CV SAHARE SAKET
Personal Info:
sept-15-1997, Nagpur,India. INDIAN saketsahare@gmail.com +918999155379 Plot no :5-A, Shanti Housing Agency , Behind Vyenkatesh city-II ,Besa 440037
EDUCATION: S.S.C. Somalwar high school, Ramdaspeth, Nagpur H.S.C. Somalwar Jr. college, Khamla, Nagpur. ONGOING Institute Of Design Education And Architectural Studies.
WORKSHOPS
ACHIEVEMENTS
• Workshop on Model Making • Annual Nasa Design • Workshop on Training In Profession- Competition al Practice • Industrial Design • Workshop on pottery (NASA) • Workshop on Watercolor - by artist • Louis I. Kahn Trophy Bijay Biswal . • Workshop on Ferrocement. LANGUAGE • Workshop on Furniture design- by Marathi Ar. Asad Firdosy.
ALLIED WORKS
Hindi English PERSONAL INTRESTS
• Logo design for travel blog ‘The Unknown Way’. • Illustrations and sketches for ‘The Unknown Way’. • DANCING • Logo design for travel agency • SPORTS ‘Travel Bhramar’. • SKETCHING • Tshirt graphic design for ‘Trave Bhramar’. • Elevation design. Client :Dilip Mahajan. (ongoing).
CONTENTS
DESIGN Industrial Training Institute, Jodhpur. CLIMATE RESPONSIVE . 4.
Cultural Center, Bhopal.
USER EXPERIENCE , CONTOUR ANALYSIS
COMPETITIONS
Residential township , Nagpur RESPONS TO CONTEXT, SERVICES, BYELAWS.
8.
6. ANNUAL NASA DESIGN COMPETITION -2018.
ALLIED SUBJECTS
WORKING DRAWING, INTERIOR DESIGN.
I-Do COMPANION OF JOY
22. 18.
16. NASA- LOUIS I. KAHN TROPHY -2018.
10.
NASA- INDUSTRIAL DESIGN TROPHY -2018.
URBAN DESIGN STUDIO, AMRITSAR
20. ALLIED WORK
23.
24.
MISELLANEOUS
26.
INDUSTRIAL TRAINING INSTITUTE , JODHPUR The design was aiming at understanding a climate of a region and how climate derives the design considerations of a climatically responsive structure. the design is of a institute teaching the traditional industrail works of the region . Thus the design is done taking in consideration the elements & material specifically representing the architecture and traditions of the region , combined with the modern technique and forms respecting the climate. IV SEM
4.
the design is of a institute teaching the traditional industrail works of the region . Thus the design is done taking in consideration the elements & material specifically representing the architecture and traditions of the region , combined with the modern technique and forms respecting the climate.
ELEVATIONS
The basic idea behind the design was inspired by the traditional courtyard houses but as the surface area of the structure is large so the court was divided in smaller courts catering to different clusters and the court create more interactive spaces in the institute.
5.
The 3 courts are designed as a interactive semi open and open spaces .
Water bodies in west direction helps in converting the hot air to cool air.
Overhead ventilators or jallis help in taking out the hot air from the internal habitable spaces.
SECTIONS
CULTURAL CENTER , BHOPAL.
The aim of design was to create a structure displaying or showcasing the culture of bhopal , what bhopal is known for , its past , its present , etc. . The design was intented to understand how to deal with contours while creating / designing onto it, how context governs the design . VI SEM
The design started with a tour or journey through bhopal. After returning from bhopal a mind map was created by me talking about what bhopal is all about what i understood of bhopal and this mind map was meant to govern some design considerations or a conceptualized thought about the design of cultural center.
The mind mapping helped in gaining the guidelines or a broad level concept of how the cultural center should be .
The planning is inspired by the planning by the old city core planning of the city, the center is planned accordingly seperating public semi public and private zones. in different clusters .
The center was designed on the concept of axis mundi is the world pillar is a symbol representing the center of the world connects the sky with the earth.
6.
Similarly the cultural center is designed as the journey which starts at the entrance to the center as the initiation of the axis all the knowledge gained at the center representing the world all the knowledge about bhopal in its art, culture and traditions and ending at the ataining the eternal knowledge , connecting to heaven at the meditation center.
