SALEH HARIRI selected projects 2017
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2020
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H A R I R I
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ISLAMIC AZAD UNIVERSITY CENTRAL TEHRAN BRANCH
/ C A A I SCHOOL OF ARCHITECRURE
EDUCAT I O N
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TEHRAN/ IRAN
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W O R K EXPERIENCE M A R Z D E S I G N S T U D I O
S O F T WA R E S K I L L S
rhino/grasshoper/maya/ c 4 d / z b r u s h / k e y s h o t adobe : AI / ID / PS / AE / PR / MU
CV
Saleh Hariri Architect
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Designer
saleh.75.hariri@gmail.com
Education Profile Sep2015 - Jan2020
B.Sc.Architectural Engineering, Islamic Azad University Central Tehran Branch
Oct2016 - Mar2017
Light fabrication workshop, Contemporary Architects Association Tutor : Ali Zolfaghari
Jan2017 - Sep2017
8 months design program, Contemporary Architects Association Tutors : Homa Farjadi, Hooman Talebi, Alireza Taghaboni, Fashad Mehdizadeh
Sep2017 - Oct2017
Generative space wokshop, Contemporary Architects Association Tutors : Mateus Zwierzycki
Dec2018 - Mar2019
History of technology in architecture,Theory course, Contemporary Architects Association Tutors : Iman Ansari
Dec2018 - Jun2019
History of architecture theory, Theory course, Contemporary Architects Association Tutors : Pouyan Rouhi
Work Experience Sep2017 - Mar2019
Marz design and architecture studio , Founder : Hooman Talebi Role : Designer, Developoing concepts for projects,3d modeling, 2d drafting, working on drawings artwork
Honoros and Awards Sep2017
Scholarship award for excellence in convergent design studio Contemporary Architects Association
Sep2018
Imam Reza museum competition / Third place with a team form Marz design and architecture studio
Nov2019
International
League
of
Young
Architects/Short
Software Skills Modeling
Rhino3d, Grasshopper, Zbrush, Maya, TSplines
Graphic,Animation and Documation
Photoshop, Illustrator, After Effects, InDesign, Premiere
2d Drafting
Autocad
Programming
Python
Language Farsi Native English full professional proficiency
list
Misread
Between two worlds 2020
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his project is questioning the relationship between image and architecture. It's based on existence of images and space. What's is image in the first place? Roland Barthes said that we can't understand the existence of image at all because each image is not split ing into its refrent. This project tries to give a new meaning of philosophy of images. At the first step this project define 3 types of resolution that each of them can be understood from variable distances from the project. First one : low poly of volumes. Second one : the pattern wich is projected by images. Third one : the pattern that is created by images overlaying. Each of these resolutions are designed from different perspectives. We have two approaches to them. First : objective design which contains the Low poly level. And second on : subjective design wich contains High poly (pattern with images) and patterns overlaying. This strategy helps us to reach an unique quality of space wich can be understood differently from different points depends on where you are standing. objectivity
Low poly
subjectivity
High poly [Pattern/image]
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Overlaying
site plan / misread
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section / misread
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• 3 techniques number 1 number 2
number 3 At the next step to relate image to space we developed 3 techniques. First one : body without organs : this technique wich we developed is based on boolean difference method. We thought this method is representing origin of image somehow. Subtracting forms a face without any mass and it's an idea that relate image to space somehow. Second technique : image contour : this technique is something like Jiri Kolar works wich create space too. From far distance of project when you see this part you see 2 different images but can't recognize them completely. We reached a hybrid quality of paintings that procrastinate the understanding art and space by separating apart paintings to little pieces. Third one : this technique is just for landscape and not creating space.
section / misread
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• Part to whole / Whole object
• VS.
This project changes the relationship between part and whole fundamentally. If before that, we've known a paintings as a whole image, because of this techniques which we've developed, our understanding of painting changed and now we can see little part of an image as whole part of artwork. This is questioning the existence of art in a higher level. In addition to this matter, this project change the meaning of reality and imagination too. You can't understand the whole paintings or whole space. Procrastination of user's understanding of space and art causes of reality misreading. When users see a part of a painting and wnat see the whol, should move and discover the rest, but in his journey, he lost the first painting by a discovery of a new image.
