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Beauty awakens Set your shades in motion at sunrise, sunset and anytime in-between—automatically. Hunter Douglas shades with PowerView® Motorization move to schedules you create. hunterdouglas.com © 2018 Hunter Douglas. All trademarks used herein are the property of their respective owners.
VISIT US AT THESE LOCATIONS: BEVERLY HILLS, CA 332 N. Beverly Drive 310.860.1486 PALO ALTO, CA Town & Country Village 650.326.8583 KANSAS CITY, MO Country Club Plaza 816.753.4144 BIRMINGHAM, MI 237 Pierce St. 248.649.7673 NORTHBROOK, IL Northbrook Court Mall 847.205.1010 CHICAGO, IL 900 N.Michigan Ave. 312.981.1776 JACKSON, WY 165 North Center 307.733.1038
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CONTENTS
38
EDITOR’S LETTER
RADAR
42
ON DISPLAY Offering specialized international furnishings and accessories, three platforms are changing sourcing overseas.
46
DESTINATION A Cape Town gallery featuring limited-edition African work goes global.
50
DEBUT Frank Ponterio’s first collection with Arteriors highlights his masterful attention to detail and family’s Italian heritage.
52
ROUNDTABLE Designers dish on their latest seasonal launches and collaborations.
MARKET
Above: The courtyard of the Nima Local House Hotel in Mexico boasts an exotic sensibility. Page 104 Top, right: Uovo Chandelier by Rony Piesl / propertyfurniture.com Page 76 Right: Alexander Chair by Ryan Korban / ejvictor.com Page 52
018 / LUXESOURCE.COM
66
MATERIAL Luxe looks at au courant colors and compositions in tile design.
76
TREND Products inspired by the refined interiors of three recently opened restaurants.
84
SPOTLIGHT Makers from Central and South America are producing today’s most-coveted pieces.
THE LOOK
96 104
KITCHEN + BATH Global locations influence all that is happening in kitchens and baths. THE REPORT Luxe explores the hippest design destinations on every aficionado’s list—no passport required.
NEW YORK NOMAD 102 MADISON AVE NEW YORK, NY 10016 NEW YORK UES TOWNHOUSE 34 EAST 61ST STREET NEW YORK, NY 10065 NYC@LIAIGRE.US MIAMI SHOWROOM 137 NE 40TH STREET MIAMI, FL 33137 MIA@LIAIGRE.US LIAIGRE.COM
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CONTENTS
112
GOLDEN HOUR Bold art, vibrant colors and whimsical style in a Hamptons guesthouse guarantee good times will be had by all. Written by Maile Pingel / Photography by Eric Piasecki
124
L.A. STORY A contemporary Beverly Hills home inspires an aesthetic 180, yielding layered, modern spaces. Written by Laura Mauk / Photography by Roger Davies
136
FREE REIN Colorado-based artist Maeve Eichelberger’s work marries memories of her family’s oldschool ranch with modern materials and uncommon techniques. Written by Kate Abney / Photography by C2 Photography
140
SOUTH BOUND A North Carolina designer helps a family of Brooklyn transplants feather a modern nest in a traditional Charlotte neighborhood. Written by Alison M. Blackwell / Photography by Brie Williams
ON THE COVER: Visitors to this Hamptons residence know they’re in for a good time when they’re greeted by a custom chandelier by Joseph McDonnell above a gold-leaf-and-stone Nicolas Aubagnac table from Maison Gerard. The design team of Ellie Cullman, Alyssa Urban and Katie Sutton added to the playfulness with a Jeppe Hein balloon sculpture and a trio of watercolors by Lesley Vance. Page 112 022 / luxesource.com
E L E VAT E T H E E V E R Y D AY
Featured tile: Ink Azulejo Artistico Argento Gold, Marta Gris, Siberian Pearl somerset
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Authenticity. AND ALLURE .
Amy Kehoe x The Heritage Collection
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- AMY KEHOE Interior Designer/Co-Founder Nickey Kehoe
N E W YO R K | C H I CAG O | LO S A N G E L E S Opening Winter 2018/19
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@luxemagazine Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 2163-9949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 23720220), Texas (ISSN 2163-9922), Vol. 17, No. 4, July/August, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, PO Box 16329, North Hollywood, CA 91615. Email: subscriptions@luxemagazine.com or telephone toll-free 800.723.6052 (continental US only, all others 818.487.2005). ®
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EDITOR’S LETTER
Casa Luis Barragán in Mexico City, shown right and below, inspired this issue’s Spotlight feature with its contemporary aesthetic and global influence.
NO PLACE LIKE HOME There is much to debate/discuss/enthuse about architecture and design. Yet, of this I am emphatic: Good design has to be firmly rooted to a place. There are buildings and aesthetics that we couldn’t imagine anywhere else but from where they sprout.
We lean into a host of cultural influences in this issue of Luxe, with design narratives as varied and interesting as the decorative details that are expressed at the hands of the makers. So, take a spin through our pages and ‘round-the-world reporting. Then, always, return home, for it’s the best way to measure how far you’ve come.
Pamela Jaccarino VP, Editor in Chief @pamelajaccarino
casa luis barragán photos, maria amador. portrait, sonya revell.
Take the graphic elegance and saturated hues of contemporary Mexican architect Luis Barragán’s residence-turned-museum in Mexico City. Would this poetic home be as wondrous in Miami, in Los Angeles? I recently visited, and think not. Barragán’s spatial strategy and brilliant play of light and shadow elicit a sense of reverence and respect appropriate to its root. His masterful residence and studio were the inspiration for our Spotlight story inside.
TIL E: Liaison by Kel ly Wearstler, Solano Large
SHOULDN’T ALL ROOMS BE LIVING?
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RADAR No need to travel far to find the freshest introductions of the season. Read on to discover the latest in home decor and design, stateside and abroad.
RADAR / ON DISPLAY
Variety SHOP THREE STANDOUT COMPANIES CURATE GLOBAL DESIGN FINDS. WRITTEN AND PRODUCED BY BRITTANY CHEVALIER MCINTYRE
I
nternational furnishings and accessories have long been synonymous with elevated living—each piece’s highly crafted form and place of origin adding a dynamic layer. And whether it makes a grand statement as a room’s centerpiece or plays a supporting role as an accent, these global finds stand out as bold characters. Luxe explores three companies offering wares by both emerging and established artisans from around the world that were previously only available to the trade. Let the hunt begin!
Cool Factor: Before the existence of its three shops and online presence, Urban Zen was founded more than 20 years ago by Donna Karan as a philanthropic endeavor and center for change. During a trip to Bali, where she sourced and manufactured her original furnishing pieces (and continues to do so), she felt a true connection to the people and their craft. Traveling around the world since and working with artisans globally, Karan’s intention is to give back in a larger sense through health care initiatives, education and cultural preservation to the places she sources from. What you’ll find: Representing more than 45 artisans
in 20 different countries, Karan’s two shops in New York (Manhattan and Sag Harbor) and one in Los Angeles offer not only furnishings, accessories and clothing designed by the fashion guru herself and made by the artisans from countries across the world, but they also function as multidisciplinary spaces for seminars, meditation classes, events and other happenings that help to promote the philanthropic arm of Karan’s initiative. Up Next: A big proponent for helping the citizens of Haiti, Karan just collaborated with Kenneth Cole on an upcoming footwear project set to launch in July. In her words: “Urban Zen is about forming communities who want to help create change that is needed in the world.”
photos: shop image, amanda demme. portrait, courtesty urban zen
URBAN ZEN
A one-of-a-kind African Senufo daybed (center) made of solid wood from the Cote d’Ivoire adorns the Urban Zen Manhattan showroom, along with a handcrafted basket (left) created by Colombian artisan Crucelina Chocho Opua and a large papier-mâché statue from Haiti.
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RADAR / ON DISPLAY
ADORNO Cool Factor: The brainchild of Martin Clausen and Kristian Snorre Andersen, Adorno is an online platform that empowers independent designers from 16 cities worldwide by featuring their unique or limited-edition pieces that have been carefully selected by local curators. Revamping the traditional collectible design market often dominated by physical galleries, Adorno works as a digital gallery with a simple and transparent price structure that benefits both the buyer and the designer by connecting them directly. What you’ll find: Inspired by the agriculture and fishing co-operatives in their native Denmark, where individuals prosper working as a unit, the Adorno platform enables autonomous collaborations between curators and designers from urban communities such as São Paulo, Istanbul, Amsterdam, Beirut and Berlin. Up Next: Believing design should be experienced in real life, the company is in its final stages of implementing 3D technology and high-quality imagery to create the “second” best way customers can inspect and try pieces in their home. In their words: “We hope to contribute to a creative society that celebrates diversity between cultures by providing designers with better opportunities to realize their own dreams and visions as creators.”
The Cocktail light by Hanna Anonen (left) and Not only hollow Cabinet by Dirk vander Kooij are both available through Adorno.
The Invisible Collection offers limited-edition pieces, like the Nomad Stools by Charles Zana, shown flanking the wall, and Chair Conversation by Vincent Darre (right).
Cool Factor: For the first time, exclusive pieces made by a number of the most esteemed names in the business, like Pierre Yovanovitch, Thierry Lemaire and Caroline Sarkozy, are available for purchase, and in most cases, exclusively on Isabelle Dubern-Mallevays and Anna Zaoui’s site, The Invisible Collection. Prior to the launch of the website in 2016, these pieces remained hidden and inaccessible, and one would have to commission these designers for a project to snag one of their sought-after pieces. What you’ll find: Initiated as an outlet to share the pair’s passion for design with a broader clientele, their highly-curated model offers access to furnishings and objets of the utmost quality all made to order by highly skilled creators and architects from around the world such as Bismut & Bismut, Charles Zana and Atelier Vime. Up Next: The details are still hush-hush, but the chic duo, who are based between Paris, London and New York, will bring The Invisible Collection to life in the Big Apple with a new exhibit this November for a second stateside visit since their premiere at Art Basel Miami in 2018. In their words: “It is very exciting to meet with a designer and discover their work, understand their approach, and then select the best pieces for the site. We always look at the work with a curatorial eye.”
