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SO F I A
AR R ED O N D O
sofia.arredondo.r@gmail.com +1 917 216 7002 New York, NY
TABLE OF CONTENTS
L I G H T I N G
D ESI G N
01/ LIGHTING DESIGN PROJECT ............................ 1/ 02/ DAYLIGHTING DESIGN PROJECT ....................... 5/ 03/ GALLERY PROJECT ......................................... 9/
LU M I NAI R E
D ESI G N
01/ LIGHT INSTALLATION .................................. 11/ 02/ LUNAR ....................................................... 15/ 03/ TINA ........................................................... 19/ 04/ BLANCA ..................................................... 23/ 05/ DOMITILA ................................................... 25/ 06/ LEIDID ........................................................ 27/ 07/ ELENA ....................................................... 29/ 08/ CIRILA ....................................................... 31/ 09/ LAS BORBOLLA .......................................... 33/
L I G H T I N G
D ESI G N
01/
PROJECT: School project. NYSID. 2013 ROLE: Designer AGENCY: / CLIENT:/
LIGHTING DESIGN PROJECT MATRIX NEW WORLD HEADQUARTERS The lighting design for this project is an I NTEG R ATED
SYST EM that avoids exposed fixtures and merges with the architecture to create a visual effect where the surfaces seem to posess a natural illumination. An overall LO WER ED
C EI LI N G with different architectural features conceals the sources and unify each space in a integral design. Different layers of lighting are used to create a variety of lighting moods and atmospheres according to diverse nneds and requirements based ont he user and activites that take place on each space.
1/
The OP EN OF F IC ES studio features a PAN EL L ED C EI LI N G array in which a selected number of these panels are tilted to create a pattern that works with the lighting both in an aesthetic and functional way.
59.90¬
59.90¬
59.90¬
59.90¬
59.90¬
8”
1
Complemented by a C U STO M
60º
UPL IGH T SYST EM , these two
NORTH ELEVATION
60º DN
3”
layers make up an optimal diffuse illumination for the workspace.
1
DN UP
C OR RID ORS are illuminated
UP
through a slot in the lowered ceiling, emphasizing the vertical surfaces with a GRAZ ER effect generating a pathway defined on the sides.
3
2
1’
PR IVAT E O F F IC ES present the same slot in the ceiling, amplifying its aperture and following the desk array to illuminate the work surface.
1’
2
NORTH ELEVATION
3
DI G ITAL LIGHTING SIMULATION ANALYSIS
80 70 60 50 40 30 20 10 0 Illuminance (Fc)
MOCK-UP STUDY
An INTEGRAL C O N T R O L SYST EM that uses both occupancy and daylight sensors allows the possibility to use diverse sustainable strategies to reduce energy consumption and the flexibility to generate different scenes throughout the day.
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02/
PROJECT: School project. NYSID. 2013 ROLE: Designer AGENCY: / CLIENT:/
DAYLIGHTING DESIGN PROJECT MATRIX NEW WORLD HEADQUARTERS The objective of the project involved the exploration of
DAY LI G H T ST R ATEG I ES to create an atmosphere that reinforces the firm’s goal to inahbit a space that is environmentally responsible, and promotes healthy worling conditions.The approach in terms of design focuses in the concept of P ER M EABI L I TY creating an open space that merges with the surrounding area, integrates the exterior with the interior and eliminates visible boundaries within itself.
