aggressive or high risk. A man’s chance of developing prostate cancer during his lifetime is one in eight, with more than 100 cases identified daily. Cases are most common in men over the age of 65, but more aggressive in younger men. The prostate is a walnut-sized organ, which produces semen, situated beneath the bladder. Over the age of 60, the prostate begins to enlarge and can lead to a benign growth or possible cancer, with or without symptoms.
The prostate surrounds the tube that urine passes through and if obstructed in any way, could present the following urinary symptoms: • Hesitancy before urinating • Weaker stream • Rushing to the toilet • Dribbling after passing urine • Going more frequently or regularly getting up in the night to go
PROMOTION
Prostate cancer is the most common cancer in men, though only a proportion of tumours go on to become aggressive or high risk Symptoms can also include blood in the urine or semen, or reduced ability to get an erection and painful ejaculation, which could be related to other conditions and should always be investigated further.
There are a number of tests available for diagnosing prostate cancer: • A prostate-specific antigen (PSA) is a blood test taken to check the level of PSA (produced by both normal and cancerous prostate cells) in the blood • A digital rectal examination (DRE) enables a doctor to feel the prostate through the wall of the rectum • A prostate biopsy is a surgical procedure that takes a small piece of tissue using a needle • A PCA3PlusTM test is a urine-based molecular test for patients who have elevated PSA and a negative biopsy result If a patient is diagnosed, the doctor will explain the possible options for treatment. These include monitoring, hormone therapy, surgery and radiotherapy, with success rates based on how advanced the cancer is, prompt diagnosis and how soon treatment is started.
Can you reduce your risk? Although there are no known ways to stop the development of prostate cancer, people can take steps to lower the risk, such as following a healthy lifestyle.
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Some studies suggest that diets high in green tea, tomatoes (lycopene), certain nuts and fish (selenium) and green vegetables may help reduce risk rates. In conjunction with these findings, a diet high in dairy, processed and red meats, and saturated fats, may increase the risk of prostate cancer. Contrary to popular belief, there are no supplements shown to be protective against the cancer and some may even be harmful.
Education
MEET THE SPECIALIST
The most important form of preventative method is education. Symptoms can often be the first indication and seeking medical advice should not be delayed. Patients may also want to consider genetic testing, particularly if a close relative has been diagnosed with prostate or breast cancer. Through improving knowledge and raising awareness, the number of prostate cancer cases can be significantly reduced and more lives saved each year.
Dr Tim Lebens BM, DFFP, MRCGP is a Private GP at The Wellington Hospital’s Platinum Medical Centre in St John’s Wood and trained at St Mary’s Hospital in Paddington. His special interests include sexual medicine, psychiatry and general medicine.
For further information or to arrange an appointment with Dr Tim Lebens or any of the GPs at The Wellington Hospital, please contact the hospital Enquiry Helpline on 020 7483 5004 or visit thewellingtonhospital.com
For more information or to take part in Movember, please visit uk.movember.com and prostateuk.com
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Can you keep a secret? The Luggage Room at the London Marriott Hotel on Grosvenor Square harks back to the Roaring Twenties of flapper dresses, speakeasies and soothing jazz. But it is the Low Tea that draws us in with its handpicked offerings of flavoured leaves to be chosen through a quick sniff test, and a trunk concealing an array of pastries, cakes and treats in secret compartments. £48, Grosvenor Square, W1K, luggageroom.co.uk
Food & drink news WORDS: HANNAH LEMON
BURSTING WITH BUBBLES Bruno Paillard, a small, independent maison based in Reims, has been dubbed ‘Champagne’s best-kept secret’. With a fantastic range of vintage cuvées, the label is a Mayfair favourite, stocked at the likes of Nobu, Sexy Fish, Galvin at Windows and La Petite Maison. The Premiere Cuvée is our top tipple this month. Lively and vivacious with miniature bubbles, the golden palate of light plum and pear flavours ends with a clean finish. £44.99, available at Selfridges, champagnebrunopaillard.com
Flying the flag Although focus on the US is being trumped (excuse the pun) by the presidential campaign, one way to bring attention back to what makes the country great is by indulging in 45 Park Lane’s Thanksgiving menu on 24 November. Executive chef David McIntyre’s national feast includes pumpkin soup, roast turkey with Brussels sprouts, and pecan pie. Let’s just hope it won’t be acting as comfort food. From £95, CUT at 45 Park Lane, W1K, dorchestercollection.com/Cut-at-45
Tuck into Tokimeite Forget lazy weekend afternoons of sausages, eggs and bacon – add a bit of spice to your Sunday with Tokimeit’s robata-style brunch. The new menu of Japanese slow-grilled food is barbecued over hot charcoal to gently release natural flavours. Ideal for sharing, you and your friends can choose from niku (meat), yasai (hot and cold vegetables), kaisen (seafood) and temaki (hand rolls). Finish this Far Eastern feast with a couple of rounds of sake and you’re sure to forget all about Monday. 23 Conduit Street, W1S, tokimeite.com
FOOD & DRINK
REVIEW
Blades of glory Lancashire Court gets a Bond-inspired makeover with its new steak, lobster and whisky restaurant Blades at Hush. Marianne Dick heads along to see what all the fuss is about
H
ush – dubbed the ‘private member’s club you don’t have to be a member of’ by founder Jamie Barber – is tucked away on the cobbles of Lancashire Court. However, with more than a decade on the culinary scene, the eatery is less of a secret than the name implies. Alongside the existing Brasserie and Courtyard, the dining destination has opened a new venture, Blades. Inspired by Ian Fleming’s fictional members’ club in the James Bond novels (Roger Moore’s son Geoffrey is the co-founder), the revamped silver room serves primarily steak, lobster and whisky. To begin, a round of whisky tipples were recommended. My guest opted for The Bowler, which starred Blades’s own blended Scotch while I – being far from a whisky connoisseur – tried the sweet and frothy Mr Kipling’s. For firewater fanatics, there is an extensive menu including Scotch malts, bourbons and ryes. The starters of lobster salad and Dorset crab were cool, fresh and light – ideal when we had the prospect of two steaks accompanied by half lobsters on the horizon. My fillet steak was a generous chunk of juicy Angus beef, deeming the lobster a gluttonous but tasty extra. While my companion opted for the USDA fillet steak that was a tad overdone, the accompanying whisky glaze made up for this slight – the deep, glossy sauce had a moreish and mouth-watering umami flavour. An accompanying order of Parmesan and
IMAGE CREDITS: JOHN CAREY
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For firewater fanatics, there is an extensive drinks menu including Scotch malts, bourbons and ryes truffle-topped Aspen fries ensured there was no way we were going home hungry. The dessert menu was an indulgent affair, with Mars bar cheesecake and whisky and brown butter brioche pudding to name a few. I succumbed to my love of cinder toffee and chose the honeycomb ice cream with hot chocolate sauce – simple, saccharine decadence. My guest opted for the white chocolate and Earl Grey crème brûlée: packed with flavour, this aromatic dish is a must for tea-lovers. While Blades may need to bed in a little longer to be the starring role in Hush’s line-up, it is certainly worth a visit. Reminiscent of Mr Bond himself, it is likeable, ambitious but still a little rough around the edges. Blades at Hush, Lancashire Court, 8 Brook Street, W1S, hush.co.uk
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Raise a
GLASS Discover the history behind The Macallan and the time-honoured cask process still used today
PROMOTION
A
