ARCHITECTURAL P O R T F O L I O
01
SANDEEP
SINGARAVEL B.Arch arsandeepsingaravel@gmail.com 21 c , East raja street, Kanchipuram, Tamilnadu, India +91 8220598354
WORKING EXPERIENCE
WORKSHOP & LECTURES
HEXAGRAMM DESIGN PVT LIMITED,
PARAMETRIC DESIGN WORKSHOP (FRACTALS) : AR.TAKBIR FATHIMA (AA LONDON ) & POONAM SERDESAI
NEW DELHI. Duration - 6 months TYPE - RESIDENCE, COMMERCIAL COMPLEX, LANDSCAPE, INTERIORS, INSTALLATIONS WORKS - DESIGNING DEVELOPEMENT, PRESENTATION, VISUALIZING, WORKING DRAWINGS, SITE COORDINATION, MODEL MAKING.
WEBE DESIGN LAB, CHENNAI. Duration - 6 months TYPE - URBAN DESIGN, RESIDENCE, COMMERCIAL SPACE, INTERIORS WORKS - DESIGNING DEVELOPEMENT, PRESENTATION, VISUALIZING, WORKING DRAWINGS, SITE COORDINATION, MODEL MAKING.
ORITECTURE, ANKON MITRA, NEW DELHI Duration - 2 months
LAURIE BAKER CENTRE, TRIVANDRUM : HANDS ON WORKSHOP HERITAGE LISTING AND DOCUMENTATION WORKSHOP - AR.VISHAKHA KAWATHEKAR AR.CHITRA VISWANATHA & AR.SANGITA KAPOOR - SUSTAINABILITY SENSITIZING WORKSHOP AR.CHRISTOPHER CHARLES BENINGER BOOK READING - LETTER TO A YOUNG ARCHITECT AR.PETER COOK - PROJECTS AND PROPOSALS. AR.MARTYN HOOK - CRITICAL THINKING
TYPE - ORIGAMI ART INSTALLATIONS, ART SHOWS, ARCHITECTURAL INSTALLATIONS & SCULPTURES, LIGHTING
PARTICIPATION & ACHIEVEMENTS
WORKS - VISUALIZING, MOCKUPS, MODELING & INSTALLATIONS ON SITE
ARCHITECTURE LIVE FEATURE - THE HOUSE OF DANCING WALL, HEXAGRAMM.
SOFTWARE SKILLS AUTOCAD
LUMION
REVIT (mid)
ENSCAPE
RHINO 3D
PHOTOSHOP
SKETCHUP
ILLUSTRATOR
GRASSHOPPER (mid)
INDESIGN
VRAY
LIGHTROOM
THE NATIONAL WAR WORKED AS AN INTERN, LAB
MEMORIAL WEBE DESIGN
ANNUAL NASA DESIGN COMPETITION 16’ ( PUNARJAN ) MINDRAIN DESIGN COMPETITION 17’ WORKED WITH AR.MAFELDA FERNANDES IN BAMBOO WORKSHOP, NASA 15’ LED 60 STUDENTS FOR AUROVILE WALK WITH AR. SUHASINI IYER, NASA 15’
PERSONAL INTRESTS
BIRTH DAY 20-11-1996
ORIGAMI
LANGUAGE
FENCING ( STATE MEDALIST )
TAMIL, ENGLISH
FOOTBALL
EDUCATION
MODEL MAKING
B.ARCH - MARG INSTITUTE OF DESIGN AND ARCHITECTURE SWARNABHOOMI (MIDAS), CHENNAI, INDIA. 2014 - 2019
PRODUCT DESIGN SKETCING & PAINTING
SCHOOLING - S.S.K.V MATRIC, KANCHIPURAM, TAMILNADU, INDIA
PHOTOGRAPHY
Refer Artfolio for my art works
Lucio Fontana, Concetto spaziale ( cover ) “I do not want to make a painting; I want to open up space, create a new dimension, tie in the cosmos, as it endlessly expands beyond the confining plane of the picture.�
C
ACADEMICS & PERSONAL WORKS
O N T
02 HIGHWAY MOTEL
03 SCHOOL
05 URBAN DESIGN
06 RHINO + GRASSHOPPER
07 ORIGAMI & ART WORKS
04 ANDC
E
01 THESIS
N T S
PROFFESIONAL WORKS
08 NATIONAL WAR MEMORIAL
09 THE HOUSE OF DANCING BRICKS
12 APL APOLLO
13 INTERIOR WORKS
10 TUT HOUSE
11 SRINAGAR AIRPORT LANDSCAPE
01
THESIS
Rabindra sadan cultural centre - Kolkata
EXPRESSING THE EVOLUTION OF PERCEPTION AND SENSES THROUGH SPACES, FORMS & SPATIAL ORGANISATION - Cultural centre for the cultural capital of India[Kolkata], in the site situated amidst the active pedestrian movement and surrounded by the most iconic heritage buildings of india. Design of this project is carefully approached and solved in all the aspects from the urban context to the individual people experience by considering the usage of the site by the local people and international tourists. Subtleness in the form and organisation of the buildings is maintained in a way so that, the view and heritage value of the buildings are preserved. The accessibilty and movement of people are designed to create a experience with the site and buildings. Experience of the people entering the site and every individual building is directed and designed in a way to tell a story, feel the spaces, culture and history of art forms.
