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JANUARY 2-8, 2019 | Volume 46, Issue 1
NEWS OPINION 5 NEWS 7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 EXTRA, EXTRA 8 What’s it really like being a backrgound actor? Hint: You may not get the best snacks SLIP SLIDIN’ AWAY 9 Falling on city property can net injured folks big payouts COVER STORY 10 BRING IT, 2019 We talked to the people who move your boxes, run your schools, organize your protests and make your coffee to see what they hope for in the new year THE ENTHUSIAST 17 RESOLVING TO DO BETTER Women can do anything they want outdoors— but you should still advocate for them
31 2019 FOOD TREND PREDICTIONS You’re probably not thinking about how you can’t wait to get your hands on some sugary-sweet hummus, but experts think you might just in 2019. This and other predictions from our new food writer. Cover design by Anson Stevens-Bollen artdirector@sfreporter.com
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2019 FOOD TREND PREDICTIONS New year, new buzz, new food writer
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MOVIES 33 VICE REVIEW Plus Sandra Bullock takes on tree branches and some sort of invisible force in Bird Box
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LETTERS My point is that I encourage anyone who can to take the SFPD Citizens’ Academy. It will give you knew insights, empathy, and perhaps even a sense of seeking a shared solution, healing the schism of the police being “the other.” I also ask that other citizens and I begin to find other ways to live in the solution, perhaps beginning by talking to our mayor, by attending “Coffee with a Cop” events and putting ourselves out there to be part of the yet-unseen solution.
GAIA GENEVIEVE RICHARDS SANTA FE Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.
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P R OV I D E R F O R D E LTA A N D U N I T E D C O N C O R D I A D E N TA L P L A N S • M O S T I N S U R A N C E S A C C E P T E D
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I have been bothered by the thought of the relations of the New Mexico police and citizens since I moved back here seven and a half years ago. I finally did something: started a Neighborhood Watch meeting and then signed up to take the SFPD Citizens’ Academy (a 12-week course offered for everyday people like me to learn and understand how it all works; kind of like a civics class I never took). What I am learning ... is that stress, untreated, doesn’t go away. It goes from being “situational” to “organizational,” part of the organism’s thought process, responsive system and habitual behavior. People and stressed animals don’t “go from 0-100” without warning. ... Our ability to think or even breathe our way down becomes impaired if not impossible once stress has become organizational. In the [past] 12 weeks ... I have come to have a new respect for and understanding of these officers. I can’t even imagine showing up each day to the extreme stress that is visited upon them, made even worse by low pay, shortage of officers and receiving a steady stream of venom from so many of us. This stress factor works both ways: driving, walking, living with the fear of police brutality can become organizational and our own attitudes and behavior can become warped. ...
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As a museum guide for 10 years … the biggest concern I have in a museum when I am working is to make sure people enjoy themselves, and the art is okay. The museum I work at has a set of rules that they deem to be important to do just that. … These may be rules that are idiosyncratic to where I work, but the talking to people about the rules is universal. And when I have to say something to a guest about a rule, all kinds of stuff can happen. -Name-calling (my favorite: “You’re a Nazi!”) -Taunting (i.e. they are inches within touching the art after I asked them to not touch the art, or just “brushing” the art) -Complaining to my boss, to Yelp, or just out loud how the staff sucks after having to talk to them about something they did -Storming out the door or to the other side of the museum and/or avoiding me at all costs -Defending their touching the art (my favorite; after this woman picked up the art: “It looked out of place.”) ... And we love to talk to people where I work, but we are not doing this for romantic reasons.
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SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.
SANTA FE EAVESDROPPER “Don’t meditate—medicate! It’s quicker.” —Overheard in Santa Fe Spa locker room Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM
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JANUARY 2-8, 2019
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DAYS
S FR E P O RTE R .CO M / FUN
CHEVEL SHEPHERD WON THE VOICE AFTER ALL, SANG FOR LUJAN GRISHAM’S INAUGURATION... That sure shut us up.
... AND THAT CAN ONLY MEAN SUSANA MARTINEZ IS GONE! Now who’s SFR supposed to sue?
OH YEAH, AND THE SHUTDOWN CONTINUES Sorry to everyone who planned to spend winter vacation visiting Smithsonians or national parks—and yikes to all the TSA agents who had to work the holidays without pay.
VIOLENCE AGAINST WOMEN ACT EXPIRED DURING GOV’T SHUTDOWN Proving once and for all that 2018 was really the worst.
FIREWORKS BLASTED OFF FROM THE LA FONDA HOTEL ROOFTOP FOR NEW YEAR’S EVE Sleepy La Fonda guests and pets everywhere remain un-thrilled.
THE SNOW BLEW EVERYONE’S MINDS And was super beautiful and romantic right up until we realized we had to get places and do things.
THIS YEAR CAN’T POSSIBLY BE WORSE THAN THE LAST Right? RIGHT?!
