WAN SOLWARA
Trish Faaumumu
Porita Fruean (she/her)
Our magazine, Salient is run by students for students. Without the involvement of students, we wouldn't be able to operate. Every year, we welcome pitches and inquiries from individuals who are interested in writing for us. For more information, please email editor@salient. org.nz or visit our website at salient.org.nz.
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about us
Salient is published by, but remains editorially independent from, the Victoria University of Wellington Student's Association (VUWSA). Salient is funded in part by VUWSA through Student Services Levy. Salient is a member of the Aotearoa Student Press Association (ASPA).
The views expressed in Salient do not necessarily reflect those of the Editor, VUWSA, or the University.
EDITORIAL WAN SOLWARA
UNCOVERING HIDDEN PEARLS
In this issue of Wan Solwara, our theme "Uncovering Hidden Pearls" captures the thrill of discovering something incredibly valuable that had been previously overlooked or underestimated. It's about delving beneath the surface to uncover stories, talents, and perspectives that resonate with our generation. Uncovering a pearl involves embracing curiosity, celebrating diversity, and amplifying voices that challenge norms and inspire change. It's about recognizing that true beauty and significance often lie beneath the surface, waiting to be unearthed and shared with the world.
Welcome to "Wan Solwara: Uncovering Hidden Pearls." Join us as we embark on a journey deep into the heart of the Pacific. This issue isn’t just a collection of articles and poems; it’s a celebration of our stories, our struggles, resilience, and diverse cultures.
While our Pacific islands may be seen as distant and isolated, within our communities thrives wisdom, humour, and strength cultivated over generations. This issue aims to illuminate these hidden pearls—stories often overlooked yet essential to understanding our identity.
Mental health, a topic often shrouded in silence across our cultures, takes centre stage in this edition. Through powerful articles, we break this silence, highlighting the importance of well-being and addressing the unique challenges our communities face. These pieces offer not just insight but also hope, reminding us that it is okay to seek help and that we are not alone in our struggles.
Humour, a cornerstone of island life, also runs through these pages. In difficult times, humour uplifts and connects us, offering strength and fostering community bonds. Our writers share stories of how laughter has been crucial in navigating challenges and finding joy in everyday life.
Identity, a deeply personal journey, is explored through various perspectives—from personal essays to analytical pieces. We delve into what it means to be Pacific Islanders today, touching on,
modernity, cultural preservation, and the ongoing search for self-understanding.
We also delve into Pasifika myths and legends. These stories, passed down through generations, are hidden pearls of our cultural heritage. They carry the wisdom of our ancestors and continue to shape our understanding of the world and our place within it.
Interspersed throughout are poignant poems that capture the essence of our collective identity, offering raw and honest reflections of our experiences and creativity through the power of language.
"Uncovering Hidden Pearls" isn't just a theme; it's our mission. We invite you to discover the richness of our cultures and the resilience of our spirits within these pages. May these stories and poems inspire, challenge, and resonate with you long after you've finished reading.
As the guest editors, we are honoured to present this issue. Our heartfelt gratitude goes to all contributors for their courage, talent, and dedication. To our readers, thank you for joining us on this journey of discovery. May we continue to uncover and celebrate the hidden pearls within us all.
Fa'afetai tele lava, and enjoy your reading.
Victoria Talei Agnes Amosa, Editor & Martha Ah Hoy, Assistant Editor
2024 Pasifika Students' Council (PSC) Executive
President – Porita Fruean
Vice President – Abigail Kalontano
Secretary – Tarifa Laban
Vice Secretary – Viliami Folau
Treasurer – Jane Oatasia
Vice Treasurer – Safotu Apineru
Academic Officer – Victoria Amosa
Vice Academic Officer – Martha Foalema’a
Public Relations Officer – Vacant
Events Officer – Thessalonica Luamanuvae
Welfare Officer – Mia Matega
Postgraduate Rep – Kaline Masitabua
Mon 22 July 6pm - 9pm
PASIFIKA LAUNCH & CULTURAL NIGHT
The Hub, Kelburn Campus
Tues 23 July 5:30pm - 7:30pm
PASIFIKA CAREERS EVENING
The Hub, Kelburn Campus
Weds 24 July 6pm - 7pm
PASIFIKA EXHIBITION
The Atrium, Te Aro Campus
Thurs 25 July 5:30pm - 7:30pm
PASIFIKA BATTLE OF THE MINDS
RHMZ, Pipitea Campus
Fri 26 July 10am - 2pm
PASIFIKA MARKET
The Hub, Kelburn Campus
Sat 27 July 6pm - 12am
PASIFIKA BALL
The Pines, Houghton Bay
GUIDE TO PASI BANGERS
compiled by Ta’ta’ifono Tamati (he/him), Philip Pesaleli (he/him), Lupeoaunuu Vā’ai (she/her), Isabella Leitupō (she/her) & Thessalonica Luamanuvae (she/her).
Title : Artist
Chant of the islands : Fiji
Talofa Koutou Tuvalu : Magic Bobo
Nasau : Black Rose
Tevita Latai Maumi : Jay Black
Logo te pate: Te Vaka
Sulu Tavoi : Simi Rova
He Mele No Lilo: Mark Keali’i Ho’omalu
Taute : RSA
Every Night Every Morning : Maoli
Girly : DMP
Why Kiki? : Iam Tongi
Ngoiza : Jaro Local
Mami Te Quiero : Dezine
LOSA: JAYZO685
Ta’ahine Trust Me : Viliami Funaki
Sini o lou olaga : Nifoloa
Samoa Matalasi : Lani Alo & Lesa Lio Tuana’i
Pei O Auma : Puni
Faiva O Tama : Vaniah Toloa
NIUE NA Ē : Myah Jackson
IT’S THE FUCKING NEWS
kawepūrongo
22.07.2024
A New PM, but Not a New Era: the New Solomon Government
DAN MOSKOVITZ (HE/HIM)
With the UK, France, EU, India, Taiwan and more already having had elections in 2024—not to mention the looming US bloodbath—it's easy to lose track of what’s going on in Aotearoa’s backyard.