02
ST.PAULS CATHEDRAL
VICTORIA MEMORIAL
M
BIRLA PLANETORIUM
MAIDAN
04
VIP &
Basement Exit
PEDESTRIAN
Ca th (on edra e w l ro ay ad )
VEHICLE
A
B
& Staff parking
VIP & Staff parking
Basement Entry
D
Chowringhe
E
el road
F
C
AJC Bose flyover
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C O N C E P T CULTURAL CENTRE AS URBAN SCULPTURE [ Symbolising and expressing the rich Art and cultural history of Kolkata ]
PATTACHITRA It is the traditional art form of people along the region of hooghly river and other parts of Bengal. It involves various sensual experience, like story telling through the visual medium called painting and musical medium called songs composed and sung by the artist himself
MUSIC
STORY
ABSTRACTIVE THINKING
SITUATIONAL THINKING
Culture evolves when art form evolves. Art form evolves when people’s emotions, senses and perception evolve .The Evolution of art forms clearly shows the evolution of humans in their sensory experience, perception and understanding of the world. Art forms have been changed and evolved over years and years from situational thinking, situational perception of things around us to the abstractive thinking phase.
PAINTING
ARCHITECTURE AS EXPRESSION of emotions, senses through the hierarchy in spatial organisation, form of the building, materiality of the building, Interior and exterior usage of the buildings
ORAL TRADTION
A
WORK SHOP, GATHERING SPACE, RESTAURANT.
STAGE
B
DRAMA THEATRE, PLAY THEATRE
MUSIC AND DANCE
C
DANCE THEATRE, MUSIC THEATRE
VISUAL
D
PUBLIC ART GALLERY, PRIVATE ART GALLERY
LITERATURE
E
KOLKATA INFORMATION CENTRE AND LIBRARY
PROJECTION
F
CINEMA THEATRE
DRAMA
ART
Opening up north side of the site for the view of Victoria memorial and St paul’s cathedral
Central open plaza to emphasize the view and making the site orient towards the North side ( heritage buildings )
F D&E A
B
C
Radial Organisation with open plaza as a center.
PUBLIC REALM : splitting up the geometry to create passage to the local pedestrians and visitors without affecting the existing pedestrian movement.
A
B
Introducing the main public passage that weaves the building, plaza and public people together
C
D&E
F
ARCH AS A METAPHORICAL ELEMENT FOR HIERARCHICAL EVOLUTION OF THE ART FORM
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SITUATIONAL THINKING - Workshop block, Drama theatre, music & dance theatre designed to be like holding hands
ABSTRACTIVE THINKING - Form of Art museum, library and cinema theatre are designed contrary to the buildings under situational thinking
Model materials - MDF, Mill board, Acrylic sheet
Spatial relationship between Amphitheatre and library
LUNG OF THE SITE - All the buildings are oriented towards open public plaza
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A view of St paul’s cathedral and Victoria memorial from the library block
12
Element that joins the buildings and making the space between the building shady.