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SFRE PORTE R.COM/NE WS COURTESY KIKO SANCHEZ
Extra, Extra
NEWS
The lives of full-time movie and TV extras in New Mexico
BY S A R A H E D DY i n t e r n @ s f r e p o r t e r. c o m
GETTING CAST
Koroll, who lives in Santa Fe, heard his first casting call on the radio. To find new jobs, he now regularly scans casting Facebook pages and message boards. He is also on the online databases of several local extra casting directors. Elizabeth Gabel’s EG Casting, for example, is based in Albuquerque but has cast extras for movies across New Mexico since the early 2000s. She estimates about 30,000 potential background actors are included in her online database, though only 10,000 have up-to-date information. “I’d say 50 percent of my database is retired people,” Gabel tells SFR. “The problem is, if we’re casting a scene, we can’t cast it all with retired people. We do get a lot of younger people between 18 and 25; however, they’re very unreliable. They have a 30 percent no-show rate.” Casting background actors in New Mexico comes with another challenge, ac-
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cording to Gabel. “One of the biggest problems that we have in New Mexico is that people are overweight,” she says. “In LA, women will be a size four. In New Mexico, their average size is 14. I try to tell people—and it sounds so mean and it sounds so horrible, and I hate that—but I can’t hire you if you’re not going to fit the wardrobe. That’s frustrating for them, but it’s like, your body is your product. That’s what you’re selling.” In addition to posting casting calls on social media and contacting people from her database, Gabel sometimes holds in-person casting calls. For The Ballad of Buster Scruggs, a 2018 Netflix original movie directed by Joel and Ethan Coen, she says 1,200 people showed up. Around 250 fit the parameters needed for the movie. “A lot of people showed up because they wanted to be in a Coen brothers movie,” Gabel says. “Because of security purposes, now we aren’t allowed to advertise what movies we’re working on, and that really hurts us. I just finished up a project with Uma Thurman, and if I was able to advertise her name, more people probably would have come to the casting call.”
LIFE ON SET
For Koroll, a big perk of movie work is the community he’s found among his fellow background actors. “It’s a social scene you haven’t seen in your life since you were in high school,” he says. “You make friends with every age group, every color, every orientation.” Sonya Byrd, 40, who began background acting this May, says she’s made some of her closest friends through the work. Koroll and Byrd both say they spend the vast majority of the day “in holding:” waiting around in between scenes. “It’s not a career for everybody,” Byrd
COURTESY NETFLIX
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o be seen and not noticed—that’s the job of a movie extra, or background actor. And with the steadily growing New Mexican film industry, some are making “living backdrop” a full-time role. “I started doing this and now I’m addicted to it,” Jason Koroll, 46, tells SFR. Koroll landed his first role as an extra in the 2009 film Gamer. He now makes background acting his full-time job. “I like doing it and I’m having just as much fun as if I was on vacation at another job.” From local indies and student films to Breaking Bad and The Avengers, New Mexico has become a major hub for movie and television production. This is largely due to the state’s substantial film incentives: The state offers 25-30 percent tax rebates to film and television production companies for most in-state expenditures, including the hiring of local crew members. The currently filming Netflix series Daybreak, for example, employs about 3,000 local background actors, according to the New Mexico Department of Workforce Solutions.
ABOVE: Kiko Sanchez (second from right) poses with other extras on the set of A Million Ways to Die in the West. RIGHT: Jason Koroll in a scene in The Ballad of Buster Scruggs
tells SFR. “Sometimes there’s really early call times and you might have to show up on set at 5 o’clock and be on set for 15, 16 hours. And a lot of that time you may just be waiting around. I bring an iPad, a book, something to keep me occupied during those many hours.” Background actors are typically paid minimum wage for their first eight hours of work. After that, they receive time and a half. The long hours aren’t the only downside to the job, according to Byrd—background actors are near the bottom of the food chain on set. “I worked outside some of these nights when it’s really cold,” she says. “A lot of times the extras will be outside and they will provide heaters for us, but we’re there outside by the heaters while some of the actors and crew are inside somewhere warm. Then for the crew sometimes they provide better snacks and stuff than for the background actors. It just depends on the production.”
MOVING UP
Many background actors have big dreams of climbing their way up in the film industry. According to Gabel, that hope is more achievable than some might expect. “Becoming an extra is an excellent way to get into the film industry because the film industry is mentor-oriented,” she
says. “The way to do it is to get on set and to meet the people in the area that you want to work. So a lot of the people who were working for me 10 years ago as extras are now actually production coordinators and in props and in wardrobe and moving up into the management position.” Gabel says that it’s fairly common for background actors to get bumped up to speaking roles. Kiko Sanchez, 39, got his first line in the 2014 comedy A Million Ways to Die in the West. “I saw a few people who looked like they could be important-looking … so I stood in front of them and they asked if I wanted to be the meat vendor,” Sanchez tells SFR. Sanchez now has an agent and soon plans to join the Screen Actors Guild. He stopped background acting about a year ago, in part to avoid being “burnt”—a TV show isn’t likely to cast for a character role someone who’s appeared as an extra in an earlier episode. Even as his acting career has grown, however, Sanchez has never wanted to leave his home state. “I think there’s enough work out here to build a resume,” he says. “I always thought if I did go to LA, it will be because a project takes me there. There’s a good acting community out here. There’s so many creative people in New Mexico that want to make movies.”
