Luxe Magazine July/August 2020 Southeast by SANDOW®

S O U T H E AST

I s it possible to feel nostalgic the first time you visit a place? K I A W A H

G E T S

Y O U

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The C and I

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Casa di Lino Dallas, TX

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Gramercy Fine Linens Atlanta, GA

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WE’RE ALL IN THIS TOGETHER. DISCOVER. CONNECT. INSPIRE.

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With renewed strength and focus, we’re moving forward to help you get back to business. Join us in Atlanta for a market of fresh resolve and new beginnings.

Are Our

The health and safety of our guests is our first priority. Visit TogetherSafely.com to see what we’re doing to prepare for reopening.

NE W MARKE T DATES:

Showrooms: August 13 –18, 2020 Temporaries: August 14 –17, 2020

CONTENTS

EDITORâ&#x20AC;&#x2122;S LETTER

RADAR

DESTINATION Innovative ideas and traditional Southern charm make Nashville the next design mecca.

CRAFT Gaining popularity in 1960s Los Angeles, resin continues to intrigue and inspire artists today.

HERITAGE These tried-and-true materials have made their mark on Texas architecture for more than a century.

44 48

NEXT WAVE A look at the rising stars of American craftsmanship. SCENE Our cheat sheet to all things new and fabulous in the local community.

MARKET

Above: Robin Rains' Nashville showroom features an eclectic mix indicative of the region. Page 36 Top, right: Poppy Two Light Sconce / hinkley.com Page 62 Left: Rhea Low Back Chair by Casey McCafferty / casey-mccafferty.com Page 44

MATERIAL The natural world offers the ultimate muse for timeless tile designs.

TREND The longing for spaces where food, fashion and interiors collide prompts this curated mix.

SPOTLIGHT Luxe celebrates the fruitful collaborations resulting from dynamic duos.

THE LOOK

KITCHEN + BATH These calming, soothing rooms provide the ideal escape.

018 / LUXESOURCE.COM

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7/1/20 1:32 PM

FURNITURE: BERNARD HOLDAWAY - TOMTOM CHAIR

BRINGING ART TO LIFE | Euclid by CHICAGO DALL AS NEW JERSE Y NEW YORK SAN FR ANCISCO SHOWROOMS NATIONWIDE | NJ SL AB GALLERY | (855) 214-0493 | ar tistictile.com/luxe

CONTENTS PRODUCED BY KATE ABNEY AND OLIVIA LAMBERT

DESTINATION FOUND The journey to a layered, coastal-influenced Nashville retreat includes a patchwork of far-flung travels. Written by Shawn Gauthier / Photography by Caroline Allison

100

HISTORY REPEATING In a South Carolina historic district, treasured collections and antiques tribute a design duo’s loves for tradition and sporting life. Written by Blake Miller / Photography by Dustin Peck

112

A PLACE IN THE SUN Spellbound by a coastal locale, a family opts to rebuild in place for their Sullivan’s Island vacation house. Written by Stephanie Hunt / Photography by Julia Lynn

ON THE COVER: Desiring a stately effect for the den of their Aiken, South Carolina home, designers Tom Bossard and Len Cherry interspersed Hickory Chair, Charles Stewart and CR Laine Furniture upholstery with an array of estate-sale finds—from porcelain ginger jars to framed equine paintings. One of these presides over a French Philippe buffet and vintage tea canister lamp, both from Scott Antique Markets in Atlanta. Page 100 020 / luxesource.com

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Handcrafted French Ranges & Suites, Steel Cabinetry, Fine Wood Working & Appliances

PARIS • NEW YORK • MIAMI • LOS ANGELES www.LeAtelierParis.com • 1 800 792 3550

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| NASHVILLE

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Our Second Showroom Coming Summer 2020! Located in the

THE NASHVILLE DESIGN COLLECTIVE 510 Merritt Avenue 404·261·0111

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photopraphy by: Emily Followill

DESIGN GALLERIA

PAMELA LERNER JACCARINO VICE PRESIDENT, EDITOR IN CHIEF

DESIGN DIRECTOR

EXECUTIVE EDITOR

EXECUTIVE MANAGING EDITOR

PAM SHAVALIER

BRITTANY CHEVALIER MCINTYRE

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MANAGING EDITOR

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CHRISTIAN ABLAN, MICHAEL WARNOCK

ADAM I. SANDOW CHAIRMAN AND CEO

ERICA HOLBORN PRESIDENT

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CHIEF DESIGN OFFICER

DEAN SEBRING

CYNTHIA ALLEN

EXECUTIVE VICE PRESIDENT, FINANCE & OPERATIONS

JUDY SAFIR

KATE KELLY SMITH BOBBY BONETT VICE PRESIDENT, CORPORATE SALES KATIE BROCKMAN VICE PRESIDENT OF STRATEGIC OPERATIONS MICHAEL SHAVALIER DIRECTOR OF CREATIVE OPERATIONS KEITH CLEMENTS PAGINATION MANAGER JODY M. BOYLE DIRECTOR OF MANUFACTURING & DISTRIBUTION FERN E. MESHULAM EMILY KAITZ CONTROLLER

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SANDOW was founded by visionary entrepreneur Adam Sandow in 2003 with the goal of building a truly innovative media company that would reinvent the traditional publishing model. Today, SANDOW is a fully integrated solutions platform that includes leading content, tools, and services, powering innovation for the design and luxury industries. Its diverse portfolio of media assets includes Interior Design, Luxe Interiors + Design, Galerie, and NewBeauty. Materials Innovation brands include global materials consultancy, Material Connexion, game-changing material sampling and logistics platform, Material Bank, and materials reclamation program, Sample Loop. SANDOW brands also include research and strategy firm, ThinkLab. In 2019, SANDOW was selected by the New York Economic Development Council of New York to become the official operator of NYCxDESIGN Week, beginning in 2020. sandow.com

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QUALITY

DESIGN

COMFORT

W W W.T E R R A O U T D O O R . C O M 1.888.449.8325

DALLAS, TX | $6,850,000 Allie Beth Allman & Associates Erin Mathews — +1 214 520 8300 WEB ID: GEQR8

Well Connected.™ Finding your home is a personal process of discovery, and the accomplished global network of Luxury Portfolio International® member companies are ready to assist in the journey. Explore over 50,000 of the world’s ﬁnest properties marketed on luxuryportfolio.com each year. Enter the property Web ID for more detail.

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©2020 Luxury Portfolio International.® Equal Housing Opportunity. Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information considered reliable; however, it has been supplied by third parties and should not be relied on as accurate or complete.

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SCOTT MACCLEMENTS EXECUTIVE DIRECTOR, FINANCE & OPERATIONS

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@luxemagazine Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 2163-9949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 18, No. 4, July/Aug, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, PO Box 16329, North Hollywood, CA 91615. Email: subscriptions@luxemagazine.com or telephone toll-free 800.723.6052 (continental US only, all others 818.487.2005). ®

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REPRINTS 561.961.7618

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6/10/20 10:39 AM

Designed to Perfection From the ground up, Signature Kitchen Suite was built on precision and purpose. Whether it’s articulating handles, consistency in our stainless steel grain, Signature Fit™ installation, or engineering considerations that follow your countertop’s lines, our full collection of built-in appliances is designed to please the designer, builder and home chef alike. Carrying over to our respect for food, each of our appliances are thoughtfully designed to prepare, preserve or clean in the best ways possible. That’s how we stay True to Food.™

SignatureKitchenSuite.com | @SKSappliances | 855-790-6655 Copyright ©2020 Signature Kitchen Suite, 1000 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.

EDITOR’S LETTER

MUSINGS of HOME Everything we know has changed. These past months as the world literally paused, we found ourselves tethered to our homes—forced to be still, notice and reflect. It was curiosity and boredom, togetherness and aloneness, wanderlust through reading and Netflixing. Food and food and food. Never have so many banana breads collectively been baked. Observing nature and taking a quiet stroll was a tonic for the soul. We sat in our homes, evaluated our homes, and were grateful for our homes. Like spring’s green shoots, we are starting to emerge, not knowing exactly how or where we will land. One thing we know for sure is that we are committing to use our platforms to amplify diverse design voices. Our incredible team put this summer issue together, working remotely, with great care and attention. We trust that it will encourage musing; a promise for the spaces that you and yours inhabit.

Clockwise from top: Snapshots in and around my home. An inspiration wall in my art studio/work-from-home space; the afternoon light in my living room; hiking at a nearby nature preserve; a recent sketchbook.

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Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

6/15/20 3:28 PM

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RADAR retrograde table in brick by elyse graham. photo: peter bohler.

Luxe taps into its regional roots to discover how history, community, landscape and culture inform local design.

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6/11/20 10:54 AM

RADAR / DESTINATION

South BOUND

A CITY ONCE KNOWN BEST FOR COUNTRY MUSIC IS THE NEXT DESIGN MARKET TO WATCH.

photo: blake roberts.

WRITTEN BY KATE ABNEY

Found in the peripheral enclave of Leiper’s Fork, Tennessee, David Arms Gallery reflects the rustic touches that infused Nashville’s past while serving as a vital design resource for the community.

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6/9/20 2:13 PM

Surfaces inspired by your spotless style

Inspiration isnâ&#x20AC;&#x2122;t always obvious, but the right partner should be. Order your complimentary samples and create your digital account at CrossvilleInc.com. Countertop: State of Grace by Crossville Project and Photography by The OAK Design Project

What Inspires You, Inspires Us.

