THE
Summer Intensive 2018 Welcome to the 2018 L.A. Conservatory Summer Intensive!
We are hoping there is something for everyone: improv, standup comedy, a chance to work on accents, a motion capture Q&A,a free-your-voice workshop, self-taping workshop and a panel with some of Los Angeles’ most esteemed television broadcasters.
By Lee Garlington Chair, Summer Intensive
We are grateful to have four workshops by SAG-AFTRA staff, who will answer questions regarding the theatrical, commercial and new media contracts, as well as questions about residuals.
Our theme this year for the Summer Intensive is “Be The Room Where It Happens: Create Your Career”. We chose this theme because we are now living in an era in which the number of delivery platforms exceed the amount of excellent content — which is great for you as a performer! You now have virtually unlimited opportunities to inexpensively create, post and share your work. Artists are able to get together with friends and associates and make a web series that becomes a network or cable television series. How and why? Because everyone in show biz is looking for “the next big thing.” A remarkable Twitter feed has led to an actor writing a film. A young actress doing a series of “rants” on YouTube became the star of a hit cable show.
Remember, your input is invaluable. Our goal is to offer you workshops and panels that are not a part of our regular curriculum. We also want to bring back favorite teachers as well as introduce new instructors. So PLEASE fill out the evaluation cards provided at the end of each session. Which teachers are invited back, which new classes should be added to the roster and any suggestions as to how to make the Summer Intensive better next year are greatly informed by what you tell us. And, most importantly, don’t forget to turn in those evaluation cards. This is YOUR Summer Intensive. We thank you for being a part of the SAG-AFTRA Los Angeles Conservatory.
As you are learning, networking, connecting, and making We have been bringing you the Summer Intensive for 42 new friends, don’t forget to have fun this weekend! years because we believe that all of us need to occasionally immerse ourselves in the show as well as the business of show business. Taking a weekend to dive into exploring the possibilities available to you as an artist is a gift you give yourselves. We hope that this weekend of inspiration and exploration will renew your commitment to your career and provide you with ideas and methods to get from here to “there” — wherever “there” might be for you. The Summer Intensive provides workshops and panels with fellow artists who can help guide you towards realizing your own creative potential, from the inner landscape to the outer one. You will have the opportunity to work with teachers who can help you focus, get rid of creative blocks and then find your niche, your voice and your essence. Instructors will work with you on basic auditioning and acting and experts will offer advice in the area of marketing and social media. We have a number of voiceover classes from commercials to looping to video games. There are also commercial and theatrical casting directors, both teaching classes and sitting on panels answering your questions.
2021 N. WESTERN AVE, LOS ANGELES, CA 90027
SAG-AFTRA LOS ANGELES CONSERVATORY SUMMER INTENSIVE JULY 27 — 29 ONLINE registration begins Tuesday, July 17 CLICK HERE TO REGISTER
CONSERVATORY@SAGAFTRA.ORG
Be the Room Where It Happens
FRIDAY NIGHT OPENING PANEL & RECEPTION
By Lee Garlington Like thousands (millions?) of others, count me among those blown away by Hamilton. The musical is more than a play. It is an experience. I wept when the play ended and I still think about it. I was touched, moved, impressed and completely inspired. There’s a powerful song called The Room Where It Happens. Hamilton wants to be in that room. I posit that today, as artists, we can be the room where it happens. We have a magnificent role model for that in Lin Manuel Miranda.
July 27, 7-10 p.m. SAG-AFTRA Plaza, 5757 Wilshire Blvd. Our theme for this year’s Summer Intensive is “Be The Room Where It Happens - Create Your Career."
Miranda read a book that moved him. He then took a biography of a seminal figure, an integral part of early American history , at least white peoples’ history, and had an idea, a vision. His take on that chunk of history became music and movement and he told us a story that was mesmerizing. Would Hamilton be the phenomenon it is if there were a bunch of historically accurate white people up on that stage singing and dancing? I don’t think so. Why? I’m not sure, but hazarding a guess, I would say seeing these characters performed by actors of color makes us experience the story with fresh eyes. Those historical figures become more relatable, more here and now, more interesting in the “what if” realm of the imagination.
This panel is chock full of performers who have manifested careers that are diverse and creative.
I know the word “genius” is bandied about like candy canes at Christmas, but there’s no doubt in my mind that Lin Manuel Miranda is one. However, if we break that word genius down, I think there are aspects of genius we each possess, pieces we can water and grow.
INSPIRATION. What inspires you? If we’re going to be the room where it happens, that probably means the room didn’t exist before we became the room. It’s thinking outside of the box, not coloring within the lines. I don’t think Miranda worries about the exact shape and structure of a musical. He gets inspired and creates something new, something we haven’t seen before. What is that in you? If there were no limitations — no worries about money, practicality, time or resources — what story or idea excites and inspires you? What do you fantasize about? What vision can you imagine that’s not yet in the world? CREATIVITY AND CONFIDENCE. I’ve never had the pleasure of meeting Mr. Miranda, but I’m guessing he doesn’t put any limitations on his imagination. He probably doesn’t worry whether his ideas fit in a formulaic structure, if they’re salable, if other people will judge him. I bet he has fun and feels free to manifest whatever he’s imagined. I’m betting his creative streak runs deep, fast and wide. And, with the success he’s had, he’s probably fairly confident that his creativity will be welcomed and rewarded. If you had the time, money or energy necessary, what would you like to create? Maybe start small, something for friends and family. See if it works. Then grow it. MESSAGE AND STORY. Do you ever see a movie or play, or read an article or book, and think, “That’s not my experience, never happened that way for me.” So what’s your story? Tell the story you want to see, share and experience. Maybe you need someone else to write it, but that doesn’t mean you can’t be a creator. We are creative people in an era where there are many platforms and abundant opportunities to perform and communicate, to be and tell the story that is within us. What do you want to say? What’s
Parvesh Cheena (Crazy Ex-Girlfriend, Trans-
formers: Rescue Bots) is also a producer and writer. Janina Gavankar (True Blood, The L Word) is a working musician, singer and dancer. Danielle Pinnock (Young Sheldon, Get Shorty) is a playwright, author, spokesperson and coach. Efren Ramirez (Napoleon Dynamite, Walkout) is a DJ, author and goes on USO tours. Gwendoline Yeo (American Crime, Desperate Housewives) is a playwright, zitherist and clothing designer. Stuart K. Robinson is an acting instructor, a motivational speaker and CEO/ partner at BBR Agency. Moderated by Lee Garlington. CLICK HERE TO RSVP Refreshments and dessert will be served.
