RUSTEM BAISHEV GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION, COLUMBIA UNIVERSITY, 2013
Rustem Baishev, 1988 Education:
Awards:
Exhibitions:
2013: Master of Science in Architecture, Graduate School of Architecture, Planning and Preservation, Columbia University, New York City, USA
2011:
2011:
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• 2008-2011: Specialist degree in Architecture, Moscow Institute of Architecture (State Academy)
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2005-2008: Bachelor degree in Architecture, Moscow Institute of Architecture (State Academy) 2000-2005: Moscow Lyceum of Arts, Russian State Academy of Art, Architecture Class
Gold Medal of Moscow Institute of Architecture (State Academy); Laureate Diploma, Moscow Union of Architects; Grand-Prix, Engineering Academy of Armenia; 1st prize, National Art Museum of Armenia;
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“XXth International competition of architectural theses”; “International Days of Science”, Engineering corner, Moscow EXPO
2006:
2013:
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1st Honorable Mention, MArchI; Laureate Diploma, Moscow Union of Architects; etc.
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“Future of the Museum in China”, Shanghai Study Center of Hong Kong University, Shanghai, China Intelligent Systems Section, Abstract 2012-2013, CU GSAPP, New York City, USA
Professional Career:
Software:
Contact:
2010 - TPO “Reserve”, architect; Project “Meganom”, archtect;
Rhinoceros (Plug-ins: Grasshopper, TSplines, etc.) CATIA (generative shape design, knowledge advisor) SolidWorks (basics) Mode Frontier (basics) AutoCAD Ecotect Vasari Revit Architecture 3DS Max Adobe Products
425 W 22 St Apt 2, New York, NY, USA, 10011, tel: +1 (347) 652-6640
2011, since – Ornatum (Architecture, Industrial design), founder, freelance project.
BAISHEV R. CU GSAPP 2013
121609, Russia, Moscow, Osennaya St 4-1-218, tel.:+7 (906) 784-8841 rb2958@columbia.edu ornatum.inbox@gmail.com
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RESPONSIVE FACADE CU GSAPP, SPRING 2013
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DURING THE INTELLIGENT SYSTEMS COURSE I’VE BUILT A MECHANICAL PROTOTYPE OF A SHADING DEVICE, A REDUCED-SCALE OF ONE SUPPOSED TO BE USED TO PROTECT GLAZED INTERIORS FROM
EXTENSIVE SOLAR HEAT. EACH CELLCONSISTS OF SYNTHETIC MESH OVER FLEXIBLE PARTS OF THE MOUNTING, THAT ALLOWS IT TO CONTRACT AND UNFOLD DEPENDING ON THE AMOUNT OF SUNLIGHT THAT IS CAPTURED BY LIGHT SENSOR. AT NOON IT PRO-
VIDES MAXIMUM SHADING, WHILEAT EVENING IF FOLDS DOWN FOR NOT TO OBSCURE VIEWS. THE SENSOR SENDS ITS SIGNALS TO THE ARDUINO CONTROLLER WHICH IGNITES SERVO MOTORS THAT MOVES THE GEARS. WHILE MAKING
THIS PROTOTYPE, I LEARNED MECHANISM’S DESIGN, PROGRAMMING, ARDUINO CONTROLLERS AND FIREFLY PLUGIN FOR GRASSHOPPER. AS A RESULT OF THIS MONTH AND A HALF CLASS, IT IS A PROTOTYPE WITH AN INTERESTING FEEDBACKFORAFUTURERESEARCH.
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SERVO MOTORS
COMPUTER PROTOTYPE
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THIS IS AN INCEPTIVE VERSION OF PROTOTYPE SHOWN ABOVE. COMPUTER MODELLING HAS BEEN EXECUT-
ED TO SEE AND TEST POTENTIAL BEHAVIOR OF MECHANISMS AND POSSIBLE MISALIGNMENTS. STILL, SEVERE CORRECTIONS
WERE BROUGHT IN WHILE BUILDING THE FINAL MODEL. SOME PARTS WERE BEHAVING UNPREDICTABLY, AS ALSO
A MECHANISM TYPE WAS RECONSIDERED AND IMPROVED, DECREASING AMOUNT OF SERVOS NEEDED TO MOVE THE ELEMENTS.
