Catalogue of Recent Acquisitions. September 2015 by Sanders of Oxford, Antique Prints & Maps

CATALOGUE OF RECENT ACQUISITIONS SEPTEMBER 2015

Sanders of Oxford

Antique Prints & Maps 104 High Street, Oxford. OX1 4BW info@sandersofoxford.com - 01865 242590 - www.sandersofoxford.com

16th, 17th & 18th Century engravings & etchings 19th & 20th Century Artists Prints Pre-Raphaelite Caricatures & Satires Portraits Jacobite Maritime Sports British Topography (inc Oxford & Cambridge) Foreign Topography Japanese Woodblock Prints Maps

1-8 9 - 24 25 - 31 32 - 41 42 - 45 46- 47 48 - 50 51 - 55 56 - 154 155 - 165 166 - 187 179 - 240

16th , 17th & 18th Century engravings & etchings

1. Le Soleil, Premier Planéte et son influxion. George Balthasar Probst Copper engraving with original colouring Cum Gratia et Privilegio Sac; cæs: Majestatis. c.1770 Image 280 x 410 mm, Sheet 320 x 450 mm unmounted One of a series of alchemical vue d’optiques depicting the planets. This print features the Sun, depicted as Helios, with a bow in his left hand , his right hand holding a lyre and on his back a bundle of arrows . To his left sits a lion. Below is a colonnaded room lined with statues and large vases of live and dead plants and flowers alluding to the sun as a symbol of life. Eight monarchs seated on thrones run the length of the room, in alchemic and Hermetic terms the sun can be employed to symbolise ‘The King’ . Allegorical figures, including Janus, and symbols of life, death, vanity and wisdom alongside onlookers in period dress feature in the foreground and a jousting match, the ‘Sport of Kings’, in the background. Below the image the title is inscribed in Latin, French, Italian and German. The German title preceded by the alchemical symbol for the sun. Condition: Light stain to centre of sheet and margins., Trimmed to plate. [39183] £350

2. Le Mercure, quatrième Planète, et son influxion. George Balthasar Probst Copper engraving with original colouring Cum Gratia et Privilegio Sac; cæs: Majestatis. c.1770 Image 278 x 405 mm, Plate 325 x 430 mm, Sheet 365 x 485 mm unmounted One of a series of alchemical vue d’optiques depicting the planets. This print features the planet Mercury, depicted as the Roman god, holding the Caduceus, with a pair of cherubs in embrace to the left. A colonnaded room below is filled with symbols and the activities of Mercury’s patronage of financial gain, commerce, eloquence (including poetry), messages and communication (including divination), travellers and boundaries. Below the image the title is inscribed in Latin, French, Italian and German. The German title preceded by the alchemical symbol for the Mercury. Condition: Light dirt build up to sheet and water stain to right margin, not affecting image, [39181] £350

3. [Serpent hunting] Karel van Mallery after Stradanus Copper engraving Phls Galle excud. Joan Stradanus inuent. Car de Mallery sculp. [c.1596] Image 185 x 263 unmounted A highly imaginative and lively engraving of the hunting of a giant serpent by a large unit of Roman soldiers, number 43 of a set of 104 hunting scenes from Philip Galle’s ‘Venationes Ferarum, Avium, Piscium, Pugnae Bestiariorum: & mutuae Bestiarium.’ In this scene, a prodigiously large serpent is surrounded by units of Roman archers and cavalrymen. The serpent has been wounded by many arrows, the shafts still protruding from its body and head. Two wheeled war machines are also depicted, firing darts at the ailing serpent. In the distance the eagle standard of the legions can be seen, with the numerous palm trees in the background likely suggesting a North African setting. The snakes of North Africa were famed in antiquity as being abnormally large, venomous, and aggressive. The capturing of one for the menagerie of King Ptolemy II of Egypt is described in detail by Diodorus Siculus (3.36). New Hollstein (Dutch & Flemish) 480.I (Johannes Stradanus), Baroni Vannucci 1997 693.43 Condition: Trimmed to plate mark with inscription space removed, and tipped to album page. [38729] £180

4. The Shepherds in Arcadia Simon François Ravenet I after John Hamilton Mortimer after Nicolas Poussin Copper engraving Publish’d according to Act of Parliament, 1st March 1763, by J. Boydell Engraver, Cheapside. Image 448 x 359 mm, Plate 518 x 387 mm, Sheet 558 x 467 mm unmounted Final plate from a series of three, created after paintings in the collection of the Duke of Devonshire; noted by ‘No. 3’ inscribed in the lower left corner of the sheet. Central to the image are three figures; two shepherds and a shepherdess. Standing beside trees, they look upon a tomb inscribed with ‘et in arcadia ego’, with one of the shepherds tracing the words with his finger. Sitting upon the tomb is a skull amid flowers. In the foreground, a river god, with his back turned, can be seen pouring water from an urn. ‘Et in Arcadia Ego’ is the title of Book One of Evelyn Waugh’s Brideshead Revisited in which a skull bearing the phrase acts as a metaphor for death and for a yearning for a lost paradise resulting from the transformation of war. Set within the centre of the inscription space is the Duke of Devonshire’s coat of arms. Condition: Several large tears to edges of sheet, but only one along bottom edge encroaching into plate. Some foxing to margins. [38897] £120

Image 323 x 268 mm, Plate 415 x 318 mm unmounted Proof before title. Set within an oval, a girl in simple attire, with a bonnet and posy, sits upon a bench beside a cottage door. Her hands are in a pot of peas, removing them from their shells. A basket of pea pods sit to her side. Companion to A Village Girl Gathering Nuts. [38927] Condition: Repaired split along bottom edge of plate mark, and another repair to lower right corner of sheet not affecting the image. Some discolouration to sheet, heavier along bottom edge of sheet. [38926] £360 5. Vandanges Copper engraving c. 1700 Image 183 x 136 mm, Sheet 260 x 199 mm unmounted An early image of winemaking. From Louis Liger’s La Nouvelle Maison Rustique: ou Économie générale de tous les biens de campagne. At the top of the image, ‘Vandanges’ sits within a cartouche, likely meaning ‘vendange’ - French for grape harvest. Condition: Worm holes to right edge of sheet, and some discolouration and staining to margins. [38714] £100

6. [A Cottage Girl Shelling Pease] Peltro William Tomkins after William Redmore Bigg Stipple Published as the Act directs May 1 1787 by S. Watts,

7. [A Village Girl Gathering Nuts] Peltro William Tomkins after William Redmore Bigg Stipple Published as the Act directs May 1 1787 by S. Watts Image 323 x 268 mm, Plate 415 x 318 mm,unmounted Proof before title. Set within an oval, a girl in simple attire and a bonnet reaches with her left hand to pick hazelnuts. The stick held in her other hand pushes against the branch. Sitting beside her feet is a basket full of nuts, and held in her dress are more nuts. Companion to A Cottage Girl Shelling Pease. [38926] Condition: Large tear repair to upper left of sheet, running from edge of image to edge of sheet. Discolouration to edges of sheet. [38927] £380

8. Venus Attired by the Graces Francesco Bartolozzi after Angelica Kauffman Stipple London Published as the Act directs May 1 1784 by S. Watts, N. 50 opposite old Round Court Strand Image 342 x 433 mm, Plate 448 x 500 mm, Sheet 501 x 567 mm unmounted Proof before letters. Set within the centre of the oval is Venus, partially nude, seated upon a balcony, with grand, classical columns behind. Cupid raises a string of pearls to Venus, whilst she gently strokes his face. Surrounding Venus are the Three Graces; one tresses her hair, another brings a scarf, and the third carries a basket of flowers. Upon the floor, various treasures surround the figures; a chest with cloths and pearls, flowers, a garland, a bow and quiver, and a large, ornate vase. English and French publication lines. Calabi & De Vesme 1928 499 undescribed Condition: Split to lower right corner of plate mark, and some discolouration to sheet. [38928] ÂŁ550

19th & 20th Century Artists Prints

10. [The Cottage Door] David Wilkie Etching 1820 Image 110 x 75 mm, Plate 121 x 80 mm unmounted Lifetime impression of this Wilkie etching of two women, one holding a child, stand in the open doorway of a cottage. A dog sits by their feet, with its head rested on the doorstep. Etched monogram and date below image. Dodgson 1936 10.II, Le Blanc 3. Condition: Printed on india laid paper. Heavy foxing to sheet, but limited to margins. [38895] £180

9. [Reading the Will] David Wilkie Etching 1819 Image 68 x 104 mm, Plate 90 x 125 mm unmounted Lifetime impression of this Wilkie etching of a lawyer seated at the head of a table, reading a will from two large sheets. Gathered around him are eight other figures, one with an ear-trumpet. Wilkie was later to produce an oil painting of the composition, which was exhibited at the Royal Academy in 1820. Initials and date etched within plate. Dodgson 1936 11.IV, Le Blanc 2. Condition: Printed on india laid paper. Heavy foxing to sheet, but limited to margins. [38896] £180 11. [The Flemish Mother] David Wilkie Etching 1820 Image 172 x 146 mm, Plate 224 x 182 mm, Sheet 438 x 288 mm unmounted Lifetime impression of this Wilkie etching of a woman seated on a high-backed chair wearing a cap turns to the left with a smile. Standing on the table beside her is a child who plays with her cap. Etched monogram and date below image. Dodgson 1936 12.VII. Condition: Printed on india laid paper. Heavy foxing to sheet, but limited to margins. [38894] £220

12. [The Book of Job. Plate 10] The Just Upright Man is laughed to scorn William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 197 x 152 mm, Plate 218 x 168 mm framed One of 100 posthumous impressions printed by John Linnell in 1874. Binyon state ; Bindman 635; Bentley . [37875] ÂŁ1,600

13. [The Book of Job. Plate 3] The Fire of God is fallen from Heaven William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 194 x 153 mm, Plate 213 x 168 mm mounted One of 100 posthumous impressions printed by John Linnell in 1874. Binyon 108 state iii/iii; Bindman 628; Bentley 421. [37871] ÂŁ1,500

14. [The Book of Job. Plate 4] And I only am escaped alone to tell thee. William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 194 x 151 mm, Plate 213 x 168 mm mounted One of 100 posthumous impressions printed by John Linnell in 1874. Binyon 109 state ii/ii; Bindman 629; Bentley 421. [37870] ÂŁ1,500

15. [The Book of Job. Plate 7] And when they lifted up their eyes afar off William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 198 x 153 mm, Plate 218 x 169 mm unmounted One of 100 posthumous impressions printed by John Linnell in 1874. Bindman 632. [37872] ÂŁ1,500

16. [The Book of Job. Plate 8] Let the Day perish wherein I was Born William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 197 x 149 mm, Plate 215 x 178 mm mounted One of 100 posthumous impressions printed by John Linnell in 1874. Binyon 113 state ii/ii; Bindman 633; Bentley 421. [37868] ÂŁ1,500

17. [The Book of Job. Plate 9] Then a Spirit passed before my face, the hair of my flesh stood up William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 197 x 152 mm, Plate 218 x 171 mm mounted One of 100 posthumous impressions printed by John Linnell in 1874. Bindman 634. [37874] ÂŁ1,500

18. [The Book of Job. Plate 18] Also the Lord accepted Job William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 197 x 149 mm, Plate 215 x 170 mm mounted One of 100 posthumous impressions printed by John Linnell in 1874. Binyon 123 state iii/iii; Bindman 643; Bentley 421. [37869] ÂŁ1,500

19. [The Book of Job. Plate 21] So the Lord blessed the latter end of Job more than the beginning William Blake Copper engraving London. Published as the Act directs. March 8: 1825. by Willm Blake No3 Fountain Court Strand [1874 2nd Edition] Image 197 x 148 mm, Plate 218 x 168 mm unmounted One of 100 posthumous impressions printed by John Linnell in 1874. Bindman 646. [37873] £1,500

20. Contents Page. From “The Savoy,” No. I Aubrey Beardsley Lithograph [Published by Leonard Smithers & Co, 8 Old Bond Street, 1899] Image 210 x 163 mm, Sheet 283 x 218 mm mounted From A Book of Fifty Drawings by A.Beardsley [38616] £55

21. Cover Design. From “The Savoy,” No.4 Aubrey Beardsley Lithograph [Published by Leonard Smithers & Co. 1899] Image 228 x 173 mm, Sheet 281 x 218 mm mounted From A Book of Fifty Drawings by A.Beardsley [38615] £55

22. The Fruit-Bearers Aubrey Beardsley Lithograph [Published by Leonard Smithers & Co.1899] Image 202 x 144 mm, Sheet 281 x 218 mm mounted From A Book of Fifty Drawings by A. Beardsley [38617] £55

23. Cecil Rhodes William Nicholson Lithograph Published by William Heinemann, c.1899 Image 245 x 231 mm, Sheet 262 x 251 mm mounted From the first series of Nicholson’s Twelve Portraits. Masterpieces of subtle satire, Twelve Portraits is credited as being Nicholson’s greatest set. [29779] £350

