CELL - O

JANUARY ISSUE

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Interview by Domenica Beggar’s Unite Deception Disney Kid’s

Black Inv en t

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TABLE OF CONTENTS

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Beggars Unite, p4-5 The Rise of Disney Kids, p 6 - 12 Deception, p 16 Stop Crying, p 17

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The Catalytic Vision’s of CELL -O, p 18 - 29

Is this you?

Beggar’s Unite We do our best trying to connect with them, but all they want is our money. Nothings good! When talking to them, it’s like pulling teeth. They act like you owe them something, instead having an engaging conversation. When dating them, it’s like they want you to pay for everything like: their hair, nails, clothes, and shoes. What do we get? WTF But, when you want some of that good-good, they act like prostitutes. You got to wine and dine them, give them more and more conversation. Sale them a dream, take them around world, play their games, tell them how beautiful they are.

So you can hear their cries and catch those tears falling frequently down their faces.

Let’s not talk about those individuals who want to control the situation. As they talk, you should listen. As they walk, you should hold their bags. As they walk to the door, you should open it all the time – like they don’t have hands and feet to do it their dame self. As they sit, you should service their every need.

Is this bitter or what? Yes, sound like your bitterness to me, but not all women’s are like that. There are good women out here that are not “GOLD DIGGERS!” We carry ourselves like a young lady and know how to engage in a conversation and don’t need a man to supply those materialistic things to enhance ourselves. When a women and a man go out on a date she knows right then and there if she’s going to give up the bootie. If a man lacks in certain area like; conversation, looks, attitude then believe me that’s the end of that date and we’re losing your number.

A real woman wants a man to respect her and treat her like a lady, not like a hoochie momma. But, it’s also how you carry yourself which plays an important part on how a man will treat you.

Are these people beggars? Yes, they are beggars and forever needing a man to take care of them. They are always looking for a man to validate who they are. Real women don’t need a man to validate who she is, because she knows her worth. Many beggars have low self-esteem and looking for love in all the wrong places. I believe these women’s have been through a lot in life which has made them who they are whether it’s good or bad.

Are these individuals you? No, this individual isn’t me at all.

But, I could see if I had allowed my past to dictate my future I could have possibly been a beggar. I don’t have to play games to get what I want and I work hard to make sure I have the things I want. I don’t look to a man for things and they look for the good, good in the end. If your focus is trying to get my good, good then you have lost me totally. It’s more to me than just sex; I have a personality, sex appeal, to go along with yet carry myself as a lady and wanted to be treated like a lady. Now, if I choose to give up the goodies, it’s because, I wanted to, not because you wanted me too.

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Where It’s At...Part IV The Rise Of The Disney Kids!...

(OR - Do You Really Trust That Cartoon You See?) A living document that changes...

A document dedicated to “ROCK” spirit and attitude!

And ROCK! This is where the epicenter of the worldwide movement is friends, it looks small now, but you’re all being cool and signing on...and we see you showing up on our http server with your IP’s and you wouldn’t believe how many more of you are all comin’ through our portal.

Cool grooves and way cool enough. And we know that what you’re about to read is a little strong, but with a war going on, now is not the time to just sit there. We’ll see ya at the finish line and bring your friends, then we’re gonna have a party and that’s gonna be a lot of fun...for all of us! Just dig what Brian’s got to say, that’s all.