vid fans of Ian Fleming’s James Bond novels will know that 007 often favoured a whisky over a cocktail, a fact that film buffs cottoned on to in Skyfall, when Daniel Craig cracked open a 50-year-old bottle of The Macallan’s finest. Like Bond, the rest of the world has enjoyed the distillery’s liquid gold for some time – 192 years, to be exact. Founded in 1824 in Scotland by farmer Alexander Reid, who leased eight acres of land from the Earl of Seafield, The Macallan’s distillery was one of the first in Scotland to be legally licensed. Nearly two centuries later the brand remains committed to the original founder’s dedication to high quality spirits. The barley is still grown in the grounds surrounding the estate, and the spring water is drawn from springs located on site. In fact, many of its single malts have become highly-coveted collectors’ items – in 2014, The Macallan M Imperiale six-litre Lalique decanter sold at auction in Hong Kong for $628,000. The warehousing process, on the other hand, is decidedly more international: while still located in the Scottish distillery, the wooden casks used for maturation are made out of wood from forests located in both America and Spain. “We use two types of oak: Quercus Alba, an American white oak, and Quercus Robur, a European oak,” explains The Macallan’s master of wood, Stuart MacPherson. “These two varieties give us different styles, characteristics and colours, which complement a number of our products.” The American oak is sourced from forests in Ohio, Kentucky and Missouri, whereas the European oak mainly comes from the north of Spain. The production for each cask is a lengthy process and can take up to six years to mature. “After cutting the logs in the north of Spain, we leave the wood to dry naturally for a period of time to reduce the moisture before transporting it to the south, where we leave it for a further two years to dry,” MacPherson says. “You then have the cask construction and seasoning process – we season with dried sherry – and that takes an average of 18 months. Then we deliver the casks to the distillery in Scotland.” Currently, more than 250,000 casks are maturing at the distillery. The quality and type of oak is fundamental to the creation process, with 80 per
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cent of each whisky’s characteristics and 100 per cent of its colour coming from the wood itself. “The Quercus Alba cask will give you a much lighter colour and more vanilla and citrus flavours, while the Quercus Robur will create a much darker shade and a flavour of dried spices, chocolate and citrus,” MacPherson says. “The combination of these two types of casks and what it creates gives us more opportunities.” MacPherson affirms that the maturing process is likely to be very much the same as it was 192 years ago. “Like most industries today, machinery has taken over some of the more arduous tasks, but fundamentally a cask that has been made now would have been the same in the 17th century.” Almost two centuries down and counting, what does the future hold for The Macallan? “I think The Macallan as a brand has grown significantly in the last 15 to 20 years. It’s probably one of the largest single malts in the Scotch industry now,” MacPherson says proudly. “Things are looking very positive for the growth of The Macallan for the future.” Cheers to the next 192 years. themacallan.com T H E M ACA L L A N R A R E CA S K A single malt produced through meticulous dedication to wood, The Macallan Rare Cask is aged exclusively in sherry oak casks. This unique expression sees soft notes of opulent vanilla and raisin pique the nose, giving way to a sweet ensemble of apple, lemon and orange. £200, available at Harrods, harrods.com
E XC L US I V E W H I S KY TA S T I N G I N M AY FA I R Hedonism Wines in Mayfair will be hosting tutored tastings with some of The Macallan’s finest single malts. Hosted by Daryl Haldane, head of brand education at The Macallan, the immersive evening will include a trilogy of 12 Year Old expressions – Fine Oak, Sherry Oak and Double Cask – as well as Rare Cask and the exquisite M Decanter. 7-9pm, 5 December at Hedonism Wines, 3-7 Davies Street, W1K; To attend, email: macallan@bigpartnership.co.uk
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Building a brand
Sleek aesthetics are essential when it comes to luxury sports cars. Jennifer Mason finds out why when she goes behind the scenes at Aston Martin’s HQ with CCO and design director Marek Reichman
MOTORING
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n 1913, avid hill-climb competitors Lionel Martin and Robert Bamford, began tinkering with their Singer race car to make it more successful – eventually taking the vehicle apart and putting it back together with elements of their own design. The two went into business together, founding the company they later named Aston Martin after a successful win in 1914 at Aston in Buckinghamshire. Since then, the luxury car manufacturer we know and love has produced in the region of just 80,000 cars; and 60 per cent of those sales took place in the last 13 years. Part of the magic of owning an Aston Martin is knowing that there are limited numbers of others who do. So what makes these machines so covetable, aside from their relative rarity? “Power, beauty and soul – that’s what Aston Martin stands for,” enthuses CCO and design director Marek Reichman, when we meet at the brand’s sleek and super-luxe Gaydon HQ. “The power is essential, of course, but beauty is the really important element. It sits at the core of who we are and what we do.” Whether you own an Aston Martin or have merely gazed from afar, the car’s aesthetics (regardless of which model) have surely not been lost on you. They are exceptionally good-looking cars.
OPPOSITE: ASTON MARTIN’S CCO AND DESIGN DIRECTOR MAREK REICHMAN THIS PAGE, FROM TOP: ASTON MARTIN BADGE; DB11; DB2; ASTON MARTIN AUCTION AT BONHAMS; INSIDE THE ASTON MARTIN FACTORY; DB MARK III
“Nature drives us to appreciate beautiful things – what we’re doing here is replicating that feeling” “Beauty is something that transcends time, age and gender. It’s something that you can’t resist looking at,” explains Marek, when we discuss why the final look is such an integral part of the design process. “Of course we use technology to produce very driveable sports cars, but it’s the aesthetics that make the brand.” It’s an attitude that spans the entire range of current models, from the newly-minted DB11 – first deliveries reached customers in October – to the visually stunning Vulcan race car. “Something like the Vulcan, for example, technically doesn’t need to have an aesthetic language, because it’s made for driving around the track very quickly,” Marek tells me. “But for us, it’s important that every car has a relationship with the other models. We call it the ‘golden section’ – a
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MOTORING
proportion that all Aston Martin cars possess and which gives them their signature good looks.” It’s a principle of tailoring. A bespoke suit typically has pockets cut at an angle to draw the eyes in for a more flattering silhouette. Aston Martin dresses its cars in the same way – only with metal and carbon rather than silk and wool. Think about the range of luxury sports cars and supercars on the market today. From outrageous and borderline impractical Lamborghinis to multi-million pound Bugattis, there’s plenty to choose from if you have an eye for motors. But there’s something a little bit special about an Aston Martin. Their sleek lines and perfect proportions put them on par with sculptures in an art gallery. And it’s all intentional, Marek assures me. “Aston Martins are timeless, because beauty is timeless. Nature drives us to appreciate beautiful things – what we’re doing here is replicating that feeling.”
THIS PAGE, CLOCKWISE FROM TOP LEFT: DB5; INSIDE THE ASTON MARTIN FACTORY; DBR1; INSIDE THE ASTON MARTIN FACTORY
Marek and his team aren’t about to be waylaid by the practical aspects of car design, either. Take the front grille, for example. “They have to pass certain safety criteria in case of pedestrian accidents,” he admits, “which is why many car manufacturers use plastic grilles, as they cause the least amount of damage to the pedestrian being hit.” Wanting to keep the full metal grille while also passing the safety regulations was going to be extremely difficult, so how to overcome this obstacle? If you’re Marek Reichman, the answer is simple. “We designed what we call a ‘keystone grille’ that uses the same design principle as bridge arches,” he grins, clearly delighted at being able to stay true to the Aston Martin ethos. “When you hit a certain point on our grilles with a specific amount of force, the entire thing collapses. It took weeks of head-scratching to come up with a solution, but it was worth it for the finished product.” Not to mention saving the legs of any unsuspecting pedestrian too transfixed by the Aston’s aesthetics to get out of the way in time. Every car gives an impression of its owner. Ferraris are classic, Lamborghinis are ostentatious, Bentleys are a status symbol. I ask Marek what attributes define an Aston Martin owner. “Taste,” he replies, with the secretive smile of a man who knows exactly what’s in store for the future of this historic brand. astonmartin.com
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TO READ MORE ARTICLES LIKE THIS VISIT www.luxurylondon.co.uk
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Original, limited-edition Art Deco posters by leading artists
Limited to editions of 280, our newly-commissioned Art Deco posters feature glamorous holiday destinations around the world, ski resorts in the Austrian, French and Swiss Alps, and the world’s greatest historic automobiles. Over 100 designs to choose from, all printed on 100% cotton fine art paper, measuring 97 x 65 cms.
