Interior Portfolio by samanata kumar

Interior Design Portfolio Samanata Kumar

About Me..... Samanata Kumar Date of Birth : 01/04/1997 Address : 5,Tulsi Anand Apt, Jai Bhawani Road, Nashik road,Nashik - 422102. Contact : +919923355142 +918698461982 Email : sam9923355142@gmail.com INTERNSHIP PERIOD : FROM FIRST WEEK OF AUGUST TO LAST WEEK OF NOVEMBER 2018

± I love to write about design. ± I am in love with people who talk design in terms of

traditions and culture . ± I also love to capture moments through my camera. ± I love books over kindle and actual papers over digitally written material. I have completed my Bachelors in Interior Design from M.V.P Samaj College of Architecture and Center for Design, Nashik. This portfolio will showcase the different areas I have covered during my three years in college and also will show you the journey of my designing development process. I am eager to explore the different aspects of interior design. I am able to work as a one person army and in a team.

Workshops...... ± 2016 : Dialogue with Architect Snehal Shah.

Languages.....

± 2016 : Re-Interpreting Indian Geometric Pattern by Shripad

± Hindi

Bhalerao ± 2016 : The Dialgue with Architect Palinda Kannangara,Sri Lanka and Architect Md. Raﬁq Azam,Bangaladesh by IIID,Nashik. ± 2017 : Attended Kala Ghoda Workshops ± 2017 : Music,Nature and Geometry by Shripad Bhalerao sir ± 2018 : FOAID Seminars ± 2019 : Journalism online workshop for 1 month organised My Captain under UN organisation and IIM Bengaluru certiﬁcation

Working Experience......

± Worked in organizing college tours to Kolhapur and North-East India. ± Organized a workshop with the help of team by Shripad Bhalerao in

college campus with the guidance to Faculty . ± Worked as a student council member in executing college Academic Exhibition and college magazine. ± Worked in an NGO for underprivileged children.

Education....... ± 2015 : Barnes School and Junior College.

± English

± Marathi ( understandable ) ± Punjabi ( understandable )

Software Skills.....

± AutoCad 2D

± Google SketchUp ± Adobe Photoshop ± Vray ± Corel Draw ± Microsoft Ofﬁce : Excel, Word,

Power Point Presentation. ± Video editing (Beginner skills)

Other Interests......` ± Traveling ± Roller Skating ± Researching about different perspectives

of the locations in terms of culture and traditions. ± 2015 till 2019 : M.V.P. Samaj College of Architecture and Centre for ± Riﬂe shooting Design

Content......

ELEMENTS OF DESIGN

DESIGN AND WORKING DRAWING : PEDIATRIC CLINIC

DESIGN AND WORKING DRAWING : RETAIL STORE, FLAGSHIP FOR VERO MODA AND JACK AND JONES

DESIGN AND WORKING DRAWING : CUISINE THEME RESTAURANT, MUGHAL DESIGN

DESIGN AND WORKING DRAWING : OFFICE DESIGN FOR BUILDERS AND DEVELOPERS

GRADUATION PROJECT : CULTURAL CENTRE FOR ARTS, CRAFTS AND ARTISTIANS IN THE STATE OF MAHARASHTRA.

CONSTRUCTION TECHNOLOGY

PROFESSIONAL PRACTICE

INDOOR LANDSCAPE

PHOTOGRAPHY

SKETCH UP VIEWS AND OTHER WORKS

Elements of Forms.......

COLOR SCHEMES : Different color schemes on the color wheel were explored in 2d composition to understand the color psychology .

PATTERNS FORMED FROM CUTTING CIRCLES BALANCE MODEL

LIGHT MODEL

TILE PATTERN IN AUTOCAD

2D COMPOSITION CONVERTED INTO 3D MODELS

Design and Working Drawing......

PROPOSED ELEVATION FOR DOCTOR’S CABIN

DESIGN 1 : PEDIATRIC CLINIC , A CHILD FRIENDLY ENVIRONMENT. The intent of this design is to take advantage of the site’s architectural value by bringing in easy accessibility, comfortability and light (natural and artiﬁcial) and utilizing a modern approach to pediatric clinic. The site given was on the ground ﬂoor, road facing and close to the busiest location in Nashik. AREA : 51. 50 SQ.M. MATERIALS : Glass, Wood, Acrylic sheets, white and black marble tiles.

