GRADUATE ARCHITECTURAL PORTFOLIO

ARCHITECTURAL P O R T F O L I O

01

SANDEEP

SINGARAVEL B.Arch arsandeepsingaravel@gmail.com 21 c , East raja street, Kanchipuram, Tamilnadu, India +91 8220598354

WORKING EXPERIENCE

WORKSHOP & LECTURES

HEXAGRAMM DESIGN PVT LIMITED,

PARAMETRIC DESIGN WORKSHOP (FRACTALS) : AR.TAKBIR FATHIMA (AA LONDON ) & POONAM SERDESAI

NEW DELHI. Duration - 6 months TYPE - RESIDENCE, COMMERCIAL COMPLEX, LANDSCAPE, INTERIORS, INSTALLATIONS WORKS - DESIGNING DEVELOPEMENT, PRESENTATION, VISUALIZING, WORKING DRAWINGS, SITE COORDINATION, MODEL MAKING.

WEBE DESIGN LAB, CHENNAI. Duration - 6 months TYPE - URBAN DESIGN, RESIDENCE, COMMERCIAL SPACE, INTERIORS WORKS - DESIGNING DEVELOPEMENT, PRESENTATION, VISUALIZING, WORKING DRAWINGS, SITE COORDINATION, MODEL MAKING.

ORITECTURE, ANKON MITRA, NEW DELHI Duration - 2 months

LAURIE BAKER CENTRE, TRIVANDRUM : HANDS ON WORKSHOP HERITAGE LISTING AND DOCUMENTATION WORKSHOP - AR.VISHAKHA KAWATHEKAR AR.CHITRA VISWANATHA & AR.SANGITA KAPOOR - SUSTAINABILITY SENSITIZING WORKSHOP AR.CHRISTOPHER CHARLES BENINGER BOOK READING - LETTER TO A YOUNG ARCHITECT AR.PETER COOK - PROJECTS AND PROPOSALS. AR.MARTYN HOOK - CRITICAL THINKING

TYPE - ORIGAMI ART INSTALLATIONS, ART SHOWS, ARCHITECTURAL INSTALLATIONS & SCULPTURES, LIGHTING

PARTICIPATION & ACHIEVEMENTS

WORKS - VISUALIZING, MOCKUPS, MODELING & INSTALLATIONS ON SITE

ARCHITECTURE LIVE FEATURE - THE HOUSE OF DANCING WALL, HEXAGRAMM.

SOFTWARE SKILLS AUTOCAD

LUMION

REVIT (mid)

ENSCAPE

RHINO 3D

PHOTOSHOP

SKETCHUP

ILLUSTRATOR

GRASSHOPPER (mid)

INDESIGN

VRAY

LIGHTROOM

THE NATIONAL WAR WORKED AS AN INTERN, LAB

MEMORIAL WEBE DESIGN

ANNUAL NASA DESIGN COMPETITION 16’ ( PUNARJAN ) MINDRAIN DESIGN COMPETITION 17’ WORKED WITH AR.MAFELDA FERNANDES IN BAMBOO WORKSHOP, NASA 15’ LED 60 STUDENTS FOR AUROVILE WALK WITH AR. SUHASINI IYER, NASA 15’

PERSONAL INTRESTS

BIRTH DAY 20-11-1996

ORIGAMI

LANGUAGE

FENCING ( STATE MEDALIST )

TAMIL, ENGLISH

FOOTBALL

EDUCATION

MODEL MAKING

B.ARCH - MARG INSTITUTE OF DESIGN AND ARCHITECTURE SWARNABHOOMI (MIDAS), CHENNAI, INDIA. 2014 - 2019

PRODUCT DESIGN SKETCING & PAINTING

SCHOOLING - S.S.K.V MATRIC, KANCHIPURAM, TAMILNADU, INDIA

PHOTOGRAPHY

Refer Artfolio for my art works

Lucio Fontana, Concetto spaziale ( cover ) “I do not want to make a painting; I want to open up space, create a new dimension, tie in the cosmos, as it endlessly expands beyond the confining plane of the picture.�

C

ACADEMICS & PERSONAL WORKS

O N T

02 HIGHWAY MOTEL

03 SCHOOL

05 URBAN DESIGN

06 RHINO + GRASSHOPPER

07 ORIGAMI & ART WORKS

04 ANDC

E

01 THESIS

N T S

PROFFESIONAL WORKS

08 NATIONAL WAR MEMORIAL

09 THE HOUSE OF DANCING BRICKS

12 APL APOLLO

13 INTERIOR WORKS

10 TUT HOUSE

11 SRINAGAR AIRPORT LANDSCAPE

01

THESIS

Rabindra sadan cultural centre - Kolkata

EXPRESSING THE EVOLUTION OF PERCEPTION AND SENSES THROUGH SPACES, FORMS & SPATIAL ORGANISATION - Cultural centre for the cultural capital of India[Kolkata], in the site situated amidst the active pedestrian movement and surrounded by the most iconic heritage buildings of india. Design of this project is carefully approached and solved in all the aspects from the urban context to the individual people experience by considering the usage of the site by the local people and international tourists. Subtleness in the form and organisation of the buildings is maintained in a way so that, the view and heritage value of the buildings are preserved. The accessibilty and movement of people are designed to create a experience with the site and buildings.

Experience of the people entering the site and every individual building is directed and designed in a way to tell a story, feel the spaces, culture and history of art forms.

02

ST.PAULS CATHEDRAL

VICTORIA MEMORIAL

M

BIRLA PLANETORIUM

MAIDAN

04

VIP &

Basement Exit

PEDESTRIAN

Ca th (on edra e w l ro ay ad )

VEHICLE

A

B

& Staff parking

VIP & Staff parking

Basement Entry

D

Chowringhe

E

el road

F

C

AJC Bose flyover

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C O N C E P T CULTURAL CENTRE AS URBAN SCULPTURE [ Symbolising and expressing the rich Art and cultural history of Kolkata ]

PATTACHITRA It is the traditional art form of people along the region of hooghly river and other parts of Bengal. It involves various sensual experience, like story telling through the visual medium called painting and musical medium called songs composed and sung by the artist himself

MUSIC

STORY

ABSTRACTIVE THINKING

SITUATIONAL THINKING

Culture evolves when art form evolves. Art form evolves when people’s emotions, senses and perception evolve .The Evolution of art forms clearly shows the evolution of humans in their sensory experience, perception and understanding of the world. Art forms have been changed and evolved over years and years from situational thinking, situational perception of things around us to the abstractive thinking phase.

PAINTING

ARCHITECTURE AS EXPRESSION of emotions, senses through the hierarchy in spatial organisation, form of the building, materiality of the building, Interior and exterior usage of the buildings

ORAL TRADTION

A

WORK SHOP, GATHERING SPACE, RESTAURANT.

STAGE

B

DRAMA THEATRE, PLAY THEATRE

MUSIC AND DANCE

C

DANCE THEATRE, MUSIC THEATRE

VISUAL

D

PUBLIC ART GALLERY, PRIVATE ART GALLERY

LITERATURE

E

KOLKATA INFORMATION CENTRE AND LIBRARY

PROJECTION

F

CINEMA THEATRE

DRAMA

ART

Opening up north side of the site for the view of Victoria memorial and St paul’s cathedral

Central open plaza to emphasize the view and making the site orient towards the North side ( heritage buildings )

F D&E A

B

C

Radial Organisation with open plaza as a center.

PUBLIC REALM : splitting up the geometry to create passage to the local pedestrians and visitors without affecting the existing pedestrian movement.

