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Contents | The mayfair Magazine
Contents October 2013 Features
016
019 | The big three: Art festivals From PAD to LAPADA and Frieze London, we bring you the top art fairs 027 | For love or money? We ask four experts about what type of art to invest in next
117
Fashion
Collection
041 | Style spy
053 | Let there be light
042 | Style update
055 | Watch news
044 | Who runs the world? Power-dressing is back in play. Emulate the A/W13 runways with chic tailoring and killer heels
056 | Design intervention Eccentric accessories for him
032 | Raiders of the lost art We explore the greatest art heists in history and meet the FBI agents tasked with getting them back
063 | Jewellery news
115
037 | Art attack A new exhibition at Tate Britain looks back on 500 years of assaults on art 077 | Record breakers Richard Yarrow finds out which cars from around the world have fetched the top prices at auction 088 | Treasure trove Pippa Small welcomes us into her studio to explore her glamorous jewellery
019
058 | The custodian of craftsmanship Juan-Carlos Torres, CEO of Vacheron Constantin, talks craftsmanship and artisans with Annabel Harrison
041
064 | Culture clash Accessorise with tribal, geometric jewellery
Regulars 010 | Contributors 012 | Editor’s letter 015 | My life in Mayfair: Harry Dalmeny, chairman of Sotheby’s UK 016 | Couture culture The top art collaborations with fashion and Cate Blanchett graces the silver screen once more 115 | Suite dreams: Four Seasons, Hampshire 117 | Remembering Mayfair: Royal Academy of Arts
6
044
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11/06/2013 12:01
Contents | The mayfair Magazine
Contents October 2013 Beauty
080
101 | Beauty news 103 | Spa review: Mayfair Practice, Lees Place
108
101
110
Property Art
Food & Drink
067 | Art news
031 | Ladies who lunch Artist David Downton collaborates with 34
068 | Exhibition focus Daumier: Visions of Paris
126 | Market insight This month we bring you a day in the life of an estate agent at Knight Frank 132 | Hot property
091 | Food & drink news 134 | Property news
071 | Prize lots
082
092 | Flavours of Italy As Murano turns five, we catch up with the iconic chef Angela Hartnett
103
097 | All the fun of the fizz New wine tempations
Travel
098 | Restaurant review: Boulestin
107 | Travel news
080 | Interiors news
108 | City break: Rome Daniella Isaacs visits this great city to indulge in its history – by Vespa of course
082 | Renaissance man Kate Racovolis meets Barnaba Fornsetti to mark 100 years since his father Piero was born
110 | La dolce vita Milan is not just for fashionistas: we discover its secretive character and vibrant art scene
Interiors
8
098
166 | California dreaming The Morgan Estate, a stunning Tudor and Jacobean mansion, arrives on the market
132
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NEW YORK · PARIS · MILAN · SHANGHAI · LONDON · TOKYO · DUBAI · HONG KONG
Contributors | The mayfair Magazine
OCTOBER 2013 s issue 025
Editor Elle Blakeman
The
contributors
Assistant Editor Kate Racovolis Art Editor Carol Cordrey Food & Drink Editor Neil Ridley Collection Editor Annabel Harrison Editorial Assistant Amy Dicketts, Catherine Skrbic Brand Consistency Laddawan Juhong Senior Designer Lisa Wade Production Hugo Wheatley Alex Powell Oscar Viney Editor-in-Chief Kate Harrison Client Relationship Director Kate Oxbrow General Manager Fiona Fenwick Communications Director Loren Penney Head of Finance Elton Hopkins Associate Publisher Sophie Roberts Managing Director Eren Ellwood
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Stephen Doig
Stephen is an awardwinning fashion writer who has worked for Vogue and Harper’s Bazaar. This month, he journeys to the rather exquisite English countryside for a slice of real-life Downton Abbey and to report for our Suite Dreams page – a tough life indeed.
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Matilda Temperley
Matilda Temperley is known for her stylised portraiture of marginalised societies. She divides her time between commissions and her personal work and this month, has photographed the return of the power suit in our fashion story.
Neil Ridley
London-based food and drink expert Neil has written for The Evening Standard, Whisky Magazine and The Chap. This month he meets the iconic British chef, Angela Hartnett to celebrate her Mayfair restaurant Murano’s fifth anniversary and discuss her Italian influences.
Rebecca Wallersteiner
Avid art writer and critic, Rebecca contributes regularly to The Times, The Lady and The Telegraph. This month, she brings us the latest from Frieze London, PAD and LAPADA and investigates a new exhibition on historic attacks on art.
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On the
Image: Leopoldo Pomés for BD Barcelona Catalogue. Available at discover-deliver.com (see page 80)
Written for the residents of sW6 september 2013 • Issue 13
Š Peter Lippmann
Baobab Collection Department stores: Harrods, Fortnum & Mason, Selfridges London retailers: Gotham (Notting Hill) - Staffan Tollgard (Grosvenor Waterside) - Hill House Interiors (Chelsea) Katherine Pooley (South Kensington) - Lewis & Co (Marylebone) - Mufti (Notting Hill) Online: www.amara.com www.baobabcollection.com
Editor’s Letter | The mayfair Magazine
editor
From the
EDITOR’S PICKs
1
#1 Candle, £35, Mary Katrantzou for Rodial (SpaceNK.com)
2 3
#2 Clutch, £3,600, Christian Dior in collaboration with the Andy Warhol Foundation (dior.com)
#3 Icon Shard gold and black-diamond ring, £459, Ruifier (ruifier.com)
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L
ittle in life is more divisive than art. It has the power to both delight and outrage, depending on the time, cultural context and audience. However, whatever reaction it provokes, its freedom is fiercely protected, perhaps even more so than speech. But what happens when it pushes too far? Can we respond, or should art be allowed a free pass by virtue of its very nature? These are the questions that have prompted the latest exhibition from the Tate Britain, Art Under Attack: Histories of British Iconoclasm. Ever boundary-pushing (remember Miroslaw Balka’s Big Black Box?), the gallery is exploring attacks on art by everyone from the Suffragettes to Fathers4Justice. Rebecca Wallersteiner reports on this surprisingly established phenomenon (page 37). Meanwhile, the rest of October reads like a Glastonbury line-up for art lovers – with LAPADA, PAD and Frieze London all vying for your attention with the help of renowned artists, stunning antique jewellery and the odd celebrity chef thrown in for good measure. To help you to navigate these creative waters, we have compiled a guide to the events, including key pieces to look out for (page 19) and how to invest wisely (page 27). However, despite the many new developments in the art world, my favourite story remains the Royal Academy’s defence of accidentally displaying a support plinth rather than the actual piece of art (page 117). When the story broke, it chose to keep the plinth, arguing that no one has the definitive vote on what qualifies as art – good point.
Elle Blakeman Editor Follow us on Twitter @MayfairMagazine
top: the Waddington Custot Gallery, see page 27. right: ‘Who runs the world?’, see page 44
www.bachet.fr
The mayfair Magazine | Regulars
My life in MAYFAIR Harry Dalmeny Chairman of Sotheby’s UK
I ‘I love having a retro lunch at Chalet. The ladies there have been serving me lasagne al forno since I was 20’
from top: harry dalmeny; claridge’s; Oak And Angus Hide Leather Day Box £4,500, James Purdey & Sons (purdey.com); annabel’s; Angus Hide Leather Luggage Tag £95, James Purdey & Sons (purdey.com); sotheby’s, new bond street; A CHRISTMAS CAROL by Dante Gabriel Rossetti, estimate: £4,000,000-£6,000,000 at SOTHEBY’S LONDON’s old master and british paintings auction, 4 DECEMBER 2013
n Sotheby’s, as you walk past the front desk, dotted with receptionists welcoming guests, is a rather iconic restaurant, in the equally iconic headquarters of the auction house on New Bond Street. ‘There aren’t many museums in Mayfair, but people do regard this almost as a museum. They drop in when they’re doing something else in the area for a break,’ says Harry Dalmeny, chairman of Sotheby’s UK. ‘It was set up by our former chairman because he particularly liked eating lobster club sandwiches, so the story goes, and he couldn’t find anywhere in London that did a good one. This area used to be where the ladies who worked on the counter kept their coats, so it wasn’t exactly being used to its full potential. So, he said: “Why don’t we turn it into a kind of New York eatery, where I can have a lobster club sandwich and smoke a cigar?”’ The swirling smoke of the cigars may no longer linger in the lobby, but since Dalmeny joined Sotheby’s in 1991, much has changed in the art world, and indeed, as a hub for this industry, Mayfair has changed. ‘When I first arrived, there were these venerable antique shops like Partridge and Mallett,’ he says. ‘There were a lot on Bond Street and all the way down and on Bruton Street, and there were the great traditional houses of the traditional art establishment. What I think has changed enormously is that you’ve got people selling art – contemporary art – in spaces that wouldn’t previously have been thought of. You go down Carlos Place or you find Ben Brown, Maddox Arts and then you’ve got La Petite Maison [nearby]. It is an amazing restaurant. When I first started working here, it was where the bins of Claridge’s were emptied.’ Mayfair has always been part of Dalmeny’s life. His great grandfather lived on Berkeley Square, and, when he was seven, he was first introduced to Sotheby’s when his family had their own auction, selling a collection of pieces from his grandfather’s stately home in the Vale of Aylesbury. Later, Annabel’s became a favoured haunt, and more recently 5 Hertford Street, he says with a smile. ‘I love having a retro lunch at Chalet. The ladies there have been serving me lasagne al forno since I was 20,’ he admits. ‘What I love is when you go down Old Bond Street and you feel you’ve walked into the shopping land from Farnborough Airport – the private jet terminal of London – and you go down and there are all of these shops. There are more security guards on the pavements than there are shoppers, but it is quite fun to do. The other amazing thing about Mayfair is the number of great hotels – they’re like liners parked in a great harbour. I used to love going to The Causerie at Claridge’s. Otherwise in Mayfair, I quite like the outdoor things, like Holland and Holland and Purdey. And I love Fenwick’s, I think it is my favourite department store because it’s an approachable department store, you don’t get lost.’ 15
agenda
books
Finders keepers Behold: a new place in Mayfair to rest the heavy feet of artists and art lovers, at the new Keeper’s House at the Royal Academy of Arts. The space is situated in the Royal Academy’s courtyard in a 19th-century townhouse, where you can spend mellow afternoons enjoying its restaurant, bar and secret garden. Open 30 September at the Royal Academy of Arts (keepershouse.org.uk)
Couture culture As we celebrate art in all its forms this month, be inspired by the latest collaborations in fashion and literature, plus a new haunt for art lovers
theatre
Hysteria
T
subject of Sigmund Freud’s works, you can begin to see their common ground. It is particularly apt that the revival of this witty piece, led by the inspiring Anthony Sherr, is taking place at the Hampstead Theatre, being in close proximity to where Freud spent his dying days. Set in 1938, Freud is interrupted in the middle of a stormy night by a fragile young woman (Lydia Wilson) desperate to discuss one of his previous patients. In a bid to fend her off, the play descends into a remorseful farce. Freud is soon left concealing this woman, semi-naked, in a closet 16
THE historic read Walter Potter’s Curious World of Taxidermy by Dr Pat Morris with Joanna Ebenstein, £20, Constable & Robinson Enter the world of taxidermy in this whimsical tome of Walter Potter’s work. THE art read Chatting with Henri Matisse Henri Matisse with Pierre Courthion, £29.99, Tate Reflect on the late, great Matisse, in this lost interview from 1941.
erry Johnson explains that ‘laughter is the ultimate act of hysteria’ and so although it may seem strange that he decided to write a comedy about the serious
‘She effortlessly reveals the gnawing anxiety of Freud which is evident’
THE style read Vogue On: Ralph Lauren by Kathleen Baird-Murray, £15, Quadrille This book pays homage to the great American designer and his work over the past 50 years.
while at the same time trying to oust the attentions of his stuffy physician and the outlandish Salvador Dalí. Filled with moments of slapstick humour, Johnson is still able to explore the deeper parameters of Freud’s subconscious; the guilt felt for leaving his sisters in Austria as well as the regrets he has for some of his most famous works. He effortlessly reveals the gnawing anxiety of Freud which is evident even during the most comical moments. There is excellent support from the rest of the cast, particularly Adrian Schiller’s fantastically eccentric characterisation of Dalí. A dark comedy that will leave you with plenty to discuss after the curtain call. ‘Hysteria’ runs until 12 October at Hampsted Theatre words: DANIELLA ISAACS
the fashion read The World According to Karl, by Karl Lagerfeld, £18.95, Thames & Hudson Catch a glimpse into the mindset of Lagerfeld, with ‘Karlisms’ on life, style and Chanel. THE philosophic read Art as Therapy by Alain de Botton and John Armstrong, £24.95, Phaidon A true meditation on the power art has to transform our lives. THE coffee-table read Youssef Nabil, by Youssef Nabil £50, Flammarion This collection of Nabil’s silver gelatin prints includes portraits of Tracey Emin, Zaha Hadid and Gilbert & George.
The mayfair Magazine | Regulars
5 top picks
IMAGE: BLUE JASMINE 2013
Art collaborations Art is not reserved for white walls. Here, we bring you five pieces for your wardrobe and home, from a tea set by Damien Hirst to a collaboration between Louis Vuitton and the Chapman brothers
#1 Fingernail’s Work tray, £199, Sandro Chia for Alessi (alessi.com)
film
Blue Jasmine
A
lready tipped for Oscar nominations, Woody Allen’s 43rd film, Blue Jasmine is breaking new ground for the director. A riches-to-rags tale, it centres on Jasmine (Cate Blanchett), a brittle, Manhattan trophy wife whose loss of her husband (Alec Baldwin), his money and their gilded life has left her with no option but to move in with her sister Ginger (Sally Hawkins) and her two raggamuffin boys in San Francisco. Arriving with monogrammed Louis Vuitton luggage on a first-class ticket, Jasmine attempts to start again against the backdrop of the considerably more down-to-earth world of her sister, which makes for uncomfortable viewing. Her obvious condescension often makes her unlikeable, as does Allen’s insistence on
‘Jeff Koons collaborates with Dom Pérignon in a pop-up exhibition at Claridge’s’ image: Jeff Koons’ collaboration with Dom Pérignon opens at Claridges on 14 October, until midNovember. Image: Jeff Koons, Raphaël Gianelli Meriano © Slow Dance
making Jasmine instrumental in her own demise, refusing to allow her any refuge in her ‘victim’ status. There are clear echoes of Tennessee Williams’ Blanche DuBois (a role Blanchett played to great acclaim in 2009), with the fading, self-obsessed Jasmine rapid-firing monologues at complete strangers. True to form, Allen throws in issues of class, feminism and money, with grotesquely contrasting flashbacks of a privileged East-Coast existence, all benefits and ball gowns, next to a harder workaday beers-and-minimum-wage-style one. Allen’s timing feels astute, with a world still in recession, the gap between the haves and have-nots has never been more topical, perhaps Oscar-worthy in itself. Blue Jasmine is out on 27 September
#2 Box-set of six ‘For the Love of God’ cups and saucers, £85, Damien Hirst (othercriteria.com)
#3 Chapman brothers bag, £13,000, Louis Vuitton (louisvuitton.com)
#4 Pablo Picasso pen £21,700, Montblanc (montblanc.com)
#5 1996 Inez & Vinoodh perfume, £105, Byredo (liberty.co.uk) IMAGE #2 COURTESY OF OTHER CRITERIA © DAMIEN HIRST
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+44 (0) 20 7349 8020
The mayfair Magazine | Feature
The big three:
ART FESTIVALS Do you know your PAD from your LAPADA? Your modern masterpieces from your Old Masters? Fear not, Rebecca Wallersteiner explains each of London’s big three art festivals and points out what to look for
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The big three:
#1 LAPADA Art
& Antiques Fair
25-29 September 2013 Celebrate the fifth LAPADA Art & Antiques Fair this autumn
T Arabesque earclips in yellow gold, set with cognac diamonds by Francesca Grima, 2019; Reed earclips in yellow gold, set with diamonds by Francesca Grima, 2011
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his is the time to celebrate culture, with three of Europe’s hottest art fairs promising to make London the capital city for the industry this autumn. Whether you plump for Frieze London, LAPADA or PAD – or indeed all three – each offers collectables for almost all artistic tastes with a vast range of leading experts at hand, who will be happy to advise you. First on the list is LAPADA, housed in Mayfair’s greenest spot, Berkeley Square. The fifth LAPADA Art & Antiques Fair opens autumn’s art season on 25 September. This popular annual event offers a gentler pace than the frenetic high energy of Regent’s Park’s
Frieze, and has everything from antique furniture, jewellery, Chinese jade, silver, glass, rugs, textiles and sculpture. Held in a marquee in Mayfair’s leafy Berkeley Square, it encompasses a bar and terrace restaurant, so after some eclectic browsing, you can rendezvous with antiqueloving friends and enjoy the autumnal bursts of colour – or shelter from rain – over a glass of Bollinger and a
The mayfair Magazine | Feature
opening page, clockwise from top-left: Le peintre (thepainter), 1967, Pablo Picasso, courtesy of Richard Green Gallery; Half Box (Alabaster), 2011, Rick Owens, Courtesy of Carpenters Workshop Gallery; Aphrodite of the Gardens, 1st century AD, Courtesy of Axel Vervoordt; Untitled, 2013, Overduin Kaari Upson, Courtesy of Overduin and Kite; Untitled, 2012, Enrico David, Courtesy of Michael Werner
lobster lunch. And with this year’s gastroadvisers being celebrity chefs Mark Hix and James Martin – it’s bound to be a tasty affair. Since its inception in 2008, the fair has attracted exhibitors from the elite of the art and antique world. You can be confident of quality as only members of LAPADA, the UK’s largest trade association for professional art and antiques dealers, can exhibit and all items are vetted by a team of 50 experts. On the whole, the fair attracts an older and friendlier crowd than Frieze. Last year it drew more than 17,000 visitors, including well-heeled Mayfair shoppers, affluent businessmen and international collectors. Originally focusing on antiques and precious jewellery, the fair has recently expanded to include vintage clocks and watches, aeronautica and tribal art. This year’s event has attracted a number of top international exhibitors, including Lucas Rarities, Camburn Fine Art and Galleria dei Coronari. Although six-figure works do feature, prices are generally more affordable than some of the other fairs, and you are bound to find something to tempt you among the 100 galleries taking part. Should you feel like splashing out, experts will be delighted to explain the quality of craftsmanship, detail and provenance of the object that has caught your eye. If you happen to be looking for a special birthday or wedding present, LAPADA offers a plethora of unique objects to suit all tastes. One of the more unusual highlights of the fair, to be presented by Kaye Michie Fine Art, is a charming drawing by the young Prince George, in 1875, (later King George VI), depicting a colourful soldier and surreal flying insect on Sandringham Estate headed paper. Luxury jeweller Grima is unveiling some stunning pieces from the 1960s
and 1970s, which have adorned Princess Margaret, Jackie Onassis and Estée Lauder, and more recently Miuccia Prada, as well as their own original contemporary designs. This year, LAPADA welcomes Mayfair’s Philip Mould Portrait Miniatures and also Michael Chipperfield rare stamp dealers, who will be exhibiting for the first time. Returning dealers include I. Franks with its antique silverware and Berganza’s fine art and antique jewellery.
‘The fair has recently expanded to include vintage clocks and watches, aeronautica and tribal art’ Australian gallery owner Rebecca Hossack has become the first contemporary specialist to be appointed director of LAPADA. She will be showcasing new work from octogenarian abstract artist Willie Landels. Talks given by art world cognoscenti will provide advice on where to buy reputable art and antiques and what to look out for (there many fakes around). An antique or painting can be a wise investment, and there are some to suit every budget and taste. You could spend £500 on an etching from Rebecca Hossack or around £20,000 on Prince George’s drawing. Special dining events include a Sunday Roast by James Martin on Sunday 29 and a charity dinner cooked by Mark Hix on 26 September. LAPADA Art & Antiques Fair, Berkeley Square. (lapadalondon.com)
left: ebony and brass mounted George III half hour striking bracket clock from Montpellier Clocks; far left: Necklace and earclips with baroque pearls held in yellow gold and diamond oyster shells, 1972, from GRIMA
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The big three
#2 PAD Art
& Design Fair 16-20 October 2013 Head for the Pavilion of Art and Design in Berkeley Square to experience art as lifestyle
H
‘PAD is about eclecticism, about the spirit of collecting and mixing museum-quality pieces across genres’ – Patrick Perrin, president of PAD above: Cavalli in riva al mare by Giorgio de Chirico, Courtesy of Galleria d’Arte Frediano Farsetti; right: Ground no. 1 by Alberto Biagetti, Courtesy of Galerie Italienne
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eld in the same week as Frieze and attracting a similar crowd – although more intimate and exclusive – the Pavilion of Art and Design (PAD) is London’s leading fair for 20th century art and design. When it was set up in 2007, PAD hosted 20 dealers, but has since evolved to become a niche event attracting big names in design. This year, 70 international galleries, from 12 countries, will be exhibiting in a marquee with a Champagne bar run by Ruinart, which also sponsors a prize. Last year’s event drew 20,000 visitors including collectors, interior specialists, art lovers and Mayfair residents. There is something for everyone here and you will find 20th century masters alongside David Hockney drawings, tribal art, photography and classical antiquities. ‘PAD provides selected designers with a unique platform for introducing their work to a sophisticated, international audience, thereby encouraging new generations to add to the collectible tradition of design,’ says architect Nigel Coates. Visitors to the fair tend to be cosmopolitan, stylish and cultured, but experimental; think Anglo-French actress Kristin Scott-Thomas’s chic style. PAD’s Gallic flavour makes it attractive to globe-trotting metropolitan types with a taste for design and the sheer exotic, who are keen to put cutting-edge design at the heart of their home. The quality of the exhibitors brings in international collectors who enjoy the fun and relaxed atmosphere, with no pressure to make a quick decision. If you’d like to begin collecting decorative or tribal art, or photography, PAD is a great place to begin and there will be plenty of reasonably priced decorative pieces, available for those on a budget.
The mayfair Magazine | Feature
It isn’t surprising that the fair has a French feel, with prominent Parisian dealer, Patrick Perrin behind it. Inspired by the spirit of 19th-century ‘Cabinets of Curiosities’, they bring together an eclectic mix of decorative art and lifestyle experts and encourage them to interact. This October, they have chosen to spotlight tribal art, which is very popular in Paris. An eye-catching installation by fashion designer Reed Krakoff, incorporating MwangaBora solar lamps, by Kenyan designer Evans Wadongo has been chosen as this year’s special PAD project. This dramatic artwork will greet visitors at the entrance of the Pavilion. Another tribal highlight of this year’s event is the addition of art expert Bernard Dulon, the renowned owner of an unrivalled 19th and 20th century collection of African art. His collection is so outstanding that it is sought after by major museums and galleries. If, like London’s enigmatic Mayor Boris
Johnson, you prefer the classical to the Gallic, there will be plenty of exceptional classical treasures to choose from. David Ghezelbash and Gordian Weber Kunsthandel will be presenting a range of rare amulets and antiquities from Ancient Rome and Greece, and exquisite jewellery from Egypt – stunning enough to have adorned Cleopatra herself. Last autumn, the participation of a handful of leading American galleries brought transatlantic flair and enthusiasm to PAD. This autumn, Japanese art specialist Jean-Christophe Charbonnier will be introducing beautifully crafted armour for the first time. The fair also welcomes 21 leading new exhibitors including Galleria O, Garrido Gallery, SMO Gallery, Galerie Gosserez, Galerie Kreo and Galerie Italienne. This year an impressive panel are behind the Moët Hennessy-PAD London Prize (where categories include the best stand, the best piece of contemporary design and the best piece of 20th-century design at the fair). Chaired by Jasper Conran, the starry panel will include the director of the Serpentine Gallery director, Julia Peyton-Jones, designer Tom Dixon and architect Amanda Levete. Visiting PAD is sure to be an exciting, sophisticated experience. Since its inception seven years ago, it has created its own niche as a showcase for contemporary and edgy art and design, and as such, is unlike any of the other fairs held in London this autumn. PAD, London, Berkeley Square, W1. Admission £20, or free for students and under 15s (pad-fairs.com)
from left: Hummingbird (Scrap Metal) by Vik Muniz, Courtesy of Ben Brown Fine Arts; Pomme de Ben by Claude & François-Xavier Lalanne, Courtesy of Ben Brown Fine Arts; A Pair of Vases by Grayson Perry, Courtesy of Offer Waterman & Co.