PROPOSED PLAN FOR PEDIATRIC CLINIC

PROPOSED ELEVATION TOWARDS THE ROAD FOR PEDIATRIC CLINIC

VIEWS OF THE SITE.

FURNITURE DETAILS

L-SHAPED DOCTOR’S TABLE

WAITING AREA SEATING DESIGN

RECEPTION TABLE

MEDICAL EXAMINING TABLE

FRONT FACADE FOR THE CLINIC ( DONE IN CT FOR FACADE DETAIL WALL-MOUNTED BOOK SHELF

Design and Working Drawing......

AREA OF GROUND FLOOR 254.42 SQ.M. AREA OF MEZZANINE 131.54 SQ.M.

DESIGN 3 : RETAIL FLAGSHIP STORE, VERO MODA ,JACK & JONES AND KARAMELA. A reputed brand in readymade clothing and apparel industry is intending to setup its ﬂagship store in one of the busy and upmarket locality of Nashik. The site selected is purely a commercial building. Design Brief : To design a ﬂagship store for Danish brands, Vero Moda and Jack and Jones,and a kid clothing brand Karamla, in which the user achieves both functionality and satisfaction through organic design. CONCEPTUAL SKETCHES...... PROPOSED PLAN FOR GROUND FLOOR

PROPOSED PLAN FOR MEZZANINE FLOOR

PROPOSED ELEVATION FOR THE DESIGN :

SECTIONAL ELEVATION A

EXISTING SITE : Beam Bottom Height : 5.5 m. Total Area : 264 Sq.M.

SECTIONAL ELEVATION B

BUBBLE DIAGRAM

EXISTING SITE FRONT ELEVATION AND ISOMETRIC VIEW

SECTIONAL ELEVATION C

VIEWS AND FURNITURE DETAILS :

SECTIONAL ELEVATION D

SERVICE GATE

DESIGN 4 : RESTAURANT DESIGN , MUGHAL SARAI Design Brief : To design a restaurant that caters all the requirements of a mughalai cuisine kitchen and gives the customers an ambience that enhances include a bar lounge.

TANDOORI PREPARATION

COCKTAIL COUNTER

STAFF TOILET

BACK OFFICE

STORAGE

AREA OF GROUND FLOOR : 299.44 SQ.M.

UTILITY DRY AREA CURRY PREPARATION

CONCEPTUAL IDEAS......

SERVICE COUNTER

BIRYANI AND KEBAB PREPARATION

BOTTLE FREEZER

Design and Working Drawing......

PICK UP + KOT

RECEPTION

COLD STORAGE

BEVERAGE PREPARATION

PICK UP + KOT

SERVICE STAIRCASE

RESTAURANT

BAR LOUNGE

ENTRANCE

GROUND FLOOR PLAN -SCALE 1:40

WASHROOM

The jharoka was proposed for the facade. The miniature paintings are used on walls The inspiration for the planning is taken from the mughal gardens, as it has symmetry and balance

AREA OF MEZZANINE FLOOR : 215.44 SQ.M.

REFRIGERATION

SERVICE COUNTER

DOUBLE HEIGHT

SERVICE STAIRCASE

STAGE AREA DOUBLE HEIGHT

MEZZANINE FLOOR PLAN -SCALE 1:40

LIGHT FIXTURE AC DUCT SYSTEM 0.30 MT. WOODEN PANEL 0.75 HT. MUGHAL ARCHES WITH MINIATURE PAINTING DEWAN SEATING 0.30 HT.

MUGHAL LIGHTING FIXTURE

FALSE CEILING 0.30 MT. WINE BOTTLE KEEPER

AC DUCT SYSTEM 0.30 MT.

0.060X0.060X0.16MT.

SERVICE GATE

FALSE CEILING 0.40 MT. FOUR SEATER TABLE SEATING HT. 0.40 MT. TABLE HT. 0.70 MT.

WATER CHANNEL 0.040 MT DEPTH

FALSE CEILING 1.0 MT. (HT)

DOUBLE HEIGHT

STAIRCASE RISER 0.18 M. THREAD 0.25 M. IT HAS INTRICATE CARVED BALUSTERS

L-SHAPED 8 SEATER SOFA

4 SEATER TABLE TABLE HT. 0.70MT SEATING HT .M T

FRONT FACADE ELEVATIONS AND PANEL DETAILS

CHANDELIER HT.GROUND 4.95 MT. FROM THE

MINIATURE PAINTING

FRAMES FOR MINATURE PAINTING SERVICE DOOR

4 SEATER TABLE TABLE HT. 0.60MT

FALSE CEILING 1.50 MT.