A

B

Introducing the main public passage that weaves the building, plaza and public people together

C

D&E

F

ARCH AS A METAPHORICAL ELEMENT FOR HIERARCHICAL EVOLUTION OF THE ART FORM

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SITUATIONAL THINKING - Workshop block, Drama theatre, music & dance theatre designed to be like holding hands

ABSTRACTIVE THINKING - Form of Art museum, library and cinema theatre are designed contrary to the buildings under situational thinking

Model materials - MDF, Mill board, Acrylic sheet

Spatial relationship between Amphitheatre and library

LUNG OF THE SITE - All the buildings are oriented towards open public plaza

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A view of St paul’s cathedral and Victoria memorial from the library block

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Element that joins the buildings and making the space between the building shady.

Shear walls acting as display walls for artist

1 - DRAMA THEATRE , 2 - WORKSHOP BUILDING, 3 - LIBRARY BUILDING

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PUBLIC AND PRIVATE ART GALLERY SPACE

DRAMA THEATRE & WORKSHOP [SPACE BETWEEN THE SPACE]

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LIBRARY AND MUSEUM BLOCK Ground floor

First floor

Ground floor

First floor

WORKSHOP BLOCK

Site section through basement parking

DRAMA THEATRE Ground floor

First floor

Ground floor

2nd floor

1st Floor

3rd floor

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MUSIC & DANCE THEATRE

Ground floor

First floor

CINEMA THEATRE

Ground floor level

Balcony level

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02

MOTEL

The evolution of point (life) Highway motel in the site situated along the backwaters is designed to grab the attention of the riders and travellers visually.It has restaurants, hotel rooms, shopping stalls and other public spaces to take rest.

Building’s form, texture, spacial orientaion, patterns, colours and other architectural elements are treated with the concept of evolution of life. Life evolved from the single cell to multicellular organism with different forms, size and colours. It is expressed in architectural language as point to line to shape to form.

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24

C O N C E P T

Concept physical model massing study

Concept physical model lighting study

Restaurant oriented in a semicircular form towards the backwaters for extensive view

Intersecting cuboid and semicircular form. Resulting form is composed in a site to satisfy the functions

Creating the public plaza at the corner

ROOF - Point to Form. Which symbolises the evolution of life from single cell

Emptiness

Anger

Calmness

Confusion

Depression

SCULPTURE OF EMOTIONS

Evolution of structure of life from the basic single cell to multi cellular tissue and organism. This has been metaphorically translated into architectural language where it all starts from single point to line to plane to volume.

Texture and pattern of the roof is the replica of the basic microscopic structure of epithelial tissues and leaf

Nature inspired pattern is transformed into the computationaly derived voronoi patterns. Populating points in the surface of the roof to create the voronoi pattern voronoi pattern is then converted in to NURBS curves.

Then voids are created to allow sunlight in the respective pattern and also emit light during night

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28

RHINO + GRASSHOPPER

SCULPTURE OF EMOTIONS

RESTAURANT

Concrete shell roof

1st Floor Reception

Hotel room stay

Kitchen

Shops

Bar

Space for shopping stalls

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A VIEW FROM WATER BODY TOWARDS EAST

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03 The

SCHOOL 1930

MEET

School is the place where Science and Art meet in the eyes of children. THE 1930 MEET is the convergence of two great minds of Art and Science field. The discussion between Rabindranath Tagore and Einstein ON THE NATURE OF REALITY has been translated into Abstract visual Language. Art is then translated into Architectural language through expressing it in spatial organisation, form, lighting, shadow, Texture and functions of the spaces.

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C O N C E P T THE

TAGORE BLOCK ( Class 3 to 5 )

1930

MEET

ART WORKSHOP & LIBRARY

Roof that covers the corridors of tagore block is intricately worked with hexagonal pattern. Play of light in tagore block metaphorically express the brain structure of tagore which has been expressed abstractively in the sketch above.

EINSTEIN BLOCK ( LKG to class 2 )

Roof that covers the corridors of Einstein block is delibrately worked with hexagonal pattern & circular opening. Play of light in tagore block metaphorically express the brain structure of Einstein which has been expressed abstractively in the sketch above.

Conceptual Massing Shadow study [Model materails : pv sheet, foam, mill board ]

Einstein block is treated with minimal texture and paterrns which metaphorically symbolises brain structure of Einstein.