S FR E P O RTE R .CO M / N E WS
Slip Slidin’ Away ty: “A key to having our pedestrian infrastructure working in the city is every private property owner does their duty and is responsible for clearing sidewalks next to their property.â€? About 100 miles of public open space, including walkways and road medians, are overseen by the Parks and Recreation Department, according to director John MuĂąoz. He says teams make foot patrols of snow and ice conditions two to three times after a weather event, and are supposed to keep logs of each dispatch. “It’s very manual-labor intensive,â€? MuĂąoz told SFR last Friday. “For example, these last couple of days, we’ve had people out at 4 am working these [high-priority] areas.â€? MuĂąoz also says the city will post warning signs for particularly icy areas. That hasn’t always happened consistently, according to litigation reviewed by SFR. In the case of bicyclist Michael Sloane, who later became director of the
Sidewalk and roadway injuries cost Santa Fe BY AARON CANTĂš a a r o n @ s f r e p o r t e r. c o m
AARON CANTĂš
I
f you were in Santa Fe late last week, you likely tried walking on sidewalks and roads covered with snow and ice. In some areas where public or private owners haven’t yet removed it, walkways can be dangerous. A slip on ice can result in a serious injury—and an expensive lawsuit. A review of documents from the city’s Risk Management Division to resolve litigation since January 2017 shows it paid at least $432,500 to settle four different lawsuits, all stemming from falls on city property. The largest one, at $250,000, arose from a longtime state official slipping on an ice patch. At least two of the claims were settled by the city’s insurance carrier, Travelers Insurance, which pays for settlements and litigation after costs surpass the city’s $50,000 deductible. Officially, the city confronts ice patches and snow accumulations of 2 inches and above with a mixture of crushed lava rock and rock salt. Regina Wheeler, Public Works Department director, says most of the city’s roughly 400 miles of sidewalk are privately owned. For municipal-controlled sidewalks, Wheeler says the city’s plowing and de-icing plan hews close to its road plan. “Areas with the most traffic are addressed first,� she tells SFR. “As we make our way from high-traffic areas, we go to connector areas.� A huge responsibility for sidewalk maintenance falls on private property owners, Wheeler says, who are liable if someone slips and falls on their proper-
state Game and Fish Department, a lack of maintenance and signage wound up costing the city a quarter of a million dollars in settlement money. According to a complaint filed by Sloane’s attorneys in the First Judicial District, an obscured ice patch along the Santa Fe River Trail caused Sloane to be thrown from his bicycle, severely fracturing his femur. The incident happened on Valentine’s Day, 2016. “Suddenly and unexpectedly, and without cause or warning, [Sloane’s] bike slipped on a large patch of ice hidden by a shadow on the city’s trail,� the complaint reads. A shadow cast by multi-story condominium buildings at 927 Alto St. made the patch difficult to see, the complaint alleges. Pierre Levy, the lead attorney who represented Sloane, says New Mexico’s tort claims act holds public entities liable for faulty maintenance resulting in injury or death. Over the course of Sloane’s lawsuit, which the parties settled in October 2017, Levy says he learned that Santa Fe “had no records of ice removal being done on the river trail,� which bolsters
In 2016, Michael Sloane was thrown off his bike after slipping on a hidden patch of ice at the edge of this bridge above the Santa Fe River.
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the claim of city negligence. “The city is immune from liability for design defects under the tort claims law, but it can be liable for faulty maintenance,â€? Levy tells SFR. Other lawsuits against the city for similar spills reviewed by SFR, while not related to icy conditions, also cited Santa Fe’s responsibility under state law to maintain its public areas. The suits sometimes included defendant private property owners whose buildings abutted city walkways. In 2015, Washington-based artist Loa Ryan sued the city of Santa Fe after she tripped and fell on a downtown sidewalk along Chappelle Street during the Santa Fe Indian Market. A complaint filed by Ryan’s attorneys in September 2016 says she suffered personal injuries, wage losses and other damages. “At all times material, Defendant City of Santa Fe owed Plaintiff the duty to exercise ordinary care to keep the sidewalks safe for [Ryan’s] use, whether or not the dangerous condition that is a cause of her occurrence was obvious,â€? Ryan’s complaint reads. The city paid Ryan $125,000 in January 2018. The year before, it paid $30,000 to a woman who fell on a sidewalk near 2524 Avenido Isidro, and another $27,500 to a woman who fell near Siringo Road and Calle Florinda. In light of the winter storms and increased pedestrian hazards, MuĂąoz tells SFR the parks department’s staff is currently “ramping upâ€? to handle the volume of maintenance they’re having to perform. In the meantime, he says, people should keep an eye out for posted warnings—though they can be small and hard to notice. “If crews manually cannot break up the ice or if it’s too embedded, there are some areas we will block off,â€? MuĂąoz says. The city’s interim risk and safety manager, Barbara Boltrek, was unavailable for further discussion with SFR.