24. Linocut c. 1930 Image 253 x 202 mm mounted A print in the style of the Grosvenor School of a figure standing amongst sinuous lines and holding what look like jet engines. Condition: Some creasing to sheet. [37844] £500

The Pre-Raphaelites

25. La Ghirlandata after Dante Gabriel Rossetti Autotype The Autotype Company, London. c.1895 mounted From The Artist. Inscription beneath title reads: from a chalk Drawing by D.G.Rossetti. by permission of James Worral Esq. William Michael Rossetti, Dante Gabriel’s brother, described the original painting in his 1889 book Dante Gabriel Rossetti as Designer and Writer “The name La Ghirlandata may be translated ‘The Garlanded Lady,’ or ‘The Lady of the Wreath.’ The personage is represented singing, as she plays on a musical instrument; two youthful angels listen. The flowers which are prominent in the picture were intended by my brother for the poisonous monkshood: I believe he made a mistake, and depicted larkspur instead. I never heard him explain the underlying significance of this picture: I suppose he purposed to indicate, more or less, youth, beauty, and the faculty for art worthy of a celestial audience, all shadowed by mortal doom” The model for the main figure in this work was Alexa Wilding with May Morris sitting for the Angel heads. [39173] £90

26. The Golden Stairs after Sir Edward Coley Burne-Jones Photogravure London: J. S. Virtue & Co. Limited. c. 1880. Image 280 x 117 mm, Sheet 324 x 248 mm From the Art Journal. The Art Journal originally opposed the emerging Pre-Raphaelite Brotherhood, with its articles attacking the the movement and its supporter, John Ruskin. When the editor, Samuel Carter Hall, retired in 1880, the Art Journal changed its stance. The meaning of Edward Burne-Jones ‘The Golden Stairs,’ 1880, has been the subject of much academic debate. Some believe that the trope of the golden stair derived from Dante, and alludes to the passage of time. Though the fact that those at the bottom of the stair appear no more elderly than those at the top, may act to dispel this view. Another stance states that the eighteen women are spirits in an enchanted dream. Walter Pater believed that Burne-Jones’ work was representative of the concept that ‘all the arts aspire to the condition of music’ which leant more credence by the fact that the figures hold instruments as they descend. The interest in investigating a mood rather than telling a story could be seen in other works of the time, most famously in Whistler’s ‘Nocturnes.’ This style anticipated the synesthesia of art and music by groups such as the Symbolists in the late nineteenth-century. Condition: Some minor foxing in the upper margin. [39162] £90

27. The Wine of Circe Jules Payrau after Sir Edward Coley Burne-Jones Etching 1896 Image 136 x 208 mm, Plate 175 x 245, Sheet 225 x 302 mm mounted Circe is a mythological figure who features in Homer’s Odyssey. According to the epic poem, she resides over the island of Aeaea, and turns six members of Odysseus’ crew into pigs after offering them wine. In Burne-Jones’ work, Circe is bent over a vase of the broth as she measures out drops of the poisonous pharmakon kakon. Two black panthers prowl in the foreground as the three pentecosters of Odysseus and his men can be seen through the window. Dante Gabriel Rossetti, so inspired by the original painting, wrote a sonnet on the subject which appeared in his 1870 collection of poetry. From The Magazine of Art; an illustrated monthly British journal devoted to the visual arts, published from May 1878 to July 1904 in London and New York by Cassell, Petter, Galpin & Co. The publication included reviews of exhibitions, articles about artists of all branches of the visual arts. It also included poetry, as well as lavish illustrations completed by leading engravers of the period. [27621] £175

28. Love Among the Ruins Luke Thompson Taylor after Edward Burne-Jones c. 1905, Virtue & Co, London. Image 253 x 164 mm, Sheet 298 x 229 mm mounted Edward Burne-Jones’ work depicts a youth and maiden embracing in an overgrown court of an Italian renaissance palace. They are situated beside a flowering rose with thorns. The print was published in the Art Journal by Virtue & Co, London. The journal existed in order to promote art by distributing specially commissioned works by means of a lottery amongst its members. Condition: General time toning. Mark in the inscription space. The image itself is unaffected. [39160] £290

29. Perseus amd Andromeda after Frederic Lord Leighton Photogravure Rembrandt Intaglio Printing Co Ltd. Magazine of Art. Copyright 1892 Photographtsche Gesellschaft. Image 252 x 140 mm, Sheet 317 x 240 mm. mounted [39161] £80

30. The Shadow of Death After William Holman Hunt Goupilgravure The Art Journal, London, H. Virtue & Co. Ltd. c.1895 Image 228 x 178 mm, Sheet 318 x 240 mm mounted From The Art Journal. Inscription beneath title reads: By Permission of Messrs T.Agnew & Sons. Holman Hunt worked on The Shadow of Death between the years of 1870-1873, during his second excursion to the Holy Land. A masterpiece of the Pre-Raphaelite canon, Holman Hunt’s depiction of Christ is arguably the greatest example of typological symbolism that any of the Brotherhood would produce. Championed by John Ruskin in the second volume of Modern Painters, typological symbolism was a method that combined heightened verisimilitude with elaborate iconography, and became central to the core of Pre-Raphaelite theory. [39171] £70

31. Love and Death Sir Frank Short after George Frederick Watts Mezzotint London, Published May 1st 1900 by Robert Dunthorne, 5 Virgo Street, London.W Image 575 x 270 mm, Plate 620 x 300 mm, Sheet 690 x 390 mm unmounted Signed in pencil by artist and engraver Throughout his career, George Frederick Watts produced numerous works upon the theme of Love and Death. This mezzotint was to become one of his most discussed images. The reason for this discussion most likely stemmed from Watts’ rejection of traditional memento mori imagery. In Watts’ allegorical work, the almost cherubic figure of Love on the right attempts to defend the house of Life. Death, on the left, advances calmly with bowed head. The massive crushed wings of Love, and the wild roses that are trampled under the feet of Death, intimate that Love’s stand might be in vain. According to contemporary account, the work was inspired by events in Watts’ life. In 1870, the Eighth Marquis of Lothian, a Christ Church scholar and good friend of Watts, died of a wasting disease at the age of thirty eight. Love’s resistance to Death did in fact prove to be futile. Condition: Printed on mock vellum paper. Printers crease to top left corner of sheet and light creases to sheet. [39176] £700

Caricatures & Satires

32. Thee Northumberland Races 1826. County Plate Heat 1st Etching June 1826 Image 195 x 419 mm Plate 255 x 435 mm Sheet 280 x 456 mm unmounted A satirical print depicting the Northumberland Election, 1826, “was costly, protracted and expensive.” Each party produced two candidates who hate each other. Hon. Henry Thomas Liddell, a Canningite (Tory), and Matthew Bell, an Ultra Tory, were elected against Thomas Wentworth Beaumont, a Whig- Radical, standing as an Independent and Lord Howick, the son of the Whig Leader Condition: The names of each politician has been written in manuscript below the image in order of finishing the race. Beaumont crossing the finishing post with ease crossed armed in 1st place followed by Liddell, Bell follows in 3rd place raising his whip and Howick stumbles in last position. A key of notable figures watching on is also listed below the image. [38468] £180

33. The Ladies Ridicule Etching Pub accor to Act by MDarly Strand July 1st 1772 Image 105 x 145 mm, Sheet 125 x 173 mm unmounted Plate 22 from the third volume of the Darly’s publications on macaronis; Caricatures, Macaronies & Characters, published by MDarly. A female Macaroni sits in an open topped sedan chair with her outrageously tall hair sticking out the top, carried by footmen, her small servant (or husband?) stands on the poles behind. BM Satires 4653 Condition: Light dirt build up to sheet. Trimmed within the plate, slight thinning to corners of sheet. [39166] £120

34. A Female Macaroni Etching Pubd. accordg. to Act July 14th 1772 by M Darly 39 Strand Image 159 x 116 mm, Plate 177 x 125 mm unmounted Plate 24 from the third volume of the Darly’s publications on macaronis; Macaronies, Characters, Caricatures & designed by the greatest personages, artists &c graved & published by MDarly. Standing in profile, facing to the right, Sophia Baddeley is shown with her hair gathered in a large bag. Sophia Baddeley (1745 – July 1786) was an English actress, singer and courtesan. BM Satires 4700 Condition: Faint discolouration to the left of figure. [38920] £180

35. A Law Macaroni Etching Pub by M Darly Strand Feby. 16th 1772 accor to Act Image 153 x 112 mm, Plate 172 x 125 mm, Sheet 218 x 139 mm unmounted Plate 13 from the second volume of the Darly’s publications on macaronis; Caricatures, Macaronies & Characters by sundry ladies gentlemen artists &c, published by MDarly. Whole length portrait of a man in profile, walking from right to left. Wearing a macaroni wig with a looped and bound wig, his long, open gown reveals a coat, and a cravat over a pair of bands. In his right right, he holds a rolled document, and his left hand rests upon his hip. BM Satires 4996 [38924] £190

36. The Bathos, or Tailpiece William Hogarth Copper engraving Design’d and Engrav’d by Wm. Hogarth. Publishd according to Act of Parliamt. March 3d. 1764. [J & J Boydell c.1795] Image 260 x 323 mm, Plate 321 x 335 mm, Sheet 334 x 342 mm unmounted An engraving of the world’s end, designed by Hogarth to act as the Tailpiece in bindings of his collected works, and appropriately his final published work. The scene is a response to the new fashion, championed by Burke and discussed by Pope in Peri Bathous, for the ‘sublime’ in British art. Here, the term ‘Bathos’ describes the ‘sinking’ of poetry and fine art from the sublime to the ridiculous. The scene is a pastiche of almost all of the common artistic allegories for the end of times. Paulson 216 i/i, BM Satires 4106 Condition: Trimmed close to plate mark. Light water staining to right edge and bottom centre of inscription space. Small perforations to corners of sheet, not affecting plate. [38735] £220

37. Front View of Christ Church. Oxford. Thomas Rowlandson Etching and aquatint with original hand colouring London, Publish’d May 1, 1810. R. Ackerman’s Repository of Arts, 101 Strand Image 205 x 303 mm, Plate 230 x 325 mm, Sheet 288 x 374 mm unmounted Very scarce Oxford caricature by Rowlandson, situated in front of Christ Church’s Tom Tower. For the architectural background to this print Rowlandson used the Oxford Almanack for 1796, but the formality of Dayes’ drawing is completely transposed by Rowlandson’s lively interpretation of the scene. A boisterous crowd of students and their friend celebrate in St. Aldates whilst from an upstairs window a woman empties a chamberpot. Of the Oxford views in the set this is possibly the one most typical of Rowlandson. Condition: Excellent, the best impression of this print we have seen. [38473] £750

38. Quadrangle of King’s College, Cambridge. Thomas Rowlandson Etching and aquatint with original hand colouring Published Oct.r 31. 1811, at R. Ackerman’s Repository of Arts 101 Strand, London. Image 210 x 298 mm, Plate 230 x 315 mm, Sheet 273 x 345 mm unmounted Very scarce Cambridge caricature by Rowlandson, situated within King’s College quad, with fellows in their academic robes singing and dancing around a harpist. Two well to do ladies walk behind towards a small group of stone masons. Condition: Excellent impression with platemark, two light stains to bottom margin. [38474] £750

39. A Nincompoop, or Hen Peckd Husband. Thomas Rowlandson Etching with early hand colouring T. Tegg, Cheapside [c. 1807] Image 292 x 224 mm, Plate 343 x 244 mm framed Walking from left to right are an obscure couple; a small, ugly man with a large, over-dressed, scowling termagant. Trotting alongside his wife on their Sunday outing, the man carries her umbrella, cloak, pattens, and a bundle held in a checked handkerchief. Holding a fan, the woman looks upwards, away from her husband, whilst he looks up towards her. To the right of the image, another couple walk in the opposite direction. The elderly man, with his young, pretty wife and daughter, casts a disapproving look towards the couple in the foreground. Behind is an inn with the sign: ‘The Old Swant Ordinary on Sundays’, with another couple sitting below on a bench. Beginning of publication line erased. BM Satires 10909 Condition: Some light time toning to sheet. [38885] £400

40. Rural Sports, or a Pleasant Way of Making Hay Thomas Rowlandson Etching with early hand colouring [1814] Image 295 x 224 mm, Plate 341 x 245 mm framed Set within a hayfield, two men and two girls fool around on the floor, whilst two other girls prepare to smother them in hay. In the distance, two girls and a man with pitchforks stand beside a large laden wagon with a girl on top. Small haycocks can be seen in the background. BM Satires 12406 Condition: Light time toning to sheet, and a few spots of foxing to bottom left, just outside of image. [38886] £400

Portraits

41. On. Guard. Off. Guard. Guarded. / At Home again, Abroad, At Home William Heath Etching with original hand colour Published by. T. McLean, 26 Haymarket where Political and other Prints are daily Pub. [c. 1823] Image 245 x 359 mm, Sheet 250 x 365 mm each unmounted A pair of satires by William Heath depicting the Life Guards and the 3rd Foot Guards. Condition: Trimmed within the plate mark and tipped into album pages/. [38450] £440

