Architecture Portfolio 2017-2021(Selected Work)
Saina Xiang
University of Pennsylvania Stuart Weitzman School of Design| MArch I Candidate University of Illinois at Urbana–Champaign | B.S. in Architecture Studies
“One of the great beauties of architecture is that each time, it is like life starting all over again." -- Renzo Piano
INDEX
Selected Works
Academic work
1
Hybridization of Context and Objects
10
Urban Stage: An Immersive Theatre
20
Paradoxical Complimentary
28
Tower of Hoarding
38
Object Inside of Object
Diving Pool | Philadelphia, USA Spring 2020, Penn Design
Theatre | Philadelphia, USA Fall 2020, Penn Design
Museum | Philadelphia, USA Spring 2019, Penn Design
Museum | Philadelphia, USA Fall 2018, Penn Design
Museum | Chicago, USA Summer2017
Professional work
48
Wenlan Library
50
H + H Coney Island Hospital
54
Shenzhen Book City
54
Hangzhou Alibaba Cainiao Campus
57
Resume
Library | Zhejiang, China Dec 2019 - Current, Freelance
Hospital | Brooklyn, USA May - Aug 2019, NBBJ
Retail + Library | Shenzhen, China Feb - April 2018, Schmidt Hammer Lassen Architects Headquaters + Industrial Park | Hangzhou, China May - June 2018, Schmidt Hammer Lassen Architects
[ Hybridization of Context and Objects ]
Urban Recreation Environment Hybridized with Becher Water Tower Series Diving Pool | Philadelphia, USA Spring 2020 Project Type: Academic Work, Penn design Critic: Kutan Ayata Group Work: Kyunghyun Kim, Saina Xiang
As our cities grow, the demands of contemporary urban life diminish the chance to explore outdoors on a regular basis. The project explored a special freediving experience to divers and to harmonize the diving structure which looks like a huge water tank ext to the Viaduct Rail Park in Philadelphia. Deep and narrow box shape diving pools were proposed to the top of the building to create a unique diving environment. By introducing a cylinder shape structure on the bottom to elevate these rectangular diving pools, the project is also able to respond 360 degrees to the site. One of the design challenges is how to hybridize these two forms and crate a unique design language. This project begins with a cylinder shape, as it moves up, the cylinder is carved out which creates edges. These edges help different two shapes to hybridize together and create articulations which will be used as terraces for outdoor programs. Five boxes accommodate three diving pools and two vertical circulations. These boxes integrate on the top and radially branches out to the city with various height. Based on the orientation, the combination of the boxes varies and generates a unique character. The orientation of these boxes responds to the site context, including exiting railway and park line. The large void space of the project provides great views towards the city and park.
1
Hybridization of Context and Objects| Diving Pool | Spring 2020
DN
UP
1 2 4
UP
5 DN
UP
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3
1.120ft Diving Pool 2. 90ft Diving Pool 3. 60ft Diving Pool 4. Landing Area 5. Guard Office
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UP
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1. Lobby 2. Spa 3. Roof Terrace 4. Diving Pool
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WATER TOWER IN UBRAN CONTEXT
Exploring the project by hybridizing a contemporary program of creational free-diving pools with the aesthetic typology of the Bernd and Hilla Becher Water Tower Series, a new urban artifact emerges from its urban context. Deep and narrow box shape diving pools were proposed to the top of the building to create a unique diving environment. By introducing a cylinder shape structure on the bottom to elevate these rectangular diving pools, the project is also able to respond 360 degrees to the site.