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NeoINSTEX
An Architectural Approach to Iran Sanctions 2019 teammates: Mohamadrezaaliyarinia,Mahyar Rakei, Maryam Shaker
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ay by day people of Iran feel pressure of economical sanctions on their lives, economy turns to be weaker and citizens lose their purchasing power more than ever after US declared withdrawal from nuclear deal and has imposed sanctions against Iran. Part of the sanctions banns most of countries to trade with Iran and also prohibits SWIFT (Society for Worldwide Interbank Financial Telecommunication) network by not giving credit for financial institutions in Iran so that companies in neither side of world nor in Iran would not be able to trade with each other so Iranians can hardly have access to world markets.In other hand European Union tries to invent new channel for supporting trade with Iran called INSTEX (instrument in support of trade exchanges) unfortunately none of European countries seemed to be able to locate this instrument in their place in order to avoid confronting with US.
NORTH AMERICA
EUROPE
ASIA
AFRICA
SOUTH AMERICA AUSTRAlIA
Map showing distribution of NeoINSTEX over the world / NeoINSTEX
The project seeks solution to provide free trade exchange all over the world like platform for countries where they can exchange goods based on the values in global market.
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Following matters that were described NINSTEX is located in international waters; where there is no sovereignty, therefore is nobody’s land as no state controls it. All states have the freedom of: fishing, navigation, overflight, laying cables and pipelines, as well as research, gives us advantage to locate our project in this waters. NINSTEX acts as similarly as sea port. By changing hierarchy of layers in typical port; containers which are stored, cranes that transfer goods and ships. It’s created from two main sections; Core, which defines the location and holds main structure of NINSTEX and its relation with sea, also organizes the layout of clusters. Offices and different programs for human purposes are accommodated inside core. Clusters, that containers are stored within them also perform in two condition; interlock condition that bunch of cluster are compressed, act as storage. They can be carried by ships in interlocking condition and after bunch joins structure, clusters form distance from each other until they reach to their branches, like a chain. By creating distance their introduce passage ways for ships that they can move beneath structure and load goods by cranes. This condition similarly performs as port. The structure size horizontally grows depended on increase in volume of transactions, more clusters join to structure to increase capacity as more trading happens in district which one of ports is located.
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• Main parts Project is created from two main parts: core which is stable and clusters which connect to the core and can also be moved.
clusters
c o r e
• Scalability
More levels of storage can be added to cluster to increase
More bunch of clusters join to structure in X, Y to increase capacity
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• Mechanism of movment Mechanism showing that how cluster interlock and compress into each other. Depending on position of the moving cluster (red one) it can move on row or more.
If red cluster at the right side move it will move its own row
If red cluster moves it will influence two rows (right row and second row)
If third red cluster from left side moves it will drag all three rows
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structure in between than lets crane elevate between levels
storage
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base crane for transferring cargo
• Unit structure
• Movement and Accomodation of crans for storage and port mode
• From storage to port
bunch joins structure, clusters form distance from each other until they reach to their branches, like a chain. Bycreating distance their introduce passage ways for ships that they can move beneath structure and load goods by cranes. This condition similarly performs as port
interlock condition that bunch of cluster are compressed, act as storage. They can be carried by ships in interlocking co dition
Ship
Storage
Ship
Storage
Ship
Storage
Crane
Storage
Crane
Crane
Crane
Crane
• New type of Ship
Typical port: planar relation between series of layer: storage, crane, ship Cluster (NeoINSTEX): planar relation of typical port turns into sectional relation between layers which are defined among each other
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Incomplete
A Master plan for district 22 of Tehran 2017 teammates: Maryam Shaker, Mehrnaz Zarrin
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istrict 22 is located between Tehran and Karaj city with nature of being objective, in large scale it can be considered as an object that has been patched to Tehran and in smaller scale it contains different objects that emphasize on their significant presence. Influence of this district on big city like Tehran in larger scale insists on this nature, but in smaller scale it contains isolated packages that are separated in wide level. Existence of the height contrast also helps to its objective nature. In this district we face with two city flows; one that happen on ground like Tehran another that in different height levels. Tehran city flow is defined with conjunctions and relation of the components and their infiltration on each other but plugged district is defined by pointed flows and isolation of significant packages and its inner relation, where ground is generated in height and horizontal levels are meant to be important. In this district, spots with different programs like isolated packages, are formed with their own specific colonies. Little or big spots with different programs, although for some reasons from aspect of relation and functions they are weak but they have potential to improve. Reasons like being near of highways, being colony and that in this actual condition may be considers as threat but they have chance to become opportunity. Existence of highways near spots with different programs, because of its high acceleration has influence on active neighbors. Decreasing the distances and its repulsion are their potentials. One active body like Azadi stadium, Chitgar park near Tehran karaj highway and from other active side of the Hemmat high way has similar condition. Highways as an object in Tehran breakdown the field of city at their crossings and in district 22 they go from neat of big amount of objects. Before entering to district 22 we face with city as a field but after entering we are facing with city as an objects.