PHOTOS: ADORNO PRODUCTS, COURTESY ADORNO. ADORNO PORTRAIT, IRINEU M. DA SILVA . INVISIBLE COLLECTION PRODUCTS, COURTESY INVISIBLE COLLECTION. INVISIBLE COLLECTION PORTRAIT, COURTSEY INVISIBLE COLLECTION.
THE INVISIBLE COLLECTION
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All Designs and Images ©1989 - 2019 Hubbardton Forge, LLC. All Rights Reserved. Hubbardton Forge is the registered trademark of Hubbardton Forge, LLC.
RADAR / DESTINATION
Out of AFRICA SOUTHERN GUILD BRINGS DESIGN BEYOND THE BORDERS OF THE WORLD’S SECOND LARGEST CONTINENT.
Southern Guild recently showcased a Dokter and Misses collection, which included this limitededition Rat Trap cabinet made of hand-painted steel.
When Zizipho Poswa was growing up in the small South African town of Umtata, there were no art schools or creative role models. As a child, she made paper sculptures, doll clothes and drawings, but even after leaving her home to study art at university, becoming an internationally renowned artist seemed to be an unreachable dream. But then, after forming Imiso Ceramics with Andile Dyalvane, she met Trevyn and Julian McGowan of Southern Guild, and her horizons expanded beyond Africa. The McGowans started Southern Guild, Africa’s only gallery dedicated to limited-edition and collectible design and art, in 2008 to support design created in Trevyn’s home country. “We returned to South Africa after living in London for several years, and we noticed the extraordinary work being produced without representation,” says Trevyn. “We felt we could provide the opportunity for more people to see and understand African design.” Through Southern Guild’s Cape Town gallery and international exhibitions, they have introduced the work of modern African artists (such as Poswa and Dyalvane) to collectors around the globe, and the response has been enthusiastic. “I’m exhibiting at top international shows like Salon Art + Design in New York and Design Miami,” says Poswa, who now resides in Cape Town. “I’ve sold my pieces around the world.” According to Trevyn, collectors—including a large and growing client base in the United States—are reacting to both the caliber and the soul of the work. “Fine art and design in Africa is very forward-thinking, but largely made by hand,” she says. “The hallmark of design from this continent are pieces with a strong narrative. Many of them tell very personal stories about the maker and his or her journey and most pieces possess a sense of wit and humor, but they are usually functional as well.”
PHOTO: HAYDEN PHIPPS, COURTESY SOUTHERN GUILD.
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Poswa’s work, which includes colorful vessels, is a case in point. “I reference my culture, growing up as young Xhosa girl in the rural Eastern Cape, and express my love for Africa as a continent,” she says. “I draw inspiration from our traditional masks, fabrics, textures, beadwork and clothing.” Some of her works translate the color and patterns of African textiles onto vases, bowls and plates. The art of sculptor Stanislaw Trzebinski, also represented by Southern Guild, is a personal commentary on the often-eroding relationship between people and nature. It’s a tale he knows well, as he currently lives in Cape Town but spent his childhood in the East African bush and on the ocean with his father, surfing and fishing. His bronze works (which range from figurative decorative arts to tables) often feature coral and other watery motifs, sometimes married to the human form. “I’m looking at the symbiotic relationship we humans have to the natural world that has been all but lost today, with the exceptions of a few indigenous cultures,” he says. “I want to entice the viewer to take a closer look at the work itself, but also at how we relate to the planet we call home.” Asking buyers to take a closer look at African design is precisely the goal of the McGowans, as well. “To look is to experience the warmth and the personality of Africa. There’s a sense of non-conformism and joy,” Trevyn says. And by looking, she says you might be creating the next Poswa or Trzebinski, explaining: “Our focus lies in emboldening industry heroes and shaping careers. We want to put future design leaders on a global platform and help them be all that they can.”
Clockwise from top: Trapeze Blue installation by Xavier Clarisse; a look at Southern Guild’s Cape Town gallery space; and UMTHWALO 3 by Zizipho Poswa.
PHOTOS: HAYDEN PHIPPS, COURTESY SOUTHERN GUILD.
RADAR / DESTINATION
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A minimalist language that redefines the norms of technology, craftsmanship, and style.
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RADAR / DEBUT
Tactile elements play a starring role in Frank Ponterio’s debut collection with Arteriors. The designer conjured ink-like etchings inspired by real-life tattoos on the Flint Containers (bottom) and used handwoven rope on the Johyo Chandelier and Vendee Mirror (left). “The materials are those that people want to interact with and touch,” he says. The Salotto Cabinet (below) is the crown jewel of the collection.
La Dolce VITA
FRANK PONTERIO’S DEBUT COLLECTION WITH ARTERIORS STRIKES A SWEET SPOT BETWEEN ROUGH AND RARIFIED. WRITTEN BY HEATHER CARNEY PORTRAIT BY BERT VANDERVEEN
As a first-generation Italian American, interior designer Frank Ponterio spent a month every summer with his family exploring the beaches and small towns of Southern Italy, often fitting in a trip to the major metropolises of Venice or Rome. It was on these visits when he observed the attention to detail and sense of pride the Italians took in fabricating everyday features like a chimney or a handmade door handle. “Everything is beautiful and well thought-out. It’s a true Italian’s approach—whether in an artwork or how pavers on the city streets are laid. There is pride in the craft,” says the designer. Some decades later, the essence of those qualities are on display in Ponterio’s debut collection with Arteriors: a 28-piece compendium of mirrors, lamps and accessories that honors his Italian heritage with a modern perspective. His white-oak Salotto Cabinet, the crown jewel of the collection, was inspired by a pair of bronze doors at the Villa Necchi in Milan. The cabinet beckons
with front panels wrapped in vellum and punched with decorative cut-outs offering a glimpse of what’s inside. “We gave so much attention to that piece,” says Ponterio. Still, the collection isn’t all romance and history. The designer drew on his grittier, more urban upbringing in Chicago for many of the pieces, including the Joey Tray, inspired by a childhood acquaintance, who was “a little rough around the edges,” says Ponterio. “I was playing with thickcut hide and how to join the corners. The idea of brass studs came to me, and I thought about adding another accent—brass knuckles—to it. I sent it to the Arteriors team and said, ‘You’re going to think I’m crazy, but here’s what I want to do.’ It’s an urban nod to Chicago.” Blending approachability with luxury is a hallmark of Ponterio’s work. It’s also one of the qualities that attracted Arteriors to collaborate with the designer. “Many pieces are rooted in Frank’s love of entertaining, and in his philosophy that the home should be a welcoming and inviting place,” says Mark Moussa, founder and creative director of Arteriors. “At the same time, he is unwavering in his appreciation for materials of the finest quality.” For a designer who finds comfort in a moody cocktail lounge and a breezy, beachside locale, it’s apparent his collection reflects both sentiments. “There are two sides of me—the really urban guy and the guy who loves the coasts. It goes back to Italy,” says Ponterio. “I like mixing things that are rugged with those that are a bit more refined.”
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RADAR / ROUNDTABLE
ALEXA HAMPTON Interviewed by Carrier and Company
You’ve expressed, “It’s been a no-boundaries design process with Theodore Alexander.” What’s been your favorite exploration? I loved visiting Theodore Alexander’s foundry and seeing all of their metalwork capabilities. Sometimes simply picking hardware can be a drag, but this wasn’t. They can do anything! You mentioned taking ideas from art, antiques and travel. I am an eternal “Euro wannabe.” I so wish I were European, that I married one and made three little Euros! That said, rich design traditions are everywhere, and the Far East has always held a vast influence over beautiful interiors. A touch of chinoiserie, a chow leg, red lacquer, bamboo motifs: These are all firm members of the design canon. Any Alexa fave that you are going to use over and over in projects? I am excited to play with the metal console tables immediately. I am also really psyched to have a Napoleon III slipper chair at the ready. That’s the best part of having a collection: You can selfishly make what your heart most wants!
CARRIER AND COMPANY
Interviewed by Richard Mishaan First off, the Century Collection is stunning. How do you find a balance between creative, new designs, without straying too far from the roots of your brand? Thank you, Richard! We wanted our collection to be reflective of our assembled interiors, which express dualities—a mix of simple with ornate, sheen with hand and glamour with organic earthiness. For us, having standout pieces, along with simpler forms is very much on brand. How do you divide up your roles as husband and wife once you’re ‘at work’ and how do you successfully partner your visions? While we generally share an aligned point of view, we each have our own strengths, interests and inspirations. It is our differences that actually make us stronger—we challenge each other’s choices, but ultimately focus on the shared goals to temper ego with perspective. What do people overlook when designing that can be found in your collection? Versatility. We designed pieces that can move from room-to-room or coast-to-coast. Good design travels well!
Clockwise from top: Eve Mirror by Carrier and Company / $3,597 / centuryfurniture.com; Hunt Etagere by Alexa Hampton / $4,860 / theodorealexander.com; Alexander Chair by Ryan Korban / from $8,075 / ejvictor.com; Atticus Side Table by Richard Mishaan / $1,080 / theodorealexander.com
PRODUCED BY BRITTANY CHEVALIER MCINTYRE
RYAN KORBAN
Interviewed by Alexa Hampton Tell me about the process for your new EJ Victor collection. Are you a cocktail napkin conceptualist? Where do the ideas start? Mine start in a bottle of tequila! For me it was daunting, but then I realized I was making it more complicated than it needed to be. I started in retail and commercial space design, so I’ve been designing custom fixtures and furnishings for my entire career. I went back to all my favorite pieces I had designed for brands like Balenciaga but changed the comfort and proportions for people to enjoy in their own homes. How do you describe your collection as a whole and what influenced you? It’s simple: It’s the idea of new luxury; luxury for a new generation. It’s inspired by the French 1920s with the use of interesting materials like suede and plaster. It’s meant to feel elevated but can also be used in a casual way. What pieces are you taking home with you? Oh, good question: a pair of Holland side chairs and a Foch Chandelier!