Priced at £395 each.
Private commissions are also welcome.
Pullman Editions Ltd 94 Pimlico Road Chelsea London SW1W 8PL www.pullmaneditions.com Tel: +44 (0)20 7730 0547 Email: georgina@pullmaneditions.com
Our central London gallery
All images and text copyright © Pullman Editions Ltd. 2016
View and buy online at w w w.pullmaneditions.com PullmanEd-Mayfair.indd 1
12/10/2016 12:37
TRAVEL
Grecian chic Architect Alexandros Kolovos has immersed the newly-opened Kensho Boutique Hotel & Suites in Greek culture, in perfect harmony with its elegantly white-washed situation in Mykonos. Overlooking Ornos beach, the hotel’s peaceful suites take inspiration from rustic nature with maple, cherry and oak wood accents, and furniture fashioned by Patricia Urquiola. Admire the handcrafted stone walls and absorb yourself in Aegean pleasures. From £205, kenshomykonos.com
Travel news W O R D S : J A C I N TA R U S C I L L O
A suite escape Designed with the royal garden in mind, the new Green Park Signature Suite at The Ritz overlooks both Piccadilly and its namesake. The suite is decorated in calming blue hues, with plenty of polished wood and bespoke artwork to match. It comprises a master bedroom with en-suite as well as a superior king room with its own bathroom. There’s ample room to relax in the living room, complete with a lavish marble fireplace and private kitchen. An excellent way to celebrate The Ritz’s 110th anniversary. From £4,000 per night, theritzlondon.com
Channelling comfort For more than 20 years, the Eurostar has served the channel in formidable style. Now its new model, the e320, has been created by Siemens and Italian car designer Pininfarina. Interior comfort is top priority, with new extendable seat cushions, touchfree technology and ergonomic reclining seats. Enhancements have also been made on personal space and lighting, taking convenience to the next level. eurostar.com s L U X U RY L O N D O N . C O. U K s
SUN, SEA AND SNOW The inspiration for French brand Vilebrequin’s new winter ski collection comes from the dazzling Atlas Mountains of the Maghrib. These quirky pieces, ranging from summery swimwear to down-filled ski jackets (fluffy hooded or not), cover all weathers for adventure. Sport a playful twist to a classic beach print that features snow-capped mountains and palm trees… and just remember, it’s always summer somewhere. From £55, vilebrequin.com FROM LEFT: HOODED JACKET, £540; SLEEVELESS VEST, £220
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Suite dreams THE FRANKLIN LONDON WORDS: HANNAH LEMON
“P
lease could you tell me where the reception is?” I blurt, still not sure that I have even entered through the right door. The two ‘F’ emblems on the front of the building could well have indicated the staff entrance to The Franklin. My question receives a blank stare from a smart lady, dressed in black, who
very wealthy one with exquisite taste in furnishings), rather than a hotel in Knightsbridge. Once checked in, we make our way through the rabbit warren of rooms – each a shade of grey decked out in velvety, plush Italian materials – starting with the mirrored bar stacked with bottles and glasses. The design is by “Anouska Hempel,” the concierge informs me, “she was the woman who opened the door to you just now.” The actress-turned-interior designer’s contemporary flair extends to furniture design, haute couture, fashion, gardens and product
The inconspicuous signage makes me feel as though I’m visiting a friend is holding the door open for me. But before she has time to answer, a concierge hurriedly steps in. “This is it!” He exclaims warmly, and points to the round marble table in front of me, adorned with glossy magazines. He pulls out two chairs for me and my boyfriend to sit on, while he jovially types our details into an Apple laptop. The lack of an official reception desk is rather refreshing and the inconspicuous signage makes me feel as though I’m visiting a friend (albeit a
design. Famous for her award-winning creations at Blakes London and The Hempel Hotel, she has quite the design legacy. By the time we return to the foyer Hempel has disappeared, but with the hotel only in its first month, I imagine her to-do list is pretty lengthy. The restaurant is on the same level and styled in a cool palette of pewter and slate, much like the rest of the hotel. Dinner is nothing short of a marvel. Alfredo Russo has masterminded a zestful
TRAVEL
CLOCKWISE FROM TOP: JUNIOR SUITE; EGERTON GARDENS; THE FRANKLIN RESTAURANT; THE FRANKLIN BAR
and innovative Italian menu, no doubt inspired by his time at Dolce Stil Novo in Italy. Be ready to enthusiastically ‘um’ and ‘ah’ over every mouthful from the tortino with aubergine and tomatoes, which are perched like little soldiers on top of a hill, to the lamb with a bright orange carrot foam that looks almost too fun to eat. The antipasti of creamy polenta and wild mushrooms, cocooned in soft warm Taleggio cheese, is a must. Its subtle flavours and comforting mouthfuls push this dish into my top ten of all time (not an easy feat, trust me). After dinner, we take a short and unnervingly slow ascent in the lift to our hotel room. The spacious junior suite overlooks Egerton Gardens, a green oasis in central London flanked by red brick residential blocks of which The Franklin pretends to be. At night, when I close the curtains (a turn-down service never materialises), I peek into the darkness to see residents moving about their rooms on the opposite side, much like Sylvanian Families brought to life. We spend most of the evening playing with the touch-screen pads on the walls that seem to control every light bulb individually. There is one for the bathroom too, which has a soothing waterfall shower and a generous selection of Penhaligon’s bath lotions. It’s the little touches that make this place special – from the pristine hairdryer in an embossed box and pillow menu to the tasteful mirrors and clean palette of colours. The four-poster king-size bed is lined with delightfully soft Frette sheets and although the glow from the touch-screen pads and the green emergency exit light by the door somewhat ruins
rather than a hotel in Knightsbridge the effect of the smart blackout blinds, we fall into a deep sleep. Waking up with a view to your private park outside is a lovely way to start the day and when I switch on the large plasma TV to watch a morning cookery show, I smile to myself in the knowledge that Russo’s breakfast is waiting for me downstairs. From £360, 24 Egerton Gardens, SW3, thefranklinlondon.com
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FAENA HOTEL MIAMI BEACH POOL, PHOTOGRAPHY: TODD EBERLE
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iami has become a year-round destination, not just for a quick escape to the sun, but for culture and world-class service too. And December is its definitive month to shine as the international art and fashion sets descend for Art Basel. The sun-splashed city is, like its sea-hugging luxury condos, on the rise. The cobwebs of laid-back service have been dusted away for a new level of hospitality catering to a clientele that’s not merely here to sip caipirinhas on the beach, and its cultural scene is everburgeoning. World-class institutions like the Adrienne Arsht Center for the Performing Arts of Miami-Dade County and the highly acclaimed Miami City Ballet are shining a new kind of light on the Magic City. The Faena (see Where to stay) is bringing a distinctly South American voice to Miami Beach, but this has always been a city of multiple languages. It has also been a tale of two cities – downtown and beach – and the mainland is evolving as well. Thirteen years ago, when the Four Seasons Hotel Miami opened in the heart of the financial district, it was hardly a leisure traveller’s destination. Skyscrapers and banks defined the area, known as Brickell (for Brickell Avenue), which was a sphere of business suits and ties that all but shuttered come nightfall. Today, mainland Miami is being recognised as the heart of the city. It is also becoming one of the most popular neighbourhoods to live in, giving new buzz to local restaurants and bars. Later this year, the Brickell City Centre shopping and entertainment complex is set to open, adding to the cultural diversity of the Design District and the eclectic arts neighbourhood known as Wynwood, which has property maestro Tony Goldman to thank for its modern development (as does much of the beach itself) and where trendy creatives can enjoy more than 50 galleries. Visit Art Basel, if you fancy. Head to the beach, if you like. Or go downtown to witness the expanding heart of a bustling bayfront city. But don’t forget to go to Miami.
