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samaher h alamoudi interior designer


c

C O PY RI G HT 2015

SA M A H E R A LA M O U DI

All right re s erve d. N o p art of this book m ay b e us e d or re produc e d in a ny m a nn er without th e writte n p ermission of S a m a h er Ala moudi S a m a h er Ala moudi P H O N E / +966 553544472 E M AIL / s a m a h er. ala moudi @ gm ail.com ACA D E M Y O F A RT U NIV E R SIT Y 79 N ew Montogom ery Stre et, S a n Fra ncisco, CA 94105 P RINT E R/ BIN D E RY/ C hum’s D e sign & print 582 m arket Stre et, suiute 100 S a n Fra ncisco, CA 94104

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AUTOBIOGRAPHY As a kid, Samaher has always had a passion for art and design. The impression of expressing a feeling or telling a story through art was fascinating to her. Art or design that would inspire her and stimulate her creativity. She believed that she had the ability to create something exceptional and spectacular. Interior design piqued her interest because it’s a form of art in a larger scale, as a young adult who liked to be challenged, sky was the limit for her. Samaher decided to move to the United States to experience art and design from different perspectives. She believed that art is a universal language; and with its diverse and unique culture, San Francisco would inspire her to the fullest. For Samaher, interior design is not just about picking furniture or paint colors. Interior designers are the conductors that guide users’ emotions, activities, and interaction within a space. Because being in a functional and aesthetically pleasing space should be the fundamental principal for the modern world


resume

Phone : +966 5535 44472 (858)-3450082 Email : samaher.alamoudi@gmail.com

objective

education

ACHIEVEMENTS

To build a succ e ssful

B a ch elors of Interior Archite cure a nd D e sign,

S cholarship from th e Minstery of High E ducation,

care er in d e sign field at a

Aca d e my of Art U niversity,

S a udi Ara bia

re puta ble multi- n ation al

Ja nu ary 2012- M ay 2016

Aca d e my of Art S pring S how 2014 Aca d e my of Art S pring S how 2015

orga niz ation B a ch elors of A pplie d M e dical S cie nc e, King A bdula ziz U niversity Ja nu ary 2010- M ay 2012

Thre ss proje cts s ele cte d to b e displaye d in school lobby


PROFECINCES

Languages

K nowle dge of Windows P C a nd M a c, Word,

Ara bic

Powerpoint, E xc el

E nglish

K nowle dge of R evit Archite cure K nowle dge of 3 D M a x ( M e ntal R ay, V-ray ) K nowle dge of R hino K nowle dge of Layout a nd d e sign software: P hotoshop, illustrator, In D e sign C onc e pt D evelopm e nt a nd S p a c e pla nning H a nd R e nd ering a nd S ketch Pre s e ntation S kills Tim e M a n age m e nt Furniture D e sign Le a d ership O rga niz e d



‘‘If you do it right, it will last forever” Massimo Vignelliver


‘‘Work until your idol become your rivals.” Drake


CONTENTS HOSPITALITY Senior Living Center Fresh Shawrma

15 93

COMMERICAL National Geographic

47

School Entrance

145

RESIDENTIAL Mariotto Residence

61

RETAIL Jewlery store Performance Bicycle Ten Market

97 111 159

SKILLS Photography

111


14


HOSPITALITY

SENIOR LIVING CENTER/ HEALTHCAR


16


17


About the project

Combining the past and present with a splash of contemporary. The richness of gold patterns, elegance of the classical beauty, and intimacy between love.

STAIRS A

The client is a nonprofit group called Green Acres (a fictitious organization), which has purchased an existing two-story office building with 39,100 sq. ft. gross. My role as the designer is to plan the interior renovation of the building and meet the client’s programming requirements. Green Acres will continue to own and operate the facility once it is completed. STAIRS B

PENTHOUSE

ELEVATORS

STAIRS C

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SITE

325 China Basin St, San Francisco, CA 94158

WEATHER ANALYSIS SPRING

FALL

F

WINTER

SUMMER

Equidistant Projection

National Average=100

N

345¡

L o c a tio n : 3 7 .6 ¡ , -1 2 2 .4 ¡

S u n P o sitio n : -6 7 .3 ¡ , 0 .9 ¡

330¡

H S A : -6 7 .3 ¡

15¡ 30¡

10¡

V S A : 2 .4 ¡

20¡

315¡

45¡

30¡ 40¡

300¡ 1 st Ju l 1 st A u g 285¡

5

50¡

19

60¡ 18

1 st S e p

6

70¡

90¡

9

15 13

12

1 st M a y 75¡

1 st A p r

8

16 14

60¡ 1 st Ju n

7

80¡

17

270¡ 1 st O c t

11

10 1 st M a r

255¡ 1 st N o v

105¡ 1 st Fe b

1 st D e c

1 st Ja n 120¡

240¡

225¡

T ime : 1 9 :0 0 D a te : 1 4 th M a y (1 3 4 ) D o tte d lin e s: Ju ly-D e c e mb e r.

135¡

210¡

150¡ 195¡

180¡

165¡

19


concept

Nature is the most effective and organic treatment for everyone. Nature therapy involves encouraging someone to spend time in a “healing space” in the natural world. My space conveys a powerful ambience of beauty, mystery, and the life force. Our surrounding is a gem itself, the marriage of this natural beauty and a functional space helps the users. In other words, it is a sacred place. The space is the connection between nature and the users, in order to work within nature, not against it, which also is the fundamental core of sustainable design.

“I firmly believe that nature brings solace in all troubles.” – Anne Frank.

20


DESIGN PROCESS ENTRANCE

EXIST

ENTRANCE

21


floor plan lev- n el one

22


23


24


25


floor plan level two Health car

26

n


27


floor plan level two assisted living units

28


unit details and custom features Adjustable B e d Hand le

Adjustable Fo ot rest

34’’ H

WALK-IN TUB 30''X54''

CLOSET

Adjustable Be d Table

29


30


31


32


33


floor plan level three independant living units

34


Furniture

unit details and custom features

G eiger

Recycled Content Indoor Environmental Quality Low Emitting Materials Adhesives and Sealants Low Emitting Materials Paints and Coatings FCS Wood FSC Paint

FSC® Certified Binjamin Pain

Recycled Content 10% Recycled Content 20%

Bath Accessories Delta 2013 WaterSense Partner of the Year 2013 Parent Tested, Parent Approved Winner’s Seal of Approval

PHOENIX Water Recycling Grey water and black water system

The Aquacell G Series offers high recovery rates without backwashing, negligible residue and low energy usage. These features provide maximum credits for LEED projects. Aquacell is the ideal option for green builders.

Kitchen sink should be shallow, 5’’ deep 24’’ open knee space

Pull down wall cabinet

A width of 42" instead of 36" allows several people to work in the kitchen at the same time; it also allows someone to get around a person in a wheelchair.

FSC® Certified Metropoline oak wood Recycled Content 10% Recycled Content 20% Low Emitting Materials Adhesives and Sealants Low Emitting Materials Paints and Coatings Low Emitting Materials Composite Wood and Agrifiber Products Regional Materials 10% (500 mile rule) Regional Materials 20% (500 mile rule) Rapidly Renewable Resources Certified Wood

WALK-IN TUB 30''X54''

CLOSET

18’’ low wall cabinet

12’’ toe space

shelving lifts can be installed to lower shelves inside wall cabinets to the counter level.

dishwasher 6" to 8" off the floor and locate the unit so it is accessible from either side.

Pull up lower cabinet

The recommended countertop height is a minimum of 28" and should be no higher than 34" (32" is preferred).

35


36


37


38


39


floor plan rooftop

Green building practices have garnered quite a bit of attention recently as architects, developers, and property owners seek to gain LEED certification for their buildings. E-Landscape has built an impressive track record of reliably executing work on LEED and “LEED-like” projects. From installing Green Roofs and greenscreens, to constructing integrated rainwater harvesting systems and helping in the selection of materials with a low Solar Reflective Index (SRI) value in order to reduce urban heat island effects, our experience on “green” projects enables us to add value to projects seeking to minimize their environmental impact.

40


sustainable system

41


42


43


44


‘‘The desire to create is one of the deepest yearning of the human soul ’’ Dleter Uchtalar

45


46 46


COMMERICAL

NATIONAL GEOGRSPHIC


About the project NATIONAL GEOGRAPHIC

“AT NATIONAL GEOGRAPHIC, WE BELIEVE IN THE POWER OF SCIENCE, EXPLORATION AND STORYTELLING TO CHANGE THE WORLD”

There are four user groups that will occupy this building; corporate staff, hospitality staff, maintenance staff, and the public. National Geographic supports sustainability and suggest that all spaces are user friendly and contribute to the mental and physical health of all users. Corporate Staff The corporate office will cater to the staff members that are involved in running the administrative, editorial, design/production, and marketing aspect of National Geographic. They are one of the most

National Geographic is a society that started in 1888 in Washington DC. It was first created during a time when people from Europe and America were curious to know the stories about other cultures and the adventures that were taken. The spread of knowledge and learning are one of the fundamental goals this society wants to bring to the life of an ordinary person. As a nonprofit organization, National Geographic is dedicated to exploring our planet, protecting wildlife and habitats, and helping assure that students in K-12 are geographically literate. They award grants to explorers, who go out into the world to gather knowledge that will be shared to 700 million people a month through its media platforms, products, events, and experiences.

important user groups due to the fact that they create the materials that make National Geographic. Offices, reception area, conference rooms, and studios are necessary. The total square footage should be at least 5,300 sq.ft. Hospitality Staff and Public Since the Hospitality staff will be dealing with the public it is clear that they should be together. This user group will occupy the highest square footage of approx. 8,000sq ft. The reason is due to the fact that National Geographic’s most important believe is educating the public and should be a learning experience. There should be a retail space, an exhibition room, a café, and a multipurpose room that can host events, classes, and speakers. The public and staff areas should be separated to prevent the public

Each year, this society funds more than 300 research, conservation, and exploration projects around the globe. There are four categories in which National Geographic focuses on, which are, Our Human Story, Critical Species, Our Living Planet, and New Frontiers. Within each category, they explore, reveal, understand, and search for new information and knowledge that is invaluable to our species and planet as a whole. In the end, National Geographic believes in the power of science, exploration, education, and storytelling to change the world.

48

from entering designated areas e.i. the kitchen of the Cafe component. Maintenance Staff This user group will be the smallest but they will be who maintain and keep safe the building. They only need to occupy around 3,700 sq.ft of the building. It is important to make sure that we keep the building support rooms in a subtle yet convenient places for theses staff in order to keep the building operable.