Making up 725,000 of 2024’s two-billion voters, in April the Solomon Islands went to the polls. It came out with a new leader, but not a new government.
Not much stops MPs in the 50-seat chamber from switching allegiances after horse trading, regardless of party affiliations making them mean little in Solomon politics. The Prime Minister is also decided internally within the house post-election, so voters don’t necessarily know who will be PM until well after the election.
Hence, after the election, the previous PM Manasseh Sogavare decided not to put his hand up for the job again. Still, his party under new leader Jeremiah Manele was the one to form a coalition government with minor parties and independents. Sogavare is now Manele’s finance minister.
“There was a desire for change at the ballot box, but the way in which Solomon politics works meant that there was a great deal of horse-trading for coalition building,” said Anna Powles, an associate professor of security studies at Massey University. Powles did her PhD on the Solomons, and was part of an NZ observer mission to the election.
Just about every news outlet covering the Solomons’ election discusses its implications vis-a-vis China. In 2019, the Pacific state, then one of the few nations continuing to recognise an independent Taiwan, switched its allegiance to the PCR. Since then, Chinese police have assisted the Solomons and the two nations have signed a security pact, which has never been released publicly in full.
While potentially the key international concern, Powles says the Solomon’s relationship with China wasn’t a decisive issue domestically.
“The focus on the ground was on the cost of living, access to education, healthcare, the economy, and
economic development,” said Powles. “There was very little attention paid to the broader geopolitical competition.”
Still, with high turnout and the Sogavare coalition’s unexpected dip on polling day, according to Powles’ there was a voice for change. Perhaps because of this Manele has already made one of his priorities economic development.
There’s also opportunities for a reset internationally. Manele’s first overseas visit was to Australia; a sign of willingness to work together. Both Canberra and Wellington have previously criticized the islands over their relationship with China.
“Sogavare’s a great orator, and highly nationalistic. He made the most of that, often to the frustration of Canberra, Wellington, and Washington,” said Powles.
“But Manele was foreign minister and is a quieter, highly experienced diplomat.
“There’s a great deal of continuity between the Manele and Sogavare governments. Similar substance, different tone.”
Aotearoa appears to be seizing the chance to start afresh. The new Solomon government was only sworn in at the start of May, yet Foreign Minister Winston Peters has already visited twice since the government’s formation.
With riots occurring in 2019 and 2021 in the Solomons, whether or not the election would be an orderly affair was a topic of concern.
Yet barring isolated incidents, the election as a whole was peaceful, much to the relief of observers, both domestic and international.
Long may that continue.
Anna Powles’ comments are made as an independent academic and not as part of the New Zealand government’s observer mission for the Solomon Islands’ election.
I See What’s Happening Here
WILL IRVINE (HE/HIM)
Have you ever thought: “man, I love Dwayne ‘The Rock’ Johnson, but I wish I could see MORE of his pecs?”. Well, dear readers, do we have news for you. Salient is pleased to report that preparations for Disney’s liveaction Moana are well underway. Moana, referred to by many as “the greatest film of all time”, tells the story of a young girl from an unidentified Pacific Island who goes on a mighty quest to restore the heart of Te Fiti, all while facing dangers from the evil Te Ka (and a mischievous crab played by Jermaine Clement).
In the upcoming live-action adaptation, The Rock will reprise his role as the trickster god Maui, while the role of Moana will be taken by newcomer Catherine Laga’aia, who was found in a global audition process for the perfect lead actress. Laga’aia, 17, is the daughter of actor and singer Jay Laga’aia, who is well-known among nerds and losers for his role as Captain Typho in the Star Wars prequels. Salient predicts massive lines as moviegoers across the
world queue to see The Rock perform his famous “You’re Welcome” dance.
Alongside the development of a live-action Moana, work is underway on Moana 2, which follows our titular heroine as she attempts to connect all the Pacific Islands. While little is known about the plot of this movie, this author would personally like to see Moana square off against Captain James Cook in a final battle to save her island. Much like its live-action counterpart, this film, too, will include the singing and dancing talents of the 21st century’s greatest performer, Dwayne ‘The Rock’ Johnson.
Johnson, who is reportedly considering a run for US President in 2028 or 2032, said that the story of Moana “is my culture, and this story is emblematic of our people's grace and warrior strength… There is no better world for us to honor the story of our people, our passion and our purpose than through the realm of music and dance, which is at the core of who we are as Polynesian people.”
Warmth! [Good God, Man] What is it Good For?
On the 11th of July, in the Hub on Kelburn Campus, our beloved overlords at VUWSA launched a new petition with a provocative tagline: “Is your flat cold as fuck this winter?”. If you’re reading this article, chances are the answer is a teethchattering yes.
The new petition, addressed to Parliament as a whole, asks the Government to extend the enormously popular Winter Energy Payment to students. In VUWSA’s press release, they note that students “are the only beneficiary group who don’t receive the Winter Energy Payment”. The payment, supplied by Work and Income NZ, gives beneficiaries up to $31.82 over the winter season to pay for the seasonally increasing costs of heating their home. However,
students who receive the Student Allowance are for some reason exempted for this, despite often living in some of the coldest flats in Aotearoa.