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The big three:
#3 FRIEZE ART FAIR 17-20 October 2013
Eleven years since its beginning, the Frieze Art Fair is London’s hottest contemporary art bazaar
I
f antiques bore you and you would like to buy some contemporary art as an investment or to liven up your home, Frieze London is a good place to begin. For four days (17-20 October), Regent’s Park will play host to the 11th Frieze London, one of the hippest art events of the year, bringing together 170 of the world’s most cutting-edge galleries, from 35 countries, under one specially designed temporary structure. This year’s fair will be accompanied by the usual big gallery openings where you can spot celebrity artists, billionaire collectors and
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ultra-cool gallery owners. A modern-day Gatsby would feel very at home with Frieze’s frenetic parties, marquees, flowing vintage Champagne and the chance to see some of the coolest people in Europe in one place. Although the price tags of the art may often be dizzying, Frieze isn’t snobbish and welcomes all with an interest in contemporary art. On the whole it attracts a chic, young, international crowd and rich collectors eagerly snapping up art’s newest stars. It’s difficult to tell old money from new as everyone is elegantly dressed, with understated glamour and confidence. If you are time-poor and wondering what to buy to jazz up your spare room, multi-lingual staff from the world’s trendiest galleries – including Mayfair’s own Pace, Timothy Taylor, Thomas Dane and Hauser & Wirth – will be delighted to advise you. The best cutting-edge art can look great placed next to an antique chair or table and this unusual juxtaposition will make a room look more interesting. Look out for unique, quality pieces that genuinely excite you. Although Frieze aims to sell art, it is also a festival – like Glastonbury and Edinburgh – with a collection of exciting entertainments on offer. So if you’d like to impress your dinner guests with an insider knowledge of contemporary art trends, then head for ‘Frieze Talks’ running alongside the fair – an exciting daily programme of events and panel debates, led by some of the art world’s hippest movers and shakers. There is also ‘Frieze Music’, where renowned American composer and singer Meredith Monk will be giving a special performance to encourage the cross fertilisation of ideas and inspiration between contemporary art and music. Film lovers should visit ‘Frieze
left: Head of a Herm, 460-450 BC, Courtesy of Cahn International; below: End Paper Tail, 2012 BY Jessica Warboys, Courtesy of Gaudel de Stampa
The mayfair Magazine | Feature
above, from left: Henri Rouart et sa fille Hélène c.1877 by Edgar Degas, Courtesy of Acquavella Galleries; the Younger L’Auberge St. Michel by Pieter Brueghel, Courtesy of De Jonckheere; right: Sing Sang Zero, 2011 by Ropac Georg Baselitz, Courtesy of Galerie Thaddaeus Ropac
Film’, which brings together five specially commissioned artist films by Petra Cortright, Peter Gidal, Patricia Lennox-Boyd, Oraib Toukan and Erika Vogt, in a fun pop-up Frieze cinema. If you still feel that you would prefer to buy something more traditional, 2013 marks the second year of Frieze Masters, housed nearby and showing everything from Old Master paintings to Egyptian sculpture, providing unique insight into the relationship between old and new art. Frieze London will also be accompanied by an exhibition of sculpture in leafy Regent’s Park. So after enjoying a glass of Champagne, take in the air and stroll among works by a selection of international sculptors at the top of their game, chosen by Clare Lilley from the Yorkshire Sculpture Park. Since its inception in 2003, Frieze has evolved to become one of the landmarks on the international art calendar, with 55,000 art lovers visiting last year. It can be nerve wracking for artists as it can make or break careers overnight. Last October, despite the economic recession, a number of galleries sold out almost immediately. Make sure you’re there to snap a piece while you can! Frieze Art Fair, 17-20 October, Regent’s Park, London (friezelondon.com).
‘Frieze has evolved to become one of the landmarks on the international art calendar with 55,000 art lovers visiting last year’
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The mayfair Magazine | Feature
For love
or
money? ‘A
rt expands all horizons. It’s almost a passport into another world,’ says Jonathan Horwich, the global director of the picture department
at Bonhams. It’s no secret that art has a positive influence on our lives. You don’t need to be a historian to appreciate it, and you don’t need to know about art to enjoy it. You can just observe, and make up your own mind about it. Recently estimated as a $60.8bn industry globally, the art market continues to evolve. Contemporary art rises and falls in popularity, rare and ancient artifacts emerge for sale, and new crazes are forever causing a stir in this dynamic world, now with more museums, biennales and triennales than ever before. When chairman of the Royal Academy of Arts, Charles Saumarez Smith CBE was in secondary school, a painting by the English painter Thomas Gainsborough hung in the room of the assembly hall at Marlborough College. ‘That was my first contact with a major work of art,’ he says. ‘I’ve always rather lamented the fact that it was subsequently sold, but it was given to the school to inspire the boys, and it certainly had an effect on me.’ Although Saumarez Smith now owns a few works of art, he is adamant that he is not a collector. ‘My view in terms of practice, is that you should buy things you want to buy, and want to live with and want to enjoy. The financial aspect of it should be secondary. There are people that collect for investment purposes
What should you buy when it comes to art? We talk to four art experts to discuss the Next Big Thing W o r d s : K at e R a c o v o l i s
but I have never done that, and I am a bit sceptical of it as a long-term strategy,’ he says. ‘Going around the Peter Doig exhibition at the Tate I realised that it would have been perfectly possible to have bought a piece of Doig’s only 15 years ago for not a huge amount of money, and now it would be worth an absolute fortune.’ In the contemporary art market, some buyers have done exceptionally well over the past decade, but there are no guarantees that when you come to sell, you would make your money back, or a profit. So how do you navigate this
You don’t Know Where Her Mouth Has Been (2012) © Simone Leigh, from Njideka Akunyili & Simone Leigh: I Always face You Even When It Seems Otherwise at Tiwani Contemporary, 11 October - 14 December 2013
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from left: Charles Saumarez Smith. Photo courtesy the Royal Academy of Arts; boris vervoordt, photo by Jean-Pierre Gabriel; Jonathan Horwich, image courtesy of Bonhams; Stephane Custot
vast, international world, and what should you buy? From the outset, know what you’re looking for. The best way to do that is to immerse yourself in what’s out there. Talk with gallery owners and art dealers, visit exhibitions and keep an eye on the latest lots at auction. Don’t fret about acquiring a taste, many art experts will tell you first and foremost – find something you really love. ‘Art takes a central position in life for myself,’ says Boris Vervoordt, who works with his father
‘Art brings man closer to that oneness of nature, its unity’ – Boris Vervoordt Axel (one of the world’s most famed collectors) and owner of his eponymous gallery. It’s about the inspiration you get from art and all the arts, whether it’s music or movies. All of that cultural stimulation really makes us live in a different way,’ Vervoordt says. In Living With Light, a new book written with his father, Vervoordt focuses on the pleasure of art and its close link to nature, as opposed to its financial value – although of course he understands that the two are intrinsically intertwined. ‘One could say that art brings man closer to that oneness of nature, its unity,’ he says. There is an element of excitement when a famous piece comes to auction, battling it out on the auction floor, but there is also much to
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be gained by purchasing art among the quiet stillness of a gallery. Thanks to our digital world, you need not even be in the same country as the piece you want to buy. Now that Sotheby’s, Christie’s and Bonhams allow online bidding, you can feasibly bid for any piece of art in your pyjamas (without the inevitable upturned noses you would see if you were to actually show up to an auction dressed like Hugh Hefner). Although styles of art enjoy ebbs and flows in popularity throughout different periods, one thing is certain: Old Masters are always going to be highly sought after. ‘[They] are a traditional safe haven, so if the market turns, and if one day you wake up and contemporary art is no longer what everybody wants, the fallbacks are Old Masters,’ says Horwich. The big names in modern art also tend to do very well in terms of holding their value, like Paul Cézanne, Henri Matisse or Pablo Picasso. But Damien Hirst’s pieces, for example, has drawn seven-figure sums for what sometimes is as minimalistic as different coloured spots on a white background, and are constantly reproduced. Stephane Custot, director of Waddington Custot Gallery with Leslie Waddington on Cork Street, with 25 years of experience behind him, suggests buying a more rare piece as a starting point. ‘I would begin with something a bit historic and classic to give you a base. It depends on your budget, but I would prefer to show you a drawing by Picasso, Joan Miró or Jean Dubuffet, rather than selling you a contemporary work at first. The reason is that you are going to read around that, and understand the context, and to understand
The mayfair Magazine | Feature
contemporary art, you need a bit of background. They also influenced what we see today.’ Most recently however, auction houses in particular are noticing the emergence of art from Africa and also the Middle East. The publicity surrounding the recent exhibition on the modernist works by Ibrahim El-Salahi at the Tate Modern, and the exhibit of El Anatsui’s work at the Royal Academy of Art’s Summer Exhibition have drawn much attention to the region. Bonhams also were recently the only auction house to hold a solely African art sale, Africa Now, last May. Maria Varnava set up her gallery that specialises in representing artists based in Africa and the diaspora just under two years ago, noticing an absence of this type of art in London. ‘I think auction houses are more inclusive and a lot of private and public buyers have broadened their previous collections to contain art from Africa,’ Varnava says. Indeed, there could be great potential for this type of art to become more valuable over time. The increasing openness of the art market has made it easier to buy art, and much of what used to be opaque is now more transparent. Websites like Artnet.com are now able to estimate how much a work of art is worth by marking the market performance of over 840 artists, from Impressionist pieces to contemporary art. Many collectors around the world simply started out buying works they felt they couldn’t live without, and after many years, discovered they had a collection to rival most galleries. One great example is American couple Ethan Wagner and Thea Westrich Wagner, whose recent book Collecting Art for Love, Money and More, makes a point of collecting for love, not money. ‘The reality is that almost no matter what motivates collectors, and whether or not they use the market to dictate some or all of their purchases, as a species [collector’s] don’t ordinarily see (or choose to see) their collecting in purely economic or monetary terms,’ the pair claim. ‘In fact, almost all collectors speak of their love for the art they own and the objects they desire.’
from top: Girl with a White Dog 1950–1, Lucian Freud © Tate; Marc Chagall I and the Village 1911, Marc Chagall © ADAGP Paris and DACS, London 2013. Photo © SCALA, Florence; waddington custot gallery on cork street
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The mayfair Magazine | Food & Drink
Ladies who
lunch
In his own words, celebrated fashion illustrator David Downton has become ‘a little bit obsessed with Mayfair’. Now, Claridge’s artist in residence has found a new outlet for his obsession by partnering with local restaurant 34 to produce a ‘fashion map’ of Mayfair, highlighting his favourite sartorial stops. The beautifully illustrated map will be given to ladies lunching at the restaurant from October, along with their very own David Downton Lady – a perfect excuse for a lunch date. 34 Grosvenor Square, w1k (020 3350 3434; 34-restaurant.co.uk)
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Raiders of the
lost art
Often romanticised, art theft is a lucrative trade for some. We meet author and FBI art detective Robert K Wittman to discuss stolen pieces, intricately planned heists and what it really takes to get it all back W O R D S : m ik e p e a k e
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The mayfair Magazine | Feature
I a scene from HEADHUNTERS (2011) © The Moviestore Collection
n November 2005, the FBI posted a list of what it considered to be the top ten art crimes in recent history. It swiftly went global, with people dashing off to Wikipedia to see exactly what Paul Cezanne’s View of Auvers-sur-Oise or the two missing Pierre-Auguste Renoirs looked like, and perhaps to ponder if they’d seen them at a local car-boot sale. Art crime, art heist, call it what you will – the act of pilfering high-value historical paintings is imbued with a magnetic, romantic charm that has been helped, in no small part, by the idea that to have sought out such beautiful items the perpetrators must be a ‘better breed’ of criminal.
It’s an image that gained popularity with the original The Thomas Crown Affair film in 1968, and was then injected with an extra dash of glamour in the 1999 remake, which saw a super-cool Pierce Brosnan squaring up to Rene Russo’s glamorous thief-taker. The truth about art crime, however, is perhaps a little different. ‘We always considered art theft a “gateway crime”,’ says Robert Wittman, the FBI’s former top man when it came to tracking down stolen paintings. ‘The criminals that generally commit art theft are involved in the same gangs that steal cars, commit burglaries and so on. There aren’t really any “art theft” gangs; the
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perpetrators are involved in many criminal enterprises and just happen to commit an art theft along the way.’ Image shattered. Not that the truth gets in the way of a good story, of course, as evidenced last year in Rotterdam when works by Claude Monet, Pablo Picasso, Paul Gauguin and Henri Matisse, among others, were stolen from the Kunsthal museum. Striking in the early hours of the morning as the Dutch museum was celebrating its 20th birthday, thieves made off with paintings from a private collection that was being shown in public for the first time. Industry insiders said it sounded like the work of a ‘villain’, and painted a picture of someone desperately trying to pay off a bad debt, rather than an erudite, debonair art lover. Nevertheless, it was announced in January that there are plans afoot to turn the theft into a movie. ‘Art crime is interesting to the public because it deals with high-value assets, which usually have some historical or cultural connection,’ says Wittman, who still works in art recovery and who wrote about his exploits with the FBI in his acclaimed autobiography, Priceless. ‘The story of the artwork is sometimes more interesting than the crime itself – although there have been some spectacular art crimes that rival anything that the Hollywood writers could imagine.’ Such as the theft in December 2000 of a Rembrandt and two Renoir paintings from the National Museum in Stockholm, which were stolen just before closing time when a man walked into the entrance and pointed a submachine gun at the guard. Two accomplices, already inside, then aimed handguns at two other guards and plucked the paintings off the wall. Though the new millennium had only just begun, it already had an art crime of the
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century. Wittman was called in to investigate. ‘The Rembrandt was only 12 inches high,’ he says, smiling and shaking his head. ‘But it was valued at more than $35 million. There are few things that are more transportable that have that high a value.’ Wittman says it is impossible for him to respect any of the criminals he has dealt with during the 25 years he has been investigating art crime – his impressive recovery rate has seen more than $225m of stolen goods returned to their owners – but he admits a certain begrudging admiration for the perpetrators of that Stockholm heist in particular. ‘The robbery involved the use of car bombs to delay the police, tack strips to blow out police cars’ tyres and an escape in a high-speed boat,’ he says. ‘It was well planned out.’ Wittman and his colleagues eventually brought the diminutive Rembrandt home in 2005, following a sting operation in Copenhagen that resulted in four arrests; but there are many other important pieces that remain missing, among them, thousands of Iraqi paintings stolen during the first Gulf War and $30 million worth of Vincent Van Gogh paintings, squirrelled away by two thieves who used a ladder to climb to the roof and then break in to the Van Gogh Museum in Amsterdam in 2002. Two men were convicted of the crime a year later, but the paintings – View of the Sea at Scheveningen and Congregation Leaving The Reformed Church In Nuenen – have never been recovered. But that’s all part of the romance. The idea that a stolen painting might just be stashed away in a barn up the road, hidden under an old piece of cloth while a well-connected seller probes the art underworld in search of a buyer is deliciously appealing. The waiting game, however, might be a very long one. ‘In many cases,’ says Wittman. ‘The thieves plan to steal the art but have no real plan to sell it. The art in art theft is really the selling, not the stealing.’ The work of people like Wittman and his
Left: Rembrandt SelfPortrait pictured with the $250,000 bait money used to recover it in an FBI undercover sting operation, Photo supplied by Robert Wittman. OPPOSITE page: a scene from THE THOMAS CROWN AFFAIR’ (1999) WITH PIERCE BROSNAN © The Moviestore Collection
The mayfair Magazine | Feature
erstwhile FBI colleagues certainly don’t make it easy for the criminals, but it’s not a job for everyone – as Wittman likes to remind his friends when sharing a few drinks in the pub. Working undercover for much of his career and often posing as a shady art dealer, Wittman was regularly exposed to the seedy underbelly of the art world, and once found himself with a price on his head after ‘brokering’ a deal that rapidly led to a series of arrests. His criminal ‘associates’ in Miami were less than impressed and wondered if Wittman was somehow to blame. ‘They put out the word that they were going to kill me,’ he says. ‘But asked for a meeting, ostensibly to talk about what had happened. So we met at a very ritzy bar in Miami, they sat opposite me, and because I knew they were “good with knives” I figured I’d put a
‘The robbery involved the use of car bombs to delay the police, tack strips to blow out car tyres and an escape in a high-speed boat’ gun in each pocket and if they came at me, I’d shoot them.’ Miraculously, the smooth-talking FBI agent was able to convince them of his innocence, maintained his cover, and even managed to steer the conversation onto some future deals. ‘I told them we needed to stick together,’ he says. ‘But there were three or four times I really didn’t think they were buying what I was saying.’ Though Wittman said goodbye to the FBI’s 14-strong art crime team in 2008, the department is no less busy, and it is as determined as ever to bring the bad guys to justice. As the team’s website says, ‘Art crime is like stealing history.’
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The mayfair Magazine | Feature
Art under
attack A new exhibition at Tate Britain explores 500 years of assaults on British works of art words: Rebecca wallersteiner
U ABOVE, from left: Detail of the portrait of Henry James O.M. by J.S. Sargent R.A. after being damaged by a suffragette, May 1914., ca. May 1914. (Photo: R.A. © Royal Academy of Arts, London); Nelson’s Pillar / Independent Newspapers Archive, Dublin
nder normal circumstances, an art gallery is a tranquil place where you wouldn’t expect to encounter violence; however, physical attacks on art happen more often than you might imagine. Over the years, a long list of masterpieces by Velázquez, Picasso, Singer Sargent and even the Tate’s own priceless Rothko that have been damaged by assailants. This month, a new exhibition at Tate Britain, Art Under Attack: Histories of British Iconoclasm, curated by Tabitha Barber, will explore why people have destroyed art and religious icons. Although some attackers
may be written off as being ‘not quite the full ticket’, many do have complex reasons for damaging art, which can be political, religious, moral or even just emotional. During the 16th and 17th Century Reformation, countless beautiful Catholic sculptures were mutilated, in the name of religion, while more recently the Suffragettes, and members of the Occupy and Yellowist movements, have all vandalised wellknown artworks for political reasons. In 1914, Mary Richardson took an axe to Velázquez’s Rokeby Venus in The National Gallery, London. She wasn’t nuts – but had a
37
ABOVE: Christ before Pilate c1400–25, Unknown artists/ Fitzwilliam Museum, Cambridge; RIGHT: Sibylla Delphica, 1898, Edward Coley BurnJones, Manchester Art Gallery
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cause: votes for women. She was part of the Suffragette movement that organised attacks on paintings and set public buildings alight to gain publicity. ‘Slasher Mary’ as the newspapers nicknamed her, disapproved of men gawping at the naked Venus – the most erotic goddess in mythological history. They also slashed John Singer Sargent’s Portrait of Henry James at the Royal Academy and travelled to Manchester – the birthplace of Emmeline Pankhurst – to damage Edward Burne-Jones’ Sibylla Delphica (1898). In her memoirs, ‘Slasher Mary’ recorded that for years afterwards, she visited The National Gallery to proudly examine the still-visible marks of her hatchet work. In 1986, her spiritual granddaughters, the feminists, damaged Allen Jones’s Chair (1969) on International Women’s Day, arguing that it degraded women, turning them into fetishised sex objects. As a centrepiece, Barber has chosen the exquisite Statue of the Dead Christ (1500-20) with its arms, lower legs and part of its head hacked off by zealous religious reformers during the Reformation. For hundreds of years, it had lain undisturbed, buried under the floor of the bombed Mercers’ Chapel in the City of London, possibly to protect it from further damage and was only found in 1954, when rubble was cleared. This powerful depiction of Christ has a delicate, frozen beauty: his mouth is ajar and
carved blood flows from his wounds. ‘It exemplifies the immense power and hold over people that images can – and often do – possess, and it was images such as this that religious reformers found dangerous and wished to eradicate,’ explains Barber. ‘The emotional impact of this captivating work, is such that the danger of such images feared by 16th-century Reformers – the confusion between the real and the represented, or the sinful worship of an image instead of God – is near enough to be imagined,’ she adds. Art attacks can also stem from simple artistic envy. In 1991, an unsuccessful painter hammered the toes of David as he was ‘jealous of Michelangelo.’ In another episode, police speculated that high-spirited art students might have been responsible for draping Copenhagen’s Little Mermaid statue in a burka and attaching an ‘adult toy’ to her hand. This Danish icon has survived two beheadings and being blown up with explosives. The Mona Lisa has suffered similar indignities, having had a cup of tea as well as a rock and paint thrown at her. Thankfully, she is now safely behind bullet-proof glass. Today, assaulting something or someone well-known is an easy way of grabbing newspaper headlines and achieving instant fame yourself. However, while real-life celebrities tend to be well-guarded, or at least difficult to get close to, art galleries are places where an attack can easily catch guards unaware. The recent defacing of the Queen’s portrait attracted international headlines and turned the attacker and his cause, Fathers 4 Justice, into instant celebrities. Last year Vladimir Umanets, from the Yellowist art movement, scribbled on Black on Maroon, the Tate’s priceless mural, donated by American artist Mark Rothko, claiming that he was making a creative gesture. He got little sympathy from the judge who sentenced him to two years in prison. A few months earlier, political activists from the Occupy movement defaced Damien Hirst’s sculpture Hymn in protest against the
The mayfair Magazine | Feature
artist’s selling out to capitalist values and identifying with bankers, who were buying his art and pushing up his prices. However, this phenomenon is nothing new. Going back as far as 1866, Courbet’s exquisite painting L’Origine du Monde, depicting a woman’s torso reduced to a nipple, belly button and plump thigh, caused widespread outrage and was accused of being dangerously obscene (women who came to see the painting fainted). However, just a few generations later, the piece is widely acknowledged to be a masterpiece and treasured by the Musée d’Orsay.