your message to the world? What niche do you fill that no one else can? I recently went to the wedding of my friends Michael and Andre, and it was as much fun as I’ve ever had. Why? They completely thought outside of the box. After dinner, the room where they took their vows was filled with a bouncy castle so large it would not fit in my backyard. They came up with something that adults don’t often get to do – especially in gowns and tuxedos – which is jump up and down, fall, roll around and laugh with joy. They created a magical, thoughtful, totally fun experience for all of their guests. Give your imagination carte blanche. Think about the story you want to tell, the part you want to play, the series you’d like to be a part of. Remove limitations, get inspired and allow creativity to blossom. Who knows where it will lead? You can’t possibly know until you give yourself permission to be the room where it happens. 2
HOW TO REGISTER Online Registration Begins Tuesday, July 17, at 10 a.m. Register through our new ONLINE REGISTRATION system. CLICK HERE TO REGISTER FOR CLASSES ALL REGISTRATION MUST BE DONE ONLINE. Be sure to have your selections and backup choices ready in case your first choices have reached capacity. All instructors and guests are subject to change. If substitutions are required, we make every effort to provide instructors with similar skills and experience to those listed in The Focus.
RESERVATIONS ARE REQUIRED FOR ALL EVENTS. Space is limited. Stand-by lines will be available outside of the classroom in case of no-shows. Find your workshops and sign up!
DIAGNOSTIC LABS Sign up for a Diagnostic Session in the Manor House! Get your 15 minutes! The Diagnostic Lab in the Manor House is an opportunity for a private 15 minutes with the instructor of your choice. Get one-on-one feedback from experts! Each lab will be limited to six students,15 minutes for each member. You will be able to choose from eight different instructors this weekend. Come prepared for your 15 minutes. Bring an audition, a monologue, your headshot, demo and/or marketing questions. The more specific you are, the more you can get out of your time. Remember: If you are signed up for a private session with an instructor who teaches standup comedy, don’t bring in a dramatic monologue! Know your chosen teacher’s area of expertise. This is not a substitution for the instructor’s scheduled workshop, but you don’t have to go to their class in order to sign up for the diagnostic.
CLICK HERE TO SIGN UP FOR A DIAGNOSTIC SESSION
Questions? Call (323) 856-7736
SUMMER INTENSIVE TIP #1 BE OPEN! The Intensive is full of new ideas, new technologies, new takes on tried and true methods. So listen with fresh ears and see what you can take away. 3
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WORKSHOP DESCRIPTIONS OPENING NIGHT PANEL Friday, July 27, 7 – 10 p.m. Parvesh Cheena, Janina Gavankar, Danielle Pinnock, Efren Ramirez, Stuart K. Robinson, Gwendoline Yeo, Lee Garlington (moderator) Our theme for this year's Summer Intensive is “Be The Room Where It Happens - Create Your Career." This panel is chock full of performers who have manifested careers that are diverse and creative. Parvesh Cheena (Crazy Ex-Girlfriend, Transformers: Rescue Bots) is also a producer and writer. Janina Gavankar (True Blood, The L Word) is a working musician, singer and dancer as well; Danielle Pinnock (Young Sheldon, Get Shorty) is a playwright, author, spokesperson and coach; Efren Ramirez (Napoleon Dynamite, Walkout) is a DJ, author and goes on USO tours; Stuart K. Robinson is an acting instructor, motivational speaker and CEO/partner at BBR Agency, Gwendoline Yeo (American Crime, Desperate Housewives) is a playwright, zitherist and clothing designer. Moderated by Lee Garlington. CLICK HERE TO RSVP 12 STEPS TO CONSISTENTLY BRILLIANT PERFORMANCES Sunday, July 29, 3:15 – 4:45 p.m. Shaan Sharma This class will be taught by casting session director and working theatrical and commercial actor Shaan Sharma. Learn an approach to masterful on-camera storytelling in this exclusive Summer Intensive-only class, where you’ll learn a 12-step process for preparing your work like a pro for an audition or on-set performance. The key to booking consistently is doing your best work on the first take every time. For that, you need a solid process, pregame ritual and rehearsal network. Come learn a tried and true on-camera acting methodology. shaansharma.com 4 INGREDIENTS TO THE WORKING ACTOR SPECIAL SAUCE Sunday, July 29, 10:45 a.m. – 12:15 p.m. Jona Xiao Actor Jona Xiao will guide you through four essential ingredients to be a consistently working actor that have worked for her and thousands of actors she's taught. You'll learn insider strategies, from standing out in your category to networking and generating your own opportunities, to getting the right rep for you and more. She is also the author of Get Repped! Overcome the 4 Most Common Mistakes Actors Make Seeking Representation. careeractivate.com
5 ESSENTIAL TRUTHS FROM INSIDE “THE ROOM WHERE IT HAPPENS” Saturday, July 28, 1:30 – 3 p.m. Stuart K. Robinson If you’re tired of waiting for the people in the room where it happens to grant you access, you might want to know what’s really going on in there and what you need to bring when the door cracks open a few inches. Instead of the usual advice about what not to do, hear strategies on how to build a successful career from a talent agency owner, former casting director, acting coach and motivational speaker. stuartkrobinson.com ADR LOOPING WORKSHOP Sunday, July 29, 1:30 – 3 p.m. Johnny Gidcomb This class will teach you the nuts and bolts of looping for film and television. Learn the tricks of the trade and explore essential techniques including wallas, donuts, callouts, efforts, pass-bys, and more. Johnny Gidcomb has coordinated loop groups on some of Hollywood’s biggest films. loopdeloop.net AUDITION SECRETS FROM A SERIES REGULAR Saturday, July 28, 9 a.m. – 12:15 p.m. Wendy Davis, Lilach Mendelovich Are you getting in the room for your auditions but not booking? Do you put a ton of pressure on yourself when an audition comes your way? Learn a proven audition technique that will not only help you love auditioning, but book the job as well. Current series regular Wendy Davis and coinstructor Lilach Mendelovich will share their audition secrets in this powerful interactive workshop. These ladies will teach you the exact step-by-step to go from a struggling actor to a series regular. actingpros.com BOOK THE ROOM – HOW TO IMPROVE THE ODDS IN THE ROOM WHERE IT HAPPENS Sunday, July 29, 9 a.m. – 12:15 p.m. Bonnie Gillespie Actors spend lots of energy focused on getting in the room, what to DO in the room, and even what buyers do after they’ve left the room. Of course, it’s the work done before entering the room that makes all the difference. In this lively Self-Management for Actors (SFMA) seminar, we’ll use SMFA tools to create a game plan for teaching the buyers exactly how to cast you. Clear the clutter; book the room. bonniegillespie.com.