L. Lewis/CEO Worldwide TMA

By Brian Sidler - Former Music Writer For Chicago Music Magazine (Chicago, IL 2 SEP 2008) You can bet we’re more than happy that the programming heads in the media centers of America are listening to us...jeez....we can just about bare an hour of listening to radio again. They’re all aping our groove!!! The creative departments, A&R Departments and others in that food chain have been gandering at us since the 31st of August in 2006 and within one and a half months rap fell off the late night magazine shows, all six of ‘em. We started playing Phoebe Snow in our lineup, nine days later, an old Saturday Night Live episode aired with her as the guest artist of the week. We started playing Dr. John and The Night Tripper...now there’s a new television series using the very same track advertising it...we didn’t catch the name...we’ll add it later. And then the heads over

at Columbia finds this bunch of youngers called Metro Station (Miley Cyrus’ (a Disney Kid) little brother) with a 2007 single called “Shake It”...and guess what, it actually sounds like music (a little disco-ey Like Miley’s stuff but oh, well - it beats a blank)...and all the little girls are nuts about ‘em. It’s an upbeat tune too. It exploits sexual undertones...but that’s what teenagers are about, raging hormones. We also think that the insipid keyboard intro’s on every single cut are a bit pedestrian too...perhaps one day they’ll mature musically, and so will their producers...whoever the fuck they are. Yet still the music market is trying to define itself and it’s still confused. The late Twenty-something, Thirty-something and early Forty-something dweebs in the A&R departments are groping to find a groove, hey they ought to just ask US, instead of aping our groove or trying to!...Well let’s just say the last few months haven’t been that good.

Gnarls Barkley - Hey that was a cool release...Amy Winehouse - another good one, or single anyway...too bad she’s all fucked up, huh?

So back here in Chicago, Hip Hop and Rap have been marginalized to only two radio channels and as an afterthought on two others...and none of it, and no one who would even think of open format programming, would play any of that stuff in a serious lineup of music. The reason for that? It’s not too inventive! The same old minor 7th keyboard vamps with an emphasis on the down beat. Hey did you ever wonder why the arrangements are so sparse? You think it’s an expression of style? Nope...it’s an expression of “can’t play much more than a bunch of single finger, hen plucking notes” in some kind of coherent fashion: Which should distinguish itself as music, right? Yeah right!!!

But it’s the sex crazed little pre-teen and teenage girls that have driven the trends for the worlds musical community for quite a long time. Especially the little girls in America. As America goes, so goes the world.

Other than the Brits, there is no other country in the world that has been as successful promoting “their tastes” to the biggest music market. Well, let’s say Jamaica has had a bit of a say too, and leave it at that.

So what was in the background the whole time molding the generations of American youth? Cartoons! Lots and lots of cartoons! Merry Melodies, Looney Tunes, Popeye, The Super Hero’s of Marvel, D.C. and the like. And the Granddaddy of them all, Walt Disney!

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Later there came the Anime from Japan and of course, how can we forget The Transformers!

Why is this significant?

Here’s one more piece of information before we contemplate that.

In 1967 the MPPDA (Motion Pictures Producers and Distributors Association) dropped the Production Code, also called the Hays Code, which all film makers and television producers that up till then, adhered to, reluctantly since around 1930. “In the early 1960s, films began to deal with adult subjects and sexual matters that had not been seen in Hollywood films since the early 1930s. The MPPDA reluctantly granted the seal of approval for these films, but not until certain cuts were made. The Code was finally abandoned in 1967.” (Wikipedia) Here’s the provisions of that code: The Production Code enumerated three “General Principles” as follows: 1. No picture shall be produced that will lower the moral standards of those who see it. Hence the sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin. 2. Correct standards of life, subject only to the requirements of drama and entertainment, shall be presented. 3. Law, natural or human, shall not be ridiculed, nor shall sympathy be created for its violation.

Specific restrictions were spelled out as “Particular Applications” of these principles: * Nudity and suggestive dances were prohibited. * The ridicule of religion was forbidden, and ministers of religion were not to be represented as comic characters or villains. * The depiction of illegal drug use was forbidden, as well as the use of liquor, “when not required by the plot or for proper characterization.” * Methods of crime (e.g. safe-cracking, arson, smuggling) were not to be explicitly presented. * References to alleged sex perversion (such as homosexuality) and venereal disease were forbidden, as were depictions of childbirth. * The language section banned various words and phrases that were considered to be offensive. * Murder scenes had to be filmed in a way that would discourage imitations in real life, and brutal killings could not be shown in detail.