According to VUWSA, one in six students surveyed live into housing that doesn’t meet their basic needs— including damp and mouldy flats. At the campaign launch, one student shared their experience of “waking up in [their] bed shivering every morning”, while another said that the Winter Energy Payment would mean they “wouldn’t get hypothermia… again”.
Sign the petition by scanning the QR code. WILL IRVINE (HE/HIM)
FestPAC: A Retrospective
ETHAN ROGACION (HE/HIM)
People from all over the Pacific travelled to Hawai’i last month to take part in the 13th annual Festival of Pacific Arts and Culture, FestPAC: a celebration of everything Pasifika. Based around the theme “Ho‘oulu Lāhui: Regenerating Oceania”, the tenday event is both a chance for Pacific peoples to show off the rich culture and heritage of their respective whenua, and a platform to kōrero about important issues affecting the region.
Delegates from 27 Pacific nations and territories descended on Honolulu to take part, with Aotearoa’s delegation organised around the vision “Taku Hoe”. CreativeNZ said that as a part of this narrative, “the terms ‘kaiurungi’ (steerers) and ‘kaihoe’ (paddlers) represent a collective acknowledgment that we are all Pacific people who have traversed the vast expanse of the Pacific over time.”
The festival’s wehana (opening ceremony) was a show of the unique and highly demanding arts that make Pasifika performance unique. Highlights included the delegations from Taiwan, Rapa Nui, and Samoa, just to name a few. Despite the diverse cultural traditions, attire, and performances of all participating nations, attendees agreed that the event reinforced the shared heritage and whānau of all Pasifika people.
This celebration was, however, slightly overshadowed by the ongoing conflict in Kanaky (New Caledonia) between indigenous Kanaks and French settlers. As a result, Kanaky’s delegation pulled out of FestPAC. According to Salient’s own Mauatua Fa'ara-Reynolds— who attended the festival—discussions took place about how people across Te Moana-nui-a-kiwa could best support Kanaky in their struggle for selfdetermination and independence.
“FestPAC's significance extends far beyond a mere celebration of tradition,” wrote John Auge, comm-
entator for the Centre for Strategic and International Studies. “As the Pacific navigates the challenges of globalisation and environmental threats, the event offers a space for collaboration, innovation, and collective action.”
The festival also served as a platform for cultural practitioners and artists to share their traditions and works with one another. Stalls at the Hawai’i Convention Centre and other venues—alongside a number of workshops in visual, performing, and heritage arts—were among a myriad of examples of the unique artforms that dot the Pacific.
Some controversy arose from the fact that, in the tikanga of Hawai'i, only men are traditionally permitted to do whakairo, or carving. According to Fa’ara-Reynolds, this meant that some female practitioners of this art form were excluded due to the kapu (tapu) placed upon it. She said that this led to discussion about how best to respect tikanga in pan-Pacific spaces like FestPAC.
Despite this, the festival still provided space for people—especially young Pasifika—to get in touch with their identity. Aotearoa’s Pacific youth ambassador, Annafinau Tukuitoga, said that the festival was eye opening. “Aotearoa is showing the Pacific how to be inclusive, by bringing people together, working together, and being comfortable with the notion that I am Fijian/Niue, but I can also represent Aotearoa in many spaces,” she said.
Undoubtedly, the impact of FestPAC 2024 will ripple across Te Moananuiakiwa until the next festival, scheduled for 2028: a show of unity from a region striving for sovereignty and independence in a quickly changing global climate.
Righting a Wrong, Four Decades Later: The Samoa Citizenship Bill
DARCY LAWREY (HE/HIM)
It’s 1982, and Falema'i Lesa, a Samoan woman living in Aotearoa, has just won her case with the privy council. Facing deportation as a victim of the dawn raids, she took the government to task. Born in Western Samoa in 1946, when the nation was a trust territory of New Zealand, she successfully argued that this granted her, and many other Samoans born at the time, citizenship in Aotearoa. The courts agreed.
The Muldoon government, however, did not agree, and rushed to pass a bill reversing the decision, leaving many Samoans feeling betrayed. “Every person to whom this Act applies shall be deemed never to have been a New Zealand citizen” the Act declared.
Despite a petition in 2003 with over 90,000 signatures calling for a reversal, legislation reversing the Act has never been introduced. Until now.
A private member’s bill before the select committee is seeking to restore citizenship to the over 3000 Samoans affected by the 1982 Act.
Green party MP Teanau Tuiono, who introduced the bill, says, “[s]omeone had to do something to draw a line under the problem”, which has caused “inter-generational hurt and trauma”.
While Tuiono recognises the unpredictability of politics, he is hopeful that his bill has a future. Garnering support from both the Act party and New Zealand First, the bill successfully passed its first reading.
Which poses the question: where’s the other head of the taniwha? Underwater, it would seem.
Chris Penk, National’s Associate Minister of Immigration, claims the party “greatly [values] our relationships with our Pacific neighbours”, but did not comment on the
state of relations between Aotearoa and Samoa, nor the Treaty of Friendship between the two countries. Penk’s reasoning for the party not supporting the bill was equally vague, citing “concerns around the impact this will have on current citizenship settings”.
Penk also neglected to comment on whether reversing the 1982 decision was an example of systemic racism.
Tuiono highlights the importance of treating Samoa as an equal. Alongside moves like his bill, he says we must foster “people-to-people links between the two countries” particularly when it comes to climate change, trade, and culture.
He also cautions against taking the relationship for granted, and says that New Zealand would be “sorely mistaken” to think it can “wedge out China’s influence” in the Pacific by dictating foreign policy to countries like Samoa.
The bill has drawn a passionate response from the public and officials alike in select committee, garnering around 24,500 submissions. Former Samoan Prime Minister Tuilaepa Sa'ilele Malielegaoi told the committee that, for his people, it is easier to “get to hell” than to New Zealand. He described progress on the matter as historically getting worse and worse.
