The photographic process of a pin hole camera emerges as a praxis for memory function. The automatic writing of light cast onto the interior gives an abstract sense of an instance, and thus a multiplicity of semiotic meaning. The complete story of the moment is absent, so one builds a narrative around it. As in the case of the Rorschach cards, each photograph provides the room for interpretation, offering contradictory and complicit narratives stemming from the same image.