‘In 1991, an unsuccessful painter hammered the toes of ‘David’ as he was “jealous of Michelangelo”’ Of course, art should elicit strong reactions, but what is found to possess artistic merit and what is considered offensive constantly changes: this is where censorship determined by the government and courts comes in. Had Courbet’s painting been destroyed, as many demanded in his day, it would have been permanently removed for future generations, which would have been a great tragedy. The commitment to freedom of artistic expression is at the very heart of democracy – but this can be restricted by censorship if it causes direct harm to society. Sexual artistic content has frequently caused concern in the past, but now, provocative sexuality is commonplace in the works of many contemporary artists such as Damien Hirst, the Chapman brothers and Tracy Emin and barely raises the censor’s eyebrows. It shouldn’t be forgotten that is art’s role to challenge thought and not to be merely sensational. As the late Lucian Freud, a great fan of Courbet believed – ‘Art should astonish, disturb, seduce and convince.’ Art under Attack: Histories of British Iconoclasm, Tate Britain, 2 October – 5 January 2014
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Getting carried away Bored of last season’s briefcase? Then head over to Mayfair’s Tumi store to ‘Trade In & Trade Up,’ while making a contribution to the British Heart Foundation at the same time. Donate your no-longer-loved luggage in return for an impressive 20 per cent off the Alpha Business and Alpha Bravo collections. Each piece is beautifully crafted, featuring clever, time-saving concepts such as ‘checkpoint-friendly requirements’ (so you don’t have to remove your laptop at airport security) – genius. All profits raised will go to BHF. Tumi, 170 Piccadilly London, W1J (020 7493 4138)
style spy n e S kr b ic K E T T S & C at h eri WORDS: AMY DIC
Best foot forward
Under the weather
A handcrafted Italian shoe is one of the finer luxuries in life and Louis Leeman has brought this traditional craft into the 21st century with his eponymous footwear line, launching exclusively into Harrods this month. The collection features beautifully made loafers and brogues with a stylish edge, inspired by the ‘Rockstar of Venice’ – Marchesa Luisa Casati, who allegedly used to stroll through the streets of Venice in nothing but furs and diamonds. While the shoes are slightly more understated than this, like the Marchesa, they will never fail to make an impact. Shoes, from £200, Louis Leeman (harrods.com)
Any true Londoner knows you cannot control the weather (more’s the pity), but that you can control how good you look in it. London Undercover has produced a range of brilliantly designed, traditional-looking umbrellas for those wanting to keep dapper as well as dry. With its traditional bamboo handle and striking stripes, their ‘Vintage Naval Stripe’ version is one of our favourites. It was inspired by the British Royal Navy and the idea of the ‘battle’ against the elements. Well, at least we can win on the style front. Umbrella, £145, London Undercover (londonundercover.co.uk)
Scrubbing up well Be inspired by those groomed Italians with Acqua di Parma’s luxurious new ‘Collezione Barbiere’ collection, bringing a taste of the ancient Milanese barber shop to your morning shave. The stylish collection provides for every part of the shaving ritual, from the soft badger shaving brush to the nourishing pomegranate-enriched oil – molto bello. From £23, available at Harrods
Off the cuff Making your suit stand out requires attention to detail. This month, the gentlemen of Mayfair will have the chance to don real ‘Ferrari Metal’ thanks to the launch of the GTO London collection at Selfridges. Using melted-down metal from their classic cars, GTO’s cufflinks have been inspired by a love of classic automobiles. From the three-spoke steering wheel of Grand Prix race cars from the 1950s and 1960s to metal gate shift of the Ferrari 250 GTO, their designs are sure to sharpen up any suit. Cufflinks, £370, Selfridges, 400 Oxford Street, W1A (gtolondon.com)
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Collection Fashion | The | The mayfair mayfair Magazine Magazine
Boots made for walking Every anniversary deserves a fitting celebration and Stuart Weitzman’s 5050 boot is no exception. Named the 5050 after its unique design – half micro stretch and half nappa leather – the fashion pack’s favourite flat boot (Weitzman recently sold its millionth pair) celebrates its 20th birthday this autumn. To mark the occasion, the boot will be offered in several different finishes including black patent and navy suede – naturally we’ll be investing in both. 5050 Boots, £495, Stuart Weitzman, (stuartweitzman.com)
e t a d p u e l y st W O R D S : amy dicketts
3 of the best… DIGITAL PRINTS Nothing livens up autumn like a standout digital print. Incorporating cuttingedge design and eye-catching colour, they are an easy way to banish any winter blues from your wardrobe.
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Take it as red While navy is the official colour of the season, there’s no need to be too conservative this winter. Berry red shades were also big on the A/W runways which has been translated into some seriously eye-catching pieces. Nina Ricci’s elegant lace dress is ideal for the party season ahead, while this gorgeous, heavy Burberry coat will ward off cold, grey days with ease. What winter blues? Cashmere-blend felt coat, £1,595, Burberry Prorsum, (netaporter.com). Lace Pencil Dress, £1,345, Nina Ricci, (brownsfashion.com) 42
#1 Stained-glass window printed jersey dress, £695, Alexander McQueen (brownsfashion.com)
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#2 Stencil-print blouse, £358, Peter Pilotto (matchesfashion.com)
#3 Wallet, £195, Liberty London (liberty.co.uk)
Better together We love it when two heavyweights of the fashion world come together. Happily the new jewellery collection by Maison Martin Margiela and Atelier Swarovski doesn’t disappoint. The collection is made from Crystalactite, a fusion of crystal and matte-white resin that takes an impressive four years to develop. With their raw, dramatic and enviably glamorous result, these couture and ready-to-wear pieces have proved to be well worth the wait. Bracelet, £1,540, Atelier Swarovski by Maison Martin Margiela. Available from Harvey Nichols 109-125 Knightsbridge, SW1X (harveynichols.com)
Navy blue wool Jacket £2,000; matching trousers, £1,200 both Dior (dior.com). Heels, £195, Jean Michel Cazabat (jeanmichelcazabat.com). Diamond Reverse Set Hoops, £38,400, Jessica McCormack (020 7491 9999). 44
The mayfair Magazine | Fashion
Who runs the world? Beautiful, powerful women stormed through the A/W 13 runways showing that fashion pack are taking no prisoners this season. The look is confident yet feminine: think bold, sensual tailoring and statement detailing. Add red lips and some killer heels and you’re ready to go S T Y L I S T: K aty K i n g st o n P H O T OG R A P H E R : M atil d a T emperley
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Vintage bib, £598; blouse, £1,998; Wool trousers, £1,298; silk tie, £145, all Ralph Lauren Collection (ralphlauren.com). Diamond Reverse Set Hoops, £38,400, Jessica McCormack (020 7491 9999) 46
The mayfair Magazine | Fashion
Jacket with patent leather detail, £2,660, Giorgio Armani (armani. com). Cotton trousers, £261, DVF (dvf.com). Heels, £195, Jean Michel Cazabat (jeanmichelcazabat.com)
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Fashion | The mayfair Magazine
Dress, £1,740, Gucci (gucci.com). Leather clutch, £395, Smythson (smythson.com). Diamond reverse set hoops (as before)
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The mayfair Magazine | Fashion
Wool tweed coat with trim and belt, ÂŁ1,935; matching skirt (just seen), ÂŁ550, both Marni (020 7245 9520). 49
Neoprene bonded calfskin leatherfringed eyelet trench coat ÂŁ6,000, Burberry (Burberry.com) Model: Nadia Lacka at Union Models Make-up: Jessica Mejia using MAC Cosmetics(jessicamejia.com) Hair: Fumi Noyose using Bumble and bumble (fuminoyose.com) 50
The mayfair Magazine | Fashion
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advert They’ve
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The mayfair Magazine | Collection
Letbethere
light
A
stunning new collection has shed some light on the history and birthplace of 120-year-old jewellery house of Boucheron. A true visionary of his day, Frédéric Boucheron was the first to open a jewellery maison at 26 Place Vendôme in Paris, in 1893, a place he selected for the sun that would shine on the boutique from morning until night. The Hôtel de la Lumière collection is centred on the art of light in dedication to the founder’s fascination with the sun. The real show-stopper piece in the collection is the Soleil Radiant diamond necklace, which applauds the military victories of the French ‘Sun King’ Louis XIV. Let there be light indeed. (boucheron.com)
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The mayfair Magazine | Collection
Watch news Treasured timepieces, horological heirlooms and modern masterpieces WORDS: RICHARD BROWN
33 of a Kind Every two years some of the biggest names in watchmaking – Breguet and Patek Philippe included – embark on a mission to create one-off, other-worldly timepieces for auction at Only Watch, a charity initiative that raises money for Duchenne muscular dystrophy. Hoping to achieve more than the £3.4 million raised in 2011, the 33 watches produced for auction in Monaco this autumn range from Corum’s Asclepius-inspired Ti-Bridge 3-Day Power Reserve to Chronoswiss’ monkey-adorned Three Apes. Also notable this year is the pronounced presence of feminine timepieces. Our favourites are Jaquet Droz’s the Loving Butterfly and Van Cleef & Arpel’s Une Journée à Monaco, a watch made mesmerising by moving silhouettes of a mother and daughter walking through the city. (onlywatch.com)
ONE TO WATCH Each month we select our timepiece of the moment from the watch world’s most exciting creations
Blue was the colour at Baselworld 2013 and of the navy-sporting timepieces on display it was Patek Philippe’s Gondolo 8 Days, Day and Date (Ref. 5200) that impressed the most; an extraordinary example of Art-Deco design and mechanical watchmaking Gondolo 8 Days, Day and Date (Ref. 5200) £39,960, Patek Philippe, patek.com
A Jaeger-girl’s Best Friend For a brand that does elegance and artistry like no other, except perhaps Vacheron Constantin, this year’s Venice International Film Festival provided Jaeger-LeCoultre with a fitting place to unveil its Reverso Cordonnet Duetto. The newest creation from the festival sponsor made its debut on the red carpet on the wrist of British actress Sophie Kennedy Clark. As is the case with all Reverso watches, the timepiece displays two distinct dials (hence the name). The front is entirely set with diamonds (the watch boasts more than 1,250 in all), while the back dial is marked by the deep-blue colour of lapis lazuli. Diamonds may be a girl’s best friend, but they certainly don’t come cheap. The Reverso Cordonnet Duetto will part you from £192,000. jaeger-lecoultre.com Parisian Purity In keeping with all things pure and design-related, let us introduce you to a new collection of timepieces from Boucheron. As its name would suggest, the Épure collection is a lesson in subtle styling. Available in white and rose-gold, set with or without diamonds, and housing GirardPerregaux-produced movements, the watches carry cabochon sapphires, a stone which Frederic Boucheron believed held talismanic properties. The pieces (which start from £13,900) all hold a Latin inscription on the back, Horas non numero nisi serenas: ‘I count only the joyful hours’. 164 New Bond Street (boucheron.com) 55
Collection | The mayfair Magazine
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Accessories take on a darker edge this season #6 #7 #5
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#1 La Ferrari watch, £250,000, Hublot, Marcus Watches (170 New Bond Street) #2 White diamond skull cufflinks, £8,855, Deakin & Francis (deakinandfrancis.com) #3 The Music Machine, £8,500, MB&F (mbandf.com) #4 Ocean Tourbillon GMT, from a selection, Harry Winston (harrywinston.com) #5 Day bag, £1,095, Troubadour Goods (troubadourgoods.com) #6 Engraved metal skull cufflinks, £90, Paul Smith (9 Albemarle Street) #7 McLaren perforated cufflinks, £170, Links of London (32 Brook Street) #8 Signature Pure Black phone, £11,500, Vertu (vertu.com) #9 Bespoke sapphire money clip, from a selection, GTO London (gtolondon.com) #10 EMC watch, £94,000, Urwerk, Marcus Watches (as before) #11 Caran d’Ache Caelograph pen, £3,500, William and Son (10 Mount Street) 56
Swiss movement, English heart
C9 JUMPING HOUR MK II – 18CT ROSE GOLD LimiTED EDiTiOn
Bespoke ETA 2824-2 Jumping Hour automatic modification by Master Watchmaker Johannes Jahnke / Each piece, of only 250, personally assembled by Johannes and his team at CW’s Swiss atelier / 43mm, surgical grade stainless steel and 18ct rose gold case with sapphire crystal and exhibition case back / Ethically sourced Louisiana alligator strap with Bader deployment
Showroom at No.1 Park Street, Maidenhead. To arrange a personal appointment, call +44 (0)1628 763040
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Annabel Harrison speaks to Juan-Carlos Torres, CEO of Vacheron Constantin, about the company’s centuries-long championship of crafts and artisans, and the opening of its first UK boutique
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The mayfair Magazine | Collection
I
t is ‘17th September 1755. In the offices of the solicitor Mr Choisy, a young Master Watchmaker from Geneva is about to hire his first apprentice. This agreement is the first-known reference to the founding watchmaker of a prestigious dynasty and it represents the establishment of Vacheron Constantin.’ A horological history of 258 years is certainly worth declaring with pride, as it is here in a print advertisement, because not only is Vacheron the oldest company within the Richemont stable by more than eight decades (Baume & Mercier was founded in 1830) but it also holds the rather incredible title of oldest watchmaking manufacturer in the world in continuous operation. As such, Vacheron Constantin benefits from what younger brands can only dream of (nor can they pay for it); history. ‘You can imitate our know-how but the values, you cannot rebuild,’ declares CEO Juan-Carlos Torres. ‘This is why the brand is so humble; we are proud of what we are doing, not the price of what we are doing. Our watchmakers don’t know the retail prices but they don’t care, at all; all they know is the difficulty of making the watch. They are totally passionate about how we create, design and engineer these pieces.’ Torres is passionate too, having been CEO for eight years and employed at Vacheron Constantin for more than three decades. He is engaging and impressively eloquent, despite the fact that our interview is conducted in English (what I assume to be his third language), and he breaks into laughter frequently, putting a smile on my face too. His pride in Vacheron’s long history is evident and (justifiably) hyperbolically so; ‘We are the roots of high watchmaking. We created all the things that exist now. But for us,
there is no technique without design so you have to be innovative. Don’t be crazy but make something classic, an evolution of a design.’ He singles out precision and quality as the most important criteria in watchmaking and the company is committed to being able to repair any watch it has ever made. ‘How the piece can function and be repaired in hundreds of years’ time is the main preoccupation of the brand.’ In an age of factory-led, mass manufacture for a rapidly-increasing global population, what a delight it is to explore a comparatively tiny industry focused entirely on achieving absolute precision and producing pieces of the utmost quality. This is a world colonised by craftsmen and women who have mastered skills first perfected centuries and millennia ago. In April, an exhibition was held at Somerset House – Crafted: Makers of the Exceptional – in which 20 of Britain’s most talented and pioneering artisans demonstrated their passion, dedication and expertise. Founder and Chairman of the Walpole Crafted programme, Guy Salter, said that the scheme’s aim was ‘to help craftsmen and women develop businesses that are strong, growing and sustainable in order to support themselves properly, do commercial justice to their outstanding skills, and crucially allowing them to pass these on’. According to Crafts Council Director Rosy Greenlees, the UK alone has more than 23,000 people working in the craft industry, contributing over £400 million to the economy, so it’s essential that we protect it. This is where Vacheron Constantin comes in. At first glance, a thoroughly Swiss watchmaker doesn’t seem the most obvious of choices to sponsor a thoroughly British organisation’s support of the British luxury industry but for Torres, ‘it’s a question of linking our roots and values. Since 1755 Vacheron has worked with artisans – engravers, enamellers, watchmakers – and every Vacheron watch pays tribute to their craftsmanship. We can see that important
far left: Watchmaker at work on skeletonised Calibre 1120SQ left: Vacheron Constantin Malte Tourbillon
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crafts are disappearing worldwide and the only way to stop that is to make people discover these crafts.’ So Vacheron has launched a series of exhibitions, beginning in Paris and now visiting Milan, Geneva and London. ‘We’re starting with countries with history in culture and arts and crafts. In the UK, you have a long and deep history about craftsmanship, so it is the right place to be.’ Crafted is just the tip of the iceberg in terms of treasuring and developing craftsmanship. Whereas other brands align themselves with an international sport or globally recognised faces,
have time to do that, you learn a lot.’ He himself wears a watch with a wonderful story; the Patrimony Perpetual Calendar, given as a gift to mark Torres’ 30 years with the brand, was produced by all the watchmakers present when he had started at Vacheron three decades earlier. ‘They are all still working for the brand. On the back are the flags of Geneva and Barcelona.’ Despite the very occasional language difficulty, I get the feeling that Mr Torres may well be an excellent speech-maker after this rhetorical sentence: ‘In this world of industrialisation, globalisation, repetition and
‘In this world of industrialisation, globalisation, repetition and quantity, Vacheron’s gaze has remained solely upon the world of arts and crafts. In September, for example, the company is launching the first masterclass of design for craftsmanship in one of the most important design schools in Europe – L’École cantonale d’art de Lausanne – and ‘Our Commitments’ on the company website lists ethical responsibilities, social responsibilities, patronages and cultural partnerships. ‘Our responsibility is indeed passing on the tradition of craftsmanship,” Torres explains. “We want to promote culture and for us the art of ballet is very important. We sponsor the Royal Ballet School and the New York City Ballet, because ballet is so linked to our world of art and movement.’ Torres appreciates the intricacies of work carried out by the most skilled of artists, whether ballet dancers or woodworkers. ‘I have always been fascinated by the sensitivities and sensibilities about craftsmanship – my father was a carpenter. When I started at Vacheron, immediately I shared the passion of the watchmakers with the watchmakers.’ The best part of his job is taking the time to talk to everyone from the designers to the customers. ‘When you
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quantity, what is unique, what is authentic, what is true? It is what is done by hand.’ The people and passion behind products is crucial – ‘our pieces are warm and have emotion inside’ – and this comes through when Torres tells me enthusiastically about the new lines this year. Most are for women because the brand ‘has enough movements to put inside and ladies are more knowledgeable about watches, buying for themselves.’ In fact, these ladies are buying more than 20 per cent of Vacheron’s output so, in addition to Patrimony and Malte creations, the seventh Métiers d’Art collection is for women too and designed by a female watchmaker. Each of the Métiers collections pays tribute to specific artistic crafts while the Florilège watches – Queen, White Lily and China Limodoron – showcase guillochage, enamelling and gem-setting. The results, created by independent dial enameller Anita Porchet (one of the few people
The mayfair Magazine | Collection
alive able to produce Genève technique miniatures) and Vacheron’s own craftsmen, are quite spectacular. In fact, readers may remember our report in April about this collection, paying homage to British botanical art as illustrated in Robert John Thornton’s 1799 tome The Temple of Flora. Physician Thornton had a passionate interest in botany and he spared no expense in the production of his book, commissioning the best plate engravers in London, as well as the top botanical illustrators and painters of the time. The resulting 90 plates of skilled, coloured engravings have been of great interest not only
attention to detail, and lack of concern regarding time taken for production, that the bridges and baseplate are bevelled and decorated by hand on all their surfaces, even if assembled out of sight. Those thrilled by this precision and quality can now visit a boutique here in London to appreciate this skill for themselves, the first UK boutique for the brand. ‘Vacheron opened in Geneva in 1906,’ says Torres ‘and it was the first watchmaking boutique in the world. But the way the customers wanted to buy watches changed, so we’ve opened in Paris, Beverly
what is unique, what is authentic, what is true? It is what is done by hand’ to botanical and art historians but also to Vacheron Constantin. Queen depicts the strelitzia plant from South Africa, which reached the Royal Botanic Gardens at Kew in 1773; White Lily champions the floral symbol of purity and virtue and Vacheron declares these ‘radiantly white large trumpet-shaped blooms to have accompanied the most wonderful stories, from the Byzantine empire to French royalty’; and the extravagant, colourful China Limodoron symbolises wealth and refinement. The flowers are reproduced in the tiniest details and beautifully vivid colours using the centuries-old technique of guilloché (engraving) and ancient skill of cloisonné (enamelling). The work is begun by an engine-turner, cutting lines a tenth of a millimetre in width, followed by an enameller, who outlines the shapes in thin enclosures of gold; firing at around 800°C is a delicate procedure, repeated several times. Such is the
Hills and London already this year, and New York last year. We are growing step by step, but it takes time to be able to fill boutiques with merchandise and to create a good team. The Old Bond Street boutique is only small but the idea is to create an environment for high watchmaking.’ So who will visit, Mr Torres? Who are your customers? After a contemplative pause, he replies that ‘after 32 years, I can say our customer is like the watch. Discreet. Humble. Knows a lot about art. Enjoys life. Has family and friends at the centre of their preoccupations. Not at all egotistical. Generous.’ I sincerely hope Vacheron continues to be as generous with its custodianship of crafts as it is currently, and its contribution will ensure that the skills we admire now will still be practiced in another 258 years. 37 Old Bond Street, W1S (020 7578 9500 vacheron-constantin.com; craftedshowcase.co.uk)
from left: Vacheron Constantin movement created for King Farouk of Egypt (1935); Enamel work on a Florilège Queen dial; Interior of the Geneva Maison 1906; Cloisonné enamel work on a Florilège China Limodoron dial
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THE SIENNA COLLECTION Inspired by the Renaissance Masters, The Sienna Collection reincarnates the artist’s love of colour and creativity. The Sienna Cuff and The Sienna Chandelier drop earrings both feature a superb array of mandarin garnets, pink spinels and diamonds set in yellow gold. The Sienna Collection is truly inspired by a timeless period in European history which celebrated beauty through the adornment of majestic gems.
