SAIC Visual and Critical Studies MA Brochure

Page 1


Visual & Critical Studies

saic.edu/mavcs

This innovative program integrates making, researching, and analyzing artwork in a transdisciplinary environment that emphasizes investigation and invention. Students pursue scholarly, studio*, and hybrid research practices as they explore ways of seeing and representing social, cultural, and visual phenomena in the 21st century.

Thinking and making

The program is based on a core framework combining visual theory and immersive research with the production of writing, artwork, or both. The flexible curriculum balances topic-based seminars, independent work with faculty advisors, and electives with a strong emphasis on interdisciplinary exploration.

Personalized structure

Guided by advisors, students design their own course structure to match their interests, combining artistic and critical practices, allowing for the final thesis to be a creative body of work that prioritizes writing and/or making. Students organize an annual symposium and exhibition to share their research in a professional context, critiqued by artists, curators, and scholars.

Renowned faculty

Department faculty are internationally recognized artists, designers, critics, writers, and scholars who share a common interest in taking disciplinary knowledge beyond the boundaries of conventional practice. Their backgrounds are diverse, including sound and performance, critical race studies and anthropology, mass culture and gender/sexuality studies, disability theory, photography and social history, conceptual practices and textual criticism, and a range of emerging disciplines. Faculty members have won Guggenheim awards for both studio practice and critical scholarship.

*Studio space is limited and based on availability.

Acclaimed Visitors

The Visual and Critical Studies Program sponsors visiting artists and critics representing a wide range of perspectives. Recent guests include:

Laila Fatimi and Adrian Pijoan on postcolonial and queer UFO futurities

Lai Yi Ohlsen, Salimatu Amabebe, Cherrie Yu, and Hannah Rubin on dance lessons

Ariella Aïsha Azoulay on potential histories and unlearning imperialism

Johanna Drucker on contemporaneity and crisis

Doug Ashford on reading through the non-human

Boris Groys on changing the world through art

Gordon Hall on object lessons

Lauren Berlant on dissociative poetics

Akili Tommasino on Black Panther Party newspapers

Ling Yang on boys’ love in Chinese online culture

Szu-Han Ho on transnational collaboration

Åbäke on socially reflexive design

Zak Kyes on fighting with inanimate objects

Carlos Fernández Pello on Caillois, camouflage, and night-sky constellations

Genevieve DeLeon, with NYAC (Native Youth Arts Collective) and Burn Something on art and poetry in community life

Erica Barrish on post-reductive minimalist practices of women from 1960–present

Mitesh Dixit on Complex Projects at Delft University of Technology, Netherlands

Joey Orr on public art actions

Faculty

ROMI CRAWFORD

JOSEPH GRIGELY

KAREN MORRIS

KAMAU A. PATTON

DUSHKO PETROVICH

SHAWN MICHELLE SMITH For

Submit: › Online application › Official college transcripts › Statement of purpose ›

of

Theses can be found at the SAIC Thesis Repository (digitalcollections.saic.edu/thesis) and the Flaxman Library catalog.

Kamau Patton Audio archive
Clau Rocha detail from Do Ghosts Cast Shadows? 2022
Hans Ulrich Obrist meeting with VCS students.
Tess Davis during an exhibition installation.

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.