Fall 2016
Programs
Public
Contemporary Art History Happens Here This fall, artists and scholars from around the world animate art history and lead adventures into new territories of contemporary art. San Francisco Art Institute’s Exhibitions and Public Programs provide direct access to artists and practices that advance culture. We welcome you to join these free conversations.
Stay Up-to-Date Find articles, interviews, and interactive media, stay up-todate on social media, or subscribe to our monthly emails. @sfaiofficial
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Cover image: Brad Kahlhamer, detail, Super Catcher, 2014, mixed media. 132x132x12 inches. Courtesy of the artist and Jack Shainman Gallery. Image (left): Geofferey Farmer, The Last Two Million Years, 2007; Photograph by Rachel Topham, Vancouver Art Gallery.
On View
Jill Magid The Proposal September 9–December 10 OPENING RECEPTION: FRIDAY, SEPTEMBER 9, 7–9PM
Exhibitions
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The Proposal presents a climactic moment within Jill Magid’s extended, multimedia project The Barragán Archives, which examines the legacy of Mexican architect Luis Barragán (1902–1988). The multi-year project poses piercing, radical, and pragmatic questions about the displacement of Barragán’s professional estate and legacy to Switzerland, and opens the possibility for repatriation of his archive. Barragán is considered Mexico’s most gifted modern architect, and is the country’s sole recipient of the Pritzker Prize. His Mexico City home and studio, Casa Barragán, is a UNESCO World Heritage Site. Yet in his will, Barragán divided his personal and professional archives. In 1995, Barragan’s professional archive, including the rights to his name and work, were purchased by the Swiss furniture company Vitra, allegedly as an engagement present for the Chairman’s fiancé, Federica Zanco. The archive has since been hidden from public view in a bunker at the Vitra corporate headquarters, and Vitra has taken aggressive steps to restrict access to Barragan’s work. The company owns the trademark to his name and claims the rights to his work and all photographs taken of it. Through this work, Magid asks, “What happens to an artist’s legacy when it is owned by a corporation, when it is subject to country’s laws, where none of his architecture exists? Who can access it? Who can’t?” The Proposal reaches a thrilling and unexpected salvo in Magid’s engagement with Barragán, Zanco, Barragán’s descendants, and the indispensable creative legacy that binds them. Through the public exhibition of The Proposal, Magid presents Zanco with the gift of a two-carat diamond engagement ring grown from the cremated ashes of Barragán’s body, in exchange for the return of his archive and copyright to Mexico. The exhibition serves as both a poetic counterproposal to Fehlbaum’s offer of marriage to Zanco, and a stunning re-animation of a formerly closed scenario. The Proposal elegantly and forcefully rejoins the divergent paths of Barragán’s professional and personal archives. Magid’s
sfai.edu/exhibitions work reveals Barragán’s official and private selves, and the unique interests of the institutions that have become his archives’ guardians. By developing long-term relationships with multiple individual, governmental, and corporate entities, Magid directly engages complex intersections of the psychological with the judicial, national identity and repatriation, international property rights and copyright law, authorship and ownership, the human body and the body of work. The Proposal is commissioned by San Francisco Art Institute. The exhibition is curated by Hesse McGraw, SFAI vice president for exhibitions and public programs and organized with Katie Hood Morgan, assistant curator and exhibitions manager.
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R E L AT E D E V E N T S
Film Premiere: The Proposal
Stay tuned for the fall premiere of a documentary directed by Magid about The Proposal on The Intercept. Field of Vision, a filmmaker-driven visual journalism film unit created by Laura Poitras, AJ Schnack, and Charlotte Cook, commissioned the documentary, which is filmed and produced by Jarred Alterman. Learn more at theintercept.com. Join artist Carrie Hott for the Public Education course Material Memory: Creating a Record Through an Archive on Wednesday evenings, September 14–November 30. Beginning with an in-depth study of The Proposal, the course leads participants through the process of forming an archive of collected and created records about themselves, an artist, a place, or a fictionalized entity. Image: Jill Magid, Still from work-in-progress film, 2016, Commissioned by Field of Vision as part of a larger project in collaboration with the artist. Image courtesy of the artist and LABOR, Mexico City; RaebervonStenglin, Zurich; and Galerie Untilthen, Paris. Photo by Jarred Alterman.