The convergence of two great minds & two blocks in the form of Science lab, Art workshop & Library

Tagore block is more textured and patterned which symbolises the brain structure of Tagore.

Meditation hall zoned close to tagore block which symbolises Tagore’s thought on Reality of nature

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38

Site plan rking Staff pa

Bus parking

Ferrocement jaali roof

Seperate play area for every class room

Staircase to 1st floor

Art workshop at ground floor & Library at first floor

Toilet at ground floor Staff room Meditation hall

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Tagore block corridor showing the dynamic play of light and cool refreshing colour treatment

Einstein block play area for every class showing the dynamic play of light and warm pleasing colour treatment

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04 PUNARJAN THE LOST CRADLE OF TAMIL CIVILIZATION ANDC COMPETION: KUMARI KANDAM - THE LOST CRADLE OF TAMIL CIVILIZATION - Kumari Kandam a matter of folklore and mystery is always a controversial debate till date. The earliest evidences of the exsistence of the lost continent is said to have dated back to 9000BC. One of the main reason why Kumari Kandam is still a matter of discussion is because various artefacts that were excavated from Mohenjo-daro has traces of Pandian sigels which is namely the twin fishes.

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05 URBAN D E S I G N SHOLINGANALLUR CHENNAI, TAMILNADU Sholinganallur is an established residential node located on the IT corridor towards the South of Chennai. The information technology business parks and dedicated Special Economic Zones (SEZ) in this region marked the rise of Sholinganallur as the next big financial and economic hub of chennai.

Rapidly growing employment opportunities, good assest appreciation and a host of entertainment avenues make this locality a favourable residential destination as well.

Width - 40m to 42m (Right of way) Carriage way - 22m Width - 6.5m to 8m (Right of way) Carriage way - 6m Width - 3.5m to 6m (Right of way) Carriage way - 3m

Sholinganallur Junction

Core Study Area Water Bodies Exisiting Building

Total Area 8.21 sq.km 48 Core Study Area 3.42 sq.km

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06 RHINO GRASSHOPPER FORM EXPLORATION

RHINO + GRASSHOPPER (lunchbox + crv closest point ) + RHINO RENDER

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CONTOUR SPLITS

PUFFER FISH[pinch points]

LUNCH BOX - curve attractor - Twisting geometry

Tween surfaces - Lunch box - Point attractor

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07 ORIGAMI ART ARTIST ANKON MITRA DELHI Origami involves mathematical calculations and artistic sense to create. I worked under Inida’s notable Origami artist Ar.Ankon mitra for 3 months & had a chance to work on various scale art sculpture , product design, lighting fixtures.

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DANCING PEACOCK: Origami installation in atrium of the office building. Installation of these pieces and lighting are done with cust made joinery fittings.

TYVEK sheet is used as a base material for folding, which will withstand over the period time

the the tom

the d of

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Hand folded copper sheet

Hand folded Goat leather lamp and sculptures

COPPER FLOWERS : This piece is handfolded with enthalium material then powder coated with copper.

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ART WORKS [FOR OTHER WORKS REFER ARTFOLIO]

WEAVING OF INDIAN HANDLOOMS Acrylic paint

WHEN CREATION IS BEAUTIFUL THEN, DESTRUCTION IS MEANINGFUL. 1st phase - Acrylic on paper, 2nd phase - Burning into ashes, 3rd phase - fontana slits & punctures

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NO STONE IS A NORMAL STONE Sculpture inspired from the under tree stone god found in most of the places of tamilnadu.

Stone - Coral rock, Base material - Brass Background montage - Origami creasing in semi dried leaf

POPPING OUT MUSHROOMS Mushroom is seasoned Ceramic vase and Background montage mandalas acrylic on canvas

& vanished, brass base Contemporary

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08 THE NATIONAL WAR MEMORIAL WEBE DESIGNLAB

CHENNAI

[One month - Worked on designing & visualizing the central plaza, worked on preparing master plan]

The National War Memorial of India was proposed by the armed forces of the country commemorating the fallen war hero’s way back in 1960.The princess park which was located in the vicinity of the National Monument India gate, which itself was a tribute to the soldiers who died in the First World war (1914-1918) and the Third Anglo-Afghan war (1919) was considered as the potential site for the envisaged memorial.