Opportunities to restore citizenship have been missed in the past. Tuiono points out that the Labour government should have put action behind their 2021 apology for the dawn raids, saying “we needed to do more than just say ' sorry '.”
While political will for action has been lacking over the last four decades, Tuiono’s bill is now poised to right this wrong and make an important step towards a strengthened relationship between Aotearoa and Samoa.
At the seabed of midnight ink, I roam, A Pasifika daughter, far from home. Within these ivory walls, I find my voice, Unravelling truths, I made my choice.
Under the stars, my spirit dances free, A symphony of my ancestors, guiding me. In each whispered word, a hidden pearl, Unveiling tales of a vibrant world.
SoulfulWhispe
Being Pasifika is not a guise, But it is a sacred truth that never dies. It's the rhythm of drums, the ocean's roar, A legacy of resilience, forevermore.
Through pages turned and stories told, I see my reflection, bold and old.
A reader, a dreamer, in every line, Embracing change, like the shifting tide.
pers: A Pasifka Odyssey
With each step forward, I reclaim my space, With knowledge as my guide in this academic race. Though shadows linger and doubts may creep, I rise above from the depths so deep.
I am more than what meets the eye, A soulful song beneath the sky. My words ignite, my thoughts ignite, A beacon of hope in the darkest night.
In the corridors of academia, I stand tall, A Pasifika woman, breaking down the walls. With love for my people, etched in every breath, I journey forth, conquering life and death.
words by Trish Faaumumu
So, hear me now, in this sacred verse, An ode to strength, a universe. For in my existence, a truth unfurled, I am Pasifika, a hidden pearl.
GUIDE TO PASI FIKA
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ROUGH: PEARLS IN THE
A take on Mental Health in Pasifka
words by Martha Foalema'a
The human brain is incredibly complex, handling sensory information, regulating the body, and enabling thinking, memory, and emotions. Our brains respond dynamically to our experiences, shaping our thoughts, behaviours, and overall mental health.
Parents and communities play crucial roles in shaping a child’s mental health and wellbeing. Positive, supportive environments foster resilience and healthy development, whereas negative experiences such as neglect or criticism can contribute to stress, anxiety, and other mental health issues.
Within Pasifika families and communities, mental health remains a topic often overlooked or dismissed, leaving important issues unaddressed and untreated. Cultural attitudes play a crucial role in whether children feel safe seeking help and discussing their emotions, perpetuating a cycle of silence and stigma.
As a negative result in our Pasifika community, students or children may seek ways to cope on their own, such as heavily consuming alcohol,
using drugs, and engaging in other harmful behaviors. These coping mechanisms can lead to further harm and perpetuate a cycle of silence and stigma around mental health in our Pasifika communities. Personal experiences can vary widely, but many individuals from Pasifika communities may feel isolated or misunderstood when dealing with mental health issues. The main support system should start within the family and then expand into our Pasifika communities.
Families are the first line of defence in preparing a supportive environment for mental health. When families are open to discussing mental health and provide a safe space for children to express their feelings, it lays a strong foundation for their well-being.
In Pasifika cultures, pearls hold deep significance, symbolising purity, wisdom, and beauty. Just as pearls are precious to the Pasifika people, so too is the mental health and well-being of individuals within our communities. Uncovering these ‘hidden pearls’ means recognising and valuing the mental health of each person, acknowledging that it is as precious and important as any physical treasure.
LOL in the Tropics
words by Victoria Talei Agnes Amosa
The house reverberated with laughter that could wake the dead. One uncle would crack a joke, another would top it, and the laughter would escalate to a whole new level. Looking back, I've inherited this obnoxious laugh gene too.
Growing up in a Pasifika household, I remember epic parties lasting 'til dawn. The house reverberated with laughter that could wake the dead. One uncle would crack a joke, another would top it, and the laughter would escalate to a whole new level. Looking back, I've inherited this obnoxious laugh gene too. Back then, it bugged me, but now I embrace it. You know you're with Pasifika folks when you hear their laughter before you even spot them—it's our calling card! It’s not just the volume; it's the sheer joy behind those laughs, a reminder of how much we love life and each other.
Pasifika humour walks a fine line. It’s socially taboo to be disrespectful. You can joke around and make social commentary, but you can’t be outright disrespectful. The best critiques often come from a place of love and genuine affection. Your closest friends are the ones you trust to call you out—that’s true aroha. When you need to hear the truth, especially the uncomfortable truth, you turn to someone who cares about you deeply.
Take, for example, when my cousin saved up for a shiny new iPhone 6 Plus. Instead of congratulations, our cousins ribbed him with, "Where did you steal that from?" and "I bet you used your girlfriend's money for that, huh?" It was all in good fun, showing affection through humour.
Even in sombre times, like funerals (known as “fa’alavelave” in Samoan), humour finds its way in. Comedy is often tied to trauma, and it can be cathartic. As Pacific people, we've all experienced
trauma, including the impact of colonisation and the trauma of almost losing our language. Some, like our cousins in French Polynesia, aren't even allowed to speak their native tongues. These little traumas build up, but if you pick at them, you can use comedy to find solidarity.
Even chores, or carrying out a “feau”, have their moments. Despite the physical labour, we bond over it, and laugh about the pain later. Picture this: it's almost midnight, and your family has just finished Sunday to'ona'i. The kettle is boiling for tea and heavily buttered crackers for the oldies. You're washing dishes while your cousins hustle around the kitchen, joking around and making the work fly by. There’s something special about these late-night chore sessions. It's like a secret club where the price of admission is a dishcloth and a sense of humour. Amidst the clattering of dishes and the hum of the kettle, there's laughter.