RADAR / DESTINATION

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ashville has come a long way since its 1897 designation as the “Athens of the South,” when a to-scale replica of the Parthenon was erected in modern-day Centennial Park. Founded as a river port city—and, later, a railroad hub—Nashville has been known for its enterprising spirit and classical roots, evidenced by a wealth of Georgian and Greek Revival residences dotting the lawns of Forest Hills and Belle Meade. While these landmark neighborhoods serve as the backbone of the community, the city’s design palette has evolved to be as diverse as that of its latest residents hailing from L.A., Austin, New York and beyond. “Nashville is a perpetual frontier town,” notes DAAD principal Nick Dryden, one of the city’s leading residential and commercial architects, who points to the vast number of transplants moving in, sight unseen, to build businesses and community. Third in a generational line of architects, Dryden proceeded to transform Nashville’s cityscape with progressive ideas and cleaner profiles, authoring icons such as Rolf & Daughters restaurant and Noelle Hotel, while overhauling historic Germantown. “What I do is narrative architecture, a response to historic context, always tailored to the clients,” says Dryden, who straddles disciplines, nodding to local vernacular while incorporating modern hallmarks that appeal to transplants. Natives, in turn, feel increasing permission to take design risks themselves. Adds designer Robin Rains: “Nashville’s historic neighborhoods are steeped in tradition and heritage,” but homeowners wanting to venture beyond the status quo of Southern style “are making the work more challenging and interesting.” She says a curated mix of antique, vintage and modern is coveted for Nashville interiors regardless of the architectural envelope. Rains, who launched her eponymous business in 2001, also maintains a presence in nearby Franklin and Leiper’s Fork, with an antique store in the latter, and has selected the Nashville Design Collective for her next showroom. Considered the city’s first large-scale trade resource, the highly anticipated Collective softopened earlier this year thanks to La Cornue alum Anne Puricelli and Design Galleria principal Matthew Quinn, boasting showrooms such as Circa Lighting and Christopher Peacock, with other top brands coming soon. “Young Nashville residents are raising families and turning tradition on its ear,” says Quinn, who recently augmented his longstanding Atlanta flagship with a new location at the Collective. Plus, anticipated additions to the skyline—such as Soho House, developer Tony Giarratana’s 900 Church and the Four Seasons Hotel and Private Residences Nashville—suggest further signs of progress. Despite its classical roots, the “Athens of the South” may be worthy of a new nickname soon: next big thing.

photos: david arms gallery : blake roberts. exterior: caroline allison. robin rains showroom: austin lord.

Clockwise from top: A look inside the interior of David Arms Gallery in Leiper’s Fork; exterior of a Nashville home designed by architect Nick Dryden that fuses a traditional pastoral form with the clean lines newcomers desire; a tableau in designer Robin Rains’ Nashville showroom captures her talent for “the mix.”

6/9/20 2:13 PM

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RADAR / CRAFT

ANYTHING but ARTIFICIAL RESIN BECOMES A PRECIOUS MATERIAL WHEN WORKED BY SOME OF LOS ANGELES’S INNOVATIVE DESIGNERS. WRITTEN BY MAILE PINGEL

Since the 1960s, artists and designers in Los Angeles have turned synthetics into decorative gold with ingenious methods of sculpting plastics into luxurious objects. Whether it’s furniture, accessories or fine art, the medium lends itself to a variety of forms that speak to a truly Californian craft. When the state became a leader in aerospace technologies in the 1940s, new materials and cutting-edge capabilities, such as facilities that could roll out sheets of acrylic to form aircraft windows, were revelatory for artists. One leader in the field, designer Charles Hollis Jones, pioneered atmospheric Lucite furnishings that had a profound effect on West Coast interiors. His designs were created with thick sheets of acrylic that allowed them to absorb and magnify light, resulting in a sculptural quality that captured the attention of Hollywood stars like Lucille Ball and Sammy Davis Jr. Today, Jones continues to explore the material with his new Diamond Connexxion line. “Instead of doing square or round shapes, I decided to do something different—people like it,” he says of the angular forms. But a new generation of California creatives, too, is lured by plastic’s limitless, almost magical properties. Elyse Graham, who first became known for the vase forms she created by coating sand-filled balloons with resin, is “completely seduced by the material,” she says. “So many aspects of it capture my imagination. Most excitingly, I’ve now found a way to reuse it.” Working with what she calls MetaMaterial (a composite resin made with recast pieces), she makes furniture that bridges art and function. “Each new project builds on the one before it as we discover new ways of working with resin,” says Graham. For industrial designer and spatial artist Nobel Truong, it’s all an exploration of philosophy and technology. As an “admirer of the structural forms and function that marked Bauhaus architecture,” she creates both theoretical furnishings and playful accessories with laser-cut acrylic panels that slot together. Intrigued by “the play on color and shape pioneered by the Memphis Group,” she also explores the effects of color in her work, especially fluorescent hues. Putting an emphasis on the whimsical side of the material’s complex nature is artist Betsy Enzensberger. “Resin is an incredibly difficult medium to work with, which is why I’m attracted to it,” she says. Likening the liquid resins she casts and sculpts to honey and syrup, it’s not surprising her works celebrate childhood sweets—ice cream and popsicles—that range in size from 6 inches to 6 feet. “I expect perfection in my work, but it’s about joy. I want to spread smiles,” she says.

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Artist Betsy Enzensberger uses the familiarity of sweet treats, like her sculpture Vibrant Daydreams made of resin, ink, glitter, pearl powder and plexiglass, to evoke the simplicity and joy so often associated with childhood delights.

6/9/20 2:18 PM

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RADAR / HERITAGE

Nature’s BOUNTY TEXAS ARCHITECTS TURN TO THE LAND WITH NATIVE MATERIALS LEADING DESIGN.

WRITTEN BY MARY JO BOWLING PHOTOGRAPHY BY CASEY DUNN

Architecture firm Lake Flato’s Horizon House boasts 30inch thick, locally sourced rammed-earth walls that function as a historical means of regulating temperature, while also celebrating local craftspeople and materials.

Texans have a history of building resourcefulness. “We are a state of immigrants,” notes architect Michael Imber. “When people came here, they brought their own culture and aesthetics, and they adapted those to the materials at hand— and that’s why our architecture has character today.” That character, described by Imber as “sturdy, rugged and embodied with heritage,” has made buildings in the Lone Star State famous, and prompted leading architects around the nation to take note. When pioneers came to Texas in the 19th century, they found limited materials. In addition to the limestone they could see in the cuts made by rivers, there were stands of mesquite, cypress and post oak trees and a seemingly unlimited supply of reddish-brown dirt for making adobe bricks and earth walls. The settlers began constructing with these, and to this day Texas architects are following suit and using the same resources. “When we design buildings, we think about what would make them durable and beautiful,” says architect Ted Flato, whose firm has been known to install mesquite floors and make broad use of Texas limestone. “The best materials for this climate are native. Not only

are they beautiful, they make a structure look at home in the landscape.” For Imber, using endemic sources—such as mesquite, cypress, whitewashed Texas limestone and rammed earth—gives structures meaning. “It connects them to the past and to the future,” he says. “Architectural styles may come and go, but if there’s a commonality of materials, it makes us feel comfortable. Looking at things we recognize is a nurturing experience.” It is a look others seek to emulate. “We have clients in far-flung places who fall in love with our work, and they want to build something like it where they live,” says Flato. “When that happens, we begin by looking at the older properties in the area. From there, we can determine what the local materials are—that’s all they had to work with back then. We try to do the same thing with native resources in that particular region.” Imber believes that indigenous materials are like heritage foods. “When foods became homogenized across the U.S., we lost our individual culture and flavor,” he notes. “It’s the same with building sources. Texas has long been a leader in constructing with local ingredients, and the rest of the country is catching on.”

042 / luxesource.com

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INTRODUCING THE 2020 MOBIUS PENDANT

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RADAR / NEXT WAVE

A FRESH CROP OF FURNITURE ARTISANS CRAFTS WITH CARE.

WRITTEN AND PRODUCED BY BRITTANY CHEVALIER MCINTYRE

blanchejelly.com Name Game: My company, Blanche Jelly, is named after my great-grandmother. Not only is it a distinctive name, but I also believe it speaks to a certain sense of time and our special relationship. Changing Direction: Before this career, I worked in political risk analysis for the World Bank and realized being in front of a computer all day wasn’t fulfilling for me. Growing up in Portland, Oregon, I was always drawn to home design, so I knew I was inclined to work with interiors and make things by hand. I moved to New York City and received my MFA in interior design from Parsons, then went to Hudson, New York, where I began making furniture. After my business picked up, I moved back to Portland in 2016. Guiding Fundamentals: People are familiar with my plaster pieces, but I also make hardware that follows similar principles—everything is made by hand in my studio. I do not believe in high-tech gadgets. I use five tools and my pieces don’t look perfect. I am not interested in perfection. Untapped Element: I’ve been intrigued by working with stone, and I don’t mean the refined kind. Over the years I have collected little river rocks and I’ve wanted to build them into furnishings.

BLANCHE JELLY: VIGNETTE AND PORTRAIT, ISAAC LANE KOVAL. CASEY MCCAFFERTY: VIGNETTE AND PORTRAIT, DAN ARNOLD.

Home GROWN

ELIZABETH PARKER

CASEY MCCAFFERTY casey-mccafferty.com Natural Inclination: Growing up the fourth of five children in Staten Island, my parents let me dabble with any creative endeavor I was obsessed with at that stage. I built computers, worked on mopeds, made fiberglass structures and erected tree forts. Furniture design and woodcraft took hold after graduating college. Coastal Significance: Living on both coasts—the East as a child and the West (Los Angeles) as an adult—I have always loved walks on the beach searching for debris. The textures, colors and overall air of flotsam and jetsam are a huge influence on my work. History Lesson: I’ve been reading a lot about Constantin Brâncuși and Auguste Rodin lately—both famous sculptors with different styles. Their dedication and obsessiveness in what they deemed quality drive me to always dive into and believe in my work. On the Horizon: The “Hello World” table— I’ve had a creative angst regarding the design of the common table since the top will always be a flat surface. So, I made a simple switch of letting the base flow through the tabletop allowing the eye to wander from bottom to top. 044 / LUXESOURCE.COM

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RADAR / NEXT WAVE

JUDE HESLIN-DI LEO Formative Years: I always wanted to be an artist, but it wasn’t until I took a class at Pratt on industrial design that I connected strongly with the work and felt it was my path. While I was pretty lousy at woodworking during those college years, it wasn’t until a few years later during a summer job with Johnny Geraghty, a custom furniture maker, that I learned the traditional methods of Japanese tansu. With the intricacies involved and no allowances for error, my fabrication skills jumped to the next level. Mutual Affection: My biggest early influence was when my friend Bernardo Guillermo and I started designing and making furniture together after graduating college in 2005. We influenced each other— pushing and leaning on one another to make those early pieces happen. Living in Harmony: Earlier this year my family and I moved out of New York City to Cold Spring, New York, where we live on top of a mountain surrounded by wildlife. Everyone in our community does their part to preserve the area’s tranquility and living here has had a tremendous impact on how I connect with the earth, especially when it comes to my work. American Craftsmanship: To me, it is the integration of fine arts, industrialism and technology. It is also about keeping the celebration of the artisan alive.