UNITED KINGDOM
AUSTRALIA
The Royal Arcade, Old Bond St, Mayfair London W1S 4SW
Sydney Gold Coast
calleija.com
The mayfair Magazine | Collection
Jewellery news Does art stop at the canvas or the gallery? These stunning new jewellery pieces would suggest not WORDS: OLIVIA SHARPE
Centre stage Despite its roots in design and craftsmanship, jewellery has never been given equal merit in the art world and yet there are several contemporary brands keen to stress the strong link between jewellery and art. At the forefront of these enthuasiasts is Russian jeweller Maxim Voznesensky who has just opened his flagship store on Old Bond Street. To create his pieces, Voznesensky draws upon painting, architecture, sculpture and theatre and because of this some of his innovative designs are currently being showcased in Moscow’s Kremlin Museum at the Diamonds of Russia exhibition. The artist himself studied at the Moscow School of Arts and Crafts and the Moscow Institute of Architecture before going on to launch his eponymous label. His trademark patented design feature is The Heel, a perfectly balanced flat edge on the underside of his rings which allow them to stand alone as miniature sculptures. MV Jewellery Theatre, 44 Old Bond Street, W1S (maximvoznesensky.com)
CUTTING EDGE Carolina Bucci jewellery stands out in the industry thanks to exceptional craftsmanship and contemporary design. The designer’s latest collection, entitled Gitane, remains true to form
Taking its name from the French word for gypsy, Gitane has been inspired by old world folklore and 1950s starlets. The owl is the central character and takes after the flamboyant designs of renowned Italian jewellery artist Fulco di Verdura, whose pieces are heavily influenced by animals. The other strong motif is the smile, originating from the smiles of iconic 20th century women such as Sophia Loren From top: earrings; across-the-finger ring set with tsavorites, opals and diamonds. Both part of the Gitane Collection (carolinabucci.com)
Moving On This autumn sees the launch of Harrods’ new luxury jewellery room, offering independent designers and established brands their own exclusive platform within the department store for the first time. The boutique will debut Monica Vinader’s first shop-in-shop retail space, alongside the likes of Georg Jensen, Stephen Webster and Annoushka. Amongst the roster of new designers launching with the luxury room in 2013 are Rosantica, Bee Goddess, Matchstick and Shy by Sydney Evan (exclusive to Harrods). We can’t wait! (harrods.com)
Colours of autumn Fabergé is extending its best-selling collection over the past three years, which comprises the Emotion rings, to include new additions, which will be arriving in boutiques this autumn. The designs will feature more than 300 precious gemstones in an array of rich autumnal colours and, with each stone set by hand in a random pavé setting, no two rings will be the same. Having created exquisite jewels and objects since 1842, the House of Fabergé has become revered for its craftsmanship, innovation and artistry of colour. (faberge.com)
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Collection | The mayfair Magazine
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Leading contemporary jewellery designers find inspiration in art and architecture
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#1 Opium gold-plated onyx necklace, £1,575, Saint Laurent (net-a-porter.com) #2 Duality double ring, from a selection, Melanie Georgacopoulos (melaniegeorgacopoulos.com) #3 Lunaria ring, from a selection, Eternamé (etername.com) #4 Gold-plated horn necklace, £1,125, Maiyet (net-a-porter.com) #5 L’Exceptionnelle Emeraude ring, from a selection, Ornella Iannuzzi (ornellaiannuzzi.com) #6 Dedale pendant necklace, £2,171, Lanvin (farfetch.com) #7 Opening Castle 18-karat yellow gold, black diamond and diamond ring, £35,000, Theo Fennell (theofennell. com) #8 Gold bangle, from a selection, Chloé A/W13 collection (chloe.com) #9 Gold-tone crystal and resin ring, £325, Emilio Pucci (net-a-porter. com) #10 Gold ring, from a selection, Chloé A/W13 collection (chloe.com) #11 Boxed gold ring, £150, Hannah Warner (hannahwarner.com) #12 D’Arling double gold ring, £98, Maria Black (kabiri.co.uk) #13 Whitby Jet ring, from a selection, Jacqueline Cullen (jacquelinecullen.com) #14 De Con gold-plated ring, £170, Maria Black (net-a-porter.com) #15 Rose gold sabre earrings, from a selection, Shaun Leane (harrods.com) 64
HIRSH L O N D O N
PAPILLON COLLECTION HANDMADE IN PLATINUM
Famous For Engagement Rings www.hirshlondon.com
56-57 BURLINGTON ARCADE W1J 0QN - T +44 (0)20 7499 6814 - 13 GRAFTON STREET W1S 4ES - NOW OPEN
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mayfair
Resident’s Journal
image / apsley house
From the Editor Dear Resident, Imagine velvety smooth folds, ruffles and drapes carved to follow your body’s every curve; silky soft textures in rich hues that recall a forest in autumn, and now imagine this heavenly garment created entirely out of chocolate. The reason I digress into chocolatey daydreams at my desk this afternoon is because Salon du Chocolat is coming to town. One of the world’s largest events dedicated to all things cocoa, it brings with it the innovative chocolate catwalk, which sees models strutting their stuff adorned in edible creations. The main event is taking place from 18-20 October in Olympia National Hall but events for National Chocolate Week are occurring across London. We discuss the event and local Mayfair news in our Notebook section. Maintaining our foodie focus but incorporating her intrinsically aesthetic eye, Jennifer Bradford-Davis explores the newly opened Boulestin on St James’s Street. The French restaurant’s interior catches this designer’s attention as she reveals the history of this intriguing establishment which is owned by Joel Kissin (of Quaglinos and Bibendum fame). Bon Appetit! Please do not hesitate to get in contact with your feedback and news, email mayfair@residentsjournal.co.uk. Katie Randall, Editor The Mayfair Residents’ Journal
The Residents’ Society of Mayfair & St James’s Committee Members Chairman Anthony Lorenz (Events & Traffic)
Secretary Richard Cutt (Crossrail & Finance)
Planning Applications Ronald Cottee (Planning)
Membership Pol Ferguson-Thompson (Membership & Website)
Traffic Lois Peltz
Police Mary-Louise Burrows
Licensing Derek Stratton
mayfair RESIDENTS’ JOURNAL | The Notebook
The Notebook The most local of events happening in the heart of the area this month
THE GUIDED TOUR Once home to the Iron Duke of Wellington during the Napoleonic era, Apsley House has changed very little since its hey-day and still boasts one of the finest collections of art in the capital, including paintings by Diego Velázquez and Peter Paul Rubens. Every Wednesday during October visitors will have a unique opportunity to see the house in its original setting, with its grand rooms illuminated by twinkling chandeliers and its sumptuous corridors lit only by flickering torchlight. Pop by for a truly authentic Regency evening. Tickets £12/£10.80, £6/£5.40 for members, 6pm-8pm 149 Piccadilly Hyde Park Corner, W1J 7NT To book tickets, call 0870 333 1183 (english-heritage.org.uk)
HAUTE CHOCOLATE Salon du Chocolat, one of the world’s biggest chocolate shows, is joining forces with the organisers of Chocolate Unwrapped to create what is certain to be a rather indulgent celebration of all things cocoa. Temptation is rife, following the news that Salon du Chocolat is due to conclude the events of Chocolate Week with their world famous Chocolate Fashion show, which comes to the UK for the very first time. Far from your ordinary sartorial spectacle, the models walking the catwalk will be wearing couture outfits made entirely from chocolate. Adults from £15, Children from £10, Family ticket from £40. Chocolate week runs from 14-20 October at various locations. Book tickets online at: salonduchocolat.co.uk (chocolateweek.co.uk)
a MASTERCHEF WINNER with a SPANISH flair Spanish pintxos restaurant Bilbao Berria opens its doors next month in collaboration with Masterchef winner Ash Mair, bringing the Spanish brand to the UK for the first time. Guests can whet their appetite with a mixture of pintxos (Basque tapas) as well as fine dining cuisine cooked up by Mair, who hopes to put his creative flair to good use creating an array of delectable dishes. (bilbaoberria.com) WORDS / Kara Wright
WINING AND DINING IN MAYFAIR Last month London’s highly acclaimed Wine Workshop announced the opening of its latest wine bar and restaurant, perfectly positioned on Maddox Street in the heart of Mayfair. Spread over two floors, the restaurant includes 28-50’s first champagne bar on the ground floor with the restaurant’s open kitchen found on the lower ground floor. Its industrial-style interior features reclaimed timber from wine barrels and leather upholstery enhanced with final touches of luxury and bespoke marble tiles. If this is not enough to whet your appetite for a visit, there is also the option to dine alfresco in additional outdoor spaces to the front and the rear of the restaurant. Fingers crossed for the weather. 17-19 Maddox Street, W1S 2QH (2850.co.uk)
mayfair RESIDENTS’ JOURNAL | Residents’ Culture
Residents’ Culture A platform for the voices of our local residents
A soupçon of history The legacy of Xavier Marcel Boulestin, the world’s first TV chef and restaurateur lives on at Boulestin, newly opened on St James’s Street. Jennifer Bradford-Davis pops by to the French restaurant to investigate
T
he winds of change came rapping at the door of 5 St James’s Street last month when Boulestin arrived. On the surface it is a temple of classic design elegance, with a side order of contemporary. Polished, gleaming mirrors, recently hung monochrome prints and a black and white chequered floor all testify to its newness. But don’t be fooled by its youthful veneer, for Boulestin, though in its infancy, is an old soul with a history beating at its heart. London restaurateur and owner Joel Kissin – once the business-partner of Sir Terence Conran – has been instrumental in the success of a string of London’s best-loved food haunts (Bibendum, Quaglino’s, The Orrey, among many others) and has launched the luxurious 60-seat bistro with a private dining room seating 40 and the adjoining Cafe Marcel, to much anticipation. Boulestin’s namesake and the owner of the original Boulestin restaurant in Covent Garden
(1927-1994), Xavier Marcel Boulestin, was described as a ‘culinary ambassador to the English.’ In a fitting tribute to the bygone era, Mr Kissin sought direction from international interior designer Frank de Biasi and awardwinning restaurant architects DesignLSM. Together the team have collaborated to bring Mayfair a restaurant interior that revives the historical period of Boulestin in the 1920s, but seamlessly unites it with the 21st century. First impressions count and even when approaching from a distance, the original stainedglass window that has been lovingly restored, glints in the dappled rays and welcomes diners into a bistro-like café. From the Arts and Craftsinspired cafe tables, to a sophisticated collection of
canvases in the school of Jean-Emile Laboureur (who displayed his artwork at the original Boulestin restaurant), the attention to detail is admirable. The oils have been painted by British artist Julian Day and are meticulously hung throughout the restaurant for an extra touch of chic. Joel Kissin and his team did the rounds at auctions, snapping up French and continental 30s and 40s vintage lighting that has been interspersed with modern additions to create a softly luminated space with a certain ambiance lingering in the air. Other covetable interior additions worth spotting include the brass patinated Decoinspired étagère that holds an array of beautiful liqueur bottles behind the bar, and the striking flooring, a lutyens design that softens the entire domain. The main dining room is crowned with an centre nave ceiling window that streams daylight from up above. The attention to detail continues: chairs have been created in keeping with the original Marc du Plantier design and are draped in mossy green leather; the perimeter walls have been tastefully covered in a patinated Lincrusta putty wainscoting and detailed with brass edging. Alongside one wall of the dining room you look out onto a beautiful courtyard, complete with a scattering of tables and chairs, waiting, hopefully, for the sun to make an appearance. At the lower end of the room two flanking glass-paravents swoop elegantly toward a centre glass paravent. Combined, these glass panels discreetly deter your view from the efficient service area. The whole dining experience is most definitely up to scratch too; Boulestin, with its extensive wine list, classic cuisine, attentive service and stellar design, successfully transports visitors to a bygone era of luxury and the lifestyle of Cafe Society. 5 St James’s Street, SW1A 1EF 020 7930 2030 (boulestin.com; designlsm. com; frankdebiasi.com)
The Calendar
Until 5 October Dream NO SMALL DREAMS
8 October – 8 November ABDULNASSER GHAREM
9-20 October SILVER SCREEN
An exhibition featuring the work of Adrien Broom, Thomas Doyle and Patrick Jacobs, collectively known for their depictions of alternative realities, is being hosted by the Ronchini Gallery this month. Dream No Small Dreams, curated by Bartholomew F. Bland, showcases Broom’s photographic series of fantastical landscapes built in miniature; Doyle’s sculptures of tiny scenes of destruction encased in glass domes; and Jacobs’ minute sculptures of hyper-realistic environments embedded into walls and viewed through glass portholes. Reflecting on the human experience, their work places the world under a microscope. 22 Dering Street, W1S 1AN (ronchinigallery.com)
One of the most significant artists of his generation, Abdulnasser Gharem is due to launch his first major solo exhibition this month, Edge of Arabia. Taking the cultural landscape of Saudi Arabia as a starting point, the innovative collection of work consistently challenges existing modes of artistic practice. Rather than sever his work from the rich cultural ties of his homeland, Gharem has played to his roots and manipulated the mediums of photography, video, painting, sculpture and performance in ways which build upon traditional art forms and maintain a connection with Saudi heritage in thought-provoking ways. 143 New Bond Street, W1S 2TP (ayyamgallery.com)
Reels of film sit waiting to be unravelled as the 57th BFI London Film Festival returns to town for another year and our own local cinema, Curzon Mayfair, is once again getting in on the action. A selection of the most engrossing new features, documentaries, shorts, animations and experimental films shot across the globe will be screened throughout the 12 day celebration of cinema. Not just for film buffs, the cultural highlight is open to all those who enjoy a night at the pictures. Visitors can work their way through the programme, which places creativity, originality and vision at its heart. Booking tickets in advance is essential (bfi.org.uk/lff)
ABDULNASSER GHAREM
LEFT / IMAGE Courtesy the artist and Ayyam Gallery
Outstanding events for Mayfair residents keen to get out and about
mayfair RESIDENTS’ JOURNAL | The Calendar
Until 11 October LYRIC AND LINE
17 October – 13 December THEY BLOOM AT NIGHT
25 October FRIDAY FRIGHT NIGHT
Following an acclaimed exhibition of original work by British artist and print-maker Ben Nicholson last year, Bernard Jacobson Graphics presents another comprehensive collection of his late etchings. Influenced in his early life by print-making techniques, Nicholson only began to work with etching at the age of 69. The portfolios presented in this latest show offer a sweeping insight into Nicholson’s artistic creative outlet towards the end of his career, including a selection of limited edition prints. Residents keen to view the work up close should take note of the exhibition end date, which comes to a close in the middle of this month. 6 Cork Street, W1S 3NX (jacobsongallery.com)
Described as an idiosyncratic overview of the artist’s work from the past 18 years, the exhibition of creations by Paul Housley, They Bloom at Night, spans text, paint and other artistic mediums along the way, all arranged throughout Belmacz’s gallery space. Defined by his recognisable restricted use of colour, echoes of the Art Povera movement are visible in a collection of his early works dating back to 1995. Featuring a selection of paintings, sculptures and a combination of the two, Housley imbues all his darkly atmospheric works with intellectual and emotional resonance, depicting his hopes, fears and desires. Free admission, 45 Davies Street, W1K 4LX (belmacz.com/gallery/upcoming)
For a Halloween-themed escapade with a twist, nimble residents can look forward to taking to their bikes with hundreds of fellow cyclists in fancy dress on a spooky 50-mile ride across the city. With themed rest stops (look out for the vampire mechanics and zombie marshals en route) and the promise of the best hot meal Hell’s Kitchen can rustle up, the ghost train snakes across London from east to west, past some infamous horror spots. The race is open to cyclists of all abilities and riders are encouraged to raise money for charity. £39 to register if you pledge to raise £250 for a charity of your choice or sign-up for a self-funded place for £99 (moonriders.co.uk)
THEY BLOOM AT NIGHT
dream NO SMALL DREAMS
LEFT / IMAGE Courtesy the artist and Ronchini Gallery
SILVER SCREEN
WORDS / Kara Wright
mayfair RESIDENTS’ JOURNAL | Planning & Society
Planning & Society Ground-level developments and societal structural changes in the area
Planning applications in the local area
COMPLETION OF ALEXANDeR MCQUEEN’S MAYFAIR HOME The renovation of the intended home of the late Lee Alexander McQueen was finalised last month and is now on the market for a reported £7.25 million. The 2,500 sq. ft. three-bedroom home on Mayfair’s Dunraven Street was bought by development company Aspire in 2011, a year after the designer’s death. The property itself has already acquired a blue English Heritage plaque paying tribute to former resident, author P. G. Wodehouse, and boasts three bedrooms, two of which have their own private courtyards. The chief executive of Aspire, Gary Brine, chose to retain the wine cellar within the residence, which McQueen had spoken so fondly of shortly before his death.
ADDRESS: New Bond Street PROPOSAL: Temporary display of Christmas lights on front façade between 18 November 2013 and 5 January 2014 DATE RECEIVED: 15 August ADDRESS: Lansdowne Row PROPOSAL: Use of the public highway for the placing of seven tables and 14 chairs in connection with Lansdowne Row DATE RECEIVED: 21 August ADDRESS: Pall Mall PROPOSAL: Details of anti-slip finish within listed building DATE RECEIVED: 12 August image / Amberroom
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mayfair RESIDENTS’ JOURNAL | Concierge
The Mayfair Concierge Some of the most interesting requests made to Mayfair’s most experienced concierges
FIX IT QUICK
Dry cleaners/repairs Buckingham Dry Cleaners 83 Duke Street, W1K 5PF 020 7499 1253
Watch repair Marcus Watches 170 New Bond Street, W1S 4RB 020 7290 6500
SHOTGUN repair James Purdey & Sons Ltd 57-58 South Audley Street W1K 2ED 020 7499 1801
Luxury yachts Princess Yachts 64 Grosvenor Street W1K 3JH 020 7499 5050
Sunseeker London 36 Davies Street, W1K 4NF 020 7493 3441 www.sunseekerboats.co.uk
Local courier City Sprint 0844 888 4111
Prestige Taxi Crown Security Chauffeurs 0800 731 5675
Men’s hair Atherton Cox 18 New Cavendish Street, W1G 8UR 020 7487 4048
Spa & beauty Elizabeth Arden Red Door Spa 29 Davies Street, W1K 4LW 0870 787 6626
Women’s hair Sassoon Salon 60 South Molton Street, W1K 5SW 020 7491 8848
Fancy dress Pantaloons 020 7630 8330 www.pantaloons.co.uk
Late night food Hakkasan 17 Bruton Street, W1J 6QB 020 7907 1888
Party planner Concorde Media 1 Lower John Street, W1F 9DT 020 7297 3344
Baby sitter Rockabye Babysitters 9 Wimpole Street W1G 9SR 020 7624 0060
Doctor Lees Place Medical Centre 11 Lees Place, W1K 6LN 020 7036 6060
Florist Wild Things of Mayfair 47 Davies Street W1K 4LY 020 7495 3030
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Charter a helicopter Emjets 23 Berkeley Square, W1J 6HE 0845 3888 248
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Rent a Rolls Royce Hanwells 86-91 Uxbridge Road, W7 3ST 020 7436 2070
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Audio Visual hire AV2hire.com 020 3130 0401
IT/Tech support Mike Will Fix It 020 7564 7171 07762 647547
LIFE SAVERS fine brokerage concierge TLG The Ultimate Boutique Fine Brokerage Bureau Expertise Exclusive Yachts and Private Jets Brokers’ Elite Selection. By Appointment only. 125 Mount Street W1K 3NS www.throughthelooking-eigenglass.co.uk
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If you have a view that you would like to share with the Residents’ Journal team, we would be delighted to hear from you. Please contact the Editor Katie Randall on the above email address.
The mayfair Magazine | Art
Q: Which period will the exhibition focus on? A: The exhibition presents a selection of photographs from the 1960s and 1970s that helped Avedon to establish new benchmarks in the history of fashion photography.
Now is the time in the art world. This month sees new exhibitions honouring some of the greatest artists and photographers ever to grace the page
Art news
WORDS: CAROL CORDREY
The city of lights
Q: Avedon’s work was characterised by spontaneity and action. Did his models feel liberated by him and did he have a favourite? A: Joan Buck interviewed a number of these models (Penelope Tree or Veruschka, for instance), many of them spoke about his support and encouragement. I don’t think Avedon had a favourite model, but there were sitters who he worked with repeatedly. What strikes me looking at these photos from 1965-2000 is how dynamic and contemporary – or ‘now’ – the earliest photos look. Q: How will the exhibition present Avedon’s work? A: All of the works in our Davies Street exhibition are limited editions, ranging from three to 50. Avedon printed and ‘editioned’ them during his lifetime, and they’re all signed and stamped on their backs. ‘Avedon: Women’, runs from 6 September – 26 October at the Gagosian Gallery (gagosian.com)
The years between 1886 and 1888 were pivotal in the life of Van Gogh. It the time that he lived and worked in Paris, falling under the influence of the painting techniques and use of light exercised by Monet, Pissarro, ToulouseLautrec, Seurat, Signac and Gauguin. Now, a new show at the Eykyn Maclean gallery demonstrates this by displaying some of their paintings alongside a group of van Gogh’s, which he created during that short period and, thus, we are able to see clearly his radical change in style away from the sombre works of his earlier Dutch period to the brighter, more expressive ones of his Parisian phase. Key examples include his mesmeric Self-portrait, A Pair of Shoes, One Shoe Upside Down and several of his views of Paris itself. ‘Van Gogh in Paris’ runs until 29 November (eykynmaclean.com)
Thirteen… lucky for some This month, the Alan Cristea Gallery is showcasing new paintings and prints by 13 of its most recognised, modern masters, including Gillian Ayres’ abstract paintings, Michael Craig-Martin’s innovative silhouettes and Ben Johnson’s fascinating cityscapes. Look out for Julian Opie’s figures created in a pared-down, linear style that brilliantly interpret the mantra ‘less is more’. ‘Thirteen’ runs from 12 October – 9 November at the Alan Cristea Gallery (alancristea.com) 67
TOP: Vincent van Gogh, Self-portrait; BOTTOM: Julian Opie, Maria-Theresa., 2011, Courtesy the artist and Alan Cristea Gallery; right: Veruschka, dress by Bill Blass, New York, January 1967, Photograph by Richard Avedon, © The Richard Avedon Foundation
Q&A with…
Gagosian’s Kara Vander Weg about fashion photographer, Richard Avedon
An artist’s artist, Honoré Daumier was admired by both his peers and his successors. As the Royal Academy opens a new exhibit on his work, we examine the life of the staunch republican and his role in French history words : jac k wat k i ns
Exhibition Focus:
Daumier: Visions of Paris
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above: Don Quixote and Sancho Panza, c. 1855, The National Gallery, London. Sir Hugh Lane Bequest, 1917
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hen landscape painter JeanBaptiste-Camille Corot visited Rome in 1843, he remarked that Michelangelo’s figures in the Sistine Chapel looked like those depicted by his friend Honoré Daumier. Another Gallic contemporary, the poet Charles Baudelaire, agreed, calling him ‘the French Michelangelo’. But while the Italian was recognised as a great artist even in his own lifetime, Daumier struggled for serious recognition beyond the cognoscenti during his. Corot, a success story in his own right, frequently had to dip into his pockets to help him out. Ultimately, it made no difference. Daumier died blind and in relative penury in 1879. Today, Daumier’s accomplishments as a caricaturist are more widely appreciated, even if still not to the extent they might be. As a commentator on the Parisian political scene of the mid-19th century, of course, it’s not really surprising that he is better known across the Channel than he is in London. The Royal Academy’s new exhibition, the first in Britain to examine his work since 1961, however, bids to remedy the recognition deficit. Comprised of 130 works, it also shows how his talents were not simply confined to lithographic ‘cartoons’, but
extended to paintings and sculpture, taking in street, café and domestic life, and depicting the downtrodden with compassion and tenderness. Even so, it was with political satire that the young artist made his earliest splash. Daumier, born in Marseille in 1808, arrived in Paris in 1816, where his father, a would-be poet seldom far from attracting the attentions of the bailiff, had moved to seek his fortune. Ironically, Daumier’s first job would be as a bailiff’s errand boy, but his overriding interest from youth was in painting and drawing, and he quickly became a master of the new technique of lithography. This infant form of illustration, because of its relative cheapness, had been taken up by the popular press of the time. This ensured it had a wider public reach than traditional art and it soon became the medium for expressing scathing political and social mockery. The anti-monarchist weekly La Caricature, launched in 1830, carried illustrations by Daumier ridiculing the government of the constitutional monarch Louis-Philippe. The latter had come to power that summer on the back of the July Revolution, in which Daumier had taken part, reputedly sustaining an injury while standing on the barricades. Fervent republicans, such as Daumier, were disgusted by
The mayfair Magazine | Art
publication, Le Charivari, the pictures more vitriolic than ever. The likes of Rue Transnonain are now regarded as masterpieces, and the honesty of his draughtsmanship shines through. The picture related to an uprising in Paris against which troops had set up barricades. A sniper had allegedly fired a shot at the soldiers from a house on Rue Transnonain. Daumier’s lithograph showed the bloody aftermath of the scene after infantrymen stormed the property. A defenceless man wearing a nightcap lies slumped over the corpse of a dead child. For contemporaries, this had all the shocking immediacy of a 21st-century passer-by’s eyewitness footage caught on an iPhone. The government was so stung it rushed through new censorship laws, muzzling Le Charivari and forcing it to restrict itself to showing scenes of everyday life. While he never lost his radical instincts, Daumier then shifted his talents to other subjects. A series of lithographs focused on an imaginary personality Robert Macaire, a charming rogue. Another series, Les Gens de Justice, poked fun at judges, lawyers, attorneys and the various shenanigans of the legal profession. For all his brilliance, however, Daumier had no head for business: he attracted no wealthy patrons and was never a commercial success. The lithographs may have been superb, but the man behind them went unnoticed. Edgar Degas, as well as Corot, knew how good he was, however. Later, so too did Pablo Picasso and Francis Bacon. No doubt this timely show will surely add to his list of admirers. ‘Visions of Paris’ runs at the Royal Academy 26 October – 26 January 2014 (royalacademy.org.uk)
‘Illustrations by Daumier ridiculed the government of the constitutional monarch’ the new regime, which, in a time of economic hardship, pandered to middle-class business and banking interests. Daumier drew LouisPhilippe with a pear-shaped head, and gave his ministers ape-like physiognomies. Although the king himself apparently smiled at the artist’s stream of unflattering representations, the final straw came with Gargantua, which appeared in La Caricature in 1832, showing him as a repulsively corpulent and complacent monarch, seated on his throne and towering above his fawning accolytes and the downtrodden proletariat. It was enough to get Daumier and the newspaper’s proprietor arrested and slung into prison for six months. The sentence had no effect, however. On his release, Daumier was soon working for a new
from top: Lunch in the Country, c. 1867-1868 National Museum of Wales, Cardiff Photo © National Museum of Wales; The Print Collector, c. 1857-63 The Art Institute, Chicago, all by Honoré Daumier
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The mayfair Magazine | Art
bonhams | PRIZE LOT ‘The Malay Bride’ by Irma Stern
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his auction offers an exciting opportunity to own a piece by an artist considered a ‘national institution’ of South Africa. Irma Stern produced this painting during the 1940s, influenced by her enchantment with Zanzibar and the splendour of the Muslim women in the region. This piece provides a close study of a culture, which at the time was deemed inferior by the white minority. The close position of the bride, combined with her anonymity, provides a captivating mystery for the viewer and is enhanced by the traditional Zanzibari frame, with ornamentation, reflecting the rich culture portrayed. (bonhams.com)
Particulars: Expected Value (item): £1,000,000 – 1,500,000 Expected Value (auction): £4,000,000 – £5,000,000 Estimated Range: £700 – £1,500,000 No. of Lots: 129 Place: Bonhams, New Bond Street Date: 2 October 2013
image: courtesy of bonhams
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The mayfair Magazine | Art
christie’s | PRIZE LOT Millefleur ‘Star-Lattice’ carpet
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s one of only twelve Millefleur carpets from the late 17th-century Mughal India, this carpet is an incredibly rare piece. Rarer still, it is in exceptional condition, partly thanks to previous owners, the Vanderbilt family. Acquired by Cornelius Vanderbilt II, the carpet adorned his master bedroom and the wall of his Moorish smoking room. The care bestowed upon the carpet by the family during their 100-year ownership has served to preserve its majesty for years to come. (christies.com)
Particulars: Expected Value (item): £1.5 million – £2 million Expected Value (auction): £4.5 million Estimated Range: £3,000 – £1.5 million No. of Lots: 173 Place of Exhibition and Auction Christie’s, King Street Date: 8 October 2013
image: christie’s images ltd.