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WAR MEMORIAL TOP VIEW

INDIA GATE

Param Yodhal Sthal

National War Memorial

Children’s Park Plaza

MASTER PLAN

Circle of Rebirth (Punarjanm) The focal point of the memorial is the innermost circle symbolizing the immortality of the Jawans with the obelisk placed on a circular podium in a larger circular court holding the eternal flame and Ashoka emblem at the top.

Circle of Bravery (Veer Chakra) Conceived as subterranean colonnaded semi open corridor holding the brave stories. Veerta Chakra Gallery holds 6 bronze murals which depicts the six important battles fought by the Indian soldiers after the independence.

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09 The House of Dancing Bricks HEXAGRAMM - New Delhi [Worked on Design, mock-ups, working drawings and execution on site ] On an unremarkable street in South Delhi, the client’s vision for the façade of his house was rather remarkable. Both the neighbouring houses had grooves on stucco plaster, impediments, cornices and Italian marble cladding. The client did not particularly fancy Italian marble and that was a moment of small relief. And he loved exposed brick [ FEATURED ON ARCHITECTURE LIVE ]

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COURSE PLAN

REVERSE COURSE PLAN

After a number of iterations, a flowing pattern of pirouetting bricks was agreed upon. It was still an exercise of ‘architecture as skin’. But the bricks would dance!

And dance they did. It was decided that the other prominent element of the façade – the balcony railings (simple mild steel flats as balusters), would follow the same incremental change of angles leading to varied and changing shadow patterns on the walls and the balcony floors as the sun progresses across the façade through the day. Red Terracotta Bricks and Yellow Refractory Bricks were used for the facade

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10 TUT HOUSE Webe

Design

Lab

[ Worked on Interior, Service drawings, contrcution drawings and site coordination ]

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11 SRINAGAR AIRPORT LANDSCAPE HEXAGRAMM - New Delhi [Worked on plant species research, Conceptual Design and presentaion ]

The Pathways of the Central Garden are organized using an Islamic geometric grid; The softscape, planting and greenery have a flowing and fluid form not determined by this geometry – man-made order is juxtaposed with nature’s fluid complexity.

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Achillea

Millefolium (summer to autumn)

Rubra

-It blooms in early summer to early autumn -It should be divided every year in late winters

Ilex.crenata (evergreen topiary)

Astilbe x arendsii (Early summer)

- Colour of leaves will change from season to season - It gives small fruit in winter

- It blooms in Early summer - Replant in late spring - Remove in late autumn

Lush planted promenade during spring

Lush planted promenade during autumn

Euonymus.Fortunei (Evergreen creeper)

Mahonia Aquifolium (flowers in spring to summer)

Persicaria.Bistorta (summer to autumn)

- Evergreen shrub - Bear fruits in late summer - Leaves turn into bronze red in autumn

- Pink white flower in mid summer to autumn

Lush planted promenade during summer

Lush planted promenade during winter

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12 APL APOLLO TUBES OFFICE HEXAGRAMM - New Delhi [Worked on Interior, exterior facade design, presentation and working drawings ] Linear form of the building is challenging to design an interior layout and accomodate efficient number of workstation pitched by the client. Exterior facade is treated with their renowned types of steel tubes. Each and every steel tubes are different in orientation since every tube is rotated to particular angle to get a dynamic exterior facade.