RICHARD MISHAAN
Interviewed by Ryan Korban Do your Colombian roots play a role in your new collection with Theodore Alexander? The fact that Colombia has produced so many creatives means that there is something inspiring us all. Colombia has rich artisans and sophisticated crafts that are both in such demand at the moment. As they say, you can take little Ricky out of Colombia, but you can’t take Colombia out of little Ricky! What were your go-to materials? I love to see texture and grain in the woods we select. I find that there are so many beautiful patterns that if accentuated can add to the richness of the design. I am lucky that Theodore Alexander’s manufacturing allowed me to work with fine wood finishes, metals and hand-painted panels—the sky was the limit. Who do you see living with your new collection? The Theodore Alexander client is already a sophisticated one. I designed this collection to have versatility, to coexist with furniture the client may already own and to translate well everywhere around the globe. Younger clients may not have some of the more classical pieces, so it’s fun to mix them in with contemporary furniture.
PHOTOS: ALEXA HAMPTON PORTRAIT, VICTORIA STEVENS. RYAN KORBAN PORTRAIT, HUGH LIPPE. RICHARD MISHAAN PORTRAIT, ROGER DAVIES. CARRIER AND COMPANY PORTRAIT, SANG AN.
Chat ROOM
DESIGNERS GRAB THE MIC FOR PEER-TO-PEER INTERVIEWS ABOUT THEIR LATEST DEBUTS.
STUDIO MODERNE STONE
BY MICHAEL BERMAN
W W W.W A L K E R Z A N G E R . C O M
Product shown: Petite Claremont (shower), Claremont Dimensional (wall), Fragments Terrazzo Bardiglio Plumbeo (floor)
m argecarson.com
©2019 The Container Store Inc. 43486
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PROMOTION
DESIGN WITHIN REACH DWR makes modern design accessible. This season, it partnered with Danish designer Chris Halstrøm on the Sommer Adjustable Chaise, which captures the feel of summer. Priced at $1,895. Visit the studio or call 800.944.2233.
WETSTYLE Frame Linea is inspired by traditional Japanese architectural elements, combining elegance with function. Handcrafted in Montreal, Canada, the collection includes wall-mount vanities, mirrored and linen cabinets—all offered in several finishes. wetstyle.com
DISCOVERIES LUXURIOUS FINISHES, CLEAN LINES AND NEUTRAL TONES—HERE LIES THE EPITOME OF MODERN, ELEGANT DESIGN.
ROCKY MOUNTAIN HARDWARE Rocky Mountain Hardware is thrilled to collaborate with Roger Thomas, EVP of design for Wynn Design & Development, for two new door and cabinetry collections: Zeppelin and Barre. All hand-cast bronze, available in 12 finishes. rockymountainhardware.com
dwr.com
WESTERN WINDOW SYSTEMS Western Window Systems’ new energy-smart, moving glass walls and windows are designed with thin profiles and large expanses of glass—making them a favorite of contemporary architects. Complete customization is available. westernwindowsystems.com
Luxury furnishings. Every style. All online.
P E R I G O L D.C O M
PROMOTION
LACANTINA DOORS
GEBERIT
LaCantina’s combination doorand-window system completely transforms a kitchen’s space into the ultimate entertainment area. LaCantina’s innovative design creates a seamless transition for any indoor-outdoor living environment.
Geberit in-wall systems for wall-hung bathroom fixtures offer unsurpassed quality, comfort, convenience and hygiene. Geberit systems conceal unsightly plumbing hardware inside the wall, giving any bathroom a luxurious look.
lacantinadoors.com
DISCOVERIES BE SURROUNDED BY INSPIRING MATERIALS AND INNOVATIVE DESIGNS, INDOORS AND OUT.
STICKLEY Defined by a sculptural armrest and curved spindles, the Stickley Park Slope Accent Chair makes a statement in any style or setting. Stickley’s all-American craftsmanship brings out the natural beauty of wood. stickley.com
geberit.us
FLEXFORM SPA The X design of the Peter Outdoor Armchair lends an air of refined, understated elegance. The seat and backrest are created with a sturdy woven material offered in a color palette of earth tones. Priced at $5,099. flexform.it
Counter and Wall: Borgogna Silver. Floor: Grassi White
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PROMOTION
J. TRIBBLE J. Tribble’s long history of selling beautiful, custom pieces now extends to repurposing antique treasures for modern homes. All ready to be transformed into one-of-a-kind sink bases. jtribble.com
SUN VALLEY BRONZE EBANISTA Ebanista’s stylish Saville Cabinet makes its own statement with its bold profile, graceful details, and handpainted parchment and 12-karat gold finish.
DISCOVERIES
The Saddle Set from Sun Valley Bronze was designed in collaboration with Shawback Design and Field Architecture. Set flush with the face of the door, it is shown here in burnished white bronze.
ANTIQUE OR SLEEK? THE ANSWER IS YES.
sunvalleybronze.com
ebanista.com
THE CONTAINER STORE Introducing the evolution of the custom closet. Available only at The Container Store, Avera’s innovative design looks and functions like a custom built-in closet, for less than ever thought possible. containerstore.com/avera
BRIGHT
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MARKET Take inspiration from a worldly array of items including designs from Central and South America, products shaped by restaurant interiors and the latest in tile. PRODUCED BY KATHRYN GIVEN
MARKET / MATERIAL
Worldly WONDERS FOUR DISTINCT TILE TABLEAUS DRAW INSPIRATION FROM TRAVELS NEAR AND FAR. WRITTEN AND PRODUCED BY KATHRYN GIVEN PHOTOGRAPHY BY WILL AND SUSAN BRINSON
MIDAS TOUCH Clockwise from top right: Siam Metallic / artistictile.com. Excalibur Armor in Gilded / akdo.com. Hex Inlay in Milk and Brass / pophamdesign.com. Oro / tdavlin.com. Diamond Mosaic Collection in Citrine / sicis.com. Biarritz in Olivo Satin and Rustic Gold / studiumnyc.com. Gold Antique Mirror Bevel Subway Tile / tileshop.com. L’est 1 in Gold / tabarkastudio.com. Belen in Polished Calacatta and Brushed Brass / Bright Young Things / newravenna.com. Shimmer Collection Brass Sequin by Erica Tanov / cletile.com.
MARKET / MATERIAL
TROPIC THUNDER Clockwise from top right: Botanicals in Tahiti / walkerzanger.com. Handmade Ceramic Tile in Basil / fireclaytile.com. Verde Verticale Tropical Tile by Francesco De Maio / artemest.com. Banana Leaf in Vert and Cotton / annsacks.com. Classic Field Tile in Pisces Green / heathceramics.com. Fez in Forest / exquisitesurfaces.com. Botanical Series 0203 / douglaswatsonstudio.uk. Solid Colored Square Tile in Sage / Echo Collection / granadatile.com.
DESIGNER: BARBARA BARRY foR VISuAl ComfoRt
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MARKET / MATERIAL
MODERN BLUES Clockwise from top right: Delft / Sea Glass / newravenna.com. Large Rectangular Tiles by Tyler Hays / bddw.com. Backpacking and Lucky Charm by Story Tiles / sweetbellausa.com. Architectonics in Teardrop / waterworks.com. Series S Olandese / balineum.co.uk. Reclaimed Delft Tile / chateaudomingue.com. Small Rectangular Tiles and Blue and White Oval Tiles by Tyler Hays / bddw.com. Delft Full Landscape 1 and Delft Blue & Manganese Flowers 1 / douglaswatsonstudio.uk. Happily Ever After for Girls by Story Tiles / Old Dutch / sweetbellausa.com.
MARKET / MATERIAL
ROMAN REDUX Clockwise from top right: Crackle Collection in Mahogany by Kohler WasteLAB / annsacks.com. Aurelia in Rosso / bisazza.it. Salvaged Italian Tile / ilbucovita.com. Breccia Vino / artistictile.com. Delizie by Cristina Celestino / fornacebrioni.it. Gateway marble tiles in Green and Yellow / lithosmosaicoitalia.it. Swirls Charon and Hanley Tube-Line Tiles / balineum.co.uk.
SOLID BRASS COLLECTION www.ashleynorton.com | (800) 393 1097
SPECIAL ADVERTISING SECTION
NATIONAL LOOKBOOK
MARK OF THE MAKER
PAUL FERRANTE paulferrante.com |
paulferranteinc
The production methods of custom lighting company Paul Ferrante are the opposite of cutting-edge, which, contrary to popular thinking, is a good thing. “The handmade, handcrafted and hand-finished products are what set Paul Ferrante apart. The company continues to use time-honored methods,” owner Tommy Raynor says. Spanning three generations and nearly 60 years, the family-owned and -operated business has decades of experience and expertise to draw from. Since business partner and founder Paul Ferrante’s passing 25 years ago, Raynor, along with over 60 employees, has taken the reins with a hands-on approach from manufacturing to product selection. Everything begins with the design, and the designs are born from a deep understanding and appreciation of what has come before. The knowledge of scale and proportion and the ability to get it right in the translation is Paul Ferrante’s signature. Additionally, the company distinguishes itself by its custom capabilities and being able to work with ideas and make them a reality.
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“ Paul Ferrante is known for products with the highest level of design, manufacture and finish.”
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The Finishing Touch
Keeping It Interesting
Paul Ferrante recently introduced an exclusive finish innovation, years in the making. This beautiful Faux Bronze lacquer finish is the result of a labor-intensive, multilayered process that provides a convincingly realistic bronze finish on our iron pieces at a fraction of the cost of working in bronze.
Unlike most other high-end lighting and furniture manufacturers, Paul Ferrante introduces new products almost monthly, and has over 1,000 handmade examples of custom lighting and furniture in the product line.
1. The interior of the Melrose Place showroom. 2. The flagship location on Melrose Place. 3. Raynor (right) at the factory in Los Angeles.
www.PaulFerrante.com
MARKET / TREND
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DELECTABLE DESIGN INTERNATIONAL EATERIES WITH GRAND INTERIORS INSPIRE OUR LATEST CURATION OF SUMMER DELIGHTS. WRITTEN BY ELIZABETH HUEBSCH
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NOUVEAU ATTITUDE BEEFBAR, PARIS
The architectural duo at Humbert & Poyet brought new life to a hidden gem in Paris’s 8th arrondissement, dreaming up a sophisticated ambience for the brasserie, Beefbar (shown). Shuttered during World War II, the notable building was later rediscovered and awarded a historic monument status in 1985. Art Nouveau meets Art Deco in this fanciful French restaurant that is truly très chic!