JUDE HESLIN-DI LEO: VIGNETTE, JON VON PAMER; PORTRAIT, GIEVES ANDERSON. ASPEN GOLANN: PORTRAIT, CHAD WEEDEN.

judeheslindileo.com

ASPEN GOLANN aspengolann.com Go-to Materials: Domestic hardwoods, especially walnut and maple. Walnut is so classic and the grain is so rich, while the bright, simple tones of maple give furniture such lightness. When bleached, the pieces emanate an almost otherworldly glow. Studio Influence: During my residency here at Penland School of Craft in North Carolina, I keep an unruly set of three-ring binders filled with reference images of Greek and Roman statues, iconic pieces of American furniture and objects by unnamed makers that I’ve spotted in thrift stores. Southern Charm: I love the elegance and restraint of traditional furniture forms, especially their properness relating to decorum. While my pieces inspirit antique furniture, I try to dust off the stuffy aesthetic related to classic lines by simplifying, rearranging or recontextualizing older forms and styles. Playing Favorites: Made with my good friend and mentor, Peter Galbert, and commissioned for the wellknown English designer Beata Heuman, the Windsor Settee has so many opposing qualities; it utilizes old-school Windsor chair construction, while the updated proportions and curving of the entire back and undercarriage give it a fluid, sculptural feeling. 046 / LUXESOURCE.COM

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The Lanister Rug in 6745F Blue/Multi To ďŹ nd your local sales rep, please call 800.779.0877

feizy.com @feizyrugs

RADAR / SCENE

POST MASTERS @chickadeeinteriors

WHO: Kate Hartman originally opened Chickadee Interiors with her mother-in-law, Carolyn Hartman, in 2011, then renovated the Vestavia Hills, Alabama space with Chris Reebals of Christopher Architecture & Interiors in 2017. WHAT: This favorite shop of Birmingham locals blossomed into a bona-fide interior design firm, thanks in part to the arrival of designer and current co-owner Kelly Petro Neely.

TALKING SHOP

IN THEIR OWN WORDS: “Our space is under renovation—again! Look for a work space, cozier meeting area and more curated merchandise. We’ll be able to put more emphasis on supporting local artists, and hosting trunk shows and pop-ups.”

SHANNON BOGAN

Noting the dearth of trade resources in Charleston, designer Shannon Bogan got to work opening a showroom, To The Trade on King, on the city’s famed shopping corridor. Bogan’s 2,500-squarefoot space stands apart from her Kiawah Island design studio by being for other designers more than for Bogan herself. An impromptu meeting room for members of the trade and their clients, it showcases the creators she’s loved for years and serves as the area’s exclusive source for Vanguard. Here, Bogan chats with Luxe about how she closed a resource gap. tothetradeonking.com What distinguishes To The Trade on King from other designer sources in Charleston? We are the only ones specifically to the trade. We want to be their resource for things designers can’t get anywhere else. And if we don’t have it, we’ll help them find it. You have the best of both worlds here—a historic district and a new space. Charleston is a world-class city, but it only came to the forefront about five years ago. There was just this boom. 48 / luxesource.com

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Meaning, a lot of new customers? There’s no question it’s attracting so many from other areas, and that’s what we want—to be their home base for everything they need in Charleston. The designers we see really think of it as their space, not our space, which we love. What’s coming up? We’re planning a week-long trade market in Charleston this summer. On Monday, we might have upholstery, on Tuesday, fabrics, and so on.

LAUNCH

THE ROSA COLLECTION BY ELECTRA EGGLESTON Since 2015, former actress Andra Eggleston has delighted the design industry with Electra Eggleston, a playful array of textiles produced from her Nashville studio and based on the drawings of her father, William Eggleston, a Memphian worldrenowned as “the father of color photography.” Her third rollout, The Rosa Collection—described as a love letter to the vivacious spirit of her late mother— represents a marked departure conjured during a 2016 trip to Costa Rica and combines the organic beauty of tropical flora and fauna with more repetitive patterns she spied in the country’s surrounding architecture. Printed in Switzerland on Irish linen, the collection’s seven motifs, plus six additional outdoor performance fabrics, employ subtle gradations and bold color-blocking to mimic the artful interplay of light and shadow. electraeggleston.com

talking shop photo: william quarles photography. post masters photos: top, tommy daspit photographer; center and bottom, holland williams photography. launch photo: caroline allison.

WHY: Softly diffused snaps of Chickadee’s sophisticated projects, defined by pops of color, surprising pattern placements and crisp contrasts.

WRITTEN BY KATE ABNEY

7/1/20 12:06 PM

DESIGNING GARDENS | CREATING LANDSCAPES MAINTAINING BEAUTY

404.603.9705

gardenstolove.com

RADAR / SCENE

THE INSIDERS Having started out as competitors who soon realized they were better off as comrades, Atlanta-based design duo Tavia Forbes and Monet Masters have formed a dynamic design partnership, their recipe a mix of friendship, charity and design work. Five years in, their jointly formed Forbes + Masters thrives on coastto-coast sourcing, customized components and deep personal connections with clients, leading to truly tailored projects. Luxe chatted with Forbes and Monet to find out why this pair is worth paying attention to. forbesmasters.com Why is Forbes + Masters special? MM: You’re getting two design principals, not a lead designer and a junior designer. That means the project is consistently being managed on a high level, using our different strengths. How would you describe the work? MM: Bold, layered, thoughtful—with personal touches like a grandmother’s quilt, a rug collected in Afghanistan, little details like that. TF: Also, timeless—our

designs aren’t based on what’s trendy at the moment, but on the client who is living in the home. Tell us about your new location in East Atlanta. MM: It’s part of the new Atlanta Arts District. Many artists who had studios at The Goat Farm Arts Center are moving in over there. We’re driven in a different creative direction, being around so many artists that handle different materials rather than being among other designers; It’s inspiring in a different way. TF: We’ve also set aside the front office portion for our craftsman, Antonio Darden, who builds our bookcases, tables and desks, so we’ll have constant access to building materials and fun things to play with.

THE INSIDERS PHOTOS: VIGNETTE, COURTESY FORBES+MASTERS; PORTRAIT, ANDREW MICHAEL PHILLIPS. MEET THE MAKER PHOTOS: MCGINN PHOTOGRAPHY.

TAVIA FORBES AND MONET MASTERS

MEET THE MAKER GRANT GILL

“I’m a thinker,” says Alabama-born Grant Gill, whose exquisite furniture designs stem from a background in fine-art sculpture and a stint in Slovakia, just down the Danube River from where Thonet’s influence famously reverberated out of 19th-century Vienna. Dropping out of the master’s program at Florida State University and moving home to pursue his true passion, Gill found a mentor in Michael Morrow of Birmingham’s MDM Design Studio, working mostly on custom commissions. A year later, Gill was moonlighting with his own work, ultimately launching a fivepiece collection featuring his favorite Ivan lounge chair (with seats upholstered by Montgomery leatherworker Jamey Johnson) and a superlative cabinet dubbed Dimitry. Moving to Nashville encouraged Gill to invest full force, forming a new studio for his bench-made creations. Traditional

joinery techniques impart an heirloom quality, while low-VOC finishes and North American hardwoods keep them sustainable, especially with Gill’s plans for urban harvesting on the horizon. And although this fall will see his sophomore launch—a limited-run series of dining tables and chairs in cerused ash—Gill continues to relish commissions. “I love working for architects particularly. They send over these beautiful, immaculate drawings. It’s amazing.” grantgillfurniture.com

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Your modern luxury car knows what temperature, seat position, and music to set when you open the door. Why should you modern luxury home do anything less?

S M A R T L I G H T I N G C O N T R O L • C L I M AT E C O N T R O L A C C E S S C O N T R O L • A U T O M AT E D C U S T O M S H A D E S H I G H S P E E D W I - F I • M U LT I - R O O M M U S I C

for m or e v i si t:

b r ava s.c o m

or call: 7 7 0 . 4 7 9 . 1 0 0 0

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RADAR / SCENE

FULL COVERAGE WRAP YOUR ROOM IN FOUR WOW-WORTHY WALLPAPER COLLECTIONS CONCEIVED BY ARTISTS AROUND THE SOUTHEAST.

Contemporary watercolorist Katherine Stratton Miller had long fielded requests to transmute her illustrations into wallpaper. But it was teaming up with Rowanne McKnight—director of the Nashville Artist Collective, which has represented Miller since 2018—that made the dream a reality. Calling their line Julia Kipling as a tribute to their Southern grandmothers, the duo’s inaugural collection, Otomi, debuted this spring. Miller calls it an homage to both her nature-filled childhood on a Nashville farm and the world-renowned embroidered textiles of Mexico’s Altiplano region, reimagined in varied scales, finishes and colorways. juliakipling.com

LULIE WALLACE ▲ This Columbus, Georgia artist’s vintage-inspired paintings are beloved for their pretty palettes, playful motifs and hand-brushed effects—qualities that lend themselves beautifully to Wallace’s timeless textiles and wallpapers, digitally printed in North Carolina. Inspired by her “love for relaxed, layered rooms,” the four latest releases (Eila, Rebekah, Della and Mims) to replicate her painterly style are available through Travis & Company in Atlanta or Fritz Porter in Charleston. luliewallace.com

ANGELA SIMEONE ⊲ For this Nashville artist, a family heritage of Italian artisans and a significant portion of her childhood spent abroad naturally led to a passion for painting: her soft abstracts, propelled by the principles of color theory and her own concept of imbalance, have been collected by the likes of Blackberry Mountain and the Grand Hyatt Nashville. A gradual move to wallpaper over the past year has resulted in 50-plus patterns Simeone describes as both energetic and serene—with many printed on recycled paper. angelasimeone.com

▲ WINDY O’CONNOR Thanks to a background in interior design, this Charlotte artist has always painted with rooms in mind. Since 2007, she’s parlayed her painterly style into a series of wallcoverings available in pearlized grass cloth, silk, crystallized and smooth matte substrates. Moved by her state’s coastal surroundings, O’Connor creates patterns by lifting sections of her mixedmedia works past and present, then digitally mirroring them to create modern, Rorschach-like motifs favored by fellow Queen City talents Holly Hollingsworth Phillips, Lisa Mende and more. windyoconnor.com

julia kipling photo: courtesy julia kipling. windy o’connor photo: vicki turner. angela simeone photo: courtesy angela simeone. lucie wallace photo: courtesy lulie wallace.