FALSE CEILING 6.35 MT. FROM THE GROUND

AC DUCT 0.30 MT. ENTRANCE TO MEZZANINE FLOOR FOR CUSTOMER

WASHROOM FOR CUSTOMERS

FRAMES FOR PAINTING COUNTER TABLE MOCKTAIL MACHINE

FRONT FACADE PANEL SKETCH UP

JALI WORK

FRAMES FOR MINATURE PAINTING FOUR SEATER TABLE 0.60 MT. HT. SEATING 0.45 MT.

RESTAURANT KITCHEN PLAN AND ELEVATIONS

4 SEATER TABLE

STORAGE FOR DRY PRODUCTS

GAS HOB

DEEWAN SEATING FOR MEZZANINE FLOOR

WINDOWS FOR GIVING CROCKERY FOR CLEANING AND TAKING CLEANED CROCKERY

VIEWS

UNDER STAIRCASE STORAGE FOR COLD PRODUCT

ENTRANCE

BAR COUNTER

CORNER SEATING

LOUNGE SOFA SEATING

STAIRCASE

Design and Working Drawing......

DESIGN 5 : OFFICE DESIGN FOR BUILDERS AND DEVELOPERS Design Brief : To design an office that fulfills the spatial requirements of a office while giving the employess an neutral and healthy environment to work in.

STRENGTH

ŸTHE BUILDING IS SEEN FROM ROAD FRONT.

WEAKNESS

OPPORTUNITIES

ŸTHE BUILDING HAS NO PASSIVE OR ACTIVE

ŸDUE TO PRIME LOCATION THE BUILDING IS

WAY OF FIRE PROTECTION. COMMERCIAL AREA. ŸTHE BUILDING IS ONLY ACCESIBLE FROM ONE SIDE WHICH CAN NOT BE ADEQUATE ŸIT IS A GROUND +3 BUILDING IN CASE OF EMERGENCY. CONSTRUCTED WITH ACP PANELS AND CURTAIN WALLS. ŸTHE SIGN AGE OF THE BUILDING IS NOT VISUAL. ŸTHE ELECTRICAL DISTRIBUTION AREA OF THE BUILDING IS LOCATED IN THE PARKING Ÿ AREA, KEEPING IN SEPARATED FROM ANY PLUMBING DAMAGE.

ŸIT IS SITUATED IN A RESIDENTIAL PLUS

OR SEEN BY THE PEOPLE. ŸDUE TO ONE ACCESS POINT THE WATCH GUARD KEEPS A RECORD OF THE PEOPLE AND EMPLOYEES ENTERING THE BUILDING. ŸDUE TO ITHE HEIGHT THE EMPLOYEES GET A VIEW FROM ALL THE FOUR SIDES OF THE BUILDING.

THREATS ŸHAVING ONE ACCESS POINT ALSO

ENDANGERS THE SAFETY OF THE PEOPLE IN THE BUILDING DURING THE TIME OF EMERGENCY.