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2 1. Scipione Dessert/Salad Plate by Coralla Maiuri / $195 / tableartonline.com 2. Gold and Peach Lidded Jar / $448 / bradburnhome.com 3. Custom Wrought Iron Fire Screen / $1,195 / cabanahome.com
5. Euclid by Alison Rose in Verde Aurora, Cipollino, Breccia Capraia, and Nero Marbles / Price upon request / artistictile.com
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6. Caned Cuff / $18,500 / verdura.com
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7. Uovo Chandelier by Rony Piesl / from $28,840 / propertyfurniture.com
BEEFBAR PHOTO: © FRANCIS AMIAND.
4. Baxter Chair in Forest Green / $568 / highfashionhome.com
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ROVERE BAIO
CUT YOUR WORRIES
MARKET / TREND
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HOLDING COURT THE CONSERVATORY, MANCHESTER, ENGLAND
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1. Acrylic Luna Crossbody in Butterscotch / $328 / cultgaia.com 2. Oval Neck Vase with Brass Stand / $138 / shopterrain.com
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3. Bollo Armchair by Andreas Engesvik / $3,095 / fogia.se 4. Karman Dresser / $1,370 / luluandgeorgia.com 5. Rattan Wrapped Thermos / $150 for small / amandalindroth.com 6. Loro Piana Unito Cashmere Throw / $2,000 / barneys.com 7. Leaf Earrings / Price upon request / bibivandervelden.com
THE CONSERVATORY PHOTO: NICHOLAS WORLEY, COURTESY GRZYWINSKI
+ PONS.
A feeling of nostalgia overcame Matthew Grzywinski and Amador Pons upon first visiting this former textile warehouse and showroom they later transformed into the Whitworth Locke Hotel in England. Having worked on 19th-century masonry buildings in their native New York, the space’s quality of light, Victorian bones, materials and textures were familiar to the architects. Welcoming spaces, like The Conservatory bar (shown), pay tribute to the local neighborhood vibes and original architecture.
SFERRA® is a registered trademark of SFERRA Fine Linens LLC. © 2019 SFERRA Fine Linens, LLC. All rights reserved.
INTRODUCING THE SONNO NOTTE MATTRESS COLLECTION.
ITALIAN-MADE LUXURIES. SINCE 1891.
SFERRA.COM
MARKET / TREND
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EAST MEETS WEST JOHN ANTHONY, HONG KONG
History was on Linehouse's side when the restaurateurs at Maximal Concepts tapped the studio to design their latest Hong Kong dining experience. Named after John Anthony, the first Chinese man to become a British citizen, this contemporary dim sum spot pays homage to the historical relationship between the United Kingdom and Hong Kong. Touches of eastern and western design mingle in this colorful canteen.
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1. Lou Lou Wall with Chiado by Tilton Fenwick for Duralee Shade / $1,521 / urbanelectric.com 2. Izi Loop Tieback in 9400 / Price upon request / houles.com 3. Bleu Fonce / Price upon request / porterteleo.com
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4. Cluster Round Mirror / from $1,145 / duistt.com 5. Multiqueen / $2,195 / us.christianlouboutin.com 6. Sebastian Herkner Bell Coffee Table / $4,210 / us.avenue-road.com 7. Etienne Sofa / $5,265 / highlandhousefurniture.com
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8. Brujo Half Orbit Earrings / $620 / monicasordo.com
JOHN ANTHONY PHOTO: JONATHAN LEIJONHUFVUD, COURTESY LINEHOUSE AND JOHN ANTHONY.
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Dornbracht LifeSpa Rainmoon
lifespa.dornbracht.com/rainmoon
Credit: VanderVeen Photographers
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BACK TO BASICS
High Point Market Style Spotters share the latest trends in home fashion Canvassing the world’s largest home fashion and design show, a remarkable group of design leaders uncovered key global trends and innovative products sure to define style in the home in the coming months. With diverse, exciting and unique curations, our Style Spotters provide the inside track on the shapes, colors and textures soon to capture the hearts of home enthusiasts around the world. High Point Market is open to the trade only. Join us for Fall Market, October 19-23, 2019. Registration will open mid-July; register online at highpointmarket.org
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Courtney McLeod
Right Meets Left Interior Design New York, NY
SCENE-STEALING BASES
“Dramatic and style-defining bases stole the show this High Point Market as showcased here with the perfectly proportioned, rounded shape of the Mr. Brown London Misty Dining table. But tables weren’t the only pieces featuring this trend, as shown here with the Aria Chair from the debut collection of Rawan Isaac.”
Mr. Brown London, Misty Dining Table Rawan Isaac, Aria Chair
Universal Furniture, Magon Bed
Laura Thurman
Thurman Design Studio Nashville, TN
NATURAL CONSIDERATIONS “The most prominent trend I saw at High Point Market was the interpretation of nature, not only in color (green), but also in product construction and application. Amidst all the efficiency that technology provides, now more than ever, there’s a deep need for humans to reconnect to nature.” Selamat, Poppy Armoire
Benjamin Johnston
Benjamin Johnston Design Houston, TX
POSTMODERN PLEASURE
“Strong geometric forms reminiscent of the Postmodern movements of the ‘70s and ‘80s are back in a major way— and more glamorous than ever! Carrier and Company for Century Furniture, Bradley Furniture and Ryan Korban for EJ Victor all explored perfect squares, circles and racetrack forms to channel these Memphis-style vibes with mixed metals and wood tones. Sleek and sexy for sure!”
Bradley, Annette Bedside Table
EJ Victor, Alexander Chair
MARKET / SPOTLIGHT
Modern MOVEMENT INFLUENCED BY CENTRAL AND SOUTH AMERICA, FURNISHINGS CAPTURE THE LIMELIGHT IN A LUIS BARRAGÁN-INSPIRED MISE-EN-SCÈNE. WRITTEN BY ELIZABETH HUEBSCH PRODUCED BY KATHRYN GIVEN PHOTOGRAPHY BY WILL AND SUSAN BRINSON
POSTURA PERFECTO Taking cues from Pierre Jeanneret’s Chandigarh chair, the Mexican-made Rhône Chair’s curved shape blends comfort and style. The double-caned seat and back add a traditional lean to its modernist and angular form, fitting with the Alfonso Marina aesthetic of casual elegance. alfonsomarina.com
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S A N F R A NC I SC O
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SPHERE OF INFLUENCE Argentinian industrial designer Cristiรกn Mohaded believes in the simplicity of geometry and materials to bring furnishings to life. His Ombrelle pedestal tables offer a dynamic and purposeful perspective on modern-day living. rochebobois.com
Silicon Bronze High Polished
HANDCAST BRONZE HARDWARE | 12 FINISHES |
rockymountainhardware.com
MARKET / SPOTLIGHT
RED HOT Partners Andrew Fisher and Jeffry Weisman purchased an 18th-century home in San Miguel de Allende, Mexico, and were so inspired by the vibrant culture and craftsmanship of the country that they decided to plant their business roots there as well. Influenced by a classical Chinese motif, Fisher carved the hand-cast architectural bronze base of the Cloud Box Tea Table in his highly expressive style. fisherweisman.com
MARKET / SPOTLIGHT
STEELY EYED Sleek, clean lines are taken to the next level in Rodrigo Ohtake’s Pouso Lounge Chair. The Brazilian designer’s supremely minimalist aesthetic drove him to create a chair that would touch the ground at the tiniest of points. Frankly, it’s cutting edge. espasso.com
Š2019 Snaidero USA
E03 | New Elegante Collection | Made in Italy Find an exclusive showroom near you, or dealership opportunities 1.877.762.4337 | Distributed by snaidero-usa.com
MARKET / SPOTLIGHT
STROKES OF GENIUS Born and raised in Caracรกs, Venezuela, Reinaldo Sanguino produces oneof-a-kind, vibrantly painted ceramic works in his adopted home of New York City. His eye-catching, petite pieces blur the line between furniture and art. thefutureperfect.com Styling Credits: Fabric, courtesy Fabricut. Flooring, courtesy Duchateau. Wallpaper, courtesy York Wallcoverings.
INTRODUCING
A capsule collection of hardware that redeямБnes modern luxury
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THE LOOK Luxe investigates the hottest international locales, rife with design and artisan inspiration, to satisfy your wanderlust cravings.
THE LOOK / KITCHEN + BATH
Vipp worked with the homeowners of this South African contemporary farmhouse to create a sleek, minimalist modular kitchen space that allows the dramatic savanna landscape to be part of the living experience.
UNIVERSAL APPEAL GLOBAL SPACES OFFER A WORLDLY CONTEXT FOR ALL THAT IS AU COURANT IN KITCHEN AND BATH. WRITTEN AND PRODUCED BY KATHRYN GIVEN
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photo: anders hviid, courtesy vipp.