Shear walls acting as display walls for artist
1 - DRAMA THEATRE , 2 - WORKSHOP BUILDING, 3 - LIBRARY BUILDING
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PUBLIC AND PRIVATE ART GALLERY SPACE
DRAMA THEATRE & WORKSHOP [SPACE BETWEEN THE SPACE]
16
LIBRARY AND MUSEUM BLOCK Ground floor
First floor
Ground floor
First floor
WORKSHOP BLOCK
Site section through basement parking
DRAMA THEATRE Ground floor
First floor
Ground floor
2nd floor
1st Floor
3rd floor
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MUSIC & DANCE THEATRE
Ground floor
First floor
CINEMA THEATRE
Ground floor level
Balcony level
20
02
MOTEL
The evolution of point (life) Highway motel in the site situated along the backwaters is designed to grab the attention of the riders and travellers visually.It has restaurants, hotel rooms, shopping stalls and other public spaces to take rest. Building’s form, texture, spacial orientaion, patterns, colours and other architectural elements are treated with the concept of evolution of life. Life evolved from the single cell to multicellular organism with different forms, size and colours. It is expressed in architectural language as point to line to shape to form.
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24
C O N C E P T
Concept physical model massing study
Concept physical model lighting study
Restaurant oriented in a semicircular form towards the backwaters for extensive view
Intersecting cuboid and semicircular form. Resulting form is composed in a site to satisfy the functions
Creating the public plaza at the corner
ROOF - Point to Form. Which symbolises the evolution of life from single cell
Emptiness
Anger
Calmness
Confusion
Depression
SCULPTURE OF EMOTIONS
Evolution of structure of life from the basic single cell to multi cellular tissue and organism. This has been metaphorically translated into architectural language where it all starts from single point to line to plane to volume. Texture and pattern of the roof is the replica of the basic microscopic structure of epithelial tissues and leaf
Nature inspired pattern is transformed into the computationaly derived voronoi patterns. Populating points in the surface of the roof to create the voronoi pattern voronoi pattern is then converted in to NURBS curves. Then voids are created to allow sunlight in the respective pattern and also emit light during night
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28
RHINO + GRASSHOPPER
SCULPTURE OF EMOTIONS
RESTAURANT
Concrete shell roof
1st Floor Reception
Hotel room stay
Kitchen
Shops
Bar
Space for shopping stalls
30
A VIEW FROM WATER BODY TOWARDS EAST
32
03 The
SCHOOL 1930
MEET
School is the place where Science and Art meet in the eyes of children. THE 1930 MEET is the convergence of two great minds of Art and Science field. The discussion between Rabindranath Tagore and Einstein ON THE NATURE OF REALITY has been translated into Abstract visual Language. Art is then translated into Architectural language through expressing it in spatial organisation, form, lighting, shadow, Texture and functions of the spaces.
34
C O N C E P T THE
TAGORE BLOCK ( Class 3 to 5 )
1930
MEET
ART WORKSHOP & LIBRARY
Roof that covers the corridors of tagore block is intricately worked with hexagonal pattern. Play of light in tagore block metaphorically express the brain structure of tagore which has been expressed abstractively in the sketch above.
EINSTEIN BLOCK ( LKG to class 2 )
Roof that covers the corridors of Einstein block is delibrately worked with hexagonal pattern & circular opening. Play of light in tagore block metaphorically express the brain structure of Einstein which has been expressed abstractively in the sketch above.
Conceptual Massing Shadow study [Model materails : pv sheet, foam, mill board ]
Einstein block is treated with minimal texture and paterrns which metaphorically symbolises brain structure of Einstein. The convergence of two great minds & two blocks in the form of Science lab, Art workshop & Library
Tagore block is more textured and patterned which symbolises the brain structure of Tagore.