“Revenge in modern times” was not to be justified. * The sanctity of marriage and the home had to be upheld. “Pictures shall not imply that low forms of sex relationship are the accepted or common thing.” Adultery and illicit sex, although recognized as sometimes necessary to the plot, could not be explicit or justified and were not supposed to be presented as an attractive option. * Portrayals of miscegenation were forbidden. * “Scenes of Passion” were not to be introduced when not essential to the plot. “Excessive and lustful kissing” was to be avoided, along with any other treatment that might “stimulate the lower and baser element.” * The flag of the United States was to be treated respectfully, and the people and history of other nations were to be presented “fairly.” * The treatment of “Vulgarity,” defined as “low, disgusting, unpleasant, though not necessarily evil, subjects” must be “subject to the dictates of good taste.” Capital punishment, “third-degree methods,” cruelty to children and animals, prostitution and surgical operations were to be handled with similar sensitivity.

After reading the preceding, perhaps in retrospect of your own life you may find why it was necessary to have such a code. Human beings are frail. Their psychology can be led to excess in any direction quite easily. Most, though many would not admit to it...have no real imagination or independent critical thought. Sad but true nonetheless. Back to why Disney and the rest of cartoondom became significant.

In the early years of television (in America) the TV set became the first defacto “babysitter” or kid occupier while Mom tended to the house or other cares. Back then there wasn’t much need to monitor what the kids were watching...there were only 3 National channels one PBS station and most cities had their local programming as either affiliates of the majors or independent stations.

Cartoons were an extension of slapstick comedy. Anything could happen to the character being “slapped” around on the screen and there would always be, to some extent or another, a happy ending where everything survived to be slapped around another day. Buster Keaton, Red Skelton, Charlie Chaplin, The Three Stooges, The Marx Brothers, Abbot and Costello, and many others that followed in those footsteps made us laugh till our sides bust. The good thing was and still is, nobody took it literally. Anyone who watches this understands up front, it’s humor not real life. It’s an exaggeration that amplifies abuse of something or someone to such extent that it can’t be taken seriously.

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Walt Disney was one of the fathers of early animation. Felix The Cat was replaced by Tugboat Willie and he became Mickey Mouse. Disneyland was a kids biggest dream...all of us wanted to go there. To this day, the Disney brand is unparalleled in amusement and fantasy parks...and they are all over the world. But you know that, right?

The original Mouseketeers of the Mickey Mouse Club were the models of behavior for many kids who saw early childhood in the mid to late 50’s. There was always a wholesome moral undertone to the show and short skits to demonstrate what being a good person was meant to be.

Many kids wanted to be Cubby or Annette. All of us loved this show.

In retrospect it espoused conservative values and promiscuity was nowhere in site...not in this show! As an aside, the closest thing that we knew in terms of promiscuity was Olive Oil’s obsession for Popeye!

Sadly Walt Disney died in 1966 of lung cancer. Also along with Walt, we must mention his peer and colleague, Tex Avery - remember Bugs Bunny, Daffy Duck and Porky Pig? Who doesn’t?! God bless both of ‘em, may they rest in peace.

Isn’t it ironic that right after Walt died, within a year...Hollywood and New York rejected the Production Code as a standard.

Well the original Mouseketeers only lasted on ABC until 1959. Later on The Mickey Mouse Club was revived for a short run towards the end of the 70’s with a disco flair...but wasn’t too successful. Then came the 90’s.

We’ll get to that in a bit.