▲ JULIA KIPLING

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Est . 1978

L A NTER N M ASTERS B o u t i q u e L i g ht i n g M a nu f a c t u r e r

I NTERIOR -E XTERIOR -C USTOM M ODERN -C LASSICAL L ig ht i ng you r way w it h u n iq ue det a i l s , e xq u i sit e c r a f t sma n sh ip a nd s up er ior de sig n ser v ic e P roud ly M a de i n t he U S A 31328 Via Colinas Suite 103 Los Angeles, CA 91362 818 -706 -1990 lanternmasters.com

PROMOTION

PALECEK The Boca outdoor lounge chair has a patinated teakwood frame and legs with wide bands of handwoven synthetic rope in neutral taupe and gray, with maximum UV protection. It comes with a loose seat and back cushion. Priced at $3,376. palecek.com

J. TRIBBLE J. Tribble is the premier designer and manufacturer of custom sink bases and handcrafted cabinetry. It has built thousands of cabinets installed in homes around the globe. Greta is the newest design. jtribble.com

DISCOVERIES FRESH. DESIGN. FINDS.

NEWPORT BRASS Combining vintage details and a modern silhouette, the new Duncan bridge faucet by Newport Brass is designed to be the centerpiece of todayâ&#x20AC;&#x2122;s kitchen. newportbrass.com

BEVOLO GAS & ELECTRIC LIGHTS The Governor Pool House lantern will complement any outdoor or indoor setting. Cast a soft candlelight glow or display seasonal items and favorite collections. These portable fixtures are handcrafted out of stainless steel or pure American copper. bevolo.com

PROMOTION

ANTOLINI Antolini introduces a revolutionary solution: Azerocare. This treatment protects marbles like Dover White from etching and staining caused by contact with acid-based food elements. antolini.com

HAMMERTON Edison created the electric bulb, and Hammerton made it beautiful. The companyâ&#x20AC;&#x2122;s Nebula blown-glass collection revolutionizes traditional lamping, with luxurious LED-lit artisan-cast glass diffusers in a choice of handcrafted styles. Priced from $995.

BROWN SAFE Brown Safe is the leading creator of bespoke safes built to a higher standard. This multigenerational family business is the premier resource for securing precious heirlooms, priceless jewelry and watch collections, or anything else worth protecting. brownsafe.com

hammerton.com

WESTERN WINDOW SYSTEMS Customizable, contemporary and easy to operate, Western Window Systemsâ&#x20AC;&#x2122; new aluminum Series 7600 multislide door expands living space and brings the outdoors inside through huge panels of energy-efficient glass. westernwindowsystems.com

MARKET A look at nature-inspired tile trends, fashion-forward interiors and the latest releases featuring perfect pairs.

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MARKET / MATERIAL

TERRA FIRMA RICH TEXTURES AND NATURAL HUES GROUND THIS SUMMERâ&#x20AC;&#x2122;S DECORATIVE TILES. PRODUCED BY KATHRYN GIVEN WITH SARAH SHELTON

FIELD REPORT Clockwise from top left: Cabal in Pink by Kelly Wearstler / annsacks.com. M43 Lichen / heathceramics.com. Narrabeen in Bangalay by Pietta Donovan / walkerzanger.com. Bow in Terra Cotta & Kohl / pophamdesign.com. Sound Wave Pattern #9 / flmceramics.com. Sepia Flanders / devolkitchens.com.

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SUN DANCE Clockwise from top: Hex Punch in Lawn & Milk / pophamdesign.com. Let’s Connect Base – DTLA by Taryn Bone / granadatile.com. Try Angle Black Hex / cletile.com. Saigon Triangle and Saigon Circle Blue / artistictile.com.

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MARKET / MATERIAL

GROUND CONTROL Clockwise from top: Prince in Fold by Avroko / xsurfaces.com. Tiempo Kasuri in Charcoal & Oxford / annsacks.com. Glazed Thin Brick in Fennel / cletile.com. Haystack in Mustard Seed / fireclaytile.com. Sound Wave Pattern #5 / flmceramics.com. Kyoto Bronze / artistictile.com.

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RUSTIC ROUSE Clockwise from top: Luna Luna in Sunshine / granadatile.com. Zephyr Nero by Alison Rose / artistictile.com. Clip Square Mosaic by Lindsay Sheets / redrocktileworks.com. Rose Venetian / devolkitchens.com.Echo by Paul Schatz / newravenna.com. Mottled Tile in M8 / balineum.co.uk. Fabric backdrops throughout: Ă&#x2030;litis / elitis.fr/en.

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MARKET / TREND

GOURMET SOCIETY YEARNING FOR EXPERTLY CRAFTED COCKTAILS AND DINNERS OUT, WE TURN TO FOUR DESTINATIONS WHERE THE INTERIORS ARE SIMPLY DELICIOUS. WRITTEN AND PRODUCED BY SARAH SHELTON

6 1

GENTLEMEN’S QUARTERS GOODMAN’S BAR, NEW YORK CITY

Tucked away in the iconic men’s section at Bergdorf Goodman, this sleek and sophisticated hideway provides the ideal inspiration for creating a classic library bar space. Decorated with custom hand-painted de Gournay wallpaper, vintage Franz Schuster chairs and graphic marble floors, the space evokes a fashionable Parisian watering hole, which is echoed in the array of luxuriously adorned pieces on display here.

4 1. Shagreen Backgammon Set / $2,750 / aerin.com 2. 18k Gold and Platinum Tiger’s Eye Flat Top Ring / $26,000 / davidwebb.com

4. Carlyle Sofa / Price upon request / lorinmarsh.com 5. Cloud Sepia Cashmere Blanket / $1,425 / saved-ny.com 6. Poppy Two Light Sconce / $199 / hinkley.com 7. Large Oxymore Double Old Fashioned in Gray by Saint Louis Crystal / $315 / bergdorfgoodman.com

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PHOTO: NOE DEWITT, COURTESY BERGDORF GOODMAN.

3. Drone Side Table by Alexander Diaz Andersson / $5,490 / atraform.com

6/9/20 6:16 PM

MARKET / TREND

LA DOLCE VITA GUCCI OSTERIA, BEVERLY HILLS

Embracing the fashion brand’s Italian heritage while honoring its SoCal surroundings, Rodeo Drive’s chicest rooftop eatery showcases an eclectic mix of decor. With banquettes enveloped in red velvet—a nod to old Hollywood glamour—and wicker dining chairs—reminiscent of Florence’s effortless alfresco dining scene—this bright and polished hot spot prompted a mix of accessories oozing with laid-back sophistication.

4 1. Rukesh Mandarin Sheared Rug / Price upon request / tufenkian.com

3. Laundered Linen Napkin Set / $80 for four / caravanhomedecor.com 4. Ochre Chromatic Ceramic Plate / Price upon request / getthegusto.com

5. Mediterranean Storage Jar / Price upon request / innergardens.com

6. Lyford Chair by Beth Webb / $1,640 / arteriorshome.com 7. Small Top Handle Bag in Pastel Green Python / $5,900 / gucci.com

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PHOTO: PABLO ENRIQUEZ, COURTESY GUCCI.

2. Star of the East Pendant by Martyn Lawrence Bullard / $5,900 / corbettlighting.hvlgroup.com

6/9/20 5:18 PM

New York | London | Dubai

Sculptures, water features and sundials made uniquely for you davidharber.com | 312.895.1586

MARKET / TREND

2 6

PRIM AND PROPER DINING HALL, LONDON

The Dining Hall at Harrods, the world-famous department store that boasts a 200-year-long history, transports us to a world of old-European grandeur with subtle additions of contemporary elements. In 2019, David Collins Studio updated the Grade II historic building while still preserving original elements, such as tiles and roundels from the 1900s. Following these cues are the selections on this page, sure to incite your very own elegant and English-inspired utopia.

1. 18k Yellow Gold Earrings With Fire Opals and Yellow Sapphires / $12,900 / andrewglassfordjewels.com 2. Harrods Heritage No. 7 Green Tea / $14 / harrods.com 3. Turquoise Tea Cup and Saucer / $175 / raynaud-shop.com 4. PrivĂŞ Day Bed / $6,370 / bykoket.com

6. Peacock Pull in Unlacquered Polished Brass / $500 / neststudiocollection.com 7. Cimaruta Fabric in Serpentino / Price upon request / zakandfox.com

PHOTO: COURTESY HARRODS.

5. Artemis Bottoman / $1,432 / houseofhackney.com

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MALIBU Collection Furnish your next moment by requesting a Complimentary Virtual Design Consultation at www.SummerClassicsHome.com/Virtual

MARKET / TREND

HAUTE HANGOUT

LE CAFÉ V, OSAKA

Nestled in Osaka’s modern metropolis is Louis Vuitton’s first café celebrating the fusion of traditional and modern design influences. Emblematic of the Japanese city’s seafaring history and created by architects Jun Aoki and Peter Marino, the building’s exterior resembles a cargo ship. Inside, the top floor’s oval-shaped Cocoon Room is outfitted with cozy curved yellow sofas and colorful modern art. This inviting space can be replicated with intriguing shapes and playful pops of color.

1. Permanent Sunset in Pansy by Liz Collins / $420 per roll / flavorpaper.com 2. Vertex / $4,500 / johnhogandesigns.com

3. Miami Beach Wall Sconce by Sasha Bikoff / $224 / curreyandcompany.com 4. Swift Loafer / $1,170 / louisvuitton.com

5. Audubon Pedestal Dining Table by Sherry Shirah / $3,650 / doormandesigns.com 6. Pukka Chair by Yabu Pushelberg / from $2,030 / ligne-roset.com

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PHOTO: COURTESY LOUIS VUITTON.