[CITY BREAK ]
MIAMI
With its cultural reputation now firmly established, Daniel Cappello finds a destination that offers much more than condos and caipirinhas ©ART BASEL
FAENA HOTEL MIAMI BEACH VERANDA, PHOTOGRAPHY: TODD EBERLE
ARSHT CENTER, PHOTOGRAPHY: PATRICK FARRELL
TRAVEL
Where to stay With his finger directly on the pulse, Argentine hotelier-cum-urban innovator Alan Faena debuted the Faena Hotel Miami Beach last year. Film director Baz Luhrmann co-developed the visual scheme, and it’s true that you feel as if you’re walking onto a movie set: the hotel oozes with detail-rich Art Deco grandeur, from gilded hardware to velvet touches at every turn. The house art may be worth the stay alone, with works by Damien Hirst and Jeff Koons, but the true star is the service. Comparable to that of The Connaught – over the top but never ostentatious – Faena is raising the stakes. From $625, faena.com
SUITCASE E S S E N T I A L S #1 Perfume, £140, selfridges.com
#2 Dress, £2,435, stellamccartney.com
Where to eat The Four Seasons’ resident steak house, Edge, gets it just right with seasonal farm-to-table produce, while its lively outdoor Latin alternative, Bahía, offers a nonpareil al fresco lunch and mojitos. For brunch, head to La Mar at the Mandarin Oriental, or for something well outside hotel walls, Michael’s Genuine Food & Drink. A king crab omelette, ricotta pancakes with honey roasted pears or a sweet potato bun are just three ways to start the weekend right. fourseasons.com, mandarinoriental.com, michaelsgenuine.com
#3 Sunglasses, £310, marcolin.com
#4 Shoes, £595, sophiawebster.com
Mayfair recommends From a series of hanging hand-blown glass balls to an installation that explores the urban model and dystopian myth of Shanghai, more than 250 galleries will bring the best of modern and contemporary art to Miami Beach in December, for the 15th edition of Art Basel. Another one not to miss is a mural based on Picasso’s Guernica, by multimedia artist Adrià Julià at Dan Gunn’s booth – not to mention the plethora of parties set to take place over the weekend. 1-4 December, artbasel.com
#5 Bag, £1,430, paulacademartori.com
FOUR SEASONS EDGE SUNDAY BRUNCH RAW SEAFOOD BAR
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REGULARS
Remembering
MAYFAIR Street Muses of London WORDS: HANNAH LEMON
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here used to live a Mr Graham Crump of Holland Park Avenue who enjoyed photographing his favourite cars while walking the streets of Mayfair and South Kensington. From Her Majesty the Queen’s Phantom IV 4AF2, snapped in 1955 outside Buckingham Palace, to a Silver Cloud III (which once belonged to Maurice Gibb of the Bee Gees) in 1988, he left no engine unturned. Crump also passed Mayfair’s important motoring flagship stores – Jack Barclay, H.R.Owen, Mann Egerton, H.A.Fox and Rolls-Royce – documenting their changing façades through the decades. After Crump’s death a family member decided to sell the collection, and at one of these auctions vintage car-lover Davide Bassoli became hooked on the pictures. Over a period of four years, he bought about four photos a week, resulting in nearly the entire collection. Bassoli then chased down the remaining missing pieces and asked their new owners to send copies. With a total of ten years’ research and pestering, he identified the history of every car. What Bassoli found has become material for a new book, Street Muses of London, and a fascinating narrative on RollsRoyce and Bentley motor cars, spanning more than 30 years, including Crump’s own Rolls-Royce 20/25 H.P. One of a few images that were not taken by Crump, but is included in the selection, is a promotional Rolls-Royce shot taken in 1962 for the launch of the new Silver Cloud III
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LWB (pictured). It represents the quintessence of the British manufacturing company with an elegant English gentleman being courteously welcomed by his chauffeur in front of the Houses of Parliament. The same car was used as a Trials car in the Rolls-Royce Conduit Street store and appeared in the 1963 film The V.I.P.s, starring Richard Burton and Elizabeth Taylor. This isn’t the only car in the album to have famous drivers. While snapping high-end wheels, Crump’s camera landed on another celebrity’s ride outside Heming & Co. Ltd, a jewellers at 28-29 Conduit Street, in September 1966. The purchase in question belonged to the French pin-up Brigitte Bardot for ten years, who had the car painted white and was most probably shopping for a few gems when the picture was taken. The motor had originally belonged to French Baron Henri Thiery, who had commissioned Chapron to build a limousine body on the car with large front doors and a sloping centre pillar to allow more room for his physical ailments. Mr Crump may have been a gentleman with an overzealous passion for automobiles, but he unwittingly formed a fascinating insight into life on London’s roads. A view that, surprisingly, isn’t just for vintage car enthusiasts. Street Muses of London by Davide Bassoli, €150 (plus postage and packaging), published by Nubes Argentea, 2016, nubesargentea.com
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SHOWCASING THE
finest HOMES & PROPERTY FROM THE BEST ESTATE AGENTS
Step inside The prime penthouses and art-inspired developments setting the agenda
IMAGE COURTESY OF JOHN TAYLOR
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MM MM Nov Nov - Cleveland - Cleveland Court Court mews mews
Cleveland ClevelandCourt CourtMews, Mews,StStJames's James'sSW1 SW1 Three Threetruly trulyexclusive exclusivemews mewshouses housesbybyThe TheCrown CrownEstate Estate Three sophisticated mews Three sophisticated mews houses houses situated in situated in London's London's historic historic heart, heart, adjacent adjacent to to StSt James's James's Palace. Palace. Each Each property property has has been been flawlessly flawlessly designed designed byby renowned renowned British British interior interior designers designers and and each each benefits benefits from from a 24 a 24 hour hour uniformed uniformed concierge concierge service service and and private private parking. parking. Approximately Approximately 223 223 sqsq mm (2,400) (2,400) sqsq ft -ft233 - 233 sqsq mm (2,508 (2,508 sqsq ft).ft). Leasehold Leasehold
Prices Prices ranging ranging from: from: £6,650,000 £6,650,000 - £6,950,000 - £6,950,000
KnightFrank.co.uk/mayfair KnightFrank.co.uk/mayfair mayfair@knightfrank.com mayfair@knightfrank.com 0 2002 0 8 186166 6 7 478448 4 AyrtonWylie.com AyrtonWylie.com 0 2002 0 7 773703 0 4 642682 8
@KnightFrank @KnightFrank KnightFrank.co.uk KnightFrank.co.uk
KnightFrank.co.uk/WER160180 KnightFrank.co.uk/WER160180
07/10/2016 07/10/2016 13:08:06 13:08:06
MOVE. Faster. Sell with Knight Frank. Our understanding of the everchanging market enables us to price your property accurately, so you can rely on Knight Frank to get you moving. Call us today to arrange your free market appraisal.