Meditation hall zoned close to tagore block which symbolises Tagore’s thought on Reality of nature
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38
Site plan rking Staff pa
Bus parking
Ferrocement jaali roof
Seperate play area for every class room
Staircase to 1st floor
Art workshop at ground floor & Library at first floor
Toilet at ground floor Staff room Meditation hall
40
Tagore block corridor showing the dynamic play of light and cool refreshing colour treatment
Einstein block play area for every class showing the dynamic play of light and warm pleasing colour treatment
42
04 PUNARJAN THE LOST CRADLE OF TAMIL CIVILIZATION ANDC COMPETION: KUMARI KANDAM - THE LOST CRADLE OF TAMIL CIVILIZATION - Kumari Kandam a matter of folklore and mystery is always a controversial debate till date. The earliest evidences of the exsistence of the lost continent is said to have dated back to 9000BC. One of the main reason why Kumari Kandam is still a matter of discussion is because various artefacts that were excavated from Mohenjo-daro has traces of Pandian sigels which is namely the twin fishes.
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46
05 URBAN D E S I G N SHOLINGANALLUR CHENNAI, TAMILNADU Sholinganallur is an established residential node located on the IT corridor towards the South of Chennai. The information technology business parks and dedicated Special Economic Zones (SEZ) in this region marked the rise of Sholinganallur as the next big financial and economic hub of chennai. Rapidly growing employment opportunities, good assest appreciation and a host of entertainment avenues make this locality a favourable residential destination as well.
Width - 40m to 42m (Right of way) Carriage way - 22m Width - 6.5m to 8m (Right of way) Carriage way - 6m Width - 3.5m to 6m (Right of way) Carriage way - 3m
Sholinganallur Junction
Core Study Area Water Bodies Exisiting Building
Total Area 8.21 sq.km 48 Core Study Area 3.42 sq.km
50
06 RHINO GRASSHOPPER FORM EXPLORATION
RHINO + GRASSHOPPER (lunchbox + crv closest point ) + RHINO RENDER
52
CONTOUR SPLITS
PUFFER FISH[pinch points]
LUNCH BOX - curve attractor - Twisting geometry
Tween surfaces - Lunch box - Point attractor
54
07 ORIGAMI ART ARTIST ANKON MITRA DELHI Origami involves mathematical calculations and artistic sense to create. I worked under Inida’s notable Origami artist Ar.Ankon mitra for 3 months & had a chance to work on various scale art sculpture , product design, lighting fixtures.
56
DANCING PEACOCK: Origami installation in atrium of the office building. Installation of these pieces and lighting are done with cust made joinery fittings.
TYVEK sheet is used as a base material for folding, which will withstand over the period time
the the tom
the d of
58
Hand folded copper sheet
Hand folded Goat leather lamp and sculptures
COPPER FLOWERS : This piece is handfolded with enthalium material then powder coated with copper.
60
ART WORKS [FOR OTHER WORKS REFER ARTFOLIO]
WEAVING OF INDIAN HANDLOOMS Acrylic paint
WHEN CREATION IS BEAUTIFUL THEN, DESTRUCTION IS MEANINGFUL. 1st phase - Acrylic on paper, 2nd phase - Burning into ashes, 3rd phase - fontana slits & punctures
62
NO STONE IS A NORMAL STONE Sculpture inspired from the under tree stone god found in most of the places of tamilnadu. Stone - Coral rock, Base material - Brass Background montage - Origami creasing in semi dried leaf
POPPING OUT MUSHROOMS Mushroom is seasoned Ceramic vase and Background montage mandalas acrylic on canvas
& vanished, brass base Contemporary
64
08 THE NATIONAL WAR MEMORIAL WEBE DESIGNLAB
CHENNAI
[One month - Worked on designing & visualizing the central plaza, worked on preparing master plan]
The National War Memorial of India was proposed by the armed forces of the country commemorating the fallen war hero’s way back in 1960.The princess park which was located in the vicinity of the National Monument India gate, which itself was a tribute to the soldiers who died in the First World war (1914-1918) and the Third Anglo-Afghan war (1919) was considered as the potential site for the envisaged memorial.