Hybridization of Context and Objects| Diving Pool | Spring 2020
Outdoor Recover Area Diving Pool Indoor Recover Area
Outdoor Spa
Indoor Spa
Gym and Yoga
Training Pool
Lobby(Park Level)
Lobby(Street Level) Cafe and Restaurant
Mechanical Rooms
5
MATERIALS TO URBAN CONTEXT
To respond to the urban context, this project first reacts to the existing condition, and then generates its own character throughout the development. Bottom(cylinder) parts continue with surrounding rough and dark stones. As it layers up and is carved out, soft and bright stones appear and finally meet with copper rectangular boxes which is the reinterpretation of the existing rusted railway structure. In terms of overall materiality, the bottom part tries to emphasize horizontality with layered earth tone stone. In contrast, the upper boxes emphasize verticality with vertical scratches on the surface.
Hybridization of Context and Objects| Diving Pool | Spring 2020
Acrylic Mirror Cement Mortar With Wiremesh Waterproofing Protection Layer Waterproofing Spa
Rusted Copper Insulation Acrylic Mirror Acrylic Mirror Cement Mortar With Wiremesh Waterproofing Rusted Copper Insulation
Antiqued Granite Insulation Marble
Cement Mortar Insulation Waterproofing
Hybridization of Context and Objects| Diving Pool | Spring 2020
Marble
Glass Glass Bubble Tile Cement Mortar with Wiremesh Waterproofing Cement Board Rusted Copper
Insulation Cement Board Arcylic Mirror
Arcylic Mirror Cement Mortar with Wiremesh Waterproofing
Glass Bubble Tile Cement Motar with Mortar Waterproofing Cement Board
Rusted Copper
MATERIALS TO CREATE UNIQUE DIVING ENVIRONMENT
To maximize the diving experience in a deep and long box, the front and back surface employed reflective mirrors and the other two faces are using bubble glass tiles with less reflection. When divers dive they will experience bright, dark, and then bright atmosphere changes. This could be achieved by introducing vertical reflective stripes on the wall and illuminated the bottom floor. The apertures of this project introduce ample natural sun lighting and manipulate the lighting effects. The interior materials with different reflection levels create not only gradual but also dramatic changes in lighting effects.
9
Urban Stage| Machinic inSites: Temporal Tailored Infill | Fall 2020
[ Urban Stage: An Immersive Theatre ] Machinic InSites: Temporal Tailored Infill Immersive Theatre | Philadelphia, USA Fall 2020 Project Type: Academic Work, Penn design Critic: Robert Stuart-Smith Group Work: Yuhao Zhang, Saina Xiang
The Urban Stage explores a temporary immersive theatre of the built environment that can be rapidly developed through computer vision and machine learning technologies and implemented by additive manufacturing on-demand. Operating as a bespoke tailored infill, the proposal will speculate on community-led entrepreneurialism, challenging established design and development practices through novel forms of autonomous agency and aesthetic affect. Rather than an explicitly designed geometry, the proposal explored a colorful polyscalar volume. Challenging the traditional fixed theater setups, the interior organization continues with the exterior’s nondirectional and porous characteristic. There are five performance spaces linked in multiple routes. Audiences are meant to immersive themselves in the designed space and explore their own adventure. The tailored choreograph scene with the exiting fictional environment renders an unconscious subliminal aspect of the theatrical world, engaging human’s senses in a more primordial instinctive way. The project aims not only to rekindle an artistic neighborhood but also to extend the urban thearical atmosphere from downtown Philadelphia to the neighborhood.
11
Urban Stage| Machinic inSites: Temporal Tailored Infill | Fall 2020
13
DESIGN WITH MACHINE PERCEPTION
The project utilized AI technologies including computer vision and machine learning to remotely design through 3D scans and develop architectural propositions that will be highly situated – operating directly upon site features and data. Through creative engagement with autonomous systems that enables architecture to be designed and built rapidly. The constant dialog between machine and designer increases the project’s complexity, intricacy and color. Eventually, it developed its unique character which is familiar but foreign to the site.Rather than an explicitly designed geometry, the project appeals to more unconscious subliminal aspect of the theatrical world, engaging the senses in a more primordial instinctive way, not with the mind.