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SERVO MOTORS
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THIS EXPLODED AXONOMETRY SHOWS BASIC COMPONENTS FROM WHICH THE PROTOTYPE SHOULD HAVE BEEN MADE.
BEARING FRAME WOULD FIT FIVE SERVO MOTORS, THAT SHOULD HAVE BEEN CONNECTED TO THE ALUMINUM
SHAFTS, ON WHICH SHADING “LEAFS” ARE MOUNTED. LINKED TO THE POSITION OF THE SUN DETERMINED BY
THE LIGHT SENSOR, THEY WOULD ROTATE TO FACE ITS LIGHT PERPENDICULARLY AND BLOCK IT, THEREFORE SHADING THE SPACE.
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LIGHT SENSOR
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OBERON LAMP CU GSAPP, SPRING 2013
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OBERON LAMP IS INSPIRED BY URANUS’ SYNCHRONOUS SATELLITE, OBERON, WHICH IS TIDALLY LOCKED, WITH ONE FACE ALWAYS POINTING TOWARD THE PLANET. ROUGH SURFACE OF SHADE MADE OUT OF CONCRETE THAT REFLECTS THE LIGHT
AND CONTRASTS WITH “CHEMICAL” PURITY OF ALUMINUM. THE THICKNESS OF SHADE IS JUST 4 mm, THAT HAS BEEN ACHIEVED WITH METICULOUS MODELLING OF MOLDS FOR CASTING. ALUMINUM FRAME HAS BEEN CUT OUT ON MILLING MACHINE.
SHADE IS SUSPENDED ON STEEL CABLE. CABLES ARE TIGHTENED WITH GUITAR PEGS THAT ARE MOUNTED IN THE BASE. PAGE 14
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THESE PHOTOS ARE SHOWING THE PIECE WHEN IT IS TURNED ON. SOFT LIGHT DIFFUSED BY THE SHADE UNDERLINES THE ROUGH TEXTURE OF CONCRETE, GIVING AN ALLUSION TOWARD SURFACE OF OBERON THAT IS LIGHTEN UP BY THE SUN.
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MANUFACTURING PROCESS
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THE IDEA REQUIRED A LOT OF INSIGHTS TO GET IMPLEMENTED. 3D-MODEL WAS DIVIDED ONTO FEW COMPONENTS THE STAND, THE BASE, THE SHADE AND THE ELECTRIC PIECE.
ALL OF THEM HAD REQUIRED METICULOUS ENGINEERING. SHADE WAS POURED OUT OF CONCRETE, SO MOLDS WERE CUT OUT ON THE MILLING MACHINE, PREPARED WITH SILICON. STAND HAS ALSO BEEN CUT OUT ON ALUMINUM MILL,
AND SPECIAL BOLTS HAS BEEN ASSIGNED TO HOLD IT ASSEMBLED.
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APPLICANT SOM PRIZE BAISHEV R. 78 CU- GSAPP 2013 2013
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CONVENTION AND CULTURE CENTER CU GSAPP, 2012
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THE FUTURE OF TYPOLOGY. THE ONLY THING THAT IS REALLY INTERESTING. VERTICALITY - AS THE FUTURE OF THEATRICAL PROGRAM.
THOSE UBIQUITOUS SCREENS AND MEDIA OF OUR ERA BECOMES A POINT FOR RECONSIDERING TYPOLOGY OF ENTERTAINMENT. INNER TUBULAR COURT ENCIRCLED BY TRIBUNES IS A SHAFT, THROUGH WHICH,
STANDING ON A PLATFORM, ARTIST MOVES WHILE PLAYING HIS PLAY OR MUSIC. NO MORE NEEDS OF ACOUSTIC. NO MORE LIMITS OF VISIBILITY’S DISTANCE. IT IS A THEATER OF NEW
TIME, THAT IS NO LONGER STRUGGLES WITH NEW MEANS OF ENTERTAINMENT, BUT FOSTERS THEIR DEVELOPMENT. PAGE 22
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ALONG THE HEIGHT OF THE SHAFT AUDITORIUMS’ FUNCTION DIFFERS. FROM BELOW TO THE TOP
IT DEVELOPS FROM CINEMA, TO MULTIFUNCTIONAL AMPHITHEATER WITH HYDRAULIC FLOOR TO OPERA.