KITCHEN + BATH
CHICAGO
COSTA MESA
DALLAS
LOS ANGELES Brownjordan.com
MIAMI
SAN FRANCISCO
SCOTTSDALE
THE LOOK / KITCHEN + BATH
MOD MOMENT
HIGH-END DESIGNS PUSH THE ENVELOPE WHEN IT COMES TO MODULAR KITCHEN STYLES. Modular kitchens aren’t a new concept. They were first introduced in Europe as an efficient, low-cost alternative for homes being built in a post-World War I era but have reemerged quite differently today. While these early spaces were mostly standardized or fitted, today, modular kitchens, which are made up of specific modules or components that work together, have evolved to be stylish, practical and a welcome option in a world of too many choices. Several contemporary kitchen companies offer modular plans that have a set style or aesthetic 098 / luxesource.com
but can also be customized to create a design that is very much original. Piero Lissoni, the art director for Boffi, agrees the future of the kitchen is modular, and that these spaces should include “simple elements, where areas of work and life come together.” For the latest Combine series, Lissoni dreamed up a selection of functional monoblocs in varying sizes that can be used with worktops and extractable tables to fabricate a kitchen that is still personalized for its user. Vipp, a Danish family-run kitchen company that recently opened its first U.S. outpost, understands that design is a very personal endeavor. The firm's hope is that once a modular kitchen is installed, it can act as furniture that can be packed up and brought from home to home or passed on through generations, an idea they coined as the ‘heirloom kitchen.’ While Vipp offers four sleek module units including two islands, a wall component and a taller storage piece, it sticks to one color when it comes to finishes: black. “We found that endless colors and configurations feel
unnecessarily overwhelming,” says Sofie Egelund, Vipp’s concept director whose great-grandfather founded the brand in 1939. The Vipp ethos of less is more allows for the kitchen to work harmoniously with the rest of the home’s high design. Modular offerings are also a hit with interior designers. Paris-based Sarah Lavoine says, “The kitchen is very technical and relying on a company whose expertise is focused on this area allows me to be more creative in other rooms.” With so many sophisticated materials and configurations, Lavoine is surprised by how custom these modular kitchens can be but without the time-consuming installation and planning that usually follows. New York designer Alberto Villalobos understands there is no need to sacrifice style or aesthetics with the number of luxury options out there. “I utilize every tool available to me and modular kitchens have proven they are the practical and polished choice in many circumstances,” he says.
photo: anders hviid, courtesy vipp.
In this South African abode, a whitewashed backdrop sets off Vipp’s black powdercoated steel wall modules and kitchen island. A dramatic lighting installation by VIBIA hangs from the ceiling. vipp.com
THE LOOK / KITCHEN + BATH
English LESSON TURKISH Delights
Australian design duo Tim and Sylvia Hill know a thing or two about beach days, so they decided to create the ideal accessory for long, summer days at the sea with the Dreamtime towel. Inspired by the incredibly soft Turkish peshtemal, the towel’s high-quality cotton is sourced from Turkey's southern region of Buldan and will only get better with each wash. It’s lightweight, absorbent and transitions easily from the beach to home use. maydestore.com
PHOTOS: COURTESY WILLIAM HOLLAND, MAYDE STORE, SNAIDERO USA, FAME LUXURY STONE.
Handmade by master craftsmen in the idyllic English countryside town of Dorset, each William Holland bathtub uses pure, sustainably sourced copper and takes around 120 hours to complete. The Verdigris Bateau design gets its vibrant hue and patinaed character through natural environmental oxidation. It’s shown here with Modulate Wallpaper from the Anthology 05 Collection by The Style Library. williamholland.com
ITALIAN Influence
Snaidero USA has been bringing made-in-Italy modern kitchens to America for years, and while styles come and go, the tenants of Italian craftsmanship and complete customization remain true. Elegante is the latest kitchen from Snaidero USA and is shown here in Rosewood, a favorite finish of the midcentury modern aesthetic that works seamlessly in a contemporary setting. Four other wooden cabinetry finishes are also available. snaiderousa.com
SOUTHERN ACCENT
Fame Cohen travels the globe in search of the highest quality stone for her slab and tile business, Fame Luxury Stone, and when it comes to color and veining, South American quarries are producing some of the most interesting specimens. fameluxurystone.com 100 / LUXESOURCE.COM
AMAZONITE Tiffany-blue quartzite
IRON RED Distinct blood red color with gunmetal veining
CRYSTAL AZUL CALCITE A translucent precious stone
HERMES QUARTZITE A new quartzite color on the market
lexington.com
THE LOOK / KITCHEN + BATH
photo: courtesy boundary space.
A custom Jee-O bathtub sits atop a cool gray Carrara marble floor that extends up the wall. The bespoke side tables are from Phillips & Wood.
GOING GREEN 102 / luxesource.com
For Thomas Furse-Roberts and Graeme Martinow, the directors of architecture and interior design firm Boundary Space, their design ethos for this London master bathroom was be bold or go home. Drawing inspiration from fashion, history and pop culture, Furse-Roberts says, “We were influenced by the ’70s because it has this glamorous connotation but was also a very futuristic time period, so we wanted to channel Blondie and Pan Am here.” The homeowner is in the film industry and the designers were charged with creating a room that not only represents their client’s personality but also the surrounding Notting Hill area, which is known for a strong sense of color and creativity. Mission accomplished. boundaryspace.com
GEBERIT WALL-HUNG TOILET SYSTEMS
HIDDEN AGENDA
More and more homeowners are discovering the benefits of Geberit systems for wall-hung toilets. Hiding the toilet tank saves space, conserves water, and opens up the entire floor for easy cleaning. Ask your interior designer or visit a showroom near you to see the benefits for yourself. Get started right now at geberitnorthamerica.com/luxe.
THE LOOK / THE REPORT
Report THE
WITH WANDERLUST ON THE MIND, CREATIVES ARE FLOCKING TO FAR-REACHING DESTINATIONS IN SEARCH OF ART, ARTISANS AND ARCHITECTURAL WONDERS. WRITTEN BY MARY ORE PRODUCED BY JENNIFER CONDON
Much like in the 19th century, when the Arts and Crafts movement espoused a return to the handmade in response to rampant industrialization, today’s visionary talents are turning away from technology and celebrating a return to the authentic. Bringing a modernist zeal to stone, straw, clay and textiles, creatives around the globe are reviving traditional crafts from an entirely new point of view. A desire for connection—to the materials, the process and to the region’s history—is at the heart of this new wave, which favors individuality and the sustained focus on genuine inspiration. Architects, too, are taking cues from their country’s past to build anew or overhaul the old, all the while creating work that’s startling fresh. There’s plenty of luxury, too, in the richness of the resources, the attention to details and the elegance and originality of the vision. Read on as we tour an array of design destinations where authenticity and modernism meet.
photo: courtesy omr, mexico city, enrique macías © 2019.
CULTURE TRIP
The walls of Galeriá OMR in Mexico City feature chalk drawings and textiles by Yann Gerstberger, which were part of his solo show “Ice News & Freeway Fetishes.”
THE LOOK / THE REPORT
PORTUGAL Minimalist architectural silhouettes, exposed wood construction and high-end whiteon-white interiors give a bohemian-chic vibe to the Sublime Comporta. As the go-to boutique resort for this under-the-radar vacation destination, the Sublime Comporta recently reopened after a complete renovation that included redecorating the rooms in the traditions of the region, adding one of the largest “bio” pools in Europe and building nine poolside suites on stilts. With both a beachy and woodland Zen feel—stretches of unspoiled white sandy coastline lay to the west and forests of umbrella pines and cork trees to the east—its stunning locale is the perfect place to reconnect with nature. It’s also a glamorous and restful basecamp for excursions to nearby villages to discover the indigenous handicrafts for which the region is known. sublimecomporta.pt
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Azure THING
Portugal holds a special place in fabric atelier Pierre Frey’s heart—so much so that the brand developed a panoramic wallcovering called Lisboa (above) that echoes the traditional Portuguese azulejos found on the palaces of Lisbon and Porto. Here, Frey shares his favorite architectural spaces. pierrefrey.com
2CL CLAY DAY
Famous for its azulejo-tiled buildings and artisanal ceramics, Portugal is brimming with talented potters who are drawing on the country’s ceramicist heritage while mixing in their own perspectives. As part of their home decor collection, David Pimentel and Arren Williams of Casa Cubista craft bold and bright ceramics (left) from their studio on the Algarve Coast. Farther north in Alcabideche, Anna Westerlund, of Swedish-Portuguese descent, brings both her legacies to the pottery (right) she creates at her sun-washed atelier. casacubista.com, annawesterlund.com
Oriente Station by Santiago Calatrava: It was in Lisbon that I first discovered this architect and I love everything he creates. He has works in London and France and was the creative mind behind lower Manhattan’s Oculus. His buildings are filled with energy, while being very dynamic and powerful. Promontorio Headquarters: The impressive interior staircase in this architecture firm’s office is made of concrete, which normally feels heavy, but the curves are graceful and light and entice you to find out where it leads. Prado: As a culinary institution, of course the food is great, but the architecture is simple and precise. The high, white walls and ceiling are filled with long tendrils of hanging plants making it a refreshing atmosphere to dine.
PHOTOS: A-LIST AERIE, NELSON GARRIDO. AZURE THING, COURTESY PIERRE FREY. CLAY DAY, COURTESY CASA CUBISTA AND ANNA WESTERLUND.
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A-LIST AERIE
PHOTOS: ART CORE, COURTESY OMR, MEXICO CITY. PHOTOS BY ENRIQUE MACÍAS © 2019. CASA CALIENTE, COURTESY NIMA LOCAL HOUSE HOTEL. WORLDLY POSSESSIONS, COURTESY LUTECA AND EWE STUDIO.