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The mayfair Magazine | Art
SOTHEBY’S | PRIZE LOT The Premier Blue
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his month marks a momentous occasion in the ever-dazzling world of diamonds for both collectors and connoisseurs. As part of the Magnificent Jewels and Jadeite Autumn Sale in Hong Kong, a 7.59 carat round brilliant cut, internally flawless, ‘Fancy Vivid’ blue diamond will go to auction – the largest round fancy vivid blue diamond ever graded by the Gemological Institute of America. In fact, no significant version of this type of jewel has ever appeared at any auction in the world before. Named ‘The Premier Blue’, its brilliant pure blue hue makes it not only a stunning diamond, but indeed a very rare one. Round brilliant cuts in diamonds are infrequently used, because of the high wastage of the stone that occurs during the cutting process. However, this cut is often used on white diamonds to enhance and maximise their brilliance. Blue diamonds have long been coveted stones. One of the most famous blue-diamond stories in history dates back to the 17th century, when French gem merchant, Jean-Baptiste Tavernier first saw a super-fine deep blue diamond. He sold it to King Louis XIV in 1669, and it was later used to decorate Queen Marie Antoinette’s crown, which was, through time, cut, stolen, sold, bequeathed and cut again, and eventually became the Hope Diamond – a piece that enormously raised the profile and beauty of blue diamonds. (sothebys.com)
Particulars: Expected Value (item): US $19 million Expected Value (auction): US $110 million Estimated Range: US $28 – 35 million No. 330
of
Lots:
Place: Hong Kong Convention and Exhibition Centre image: © sotheby’s
Date: 7 October 2013 75
Just a couple of hours from home. And yet a world away.
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The mayfair Magazine | Motoring
Record breakers Ever wondered just how much collectors are willing to pay for the most elite cars in the world? Or what makes certain ones worth a little more than a small island? Richard Yarrow investigates the top ten cars ever sold at auction
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he summer of 2013 will go down as a special one in the world of car collecting. In the ‘most money ever paid at auction’ list, a staggering three new entries made it into the top five. Straight in at number one comes a vehicle deserving of its cool $29m price. Quite simply, it was the most important historic Grand Prix car ever to go under the hammer. Among its many claims to fame – more of which later – is that it’s the Mercedes-Benz in which five-time world champion Juan Manuel Fangio won both the 1954 German and Swiss Grand Prix races.
The car was auctioned at the Goodwood Festival of Speed in May, but it’s not the most recent entry on the list. That honour goes to a Ferrari convertible, which found a new owner at California’s Pebble Beach Concours d’Elegance motoring festival in August. It sold for $27.5m, putting it at number two. Interestingly, the pair have attracted significantly high prices than previous record holders. Prior to the MercedesBenz sale at Goodwood, the top spot was held by a Ferrari costing just $16m. But what of the other cars causing collectors to spend record amounts? Read on…
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1954 Mercedes-Benz W196 Formula 1 single-seater Price: $29,650,095 Sold: July 2013 by Bonhams The Mercedes is a 2.5-litre racer, and has special significance as the brand’s first open-wheeled post-war car to win a Grand Prix. It also marked the F1 debut of the fuel-injected engine, all-independent suspension, multi-tubular ‘spaceframe’ lightweight chassis design, inboard-mounted brakes and a ‘straight-eight’ engine configuration.
5 1957 Ferrari 250 Testa Rossa Price: $12,402,500 Sold: May 2009 by RM Auctions This is the fourth Ferrari 250 Testa Rossa built – out of a total of 34 – and is one of just 21 which have the desirable ‘pontoon’ bumpers. Again, as you might expect of a Ferrari of this calibre, it has impeccable credentials as a race car. The name, Testa Rossa, means ‘red head’ in Italian and relates to the colour of the engine cam covers.
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2 1967 Ferrari 275 GTB/4*S NART Spider Price: $27,500,000 Sold: August 2013 by RM Auctions The world’s most valuable Ferrari and the most expensive road car of any marque. Only 10 were made, with bodywork by Scaglietti and a 3.3-litre V12 engine under the bonnet. They were a special commission for a North American Racing Team (NART). This was a ‘one owner from new’ car, belonging to the late Eddie Smith, a mail-order magnate.
6 1936 Mercedes-Benz 540K Special Roadster Price: $11,770,000 Sold: August 2012 by Gooding & Co Auctioned at last year’s Pebble Beach Concours d’Elegance, this is a stunning example of a high-door, long-tail model two-door car. With just three owners, it came with full provenance and was noted for its ‘as delivered’ appearance. The sale set a double world record, being the most for a Mercedes-Benz and also for a pre-war car.
7 1960 Ferrari 250 GT LWB California Spider Competizione Price: $11,275,000 Sold: August 2012 by Gooding & Company Just a day after the Mercedes sale came another record breaker – the most ever paid for a Ferrari California Spider. One of only nine alloy-bodied of its type, it was owned by US industrialist and car collector Sherman Wolf. Restored by noted specialist David Carte, in 1994 it was judged first in class at the Ferrari Club of America National Championship.
The mayfair Magazine | Motoring
3 1957 Ferrari Testa Rossa Prototype Price: $16,390,000 Sold: August 2011 by Gooding & Company An exceptionally rare Scuderia Ferrari team car, this was the first of the 250 Testa Rossa cars built. It had a successful eight-year racing history, being driven at global motorsport venues by numerous iconic names. Looking at it now, it’s strange to think it was actually burned out twice during its race career.
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4 1953 Ferrari 340/375 MM Berlinetta ‘Competizione’ Price: $12,812,800 Sold: May 2013 by RM Auctions This 4.4-litre V12’s appeal is based on who’s been behind the wheel. It’s the only ‘works’ Ferrari to have been driven in the World Sports Car Championship by three world champions – Alberto Ascari, Nino Farina and Mike Hawthorn. It’s also got a solid race history, including winning the 12 Hours of Pescara.
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1968 Ford GT40 Gulf/ Mirage Lightweight Racing Car Price: $11,000,000 Sold: August 2012 by RM Auctions In March 2013 it was exactly 50 years since the start of the Ford GT40 programme, a car designed to take on the might of Ferrari on the race track. This is one of only two surviving lightweight production models, and features early use of carbon fibre body work. It was used as the camera car in the Steve McQueen film Le Mans.
1961 Ferrari 250 GT SWB California Spyder Price: $10,894,400 Sold: May 2008 by RM Auctions Perhaps best known as the car bought by BBC broadcaster Chris Evans, it was 13th of 50 like it to be built. Once owned by Hollywood actor James Coburn – who bought the car in 1964 shortly after the end of filming The Great Escape – the price tag was, at one time, enough to put it at number one on this list, where it stayed for a year.
1931 Duesenberg Model J Coupe Price: $10,340,000 Sold: August 2011 by Gooding & Company The car was designed for Captain George Whittell Jr, the US brand’s best customer of the era and heir to a California real estate fortune. Allegedly, he cleverly liquidated his entire investment portfolio days before the 1929 crash. Penned by automotive stylist Franklin Q Hershey under Whittell’s direction, the two-seater has port and starboard lights due to Whittell’s love of all things maritime.
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Interiors | The mayfair Magazine
Sitting pretty Although best known for his surrealist paintings, Dalí also had a passion for interior design. In the 1930s, the artist made several drawings for his friend, Parisian furniture maker Jean-Michel Frank, which were only made into pieces in the 1990s. The Leda chair was taken from the 1935 painting La Femme à la Tête de Roses (left). Its surreal elegance is sure to make a statement in any home and is a fabulously alternative way to display art from one of the great masters. Leda Armchair sculpture, £14,355, Salvador Dalí (discover-deliver.com)
Interiors news
Celebrate art in your home with Salvador Dalí’s elegant chairs, a bold wallpaper from Andrew Martin and copper-coloured statement pieces guaranteed to wow your dinner guests W O R D S : amy d i c k etts
FINISHING TOUCH Alexandra D Foster’s hand-sewn, silk print cushions draw inspiration from her many travels, from churches along the Amalfi coast to the Japanese flowers of Tokyo. Add them to your living room or bedroom for a touch of faraway glamour. Cushion, £195, Alexandra D Foster (alexandradfoster. com)
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3 of the best… COPPER homewares
1 2
Bring a touch of glamour into your life and your kitchen with the latest trend for copper-coloured home ware
#1 Champagne bucket, £175, Tom Dixon, (selfridges.com)
Wall to wall Create an artful optical illusion with Andrew Martin’s Cargo wallpaper from Occa Home. Hundreds of different sized, hand-painted ceramic plates can be stacked from floor to ceiling, and all without worrying about breakages. Wallpaper, from £69.90 per roll, Andrew Martin (occa-home.co.uk)
#2 Lidded casserole dish, £569, Mauviel, (harrods.com)
#3 Artisan mixer, £615, Kitchen Aid (selfridges.com)
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20/09/2013 15:00
Renaissance
man It has been 100 years since the Milanese design maestro Piero Fornasetti was born. To mark the occasion, his son Barnaba talks to us about Italian craftsmanship and continuing his father’s legacy W O R D S : K AT E R A C O V O L I S
‘O
right: The Fornasetti house in Milan, by Richard Powers; below: Fornasetti Profumi La Chiave Nero Scent Sphere, from £195, available from Selfridges
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ur work is limitless, full-time. There is no schedule, day or night. Whatever I do, I translate my dreams into reality,’ Piero Fornasetti once said. This statement, concise as it may seem, neatly sums up the life and work of Fornasetti, the Milanese artist who died in 1988, and left behind some 13,000 pieces of work, a design company in a financial shambles and one very willing son. ‘He worked day and night, slept only a few hours, and woke up very early in the morning,’ says Barnaba, who carries on the Fornasetti name and company. ‘He was really obsessive. He would never take a vacation. He was always in Milan, he only took a weekend in Venice sometimes, but even then, he went with a small book and painted.’ And the result of such tireless and passionate work was what many collectors of Fornasetti’s pieces from the 1950s and 1960s (when he was arguably at the height of his success) would call creative genius. Next month, one of the most prestigious museums in Milan, the Triennale Design Museum, will host over 700 Fornasetti pieces, of the 13,000 objects Piero made during his lifetime. The exhibition traces his collaboration
The mayfair Magazine | Interiors
with the famed architect Giò Ponti during the 1950s and 1960s, and the vast spectrum of his design, which adorned almost anything you could think of inside (and outside) a house; from umbrella stands, to ashtrays, tables, scarves, as well as a kitchen sink. It’s a busy time for the company. Soon a pop-up shop will appear at Selfridges, where a large collection of the now widely circulated candles are sold. Indeed the reason we are even able to see re-released versions of Piero’s designs, including the Fornasetti Profumi collection, is because of Barnaba and his commercialmindedness. ‘When [my father] died, he left me with a really large, strong, incredible heritage of imagination art – a world of fantasy,’ he says. And with it Piero’s whimsical house, which was falling apart quite literally, along with the financial side of the company. Barnaba spent a decade fighting the amassed debt, and fought
‘When [my father] died, he left me with a really large, strong, incredible heritage of imagination art – a world of fantasy’ even harder to keep the company independent from bigger organisations, which were trying to piggyback off the success of the iconic name. Although in many ways, the work of the father and son is now closer than it was when Piero was alive, they did work together on some projects. As early as three years old, Barnaba brought a hydrangea leaf into the house from the garden and presented it to his father. ‘When he saw this leaf, he made it into a tray with that idea, and that was my first collaboration with my father.’ He grew up surrounded by his father’s work, playing on the floor through the legs of the people working for Piero. When Barnaba went through what he calls his ‘rebellious’ phase, he moved away from home, only to return when his father really needed his help with the
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right: the Fornasetti house in Milan, by Richard Powers ; FAr right, from top: Architettura, by Piero Fornasetti and Giò Ponti, 1951, Image courtesy of Sinai and Sons Ltd; Barnaba Fornasetti by Fabio Massimo Aceto; the Fornasetti house in Milan, by Richard Powers
company’s finances in the 1970s. ‘He was a collector of images. He was a collector of collectors. He has a file, not digital, but in paper, with all the names of collectors, strange kinds of collectors – of houses, of sand from beaches, of boats from Lake Como, of small elephants made of wood. And he was a collector of images to use for his decoration,’ says Barnaba. One of the most recognisable of these images, is the face of the Italian opera singer, Lina Cavalieri, which appears in many different forms – winking, smiling or simply staring nonchalantly – on the vintage and modern works of Fornasetti. Since taking over the company, Barnaba has adapted many of his fathers designs, by adding small variations, for example some rouge on the lips of one of Cavalieri’s faces on a candle, or overlaying images of butterflies on Piero’s famed newspaper print – a design which quite literally covers every corner of Barnaba’s kitchen in Milan. In fact, reinvention is at the heart of what Fornasetti means. ‘For example, in the house there is window full of bohemian glass. From that came a decoration with the glasses that was used for a tray and after, for a fabric,’ Barnaba says. Even though Piero’s designs are widely considered to be timeless – the vintage pieces are now coveted pieces for collectors of Fornasetti around the world – they do represent a different era, which is part of their appeal today. Raphael Sinai, who owns Sinai and Sons antiques shop on South Audley Street has been
From left: A selection of Fornasetti Profumi candles, from £99. All product images by Paul Bowden
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acquiring and selling vintage Fornasetti since 2005: ‘What I love about them is that ultimately, they are all conversation pieces. They put a smile on your face, and its not academic stuff, you don’t have to be a scholar to know what it is. It is whimsical, and for me, personally, it’s stuff that I could live with and mix with other things,’ he says. At present, he has one of the most well-known pieces of Fornasetti in his showroom, an Architettura from one of the collaborations with Ponti – a multi-tier, lithographically and transfer-printed wood and metal trumeau from 1951. The difference between buying reproduced and original Fornasetti pieces is highlighted in the price: a modern Achitettura would sell for around £20,000, whereas the asking price for the vintage version in Sinai’s showroom is £185,000. While the new reproductions of Fornasetti has made the company more marketable to new buyers and collectors today, avid fans of the brand tend to chase after the pieces from the 1950s and 1960s, which are both rare, and appropriately weathered as antiques. Piero himself was not one to be labelled as an artist of a particular style or movement. ‘He was against being classified,’ says Barnaba. ‘And it’s true, it’s difficult to classify him because he’s not modernist, he’s not post-modernist, he’s not a designer, he is, and he is not, everything. He was always saying, “I’m a Renaissance man, I can do anything. I’m European, but I can be everywhere.”’ (fornasetti.com)
The mayfair Magazine | Interiors
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The mayfair Magazine | Promotion
Where the art is Take interior design to the next level with Intarya’s carefully selected abstract art, as its designers oversee pieces of art for every room
W
ith projects from palaces to penthouses – not to mention several superyachts – Intarya has firmly positioned itself as the go-to interior design team for Mayfair’s elite. Renowned for their attention to detail and beautiful bespoke designs, Daniel Kostiuc and his team continually create exquisite projects, which are never anything less than stunning. No matter how large or small the space (as many of Intarya’s clients seek art even for their cloakrooms), or range in price, the interior design firm specialises in personalisation. As with all interior design, choosing the correct art is vital. The careful selection of a painting, photograph or sculpture accentuates their designs, adding a personal touch to the original version of any client. ‘You can take a journey with a piece of art,’ says Kostiuc. ‘I don’t like anything that’s too literal, or too obvious. I prefer for every piece to be quite dreamlike in a way. My absolute favourite artist right now is Jessica Zoob. We’ve worked with her a number
of times, both on commission as well as buying part of her collection. She has this quality of really transporting you somewhere else, especially with her larger paintings.’ Intarya views placing art into interior design projects as a puzzle, as art draws the pieces of furniture and design together to give it added character. Art is every bit as important as the shape and fabric of the sofa or the texture of the curtains. Sometimes, rather than being a finishing touch, works of art form the beginning of a project, where the interior design is based around an important work that their clients – who range from Saudi Arabian to Chinese – already own. But art is not an element which should be left until the last minute of the design process. Thankfully, Intarya’s expert advice and impeccable taste means that every artwork, whether commissioned or purchased, provides a unique touch to every one of Intarya’s projects. (intarya.com)
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Treasure Trove Luxury ethnic jewellery designer Pippa Small MBE welcomes Rebecca Wallersteiner to her Notting Hill treasure trove
W
hen I arrive to interview Pippa Small, at her Westbourne Grove shop, she greets me warmly before offering me a delicious plum and pistachio cake and a pot of Chinese tea. Unsurprisingly the space is beautiful, and Small looks perfectly placed within it, her dark mane contrasting dramatically with the Jaipur pink wall behind her. Born in French Canada, Small was mainly raised in England by her American mother and caught the travel bug early. A cultural nomad, she constantly jets around seeking inspiration for her unique creations. Her wrists and arms jangle with striking yet subtle jewellery, made
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with abalone, labradorite and lapis lazuli. Around her neck she wears several shimmering opal necklaces, which magically change colour as they catch the light. Small is a work of art in herself!