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Public Education Course
Upcoming
Katrín Sigurdardóttir Spring 2017
Exhibitions
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This fall, New York and Reyjkavik-based artist Katrín Sigurdardóttir (BFA, 1990) will begin the Harker Award residency at SFAI, leading to a January 2017 exhibition in the Walter and McBean Galleries. Through evocative works in sculpture, and site-specific and architectural scale projects, Sigurdardóttir explores the way physical structures and spaces define perception. Through unexpected shifts in scale, she examines distance and memory and their embodiments in architecture, cartography, and traditional landscape representations. While alluding to real locations, her work questions the verity of these places, as well as our account of them. Sigurdardóttir’s work crosses boundaries between perceptual and embodied space, and between vision and experience. She has had solo exhibitions at the Metropolitan Museum of Art, the 2013 Venice Biennale Icelandic Pavilion, Sculpture Center, and MIT List Visual Arts Center. The Harker Award for Interdisciplinary Studies supports artists-in-residence at San Francisco Art Institute. The Harker Award was established through a generous bequest by artist and SFAI faculty member Ann Chamberlain and is administered by the San Francisco Foundation.
Images (from top): Katrín Sigurdardóttir, Foundation, 2013; Installation view: Reykjavik Art Museum. Katrín Sigurdardóttir, Foundation, 2013; Installation view: Lavanderia, Palazzo Zenobio, Venice; Courtesy of the artist and the Icelandic Art Center; Photo credit: Orsenigo Chemollo.
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VAS
Visiting Artists and Scholars Lecture Series Tuesdays: Social Hour | 6pm Lecture | 7pm (unless otherwise noted) SFAI LECTURE HALL | 800 CHESTNUT STREET
The Visiting Artists and Scholars Lecture Series (VAS) provides a public forum for engagement and dialogue with major figures in international contemporary art and culture. Through lectures, screenings, and performances, the series creates intimate connections between SFAI, artists, and the public. 8
Space is limited; online RSVP recommended: sfai.edu/vas U P C O M I N G TA L K S
Lectures + Talks
Zoe Crosher | September 20 The Imagiatic
Zoe Crosher’s works collapse and confuse the real and the fake, and blur reality, fantasy, and expectation. Through the “Imagiatic” she seeks disconnects between historical fact and constructed representation to question truth in documentary and the image, and the efficacy of the archive. Crosher participated in MoMA’s New Photography show in 2012, and has received Los Angeles County Museum of Art’s prestigious Art Here and Now Award, a Robert Rauschenberg Foundation Artistic Innovation and Collaboration Award, and the 2015 Smithsonian Ingenuity of the Year Award with Shamim M. Momim.
Image: Zoe Crosher, Unlit Lightbox No. 1, LA-Like: the Actual Shangri-LA’d Disappearing Wall, 2015; Courtesy of the artist.
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VAS Lectures + Talks
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Images (from top): Thomas Hirschhorn, Gramsci Monument, School Supplies Distribution by Forest Resident Association, 2013, Forest Houses, the Bronx, New York; Courtesy of Dia Art Foundation, photograph by Romain Lopez. Geofferey Farmer, Let’s Make The Water Turn Black, 2013; Photograph by Rachel Topham, Vancouver Art Gallery. Brad Kahlhamer, Super Catcher; 2014; Courtesy of the artist and Jack Shainman Gallery.
Thomas Hirschhorn’s sprawling, raffish, and immersive work shapes public discourse relating to political discontent to offer alternative models for thinking and being. Believing that every person has an innate understanding of art, Hirschhorn resists exclusionary and elitist aesthetic criteria—for example, quality—in favor of dynamic principles of energy and coexistence. His physically ephemeral monuments to great philosophers—Spinoza, Bataille, Deleuze, Gramsci—aim to live on in the collective memory of those who have experienced them. Hirschhorn lives and works in Paris.
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Thomas Hirschhorn | Friday, September 23 | 7pm (note special date)
Presented in partnership with swissnex, San Francisco.