What happened to the Disney Brand after Uncle Walt died? Well it lost its center and core values. It aimed at selling rank consumerism as a substitute for educational programming. That’s what the original series of the 50’s was all about. Sadly, even back then...educational programming wasn’t a commercially viable medium of expression and had been relegated to the PBS as its only means of dissemination...like Sesame Street and Mister Rogers. But then, “Corporate America” had gotten a hold of Disney sans Walt. And its mission was and still is; to sell, sell, sell! And the art department? ? It’s being run by a bunch of left wing gay guys...them, Pixar...it’s all the same. We do want to congratulate them on the release of Ratatouille and Meet The Robinson’s (Keep Moving Forward was the underlying theme of the whole movie and they quote it in the end of the flick...Who’s quote? Walt Disney, of course)...

Those were good cartoons!

Television is a very persuasive and powerful medium for mass information.

Duuuhhhh, right? The most powerful commercial engine of our times along with the Internet and radio. See our previous article entitled, “Where It’s At...

My Babies...Part III - Television, The Visual Garbage Can”. And the Internet?

An extension of television on demand...which also happens to link Point Of Sale purchase from your comfortable armchair seat. Advertising is something you can’t escape if you choose to expose yourself to the use of either of these mediums. Hey listen to the cut by Dr. 8 (their profile is in our top friends list) called Big Brother...it’s all right there in the lyrics.

How powerful are cartoons? They use the darn things as the arbiters of what we should all buy! The most powerful ads have been running for quite sometime now like the GEICO GECKO (we love it) and e-surance.com and the like. You know what we mean, right?

Enter the Stage Mom’s and Dad’s. These people are the obsessed individuals who bring their kids into the spotlight for fame and fortune. To some it could be viewed as child torture. After all, look what happened to Michael Jackson (of course in his case his father, Joe Jackson was the driving force behind his dysfunction). And what about poor Jon Benet Ramsey?

Here’s a short list of famous stage mothers: * Jaid Barrymore (mother of Drew Barrymore) * Jane Carter (mother Nick and Aaron Carter) * Carol Connors (mother of Thora Birch) * Lillian Coogan (mother of Jackie Coogan) * Ruby Dandridge (mother of Dorothy Dandridge) * Tina Douglas (mother of Ashanti) * Susan Duff (mother of Hilary and Haylie Duff) * Evelyn Foster (mother of Jodie Foster) * Ethel Gumm (mother of Judy Garland) * Maria Gurdin (mother of Natalie Wood) * Lynn Harless (mother of Justin Timberlake) * Wanda Holloway (The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom) * Rose Hovick (mother of Gypsy Rose Lee and June Havoc) * Tina Knowles (mother of Beyonc� and Solange Knowles) * Dina Lohan (mother of Lindsay and Ali Lohan) * Minnie Marx (mother of The Marx Brothers) * Lesley Panettiere (mother of Hayden and Jansen Panettiere) * Johnnetta Patton (mother of Usher) * Patsy Ramsey (mother of JonBen�t Ramsey) * Lela Rogers (mother of Ginger Rogers) * Teri Shields (mother of Brooke Shields) * Lynne Spears (mother of Britney and Jamie Lynn Spears) * Sara Taylor (mother of Elizabeth Taylor) * Gertrude Temple (mother of Shirley Temple)

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Next point. Kids don’t have a natural defense mechanism against commercial propaganda or commercial media. Especially little girls! To wit; the brand...American Girl! Do you have any idea how much money affluent mom’s and dad’s spend to get their impressionable kid one of those dolls and accessories? Believe us, it’s a small fortune that could feed a starving kid in any part of the world for years! So...Well what a waste!

Justin Timberlake (to his credit he did mature quite well...better than the rest), Lindsay Lohan, Britney Spears, Paris Hilton (though not a Disney emanation fits in the mold), and now the mother success of them all MILEY CYRUS! Holy crap! Michael Jackson, Paula Abdul, and in some rare cases Prince were their models. And then the whole slew of people that tried to make it as their contemporaries...hey look they’re all over MySpace.

So where shall we go next guys?

Keep listening to our player at Bittersweet Records...take the codebase and post it somewhere....where it will get more exposure and do some good!