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26 COLUMBIA TURNPIKE 3rd FLOOR FLORHAM PARK, NJ
1/ PLAN VIEW 2/ SECTIONS
1/ 2/
2/
DAYLIGHT CONTROL STRATEGIES
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2/
3/
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1/ METAL LOUVERS 2/ LIGHT SHELVES 3/ MECHOLUX SYSTEM WINDOW SHADING DEVICE 4/ KITCHEN AND PATIO 5/ SOUTH OFFICES AND CORRIDOR 6/ DAYLIGHT AUTONOMY % IN DIFFERENT ZONES 7/ DAYLIGHT ANALYSIS 4/
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NO DAYLIGHT CONTROL DEVICES
USING DAYLIGHT CONTROL DEVICES
500 400 300 200 100 50 20 0
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ISOLUX RANGE IN FOOTCANDLES (FC) This study shows the levels of illuminance in different spaces of the building in Winter solstice at 4 PM
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DA % 90 80 70 60 50 40 30 20
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PLAN VIEW
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PROJECT School project. NYSID. 2013 ROLE: Designer
600.00
AGENCY: /
LT-2
LT-2
LT-1
CLIENT:/
LT-2 LT-4
LT-3
LT-3
LT-2 LT-1
LT-4
LT-1
LT-1
LT-1
LT-1 LT-4
LT-3
LT-3
LT-4
LT-1
LT-1
LT-1
GALLERY PROJECT
LT-2
LT-4
LT-1
different layers of lighting integrated with a control system that is
LT-1
able to create diverse scenes throughtout the day and adapt to the
LT-3
LT-1
LT-4
LT-2
LT-1
T H E LI G H T I N G DESI G N for this gallery consists in
LT-3
LT-2 LT-4
LT-3
LT-3
LT-2 LT-1
LT-4
LT-1
LT-4
LT-3
LT-3
LT-1
LT-4
LT-1
LT-1
changing exhibits. (mainly etchings and marble sculptures) LT-1
The architectural features of this space include a clerestory that
LT-4
Occupancy sensor
integrates DAY LI G HT into it, making it part of the lighting category L1. L1 is daylight with illuminance control and to achieve
LT-2 LT-1
that, the glass windows in the clerestory have been fully protected
LT-1
with UV film and tinting sufficient to control damage from visible
LT-1
Daylight sensor
LT-3
LT-3 Human scale
LT-2 LT-4
LT-3
LT-3
LT-1
LT-4 Daylight sensor
Occupancy sensor LT-2
LT-4
LT-1
LT-4
light. The orientation of the building and location of the clerestory
LT-3
LT-3
LT-1
LT-4
LT-1
allows the daylight penetration to illuminate the space in an indirect and controlled way. Daylight is used mainly as ambient illumination
600.00
LT-2 LT-1
LT-1
LT-1
LT-4
LT-3
LT-3
LT-1
LT-4
but is also a part of the display lighting. LT-2 A
LT-2
LT-2 LT-4
LT-1
LT-3
LT-3
LT-4
LT-2 LT-1
17ยบ 25ยบ
LT-3
LT-1 LT-1
146.02
LT-4
LT-1
LT-4
LT-3 LT-3
LT-1
LT-1
Distance between LT3 48.54
LT-1
LT-3 LT-4
48.39
LT-4 length
LT-1
LT-4
LT-1
27.42
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SECT ION A- A Direct daylight in the morning
Direct daylight in the evening
Daylight sensor Indirect daylight 52.28 penetration Clerestory height
Indirect daylight
Daylight sensor
Indirect daylight
60º
60º
LT-3 Accent lighting for display
VarioLED Flex APOLLO - 146” LED strip - mounted in aluminum profile - Vario Clip with 45º inclination angle - Vario Linear Optic lens 90º
89.90
80º
80º
LT-3
ERCO Compar Recessed Spotlight - positionable and rotatable 30º tilt - LED
LT-2 Uplight system to illuminate ceiling
Luminaire distance
LT-4
LUMENPULSE Lumenfacade - UMAS adjustable mounting (tilted 50º) - 48” LED fixture
80º
LT-2
Indirect daylight penetration
(24) LT-4 Uplight system to illuminate ceiling
80º
LT-2
30º
LT-2
30º
LT-1 ERCO Parscan Spotlight
( with snoot to narrow the beam spread)
LT-1 Accent lighting for display ERCO Parscan Spotlight - adjustable track head - low-voltage halogen lamp
36º
LT-3
ACCENT LIGHTING FOR DISPLAY ERCO Compar Recessed Spotlight - positionable and rotatable 30º - LED - 1,440 lumens 18W - 3000 K - UV filter
34º
LT-4 292.67
17º
17º
232.00
25º 195.68
73.46
13º
Luminaire height
(24)
Viewing height
The lighting design is complemented with an electric lighting system. AMB IEN T LI G H T I N G : Two uplight systems illuminate the decorative ceilings and the space through indirect lighting.
Viewing 62.86 height
LT-1
D ISP L AY LI G H T I N G : A track mounted adjustable spotlight system is located in the center of each side of the ceiling following the decorative pattern, to light wall mounted art pieces. An array of recessed mounted adjustable spotlights is located along the edge of these lower ceilings to light the 3d pieces in the center area.