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INTERIOR EXPERIENCE OF THE BUILDING WOULD BE SURPRISING - A SENSE OF AUDITORIUMS’ INTIMACY JUX-
TAPOSED TO WASTNESS OF THE SHAFT. THE PLATFORM THAT CARRIESARTISTS IS SUSPENDED
ON STEEL CABLES AND MAINTAINED IN THE FLY TOWER. BALCONIES ARE WRAPPED WITH SCREENS ALSO, SO AS
TO BE A PART OF LIGHT STRATEGY CHOSEN BY THE .DIRECTOR OF ENTERTAINMENT.
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WHEN CULTURE BECOMES MORE AND MORE ISOLATED, PEOPLE ARE LIVE CONSUMPTIVE LIFES, THIS BUILDING CALLS FOR A CULTURE. IF FAMOUS JAZZ BAND OR OPERA SINGER COMES,
NO MORE SEATING LIMITS. GIGANTIC SCREEN OF THE FACADE WILL BROADCAST ENTERTAINMENT ALL OVER METROPOLIS. NO NEED OF GOING ONLINE TO SEEK WHAT IS UP TONIGHT.
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IT IS A PART OF BUILDING’S INTELLIGENCE. WITH USAGE OF MESHED MATERIAL, THERE ARE FACADE ELEMENTS THAT SERVES AS A DISPLAYING SURFACE, WHEN IMAGE IS PROJECTED ON IT.
THAT IS LESS ENERGY CONSUMPTIVE THAN USUAL LEDDISPLAY, WITH ONLY ONE SMALL PROJECTOR FOR EACH FACADE ELEMENT, AND ALSO TRANSPARENT FROM INSIDE OF THE BUILDING. SO IT IS A NET OF DE
VICES THAT ARE CONTROLLED FROM AN AUTOMATIZED DISPATCHING HUB, THAT IS COMPELLING FRAGMENTS FOR EACH SCREEN AS A PART OF A PUZZLE OF A BIG SOLID IMAGE. THE OVERALL SIZE OF
THE FACADE SURFACE IS DIVIDED ON THREE PARTS: FIRST BROADCASTS ON THE STREET SCALE, SECOND ON NEIGHBORHOOD’S, AND THIRD, BIGGEST, ON THE SCALE OF THE CITY.
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EACH FACADE CELL HAS ITS OWN PROJECTOR. RUNNING LINE IS MESSAGING TO THE CITY.
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THIS EXPLODED AXONOMETRY SHOWS WHOLE COMPLEXITY OF THE BUILDING. SPATIAL, STRUCTURAL AND PROGRAMMATIC ELEMENTS ARE IN TIGHTEST INTERACTION POSSIBLE - THAT IS VERTICALITY.
STARTING WITH A PURELY FUNCTIONAL INCLUSION INTO A FLOW OF THE HUDSON HIGHWAY, CIRCULATION, LIKE A BLOOD VESSEL, SEIZES VISITORS AND CARRIES THEM UP TO THE HIGHEST FLOOR WITH EXTRA CAPABLE ELEVATORS.
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THIS IS A SCHEME OF WIND TURBINES THAT ALLOCATED ON THE FACADE AND MOUNTED ON A SEPARATE REINFORCED PILLAR TO ABSORB HIGH-FREQUENCY VIBRATIONS THAT CAN THREAT THE STABILITY OF STRUCTURE.
THEY ARE FACING HUDSON RIVER SIDE OF THE SITE THAT IS USUALLY VERY WINDY; WITH PROJECTED CURVATURE OF THE “HOOD” OF THE TURBINE IT SPEEDS UP THE WIND FLOW AND SUCKS WIND IN.