Urban Stage| Machinic inSites: Temporal Tailored Infill | Fall 2020
Immersive Theatre
IMMERSIVE THEATRE SPATIAL PROTOTYPE
Arena Stage
Prosecenium Stage
Thrust Stage
Flexible Stage
Actor Audience
Continues with the exterior’s nondirectional and porous aesthetic, the program of immersive theatre challenges the traditional theater which is in fixed and massive volumn. The project designed five performance spaces linked in multiple routes. In immersive theater Each actor has its own plot line, following different characters, audiences will have different stories. Its typology influences the spacial organization to be directionless, and no center. The program aims to create more social engagement activities and extend the ubran theatrical atmosphere of center city Philadelphia to the neiborhood.
15
1. Open Plaza 2. Lobby 3. Public Gathering 4. Perfermance Space 1 5. Staff Entrance 6. Back Stage (Dressing Room)
5 1
6
2 3
4
Urban Stage| Machinic inSites: Temporal Tailored Infill | Fall 2020
THEATRICAL ATMOSPHERE
For the performance setting up, audiences’ emotion would be influenced by visual and acoustic synthesis. Contradiction between dark and bright space does not only enriches audience experience, but also implies different programs,such as dark performance room and bright atrium space.The tailored choreograph scene with existing, fictional environment renders different atmospheres for shows. Rather than an explicitly designed geometry, the project appeals to more unconscious subliminal aspect of the theatrical world, engaging the senses in a more primordial instinctive way, not with the mind. It impacts motion and perception, preventing any consciousness in the traditional sense.
17
Urban Stage| Machinic inSites: Temporal Tailored Infill | Fall 2020
Acoustic Equipment Lighting Equipment Water Collection
Pipe System
3D Printed Foundation
Metal 3d print Infill Structure
Color Metal Print
19
Projected Screen
Metal 3d print Infill Structure
RECYCLEBLE COLOR METAL 3D PRINT
The project explores a rapid design, manufacture, and use of a temporary architecture that operates as a custom-tailored infill, designed to be specific in space. It leveraged color metal 3d printed technology to fabricate sturctural envelopes and foam. The porous metal infill achieves the goal of low weight and high density. Besides, the high frequency printing technology meets the needs of diverse scene setups for immersive theatre.
[ PARADOXICAL COMPLIMENTARY ]
A Prosciutto and Cheese Factory Market Market | Manayunk, USA Spring 2019 Project Type: Academic Work, Penn design Critic: Brian Deluna Individual Work
This market collects the memories of public streets and space as well as private alleys and housing to analyze the relationship among each facet, inspired by the artist Sven Lukin and his treatment of strokes and areas. Each component has a clear boundary and by creating a deep U-turn, components are then able to have another level of intimacy between each other by entering deeply into the other parts without crossing their boundaries. This kind of relationship is needed for a public market. While most of the market is open to the public, certain private spaces should be enclosed yet still allow visitors to explore without entering the designated private zones. This project demonstrates the relationship between public space and private space. The market uses the interlocking structure to produce prosciutto and cheese which can contaminate each other but can also be gourmet. The project aim is to use this pair of paradoxical integration to emphasize the juxtaposition between human and machine. People are afraid of machines, but people always rely on machines for producing for their benefit.
21
Paradoxical Complimentary| Market | Spring 2019
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2 Train Station
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Division between Private House and Street
Playground | Park
(Enclosed Garden)
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St. David's Episcopal Church
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Site (Divided by fence)
10
Street --> Open Martekt
4 Row House
11 12
4
13 10 Manayunk Bridge Trail
10 Clearn Boundary Between Private and Public
14
5
15
Sven Lukin | American Latvian Painter
Figure Ground 1
Define New relationship
1
Apply New Relationship
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PATTERN EXPLORATION
Inspired by the artist Sven Lukin and his treatment of strokes and areas. Each component has a clear boundary and by creating a deep U-turn, components are then able to have another level of intimacy between each other by entering deeply into the other parts without crossing their boundaries.