Now if you’ve gotten this far, you may ask yourself...are these guys fucking nuts?...What does any of this have to do with ROCK and why do we care?

We’ll be back with more of the rant soon...you can’t think we’re done yet... stay tuned...Same Bat Time....Same Bat Channel.

My name is Brian Sidler and I write about music, et al.

WISHES EVERYONE A HAPPY NEW YEAR it’s 2011

Innovative Designs & Concepts

Alovar Carnelli

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Thank you, Jovanta for your poetry! We welcome you!

Deception “Baby you mean the world to me” is some words that he knows that you want to hear. But you are blind to the fact that it is part of his game. He makes you feel so loved, because he calls you and spend time with you on a regular basis. Please believe me that if it takes just this to make you happy, then your heart will be broken in many cases.

So caught in the way he makes you feel, that you believe he’s the only one for you but he’s not.

There are other men out there just give it a shot.

He starts to play games to see if you would fall for it. “Sorry baby I love you” is the magic words that he know that you would fall for even it’s a bunch of bull spit. Deception is a very powerful tool that a boy or a man can use on you, it can be used to turn anyone’s life upside down.

If you don’t love yourself enough then he will make your self-esteem hit the ground.

Most boys and men are manipulative they don’t care who they hurt, but when you do it to them they drag your name through the dirt. “GAME” is easy to spit.

So my advice is don’t give your heart to a person unless they deserve it.

Poem by Jovanta

Stop crying it will be okay Today is just not one of those sunny days Stop worrying it will cause a lot of stress But please don’t let your level of strength become less and less Try to keep your head up and stay strong Because your trials and tribulations won’t last that long My friend please don’t shed one more tear Your happy days would soon be here Stop making decisions before you think them over Relax, meditate, and react when you are much calmer There is nothing that you can’t get through Just seek the heavenly father in spirit and in truth.

I know that you want to give up but just hang in there God is going to be with you all the time and everywhere!

Poem by Jovanta

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Interviewed by Domenica

Enthusiastic about interviewing today, I headed to Mac Author’s restaurant located on the Westside of Chicago to meet the hottest up in coming Hip Hop artist CELL-O. I walked into the door of Mac Author’s; I was greeted by a handsome young man whom stood about 5’10’. He was wearing a Jesus Necklace with clustered of diamonds, the latest Pelle Pelle black leather jacket, dark demin jeans, crisp timberland boots and Chicago White Sox fifty hat. CELL-O was accompanied with his partner Holy-City Wick Wild of HARD LYFE MUSIC and one of CELL-O’s artists King Tank. CELL-O got up and guided me to an empty booth and I sat down and pressed play.

Domenica:

How did you get the name CELL-O?

CELL-O: How did I get the name CELL-O? Hum, it’s really a funny story. Well it really wasn’t all that funny to me, but everyone else found it to be quite amusing. (CELL-O laughs)… When I was baby my aunt Cal gave me the name of Charlie. Why? Until this day I don’t know. I always wandered where Charlie comes from out of Marcellus. My auntie says “hell you just look like a Charlie”. (We both laugh)… So my mom and the rest of the family took Charlie and ran with it. As I grew older an attend school people used to call me LIL Charlie. In elementary school i was the smallest kid, even all the way through high school. In high school people used to approach me “like shorty you in the right grade”? Or “how old are you LIL Homie”? Half of the people that were asking me these question, I was older than them! (Ha, Ha Ha)…But yeah I was a small dude, so I became LIL Charlie for most my life. One day I just sprouted up started lifting weights, and now the rest is history. So one day me and a few of my guys were chilling on the block, and somebody walked past and said what’s up LIL Charlie man lord your not LIL Charlie any more.

You got big as hell I almost didn’t recognize who you were. Man I was like FUCK that (excuse my language).

