Portfolio 2023

Page 19

Sandeep Suresh Kumar

Selected Works

Architecture + Landscape Architecture

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I (2021)
Breathing
3 Table of Contents The House of Movement 001 005 011 020 034 040 024 038 058 The Gentle House 002 Felixble Shading 003 Yagura Ryukuchi Park 004 Digital Fabrication 005 Studies on Movement 006 Model Making 007 Resume 008
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An 1/8th scale represenatative model. Model images contnued in section 007

The House of Movement

Nestled in the heart of Baton Rouge, Louisiana, the “House of Movement” stands as a testament to the transformative power of movement and sustainability. As a martial arts school that specializes in the art of Jiu Jitsu and Tai Chi, “House of Movement” is dedicated to providing a safe and nurturing environment for the older population to explore their physical capabilities.

Not content to simply provide a space for physical activity, “House of Movement” is committed to being a beacon of environmental stewardship and sustainable living. The building boasts state-of-the-art living engine that efficiently cleans and recycles sewage and site water, making it suitable for gray water use. Furthermore, the building’s innovative use of Cross Laminated Timber construction, coupled with its net-positive energy production, allows it to re-purpose excess electricity for the community.

In addition to its martial arts school, “House of Movement” offers comfortable and inviting living quarters designed for overnight stays for residents seeking physical care or guests from outside the city. The backyard of the building features a beautiful pergola, a garden, and meditation spaces for guests and residents to relax and recharge.

With a deep commitment to sustainability, holistic health, and community, the “House of Movement” is poised to become a transformative force in the Baton Rouge area and beyond.

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Baton Rogue Terrace Grocery Lincoln Theatre Museum of Public Art
Expressway Park Purple Circle Social Club Site Location
001
6 0’ 10’ 20’
Render showing the entrace into the building where on one side is the Living Engine and the other side the active bio-swale A plan of the building showing internal and external circulation.

Rooftop Water Collection

Embedded in the roof system is also two long green roofs that adequately collects and filters rain water. This roof also has skylights that allow natural light to enter the space.

Living Engine

The living Engine (inspired by the Omega Eco Machine) is a system that uses plants, bacteria, algae, and fungi to recycle wastewater from the building, site, and surrounding properties into clean water for later use as well as restoring the local aquifer. The system is chemical free, uses no energy, and creates a closed-loop hydrological cycle.

Temporary housing

Located on the south eastern half of the building, the rooms provide a temporary space for those in a transitional stage of their life. Whether that be moving to a new neighborhood to seeking shelter from a natural disaster, these rooms serve as a space for to rest and recouperate.

Room for movement

This space exists in the southern side of building where individuals from different backgrounds and groups have an opportunity to learn about movement and self-defense in return creating a secondary community within the local community that promotes and practices arts of movement.

Trees for noise reduction

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Pitched roof for rain water collection and solar optimization Living Engine Room for Movement Glu Lam Structure Shaded Pergola
MyrtleWalkStreet South14thSt
External Run-off on site Bio-Swale
PEAK RUNOFF RATE 66,218.07 GAL
WEST ELEVATION SUN CHART DAYLIGHT AVAILABILITY RADIATION

SOUTH ELEVATION

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Render showing the interior atrium which covers the mats and the runway thriugh the mats.

The Gentle House

The Gentle House was concieved with the curosity of what complexities and desires can arise with combining a martial art with fast fashion. Located in Iowa City. Surrounded by various buisnesses, the university and government bodies.

In Portuguese. the term “Arte Suave” translates to The Gentle Art. The Gentle house derives its indenity from this lifestyle. Qualities such as Respect , Dicipline, Honor and Patience. The house has three main programs which are the Jiu-Jitsu gym, Fahion studio and artist residence.

The Gentle House is two storeyes with the dojo and the mat space in the atrium of the building. The main amenities such as public bathrooms, showers and storage are also on the ground floor. Ths floor also has two elevators on the NE and SW corners.

The circultion is designed in a way that the models from the fashion studio upstairs have one linear path back upstairs through the elevators.

The building is coveresd with a wire mesh which provides sufficient reduction in solar gain but there is also a stripped green roof which provides shade in the summer and allows sunlight in during the winter or colder seasons.