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JANUARY 2-8, 2019
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at, fluffy snowflakes fell from the sky as SFR put the finishing touches on the first issue of 2019. Temperatures plunged into the teens and people took pictures of their patio furniture under the drifts. It wasn’t the snowpocalypse that had been predicted, but we got to build a snowman and went to bed early. And there’s always more on the way. Sometimes new beginnings don’t feel dazzling. Yet, who among us was not ready to leave the
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last year in the tracks, to plod away from it without a backward glance? That’s why newsroom staffers Aaron Cantú, Alex De Vore, Matt Grubs, Julie Ann Grimm and Charlotte Jusinski spent a few days listening to Santa Feans look ahead. As is our tradition, we asked them all the same question: What do you need and what does our community need for 2019? And we predict you, and they, are going to crush it in the new year.
SANTA FEANs are ready to crush it in the new year
Yuki Murata Artist and designer Lovingkindness. Without its presence, I am anchorless and discouraged. And our community— local, regional, statewide or national—could use more compassion and lovingkindness too. Currently, so much of the division we observe and experience seems to be born from a lack of compassion and empathy for others.
What do I need? Self-compassion. That is my 2019 goal—strong, sweet, sensual selfcompassion. -Mi’Jan Celia Tho-Biaz
and homelessness is what I’d like to see. To where that kind of dwindles down to where you don’t see it that much anymore, you know? … It seems like it’s gone down, but there’s still some [people] out there where it’s kind of depressing to see them, especially this time of the year you don’t want to see people hurting or going through stuff like that when the holidays come around.
Lucio Paz Parking lot attendant For myself, basically just to be kind and get along with people, you know? That’s basically the way I look at it. In the year to come, through the Legislature or whatever, just to see less people who are out there in poverty
what do I need? Self-compassion. That is my 2019 goal—strong, sweet, sensual self-compassion.
Mi’Jan Celia Tho-Biaz Founder, New Mexico Women of Color Nonprofit Leadership Initiative I think the world needs more North Stars—as in who, not what. As in, ‘What is your North Star?’ Who? Who? We need the people who are North Stars, that’s what I think. And
Sevastian Gurule City employee For myself—and I get a little philosophical, so bear with me—but
what I would say I need in my life is I need to continue to strengthen my relationship with our creator and to lead by example. I need to remember that my life and health and welfare and that of my family is priority. To identify those events or circumstances or even, I dare say, people that cause unnecessary stress or set a bad example by their behavior, and be mindful of that, and what I have control over to make the necessary changes. … What I would hope for our community is that we can slow down and take some necessary time to appreciate life, our spouses, our children, our family and friends. And with that I mean, put the cell phone down every once in a while and spend some quality time with each other. … And we need to take time out to remember who we are CONTINUED ON NEXT PAGE
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in the world and in Santa Fe— what makes Santa Fe unique and special. We can’t let that go. We are a diverse community. For 2019 I hope our elected officials never forget the job that they volunteered for—to serve and protect the public for the greater good of the people and not for their own political or personal agenda, and we the people cannot be distracted with the day-to-day struggles of life so we hold those elected officials accountable.
and not really caring about what I was doing. SFR: And then for the community around you, what do want to see? More jobs. Yeah, more jobs.
Marcell White Mover, Delancey Street Foundation That’s a good one. So, what do I need? A better lifestyle. Just change my old ways and the way that I was living before. [I was] hurting people
Natalie Guillen Mother and photographer For myself, I find that the easiest group of people to be kind to on a daily basis are nice strangers. The people we love and the annoying strangers seem to take the brunt of our moods and grumpy days. So in the new year, I want to practice being consistently kinder to the people I love, and kinder to difficult strangers. And for Santa Fe, I want employers and businesses to be more mom-friendly, providing maternal and paternal leave with pay (or at least partial pay). I believe Santa Fe would be a more vibrant place if women could return to the workforce after having kids without having to choose between full-time mom and full-time work. Stimulating part-time work, workplaces with onsite childcare and jobs that provide flexible days and hours would be simply magical.
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I believe Santa Fe would be a more vibrant place if women could return to the workforce after having kids without having to choose between full-time mom and full-time work. -Natalie Guillen
Bill Deutsch Barista, Holy Spirit Espresso It’s going to sound stupid. It’s pretty blunt. But OK, I’m going to be vulnerable. Come to think of it, it’s pretty much everyone’s resolution.
Bring it, 2019! All right, personally, I want to lose weight. Why? So I can look better for the community. It’s that simple. I thought of this earlier this morning. I went through my mind thinking, ‘Do I have a resolution? Yeah. Lose weight. Why? So I can look better for the community.’ So the better I look, the better the community looks. Can I say that?