Guide price: £1,795,000
South Audley Street, Mayfair W1K A spacious one bedroom apartment situated in one of Mayfair's premier residential buildings, benefiting from lift access, 24 hour porter and share of freehold. Bedroom, bathroom, reception room, kitchen, hallway, lift, porter. EPC: D. Approximately 67 sq m (716 sq ft). mayfair@knightfrank.com Office: 020 8166 7484
KnightFrank.co.uk/mayfair mayfair@knightfrank.com 020 8166 7484
@KnightFrank KnightFrank.co.uk
Guide price: £2,150,000
Maddox Street, Mayfair W1S A beautifully presented two bedroom apartment located on the fashionable Maddox Street and near the designer boutiques of Bond Street. Master bedroom suite, bedroom 2, shower room, reception/dining room, kitchen. EPC: C. Approximately 75 sq m (809 sq ft). mayfair@knightfrank.com Office: 020 8166 7484
MM November
07/10/2016 13:12:56
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Connaught Place, Hyde Park W2 Exceptional penthouse apartment with uninterrupted views across Hyde Park A magnificent interior designed penthouse of grand proportions located in a prestigious Grade II listed building with far reaching views across Hyde Park. 5 bedrooms (all en suite), reception room, dining room, media room, study, kitchen, utility room, staff area, roof terrace, direct lift access, comfort cooling, Mercury lighting system, full audio/visual system. Approximately 500 sq m (5,386 sq ft). Leasehold: approximately 124 years remaining
Guide price: £14,875,000
KnightFrank.co.uk/hydepark hydepark@knightfrank.com 020 3544 6140
@KnightFrank KnightFrank.co.uk
KnightFrank.co.uk/HPE140240
Mayfair Mag November 2016 - 5, 12 Connaught Place
12/10/2016 19:04:16
FOUND. Your perfect tenant. Let with Knight Frank. Our local expertise and global network mean that we can find a reliable tenant for your property; and with an average tenancy of nearly two years, Knight Frank not only helps you find them – but keep them as well. Call us today to arrange your free market valuation: KnightFrank.co.uk/lettings marylebonelettings@knightfrank.com 020 3641 5853 KnightFrank.co.uk/lettings hydeparklettings@knightfrank.com 020 3641 7941 Guide price: £1,150 per week
Hyde Park Gardens, Hyde Park W2
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A beautifully presented two bedroom apartment on the fourth floor in a Grade II listed building. 2 bedrooms, 2 bathrooms, reception room, lift, porter, communal gardens and parking. Approximately 85.8 sq m (924 sq ft). hydeparklettings@knightfrank.com Office: 020 3641 7941
All potential tenants should be advised that, as well as rent, an administration fee of £276 will apply when renting a property. Please ask us for more information about other fees that may apply or visit KnightFrank.co.uk/tenantcharges
@KnightFrank KnightFrank.co.uk
Guide price: £4,250 per week
Luxborough Street, Marylebone W1 A unique top floor three bedroom lateral apartment interior designed throughout. 3 bedrooms, 3 bathrooms, open plan kitchen/reception room/dining room, utility room, guest cloakroom. EPC: C. Approximately 246 sq m (2,652 sq ft). marylebonelettings@knightfrank.com Office: 020 3641 5853
Mayfair Mag October 2016
12/10/2016 10:27:02
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FOUND Your perfect tenant. Let with Knight Frank. Our local expertise and global network mean that we can find a reliable tenant for your property; and with an average tenancy of nearly two years, Knight Frank not only helps you find them – but keep them as well. To arrange a free market appraisal, call +44 20 8166 7799 or visit KnightFrank.co.uk/mayfair Guide price: £1,850 per week
Mount Street, Mayfair W1K
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An immaculate first floor flat on the fashionable Mount Street in Mayfair. Master bedroom with en suite bathroom, further double bedroom with en suite bathroom, family bathroom, reception room with feauture fireplace, open plan kitchen/dining room and guest WC. EPC: E. Approximately 104 sq m (1,119 sq ft). Available furnished. mayfairlettings@knightfrank.com Office: 020 8166 7799
All potential tenants should be advised that as well as rent, an administration fee of £276 and referencing fees of £48 per person will apply when renting a property. Please ask us for more information about other fees that may apply or visit KnightFrank.co.uk/tenantcharges
@KnightFrank KnightFrank.co.uk
Guide price: £25,000 per week
Park Lane, Mayfair W1K An outstanding penthouse apartment offering uninterrupted views of Hyde Park. Newly interior designed this property comprises 8 bedrooms, 8 bathrooms, 2 reception rooms, 2 kitchens and 2 study rooms. EPC:C. Approximately 682 sq m (7,348 sq ft). Available furnished. mayfairlettings@knightfrank.com Office: 020 8166 7799
Mayfair Magazine - October2 - Lettings
11/10/2016 13:08:05
[ HOT PROPERTY]
King Street, SW1
N
amed after the royal palace, St James’s has been home to prestigious figures including Chopin, Lord Palmerston and Robert Walpole. Yet arguably the grandest name to reside in this small corner of the city was Louis-Napoléon Bonaparte, who took a lease on the then new-build, now Grade II-listed 1c King Street. Bonaparte lived here from 1847 until the French Bourbon monarchy was overthrown in 1848, when he is said to have fled in such a hurry that he left his marble bathtub full of
water. The property, just a few yards from St James’s Square, is the site of the earliest surviving blue plaque in London. The top-floor duplex apartment is now on the market and has been reimagined by Knight Frank Interiors – and its decor is quite different from the family shrine Bonaparte transformed his home into in the 19th century. The lower level is generously equipped for entertaining guests and includes a bright open kitchen and dining space, a modern formal dining room and a 27.3 x 19.3sq ft reception room.
PROPERTY
While the upper floor is home to both the master bedroom and two further guest suites, a north-facing conservatory and large private terrace can also be found here. In prime position to trap the sunlight for the majority of the day, this part of the property can serve as an impressive backdrop for receiving guests or a romantic hideaway from the nearby bustle of Piccadilly. Even in Bonaparte’s short residency, St James’s was a hub of activity and he quickly became a prominent figure on the
s L U X U RY L O N D O N . C O. U K s
social and cultural scenes. Today the area is home to numerous art galleries, private members’ clubs, wine merchants and luxury retailers – a richly dynamic and architecturally inspiring area that the naval commander would surely have revelled in. Guide price £10.5m (leasehold approximately 980 years remaining), Knight Frank, 120a Mount Street, W1K, 020 7499 1012, knightfrank.co.uk
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PROPERTY
MARKET
INSIGHT Crunching the numbers Partner and head of Knight Frank Mayfair, Harvey Cyzer, reports on the highs and lows of the global property market
M
ayfair has been more immune than other areas of prime central London to a slowdown in price growth over the last two years, according to our latest research, a detailed analysis of the sub-£5m market that examines the strength of this historic patch against other prime central London addresses. Growth began to cool in summer 2014, accelerated by a series of tax changes. The result was a 8.2 per cent decline in the number of £1 million-plus transactions in prime central London in the year to April 2016, compared to the same period 12 months earlier. However, transactions only declined by 3.6 per cent over the same period in Mayfair. Furthermore, Mayfair is the only area in the Westminster and Kensington & Chelsea boroughs that has not experienced negative annual growth since the financial crisis. The average rate in Mayfair was 2.9 per cent in the two years to July 2016, compared to a fall of 1.4 per cent in Knightsbridge and 0.5 per cent in Kensington. Price performance has largely been driven by the sub-£5 million market, a price bracket that represented 76 per cent of all Mayfair transactions in the year to April 2016. Indeed, the number in
Mayfair increased 17.5 per cent in the year to April 2016, compared to the previous 12 months. There is a belief among investors that Mayfair is performing well, relative to other areas. New developments and public realm works mean the area has become more in-demand in recent years. One indicator is that the number of buyers registering increased by 16.3 per cent between January and July, compared to 4.5 per cent across prime central London. Led by the Grosvenor Estate and The Crown Estate landowners, a growing focus on luxury retail and an improving public realm has also supported this residential demand. The EU referendum result has reinforced a mood of price sensitivity caused by higher rates of stamp duty, yet the weakness of sterling has sparked stronger demand in international markets like Mayfair, meaning many buyers benefit from an effective double-digit discount compared to the start of the year. With record low bond yields, the erratic performance of hedge funds and question marks over the sustainability of the recent stock market run, property remains an attractive asset class.