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Actually alleys and neighborhoods has no place in this district but its highways and blocks that show themselves. There are no hierarchies, everything is swallowed into the town cities. District 22 is big structure that contains small and large structures that has created specific patterns and networks. Some separated and some continuous. Pointed programs with different strength has defined neutral spots among themselves that create nonfunctional spaces. Because of this matter we can see district as islands that behave different from each other. Emptiness and fullness, working with inside and outside, centered and scattered are mentionable measurements of district. District 22 can be seen as an isolated package that although insists on its isolated and objective nature but from inside has intentions for continuous flows and creating it among its isolated colonies.
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• Analysis
Present situation of district 22
District 22 is full of fluctuating points, which are switched on and off at night by their internal flows
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Primary and secondary access in the region
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Render 01 / incompelete
Render 02 / incompelete
• What is the solution?
first step for designing our space between the two programs : temporary programs fill fixed programs
temporary programs fill fixed programs - closer view to the planing of temporary programs
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• Time in drawings? These diagrams designed for analyzing the activate times of programs . Thereby, after x and y shows building plan . And Z is known as active time of building. thus, this diagram can assist us in designing our space between the two programs, in which it converts the «between space» into a program with 24 hours availability
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• The idea for a region District 22 is full of fluctuating points, which are switched on and off atnight by their internal flows. In a district which plays an important transr gional role, time gains importance due to the changes taking place in these points. The second system is designed as a plug-in to shape timed programs, balance fluctuations and direct flows.
• From master plan to architecture The Architecture aspect of this project is based on the Masterplan.So we have temporary structures that host temporary programs
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Knit
Discovery in El lissitzky paintings 2018 teammate: Mohamadrezaaliyarinia
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t thrusts sharply into space on all sides; it contains layers and strata, diametrical opposites thoroughly intertwined, held in a state of tensi on and drawn into the tightly knit complex of components, which cut .across, embrace, support and resist each other Precipices, intersections and collisions, crashing through all the barriers .of the familiar and the static We couldn’t introduce our project better than Ernst Kallai as he describes the proun of El lissitzky As we thought about how we could unfix the viewers from stable position and screw them into space, detached from body and making them to circle around, looking at it from all sides to extend the proun ideal from the individual work to the scene itself. Where we reach non gravitational world, where we have spatial freedom.
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El Lissitzky: Proun 30
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• FORM FINDING
Early studies in investigating this mechanism in the process of form generation to find the basic module Probabilities from 2d to 3d
Combining base modules to reach complex models
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• FORM DEVELOPMENT
C-1
Isometric view of Knit project C-2
C-3
Sections of advanced model of Knit project
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B-4
B-3
B-2
B-1
Sections of advanced model of Knit project A-2
A-1
B-1
B-2
B-3
Sections of advanced model of Knit project B-4
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Physical model of Knit projcet
Physical model of Knit projcet
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e thought about how we could unfix the viewers from stable position and screw them into space, detached from body and making them to circle around, looking at it from all sides to extend the proun ideal from the individual work to the scene itself.