CLICK HERE to register for SUMMER INTENSIVE WORKSHOPS 5
WORKSHOP DESCRIPTIONS BOOTH, BODY AND BEYOND: VOICEOVER TECHNIQUES FOR VIDEO GAMES AND MORE Saturday, July 28, 1:30 – 4:45 p.m. Iké Amadi, Kal-El Bogdanove, Chris Faiella Join Kal-El Bogdanove, lead VO and P-CAP director of Fallout 4, for an in-depth workshop on performance techniques to strengthen your booth work across all media and prep you for the unique perks and challenges of working in video games. Come prepared to experiment with body memory, spatial relationships, nonverbals and more. Demo scripts will be available, or bring a piece of your choice. Special guests: voice director Chris Faiella and AAA game veteran Ike Amadi. BRILLIANT AND RESILIENT: HOW TO BE AN ACTOR WHO BREAKS THROUGH Sunday, July 29, 9 – 10:30 a.m. Kristine Oller Who gets to stay in the rooms where things happen? Actors who have both brilliant talent and a resilient spirit. Too often, however, performers grind away with a thick blanket covering their light and a swirl of confusing, self-defeating stories dampening their enthusiasm. But that doesn’t have to be true for you. Join change strategist Kristine Oller for a lively discussion that will deliver significant perspective shifts — and may just revolutionize your world. kristineoller.com, theactorslibrary.com
COMMERCIALS BOOTCAMP Sunday, July 29, 9 – 10:30 a.m. Beth Haynes Join the SAG-AFTRA Commercials Department for an educational seminar for members on the basic terms and conditions of the 2016 Commercials Contract and the 2016 Audio Commercials Contract. The first half of the presentation is based on the life of a commercial from the perspective of a principal performer — from audition to residuals. The second half is from the perspective of a background performer. Topics addressed will include meal periods, when payment is due, wardrobe/fittings and travel time. We will also be giving out prizes during the commercials trivia portion of the seminar.
SUMMER INTENSIVE TIP #2 BE FUELED! There will be two food trucks available but a lot of hungry mouths to feed, so consider bringing your own lunch. Bring extra to share and make new friends!
COMMERCIAL CASTING DIRECTOR PANEL Saturday, July 28, 3:15 – 4:45 p.m. Cathi Carlton, Cori Greenhouse, Michael Sanford Moderated by Shaan Sharma, come learn from a wonderful mix of top commercial casting directors, session directors and working actors about succeeding in the commercial side of the business in this rapidly evolving time. There will be laughs. There will be tears. By the end of it, we’ll all be armed with knowledge and additional insight. Doesn’t it sound just so great?
CREATING IN CHAOS: HOW TO MAKE YOUR CAREER WORK FOR YOU Saturday, July 28, 10:45 a.m. – 12:15 p.m. Saturday, July 28, 1:30– 3:00p.m. (Diagnostic) Alison Robertson Working with Alison Robertson will allow you to challenge yourself and get real about what’s in your way. You’ll learn to set and take strong actions. You will learn how to let your authenticity make you successful. Start believing your dreams are closer than you think. Walk out with gratitude for what you already have and a plan to make life bigger. COMMERCIAL AUDITIONING: THE DO’S AND DON’TS — shecreatesnetwork.com ENJOY THE PROCESS! Sunday, July 29, 1:30 – 4:45 p.m. DEVELOPING YOUR TYPE AND CREATING YOUR NICHE Scott Wissner Sunday, July 29, 3:15– 4:45 p.m. In this fun, informative workshop, Scott Wissner will break Mark Atteberry down the importance of having a commercial technique to The most powerful tool you have as an actor is you. In this succeed in the commercial business. Scott will give out val- workshop, we’ll walk you through a series of exercises uable tips and provide ample time for questions. He will that will help you to define your image (as the industry sees talk about how a casting office likes to work, current trends you) and create your own unique niche. Mark Atteberry, acin the industry and how headshots and resumes should tor and image expert, will teach you how to effectively brand look. Attendees will perform in front of the class and be and market your unique self, capture the attention of the given helpful redirects. cameraleft.com industry and ensure that your career takes a fast track to success. beaworkingactor.com
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WORKSHOP DESCRIPTIONS DON’T GET SCREWED: THE NUTS AND BOLTS OF THE THEATRICAL CONTRACTS Saturday, July 28, 10:45 a.m.– 12:15 p.m. Melissa Antuono, Sabina Sanchez Don’t forget about the business part of show business! In this presentation, representatives from the Theatrical Contracts Department will give an introduction to the contracts that govern projects made for film festivals and movie theaters, with an emphasis on the Low Budget Agreements. The presentation will include a summary of key terms of the various theatrical agreements, as well as frequently asked contract issues, such as per diem, rest periods and late pay. Time will be allotted for Q&A.