THE VOLUMETRIC DISTRIBUTION OF THE BUILDING WAS ALSO ANALYZED AND OPTIMIZED IN SOLIDWORKS - THE USUAL BULKY PROGRAM OF CONCERT HALL IS DIVIDED ON THE BLOCK OF AUDITORIUMS AND
SEPARATE CIRCULATION TOWER, GIVING LESS WIND-RESISTENCE. THE BEARING TRUSS OF THE TURBINE IS ALSO OPTIMIZED IN TOPOSTRUCT . PAGE 31
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THIS FRAGMENTED VIEW OF PART OF THE TOWER SHOWS THE ARRANGEMENT OF AUDITORIUMS AS WELL AS A CIRCULATION LAYOUT AND STRUCTURAL TYPE. THE PLATFORM FOR PERFORMANCE IS SEEN
UNDER THE FRONTAL SCREENS. ABOVE THE PLATFORM ARE BALCONIES, AND BEHIND ARE AMPHITHEATRES. ON THE RIGHT IS CIRCULATION TOWER WITH ITS HEAVY-DUTY ELEVATORS,
THAT ALLOWS CROUD TO QUICKLY GET TO THEIR SEATS AND EVACUATE AFTERWARDS. THE CIRCULATION TOWER ALSO SERVES AS A STRUCTURAL COMPONENT THAT SIGNIFICANTLY INCREASES THE STABILITY OF OVERALL
STRUCTURE OWING TO ITS REINFORCED CONCRETE BEARING PILLARS. MESH FOR PROJECTION OF IMAGES IS COVERING INSIDE OF THE SHAFT TOO.
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INTERIOR EXPERIENCE OF THE BUILDING WOULD BE SURPRISING - A SENSE OF AUDITORIUMS’ INTIMACY JUX-
TAPOSED TO WASTNESS OF THE SHAFT. THE PLATFORM THAT CARRIESARTISTS IS SUSPENDED
ON STEEL CABLES AND MAINTAINED IN THE FLY TOWER. BALCONIES ARE WRAPPED WITH SCREENS ALSO, SO AS
TO BE A PART OF LIGHT STRATEGY CHOSEN BY THE .DIRECTOR OF ENTERTAINMENT.
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THIS IS THE RENDERING OF HOW THE SCREENS WOULD UTILIZE THE PUZZLED IMAGE, GIVING TO VISITOR A PROB
ABLY ENCE FOR
UNSEEN EXPERIOF STAGE DESIGN ENTERTAINMENT.
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PHYSICAL MODEL
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PHYSICAL MODEL
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PHYSICAL MODEL SHOWS HOW THE STRUCTURE LINKED TO FACADE , ARCHITECTURE OF WHICH IS BEING MADE BY EXPOSION OF THE SAME STRUCTURAL ELEMENTS WHICH HAS BEEN SERVING AS A MAIN EXPRESSION OF INTERIOR.
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PHYSICAL MODEL
PHYSICAL MODEL
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PHYSICAL MODEL
PHYSICAL MODEL
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PHYSICAL MODEL
ZARIADYE CONCERT HALL MArchI, 2011
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IN THE HEART OF HISTORICAL CENTER OF THE CITY, THIS UTOPIAN PROJECT TRIES TO UNDERLINE A UNIQUENESS OF RED SQUARE’S ENSEMBLE. THE SPLENDID CHURCH
OF VASSILY BLAZHENNIJ THAT DOMINATES OVER RED SQUARE AND KITAJ-GOROD’S DISTRICT, WAS AN ABSOLUTE MIRACLE AT THE MOMENT OF ITS ERECTION, FLAMBOYANT AND FLASHY ABOVE OLD AND DIRTY
VILLAGE OF OLD MOSCOW. IT WAS A CREATION OUT OF ANY TIME AND EPOCH - EVEN NOW IT IS STILL LOOKS FUTURISTIC, GIVING A CERTAIN INSPIRATION. CONCERT HALL IS AXIALLY ORIENTED ON THE CHURCH,
WITH A HUGE VITRAGE WINDOWS THAT OPENS UP RIGHT AT THE SIGHT OF VASSILY BLAZHENNIJ. THE VOLUME OF CONCERT HALL IS ELEVATED ON THE BRIDGE-LIKE BEARING ARC, ALLOWING PLAZA UNDERNEATH.