Price performance has largely been driven by the sub-£5m market, a price bracket that represented 76 per cent of all Mayfair transactions in the year to April 2016
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Knight Frank Mayfair, 120a Mount Street, W1K, 020 7499 1012, knightfrank.co.uk
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Bricks & More 020 7221 1117 www.crayson.com
10 Lambton Place London W11 2SH
Based in London, few property advisors have ears closer to the ground – or have built up a better understanding of the prime central London property market. Our exceptional personal service, discretion and knowledge of the market has transformed our name into bywords for trust and transparency. Come and talk to us today and see how we can help deliver the very best returns on your most important assets. In the manner to which you are accustomed.
The Hudson Collection Notting Hill W2 If you want a Townhouse that could only be in London, then here it is, restored to all its former glory, and filled with modern conveniences... Five distinct Townhouses representing the ultimate in style. Each with private entrances, full time concierge and access to communal gardens. The result is a refreshing change from the nuclear wasteland option so often seen today. Guide Prices range from ÂŁ5.95 million to ÂŁ8.75 million
020 7221 1117 www.crayson.com
10 Lambton Place London W11 2SH
FOR SALE EATON GATE, BELGRAVIA SW1
£10,000,000
Positioned in an elegant terrace of townhouses between Sloane and Eaton Squares, this delightful Grade II listed house was built c.1905 and is offered with listed building and full planning consent to create an exquisite family home. The accommodation is arranged over six floors and spans 6,225 sq ft. Ormonde House benefits from a lift and is held on a Full Repairing & Insuring lease of 126 years.
FURTHER DETAILS:
FOR SALE CUMBERLAND MANSIONS, MARYLEBONE W1
£2,995,000
This exceptional maisonette, spanning almost 2,000 sq ft has recently been refurbished to an exacting standard. Benefitting from its own entrance in this purpose built mansion block with resident caretaker in Marylebone, the accommodation comprises: 30 ft double reception room, large separate kitchen diner, guest WC, a well-proportioned master bedroom suite, second double bedroom with en-suite shower room and a third double bedroom with separate bathroom. Leasehold 111 years.
FURTHER DETAILS:
Simon Green T +44 (0)20 3195 9595 E sales@pastor-realestate.com
Simon Green T +44 (0)20 3195 9595 E sales@pastor-realestate.com
PASTOR REAL ESTATE 48 CURZON STREET, LONDON, W1J 7UL • T +44 (0)20 3195 9595 F +44 (0)20 3195 9596
www.pastor-realestate.com
TO LET MOUNT STREET, MAYFAIR W1
£1,850 per week
Beautifully presented two bedroom apartment on Mount Street in the heart of Mayfair village with high ceilings and many original features. A luxurious mixture of both traditional and modern. Entrance hall, reception room with feature fireplace, fully fitted modern kitchen and dining room, two double bedrooms, bathroom shower room and guest cloakroom.
FURTHER DETAILS:
TO LET PARK STREET, MAYFAIR W1
£1,175 per week
Stunning two bedroom penthouse with an amazing roof terrace in the heart of Mayfair close to Park Lane with direct lift access and a spectacular wood decked roof terrace. Entrance hall, dual aspect reception/dining room, master bedroom with en-suite bath, second double bedroom, bathroom, fully fitted kitchen and access to Mayfair’s Secret Gardens.
FURTHER DETAILS:
Spencer Taffurelli T +44 (0)20 3195 9595 E lettings@pastor-realestate.com
Spencer Taffurelli T +44 (0)20 3195 9595 E lettings@pastor-realestate.com
SALES LETTINGS PROPERTY MANAGEMENT CONSULTANCY INVESTMENT ARCHITECTURE COMMERCIAL PROJECT MANAGEMENT
www.pastor-realestate.com Headline sponsor of
PASTOR REAL ESTATE 48 CURZON STREET, LONDON, W1J 7UL • T +44 (0)20 3195 9595 F +44 (0)20 3195 9596
PROPERTY
Grand designs An exceptional property in Belgravia offers buyers the chance to create their dream home
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n exciting opportunity has arisen to restore a spacious 6,255sq ft property in Belgravia, a stone’s throw from both Eaton Square and Sloane Square. Ormonde House is marketed with listed building consent and full planning permission, allowing the incoming purchaser to create an exquisite London home. Stepping inside, a large open entrance hall with marble floor leads onto an original wood and mirror panelled lift, both of which inspire nostalgia for a glamorous bygone era. A flowing dog-leg staircase with turned balusters connects each of the six floors with all levels benefitting from an abundance of light from large windows.
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Beautiful original features are noticeable throughout, including parquet flooring, decorative plasterwork and ornate fireplaces. The property’s abundance of space provides prospective buyers with an incredibly rare blank canvas in which to realise their creative interior dreams. Built in 1905 by Balfour & Turner (the Scottish architects heavily influenced by the Arts and Crafts movement of the late 19th century), the exterior is a fusion of red brick and stone. This coupling is particularly striking in comparison to the stucco façades common to this part of London; making Ormonde House a unique acquisition from the inside out. Pastor Real Estate, 48 Curzon Street, W1J, 020 3195 9595, pastor-realestate.com
137
South Street
£5,000 per week / £21,999.66 per month
Mayfair W1K
Grand ambassadorial apartment situated within one of the most prestigious blocks in Mayfair, benefitting from a lift & 24hr porters & comes with a large private balcony overlooking the stunning Mount Street Gardens. Finished to the highest of standards the apartment spans the 4th & 5th floor of the building, consisting of a large reception & dining room, modern fully fitted kitchen, a large master suite with dressing room & en-suite bathroom, 2 further double bedrooms both with en-suite bathrooms & a study/4th bedroom also with en-suite bathroom. EPC rating E
chestertons.com
Mayfair
020 7288 8301 lettings.mayfair@chestertons.com
Additional tenant charges apply: Tenancy agreement fee: £222 (inc. VAT) References per tenant including credit check: £60 (inc. VAT) References per guarantor including credit check: £60 (inc. VAT) Inventory check (approx. £100 – £250 inc. VAT dependent on property size) chestertons.com/property-to-rent/applicable-fees
Weymouth Mews
Mayfair W1G
Set in a beautifully quaint mews, this attractive apartment offers 2 double bedrooms, 2 bathrooms, one of which is en-suite to the master, a bright reception room & separate modern kitchen. The property benefits from dual aspect views that gives an abundance of natural light in all the principle rooms. The property is in very good order & has retained many period features. Weymouth Mews is conveniently located to a plethora of local shops & cafes & has great transport links. EPC rating D
Mayfair
020 7269 4513 sales.mayfair@chestertons.com
ÂŁ2,100,000 leasehold
Tranquility in the heart of the city. What sets this penthouse apart is its two spacious, of the London skyline. In the heart of the city, feeling like you’re on cloud nine.
To explore our luxury property portfolio, visit www.sothebysrealty.co.uk.