I thought to myself real talk I’m tired of that name, I need something fresh, something that define who I am, something that’s easy to remember that would go on FOREVER! Then it came to me “CELL-O”! (lol)… Took it out of my real name Marcellus and put my SWAGG on it (ha ha)…. I told everybody don’t call me LIL Charlie no more from now on my name is CELL-O. People was like yeah whatever, I know LIL Charlie who is CELL-O? Before you knew it everybody and they momma was calling me CELL-O, even people that’s been calling me Charlie for years and people fell in love with the name CELL-O and the person. CELL-O the name is a hit.

Domenica:

Where did you grow up at?

CELL-O: I grow up in one of the most respected places in Chicago. To be exact, “The Holy-City” on 16th Hamlin! Born and raised on the 1600 block of Avers. My address was 1631 S. Avers, I loved that place for real. Man my hood was crazy and still is, I loved growing up on 16th as you can see I got it branded on my arm (showing me his left forearm tattoo that read 16th Hamlin Holy-City)… I mean my hood is like no other, it made me the man I am today. But yeah that’s my hood my block and my heart forever wouldn’t have chosen to grow up anywhere else.

Domenica: What make you different from others in the Hip Hop Game?

CELL-O: When it comes to the Hip Hop Industry, I definitely feel my music has certain uniqueness about it. The sound and the energy I bring to this game, it’s only a chosen few who have done it and right now I just don’t see myself trying to be like the next man, not me, not CELL-O! You can ask anyone who’s ever listen to my music or who’s ever seen me perform live will tell

you’ll never find another like CELL-O! Domenica:

What was your childhood like?

CELL-O: My childhood was beautiful! I was surrounded by a loving family that loved me and would be there whenever I needed them. Most of my childhood, I was very active into video games and plenty of sports. I remember when me and my sisters would be up in the house on Avers wilding out ripping and running through the house, until grandma came in there an whooped our ass cause we broke something. Me and my cousins use to be in the back in the alley fixing on our bikes or we might put up a basketball rim using an old milk crate, we nail it the one of those big light poles in the alley and the whole hood would be back there sometimes. I can’t forget the game we used to play call “IT” some people might call it tag or whatever, but yeah it was the shit. (lol)…Had to be like fifty kids playing no exaggeration. Basically my childhood was fun, fun, fun! I had my bad times, getting into trouble in school, fighting, for some reason I use to love fighting. I really felt I had to be there for my family and friends no matter what. But over all I never had a bad childhood, it’s wasn’t until when I started to get older, when the trouble started. But that’s another story (laugh) next question!!

Domenica:

What music did you grow up listening to?

CELL-O: Wow what music did I grow up to? I would have to say Bone Thugs-n-Harmony , of coarse 2 Pac, Biggie, and H.M.H, Jay-Z Michael Jackson, Marvin Gaye, The Temptations, NWA, Juvenile, Hot Boys, Master P, Lil Wayne, my nigga Beanie Siegel, I can go all-night but yeah I grow up to these people rocking to them.

As we finish eating some of the best soul food in the world, I got serious so did he of when to discuss music.

As we finishand eating some the we bestbegan soul food in thethe world, I got serious and so did he when we began to discuss the music.

Domenica: CELL-O I listen to your first mix tape “Just Getting Started” Part1of 3 and “Stress’Idlisten Out” Part 2 offirst 3. But night I Domenica: CELL-O, to your mixlast tape “Just got a sneak peek Part1of of your 3upcoming album UNDER ESTIMATGetting Started” and “Stress’ d Out” Part 2 of 3. But last ED and I must admit thisofdidn’t like any other Hip Hop night I got a sneak peek yoursound upcoming album UNDER ESartist.

It wasand likeI amust breath of fresh air, with reallike music well TIMATED admit this didn’t sound anyand other Hip thought outItlyrics.

Hop artist. was like a breath of fresh air, with real music and well thought out lyrics.

Domenica: So CELL-O how did you create your sound?