7. Dedale Cushion Cover in Grenadine / $153 / elitis.fr/en

6/9/20 5:18 PM

Introducing the Next Generation of

HomeWorks

Lutron wall controls, automated window treatments, and Ketra lighting â&#x20AC;&#x201D; integrated together harmoniously

MARKET / SPOTLIGHT

BETTER Together IT’S ALL ABOUT COLLABORATION THESE DAYS. LUXE HIGHLIGHTS FIVE DYNAMIC PARTNERSHIPS, EACH WITH A SPIRITED SYNERGY. WRITTEN AND PRODUCED BY KATHRYN GIVEN

CHADDOCK x MARK D. SIKES Mark D. Sikes brings his elevated California design ethos to a curated, customizable furniture collection with North Carolina-based Chaddock and its CEO, Andrew Crone. Walk us through the inspiration. MDS: We wanted to create allAmerican, versatile pieces. The design of several items was spurred by antiques I’m often hunting down for clients. What attracted you to this collaboration? AC: Mark is a wonderful partner for us because he understands the power of timeless elements and personalized details in a way that customers and clients understand them, too. Tell us about the materials. AC: Quality is the bedrock of what we do, so all of the “ingredients” are really important. We used a mixture of oak and maple wood species for the case goods. We love the dining chair and its versatility. MDS: Yes, it feels both feminine and masculine, and the scale works as a dining chair, a desk chair or a side chair. I also love the beautiful detail of the lattice back and the cane seat.

PHOTOS: COURTESY CHADDOCK.

With its delicate scale and slender arms, the Myrtle Dining Chair is not limited to the dining room; it can easily adapt to many spaces in the home. Here, it’s shown in Farrow & Ball’s No. 210 Blue Ground with the worn technique (left) and 900 Ebony finish with gilt accents. chaddockhome.com

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Nothing is more precious.

Designed by nature and perfected in Italy, Antolini Precioustone is a fragment of the stream of life, the heartbeat of the ages, the skin of our planet. It is purity in its most perfect form: design, colors and patterns handed to us by history. www.antolini.com Smoky Quartz Ă&#x2019;LightĂ&#x201C;

MARKET / SPOTLIGHT

ROBERT KIME x TORY BURCH

Share the inspiration for the collection. RK: Our trip together to Japan was certainly the impetus. We went to wonderful places, stacked with beautiful documents but both gravitated toward the same designs. What excites you about Robert’s design aesthetic? TB: I’ve always been a huge admirer of Robert’s work, particularly his take on country homes. His approach is eclectic. I love how he has no rules, combining objects from different cultures and time periods. Nothing feels too designed. The patterns are so charming—what sentiment were you going for? RK: We leaned heavily into indigo, as there was so much of that simple dying technique found on our journey. The patterns are delightful, some small and some less so—but they each tell a story. How would we find them in your home? TB: I’ll mix and match the fabrics—nothing too perfect. The Ume pattern (left) was inspired by an original Sarasa fragment from the Edo period and is still considered exotic and valuable in Japanese society today. Decorated with birds and bamboo, the Takeyabu design was drawn from a Bingata fabric, which traditionally depicts natural motifs. robertkime.com

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PHOTOS: COURTESY ROBERT KIME.

After designer Robert Kime completed the interiors of Tory Burch’s Normandy, France, home, the dynamic duo connected again to design the Nara collection, a sweet selection of fabrics and wallpapers.

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SOCIETY SOCIAL x ARIEL OKIN When it comes to offering a fresh take on classic furniture, the seven-piece assortment by Society Social founder Roxy Te and New York-based designer Ariel Okin does just that. This is a perfect match. How did you meet? RT: We connected in the modern way, via Instagram, chatting about everything from motherhood to design. Soon after, the idea of our line was born. Favorite part of collaborating? AO: Going back and forth on the sketches was such a fun experience for me. My inspiration images were really brought to life through Society Social’s talented artisans. Talk to us about your stylistic approach. RT: We wanted a look that is a soft ode to the classics but still evokes the comfort of home—designs that welcome effortless and inspired living. What’s important to keep in mind when designing furniture? AO: End use! I ultimately felt drawn to design a furniture line because I wanted to create pieces that I couldn’t find for my own clients. It’s important to really zero in on how the pieces will be used.

PHOTOS: COURTESY SOCIETY SOCIAL.

Influenced by furnishings in the ever-stylish homes of Marella Agnelli, the Bobbie Coffee Table features a traditional silhouette with trompe l’oeil wicker details for a feminine twist. Shown in Les Touches fabric in French Blue (left) and Performance Cloud Linen. shopsocietysocial.com

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MARKET / SPOTLIGHT

ATELIER VIME x FARROW & BALL

How did the partnership with Farrow & Ball transpire? AW: Our world is intimately linked to Provence and our 18th-century house in Vallabrègues. For a long time, we had considered recreating our objects in color. The methods used by Farrow & Ball fit our artisanal and sustainable approach perfectly. Favorite moment? CC: Like us, commitment to traditional production methods is important to Atelier Vime, so it was great to see this celebrated with handcrafted woodwork. The paint really brings the pieces to life. CC: Strong colors like these certainly add a statement to a room, but when used on wicker, they frame the light and respond to it. What tenets do you consider when designing? AW: It has to be functional and poetic. I love to imagine a story behind each item. One of Atelier Vime’s first designs, the Gabriel Ceiling Light harks back to a round utility basket originally made by the company in the 1950s and used for collecting fruit. Today, the wicker is cultivated and handcrafted in Provence. It’s shown here in Farrow & Ball’s Off-Black (left) and Cola paint colors. ateliervime.com; farrow-ball.com

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PHOTOS: COURTESY ATELIER VIME.

Wicker wizards Anthony Watson, Benoit Rauzy and Raphaëlle Hanley of Atelier Vime and Charlotte Crosby of Farrow & Ball have launched the first of many collaborations incorporating the brand’s sophisticated paint shades on handcrafted wood pieces.

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B&B ITALIA x NAOTO FUKASAWA The connection runs deep for B&B Italiaâ&#x20AC;&#x2122;s CEO Gilberto Negrini and Japanese designer Naoto Fukasawa, who teamed up again to create Ayana, a minimalist assemblage of outdoor items. What attracted you to collaborate with Fukasawa? GN: His pure, light vision of design and the fact that his products are minimal and precise in their shapes and details. Most rewarding part of the process? NF: The most joyful stage for me is visiting the factory, seeing the prototypes and continuing to refine the pieces. We love the use of natural teak. GN: The unpainted teak allows the piece to age and evolve in the most genuine way. This project also has a green soul as all the materials can be separated and disposed of with respect for the environment at the end of the productâ&#x20AC;&#x2122;s life cycle. What excites you most about the collection? NF: The unique combination of essential shapes and natural wood is so elegant and sophisticated.

PHOTOS: COURTESY B&B ITALIA.

Combining Southeast Asian influences with a contemporary Scandinavian aesthetic, the outdoor teak Ayana armchair employs ancient construction. Each structure is completely free of metal elements and instead uses wooden pin joinery; the pieces are shown in Linaria green and gray fabrics. bebitalia.com

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Let your passions run wild.

FREE NATIONWIDE SHIPPING | ABT.COM | KITCHEN SALES ASSISTANCE - 855.812.2456 1200 N. Milwaukee Ave, Glenview, IL 60025

THE LOOK Spaces with laid-back sophistication and subdued simplicity make for the most alluring retreats this summer.

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THE LOOK / KITCHEN + BATH

SERENITY NOW TAKE SANCTUARY IN THESE CALMING SPACES. WRITTEN AND PRODUCED BY KATHRYN GIVEN

photos: aimée mazzenga, courtesy project interiors.

At a moment when our homes are more important than ever, kitchen and bath spaces have become the ultimate safe havens—somewhere we can pause, unwind and take comfort at the end of the day. Today’s designers are incorporating minimalistic layouts, natural materials and soothing color palettes to create airy environments. Designer Jennifer Kranitz of Project Interiors took those elements to heart for a spacious Chicago bathroom imagining “a quiet, gentle setting where the owners can hit mute on the chaos of life.”

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Designer Jennifer Kranitz created an elegant master bathroom in Studio Gangâ&#x20AC;&#x2122;s iconic Aqua Tower in Chicago with tranquility in mind. The subdued gray-toned walls and flooring were customized in Tadelakt Plaster and fabricated by Chicago Ornamental Plastering. A brass stool by Noir punctuates the neutral palette in front of an MTI bathtub with Hansgrohe fittings.

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THE LOOK / KITCHEN + BATH

MIRROR IMAGE

That view! This bathroom offers an amazing cityscape. We took into consideration everything happening outside when creating the design. We wanted it to be soft and serene in contrast to the city life visible through the floor-to-ceiling wraparound windows. Tell us about the decision to use plaster. Plaster is the main finish here and is incorporated on the floors, walls, tub, shower—everything! It’s very durable and low-maintenance. The various applications create movement and allow your eye to travel around the space. Plus, the material almost has a velvety look, which adds a subtle texture and scale to this very large room. What should be top of mind when designing a bathroom? While you want it to be pretty, it also has to work! Early on in the process, consider the functionality and how your client will live in the space. We were mindful of elements such as circulation, point of entry and storage while building this relaxing refuge.

photos: this page: aimée mazzenga, courtesy project interiors. opposite: stephen karlisch, courtesy jean liu.

Nestled high above the sprawling city of Chicago is this ideal urban oasis by designer Jennifer Kranitz of Project Interiors. Here, she walks us through the spectacular space, which involved combining two units in the luxury skyscraper. projectinteriors.com

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In a Dallas kitchen, architect Jason Erik Smith chose Ann Sacks’ Pietra Statuario for the island, which features a Houzer sink and Blanco faucet. “With four children, the island needed to be heroic,” Smith recalls.