Vauxhall Bridge Road, Victoria SW1V - ÂŁ3,995,000
0
sothebysrealty.co.uk
Chesterfield Gardens, Mayfair W1J
£1,450,000
Enviably situated in a quiet cul-de-sac north of Curzon Street, Chesterfield House is one of Mayfair’s premier buildings. Recently refurbished to a high standard, this large one-bedroom apartment is located on the first floor and has a spacious reception room. The building has a lift and benefits from a 24h concierge service. This tranquil apartment would make an ideal pied a terre or rental investment. Approximately 650 sq. ft. EPC rating D. Eat in kitchen | 24h concierge service | Prime Mayfair location | Recently renovated to high standard | Quiet cul de sac
Share of Freehold
77-79 Ebury Street, London SW1W 0NZ sothebysrealty.co.uk +44 20 7495 9580 | london@sothebysrealty.co.uk © 2016 UK Sotheby’s International Realty. All rights reserved. Sotheby’s International Realty is a registered trademark licensed to UK Sotheby’s International Realty in the UK. Each offïce is independently owned and operated. All information non - contractual, approximate and subject to error, change and withdrawal without notice. Rent excludes administration fees. Please contact our offïces who can provide this information.
Mayfair Showroom 66 Grosvenor Street, London, W1K 3JL 28 offices in Central London and over 60 across London
Great College Street, SW1P Price on Application
An exceptional Grade II Listed Georgian house built in circa 1722 overlooking Westminster College Gardens. The property has eight bedrooms, five bathrooms, seven entertaining rooms including a beautiful kitchen with breakfast room leading onto a large walled, private garden. There is also a staff flat on the lower ground floor. Dexters Westminster 12 Greycoat Place, London, SW1P 1SB T: 020 7590 9579 E: westminstersales@dexters.co.uk
dexters.co.uk
Upper Terrace, NW3 £15,000 per week
A recently refurbished, seven bedroom Georgian house with a regal décor including; floor to ceiling sash windows, intricate wall cornicing, traditional feature fireplaces, chandeliers, a private landscaped garden and a heated swimming pool. Upper Terrace is an exclusive road in the centre of Hampstead and less than half a mile to Hampstead Underground station, energy rating e. Dexters St John’s Wood 6 St Anns Terrace, London, NW8 6PJ T: 020 7483 6330 E: stjohnswoodlettings@dexters.co.uk
dexters.co.uk
PROPERTY
Property news PrimeResi brings you the latest news in prime property and development in London
Halls of residence
Art on the crescent
Park Lane’s £12.5m townhouse offered for students
A
dramatic three-bed townhouse on Park Lane – billed as one of only two properties on the thoroughfare with its own private front door – is being offered for rent as ideal ‘student digs’ by Asif Aziz’s property asset and development management firm Criterion Capital. The three-storey property has just emerged from an 18-month construction project to deliver a part new-build, part renovation that sits behind the Park Lane street front and a section of Fountain House. All other Park Lane homes are apartments, except for this and one property owned by the Qatari royal family. It’s a low-key setting in an extremely prominent location. Tenants of 80 Park Lane are granted access to Fountain House’s concierge and facilities. However, there’s nothing low-key about the interiors and furnishings of this property, created by super-prime property stylists Polly Haley and Heidi Clark of design house Milc. The firm’s other projects include One Hyde Park, The Knightsbridge and Hans Place. Walk through 80 Park Lane’s ten-foot high solid oak front door, and you’re hit with a 60-foot high three-storey central atrium that sets the tone for the rest of the property, which comes replete with glass ceilings and floors that flood the place with light. A ‘floating’ glass and oak staircase cantilevers up through the atrium to connect all the levels. The lower ground floor has a large reception and entertaining space, an open-plan ten-seat dining area and a fully fitted kitchen. The basement houses a glass-walled bedroom that could be converted into a gym/fitness room. The top floor master suite opens onto a private roof terrace overlooking Hyde Park. Number 80 Park Lane has been valued at £12.5m, but is not for sale. Instead, it’s being offered to rent for £4,000 per week through Wetherell.
PrimeQResi
£100m worth of Regent’s Park residences showcase £100m worth of art Amazon Property went all out on the launch of its flagship £200m scheme, The Park Crescent, securing a £100m art collection for the big reveal to tie in with Frieze Week last month. More than 200 pieces of art were flown in from around the world to adorn six of the marquee residences, which also happen to be worth a combined £100m. Sourced from official partners Alon Zakaim Fine Art and Lawrence Van Hagen, along with private collectors from around the world, some of the works – namely ten Marc Chagalls and 30 Alexander Calders – were exhibited together in the UK for the first time. Clients of the curators were invited to attend a launch party on 6 October. Each property had a different curatorial theme: collections of Joan Miró and Salvador Dalí were displayed in a four-bed residence with an interior designed by 1508 London; a three-bedroom duplex featured major abstract pieces by Victor Vasarely and Yayoi Kusama. Prices for the residences range from £3.95m to £20m (through Knight Frank and Aston Chase).
ROBERT RAUSCHENBERG, SENTRY, IMAGE COURTESY OF AMAZON PROPERTY
primeresi.com
Journal of Luxury Property
146
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TITE STREET, SW3 An elegant and generous six bedroom, low built family house extending to 4,247 sq. ft. with the benefit of a leasehold garage. Arranged over four floors and offering generous proportions throughout, this house provides excellent bedroom accommodation and modern yet elegant entertaining space, enhanced by its impressive depth and volume. The bright kitchen offers the perfect setting for both dining and entertaining which then leads down to the lower ground floor where you will find the gym, a stylish yet cosy cinema room, and a further bedroom suite. The terrace can be accessed by a bedroom on the first floor and all bedrooms in the property have en-suites. 22 Tite Street is located near to the Kings Road, to the south of Tedworth Square and only moments away from a wide choice of boutique shops, restaurants and transport links of nearby Sloane Square. Viewings are must.
020 7580 2030 WWW.ROKSTONE.COM 5 Dorset Street, London, W1U 6QJ enquiries@rokstone.com
Price: £9,500,000 »»Meticulously refurbished »»Six bedrooms »»Four floors »»Located just off Kings Road »»4,247 sq. ft
ENNISMORE GARDENS, KNIGHTSBRIDGE, SW7 An elegant Grade II listed house, situated in prime Knightsbridge. The house has imposing dimensions with high ceilings and period features. 2 reception rooms, study, kitchen/ breakfast room, 6 bedrooms, 5 bath/ shower rooms. Small terrace, lift and access to communal garden for a small fee. 4057 Approx Sq Ft. EPC Rating F.
£11,250,000
FREEHOLD
AUBREY WALK, KENSINGTON, W8
Impressive, Art Deco, beautifully refurbished 7 bed, 5 rec. Room, 7 bath. 5 floors house featuring Dusty Springfield blue plaque. State of the art luxury conveniences (Lutron lighting, underfloor heating). Private spa, 35’swimming pool, separate gym, sauna and Jacuzzi. Far reaching views from roof terrace. Off street parking. Close to Central Line. Great Local restaurants, W1K FOUNTAIN HOUSE, MAYFAIR, W1K th floor apartment in this prestigious building with 24on hour concierge services lift. in this prestigious fashionable shopping in Highservices Streetand Ken. With panoramic views of Hyde Park, Park Lane, a 6th floor and apartment building with 24 hour concierge lift. entrance hallway, formal sitting and dining rooms, fitted kitchen, family room, three In need of refurbishment, the apartment has a large entrance hallway, formal sittingand and dining rooms, kitchen, family room, three Notting Hillfitted close by. Approx.7200 d a guest cloakroom. Long Leasehold. Rating C. JSAbathrooms Savills, Mayfair. double bedrooms, staffEPC bedroom, three and a guest cloakroom. Long Leasehold. EPC Rating C. JSA Savills, Mayfair. Sq Ft. EPC Rating C.