42. Robertus com Essexiae et Ewe Mariscal Angliae Vicecom Hertford Gubern Gener Regni Irlan Copper engraving Published by Nicolaes de Clerck,Delft [n.d. c. 1614] Image 150 x 117 mm, Sheet 187 x 117 mm unmounted A bust portrait of Robert Devereus, 2nd Earl of Essex wearing armour with sash and plumed hat, within lettered oval. Tihis portrait is from an unidentified edition of Emanuel van Meteren’s Historie der Nederlandscher ende haerder Naburen; Oorlogen ende Geschiedenissen ... O’Donoghue 14 Condition: Trimmed to the image [38449] £95

43. Robertus Dudles Comes Leicestriæ Anonymous Copper engraving c. 1650 Image and Sheet 254 x 153 mm unmounted A Dutch portrait of Robert Dudley, Earl of Leicester whole length, on horseback, riding to the front, holding a truncheon in his right hand, wearing a soft cap with feather on a hill, with a landscape in background. This print illustration to a Dutch history of the Netherlands. With the inscription: Nomine ordinum Foederatarum ab anno 1586 ad annum 1588 reginimi presuit O’Donoghue 29 Condition: Trimmed to the image. [38363] £90

44. James Duke of Monmouth Captain William Baillie after Caspar Netscher after Jan Wyck Mezzotint 1785 Image and sheet 357 x 420 mm unmounted A portrait of James Scott, Duke of Monmouth, a rearing horse with the Battle of Sedgemore in the back ground. Chaloner Smith 4 iv, Meyer 32, Hollstein 3 (after Netscher) Condiion: Time toned, trimmed to the plate and laid to heavy paper. [38447] £250

Jacobite

45. Gulielmus Dugdale Wenceslaus Hollar Etching [c. 1656] Image 216 x 163 mm, Sheet 255 x 166 mm unmounted Second state portrait of William Dugdale, used for the frontispiece of his The Antiquities of Warwickshire Illustrated, 1656, and The History of St Pauls Cathedral in London, 1658. Half-length and almost full face, Dugdale is shown seated at a table, wearing a coat with fur cuffs and a small white collar, and a broad-rimmed hat. Resting upon the table is a rolled manuscript, with Dugdale’s right hand placed around it. To the left, there are copies of Monasticon Anglicanum and The Antiquities of Warwicksh: Illustrated, and to the right is an ink well with a pen and knife. Behind Dugdale, documents and seals sit upon shelves. In the upper corners, Dugdale’s crest and a griffin head with wings are present. Pennington 1392.II, New Hollstein (German) 1445. II (Hollar). Condition: Trimmed within plate mark. Laid to another sheet of paper, and window mounted. [38900] £180

46. Rebell Gratitude Copper engraving Publish’d According to Act of Parliament Jan.y 14 1747. Image 172 x 260 mm, Plate 222 x 277 mm, Sheet 247 x 302 mm unmounted A scene at the Battle of Culloden with Captain Grosett being shot by a rebel soldier, soldiers with swords raised go to kill the rebel. In the background a similar but unsuccessful attempt on the life of the Earl of Ancram is illustrated. Inscription below image reads: Rebell Gratitude./ Or a Representation of the Treachery and Barbarity of Two Rebell Officers, at the Battle of Culloden, who had their Lives Generously given/ them by the Earl of Ancram, (Who had a Considerable Command that Day) and by Captain Grofett Engineer & Aid De Camp to the General.---/ The Other Shot Captain Grofett Dead with his own Pistol, which happened Accidently to fall from him as he was on Horseback, under pretence of/ restoring the same to the Captain..--- These Rebells received the Just reward of their Perfidy , By being immediatley cut to pices by the King’s/ Troops, And it is Generally believed that this their Ingratitude and Treachery greatly heightened the Slaughter that was that Day made of their/ Party. --- Captain Grosett left behind him a Destressed Widow, with Six young Children./ The Battle was fought the 16 of April 1746. Condition: Stain to bottom of sheet, light centre fold. [26358] £200

47. The Traytors Coat of Arms Etching Publish’d September the 16th 1746, According to Act of Parliament. Image 350 x 354 mm, Plate 357 x 363, Sheet 598 x 470 mm mounted An extremely rare, separately published broadside based upon an earlier woodcut featured in a book of the same title; The Traytors Coat of Arms, 1715. The original publication was a satire against James Charles Edward Stuart, the Old Pretender. Central to the image is a previous version of the French coat of arms, with the fleurs-de-lis replaced with frogs, and upturned to denote treason. Supporting the coat of arms are two figures; to the left is a priest, and to the right, a Scottish highlander. Wearing a habit, the priest holds a bloody penknife in his right hand. Upon his right shoulder is an open warming pan, revealing an image of an infant. The highlander, in appropriate attire, wears a bag upon his back filled with treasonable papers. The small figure upon the bag is explained to be the ‘Messenger of Intelligence’, again reflecting treason. In his left hand, the highlander holds a letter addressed to Cardinal Tencin. Resting upon the coat of arms is a crown embellished with five medals; the far left medal has the King of Spain upon it, the middle has Charles III, and the far right has the King of France. French inscription on ribbon towards bottom of image translates to ‘For the widows and orphans’. Three columns of text below image gives a detailed explanation, and features 15 lines of verse. 1746 marked the end of Jacobite rebellion. In April, the Battle of Culloden took place, which saw the defeat of Charles Edward Stuart, and ended any hope of a Stuart restoration. Condition: Laid to board. Repaired to left margin, slightly encroaching into image. Pressed vertical creasing through centre of image. Time toning and foxing to sheet. [39116] £5,000

Maritime

48. Admiral Hotham Triumphant Copper engraving Published April 17, 1795 by J.Marshall No4 Aldermary Church Yard London. Image 300 x 480 mm, Plate 340 x 500 mm, Sheet 370 x 520 mm framed A scarce ‘popular print’ entitled Admiral Hotham Triumphant referring to the British Commander of Mediterranean Fleet during the naval Battle of Genoa in March 1795. Text below image in three columns reads: 1. The British-Fleet under Ad.l Hotham / The taking of the Ca,Ira, of 80 Guns, and 1300 Men, and the Censeur, of 74 Guns, and 1000 Men, two French ships of War. on the 14, of, March 1795, by the British-Fleet in sight of the French Toulon Fleet of superior force who did not venture to assist them (but let them be cut off by the Bedford and Captain men of War) and stood off with brisk gale firing at the British Fleet as they past their van. - The Ca,Ira and Censeur, lost between three and four hundred Men, by their obstinate resistance./ 2. The French Fleet. The naval battle of Genoa depicted was fought on 14 March 1795 off the coast of Genoa, in north-western Italy, between French warships under Rear-Admiral Pierre Martin and British and Neapolitan warships under Vice Admiral William Hotham. The battle ended in a British-Neapolitan victory over the French and the capture of the French ships Ça Ira and Censeur by the British. Condition: Laid to later paper, framed in an early 19th century frame. [38865] £600

49. The Halsewell East Indiaman Francis Jukes and Robert Pollard after Robert Smirke Etching and aquatint London Publish’d by R. Pollard Engraver No. 15 Braynes Row, Spa Fields, March 17; 1786. Image 381 x 514 mm, Sheet 440 x 550 mm unmounted Dramatic image detailing the shipwreck of the Halsewell, an East Indiaman that was destroyed on the 6th January, 1786. At the beginning of a voyage from London to Madras, the ship was caught in a violent storm in the English Channel, and was driven into the rocks below a cliff on the Isle of Purbeck in Dorset. Of the 240 crew and passengers, only 74 survived. Captain Richard Pierce is shown embracing his daughters on the deck of the sinking ship, with various other figures shown clinging to the ship. Sailors can be seen in the surrounding waves, whilst in the distance, a few figures have climbed to safety on top of rocks. Three lines of text beneath title, giving details on the shipwreck. Condition: Trimmed within plate mark and tipped to album page. Some faint foxing and discolouration, but not effecting image. [37787] £300

50. A Youth Rescued from a Shark Valentine Green after John Singleton Copley Mezzotint Published July 1st, 1797, by V. & R. Green No. 14 Percy Street, Bedford Square, London. Image 464 x 606 mm, Plate 505 x 608 mm, Sheet 537 x 648 unmounted A boat with eight men rescuing a young man from a shark, with ships and buildings visible in the background. Inscription reads: ‘This Representation is founded on the following Fact: a Youth bathing in the Harbour of the Havannah was twice seized by a Shark from which, (though with the Loss of the Flesh & Foot, torn from the Right Leg,) He disentangled himself, & was by the assistance of a Boat’s Crew, sav’d from the Jaws of the voracious Animal: for in the Moment it was attempting to seize it’s Prey, (a third Time), a Sailor with a Boat Hook, drove it from it’s Pursuit.’ Title and inscription in English and French. Chaloner Smith 152 iii/iii, Whitman - V. Green 209 iii/ii, Lennox-Boyd iv/v. Ex. Col.: Hon Christopher Lennox-Boyd Condition: Foxing and discolouration to sheet, and creasing and tears to edges. Two large tears; one to top margin, the other to bottom, slightly encroaching into image. [38893] £500

Sports

51. [Oxford v. Cambridge - 10 mile race] Henry Taunt Albumen photograph 15th June, 1892 Image and sheet 150 x 200 mm mounted Photograph taken during the Oxford v. Cambridge bicycle race, Oxford, 1892. J. C. W. H. won the race for Oxford. The inscription on the verso states that it was a 10 mile race and there was an upset with a Cambridge man’s bicycle. Alston won for Oxford. Henry Taunt’s stamp and stock number on back of photograph. [38310] £120

52. [Oxford v. Cambridge - 10 mile race] Henry Taunt Albumen photograph 15th June, 1892 Image and sheet 150 x 200 mm mounted Photograph taken during the Oxford v. Cambridge bicycle race, Oxford, 1892. J. C. W. H. won the race for Oxford. Oxford University Cycling Club (OUCC) was founded in 1873, making it one of the oldest cycling clubs in the United Kingdom. Henry Taunt’s stamp and stock number on back of photograph, as well as a description of the events written in pencil. [38311] £120

53. The Confluence of the Cherwell and Isis. Brasen Nose Boat Coming In. J. Whessell Etching Drawn and Etch’d by J. Whessell. Saint Aldates Oxford, Feby. 1824. [but c.1880 impression] Image 217 x 295 mm, Plate 262 x 318 mm, Sheet 281 x 373 mm unmounted A rare early Oxford rowing print. A view from the riverbank of the Brasenose College eight person rowing crew, plus cox, with three students to the left watching the race. Towards the background, various Oxford landmarks are visible. Dimensions of the boat are noted in the lower right corner, and sheet is numbered with ‘Pl. 39’. Condition: Some time toning, and light foxing to lower left corner of sheet. [38951] £180

54. Live Bait Fishing For Jack. / Fly Fishing For Trout. R.G. Reeve after James Pollard Aquatint with original hand colour Printed by Collins & Scarrott, 11 London , Published by J. McCornick, 62, Gracechurch Street. [n.d. c. 1860] Image 235 x 308 mm, Plate 307 x 355 mm framed A pair of fishing aquatints in period bird’s eye maple frames. Siltzer 375 Condition: Some silverfish damage in title and inscription space. Laid to board. In original frames. [38452] £450 Pair

55. Dungannon. George Townly Stubbs after George Stubbs Stippel & etching London, Published May 20 1794, by Mess.rs Stubbs, Turf Gallery, Conduit Street. Image 388 x 500 mm, Plate 405 x 504 mm, Sheet 490 x 580 mm unmounted Dungannon, a bay son of Eclipse by Aspasia, was foaled in 1780. He raced from 1783 to 1786, coming second to his brother, Saltram, in the Derby of 1783. The sheep became Dungannon’s inseparable stable companion after a drover abandoned it in his paddock. It is branded with the initials of Dennis O’kelly, the breeder and owner of the horse. George Towley Stubbs advertised this print at 15s plain or £1 10s for proof or colour-printed impressions. It seems from teh advertisment in The Sporting Magazine (III, january 1794, p.211) that 100 proofs were issued. The original painting measuring 40 x 50 inches and dated 1793, was exhibited at the Turf Gallery in 1794 and is now in the Halifax Collection. A watercolour reduction for the engraving by George Towley Stubbs survives in a private collection. Lennox-Boyd 1989 106. II/III, Siltzer p 272 Condition: Old pressed folds along plate lines, professionally repaired puncture above horse’s head, repaired tears to margins not affecting plate or image. [39178] £1,800

British Topography

56. [Durham Cathedral] Margaret M. Rudge Etching c. 1920 Image and plate 252 x 182 mm, Sheet 317 x 243 mm unmounted Proof. Watermark to upper left corner of sheet: ‘J Whatman’. Condition: Good, clean impression. [38933] £80

57. Lambeth Palace London Fred Newman Etching c. 1930 Image and plate 157 x 211 mm, Sheet 220 x 280 mm unmounted Signed and titled in pencil below image. Condition: Glue and paper residue on verso, slightly visible through sheet, and slight thinning of paper to upper left corner Toning from previous mount. [38972] £70

58. [The Royal Exchange] Fred Newman Etching c. 1930 Image and plate 132 x 185 mm, Sheet 201 x 253 mm unmounted Signed in pencil below image. Condition: Rich impression. Glue and paper residue on verso, slightly visible through sheet. [38968] £90

59. [Tower Bridge] Fred Newman

Etching c. 1930 Image and plate 126 x 201 mm, Sheet 196 x 257 mm unmounted Signed in pencil below image. Condition: Glue and paper residue on verso, slightly visible through sheet. Toning from previous mount. [38970] £90

c. 1950 Image and plate 154 x 217 mm, Sheet 197 x 251 mm unmounted Signed in pencil below image. An lively period view of Picadilly Circus and the Shaftesbury Memorial Fountain by Terrence Henry Lambert. Condition: Glue and paper residue to upper corners on verso slightly visible through sheet. [38974] £120 Plates from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande.