SITE The Presidio is a middle to upper class neighborhood. It is both residential and commercial, however, the project site’s surroundings are mostly residential. That being said, acoustical is one of the main concerns given that it is a commercial building. The access to the building should be included in the design process since the building is in a court/circle, therefore parking may become as issue. The area is clean with cohesive landscape design, one of our goals when designing the building is to keep its landscape into consideration. Building Information: • Steel beam structure • Red tile roofing • LIight steel roof truss • No sprinklers • 2 Floors

BUILDING LEGEND

BUILDING LEGEND

HISTORICAL IDENTIFICATION

HISTORICAL IDENTIFICATION

BUILDING 34 IDENTIFICATION

BUILDING 34 IDENTIFICATION

NON HISTORICAL BUILDING DEMOLITION OF BUILDING 34 IN 2013

BUILDING 34

NON HISTORICAL BUILDING DEMOLITION OF BUILDING 34 IN 2013

BUILDING 34

NATIONAL GEOGRAPHIC

NATIONAL GEOGRAPHIC

49


concept CONCEPT STATEMENT

SPINE

50


inspiration image

51


Scanned by CamScanner

design process

52


Scanned by C 53


egress diagram

54

access diagram


accesse and gress diagram

circulation diagram

55


GROUND LEVEL FLOOR PLAN

56


GROUND LEVEL ENTRANCE

2

3

Roof 25' - 0 1/2" GYP . BOARD AIR RETURN LIGHT

Level 2 14' - 2"

LAMINATED WHITE ACID ETCHEDGLASS TREAD

5’0’’

5’X12’ GLASS SHEET

Cedar WOOD

2’X3’ MARBLE LED STRIP LIGHT

1/2’’ BLACK METAL STRIPS

2’6’’ 6’’

Level 1 0' - 0"

57


GROUND LEVEL ATRIUM

2’0’’

5’0’’

STEP LIGHT FIXTURE

MATERIAL AT TREAD AND RISER TO MATCH UPPER FLOOR

Cedar WOOD

BLACK RUBBER 1/2’’ CONTINUOS PRE-CAST HANDRAIL 3’0’’

FINISHED BLACK CON.

7’’1

58

4’’

Level 1 0' - 0"


59


STORE

SUSPENDED WIRE

GLASS SHELVES

DIGITAL DISPLAY SCREEN

0' - 10"

3' - 8"

0' - 10" 0' - 2"

0' - 8"

0' - 8"

10' - 0"

Level 2 14' - 2"

EQ

1' - 1"

EQ

2' - 3"

0' - 6"

2' - 2"

0' - 2"

10' - 0" 3' - 0"

EQ

EQ

1' - 5"

EQ

1' - 0"

EQ

1' - 0"

60

0' - 6"

0' - 6"

1' - 8"

5' - 0"

1' - 3"

2' - 3"

1' - 5"


61


SECOND LEVEL FLOOR PLAN DN

DN

SENIORS

OFFICE SUPPLIES

REGIONAL MANAGER

MEMBERSHIP

MARKETING DIRECTOR

EDITORAL STALL

MARKETING ASSISTANT CONFERENCE ROOM

HIDDEN JINATOR CLOSET

COAT CLOSET

TELEPHONE CLOSET

DESIGN PRODUCTION ASSISTANT

CONTROLLER

ART DIRECTOR

ACCOUNTING

DN

HR OFFICE

OFFICE ENTRANCE

OFFICE MANAGER

OPEN TO BELOW PANTRY

62

CONFERENCE ROOM


63


CONFERENCE ROOM

DN

DN

SENIORS

OFFICE SUPPLIES

REGIONAL MANAGER

MEMBERSHIP

MARKETING DIRECTOR

EDITORAL STALL

MARKETING ASSISTANT CONFERENCE ROOM

HIDDEN JINATOR CLOSET

COAT CLOSET

TELEPHONE CLOSET

DESIGN PRODUCTION ASSISTANT

CONTROLLER

ART DIRECTOR

ACCOUNTING

DN

HR OFFICE

OFFICE ENTRANCE

OFFICE MANAGER

OPEN TO BELOW PANTRY

64

CONFERENCE ROOM


OFFICE DETAIL

FSC® Certified Tropical Hardwood Ipe Flooring Oak Aspen 720 Reclaimed Wood

FSC® Certified Stone Source Olympian Black Dany Fleury. Honed Made Black Marble. MR 3: Material Reuse MR4 : Recycled Content MR5 ; Regional Content

FSC® Certified Metropolitan Gypsum Board

Recycled Content 10% Recycled Content 20% Low Emitting Materials Adhesives and Sealants Low Emitting Materials Paints and Coatings Low Emitting Materials Composite Wood and Agrifiber Products Regional Materials 10% (500 mile rule) Regional Materials 20% (500 mile rule)

Epoxy pure white flooring Stonhard

FSC® Certified Guardian Glass Company

Oak Aspen 720

FSC® Certified HPAC Painting Low Emitting Materials Adhesives and Sealants Low Emitting Materials Paints and Coatings Low Emitting Materials Composite Wood and Agrifiber Products Regional Materials 10% (500 mile rule) Regional Materials 20% (500 mile rule)

Interface Carpet Tufted Sheared

100% Recycled Content Type 6 Nylon 127960AK00

65


66


67


BASEMENT FLOOR UPUP

STORAGE

SECURITY

STORAGE

KITCHEN

RECREATION AREA

ELECTRICAL

MECHANICAL

OPEN TO

EXIBITION

ARCHIVE

JANITOR WALK N CLOSET

UP

PERFORMANCE AREA

68

UP


BASEMENT FLOOR

69


ACCESSIBLE RESTROOM LAYOUT

FIXTURES: DURAVIT 1' - 1"

Urinals

Model-No. 081835

Model-No. 032050

9' - 11"

5' - 2"

5' - 7"

Model-No. 255109

3' - 2"

3' - 1"

1' - 6"

1' - 6"

3' - 1"

Cove Lighting

5' - 6"

6' - 2"

4’0’

3' - 2"

1' - 6"

3' - 2"

2' - 6"

Plenum Space

CLEAR SPACE

5’0’

4' - 5"

1' - 0"

3’0’

EQ

EQ 4’0’

1' - 9"

1’6’

2’6’

6' - 0"

CLEAR SPACE

11' - 9"

2’10’’ 36’’

0' - 0"

1' - 0"

5' - 4"

5' - 0"

10’’

Marble tile

70

Under cabinet hidden light


BUILDING SECTION

71


72

Roof 8

Roof 8

Level 2 4

Level 2 4

Level 1 0

Level 1 0


Roof 8

Roof 8

Level 2 4

Level 2 4

Level 1 0

Level 1 0

73


4

3

2

11

4

3

2

11

A

DN

A

DN

204

203

SENIORS

203

SENIORS

209

204

209

OFFICE SUPPLIES 205

REGIONAL MANAGER

OFFICE SUPPLIES

213

214

210

208

213

205

REGIONAL MANAGER

MEMBERSHIP

202

MEMBERSHIP

202

5' - 8"

1' - 0"

214

210

208

7' - 6"

7' - 0"

7' - 6"

5' - 8"

1' - 0"

7' - 0"

B

B

212

207

MARKETING DIRECTOR

207

209

206

MARKETING ASSISTANT

212

MARKETING DIRECTOR 206

EDITORAL STALL MARKETING ASSISTANT

215

205

209

EDITORAL STALL 215

205

216

216

211

210

217

211

210

HIDDEN JINATOR CLOSET

217

C

5' - 0"

5' - 0"

C

217

217

209

208

209

5' - 0"

5' - 0"

HIDDEN JINATOR CLOSET

COAT CLOSET

208

COAT CLOSET 206

206 201

201 205

205

TELEPHONE CLOSET

207

227

DESIGN PRODUCTION ASSISTANT

218

204

ART DIRECTOR

225

TELEPHONE CLOSET

207

227

DESIGN PRODUCTION ASSISTANT

CONTROLLER

CONTROLLER 218

204

ART DIRECTOR

226

203

225

226

203 224

224

D

223

D

223

ACCOUNTING

ACCOUNTING

219

220

219

220

221

221

HR OFFICE

OFFICE ENTRANCE

201

HR OFFICE

OFFICE ENTRANCE

220

203

220

203

201

206

OPEN TO BELOW CONFERENCE ROOM 201

202

206

OPEN TO BELOW

PANTRY

PANTRY

222

CONFERENCE ROOM 201

202

222

E

POWER AND DATA LEGEND:

POWER AND DATA NOTES:

RECEPTACLE-20 AMP, 125VOLT NEMA 5-20R DUPLEX RECEPTACLE- DUPLEX FLOOR BOX TYPE

TELEPHONE OUTLET

RECEPTACLE DOUBLE DUPLEX ( QUADRUPLEX)

Date

F

MANUAL PULL FIRE

48’’ A.F.F 60’’ A.F.F 18’’ A.F.F 18’’ A.F.F 80’’ A.F.F OR B.F.C 48’’ A.F.F ABOVE DOORS MAX.9’’ A.F.F)

03590467

POWER AND DATA LEGEND:

RECEPTACLE- DUPLEX FLOOR BOX TYPE

34 Graham St, San Francisco, CA 94129

A102 Scale

ID #

(UNLESS OTHERWISE NOTED, ALL DIMENSIONS ARE TO CENTERLINE OF THE BOX )

DATA OUTLET

TELEPHONE OUTLET

RECEPTACLE DOUBLE DUPLEX ( QUADRUPLEX)

COMBINATION TELEPHONE AND DATA OUTLET

F

MANUAL PULL FIRE

SWITCHES TELEPHONE -WALL TYPE TELEPHONE DATA OUTLET RECEPTACLE/ DATA OUTLET FIRE ALARM HORN/STROBE FIRE ALARM PULL STATION EXIT LIGHT - WALL MOUNTED

48’’ A.F.F 60’’ A.F.F 18’’ A.F.F 18’’ A.F.F 80’’ A.F.F OR B.F.C 48’’ A.F.F ABOVE DOORS MAX.9’’ A.F.F)

22 April, 2016

Drawn By

Headquarter

POWER AND DATA NOTES:

RECEPTACLE-20 AMP, 125VOLT NEMA 5-20R DUPLEX

Date

Samaher Alamoudi

POWER AND DATA PLAN LEVEL 2

74

COMBINATION TELEPHONE AND DATA OUTLET

SWITCHES TELEPHONE -WALL TYPE TELEPHONE DATA OUTLET RECEPTACLE/ DATA OUTLET FIRE ALARM HORN/STROBE FIRE ALARM PULL STATION EXIT LIGHT - WALL MOUNTED

22 April, 2016

Drawn By ID #

(UNLESS OTHERWISE NOTED, ALL DIMENSIONS ARE TO CENTERLINE OF THE BOX )

DATA OUTLET

E

Samaher Alamoudi 03590467

POWER AND DATA PLAN LEVEL 2

Headquarter

34 Graham St, San Francisco, CA 94129

A102 Scale


---

A

B

C

EQ

D

EQ

E

EQ

F

EQ

G

EQ

5'0'' EQ SPACE 5'2''

H

EQ

EQ

I

J

EQ

K

EQ

M

EQ

5'0'' EQ SPACE 5'2''

A

EQ

C

B

K

5'0'' EQ SPACE 5'2''

1

1 S A

1' - 6"

2' - 8"

8' - 5"