PALETTE CLEANSER THIS KITCHEN PROVES THAT AN AESTHETICS-FIRST APPROACH DOESN’T HAVE TO SACRIFICE FUNCTIONALITY. WRITTEN BY GRACE BEULEY HUNT

The words “calm” and “kitchen” don’t always walk hand in hand. But for a Texas couple with four children, a Zen cooking hub was wish number one for their new home in the tony Dallas suburb of University Park.

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“The idea was not to think of it as a kitchen, but as a beautiful space that happens to have all the amenities and comforts of one,” explains architect Jason Erik Smith. To meet this brief, the team at Smitharc Architects prioritized concealing as much visual clutter as possible. Along the north wall, a series of discreet doors encloses both refrigerator and dishware storage. Beyond, in the handsome back-of-house area, a shallow corridor hosts built-in small appliances before revealing a walk-in pantry and coffee bar. And equal parts design statement and workhorse, the impressive, 15-foot-long sintered porcelain island houses two dishwashers and a downdraft cooktop, in addition to generous drawer space. With its organic material procession, the storagesavvy kitchen flows seamlessly into the openconcept great room—but that’s not to say it feels

indistinct. To delineate, the architects carried the rift-sawn white-oak flooring up the wall and across the ceiling like a ribbon on a gift. “What this does is create a room within a room,” Smith explains. “It’s a strategy we like to use to create intimacy within a big, open space.” Rounding out the interiors, designer Jean Liu employed furnishings with clean lines and stalwart tendencies. A laminate top Saarinen table joined by walnut Cherner dining chairs creates a dégagé set-up for homework sessions and cocktail parties alike, while soaring Pindler curtain sheers and custom sisal rugs lend warmth and softness to the minimal scheme. “A limited color palette will always tone down hustle and bustle,” notes the designer, adding, “Every last detail in this space is choreographed, which creates a sense of serenity and calmness.” smitharc.com; jeanliudesign.com

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THE LOOK / KITCHEN + BATH

TWO OF A KIND Making its U.S. debut earlier this year, Italian company Ceramica Cielo touts an impressive array of ceramic sinks in various styles, sizes and colors. New to the collection is the Multiplo system, a modular design specified for suspended installation that includes a wash basin and countertop, available in 17 colorways. Coordinating lower storage and towel racks are also offered. ceramicacielo.it

BON APPĂ&#x2030;TIT

CROSS CULTURE The Qi collection is the high-concept collaboration between Scavolini, the Italian makers of quality kitchens and baths, and Japanese design powerhouse Nendo. Marked by a minimal, contemporary aesthetic, the offerings focus on linear elements including sleek shelving elements and substantial kitchen peninsulas. The bespoke program is available in several finishes and materials. scavoliniusa.com

PHOTOS: THIS PAGE: COURTESY RESPECTIVE COMPANIES. OPPOSITE: COURTESY ALIX LAWSON.

The latest introduction from Signature Kitchen Suite, the 36-inch Dual Fuel Pro Range, offers a smaller footprint for the brandâ&#x20AC;&#x2122;s flagship appliance featuring sous vide, induction and gas burners. Once left to the pros, sous vide, which uses precise temperaturecontrol techniques for delicious results, is now mainstream at home. signaturekitchensuite.com

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Designer Alix Lawson used Silk Georgette stone to create a seamless architectural canvas for a sophisticated London bathroom. Bastion Wall Sconces from Allied Maker frame the mirror.

LESS is MORE

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â&#x20AC;&#x153;I have always been a minimalist at heart and believe that there is so much consideration that goes into beautiful simplicity,â&#x20AC;? explains London-based designer Alix Lawson. For a striking Notting Hill contemporary bathroom, she employed clean lines, natural material and a tone-on-tone palette to create a distinct sense of calm. Lawson also drew upon Scandinavian ethos, Japanese design principles and her own Australian heritage to create the retreat-like cocoon. alixlawson.com

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Beauty and Sustainability NEOLITH® STRATA ARGENTUM Space I NEOLITH® Urban Boutique Milan (Italy) I Designed by Héctor Ruiz I Photography: Dámaso Pérez Fototec

Neolith® is an architectural skin capable of dressing up any interior or exterior commercial or residential space where it’s applied from ﬂoors and walls to kitchen countertops, facades and even furniture. The large format minimizes the number of joints in cladding for decorative and hygiene beneﬁts. The minimal thickness allows it to be directly applied to an already existing surface without the need for prior removal.

It’s a low-maintenance material given its special resistance to scratches, stains, chemicals, high temperatures and traﬃc. Neolith® also provides the perfect balance between aesthetics and functionality given its unlimited possibilities and capacity to resemble all-natural materials like stone, wood and metal. Discover more on www.neolith.com |

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Design Is A Global Language International design “demonstrates a well-traveled, well-rounded lifestyle, with elements that reflect clients’ love of international products and styles.” Kendall Ansell Citizen of the World, Member of NKBA

Meet Kendall Ansell of Kendall Ansell Interiors in Vancouver, British Columbia, Canada. She’s guided by these principles in creating beautiful, balanced spaces for sophisticated clients around the world. Kendall has won multiple design awards, including the 2020 NKBA Design Competition for achievement in Living In Place Design.

Membership in the all-industry National Kitchen & Bath Association unites designers, dealers, remodelers and manufacturers from around the nation and around the world, offering: + + + + + +

For information on NKBA’s Global Connect program and Membership, visit NKBA.org

Networking A sense of community Opportunities for professional development Exposure to leading-edge products and technology Marketing opportunities to an international audience Discounts at the Kitchen & Bath Industry Show (KBIS), North America’s preeminent trade expo devoted to residential kitchen and bath design and remodeling + Resources and expertise on doing business in the North American market + A spirited exchange of information and ideas on a global scale

DESTINATION FOUND TRADITIONAL, CONTEMPORARY AND GLOBAL INFLUENCES FUSE FOR A DISTINCTIVE HAVEN IN NASHVILLE.

WRITTEN BY SHAWN GAUTHIER / PHOTOGRAPHY BY CAROLINE ALLISON

ARCHITECTURE / NICK DRYDEN, DRYDEN ARCHITECTURE AND DESIGN INTERIOR DESIGN / HANNAH CROWELL, CROWELL + CO. INTERIORS HOME BUILDER / WALT BRANDT, HAMMOND & BRANDT BUILDERS, LLC LANDSCAPE ARCHITECTURE / RICHIE JONES, HDLA LANDSCAPE ARCHITECTS

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tanding in her vacation home on Florida’s Inlet Beach, surrounded by bright, spirited spaces and fun, bohemian decor, Tina Ehrig realized something: She wasn’t ready to go home. “Then it hit me: We don’t have to go without this beauty,” she says. “Why not just create something equally as special in Nashville; a dream home we could experience every day?” The light bulb moment ignited when Tina called up fellow Nashvillian and interior designer Hannah Crowell, who had furnished the family’s vacation retreat on the Gulf Coast. Crowell mirrored her excitement and immediately set the project in motion. “After designing their beach house, I had a strong sense of their preferences and sensibilities,” she notes. Since the family travels frequently, she also knew “they wanted a home that felt storied, worldly and one-of-a-kind.” Enlisting architect Nick Dryden to design it was the extra magic. Though the architect and interior designer had never partnered on a project before, they’d long admired each other’s work. Both are considered visionaries in their community, creating unexpected spaces that are quietly pushing the envelope of Nashville’s long-standing Southern design standards. “We both use our work to help our clients discover their own voices,” the architect says. “Often, that’s accomplished by hopscotching between traditional and contemporary influences while also taking a strong narrative approach.” Tina easily supplied the seeds of her home’s narrative: “I wanted something timeless; a home that felt like it had been around for 100 years. But I also wanted modern with clean lines, elegant with worldly inspiration and lots of warmth.” An avid entertainer, Tina also requested a fluid layout that would allow for an abundance of natural light. Stumbling upon an acre of available land at the end of a quiet street in Belle Meade was the godsend. “Material integrity and an overall sense of timelessness were paramount for fusing influences in a house uniquely tailored to its owners,” Dryden says of his concept. “Pairing international attributes with clean lines, we were able to render a classical form with contemporary flair.”

“THE OWNERS WANTED A HOME THAT FELT STORIED, WORLDLY AND ONE-OF-A-KIND.” –HANNAH CROWELL

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Inside, the floor plan unfolds with intuitive momentum—the entry beguiles, leading effortlessly to the open main level’s library, kitchen, dining and living rooms. The master suite is secluded with a private garden; upstairs, the children’s bedrooms, playroom and Tina’s office are considerately separated. “The floor plan is compact yet expansive in program, allowing for entertaining and intimacy at once,” explains Dryden, who brought on general contractor Walt Brandt to execute an indoor-outdoor experience no matter where you are in the house. With Brandt’s assistance, Dryden utilized balconies and terraces to create outdoor access from every interior space, bringing in plentiful fresh air and flooding the home with natural light. While the house took shape, Crowell shopped. “The clients are well-traveled, so finding singular pieces from around the world was key,” she says. Her bounty of wares paid off; a walk through the interior is akin to an international journey. Checkerboard floors inspired by a visit to a Roman church greet at the entry; handbeaded Nigerian chairs lend whimsy in the living room. Danish modern furniture adds moments of warm, organic minimalism throughout the residence. And a trip to Morocco in the midst of the project produced armloads of colorful, eclectic rugs. “I love walking through the house and seeing pieces I found in deep corners of a medina in Fes or Tangier,” Crowell says. “It fills the space with surprising, authentic moments.” Then there is the delicate millwork on the kitchen’s pantry doors and a master headboard sculpted into a Mughal-esque silhouette—a means to honor Tina’s Indian heritage. Meanwhile, a fountain outside the kitchen supplies a soothing soundtrack to family meals. “When I give a tour of our house, it takes 45 minutes,” says Tina. “There’s just so much to point out—everything has a purpose.” Adding impact to intrigue is a massive floating wall positioned between the entry and living room, flanked by open slits that permit a constant stream of light. For the grounds, landscape architect Richie Jones worked to enhance the home’s clean geometry with strategic plantings of native grasses, lavender, rosemary, leggy hornbeams and boxwood hedges. Anchoring this plan are a saltwater pool and pergola—a bit of a nod to the family’s nature-forward surroundings on the coast. While Jones positioned the pool and terrace to serve as a centerpiece for the entire landscape experience, the master-adjacent pergola was designed by Dryden as a folly of the main residence. Until Jones’ plan for the landscaping matures, Dryden says, “it offers the adults a hiding spot in plain sight.” Although a Florida vacation home may have formerly been her dream escape, nowadays, “There’s no place I’d rather be with my family,” Tina reveals of the Nashville residence. “It’s modern but classic—warm, inviting and tastefully done.” A refuge, through and through.