60. Westminster Bridge Fred Newman Etching c. 1930 Image and plate 145 x 229 mm, Sheet 202 x 291 mm unmounted Signed and titled in pencil below image. Condition: Glue and paper residue on verso, slightly visible through sheet, and slight thinning of paper to upper left corner. Toning from previous mount. [38969] £95

61. [Piccadilly Circus] Henry Lambert Etching

First published in 1707, Beverell’s Les Delices de la Grande Bretagne et de L’Irlande was an eight volume series depicting a variety of views from across the United Kingdom, including those of royal palaces, stately homes, cathedrals, and naval towns. Two volumes were dedicated solely to Oxford and Cambridge, consisting of plates of the colleges that were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675. In total, Les Delices de la Grande Bretagne et de L’Irlande comprised of 241 engraved plates and maps after David Loggan, Johannes Kip, John Selzer, and others. Despite the publication ultimately being a collection of reduced copies of other engravers’ work, Les Delices de la Grande Bretagne et de L’Irlande is a fine example of early eighteenth-century printmaking.

62. La Douane, ou Custume House Pieter Van der Aa Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of Custom House. [37446] £60

trance to the City of London - from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37537] £95

63. Le monument érigé en memoire du grand incendie de Londres. Pieter Van der Aa Copper engraving 1707 Image 122 x 158 mm framed A view of the Monument to the Great Fire of London, from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37519] £85

64. emple Barr du Côte du Couchant Pieter van der Aa Copper engraving 1707 Image 126 x 157 mm framed A view of Temple Bar, London - the ceremonial en-

65. Maison de Lambeth ou Lambeth House Pieter Van der Aa Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of Lambeth Palace from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37459] £45

66. St. James’s House Pieter Van der Aa Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of St. James’s Palace looking east, from

James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37463] £50

67. L’ Entree du College Royal des Medecins. Pieter Van der Aa after David Loggan Copper engraving 1707 Image 130 x 162 mm Sheet 156 x 179 mm unmounted A view of the old Royal College of Physicians operating theater, originally in Warwick Lane, from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37142] £50

68. Vue de la partie Exterieure du Cheur du cote d’Occident Avant le Fau de 1666 Pieter Van der Aa after David Loggan Copper engraving 1707

Image 123 x 154 mm Sheet 156 x 175 mm unmounted Entrance to the original Saint Paul’s, London, in 1666, from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37143] £45

69. Vue du dadans de la Nef de L’Eglise Cathedrale de S.Paul, Avant le Feu der 1666 Pieter Van der Aa after David Loggan Copper engraving 1707 Image 123 x 154 mm Sheet 156 x 175 mm unmounted A view of the interior of the old St. Pauls from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37144] £40

70. Vue du dans de la Nef de L’Eglise Paroissiale de Sainte Foi. avant le Feu de 1666. Pieter Van der Aa after David Loggan

Copper engraving 1707 Image 123 x 154 mm Sheet 156 x 175 mm unmounted Saint/Holy Faith Church before the Great Fire in the City of London from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37145] £40

Copper engraving 1707 Image 125 x 160 mm Sheet 156 x 178 mm unmounted A view of Southwark Cathedral from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37139] £55

71. La Bourse de Londres Pieter Van der Aa after Kip Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of the Royal Exchange from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37455] £50

73. The house at Chiswick in the county of Middlesex Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm unmounted A view of Jacobean Chiswick House from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37138] £60

72. Eglife de St. Marie dans Southwark. Pieter Van der Aa after Kip

74. The House att Chelsey in the County of Middlesex Pieter Van der Aa after Kip Copper engraving 1707 Image 123 x 155 mm, Sheet 155 x 172 mm unmounted A Bird’s-eye view of Beaufort House and gardens, Chelsea. Beaufort House was built in 1521 and was Sir Thomas More’s residence. [37194] £65

75. Mercers Chappel Pieter Van der Aa after Kip Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of Mercer’s Hall from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37453] £45

76. Sale de Westminster ou Westminster-Hall Pieter Van der Aa after Kip Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of Westminster Hall from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37456] £45

77. Le Temple Pieter Van der Aa after Kip Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of Temple from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37454] £55

78. Vue de l’eglise catherdral de S.Paul du cote d’occident. Avent le feudes 1666. Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm Sheet 156 x 178 mm unmounted A view of the old St. Paul’s Church from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37140] £60

79. Vûe de Westminster-Hall Pieter Van der Aa after Kip Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm mounted A view of Westminster from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37449] £75

80. Bow Church Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm unmounted A view of St Mary-le-Bow from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37133] £40

81. Chelsey Colledge Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm unmounted From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37128] £50

82. Eglise de S.Pierre, ou Abbaye de Westminster.

Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm unmounted A view of Westminster Abbey from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37136] £50

83. The Kings Gate, ou Porte Royale de WhiteHall, qui conduit à Westminster Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm unmounted A view of the Holbein Gate From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37134] £40

84. Lambeth Palais

Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm View of Lambeth Palace, the residence for the Arch Bishop of Canterbury, from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. Condition: The top left hand corner of sheet missing, not affecting the image. [37135] £50

85. La Maifon Apellee Banqueting House (Whitehall Westminster) Pieter Van der Aa after Kip 1707 Image 125 x 160 mm unmounted From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37129] £50

86. St James Palace and Park Pieter Van der Aa after Kip Copper engraving 1707 Image 125 x 160 mm unmounted From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37130] £55

87. Vue du Guild Hall du Côté du Midi. Pieter Van der Aa after Kip Copper engraving 1707 Image 123 x 153 mm, Sheet 155 x 174 mm A view of Guildhall from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37452] £75

88. A North West View of the Jetty at Yarmouth Robert Pollard after J. Butcher Aquatint and etching Yarmouth, Publish’d by J. Butcher; Chapel Street,

June 19th, 1801. Image 387 x 657 mm, Sheet 430 x 667 mm unmounted View of the jetty in Great Yarmouth, which is now demolished. Several boats and ships can be seen in the water. In 1800, Nelson landed at the jetty after the Battle of the Nile, and in the following year, returned there after the victory at the Battle of Copenhagen. Condition: Trimmed within plate mark, and laid to another sheet. Discolouration to sheet, and thinning of paper, particularly noticeable in the right hand corners. [38899] £400

89. The South-East Prospect of Newcastle Upon Tyne. Samuel and Nathaniel Buck Copper engraving Published according to Act of Parliament April 15th Garden Court No. Middle Templke London Image 243 x 783 mm, Sheet 312 x 815 mm mounted A highly detailed 18th century panoramic view of Newcastle with a key below. Condition: Trimmed just outside of platemark, a few short repaired tears in inscription space and centrefold as issued. [37557] £480

90. The South West Prospect of Guildford, in the County of Surry. Samuel and Nathaniel Buck Copper engraving Sam. & Nathl. Buck delin: et Sculpt. according to Act of Parliament 1738.

Image 241 x 773 mm, Sheet 320 x 786 mm unmounted The stunning panorama of Guildford by Samuel and Nathaniel Buck. Condition: Vertical centre fold as issued. Trimmed within plate mark along left and right, and close to plate mark along top and bottom. Two small tears along top edge of sheet, not effecting printed area. Some discolouration to edges of sheet. [39033] £500

91. Rycott in the County of Oxford one of the Seats of the Rt. Honble. Montague Earle of Abingdon Baron Norreys of Rycott Johannes Kip after Leonard Knyff Copper engraving c. 1700 Image 338 x 471 mm, Plate 353 x 487 mm, Sheet 430 x 590 mm unmounted Condition: Time toning to margins, but easily coverable with a mount. [38026] £275

92. Brighton, England’s Favourite Watering Place.

Thomas Sutherland after George Atkinson Aquatint Published Novr. 12th 1825, by George Atkinson, 40 Old Steine, Brighton Image 231 x 432 mm, Sheet 308 x 483 mm mounted A view of the chain pier in Brighton, with numerous figures in the foreground visiting the beach, with portraits of the Prince Regent and George III in profile in a laurel wreath topped with crowns. Condition: Large tear repair to right margin, slightly encroaching into image space. Some creasing to sheet, and light discolouration to margins. Acid mark from previous mount, but covered by current mount. [38356] £250

93. North Bridge, Edinburgh Samuel Dunkinfield Swarbreck Lithograph with tint stone and hand colouring Published in Swarbreck’s Sketches in Scotland, London, c.1840 Image 302 x 407 mm, Sheet 369 x 518 mm unmounted Condition: Some discolouration to margins, and a few small tears to edges of sheet. Crease to left margin towards bottom of sheet. [38890] £175

94. The South View of Wrexham, in the County of Denbigh Samuel and Nathaniel Buck Copper engraving Saml & Nathl Nuck del. et Sculp Publish’d according to Act of Parliament Septembr. 8th 1748. Garden Court No. 1 Middle Temple, London. Image 244 x 782 mm, Plate 310 x 814 mm, Sheet 321 x 823 mm unmounted The Buck prospect of Wrexham with four lines of text below image gives details on Wrexham. To the right of the text, a numbered key is present. ‘81’ inscribed in upper right corner of sheet. Condition: Cut between image and text, and laid to canvas. Trimmed close to plate mark. Vertical centre fold as issued. [38707] £380

Oxford

95. Ochsenfuhrt in Engellandt Univers. Daniel Meisner Copper engraving 1623 - c.1640 Image 72 x 140, Plate 105 x 150 mm framed A rare, early view of Oxford from Meisner’s Thesau-

rus philo-politicus, with a drunken Bacchus riding a donkey in the foreground. Text below image, in Latin and German, embodies the moral message illustrated in the foreground, and reads: ‘Ebrius Arcadico Vehitur bene Bacchus Asello: Pigritiae Ebrietas uoida mater erit. Bachus auf einem Esel sitzt, Doll und Toll, daß er keucht und Schnitzt: ßferd und Keutter sind gleicher acht, Trunckenheit faule Bengel macht.’ Condition: Small wormhole to right margin, but otherwise in very good condition. [38424] £450

96. The Spires of Oxford K. Vernon Drypoint c. 1920 Image 124 x 200, Plate 152 x 200 mm, Sheet 201 x 238 mm mounted A scarce atmospheric view of Oxford from New College Tower. [38257] £180

97. The South Prospect of the City of Oxford Sutton Nicholls after Johannes Kip Copper engraving Printed & Sold by I. Smith at the Sign of Exeter Change near the Fountain Tavern in the Strand. 1724. Image 435 x 685 framed A reduced version of Kip’s 1705 Oxford prospect, from the third volume of the 1724 edition of Joseph Smith’s Britannia Illustrata. A view of Oxford from south of the River Cherwell. Meadows are depicted in the foreground, with the River Cherwell and the River Isis intersecting. To the far right, Magdalen College, Magdalen Bridge, and St Clements are detailed, and to the far left, the castle and St Thomas’ Church. Spires and towers decorate the skyline. A scroll inscribed with ‘Oxoniensis Universitas. The South Prospect of the City of Oxford’ is set top centre, with putti either side. Beneath the image, a numbered key (1 - 32), names colleges, churches, and other points of interest To the right, beneath the image, the engraver’s name has been burnished off, but the date remains. Condition: Vertical folds as issued, and some time toning to sheet. [38427] £1,750

unmounted Signed in the plate. Condition: Some discolouration and a small spot of foxing within the plate mark bottom margin. [38984] £150

98. Oxford Woodcut Published 18th June 1870 Image 450 x 930 mm framed From the Supplement to The Illustrated London News. A large panorama of Oxford from the Thames, looking towards the city over Christ Church Meadow. In the foreground, a number of rowing teams on the river are watched from the banks by numerous spectators. The Quad of Christ Church, the Radcliffe Camera, and the spires of Christ Church Cathedral, Merton College, St Mary the Virgin, and Magdalen College are conspicuous in the view of the city. Condition: Vertical folds as issued, some repaired splitting to folds. [38908] £700