Geoffrey Farmer | October 4
Vancouver-based artist Geoffrey Farmer’s elaborately layered installations have taken inspiration from sources as varied as Life magazine, Walt Whitman, and Frank Zappa. Returning to SFAI for the first time since attending in the early 1990s, Farmer is currently preparing to represent Canada in the 2017 Venice Biennale. Farmer’s recent tour de force Leaves of Grass (2012), a major installation that assembled a monumental, 124-foot-long historical menagerie of clippings from vintage Life magazines, earned significant acclaim at dOCUMENTA (13). Recent solo exhibitions include The Institute of Contemporary Art, Boston (2016); Vancouver Art Gallery (2015); and the Barbican Centre, London (2013).
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Brad Kahlhamer in conversation with Gary Garrels | October 11 2016 Richard Diebenkorn Teaching Fellow
Brad Kahlhamer’s exuberant, animated paintings fuse visionary traditions of Native American art with expressionistic painting. Blending imagery from monumental American landscapes with an interest in downtown New York street culture, Kahlhamer extends a singular vision of real and illusory realms. Kahlhamer will be in conversation with Gary Garrels, Senior Curator of Painting and Sculpture at SFMOMA, where Kahlhamer’s masterwork Super Catcher (2014) is on view until October 30. Presented in partnership with Headland Center for the Arts.
Established in 1998 by the generosity of the family of Richard Diebenkorn, the fellowship provides an opportunity for artists to both teach at San Francisco Art Institute and have sufficient time and financial support to work in the studio, in alternating years through a residency at Headlands Center for the Arts.
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About the Richard Diebenkorn Teaching Fellowship
VAS
Howard Fried | October 25
Bay Area-based artist Howard Fried founded SFAI’s New Genres Department (formerly Performance and Video) in 1979. The content of his lecture is undecided. Presented in partnership with Wattis Institute for Contemporary Arts where Howard Fried: Derelicts is on view September 8–November 19.
Koki Tanaka | November 1
Koki Tanaka examines everyday experiences and creates idiosyncratic conditions for interaction with his works. He constructs deceptively simple situations that give rise to collective action, and documents the resulting social experiences through video, photography, and installation. Tanaka questions the very nature of participation in art, politics, and society. His work has been exhibited widely, including at the Mori Art Museum, Tokyo; Palais de Tokyo, Paris; and the Yerba Buena Center for the Arts. He represented Japan at the 55th Venice Biennale in 2013 Presented in partnership with the Asian Art Museum, where Koki Tanaka: Potters and Poets is on view November 4, 2016–February 14, 2017.
Andrei Codrescu | November 8
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Andrei Codrescu is one of our most noted poets and public intellectuals. His talk will demonstrate, in his words, “the deeper unmentionables of dada activism through synesthetic art jiu jitsu.” Born in Sibiu, Romania, Codrescu explores politics and society as a poet, novelist, essayist and film-maker. Widely known as a commentator for NPR’s All Things Considered, he returned to his native Romania in 1989 to cover the collapse of the dictatorship for NPR and ABC News. He has written over forty books, including The Posthuman Dada Guide: Tzara and Lenin Play Chess (Princeton University Press, 2009), and is a winner of the Peabody Award and the Ovidius Prize.
Lectures + Talks
Dara Birnbaum | November 15
Dara Birnbaum is a New York-based media and installation artist, whose work is among the most influential and innovative contributions to contemporary discourse on art and television, exposing embedded ideologies within dominant culture. Birnbaum received a BA in painting from SFAI in 1973, has since shown extensively internationally and was included in the inaugural exhibition America is Hard to See (2015) at the new Whitney Museum of American Art and Cut to Swipe (2014) at the Museum of Modern Art, New York. Images (from top): Koki Tanaka, A Pottery Produced by 5 Potters at Once (Silent Attempt), 2013; created with Vitamin Creative Space, Guangzhou, and The Pavilion, Beijing; photo courtesy of the artist, Vitamin Creative Space, Guangzhou and Aoyama Meguro, Tokyo. Andrei Codrescu lying on the guest-bed of an art collector under a portrait of Mao by Andy Warhol. Dara Birnbaum, Erwartung/Expenctancy, 2001; courtesy of the artist and Marian Goodman Gallery.