Paradoxical Complimentary| Market | Spring 2019
25
1
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Roof
Top
4 Mar
ket
Leve
l
Train
Resta
uran t
Load
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Publ
Zone
ic Ex
tend
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to Pr
ivate Path
Stor age
Feeding Area Public Extending to Private Path Market Space
Axonmeric View Interlocking structure and program
Paradoxical Complimentary| Market | Spring 2019
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1 3
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+30m
+25m
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7v
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[ TOWER OF HOARDING ]
Expose and Dissolve Colonial Classification Penn Museum Extension | Philadelphia, USA Fall 2018 Project Type: Academic Work, Penn design Critic: Eduardo Rega Calvo Individual Work
Defining museum’s general categorization as a colonization behavior, the agenda is to break the current westernized general classification the museum has set in place and with the inclusion of the visitors, workers, and objects role in mind The project aims to expose museum’s westernized general classification through flagging it and highlighting it, placing series of Tower of Hoarding at each corner of the Philadelphia museums to announce the problem loudly, to the city and to the world. However, under the structure, the broad classification is subdivided into more details which gives those hidden objects an opportunity to be displayed and to be revealed proudly. As thorough research and exhibitions are developed, the broad western classification systems will start to erode, with the content traveling from tower to tower by gondola.
29
Tower of Hoarding, Penn Museum Extension | PennDesign | Fall 2018
TIME BASED SENARIOS Exposing museum’s westernized general classification through flagging it, and then under structure, the broad classification was subdivided into more details. As thorough research and exhibitions are developed broad western classification systems start to erode, with content traveling from tower to tower by gondola. People from different parts of the world connect through what they have in common, such as their histories of colonialism, western imperialism and their historical tactics of resistance. The tower will consistently change based on the desire application and culture exchange.
Collage of advertising the colonial classification WE E LC UR TO OM LTR GE MU E CU AN SE UM CH EX
MID
DL EA E ST
RICA
AF
ASI
A
A ERIC
AM RICA
AF
MIDD
ASI
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LE EAST
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LE MIDDST EA
PE NN MU SE UM
ASI
A
ANL ATIO ERN INT HOP RKS WO
SHARING PLATFORM The sharing platform provides a common sharing platform for all kinds of people from different background. Hacking the rigidity of Penn musuem, rooms’ sizes of the proposal are similar to penn museum’s archive size. The system of the towers starts to take place and erode the museum, eventually dissolve its colonial system of organization.
31
Expose Colonial Categorization and Dissolve it
A large number of artifacts are gathered but hidden in the dark, which does not allow their spiritual and cultural aspects to be fulfilled according to their number and real social significance. The project aims to expose and highlight the exiting westernized general classification and dissolve the system throughout the time. As thorough research and exhibitions are developed, broad western classification systems start to erode, with content traveling from tower to tower by gondola.
Tower of Hoarding, Penn Museum Extension | PennDesign | Fall 2018
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IC
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Exploded Axon
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Vertical Spatial Arrangement
O T M E U M E O S C U L M E N WN E P
Typical Fourth Foor Plan
33
TRAVELLING SYSTSEM The idea is to use series of tall slender structure located at each corner of the Philadelphia museums to announce the problem loudly, to the city and to the world. Giving those hidden objects an opportunity to be displayed and to be revealed proudly. The system aims to not only expose the system, but also dissolve the problem. Thus, applying gondola travelling system allowing the museums to share and exchange their culture content. People from different parts of the world connect through what hey have in common. As through reasearch and exhibition are developed, broad wtern classfinication system will eventually erode.
Tower of Hoarding, Penn Museum Extension | PennDesign | Fall 2018
35
NON-DIRECTIOANL EXPERIENCE The collage rendered a single perspective view with different arrangements of walls creating various sequence of special layouts. Rooms will consistently change based on the desire application. This flexibility is thus able to establish a non-directional experience. Visitor will get lost during the exploration and feel the richness of the culture which they are learning from.