99. High Street Looking West Charles Oliver Murray Etching c.1880 Image 170 x 244 mm, Plate 202 x 271 mm, Sheet 280 x 377 mm

100. [Brasenose College & Carfax Tower - from High Street] W. Reid Etching c. 1890 Image 154 x 219 mm, Plate 204 x 258 mm, Sheet 282 x 378 mm unmounted Signed in the plate. View of Oxford High Street with horse and carts, looking towards Carfax, with the church still standing (demolished 1896), and Brasenose College to the right. Condition: Time toning and foxing to margins. [38949] £100

101. View in Broad Street in Oxford J.C. Stadler after J. Farington R.A. Aquatint with original hand colour Pub. June 1, 1793 by J & J Boydell Shakespeare

Gallery Pall Mall & Cheapside Image 208 x 320 mm, Sheet 408 x 303 mm mounted From A History of the River Thames published by John and Joshia Boydell in 1793 and 1796. [38232] £230

102. [Broad Street] Thomas Riley Etching c. 1880 Image 177 x 251 mm, Plate 203 x 264 mm, Sheet 283 x 367 mm unmounted Signed in the plate. Condition: Some discolouration to sheet. [38954] £140

103. [Brasenose Quad, with the Radcliffe, and St. Mary’s Spire] Charles Oliver Murray Etching c.1880

Image 180 x 260 mm, Plate 215 x 285 mm unmounted Signed in the plate. View of the Old Quadrangle, Brasenose College, with the Radcliffe Camera and spire of the University Church of St Mary the Virgin in the background. Condition: Some time toning and foxing to margins. [38950] £100

104. Brasenose & Radcliffe Victoria Hine Etching c. 1880 Image 97 x 62 mm, Plate 105 x 70 mm mounted A rare small scale etching of Brasenose College quad and the dome of the Radcliffe Camera. [39135] £100

105. [Christ Church College] Charles Oliver Murray Etching c.1880 Image 211 x 259 mm, Plate 241 x 282 mm, Sheet 280 x 377 mm unmounted Signed in the plate. [38956] £100

106. Cathedral & Christ Church Victoria Hine Etching c. 1880 Image 61 x 99 mm, Plate 70 x 105 mm mounted A rare small scale etching of Oxford cathedral with Tom Tower in the background. [39133] £80

107. Tom Gate Christ Church

Victoria Hine Etching c. 1880 Image 96 x 62 mm, Plate 106 x 70 mm mounted A rare small scale etching of Tom Tower from St.Aldates. [39132] £90

108. Vue du College de Ste. Marie et de l’Hotel de Ville d’Oxford Copper engraving with hand colouring A Paris chez J. Chereau rue St. Jacques au desous de la Fontaine St. Severin. [n.d. c.1770] Image 244 x 404 mm, Plate 261 x 424 mm, Sheet 347 x 505 mm mounted A vue d’optique of St Aldates, Oxford, with the carfax conduit, the old town hall, and Tom Tower featured. Condition: Laid to board. Glue and paper residue along bottom edge, and discolouration from previous mount. [38591] £250

M. K. Hughes Etching Published by W. H. Beynon & Co. Cheltenham [c. 1913] Image 244 x 172 mm, Plate 262 x 188 mm. framed Condition: Some light foxing to margins, but otherwise, a good, clean impression. Framed in original frame. [38883] £140

109. The Gateway [Corpus Christi] M. K. Hughes Etching Published by W. H. Beynon & Co. Cheltenham c.1913 Image 243 x 172 mm, Plate 264 x 188 mm framed Condition: Very faint spots of foxing to upper right corner of image. Framed in original frame. [38879] £150

110. Gentlemen Commoner’s Quad

111. Library from the President’s Garden M. K. Hughes Etching Published by W. H. Beynon & Co. Cheltenham. 1913 Image 240 x 171 mm, Plate 264 x 187 mm framed Condition: Some light foxing to margins and just outside upper corners of image, but otherwise, a good, clean impression. Framed in original frame. [38884] £140

112. Magdalen from Merton Meadow Victoria Hine Etching c. 1880 Image 62 x 98 mm, Plate 70 x 106 mm mounted A rare small scale etching looking across the meadows to the tower of Magdalen College. [39134] £100

113. In New College Garden, Oxford. Charkes Hullmandel after William De la Motte Lithograph 1822 Image 257 x 190 mm, Sheet 390 x 275 mm mounted A scarce view of New College from the gardens. Lettered below image with title, and: Willm. De la Motte, Lithog: 1822./ Printed by C.Hullmandel. [38294] £200

114. [New College] Charles Oliver Murray Etching c.1880 Image 173 x 256 mm, Plate 204 x 278 mm , Sheet 281 x 377 mm unmounted Signed in the plate. Condition: Light discolouration and foxing to margins. [38961] £110

115. [New College Cloisters] Charles Oliver Murray Etching c.1880 Image 177 x 257 mm, Plate 204 x 278 mm , Sheet 281 x 378 mm unmounted Signed in the plate. [38960] £110

116. New College Victoria Hine Etching c. 1880 Image 94 x 62 mm, Plate 106 x 70 mm mounted A rare small scale etching of New College gate from New College Lane. [39131] £90

117. St Mary’s & Oriel Victoria Hine Etching c. 1880 Image 95 x 61 mm, Plate 106 x 70 mm mounted A rare small scale etching of the University Church and Oriel College facade. [39136] £95

118. [Radcliffe Observatory] William Bird Etching and aquatint 1985 Image and plate 297 x 496 mm unmounted Edition 8/50 [39113] £200

119. The Oxford Almanack for the Year of our Lord God MDCCXXXII Being Bissextile or Leap Year [Trinity College] Copper engraving 1732 Image 348 x 442 mm, Plate 495 x 457 mm unmounted Full sheet Oxford Almanack for 1732. Condition: Small worm hole to upper left corner. Some tearing along bottom left edge of sheet, not effecting image. Stain to middle of sheet, horizontal and vertical creases running through centre of sheet. [38700] £200

Cambridge Plates from From Harraden’s picturesque views of Cambridge. The University and town of Cambridge depicted in six large views and a frontispiece, with twenty four smaller views from original drawings by Richard Harraden.

120. Caius College, Cambridge J. Harraden after R. Harraden Aquatint and engraving Published 1st Feb 1800 by R. Harraden Great St Mary’s Cambridge Image 141 x 210 mm, Plate 160 x 232 mm Sheet 270 x 394 mm unmounted [37804] £120

121. Christ’s College, Cambridge. J. W. Edy after R. Harraden Aquatint and engraving Published 1st Jan 1800 by R. Harraden, St Mary’s, Cambridge Image 145 x 205 mm, Plate 159 x 234 mm Sheet 270 x 394 mm unmounted [37819] £120

122. Clare Hall & Chapel, Cambridge J. Hassell after R. Harraden Aquatint and engraving Published 1st Feb 1800 by R. Harraden Great St Mary’s Cambridge Image 158 x 203 mm, Plate 158 x 232 mm Sheet 270 x 394 mm unmounted Condition: Some small ink marks left from the plate on the bottom margin. [37805] £120

123. Emanuel College, Cambridge. J. Harraden after R. Harraden Aquatint and engraving Published 5th Nov 1798 by R. Harraden, at London & Cambridge Image 144 x 210 mm, Plate 162 x 237 mm Sheet 270 x 394 mm unmounted [37820] £120

124. King’s College Chapel, Cambridge J. Newton after R. Harraden Aquatint and engraving Published Feb 1st 1800 by R. Harraden Great St Mary’s Cambridge Image 145 x 210 mm, Plate 160 x 233 mm Sheet 270 x 394 mm Condition: Small mark on the bottom right corner [37802] £120

125. Pembroke College Cambridge J.Cartwright after R. Harraden Aquatint and engraving Published March 1st 1799, by R. Harraden at London & Cambridge Image 144 x 209 mm, Plate 161 x 235 mm Sheet 270 x 394 mm unmounted [37800] £120

126. St Peters College. Cambridge J Harraden after R.B. Harraden Aquatint and engraving Published March 1st 1799, by R. Harraden at London & Cambridge Image 142 x 215 mm, Plate 162 x 237 mm Sheet 270 x 394 mm unmounted [37799] £120

127. Sydney College, Cambridge. J. Harrarden after R. Harraden Aquatint and engraving Published Dec 1st 1799 by R. Harraden, St Mary’s, Cambridge Image 141 x 210 mm, Plate 158 x 235 mm Sheet 270 x 394 mm unmounted [37818] £120

128. Catherine Hall, Cambridge. J.Harraden after R. Harraden Aquatint and engraving Published 5th Nov 1798, by R. Harraden at London & Cambridge Image 140 x 210 mm, Plate 161 x 240 mm Sheet 270 x 394 mm unmounted [37801] £120

130. St John’s College, Cambridge J. W. Edy after R. Harraden Aquatint and engraving Published Dec 1st 1799 by R. Harraden at London & Cambridge Image 182 x 251 mm, Plate 194 x 272 mm Sheet 270 x 394 mm unmounted [37812] £120

129. The Bridge and part of St John’s College, Cambridge J. Cartwright after R. Harraden Aquatint and engraving Published 5th Nov 1798 by R. Harraden at London & Cambridge Image 143 x 214 mm, Plate 158 x 235 mm Sheet 270 x 394 mm unmounted [37816] £120

131. The Schools of Cambridge J.Hassell after R. Harraden Aquatint and engraving Published Feb 1st 1800 by R. Harraden Great St Mary’s Cambridge Image 141 x 207 mm, Plate 158 x 231 mm Sheet 270 x 394 mm unmounted [37803] £120

132. East End of Nevil’s Court, Trinity College, Cambridge. J. Harraden after R. Harraden Aquatint and engraving Published 5th Nov 1798 by R. Harraden at London & Cambridge Image 143 x 215 mm, Plate 165 x 242 mm Sheet 270 x 394 mm unmounted [37811] £120

133. The Gate of Trinity College, Cambridge J. Harraden after R. Harraden Aquatint and engraving Published 5th Nov 1796 by R. Harraden at London & Cambridge Image 144 x 212 mm, Plate 161 x 238 mm Sheet 270 x 394 mm unmounted [37807] £120

134. Part of the Great Court Trinity College, Cambridge J. Harraden after R. Harraden Aquatint and engraving Published March 1st 1799 by R. Harraden at London & Cambridge Image 184 x 249 mm, Plate 190 x 275 mm Sheet 270 x 394 mm unmounted Condition: Small ink mark just below the engravers name [37808] £120

135. West End of Nevil’s Court, Trinity College, Cambridge. J.Harraden after R. Harraden Aquatint and engraving Published 5th Nov 1798 by R. Harraden at London & Cambridge Image 146 x 216 mm, Plate 167 x 242 mm Sheet 270 x 394 mm unmounted [37810] £110

136. Part of the Great Court Trinity College, Cambridge including the Chapel Masters Lodge and Kings Gate S.Cartwright after R. Harraden Aquatint and Engraving Published March 1st 1799 by R. Harraden at London & Cambridge Image 182 x 253 mm, Plate 192 x 274 mm Sheet 270 x 394 mm unmounted [37809] £120

138. Plan of Cambridge R. Harraden Aquatint and engraving Image 173 x 216 mm, Plate 189 x 261 mm Sheet 270 x 394 mm unmounted Plan of Cambridge with key on the top left hand corner from Harraden’s picturesque views of Cambridge. The University and town of Cambridge depicted in six large views and a frontispiece, with twenty four smaller views from original drawings by Richard Harraden. Condition: Staining across the bottom left corner visible within the plate mark. [37828] £120

Plates from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande.