Simone Rael Musician I’d like to see myself traveling. I want to go to California, go on up the coast and then switch over to the East Coast and kind of just travel and really connect. And that’s what I want to see for my community as well, is the connection for a traveler going through and never being in places. I’d like to have people with open arms coming to greet me and, I don’t know, help me become myself in a way, through all my travels and stuff. So I guess that’s what I’d want to see from other people, is that initiative to give back and pay it forward. And really, [for me], facing that fear about traveling. I’ve wanted to travel for so long and I’ve had the money to do it and the means to do it, but there’s just like something inside me [that says] I can’t do it alone or whatever. But it would be really good for me to get some inspiration and just do it alone. Like a leap of faith or something, you know?
response to the Trump administration. I’ve been here six years and I’ve already seen change, but a lot of people come to Santa Fe with an image of it like race doesn’t matter. But for right now, that can’t stand. Because it’s a tourist city, it puts an emphasis on external images that attract tourists. One example is the [Entrada], which I was shocked by when I first moved here, but I’ve seen it disappear. A lot of institutions have a foundation which is of white supremacy, and I don’t say that in an accusing manner, but the community is not really as much of a tri-cultural community as it could be or needs to be. It’s been more of a tourist trap; there’s a weakness for sentimentality toward tourists. We need to realize contention can be a healthy thing, our challenge is to deal with it in a healthy way.
Banyan Fierer Executive director, Santa Fe Human Rights Alliance I need a sense of community, belonging and communal interaction. Whether it’s helping out somebody at Sprouts market because they’re having a hard time getting in their
car, spontaneously having a dance party with people you just met. … It’s that deeper sense of community. How do you bring people together who wouldn’t otherwise be together? Permeability allows us to grow. As far as Santa Fe goes, there are very elemental things. I’m really into relational aesthetics and politics, and one of the most poignant and simple things people can do is look at each other. Conceptual artist here, but I think that what could change the most about Santa Fe is that people begin looking at each other and interacting with each other, hopefully in a positive way. With a larger community, also with LGBTQIA folks, it’s about enough delineation to find a sense of self, and after that it’s about moving forward and realizing we’re part of a larger group/community. Once we realize we’re part of a larger group, it’s easier to weave in those disparate threads of a larger group of people.
Mark Ducharme
So I guess that’s what I’d want to see from other people is that initiative to give back and pay it forward. Darryl Lorenzo Wellington Writer, thinker, activist For 2019, there are lots of issues— housing, and all that—but I think there’s a change that needs to take place in Santa Fe that’s happening all over America, and it has a lot to do with race and racism and in
-Simone Rael
Principal, Nava Elementary School Now that I’m familiar with my staff and my community, I’m looking forward to engaging more with them on making this school more successful. There’s a lot of things we’re starting here now—we started new ways of looking at math and talking about math, they’ve already stared the language part. I am also curious to see what the new governor is actually going to do. [Michelle Lujan Grisham] made it evident she’s not happy with PARCC, but I really hope they look for an assessment that helps our special education population be more successful. The tests that they’re doing right now don’t do [these students] a service.
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They like to say they’re really liberal, but every time I go to Whole Foods or Trader Joe’s, everyone’s staring at me like I don’t belong here. And it’s like, I work my ass off and no one really pays attention to that, they just see another brown guy in Whole Foods and are like, ‘What is he? Where is he from?’ I was born and raised in America. … What I need from the community is to be noticed. Because it’s like, just because I’m such a small fraction of the community, I should be dismissed? And I constantly feel like everyone doesn’t notice who I am, because they just see a brown guy and they jump to Muslim or all those synonyms like terrorist—and it’s like, I don’t bother anyone.
I just want to be spiritually and physically and emotionally healthy. ... I’m okay with not being wealthy, just being spiritually wealthy. -Juan Valdez
Patrick Gendron Portfolio manager and young Santa Feans happy hour host I hope that we can really come together more as a community around our shared values. I would like to give back more and find ways to work with different subcultures within our little town to sharpen our shared vision for the future. I look forward to helping build a community of acceptance and tolerance but also one that stands up for what is right. I hope that we can work towards a Santa Fe where every person can afford to have housing and where all children can experience art and learn about our rich cultural history. We need to strive for a social democracy right here in our small town. We can do it!
Juan Valdez Caseworker, Santa Fe Community Guidance Center I wish the city would open a medical detox program. We have a social detox, but we’re having to take a lot of people to Albuquerque because these are people that are substance abusers, and the [Santa Fe Recovery Center] only takes people for social detox. I just think Santa Fe needs that [type of ] center, so you don’t have to go to Albuquerque. For myself, I just want to be spiritually and physically and emotionally healthy. I don’t need wealth, I just need to be well. I’m okay with not being wealthy, just being spiritually wealthy.