Tower of Hoarding, Penn Museum Extension | PennDesign | Fall 2018
37
EXTERIOR PERSPECTIVE COLLAGE The collage rendered a sequence of the visitor experience by taking a gondola arriving to the site, viewing tower from the ground level, and standing inside of a tower looking at the other towers.
[ OBJECT INSIDE OF OBJECT ] A Public Loop in the City
Museum | Chicago, USA Summer 2017 Project Type: Competition Entry Group Work: Yuhui Huang, Saina Xiang
This project is a study of how one object could be enfolded by another object not only by volume but also functionally and spatially. When object A fits into object B, they become one at some point; however, a recognizable difference between the two should still exist. To achieve this goal, material, structure, and circulation would become important artifices. While located in the area of lower density in a complicated city. The identity of this architecture shall become a visual and active center of this area and a reform of the human action. As an object in city courtyard, it is a communal center of this area. People around this area should regard this new museum as the new landmark.
39
Object inside of Object, Museum | Competition | Fall 2017
41
Object inside of Object, Museum | Competition | Fall 2017
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43
site in public yard
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10 compression of yard
11 12
glass elevation to yard
yard to vertical space
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Public open space Exhibition space Lighting system Inner loop circulation Central yard Elevator core Connecting bridge Entrance of bridge Facade system Building core Entrance Staircase Roof top shading
PUBLIC REALM
The site was a city communal open space with no certain definition. The duty of this museum is to redefine this public space. The central garden underneath the building shall become a place where most of the events could happen and people could gather. Through the inside transparent facade, the central point could be developed vertically to the higher level inside the building. Activities of people in this three dimensional space could also become the key element to blur the boundary between interior and exterior.
Object inside of Object, Museum | Competition | Fall 2017
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The inside loop is the visual and spatial connection of the whole building. The loop is connected to the inside courtyard and the skyline of the city. It is also a partition betwing the exterior and displaying space. Finally the loop could help to create the the semi-closed space for exhibition.
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02
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PENETRATION OF VIEWS AND SCENERY
The essential studies of the building is achieves communication between interior and exterior, and blurring of boundary through layers of transparent facades. People inside and outside of the central garden would be connected by views through open area. Also, views through the building glass facade would connect the central garden and interior. People standing in different position of the inside loop can see through the central space and be connected to the other side of the building. People in either inside or outside loops would be connected by both space and view.
04
01 02 03 04 05 06 07
View across the central garden View connecting inside and outside View to the other side Connection of two loops Path to see central garden Exhibition loop Structural system
Destabilized Control, Exhibition Pavillion | Upenn | Fall 2018
[ DESTABILIZED CONTROL ] Exhibition System for Tower of Hoarding
Wedding_Part A Westernizing a native american wedding tradition
Installation | Philadelphia, USA Fall 2018 Project Type: Academic Work, Penn design Critic: Eduardo Rega Calvo Group Work: Saina Xiang, Alex Brown, Kyunghyun Kim Displayed in Penn Museum
Penn Museum, as other wetsern anthropologhy and archeology museum, has served as a tool of western colonial domination that has extended throughout the non-western world like a homogenizing and totalizing grid. This installation takes the idea of the grid to comment on Penn Museum’s connection to colonial structures and uses it against itself, as a detournment, by exploiting those it’s volumetric and internal possibilities. Inspired by Superstudio, our design amplified the simplification and generality of the museum’s exbition system by using rigid, totalizing and expansive straightforward systems . However, the structure is placed on a tilt and contains various sized cube modules, which begins to abstract the viewers interpretation and generates unique identities. This installation will be further implemented as the exhibition system for the Tower of Hoarding.
