Portfolio Fall 2009

Page 1

Samantha Key SID #2079251 Digital Portfolio FALL 2009 Art 341 & 360


AUGUST Goodbye summer hate to see you go I wasn’t ready for autumn wind to blow 1 8 15 22 29

2 9 16 23 30

3 10 17 24 31

4 11 18 25

5 12 19 26

6 13 20 27

7 14 21 28

11 X 17 August 2010- A calendar designed as a 3 part project, I chose the summer months, and designed calendars accordingly.


JULY

11 X 17 JuLY 2010- A calendar designed as a 3 part project, I chose the summer months, and designed calendars accordingly.

M O D E is nothing else E FR

but a chance to be better

4 11 18 25

5 12 19 26

6 13 20 27

7 14 21 28

1 8 15 22 29

2 9 16 23 30

3 10 17 24 31


JUNE

11 X 17 June 2010- A calendar designed as a 3 part project, I chose the summer months, and designed calendars accordingly.

SUMMERTIME and the livin’ is easy. 6 13 20 27

7 14 21 28

1 8 15 22 29

2 9 16 23 30

3 10 17 24

4 11 18 25

5 12 19 26


Identity theft Stalking Addiction Fraud Harrassment

11 X 17 A poster I designed to show the cons of Social Networking using a constructivism approach.


11 X 17 A poster I designed to show the pros of Social Networking using a constructivism approach.


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11 X 17 A typography self-portrait put together, with a few sayings that define me as a person.

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14000 JERICHO PARK RD BOWIE, MD

LEFT ON

JERICHO PARK RD

YOU HAVE ARRIVED

TURN LEFT TO STAY ON JERICHO PARK RD. RIGHT

TURN RIGHT ONTO JERICHO PARK RD. TURN SLIGHT LEFT ONTO MD-197 ON JERICHO PARK RD

ght LEFT Sli MD-197 N ON

GE

MERGE ONTOMUS-301 N ER TURN SLIGHT RIGHT ONTO MD-4 N 01

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ght t Ri -4 N TO U h g MD ON N

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NORTH ON WOODLAND COURT

TURN LEFT ON MD-260 N LEFT ON MD-260 N

11 X 17 A directions poster I put together, to give directions from my house to Bowie State University.

RIGHT ON RIGHT ONTO HARRISON BLVD HARRISON BLVD

NORTH ON WOODLAND COURT

2441 WOODLAND COURT CHESAPEAKE BEACH MD You are here


17 X 11 A design I put together to work with the quote shown on the piece. i PUT TOGETHER SOME OF MY PHOTOGRAPHY AND DESIGN SKILLS, AND CAME UP WITH THIS.


Adobe Garmond Garamond is the name given to a group of old-style serif typefaces named for the punch-cutter Claude Garamond (c. 1480 1561). Most of the Garamond faces are more closely related to the work of a later punch-cutter, Jean Jannon. A direct relationship between Garamond’s letterforms and contemporary type can be found in the Roman versions of the typefaces Adobe Garamond, Granjon, Sabon, and Stempel Garamond. Garamond’s letterforms convey a sense of fluidity and consistency. Some unique characteristics in his letters are the small bowl of the a and the small eye of the e. Long extenders and top serifs have a downward slope. Garamond is considered to be among the most legible and readable serif typefaces for use in print (offline) applications.

Aa Ee Ii Mm Qq Uu Yy

Bb Ff Jj Nn Rr Vv Zz

Cc Gg Kk Oo Ss Ww

Dd Hh Ll Pp Tt Xx

11 X 17 A type Specimen designed for Garamond, in the Modernist typeface period (1450-1890).

Claude Garamond

L u c i d a

Lucida (pronounced /ˈluːsɪdə/) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes in 1985.There are many variants called Lucida, including scripts (Blackletter, Calligraphy, Handwriting), serif (Fax, Bright), and sans-serif (Sans, Sans Unicode, Grande, Sans Typewriter). Bigelow & Holmes, together with the (now defunct) TeX vendor Y&Y, extended the Lucida family with a full set of TeX mathematical symbols, making it one of the few typefaces that provide fullfeatured text and mathematical typesetting within TeX. Lucida Console is also the Blue Screen of Death (as well as Notepad default) typeface in Windows XP and Windows CE. Lucida Sans Demibold (Identical outlines to Lucida Grande Bold but with tighter kerning on numerals) is used in Apple Inc.'s Mac OS X operating system, as well as many programs including Front Row.