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In the entryway of this Nashville residence, RH’s 19th C. Baroque Ravenna mirror sets a tone similar to that of the homeowners’ Gulf Coast escape. Hanging above, a Neverending Glory pendant from Design Within Reach, designed by Plecháč & Wielgus, illuminates two scores: a Hollywood Regency bench from Florida Regency in West Palm Beach and an 18th-century Swedish trestle table from Judy Frankel Antiques in Troy, Michigan.

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A custom marble coffee table by Nashville Tile + Interiors acts as a visual anchor in the living room. Vintage armchairs from Atlantaâ&#x20AC;&#x2122;s Westside Modern offer sleek, organic complements to a Cisco Brothers sectional covered in organic cotton. A Moroccan leather pouf expands the seating options within scale; meanwhile, beaded African armchairs from 1stdibs, upholstered in an embroidered Otomi textile, add an exotic effect.

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Above: Waterfall-edge Calacatta Bettogli marble countertops by Nashville Tile + Interiors frame Stovall Custom Woodworking cabinetry to form the kitchen island. A Newport Brass faucet and water dispenser from Kenny and Company offer hints of metallic glamour. Muuto Nerd counter stools from A+R Store in Los Angeles add functional notes; the Jason Miller Endless fixture is by Roll & Hill. Opposite: Interior designer Hannah Crowell credits homeowner Tina Ehrig for choosing the kitchenâ&#x20AC;&#x2122;s Italian-made ILVE range from A-1 Appliance. Above, a vent hood insert from Ferguson is wrapped in drywall to disappear into its environment. Anthropologieâ&#x20AC;&#x2122;s Danehill dining table, surrounded by Normann Copenhagen Knot chairs from Finnish Design Shop, establishes seating with a view.

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Left: In the library, antique Qashqai rug stools provide a playful pairing to CB2’s Tyler leather console table. The abstract artwork was a gift from Tina’s father; Crowell found the brass dancing Shiva figurine at a local flea market. Farrow & Ball’s Hague Blue bathes the space in rich moodiness, complementing intricate woodwork details by Cox Interior. Opposite: The dining room’s Crystorama Clover chandelier from Hermitage sets a glow over a Nickey Kehoe farm table, its traditional form contrasted by the modern Michael Thonet-designed Era armchairs from Design Within Reach. Walls painted with Farrow & Ball’s Inchyra Blue complement draperies made with Tulu Textiles’ Alvin Teal fabric.

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Opposite: A vintage rug from Nashville Rug Gallery sets the tone for the master suite. Ro Sham Beaux’s Frankie Malibu chandelier converses with throw pillows made with mud cloth from Gamafro Originals. An oak spindle bench by Ethnicraft grounds the graceful silhouette of John Robshaw’s Bihar bed; Ralph Lauren’s ’67 Boom Arm wall lamp for Circa Lighting lends a glow. Below: Calacatta Gold marble floors from Stone Source enrich the master bathroom with texture. Here, Crosswater London’s Patinato Grande bathtub offers an indulgent retreat beneath custom mullioned windows by Peres Studios. The space’s fresh aesthetic provided the perfect backdrop for a vintage rug.

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Above: Inspired by the family’s beach house and built by Frame to Finish, the pergola provides a private destination adjacent to the pool terrace. The Millis Patio sofa from AllModern, dressed in Electra Eggleston’s Miami Peacock outdoor fabric, connects to toss pillows in the same textile accenting crisp white Acapulco chairs by Mexa. Arteriors’ Rimini pendant brings warmth to the outdoor escape. Opposite: The home’s cedar shake roof by Above All Roofing, cream stucco exterior by R.T.B. Construction and custom casement windows by Kolbe Windows & Doors combine to create its original style. Accented with Country Floors’ Metta Silk glass mosaic tiles, a saltwater pool featuring an integrated spa from Madison Swimming Pools became a centerpiece for the landscape experience.

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ARCHITECTURE / KARL SPLAN, AIKEN RESIDENTIAL DESIGN INTERIOR DESIGN / TOM BOSSARD, CHESTERFIELD INTERIORS LLC HOME BUILDER / ERIC MARTIN, PRO-MAR CONSTRUCTION LLC LANDSCAPE ARCHITECTURE / LEN CHERRY, CHESTERFIELD INTERIORS LLC

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HISTORY REPEATING LOWCOUNTRY HALLMARKS INFUSE AN ANTIQUES-FILLED ABODE IN A STORIED SOUTH CAROLINA TOWN. WRITTEN BY BLAKE MILLER / PHOTOGRAPHY BY DUSTIN PECK

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uilding their own home from scratch was fresh territory for designers Tom Bossard and Len Cherry. Over the past two decades, the couple had renovated approximately 15 historic properties around the Southeast, a majority of them concentrated in the small town of Aiken, South Carolina they currently call home. Situated about 20 miles from the Savannah River, it’s a place defined by its collective passion for history, antiquing and equestrian games. The duo’s rehabbing endeavors in the area have included transforming a rustic carriage barn and stable into a modernday stunner, restoring an in-town Victorian and bringing an aging farmhouse in the country back to life. So, selecting a spot to build in the town’s historic district—a corner lot framed by towering pines—was cause for excitement. “Being able to choose everything ourselves from the very beginning was thrilling,” says Tom who, with Len, previously owned a weekend home in Charleston and has a long-held affinity for the Lowcountry. “I went to boarding school on the coast of Georgia, where there were a lot of old structures,” Len chimes, adding that he and Tom hoped to channel the area’s classic vernacular. “While we don’t love the formality of a traditional Southern home, we both knew we wanted the telltale architectural details of one: open-tail rafters on the exterior, a front porch deep enough for sitting, a side porch for privacy and high, peaked ceilings.” Consulting with residential designer Karl Splan, the designers were able to institute all of these features—and then some. Tweaking plans authored by Moser Design Group, they opened up the home’s public spaces for a more casual flow. Rustic white-oak floors lined with imperfect knots, shiplap walls and whitewashed pecky cypress on ceilings provided the foundation for the

“WE COLLECT ALL KINDS OF THINGS, AND WE BUY WHAT WE LIKE. IT’S AN ECLECTIC MIX.” –TOM BOSSARD

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decorative layer. To contrast the living room’s coffered effect, the couple selected a vaulted style for the kitchen and den—only to be derailed by engineering issues. Thankfully, “it was general contractor Eric Martin who figured out how to make it work, along with the very specific style of staircase we wanted,” Tom explains. “With so many aspects of the house, Eric was amazing at taking a photo or concept we liked and bringing it to fruition.” Blue-gray shutters and a white-picket fence help the residence mesh effortlessly with its historic neighbors—an achievement that came naturally to the couple, considering Len served on Aiken’s Design Review Board for several years prior. Says Len: “I instinctively knew what we’d need to do for the home to be approved.” Inside, the pair warmed up a predominantly white backdrop with items of substance: brown wood furniture, Chinese Chippendale mirrors, gilt frames and supple leathers. “Most pieces we’ve had for years,” notes Tom, adding that their only new purchases were upholstery. “We’ve moved things from house to house, but just style them differently.” Combining a lifetime of belongings also led to these layered results. While Len has rarely strayed from the South, Tom spent many years on the move, living and working in Georgia, Colorado and New York, infusing his taste with cosmopolitan flair. Coming to Aiken nearly 25 years ago kindled his love for the sporting life. Memorabilia throughout the home—silver and bronze statuary, framed portraits of hunting dogs, and oil paintings of pastoral meadows and country roads—speaks to this pastime, along with a habit oft-considered quintessentially Southern: amassing collections. The couple’s assortment includes Chinese Tang pottery, Staffordshire figurines and blue-and-white of every stripe: Delft, Ming, French faience and Chinese blue Canton. Thanks to Len, most of these pieces are on view—to the occasional chagrin of Tom, who prefers a more streamlined look. “If one day I take something off a bookshelf, the next day, Len will put it back,” jokes the designer, who made up the difference by choosing bolder hues, such as moss green for the study and strokes of azalea red in a guest bedroom. Azaleas, for that matter, were another contribution of Len, who laid out the plans for the landscape. But since a labor of love is never complete, he and Tom haven’t resisted the urge to tweak. Already, Len is preparing to swap out those flowering hedges—an old standby for the Southern heat—for something more akin to a European boxwood parterre. “We love the process of renovating or transforming a home,” Len says. “But once the process is done, the last picture is hung and the last shrub is planted, we’re usually ready to move on.” This time, it seems, they might just stay longer.

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Homeowners and designers Tom Bossard and Len Cherry have a penchant for collections, which are on display throughout their Aiken, South Carolina home. In the entryway, French wine jug baskets from Scott Antique Markets in Atlanta are gathered beneath a circa-1890 sideboard. An Italian sunburst clock from Charlotteâ&#x20AC;&#x2122;s LaDonna Antiques & Interiors hangs above a bust of Pope Pius IX on an English pine Neoclassical column from Bungalow Classic in Atlanta.

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The couple wanted the living room to feel inherently Southern, so they worked with general contractor Eric Martin to add a whitewashed cypress coffered ceiling and shiplap paneling, details softened by draperies of Kravet’s Habeas cotton. Suzanne Kasler’s Michele chandelier for Circa Lighting shines on velvet bergère chairs from Atlanta’s Parc Monceau and an 18th-century French commode from Birmingham’s Lolo French Antiques et More.