EQ 1' - 0"

EQ 1' - 0" 7' - 7"

P2

P2

REGIONAL MANAGER

12' - 3"

P2

3' - 4"

212

F

209

MARKETING DIRECTOR

12' - 3"

2' - 8"

6

EDITORAL STALL

206

215

0' - 0" 30' - 8"

SA

F

2' - 4"

SA 3'' WOOD PANEL +9' A.F.F

10' - 11"

SA S A EQ

HIDDEN JINATOR CLOSET

209

217

208

COAT CLOSET

P3

EQ

11

P3

207

- 3"

2' - 0"

R

0'

2' - 0" 2' - 0"

218

203 225

EQ

3' - 2"

226

224

4 223

3' - 5"

EQ

CONTROLLER

227

ART DIRECTOR

12 CONTINUOUS LED STRIPS IN NATURAL WHITE

EQ

P1

DN

11' - 3" F

2' - 5"

14

219

HR OFFICE

OFFICE ENTRANCE

220

203

15

3' - 2"

SA

201

OPEN TO BELOW @ 22'0'' A.F.F

206

6'0'' EQ SPACE 6'2''

OFFICE MANAGER

F

2' - 7"

SA

3' - 0"

S A

ACCOUNTING

220 221

SA ACOUSTICAL TILE CEILING SYSTEM 1'X2'

MET AL LIGH T TR ACK

P3

P2 F

13

F

205

TELEPHONE CLOSET

24' - 10"

1' - 0"

P2

P2

P2 201 206

204 EQ

P3

P2

10 DESIGN PRODUCTION ASSISTANT

ALL GYP BOARD ARE+9' A.F.F'

4' - 8"

3

P2

F

CONTINUOUS LED STRIPS IN NATURAL WHITE

217

9

S A

E X

2' - 2"

211

216

P3

6'0'' EQ SPACE 6'2''

EQ

2' - 7"

E X

E X6' - 5" S A

5' - 8"

E X

210

207

F

EQ

3' - 3"

E X

7

CONFERENCE ROOM

CONTINUOUS LED STRIPS IN NATURAL WHITE

WHITE GYP BOARD +9' A.F.F

WHITE GYP BOARD +9' A.F.F

2' - 0"

6' - 2"

SA

4' - 0"

SA

EQ

S A

205

8

EQ

EQ

11' - 6"

EQ

12' - 3"

MARKETING ASSISTANT

12' - 3"

6' - 2"

12' - 3"

2 P1

5

EQ

4' - 6"

12' - 3" EQ

2' - 0"

214

210

4

9' - 2" 3' - 4"

ACOUSTICAL TILE CEILING SYSTEM 1'X2'

MEMBERSHIP

202

208

4' - 10"

S A

213

205

3

11' - 7"

1' - 0"

3' - 4" 2' - 0"

P2

OFFICE SUPPLIES

ACOUSTICAL TILE CEILING SYSTEM 1'X2'

EQ

F

1' - 0"

3' - 5"

SA

2' - 3"

4' - 10"

DN

209

S A 21' - 10"

5' - 0"

13' - 7"

3' - 0"

2' - 4" 3' - 4"

1' - 0"

3' - 5"

SUSTAINABL E LOUVER SKYLIGHT

1'0'' THICK BLACK PAINTED GYP BOARD WITH WOOD COVERING +9' A.F.F

S A

204

SENIORS

2

F

S A

4' - 10"

HIDDEN CONTINUOUS LED STRIPS IN NATURAL WHITE 17' - 2" F

WHITE GYP BOARD +9' A.F.F

S A CUSTOM SURFACE MOUNTED LIGHTS +9' A.F.F

DN

6'0'' EQ SPACE 6'2''

4' - 6"

S A

203

12' - 3"

4' - 10"

3' - 1"

EQ

2' - 6"

1' - 0"

P1

201

16 PANTRY

OPEN TO BELOW

P2

P2

CONFERENCE ROOM 222

202

5

17

LEGEND: SA

Lumination™ Recessed LED Troffer from GE Lighting Solutions

SMOKE ALARM

RETURN

F

FIRE ALAM

1. U.O.N. IN ROOM WITHOUT SUSPENDED CEILING, THR GYP. BOARD OR PLAYWOOD WALL FINISH SHALL TERMINATE AT 8’0’’ A.F.F. EXCEPT AS FOLLOWS.

SUPPLY

SECURITY CAMERA

EXIT SIGN

Date Drawn By ID #

EP = WHITE EPOXY

P1

P1 = BLACK WALLPAINT

TE = TILE FLOOR

P2

P2 = WHITE WALLPAINT

CP 1 = CARPET

2. LIGHTING PATTERN CENTERED IN SPACE U.O.N

SPOT LIGHT

SPRINKLES

FINISH & FLOOR PATTERN NOTES:

FINISH & FLOOR PATTERN LEGEND:

NOTE:

P3

P3 = YELLOW WALLPAINT

3. NOT ALL CEILING ACCESS PANELS ARE INDICATED PLANS. REFER TO THE MECHANICAL DRAWING AND SPECIFICATION FOR ACCESS PANEL SIZE QUANTITIES, AND APPROXIMATE OCATIONS. DUCTWORD SHOP DRAWING SHALL INDICATE THE APPROXIMATE A.P. LOCATION WHICH WILL BE ADJUSTED IF REQUIRED BY THE REVIEWING ARCHIECT. 4. SPRINKLER HEADS W.O. IN 2X2 GRID CLGS. SHALL BE CENTERED IN GRID

WD = BRICH WOOD

CONC = BLACK CONCERTERE-

1. CONTRACTTOR TO SUBMIT SAMPLES OF ALL FINISHES TO DESIGNER FOR WRITTEN APPROVAL PRIOR TO ORDERING MATERIAL 2. CONTRACTOR TO VERIFY ALL SURFACES ARE CLEAN AND READY AND TO RECEIVE NEW FINISHES 3. CONTRACTOR TO INSTALL ALL FINISHES PER MANUFACTURES SPECIFICATION 4.CONTRACTOR CLEAN ALL WINDOWS AND WINDOW SILLS. 5. ALL CEILING GWB SOFFTIS TO BE PAINTED WITH P-2,UNO. 6. ALL WOOD PAINTED SURFACES ARE TO BE PRIMEDWITH LATEX PRIMER AND FINISHED WITH LATEX SEMI-GLOSS PAINT. SEMI GLOSS LATEX

22 April, 2016 Date

Samaher Alamoudi 03590467

REFLECTED CEILING PLAN LEVEL 2

Headquarter

34 Graham St, San Francisco, CA 94129

Drawn By

A102 Scale

22 April, 2016

ID #

1/4’’

Samaher Alamoudi 03590467

FINISH PLAN LEVEL 2

Headquarter

34 Graham St, San Francisco, CA 94129

A102 Scale

1/4’’= 1’0’’

75


76


‘‘The desire to create is one of the deepest yearning of the human soul ’’ Dleter Uchtalar

77


sa

78


RETAIL

JEWLERY STORE


T h e j ou r n e y b e g i n s on c e c u s t om e r s e nt e r “Fa it h”, c re at i n g a m e m or a b l e e x p e r i e n c e f or c u s t om e r s e s p e c i a l l y c oup l e s w h o a re p l a n n i n g a f ut u re t o g e t h e r. From s t a r t t o t h e e n d , t h i s j ou r n e y i s m e a nt t o b e e nj oy a b l e , c h e r i s h e d , a n d m o s t i mp or t a nt l y, u n f or g e t t a b l e . From t h e f i r s t l ov e s t or y e v e r e x i s t e d on e a r t h – Ad a m a n d Ev e , t h e i r j ou r n e y s t a r t e d w it h t h e d i s c ov e r y of u n k n ow n a n d u n e x p e c t e d . T h e re f ore , t h e c on c e pt f or “Fa it h” j e w e l r y s t ore i s D i s c ov e r y. In “Fa it h”, c u s t om e r i s t op pr i or it y, f rom t h e w e l l t h ou g ht - out c i rc u l at i on t o t h e u n i q u e n e s s of j e w e l r y d i s p l ay, a n d f i n a l l y t o c u s t om e r s e r v i c e . T h e d a r k e r at m o s p h e re c re at e s a my s t e r i ou s v i b e d i f f e r s f rom t h e u s u a l j e w e l r y s t ore s , w h i c h t r i g g e r s c u s t om e r s’ d e s i re i n e x p l or i n g f u r t h e r m ore . F i n i s h e s a n d l i g ht i n g f e at u re s w e re s e l e c t e d c a re f u l l y t h at c re at e a h a r m ony ; re f l e c t i on b e t w e e n l i g ht i n g a n d s u r f a c e s a d d s a s u bt l e g l i s t e n t o t h e j e w e l r y pi e c e s . E a c h c u s t om e r i s e s c or t e d by s t a f f t h rou g h out t h e i r v i s it . Fait h’s u lt i m at e go a l i s t h e i n d i v i du a l it y of b ot h j e w e l r y a n d c u s t om e r s .


iNSPIRATION Combining the past and present with a splash of contemporary. The richness of gold patterns, elegance of the classical beauty, and intimacy between love.

81


floor plan

n Copper frame

Carrara marble with hidden cabinet

Luminous LED strips

Mirror

EMPLOYEE AREA

ASSOCIATES AREA

Black marble ENGAGEMENT AREA

MANAGER AREA

Green velvet under cabionet seats , pull them out when you need

WEDDING AREA CASH WRAP AREA LOUNGE AREA ENGAGEMENT AREA

GEM / BIRTH STONE

OCCASIONAL/GIFTS AREA

Copper frame Carrara marble with hidden cabinet

DIAMOND AREA

PATTERN WALL

DIAMOND AREA

82

MEN AREA

JEWELRY/ CASH WRAP AREA

WATCHES AREA

copper strip


ceiling plan •Recessed lighting

•Cove LED lighting throughout the space

•Each display counter is meant to look like a piece of jewelry •Cove LED lighting throughout the space

83


elevation Engagement ring Area

3’0’’

Engagement area; elevation shows two different display cases::

Exterior

4’0’’

1’0’’

4’6’’

1- Display case with seats underneath for better customer service.