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GROUND FLOOR

FIRST FLOOR

Steel fittings joinery details

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13 INTERIOR W O R K S Webe

Design

Lab

Worked on various Interior projects. Involved in designing, visualizing, working drawings and site coordination

GOOD WOODS residential interior showing livng area treated with warm material palette

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WALL

FINISH

limocoat lime based plaster finishes

WOODEN SHADES part ceiling, wall pannel and flooring

F

L

O

O

R

black marqueno dining,pooja,staircase

F L O O R I N G satvario

for

living

F L O O R I N G Jaisalmer bedroom

for

parents

FURNISHING Ground floor

First floor

KRISHNAVENI INTERIORS : 1 - Parents bedroom 2 - Bedroom C

leather, lighter shade linen fabrics

LEGEND S.NO

S 7A

MODEL

SYMBOLS

HT FROM FFL

S1

1M

1050mm

2

S 2A

2M

1050mm

3

S 2B

4M

150mm

4

S3

6M

1050mm

5

S 3A

4M

150mm

6

S4

8M

1050mm

2M

1200mm

LOFT TO BE REMOVED

TOILET 4

7

S5

8

S 5A

9

S 5B

2M

1050mm

10

S6

4M

300mm

9' x 6'

WALK-IN

S 10

STORE ROOM

E

D

C

10'6'' x 5'11''

S 5 S 5A

S 5B

S 13

INVERTER

A

D

C

980mm

S 27

2M

1800mm

13

S8

6M

980mm

14

S9

2M

1200mm

15

S 9A

2M

850mm

16

S 10

2M

300mm

17

S 11

3M

1050mm

18

S 12

6M

1050mm

19

S 13

2M

1050mm

20

S 14

6M

1050mm

21

S 15

2M

1050mm

22

S 16

8M

1050mm

23

S 17

C

S 2 S 2A

14'9'' X 22'2''

BEDROOM 3 16'-2'' x 16'-0"

D

C

8M

1050mm

2M

1200mm

23

S 18 S18A

25

S 19

26

S 20

8M

600mm

27

S20A

6M

600mm

8M + 2M

R.L: 13'

C COMMON ROOM

STORE ROOM 10'1'' x 7'7''

1050mm

D

C

R.L: 7'7"

R.L: 8'1"

S 42

GEYSER

STUDY

B

R.L: 5'2"

DESCRIPTION

TOILET 2

C

3

CAMERA

TRIPLE SPOT LIGHT

2

FAN REGULATOR

3

TELEPHONE POINT

CONCEALED WALL LIGHT

4

5

COVE LIGHT IN CARPENTARY (LED / T5)

5

TWO WAY SWITCH

CEILING COVE LIGHT (LED / T5)

16' X 15'

R.L: 5'2"

S 34

S20A

STUDY

CALLING BELL

7

DUMMY SWITCH

8

CALLING BELL

8

TV SOCKET

9

BULK HEAD LIGHTS

9

INTERNET POINT

10

TOILET EXHAUST FAN

10

11

COMPOUND WALL LIGHT

7

17'3'' x 14'10''

JACUZI

BEDROOM 2

TOILET 3

F

16' x 5'9"

S 40

S 20

12

13

S.NO 1.

DATE

REVISION DETAIL

DD-MM-YYYY

S 23

4M

S 24

8M

ARCHITECTS

WEBE DESIGN LAB

DRAWN BY

NAME

CHECKED BY

NAME

APPROVED BY

NAME

GENERAL NOTES

ISSUE DATE

DD-MM-YYYY

* DRAWINGS NOT TO BE SCALED. * ALL MEASUREMENT ARE IN MM UNLESS OTHERWISE SPECIFIED. * DRAWINGS TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL DRAWINGS. * THIS DRAWING IS COPYRIGHT PROTECTED. IT IS THE PROPERTY OF WEBE DESIGN LAB. * IT IS NOT TO BE REPRODUCED, COPIED,HANDED OVER TO A THIRD PARTY OR USED FOR ANY PURPOSE OTHER THAN FOR WHICH IT AS BEEN LOANED.