Even when we're exhausted, there's camaraderie. We're all in it together, making light of the task at hand. These small, everyday moments strengthen our bonds and remind us of the importance of family. It’s also a testament to how we, as Pasifika people, find humour and connection in the simplest things. Uncovering hidden pearls in our daily lives means finding the extraordinary in the ordinary. These experiences, from the raucous laughter at family gatherings to the camaraderie during late-night chores, reveal the true essence of Pasifika life. For us, humour is more than just a way to pass the time; it’s a lifeline that keeps everyone afloat when life gets rough.
About this week's Artist
This week's centrefold is photographed by Mia Matega.
Aries
Three weeks back and you’re burnt the fuck out? Get it together girl! Time management ever heard of it? All nighters are definitely not the answer.
Taurus Gemini
Change is afoot and moves are being made around you. The urge to hold your ground and resist change is strong as an earth sign, but don’t forget that even the earth shakes sometimes.
Focus on understanding the world around you. Make a list of all your friends, fixate on your connections with other people. It’s a really fun and joyous activity.
Cancer Leo Virgo
Harness some child-like wonder and indulge in the joys of life. Youtube has so many early 2000s tv shows, you should binge watch your favourites.
Libra
You really need to pay that person back. You know who I'm referring to, they say it's fine but people do keep track. Maybe you can be the one to shout the study snacks for once.
Capricorn
We see you hustling, we see you grinding. Holding yourself to only the highest of standards, you’ve got a plan and you are locked in. Please show us your ways!
You can’t keep getting away with this! Your flatmates can tell you’ve been stealing their milk. Using the least amount possible for your morning coffee isn’t as subtle as you think it is.
Scorpio
Being a lone wolf can be fun, until it's less lycanthropic and more just lonely. Leave the cave and find your pack, also give the moon a little howl because she is beautiful.
Aquarius
Time to stop attracting and start chasing. It’s prime time for some new romantic pursuits, and unfortunately you’ll need to be the one to put in the effort.
The only thing limiting your potential is your self belief. It’s hard but you’ve honestly just got to fake it till you make it. Be brash, bold and self important.
Sagittarius
To plan or not to plan, that is the question. Spontaneity is super fun, but anxiety-inducing, whilst forethought is practicable but lowkey soul crushing. Find a balance.
Pisces
Disaster is approaching. Watch out. A plague upon your house and livestock. It’s flu season, mask up and avoid crowds wherever possible.
WHO AM I? | Porita Fruean (she/her)
I am the land, the Spirit of my ancestors, the Legends and Mysteries, the vision of my forefathers, and the Ocean that connects all.
My skin is brown and the tapestry printed on my skin tells the story of my belonging, I am a descendant of Tagaloa and this is the riddle of my being— a tale of identity, heritage, and resilience.
I am the mysteries, the legends, history, and the crashing waves singing against volcanic shores.
The teine sa that lingers to protect our land in the night, and the waterfall where ancient chiefs' spirits dwell.
I am the heat of the sun, while my brothers harvest our land's fruits.
I am the blooming hibiscus on paths we walk barefoot around our fanua.
I am the coconut tree, the giant footprint, and the stars that guided my ancestors.
I am the drum that beats in the evening, the church that survived a volcanic eruption, a testament to my people's resilience.
I am the Giant turned mountain and a firm believer in service as leadership.
I am the ticking moon, the canoe, the oar, and the heart of bravery.
I am the land, the ocean, the sky, the stars, the moon, and the spirits of my forefathers.
I am the pearl of the Pacific.
Who am I?
I am the past, the one who danced with the stars before strangers came.
I am the bird that soared with trade winds, the citizen who lived peacefully before being called a savage.
I am the eleven men who died marching for freedom, the land stolen, and the silent tears of mothers.
I am the high chief who could not be bought, the voice of sovereignty, and the fighter for freedom.
Who am I?
I am the present, a blend of old and new with stories untold.
I am the ships that replace canoes, the colors of markets, and the dirt on struggling men's hands.
I am preserved in museums, now smooth roads and parliamentary buildings.
I am a blend of foreign influence and tradition, the polluted ocean, and the unfertilized land.
I am the privileged graduate, the leader of change, the struggling father, and the sent-to-overseas child.
I am the money-eating church, the rich getting richer, and the poor told to serve.
I am technology meeting tradition, skyscrapers rising endlessly.
I am the loss of respect and loyalty, the disputes in the Lands and Titles Court.
I am the chief title bestowed without service, the tapestry on those who don't speak my tongue.
I am the younger generation, head held high, the one now with all knowledge and strength.
I am the culture that is changing, the essence fading.
I was the land, culture, and respected owner.
I am now lost and greedy, losing the brown on my skin and in my blood. Save me, resuscitate me, nurture me back to life for the children.
Who am I?
WAVES ISLANDERS MAKING
words by Victoria Talei Agnes Amosa
Hey there, Pasifika fam! Ready to dive into some serious inspiration? The Pacific Islands are buzzing with young talent making waves everywhere—from advocating for climate action to dominating the entertainment industry, these young Pacific Islanders are not just making waves—they're creating tsunamis of change. This article emphasizes the importance of celebrating Pasifika excellence and highlighting their contributions, reminding us that recognition for their achievements is long overdue. Let's meet some of the coolest Pacific Islanders who are making waves right now!
Brianna Fruean – Climate Warrior
Meet Brianna Fruean from Samoa, the climate queen herself. As a Pacific Climate Warrior and recipient of the Global Citizen Prize and the Commonwealth Youth Award, she's been amplifying the Pacific's voice globally, including at the UN.