The site is slightly sloping with a decend of 15 m from the road towards the lake. The site after analysed provides about 60 to 70 % of the land as buildable. the analysis provided the most viewing points for the site and all about drainage and vegetation details.
PART SECTIONS
7.
8.
ELEVATION
6. 10.
4.
11.
5.
13.
2. 1.
3.
12.
7.
SITE PLAN 1. Entrance foyer. 2. Entrance plaza with intoduction to the center 3. Exibition and museum area .(enclosed and open ) 4. Performing arts area . 5. Workshop areas with open exibitions . 6. Practice areas . 7. Meditation chamber. 8. Students hostel. 9. Teachers residence. 10. Canteen area. 11. Shops. 12. Main approach road . 13. Service road.
RESIDENTIAL TOWNSHIP , NAGPUR. The aim was to design a integrated township in the region of kanchipura the most premium of the all land in nagpur the township is meant to be designed responding to the context , how services should be responded at a large scale level i.e from individual dwelling unit to that of the site. *the design is ongoing problem.
SELECTED SITE Well connected with the existing residential area. MASTER PLAN Proposed master plan on the selected region of nagpur. The site i selected is at the node
Site can be more vibrant in terms of activities as it is abutting to the main road.
The site being at a major node of bajaj nagar sq. the most elite region of nagpur city . Being on a node the site can get most of the views over cityskyline .
Location: kanchipura, Bajaj nagar square, Nagpur, Maharashtra. VII SEM
Still the planning looks of a introvert nature which envelops the whole open area i.e. pedestrian zone so called semi private zone of the township.
The design is done keeping in mind the seperation between the vehicular traffic and pedestrians .
8.
In close proximity to the open and amenity spaces designed.
The vehicles move around the site easily approachable to each tower.
Previously the edge populated with trees and some commercial use is changes to commercial as well as a congregation
spac-
TOWER G
TOWER A
CLUB HOUSE
TOWER B
TOWER F TOWER C The structure is raised up on a podium level to seperate the residential region of the township to that of the road traffic . The edge thus not to keep up dead the 5% of the commercial area is given to the retail shops which would give the actvities on the edge along with bicycle and pedestrian pathway in the side margins of the site.
TOWER D AD O R ACH O R P P
TOWER E A
SITE PLAN
Concepttual site section.
Conceptual building elevation.
9.
Test Model
ALLIED SUBJECTS WORKING DRAWING
CENTERLINE PLAN DETAIL PLAN AND STAIRCASE DETAILS
10.
CENTER LINE PLAN
DETAILED PLAN.
11.
STAIRCASE DETAILING
TOILET
DETAIL
12.
CONSTRUCTION
BOXSECTION TRUSS DETAIL
13.
STEEL SECTION COLUMN AND BEAM DETAIL
INTERIOR
DESIGN
The interior was de-
signed based on in-
dustrial modern
theme but not keeping it much rugged and dark the the theme was mixed with some subtle elements and colours to lighten the rooms and make them
comfortable to live
in.
14.
COMPETITIONS
15.
ANNUAL NASA DESIGN COMPETITION -2018.
16.
17.
NASAINDUSTRIAL DESIGN TROPHY -2018.
18.
19.
NASALOUIS I. KAHN TROHY -2018.
20.
21.
I-Do COMPANION OF JOY (furniture design)
-2018.
22.
ALLIED WORKS
The poster was designed for the short documentary film ‘EPHIMERAL OBLIVION‘. The movie was selected for several international film festival.
LOGO DESIGN POSTER DESIGN ETC.
The logo design for a travel blog ‘THE UNKNOWN WAY’ The blog talk about the travel expeirences of a travellers through different places. The sketches and illustrations for the ‘THE UNKNOWN WAY’
23.
The t-shirt design’s done for ‘THE TRAVEL BHRAMER ‘ who is a traveler and organizer , the tshirts were meant to show a glimpse of bastar and promote what
URBAN DESIGN STUDIO, AMRITSAR -2018.
24.
25.
MISSELLANEOUS
MODEL MAKING PHOTOGRAPHY
GRAPHIC DESIGN
26.
PHOTOGRAPHY
WALL ART URBAN SKETCHING
DIGITAL SKETCHING