FINDING THE EMOTION Saturday, July 28, 10:45 a.m. – 12:15 p.m. Jeffrey Fox Whether it’s working with another actor or simply a camera close-up, oftentimes actors have very little (if any) time to build up to the emotion they’re trying to achieve. Even more challenging, his can happen on the first day of shooting. Through exercises and cold reading, this workshop will help you develop simple techniques to quickly find that emotion so that you’re ready. Jeffrey-Fox.com
GENERAL AMERICAN ACCENT CLINIC Sunday, July 29, 1:30 – 4:45 p.m. Gaby Santinelli ENTERTAINMENT’S SOCIAL MEDIA LEADERS Fact: improving your General American accent can lead to Saturday, July 28, 1:30 – 4:45 p.m. professional acting opportunities. Are you from another Ryan Walker, Inetra Brazil country and wish to master the General American accent? A Summer Intensive exclusive course taught by Ryan Walker Or, are you a North American actor who speaks with a reand Inetra Brazil, this short-form class will be followed by gional dialect and needs to feel confident speaking “neutral” an expert panel of social media leaders including casting American? Get down to the nitty-gritty with L.A.’s coaching professionals, content producers, influencers and executives cowgirl, Gaby Santinelli. She will determine where you are from media companies. Questions are welcome; the goal of today and guide you toward what to do next. To participate, this class is to provide solutions to the social media issues bring two printed copies of a one-minute monologue or text facing the industry now and in the near future. Open to all will be provided. gabysantinelli.com experience levels. Please bring your smartphone. tsmaconsulting.com HOW TO BE THE VOICE OF THE REAL YOU IN THE ROOM Saturday, July 28, 1:30-3 p.m. EXPAND YOUR ACTOR’S TOOL BOX: COMMERCIAL Doug Swander THEORY & VOICEOVER This workshop is for all levels of singers, concentrating on Sunday, July 29, 10:45 a.m. – 12:15 p.m. your voice and defining your instrument. Master your conSunday, July 29, 9 – 10:30 a.m. (Diagnostic) trol, power and belief in your preparation as you enter any Talon Beeson audition room. Be the real, inventive, talented you who Based on the bestselling book Starting Your Career in Voice- walks into the room and commands attention. Overs, this workshop focuses on the seven-and-a-half com- imdb.me/douglasswander mercial VO archetypes necessary to build your stable of commercial reads. Using techniques from Commedia HOW TO BOOK SITCOMS Dell’Arte stock character work, First Folio technique and Saturday, July 28, 9 – 10:30 a.m. Commercial Theory, this workshop allows the actor to deGunnar Rohrbacher velop VO skills and achieve the elusive “one read” that can An overview of working in sitcoms and the incredible comebe used to quickly make strong choices in cold readings for back they’re making on television in 2018. Gunnar will take mic, stage and camera. This workshop is a starting place or you step by step through what it takes to work in TV comerefresher for the VO actor. talonbeeson.com dy. Specifically, he’ll cover script analysis, audition technique and self-taping. He will also detail exactly where acFINDING YOUR AUTHENTIC VOICE tors go wrong in comedy auditions. He’ll give you insightful Saturday, July 28, 1:30 – 3 p.m. information that you can apply to your auditions immediSaturday, July 28, 9 – 10:30 a.m. (Diagnostic) ately. actorscomedystudio.com Nick Leland This class is designed to explore and enhance the actor’s voice through a series of functional integration exercises to free the individual actor’s instrument. We will focus on the areas of warm-up, mindfulness of breathing and breath control, resonating, sounding from center, vocalization, and sensitivity to language and character.
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WORKSHOP DESCRIPTIONS HOW TO WIN A SERIES LEAD BEFORE IT GOES TO CASTING Saturday, July 28, 9:00 a.m. – 12:15 p.m. Joseph Pearlman With 12 clients having booked starring roles this year, Joseph will show you what it takes to launch your career and land a series lead before it goes to casting. Learn to market yourself like a celebrity. Get a game plan that delivers instant results. Discover how to supercharge your audition rate and guarantee audition wins. Select attendees will be coached on currently casting major film/TV auditions to reach their booked-role potential, and experience an undeniable acting breakthrough and transformation. josephpearlman.com
SUMMER INTENSIVE TIP #3 BE PREPARED! The AFI campus is on a hill with lots of stairs, so wear comfortable shoes. Don’t forget the sunscreen, a water bottle to refill — and your Fitbit to count your steps!
JAMISON’S COMMERCIAL WORKOUT Saturday , July 28, 10:45 a.m. – 12:15 p.m. Jamison Reeves With years of experience as a working commercial actor and session runner, Jamison Reeves will use this workshop to walk all participants through the commercial auditioning process, from the first audition to the day of shooting. There will be on-camera work and critique. He will also review your headshots — so be sure to bring a couple with you — then discuss what makes a great headshot and how to use them to get auditions. jamisonreeves.wixsite.com/commercialworkout LOS ANGELES TELEVISION BROADCASTERS Sunday, July 29, 1:30 – 3 p.m. Fritz Coleman, Hal Eisner, Dave Lopez, Eric Spillman This esteemed and seasoned panel of broadcasters will answer questions about their careers as well as any questions about your broadcasting career aspirations. Learn some of the trade secrets from the experts. The scheduled panelists include Fritz Coleman, television weatherman on KNBC; Hal Eisner, In Depth reporter on Fox 11; Dave Lopez, action news reporter on KCBS; and Eric Spillman, morning newsman on KTLA. Moderated by Lee Garlington. MASTER THAT MONOLOGUE Saturday, July 28, 3:15 - 4:45 p.m. Lesly Kahn You’ve got an audition! Yay! Then you see the huuuuge monologue smack dab in the middle of it and you freak out, right? In this class, Lesly Kahn will give you tools to master those monologues and maybe even fall in love with them. Don’t let fear get the best of you. Bring paper and pen. Material will be provided prior to class. leslykahn.com
IN THE ROOM IN THE RIGHT MINDSET Saturday, July 28, 9 – 10:30 a.m. David Westberg Everyone who is comfortable with the audition process please raise your hand. That’s what I thought! Spend 90 minutes with an actor who is also a former agent, manager and casting executive, who will help ease your fears and tribulations. Gain confidence and a positive experience EVERY MIND OPTIMIZATION FOR CREATIVTY TIME YOU WALK INTO THE ROOM WHERE IT HAPPENS. Be Saturday, July 28, 3:15 – 4:45 p.m. there; be in the room! Jessica I. Morales, C.Ht. The start of any creativity begins with your mind. How is INTRODUCTION TO STUNTS PANEL your mind thinking and perceiving? Are you aware of the Saturday, July 28, 10:45 a.m. – 12:15 p.m. associations you have formed that may be creating a menKurt Lott, Mallory Thompson, Banzai Vitale, Garrett tal and creative block? You may be sabotaging your own Warren, Jane Austin (moderator) breakthrough. It is you who has the key to unlock the A panel of stunt coordinators, riggers and performers of all block. This class will be lead through a group visualization generations will uncover how to dive into the world of to connect each participant to their “greater self.” Achieve a stunts. These thrill-loving SAG-AFTRA members of the stunt clearer vision of what you need to move forward. community will share insightful stories and tell you what you beyoubloom.com need to know to join their ranks. They will also address issues, rules and regulations that are necessary for stunt safety. Panelists will include Kurt Lott (Divergent, Titanic), Mallory Thompson (Ready Player One, Westworld), Banzai Vitale (Big Little Lies, The Revenant) Garrett Warren (Ready Player One, Logan). Moderated by Jane Austin (Star Trek: Insurrection, Justified). 8
WORKSHOP DESCRIPTIONS NEW MEDIA 101: PREPARING TOMORROW’S PRODUCERS TODAY Saturday, July 28, 9 – 10:30 a.m. Dan Bowser Are you interested in producing a web series, podcast or feature for an online platform? Do you have questions about the rates, terms and conditions of the 2017 New Media Agreement? Don’t miss this informative workshop led by SAGAFTRA staff. Topics covered will include intent and scope of the New Media Agreements; rates, terms and conditions of the 2017 New Media Agreement including changes from the 2014 New Media Agreement; and Special New Media Agreements, including Non-Dramatic and Podcast Agreements.