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GLS
Graduate Lecture Series Fridays | 4:30pm (unless otherwise noted) SFAI LECTURE HALL | 800 CHESTNUT STREET
The Graduate Lecture Series (GLS) enables students and the general public to engage with emerging and established artists, curators, critics, and historians from local and international art communities. U P C O M I N G TA L K S
Nick Sousanis | September 9 Unflattening: Revolutionizing Thought in Comics 14
Internationally acclaimed comic artist and educator Nick Sousanis will discuss his award-winning book Unflattening (2015), written and drawn entirely in comics form and and published by Harvard University Press. Unflattening was featured in the New York Times, The Paris Review, the LA Review of Books, and named the best graphic novel of 2015 by numerous critics. The Boston Globe and Nature have commissioned original comics by Sousanis. Sousanis is an assistant professor at San Francisco State University.
Lectures + Talks
Pablo D’Antoni | September 16 For Bill
How can an alternative career, highly linked to painting, ultimately allows one’s art practice to grow in new directions? Artist and conservator Pablo D’Antoni (MFA, 2003; BFA, 2001) returns to SFAI to discuss the development of his work through his relocation to Europe where he has been based for the last decade. D’Antoni holds a PhD in Conservation and Restoration of Cultural Goods from Polytechnic University of Valencia, Spain. He has exhibited work in the United States, Argentina, and Spain and is represented by HESPE Gallery in San Francisco.
Images (from top): Nick Sousanis, Seeing Double, 2015. Pablo D’Antoni, Fishing Boat, 2015; Courtesy of the artist.
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GLS Lectures + Talks
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Images (from top): Mai-Thu Perret, Untitled (Banner for Sun Ra), 2006. Diana Shpugin, Drawing of a House (Triptych)—daytime view, 2015; Courtesy of the artist.
In this lecture, art historian Huey Copeland charts Sun Ra’s evolving importance as icon, inspiration, and prophet for a range of contemporary visual practitioners, including Edgar Arceneaux, Rashid Johnson, and Glenn Ligon. Ultimately, Copeland argues, Ra’s thinking points us toward new criteria for the evaluation of recent art that takes seriously both the recursiveness and simultaneity of space-time as it unfolds within, beyond, and across the black world. Copeland is Associate Dean for Academic Affairs in The Graduate School and Associate Professor of Art History at Northwestern University.
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Huey Copeland | September 30 Solar Ethics
Diana Shpungin | October 28 Drawing from Empathy
Diana Shpungin’s work encompasses the idea, form, and process of drawing within a highly obsessive conceptual framework. Drawing denotes recollection and disappearance, memory and forgetfulness, mark making and erasure. These ideas are utilized in sculpture and hand drawn animation work that explores loss, mortality, failure and empathy across identity lines. Shpungin has exhibited extensively in venues including Sculpture Center, Long Island City; Futura Contemporary Art, Prague; and most recently the Drawing Of A House (Triptych) at Site:Lab, Grand Rapids.
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Gender in Translation, After Hours November 4, 4:30–10pm (note extended time)
This special event is aimed at deciphering and translating cross-cultural articulations of sex and gender in a set of ever-changing political and artistic contexts by bringing together a distinguished array of intergenerational and international theorists, artists, and authors. Gender in Translation, After Hours also marks the culmination of a year of multidisciplinary and inter-institutional events sponsored by the Cultural Services of the French Embassy in the US (San Francisco). Marie-Hélène Bourcier, Brice Dellsperger, and Lola Lafon with additional special guests. More about Gender in Translation can be found at genderintranslation.com.
Presented in partnership with Cultural Services of the French Embassy in the US and the program Gender in Translation.
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Featuring
GLS
Yung Jake | November 18 A Lecture, by Yung Jake
Yung Jake is a net-centric artist, director, and rapper, perhaps best known for his music videos, which integrate the worlds of hip-hop, technology, social media, and contemporary art. From music video, virtual reality performance, online apps, and parties as sculpture, Jake will give a comprehensive overview of the broad range of his practice straddling these separate worlds. He will discuss his evolution as an artist and will disclose his process as he moves between existing online, in the gallery space, and in the real world. His work has screened at Sundance (2013) and he has performed in Los Angeles at the Hammer Museum, REDCAT (2013), MOCA (2014), and at the Museum of Modern Art (2016). Presented in partnership with the Kadist Art Foundation.