137. Trinity Hall, Cambridge J. Cartwright after R. Harraden Aquatint and engraving Published 1st May 1799 by R. Harraden at London & Cambridge Image 158 x 203 mm, Plate 158 x 232 mm Sheet 270 x 394 mm unmounted Condition: Some marks on the paper outside the plate mark this does not affect the image. [37806] £120

139. Habits ordinaires des perfonnes qui composent l’universite de Cambridge Pieter Van der Aa after David Loggan Copper engraving 1707 Image 124 x 348 mm mounted Illustration of 33 different types of Cambridge University’s Academic Dress, from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37322] £100

140. Vue de Cambridge du cote de l’Occident Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm mounted A view of the city of Cambridge From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37483] £55

141. Le College du Corps de Christ [Corpus Christi College] Pieter van der Aa after David Loggan Copper engraving 1707 Image 121 x 157 mm, mounted A view of Corpus Christi from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37491] £65

142. Chapele du College d’ Emanuel Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A view of Emmanuel College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37474] £55

143. Le College d’Emnauel Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A view of Emmanuel College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37485] £65

144. Le College de Jesus. Pieter van der Aa after David Loggan Copper engraving 1707 Image 124 x 159 mm, Sheet 155 x 174 mm mounted A view of Jesus College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37478] £65

145. Le College de Sidney-Sussex Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mmm mounted A view of Sidney-Sussex College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37476] £65

146. Chapelle du College du Roi Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A side view of Kings College Chapel From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37469] £55

147. Le Colllege du Roi Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A view of Kings College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37477] £50

149. Le College de S. Pierre Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37473] £55

148. Le Auditoires et Bibliotheque publique Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm Sheet 156 x 174 mm unmounted From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37141] £35

150. Le College de La Reine Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A view of the Queen’s College Cambridge From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37484] £65

151. Le College de S. Catherine Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A view of St. Catherine’s College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37470] £65

153. Le College de S. Jean Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A view of St. John’s College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37489] £65

152. Autre vuë du College de S. Jean Pieter Van der Aa after David Loggan Copper engraving 1707 Image 125 x 160 mm, Sheet 155 x 174 mm mounted A view of St. John’s College from James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37479] £65

154. La Cour de Nevill dans le College de Trinite Pieter Van der Aa after David Loggan Copper engraving 1707 Image 123 x 158 mm, Sheet 155 x 174 mm mounted From James Beverell’s Les Delices de la Grande Bretagne et de L’Irlande. [37488] £50

Foreign Topography

155. View of the Snuff Mills near the Havana on the River Chorara. Newnham after Hon.ble William Harcourt Etching 1763. but c.1818 Image 222 x 348 mm, Sheet 245 x 365 mm unmounted A view looking up the waterfalls on the River Chorara outside Havana in Cuba with snuff mill buildings on either side. Inscribed below image: Drawn after nature by the Hon.ble William Harcourt. 1762. Etched by Newnham 1763. Watermarked ‘Turkey Mills’ [37859] £200

156. Commune de Vosne. Vue prise du Chemin de fer de Paris à Lyon. Lithograph with tint stone Imp. Lemercier, Paris. [1855] Image 153 x 320 mm, Sheet 310 x 446 mm unmounted View of Vosne, also known as Vosne-Romanée, a commune in the Côte-d’Or department in Burgundy. The commune produces the regions most celebrated wines.

Running just below the image are the names of the various vineyards in the area. From Jean Lavalle’s Histoire et Statistique de la Vigne des Grands Vins de la Côte d’Or, a publication on the vineyards of Burgundy. The book was accompanied by only six images. Condition: Some light discolouration to margins, and a small tear to upper left margin. [38715] £400

157. Communes des Chassagne et de Puligny. Vue prise du Village de Corpeau. Lithograph on tint stone Imp. Lemercier, Paris. [1855] Image 159 x 320 mm, Sheet 318 x 452 mm unmounted View of Chassange-Montrachet and Pulginy-Montrachet, communes in the Côte-d’Or department in Burgundy. Running just below the image are the names of the various vineyards in the area. From Jean Lavalle’s Histoire et Statistique de la Vigne des Grands Vins de la Côte d’Or, a publication on the vineyards of Burgundy. The book was accompanied by only six images. Condition: Some light foxing to margins. [38719] £400

158. The German Rose C. Adler Steel engraving and chromolithograph C. Adler Fabrik von Druckarbeiten, Hamburg [c.1860] 230 x 230 mm mounted A rare ephemeral item printed by C. Adler in Hamburg. One of a series of folding postcard ‘Roses’ of important world cities and countries, this example shows 28 steel engraved vignettes of various German towns and notable buildings printed on both sides of a delicate folding sheet. The die cut sheet folds neatly into a fan shape where the views are concealed and only the outer covers of a chromolithographed rose are visible. Some of the towns and districts depicted include Kochbrunnen, Kursaal, Nerothal, Dietenmuhle, Geisberg, Weisbaden, Sonnenberg, Moosburg, and Biebrich. [38697] £200

159. Carte du Gouvernement et Politique de la Republique de Venise, ses Differenes Conseils, le Palais de St. Marc et Celui des Procurateurs Chatelain, H. Copper engraving Avec Privilege de Nosseigneurs les Etats de Hollande et de Westfrize. [n.d. 1705 - 1739] 390 x 465 mm unmounted A plate from Chatelain’s Atlas Historique providing detailed information on the structure of the Venetian government. To illustrate sessions of parliament, five images have been included, titled Palais de Saint Mare, Le Grand Conseil, Palais des Procurateurs, Le College, and Le Pregadi, ou le Senat. A lengthy description, divided into eight sections, details the organisation of the state. Condition: Vertical centre fold as issued. Small split to centre fold at bottom of sheet, and some time toning and foxing to edges of sheet. [38618] £200

161. Nagasaki M. & N. Hanhart after F. C. B. Bedwell Lithograph with tint stone c. 1859 Image 101 x 159 mm, Sheet 132 x 215 mm unmounted A view of Nagasaki from the estuary with a Chinese junk and sailing ships to the left and the town and harbour to the right. Condition: Stain to left margin, not effecting image. [38732] £55

160. Carte du Gouvernement Militaire de la Republique de Venise, l’Etat de ses Revenus, de ses Forces, et les Differented Vûës de la Place de St. Marc. Henri Abraham Chatelain Copper engraving with hand colouring Avec Privilege de Nosseigneurs les Etats de Hollande et de Westfrize. [Amsterdam, c. 1720] Image 390 x 465 mm, Plate 395 x 475 mm, Sheet 440 x 520 mm unmounted A plate from Chatelain’s Atlas Historique providing detailed information on the structure of the Venetian military, economy, and forces. The plate is divided into 5 boxes images, representing two views of Piazza San Marco, an isometric view of the Arsenal, a representation of the distinctive Venetian gondolas, and a scene of a raucous and very well attended boxing match on a bridge over one of the canals, as well as five boxes of text, describing the commanders of the Venetian army, the Arsenal, a list of the Republics revenues per territory, the composition of their military forces, and a selection of public spectacles. [38913] £350

162. Excavations, Nimroud Robert H. Clive Lithograph with hand colouring [London: Dickinson Bros, 1852] Image 240 x 338 mm, Sheet 315 x 415 mm unmounted One of a rare series of 24 illustrative lithographic plates after sketches by R.H. Clive, published as ‘Sketches between the Persian Gulf and Black Sea’ (1852). The view depicts the excavation of a pair of colossal lamassu sculptures in the Assyrian city of Nimrud. A group of workers sit and stand in the shadow of one of the sculptures, one man kneeling over a sieve or bucket. Excavations at Nimrud uncovered more than half a dozen pairs of such sculptures, and many are now represented in the collections of the world’s museums, including the British Museum, the Louvre, and the Met. The pair featured in Clive’s sketch are identified as those that once flanked the doorway of the shrine of Ninurta, a Sumerian god of warfare and hunting. The space to the left of the left-hand statue is panelled with a pair of distinctive ‘Mosul marble’ reliefs depicting winged genii. The city of Nimrud was established by the Assyrian

king, Shalmaneser I, during the 13th century BC. It came to prominence during the 9th century BC when the capital was moved from Assur by Ashurnasirpal II. Although it lost its role as imperial capital to Nineveh some 200 years later, it remained an important royal and ceremonial centre until the collapse of the Assyrian empire. This view of the excavations was taken by Clive in 1850, during the second archaeological project undertaken by Austen Henry Layard in the ancient city, and coincided with the arrival of two other colossi at the British Museum, after a difficult 18-month journey from Nimrud. Condition: Trimmed to image and laid to original publisher’s sheet with manuscript title and border. Light water staining to bottom edge of sheet, not affecting image. [38922] £220

163. Julamerk, Country of the Hekkari Robert H. Clive Lithograph with hand colouring [London: Dickinson Bros, 1852] Image 255 x 358 mm, Sheet 315 x 415 mm unmounted The view depicts the fortress and small hilltop settlement of Julamerk, in the mountainous Hakkari, a historic region encompassing parts of modern day Van Province, Turkey and Dohuk province, Iraq. The fort of Julamerk is depicted high on a rocky outcrop in the middle of a valley in the Cilo-Sat, a sub-range of the Taurus mountains. A group of travellers with their horse rest in the shade of a sparse copse of trees, while another traveller with a rucksack and walking stick approaches them along the mountain track. Because of the difficult terrain, little was known

of the region until the 18th century, and the arrival of European travellers. Although nominally under the control of the Ottoman Empire, the region was in effect controlled by local Kurdish and Assyrian tribal groups. During the 19th century, the region saw a number of bloody conflicts as various Kurdish leaders fought against Assyrian, Ottoman, and other Kurdish groups in an attempt to gain control. Following a notorious massacre of Tiyari Assyrians by the Kurdish Emir, Bedr Khan Beg, in 1848, the Western powers exerted pressure on the Ottomans. The Kurdish Emirate was dissolved and the region came under official Ottoman control just 2 years before this sketch of Julamerk was made by Clive. Condition: Trimmed to image and laid to original publisher’s sheet with manuscript title and border. Light water staining to bottom edge of sheet, not affecting image. [38930] £200

164. Mesahid Houssein, Kerbala Robert H. Clive Lithograph with hand colouring [London: Dickinson Bros, 1852] Image 240 x 338 mm, Sheet 315 x 415 mm unmounted The view depicts the Masajid of Husayn ibn Ali, whose shrine in the city of Karbala, Iraq, is one of the oldest and most important sites of pilgrimage for the followers of Shia Islam. The view depicts the ‘alQibla’ gate of the central mosque and mausoleum of Husayn, with numerous worshippers moving about the open courtyards. Karbala was the site of a battle in AD 680, in which Husayn, grandson of the Prophet, and his followers, were killed by the numerically superior army led by

the Umayyad caliph, Yazid I. Husayn’s body was buried in a small tomb close to where he was martyred. The present day mosque is built directly over this early shrine, with the burial place located in the central ‘Rawda,’ a courtyard garden. Clive’s 1850 view shows the Masajid after improvements made by Fat’h ‘Alī Shāh Qājār, after the precinct was damaged by Wahhabi looters during the early 1800s. The most significant of these improvements included the re-plating of the central dome with gold and the addition of silver-plated screens to the central shrine and courtyard. Condition: Trimmed to image and laid to original publisher’s sheet with manuscript title and border. Light water staining to bottom edge of sheet, not affecting image. [38929] £200

165. Ruined Fortress of Hoschab, Kurdistan Robert H. Clive Lithograph with hand colouring [London: Dickinson Bros, 1852] Image 245 x 365 mm, Sheet 315 x 435 mm unmounted The view depicts the ruin of Hoşap Castle, near Van in modern day Turkey. The castle’s distinctive silhouette on top of a rocky outcrop dominates the view, with the village of Hoşap at its foot. A triple arched bridge crosses the Büyük Deresi river at centre. In the foreground, a family gather water from the river, one woman with carrying a large urn on her head. To the right of the scene, a large group of travellers walk along a road on the opposite bank of the river, approaching the village. The road is flanked by serrated walls. In the distance, the river continues its path through a valley in the Taurus mountains. Hoşap Castle, also known as Güzelsu Castle, was built in 1643 by the local governor, the Ottoman

Kurdish Sari Süleyman Bey, on the site of an earlier Armenian settlement. Although the castle features a number of defensive architectural elements, including redoubts, machicolations, crenellated turrets and walls, and rifle and arrow slits, it is unlikely that it was intended as a strategic military structure. However, following the expulsion of the last emir, the castle served as a barracks for an Ottoman military detachment, which was still resident at the time Clive took this view. Condition: Trimmed to image and laid to original publisher’s sheet with manuscript title and border. Light water staining to bottom and left edges of sheet, not affecting image. [38935] £200

Japanese Woodblock (nishiki-e)

166. [Birds in Autumn Field] Toyohara Chikanobu Woodblock (nishiki-e) with gauffrage 1897 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Yoshu Chikanobu. Series: Juni Hito-e: Twelve-layered Kimono alluded to Twelve Months [39144] £175

167. [Chinese Pheasants] Toyohara Chikanobu Woodblock (nishiki-e) with gauffrage 1897 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Yoshu Chikanobu. Series: Juni Hito-e: Twelve-layered Kimono alluded to Twelve Months [39152] £175

169. [Peony in Winter] Toyohara Chikanobu Woodblock (nishiki-e) with gauffrage 1897 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Yoshu Chikanobu. Series: Juni Hito-e: Twelve-layered Kimono alluded to Twelve Months [39151] £175

168. [February - Plum Garden] Toyohara Chikanobu Woodblock (nishiki-e)with gauffrage 1897 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Yoshu Chikanobu. Series: Juni Hito-e: Twelve-layered Kimono alluded to Twelve Months [39149] £175

170. [Playing Koto] Toyohara Chikanobu Woodblock (nishiki-e) with gauffrage 1897 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Yoshu Chikanobu. Series: Juni Hito-e: Twelve-layered Kimono alluded to Twelve Months [39146] £175

171. [Viewing Cherry Blossoms] Toyohara Chikanobu Woodblock (nishiki-e) with gauffrage 1897 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Yoshu Chikanobu. Series: Juni Hito-e: Twelve-layered Kimono alluded to Twelve Months [39143] £175

172. [Wisteria] Toyohara Chikanobu Woodblock (nishiki-e) with gauffrage 1897 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Yoshu Chikanobu. Series: Juni Hito-e: Twelve-layered Kimono alluded to Twelve Months [39148] £175