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BAY SECTION
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PHYSICAL MODEL
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SECTION MODEL
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PHYSICAL MODEL OF THE SECTION SHOWS ALL KEYFEATURES OF THE DESIGN. BUILDING STARTS WITH A HUGE BEARING ARC,
THAT IS INSPIRED BY BRIDGES SURROUNDING KREMLIN; THIS ARC BEARS THE WHOLE VOLUME OF THE CONCERT HALL, ALLOWING THE PLAZA UNDERNEATH TO SERVE AS A PLACE FOR GATHERINGS
AND A PAD FROM WHICH THE WHOLE PANORAMA OF ZAMOSKVORECHIE - WITH ITS SILHOUETTES OF DOZEN CHURCHES, KREMLIN’ TOWERS AND BEAUTYFUL EMBANKMENT THAT CONNECTS THIS SKYLINE -
MAY BE OBSERVED. EACH PILLAR OF THE ARCHED TRUSS CONTINUES IN THE COLUMN THAT BEARS VAULT OF THE CONCERT HALL. PAGE 50
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SECTION MODEL
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THE OTHER MAIN IMPORTANT FEATURE OF THE DESIGN IS ITS FLEXIBILITY. THE MOST IMPORTANT APPLIANCE FOR THAT ARE HYDRAU
LIC AMPHITHEATER SEATS, THAT ALLOWS DIFFIRENT CONFIGURATIONS OF FLOOR LAYOUT . THIS SECTION MODEL SHOWS FLAT FLOOR WITH TRIBUNE ROLLED TO THE END OF THE HALL - SUCH CONFIGURATION
MAY SUIT WELL EXHIBITIONS OR NON-CONVENTIONAL MUSIC OR THEATER ENTERTAINMENT.
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STAGE CONFIGURATION 1: CONVENTIONAL CONCERT HALL
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STAGE CONFIGURATION 2: STAGE IN THE CENTER
STAGE CONFIGURATIONS
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HERE ARE THREE BASIC TYPES OF STAGE LOCATION ARE PRESENTED. ACCORDING TO DIRECTOR’S PLAN, IT CAN BE CONFIGURED IN A THREE WAYS:
AS A CONVENTIONAL CONCERT HALL OR THEATER WITH STAGE IN FRONT OF THE SEATS. WITH STAGE IN THE CENTER SURROUNDED BY SEATS, AND WITH DUAL STAGE FOR CONTEMPORARY
STAGE CONFIGURATION 3: DUAL STAGE
PLAYS. BALCONIES ARE FIXED, BUT LARGE TRIBUNE IS ROLLING ALL ALONG THE LONGITUDINAL SPAN OF THE HALL AS A GENTRY, IT ALSO CARRIES LIGHT EQUIPMENT.
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INTERIOR
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THE VERY IMPORTANT PART OF THE INTERIOR ARE TWO BIG, VITRAGE CURTAIN WINDOWS
AT THE BOTH ENDS OF THE SPACE, OVERLOOKING AT LANDMARKS OF ZAMOSKVORECHIE - VASSILY BLAZHENNIJ CATHEDRAL AND KOTELNICHESKAYA
HIGHRISE BUILDING. THAT GIVES A SPECIAL CHARACTER TO THE INTERIOR - A FEELING OF PRESENCE IN THE VERY HEART OF HISTORIC MOSCOW, WHICH
UNDERLINES VALUE OF
THE CULTURAL ENTERTAINMENT. PAGE 57
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THESE AXONOMETRIES ARE SHOWING THE BASIC STRUCTURAL CELL OF THE BUILDING.
COLUMNS THAT BEARS THE VAULT ARE MOUNTED TO A NODES OF THE 30-FEET TRUSS THAT
SPANS FOR OVER THAN 300 FEET AND FIXED AT THE SAME POINTS AS THE GIGANT ARC
ABOVE THE PLAZA. PAGE 58
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AUDITORIUM’S ENTRANCE LEVEL PLAN
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AUDITORIUM’S ENTRANCE LEVEL PLAN
BALCONIES LEVEL PLAN
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PARKING -2nd LEVEL PLAN
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PARKING -1st LEVEL PLAN
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GRASSHOPPER - ECOTECT DEFINITION
CATIA PARAMETRIC ELEMENT CU GSAPP, FALL 2012
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THE GOAL WAS TO CREATE A FACADE SHADING ELEMENT WITH A PROGRAMMED INTELLIGENCE SCRIPTED IN EKL, ALLOWING IT TO BECOME A PART OF A COMPLEX BUILDING SYSTEM, AND A PART OF CBIP ELEMENTS’ LIBRARY, GIVING AN OPPORTUNITY OF BEING READOPTED AND
APPLIED IN A WAY THAT FUTURE USER WILL NEED. ELEMENT IS BASED OFF OF FOUR INPUT POINTS IN THE PLACES OF ITS MOUNTING; BY CHANGING COORDINATES OF SUCH POINTS, ELEMENT TAKES A SHAPE OF A POINTS’ CLOUD SIMPLY AFTER A SINGLE
COMMAND, OWING TO A SCRIPT IN THE KNOWLEDGE PATTERN. THIS FOUR BASIC COORDINATES ARE LINKED TO ATTRACTOR POINT THAT IMITATES THE MOVEMENT OF THE SUN; ELEMENT’S APERTURES CLOSES AND OPENS DEPENDING ON THE AMOUNT OF SUNLIGHT
AND POSITION OF SUN, WHILE ALSO THE ELEMENT ITSELF CONTRACTS AND UNFOLDS, WHAT MADE POSSIBLE WITH USAGE OF SYNTHETIC FABRIC THAT TENSIONED OVER PRESTRESSED SPRINGS AND LIGHT ALUMINUM FRAME.