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Taha Qureshi Projectionist, Violet Crown Cinema
Jessica Montoya Trujillo Community organizer, Chainbreaker Collective
I think what this community needs is to realize they’re not really liberal.
[What do I need] besides lots of money and tons of rest? … Being someone
We need to desegregate Santa Fe. I’m born and raised in the middle part of town, and I’m really feeling the various lines in the city. My wish would be to erase those lines and those separations. -Jessica Montoya Trujillo
in Santa Fe who’s looking to settle down and become a community member and participant, we need to desegregate Santa Fe. I’m born and raised in the middle part of town, and I’m really feeling the various lines in the city. My wish would be to erase those lines and those separations. [The greater Santa Fe community] needs equitable resource allocation, especially in communities of color. … It needs to be truly grassroots and have community engagement in that area. That could help mitigate some
Bring it, 2019! of the segregation issues that Santa Fe is facing as well. … I hope we can help foster and bolster up the movement for Medicare for All in New Mexico, as well as fighting this antiquated abortion [law]. … It’s important that men get involved in the movement to end violence against women and girls, and against the trans community and people who are nonbinary.
need to say no more often. I struggle with setting boundaries and trusting myself to know what’s right and when, too. … This community needs more people who are interested in asking what this community needs, rather than thinking they know what exactly what will solve this community’s issues. Something that comes off the top of my head was looking at the mayor’s year in review, what we’ve accomplished—and I was thinking, maybe it would be beneficial to ask constituents and people who actually live on the Southside or the Airport Road corridor: Do they really need a soccer complex out there, and investment in an airport? Or are there other things that community might want and need a little bit more?
Santa Fe Reporter
We’re looking for reader comments to a question: What do you need, and what does the Santa Fe community need in 2019?
Maryel McKeown Less stress for me—Santa Fe public works accepting that we ARE a snow city and plowing all the roads not just Airport, Cerrillos & Canyon. Like · Reply
Adrian Andre Affordable Housing. More TLC on our roads and events in the Southside. Legal Mary Jane taxed for programs. A night life. Like · Reply
Shontez “Taz” Morris Artist and master networker I need a million dollars! But aside from that, cause I know that’s not gonna happen right away—I need people to just unite. To come together as one. We’re all in this together. Unity is what I’m working on achieving with my art. … We need to come together for each other regardless of what’s going on. … Businesses pooling together, helping each other out in creative ways; we could start off there and see where it goes. Businesses are the heart of this town. And black folks need to be more understood instead of being feared.
Nathan Usher Rubinfeld Director of programming, Ellsworth Gallery; vice president, Young Democrats of Santa Fe County What I need in 2019 that I’ve started to get better at this past year is that I
Robert Sandoval For Susana to stop throwing bottles off of the Eldorado would be a start #neverforget Like · Reply
Nandita Dinesh Co-director, Arts Network for Youth and Justice in New Mexico; facilitator, Theater Immersion Education Workshops I need support. After about a decade of being part of big institutions, I’m stepping out and starting stuff in a more organic way, and I need support in multiple dimensions. Not only the more predictable areas of finance and whatnot, but more radical—like like-minded people coming together to support the goal of art that’s seeking to do good in the broadest sense. … And for the community, obviously, all the caveats apply, right? The community that I am part of is a very small part of what is the larger community here. … But I think we need more space where the arts can bring people together to just sit with the chaos of the world. Artistic spaces where we can just be in whatever that being means … and to use it as a way to reflect, debate, to critique, to protest, to radically dissent—whatever that means for us.
Annmarie Kmetz McInteer Snow Plows Like · Reply
Alle Kirkland Thriving public schools, and a community (even those without children) to support them! Like · Reply
Cyndi Lazarus Carr Less Airbnb. Like · Reply
Shen JC Jeanna Robinson Day Center and Transitional Housing for the homeless. Like · Reply
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NADINE LEHNER/ NATIONAL OUTDOOR LEADERSHIP SCHOOL
SFRE PORTE R.COM/NE WS/THE E NTHU SIAST
A student learns mapreading skills on a trip with NOLS, one organization working to encourage women in outdoor adventures.