RECREATION AREA

PARTITION

RECEPTION PRINTING AREA

RECEPTION LOBBY CEILING

CFO CABIN

PANTRY

DICUSSION ROOM

CEO CABIN

WORKSPACE WASHROOM

BACK OFFICE

DIRECTOR’S CABIN PERSONAL ASSISTANT OPEN WORKSPACE

CONFERENCE ROOM

EXECUTION DEPT. ASSISTANT GENERAL MANAGER HUMAN RESOURCES

MODULAR FURNITURE

WORKSPACE

CA CABIN

MARKETING HEAD

ARCHITECTS

WASHROOM RECEPTION TABLE

WORKSPACE AREA

LOBBY LIGHTS

PANTRY AREA

ACP LOUVERS

DICUSSION ROOM SMOKE GLASS 18MM THK

EXECUTIVE STAFF,DRAFTMEN AND ARCHITECT

PASSAGE

LIFT 1.65x1.47

FROM BRK WORK LVL. 100MM OUTER BLUE REFLECTIVE CLEAR GLASS

TOILET 2.45SQ.M

TOILET 2.3SQ.M

35.390

TOILET 4.11 SQ.M

1 2 3 4 5 6 7 8 9 10 20 19 18 17 16 15 14 13 12 11

LIFT 1.65x1.47

85.41 SQ.M

188MM THK PLYWOOD COVERED WITH LAMINATE

FURNITURE PLYWOOD WITH LAMINATE FINISH

CEO 18.32 SQ.M

PRINTING AREA 8.56 SQ.M ANTE ROOM 7.5 SQ.M

ELE. \/TEL. \/FIRE FIGHTING DU

C.F.O CABIN

P.A'S DESK

RECEPTION AREA

ARCHITECT'S CABIN

EMPLOYEE AREA

CONFERENCE 32.40 SQ.M

RECEPTION AND WAITING 32.400 SQ.M

ARCHITECT'S CABIN 14.92 SQ.M DC. ROOM 2 7.5 SQ.M

DADO TILE CLADDING

18.420

PANTRY OTTA HT. 0.80 MT

DADO TILE CLADDING WOODEN PARTITION WALL

GLASS HALF PARTITION HT. 0.50 MT

SMOKE GLASS

P.A DESK 7.7 SQ.M

21.140

CFO 22.32 SQ.M STORAGE

E TOILET 3.8SQ.M

CUT-OUT

EMPLOYEE WORKING SPACE 128.42 SQ.M

TOILET 2.2SQ.M

RECORD ROOM 11.33M SQ.M PANTRY 6.2 SQ.M

BACK OFFICE 11.02 SQ.M

ANTE ROOM

ACP LOUVERS SERVICE SLAB

SERVICE SLAB ACP LOUVERS

DC. ROOM 1 7.5 SQ.M

TOILET 5.8 SQ.M

11.02 SQ.M

PANTRY

PASSAGE

BACK OFFICE

EMPLOYEE AREA

ANTE ROOM

DUCT

DINING AREA 26.24 SQ.M DIRCTOR'S CABIN 35.32 SQ.M

MS RAILING 12MM THK CLEAR GLASS DOOR & CLEAR GLASS CLASDDING ABOVE 150MM SUNK

35.390

100MM OUTER ACP CLADDING B'

1.5 TON SPLIT AC

GLASS HALF PARTITION HT. 0.50 MT

WOODEN PARTITION WALL

MODULAR CHAIR WITH ROUND TABLE DIA 1.0 MT

SMOKE GLASS

0.75[2'-6] 3.10 [10'-2]

2.50[8'-2]

PLANTER

CASETTE AC INSTALLATION ANTE ROOM AND TOILET ARE CONNECTED

3.25[10'-8]

AGM 11.55 SQ.M

BOXING

MR 12.0 SQ.M

P.M 5.8 SQ.M

C:\Users\Sony\Desktop\observation-urban-building-business-steel_1127-2397.jpg

HR 11.30 SQ.M

CA 11.O SQ.M

P.M 5.8 SQ.M

C:\Users\Sony\Desktop\12184802_web1_M1-Alderwood-EDH-180611.jpg

SERVER ROOM 15.13 SQ.M

100MM OUTER BLUE REFLECTIVE CLEAR GLASS CLADDING

6.500

DIRECTOR'S CABIN

SERVER ROOM

AGM CABIN

MH, PM AND HR

MH CABIN

HR CABIN

CA'S CABIN

DINING AREA

100MM OUTER ACP CLADDING W

S E

DINING AREA

WALL PANELLING

GLAZING

GLASS HALF PARTITION HT. 0.50 MT DESK HT.0.75 MT

WALL PANELLING

RECEPTION DESK

6SEATER SOFA

CASETTE AC GRID GYPSUM CEILING

GRID GYPSUM CEILING

ACHIEVEMENTS DISPLAY

3.10[10'-2]

2.50[8'-2]

C.A CABIN

EMPLOYEE AREA EXECUTIVE STAFF,DRAFTMEN AND ARCHITECT

P.M DESK

EMPLOYEE AREA

RECEPTION AREA

0.50

1.100

3.25[10'-8]

0.75[2'-6]

FURNITURE 18MM THK PLYWOOD LAMINATE FINISH

STAIRCASE AND LIFT

CONFERENCE ROOM

C.F.O CABIN

ANTE ROOM

DIRECTOR'S CABIN

Graduation Project....