STATUS

XXX

E

GEYSER

S 39a S 39

BALCONY

CONSULTANTS STRUCTURAL

NAME

ELECTRICAL

NAME

HVAC

NAME

PLUMBING & SANITARY

NAME

S 26a

S 27

10

S 28

4M

11

S 29

8M

12

S 30

6M

13

S 31

6M

14

S 32

3M

15

S 33

8M

16

S 34

6M

17

S 35

6M

18

S 36

4M

19

S 37

2M

20

S 37a

21

S 38

22

S 39

4M

23

S 39a

2M

24

S 40

4M

25

S 41

8M

21

S 42

6M

21

S 43

6M

21

S 44

8M

21

S 45

6M

4M

8M + 2M 8M

WARDROBE LIGHT

Ground floor Electrical drawing

1.

1:75/A3

REVISION DETAIL

DATE

DD-MM-YYYY

N

SCALE

DRAWING TITLE

ALL UNITS ARE IN GENERAL NOTES MM * DRAWINGS NOT TO BE SCALED. * ALL MEASUREMENT ARE IN MM UNLESS OTHERWISE SPECIFIED. * DRAWINGS TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL DRAWINGS. * THIS DRAWING IS COPYRIGHT PROTECTED. IT IS THE PROPERTY OF WEBE DESIGN LAB. * IT IS NOT TO BE REPRODUCED, COPIED,HANDED OVER TO 8/3B, 5th STREET, NANDANAM EXTENSION, A THIRD PARTY OR USED FOR ANY PURPOSE OTHER THAN CHENNAI FOR - 600WHICH 035 IT AS BEEN LOANED. architects@webedesignlab.com www.webedesignlab.com / PH : 044-24341833

Ground Floor Electrical layout WB000/XX/XXXX

KRISHNAVENI INTERIORS : 1 - Master bedroom 2 - Theatre

8M + 2M

8 9

UPLIGHT AT FFL

PROJECT

SEAL

6M 2M

14'9'' x 5'5''

104 - KRISHNAVENI INTERIOR DRAWING NUMBER

S 25 S 26

GEYSER

S.NO

KEY PLAN

4 5

17'3'' x 14'10''

R.L: 3'8''

Ground floor Electrical drawing

8M + 2M

B

S 35

S 18 S18A

6

FAN

6 BEDROOM 1

S 37S 37a

A

S 36

E

R.L: 5'10"

S19

4

16 AMP PLUG PT

KIDS BEDROOM

S 45

S 17

ONE WAY SWITCH

S 33

2

1

S 38

GEYSER

CEILING PANEL / SPOT LIGHT (AMBIENT)

S 44

1

S 16

C

SYMBOLS

R.L: 5'10"

C

S.NO

S 41

D

2M

S22a

5'2'' x 10'10"

DESCRIPTION

S 32

A

S 15

PORCH

15'6'' x 7'2''

S 22

3

6'1'' x 10'7''

WALK-IN

SYMBOLS

SYM

10M

20'10'' x 20'1"

TOILET 1

S.NO

MODEL

2

7

10'1'' x 4'6"

B

S 21

6

STAIRS

300mm

3M

NAME

1

S 43

S 3 S 3A S1

S.NO D

A.V. ROOM

S 21

10'1'' x 8'0''

D

LEGEND

C

10'10'' x 11'8''

24

POOJA ROOM

A

R.L: 6'

8M

S 7A

D

S 14

S4

S7

12

S 24

S 12 A

11

S 31

S 11

GEYSER

S 26 S26a

S 9A S 9

D

C

S 25

C

11' 4" X 15'11''

D

S 30

KITCHEN

A

300mm

S 23

20'4'' x 22'3''

S 22 S22a

S6

S8

DINING ROOM

S 28

6'x 7'

8M + 2M

S 29

S7

NAME

1

KEY PLAN

ARCHITECTS

WEBE DESIGN LAB

DRAWN BY

NAME

CHECKED BY

NAME

APPROVED BY

NAME

ISSUE DATE

DD-MM-YYYY

STATUS

XXX

CONSULTANTS

PROJECT

104 - KRISHNAVENI INTERIOR DRAWING TITLE

Upper Floor Electrical layout DRAWING NUMBER

WB000/XX/XXXX SEAL

STRUCTURAL

NAME

ELECTRICAL

NAME

HVAC

NAME

PLUMBING & SANITARY

NAME

88