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WINTER SOLSTICE
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APRIL 21 & AUGUST 21
FEBRUARY 21 & OCTOBER 21
SUMMER SOLSTICE
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NAVAL PASSENGER TERMINAL MArchI, SPRING 2011
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THIS DESIGN IS A SPATIAL AND STRUCTURAL AS ALSO A PROGRAMMATIC EXPERIMENT ON AN ASSIGNMENT TO DESIGN NAVAL PASSENGER TERMI-
NAL. IT WAS A COMPETITION ASSIGNMENT , COMPLETION OF WHICH ALLOWED TO QUALIFY TOFINAL YEAR’S GOLD MEDAL COMPETITION AT MArchI, ORGANIZED IN AN “OLD-SCHOOL” FORMAT OF ON-PLACE PHYSICAL MODELLING
WITH JUST BARE HANDS. THERE WERE ONLY 10 HOURS GIVEN TO COMPLETE THIS ASSIGNMENT. SO IT SHOULD HAVE BEEN A COMPLETE IMPROVISATION. THE PASSENGER’ LOBBY COVERED WITH BIG SPAN STRUCTURE,
THAT BEARS SOLAR-PROTECTIVE PANELS. A VAST ELLIPTIC “OCULUS” OF MAIN FACADE REMINDS THE BIOFORMS OF OCEAN SPHERE. PAGE 70
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NEO BEIJING, 2063 AD CU GSAPP, SPRING 2013
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WE HAVE BEEN ASSIGNED TO CHALLENGE THE FUTURE OF THE MUSEUM IN CHINA. FIELD TRIP WAS ABSOLUTELY TERRIFIC. I HAVE SOUGHT A UNIQUE, OLDEST CULTURE, SO DISTINCTIVE AND INSPIRING; YET WHICH IS, UNFORTUNATELY,
BEING THREATENED BY THE FORCE OF GLOBALIZATION. NEW DEVELOPMENTS ARE PURSUING WESTERN ESTHETIC AND EXISTENTIAL VALUES. IDENTITY OF BEIJING SLOWLY VANISHES. I WANTED TO OPPOSE THAT. I WAS AMAZED BY THE CHINESE TRADITIONAL ARCHITECTURE.
SUCH A HARMONY IN ITS PUREST WAY. FORBIDDEN CITY AND ITS SPATIAL COMPOSITION BECOMES A MAIN INSPIRATION. AXIALITY, PROCESSUAL, A HALFMILE-LONG WAY THROUGH THE SERIES OF SPACES AND SQUARES THAT ENDS UP WITH A
SPLENDID PALACE BECAME AN INCOMPARABLE SOURCE FOR THINKING ON HOW TYPOLOGY OF CONTEMPORARY MUSEUM MIGHT BE RECONSIDERED. AS A RESULT THIS DESIGN WAS BORN - A MIX OF EXTREME FUTURISM AND HIGHLY IDENTICAL CHINESE ARCHITECTURE.