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WAR MEMORIAL TOP VIEW
INDIA GATE
Param Yodhal Sthal
National War Memorial
Children’s Park Plaza
MASTER PLAN
Circle of Rebirth (Punarjanm) The focal point of the memorial is the innermost circle symbolizing the immortality of the Jawans with the obelisk placed on a circular podium in a larger circular court holding the eternal flame and Ashoka emblem at the top.
Circle of Bravery (Veer Chakra) Conceived as subterranean colonnaded semi open corridor holding the brave stories. Veerta Chakra Gallery holds 6 bronze murals which depicts the six important battles fought by the Indian soldiers after the independence.
68
09 The House of Dancing Bricks HEXAGRAMM - New Delhi [Worked on Design, mock-ups, working drawings and execution on site ] On an unremarkable street in South Delhi, the client’s vision for the façade of his house was rather remarkable. Both the neighbouring houses had grooves on stucco plaster, impediments, cornices and Italian marble cladding. The client did not particularly fancy Italian marble and that was a moment of small relief. And he loved exposed brick [ FEATURED ON ARCHITECTURE LIVE ]
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COURSE PLAN
REVERSE COURSE PLAN
After a number of iterations, a flowing pattern of pirouetting bricks was agreed upon. It was still an exercise of ‘architecture as skin’. But the bricks would dance! And dance they did. It was decided that the other prominent element of the façade – the balcony railings (simple mild steel flats as balusters), would follow the same incremental change of angles leading to varied and changing shadow patterns on the walls and the balcony floors as the sun progresses across the façade through the day. Red Terracotta Bricks and Yellow Refractory Bricks were used for the facade
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74
10 TUT HOUSE Webe
Design
Lab
[ Worked on Interior, Service drawings, contrcution drawings and site coordination ]
76
11 SRINAGAR AIRPORT LANDSCAPE HEXAGRAMM - New Delhi [Worked on plant species research, Conceptual Design and presentaion ]
The Pathways of the Central Garden are organized using an Islamic geometric grid; The softscape, planting and greenery have a flowing and fluid form not determined by this geometry – man-made order is juxtaposed with nature’s fluid complexity.
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Achillea
Millefolium (summer to autumn)
Rubra
-It blooms in early summer to early autumn -It should be divided every year in late winters
Ilex.crenata (evergreen topiary)
Astilbe x arendsii (Early summer)
- Colour of leaves will change from season to season - It gives small fruit in winter
- It blooms in Early summer - Replant in late spring - Remove in late autumn
Lush planted promenade during spring
Lush planted promenade during autumn
Euonymus.Fortunei (Evergreen creeper)
Mahonia Aquifolium (flowers in spring to summer)
Persicaria.Bistorta (summer to autumn)
- Evergreen shrub - Bear fruits in late summer - Leaves turn into bronze red in autumn
- Pink white flower in mid summer to autumn
Lush planted promenade during summer
Lush planted promenade during winter
80
12 APL APOLLO TUBES OFFICE HEXAGRAMM - New Delhi [Worked on Interior, exterior facade design, presentation and working drawings ] Linear form of the building is challenging to design an interior layout and accomodate efficient number of workstation pitched by the client. Exterior facade is treated with their renowned types of steel tubes. Each and every steel tubes are different in orientation since every tube is rotated to particular angle to get a dynamic exterior facade.