Johanna Burton | December 2 Atmosphere and Affect in Contemporary Exhibitions
Lectures + Talks
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Johanna Burton is Keith Haring Director and Curator of Education and Public Engagement at the New Museum. Her talk will explore tendencies in current exhibitionmaking that stage revisionist or alternative historical narratives. In large-scale biennials, thematic museum shows, as well as galleries and independent spaces, artworks are being constellated in new ways, producing “atmospheres” between objects and viewers, and placing into question individual objects’ previous denotations. Such a shift can be discussed via theories of affect, and gives rise to questions relating to new modes of liberatory meaning-making, as well as the dangers of cultural amnesia.
Images (from top): Jay Z by Yung Jake using emoji.ink; Courtesy of the artist. Johanna Burton, Take It or Leave It: Institution, Image, Ideology (installation view), 2014; photograph by Brian Forrest.
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PhotoAlliance Fridays | 7:30pm SFAI LECTURE HALL | 800 CHESTNUT STREET SFAI STUDENTS (FREE) NON-SFAI STUDENTS WITH ID ($5) PUBLIC ($10)
Lectures + Talks
PhotoAlliance, an independent non-profit, continues its 15th season in affiliation with SFAI. The lecture series brings to the Bay Area the best of contemporary photographers nationally and internationally and each event presents a featured speaker preceded by an emerging artist presentation. Learn more at photoalliance.org.
Image: Jeffery Silverthorne, Couple, Detroit Motel, 1992, from the series Detroit Negatives, Detroit and Goth.
Fridays: Refreshments | 7pm Program | 7:30pm
artandfilm.org
Cine | Club SFAI LECTURE HALL | 800 CHESTNUT STREET
Cine | Club offers free screenings of classic films followed by discussion. Cine | Club is curated specifically for high school and college students and is open to all Bay Area students, their parents, and guests. The series promotes the power of film to stimulate curiosity, excite imagination, and expand one’s perspective on the world. Each screening usually includes a classic cartoon, a short film, and the feature of the evening. UPCOMING EVENTS
September 2
Brazil (1985, UK) Directed by Terry Gilliam
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September 30
Secrets & Lies (1996, UK) Directed by Mike Leigh October 7
La Dolce Vita (1960, Italy) Directed by Federico Fellini October 28
The Witch (2015, USA) Directed by Robert Eggers November 18
Best of Fest: Dramas & Documentaries Festival Dramas from SF Art & Film Workshop December 2
Forbidden Games (1952, France) Directed by René Clément December 9
December 16
Fanny and Alexander (1982, Sweden) Directed by Ingmar Bergman
Films
The Crowd (1928, USA) Directed by King Vidor
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Dada World’s Fair November 5–6
Special Events
SFAI LECTURE HALL | 800 CHESTNUT STREET
In November 2016, City Lights Booksellers and Publishers in conjunction with SFAI celebrate the 100th anniversary of the emergence of Dada. As an artistic and literary movement, Dada stood out for its attacks on bourgeois sensibilities, its challenge to the hierarchies of gallery and museum culture, and its questioning of the purpose of art and the role of the artist in society. For two weeks, the Dada World’s Fair explores the myriad dimensions of an art movement that left an indelible influence on the world of art, pop culture, and beyond. Events will take place throughout San Francisco. Learn more at dadaworldfair.net.
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Destruction Was Our Beatrice: Dada and the Unmasking of the 20th Century Saturday, November 5 | 2–6pm
Lecture Sessions and roundtable discussions by: Marius Hentea, Maria Makela, Marjorie Perloff, Jed Rasula, and Adrian Sudhalter. Opening Statement by Peter Maravelis, City Lights Booksellers. Preface by Andrei Codrescu and with introductions by Adrian Notz.
Cine-Dada presents a sampler of Dada output on film. Several members of Dada produced provocative films intended to disrupt perceptions of social reality. View a chronological sampling of the works of Marcel Duchamp, Viking Eggeling, Hans Richter, Man Ray, and others. The film will run continuously with no intermission. Opening Statement by Peter Maravelis, City Lights Booksellers.
Image: Artwork by Poly Morphous.