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SOUTH GALLERY TOWER
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THE STRUCTURE OF CHINESE PINCHED ROOF, AND AN UNIQUENESS OF CHINESE BRACKET - ONE OF THE WISEST BEARING SYSTEMS IN ARCHITECTURE -
WERE CAREFULLY STUDIED AND FOUNDED MIRRORING IN THIS DESIGN. ITS CONTEMPORARY REINVENTION
REQUIRED ESCALATION OF SIZE, THOUGH INSPIRATION IS SEEN CLEARLY AND FOSTERS A SIGNIFICANCE OF CHINESE ARCHITECTURAL
IDENTITY WITHIN A CONTEMPORARY ARCHITECTURAL DISCOURSE. PAGE 76
STRUCTURE AND JOINTS
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AS OF SAID BEFORE, STRUCTURAL SYSTEM OF THE MUSEUM WAS GIVEN A LOT OF ATTENTION, SINCE IT IS WHAT IN MAIN CHARACTER OF CHINESE
ARCHITECTURE, WHEN EXPOSED BEARING SYSTEM BECOMES THE MAIN EXPRESSION. PAGE 80
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34.00 M/S
VERTICAL CONTAINER STORAGE 2012
0.00 M/S
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THIS PROJECT WAS CONCEIVED AS A POSSIBLE SOLUTION FOR LIBERATION OF HONG KONG HARBOUR THAT IS CURRENTLY OVERWHELMED WITH PORT TRAFFIC, FREIGHT SHIPS BUT MOSTLY BY SMALL PRIVATELYOWNED PLATFORMS, WHICH ARE ANCHORED AWAY FROM THE SHORE AND STORES
SHIPPING CONTAINERS, THUS THREATENING OVERALL ECOLOGICAL STATE OF THE HARBOUR AND THE CITY. THIS DESIGN TRIES TO FIT PORT TYPOLOGY INTO VERTICAL VOLUME: REINFORCED STEEL AND CONRETE STRUCTURE BECOMES A “SHELF” FOR CONTAINERS,
WHERE THEY ARE STORED; IT IS ALSO DESIGNED IN SUCH WAY THAT IT BECOMES A POWERPLANT: USAGE OF CFD ANALYSIS TOOL HAS LED TO SPARED TOWERS, WHERE IN-BETWEEN OF THEM WIND TURBINES MIGHT HAVE BEEN DEPLOYED. ALSO ON TOP OF THE TOWER THERE ARE A WATER
COLLECTING DEVICES. THE SHIPPING CONTAINERS ARE MOVED THROUGH THE STORAGE WITH SPECIFICALLY DESIGNED HEAVY-DUTY CRANE.
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34.00 M/S
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WITH USAGE OF CFD SIMULATION SOFTWARE THE MASS DISTRIBUTION PREDICTED AS EFFECTIVE FOR DEPLOYMENT OF WIND
TURBINES HAS BEEN CHECKED AT VARIOUS REGIMES. HERE ARE SEEN THE FLOWS OF WIND AT SPEEDS RANGING FROM 1 TO 33 m/s, SHOWING COLORED REGIONS OF
UP OR SLOWING DOWN. THE VOID IN-BETWEEN TOWERS, AS PREDICTED, CAME OUT AS A MOST PROPER PLACE FOR ALLOCATION OF TURBINES - THE YELLOW COLOR SHOWS THAT DUE TO
THE ROMB-SHAPED LAYOUT OF EASTERN TOWER WINDFLOW GETS THROUGH THE NARROWING APERTURE, THUS SPEEDS UP AND INCREASES EFFECTIVENESS OF WIND TURBINES.
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POWER PLANT LEVEL PLAN
GROUND FLOOR , FREIGHT FACILITIES PLAN
GROUND FLOOR PLAN
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ROOF PLAN
TYPICAL FLOOR PLAN
TYPICAL FLOOR PLAN
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CRANE RAIL
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THIS AXON SHOWS THE LOCATION OF CRANE RAIL ON THE STRUCTURE. IT IS HYDRAULIC MECHANISM THAT BEAR CONTAINERS AND PUT THEM AT THEIR SLOTS.
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VILLA LE ROC 2011
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THIS PROJECT WAS SUPPOSED TO BE A RECONSTRUCTION OF THE VILLA THAT’S BEEN BUILT IN 1950s ON THE TIP OF SAINT-JEAN CAP FERRAT, NICE.