173. Carp and Mizukusa Nagamachi Chikuseki Woodblock (nishiki-e) c.1900 Shikishiban 240 x 245 mm mounted Signature: Chikuseki [39142] £220

174. Act IX Kudanme: Kanadehon Chûshingura: Storehouse of Loyal Retainers, a Primer Utagawa Sadahide (1807-1873) Woodblock (nishiki-e) c. 1850-60 Oban yokoye Horizontal ôban, 252 x 380 mm mounted Signature: Sadahide ga Publisher: Kawaguchiya Uhei (Fukusendô) Censor’s seal: kiwame [39156] £275

176. Honjô: Shirai Gonpachi Utagawa Kuniyoshi (1798-1861) Woodblock (nishiki-e) 5/1852 Oban tate-e single sheet [9.5 x 14 inches] mounted Series: Kisokaidô rokujûkyû tsugi no uchi: Sixtynine Stations of the Kisokaidô Road Signature: Ichiyûsai Kuniyoshi ga Publisher: Minatoya Kohei Blockcutter: Ôtaya Takichi (Hori Takichi) Censors’ seals: Hama, Magome, Rat 5 Blockcutter’s mark: Hori Takichi Artist’s seal: kiri Refrence: Robinson, Kuniyoshi: The Warrior-Prints (1982), S74.12 [39158] £380

175. Two Rabbits Nishimura Hodo Woodblock (nishiki-e) with gauffrage 1940 Oban tate-e single sheet [9.5 x 14 inches] mounted Seal: Artist’s seal (Hodo). Publisher: Takemura Hideo. A striking illustration of a white and brown rabbit set against a solid black background. The white rabbit’s hair is partially embossed. [39154] £250

177. Three Carp One Jumping for a Fly Ohara Koson Woodblock (nishiki-e) c. 1910 o-tanzaku 346 x 186 mm mounted Seal: Koson Publisher: Daikokuya Condition: Some light toning to sky [38434] £300

178. Funda Nyudo Yoshimasa Grappling with Sachujo Nitta Yoshitoshi Tsukioka (Taiso) (1839-1892) Woodblock (nishiki-e) 10/1886 Oban tate-e single sheet [9.5 x 14 inches] mounted Series: Yoshitoshi musha burui: Courageous Warriors Signature: Taiso Yoshitoshi ga Publisher: Kobayshi Tetsujirō [39157] £280

Maps

179. The Achievement of Our Soveraigne King James as he Nowe Beareth With the Armes of Severall kings that have aunciently raigned within his nowe Dominions. Jodocus Hondius Copper engraving Jodocus Hondius Flander cælavit Anno Domini 1614. (London: Sudbury & Humble, c.1614.) Image 374 x 235 mm, Sheet 380 x 241 mm unmounted The frontispiece to John Speed’s The Theatre of the Empire of Great Britaine. The central panel contains the Royal Arms, allegorical motifs and a dedication to James I. Surrounding this are twenty-four smaller shields which depict early English monarchs and historical realms. These include heraldry which denotes the Romans, Normans, Danes, Andegavians, as well as various branches of Saxony. Condition: Trimmed to image. Patched hole to lower right of sheet, effecting lower right quarter of shield along bottom, second in from right. Small tear to bottom right corner. [38887] £200

Africa

180. Africa: Commercial Development George Philip & Son Ltd. Chromolithograph Printed in Great Britain by George Philip and Son, Limited, London. 1950 Each sheet 355 x 298 mm Whole map 1096 x 895 mm unmounted A large folding map of 9 sheets laid to linen with loop holes for hanging from the Philip’s Series of Comparative Wall Atlases. Africa; Commercial Development outlines levels of productivity from highly developed to underdeveloped regions including agriculture and plantation, Mining industrial and commercial in the key on the left side and further information listing Exports and Imports on the map. Boundaries, waterways and railways shipping and air routes are also clearly shown. Scale approx 150 miles to 1 inch Condition: Slightly marked around the edges. [38742] £200

English text on verso describing the areas shown on the maps. Shirley, 368. [36737] £190

181. Africa From the Best Authorities Kitchin, Thomas Copper engraved with hand colour c. 1779 c. 1779 178 x 237 mm unmounted A decorative map by Thomas Kitchin of the whole of Africa. Condition: Vertical creases as issued [38652] £90 Asia & Middle East

182. The Turkish Empire van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 83 x 121 mm mounted Originally produced for Speed’s A Prospect of the Most Famous Parts of the World, printed by Miles Fletcher for William Humble, in 1646. The maps in the publication are generally referred to as ‘miniature Speed maps’, and were the last miniature maps created by van den Keere before his death.

183 Arabia Weller, Edward Lithograph with hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 305 x 425 mm unmounted From The Dispatch Atlas. A map of the Arabian peninsula, modern Saudi Arabia, and the adjoining regions of Egypt and Persia. Condition: Light time toning to margins of sheet. Minor foxing. [38809] £100

184. Asia Commercial Development George Philip & Son Ltd. Chromolithograph

Printed in Great Britain by George Philip and Son, Limited, London. 1951 Each sheet 290 x 370 mm Whole map 890 x 1120 mm unmounted A large folding map of 9 sheets laid to linen with loop holes for hanging from the Philip’s Series of Comparative Wall Atlases. Asia; Commercial Development outlines levels of productivity from highly developed to underdeveloped regions including horticulture and agriculture, Mining industrial and commercial in the key on the left side and further information listing Exports and Imports on the map. Boundaries, waterways and railways shipping and air routes are also clearly shown. Scale approx 200 miles to 1 inch Condition:Slightly marked around the edges and a crease on the bottom margin where it has been folded. [38741] £200

185. Tartaria van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 84 x 119 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36738] £120

186. Carte Particulière de la Chine Giraldon-Bovinet Steel engraved with original hand colour 1834, à Paris. 298 x 364 mm unmounted From the second edition of Vivien’s Atlas Universel Pour servir a l’Etude De La Geographie Et De L’Histoire Anciennes et Modernes Dresse. Condition: Small puncture holes along top edge from binding. Small tear to bottom edge of sheet, and another to the left. Some time toning to margins. [38362] £150

187. China van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 84 x 121 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368.

[36731] £350

188. The Canton River of Chu-Kïang from Maeao and Hong-kong to Pottinger Isld. The Canton River or Chu-Kïang from Pottinger Isld. to Canton. Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 310 x 430 mm From The Dispatch Atlas. Detailed map of the river including the island of Hong Kong. Condition: Vertical and horizontal creasing, and light staining to upper right section of sheet. [38530] £250

189.Map of the Country Between Pe-King & the Gulf of Pe-Chili Showing the Advance from the Taku Forts to Pe-King. Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Vertical and horizontal creasing, and light discolouration to sheet, [38531] £80

190. China and Japan Johnston, Keith Chromolithograph Engraved, Printed and Published by W. & A. K. Johnston, Edinburgh and London. 440 x 573 mm unmounted From Keith Johnston’s General Atlas. Large-scale map of China and Japan. Condition: Vertical centre fold as issued. Creases and light foxing to bottom corners. [38368] £150

191. Burmah, Siam, Anam &c. Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Light discolouration to sheet, and vertical creasing. [38526] £100

[38535] £85

192. The Empire of Japan With Part of the Continent of Asia Showing the River Amoor and the New Boundary Between the Russian & Chinese Territories Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted Condition: Creasing, and light discolouration to sheet.

193. Sorie et Diarbeck divisés en leurs Parties Sanson d’Abbeville, Nicolas Copper engraved map with hand colour 1683 184 x 257 mm unmounted A 17th century map showing Cyrpus, Syria, Lebanon, Palestine, Israel and Iraq. The cities of Jerusalem, Damascus, Baghdad, and Mosul are all clearly depicted. From Sanson’s Description de Tout l’Univers. [38653] £150

Australasia & Pacific

194. Carte des Royaumes de Siam de Tunquin Pegu, Ava Aracan &c. Van der Schley, Jan after Bellin, Jacques Nicolas Copper engraved with hand colour J.V.S. direx. [Amsterdam, c. 1760] 270 x 270 mm unmounted A map of South-East Asia, encompassing the former Kingdoms of Siam, Tonkin, Pegu, Ava, Malaca, Camboia, and Hainan, modern day Myanmar (Burma), Thailand, Laos, Vietnam, Cambodia, Malaysia, and parts of Indonesia and China. Regional boundaries are outlined in hand-colour, and mountain ranges and principal cities are picked out in brown and red respectively. In the bottom left corner, the title and scale in French miles is boxed in an elaborate baroque cartouche embellished with foliage. Originally engraved for Bellin’s Le Petit Atlas Maritime Recueil De Cartes et Plans Des Quatre Parties Du Monde, this edition was reprinted for the Dutch edition of Prévost d’Exil’s ‘l’Histoire Géneral des Voyages.’ Dutch subtitles have been added under the scale and the longitudinal note, and the map is titled below the border as ‘Kaart der Koningryken Siam, Tonkin, Pegu, Ava, Arakan, &ca. Om te dienen tot de Historische Beschryving der Reizen.’ Condition: Vertical and horizontal folds as issued. Small punctures to central vertical crease. [38909] £220

195. Vaste Land van Australië, of Nieuw-Holland. J. C. Zürcher after H. Frylink Steel engraved with hand colour Amsterdam, Hendrik Frijlink. [c. 1868] 373 x 472 mm unmounted Condition: Vertical centre fold as issued, slightly torn at top and bottom. Several small tears to edges of sheet, with some discolouration to sheet. [38365] £120

196. Australia Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 310 x 430 mm unmounted From The Dispatch Atlas. Condition: Light creasing, and some faint discolouration to sheet. [38554] £80

198. New South Wales Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Light creasing, and some faint discolouration to sheet. Small puncture hole close to centre of sheet. [38557] £70

197. Colony of Queensland (Australia) Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Light creasing, and some faint discolouration to sheet. Small puncture hole close to centre of sheet. [38556] £60

199. Victoria (Australia) Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 310 x 430 mm unmounted From The Dispatch Atlas. Condition: Creasing, and light discolouration to sheet. Tear to bottom margin, from edge of sheet to printed area. [38548] £60

200. Western Australia. South Australia. Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 310 x 430 mm unmounted From The Dispatch Atlas. Condition: Light creasing, and some faint discolouration to sheet. [38555] £70

201. New Zealand Lithograph with hand colour Edinburgh: Published by A. & C. Black 382 x 277 mm unmounted Map of New Zealand, with inset maps of Tasmania, and Australia. [38369] £120

202. New Zealand Middle & South Islands Dower, John Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. New Zealand Index Map inset across upper left section of map. Condition: Light creasing to sheet. Staining to edges of sheet, slightly encroaching into printed area. Small tears to edges of sheet. [38559] £90

North, Central & South America

203. New Zealand North Island New Ulster or Eaheinomauwe Dower, John Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Light creasing to sheet. Staining to edges of sheet, slightly encroaching into printed area. [38560] £90

204. Brasilia Blaeu, Johannes Copper engraved with hand colour Excudebat Johannes Blaeu [Amsterdam, c. 1662] 382 x 495 mm unmounted A large and early map of Brasil, oriented West. Territorial boundaries, encompassing modern day Argentina, Uruguay, Brazil, and French Guiana, are outlined in hand colour, as are the islands of a fictional lake in the largely undocumented interior, as well as those at the mouth of the Amazon river. Two simple radiate compassed with fleur-de-lis pointers for North, and cruciform pointers for East, appear on either side of the landmass. Three ships are also depicted to the North, South, and East. The title, as well as an elaborate Latin dedication to ‘that most noble man of arms and letters’ Christoph Arciszewski from Artischaw, is enclosed in a baroque oval cartouche surmounted by the Dutch Royal coat of arms. In the bottom right corner, a triple scale of Dutch, Spanish, and English-French miles is enclosed in a smaller baroque oval cartouche, below three cherubs armed with cartographical instruments. Goss (Blaeu) p. 1822 Condition: Central vertical fold as issued. Very light patches of discolouration to top left quarter of sheet. Light colour bleed to top of cartouche. [38912] £975

205. Map of Trinidad Chromolithograph Waterlow & Sons Limited, London, Dunstable & Watford [1927] 345 x 438 mm unmounted Inscription reads: ‘Survey Dept. 1923.’ A colour map of the island of Trinidad, divided by thick blue lines into the Counties of St George, St David, St Andrew, Garoni, Nariva, Victoria, Mayaro, and St Patrick. Each County is subdivided into its constituent Wards, the boundaries of which are marked in broken blue lines. Railways and steamer routes (including those to neighbouring Tobago) are marked in black, with main roads in brown, local roads in red and yellow, and forest reserves tinted green. The westernmost tip of the Venezuelan mainland is depicted in the upper left corner above the map’s key, and below the scale. Condition: Horizontal and vertical creases as issued. Lower half of left margin trimmed as issued. Upper left margin torn, some missing. Small tear and creasing to top right corner of map. Tear to left margin near key. Light foxing to crease-marks. [37240] £75