Lounge Area ’’0’1

6’’ 1’0’’

Transition and Node Area

’’0’2

ped light installation above the lounge area

3’0’’

’’6’01

6’’

14’6’’

10’6’’

’’0’1

84

Medium dark tall velvet curtain separates the engagment and the wedding section from other sections -UNEXPECTED-


elevation

85


RENDERING

86


87


ENGAGEMENT Ring lounge

88


ENGAGEMENT display Combining the past to the present with a splash of contemporary. The richness of gold patterns, elegance of the classical beauty, and intimacy between love.d ones. Medium dark tall velvet curtain separates the engagment and the wedding section from other sections -UNEXPECTED-

EMPLOYEE AREA

ASSOCIATES AREA

ENGAGEMENT AREA

MANAGER AREA

WEDDING AREA CASH WRAP AREA LOUNGE AREA ENGAGEMENT AREA

GEM / BIRTH STONE

OCCASIONAL/GIFTS AREA

DIAMOND AREA

PATTERN WALL

DIAMOND AREA

MEN AREA

JEWELRY/ CASH WRAP AREA

WATCHES AREA

89


90


‘‘Design is more than a few tricks to the eye, it is a few trick to the brain. ’’ Neville Brody

91


HOSPITALITY

92


HOSPITALITY

FRESH SHAWORMA


about the project

site Jeddah, Saudi Arabia.Western Region, 21577

Jeddah is a Saudi city located in the middle of the eastern coast of the redsea known as the Bride of the Red Sea and is considered the economic and tourism capital of the country. Its population is estimated around 3.4 million and it is the second largest city after Riyadh.

project brief “I love graffiti and pop art, and this mural combines the two; it’s refined graffiti,� Fierabend says. I designed a fresh sandiwich fast food resturant for organic locla brodacts. The Idea behind was to create fresh and organic looking space by applying 3 main materials among( metal, wood, eclaric) The space and using the logo as a color palette . Chalkboard and plants are the main design element in the space


concept

Biomimicry in a desire to make a living space

95


design process

chalkboard wall

96

column

column


FLOOR PLAN

n 10

9

Legends TL

8

1. Entrance

KN

2. Dining Area 3. Bar high table

9 11

TL

4. Bar high seat

7

5. Dining Area 6. Chalk board partition 7. Menu 8. Kitchen

6

9. Toilet 10. Storage

5

2

4

11. Cashier 3

1

97


REFLECTED CEILING PLAN

Circle Light Fluorescent Recessed light Hidden light Spot light Kitchen light

98


99


electrical PLAN GS

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GS AC

NO. DATE

100

ISSUE

REV10

DATE

ISSUE

REV9

DATE

ISSUE

REV8

DATE

ISSUE

REV7

DATE

ISSUE

REV6

DATE

ISSUE

REV5

DATE

ISSUE

REV4

DATE

ISSUE

REV3

DATE

ISSUE

REV2

DATE

REV1

DATE

Drawn By:

ISSUE ISSUE

Checked By:

Approved By:

GS

GS


floor finish PLAN

101


‫‪partition details‬‬

‫‪1.05‬‬

‫‪1.05‬‬

‫‪.50‬‬

‫‪.50‬‬

‫‪.50‬‬

‫‪.50‬‬

‫‪.50‬‬

‫��ﻜ�������‬

‫��ﻜ������� زﺟﺎج‬ ‫‪3.80‬‬

‫‪.50‬‬

‫‪.50‬‬

‫‪.50‬‬

‫ﻣﻜﺎن �������‬ ‫‪.50‬‬ ‫‪.50‬‬

‫‪1.54‬‬

‫‪.50‬‬

‫‪.50‬‬

‫‪.25‬‬

‫‪.25‬‬

‫‪.25‬‬

‫‪.50‬‬ ‫‪.50‬‬ ‫‪.25‬‬

‫‪.50‬‬

‫‪1.54‬‬ ‫‪.50‬‬

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‫‪.50‬‬

‫‪.25‬‬

‫ﻣﻜﺎن �������‬ ‫‪.50‬‬

‫��ﻜ������� زﺟﺎج‬

‫‪1.38‬‬

‫‪.50‬‬

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‫‪102‬‬


������ �������‫��ﻜ‬

‫زﺟﺎج‬ ������� ‫ﻣﻜﺎن‬

�������

.50

‫��ﻜ������� زﺟﺎج‬

.25

3.45

������

.50

.50

.50

.50

.50

.55

partition details

103


‫‪bar/ column details‬‬

‫������‬

‫������‬

‫دھﺎن‬

‫دھﺎن‬

‫����ﺎ�‬

‫����ﺎ�‬

‫زﺟﺎج‬

‫زﺟﺎج‬

‫‪104‬‬


‫زﺟﺎج‬

������ ���������� ���������������

bar/ column details

‫دھﺎن‬ ������ �‫����ﺎ‬ ‫زﺟﺎج زﺟﺎج‬

������ ‫زﺟﺎج‬

���������� ���������������

‫دھﺎن‬ ������ �‫����ﺎ‬ ‫زﺟﺎج‬ ‫زﺟﺎج‬ NO. DATE

ISSUE

REV10

DATE

ISSUE

REV9

DATE

ISSUE

REV8

DATE

ISSUE

REV7

DATE

ISSUE

REV6

DATE

ISSUE

REV5

DATE

ISSUE

REV4

DATE

ISSUE

REV3

DATE

ISSUE

REV2

DATE

REV1

DATE

Drawn By:

ISSUE ISSUE

Checked By:

Approved By:

NO. DATE

ISSUE

REV10

DATE

ISSUE

REV9

DATE

ISSUE

REV8

DATE

ISSUE

REV7

DATE

ISSUE

REV6

DATE

ISSUE

REV5

DATE

ISSUE

105


106


107


108


‘‘A designer never stops thinking” Kathleen Rayn

109



RETAIL

PERFORMANCE BICYCLE


SITE

A d d r e s s : 6 3 5 B r a n n a n S t. , S a n F r a n c i s c o, C A 9 4 1 0 7

H 5T ST

Br an na n

ST

Performance bicycle

B lu xo m e

30 year of successfully serving cyclists’ needs, we are honored to have become

ST

America’s leading multi-channel bicycle retailer. With more than 100 Performance Bicycle stores located in 19 states, an unrivalled inventory of more than 10,000 products available through our catalog and website, and a continuing com-

To w

ns

en d

ST

mitment to providing value, edwwestination for people who love to ride bikes.

112


concept

MOMENTUM

In classical mechanics, momentum is the product of the mass and velocity of an object. it has a direction as well as

magnitude. It is the invisible force that transmits the great outdoor biking experience into my design.

113


design process

programming - Method of merchan daising - Redesign interior and exterior - Customer service - Helmet - Customer service - Bike tool - Bike clothing - Tire - Frame - Part - Energy drinks - Snacks - Shoes and pedals - Accessories - Nutrition

114


WAITING AREA

CHECKOUTs

bIKE DISPLAY

115


floor plan level one

n

Active Are a

UP

W.C

Active Are a HEALTH CHECK

BIKE TRAINER

FUN AREA

C ustom er S ervic e

DISPLAY

REPAIR STATION CUSTOMER SERVICE

FITTING ROOM CHECKOUT

R etail

OCCASIONAL DISPLAY

DISPLAY BIKE PART

REPAIR STATION

CHECKOUT

R e cycling Are a

RECYCLED BIKE PART

SHOES AREA

E ntra nc e

116

HELME AREA

UP

UP ENTRANCE


floor plan level two

n

DN W.C

EMPLOYEES ONLY

OFFICE MEETING ROOM MANAGER ROOM

Bike Display

O ffic e s

BICYCLE DESPLAY

BENCH

Bike Display

OPEN TO BELOW

117


CEILING PLAN l1

118


CEILING PLAN l1

Spot Light R eccessed light Pandant light Pandant light

119


INTERIOR ELEVATION

C h e ck O ut B a mboo cuvere d by galva niz e d

R cycle Part 4’0’’

Yellow L E D light

3’6’’

3’6’’

Painte d F S C wood

Pla stic Sign age s

3’6’’

2’0’’ L E D light und ern e ath

1’0’’

2’6’’ Bike tire

Bike Display

Active Are a

L E D Light

L E D Light Sign

10’0’’

Digital S cre e n 10’0’’

4’0’’ 6’’

120

L E D Light strips

14’’



EXTERIOR ELEVATION Solar System allows daylight to enter the space

Heat Redirected to Sky Iron Mesh Panel

Self illminated logo

low E glass

Main entrance

Sunlight absorbed

Solar Thermal System

Photovoltaic System

Provide Energy

122

Steel structure frame


123


ENTRANCE

124


MERCHENDAISE

125


entertainment, waiting, health check room

UP

I thoroughly enjoy the W.C

HEALTH CHECK

challenge of creating the

BIKE TRAINER

FUN AREA

space that people have envisioned. Whether DISPLAY

REPAIR STATION CUSTOMER SERVICE

it’s taking the old and

DISPLAY BIKE PART

transforming into a FITTING ROOM CHECKOUT

OCCASIONAL DISPLAY

new and exciting space,

REPAIR STATION

CHECKOUT

or building fresh and RECYCLED BIKE PA

making the new feel as SHOES AREA

HELME AREA

UP

UP ENTRANCE

though it’s been there for generatiow

126


entertainment, waiting, health check room

127



‘‘The desire to create is one of the deepest yearning of the human soul ’’ Dleter Uchtalar



RESIDENTIAL

MARIOTTO RESIDENCE


sa

client profile This apartment remodel is for a middle aged man living alone. He is a designer that often has clients over for meetings. However, the kitchen is rarely used extensively

SITE

sa

13 Wood street, San Francisco, CA


concept

CREATION From organic and raw natural elements, the process of creation transforms these elements into a polished visual statement.

color Contemporary interiors feature toneon-tone color palettes relying heavily on brown, taupe, cream, and pure white. Shots of color are sometimes found on a single wall, in a striking floor rug or in a special piece of art

furniture Pieces feature clean lines and smooth surfaces without any carving or adornment. Silhouettes are slim without being dainty. Furniture is made of light-colored woods such as maple and birch (which also have minimal graining), frosted or clear glass, stainless steel, nickel and chrome.

133


DESIGN PROCESS

134


floor plan

n

135


elevations Kitchen Island

Office

136


137


GREATROOM

138


KITCHEN

139


BEDROOM

140


BEDROOM

The main feature in the bedroom is the opeining closet and bathroom, and the metal pipes extend behind the bed that go up to the ceiling.

141


142


‘‘Some people want it to happen, Some people wish it would happen, other make it happen.’’ Micheal Jordan

143



COMMERICAL

ACADEMY OF ART UNIVERSITY ENTRANCE


Bl ux om e

Br an na n


sa

ABOUT THE PROJECT

6 0 1

Bran nan

st re e t,

S an

Francis co,

C A

94107

Academy of art university,where are the school of Interior architecure and design,and the school of Architecure located. Project is about redesigning the enrtrance and the courtyard of the school by me, student for students.

147


concept

concept Symmetry creates balance, and balance in design creates harmoney, order, and aesthetically pleasing results. I decided to illustrate symmetry by using elements that already exist in the building, air conditioning ducts throughout the space in the shape of human brain shape .

148


floor plan

n

149


sa

ELEVATIONs

sa


sa

SECTIONs

sa


interior perspective

152


exterior perspective

153


front desk First impressions are an important part of human interaction that translates into an office environment as well. Because of that, the reception or lobby area can be an important element of the school – allowing visitors and students to have positive feelings and impressions as they enter the office for the first time.

154


exterior view

155


156


“The desire to create is one of the deepest yearning of human soul.” Dieter Uchtdorf

157



RETAIL

10 MARKET


4T

H

ST .

CHANNEL ST. 3RD ST.