Unroll
Parallel Form Generator Machine 2017
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elevation / unroll
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ubic objects can be recognised from 3 sides otherwise you can realize them from three sides to know the volume. Although sides must be perpendicular. Actually this volumes can be recognised with sides of their bounding box. This project works with this sides. At the first we consider a 3d area of the project at its most dense condition; cube and draw it’s unroll form. Therefore six side of cube, two by two, show same sections of one volume we omit one of them and at the end we reach to three rectangles or squares that have been put together as their unroll condition. These three surfaces are our main base of design that not only create our form but arrange our physical programme. The project is educational and it has been divided from functions of private and public to three groups and each of these groups has been put at one of three unrolled surfaces. In closer view each of these sections have their own priority. It means that when they have been extruded they may have collision with other one of two sections and these priorities choose that which of this extruded volumes should be remain and which must be omitted. At the end system as a circulation and public spaces are added that has highest priority and remove every collision and be removed at the end.
Cubic objects can be recognised by just 3 sections
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section / unroll These three sections are our main base of design that not only create our form but arrange our physical programme.
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section / unroll
These three surfaces are our main base of design that not only create our form but arrange our physical programme.
Creating form and programme parallelly
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Generative Space Using L System to Generate Forms 2017 Advisor : Mateusz Zwierzycki
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n this project using from some rounds of loop, string is created with several charactersthat each of them has responsibility in creating form.Output of this production of form are spheres that are first steps for creating volumes.Putting in way that each sphere will be in itselfs bounding box and each bounding box willbe grid of points.This points will be valued based on their distance from corresponding curve.And similar points will make surface.
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ArianSaeed Pavillion Material properties research 2018 Professional Project MARZ Design Architects : Hooman Talebi , Amir Badie Design Team : Farshad Nasiri,Mehrnaz Zarrin, Saleh Hariri,Mahlabehrouz
ARIAN SAEED PAVILLION 2018 52
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his project is an experimental research on ability of bending in woods. So we tried to discover this ability to use it in design. At the first step we have studied on capacity of Mdf flexibility. It means we tried to figure out that what parameters of wood are important in flexibility of MDF. At the second part we tried to use that informations in design. And we've studied on this question : what can we do with this ability of MDF? And the final product is the answer of this question.
MDF flexibility testing
results of MDF flexibility tests that guide us to capacity of bending
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• Geometry This diagram shows the geometry of the cone. Each unit is different from its side unit. Each unit is unique. And it's geometry is based on an different sector of a different arc. So each unit has its own code that helps us in fabrication and creating the whole cone.
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• Unit Structure
This diagram shows the structure of each unit. Each unit has two parts : wdge and skin. Cones are creating by interlocking mechanisms of units.
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31.5
25.0
1. Reciption 2. Gallery 3. VIP Room 4. Storage 5. Reciption 6. Show Room 7. Meeting Room 8. Reciption 9.Meeting Room 10. Show Room 11. Reciption
1.0 11
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1.2
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1.4
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10.5
3.7 10
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20.0
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3.7 2
1.4
1.0
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Plan and elevation of pavillion
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ImamReza Museum 2018 Professional Project MARZ Design Architects : Hooman Talebi , Amir Badie Design Team : Saleh Hariri,Nima Shoae,Mahyar Rakei
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mam Reza’s shrine in Mashhad, Iran, is considered one of the most visted holy sites in the whole muslim world. With this large number of pilgrims, comes a large wave of offerings and tributes to the holy shrine, which would be placed within the existing museum in the complex. The exisitng “museum” acts more as a storage rather than a museum, with a low visiting rate from the pilgrims. Thus a competition to erect a new museum, alongside the outer border of the complex in a much bigger land was commenced, with the goals of bringing in more population flow into the complex and the museum. The propsed museum follows the “structure” as the rest of the complex: courtyards (“Sahns”) make up the majority of the shrine, in which different programs take place (religious activites, education and etc. ). Thus a roofed courtyard was designed at the ground level to both act as an event space and to connect the museum directly to the shrine. Thus museum spaces are situated in the underground levels and one level above ground. Five enormous pillars were erected to act as space organizers and support the above ground level, in which gallery spaces are situated in and between this pillars, resulting in two circulation paths being formed around the pillars.
Elevations of ImamReza Museum
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Section of ImamReza Museum
Mass and Void diagram
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CO N TAC T
I N S TA G R A M HR_SALEH LINKEDIN SALEH HARIRI
ME
S A L E H . 7 5 . H A R I R I @ G M A I L .C O M S A L E H - H A R I R I . C O M
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