CELL-O: I wanted sound different.

Basically, I got Domenica: aHow didthat youwas create your sound? my sound from my style, my personality, and sense of humor.

ICELL-O: felt I can give in mya music, energy, the all ofI me wanted sound the thatlove, wasthe different.

Basispirit, andsound the life.

That’s soundsand the sense way itof cally, Isoul got my from mywhy style,my mymusic personality, does, it’sIlike in give sound excitement I bring humor. felt me I can allform. of meThe in my music, the love, when the enIergy, stepthe in the room the the sound bring why whenmy it music comessounds to this the spirit, soulisand life.IThat’s music.

You’reit’s inlike for ame treat!! way it does, in sound form. The excitement I bring when I step in the room is the sound I bring when it comes to Journalist: your in music this music.IsYou’re for apersonal? treat!!

CELL-O: My music is very personal, because I express things about my life, events happen in my life and every Domenica: Isthat youractually music personal? word is straight from the heart. I want people to not just listen to my music but it as I’m tryingbecause to let the world get to CELL-O: My feel music is well. very personal, I express things know anevents individual, you know try to in let my them to know about me my as life, that actually happen lifeget and every CELL-O. Take people journey of the lived, as word is straight from through the heart.the I want people tolife notI just listen if good novelI’m that you can’t toyou my were musicreading but feela it as well. trying to letput thedown, world beget to cause that dame good!! know it’s mejust as an individual, you know try to let them get to know CELL-O. Take people through the journey of the life I lived, as if you were reading a good novel that you can’t put down, because it’s just that dame good!!

Domenica: Can I tell you my personal, favorite songs? And I would love to hear what was behind them, what made you create these songs.

CELL-O: Shoot! (laugh) Domenica: My first one would have to be “I Do” who are you referring to in that song if you don’t mind me asking?

CELL-O: (smiling) Naw its cool, but yeah I did that song for a special someone, she know who she is. As I explained in the song she’s done something no one has ever done for me. So I had to let the world know how I felt about that situation and basically giving her a big shout out, letting her know how much I appreciate what she did.

Domenica:

Does she have a name?

CELL-O: Nah, I prefer not to disclose that information. Not now rather…

Domenica: I “Wanna Hear You Say Yes” now when I heard this song it was crazy! Then on top of that I see you getting the kids involved. Who is that little girl on the track with you?

CELL-O: Actually that’s one of my favorite songs; that little girl is my daughter Diamond, she was 8 years old when we did that hook to that song. But I just want people to feel how I was feeling, to loosen up and enjoy life and feel good about yourself, so good you just wanna jump up and say YES!!

Domenica: “Move it Music” when I heard this song I just wanted to start dancing, seriously this song is what I play on my way to work it gets me pump and charged up for whatever the task is!

CELL-O: That’s the whole idea to get people pumped or charged, like what you said. Me myself I love to have fun and party why not share it with the world.

Domenica: Ok! Now “C-HI-C-A-G-O” big song for the city of the Chicago, if I’m not mistaking you sounded a little mad on this song CELL-O CELL-O: Nah, not so much as mad, but tired of people trying to steal how Chicago get down, an people not representing the city like they suppose to. That’s all it was, I love my city and I’m going hard for the Chi. Domenica: On that note let me hear a little about the business side of things.

CELL-O: Well I’m currently partner & president of HARD LYFE MUSIC GROUP also I just established MONEY ALL MINE RECORDS to give upcoming artist a chance to write, produce, create their own destiny rather it’s music, film or fashion. Also we’re in partnership with our own production company which shoots videos, marketing and media.

So there’s no telling where I’ll pop up at, radio, video, or your movie screen.

Domenica: Well CELL-O It was a pleasure interviewing you and I wish you the best on your journey. I truly hope to see you soon, so we can talk again!! World there you have it the most talented and gifted upcoming artist right out of Chicago make sure you stay tuned for future information on

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