‘Her style attracted an offer to work with Tom Ford, then creative director at Gucci’ Small didn’t set out to be a jeweller to celebrities such as Nicole Kidman, Reese Witherspoon and Emma Watson; she studied anthropology at university and then went on to
The mayfair Magazine | Fashion
work in land rights: ‘My love of jewellery grew out of my fascination with indigenous, tribal people and their plight,’ she says. Since childhood, she had been drilling and stringing beads and pebbles together. This hobby only became a business when friends began asking her for more. She decided to become a full-time jewellery designer after her style attracted an offer to work with Tom Ford, then creative director of Gucci. Further collaborations with other big fashion names followed, including Chloé, Nicole Farhi, Phoebe Philo and Christina Kim. Extraordinarily intrepid, Small has lived among the Bushmen of the Kalahari and the Batwa pygmies of Rwanda, finding inspiration in
‘I love working with Rajasthan polki diamonds from Jaipur – pure and uncut’ their traditional jewellery. Her neck is garlanded with beautiful, exotic pieces that grateful tribal craftsmen have given her. ‘I wear jewellery that is infused with personal meaning, as well as being talismanic and incredibly beautiful. It is important for me to understand the cultures that I am working with,’ she says. She favours big organic pieces with gold and stones – tourmalines, aquamarines and opals – and they wink enticingly from surrounding glass cases. ‘Many of my necklaces have a talismanic feel, with the stones chosen for their protective qualities and different energies,’ she says. She prefers to work around a stone’s natural contours, rather than cutting, polishing and reworking them – thus giving a natural organic feel to her jewellery, which sets it apart from others. She was one of the first designers to work with ‘clean gold’ (respecting labour rights and the environment). Immediately recognisable, her soulful jewellery is widely sought after. For several years she has been working with graduates from Turquoise Mountain, a project set up
by the writer, MP Rory Stewart to regenerate Afghanistan’s craft industry by teaching young people forgotten skills and creating new jobs. As the main jewellery designer for Turquoise Mountain, Small frequently travels to Kabul. ‘I love Afghanistan and working with ethically sourced local jewels, such as emeralds, rubies and lapis lazuli. It is wonderful to be able to help people preserve their ancient skills and use these to generate income,’ she says. When Monsoon approached her to design an affordable range of jewellery, she insisted that the project went through Turquoise Mountain. Earlier this year, Small was awarded an MBE in the Queen’s honour list for her work with various charities, and for acting as ambassador to Survival International. Her main collection is made in India and she shows me an exquisite semi-precious necklace cast in gleaming yellow gold, which was made in Rajasthan, by traditional goldsmiths and stonecutters. ‘I love working with Rajasthan polki diamonds from Jaipur – pure and uncut,’ she says. I fall in love with a pair of stunning gemstone chandelier earrings – a cascade of tourmalines, topaz, peridots, amethysts and garnets cast in a warm, gold setting. After outgrowing her premises at Colville Mews, shared with designer Alice Temperley, Small opened her Westbourne Grove shop last year. A second shop flourishes in Los Angeles – with loyal clients constantly returning to acquire more exquisite treasures. Her main markets are America, France, Kuwait and Japan. ‘The Japanese understand my desire to work with the potential of beautiful precious stones to create something original,’ says Small. ‘They don’t mind if a beautiful stone isn’t perfect and find it a challenge to work with the flaw to realise its potential and create something original,’ she adds wistfully. (pippasmall.com; turquoisemountain.org)
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The mayfair Magazine | Food & Drink
Q&A We catch up with the two Michelinstarred chef, Michael Caines, as he sets up shop in Harrods’ Food Halls, serving up delectable dishes from his new book
Food & The foodie offerings in Mayfair this month are full of artful glamour, from a bold new collection at Harvey Nichols to a visit from Eric Frechon from Paris at The Greenhouse WORDS: AMY DICKETTS
The art of dining Members of The Arts Club are in for a treat this month as the chicest venue in town opens its new Japanese restaurant, Kyubi. Offering authentic and beautifully prepared Japanese food (a far cry from what often poses as sushi in this city), the kitchen will be overseen by renowned Japanese chef Kyoichi Kai, who has consulted on some of the best Japanese restaurants around the world. Not ones for half measures, the traditional menu also boasts handpicked sake and Japanese whiskey. The Arts Club, 40 Dover Street, W1S (020 7499 8581; theartsclub.co.uk)
French fancies
Colour me beautiful Twenty-one years after Harvey Nichols put food on the fashion map with its iconic black and white packaging, the store has reinvented its trademark with bright, riotous splashes of colour. The the collection has been developed with the wellbeing of the fashion forward in mind, with avocado oil and devilish dark chocolate rice cakes. Delicious. Available at Harvey Nichols (harveynichols.com)
Enjoy the epitome of French cuisine without leaving the city by visiting The Greenhouse in October, where three Michelinstarred chef Eric Frechon will be serving his signature dishes for three days only. Frechon oversees the famous Epicure at Le Bristol Paris – the temple of Parisian gastronomy. The Four-Hands dinner is the pinnacle of the three-day dining event, including delicacies such as Cornish crab with mint jelly. 23-25 October, £195, The Greenhouse (greenhouserestaurant.co.uk)
Q: What was your mission with your new book Michael Caines At Home? A: For some people, chefs can seem untouchable, like their food can never be matched, but I feel that amateur cooks are becoming more ambitious and more adventurous and I want to fuel their passion and prick their curiosity. We all start out cooking with ingredients and I wanted the ingredients to tell the story. I love to cook at home and I think that we should all take the time to do it – after all, there is nothing more enjoyable than sitting with your loved ones enjoying lovely wine and beautiful food. Q: What are you hoping to bring to the Harrods Food Halls this September? A: I want to bring some of my inspirational recipes for people to enjoy at home and combine that with my signature dishes that evolved over time. It is a unique challenge to create dishes that can be reheated at home while still being creative. Q: What was the idea behind this menu? A: To create a range that showcases my signature dishes from Gidleigh Park and some recipes from my new book that will work at home and that are different to the current offering. Q: What is your ultimate takeaway meal? A: I love a good Chinese, Indian or Thai takeaway, but I also love having a homemade picnic with lots of salads, sandwiches, fruit and Champagne. Q: Can food-to-go be as good as fine dining? A: Aside from the obvious difference in ambiance, are there similarities? Yes, the important thing is to design something you know will reheat well, but there is no reason why the flavour and quality shouldn’t be there. Available at Harrods Food Halls (harrods.com)
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Neil Ridley meets Angela Hartnett, one of the country’s most respected chefs, to discuss the Italian influence on her cuisine and how she will be commemorating the fifth anniversary of her Mayfair restaurant, Murano
Flavours of Italy M
eeting Angela Hartnett for the first time is a formidable experience. Considering the notoriety of the company she has previously kept in the kitchen, it is also a fairly intimidating one. A former ‘protégée’ of Gordon Ramsay (she worked alongside the famously acerbic chef at a number of his London restaurants), she has also survived working under Marcus Wareing at Pétrus, another chef famous for not mincing his words. But in person, Hartnett, now well on her way to creating a veritable culinary empire of
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her own (gaining her first Michelin star as chef patron at The Connaught in 2004) is both disarmingly personable and – dare I say it – charming. They are both characteristics exhibited in the Italian recipes that have made Murano such a success story. Born in Kent, Hartnett’s culinary influences came from two diverse places, her mother emigrated to south Wales from the town of Bardi in northern Italy (close to Parma), before settling in east London. But it wasn’t until Hartnett was well into her twenties that the
The mayfair Magazine | Food & Drink
allure of working in the kitchen took hold. I’m keen to find out how this unusual mixture of cultures has played a part in shaping the food she serves today. ‘It’s had a huge influence on me. It shapes your perspective of food and it shapes your thoughts on cuisine,’ she says. ‘It also keeps you grounded and aware of what great ingredients are – a good chicken, ripe peaches etc.’ With both Welsh and Italian origins, coupled with formative years spent in London, it’s easy to assume that Hartnett has her family to thank for keeping her grounded in the kitchen. ‘My mother is still very much a cook,’ she says. ‘[She is] very good at pastry, but she often goes off-message occasionally and I’ll wonder where her ideas have come from,’ she laughs. ‘But she loves simple things that are done well, like a properly cooked roast lunch with Yorkshire puddings. Gordon [Ramsay] and I took her to an amazing vegetarian curry house in Bradford and she still goes on about it – she has this experimental palate but loves good honest cooking.’ Bardi, with its breathtaking views of the heavily forested valleys below has a strong association with Parma ham, in particular, and I imagine it still has a huge influence on Hartnett’s menu at Murano. ‘We still have a family house out there,’ she says. ‘I often travel out for holidays.’ ‘Some of the recipes at Murano – like the restaurant’s fabulously simple pumpkin tortelli – are very regional. When we do our masterclasses, we highlight the simplicity of the cuisine from the region – often [using] just three or four ingredients.’ When it comes to a complete synergy of flavours the aforementioned pumpkin tortelli is a masterclass of balance, and given its popularity, is no doubt one of the restaurant’s signature dishes.
With the pumpkin slowly cooked down, the tortelli is tossed with sage butter and topped with crunchy amaretti biscuits. ‘We also do a pistachio soufflé, which is really popular when it’s on,’ she grins. ‘Because no one really does soufflés these days. I had a woman approach me in a cashpoint queue asking when we were going to bring it back. It was a bit freaky…’ Earlier this month, Murano reached the ripe-old age of five, which is a solid milestone given the competitive nature of restaurants in Mayfair. ‘Someone once said that you don’t just open a restaurant and that’s it, they evolve over time,’ she says, ‘and I imagine that, given another five years, Murano will be slightly different again. You evolve by talking to your customers, your staff and, of course, the key is the continuity of staff. In terms of the menu, we’ve still got our three-course lunch for £30, which we opened with five years ago.’ One aspect that has changed is the approach to the traditional ‘tasting menu’, which offers customers the chance to tailor their own menu. Choosing from a range of meat dishes, fish courses, starters and desserts, diners are given the option to really explore the differences between ingredients. Should all four fish courses – such as lobster salad with pickled melon or scallop ceviche with candied kumquat – take your fancy, then you can choose them all. ‘We’re also doing lots of wine dinners here, as well as guest chef dinners,’ she points out. ‘Recently we had Daniel Clifford in (from the two Michelin-starred Midsummer House in Cambridge) and in November, we’ll have Nathan Outlaw (with another brace of Michelin stars to his name) as well as Sat Bains (from his eponymously named Nottingham restaurant)
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Food & Drink | The mayfair Magazine
where we’ll do three courses and they’ll do three, matching the wines. It’s great to bring chefs in from outside of London.’ So will Hartnett be planning to do anything special to mark Murano’s fifth anniversary? ‘Absolutely. We’ve got a special five-course menu planned, each dish representing the years between 2008 and 2013, with matching wines.’
‘One thing that people often overlook is dried herbs and spices for extra zing in things like salads’ – Angela Hartnett In addition to keeping herself busy with Murano and her other established places, Hartnett has two new projects rolling out this autumn. First up is The Merchant’s Tavern, a project with chef (and Hartnett’s partner) Neil Borthwick and the team behind Canteen, which will serve a modern European menu (including roast partridge with baked celeriac and hazelnut pesto, as well as loin of venison with lardo di Colonnata, braised red cabbage and poached quince) all from an imposing Victorian warehouse and former apothecary. Hot on the tavern’s heels comes a new Italian restaurant, this time located at 33 St James’s Street – the former site of Pétrus, where Hartnett worked her way up from sous chef to head chef, so a return to the venue will no doubt be a landmark moment in her career. As well as her restaurant work, Hartnett has been in the public eye recently, presenting a number of TV programmes. The most recent highlighted the state of home-cooking in low-income families. It’s an issue that Hartnett feels strongly about, given the lack of nutritional content in ready meals: ‘It’s really a case of home economics,’ she explains. ‘People don’t cook as much and don’t understand that, for instance, if they buy a ham hock, they can get three meals out of it – they often buy for just
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one meal, as opposed to looking at what they could do with the ingredients over a week. Secondly, ‘convenience food’ in the supermarket is made too convenient, to the point that people won’t buy fresh ingredients. In France and Italy, of course, there is convenience food, but there’s also affordable fresh food. In the UK, we have some fantastic produce, but it’s often out of people’s budgets.’ Before I leave Hartnett (admittedly to race over to Borough Market to pick up a pumpkin and a box of amaretti biscuits), I want to find out her best-kept secret to inspire some additional culinary flair in the kitchen. I’m surprised by her response. ‘One thing that people often overlook is dried herbs and spices for extra zing in things like salads. If you’re adding almonds or walnuts to a salad, toss them in a little butter in a pan and add some cumin or paprika. We’ve always got these in the cupboard, usually bought for just one dish ages ago, and it’ll really freshen things up. Also lemon rind can be added to pretty much anything to really bring it to life.’ Better add some dried oregano to my pumpkin order, then. Murano, 20 Queen Street, London, W1J (020 7495 1127; muranolondon.com) For Hartnett’s favourite recipes, as well as tutorial videos on how to make them, visit schoolofhartnett.co.uk
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fine cooking, with exuberant panache. alluring, honest, thoughtful and interesting
231 Ebury Street London SW1W 8UT www.pouleaupot.co.uk 020 7730 7763
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The mayfair Magazine | Food & Drink
fun of the
All the
In the mood for celebrating? James Lawrence offers some unusual fizz options from a variety of regions
G
ood Champagne has it all: creaminess with sparkle, lightness with depth and complexity by the bucketload. Yet, not all good fizz is to be found in northeastern France. The next time you fancy some bubbly, why not try something different? Once relegated to a fallback option, Cava is now also associated with making real luxury sparkling wines. Gramona’s 2001 vintage Celler Batlle Cava, an impressive reminder of just how far the category has progressed in 20 years. Located in Cava’s heartland of the Penedès region, south of Barcelona, Gramona’s wines are made using the classic method of a second fermentation in the bottle. That said, the traditional grape varieties used in the blends are different: respectively the native Macabeo (Viura in Rioja) Parellada and Xarel-lo. With progress comes the updating of old ideas and many wineries now use the Champagne grapes of Chardonnay and Pinot Noir with spectacular results. Encouragingly, people are finally giving quality Cava the respect it deserves: two Cava-specific bars opened this year in London, where consumers are given masterclasses and insights into the histories and virtues of top-flight Cavas. Closer to home, the best English sparkling wines are starting to make a name for themselves. Ridgeview in Sussex won the best sparkling wine Decanter World Wine Awards in 2010. Their Blanc de Blancs (100 per cent Chardonnay), has been
fizz
showered with awards, and is widely acknowledged to rival the best Champagnes. The best wine estates are located in West Sussex and Hampshire: aside from Ridgeview, other names to watch out for include Nyetimber, Denbies and Chapel Down. The growing conditions are remarkably close to Champagne, the soil on the English south coast contains the same mix of chalk and limestone that the industry values so highly. And the climate? One degree warmer than Champagne over the whole year, slightly cooler in the summer. Critics used
‘Critics used to say English fizz tasted like rain, but today’s sparkling wine is now a serious competitor’ to say English fizz tasted like rain, but today’s sparkling wine is now a serious competitor. Interestingly, Moët, Taittinger, Roederer and Mumm have all invested in new regions in the New World. One of my favourites is Domaine Carneros, established in California by Taittinger in 1989. Its 2009 Brut is sublime – citrus fruit, figs, melon, vanilla and brioche all compete for your attention. Its nearest competitor is probably Moët’s Californian – Domaine Chandon. Thirty years ago there was no contest, but now there really is no excuse for not giving your Champagne collection an occasional – but just an occasional – night off.
Spiegelau Grandissimo Dessert/Champagne Glass, from a selection, Riedel (riedel.co.uk)
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Food & Drink | The mayfair Magazine
DINING OUT Boulestin, St James’s W ORD S : k a t e r a c o v o l is
T
hank goodness for history repeating itself. If it didn’t, we wouldn’t have Boulestin, Joel Kissin’s fabulous new restaurant. It was once considered one of the finest French restaurants in London (it first opened in Covent Garden in 1927) and was owned by the legendary restaurateur, writer and television presenter, Marcel Boulestin. Now, after an almost 20-year gap, a new updated version has returned. Elegantly situated next to Berry Bros. & Rudd, Boulestin gives the impression of being long established, which, in a way, it is. However, Kissin – who co-founded Bibendum in Michelin House with Sir Terence Conran – has not set out to copy the original, but he was inspired by both its interior design and menu. The menu says Parisian brasserie, but the emerald-green chairs and the checked floor lends a distinctly more British feel. This makes sense, as Marcel Boulestin made a name for himself as a creator of French dishes for an English palate, and Boulestin in its 2013 form certainly echoes this original vision. But I didn’t visit the restaurant for a history lesson and neither should you. The food, though not fussy, is bursting with unexpected flavours, which jazz up every dish. The cod (piping hot with marvelous, crisp skin) stood out: a simple fillet of this flaky fish was propped up on a bed of runner beans and dotted with mussels. The moules also made a great starter, steamed with parsley and garlic. Dessert is another matter entirely, each prepared daily. This backfired when I realised I couldn’t have the caramel profiteroles I’d heard about, but the passion-fruit parfait – light, fluffy and tart – stopped me from feeling too deprived. Boulestin 2.0 has already made a lasting impression on my taste buds, and if you enjoy a touch of heritage as the backdrop to a great meal, this is certainly for you. 5 St James’s Street, SW1A (020 7930 2030)
‘The food, though not fussy, is bursting with unexpected flavours that jazz up every dish’
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escape A tranquil oasis amidst the hustle & bustle of Mayfair. A unique dining experience begins as you walk down a tree-lined pathway to reach The Greenhouse. London fades away and calm descends. Michelin-starred chef Arnaud Bignon’s acclaimed light touch with highly flavoured dishes brings a thrilling dimension to classic French cuisine. Make your reservation today at
The Greenhouse, 27a Hay’s Mews Mayfair, London, W1J 5NY 020 7499 3331 www.greenhouserestaurant.co.uk reservations@greenhouserestaurant.co.uk
Put this at the top of your To Do list 1 in 8 women in the UK will be diagnosed with breast cancer. Many cases show no symptoms and have no family history of the disease. With The Wellington Hospital’s digital mammogram technology, abnormalities can be highlighted earlier, allowing for a greater chance of a full recovery. Our breast care service covers the full spectrum of breast management from the diagnosis and treatment of benign and malignant breast disease to breast reconstruction. We offer breast screening, breast awareness demonstrations for concerned woman and a triple assessment clinic for woman with breast symptoms. To make an appointment with our breast care team contact us on 020 7483 5004.
www.thewellingtonbreastcareunit.com MAYFR_Wellington_BreastCare_Ad_May2013_5004.indd 1
15/05/2013 16:13
The mayfair Magazine | Beauty
Beauty news Game-raising products from Chanel and a new era for fragrance – exciting times for the beauty world this month words: ELLE BLAKEMAN
Treatment of the month Is there anything more indulgent than using luxury face products on your feet? Yes, actually: someone else using luxury face products on your feet. The La Prairie pedicure at the Spa Studio at The Lanesborough (my new favourite sanctuary. Tucked away behind a maze of richly lacquered doors and high ceilings, I feel like no one can find me here) is an indulgent 75 minutes of filing, scrubbing and primping using the French brand’s cult caviar products and intensive softening masks. Finished with Essie’s Head Mistress polish, my feet look like they could take on the world. La Prairie Caviar Hydralift Pedicure, £85 for 75 minutes. The Spa Studio at The Lanesborough (lanesborough.com)
It’s all in the eyes
We love Jo There is no stopping Jo Malone. To celebrate the launch of the very first Jo Loves store, the force of fragrance has launched a new collection of Bath Colognes as decadent as they sound. ‘I wanted to create a product that looked and felt the same as pouring cologne into the bath,’ she says. ‘It has taken me two years of inspiration and determination to pioneer an entirely new bathing experience.’ Never has bathing been so elegant. Jo Loves opens at 42 Elizabeth Street, London, SW1W in October. Pink Vetiver Bath Cologne, £59, Jo Loves (joloves.com)
Work of art No stranger to the decadent, Diptyque has further elevated its iconic status with the new Un Air de Diptyque : an electric diffuser hidden behind an intricate web of golden letters. This gadget diffuses a scent three times in a one-hour cycle (10 minutes active, 10 minutes rest) and is almost enough to take on our candle obsession. Un Air de Diptyque, £240, Diptyque (available at Liberty London)
No one does statement glamour like Nars and this season, the NY-based brand has focused all attention on the eyes with its new Eye Paint. Ten bold shades with high-impact pigment, the soft, easy-to-use formula can be used as either eyeliner or as eyeshadow (although the latter is not for the faint of heart). We especially loved the smoky grey Transvaal and the darker-than-night Ubangi. £18.50, Nars, available from 15 October worldwide
Timing is everything As our skin battles with its own minor version of jet lag – 6am starts on weekdays, late nights on weekends – it’s little surprise that our face bares the burden of our packed schedules. Hence Chanel’s new skincare trio – three simple one-step serums to be used either in the morning, at night or at the weekend, giving your skin exactly what it needs, when it needs it. Le Jour, La Nuit, Le Weekend Coffret 50ml x 3, Chanel, £172.00 (harrods.com) 101
Captivate Your Senses The first internationally-acclaimed Chuan Spa in Europe is now open at The Langham, London. Rediscover your source with luxurious treatments inspired by the philosophy of Traditional Chinese Medicine.
The Langham, London 1c Port land Place, Regent Street, London W1B 1JA T 44 (0) 20 7973 7550
tllon.info@chuanspa.com
www.chuanspa.co.uk
AUCKLAND • BOSTON • HONG KONG • LONDON • LOS ANGELES • MELBOURNE • SHANGHAI
ChuanSpa ExclusiveMag.indd 1
15/3/11 13:35:46
The mayfair Magazine | Beauty
Spa review Mayfair Practice, Lees Place WORDS: elle blakeman
S
ometimes, life is all about discretion. I believe no one knows this better than Dr Masani. A Mayfair veteran, Dr Masani, practised in North Audley Street for 14 years, before moving to a tiny mews just off it (the new location means that no one will see you enter or leave – perfect for those who value privacy). When it comes to anything more invasive than a facial, personal recommendation is a must. I was not only recommended Dr Masani by several close confidants, I was marched in by one of them. Dermaroller Therapy, Dr Masani’s signiture treatment, is fantastic for improving the appearance of lines, wrinkles, sun damage, scarring and stretch marks; it’s the gold standard of lunchtime rejuvenation. Using micro-needles, the skin is pierced all over, causing it to rapidly
regenerate and repair itself. It causes a boost of collagen, which will give you a smooth, bright complexion in just a matter of weeks. I’m told this is one of those watershed moments in skincare, where once you see how good you can look, there is simply no going back. Naturally, the idea of turning my face into a temporary pin cushion did make me a little uneasy, but the clinic soon fixed this. Everything runs like clockwork, the staff are friendly and reassuring and things run very much to time (if you’re late he will reschedule, rather than risk the anaesthetic cream being on for five minutes less). Numbing cream was left on my face for a full hour and by the end he could have run a road digger over me and I wouldn’t have felt it. The treatment itself was completely painless – thank goodness for anaesthesia! The pen was lightly, expertly moved around my face and 15 minutes later it was over. The many but invisible holes now dotted over my face allowed for excellent absorption of product, and not one to miss an opportunity, Dr Masani then slathered my face in vitamin C serum, which he pushed into my skin with the aid of another high-tech tool (this actually felt a little like a road digger – not painful, just a little strange, and loud). I was told I would look sunburned by the end, and prepared myself for a scarlet face that I would have to hide from polite society. However, in the end I was a little pink, more ‘just been jogging’ rosy than ‘fell asleep sunbathing’ red. A few days later my skin was back to normal. A few weeks later and it was anything but: clear, glowing skin greeted me in the mornings and for the first time since the Ninties I went without make-up. I’ve already made my next appointment; there is definitely no going back. Dermaroller treatment, £350, The Mayfair Practice, 12 Lees Place, London, W1K (mayfairpractice.com)
‘Clear, glowing skin greeted me in the mornings’ 103
Anyone for
squash?
Want to avoid squash injuries? Consultant Orthopaedic Foot and Ankle Surgeons at The Wellington Foot and Ankle Unit, Nicholas Cullen and Andy Goldberg, take a look at the sport and offer their helpful tips
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ated by Forbes as the number one healthiest participant game, squash is a high-impact, fast-moving game, played in 130 countries on more than 50,000 courts worldwide. The game was invented at Harrow School around the 1830s, by a student who discovered that a punctured Rackets ball when ‘squashed’ on impact with the wall, was much more fun than its predecessor ‘Rackets’. By the 1860s, Harrow School had four courts and squash began its long journey to popularisation. By 2020, the International Olympic Committee (IOC) is expected to add squash to the Olympic program. Squash requires strenuous foot and ankle movements. Players need to be quick, flexible and agile; combining bursts of acceleration, rapid deceleration and changes of direction. With this in mind, it is not surprising that the sport can result in injuries to the foot and ankle.
Common squash injuries Ankle sprains
Ligament sprains are common in squash players as a result of stretching or tearing the ligaments, usually on the outside of the ankle. Sometimes, more serious internal damage can occur to the bones or joints. The majority of simple sprains recover fully within a few days with Rest, Ice, Compression and Elevation (RICE). However, if you have severe swelling, deformity or an inability to bear weight, you should seek urgent medical advice.
Achilles tendon problems Rupture
The Achilles tendon is at the back of the heel and can be ruptured by an abrupt force to the foot, such as stepping backwards. The classic presentation is that the player experiences a sudden snap at the back of the ankle and turns round to check if the other player has hit them with the racket. A torn Achilles can be treated either with a plaster cast or with surgery, but you must be in the hands of an expert. An ultrasound scan is sometimes necessary to help guide treatment.
Tendinopathy
Meet the Specialists Mr Andy Goldberg and Mr Nicholas Cullen both practice at The Wellington Hospital and the Royal National Orthopaedic Hospital in Stanmore. They are part of The Wellington Foot and Ankle Unit with Mr Mark Herron and Mr Simon Moyes. The Unit offers a tailored personal same day service combining leading expertise with the latest state-of-art technology in a multi-disciplinary approach. thewellingtonfootandankleunit.com
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Overuse injuries of the Achilles tendon are common. The tendon becomes swollen and painful, often because of a sudden change in training or playing pattern and, if not treated early, can become chronic. Treatment involves physiotherapy but it is sensible to seek medical advice so a diagnosis can be made and the correct treatment initiated from the outset.
Risk factors for injury • Aged over 40 • Obesity • Poor fitness levels/technique • Prior injuries • Frequency of play (overuse injuries)
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Minimising the risk There are many simple measures a player can introduce to minimise the risk of injury:
What to do if you suffer an injury • Stop playing immediately to prevent further damage, as playing through pain is likely to worsen the injury. • If you have severe swelling, deformity or pain on bearing weight, you should seek urgent medical advice and try to avoid walking on the injured leg. • Treat soft tissue injuries with RICE and seek advice from a health professional. • Do not return to playing too early after an injury. For further information or if you would like to arrange an appointment at The Wellington Hospital, please contact the hospital Enquiry Helpline on 020 7483 5004 or visit thewellingtonhospital.com
• Stay hydrated before, during and after the game – this is important to prevent dehydration and maintain performance. • Make sure you have good squash shoes that balance flexible grip on the court without hampering movement. Other equipment, such as good socks to prevent blistering, will ensure that you are fully supported and protected throughout. • If you have a risk factor such as weak ankles, be sure to see your doctor for a check-up before you commence training or playing and consider wearing an ankle brace. • Get fit to play and not the other way round – players are active for up to 70 per cent of the time, using high levels of exertion. You can maintain stamina by doing additional aerobic (such as jogging and walking) and anaerobic (interval training and biking) exercises, which will have a big impact on your fitness level. • Take squash lessons from a qualified coach: being taught by an experienced player will ensure that you learn everything from footwork to technique correctly and to a high level. • Use a ball that is appropriate to your skill and fitness level – squash balls are colour coded to indicate their speed and bounce; choose the right one for your game and performance level. • Wear cool clothing that ‘breathes’ and does not restrict your movement, such as cotton. • Cool down and stretch after the game – this is important to protect against muscle injury and stiffness, and gives your body time to recover. • Prevention is better than cure. If you develop pain do not ignore the injury and seek medical advice.