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002 18yle wa Jig y year ig yle ally wo igtch He spot le th lo All th rl d, th ew udo tch th st yle d ff ct th erally ally we gave 92 allygal Helio tsu, larger qu y agai y ly ill d not nd cont to ht, unt il th th th owel to nt ry. Ki th th foyle agai ger al tsu, early ily ig yle. ally le yle largerFig th st ht th worl d, ut th He mb all th chn h el ht th th ct und th agili ly ph osophEvery ig ly ig C, gejub early rea put ay age po lye ly ja allyerally ally d th st ival ka bu ki nd th https://www.oldjapan.org/menskimono/glossary.html The Gentle house. Jiu- Jitsu or Arte Suave (The gentle art) at first may not seem like an art that can align itself with fashion. If one takes a closer look at a Kimono, it is realized that the clothing not only has a style but also years of history. The Gentle house aims to promote Jiu -Jitsu and Fashion not just as their individual arts but also as collaborative performances that bring communities of different ages and race together. Respect Discipline Honor Patience
12 Ground Floor Plan Storage Storage Laundry Men’s Bathroom Women’s Bathroom Accessible Bathroom Catwalk / Runway Wellness room
Runway Circulation

Studio + residence floor plans

Bathrooms + Showers Bedroom 1 Surging Surging Surging Sewing Sewing Sewing Digital Material Library Cutting Bedroom 2 Kitchen Living
15 Kitchen + Living
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Flexible Shading

Collaborators:

Logan Mayer

Noah Webber

Flexible Shading was made for an science and technology when my peers and I were intersted in a shaing device that could essential change it’s shape to achiece shading comfotability. Informed by Maharshra Tiles and Dukta Studio this unique shading decived was made out of custom cut MDF boards and wood.

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003
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2x4s
Flexible MDF
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Ideation Drawing

Yagura Ryukuchi Park

Collaborator : Sharissa Patanapanich

Yagura Ryukuchi Park, located on between the rivers Kanzaki and Yodo in Osaka, Japan serves as a waterfront park that commemorates ecofeminism inspired by the Japanese Shinto religion for the city’s demo graphic. The park also sets an example for raising awareness, encourage self, reflect and inspire.

Yagura Ryokuchi Park (which translates to ‘green within the industrial’), is located in the Nishiyodogawa Ward at the end of the peninsula west of the Yodo River, the central and largest river of Osaka.

The park is surrounded by industrial buildings and is adjacent to a school and a few baseball fields. It is also surrounded by water on 3 sides. Designed in 1999 by LandTec, the park is intended to serve as a place that offers people a closer access to the water while mitigating the urban climate.

Prioritizing pedestrians, most visitors walk or bike to the park entering through the two paths southeast of the site. (Those that drive may park at the baseball fields.) The space’s highest point is the center lawn with the topography slope going down from there to the ocean shore. Winding paths

110th: Japan’s position in gender equality when ranked against 149 other countries

79% of Japanese women say society favors men and 68% of men agree

61% of high school females say they regularly see or suffer sexual discrimination

25 hours are spent on housework per week by married Japanese women

25 hours are spent on housework per week by married Japanese women

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Baseball Fields Iron Works Machining Electronic Parts Supplier Corporate O ce Chemical Plant Steel Plant Gas Company Auto Wrecker Contractor Manufacturer Chemical Plant Car Dealer Baseball Field Bus Charter Transportation Service
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Paths surround the topography and native vegetation canopy over the paths. Existing infrastructure includes a restroom, picnic gazebo, and an observation deck. The site also includes a preservation area up north to protect wildlife habitat and tide pools to protect shallow-water marine life as well as to help prevent disasters. The park has become a popular place for locals to fish.