PRACTICAL TIPS FOR HOW TO AVOID THE CUTTING ROOM FLOOR Sunday, July 29, 9 a.m.– 12:15 p.m. Jordan Goldman, Jen Krater How can you make it easier for editors and directors to keep you in the final cut? Author and Emmy-winning editor Jordan Goldman, ACE, will demystify the editing process as he explains the key things professional actors should — and should not do — to ensure their on-set performances make it to the screen. Then, acclaimed acting coach Jen Krater of Krater Studios will teach the audience how to perform these simple but crucial skills. Come learn what is needed of you, and how to do it! editorsadviceforactors.com/#author, kraterstudios.com/about
NEXTGEN PERFORMERS — A PRIMER FOR THE MODERN - DAY ACTOR Sunday, July 29, 9:– 10:30 a.m. NextGen Performer (NGP) SubCommittee Members NGP is here for you! Join our panel discussion — — on everything from social media to self-producing to creating community — — with working actors on SAG-AFTRA’s NextGen Performers Subcommittee. NGP is a cutting-edge community of performers who are the future of the entertainment industry. Learn how NGP can help you take advantage of all the benefits the union has to offer. CLICK HERE for more information about NextGen Performers.
PREPARING THE AUDITION Sunday, July 29, 10:45 a.m. – 12:15 p.m. Rob Brownstein In this workshop, we’ll take a look at auditioning, from preparation to execution. We’ll talk about some do’s and don’ts, some effective ways to break down scenes and material. We will also focus on learning lines, relaxation, what to wear, working with directors and/or casting directors, self-taping — theatrical and commercial. And most importantly, being personal and bringing you to the work. Make your auditions count. anactorsspace.com
OWNING THE ROOM: CREATING COURAGE Saturday, July 28, 1:30 – 4:45 p.m. Karen Austin Given the opportunity to express yourself, where do you stop and what do you stop yourself with? Award-winning actor Karen Austin unpacks self-sabotage, your discomfort zone, the leap into strong choices, and practical strategies for finding your edge in auditions and on sets. You’re either dangerous or you’re dead. There will be several group exercises. A few participants may perform on-camera, time permitting. karenaustinacting.com
SUMMER INTENSIVE TIP #4 BE SOCIAL! Spread the word on social media about the Summer Intensive and the SAG-AFTRA L.A. Conservatory while you’re attending!
REMOVING YOUR SUBCONSCIOUS BLOCKS Saturday, July 28, 9 a.m. – 12:15 p.m. Sunday, July 29, 1:30 – 3 p.m. (Diagnostic) Kym Jackson Author of The Hollywood Survival Guide, Kym Jackson will share a variety of tools to enable you to recognize, locate, and clear blocks from your past. Procrastination, anxiety, feeling unworthy, clutter and fear of taking chances are all products of past experiences or influences that your subconscious has not resolved. These blocks may be preventing you from reaching your full potential. Clear your mind and your life so you can become the best version of you and finally live the life of your dreams. HollywoodsGuide.com RESIDUALS OVERVIEW Sunday, July 29, 9 – 10:30 a.m. Amrah Vargas, Shawna Wood In this presentation, staff from the Residuals Claims Department will give an introduction to residuals for theatrical, television and new media productions. The presentation will include eligibility criteria, a summary of determining applicable residuals, key terms and tips for recordkeeping in case a claim is required. Time will be allotted for Q&A.
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WORKSHOP DESCRIPTIONS SCENE BREAKDOWN AND AUDITION TECHNIQUE Saturday, July 28, 3:15 – 4:45 p.m. Aaron Pont This workshop helps actors to make strong choices using the writers’ intention and the camera, understanding that the filmed audition is just you. The camera can be your best friend. Learn how to understand what is going on in the scene and how to make it real. This workshop will also include acting techniques that simplify the audition process and allow a moment-to-moment freedom while continuing to build the strongest scene. Never abandon the intent of the dialogue and have fun.