Litiana Kalsrap – Climate Warrior
Litiana Kalsrap from Vanuatu is another climate badass. She was honored with a Queen’s Young Leaders Award by Queen Elizabeth II and made history as the youngest woman to contest a seat in the 2020 Vanuatu general election.
Sasha Colby – Performer and Advocate
Native Hawaiian Sasha Colby is slaying the drag scene. An advocate for LGBTQ+ rights, she's known for winning Miss Continental in 2012 and competing in RuPaul’s Drag Race Season 15, using her platform to promote love and acceptance.
Drew Afualo – Content Creator and Social Media Influencer
Samoan TikTok sensation Drew Afualo is here to brighten your day. Known for her hilarious takes on social issues, she uses humour to combat misogyny and has become a powerful voice for respect and equality.
In a world where Pacific voices are often overlooked, these stars remind us of the richness and diversity of our islands. " "
Parris Goebel – Choreographer and Dancer
Dance your heart out with Parris Goebel, the Samoan choreographer taking the world by storm. Her choreography has been featured in music videos for artists like Justin Bieber and Rihanna, earning her a Primetime Emmy Award.
Iam Tongi – Musician
Get ready to be blown away by Iam Tongi, the soulful musician from Tonga. Winner of American Idol Season 21, his heartfelt songs and soothing voice highlight the Pacific’s strongest connection: family.
Pia Mia – Singer and Actress
Hailing from Guam, Pia Mia is a multi-talented singer, songwriter, and actress. Known for her catchy pop songs and her acting debut in “After”, she brings island vibes to the mainstream music scene.
Dwayne "The Rock" Johnson – Actor and Entrepreneur
From the wrestling ring to Hollywood, Dwayne "The Rock" Johnson is a global icon with Samoan roots. His charisma and dedication to his heritage make him a role model for many.
In a world where Pacific voices are often overlooked, these stars remind us of the richness and diversity of our islands. Their passion, talent, and commitment to their roots serve as beacons of hope and inspiration. As we celebrate their achievements, let's uplift and support our Pacific community, ensuring their voices are heard and stories told. Together, we can uncover even more hidden pearls and inspire future generations. And who knows, maybe one day we'll have our very own Pacific Islander Oprah, giving away coconuts instead of cars!
Ni sa bula vinaka, my name is Kaline Masitabua. I am a cauravou from the heart of Solovola, Ravitaki, Kadavu, with ancestral ties to Ket, Totoya, and the enchanting Lau Islands.
The "Vale ni Bose Vakaturanga" is more than a project; it is a dream woven into reality, a journey into the soul of my culture, allowing me to immerse myself in the traditions that have shaped our people. My family, torn apart bythe upheaval of a coup, fled to the distant shores of Whangarei, Northland There, we sought a new dawn, a fresh start imbued with hope—greater jobs, boundless opportunities, and the promise of a better education.
This proposed design is a lifeline, a bridge that draws iTaukei (native Fijian) people like me back to our roots. It is a place where the echoes of our ancestors can be heard, where the spirit of our culture thrives, and where the sacred traditions of our land are kept alive. Here, I can reattach myself to the vanua, rekindling a connection that distance could never sever.
It is also a space of unity and learning, where people from all walks of life can gather to share and grow. It offers the iTaukei community a platform to teach, to impart our wisdom, and to illuminate the lives of others with the rich heritage we hold dear. Through this project, we not only preserve our past but also sow the seeds for a harmonious future.
Void of a Moter ' sPresence
wordsbyIsabella Seneuefa Leitūpo (she/her)
8 years has gone by And they say it gets better with time But I don’t think it does Tonight, I realized that I don’t remember What it felt like to hug you. I don't remember what it smelled like When I buried my face in your Chest on my bad days, And when I really let that sink in Everything goes blank.
Trying to write about grief is like Trying to count the number of times I’ll sit down at a table that Should have one more set Or the number of holidays I'll have to focus on just getting through, It’s never ending.
Trying to write about grief Is like trying to ignore the Vastness of this void I’m supposed to call life. I'm stuck in the present Trying to figure out how to miss you Without breaking! ...I FAIL.
This poem is a tribute to my beloved mom. ‘Ua ‘ou tau le tau’a lelei, ‘ua ‘ou fa’ai’uina la’u tausinioga, ‘ua ‘ou tāofi mau I le fa’atuatua.’
20Fater ’ s Days Wih You
In the tapestry of time, 20 Father’s Days adorned
Each a treasure, each a cherished morn
For 20 years, we laughed and we embraced
In every moment, love firmly encased
Yet now, as Father’s Day becomes once more
I feel your absence, like never before
Though only 2 years have gently flown
In my heart, your presence firmly shown
For those 20 Father’s Day, oh so sweet
Each memory, each smile, a joyful feat
Though now we’re apart, your love remains
In every thought, in every refrain
So as Father’s Day dawns, I celebrate with you
In spirit, in heart, our bond held true
For 20 Father’s Days may be in the past
But the love we shared forever will last
This poem is dedicated to my father, Limoni Tatafu.
words by Malia Tatafu (she/her)
Si’eku tamai malo e ‘ofa moe tauhi kotoa pe pea he’ikai teke ngalo ‘i ha taimi. Toka ā ‘i he nonga moe fiemālie ‘ae ‘Eiki pea kou ma’u ha ‘ofa lahi atu kia koe.
a poem by MeilaniPayne
As we experience the irritants of this word, The hardships we are placed in, The agenda’s forced onto us,
Our tupuna gather around us, Our kōpu tangata embracing us, Coming together to coat us.
Morphing, Shaping us,
We are transformed.
When you try to infect us, Damage us, Invade us,
We take your hits, we take your cuts, Your efforts to break us, take us, shake us.