(40)
ACCENT LIGHTING FOR DISPLAY ERCO Parscan Spotlight - adjustable track head - low-voltage halogen lamp - 1250 lm 50W - 3000 K - UV filter
LT-2
(16)
UPLIGHT SYSTEM FOR CEILING LUMENPULSE Lumenfacade - UMAS adjustable mounting (50º) - 48” LED fixture - 2,455 lumens 20W - 3000 K - UV filter
UPLIGHT SYSTEM FOR CEILING VarioLED Flex APOLLO - 146” LED strip - 1,875 lm/m 23.9 W/m - mounted in aluminum profile - Vario Clip with 45º inclination angle - Vario Linear Optic lens 90º - 3000 K - UV filter
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LUMINAIRE
DESIGN
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PROJECT IESNYl Lighting Student Competition. 2013 ROLE: Designer AGENCY: / CLIENT:/
L I G H T I N S TA L L AT I O N - MODEL FOR A SUSPENDED STORM Inspired in the musical piece “Weather Storm” by Craig Armstrong The idea of this light installation was to create an image of a storm suspended in time. A static representation of the movement and dynamism of the melody. The shape of the storm is represented with a STER EOTO M Y of 12 acrylic sheets that have an organic pattern etched in the form of a spiral. Each one of these is rotated and staggered to create the 3D volume and the effect of M OV EM ENT . The installation is illuminated with and LED strip concealed in an acrylic tube to light the edges of each sheet and reflect the light through the etchings.
3rd place in the IESNY STUDENT LIGHTING COMPETITION 2013
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CONSTRUCTION PROCESS
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PROJECT:Luminaire design RBT annual Student Competition. 2013 ROLE: Designer AGENCY: / CLIENT:/
L U N A R LU NAR is a state-of-the-art LED pendant designed specifically for ORBES Co. to illuminate the 25’ ceiling lobby of their new headquarters. The goal in this sleek design was to create a LU M I NAI R E that would use different layers of lighting to illuminate the space, meeting
the functional,
aesthetic and energy compliance requirements, and at the
LUNAR
HI-TECH LED PENDANT Robert Bruce Thompson Annual Student Competition 2013 NYSID Sofia Arredondo
same time reflect the high technology, innovation and forwardlooking strategy that define this pioneering company.
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ORBES is a multinational engineering and electronics conglomerate company whose activities cover the fields of industry, energy, transportation and healthcare.
ORBES occupies high positions in many markets and they continually work to outperform their competitors and set the standards for operating and financial performance in these industries. Not only their services and products use the highest techonolgy to offer the best results, but also their image around the world revolves around the idea of innovation,technology and sustainability.
VISUAL INSPIRATIONS
LUNAR is a state-of-the-art LED pendant designed
3.59 in
specifically for ORBES Co. to illuminate the 25’ ceiling lobby of their new headquarters.
The goal in this sleek design was to create a luminaire that would use different layers of lighting to illuminate the space, meeting the functional, aesthetic and energy compliance requirements, and at the same time reflect the high technology, innovation and forward-looking strategy that define this pioneering company.
72.66 72 22.666 6 in
A layer of task light is generatedwith the 4 1 LED module downlights (MAX. TLP 5,680 lm) located in the perimetral ring of the luminaire and the 4 LED (MAX. TLP 5,680 lm) module in the center that illuminate the reception desk.
2 frosted glass sheets located in the bottom of the luminaire act as decorative elements but also filter the light to create a particularvisual effect
23.30 23.3 .300 in
SIDE VIEW 72.46 in
64.52 in
33.95 in 33
A layer of ambient light is created with two different sets of indirect uplights. The first one, located in the top spunned metal structure, shoots the light to the ceiling and has a TLP of 6660 lm to achieve a quality ambient lighting, considering the 3’ distance from the ceiling.
18.11 18 8.11 in
12.12 12 112.1 2.12 in
The second set, located in the center bell-shaped metal-structure uplights the wider spunned metal shade with 8 LED modules that result in a MAX TLP of 13,320 lm so that the light is reflected down in a smooth and even way.
88.00 00 in 4.00 0 in
TOP VIEW
The lighting control system allows the luminaire to create different scenes for the diverse activities that take place in that space throughout the day and the year. The perimeter downlights are controlled together in one channel. The center donwlight is operated separately. And the 2 sets of uplights are also controlled in separated channels.