SELF-TAPING SOLUTIONS FOR ACTORS Saturday, July 28, 1:30 – 3 p.m. Saturday, July 28, 3:15 – 4:45 p.m. (Diagnostic) Sunday, July 29, 3:15 – 4:45 p.m. Tim Powell In this workshop, Tim Powell will help you discover how to record professional-quality auditions and deliver them directly to agents and casting directors. He shares his expertise on how to produce clean, high-quality video audition uploads on a restricted budget. auditionsup.com
STANDUP COMEDY FOR THE ACTOR Sunday, July 29, 1:30– 3 p.m. SIMPLIFY YOUR IMPROV Sunday, July 29, 3:15– 4:45 p.m. (Diagnostic) Saturday, July 28, 3:15 – 4:45 p.m. Jonathan Solomon Nathan Ray Clark What happens if you apply the ideas that a comedian emWhen learning improve, actors often try too hard. They will ploys to get laughs to the craft of acting? As you’ll discover make overcomplicated or ungrounded choices because they in this fun, hands-on workshop taught by former Late are in their heads, not working off their partner, or they are Show with David Letterman regular Jonathan Solomon, the desperate to get laughs. All of these bad habits inhibit one’s results are amazing! Even if you have zero interest in beability to be a better improviser. In this workshop, you will coming a comedian, you will benefit from this workshop. learn tips and exercises designed to help you be present in This will help you find an agent or a better agent, book your improvisation. Stop doing too much and remember, less more auditions and make yourself memorable to casting is more. universalimprov.com agents, showrunners and directors. Make any role uniquely your own. schoolforstandup.com SINGLE-CAMERA DRAMA SCRIPT ANALYSIS Saturday, July 28, 9 – 10:30 a.m. STANDUP COMEDY WORKSHOP Michael Bradley Saturday, July 28, 1:30– 3 p.m. This workshop will analyze a one-hour drama from an acCorey Craig and Matthew Moore tor’s perspective using analytical and comparative reading Learn how to make your life experiences the subject of a techniques that focus on character development and prem- “killer” standup set! This workshop will go over the basic ise, the purpose or writer’s intension. This will be accomrules of standup, including joke format, setup, premise, plished through the use of biographies, statements, facts, in- stage etiquette. Selected individuals will have the opportentions, imagery, activities and rehearsal plans. We will tunity to test out freshly minted material before the end of concentrate on creating and trusting an actor’s process so the workshop. Learn the tools to bring out your inner comthat magic is captured on the screen. A script will be provid- ic, all within a supportive and encouraging atmosphere. ed as a PDF prior to the meeting to read, print and bring for coolbeanscomedy.com the workshop. imdb.me/michael.bradley THE 4 KEYS TO BUILDING RELATIONSHIPS: SOCIAL MEDIA AND IRL Sunday July 29, 1:30– 3 p.m. SUMMER INTENSIVE TIP #5 Ben Whitehair You’ve heard that this business is about “networking” and BE COURTEOUS! “relationships.” But what does that mean? How do we build those? How can we use social media rather than be This program is run by volunteers used by it? Come learn about how to create genuine, authentic relationships — — on and off line. You will come working hard to make the weekend away with guidelines to move beyond your confusion or run smoothly, so please be patient, be intimidation by social media in your life and career. considerate and bring a good attitude. benwhitehair.com
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WORKSHOP DESCRIPTIONS THE 21st CENTURY ACTOR PREPARES Sunday, July 29, 1:30 – 4:45 p.m. Kevin McCorkle In this workshop, we will examine what it means to be more proactive in your career and how to prepare yourself for opportunity when it presents itself. We will explore ways to create opportunity. Art balanced by economy is the zone we all want to inhabit; there are so many growing opportunities for both. This workshop provides foundational information to serve as a springboard to dive into the waters we all want to swim in.
TURN UP YOUR PILOT LIGHT Sunday, July 29, 10:45 a.m. – 12:15 p.m. Barbara Deutsch This workshop will give you the tools you need to raise the stakes and opening a clear path to success. When you get triggered at a crucial moment and you begin to lose yourself, this is where Barbara Deutsch’s approach comes in. She will have you ready for any audition, meeting or networking event. Barbara’s result-achieving exercises and role plays will leave you fired up, ready to take on this demanding and challenging market. thebarbaradeutschapproach.com THE ART OF PROMO AND NARRATION TURN YOUR LIFE EXPERIENCES INTO CREATIVE Saturday, July 28, 10:45 a.m. – 12:15 p.m. CAPITAL Iké Amadi Saturday, July 28, 9 – 10:30 a.m. What is it that makes a compelling promo or an engaging Melissa Center narration? Both remain highly sought after but genuinely How would you like to leverage your strengths into tangidifficult to decipher, let alone master. In this workshop, we’ll ble results? Melissa Center will break down how to transdevelop and explore the tools necessary to build the skills form challenges into art. She will take you step-by-step specific to these storyteller arts. Award-winning actor Ike through how she created, wrote, funded and produced an Amadi will answer your questions and break down the craft original web series, a feature film with distribution on Amin easily relatable terms and methods. No gimmicks or pre- azon, in China, a short film on the festival circuit, and an tense — just the simple truth of the work. eBook. melissacenter.com THE SECOND CITY: IMPROV Sunday, July 29, 10:45 a.m. – 12:15 p.m. Carrie-Ann Pishnak, Jamison Scala Take your stupid seriously! For 58 years, The Second City has created a wealth of comedic material through the art of improvisation from legendary performers such as Tina Fey, Gilda Radner, Steve Carell, Keegan-Michael Key and Stephen Colbert. In this workshop, we’ll go over the basics of improv, get you on your feet and start to build an ensemble mentality of support through the art of “Yes; and!”secondcity.com THEATRICAL CASTING DIRECTORS Sunday, July 29, 3:15– 4:45 p.m. Twinkie Byrd, Jenny Jue, Rich Mento, Mark Teschner, April Webster We are closing this year’s Summer Intensive with a Q&A panel of powerhouse theatrical casting directors in LA: Twinkie Byrd (Fruitvale Station, Southside With You, Being Mary Jane); Emmy award winner Jenny Jue (Inglorious Bastards, Okja, Snowpiercer); Rich Mento (Warm Bodies, Remember Me, Dear John); Mark Teschner, (1,976 episodes of General Hospital); and April Webster (Star Wars: The Force Awakens, Star Trek, Mission Impossible 3). Moderated by Lee Garlington.