And despite it all, we become something mānea.
We are the epitome of strength, resiliency and grace. Pārau.
The Tale of Leveimatag i andLeveifualolo
In seas unseen, Leveimatagi's sail, With tefifi's cloak, and darkness as their guide, To Manua's shores where stories of regale, They found a haven where hearts open wide.
Entwined in honor's feast, they shared repast, The island's Chief Moa, with words profound, "Bear this coconut home when sails are cast," A seed of friendship sown on fertile ground.
Niue Fakai, where Samoan flavors blend, In tales of coconut's sweet embrace, Niue Fekai, 'wild' in Tongan tongue amend, In history where cultures interlace.
From Hiola's sands to Faifai's verdant bloom, Three plantings mark a tale that time will groom.
The story of Leveimatagi and Leveifualolo is all about good vibes, honor, and creating a cultural legacy. They cruised across the seas to the island of Manua, their canoe hidden by the tefifi creeper and the cover of night. When they arrived, instead of hostility, they were greeted with open arms. Chief Moa, the ultimate host, treated them to delicious food and dropped some serious wisdom. Before they set sail again, he handed them a coconut—a symbol of their epic journey and a piece of their homeland. This moment marked the beginning of coconuts in Niue and influenced the island's name. "Niue Fakai," inspired by the popular Samoan coconut dish 'niu faikai,' celebrates this cool connection. On the flip side, "Niue Fekai," meaning 'Wild Niue,' might have come from the Tongans, reflecting some early wild times. As Niue grew, its traditions evolved, especially with the arrival of Christianity, which shaped the island's spiritual vibe. Different legends exist about where the first coconut was planted, keeping the story fresh and diverse.
JustaBrown Lady
words by Theamaureen Hunt
Leaving home, bound for a foreign land, For the sake of gaining new knowledge, Navigating a new culture, An odyssey begins, adventures true.
Yearning for home in the first year's span, Yet fortified by faith, a steadfast plan. In a sea of faces, pale and fair, A brown lady sits, dreams held with care.
A good future for herself and her Island is the aim Coming from a family with high expectations, if she fails it’ll be a total shame Language barrier, challenges to face Prepared she stands, finding her place.
Annoyed by the many frustrations, but managed to endure every trial and tribulation. Her prayers are carried by faithful wings, As she bears the weight of her parents' offerings.
HATANAGou ma ‘otou hanuj het la
faeag’ak se ae
“I’ve got a story to tell you” A common phrase amongst the Rotuman people
words by Likayla Tangaroa
According to Rotuman legend, Raho was a Samoan chief said to have formed the island of Rotuma. When Raho passed away, Tigarea, a man from the village of Losa, offered his daughter to be buried with Raho, following the tradition of that time. Thus, Raho and Tigarea’s daughter were interred on an island called Hatana.
Today, Hatana is revered for its sacredness, with specific protocols observed by those wishing to visit. Visitors are taken by boat from the mainland of Rotuma Before setting foot on Hatana, they must seek permission from the Tigarea family, honouring the sacrifice made by Tigarea’s daughter. It is customary for all visitors to pay their respects at Raho’s burial site by bringing offerings of fresh water or gifts.
According to tradition, anyone approaching Hatana with ill intentions will face rough seas or other obstacles that prevent them from
reaching the island. This belief underscores the island's spiritual significance and the importance of approaching it with purity of heart and respect. Hatana stands as a symbol of purity, respectfulness, and the enduring cultural heritage of the Rotuman people.
Beyond the legend, Hatana's story continues to be a vital part of Rotuman identity, reflecting their deep respect for ancestors and the land. The rituals and customs surrounding the island serve as a reminder of the values that bind the community together, emphasising harmony, reverence, and cultural continuity. This sacred isle, therefore, is not just a resting place for revered figures but also a living testament to the spiritual and cultural fabric of Rotuman society.
AKAMAI 2024
Over the past couple of months, I’ve often experienced these waves of existential dread and bone-deep hopelessness where I can’t imagine a way out of this dystopian situation we’re in. There are genocides left, right and centre. Our nations are led by archaic monsters. And Mother Earth is so tired. It’s all so heavy, so exhausting. But there are these lovely little pockets of incredible promise when I’m just given a little morsel of something to hold out for. And Akamai Night was one of those; I have never felt more proud of the upcoming generation of Pasifika learners and thinkers.
But first, a little bit of context. PASI101, ‘The Pacific Heritage’, culminates in a creative project that reflects the student’s understanding of the course, which they can choose to present at the Akamai night. Overall, twenty-four students from PASI101 performed at Akamai, showcasing their hard work from the past eleven weeks through dance, song, visual art, poetry, short story, or sculpture. Started by the late Teresia Teaiwa, the Akamai nights (deeply cherished by Vic’s Pasifika students) first began in 2001 and continued until 2019, but was transferred online because of a certain funky little epidemic. So, this was the first Akamai to be done in three years a long-awaited event.
By the time I’d entered the Hunter lounge, I hadn’t slept for two days I was exhausted and felt so sluggish. But I persevered, and as with any Pasifika
event ever, I was immediately met with a wave of sound (I’m pretty sure it was Kolohe Kai playing) and familiar faces an instant mood boost. For the rest of the night, I had taps on my shoulder followed by massive hugs and an “Oh my gosh! I haven’t seen you in so long! How are you? You been well?” or a “I’m not sure if you remember me, but …” “Of course I remember you! I missed you!”. It’s moments like those when I’m reminded of the breadth and width of our love for one another.