AMBIENCE AROUND THE LOCATION

India is an artistically gifted country boasting a 5,000-year-old culture. Art in India is an affair of engaging tradition and adaptation. A country with such diverse art forms requires the state-of-the-art facility to showcase its talents. Facilities in India for events are very limited. Further to this it becomes more crucial to render the international audience a complete artistic experience of Indian artistic Heritage and contemporary socio-expression. MOOD BOARD AIM: To design a socio-cultural centre that promotes culture and arts in the form of experiential, visual and performing arts, and provides intellectual services through seminars, meeting, debates and discussions. OBJECTIVES: •To design the cultural centre based on design elements of Maharashtra. •To study different ways of conserving the architecture space. •To propose a cultural centre which will reﬂect the styles of art and craft of Maharashtra. DESIGN BRIEF : TO REDESIGN KSHITIRIYA WADA AS CULTURAL CENTRE FOR THE STATE OF MAHARASHTRA,WHICH WILL DEPICT THE ART AND CRAFT FOR THE VISITORS WITHIN THE HOUSING TYPOLOGY OF THE STATE BY ASSIGNING A NEW FUNCTION TO THE SPACES WHILE RESPECTING THE ARCHITECTURAL AND STRUCTURAL VALUES OF THE WADA. WHY WADA AS A CULTURAL CENTRE? Wada housing is the traditional housing typology of Maharashtra. ZONING The main aim to choose wada as the site is to showcase the heritage of the old building typology in regards to the space usage and craftsmanship while displaying different arts and crafts of the state within it. WHY CHOOSING EXPERIENTIAL DESIGN? Experiential design is how people interact with a space in order to gain an understanding of what an organization is all about. It connects people to places. Surrounding elements create an experience for us as individuals.

GROUND FLOOR AREA : 465.55 SQ.M.

SECOND FLOOR

FRONT ELEVATION

STREET VIEW

FIRST FLOOR AREA : 316.35 SQ.M.

THIRD FLOOR AREA : 50.50 SQ.M.

FIRST COURTYARD

GROUND FLOOR AREA : 465.55 SQ.M.

FIRST FLOOR AREA : 316.35 SQ.M.

Construction Technology....

TRADITIONAL WALL PANELING

SPIRAL STAIRCASE CONSTRUCTION

WARDROBE CONSTRUCTION

STEEL MEZZANINE CONTRUCTION

MILD STEEL ATTIC CONSTRUCTION COVERED WITH WOODEN ROOF COVERING WAINSCOT PANELING

MODERN PANELING - ACRYLIC SHEET

SKYLIGHT CONSTRUCTION AND SKETCHUP MODEL

MILD STEEL GAZEBO CONSTRUCTION COVERED WITH WATERPROOF CANVAS CLOTH

Professional Practice.....

RESIDENTIAL FURNITURE LAYOUT

PRODUCED\ BY\ AN\ AUTODESK\ EDUCATIONAL\ PR

RESIDENTIAL OFFICE FURNITURE LAYOUT

SKETCH-UP RENDERED PROJECTS

RESIDENTIAL FURNITURE LAYOUT

GROCERY TORE FURNITURE LAYOUT OTHER PROJECTS CAN BE VIEWED IN HARD COPY

Indoor Landscape.... Design Brief : An existing courtyard needs to be designed in a way so the client get a modern experience while fulямБlling the requirement of a gazebo . ORNAMENTAL PLANTS USED IN THE PROPOSED DESIGN :

Codiaeum Variegatum commonly known as Croton

Bauhinia Variegata L. Commonly known as Kanchnar Tree

SKETCH-UP VIEWS OF THE PROPOSED COURTYARD LANDSCAPE :

Tarlmounia Commonly known as Curtain Creeper or Vernonia Creeper PRESENTATION PLAN OF THE PROPOSED DESIGN

DETAILED PLAN OF THE PROPOSED DESIGN

ELEVATIONS FOR THE PROPOSED COURTYARD LANDSCAPE :

MEASUREMENT PLAN OF THE PROPOSED DESIGN

Photography Skills.... Special Interest in : ± Portrait. ± Landscape. ± Architectural sites and elements.

Other Works.....

Vitthala Temple

INLAY OF CLAY IN AFRICAN TRIBAL PATTERN CREATED BY BEN NEWMAN. THIS DESIGN WAS CUT INTO A MDF SHEET AND FILLED WITH MOLDINGS CLAY. MY THOUGHT BEHIND THE TAKING THIS DESIGN WAS : INDIA STILL HAS A LARGE NUMBER OF ILLITERATE POPULATION, AS CLAY IS A MOLDABLE MATERIAL, WE HUMANS CAN BE MOLDED BY EDUCATING EACH OTHER.