Wedding_Part B Westernizing a native american wedding tradition
Missing
How museum artifacts come to exist from theft and also works as the introduction of the whole installation
Memory Line Remind viewer's entire life and deliver the purpose of artifact in the tomb
Find Myself_Part A An artifact having similar qualities to others doesnt make it the same
47
Last Supper_Part B Family meal tradition is broken when the vessel no longer resides in the rightful owners
Last Supper_Part A Family meal tradition is broken when the vessel no longer resides in the rightful owners
Native American Portrait A contrast between what penn museum wants people to see versus the truth
Find Myself_Part B An artifact having similar qualities to others deosnt make it the same
Funeral Vase_Ming Dynasty Marriage Vessle_Native Ameriacan Food Container_Tang Dynasty
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A Donation Library Return to the Neighborhood 59 51
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Library | Zhejiang, China Dec. 2019 - Current Project Type: Professional , Freelance Group Work: Saina Xiang, Kyunghyun Kim Under Construction 4d
Min35
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Scope of Work: Administrated the project and oversee the construction process until its completion, coordinated between each party
结施-06
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Wenlan Library as the first library in the area should be the showcase of the value of the past and future. It embodies the traditional courtyard idea and transforms it into a new village-scale courtyard. Adapting indigenous black brick with a clean edge gable roof, the library tends to integrate the antique material with the modern architectural language. Education through playing. The project forms an adventure space by creating different levels of changing and variation of space size. Education through sharing. The grade staircase provides one collaboration platform and maximizes the interaction between students. 25
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STRUCTION DOCUMENTS CON 3377
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Shenzhen Book City, Retail + Library | SHL | Spring 2018
[ SHENZHEN BOOK CITY ] 5th Generation Nature Book City
Competition | Shenzhen, China Feb-April 2018 Project Type: Professional Architectural Intern @ Schmidt Hammer Lassen Architects 1st Place Winner
Scope of Work: Contributed to whole schematic design process, especially the exterior ramp and interior floor plan. In charge of final model deliverable and some drawing sets. Within the development of two decades, book city have now evolve into the complex and combination of general book selling, office, service, commercial and cultural center. What will intrigue book city into another generation is to integrate the quality of nature into the cultural life of book and general leisure life, on the base of 4th generation of book city, which is now cultural business complex. Due to special requirement of the site, n front of the city government, the area of 20,000 bookcity has to be underground with maximin 10% area on the ground. The project takes the 10% of area to convert traditional bookshelf into a cityscale bookshelf, creating a new city icon for Shenzhen.
Book Shelf to City Shelf
53
Hangzhou Alibaba Cainiao Campus, Headquaters | SHL | Spring 2018
[ HANGZHOU ALIBABA CAINIAO CAMPUS ] Cainiao Headquaters and Industiral park Competition | Hangzhou, China May - June 2018 Project Type: Professional Architectural Intern @ Schmidt Hammer Lassen Architects Shortlisted
Scope of Work: Contributed to whole schematic design process, especially façade design. In charge of final model deliverable and some drawing sets. Hangzhou has a rare position in the world as both a center of entrepreneurship and a center of natural beauty and it is important to amplify both in the design of the campus. In the Alibaba XiXi campus natural wetlands are integrated into the design in order to work with Hangzhou’s natural quality, and for Cainiaos HQ campus this idea should continue and evolve. Three major natural zones are identified and reflected in the design of the campus: that of the lake, the hills, and the wetlands. Each of these ecosystems is located somewhere in the campus, and integrated with the design in order to infuse the spirit of natural Hangzhou into the campus. The mountains outside of Hangzhou are also reflected in the pattern of the façade, furthering the campus” connection with the city.
FACADE Study
The one primary natural feature of Hangzhou: hills are projected on the facade in order to respond to surrounding nature as well as the central green space.
55
Saina Xiang p
https://issuu.com/sainaxiang/docs/architecture_portfolio
xiangsaina@gmail.com 1(215)771-3610 2930 Chestnut Street Philadelphia, PA, USA 19104
PROFILE An internationally experienced designer who aims to establish meaningful spaces which allow for different ethnic relationships to form and to connect.