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GROUND FLOOR
FIRST FLOOR
Steel fittings joinery details
84
13 INTERIOR W O R K S Webe
Design
Lab
Worked on various Interior projects. Involved in designing, visualizing, working drawings and site coordination
GOOD WOODS residential interior showing livng area treated with warm material palette
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WALL
FINISH
limocoat lime based plaster finishes
WOODEN SHADES part ceiling, wall pannel and flooring
F
L
O
O
R
black marqueno dining,pooja,staircase
F L O O R I N G satvario
for
living
F L O O R I N G Jaisalmer bedroom
for
parents
FURNISHING Ground floor
First floor
KRISHNAVENI INTERIORS : 1 - Parents bedroom 2 - Bedroom C
leather, lighter shade linen fabrics
LEGEND S.NO
S 7A
MODEL
SYMBOLS
HT FROM FFL
S1
1M
1050mm
2
S 2A
2M
1050mm
3
S 2B
4M
150mm
4
S3
6M
1050mm
5
S 3A
4M
150mm
6
S4
8M
1050mm
2M
1200mm
LOFT TO BE REMOVED
TOILET 4
7
S5
8
S 5A
9
S 5B
2M
1050mm
10
S6
4M
300mm
9' x 6'
WALK-IN
S 10
STORE ROOM
E
D
C
10'6'' x 5'11''
S 5 S 5A
S 5B
S 13
INVERTER
A
D
C
980mm
S 27
2M
1800mm
13
S8
6M
980mm
14
S9
2M
1200mm
15
S 9A
2M
850mm
16
S 10
2M
300mm
17
S 11
3M
1050mm
18
S 12
6M
1050mm
19
S 13
2M
1050mm
20
S 14
6M
1050mm
21
S 15
2M
1050mm
22
S 16
8M
1050mm
23
S 17
C
S 2 S 2A
14'9'' X 22'2''
BEDROOM 3 16'-2'' x 16'-0"
D
C
8M
1050mm
2M
1200mm
23
S 18 S18A
25
S 19
26
S 20
8M
600mm
27
S20A
6M
600mm
8M + 2M
R.L: 13'
C COMMON ROOM
STORE ROOM 10'1'' x 7'7''
1050mm
D
C
R.L: 7'7"
R.L: 8'1"
S 42
GEYSER
STUDY
B
R.L: 5'2"
DESCRIPTION
TOILET 2
C
3
CAMERA
TRIPLE SPOT LIGHT
2
FAN REGULATOR
3
TELEPHONE POINT
CONCEALED WALL LIGHT
4
5
COVE LIGHT IN CARPENTARY (LED / T5)
5
TWO WAY SWITCH
CEILING COVE LIGHT (LED / T5)
16' X 15'
R.L: 5'2"
S 34
S20A
STUDY
CALLING BELL
7
DUMMY SWITCH
8
CALLING BELL
8
TV SOCKET
9
BULK HEAD LIGHTS
9
INTERNET POINT
10
TOILET EXHAUST FAN
10
11
COMPOUND WALL LIGHT
7
17'3'' x 14'10''
JACUZI
BEDROOM 2
TOILET 3
F
16' x 5'9"
S 40
S 20
12
13
S.NO 1.
DATE
REVISION DETAIL
DD-MM-YYYY
S 23
4M
S 24
8M
ARCHITECTS
WEBE DESIGN LAB
DRAWN BY
NAME
CHECKED BY
NAME
APPROVED BY
NAME
GENERAL NOTES
ISSUE DATE
DD-MM-YYYY
* DRAWINGS NOT TO BE SCALED. * ALL MEASUREMENT ARE IN MM UNLESS OTHERWISE SPECIFIED. * DRAWINGS TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL DRAWINGS. * THIS DRAWING IS COPYRIGHT PROTECTED. IT IS THE PROPERTY OF WEBE DESIGN LAB. * IT IS NOT TO BE REPRODUCED, COPIED,HANDED OVER TO A THIRD PARTY OR USED FOR ANY PURPOSE OTHER THAN FOR WHICH IT AS BEEN LOANED.