Times New Roman is a serif typeface commissioned by the British newspaper, The Times, in 1931, designed by Stanley Morison and Victor Lardent at the English branch of Monotype. It was commissioned after Stanley Morison had written an article criticizing The Times for being badly printed and, ironically, typographically behind the times. The font was supervised by Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older font named Plantin as the basis for his design, but made revisions for legibility and economy of space. As the old type used by the newspaper had been called Times Old Roman, Morison's revision became Times New Roman and made its debut in the 3 October 1932 issue of The Times newspaper. After one year, the design was released for commercial sale. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch font five times since 1972. However, all the new fonts have been variants of the original New Roman font.

Charles Bigelow

Aa Ee Ii Mm Qq Uu Yy

Bb Ff Jj Nn Rr Vv Zz

Kris & Holmes

Cc Gg Kk Oo Ss Ww

Dd Hh Ll Pp Tt Xx

The Information Age, also commonly known as the Computer Age or Information Era, is an idea that the current age will be characterized by the ability of individuals to transfer information freely, and to have instant access to knowledge that would have been difficult or impossible to find previously. The idea is linked to the concept of a Digital Age or Digital Revolution, and carries the ramifications of a shift from traditional industry that the Industrial Revolution brought through industrialization, to an economy based around the manipulation of information. The period is generally said[weasel words] to have begun in the latter half of the 20th century, though the particular date varies. Since the invention of social media in the early 21st century, some[who?] have claimed that the Information Age has evolved into the Attention Age.

Times New Roman Aa Ee Ii Mm Qq Uu Yy

Bb Ff Jj Nn Rr Vv Zz

Cc Gg Kk Oo Ss Ww

Dd Hh Ll Pp Tt Xx

Hh Ll Ss Hh Ll Ss Hh Ll Ss

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11 X 17 A type Specimen designed for Lucida, in the Informative typeface period (1980-1999).

11 X 17 A type Specimen designed for Times New Roman, in the Modernist typeface period (1920-1960).


11 X 17 Toy poster designed to show step by step how to put a toy of my choice together.

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12


Somehow we always say the least to those we love the best and hope our thoughts are understood. Although they’re unexpressed, that’s why it

SK

means so very much, when

Designs

days like this are here, to say how very much you’re loved each day 0

11180 19640

9

throughout the year.

Happy Birthday Mom!

5X7 This is a greeting card design that I put together for a birthday card for my mother.


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62787 21906 4

5X7 Another version of the greeting card design that I put together for a birthday card for my mother.


5X7 This is a promotional postcard that I put together for a client to promote his tour kicking off.


‘ 09

B O W I E

B O W I E

8.5 x 11 This was designed for a competition for the Marc Sector Plan, I implemented as many aspects of the area as I could to capture what the plan was all about.


11 x 17 An abstract design I put together with intention to turn it into a painting at a later date.


11 x 17 I designed this poster to imitate the style of Wes Wilson’s posters from the 1960’s.


16 x 20 This is a movie poster, designed to imitate the final destination poster. I used my own pictures to create this


This is a design I created for a competition at my previous college, which took 1st place. Designed for the intercultural competency club.


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2009

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u ds ad

RECYCLEMANIA y sit ad iver Ro Un k ate o Par 715 20

St

ich wie Jer , MD Bo 00 wie 140 Bo

1ST

SCOREBOARD 3RD

2ND

4TH

5TH

LAST WEEK

lbs.

lbs.

lbs.

lbs.

lbs.

TO DATE

lbs.

lbs.

lbs.

lbs.

lbs.

8TH

7TH

6TH

9TH

10TH

LAST WEEK

lbs.

lbs.

lbs.

lbs.

lbs.

TO DATE

lbs.

lbs.

lbs.

lbs.

lbs.

FEBRUARY 11- MARCH 28 WWW.RECYCLEMANIA.ORG

WWW.BOWIESTATE.EDU

11 x 17 A poster that I designed for the recylemania event at Bowie State University, to keep track of the competition.


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