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Long haul
The Cliffs, Oil Nut Bay Exclusivity and environmentally friendly don’t often go hand in hand, so make the most of the guilt-free luxury at the Oil Nut Bay’s new resort – The Cliffs. Nestled into the eastern tip of Virgin Gorda, the resort is one of the newest and most exclusive locations in the Caribbean. It has been designed to sit harmoniously within its environment, incorporating carbon-neutral elements and soaking up the sun to produce renewable energy. This is lucky, as the gorgeous surroundings are something worth preserving. Take them all in from the wraparound outdoor terrace of the penthouse, or perhaps from the comfort of your own infinity pool. The interior of the new suite is worth a closer look too. Furnished by Fendi Casa, it is the perfect place to retire, if you can pull yourself away from the endless Caribbean Sea. (oilnutbay.com)
Short haul
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Travel news Take a late-summer journey to the Caribbean or stay close to home with a mini-break to a contemporary resort in Croatia W o r d s : A m y Dic k e t t S
Hotel Lone, Croatia
Combine a traditional landscape with an ultra-modern residence and Hotel Lone is the result. As a member of Design Hotels it is no surprise that the hotel cuts a striking figure in its surroundings. However, its smooth lines and elegant minimalism are subtly offset by its location in Rovinj, an ancient town surrounded by rich forests and warm beaches. Large internal mirrors reflect the external greenery and light into the hotel, and a leafy mural offsets the stark white stairways, making it a modern getaway with a traditional twist. (designhotels.com)
imageS: courtesy of Design Hotels™
TRAVEL TIPS Don’t leave home without… There’s nothing quite as comforting as a soft blanket to make a long-haul flight more bearable, and we love Barbajada’s cashmere and suede tasselled shawl. Shawl, £598, Barbajada, (matchesfashion.com) There’s an App for that… WorldMate Like a personal assistant, WorldMate sorts all of your travel bookings into one itinerary to view on your phone or computer. From flights and car hire to meetings scheduled upon arrival, this app will make your next adventure a very organised one. WorldMate, free on Android and iPhone
‘To awaken alone in a strange town is one of the pleasantest sensations in the world’ – Freya Stark 107
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t’s no surprise that Audrey Hepburn embarked on her fleeting love affair with Gregory Peck in Roman Holiday; romance oozes from every small piazza, winding street and café in the Eternal City. It is shamefully easy to stumble across architecture dating back to ancient times as you amble your way across Rome. You’ll turn a corner and spy a piazza left unchanged since the Rinascimento, a Gian Lorenzo Bernini sculpture standing in between flagship designer boutiques, or quaint coffee shops that date back to the Baroque era. Rome is steeped in history. To explore Rome in true Italian style, book a vintage Vespa tour and whizz around the city stopping off at the breathtaking archaeological sites along the way. Reward yourself with a well-deserved espresso (any other coffee is frowned upon) at one of the many bustling squares. A perfect spot is Tre Scalini in the famous Piazza Navona, which is buzzing with street performers, market stalls and gelaterias. Of course, when in Rome, the tourist hotspots are a must. To avoid the crowds, book a morning tour of the Vatican and spend the early hours admiring masterpieces by the greats of the artistic pantheon including Michaelangelo, Raphael and Bernini. A trip to Rome is as much about the historical and artistic sights as the spirit of the Enjoy a taste of romance and see the cosmopolitan city itself. There is no better way Roman artistic greats in the Eternal City of experiencing the Italian way of life than by enjoying a leisurely lunch at a traditional words: daniella isaacs trattoria. Do as the Romans do and order a local bottle of wine, a platter of cured meats and cheeses while dining al fresco. The Italians know how to entertain into the early hours, and the bohemian, medieval neighbourhood of Trastevere provides the ideal setting to experience the heady nightlife. Trattorias fill to bursting point with eager diners and groups in the streets and soaking up the vibrant atmosphere in one of the Villa many bars here, while sipping on a Peach Nocetta Bellini, is the only way to end your night. EasyJet flies to Rome from London Gatwick. Flight prices start from £30.99 per person (easyjet.com)
[city break]
ROME
The Pantheon
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Detail of The Pantheon Villa Nocetta
Villa Nocetta
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Where to stay Just a stone’s throw away from the Vatican, Villa Nocetta has the feel of a countryside retreat right in the centre of the city. Full of elegant touches, such as personalised towels, homemade pastries and smoothies at breakfast, the six-bedroom villa is the ideal place to return home to after a day of exploring the city. With a personal concierge service, a driver and a personal chef available upon request, this villa proves why Rome is celebrated for its style. Villa Nocetta sleeps up to 12 people and is available from €2,900 per night, excluding VAT and city tax. Minimum stay of three nights required. For bookings and further information visit villanocetta.com or call +39 06 6637119.
view of Palace of Justice from Via Giuseppe Zanardelli © woe
The ancient Colosseum
Eating & drinking Overlooking Nero’s gardens and the Colosseum, dinner on the rooftop terrace at Aroma boasts breathtaking views over Rome. Order the tasting menu while sipping on rare Italian wines and soak up the night spirit. Palazzo Manfredi Via Labicana, 125, 00184 Rome (aromarestaurant.it)
of The ntheon
The trevi fountain
Mayfair recommends Save some time to visit the Villa Borghese Gallery (galleriaborghese.it). Displaying works from the masters of Italian art, including Caravaggio and Bernini, this gallery celebrates the rich culture of Italy and is situated in one of Rome’s most spectacular villas.
Villa Nocetta
Villa Nocetta
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#2 Jumpsuit, £1,685, Valentino, (net-a-porter.com) #3 Teint Couture foundation £32, Givenchy (harrods.com)
#4 Cuff, £488, Aurelie Bidermann (net-a-porter.com)
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Villa Nocetta
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n an overwhelmingly hot, sticky Thursday in Milan during summer, as I walked along the Via Brera in the historic centre of the city, I took refuge in a chic, almost unmarked art gallery. As I burst through the thick black doors, my hair frazzled in the heat, as the air-conditioning immediately restored the climate, I noticed a colourful skull perched on a stand. What I had walked into at random, and in some disbelief, was a small exhibition of previously unseen works by Damien Hirst. These sorts of hidden gems are usually reserved for the locals who know their city inside out. But such is the beauty of Milan, as I discovered, with its secretive courtyards, which you can only partially see from the street, and the hidden restaurants, shops and cafés that you need to know about in order to find. I was recently told that the Milanese are proud people. And quite rightly too, it seems;
La
Milan is the city that Napoleon once occupied, where Mozart premiered his famous music and Leonardo da Vinci painted some of the most iconic walls – and ceilings – of the world. This, and the fact that Milan is one of the world’s most dynamic hubs of design in both fashion and interior design, makes it a place to both influence and be influenced. Many different visitors have traipsed its cobble-stoned streets: during Milan Fashion Week, the clipping sounds of Louboutins running from show to show, meanwhile, Milan Salone (Design Week) hosts everyone from interior design insiders to mere mortals in search of a new dining table chairs (wearing entirely more sensible shoes). The arty types populate the city just as much as the fashion and design gurus – this is, after all, the home of da Vinci’s mural, The Last Supper. It can be found in the refectory at Santa Maria delle Grazie, where it was originally painted and has
dolce vita Milan is not just a destination for fashionistas. This month, discover that there is much more to this historic city than hemlines and heels W O R D S : k at e r a c o v o l i s
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The mayfair Magazine | Travel
remained since it was completed around 1498. The incredibly preserved masterpiece sits under low light and is meticulously maintained. Only 15 people are allowed inside the refectory at any one time, to keep the moisture levels stable – this is how delicate the mural is. If contemporary art is more your thing, The Triennale Design Museum on the edge of the leafy Parco Sempione must not slip under your radar. It is always churning out mesmerising and boundary-pushing exhibitions, and, celebrating local and international design. The Castello Sforzesco is also just a short walk away. A lasting symbol
of Milan’s long history of various occupations (Napoleon Bonaparte helmed the castle until the Italian Unification in the mid-19th century). Michelangelo’s last unfinished work also resides with in its walls, as well as a vast fresco by da Vinci. Many parts of Milan’s historic centre have been beautifully preserved. The gothic architecture of the Duomo (cathedral), dating back to the 3rd century AD, is the centrepiece of its own synonymous piazza and is where tourists flock to have their picture taken among the waddling pigeons. Once the religious centre of Milan, the Duomo’s formidable structure and intricate architecture means it remains one of the largest and most famed cathedrals in the world. The Galleria Vittorio Emanuele II – a stunning shopping mall, dotted with Prada, Louis Vuitton and other high-profile designer stores – connects the Piazza del Duomo and the Teatro alla Scala, the city’s iconic opera house.
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But there is something that gives Milan added sparkle. It doesn’t matter that Milan-based brands and designers Dolce & Gabbana, Etro and Missoni all have boutiques around the world; their headquarters are based here and this is where the ideas behind the collections
The foodie circuit is equally chic, and where you eat says as much about you as what you wear. Right in the heart of the fashion district, in one of those Milanese courtyards, is Il Salumaio di Montenapoleone – a family-run restaurant, delicatessen and wine cellar that is utterly
‘The foodie circuit is equally chic, and where
above, from left: Principe di Savoia, Missoni, Principe di Savoia; right: the Last Supper, Leonardo da Vinci
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are realised. It’s hard not to visit the boutiques in and around the Via della Spiga and Via Montenapoleone, flanked by the futuristic Armani Hotel on the Via Manzoni – a department store-sized space that houses Armani’s men’s and women’s collections. Via Montenapoleone is also where you will find the international fashion favourites: Céline, Cartier, Balenciaga, the gang is all accounted for here. Acqua di Parma’s Art Deco boutique is worth a visit for its décor alone, but there is also an in-house barber, should you need to primp at any point during your shopping expedition. The charm of the fashion district has a romantic allure that could not easily be compared to other cities.
glamorous, catering to the most elegant of guests. A lunch in the shade from the summer sun would not be complete without a plate of Burrata or a serving of fresh pasta. This month, Dean and Dan Caten, the brothers behind Dsquared2 will open a restaurant named Ceresio 7 at their Milanese headquarters. In the evening, dine as the Milanese do at Ristorante Solferino, on classic local dishes, such as ‘Milanese style’ veal cutlet (the crumbed crust of which is perfectly crispy) with rocket salad and fresh tomatoes, or the risotto, traditionally flavoured with fragrant saffron. Where you choose to stay in Milan is paramount to how your trip – brief or extended – will be remembered. There are an abundance
The mayfair Magazine | Travel
of fashionable places to rest your head, many of which are located in the middle of the historical centre. But it is widely agreed that if you are visiting Milan, you stay at the Principe di Savoia. And this has been the opinion of celebrities (including David Beckham and George Clooney),
‘A Road to Leonardo’ package, which includes a tour of da Vinci’s Milanese masterpieces, and limousine shuttles to and from the historic centre. There is an intriguing discretion about Milan, even though it is a buzzing metropolis and there is much more beneath its glossy, sartorial
you eat says as much about you as what you wear ’ the corporate crowd and leisure-seekers since 1927, when it first opened. The hotel, which is also part of the Dorchester Collection, is a Milanese institution, sitting with elegant aplomb just to the north of the inner city. The 19thcentury-inspired interior decoration is homely, but undeniably grand. Rooms boast velvet-clad interiors, or intricately mosaic-tiled bathroom walls – all of which are adorned with billowing curtains (which offer a blissfully dark room at night), plush beds and just the right amount of warm golden details that add flourishes of glamour to its ambiance. These smaller details amount to what is essentially a sanctuary, offering a calm respite from the city. If you’d like to experience the arty side of the city, try its
surface. The famed works of art, as well as emerging and established talent are just as much a part of the makeup of this city as its catwalk collections. ‘A Road to Leonardo’ package, from approximately £405, for a minimun of two nights. Principe di Savoia, Piazza della Repubblica 17, 20124, Milano, Italia (+39 02 62301; hotelprincipedisavoia.com)
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The mayfair Magazine | Regulars
Suite
dreams T
… at Four Seasons Hampshire W ords : st e p h e n do i g
he ambling driveway that dips and rolls towards the Four Seasons Hampshire can’t help but have a transformative effect; rolling parkland, luscious greenery and the stately Georgian manor give the feeling of stepping from 21st-century London into a Jane Austen novel. This is fitting, because nearby in the quaint village of Chawton, the novelist wrote some of her most famous works. But this isn’t a lesson in time travel; what unfolds upon stepping into the sumptuous entrance hall of the historical home is a 21st-century take on traditional luxury. The natural surroundings of the hotel – swans gliding across ponds, postcard-pretty greenery – are steeped in British history. Not just in the fact that some of Austen’s most enchanting heroines and heroes were imagined near here, but the fact that Dogmersfield Park, in which the hotel sits, was first mentioned in the Domesday Book in 1086, and was where Henry VIII first met his soon-to-be wife, Catherine of Aragon. Fortunately, our fate works out a great deal more favourably than hers; dinner in the discreet Seasons restaurant is a thoroughly indulgent affair. Foie-gras compotes, quivering tenderloins of English beef and groaning cheese plates – frankly, we’re eating like Henry VIII too. The restaurant, which specialises in
seafood, focuses on local sourcing as much as possible too, with a veritable English garden larder. Afterwards, Bar 1086 (named after that Domesday mention) beckons, where amber-hued Manhattan cocktails match the rich, treacly tones of the bar. Despite its close proximity, London feels a very long way off. The feeling of being cocooned in a particularly opulent rendering of country life continues the next day, starting off in the hotel’s spa. The pool area’s ‘vitality’ section, a heated outdoor enclave, feels like a massage from the aquatic Gods. Inside, I try the positively transcendental Sodashi Mankind Facial, where lighting colour and tone is determined by my mood (I decline the offer of ‘energising’ light in favour of something that sees me in a wholly undignified semi-conscious state), and the therapist adapts treatments to fit my skin. Despite wanting to forgo the outside world, the bucolic English countryside beckons. The 500-acre estate, complete with ponds, lavender-scented gardens and an equestrian centre, begs to be explored on the fleet of bikes the hotel provides. Downton Abbey might be set for a return to our screens, but this place is a chance to experience the lifestyle first hand. Four Seasons Hampshire, Dogmersfield Park, Chalky Lane, Hampshire RG27 (01252 853000)
‘Some of Austen’s most enchanting heroines and heroes were imagined near here’ 115
Your Health
in Your Hands When you lead a busy life, health matters can be pushed to the bottom of your priority list. In support of Movember, we are urging busy men with unresolved health issues to visit their GP. The Wellington Hospital has an international reputation for excellence across the medical spectrum, including a private GP service.
020 7483 5004 www.thewellingtonhospital.com
The mayfair Magazine | Regulars
Remembering
MAYFAIR R O YA L A C A D E M Y O F A R T S BURLINGTON HOUSE
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top: Installation view of the Exhibition of French Art 1200-1900 at the Royal Academy of Arts, 1932, silver gelatin photograph (© Royal Academy of Arts, London)
f the philosophy ‘art for art’s sake’ has a spiritual home, it would be The Royal Academy of Arts. Established by King George III in 1768, it was the first institution in Great Britain devoted solely to promoting visual arts. The Academy has been a stalwart of the Mayfair landscape since moving to Burlington House in 1868. Its combined focus on educating, as well as exhibiting, distinguishes it from other exhibition societies. Past students of the school include painters such as William Blake and JMW Turner and its governing artists – Royal Academicians – are equally illustrious. Current members include Tracey Emin and David Hockney. Upon being appointed as a Royal Academician, each artist is required to deposit an example of work, which has led to the Academy building up an impressive collection of art in its Permanent Collection, some of which is on display today. The Academicians also display their work in the famed Summer Exhibitions, which help to finance the training of the artists in the Royal
Academy Schools (the Academy receives no government funding). The Summer Exhibition, has been held every year since 1769, despite an air raid in 1917, which caused significant damage to the Burlington House galleries. The exhibitions themselves have not been without controversy. Suffragettes carried out attacks on the artwork in the Summer Exhibition of 1914, and more recently a portrait of Myra Hindley was vandalised while on display as part of an exhibition of contemporary young artists in 1997. In 2006, The Academy also attracted attention for mistakenly only displaying the support for a sculpture in place of the sculpture itself, refusing to correct the error once it was pointed out on the grounds that the base also had artistic merit. However, art wouldn’t be art if it didn’t ruffle some feathers and the colourful history of the Royal Academy of Arts suggests it will continue to be an important institution in the industry – and Mayfair – for many years to come.
above: Burlington House, Piccadilly, Steel-engraving by J. Cleghorn after a drawing by T.H. Shepherd for his ‘London and its environs in the nineteenth century’ London,1829-31 9 x 15.4 cm (© Royal Academy of Arts, London)
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Mayfair estate agents 020 7834 4771 (sales) www.hamptons-int.com Kaye & Carey Beauchamp Estates 24 Curzon Street, W1J 7TF 020 7499 7722 www.beauchamp.co.uk
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KnightFrank.co.uk
Lancaster Gate, Hyde Park W2 Lateral penthouse with spectacular roof terrace
A magnificent penthouse apartment in a Grade II listed building offering wonderful views across London. Master bedroom with en suite bathroom, 3 further bedrooms, 2 further bathrooms, 2 reception rooms, kitchen, study, guest cloakroom, roof terrace, direct lift access. Approximately 305 sq m (3,285 sq ft) Share of freehold Guide price: ÂŁ6,500,000 (HPE120045)
KnightFrank.co.uk/hydepark hydepark@knightfrank.com 020 3544 6140
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George Street, Marylebone W1
A beautiful three bedroom mansion block apartment Refurbished to an exceptionally high standard, this spacious three bedroom apartment is situated on the third floor of one of Marylebone’s prime mansion blocks. Master bedroom suite, 2 further bedrooms, family bathroom, open plan living and entertaining space with dining area and fully fitted kitchen, study area, guest WC, concierge, lift. EPC rating D. Approximately 138 sq m (1,484 sq ft) Leasehold: approximately 147 years remaining Guide price: £2,775,000 (MRY130002)
KnightFrank.co.uk/marylebone marylebone@knightfrank.com 020 3435 6440
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Mount Row, Mayfair W1K
Rare lateral apartment with secure underground parking Set within a picturesque wrought iron and red brick building on Mount Row, this outstanding lateral apartment has been completely refurbished to an exceptional standard. 3 bedrooms, 3 bathrooms, reception room, kitchen, guest WC, air conditioning, direct lift access, caretaker and underground parking. EPC rating C. Approximately 183 sq m (1,967 sq ft) Leasehold: with approximately 129 years remaining Guide price: ÂŁ6,995,000 (WER120195)
KnightFrank.co.uk/mayfair mayfair@knightfrank.com 020 8166 7482 Joint sole agent:
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Ryder Street, St James’s SW1
Two lateral apartments in the heart of St James’s An exciting opportunity to purchase two, two bedroom apartments set within a grand period building in historic St James’s, and with the benefit of recently refurbished common parts, a lift and a live in caretaker. 4 bedrooms, 2 reception rooms, 2 kitchens,guest WC. EPC rating D. Approximately 269 sq m (2893 sq ft) Leasehold: with approximately 90 years remaining on each apartment Guide price: £6,450,000 (WER120229)
KnightFrank.co.uk/mayfair mayfair@knightfrank.com 020 8166 7482
KnightFrank.co.uk The Brassworks, Hyde Park W2
Stylish London apartment An architecturally designed apartment in an exclusive development located moments from Hyde Park. 2 bedrooms both with en suite bathrooms and dressing rooms, reception room, kitchen, media room, study, internal courtyard, concierge, lift, underground parking. Approximately 181 sq m (1,955 sq ft) Available furnished Guide price: ÂŁ2,250 per week
KnightFrank.co.uk/hydepark hydeparklettings@knightfrank.com 020 3544 6140 (ccq156012)
Upper Wimpole Street, W1 Magnificent townhouse
A beautifully restored and architecturally enhanced Grade II listed family home. 8 bedrooms, 9 bathrooms, 5 reception rooms, bespoke kitchen, gym, cinema room, 2 terraces, 2 storage vaults. Approximately 745 sq m (8,019 sq ft) Available furnished or unfurnished Guide price: ÂŁ12,000 per week
KnightFrank.co.uk/marylebone marylebonelettings@knightfrank.com 020 3641 5853 (mrq179594)
All potential tenants should be advised that, as well as rent, administration fees will apply when renting a property. Please ask for details of our charges.
KnightFrank.co.uk Mount Street, Mayfair W1K
Third floor apartment A beautiful apartment located in one of Mayfair’s most prestigious streets in a classic red-brick period building. 2 bedrooms, 2 bathrooms, reception room, kitchen, lift. EPC rating D. Approximately 117 sq m (1,256 sq ft) Available furnished Guide price: £1,600 per week
KnightFrank.co.uk/mayfair mayfair@knightfrank.com 020 8166 7483 (MAQ150485)
Grosvenor Square, Mayfair W1K
Newly refurbished apartment Situated in an elegant portered block with south facing views over Grosvenor Square. 3 bedrooms, 3 bathrooms, large reception room, kitchen, lift and porter, excellent transport links. EPC rating E. Approximately 158 sq m (1,701 sq ft) Available furnished Guide price: £3,000 per week
KnightFrank.co.uk/mayfair mayfair@knightfrank.com 020 8166 7483 (MAQ148101)
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Property | The mayfair Magazine
A day in the life Take a look behind the scenes at Knight Frank’s busy Mount Street office, as Alastair Nicholson, senior sales negotiator allows us to see his diary on a typical week this month Monday
Thursday
Mondays can be the busiest day of the week. My morning is filled with catching up with applicants, discussions and strategies with our Russian and Chinese desks regarding client requirements, and attending the weekly internal sales meeting to discuss new and current instructions on our growing register of around 60 properties. The afternoon is equally busy with viewings, as a result of the recent influx of buyers from abroad – many of our international buyers visit London at the beginning of autumn, once they return from their summer break and their children go back to school.
Today brings the valuation of a top-floor apartment on Mount Street. The couple are selling as they feel they have outgrown the property. By the end of the day we have confirmation that we will be receiving this cracking instruction and I already have the property in mind for one particular purchaser: a young European bachelor who will be in town later this month!
Tuesday Pouring rain – the bane of any estate agent’s working day! My mood is lifted with a viewing at a beautiful newly built £30 million house with rare outside space. The buyers are Middle Eastern and came to us through our Prime Central London team; they are keen to acquire a home for their increasing visits to London. Despite the incessant rain, the viewing goes well; they are looking exclusively in Mayfair for an ever-popular turn-key instruction and at properties upwards of £15m.
Wednesday It’s 8am and time for an internal brainstorm: we are discussing ideas for Knight Frank’s Day of Giving on 10 October. All UK offices will take part, running events to raise money for charities including Land Aid and The Kid’s Company. My afternoon is spent with back to back viewings on properties including three on the late fashion designer Alexander McQueen’s former home on Dunraven Street – a phenomenal duplex apartment and one of the best garden flats we have ever had on our books.