VOCAL FREEDOM FOR THE ACTOR Sunday, July 29, 9 – 10:30 a.m. Sunday, July 29, 10:45 a.m.– 12:15 p.m. (Diagnostic) Tamara Silvera This workshop is designed to reawaken and demystify the relationship you have to your voice. We explore the mechanics of a free voice with a combination of exercises inspired by the Alexander Technique and the voice theories of Kristen Linklater and Patsy Rodenburg. You gain an understanding of how to operate your voice with ease and confidence. The exercises improve your tone and stabilize your breath. Gain practical tools that you can turn to when the inevitable challenges of performance arise. Own your voice. tamarasilvera.com
SUMMER INTENSIVE TIP #6 BE DRIVEN! The AFI campus has limited parking so arrive early to get a good spot. Better yet, carpool, take the metro or use a ride-sharing service.
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WORKSHOP DESCRIPTIONS VOICEOVER ACTING FOR FILMS AND TELEVISION Saturday, July 28, 9 – 10:30 a.m. Donna Grillo Voice and casting director Donna Grillo will lead a mock voiceover audition with selected participants as well as take questions about the business and trends of voiceover acting for animation, games and commercials. donnagrillo.com WHAT IS PERFORMANCE/MOTION CAPTURE? Sunday, July 29, 10:45 a.m. – 12:15 p.m. Janina Gavankar, Richard Dorton, Jason Liles, Woody Schultz, TJ Storm, Kim Estes (moderator) Used in military, sports, filmmaking and video game development, motion capture refers to recording actions of human actors and using that information to animate digital character models in 2D or 3D computer animation. To enlighten our members on this sector of our world, we have assembled a panel of some of the best and brightest in the performance capture industry: Janina Gavankar (True Blood, Sleepy Hollow), TJ Storm (Punisher, Call of Duty: Black Ops 4), Jason Liles (Rampage, Death Note), Jeffrey Fox (The Amazing Spider-man, John Carter), Richard Dorton (God of War, Resident Evil 5) and Woody Schultz (Avatar, Polar Express) YOU’RE NOT GOING TO MISS YOUR SHOT – CONFIDENT ON-CAMERA AUDITIONING Sunday, July 29, 1:30 – 4:45 p.m. Loren E. Chadima Ever walked away from an audition thinking, “Ugh, if I’d only had more time to prepare?” It’s not about how much time you have to prepare – it’s about how you prepare. Yes, you can master your nerves and the moment. Stop “winging it” and learn how to prepare to book the job — in 5 minutes or less. Be ready to work in this class! You’ll get up, audition, get feedback that makes a difference instantly and learn tools to prepare and improve your audition — and get up and audition again. The9Questions.com
THE COMMITTEE SAG-AFTRA LOS ANGELES CONSERVATORY COMMITTEE Jane Austin - Co-Chair Kevin McCorkle - Co-Chair Karen Austin Jen Faith Brown Charles Carpenter Jeffrey Fox Kim Estes Greg Evigan Lee Garlington Murisa Harba Kym Jackson Nicholas Leland Deven McNair Gaby Santinelli Shaan Sharma Wynter Spears Joseph Tran Ryan Walker Angela Watson
SPECIAL THANKS It takes a village to bring you the Summer Intensive each year. It would not be possible without the dedication, time and energy from the following people who deserve to be recognized: our amazing SAG-AFTRA staff liaisons Serena Kung, Jacqueline Perez, Victoria Hoffman and Rosario Sandoval; the Summer Intensive Subcommittee members Kim Estes, Lee Garlington, Wynter Spears, and Mari Weiss; the other members of the Los Angeles SAG-AFTRA Conservatory Committee, especially Jane Austin, who is the woman in charge of the parking; Tim Powell and Joseph Tran, managing all of our audiovisual and technical needs over the weekend; and John Woodard, who provides us our food. Most importantly, of course, are our phenomenal volunteers, who join us, year after year, to make this a spectacular event. We could not do this without the village of volunteers we are blessed to have as part of our team. 12
FREQUENTLY ASKED QUESTIONS HOW MUCH DOES THE EVENT COST?
HOW WILL I KNOW IF I’M CONFIRMED?
Absolutely nothing! The Summer Intensive is included in your Conservatory registration fee.
After you log in to the SAG-AFTRA website, go to the Summer Intensive registration page and scroll to the bottom for your personal schedule.
DO I NEED TO REGISTER FOR EVENTS? Yes! Space is limited. All events require online registration. HOW DO I REGISTER? SAG-AFTRA Conservatory members must RSVP online here. There will be no phone or in-person registration available. WHO CAN I CALL IF I HAVE PROBLEMS LOGGING IN? If you need assistance with your login and password, please call (323) 549-6789. WHO CAN I CALL FOR GENERAL QUESTIONS ABOUT THE SUMMER INTENSIVE? Please call (323) 856-7736 between the hours of 10 a.m. — 1 p.m., 2 p.m. — 5 p.m.. NOTE: There will be no phone registration available. CAN I BRING A GUEST? The Summer Intensive is only open to current Conservatory members. All members must RSVP for themselves and cannot bring guests. CAN I LEAVE HALFWAY THROUGH ONE WORKSHOP TO GO TO ANOTHER?
CAN I JUST SHOW UP AND SEE IF THERE ARE ANY NOSHOWS? Please check with the Conservatory office in the Mayer Library Building for any class openings. Otherwise, feel free to go to the classroom and wait in the standby line. Please note that classes will be overbooked to account for no-shows. IS THERE A LIMIT TO HOW MANY WORKSHOPS I CAN TAKE? No, as long as your classes don’t overlap, feel free to take advantage of as many workshops as you can. CAN I RECORD THE CLASSES ON MY PHONE OR COMPUTER? Recording is absolutely prohibited and if you are caught doing so, you will be asked to leave the workshop. WHAT HAPPENS IF I AM LATE TO A WORKSHOP? Workshops close 10 minutes after the scheduled start time, after which you forfeit your reservation. We ask that you please arrive early or on time to avoid disruption to the class. HOW DO I KNOW WHERE MY CLASS IS LOCATED? There is a map of the campus on page 15. We will also have maps posted around campus. Should you need additional assistance, please come to the Conservatory office in the Mayer Library Building or ask one of our friendly volunteers.