Resolving to Do Better BY ELIZABETH MILLER e l i z a b e t h @ s f r e p o r t e r. c o m
T
he wind had been blowing all morning. By the time we were headed to the cornice, it was whipped into an overhang so prominent that it seemed, even from the distant view on the chairlift, to cast a shadow. I asked my mom, who is closing in on 70 years old, whether she thought the arthritis gnawing at her knees should steer us toward a lower-angle entry. She went for the drop-off. I tipped my skis off the edge, and three turns down, looked back to watch her clear the plunge. But she was already off, boot-deep in recycled powder. She told me later about first visiting this spot a decade ago. As we’d lined up at the rim, she’d wondered about the choice. Then a man
Let’s take this year to be really clear: Women are stepping up outdoors
in his 60s zipped past us, and she thought, surely if he could, she could do it, too. And of course, she could. She’s been a professionally certified ski instructor for more than 45 years and still sails through the choppiest, most monstrous moguls. She also embedded in me a sense that women can do anything outdoors they set their minds to. That’s a rare gift in a world still marked with traces of the idea that women are not fast enough, strong enough or tough enough. Those misperceptions stamp until misshapen a woman’s view of herself. “I think that’s the biggest internal barrier for women: Maybe they’re not sure they can do it, or they might be nervous about it,” Jan Reynolds said in a recent interview with Backcountry Magazine. Reynolds set records for high-altitude skiing in Tibet
and circumnavigated Mount Everest in the 1980s, and has since made a study of women’s cultural roles. “I say, ‘Just go!’” she continued. “You find out so much more about who you are, what you can do and what the world has to offer when you try. That’s a hard thing for women—to take that first step. But once they do, they’re on it. They love it. They stay in shape; they bond with their friends. “My only hope is that I can be the voice in every female’s ear that says, ‘You got this. You can do this. This is yours.’” Specters trailing women start with “she can’t ride that,” run right into, “she’s only here to keep the kids entertained,” and end in the assumption that a woman can’t possibly have goals or dreams that exceed the expectations society assigns her, which now encompass successful career and successful motherhood and effortless beauty all at the same time. How dare she want to run a marathon or climb a mountain. Who will care for the kids? While the hope is that women shrug off those stigmas and seize their dreams, their access and opportunities can be eased by those who assume that they belong there, rather than believing they don’t. That’s the
other half of the equation. Men go to the men they know when they recruit partners for big trips—just like they do when they start companies or seek out an expert. Women drop off those lists. An outdoor equality advocate once joked to me that men never stop to think about how few women work in the outdoor industry until the happy hours when they look around and find no one to flirt with. Camber Outdoors hits these points in a CEO Pledge, signed by more than 80 companies, committing to “accelerating equity, inclusion and diversity in their companies as a strategic business imperative.” Camber’s research argues these hires boost innovation, marketability and profit. The same principles that bar us from appreciating one another without prejudice show up later in the worst of ways. The organization #SafeOutside has added the step of looking at the role men play in perpetuating situations that range from unwelcoming to abusive for women outdoors. A survey conducted in 2018 found that 47 percent of women—and 16 percent of men—reported experiences that could be considered sexual harassment while climbing or in climbing-related activities. This column has consistently promoted the feats of women in the outdoors, breaking records on slacklines and the nation’s longest trails, racing on bikes and skis, even just abandoning their teenage comfort zone to backpack for weeks. This year, expect to see that mission move to the forefront. So I’ll share a suggestion for a new year: Even if you think you’ve been doing well supporting equal opportunity, resolve to do better. Resolve to be the voice that encourages someone to try, to dream big, to remember she has the skills and the strength. Resolve to contribute to a view of women as pushing the boundaries of what we know is possible for all humans. The Enthusiast is a twice-monthly column dedicated to the people in and stories from our outdoor sports community. Send feedback and story ideas to elizabeth@sfreporter.com.
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“Meet your fav cool lil secret, not your “fav mariachi band”, or “your new fav girl group”, nah… so beyond that man.” - Questlove
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PUBLIC DOMAIN
EVENT WED/2 GOOD JORB! One of the cruelest things society ever did was convince everyone that working hard and going to school means there’s a job just waiting for them. And while there are certainly aspects of that which ring true, a work ethic and a degree aren’t enough. This is why the LaFarge branch of the Santa Fe Public Library welcomes professionals from a bevy of fields such as cartoonists, filmmakers and firefighters to monthly gatherings at which they speak openly with teens about setting and working toward their career goals. An idea of how the real world actually works is always helpful to young folks, and those who attend might even learn a thing or two about jobs they didn’t even know exist. For example, they’ll pay me for this blurb later. Score! (Alex De Vore) Career Talks for Teens: 4:30 pm Wednesday Jan. 2. Free. Santa Fe Public Library LaFarge Branch, 1730 Llano St., 955-4860.
COURTESY SCHOOL OF ROCK ALBUQUERQUE
MUSIC SUN/6 ROCK DEGREE The School of Rock programs that have exploded across the nation in recent years have been some of the most important and invaluable resources for budding musicians probably ever. By teaching the up-and-comers that they can not only learn to play music well but also rock out all hard—and that’s OK—such programs build confidence, teach that creating is a worthwhile endeavor and provide the world with an ever-expanding batch of talented musicsmiths. Albuquerque’s School of Rock ABQ is one such place, and when the students from various programs within the school take the Meow Wolf stage this weekend, they’ll have learned that music is valid, emotional outlets are necessary and that pretty much everybody everywhere loves a good concert. (ADV) School of Rock ABQ: 7 pm Sunday Jan. 6. $15. Meow Wolf, 1352 Rufina Circle, 395-6369.