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WAVE-ENERGY CONVERTING BOARDWALK

EXISTING OBSERVATION DECK

MEDITATION SPACE

FLOATING PLANTERS

MIRROR GATE

NEW RESTROOMS

EXISTING GAZEBO

ONNA-BUGEISHA MEMORIAL SPACE Master

EXISTING MAINTENANCE BUILDING

INSPIRATIONAL WALKWAY

Plan
28 LIGHT POLE 2” CONCRETE PANELS COBBLE STONE PAVEMENT 12’ 2”ONE WAY MIRROR 1”=5’
Inspirtational Walkway

Center Space

29 NEW RESTROOMS MEDITATION SPACE MIRROR GATE ONNA-BUGEISHA MEMORIAL SPACE

Mirror Gate

Mirror gate is a 5’ wide two-way spherical mirror. The mirror is designed and places at the center of the site as the user who views themselves in the mirror can place themselves with the environment they are surrounding.

The Onna-Bugeisha Memorial Space

The Onna-Bugeisha Memorial Space serves as reminder to the public of women’s involvement in early Japan. The memorial consists of an 8’ tall statue of Tomoe-Gozen who is regarded as one of the greatest Onna-Bugeisha’s

Meditation Area

The meditation serves a space to mediate, read or just relax within the park.

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WAVE ENERGY CONVERTERS

FLOATING PLANTERS

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SPACE MIRROR GATE
ONNA-BUGEISHA MEMORIAL SPACE MEDITATION

Floaters

32 Wave
Energy Converting Boardwalk

Floaters

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Kinetic/Potential Energy converters
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Digital Fabrication

Collaborator : Mary Le

We wanted a form that had interesting faces on all sides, which related to the shapes of origami, more specifically the fortune teller. By deriving from a 3”x3”x3” volume, where straight triangular cuts across the cube created varying types of faces, we made a shape that could be rotated in any direction. This allowed for many possibilities in configuration since all the face stood up the same amount of area when stacking on another module, creating both regular and irregular patterns.

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005
36 .46” 1.866” 0.775” 1” 2.764” 8° 1.866” Specifications
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Studies on movement

To grasp the intricacies of grappling, one must delve into the concept of “Kuzushi,” an essential principle denoting the disruption of an adversary’s equilibrium. Esteemed Judo instructor Richard Riehle meticulously analyzed the constituent characters of “Kuzushi,” revealing depictions reminiscent of the moon and the mountain. A profound observation emerged: Remove the moon, and the mountain will fall.

The contemplation of “Kuzushi” may be comprehended as the act of orchestrating deliberate movements to engender a response or shift in one’s adversary or collaborator. This intricate notion suggests that to evoke a discernible reaction or alteration, a strategic removal of certain elements is requisitioned, thereby paving the way for a subsequent cascade of events.

The consensus among adept practitioners of grappling resides in the notion that genuine fluidity materializes in a state of mental vacancy, devoid of cogitation. This is not to imply that movement remains divorced from the reservoir of experience, erudition, and contextual factors. The prospect of delineating motion based solely on cognitive processes remains largely elusive. Yet, what if movement could be guided by an external impetus? Alternatively, could one influence a sensory domain? Could music, in particular, orchestrate alterations in the spatial comportment of two practitioners? Numerous dojos and training establishments worldwide have harnessed the power of music not only to facilitate the unimpeded cadence of motion but also as an adjunct to leisurely practice. The sonic tapestry ranges from traditional instrumental classical melodies to the brisk tempo of rap compositions, with occasional forays into mainstream pop harmonies. Armed with this perspective, an epiphany takes shape: could music transcend its conventional role and exercise dominion over the kinetics of a discipline that ostensibly masquerades as a martial art, yet potentially embodies the essence of dance?

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(ongoing body of work) 006
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41 M o d e l M a k i n g 007
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House of Circles