EL

. ST

N

AN

CH

LO N

G

BR

ID GE

ST .

4TH ST.

160

LONG BRIDGE VARA

KEY LEGEND PARKING RESDENTIAL SITE GARDEN


site analysis

THE HISTORY AND CULTURE OF MISSION BAY 94158

1859 U.S. Costal survey map,showing mission rock well out in the bay.

1860

From the 1906 earthquick was dumped there to create more land for the growing city from 1860 to 1910.

1906

1863

Fire Soaked Creosote Burns at Mission Rock.

The Bay Bridge was built

1950

Areial view of the mission rock terminal and San Francisco.

People have been starting living in high rise apartments and mid rise towers.

2005

1980

1946

1910

Arial viewo of the Mission when it was still railroad land with warehouses and industrial facilities.

2000

AT&T park opened

2013

The maximum development program for Mission Bay, 6.000 to moderate,low,and very low income house holds.Redevelopdevelopers will be built.

24

161


concept Fern, any of several non flowering vascular plants that process true roots, stems,

Restaurant

and complex leaves and that reroduce by spores. they belong to lower vasculer plant division pteridophyta, having leaves usually with branching vein system; the young leaves usually unroll from a tight fiddlehead, or crozier. The number of fern species is about 9.000, but estimate have ranged to as high as 15.000, the number varying because certain groups are as yet poorly studied and because new species are still being found

Kitchen

in unexplored tropical areas. the ferns costitute an ancient division of vascular plants, some of them as old as the Carboniferous period and perhaps older. Their type of life cycle, dependent upon spores for dispersal, long preceded the seed-plant life cycle. Another informal name for the group, monilophytes, has gained currency in modern

Seats Prepared Food

botanical literature. Spores

Fresh

Fan shaped

Delicat

Soft

Complex

Fresh market

Fresh market

Root

Repetiton Green Clustered Clean Wiry Lush

162

Main Pathway


design prosess

163


design prosess PERSPECTIVE / ELEVATION IDEAS

HERB HERBWALL WALL

PRODUCTS PRODUCTS

BAKERY BAKERY

SEATS SEATS

COFFEE COFFEE

PREPARED FOOD

SEATS SEATS

SEATS SEATS

PREPARED FOOD

CHECKOUT OUT CHECK PRODUCE PRODUCE

Shopping baskets Shopping baskets

PIZZA BAR TABELS WITHOUT SEATS PREPERED FOOD/ KITCHEN PREPERED FOOD/ KITCHEN

MEAT MEAT

CHICKEN CHICKEN

PREPARED FOOD

BAR/ OPEN KITCHEN OFFICE/ LOCKERS

OFFICE/ LOCKERS

-

DELI DELI Dairy Dairy

TABELS WITHOUT SEATS

---

SEAFOOD SEAFOOD

PIZZA BAR

UP

New proudct New proudct

PREPARED FOOD

TOILET TOILET TRASH TRASH

3D view for the area

37

164


design prosess ation Glass Elev

Industrial ceiling CONCRETE

A

A

Drop ceiling down @ 8'6'' hight Level 3 22' - 0"

Level 2 14' - 0" Drope ceiling 8' - 6"

34

OFFICE TOILET

Level 1 0' - 0"

165


EXIT

WINDO

BASKETS

BASKETS

CHECK OUT

COFFEE

HERB WALL

ENTRANCE

PRODUCE

FLOWERS

PREPERED FOOD/ KITCHEN

DELI

DAIRY

TRASH

JUICE BAR CHICKEN MEAT SEAFOOD

BAKERY PRODUCTS

PREPARED FOOD

NEW PRODUCT

166

n floor plan


RESTAURANT

WINDOW SEATS

OW SEATS

PIZZA BAR

OPEN KITCHEN

PREPARED FOOD

BAR SEATS

SINKS

UP

RESTROOM

WALK-IN REFRE

167


Wi n d ow S e at s

Juice B ar

168 BASKETS NEW PRODUCTt

5' - 1"

BASKETS

4' - 7"

FLOWERS

NEW PRODUCTt

16' - 3"

5' - 6" 29' - 6"

TRASH

MEAT

CHICKEN

7' - 0"

120' - 0"

10' - 11"

DELI

9' - 11"

JUICE BAR

BASKETS 4' - 5"

4' - 5"

EXIT

PREPARED FOOD

15' - 7"

14' - 7"

25' - 5"

PREPERED FOOD/ KITCHEN

10' - 0"

UP

SEAFOOD

4' - 1"

CHECK OUT

8' - 0"

4' - 0"

5' - 2"

PREPARED FOOD

WINDOW SEATS

8' - 3"

PIZZA BAR

DAIRY

3' - 1"

Tr a s h A r e a

COFFEE

12' - 3"

5' - 2"

Produce

PRODUCE

BAKERY

5' - 2"

25' - 5"

4' - 3"

8' - 1"

PRODUCTS

4' - 5"

Herb wall

34' - 9"

120' - 0"

9' - 11"

PREPARED FOOD

STANDING TABLES

5' - 8"

FLOWERS

10' - 11"

PREPERED FOOD/ KITCHEN

Butcher

HERB WALL

7' - 0"

4' - 5"

WINDOW SEATS

RESTAURANT

ENTRANCE

13' - 1"

4' - 7"

29' - 6"

JUICE BAR

BASKETS

TRASH

DELI

PREPARED FOOD

Wi n d ow S e at s

16' - 3"

5' - 1"

CHICKEN

Hot Food MEAT

CHECK OUT

EXIT

8' - 3"

Products

SEAFOOD

COFFEE

15' - 7"

New Product Bar

5' - 8"

Prepared Food Refrigerator 5' - 6"

PRODUCE

Sushi Bar BAKERY

10' - 0"

Bar seats

DAIRY

Bar Seats

HERB WALL

Open Kitchen

PRODUCTS

Checkout 8' - 0"

Prepared Food Area

3' - 1"

Dairy

12' - 3"

Deli Coffee Shop

ENTRANCE

5' - 2"

Bakery

34' - 9"

Market area

13' - 1"

MARKET AREA DEVELOPMENT

7' - 5"

7' - 5"


۱۰ - '۷"

7' - 10"

SIGNAGE BLACK CARBON

HOT FOOD OPEN KITCHEN

8' - 11"

SUSHI BAR

3D view for the area

REFRIGERATOR

٦ - '۱"

0' - 4"

HIDDEN LED LIGHT

3D view for the area

2' - 6"

0' - 3"

CONC GLASS JUICE SHELVES

۱۱ - '۷"

PLANTING POT BLACK METAL

۰ - '۲"

CLEAR GLASS

٤ - '۰"

SHELVES ۱ - '۷"

۱۰ - '۳"

WOOD CONCRETE

SHELVES ۲ - '۷"

۱۰ - '۳"

HIDDEN LED LIGHT ۱ - '۷"

Elevation view for the butcher area

Elevation view for the prepared food kitchen where is it in the space

where is it in the space

11' - 7"

43

3' - 6"

3' - 2"

3' - 6"

3' - 2"

3' - 6"

3' - 2"

3' - 6"

MERCHANDISE METAL SHELVES

2' - 4"

5' - 6"

UNDER GROWTH

CONCRETE

METAL WIRE HERBS READY TO BE HARVESTED

2' - 10" 1' - 8"

2' - 0"

WOOD

3D view for the area

Elevation view for the check out area

WOOD BOX

3D view for the area

Elevation view for the herb wall area

where is it in the space

where is it in the space 42

169


MARKET AREA DEVELOPMENT

Deli

Coffee shop

Products shelves

170


MARKET AREA DEVELOPMENT

171


restaurant AREA DEVELOPMENT Restaurant Area Free standing tables Wi n d ow s e at s Bar seats Regular restaurant tables Open kitchen Dish washing station Pizza Bar Office Lockers Restrooms

Occupancy 50 seats

Material

172


restaurant AREA DEVELOPMENT

173


N NTS DOCUMENTS

NTS

NTS RUCTION DOCUMENTS NTS CONSTRUCTION DOCUMENTS ONSTRUCTION DOCUMENTS

NTS

construction document 58' - 5"

2' - 7" 3' - 5"

10' - 10"

6' - 7"

18' - 0"

3' - 0"

GF

WALK-IN REFRE

MICRO + AFF

10' - 5"48''

7' - 0" RESTROOM

4' - 6"

9' - 11"

SINKS

GF

ESP STANDING TABLES

4' - 1"

GD

GF

ESP

1' - 9"

212' - 2"

5' - 2" GF

4' - 0" EQEQ

25' - 5"

EQ EQ GF

2' - 0" 2' - 6"

4' - 5" 11' - 0"

11' - 4"

7' - 5"

7' - 2" 1' - 5" 1' - 8"

EQ 3' - 0"

1' - 9" 2' - 6"

6' - 6" 2' - 6"

PRODUCTS

Soda Lime Glass

11' - 4" EQ

MEAT

SEAFOOD

EQ

Elevation 3 - a -

PRODUCE 4' - 4" 4' - 7" 2' - 6"

TRASH

CHICKEN

9' - 8"

8' - 5" Elevation 2 - a

4' - 10"

24' - 4"

23' - 6"

9' - 8"

-

6' - 1"

MICRO +48'' AFF BAKERY

-

7' -- 3"

HERB --WALL

MICRO +48'' AFF

7' - 7"

5' - 11" 1' - 6"

Elevation 1 - c

PREPARED FOOD

3' - 4" 10' - 2" 1' - 4" 3' - 1" 1' - 6" 5' - 0" 8' - 0"

5' - 7"

25' - 4"

1' - 9"

8' - 3" 15' - 7"

WINDOW SEATS

GF

4' - 0" EQEQ EQ EQ EQ

TRASH

MEAT SEAFOOD

PRODUCTS

1' - 11"

3' - 0" 1' - 9"

MICRO +48'' AFF

EQ

CHICKEN

BAKERY

EQ 9' - 8"

SEAFOOD

PRODUCTS

Soda Lime Glass

Glass

ENTRANCE

1

1

Level 1 1/8" = 1'-0"

ELECTRICAL PLAN 1/8" = 1'-0" 1

NEW PRODUCT

1

ELECTRICAL PLAN 1/8" = 1'-0"

ELECTRICAL PLAN 1/8" = 1'-0"

NEW PRODUCTt

3

1

A110

A110

8' - 3"

DAIRY FLOWERS

ENTRANCE

STEEL, MILL FISH

4' - 9" 1' - 8"

PAINT NEW PRODUCT

1 FC PLAN 1/8" = 1'-0"

11' - 11"

STEEL, MILL FISH

BASKETS

BASKETS

PAINT ENTRANCE

Glass DAIRY

BASKETS

DAIRY

12' - 10"

FLOWERS

AC DUCT @ 20'0''

1

6' - 2"

DELI 1' - 5"1' - 4" 8' - 11"

CONC

PRODUCE

HERB WALL

FLOWERS

AC DUCT @ 20'0''

AC DUCT @ 20'0''

3' - 5"

3' - 5"