206. Cuba and Jamaica. Ettling, T. Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 310 x 430 mm unmounted From The Dispatch Atlas. Condition: Light creasing to sheet, and a few faint stains. [38552] £70

207. The Arctic Regions of North America Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 310 x 430 mm unmounted From The Dispatch Atlas. [38547] £60

Bellin, Jacques Nicholas Copper engraved map with original colour Paris, 1773 200 x 292 mm unmounted From Raynal’s Atlas Portatif and based on Herman Moll’s map of the same area, this map shows the area from northern Maryland to southern Maine. The colonies are shown confined east of the Allegheny Mountains, with the Nations Iroquoises, Indian villages and several French forts located west of the mountains. [32091] £250

208. British Columbia (New Caledonia). Vancouver Island. Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Foxing to upper part of sheet. [38544] £75

209. Carte de la Novoulle Angleterre

210. California Utah, Lr. California and New Mexico Ettling, T Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Vertical creasing, and small tear to bottom left corner. [38545] £100

211. North America Ettling, T. Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 633 x 432 mm unmounted From The Dispatch Atlas. Double page map of North America and Canada, with parts of Central and South America included. Russian America - now Alaska - is shown, as are Greenland and Iceland. Part of Asia is also visible. Originally printed and bound as two separate sheets, the sheets are now glued together to make one largescale map. Condition: Central horizontal join. Discolouration to sheet, particularly around central right of sheet. [38828] £100

212. Geological Map of the United States and British North America, Constructed from the most recent documents & unpublished materials Rogers, H.D. Chromolithograph and original hand colour William Blackwood & Sons Edinburgh & London, c. 1855 unmounted A wonderfully detail geological map from Keith Johnston’s Physical Atlas with a cross section of the Appalachian Mountains from Lake Onterio to Egg Harbour, New Jersey. Condition: Centrefold as issued. [38218] £450

213. Map of the Great Salt Lake and Adjacent Country in the Territory of Utah. The Great Salt Lake (Mormon) City and Surrounding Country (on an Enlarged Scale.) Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Creasing, and light discolouration to sheet. [38546] £100

214. Ocean Atlantique ou Mer du Nord. Mortier, Pierre Copper engraved with original hand colour c. 1700 470 x 605 mm unmounted A stunning sea chart of the Atlantic Ocean charting the west coast of Africa and the east coast of the United States, the Caribbean Islands, Central America and the northern tip of South America in full original wash colour. The major shipping routes are plotted with striking rhumb lines and a decorative compass rose highlighted in gold in the centre of the map. Full inscription below title reads: Ocean Atlantique ou Mer du Nord.Ou font Exactement observée le Route d’Europe aux Indes Occidentales et des Indes Occidentales en Europe. Dressé sur les Relations les plus Nouvelles A Amsterdam Chez Pierre Mortier Libraire. Avec Privilege de nos Seigneurs les Etats. [37857] £1,200

Europe

215. Bohemia van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 84 x 123 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36743] £130

216. The Kingdome of Denmarke Speed, John Copper engraved with hand colour Augmented by John Speede, & are to be sold in pops head Alley by G.Humble. 1631 390 x 509 mm unmounted A decorative map of Denmark from John Speed’s “A Prospect of the Most Famous Parts of the World”. Sailing ships and a compass rose feature in the Germaine Ocean. The map charts the southern part

of Scandinavia including the southern tip of Norway and Sweden. This is one of only three carte-a-figures map of Denmark. The top panel includes the portraits of King Christian IV and King Frederick III, the royal coat of arms and bird’s-eye views of notable places including Copenhagen, Elsinore, Landscroon, Ripe, Schleswig and Hamburg. The side borders illustrate different levels of Danish society with costumed figures. English text on the verso containing a description of the kingdom. Condition: Good strong impression with nice hand colouring. Pressed centre fold as issued. Printed tight to bottom of sheet. [37855] 218. The Roman Empire £950 van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 84 x 121 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36741] £160

217. A New Mappe of the Romane Empire Speed, John Copper engraved with hand colour newly described by John Speed and are to be sold by Tho:Baserr in Fleet Street & Ric:Chiswell in St.Pauls Churchyard. 1676 390 x 505 mm unmounted An excellent example of one of John Speed’s most decorative carte-a-figures maps from his “Prospect Of The Most Famous Parts Of The World”. The map centres on the Medeteranian Sea and the lands ruled by the Romans at the height of their empire. Engraved views of the cities of Rome, Venice, Geneva, Jerusalem, Constantinople and Alexandria feature across the top border with native costumed figures either side. English text on the verso containing a description of the Roman Empire. Condition: Good strong impression with nice hand colouring. Pressed centre fold as issued. [37856] £1,900

219. Environs of Paris Dower, John Lithograph London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London,1863. 608 x 845 mm unmounted From The Dispatch Atlas. Oval plan of Paris and surrounding areas. Originally printed and bound as four separate sheets, the sheets are now glued together to make one large-scale map. Condition: Central vertical and horizontal joins. [38850] £100

220. Gallia van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 87 x 124 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36733] £125

222. A New Mape of ye XVII Provinces of Low Germanie van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 85 x 123 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36730] £160

221. Germania van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 85 x 123 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36734] £160

223. Hungaria van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 87 x 123 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36735] £125

224. Iceland. Greenland Showing the Danish Settlements. The Färöer of Feroe Islands. Weller, Edward Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Discolouration to sheet, and a horizontal crease. [38503] £60 225. The Islands of Corsica and Sardinia. Dower, John Lithograph with original hand colour London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 430 x 310 mm unmounted From The Dispatch Atlas. Condition: Time toning to edges of sheet, with horizontal and vertical creases. [38513] £60

226. Venice (Venezia) Ettling, T Lithograph London: Published at the “Weekly Dispatch” Office, 139, Fleet Street, London, and Sold by All Booksellers and Newsagents. 1863. 310 x 430 mm unmounted From The Dispatch Atlas. Plan of Venice, with a detailed key noting the quarters, churches, chapels, ecclesiastical establishments, civil establishments, military establishments, barracks, and theatres. Condition: Foxing to sheet. [38516] £95

227. Carte du Plan de Venise, l’Etat de sa Noblesse, et ses differens degrez, avec quelques autres Remarques curieuses sur cette superbe ville Chatelain, Henri Abraham Copper engraved with hand colour [Avec Privilege de Nosseigneurs les Etats de Hollande et de Westfrize. Amsterdam, c. 1720] 390 x 465 mm unmounted A plate from Chatelain’s Atlas Historique featuring a large and attractive bird’s eye view of the city of Venice, and the islands on the Venetian Lake. The roofs of religious edifices have been coloured in blue to distinguish them from secular buildings in red. Numerous watercraft dot the lake and canal systems, including, at centre, the famous Bucentaur, the state barge of the Venetian Doge. Two boxed information panels at the top corners of the plate provide tallies of public buildings and facilities, churches, monuments, statues, clocks, inhabitants, gondolas, and many other features of the city. Beneath the map, eight boxed information panels give details of the various divisions by class of the Venetian populace, as well as some general remarks on the Nobility. Condition: Vertical centre fold as issued. Some time-toning and foxing to edges of sheet. [38915] £650

228. Italia van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 84 x 119 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36785] £170

230. Hispania van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 84 x 123 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36742] £150 British Isles

229. Polonia van den Keere, Pieter Copper engraved with hand colour [Roger Rea, London, c. 1665] 83 x 120 mm mounted English text on verso describing the areas shown on the maps. Shirley, 368. [36740] £160

231. Les Royaumes D’Angleterre D’Escosse et D’Ireland ave Partie de la France et des Pays Bas Chiquet, Jacques Copper engraved with hand colour Chez Chiquet à Paris, 1719 166 x 225 mm mounted [38357] £130

232. Veteris et Nova Britannia Cluver, Philip Copper engraved with hand colour c.1694 213 x 260 mm unmounted An attractive hand-coloured map of the British Isles, with text in Latin. The title, scale, and a small inset map of the Orkney Islands are enclosed in decorative ribbon cartouches, and the map is further embellished with a small roseate compass in the bottom left. Condition: Central vertical fold as issued. Minor foxing to margins not affecting map. [38906] £275

233. England and Wales Bacon, George Washington Chromolithograph Published by G. W. Bacon & Co, Ltd, 127 The Strand, London 1920 Each sheet 330 x 250 mm Whole map 1000 x 760 mm unmounted A large folding map of 9 sheets laid to linen with loop holes for hanging from Bacon’s New Series of Political Wall Atlases Part IV British Isles A bold feature map outlining railways lines and county towns. Condition:Slightly marked around the edges and a tear on the top left fold be careful when folding and unfolding. London County Council library stamp on the verso. [38743] £200

234. The Kingdome of England van den Keere, Pieter Copper engraved with hand colour c. 1627 84 x 120 mm mounted English text on verso. [37589] £150

English Counties

235. Devonshire with Excester Described and the Armes of Such Nobles as have borne the titles of them. Speed, John Copper engraved with modern hand colour 1627 378 x 509 mm unmounted A beautiful map of Devonshire with an inset plan of Exeter and crests of the nobility. Condition: Professionally repaired tear to the lower margin stopping just inside map border. [38215] £1,500

236. Hartfordshire Described. The Sittuations of Hartford, and the most an:cient towne S Albons with such memorable actions as have happened. [Hertfordshire] Speed, John Copper engraved with modern hand colour London, 1676

380 x 507 mm unmounted From the Bassett and Chiswell edition of John Speed’s The Theatre of the Empire of Great Britaine (1676). A highly detailed and decorative map of Hertfordshire featuring a town plan of Hertford and a vignette view of the remains of Verulamium. Condition: Vertical fold in centre of sheet as issued. [38217] £960

237. The Ichonography of the Cities of London and Westminster and the Borough of Southwark. Attributed to Bowen, Emmanuel Copper engraved Engraved for the General Magazine of Arts & Sciences for W.Owen at Temple Bar 1757. 203 x 408 mm mounted A detailed eighteenth century map of London with street and bridge names clearly marked. Condition: Vertical and horizontal folds as issued. Old repaired tear to left of sheet. [37850] £325

238. A Mapp of Oxfordshir with its Hundreds Blome, Richard and Thomas Taylor Copper engraved with old hand colour London, c. 1715 185 x 214 mm mounted From Thomas Taylor’s England exactly described. Taylor obtained Richard Blome’s plates and republished them. Condition: Vertical centre fold as issued, with small tear repair to fold at bottom of sheet. Some time toning to margins. [38390] £200

239. Design for Improving the Harbour of Bristol Faden, William Copper engraved Charring Cross 1803 450 x 1080 mm unmounted A finely engraved large scale plan of Bristol Harbour and it’s environs from Hotwells through central Bristol to Hanham Lock on the River Avon. The designs for the improvements were made by William Jessop, Civil Engineer and William White, Surveyor. Decorative engraved title, compass rose and scale of Chains. In the second half of the 18th century, the Avon’s notorious tidal rise and fall (the second greatest in the world) made the port unusable for much of the year and posed a serious threat to Bristol’s position as the country’s second port. Ships were increasing in size and the harbour’s steep mud banks at low tide meant that vessels leaned outward from the quays, risking serious damage. Something had to be done to keep them upright at all times. Various schemes were proposed and William Jessop’s plan for a Floating Harbour was accepted in 1802; it was completed in 1809, providing a tide-free enclosure for the city docks. The Bristol Dock Company was established to oversee the new harbour. (Bristol Records Office AC/PL/64) Condition: Printed on two sheets and joined, light vertical creases from being rolled. Repaired loss to top right of sheet and printed boarder. [37858] £400

240. A Map of Oxfordshire With the Roads Lea, Philip Copper engraved with hand colour Sold by Philip Lea at the Atlas & Hercules in Cheapside. London. [c. 1690] 366 x 482 mm framed A very scarce decorative map of the county of Oxfordshire, divided into Hundreds and with the roads marked. A boxed list provides the names of principle market towns and the Hundreds. Below is a large radiate compass with fleur-de-lis pointer. The title is boxed and topped with a simple four barred entablature, and a key in the bottom left corner is framed by a pair of cherubs carrying symbols of agricultural abundance. A pair of elaborate ribbons supported by more cherubs to the top left and right of the map show the arms of the colleges, as well as those of the University and King Alfred, the apocryphal founder of the University. This edition shows evidence of removal of another publication line left of the centre title, likely that of John Sellers (1632-1697) at the West Side of the Royal Exchange. During the 1680s, Sellers worked on a number of county maps for an Atlas Anglicanus, though after his publication of Leaâ&#x20AC;&#x2122;s revised Saxton in 1689, Sellers abandoned the Atlas Anglicanus and sold the plates to Lea, who reworked and reissued them. Condition: Framed in an antique gilt frame. Central vertical fold as issued. Two small oil-stains below compass. [38907] ÂŁ2,000

Sanders of Oxford

Antique Prints & Maps 104 High Street, Oxford. OX1 4BW info@sandersofoxford.com - 01865 242590 - www.sandersofoxford.com