MEXICO
4 WORLDLY
POSSESSIONS For exciting new design, look no further than Luteca or Ewe—both channel modern principles through artisanal techniques. Luteca offers original and classic designs, such as the Line chair (above), designed by Michael van Beuren, a Bauhaus-trained American who moved to the city in the 1930s. At the design collective Ewe, natural materials are transformed into sculptural collectibles. For the Copal coffee table (below), stonemasons eschewed machinery, opting instead to sculpt Tikal marble into six half spheres entirely by hand. luteca.com, ewe-studio.com
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ART CORE
One of the stars of the Mexican art scene is Galeriá OMR, in the Roma district (site of the Oscar-winning film), which is celebrated for discovering and cultivating some of the country’s most innovative talents, including Jose Dávila, Pia Camil, Gabriel Rico and Yann Gerstberger, a French artist who moved to the city seven years ago. Gluing hand-dyed mop thread and industrial fabric scraps onto vinyl, Gerstberger draws on myriad influences—Nigerian folk art, Surrealism, graffiti—to create vibrant works that pay homage to Mexico’s rich textile heritage. galeriaomr.com
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CASA CALIENTE
Lush tropical foliage and classical architectural elements mix to create an exotic sensibility in the courtyard of the Nima Local House Hotel, built in the late 19th century when the city was known as “little Paris.” One of a handful of house-hotels cropping up in the neighborhood, the Nima feels more like a grand home with a central living room warmed by a marble fireplace and four well-appointed guest rooms. Although each has its own look inspired by people once connected to the property, they all feature a contemporary sensibility and the latest amenities. nimalocalhousehotel.com
THE LOOK / THE REPORT
BRAZIL
8WICKER
7 PLAYA
PATTERN
Brazil’s lively design scene lured back Brunno Jahara, a native who had decamped to Italy to study and work in architecture. Founding his own studio in Rio de Janeiro upon his return, he’s become known for his playful decor made with materials that range from textiles to recycled plastic. Not one to shy away from color, he went with natural hues for a line of woven straw lamps—part of a collaboration with Brazilian fashion designer Carioca Ana Voss— that mixes down-to-earth chic with tropical flair. brunnojahara.com
Overlooking the Copacabana Beach, the Emiliano Hotel in Rio de Janeiro, designed by the local firm Studio Arthur Casas along with Florida-based Oppenheim Architecture, stands out along the line of seafront hotels. Each beachfront room has white folding panels with cut-oval patterns (right) that can be opened for full exposure to the views or closed for privacy while allowing breeze and light to filter through; similar to the light, the façade is ever shifting. Inside, sleek furnishings make this hotel a stellar example of modern glamor in a city long associated with great design. emiliano.com.br
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DESIGN DOYENNE
With her second collection for the high-end furniture brand Artefacto, architect Patricia Anastassiadis of Anastassiadis Arquitetos showcases her gifts for sumptuous minimalism in pieces like the Banco Vivika (bottom) and spaces such as the lobby bar of the new Palacio Tangara hotel in São Paulo (left). Here she shares insight into what makes her native Brazil so special. anastassiadis.com.br, artefacto.com How do you define the region’s design? Brazilian modernist design is celebrated worldwide, and it was created mostly by
immigrants and their descendants. What truly marks this region’s design is diversity—we live in a cultural melting pot where countless references coexist. What exemplifies that look? Amazing woodwork, marvelous ceramics (with pieces from Marajó Island, for instance) and unique materials (such as the golden grass found at Jalapão) that create beautiful accessories. Did growing up in Brazil influence your approach? My architecture practice is based in São Paulo, a city with a rich and interesting international scene, and my work is marked by this diversity. Also, I’ve always been interested in classical art and architecture, which gives us a deeper understanding of the world. When we understand traditional design, we’re able to create original work of our own. Tell us about the new collaboration with Artefacto. We are always looking to develop timeless pieces with a holistic appeal. And despite their strong visual appeal, they’re not necessarily related to trends. I believe a good design piece ruptures its timeline without losing its aesthetic or functional relevance.
PHOTOS: PATTERN PLAYA, ESTUDIO EUKA, COURTESY HOTEL EMILIANO. WICKER WORK, COURTESY BRUNNO JAHARA. BAR SITU, COURTESY ETKER COLLECTION. DESIGN DOYENNE PORTRAIT, COURTESY NASTASSIADIS ARQUITETOS. BENCH, COURTESY ARTEFACTO.
WORK
TEL AVIV
10 SUITE LIFE
photos: suite life, amit geron. face off, ido adan (above) and magenta workshop (below). code red, yael pincus.
Converted from a 19th-century convent and hospital, the lavish new Jaffa Hotel has opened in Tel Aviv. The high-end remodel, which has put this ancient port city on the design cognoscenti’s must-see list, preserved a historic chapel and wall of a 13th-century crusaders’ fortress while sinking a pool—where nuns once tended their orange groves—peacefully below street level. Deck furnishings by B&B Italia reflect how gracefully modern luxury can engage with history in one of the world’s oldest cities. thejaffahotel.com
12 CODE RED
The Design Museum Holon, enveloped in sinuous steel bands in shades of red, is a fitting site for the celebration of Israeli decorative arts. Its iconic façade, the vision of architect Ron Arad, is singular, as is the museum’s mission: As the country’s sole design museum, it is devoted to educating visitors through events and exhibitions about international design and contemporary culture. But it’s the evolving permanent collection, which encompasses Israeli design from the 1930s to the present, that offers new perspectives on the country’s aesthetic legacy and puts into context the energy invigorating a new crop of Israeli designers today. dmh.org.il
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face OFF
A short walk from the Jaffa hotel is Saga, a wellcurated decorative arts store. Here, a selection of home goods represents the work of some 100 Israeli design studios from established names to emerging talents, including masks by Studio Umasqu (above) and a colored concrete coffee table by Magenta Workshop (below). The store is also just a stone’s throw from the popular Jaffa Flea Market, a conglomeration of stalls where visitors can barter for nearly anything under the sun. However, for design lovers, Saga’s pouredconcrete showroom, inch-for-inch, offers a more disciplined shopping approach with a great thrill of discovery. sagatlv.com
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ARCHITECTURE / THOMAS A. KLIGERMAN, IKE KLIGERMAN BARKLEY INTERIOR DESIGN / ELLIE CULLMAN, ALYSSA URBAN AND KATIE SUTTON, CULLMAN & KRAVIS ASSOCIATES, INC. HOME BUILDER / WILLIAM COSTELLO, MEN AT WORK CONSTRUCTION CORP. LANDSCAPE ARCHITECTURE / EDMUND HOLLANDER AND MELISSA REAVIS, HOLLANDER DESIGN | LANDSCAPE ARCHITECTS
GOLDEN HOUR
A NEW SAGAPONACK HOUSE FILLED WITH VIBRANT CONTEMPORARY ARTWORKS OFFERS A WHIMSICAL FAMILY RETREAT. WRITTEN BY MAILE PINGEL / PHOTOGRAPHY BY ERIC PIASECKI
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A
fter building their dream getaway on Long Island’s East End, a Boston-based couple realized they needed just a little more space. They purchased the property next door to their Sagaponack home and reenlisted the same design team to craft a guesthouse for their grown children. And while the idea was to create a structure that related, visually, to the Shingle-style main house, the brief was clear: This time around, let’s have some fun. “They didn’t want to do the Nantucket thing,” says interior designer Alyssa Urban, who spearheaded the project with interior designer Ellie Cullman. “They pushed us to do something more modern and playful here.” That animated spirit is palpable as one approaches the house. It’s Shingle style but through the proverbial looking glass. “We wanted this house to have personality,” says architect Thomas Kligerman. “The main house is almost origami-like, so we exaggerated that idea with how the shingles turn, the flare of the gambrel roof—it’s more of a folly,” he says. Working with general contractor William Costello, Kligerman was able to employ an idea he first pondered for the main house. “I’d been inspired by sail lofts, purpose-built buildings for sail-making on eastern Long Island and in New England. The offices are downstairs, with a loft and windows upstairs.” Here, an upside-down plan enabled him to pack the ground floor with four ensuite king bedrooms, leaving the upper floor to an airy great room with a kitchen, bar and powder room. “We got a lot more in than I ever imagined,” continues Kligerman, noting that hiding the mechanicals in a house without a basement or an attic proved a challenge. (He ultimately slipped them in over closets.) But the architect is also quick to note that challenges bring successes. When the review board nixed an upstairs band of windows, Kligerman tweaked the plan. The result was “a quirky asymmetry that loosened it up a bit,” he says. “Sometimes pushback forces creativity. You have to get more inventive, and that’s a good thing.” With the loosening of the architecture also came a loosening of the interiors. Light woods replaced mahogany and a color palette inspired by a Pucci skirt in Cullman’s
“THIS ISN’T A CASUAL BEACH HOUSE. EVERY SINGLE PIECE IS A WORK OF ART.” –KATIE SUTTON
closet was “dialed back a bit,” says Urban, who also worked with colleague Katie Sutton on the project. “The color scheme is punchier than the main house but we backed away from acid green. We also gave each bedroom its own palette—blush, yellow, indigo and turquoise—color specific, but quiet and soft,” she explains. Adds Sutton: “It took a lot of thought but when the clients want perfection, they allow you to make custom pieces—like the Wonmin Park resin coffee table—or to travel to find just the right thing. This isn’t a casual beach house. Every single piece is a work of art.” To that end, the designers and the wife traveled to Los Angeles, finding pieces at Jean de Merry, Blackman Cruz and Dougall Paulson, and to Paris, where they found the Hervé Langlais dining table at Galerie Negropontes. “With its curved ceiling and bowed sides, the upstairs area is huge,” says Urban, “so it took us a while to come up with the floor plan that would ‘let each piece sing,’ as Ellie would say.” Throughout the home, the designers explored new decorative techniques. “We pushed what we could do,” says Urban, noting mother-of-pearl wall finishes and embroidered, painted or otherwise lavishly embellished draperies. And while figuring out the fit and flow of furnishings was a feat unto itself, placing the couple’s extraordinary art collection also took serious consideration. The right works were found with the help of art advisor Rachel Carr Goulding of Ruth Catone. The couple’s Boston home features Early American paintings, while their Manhattan pied-à-terre focuses on midcentury and contemporary works. In Sagaponack, however, they’d opted for “younger, emerging and international artists,” says Carr Goulding. Those style choices carried over into the guesthouse. “The Jeppe Hein balloons in the entry really set the stage,” notes the art advisor. Other works include pieces by artists Spencer Finch, Alice Channer, Mika Tajima, Donald Moffett and Lesley Vance. But not every artwork is new. To bridge the properties, the couple moved a large mirrored work by Hein to the exterior of the guesthouse, where it reflects Edmund Hollander’s landscape. “We needed the new garden to relate to the main house but we didn’t want it to be a mini-me,” Hollander says with his signature humor. “Great clients let you be as creative as you can be within the boundaries, so here we were able to preserve remnants of the old boardwalk for some history.” Hollander, who worked with his firm’s Melissa Reavis, created “gathering places” around the guesthouse that allow visitors to enjoy a sensory experience. “There’s fragrance—the smell of the ocean and the beach roses—and the sound of wind in the grasses and the bees going from rose to rose.” Hollander also included seaside goldenrod to welcome those other guests, the Monarch butterflies that migrate through in autumn. It’s a guesthouse with open arms, so to speak, and is currently home to the owners while the main house is refreshed. “I love the way its three-dimensionality is revealed when the sunlight glints across the façade. It’s exuberant!” says Kligerman, adding reflectively, “I’d live in it in an instant.”