40' - 3"

EQ

CLEAR GLAZING

COFFEE OUTLET 8' - 5"

5' - 1"

METAL PATTERN

-

CONCERETE FLOOR THROUGHOUT THE SPACE

JUICE BAR 1' - 8"

WOOD

PRODUCE

HERB WALL

PREPERED FOOD/ KITCHEN

9' - 10"

EQ

PAINT

TRASH

MEAT

1' - 8"

STEEL, MILL FISH CLEAR GLAZING

MICRO +48'' AFF

WOOD

-

5' - 2"

PAINT

2' - 0"

CONC

EQ

CLEAR GLAZING

CHICKEN

BAKERY

$ $

METAL PATTERN

GF

2' - 0" 11' - 4"

FLR

DELI

COFFEE

$ $

CLEAR GLAZING

2' - 6"

FLR OUTLET

STEEL, MILL FISH

CONC CEILING @ 22'0'' AFF

$ $

3' - 0"

11' - 4"

GF

CONC CEILING @ 22'0'' AFF

8' - 2"

14' - 6"

FLR OUTLET

CHECK OUT

3' - 7"

GF

SITE PLAN

CONC CEILING @ 22'0'' AFF

FLR OUTLET

FLR OUTLET

6' - 1"

4' - 0"

FLOOR OUTLET -

MICRO +48'' AFF

CLEAR GLAZING

3' - 0"

DELI

6' - 0"

2' - 7"

MICRO +48'' AFF

COFFEE

1 A111

BASKETS

PREPERED FOOD/ KITCHEN

CHECK OUT

9' - 11"

5' - 6"

3' - 8"

2' - 6"

2' - 6"

WOOD MARBILE

BASKETS

9' - 11"

9' - 6"

11' - 4"

CLEAR GLAZING

3' - 4"

PREPARED FOOD GF

2' - 0"

FLR OUTLET

1' - 0"

EXIT

Soda Lime Glass

BLACK CHROME

EXIT

11' - 4"

JUICE BAR

PREPERED FOOD/ KITCHEN

CHECK OUT

WINDOW SEATS

GF

4' - 0" EQEQ

3' - 4"

EQ EQ

$

PREPARED FOOD

MARBILE

BASKETS

CONC

JUICE BAR

WINDOW SEATS

$

WOOD

2' - 6"

FLOOR OUTLET

WOOD

GF

$

Soda Lime Glass

Soda Lime Glass

WOOD CONC

GF

CONC

BLACK CHROME

6' - 3"

CONC

PREPARED FOOD STEEL

GF

WOOD

EXIT

URE AND .

PAINT

Soda Lime Glass

WOOD

CONC

GF

ARCHITECTS ATING

PREPARED FOOD

CONC

PREPARED FOOD

STEEL

GF

SINKS

11' - 11"

PAINT STAINLESS STEEL 18/8 METAL

PAINT

AC DUCT @ 20'0''

11' - 9"

GF

GD

GF

5' - 11"

RESTROOM

10' - 0"

6' - 5"

PAINT

GF

8

3' - 2"

8' - 5"

15' - 1"

2' - 7" 15' - 10"

Elevation 1 - a

9' - 0"

26' - 6"

OPEN KITCHEN

ESP

GF

GF

SINKS

4' -

Elevation 1 - b

PIZZA BAR

8" 4' GF

WINDOW SEATS

GF

OPEN KITCHEN

GARBAGE DISPOSAL ELECTRICAL SERVICE PANEL

GF

WALK-IN REFRE

WINDOW SEATS

METAL

OM NUMERIC RE NOT TO BE

AN

TELEPHONE OUTLET GD

7' - 11"

GF

PAINT

STAINLESS STEEL 18/8

FLOOR TRIPLEPLEX POWER RECEPTACLE

5' - 10"

-

-

UP

5' - 10"

GF

RESTROOM

COUNTE

ESP

TRIPLEPLEX POWER RECEPTACLE WITH GROUND FAULET INTERRUPTOR CIRAIT. TRIPLEPLEX POWER RECEPTACLE

+48'' AFF

R TOP PANEL ELECTRICAL SERVICE

MICRO + 48'' AFF

PAINT

TO THE G FOR FORMANCE OF HALL BE F ALL WORK,AS CH THE DVANCE.

LEGEND: GF

GARBAGE DISPOSAL KITCHEN

GD

ELECTRICAL SERVICE PANEL PAINT

5- ALL LOCATIONS TO BE VERIFIED AND DETERMIND IN FIELD BY ''WAL OWNER AND ARCHITECT.

48'' AFF

TRIPLEPLEX POWER RECEPTACLE

BAR SEATS /

UP

ESP

GF

WALK-IN REFRE

GARBAGE DISPOSAL

4- CONTRACTOR TO NOTIFY OWNER PRIOR TO INSTALLING BOXES FOR RECESSED/SURFACE MOUNTED FIXTURES, SWITCHES, POWER/DATA/P

8' - 1"

6' - 7" 1' - 5" 2' - 0" 7' - 7" 8' - 1" FLOOR TRIPLEPLEX POWER RECEPTACLE

9' - 0"

9' - 0"

GF

GD

BAR SEATS

$ $ $ $

$ $ $ $

$ $ $ $

BAR SEATS

- LED LIGHT STRIP

LIGHTIN / ELECTRICAL ITEMS. PROPER POWER LEVELS SHALL BE PRO

2 A110

TRIPLEPLEX POWER RECEPTACLE WITH GF MICRO + CIRAIT. GROUND FAULET INTERRUPTOR

TELEPHONE OUTLET

PAINT

OPEN KITCHEN

LEGEND:

+48'' AFF

TELEPHONE OUTLET

AMNUFACTURES RECOMENDATIONS.

5- ALL LOCATIONS TO BE VERIFIED AND DETERMIND IN FIELD BY ''WALK-THROUGH'' WITH 3- ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN ACCO OWNER AND ARCHITECT.

FLOOR TRIPLEPLEX POWER RECEPTACLE

- SWITCH

1- ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED

4- CONTRACTOR TO NOTIFY 8' - 7" OWNER PRIOR TO INSTALLING BOXES FOR ALL RECESSED/SURFACE MOUNTED FIXTURES, SWITCHES, POWER/DATA/PHONE OUTLETS. 2- ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE INSALLE

TRIPLEPLEX POWER RECEPTACLE

- SPRINKLER $

3- ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN ACCORDANCE WITH ALL NOTE: LIGHTIN / ELECTRICAL ITEMS. PROPER POWER LEVELS SHALL BE PROVIDED.

RESTAURANT

MICRO + 48'' AFF

- WALL-MOUNT ALL SWITCHES AT548'' TOLOCATIONS CENTRAL A.F.F, U.O.N ON DRAWINGS. ALL TO BE VERIFIED AND DETERMIND IN FIELD BY ''WALK-THROUGH'' WITH - WALL-MOUNT ALL POWER /DATA/PHONE OUTLETS JACKS AT 18'' TO CENTRAL OWNER AND ARCHITECT. A.F.F.,U.O.N ON DRAWINGS. - WALL-MOUNT ALL SWITCHES AT 48'' TO CENTERLINE A.F.F, O.N DRAWINGS. LEGEND: 4- ALL NEW LIGHTNING / ELECTRICAL INSALLATIONS TP BE IN ACCORDANCE WITH BLACK CHROME CALIFORNIA TITLE 24 REQUIREMENTS. TRIPLEPLEX POWER RECEPTACLE WITH GF GROUND FAULET INTERRUPTOR CIRAIT. LEGEND - EXIT SIGNAGE

2- ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE INSALLED ACCORDING TO THE AMNUFACTURES RECOMENDATIONS. 4' - 11" 2' - 0" 7' - 3"

-

-

GF

REVIEW ALL NSIONS AND FIRM THAT Y CONFLICT OR

STANDING TABLES

10' - 10"

10' - 10"

CLEAR GLAZING

UP

WINDOW SEATS

8' - 7"

2- ALL NEW ELECTRICAL EQUIPMENT AND APPLIANCES TO BE INSALLED ACCORDING TO THE PIZZA BAR AMNUFACTURES RECOMENDATIONS.

3- ELECTRICAL SERVICE POWER TO BE EVALUATED TO MEET IN ACCORDANCE WITH ALL 1- OUT LET IN KITCHEN AND ANY WET AREAS, SHALL HAVE GROUND FAULT POWER LEVELS SHALL BE PROVIDED. LIGHTIN / ELECTRICAL ITEMS. PROPER INTERUPTOR CIRCUITS (GFIC) 2- STYLE OF SWITCHES / OUTLETS TO BE COORDINATED WITH , AND APPROVED 4- CONTRACTOR TO NOTIFY OWNER PRIOR TO INSTALLING BOXES FOR ALL ,BY OWNER AND ARCHITECT. RECESSED/SURFACE MOUNTED FIXTURES, SWITCHES, POWER/DATA/PHONE OUTLETS. RESTAURANT 3- ALL DIMENSION ARE TO FINISH SURFACE, U.O.N. CLEAR GLAZING

BLACK CHROME

UP

1- ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED

1- ALL NEW ELECTRICAL EQUIPMENT TO BE U.L. RATED NOTE

CLEAR GLAZING

M.C),2012 E.C),2009 2009 CT (A.D.A) RDINANCE AND

A110

A110

NOTE: NOTE:

CLEAR GLAZING

2013 DUCT @ 20'0'' DMENTSAC2010, DE

1

3

ABBREVIATIONS

GF

PROJECT / SITE DATA PROJECT ADDRESS : PROJECT / SITE DATA GENERAL NOTES 185 CHANNEL ST , SAN PROJECT ADDRESS : 1- ALL WORK SHALL COMPLY WITH THE APPLICABLE ABBREVIATIONS NOTE FRANCISCO CA 94158 185 CHANNEL ST , SAN (E) EXISTING CODES,AMENDMENTS,RULES,REGULATIONS, NOTE BLOCK NUMBER: FRANCISCO CA 94158 (N) NORTH ORDINANCE,LAW,ORDERS,APPROVALS,ETC,THAT (E) EXISTING 1- OUT LET IN KITCHEN AND ANY WET AREAS, SHALL HAVE GROUND FAULT LOT NUMBER: INTERUPTOR CIRCUITS PIZZA (GFIC)BAR BLOCK NUMBER: AFF ABOVE FINISH FLOORARE REQUIRED BY PUBLIC AUTHORITIES .IN 1- OUT LET IN KITCHEN ANDTHE ANY WET AREAS, SHALL HAVE GROUND CONC CEILING @ 22'0'' AFF (N) FAULT NORTH 2- STYLE OF SWITCHES / OUTLETS TO BE COORDINATED WITH , AND APPROVED 8' - 7" LOT SIZE: INTERUPTOR CIRCUITS (GFIC) LOT NUMBER: ,BY OWNER AND ARCHITECT. CONC CEILING @ 22'0'' AFF EQ EQUAL EVENT OF CONFLICT, WORK SHALL COMPLY WITH 2- STYLE OF SWITCHES / OUTLETS TO BE COORDINATED WITHAFF , AND APPROVED ABOVE FINISH FLOOR 3- ALL DIMENSION ARE TO FINISH SURFACE, U.O.N. ZONING CLASSIFICATION: ,BY OWNER AND ARCHITECT. LOT SIZE: - WALL-MOUNT ALL SWITCHES AT 48'' TO CENTRAL A.F.F, U.O.N ON DRAWINGS. GYP GYPSUM BOARD THE MOST STRINGENT REQUIREMENT INCLUDE, EQ EQUAL 3- ALL DIMENSION ARE TO FINISH SURFACE, U.O.N. - WALL-MOUNT ALL POWER /DATA/PHONE OUTLETS JACKS AT 18'' TO CENTRAL RED - WALL-MOUNT ALL SWITCHES AT 48'' TO CENTRAL A.F.F, U.O.N ON DRAWINGS. ZONING CLASSIFICATION: A.F.F.,U.O.N ON DRAWINGS. GLS GLASS BUT ARE NOT LIMITED TO, THE CURRENT GYP GYPSUM BOARD - WALL-MOUNT ALL POWER /DATA/PHONE OUTLETS JACKS AT 18'' TO CENTRAL RESTAURANT - WALL-MOUNT ALL SWITCHES AT 48'' TO CENTERLINE O.N CONC A.F.F, CEILING @DRAWINGS. 22'0'' AFF CSOUTH OF MARKET : A.F.F.,U.O.N ON DRAWINGS. RED 4- ALL NEW LIGHTNING / ELECTRICAL INSALLATIONS TP BE IN ACCORDANCE WITH MTL METAL APPLICABLE EDUCATIONS OR PUBLICATIONS GLS GLASS - WALL-MOUNT ALL SWITCHESOF AT 48''THE TO CENTERLINE A.F.F, O.N DRAWINGS. YEAR BUILT : 4- ALL NEW LIGHTNING / ELECTRICAL INSALLATIONS TP BE IN ACCORDANCE WITH CSOUTH OF MARKET : CALIFORNIA TITLE 24 REQUIREMENTS. MICRO + FOLLOWING: MTL METAL LEGEND 48'' AFF BUILDING AREA: SF CALIFORNIA TITLE 24 REQUIREMENTS. AC DUCT @ 20'0'' YEAR BUILT : - EXIT SIGNAGE CONSTRUCTION TYPELEGEND : BUILDING AREA: SF A- INTERNATIONAL BUILDING CODE 2013 SHEET INDEX - EXIT SIGNAGE WOOD FRAME CONSTRUCTION TYPE :- SPRINKLER GYP BOARD @ 8'6'' AFF CALIFORNIA BUILDING CODE AMENDMENTS 2010, - SPRINKLER SHEET INDEX $ - SWITCH CONCERETE FLOOR CURRENT USE : SHEET 101 COVER SHEET AND,SAN AC DUCT @ 20'0'' WOOD FRAME GYP BOARD @ 8'6'' AFF THROUGHOUT THE FRANCISCO BUILDING CODE $ - SWITCH - LED LIGHT STRIP SPACE RESIDENTIAL SHEET 102 FF PLAN CURRENT USE : SHEET 101 COVER SHEET AMENDMENTS 2010. +48'' AFF NUMBER OF UNITS: - LED LIGHT STRIP SHEET 103 PARITION PLAN B- UNIFORM RESIDENTIAL SHEET 102 FF PLAN GYP BOARD @ 8'6'' AFF MECHANICAL CODE(U.M.C),2012 NUMBER OF FLOOR: SHEET 104 FC PLAN NUMBER OF UNITS: SHEET 103 PARITION PLAN C- NATIONAL ELECTRICAL CODE (N.E.C),2009 TOTAL SQUARE FOOTAGE : SHEET 105 RFC OLAN NUMBER OF FLOOR: SHEET 104 FC PLAN D-UNIFORM PLUMBING CODE (I.F.C),2009 SCOOP OF THE PROJECT: SHEET 106 ELECTRICAL PLAN TOTAL SQUARE FOOTAGE : SHEET 105 RFC OLAN F-AMERICANS WITH DISABILITIES ACT (A.D.A) FULL INTERIOR DESIGNING SHEET 107 ELEVATION 1 SCOOP SHEET 106 ELECTRICAL PLAN GYP BOARD @OF 14'0'' THE PROJECT: G- STATE AND LOCAL MUNICIPAL ORDINANCE AND OFBOARD THE SPACE. SHEET 108 ELEVATION 2 FULL INTERIOR DESIGNING GYP @ 14'0'' SHEET 107 ELEVATION 1 MICRO + AMENDMENTS TO THE CODES 48'' AFF SHEET 109 ELEVATION 3 OF THE SPACE. SHEET 108 ELEVATION 2 GYP BOARD @ 14'0'' SHEET 110 SECTION SHEET 109 ELEVATION 3 PROJECT DIRECTORY 2-GENERAL CONTRACTORS SHALL REVIEW ALL SHEET 111 CUSTOM DETAIL DOCUMENTS SHEET 110 SECTION CLIENT NAME : TONY AND VERIFY ALLRIVIERA DIMENSIONS AND PROJECT DIRECTORY SHEET 112 WALL SECTION FIELD CONDITIONS SHEET 111 CUSTOM DETAIL$ 'CHEF" AND SHALL CONFIRM THAT CLIENT NAME : TONY RIVIERA SHEET 112 WALL SECTION $ WORK ISADDRESS: BUILDABLE AS SHOWN.ANY CONFLICT OR 'CHEF" RELEPHONE NUMVER: OMISSIONS,ETC. ADDRESS: $ FAX: SHALL BE IMMEDIATELY REPORTED TO THE RELEPHONE NUMVER: NORTH ARROWARCHITECT EMAIL: AND OWNER IN WRITING FOR GD FAX: CORRECTION OF ALL WORK,AS PERFORMANCE OF NORTH ARROW EMAIL: CONCERETE FLOOR WORK IN QUESTION. THE GC SHALL BE THROUGHOUTANY THE ESP ARCHITECT: SPACE RESPONSIBLE FOR & CORRECTION SAMAHER MICHELLE OF ALL WORK,AS ARCHITECT: DIRECTED BY ARCHITECT,FOR WHICH THE AC DUCT @ 20'0'' CONC CEILING @ 22'0'' ADRESS: AFFSAMAHER & MICHELLE ELEVATION ARCHITECT WAS NOT NOTIFIED IN ADVANCE. CONC CEILING @ 22'0'' ADRESS: AC DUCT @ 20'0'' AFFPHONE: CONC CEILING @ 22'0'' ELEVATION AFF FAX: PHONE: 3-ALL DIMENSIONS TO BE TAKEN FROM NUMERIC EMAIL: FAX: DESIGNAYION ONLY.DIMENTIONS ARE NOT TO BE EMAIL: 2' - 6" SCALED OFF OF DRAWINGS. CONTACTOR: BOB KORE SECTION FLOOR OUTLET ADDRESS: CONTACTOR: BOB KORE 4-IN CASE OF CONFLICT BETWEEN ARCHITECTS SECTION PHONE: DRAWINGS IN LOCATING ADDRESS: AND ENGINEERS FAX:EQUIPMENT. PHONE: MATERIALS, EMAIL: FAX: EMAIL: 5-WORK AREAS TO BE REMAIN SECURE AND CALLOUT LOCKABLE DURING CONSTRUCTION. CALLOUT

THE APPLICABLE LATIONS, ALS,ETC,THAT ITIES .IN THE COMPLY WITH NT INCLUDE, RENT ICATIONS OF THE

Level 1 1/8" = 1'-0" Scale

Scale

Scale

Scale

Scale

ELECTRICAL PLAN

ELECTRICAL PLAN

A103

5/11/2014 7:45:08 PM

1/8" = 1'-0"

5/11/2014 7:44:56 PM

1/8" = 1'-0"

1/8" = 1'-0"

1/8" = 1'-0"

5/11/2014 7:45:08 PM

A103

A106

1/8" = 1'-0"

1/8" = 1'-0"

1/8" = 1'-0"

1/8" = 1'-0"

1/8" = 1'-0"

5/11/2014 7:45:08 PM

A102

A106

A105

A102

A105

A101

A105

5/11/2014 7:45:03 PM

5/11/2014 7:44:51 PM

A106

Scale

Scale

Scale

REFLECTED CEILING PLAN

Scale

Scale

DEMO PLAN SCALE 1/8'' FF PLANREFLECTED CEILING PLANELECTRICAL PLAN IAD 300 5/14/14 PLAN SCALE 1/8'' 185 ChannelDEMO Street, FF PLAN IAD 300 5/14/14 COVER SHEET 185 Channel185 Street, REFLECTED CEILING PLAN IAD 300 5/14/14 Channel San Street, IAD 300 5/14/14 185 Channel 185 Street, IAD 300 5/14/14 Francisco, CA 94158 185 Channel Street, IAD 300 5/14/14 185 Channel Street, IAD 300 5/14/14 Channel Street, Samaher Alamoudi IAD 300 5/14/1 /14 185 Channel Street, IAD 300 5/14/14 IAD 300 5/14/14 185 Channel Street, 185 Channel Street, San Francisco, 94158 CA 94158 SanCA Francisco, el Street,IAD 300 5/14/14 San CAFrancisco, 94158 Samaher Alamoudi San Francisco, CAFrancisco, 94158 San IADChannel 300 5/14/14 185 Street, 185 Channel Street,Samaher San Francisco, CA 94158 Samaher Alamoudi CA 94158San Samaher Alamoudi Alamoudi Michelle Miller Samaher Alamoudi Samaher Alamoudi San Francisco, CA 94158 Francisco, CA 94158 San Francisco, CA 94158 Samaher Alam moudi co, CA 94158 Samaher Alamoudi Samaher Alamoudi San Francisco, CA 94158 San Francisco, CA 94158 Michelle Miller Michelle Miller Michelle Miller Samaher Alamoudi Samaher Alamoudi Michelle Miller Michelle Miller Michelle Mille ler Michelle Miller Michelle Miller Michelle Miller Michelle Miller Michelle Miller

FLOOR COVERING SCALE 1/8''=1'0''

5/11/2014 7:44:56 PM

5/11/2014 7:45:03 PM

5/11/2014 7:44:47 PM

5/11/2014 7:45:03 PM

174

5/11/2014 7:44:51 PM


3' - 6"

3' - 2"

3' - 6"

3' - 2"

3' - 6"

3' - 6"

3' - 2"

3' - 6"

3' - 2"

3' - 6"

3' - 2"

3' - 6"

Level 2 14' - 0"

3' - 6"

3' - 2"

Level 2 14' - 0"

3' - 6" 11' - 9"

3' - 2"

Level 2 14' - 0" UNDER GROWTH

-

Drope ceiling 8' - 6"

1' - 8"

---

HERB WALL ELEVATION 2-A 1 1/2" = 1'-0"