“With tired feet, I pull off my boots and set bare feet on the cool cement. The glass door closes behind me as I walk towards the kitchen. Across the tree filled courtyard, through tall panes of glass, I see my friend run from the bathroom, they offer me a warm hug. “The bath is ready” they say and turn away from the entry, heading towards the kitchen to stoke wood burning in the stove. I circle the courtyard, the floor changing from cement to wood; I feel playfulness rising in me, My hand passes over the top rough boulder separating or dining space from more intimate areas. As I revolve around the courtyard, the space becomes a playground. Wooden ceilings and walls angle, glass facades arise from hidden corner, Vines hang from the ceiling compromising an art work that reminds me of running freely through fields as a child. My book still lays in the swinging hammock chair, promising relaxation after dinner. I reach the fork, a decision in the house. Should I go back to the kitchen or walk past the beds to the bathroom? The answer is clear after a long hike. The bathroom is too steamy; I step around porcelain tib and crack the large window, letting in the fresh forest air. I emerge as the sunlight wanes, toss my towel on the smaller bed and turn the corner. The courtyard is dark, encircled by the warm light of our home. Through the glass, I see my friend turn off the gas burners and a carry a large dish to the table. I walk parallel to them, shadowy trees between us, the stop to take the kettle from the wood stoce and pour boiling water over tea leaves. Fireflies dance in the courtyard, the last remnants of the sun fall through the skylight above us, We laugh as we break our bread..”

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Casa Poli

Collaborator : Zach Lin

Casa Poli is a renowned building in the world of architecture, known for its unique and innovative design. This project aims to study the design and features of Casa Poli and develop a model that accurately represents its architecture.

The goal of this project is to create a detailed and accurate representation of Casa Poli that can be used for educational and research purposes. The study model will provide a comprehensive understanding of the building’s design and demonstrate its innovative approach to architecture.

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House of Movement

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As a graduate student in architecture who has completed an undergraduate degree in landscape architecture, my interest lies in creating sustainable designs that blend seamlessly with their surroundings, offering a unique perspective on the architecture field by considering both the built and natural environments in my design process.

Throughout my academic and professional journey, I have been privileged to work on various projects, ranging from large urban designs, major aiports to small residential ones, with an eye for detail and a love for innovation, enabling me to approach each task with a fresh perspective and produce distinctive, functional, and visually appealing designs.

Apart from my passion for design and the built environment, I have other interests outside the studio, including practicing Brazilian Jiu-Jitsu, which offers both physical and mental challenges, and filmmaking, which enables me to explore innovative methods of storytelling and expression.

My curiosity and creativity inspire me to seek new experiences and venture into different fields constantly. I believe that there is always something new to learn, and I am thrilled to see where my interests take me in the future.

Ultimately, I am a determined individual who is committed to my personal and professional development. I am always on the lookout for opportunities to expand my knowledge and enhance my skills, and I am excited about making a positive impact in the world of architecture and beyond.

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Resume

Sandeep Suresh Kumar

May 18, 1998

515-520-5898

sandeep@iastate.edu

EDUCATION

Iowa State University

Masters in Architecture

Fall 2023

Iowa State University

BLA in Landscape Architecture

Spring 2021

WORK EXPERIENCE

Iowa State University Department of Architecture

Graduate Assistant

Public Programs Media Coordinator.

Fall 2021- Present

Corgan Aviation

Architecture Intern

Summer of 2023

Helix Architecture + Design

Architecture Intern

Summer of 2022

Jeffrey L. Bruce & Company LLC

Landscape Architecture Intern

Spring and summer of 2020

City Leisure and Play Research Assistant- Team Create

Spring 2021

Eco-flash Initiative & Sustainable Solutions Pvt. Ltd.

Landscape Architecture Trainee/Intern

Summer of 2018

WORK REFERENCES

Gopi Swaminathan Associate Principal, Corgan Aviation gopi.swaminathan@corgan.com

Douglas Stockmann Principal, Helix Architecture + Design dstockman@helix.kc.com

David Stokes

Principal, Jeffrey L. Bruce & Company LLC dstokes@jlbruce.com

Carl Rogers Chair, Landscape Architecture, ISU rogersc@iastate.edu

Eric Doll Landscape Architect edoll@dmvgov.org

Deborah Hauptman Ex-Chair, Architecture, ISU deborah@iastate.edu

AFFILIATIONS

Sigma Alpha Pi - National Society for Leadership and Success

National Organization for Minority Architecture Students

Student Society for Landscape Architects

Student Organization for Open Discussion

Alliance Jiu Jitsu Team

SKILLS

Adobe Suite

Auto cad

Rhino

Grasshopper

Revit

Lumion

Sketchup

Procreate

MS office

Hand Drawing

Film Making

Photography

Climate Studio

Climate Consultant

Lady - Bird

Enscape

V-Ray

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