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Friday Client feedback day: I spend my morning catching up with vendors and discussing the week’s activity. I attend a debrief session at our head office on Baker Street from the Residential Development team regarding new build instructions in the area. There are exciting new projects launching soon, which tend to be extremely popular. One is a part residential, part commercial project on St James’s Place and the other is luxury apartments on Queen Street in Mayfair. I finish the day setting up viewings for the weekend and book a promising second viewing with an English couple at one of our recent instructions – a premier penthouse with 1,000 square feet of outside space. All in all, it’s been a busy but successful week! (020 7499 1012; knightfrank.co.uk/mayfair)
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Beyond your expectations www.hamptons.co.uk
Audley House, W1 A luxuriously appointed, fully air conditioned apartment of 2,304 sq.ft. with eleven street facing windows and views towards Grosvenor Square. The apartment offers formal and comfortable family accommodation and is situated on the first floor of an imposing building with porterage. The apartment is in impeccable condition throughout and offers the very latest in modern technology. EPC: E JSA: Mercer Pasqua 020 7665 6633
Hamptons Mayfair Office Sales. 020 7717 5465 | Lettings. 020 7717 5467
£6,750,000 Leasehold • • • • • •
Reception room Kitchen/breakfast room Master bedroom suite Three further bedrooms En suite shower room Separate shower room
Green Street, W1 A recently refurbished four double bedroom property located in the heart of Mayfair. The apartment has excellent space, good sized bedrooms, a bright reception room and an eat in kitchen. The property is split level and has a study and fantastic natural light. An ideal let for a corporate couple or a small family. EPC: C
Hamptons Mayfair Office Lettings. 020 7717 5467 | Sales. 020 7717 5465
£1,575 per week Unfurnished • • • •
Four bedrooms Recently refurbished Split level Central location
Beyond your expectations www.hamptons.co.uk
Lancaster Gate, W2 A beautiful studio apartment with an exceptionally high class finish, stunning fixtures and fittings throughout and a great amount of storage. The property has double ceiling height and the galleried sleeping area is also a great size. EPC: D
£570 per week Furnished • • • •
Hamptons Paddington Office Sales. 020 7717 5473 | Lettings. 020 7717 5343
Gallery sleeping area Large reception Double height ceiling Bright and spacious
Warwick Square Mews, SW1 A truly outstanding and rare property combining a charming mews house with an elegant and exceptionally light apartment with access to Warwick Square. The property has been beautifully refurbished to the highest standard with state of the art home systems controlled by your iPod. EPC: C
£2,950,000 Freehold • • • • • •
Hamptons Pimlico & Westminster Office Sales. 0203 281 7214 | Lettings. 020 7717 5345
Three bedrooms, Three bathrooms (all en suite) Garden Two entrances Access to Warwick Square Gardens 2,000 approx sq ft
HOT PROPERTY
Arlington Street, St James’s, SW1
I
f you are on the lookout for a sizeable London property to invest in, or even when you next find yourself dining at The Wolseley, direct your attention to the very top floor of this building on the corner of Piccadilly and Arlington Street. Here, in this lofty part of St James’s, is one of the most talked-about luxury properties to arrive on the market in town of late. We are talking, of course, about one of Candy & Candy’s latest interior design projects Arlington Street. The sprawling penthouse has received a slick of the company’s internationally acclaimed style, with the six bedrooms, kitchen (and chef’s kitchen), media room, study, gym and spa, formal reception and dining areas all
being given the Candy & Candy treatment. Feather-soft carpets, hand-painted silk wallpaper and walnut joinery are just some of its opulent features. The property admirably manages to bring a contemporary world together with an historic one: the building was established in the 20th century with Florentine and Venetian design influences. The feel of the apartment is notably calming; the contrasting light and dark colour palettes used, including midnight blue and cream (in the master bedroom), a rich walnut and leather-clad study and the bright, clean shades of cream which enliven the whole property; behold: your own penthouse-sized kingdom in the middle of London. (knightfrank.co.uk; candyandcandy.com)
Knight Frank: For further enquiries contact Harvey Cyzer (harvey.cyzer@knightfrank.com; 020 7499 1012)
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The mayfair Magazine | Property
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Property | The mayfair Magazine
Park life Since the launch of The Lancaster’s development, much attention has been directed to these elegant apartments. This four-bedroom triplex is no exception. Its interior was designed by David Linley (need we say more?), and opulent touches of leather, velvet and walnut accent the light-filled apartment. It comes with a 24-hour concierge to assist with housekeeping, personal shopping and catering, and there is a spa, gymnasium and valet parking. If this isn’t enough to spark your interest, take a look at its location, on the northern edge of Hyde Park. £6,500,000. For further enquiries contact Hamptons International (020 7723 0023; hydeparkbayswater@hamptons-int.com)
Property news
We bring you three new properties this month: The Lancasters; Dunraven Street and Upper Grosvenor Street Luxurious living
There is nothing like starting your day with a rooftop view over Mayfair. For a slice of the very good life, this property on Upper Grosvenor Street could not be more perfect. The third-floor apartment, with two bedrooms and en-suite bathrooms, is a beautiful London pied-à-terre. It’s also the only residence on this floor – giving the owner ample space. A beautiful hallway welcomes you as you enter and runs the full length of the building, as well as a sitting room behind the main reception area, and a third potential bedroom. The property sits in an ideal location between the lush Grosvenor Square and Park Lane, so you can enjoy all that surrounds this coveted Mayfair street. £6,495,000. For further enquiries contact Marsh & Parsons (marshandparsons.co.uk)
The life of luminaries Number 17 Dunraven Street has quite a history. As Apartment One arrives on the market, an opportunity presents itself to own a piece of its luminary-lined past. The building bears a plaque with the name of author PG Wodehouse, who lived there from 1924-34. The late fashion designer Alexander McQueen also purchased the property, although he never had the chance to live there. Spread over two floors, two bedrooms, marble-clad bathrooms, monochrome interiors with stone-coloured walls and natural light bring light and warmth to this modern space. Guide price, £7,000,000. For further enquiries contact Harvey Cyzer at Knight Frank (harvey.cyzer@knightfrank.com; 020 7499 1012) 134
We believe that every building is one-of-akind. Every design is created to a unique, specific and personal vision. And every project requires individual understanding, research and planning. Blending architectural flair with building surveying professionalism. Collaborating with clients, suppliers, engineers and builders. Together we create original and beautiful bespoke houses. We are experienced and pragmatic, fresh thinking and innovative; we are Pennington Phillips.
Pennington Phillips 16 Spectrum House 32–34 Gordon House Road London NW5 1LP t: 020 7267 1414 f: 020 7267 7878 design@penningtonphillips.co.uk
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Berkeley Court NW1 £2,750,000 As scarce as snow in the desert - a no compromise apartment in one of the areas premier mansion blocks. If you made a wish list for an apartment in this area and price range, I doubt that there would be an attribute missing from this wonderful apartment. The stunning accommodation includes three beautifully finished reception rooms, a separate kitchen, four large bedrooms and three magnificent bathrooms. This well maintained block also benefits from a 24hr porter and a roof top garden. EPC=D. Joint Sole Agent. MARYLEBONE: 020 7935 1775 sales.mar@marshandparsons.co.uk
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Seymour Place W1 £1,300,000 A wonderful lateral apartment in The Court House, Marylebone. The Jury may have retired, but the decision will be unanimous - this apartments only crime is to inspire envy in those who visit it. As you enter the large reception room you are struck by the ceiling height and sheer volume of the room, which is loosely divided into kitchen/dining/reception area. To the rear of the building is the bedroom accommodation, which includes a stunning master suite, a further double bedroom and a bathroom. EPC=D. Sole Agents. MARYLEBONE: 020 7935 1775 sales.mar@marshandparsons.co.uk
Devonshire Street W1 £625,000 Located on the first floor, at the rear of Basildon Court (a rather inauspicious name for such a wonderful building), this studio flat has been cleverly carved out of 378sqft of Marylebone’s finest, with an additional 64sqft mezzanine bed deck ascending from, but not intruding on, the reception room. The property has everything synonymous with good architectural design - light, an illusion of space and much more storage than most properties twice its size. Leasehold. EPC=D. Sole Agents. MARYLEBONE: 020 7935 1775 sales.mar@marshandparsons.co.uk
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Belgrave Mews North, SW1
A newly developed freehold mews house with private off-street parking and roof terrace, in the heart of Belgravia.
2,358 sq ft (219 sq m) EPC rating C Reception room | Kitchen/dining room | Study | Master bedroom suite | Two further bedrooms | Two further bath/shower rooms | Roof terrace (364 sq ft) | Mews parking
Knightsbridge 020 7235 9959 james.forbes@struttandparker.com
ÂŁ7,500,000 Freehold
Knightsbridge, SW7
An elegant duplex penthouse in a prestigious period building with amazing views over Hyde Park, providing modernised and flexible accommodation.
Price on Application Share of Freehold
4,193 sq ft (390 sq m) EPC rating D Entrance hall | Drawing room | Dining room | Kitchen/breakfast room | Media room | Study | Guest kitchen | Master bedroom suite | Four further bedrooms | Three further bath/shower rooms | 24 hour concierge | Lift
Knightsbridge 020 7235 9959 charlie.willis@struttandparker.com JSA: Savills 020 7581 5234
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struttandparker.com
Belgravia, SW1
A sensational recently rebuilt and fully modernised house over nearly 4,000 sq ft, offering up to five bedrooms and extensive parking.
ÂŁ8,500,000 Freehold
3,841 sq ft (356.8 sq m) EPC rating C Entrance hall | Drawing room | Sitting room | Dining room | Kitchen | Study | Master suite | Four further bedrooms | Four further bathrooms | Staff kitchen | Garage | Mews parking
Knightsbridge 020 7235 9959
james.gilbert-green@struttandparker.com
Upper Belgrave Street, SW1
A bright, three bedroom, top floor maisonette in this well run portered building in the heart of Belgravia.
ÂŁ6,625,000 Long Leasehold
2,060 sq ft (191.4 sq m) EPC rating C Drawing room | Dining room | Kitchen | Study | Three bedrooms | Three bathrooms | Roof terrace | Lift | Porter | Air conditioning
Knightsbridge 020 7235 9959 casper.tham@struttandparker.com JSA: WAEllis 020 7306 1610
Why it’s wise to get an airline pilot to sell your next house In some professions, people just can’t get it wrong. Airline pilots, for example. We believe our clients should demand the same exceptionally high level of trust and expectation from the people they’re instructing to buy or sell their property. With an intimate knowledge of the best properties in our specialist area, we can make sure you land the best price. Or fly you round to someone we know with exactly the property you’re looking for. At Crayson, we strive to display the same level of professionalism as expected from other professionals we admire. Where service has to be gold standard.
hello@crayson.com T 020 7221 1117 10 Lambton Place London W11 2SH
Hyde Park Gardens, Hyde Park W2 One man’s passion can be another’s poison, but the sheer perfection and attention to detail that has gone into decorating this apartment in the style of Louis XVI is truly extraordinary. A ceiling copied from Mme de Pompadour’s chateau, a dining-room inspired by the library at Versailles and a drawing-room based on a Parisian palace built in the 1750s. Where else can you find all that along with some of the best views in London directly over Hyde Park?
Two reception rooms Kitchen Master bedroom suite Two further bedrooms, one ensuite & a further shower room Balcony, terrace & communal garden City of Westminster 2,142 sq ft / 199 sq m Energy Performance Rating Band E Guide Price ÂŁ6.5 million Share of Freehold
Sole Agent hello@crayson.com T 020 7221 1117 10 Lambton Place London W11 2SH
kayandco.com
W1 Park Crescent Mews East, Marylebone £1,850,000 Leasehold A beautifully designed terraced mews house close to Regent’s Park. Accommodation is set over three floors and features a stunning reception room, two large bedrooms and two luxury bathrooms. Finished to a remarkable standard, the house offers both charm and architectural impact and has featured in many lifestyle magazines. Perfectly located close to the open spaces of Regent’s Park on a gated cobbled mews. Energy Rating: D.
020 3394 0012 sales.marylebone@kayandco.com
kayandco.com
SW Montpellier Mews, Knightsbridge Price On Application Hidden at the end of Montpellier Mews is an unusually lateral house with extensive accommodation of over 4,000 sq ft. This property offers a peaceful oasis from the hustle and bustle of Knightsbridge despite being less than 150 metres of Brompton Road with its world-class shopping, dining and amenities. Energy Rating: C.
020 3394 0012 sales.marylebone@kayandco.com
Letting Agency of the Year 2013
Davies Street, Mayfair W1K
A well appointed interior designed, luxurious 3rd floor Mayfair apartment, comprising a spacious entrance hallway, stunning reception room, dining room, media TV room, bar area, fully fitted high specification kitchen, master bedroom suite, 2 further double en-suite bedrooms, bedroom 4/study room, 2 balconies, porter, passenger lift & 2 parking spaces available by separate negotiation. EPC rating D
£10,000,000 long lasehold
Mayfair & St James’s
020 7629 4513
sales.mayfair@chestertonhumberts.com
Park Street, Mayfair W1K
An impressive 7th floor apartment situated within a prestigious Mayfair block featuring 2 balconies with impressive views, double reception/ dining room, eat in kitchen, 2 double en-suite bedrooms, cloakroom, 24 hour porter services & lift. EPC rating C
£4,625,000 guide price
Balfour Place, Mayfair W1K
A luxurious Mayfair apartment featuring hi tech specification for modern living. The property offers an open plan west facing reception room, fitted kitchen, double bedroom, bathroom, guest cloakroom & lift. EPC rating F
£2,100,000 long leasehold
chestertonhumberts.com
m
Bruton Place Mayfair W1
ÂŁ2,550 per week
A substantial house with a large garage superbly located just off Berkeley Square. Finished to a high standard the house extends to circa 2,700 sq ft. Accommodation comprises large reception room, modern fully fitted kitchen with separate utility room, 5 double bedrooms & 4 bathrooms. EPC rating D
Mayfair & St James’s
020 7288 8301
lettings.mayfair@chestertonhumberts.com
chestertonhumberts.com
After the umpteenth year, the self-made man rested.
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THE VIEW, 20 PALACE STREET, Victoria SW1e An incredible duplex penthouse over the 15th and 16th floors of this portered development with breath-taking panoramic views. The accommodation of approx. 4500 sq ft comprises three bedrooms, three bathrooms, a study, two guest cloakrooms, fully integrated kitchen, double reception room, open air courtyard garden and roof terrace overlooking Buckingham Palace. Boasting wooden flooring throughout most of the apartment, it also benefits from one underground parking space. Available furnished for long or short term let. EPC rating D
ÂŁ4,300 per week 020 7409 9158 robin.boghhenrikssen@harrodsestates.com
KNIGHTSBRIDGE OFFICE: 82 BROMPTON ROAD LONDON SW3 1ER T: +44 020 7225 6506 MAYFAIR OFFICE: 61 PARK LANE LONDON W1K 1QF T: +44 020 7409 9001 CHELSEA OFFICE: 58 FULHAM ROAD LONDON SW3 6HH T: +44 (0) 20 7225 6700 HARRODSESTATES.COM
Picton Place, London W1 Picton Place is a striking landmark portered development found within walking distance of St. Christopher’s Place and Oxford Street. This stunning contemporary split level three bedroom, three en-suite bathroom apartment is on the second floor (with lift), spacious and bright reception room with dining area and fully fitted open plan kitchen, with an additional guest shower room/toilet. EPC rating B
£3,000,000 Leasehold approximately 119 years remaining 020 7409 9047 robert.cox@harrodsestates.com
KNIGHTSBRIDGE OFFICE: 82 BROMPTON ROAD LONDON SW3 1ER T: +44 020 7225 6506 MAYFAIR OFFICE: 61 PARK LANE LONDON W1K 1QF T: +44 020 7409 9001 CHELSEA OFFICE: 58 FULHAM ROAD LONDON SW3 6HH T: +44 (0) 20 7225 6700 HARRODSESTATES.COM
South Molton Street, W1K - ÂŁ3,000 per week, Long Let A rare opportunity to rent this deluxe penthouse apartment just minutes away from Mayfair and fashionable Oxford Street. This spectacular property offers sleek interior design, unique modern furnishings, boasts spacious kitchen and reception area, private roof terrace, direct access from the lift, guest cloakroom, separate study and air conditioning throughout. Both bedrooms benefit from and en-suite bathrooms, fitted wardrobes and fully integrated television. The property is centrally located for fantastic transport links from Bond Street.
30 Warwick Street, London, W1B 5NH
020 7087 5557 joneslanglasalle.co.uk
The Regent Lofts and Penthouses, W1F - £1,500 per week, Long Let Set within a prestigious gated development in heart of the fashionable West End, this stunning two bedroomed, loft-style apartment situated moments from the best of Soho and Oxford Circus, combines a wonderful location with crisp, neutral interiors and high specification fittings. Underground parking available by separate negotiation. 24 hour concierge.
The Triton Building, NW1 - £925 per week, Long Let The Triton Building at Regent’s Place offers an exciting opportunity to live in a vibrant hub close to the amenities of Marylebone Village and Oxford Street. This apartment benefits from a spacious living area, two fabulous double bedrooms, comfort cooling, private balcony and 24 hour concierge.
Westend.let@eu.jll.com
CLARIDGE HOUSE DAVIES STREET MAYFAIR W1K £2,950,000 leasehold An elegant apartment situated in this classic Mayfair building with 24 Hr porter and lift. The property boasts three double bedrooms, two bathrooms, double reception and kitchen. Ideally situated in the heart of Mayfair, a stone’s throw from Claridges, Grosvenor Square and Bond Street. EPC rating D
ALDFORD HOUSE PARK STREET LONDON W1K £8,000,000 leasehold A luxurious three bedroom apartment of 2,201 sq ft located on the third floor of this sought after portered building. Boasting stunning views over Hyde Park from the reception room and overlooking Mayfair Village and Grosvenor Chapel from the master bedroom. The property has been meticulously refurbished to the highest standard and is enviably located on Park Lane. EPC Rating D
HANS CRESCENT KNIGHTSBRIDGE LONDON SW1X £2,850,000 Share of freehold This wonderful apartment is situated on the first floor of this sought after building, benefiting from a lift and caretaker. Boasting 3 bedrooms, 2 bathrooms, large reception room with French windows leading onto a south facing stone balcony, modern fitted kitchen, patio, air-conditioning, high ceilings and wooden floors throughout. Enviably located a few minutes from Harrods and Sloane Street. The property has a lease of 987 years and is in very good condition. EPC rating C
PICTON PLACE MARYLEBONE LONDON W1 £3,000,000 leasehold This divine duplex apartment on the second floor has a luxurious warehouse feel and a contemporary finish. Consisting of three double bedrooms with en-suite bathrooms, fourth WC, large reception with double height ceilings. Located a stone’s throw away from Selfridges and Marylebone High Street! The building has a day porter, lift and long lease. EPC Rating B
Regent’s Park
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An exceptional Victorian stucco fronted home spanning over 5,763 sq ft with a stunning contemporary house at the end of the garden with parking. The property boasts a first floor master suite, 5 further bedrooms, 4 reception rooms and 2 studies. The kitchen/ breakfast and family room open on to a lovely garden with self contained contemporary mews house at the rear. Perfect secondary accommodation for staff or teenage children, it features a bedroom suite, sitting room/ kitchenette and double garage with separate entrance. There is also off street parking for one car. The house is superbly located in the heart of Primrose Hill and a stone’s throw from Regent’s Park, with countless shops, bars and restaurants within the near vicinity.
Joint Sole Agents
Freehold Price upon Application
price price of of one! one!
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UPPER BROOK STREET MAYFAIR W1
Duplex Apartment ■
Double Reception Room
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Private Terrace
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£2,950 per week
Green Street MAYFAIR W1
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1,300 Square Feet
£2,250 per week
no-one knows mayfair better than wetherell
RXXX Wetherell Mayfair Mag DPS:XXXX 20/09/2013 17:06 Page 2
Upper Grosvenor Street MAYFAIR W1
PENTHOUSE APARTMENT ■
Drawing Room
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Conservatory
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Guest Suite
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Lift
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1,550 Square Feet
£5,000,000 Leasehold
Grosvenor Square MAYFAIR W1
LATERAL APARTMENT ■
Two Reception Rooms
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Three Bedrooms
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Four Bathrooms
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Lift
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1,905 Square Feet
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56 Year Lease
£5,250,000 Leasehold
wetherell.co.uk
102 Mount Street, London W1K 2TH T: 020 7529 5588 ■ E: rentals@wetherell.co.uk
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117 Year Lease
SOUTH MOLTON STREET, W1 - IDEAL PIED-A-TERRE A spacious 2 bedroom apartment located on the fourth (top) floor of this refurbished building on South Molton Street in Mayfair. The property comprises a large living space with an open plan modern kitchen, a contemporary bathroom, a private balcony to the rear of the property, floor to ceiling windows and ample storage. There is potential to add an en-suite bathroom in the master bedroom. Fantastically located in the heart of the West End close to Bond Street, Regent Street and the open green spaces of Hyde Park this apartment makes the perfect Pied-a-Terre.
£1,999,999 LEASEHOLD ApproxIMATELY 980 sqft ABU DHABI MEGEVE •
John Taylor Ltd dadams@john-taylor.com 020 3284 1888
David Adams Managing Director 07876 545 986
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www.john-taylor.com
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California 166
The cheshire Magazine | Property
We explore The Morgan Estate as it arrives on the market in all of its Tudor and Jacobean architectural splendour in the heart of Silicon Valley, California
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The cheshire Magazine | Property
W
hen you think of Silicon Valley, the immediate buzzwords are Facebook, Google or another contributor to the area’s vibrant technology scene. But outside the digital hub of America are the coveted Los Altos Hills, where the Morgan Estate, built in 1914, is situated. Percy Tredegar Morgan – a San Francisco businessman who was one of the first trustees of Stanford University and went on to found the California Wine Association – built this fine property, which has undergone a seven-year restoration by its current owners. It is widely regarded as one of the grandest properties in California – clearly, Morgan had impeccable taste. It comes as no surprise that the estate is regarded as an architectural masterpiece. The Tudor and Jacobean revival façade and interior are not only stunning, but will transport you back
to the early 20th century just from stepping inside. The ballroom, which has been the setting of many society parties, has an oak parquetry floor, inlaid with ebony wood, with a gilded fireplace from a palazzo near Florence, Italy, no less. The ceiling is a golden, 500-year-old masterpiece from the Grimani Palace in Venice, which was built in the 15th century adjacent to the Rialto Bridge. If this grandeur is what you’re in search of, you might never leave this room. But, you should know, there is a breath-taking library, a wine cellar and beautifully manicured gardens, which also make up this eight-acre property. Many of the rooms, including the dining room (which has a 700-yearold carving from Bruges, Belgium, above the doorway), feature international masterpieces that make the entire estate more like a museum than a home. However, we think you will find its nine bedrooms, kitchen (decorated in onyx and with copper sinks), butler’s pantry, family room, guest wing, his and hers dressing rooms and a caretakers home more than accommodating as a home for years and perhaps generations to come. $27,000,000. For further enquiries contact Art Sharif (art.sharif@sothebyshomes.com) or Jaime DuPont (jaime.dupont@sothebyshomes.com) at Sotheby’s International Realty.
Images: Sotheby’s International Realty Inc
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M AY FA I R W 1 Newly refurbished and interior designed 3rd & 4th floor two bedroom maisonette in this popular Mayfair location close to Green Park. Spacious reception room with separate dining room; fully fitted kitchen; two double bedrooms, bathroom with walk in shower and bath; guest cloakroom; solid wood flooring throughout Price: £1,200 per week – Furnished
E. lettings@pastor-realestate.com
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