11' - 9" 2

WOOD BOX

2

OPEN KITCHEN Elevation 1-A 1/2" = 1'-0"

OPEN KITCHEN Elevation 1-A 1/2" = 1'-0"

Level 1 0' - 0"

Level 1 0' - 0"

HERBS READY TO BE HARVESTED

---

HERBS READY TO BE HARVESTED

HERBS READY TO BE HARVESTED

WOOD BOX

METAL WIRE

1' - 2"

METAL WIRE

UNDER GROWTH

1' - 2"

5' - 6"

Drope ceiling 8' - 6"

METAL WIRE

---

1' - 2"

UNDER GROWTH

Drope ceiling 8' - 6"

-

11' - 9"

3' - 2"

11' - 7"

3' - 6"

2

ATION 2-A

OPEN KITCHEN Elevation 1-A 1/2" = 1'-0"

WOOD BOX

7' - 10"

7' - 10"

7' - 10"

Level 1 0' - 0"

PLANTING POT

SIGNAGE BLACK CARBON PLANTING POT

CLEAR GLASS REFRE

7' - 11"

CLEAR GLASS REFRE

WOOD

0' - 5" 1' - 4"

CONC

REFRIGERATOR

WOOD

CONC

2' - 0"

WOOD CONCRETE

7' - 1"

SHELVES

SHELVES

SIGNAGE BLACK CARBON

3' - 10"

7' - 2"

PLANTING POT

HIDDEN LED LIGHT

HIDDEN LED LIGHT

WOOD

3

CONCRETE

3' - 10"

BUTCHER Elevation 3-A 1/2" = 1'-0"

3

3' - 10"

PREPRED FOOD KITCHEN Elevation 1-C 1/2" = 1'-0"

7' - 1"

WOOD

Scale

CONC

CONCRETE

HIDDEN LED LIGHT

5/11/2014 7:45:18 PM

1/2" = 1'-0"

185 Channel Street, San Francisco, CA 94158 7' - 1"

A108

3' - 10"

HIDDEN LED LIGHT

WOOD

1/2" = 1'-0"

7' - 2"

ELEVATION

A108

1/2" = 1'-0"

SHELVES

5/11/2014 7:45:14 PM

185 Channel Street, San Francisco, CA 94158

CLEAR GLASS

Scale

A107

300 5/14/14 maher Alamoudi ichelle Miller

REFRIGERATOR

IAD 300 5/14/14 Samaher Alamoudi Michelle Miller 5/11/2014 7:45:18 PM

3

IAD 300 5/14/14 Samaher Alamoudi Michelle Miller

PREPRED FOOD KITCHEN Elevation 1-C 1/2" = 1'-0"

0' - 8"

Scale

MARKET ELEVATION

IAD 300 5/14/14 Samaher Alamoudi Michelle Miller

ELEVATION

185 Channel Street, San Francisco, CA 94158

1' - 3"

ation 3-A

0' - 5" 1' - 4"

7' - 2"

ET ELEVATION

2' - 4"

CLEAR GLASS REFRE

2' - 4"

2

PREPRED FOOD KITCHEN Elevation 1-C 1/2" = 1'-0"

7' - 1"

HIDDEN LED LIGHT

3' - 10"

0' - 8"

CLEAR GLASS

2' - 4"

SHELVES

1' - 3"

SHELVES

7' - 1"

0' - 5" 1' - 4"

0' - 8"

HIDDEN LED LIGHT

1' - 3"

1' - 6"

CLEAR GLASS

REFRIGERATOR

7' - 10"

SIGNAGE BLACK CARBON

185 Channel Street, San Francisco, CA 94158 175


A

B

C

D

CONSTRUCTION DO E

F

G

H

I

J

Level 3 22' - 0" Level 2 14' - 0"

A

B

C

D

E

F

G

Drope ceiling 8' - 6" I J

H

Level 1 0' - 0"

Level 3 22' - 0" Level 2 14' - 0" Drope ceiling 8' - 6" Level 1 0' - 0"

Section 7 3/32" = 1'-0"

1

construction document

Section 7 3/32" = 1'-0"

1

B

B

C

C

D

D

E

E Level 3 22' - 0"

Level 3 22' - 0"

Level 2 14' - 0"

Drope ceiling 8' - 6" GLS COUNTER

8' - 8"

PIZZA OVEN

Level 2 14' - 0"

GLS BAR TABLE

Level 1 0' - 0"

METAL AC DUCT

1' - 1"

METAL CHAIRS

2' - 3"

Drope ceiling 8' - 6" Section 2 3/16" = 1'-0"

2

A

1

B

C

D

E

F

G

H

I

J Level 1 0' - 0"

RESTAURANT Elevation 1-B 1/2" = 1'-0"

J

I

H

G

F

E

D

C

B

Level 3 22' - 0" A Level 2 14' - 0"

Drope ceiling 8' - 6" Section 2 3/16" = 1'-0"

2

Level 1 0' - 0"

2' - 4"

CONCRET E

3

Section 7 3/32" = 1'-0"

1

Section 8 3/32" = 1'-0"

CHECKOUT 3/4" = 1'-0"

J

I

H

G

STOOL

F Scale

METAL SHELVES

A110

0' - 6"

E

D

C

B

A

SECTION

HIDDEN LED LIGHTS

As indicated

B

C

IAD 300 5/14/14 Samaher Alamoudi Michelle Miller D

185 Channel Street, San Francisco, CA 94158

Level 3 22' - 0" Level 2 14' - 0"

E

Drope ceiling 8' - 6"

5/11/2014 7:45:27 PM

3

Level 2 14' - 0" Drope ceiling 8' - 6" Level 1 0' - 0"

WOOD

2

Level 3 22' - 0"

WINDOW SEATS ELEVATION 3/4" = 1'-0"

Level 1 0' - 0" Scale

ELEVATION

A109 As indicated

IAD 300 5/14/14 Samaher Alamoudi Michelle Miller

Level 3 22' - 0"

185 Channel Street, San Francisco, CA 94158

3

Section 8 3/32" = 1'-0"

Level 2 14' - 0"

5/11/2014 7:45:18 PM

Drope ceiling 8' - 6"

Scale

64

SECTION

176

A110

IAD 300 5/14/14 Samaher Alamoudi 65

Level 1 0' - 0"

185 Channel Street, San Francisco, CA 94158


3

3

3

PLANTS 3

PLANTS

Basic GENERIC wall 5"

METAL WIRE

Basic GENERIC wall 5"

METAL WIRE

WOOD

WOOD

STUD @ 4'-0' STUD @ 4'-0'

Basic GENERIC wall 5"

BLACK RECTANGULARMULION 2.5"X

STUD @ 4'-0'

TRIPLE GLAZING COATED GLASS INSULATION IN FRAME Generic wall 5"

BLACK RECTANGULARMULION 2.5"X5"

4' - 1"

Generic wall 5" 4' - 1"

STUD @ 4'-0'

CONC

SOIL

BLACK RECTANGULARMULION 2.5"X5"

Four glass panels siliding door

CONC

SOIL

TRIPLE GLAZING COATED GLASS INSULATION IN FRAME TRIPLE GLAZING COATED GLASS

4' - 1"

Generic wall 5"

Level 1 0' - 0"

INSULATION IN FRAME

Generic wall 5" 4' - 1"

HERB WALL DETAILS SCALE 1''=1'0''

Level 1 0' - 0"

Four glass panels siliding door FOOTING RECTANGULAR 72X48X18.4

HERB WALL DETAILS SCALE 1''=1'0''

Level 1 0' - 0"

Four glass panels siliding door

Concerete Floor FOOTING RECTANGULAR 72X48X18.4

Level 1 0' - 0"

WOOD

Level 1 0' - 0"

WIRE

1

wall details 1 1/2" = 1'-0"

3

WOOD REFRIGERATOR

0' - 6"

WIRE

2' - 7"

1

FOOTING RECTANGULAR FOOTING 72X48X18.4 RECTANGULAR

2' - 1"

1' - 5"

glass front door details 1 1/2" = 1'-0"

Level 1

wall details 1 1/2" = 1'-0"

3

0' - 0" Level 1 0' - 0"

72X48X18.4

0' - 7"

EARTH

glass front door details 1 1/2" = 1'-0"

RUBBER

Concerete Floor 12"

RECTANGULAR MULION 2.5"X5"

Concerete Floor 12" 2' - 1"

1' - 5"

REFRIGERATOR

0' - 6"

2' - 7"

2' - 3"

BASIC GENERIC WALL 5"

WHITE CONC

EARTH

EARTH

LED STRIP LIGHT

0' - 7"

METAL PREPARED FOOD REGRIGERATOR 1 1/2" = 1'-0"

wall details wall details 1 1 1/2" = 11'-0" 1/2" = 1'-0"

glass front door details 33 glass front door details WALL TRANSATION 111/2" 1/2"==1'-0" 1'-0" 2 3" = 1'-0"

2' - 3"

1

RECTANGULAR MULION 2.5"X5" CURTAIN WALL

1

WHITE CONC

INSULATION ACCUSTIC

RUBBER

RECTANGULAR MULION 2.5"X5"

Scale

WALL SECTION

CUSTOM DETAIL

185 Channel Street, San Francisco, CA 94158

1 1/2" = 1'-0"

RECTANGULAR MULION 2.5"X5"

RECTANGULAR MULION 2.5"X5"

As indicated

IAD 300 5/14/14 Samaher Alamoudi Michelle Miller

PREPARED FOOD REGRIGERATOR 1 1/2" = 1'-0"

A113

A111 1

RECTANGULAR MULION 2.5"X5"

Scale

LED STRIP LIGHT

METAL

CURTAIN WALL

IAD 300 5/14/14 Samaher Alamoudi Michelle Miller 2

WALL TRANSATION 3" = 1'-0"

RUBBER

185 Channel Street, San Francisco, CA 94158

RUBBER

BASIC GENERIC WALL 5"

5/11/2014 7:50:58 PM

BASIC GENERIC WALL 5"

5/11/2014 7:45:29 PM

177

Scale

WALL SECTION

CUSTOM DETAIL

A11

IAD 300

INSULATION ACCUSTIC

5/14/14

INSULATION ACCUSTIC

185 Channel Stre


market

178


prepared food area

179


180


‘‘There is no logic that can be superimposed on the city; people make it, and it is to them, not the buildings, that we must fit our plans.’ Jane Jacobs

181



SKILL

Photography


Model: Saleh Alajmi 184


Model: Saleh Alajmi

185


Model: Saleh Alajmi

Model: Saleh Alajmi 186


Model: Saleh Alajmi

187


188

Model: Saleh Alajmi


Model: Saleh Alajmi


Model: Sohaib Alamoudi

190


Model: Sohaib Alamoudi

191


192


193


194


‘‘Simplicity and complexity need each other.” Johan Meda

195


196


THANK YOU

to Academy of Art Faculty members whom I have learned from a lot During this chapter of my life

197


198


‘‘May lord, increase me in knowledge” Holy quraan

199


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