No. Each member can only be registered for one workshop and attend one per time slot. Doors will close for all workshops approximately 10 – 15 minutes after starting. SHOULD I BRING HEADSHOTS AND MY RESUME? WHAT IS THE BEST TIME TO ARRIVE? We suggest arriving early. Parking is very limited on the campus, as this is our busiest weekend of the year. WHERE DO I PARK? Limited parking is available on the AFI campus as well as at the Immaculate Heart High School. Parking will be provided on a first-come, first-served basis. Please be kind to volunteers who will be available to assist with parking directions. If you arrive late, be prepared to hike up the hill to get to your classes. If you are directed to park off campus, please read street signs carefully. We will not be responsible for parking tickets. We recommend carpooling or taking alternate methods of transportation. See the back page for suggestions.
Yes. As an actor, your headshot and resume are your calling card. You should always have them with you. OTHER THAN HEADSHOTS, IS THERE ANYTHING ELSE I SHOULD BRING? Be sure to bring your own pens and paper. For your convenience, we also suggest bringing your own lunch and water bottle. WILL THERE BE FOOD AVAILABLE? There will be two food trucks available to purchase food and drinks on the lunch break. To avoid long lines, we recommend that you bring your own lunch. WILL WATER BE AVAILABLE? There are several water fountains on campus, so be sure to bring your own water bottle and fill up throughout the day to stay hydrated.
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FROM THE CHAIRS My fellow co-chair Jane Austin and I are excited to begin the new season of the L.A. SAG-AFTRA Conservatory. With the help of the committee, we’ve brought in new teachers, experts and speakers and purchased another camera and equipment to enhance and support the benefits you receive from your membership and involvement in the conservatory program. Remember to keep your iActor page current to take advantage of all of the casting opportunities in this year’s upcoming AFI films and projects. Be sure to check your emails regarding new classes, self -taping and other new and valuable opportunities we will be rolling out and offering for the new season. We will continue to ask for your feedback, entertain your suggestions and work together with the committee and outside professionals to bring you the most up-to-date classes, panels, expert speakers and relationship-building opportunities to help you move your career forward and encourage your success. As we end this season with the Summer Intensive and then start the new year, Jane and I as well as the entire committee and volunteers look forward to all of the opportunity, creative growth and career-building that will take place at AFI and 5757 Wilshire Blvd. We also invite you to volunteer your time and experience when you can to make your experience more valuable and build creative relationships. Let’s make this year a year of growth, career-building, relationship forging, preparation for opportunity and creative vitality. Please use the benefits of the Conservatory to become the best actor that you can be this year. It takes a group effort for any one of us to succeed. We are fortunate to have the Conservatory as one of the groups helping us to continue and enjoy our creative journey. Jane and I, along with the Conservatory Program Manager Victoria and the rest of the committee look forward to seeing you and working with you in this new season. Kevin McCorkle, Co-Chair L.A. Conservatory.
SUMMER INTENSIVE TIP #7 BE A PRO! Just like an audition, you should be on time, be prepared, and if you cannot make a class, please let us know.
NEW SEASON ENROLL FOR THE 2018-2019 SAG-AFTRA L.A. CONSERVATORY The Summer Intensive marks the end of activities for the 2017-2018 SAG-AFTRA Los Angeles Conservatory season. IT’S TIME TO REJOIN! NEW SEASON NEW SCHEDULE The 2018-2019 season will run through April. To enroll online, CLICK HERE.
ONLINE CASTING DATABASE WITH iACTOR As part of your SAG-AFTRA Conservatory membership, you are part of an exclusive database of actors eligible for casting in AFI first-year-cycle films and projects. To be considered, you must create and keep your iActor profile updated. Be sure to indicate an age range and portrayable ethnicities, upload headshots and add links to your website and reels. You must have an iActor account to be selected for AFI projects. To register or update your iActor account, go to: sagaftra.org/iactor-online-casting 14
LOCATION OF CLASSES Navigating the AFI Campus can be a little tricky. To the right, you will find a map of the campus with each building marked. Note: The campus is located on a hill and there are quite a lot of stairs to go from one building to the next. Be sure to wear comfortable shoes.
LIB: MAYER LIBRARY BUILDING FIRST FLOOR FB: FRANKOVICH BARNES SCREENING ROOM LIB: 102 SECOND FLOOR MGSR: MARK GOODSON SCREENING ROOM
WB: WARNER BUILDING
Reservations are required for all events.
FIRST FLOOR TED ASHLEY SCREENING ROOM WRATHER A WB 102 WB 106 WB 107 WB 110
Registration begins on JULY 17 at 10 a.m. CLICK HERE TO REGISTER
MANOR HOUSE
Questions? Call (323) 856-7736
SPACE IS LIMITED.
Classes and diagnostic sessions held on the first floor in the conference room.
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AMERICAN FILM INSTITUTE We are located on the campus of The American Film Institute 2021 N. Western Ave. Hollywood, CA 90027 From the Golden State Freeway (I-5): Exit Los Feliz Boulevard West. Drive approximately two miles on Los Feliz past Griffith Park until Los Feliz curves sharply to the left before becoming Western Avenue. The AFI entrance is the first driveway on the right. If you pass Franklin Avenue, you have gone too far.
AFI PUBLIC TRANSIT MAP GO GREEN TO THE SUMMER INTENSIVE Red Line to Hollywood/Western: from Downtown and North Hollywood Metro Bus to Hollywood/Western: 180, 181, 217, 757 and Rapid Bus and 780 Metro Bus to Franklin/Western: 207 and Rapid 717 Call 1-800-COMMUTE or visit metro.net for times and fare. Hollywood Dash to Franklin/Western (ladottransit.com/dash for times and fares)
Tips for riding your bike: Ride like you drive (in the direction of traffic, signal when turning, stay out of the door zone). You can take your bike on all Metro trains. All Metro buses have two racks on the front of the bus (Dash does not have racks). Bring a lock for your bike to lock it up during classes (there are some trees and high poles to lock to). Wear sunblock. Hydrate. Bring baby wipes to freshen up. Rules of the road and more tips on illuminateLA.com.
2021 N WESTERN AVE LOS ANGELES, CA 90027
(323) 856-7736
CONSERVATORY@SAGAFTRA.ORG SAGAFTRA.ORG/LACONSERVATORY