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Cine-Dada Sunday, November 6 | 3–5:30pm
On Campus
SFAI Concentrate Art Festival + Sale November 12–13 SFAI CAMPUS | 800 CHESTNUT STREET FREE + OPEN TO ALL
In this once a year event, SFAI is transformed into an all-campus art sale by current undergraduate and graduate student artists. Come for diverse offerings in art, enlivening conversation, and local food and drink to celebrate emerging artists. Saturday night opens with a first-look at the expansive, salon-style student art sale, plus the juried alumni exhibition in the Diego Rivera Gallery. Sunday, the sale continues with activities for SFAI alumni to reconnect. 24
Saturday, November 12 | 6–10pm
200+ Student Art Show + Sale Kickoff • Alumni Exhibition Opening • Food + Drink Sunday, November 13 | 12–6pm
Student Art Show + Sale Continues • Art-Inflected Activities for all ages • Food + Drink, and more
Alumni Weekend at Concentrate November 12–13
Alumni, near and far, return to campus for a weekend of SFAI revelvry, art, and conversation. Rediscover hidden histories, see old friends, connect with faculty, and find out what’s happening on campus. Learn more at sfai.edu/alumni.
Special Events
Alumni Exhibition
SFAI’s juried alumni exhibition is on view in the Diego Rivera Gallery November 8–13 with an opening celebration on November 12. Deadline to apply is October 1. Learn more at sfai.edu/alumni. Image: Artwork by Poly Morphous.
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Classes
Public Education September – Early December AGES 17+
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SFAI’s Public Education program offers areas of study that span the breadth of contemporary art—from traditional techniques in design, drawing, painting, photography, film, printmaking, and sculpture to radical experiences, collaborative public projects, and educational experiments. Become part of SFAI’s diverse community of artists and scholars through noncredit day-time intensive, evening, or weekend classes. No matter your experience level, there is a unique class to expand your skills and interests. Register online for a fall course: sfai.edu/publiceducation.
Public and Youth Educaiton
S E L E C T E D FA L L C O U R S E S I N C L U D E
The Ordinary, The Mundane, and The Banal In Photography with Victoria Heilweil October 12–November 2 | Wednesdays, 7:30–10:30pm Iterative Processes in Abstract Drawing and Painting with Mel Prest October 1–November 12 | Saturdays, 10am–3pm Site with Amy M. Ho September 27-November 15 | Tuesdays, 7:30–10:30pm Image: Cera Deibel, PreCollege T-shirt Printing Workshop.
For high school students who have completed the 10th grade, but haven’t started college, SFAI’s summer PreCollege Program helps emerging artists get a jump on the college experience with a four-week transformative program in the arts. This college-credit program combines intensive study and practice with SFAI’s renowned faculty to help you build foundational skills, develop a portfolio, experiment with new media, and collaborate with like-minded peers who are driven to create. Review application guidelines, course details, and more: sfai.edu/precollege.
sfai.edu/yap
PreCollege
Young Artist Program
S P O N S O R S + PA R T N E R S
SFAI’s Exhibitions and Public Programs are made possible by the generosity of donors and sponsors. Major support is provided by Grants for the Arts. Program support is provided by the Harker Fund of The San Francisco Foundation, National Endowment for the Arts, The Winifred Johnson Clive Foundation, Walter and Elise Haas Fund, Mental Insight Foundation, Creative Work Fund, The Andy Warhol Foundation for the Visual Arts, Koret Foundation, Elizabeth Firestone Graham Foundation, Fort Point Beer Company, Gregory Goode Photography, and The Lucas Family Foundation. Ongoing support is provided by the McBean Distinguished Lecture and Residency Fund, The Buck Fund, and the Visiting Artists Fund of the SFAI Endowment.Partner organizations include, swissnex—San Francisco, Headlands Center for the Arts, Asian Art Museum, Kadist Art Foundation, Cultural Services of the French Embassy, and the program Gender in Translation.
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sfai.edu/precollege
At SFAI, young artists join a community of creative individuals who create new ways of looking at and living in the world. YAP is the perfect place to get your hands dirty, learn creative techniques, and express yourself. Courses take place in SFAI’s historic studios and are led by dedicated artists and teachers. High-school students join us in the Summer and on Saturdays during the school-year to prepare for a lifetime in the arts. For Fall 2016 and Summer 2017 course descriptions, and online registration: sfai.edu/yap.
FREE + OPEN TO ALL
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