MAHA-MANDAPA SHRINE

STONE CHARIOT

KALYANA MANDAPA

PLAN OF THE VITTHALA TEMPLE

Vitthala temple is one of the most splendid structure in Hampi . The ancient monument is well known for its extraordinary architecture and craftsmanship. It is considered one of the largest and most famous structure of Hampi. The temple is located within a mighty complex in the north-eastern part of Hampi, near the bamks of River Tungabhadra. Vitthala Temple was built in the 15th century during the reign of King Devaraya II of the Vijaynagara Empire. Many areas of the temple were added or renovated by King Krishna Devaraya,the illustrious ruler of the Vijaynagara Dynasty. The temple is dedicated to Lord Vitthala an avatar of Lord Vishnu. An idol of Vitthala was enshrined in the temple but is lost in the ravages of time. The legends believe that the temple was built as a residence to Lord Vitthala but due to the large area the Lord went back to Palampura.

VIEW OF THE VITTHALA BAZAAR

The tourist are drawn to Vitthala Temple for its stone structures like the chariot(rath) and interesting musical pillars. Outside the temple complex to the east south direction is a colonnaded market street almost 1 kilometres long which was famous for horse trading. The walled enclosure covers almost 3.2 acres with the colonnaded verandahs lining the compound walls. In the southeast corner is a kitchen with roof windows. The temple is built in Dravidian Temple Architecture which speaks volumes about the grandeur of the South Indian Temple Architecture with unmatched cravings. The region around the temple was called Vitthalapura. It hosted a Vaishava Matha (monastery) designed as a pilgrimage centre, it was an Alvar tradition. 26

THE ENTRANCE GOPURAM

SKETCHUP OF AN EXISTING OFFICE LOCATED IN NASHIK : THAKKER DEVELOPERS

STONE CHARIOT

After the grand entrance from The mandapa has four sections, two of which are aligned the Gopuram, the stone chariot with the temple sanctum, the south, north and east are is seen in the open campus.The intact but the western hall has collapsed during the chariot has become an idol of battles. The maha mandapa has forty pillars lining the Hampi not only for the tursit facade each having a height of 10 feet. The balustrade but it has also been printed of are decorated with carving elephants. The central area the Indian Currency. Built on a forms a rectangular court with sixteen intricately rectangular platform,the decorated pillars having beautiful sculptures of chariot is dedicated to Garuda, Narasimba and Yaali.The mandapa is linked by an ride of Lord Vishnu. The back enclosed Pradakeshina patha around the sanctum. left wheels of the chariot used Other structures are Amman shrine (meditation hall) to rotate but in other avoid any and the Utsav Mandapa or festival hall. damage to the structure, CARVING AT THE PILLAR government cemented the wheel. In front of the chariot two elephants are kept,as if they are pulling the chariot but these elephants are brought from elsewhere. Earlier there were two horses were present, today the remains of the horses can be noticed behind the elephants.

The Ranga Mandapa has 56 carved stone pillars of different diameters, shape, length and surface ﬁnish. These pillars have astounded the traders who would visit the Empire as they produce musical notes when struck. Every pillar supports the ceiling of the mandapa while each pillar also has seven minor pillars which emit different musical notes. According to the local, the hall was used for public celebrations.

SCULPTURE AT THE BASE

The Kalyana Mandapa, which was used for wedding ceremonies . It is a hundred columned mandapa.

The complex also has an old tree which is more than 150 years old. There are many interesting carving present in the complex. One of each carving is given below,it depicts a monkey face,a monkey pulling a small monkey, serpent head, a frog and a jumping monkey.

FRONT VIEW OF THE RANGA MANDAPA

WORKSHOP SKILL : RESTORING OLD CHAIR FRAMES AND CONVERTING INTO A SOFA SET FOR HEAD OF DEPARTMENT’S CABIN (GROUP WORK)

THE REMAINS OF THE WESTERN HALL

MYTHICAL CREATURE BALUSTRADE

HAMPI MAGAZINE (PERSONAL)

COMPILATION OF CRAFT AND CULRTURE DOCUMENTATION OF KOLHAPUR (GROUP WORK)