A whimsical tone is immediately established upon entering this house designed by Ellie Cullman, Alyssa Urban and Katie Sutton. Artist Nancy Lorenz created custom lacquer panels for the Larrea Studio cabinet. On the opposite wall, the Donald Moffett piece introduces the blue color scheme found throughout the home.
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Opposite: A gold-leaf-and-stone Nicolas Aubagnac table from Maison Gerard centers the entryway. Above it is a custom chandelier by Joseph McDonnell. Artworks include a copper piece by Haegue Yang and a trio of watercolors by Lesley Vance. Daniel DeMarco & Associates did the home’s millwork. Below: To one side of the upstairs living area are custom pieces from Anthony Lawrence Belfair. The sofa is upholstered in Dedar chenille and the armchair is upholstered in Schumacher linen. The Gulla Jónsdóttir coffee table was found at Wexler Gallery in Philadelphia. Along the windows is a 15-part work by Heimo Zobernig.
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The curved sofa and side chair in the living area are from Anthony Lawrence Belfair and upholstered in Holly Hunt velvet and Élitis and Coraggio linens, respectively. The Wonmin Park coffee table is from Carpenters Workshop Gallery. The Dedar drapery fabric from Paul S. Maybaum adds to the room’s whimsy.
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Right: Integrated appliances from Sub-Zero and Miele keep the kitchen streamlined. The range and hood are Viking, and the Kohler sink is paired with a Dornbracht faucet. Illuminating the space is a castglass pendant by Jiun Ho, found at Dennis Miller Associates. The painting is by Serge Alain Nitegeka. Opposite: The dining area features an HervĂŠ Langlais table from Galerie Negropontes in Paris. The designers found the 1950s walnut chairs by Ico Parisi at H.M. Luther and updated them with Foglizzo embossed leather.
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Opposite: The mirrored sculpture is by Jeppe Hein. The artwork was originally installed at the main house but relocated to the guesthouse terrace, where it now reflects the verdant plantings by Edmund Hollander. Below: In designing the house, architect Thomas Kligerman considered space for all the accouterments of beachfront getaways. The garage is cleverly fitted for storage of everything from sports equipment to smaller items.
“SOMETIMES PUSHBACK FORCES CREATIVITY. YOU HAVE TO GET MORE INVENTIVE, AND THAT’S A GOOD THING.” –THOMAS KLIGERMAN
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L.A. STORY THE WEST COAST INSPIRES AN AESTHETIC ABOUT-FACE THAT YIELDS A HOME SHOWCASING A TOP-NOTCH COLLECTION OF ART AND DESIGN. WRITTEN BY LAURA MAUK / PHOTOGRAPHY BY ROGER DAVIES
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INTERIOR DESIGN / TREVOR HOWELLS, TREVOR R. HOWELLS INTERIOR DESIGN
I
f anything can turn a traditionalist into a modernist, it’s the Southern California landscape and the indooroutdoor lifestyle that comes with it. Count designer Trevor Howells’ friends-turned-clients—an East Coast couple who’d always preferred traditional aesthetics— as two of modernism’s latest converts. “They’d always gravitated toward classic fabrics, wing chairs and paneling,” Howells says. “But when they decided to make a home here, they looked at a modern house and its simplicity just spoke to them.” His clients were seeking a West Coast abode where they could eventually retire and fell for a sculptural contemporary by XTEN Architecture in Beverly Hills. Boasting white plaster walls and limestone floors, “The living room is giant with 40-foot-wide doors that slide open and disappear into the wall,” Howells says. “On one side, it’s completely open to the swimming pool, and on the other, it’s open to the spa. There are views all the way to the Pacific Ocean.” Before they closed on the house, though, the couple called Howells for advice. “They wanted to know what I thought,” says the designer, who had worked with the couple’s daughter when he was the senior creative director at Ralph Lauren Home in New York. “They weren’t looking for just an interior designer,” he adds, explaining
Designer Trevor Howells used the gallery-like entry of a Beverly Hills home to highlight some of his clients’ art collection. A painting by Perle Fine hangs near a Rolling Greens stone planter, while a work by Dan Christensen is above a pair of Rose Tarlow Melrose House stools. By the opening to the kitchen is a work by William Perehudoff.
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that they had previously collaborated with the late designer Greg Jordan, whom Howells also knew. “He became like part of their family,” he says. “They wanted someone, like Greg, who’s close to them and knows them well.” Once the house was theirs, the couple commissioned Howells to fill the rooms with richly textured furnishings and a neutral palette that would instill warmth and not compete with their art collection. “They bought a lot of the art for the house in New York, but I helped them purchase some in L.A., too,” he says. Black-and-white photography, which includes work by Brian Duffy, Willy Ronis and Weegee, all hails from Peter Fetterman Gallery and mingles happily with lively modern paintings. Howells describes the house as “having a kind of Getty Center feel” to the rooms, so he layered in furnishings to offset potential severity. However, the designer shares, “All of the layers are sort of quiet—they don’t fight with anything.” Colors are muted but textures are rich, accented
by greenery to soften spaces without demanding attention. To create spots where the clients and guests could sit and have conversations, he arranged intimate furniture groupings within the same sizable room. In the living area, he divided the expansive space in two. On one side, he placed a selection of pieces from Rose Tarlow Melrose House, including a sofa wrapped in stone-washed linen; an 18th-century reclining chair covered in antique French linen; a Georgian caned lounge chair; and a lacquered coffee table with a crackled finish. The large-scale abstract paintings by Syd Solomon that hang on the wall are drenched in riotous color and lend vibrancy and interest. A second seating area features a vintage raffia screen concealing a projector. “They can turn the space into a screening room in a matter of minutes,” says Howells, who selected a parchmentcolored linen sectional and a large metal coffee table— reminiscent of a Donald Judd sculpture—for the area.
Opposite: Works by Ron Piller line a hallway. The 45-foot-long wool runner, in a herringbone pattern, is from Amadi Carpets. “This house is so tailored and there’s not a lot of extra anything—so it had to be perfect,” notes Howells. Below: Across the library’s custom shelving by TD[s] is a painting by Dan Christensen. Underfoot is a Decorative Carpets by Stark rug. The armchairs and sofa, all from Rose Tarlow Melrose House, and a vintage Barcelona daybed from Blackman Cruz surround a Gregorius Pineo coffee table.
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Against the muted palette of the living room, a pair of Syd Solomon paintings stands out. For movie nights, a screen drops down in front of them. A sofa, chairs and coffee table, all from Rose Tarlow Melrose House, form one of two seating areas in the space. The grouping is atop a kilim from Amadi Carpets.
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While the living room contains furnishings that lean traditional, the family room showcases contemporary textures and silhouettes. Low-slung, braided rope chairs with vintage denim-wrapped seat cushions, a multicolored kilim and a sofa upholstered in French linen evoke a quintessentially California sensibility. “I love anything that feels a little more natural,” Howells says. “The family room is the most casual space and where they gather for morning coffee and talk.” The designer injected similar notes when he devised the library, where a custom Mondrian-style oak bookshelf and a Barcelona daybed add a quality that’s at once cozy and rich. In the casual dining area, Howells paired vintage Ralph Lauren Home director’s chairs with a glass and brass table. “Those chairs had been haunting me for 20
years,” he says. “The clients wanted some and I told them I could have them delivered that day,” noting that he found the set at the venerable L.A. dealer J.F. Chen. When Howells conceived the formal dining room, he went in a more idiosyncratic direction, suspending a Cloud chandelier by Apparatus above a contemporary walnut table and 1940s Italian walnut side chairs. He also placed a midcentury marquetry sideboard depicting a medieval town scene in the manner of Osvaldo Borsani and a pair of geometric steel and brass lamps by Lika Moore. “My clients love modern now, but they’ve always loved the warmth of traditional style,” Howells says. “In this house, there’s nearly every decade, every style. It runs the gamut. All of the pieces talk to each other in a way that’s eclectic but not frenetic. It’s a mix of the things they love.”
A second entry opens to the pool terrace via a massive Fleetwood pivot door. Howells outfitted the space with a 1930s table by Otto Wretling from Lief, vintage French leather-upholstered club chairs from Lucca Antiques and a largescale painting by Susan Vecsey from Berry Campbell in New York.
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The contemporary house, by XTEN and built by Boswell Construction, seamlessly integrates the indoors and outdoors, giving the clients, East Coast transplants, the perfect opportunity to enjoy Southern California’s climate. Howells placed RH umbrellas and chaise lounges around the pool.
“ALL OF THE PIECES TALK TO EACH OTHER IN A WAY THAT’S ECLECTIC BUT NOT FRENETIC. IT’S A MIX OF THE THINGS THE CLIENTS LOVE.” –TREVOR HOWELLS
Opposite: Suede from Ashbury Hides covers the Posse Furniture four-poster bed in the master suite, which is dressed in Frette linens. Bronze Chuck Moffitt lamps from Blackman Cruz top the Rose Tarlow Melrose House bedside tables. Grass cloth by Newcastle Fabrics is on the walls. The rug is a 1920s Tabriz from Rugs & Art; the drapery fabric is Ralph Lauren Home. Below: The office is furnished with a Williams Sonoma Home desk, an antique desk chair from J.F. Chen, a pair of chairs from Diva Group, and a Decorative Carpets by Stark rug. Above the B&B Italia sectional in the outdoor living room is part of a Samuel Beckett poem, rendered in the client’s handwriting, by artist Lisa Schulte for Nights of Neon.