As the starting time drew closer, more students filed in with their families. Beautiful young women in their puletasis, beaming mamas with tiare behind their ears, proud papas with their heads held high, and kids with too much energy to be sitting down for three hours. Soon enough, the lights dimmed, the island jams quietened, and a voice called from above on the balcony. The PASI101 2024 cohort joined this voice, singing ‘E hō mai’, a Hawaiian chant usually performed before a ceremony that requests knowledge and wisdom from the akua I had goosebumps trailing up my neck.
April Henderson, the programme director of Va’aomanū Pasifika, then walked up onto the stage. She warmly welcomed all the students, families, and supporters to the event. She explained the importance of the Akamai project, stating that “Pacific histories and stories have always been produced and disseminated through art”, thus honouring indigenous methods of knowledge (re)production.
AKAMAI NIGHT
words by Mauatua Fa’ara-Reynolds (she/they)
After April spoke, Nālani Wilson-Hokowhitu, the new lecturer of PASI101, came up to greet everyone and praise the students for their hard work. She then explained her reasoning behind opening the event with ‘E hō mai’, saying it helps decolonise and indigenise the event, ‘activating’ the space. This embodies the whole ethos behind Pacific Studies; how do we indigenise traditionally colonial spaces? Well, we run events like this.
Once both lecturers had spoken, the two MCs came up to the stage, Daniel Kumar and Marina Jokes. And the energy these guys brought to the show, oh my goodness. Daniel was hyping up the performers like they were his own cousins and punctuated his sentences with a cheeky little ‘slay’ here or a ‘boots’ there perfect for engaging our chronically online rangatahi e.g. me. Marina balanced Daniel’s vibe really well, bringing the formality and appropriate etiquette that I’m sure a lot of parents and grandparents were looking for.
Once the show started, I oscillated between dangerously close to sobbing and just straight-up sobbing. I was so taken aback by the quality of the performances and art presented by the students. They were thoughtful, well-researched, and full of love. The students evidently had a really strong understanding of course content, and took it one step further, using course material to make sense of their own worlds and shape their dreams for the future. This is true learning. This is deep learning. When information gets stuck in your teeth and takes a week to digest,
but dear god does it nourish you. Given the space and opportunity to explore their own (hi)stories and ideas, the students truly flourished and presented incredibly innovative work
Okay, in full honesty, I’m giving you all an extremely biased review of Akamai Night. I’ve been a walking billboard for Pacific Studies at Vic for the past two and a half years. My evidence:
a)wrote a feature article about how much I love PASI b)was a tutor for PASI101
c)shamelessly attempted to recruit high school students to do PASI as a major d)will YAP if you mention PASI within a 100m radius of me
So yes, this isn’t an objective review. And no, I could not give less of a fuck. Because I know just how formative and influential this programme is. PASI101 is one of those special courses that bleeds into your everyday life and makes the world a little clearer and more detailed.
Thus, my recommendation to the reader: go to Pasifika events. Sit and listen to what they’ve got to say. Enjoy the cheehoos and hyena laughs. Dance along to Nesian Mystik. Clap and cheer. I think you’ll be surprised by how assured and hopeful you’ll feel after. There’s some incredible thinking and doing happening amongst our communities. Watch this space.
PUZZLES everybody's favourite page
What does Na stand for on the periodic table?
What is the name of the actor who played Jack in Titanic?
In which ocean is the Bermuda Triangle located?
What is the French name for Santa Claus?
Which fictional city is the home of Batman?
Maze Puzzle
HOUNDSTOOTH
CROSSWORD MADE BY PUCK
ACROSS
1. Another name for the whooping cough (9)
6. With 26-Across, common sex position... or a hint to the answers to the starred clues (5,5)
9. Fork over the dough (3)
10. Underwear for when you want support, but also warm thighs, I guess? (5,6) *
11. Phrase that often precedes "Enjoy!" in a restaurant (5,3,2)
12. Symbol seen in many saintly depictions (4)
14. Member of a certain insect colony (3)
16. Stereotypical evil scientist get-up (3,4) *
18. Water, to the French (3)
19. Continent where you'd find the Gobi Desert (4)
20. Celeriac and kale, for two (10)
24. Dress worn at a 1950s sock hop (6,5) *
25. Go cross-country at the Winter Olympics, maybe (3)
26. See 6-Across
27. Lipase and protease are enzymes that help it (9)
WORD SCRAMBLE
How many words (of three letters or more) can you make from these letters (according to the Scrabble UK dictionary)?
Good: 8 | Very Good: 10 | Excellent: 12+
DOWN
1. It's where you'd find Rutherford House (7,6)
2. Sample, for example, for example (5)
3. Item that commonly gets mangled during a Wellington winter (8)
4. Tom Jones hit with the lyric "I'm your main target, come and help me ignite" (3,4)
5. Non-verbal "I dunno" (5)
6. Cartoon explorer whose last name is Marquez (4)
7. Weapon that can spread its fragments more than 200 metres (7)
8. It's only got two answers (3-2, 8)
13. Mythical undersea kingdom (8)
15. The 'Matrix' films, for example, until 2021 (7)
17. Gap; space (7)
21. Moved gently and carefully (5)
22. Drink often served with Indian cuisine (5)
23. Navy or air force, for example (4)
podcasts.
with Speaker of the House Teddy O'Neill (he/it/ia)
Queerlient Undedited "Being the guest editor on Salient... I'm like, living my Devil Wears Prada Dream."
Arts & Culture "So did you just do that painting of Jacob Elordi because he's hot?"
VUWSA Unedited DO YOU WANT TO KNOW WHAT'S HAPPENING AT VUWSA? DO YOU WANT TO KNOW WHAT THEY CAN DO FOR YOU? Listen to our VUWSA podcast now and find out!
BONUS SUDOKU!