EDUCATION University of Pennsylvania Master of Architecture Professional Degree Real Estate Design and Development Certificate 4.0 GPA Aug 2018 - May 2021 Philadelphia, Pennsylvania
University of Illinois at Urbana–Champaign Bachelor of Science in Architectural Studies Graduate with Honors Aug 2013 - May 2017 Urbana-Champaign, Illinois
Escuela Técnica Superior de Arquitectura del Vallés UIUC Overseas Studies Exchange Program Sept 2016 - May 2017 Barcelona, Spain
SKILLS Adobe Creative Suite Illustrator | InDesign | Photoshop After Effects
Architectural Revit | AutoCAD Rhino | SketchUp | Zbrush | Grasshopper Vray | Keyshot | Enscape | Thea Render
Additional 3D Printing | Laser Cutting | Vacuum Form | Robotic Arm Digital | Film Photography | Video Editing
Language Mandarin Chinese | English | Spanish
EXPERIENCE
NBBJ | Healthcare
May 2019 - Aug 2019
New York, USA Architectural Intern Coney Island Hospital (Construction Administration): + Coordinated RFIs including medical equipments, curtain wall shop drawings, and wall details + Studied and reconfigured plan layout options in revit + Understood the project in a short time and directed meetings with healthcare specialist biweekly to ensure the feasibility of the program layout and circulation
Freelance Project Designer
Dec 2019 - Current ZheJiang, China
+ Wenlan Library (Underconstruction): Administrated the design of a 200m2 library
+
project and oversee the construction process until its completion as well as coordinated between design team, owner, engineer and local construction team internationally Getui Bridge (Completion): Iterated and designed a sketches, rendering and graphics for a private bridge between two office building and facilitated interaction with structural engineer
Schmidt Hammer Lassen Architects
Architectural Intern
Oct 2017 - Jun 2018 Shanghai, China
+ Shenzhen Book City (Competition| Won): Led the design of the building landscape and interior floor plan layout of a 20,000m2 underground retail bookstore
+ Hangzhou Alibaba Cainiao Campus (Competition | Shortlisted): Dedicated to the master plan and façade design of a 600,000 m2 industrial park and headquarter
+ Beijing Sub-Center City Green Heart Start-up Area (Competition | Theater - Won): + +
Directly supervised the creation process for 6 physical models in coordination with external model team encompassing a theater, museum, library and master planning BBMG Xingfa Cement Factory Renovation (Competition | Won): Produced drawing sets and translated bidding package for final submission Tianjin Vanke Shopping Mall (Detail Development): Collaborated within a 3-person team to expedite production efforts alongside communication with the client and material supplier
Studio Teka Design
Intern Architect
July 2017 - Aug 2017 New York, USA
+ Designed and built digital models within a group for cities in 2100 based on research and interpretation
+ Utilized Maya and After Effect to render as well as to edit fly-through animations and convert the the project “2100: A Dystopian Utopia” into Visual Reality
HONORS | AWARDS Tangen Hall Furniture Competition | Winner Dales Traveling Fellowships Warren Powers Laird Award
July 2020| UPENN Jan 2020 | UPENN May 2019 | UPENN
Sept 2019 | UPENN Pavillion Exhibition at Penn Museum Mar 2016 | UIUC Gargoyle Honor Society | Accredited Member Dec 2015 | UIUC Earl Prize of Architectural Design Excellence | Honorable Mention Critical Mass Competition | Sophomore and Junior Winner May 2014/Dec 2015 | UIUC
University of Pennsylvania | MArch I Candidate University of Illinois at Urbanaâ&#x20AC;&#x201C;Champaign | B.S. in Architecture Studies Address: 2930 Chestnut Street Philadelphia, PA USA 19104 Email: xiangsaina@gmail.com Tel: 1(215)771-3610