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FREE Rein A COLORADO ARTIST TACKLES AN UNCONVENTIONAL MEDIUM TO CAPTURE THE NOSTALGIA OF THE AMERICAN WEST. WRITTEN BY KATE ABNEY / PHOTOGRAPHY BY C2 PHOTOGRAPHY
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M
aeve Eichelberger did not foresee working with Plexiglas. But the acrylic material has come to define the artist’s work since 2011. Eichelberger earned her Master of Fine Arts in Miami and gained global perspective during extended stints in Ireland, Italy and England. But when the “big skies and untouched land” of Colorado called her home, she chose to embrace it, conjuring early memories of downtown Denver—where she examined buildings with her architect father— and the family’s Larkspur ranch that teemed with chickens, peacocks, goats and horses. The artist initially explored Plexiglas as a vehicle for displaying her history, using sheets of the material as mounts for photos depicting everything from urban skylines to American West iconography. Four years ago, she started sculpting with it. Today, her Plexiglas sculptures take inspiration from vintage horse tack, such as saddles and bridles. Her photos add texture and dimension to the clear acrylic and serve as sentimental touchstones. Eichelberger personally takes each picture— be it a bucking rodeo horse or the plumage of a ranch peacock. A Denver printshop ink-jets the images onto 4-by-8-foot sheets of Plexiglas and then laser-cuts them into shapes, not unlike dress patterns. When boxes of the latest run land on her doorstep, “It’s like Christmas,” says Eichelberger, who left bustling Denver two years ago for the slower place of Paonia. In her sunny home studio, she is surrounded by giant aloe and happy philodendron that bask in the light of its south- and east-facing windows. “Without sun, I can’t function,” the artist says. Light is crucial to the next step of Eichelberger’s craft, which often includes using a Dremel to etch designs onto the Plexiglas. Working from memory and imagination, the artist channels the tooled-leather motifs of traditional saddlery— including flowers, leaves, swirling filigrees—but edits them to make them her own. The real thrill, though, is when she free-hand sculpts her cutouts using a heat gun. “You have to work fast—the acrylic could crack or turn to mush otherwise; it’s not as pliable as paper, fabric or leather,” says Eichelberger, who assembles the parts with Chicago screws or resin fasteners. The artist has most of the steps perfected—so much so that she recently undertook a brave new ambition: combining multiple details in a single sculpture. “I started etching into the images as well, like adding a basket weave pattern on top of an existing image,” she notes. “It adds another dimension to the texture, and it’s a play of color and negative space that’s a sort of subtraction process.” As the saying goes, “without risk, no reward.”
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Artist Maeve Eichelberger creates sculpted pieces of Plexiglas that resemble horse tack (opposite, top). She fuses her photos on sheets of acrylic before shaping them into saddles (opposite, center). The artist uses pens and pencils to sketch patterns that she will later etch into her sculptures (opposite, below). While drawing in her studio (left), Eichelberger is surrounded by plans and patterns.
South BOUND CHANNELING A FAMILY’S FORMER LOFT LIFESTYLE IN BROOKLYN, A DESIGNER DELIVERS INTERIORS THAT ARE MODERN AND WHOLLY APPROPRIATE FOR THEIR NEW NORTH CAROLINA ENVIRONS. WRITTEN BY ALISON M. BLACKWELL / PHOTOGRAPHY BY BRIE WILLIAMS
B
oth originally from Portland, Oregon, a pair of North Carolina newcomers knew very little about Charlotte before the husband’s job in bond trading landed them in the Southeast’s financial capital. After college, the high school sweethearts had moved to New York City, set down roots, raised two sons and become quite comfortable with the trappings of modern life in their longtime Brooklyn loft. So, it was perhaps surprising when the foursome fell for a three-story Georgian in famously leafy Myers Park, one of Charlotte’s most desirable enclaves. Built by Simonini Homes, the traditional brick residence features sound interior architecture (from bay windows to intricate woodwork) that the owners loved. While it may seem counterintuitive, “What attracted us to our new home was its traditional Georgian elegance,” the wife says, admitting, “It was such a departure from our modern Brooklyn apartment, but we could picture our family here.” Their new residence would never be an industrial loft, of course, but the owners were confident its good bones could be enhanced with livable, modern interiors. For these, they sought out Lisa Sherry, a designer headquartered in both Charlotte and High Point. An avid traveler with an eclectic thread running through her work, Sherry has been known to gravitate toward unusual, at times idiosyncratic objects that tell rich stories against textural, tonal backdrops. So, she was well prepared to bridge the cultural and stylistic preferences of her clients’ previous Park Slope abode with the style and grace of the Southeast. “The greatest influence for me is imperfection,” Sherry says. 140 / luxesource.com
INTERIOR DESIGN / LISA SHERRY, LISA SHERRY INTERIEURS
Designer Lisa Sherry bathed the living room of this Charlotte house in Benjamin Moore’s China White paint, setting the tone for the clean, modern style found throughout. A Mr. Brown London wood-frame sofa and a pair of custom swivel chairs covered in gray velvet from Arabel Fabrics establish an inviting conversation hub. The ivory faux-shagreen cocktail table was discovered at Sonder Living.
“This particular house is formal in so many ways, but I like homes to feel lived in—and that suited the owners, who are so accomplished and relaxed.” From the outset, Sherry was impressed by a “Feelings, uses and thoughts” document produced by the wife, a book editor, which served to sum up the family and their needs. “Getting that sheet of paper and learning who they are, what they love and where they’ve traveled allowed us to make the space as real and authentic as they are,” the designer explains. An advocate of collected spaces, Sherry felt it important to incorporate interesting artwork and treasured items from the clients’ travels. But before all that layering could begin, they would need a blank canvas. If Sherry has a signature aesthetic, it’s the mix of modern and classic, with a masterful layering of textures that keeps her predominantly white palettes complex and warm. True to form, the first thing the designer did was give the home’s existing dark gray walls a wash of crisp white— setting off the family’s beloved belongings while bringing a feeling of brightness throughout. The warm wood floors were a departure from the family’s former loft, whose floors had been a pale gray. “But we thought about it and decided to embrace everything about the house that seems solid and sturdy, including the warm wood,” the wife explains. In the end, those floors served as a foil for all the white as well as an anchoring element. After updating the kitchen cabinetry and installing contemporary light fixtures throughout, Sherry directed the majority of her efforts toward the decorative, ensuring furniture selections hit the lifestyle high points the family desired—chief among them, togetherness. “We loved our loft in Brooklyn and how the kitchen, dining room and living room were all one big box, which led to conversations and connections,” the husband explains. luxesource.com / 143
Right: A modern writing table with brass accents from Dovetail in Los Angeles creates “a favorite getaway for drawing, journaling, menu planning and homework,” says Sherry. The Philippe Starck Lucite Louis Ghost Chair from Kartell is a modern nod to the homeowners’ former Brooklyn residence. The columnar brass lamp is by Arteriors. Opposite: Above the living room’s fireplace hangs Man with a Clarinet by Leslie Kerby and an unknown Chinese brushstroke painting, both purchased by the homeowners in Brooklyn. “The painting was a gift to their son. According to the Chinese zodiac, he was born in the year of the horse,” explains Sherry.
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A play on geometric shapes, the dining room features a Saarinen-inspired pedestal table with a wood top by Julian Chichester surrounded by curvaceous cantilevered chairs in a Zuo Modern fabric. A linear antique brass chandelier by Four Hands hangs above, and an organic skin from Chesterfield Leather contrasts with the floors underfoot.
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“We are convinced that one of the reasons we have a strong family is because of that layout, and we wanted to ensure the space we were creating in Charlotte would preserve that dynamic.” So, Sherry elected to outfit rooms unexpectedly, rather than following the dictates of traditional floor plans. “I love to go in and juxtapose; to place clean, modern furnishings in a traditional house or twist and do the opposite with a more modern one,” notes the designer. Her approach to the dining room is purposeful, casual and sleek; the master bedroom was kept largely unadorned and minimalist; and what could have been a prescriptively formal living room was remixed as a multipurpose study space, music lounge and hangout hub for this party of four. Pastimes such as playing board games, drawing cartoons, catching soccer matches and practicing musical instruments harmonize in this diversified domain, which features swiveling chairs for easy repartee. Receiving pride of place is an upright
piano the husband likes to play each morning and, giving the space its sentimental grace notes are Chinese heirlooms he inherited from his father, plus the couple’s map collection of meaningful destinations including Oregon, New York, China and Paris. All of these bolster a feeling of laid-back luxury that’s elegant, inviting and, most importantly, familiar. “It is true that Brooklyn and Charlotte are worlds apart culturally and in terms of lifestyle,” the wife says. “But we have managed to land somewhere in between the two, retaining some of what we loved about our former neighborhood—like being within walking distance to a major park and biking distance to restaurants and groceries—but we also embrace the differences; the birds, trees, open sky and lack of hustle-bustle are all so attractive to us.” In the end, theirs is a house that offers the opposite of “ribboned-off, museum-like living.” Instead, Sherry says, it’s a stage for making their own modern history.
Texture comes to life in the family room, where a custom linen sofa, topped with a mix of pillows covered in vintage rug textiles, nestles into the bay window. Regina Andrew tapered white floor lamps with metal shades juxtapose the handcarved mango wood coffee table with a marble top by Selamat.
Casual yet sophisticated, the entry hall exemplifies the ambience Sherry created throughout the home. Tailored benches, tucked beneath a rough-hewn antique console by Schwung, provide extra seating at a moment’s notice. Barbara Cosgrove white lamps with gold-lined shades add to the monochrome mood.
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Sherry envisioned a private getaway in the master bedroom, where an upholstered wing bed by Bernhardt softens the space. Sleek Oly Studio bedside tables and a French midcentury-inspired linen bench by Mr. Brown London add the perfect punctuation. An antiqued silver geometric chandelier, also by Mr. Brown London, hangs above.
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CELEBRATING + CONNECTING: THE 2019 LUXE RED AWARDS GALA The culmination of Luxe’s six-month long “Be RED” campaign, the second annual 2019 Luxe RED Awards gala brought together more than 230 architects, builders, landscape architects, interior designers and guests to celebrate residential excellence in design at Signature Kitchen Suite’s Experience Design Center in Napa Valley. The Luxe RED Awards are the only design awards in the United States to recognize regional and national talent, with the national winner of each category being drawn directly from Luxe’s network of finalists within the magazine’s key regional markets. For a complete list of this year’s winners, visit luxeredawards.com/2019winners. PHOTOGRAPHY BY KEVIN LAU FOR BUSINESS OF HOME
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