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Left: Farrow & Ball’s Light Blue swaths the poplar-topped custom cabinetry in the service area—a subtle contrast to Schumacher’s Prescott Diamond wallpaper. Complementing a trio of 18th-century blue Canton plates, Roman shades fabricated from a simple Kravet white linen wear accents of Brunschwig & Fils’ Digby’s Tent textile in Moroccan blue. Brass hardware adds a dose of modernity. Opposite: In the kitchen, Circa Lighting lanterns from Darnell & Company in Charlotte illuminate a Calacatta Caldia marble island painted the same shade as the service area. A lamp made from an antique whiskey barrel, from The Lamp Shoppe in Atlanta, adds whimsy beneath antique game plaques from York Cottage Antiques and groupings of 18th-century blue Canton porcelain. The Northfleet counter stools are by Everly Quinn.

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A departure from the home’s mostly cool, neutral palette, the den feels cozy in Farrow & Ball’s Bancha Green. The room’s clubby leather accents include nailhead-trimmed armchairs by CR Laine Furniture and an ottoman by Charles Stewart. Beneath Alexa Hampton-designed picture lights for Circa Lighting, a Hickory Chair sofa from A. Hoke Ltd. in Charlotte tucks into a wall of builtins. The animal-print rug is by Stark.

“WE LOVE WHEN PEOPLE ASK, ‘WHEN DID YOU RENOVATE THIS HOUSE?’ OUR INTENT WAS TO BUILD A HOME THAT BELONGED.”

–TOM BOSSARD

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Right: In the master bathroom, an antique Swedish armoire from LaDonna Antiques & Interiors rests on Carrara marble floor tiles. Staffordshire dog figurines from Scott Antique Markets act as playful accents in concert with etchings of European churches from York Cottage Antiques and French caned side chairs from Foxglove Antiques & Galleries. The door dons Farrow & Ball’s Railings paint. Opposite: To create a relaxing oasis for visitors, the couple kept this guest bedroom intentionally serene, achieved with Farrow & Ball’s Elephant’s Breath walls. This soft color is enhanced by Roman shades in a Dogwood Fabrics embroidered linen, Matouk bedding and Euro shams made from antique French linen. The iron canopy bed, whose bed skirt dons a windowpane-patterned fabric by Sweetbriar Textiles, was found at a local estate sale.

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ARCHITECTURE / BEAU CLOWNEY, BEAU CLOWNEY ARCHITECTS INTERIOR DESIGN / JENNY KEENAN, JENNY KEENAN DESIGN HOME BUILDER / PAT ILDERTON, ILDERTON CONTRACTING, LLC LANDSCAPE ARCHITECTURE / SHEILA WERTIMER, WERTIMER + CLINE

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A PLACE IN THE SUN AN IDEAL SPOT ON THE CAROLINA COAST BECOMES THE SITE OF A FAMILYâ&#x20AC;&#x2122;S VACATION HOME. WRITTEN BY STEPHANIE HUNT / PHOTOGRAPHY BY JULIA LYNN

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In the living room of this Sullivan’s Island, South Carolina retreat, a duo of Dmitriy & Co. Magari sofas, flanking an Andrianna Shamaris coffee table, provides ample seating for the family of five. The room’s semi-gloss ceiling— painted in Benjamin Moore’s Super White— offers a luminous contrast to soft plaster walls by local artisan Suzanne Allen. Designer Jenny Keenan commissioned the hanging lantern through The Urban Electric Co.

ullivan’s Island is the salty, low-key counterpart to Charleston’s classic grandeur, the freewheeling yin to its genteel yang. Here, on the slim barrier island across from Charleston Harbor, weathered wooden floors welcome bare feet, screen doors slap in the breeze and children hop on bikes to get ice cream after sun-drenched days in the surf. The locale has long been a residential haven— no hotels, no stoplights, just wide beaches, gentle waves and Guinness on tap at the local pub. The island’s relaxed, family-friendly ambience was precisely what drew a Connecticut couple with three teenage sons to vacation there, as they have for many summers, in an older home on a prime beachfront lot. Boasting broad views of the Atlantic, the site itself couldn’t have been more ideal, but the house was in dire need of updates. Thankfully, this 3.3-square mile island is architect Beau Clowney’s specialty. Having erected or renovated dozens of residences there since the 1990s, he confidently drew up plans for a site-appropriate cottage rehab. But when engineers pointed out structural issues, his clients opted, somewhat reluctantly, to start from scratch. “Now, we’re so happy we did,” says the wife. “This new house is strong and solid. It’ll be here for generations to come.”

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Encircling a quartz and cement cocktail table by Fernando Mastrangelo, a quad of Laura Kirar Coastal Braided swivel lounge chairs for McGuire supplies a second conversation group in the living room. The pillows are accented in Susan Connor New York’s Pommia Belgian linen, while a Supernova chandelier by Lou Blass—through AD LIB Gallery in Hudson, New York—sparkles in the entryway beyond.

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Creating something new—and more gatheringsfriendly—on the same footprint was a fun task for Clowney. “The goal was righting all the wrongs of the former house, and packing in family; loads of siblings, cousins and grandparents come and go,” explains the architect, who adds that everyone convenes here during the holidays. To maximize accommodations, he fashioned two charming bunk rooms—one outfitted in sinker cypress—along with two spacious guest suites. Considered a master of Southern coastal vernacular, Clowney employed plentiful traditional architectural references—like a varied roofline with hips and gables and a dogtrot connecting a guest suite to the main house—helping the new construction ring true to the classic ambience of the island, complete with numerous nooks for privacy and fresh air for porch-sitting aplenty. “The exterior is reminiscent of other Sullivan’s houses

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over time,” Clowney explains. “Dormers allow for bedroom spaces without the massing feeling too overwhelming.” The architect says general contractor Pat Ilderton, a longtime resident of the island, intrinsically understood these features, and thus proved indispensable for capturing that low-key Lowcountry feel. “Pat knows and delivers classic Sullivan’s Island construction; he’s one of the very best.” Ilderton’s seasoned knowledge also came in handy for owners intent on recreating some aspects of their previous abode, particularly its vast screened porch facing the beach. “We had so many amazing memories on our previous porch, so I wanted it the exact same size,” says the wife. “Actually, Beau made it a bit bigger.” A deck on the topmost level was another must-recreate feature. “Now, we have a place to watch the fireworks every Fourth of July; a family tradition,” she adds.

The kitchen’s open shelving allows for splendid vistas while displaying functional wares, plus pottery from 214 Modern Vintage in High Point, North Carolina. Keenan mixed in natural materials—white oak appears on the island base and adjacent breakfast room ceiling—to warm up the sunlit space. A dolomite marble backsplash juxtaposes white Namib marble countertops, which are joined by McGuire swivel counter stools.

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The dining room is “right in the middle of the action,” says Keenan, who delineated the space using a chunky blue wool rug by ALT for Living and a white-oak ceiling. Beneath the Bone Simple Design 3-Tiered Rope chandelier—a subtle nod to nautical—a sculptural Jean-Pierre Tortil dining table is joined by Christophe Delcourt-designed dining chairs in French oak and leather.

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Inside, there’s evidence of more modern moves. Honey-colored wood on walls and ceilings and white-oak floors span an open floor plan where tall windows have been left largely undressed—giving the home a relaxed vibe and unimpeded views of the horizon. Designer Jenny Keenan says adjectives like “comfortable,” “welcoming” and “bright” were go-tos as she developed a contemporary, family-friendly design for the clients. “The wife loves clean, modern lines and a neutral palette—especially gray— so I started with that as the base, then added pops of color and whimsy to make it warm and inviting,” Keenan explains. “It’s definitely modern, but it has a softness to it—and some fun.” The designer set a spunky tone from the outset with a Sputnik-inspired fixture in the foyer, in turn leading to additional sculptural chandeliers, curvy upholstery and abstract motifs. Mindful of their tight-knit nature, Keenan was also careful to create lots of lounge spaces and seating areas for extended kin to hang out— namely, in the frequently used family room.

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“In our old house, there was a tiny TV room with one couch and a chair; that was it,” recounts the wife, who likewise praises an improved kitchen layout with open shelving, shiplap paneling and plaster walls—a pleasing contrast of textures also specified by Keenan. “I cook a ton, and the kitchen functions beautifully.” When it comes time to serve those meals, she adds, “I love that we have lots of tables, inside and out, so I can feed 10 kids and 10 adults without everyone feeling squished.” One of these, in weather-ready aluminum and teak, is found on the beachfront screened porch, accommodating all with room to spare. It also happens to be the perfect spot for scoping out breaking waves or landscape architect Sheila Wertimer’s artful take on the classic Sullivan’s Island landscape: complete with sabal palmetto, oleander, wax myrtle, African iris, olive trees and others. “That’s why we love being here,” says the wife. “For us, this house is all about being with family and enjoying the outdoors.” Because when the location is right, it turns out, good things follow.

Casual comfort comes into focus in the family room, featuring a plush Verellen sectional—upholstered in Peter Dunham Textiles’ Taj linen— and Dmitriy & Co’s graceful Milano lounge chair. Paired with vintage chairs from 1stdibs, a game table from ABC Carpet & Home gets plenty of use on cloudy days. The shiplap walls are typical of Sullivan’s Island; large windows by Millwork Artisans capitalize on subtropical views.

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Architect Beau Clowney created the spacious back porch—a must for his clients—complete with Ipe wood floors and a haint blue ceiling, the latter reflecting a longstanding Lowcountry tradition. The Sutherland teak dining table accommodates a crowd in concert with Janus et Cies’ lightweight Niwa side chairs. In the seating area beyond, Dedon swivel chairs and Summit teak sofas surround a waterfall coffee table by Sublime Original.

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Right: Clowney loves the old-school coziness of a dormer bedroom; this one makes for an ideal reading nook thanks to a mod cutout armchair—Jinbao Street by Avenue Road—upholstered in Lauren Hwang New York’s Ikat Block Bada jacquard. Keenan scooped up the vintage floor lamp at the Original Round Top Antiques Fair in Texas. The braided wool rug is by ALT for Living. Opposite: Gray Phillip Jeffries grass cloth brings subdued texture to the beachfront guest room. A Dmitriy & Co. sleigh bed—Keenan’s starting point for the space—is softened by a Pom Pom at Home linen duvet, Walter G pillows and a blanket sourced in Marrakesh. Tucker Robbins’ cerused white-oak Cubist nightstand speaks to the material themes seen elsewhere in the residence. The clear globe fixture is by Schwung Home.

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