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Anodized aluminum tube that acts as support and hides the wiring
Spunned aluminum structure with white matte finish that houses 4 LED modules with their 2 drivers
Anodized aluminum tube structure attached to the center support and conceals and connects the wiring system
Extruded aluminum heat sink
4 module LED downlight
Spunned aluminum reflective shade with white matte finish
Anodized aluminum ring
Aluminum heat sink
1 module LED downlight Optical lens
Extruded aluminum heat sink
XSM 80 Series LED Module
XLM 80 Series LED Module CCT 3500 K PC 18.6 W LO 1665 lm
CCT 3500 K PC 18.6 W LO 1420 lm Frosted glass sheets
Aluminum bell-shaped structure with white matte finish that houses 8 LED modules with their 4 drivers
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03/
PROJECT Designboom OLED LIGHITNG International Design Competition. 2013 ROLE: Designer AGENCY: Collaboration with Gabriela Suá CLIENT:/
TINA/ OLED LUMINAIRE T I NA Is a new, versatile O L ED luminaire that explores this new light source and creates an optimal illumination for different tasks and spaces. TINA uses six transparent 100 x 100 mm OLED panels. These are held around an axis that allows them to rotate according to the user’s needs, with a 180º aperture for homogeneous light emittance or in a 72º aperture to direct light to a specific spot. The wiring that connects the OLED panels with the driver allows the position VAR I ABI LI TY, and also act as a decorative feature. TINA has a second pivot next to its base to allow the luminaire to be used as a table task lamp or as a wall lamp.
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220 mm
130 mm
116 mm 110 mm
101 mm
1/
304 mm
2/
3/
4/
134 mm
1/ OLED PANELS ROTATION AXIS 2/ BASE ROTATION AXIS AND WIRING 3/ GENERAL MEASURES 4/ POSITION VARIABILITY
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CONTEXT/ USABILITY
Reference image DESK BOX
TASK LAMP
Reference image Bernier-Thibault House by Paul Bernier Architects
WALL LAMP
Six OLED transparent panels that emit light through both faces. Two anodized aluminum structres that hold each panel OLED support that allows the rotation of the panels between 72 and 180ยบ
Anodized aluminum structure with welded elements
Pivoting structure for wider or narrower aperture.
Metal pivot with a matte white finish where the sliding switch is located
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04/
PROJECT Lumiaire design. 2012 ROLE: Designer AGENCY: La Amparito CLIENT:/
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B LAN C A is a pendant lamp made with a stereotomy of C O R O P LAST sheets that form its shape. It is held and wired with a heavy duty black cable. One screwbase socket that fits incandescent, CFL or LED retrofits.
D I M EN SI O N S _ 3 0 x 3 0 cm
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PROJECT Luminaire design ROLE: Designer AGENCY: La Amparito CLIENT:/
D O M I T I L A D O M I T I LA is a pendant lamp made with 5 O PAL G L ASS JAR S mounted on a Tzalam wood base. Steel wire rope and heavy duty transparent cable. Five screwbase sockets that fits incandescent, CFL or LED retrofits.
D I M EN SI O N S _ (L )5 2 x (H)1 2 x (W)2 0 cm
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PROJECT Luminaire design. 2012 ROLE: Designer AGENCY: La Amparito CLIENT:/
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LEI DI D I is a pendant lamp made with 8 0 AM BER G L ASS JAR S suspended from a Tzalam wood base. 30 Watt, Incandescent, Vintage Antique Light Bulb (19 cm)
D I M EN SI O N S _ (D)2 8 X (L )7 0 cm
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PROJECT Luminaire design. 2012 ROLE: Designer AGENCY: La Amparito CLIENT:/
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ELENA is a decorative floor lamp. The screen is made with transparent P L ASTI C HO SE held to a vintage sconce base. The base is made from a Tzalam wood plank and a steel. 30 Watt, Incandescent, Vintage Antique Light Bulb
D I M EN SI O N S _ (H)1 4 0 X (L )4 0 X (W) 3 0 cm
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PROJECT Luminaire design.2012 ROLE: Designer AGENCY: La Amparito CLIENT:/
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C I R I LA is a decorative table lamp made with a vintage O PAL G LASS piece held from a Tzalam wood and steel plate base. 30 Watt, Incandescent, Vintage Antique Light Bulb Integrated dimmer.
DI M EN SI O N S _ (H)5 2 X (L )2 0 X (W) 1 2 cm
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PROJECT Luminaire design. 2013 ROLE: Designer AGENCY: La Amparito CLIENT:/
LAS BORBOLLA LAS BO R B O LLA are a family of five table lamps, made with industrial motor springs. The cable has a woven wire coating. 30 Watt, Incandescent, Vintage Antique Light Bulb Integrated dimmer.
D I M EN SI O N S _ (D)8 X (H)2 5 cm
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