STATUS
XXX
E
GEYSER
S 39a S 39
BALCONY
CONSULTANTS STRUCTURAL
NAME
ELECTRICAL
NAME
HVAC
NAME
PLUMBING & SANITARY
NAME
S 26a
S 27
10
S 28
4M
11
S 29
8M
12
S 30
6M
13
S 31
6M
14
S 32
3M
15
S 33
8M
16
S 34
6M
17
S 35
6M
18
S 36
4M
19
S 37
2M
20
S 37a
21
S 38
22
S 39
4M
23
S 39a
2M
24
S 40
4M
25
S 41
8M
21
S 42
6M
21
S 43
6M
21
S 44
8M
21
S 45
6M
4M
8M + 2M 8M
WARDROBE LIGHT
Ground floor Electrical drawing
1. 1:75/A3
REVISION DETAIL
DATE
DD-MM-YYYY
N
SCALE
DRAWING TITLE
ALL UNITS ARE IN GENERAL NOTES MM * DRAWINGS NOT TO BE SCALED. * ALL MEASUREMENT ARE IN MM UNLESS OTHERWISE SPECIFIED. * DRAWINGS TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL DRAWINGS. * THIS DRAWING IS COPYRIGHT PROTECTED. IT IS THE PROPERTY OF WEBE DESIGN LAB. * IT IS NOT TO BE REPRODUCED, COPIED,HANDED OVER TO 8/3B, 5th STREET, NANDANAM EXTENSION, A THIRD PARTY OR USED FOR ANY PURPOSE OTHER THAN CHENNAI FOR - 600WHICH 035 IT AS BEEN LOANED. architects@webedesignlab.com www.webedesignlab.com / PH : 044-24341833
Ground Floor Electrical layout WB000/XX/XXXX
KRISHNAVENI INTERIORS : 1 - Master bedroom 2 - Theatre
8M + 2M
8 9
UPLIGHT AT FFL
PROJECT
SEAL
6M 2M
14'9'' x 5'5''
104 - KRISHNAVENI INTERIOR DRAWING NUMBER
S 25 S 26
GEYSER
S.NO
KEY PLAN
4 5
17'3'' x 14'10''
R.L: 3'8''
Ground floor Electrical drawing
8M + 2M
B
S 35
S 18 S18A
6
FAN
6 BEDROOM 1
S 37S 37a
A
S 36
E
R.L: 5'10"
S19
4
16 AMP PLUG PT
KIDS BEDROOM
S 45
S 17
ONE WAY SWITCH
S 33
2
1
S 38
GEYSER
CEILING PANEL / SPOT LIGHT (AMBIENT)
S 44
1
S 16
C
SYMBOLS
R.L: 5'10"
C
S.NO
S 41
D
2M
S22a
5'2'' x 10'10"
DESCRIPTION
S 32
A
S 15
PORCH
15'6'' x 7'2''
S 22
3
6'1'' x 10'7''
WALK-IN
SYMBOLS
SYM
10M
20'10'' x 20'1"
TOILET 1
S.NO
MODEL
2
7
10'1'' x 4'6"
B
S 21
6
STAIRS
300mm
3M
NAME
1
S 43
S 3 S 3A S1
S.NO D
A.V. ROOM
S 21
10'1'' x 8'0''
D
LEGEND
C
10'10'' x 11'8''
24
POOJA ROOM
A
R.L: 6'
8M
S 7A
D
S 14
S4
S7
12
S 24
S 12 A
11
S 31
S 11
GEYSER
S 26 S26a
S 9A S 9
D
C
S 25
C
11' 4" X 15'11''
D
S 30
KITCHEN
A
300mm
S 23
20'4'' x 22'3''
S 22 S22a
S6
S8
DINING ROOM
S 28
6'x 7'
8M + 2M
S 29
S7
NAME
1
KEY PLAN
ARCHITECTS
WEBE DESIGN LAB
DRAWN BY
NAME
CHECKED BY
NAME
APPROVED BY
NAME
ISSUE DATE
DD-MM-YYYY
STATUS
XXX
CONSULTANTS
PROJECT
104 - KRISHNAVENI INTERIOR DRAWING TITLE
Upper Floor Electrical layout DRAWING NUMBER
WB000/XX/XXXX SEAL
STRUCTURAL
NAME
ELECTRICAL
NAME
HVAC
NAME
PLUMBING & SANITARY
NAME
88