THE NEED OF USE OF EXISTING BEARING WALLS, AS WELL AS AN OPERATION WITHIN EXISTING HEIGHT AND FOOTPRINT, AND THE STRICTEST PRESERVATION OF THE WATERFRONT AND LANDSCAPE THAT IS MAINTAINED
BY LOCAL AUTHORITIES WERE A KEY RESTRICTIONS THAT SHAPED DESIGN OF THIS BUILDING. THE MAIN SPATIAL FEATURE IS AXIALITY AND PURITY OF PLAN. ENTRANCE PASSAGE ENDS UP WITH A TERRACE.
IN FRONT OF CHEMINEE, GLAZED WITH ONYX STONE ALL SERVING APPLIANCES AND SPACES ARE LOCATED AT THE GROUND FLOOR, ALLOWING GUESTS TO NEVER FACE ANYTHING BUT SEA AND NATURE.
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TAGANKA THEATER EXTENSION PROJECT MEGANOM, 2011
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BY ITS 50th ANNIVERSARY TAGANKA THEATRE HAS FACED A SERIOUS DEMAND FOR ADDITIONAL SPACE. TRADITIONAL THEATRICAL LAYOUT WAS NOT ABLE TO MEET THE
NEW REQUIREMENTS THAT WERE CLAIMED BY DIRECTORS AND ARTISTS, THUS A PROPOSAL CONTAINING THE INTRIGUING SOLUTION WAS MADE. AS OF HISTORICALLY TAGANKA BEING A “THEATRICAL AVANTGARDE” OF MOSCOW, NEW BUILDING WAS CONCEIVED AS A “FACTORY”, WHERE AUDI-
TORIUM ITSELF IS AS FLEXIBLE AND MOBILE AS AN ENTERTAINMENT AND PERFORMANCE OF A CONTEMPORARY ERA. WHETHER IT IS A REIMAGINED CLASSICAL PLAY, OR LITERATURE READINGS, OR DANCE, LAYOUT OF AUDITORIUM REACTS BY FLATTENING THE
FLOOR WITH MECHANIC APPLIANCES, OR BY OPENING THE ENCLOSURE WALLS THAT CONSISTS OF ROTATING LOUVRES, OR BY UNCONVENTIONAL FUNCTION OF THE GANTRY, THAT MOVES BACK AND FORTH ALONG THE WHOLE LENGTH OF AUDITORIUM, BEARING THE ACROBATS OR LIGHT AND SOUND INSTALLATION.
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BALCOINES LEVEL PLAN
AMPHITHEATER PLAN
LONGITUDINAL SECTION
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PHYSICAL MODEL
DIGITAL CRAFT PALAU DES LES SANTIAGO CALATRAVA
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ARTS,
AS A PART OF DIGITAL CRAFT COURSE AT COLUMBIA, ORGANIZED TO REINFORCE OUR SKILLS
ON RHINO, RENDERING, AND ANIMATION, WE WERE ASSIGNED TO CHOOSE AND MODEL ANY BUILDING BY CONTEMPORARY ARCHITECT. PALAU DES LES ARTS SEEMED AS
ONE OF THE MOST CHALLENGING EXAMPLES FOR THAT, AS IT IS NOT ONLY A GOOD SOURCE OF KNOWLEDGE ON THEATRE TECHNOLOGY AND TYPOLOGY, BUT ALSO A VERY COMPLICATED
BODY CONTAINING HUNDREDS OF CURVED SURFACES, THA BENDS IN MULTIPLE DIRECTIONS. THE FINAL PART OF THE COURSE WAS TO FABRICATE PHYSICAL MODEL.
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BARRACUDA BOAT 2013
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IN THIS DESIGN ESTHETICS BECOMES A DRIVING FORCE. SNEAK, SHARP SILHOUETTE
WITH NO SIGNS OF HUMAN PRESENCE OR NEEDS SUCH AS ILLUMINATORS OR OTHER APERTURES IS A BOAT HOW I SEE IT. ALL FACILITIES AS ALSO A LEISURE FUNCTIONS
ARE HIDDEN BELOW THE DECK LEVEL, FOR SPECTATOR WILL NOT BE ABLE TO SEE THEM FROM ASIDE. NOSE OF THE BOAT IS NOT ONLY ESTHETICALLY
DISTINCTIVE BUT ALSO SHAPED BY ANALYTIC PREDICTION IN HYDRODYNAMICS. PAGE 103
ROMAN PORTRAIT
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