£16,500,000 PRICE: £6,950,000 LEASEHOLD
John Taylor UK 48 Berkeley Square, London W1J 5AX Tel: 020 3284 1888 Email: london@john-taylor.com
FREEHOLD John JohnTaylor TaylorUK UK 4848Berkeley BerkeleySquare, Square, London LondonW1J W1J5AX 5AX Tel: Tel:020 0203284 32841888 1888 Email: Email:london@john-taylor.com london@john-taylor.com
DOHA • GENEVA • GSTAAD • LAKE COMO • LONDON • MADRID• •CANNES MALTA •• COURCHEVEL MANHATTAN •• MAURITIUS • MEGEVE AIX-EN-PROVENCE • BERLIN • BROOKLYN DOHA • GENEVA • GSTAAD • LAKE |COMO • LONDON • MADRID • | MALTA • MANHATTAN MEGEVE FRANCE | GERMANY | ITALY | MALTA | MAURITIUS | MONACO | QATAR | RUSSIA SPAIN | SWITZERLAND UNITED KINGDOM • MAURITIUS | UNITED • STATES ACH • PARIS • ST MERIBEL JEAN-CAP-FERRAT PAUL •DEVENCE TROPEZ •• THE VALBONNE • MIAMI •• STMILAN MONACO• •STMOSCOW PALMHAMPTONS BEACH • •PARIS • ST JEAN-CAP-FERRAT • ST PAUL DEVENCE • ST TROPEZ • THE HAMPTONS • VALBONNE
www.john-taylor.com
www.john-taylor.com www.john-taylor.com
WATER Ways LONDON’S HISTORIC WATERWAYS HAVE MADE THE CITY WHAT IT IS TODAY. YOU TOO CAN ENJOY LONG, PEACEFUL WALKS NEXT TO THE WATER THROUGH SOME OF LONDON’S MOST BEAUTIFUL DISTRICTS – A SHORT WALK FROM YOUR HOME AT CARLOW HOUSE, NW1. THE WATERWAYS PEACE AND TRANQUILITY MARRY TO THE VIBRANCY AND DYNAMISM WITHIN CAMDEN; SOMETIMES IT’S HARD TO BELIEVE YOU’RE IN LONDON. THIS IS YOUR LEGACY, YOUR CAMDEN – YOUR HOME.
SUITES AND 1 & 2 BED APARTMENTS SPECTACULAR FOUR STOREY ATRIUM AND WINTER GARDEN DAYTIME CONCIERGE WITH BESPOKE INTERIORS BY WORLD RENOWNED DESIGNER RABIH HAGE
REGENTS CANAL, LITTLE VENICE
PRICES FROM
£699,000 CARLOWHOUSENW1.COM CARLOW@GALLIARDHOMES.COM
020 3409 2279
Rooms Rooms with withaa View View LONDON’S LONDON’SONLY ONLYROYAL ROYALCRESCENT CRESCENTWITH WITHEIGHT EIGHT ACRES ACRESOF OFPRIVATE PRIVATEGARDENS GARDENS A ACOLLECTION COLLECTIONOF OFTWO, TWO,THREE THREEAND ANDFOUR FOURBEDROOM BEDROOM LATERAL LATERALAPARTMENTS APARTMENTS AVAILABLE AVAILABLEFOR FORIMMEDIATE IMMEDIATEOCCUPATION OCCUPATION PRICES PRICESFROM FROM£3,950,000 £3,950,000
ANOTHER ANOTHER PRESTIGIOUS PRESTIGIOUS DEVELOPMENT DEVELOPMENT BYBY
+44 +44 (0)20 (0)20 7593 7593 8061 8061 knightfrank.co.uk knightfrank.co.uk
+44 +44 (0)20 (0)20 7971 7971 7968 7968 +44 +44 (0)20 (0)20 7593 7593 8061 8061
astonchase.com astonchase.com knightfrank.co.uk knightfrank.co.uk www.theparkcrescent.com www.theparkcrescent.com
+44 +44 (0)20 (0)20 7971 7971 7968 7968 astonchase.com astonchase.com
Dunraven Street £8,500,000 Stylish Duplex Penthouse with Private Roof Terrace
JSA Knight Frank
North Audley Street £6,850,000 Beautifully Restored Four Bedroom Triplex with Private Roof Terrace
JSA Knight Frank
Green Street £2,900,000 Two Bedroom Duplex Apartment with Private Roof Terrace
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JSA Knight Frank
17/10/2016 13:57
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Queen Street £8,400,000 Three Bedroom Apartment in Brand New Portered Development
JSA Knight Frank
Mount Street £1,850 per week A Rare First Floor Two Bedroom Lateral in Immaculate Condition
“
MAYFAIR: MORE INTELLIGENCE AND HUMAN ABILITY TO SAY NOTHING OF WEALTH AND BEAUTY THAN THE WORLD HAS EVER COLLECTED IN ONE SPACE BEFORE. THE REVEREND SIDNEY SMITH (1771 – 1845)
”
102 Mount Street, London W1K 2TH T: 020 7493 6935 E: info@wetherell.co.uk
wetherell.co.uk
no-one knows mayfair better than wetherell
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17/10/2016 14:40
THE MOST EXCITING TEN YEARS IN NEARLY A CENTURY
MAYFAIR’ MAYFAIR’SS golden goldendecade decade BY Peter Wetherell
Founder and Chief Executive of Wetherell
How Mayfair regained the crown from Knightsbridge to be, once again, London’s premier residential address Mayfair has regained the crown from Knightsbridge – not only are there 160 new apartments now under construction (and a potential 410 other units in the pipeline), but Mayfair has the largest average size floor plates of 2,700 sq ft. I am very privileged to be taking an active part in this new Mayfair and to be instrumental in the ultimate ‘luxury retail experience’ – buying a home in Mayfair. If you fast forward half a century to 2066 – I believe people will
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look back at the ‘twenty tens’ and say that this was ‘Mayfair’s Golden Decade’ – probably the most exciting 10 years in nearly a century, as we embark on what is the biggest programme of demolition and rebuilding since the 1920s. Ultimately, we all have a responsibility as collective custodians of present day Mayfair to act as the gatekeepers for the future of the area and to continue ‘Mayfair’s Golden Decade’ for many more years to come.
17/10/2016 12:37
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Mayfair now stands head and shoulders above the surrounding areas as the No. 1 London location to live, work or visit.
A global oasis and a luxury campus, from new opportunities in residential developments to more luxury retail brands. Add to this the existing cultural and the commercial contributions – Mayfair’s future – in Wetherell’s opinion – is primed to outperform the rest of Prime Central London and firmly take back the mantle as London’s No. 1 area for those who live, work or visit.
For your copy visit our office at 102 Mount Street, Mayfair W1, email us at mail@wetherell.co.uk or call 020 7493 6935 and we will forward a complimentary copy to you.
wetherell.co.uk
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17/10/2016 14:12
Decadence Defined
Crafted to showcase complexity and depth, Rare Cask is drawn from the broadest spectrum of casks, 16 different types, ever identified by the Master Whisky Maker. Far less than 1% of those casks maturing at the distillery have been identified as fitting to bestow the Rare Cask name. With rarity at its core, this is a whisky crafted from casks so rare they will never again be used in any Macallan whisky. Combining Spanish and American sherry seasoned oak casks, a high proportion of them first fill, gives rise to an exquisite whisky with a splendidly rich hue, and an unmistakable woody whisky. This is a single malt which captures a true decadence; its creation goes beyond any other Macallan whisky and its rarity is absolute. It is a single malt of such diversity and intricacy it challenges the very conventions of whisky creation.
F O R M O R E I N F O R M AT I O N P LE A S E V I S I T T H EM ACA LLA N . CO M PLEASE SAVOUR RESPONSIBLY