COURTESY UNIVERSITY OF CHICAGO PRESS
BOOKS TUE/8 BY ANY OTHER NAME Once upon a time, circa the mid-1800s, rose aficionados cultivated and adored such flowery-named blooms as the Pearl of Gold, the Marchionesse of Lorne and the Autumn Damask. But as time went by, hybrid tea roses became all the rage due to their hardiness and ease of care, and the old-timey types of flowers were all but lost. Author Thomas Christopher finds this fascinating (because it really kind of is), and thus wrote the book In Search of Lost Roses, an oddly gripping tale of the old roses and the gardeners aiding in their comeback. The Santa Fe Botanical Garden’s monthly Botanical Book Club invites discussion of Christopher’s work over cookies, tea and friendship. (ADV) Botanical Book Club: In Search of Lost Roses: 1-2:30 pm Tuesday Jan. 8. Free. Stewart Udall Center, 725 Camino Lejo, 983-6155
BOOKS SAT/5 - SAT/12
A Window In
Reading series offers the public a glimpse at a world-class program Most of you are probably already enlightened, but in case you aren’t aware: The old trope of the dour, melancholy writer in all black couldn’t be further from the truth. Readings, particularly poetry readings, are often riotous and joyful affairs, full of laughs and poignant insights and intellectual connection virtually unparalleled in other types of performance. Accordingly, a master of fine arts program in creative writing like that offered by the Institute of American Indian Arts isn’t a bunch of people poring over books in solitude; it’s the basis of a firm, friendly, supportive community of writers who love sharing their work and encouraging their comrades. “The Native literary community is very close,” says Jennifer Foerster (Muscogee Creek), interim director of IAIA’s lowresidency program. “People know each other very well, know each other’s work, follow each other, teach each other.” The MFA program, now in its sixth year, is borne on that camaraderie. “Non-Native authors too, of course, are close-knit within that community and circled around and came on board, and what was born was a pretty great collection of writers to
teach as mentors.” Those mentors, as well as a few visiting poets brought in with the support of the Lannan Foundation, take eight days and evenings to teach, read, lecture, and mingle with the IAIA literary community. Each semester, the public is invited to evening readings in all genres (including film) from the likes of Tommy Orange, Luci Tapahonso, Brandon Hobson and many more, as well as current IAIA MFA students. We can’t possibly list everyone involved here, so check out SFR’s calendar (starting on page 20) for each day’s events; readings happen daily from Jan. 5-12. Cool tip: If you can’t make the readings but are still intrigued by the IAIA MFA, head to iaia.edu/mfa and check out the school’s Vimeo channel, which includes nearly 500 videos of lectures and classes, free for public viewing. (Charlotte Jusinski) IAIA WINTER READERS GATHERING 6 pm daily Saturday-Saturday Jan. 5-12; student readings Sunday, Monday, Tuesday and Friday at 1 pm and Saturday at 3 pm. Free. IAIA Library and Technology Center, 83 Avan Nu Po Road, 424-2351
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COURTESY NEW MEXICO MUSEUM OF ART
THE CALENDAR
Just in time for the legislative session, an exhibition of Russell Lee’s Depression-era FSA photography from rural locales around New Mexico opens Jan. 4 in the Governor’s Gallery in the State Capitol Building (490 Old Santa Fe Trail). This gelatin silver print, “Farm family after evening meal, Pie Town, New Mexico, 1940,” struck us as particularly cool. We like the sass on the gal on the left.
WED/2 BOOKS/LECTURES
Want to see your event here?
BLAZING NEW TRAILS THROUGH NEW MEXICO HISTORIC SITES New Mexico History Museum 113 Lincoln Ave., 476-5100 Join Patrick Moore, division director for the Department of Cultural Affairs’ Historic Sites, for a talk on—you guessed it— New Mexico’s Historic Sites. He offers perspectives on how “contested space” shapes the telling of New Mexico’s past. Noon, free CAREER TALKS FOR TEENS Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Professionals discuss their careers with the younguns (see SFR Picks, page 19). 4:30-5:30 pm, free
Email all the relevant information to calendar@sfreporter.com. You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion). Need help?
Contact Charlotte: 395-2906
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DHARMA TALK BY LAMA TSULTRIM ALLIONE Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This week's talk is presented by Lama Tsultrim Allione, spiritual director of Tara Mandala in Pagosa Springs, entitled "Wisdom Rising: Journey into the Mandala of the Empowered Feminine." The evening begins with a 15-minute meditation. 5:30 pm, free
EVENTS CHILDREN’S CHESS CLUB Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Join other kids to play against for a nice mix of quiet thought and roaring laughter, and play as many games as time allows, plus a short lecture at 6 pm. 5:45 pm, free
GEEKS WHO DRINK Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Pub quiz! 8 pm, free WAYWARD WEDNESDAYS Chili Line Brewing Company 204 N Guadalupe St., 982-8474 Small-batch, locally roasted, sustainably sourced, organic local comedy. Open mic signup starts at 7:30 pm, jokes start at 8:30 pm. 7:30 pm, free
MUSIC CALVIN HAZEN El Mesón 213 Washington Ave., 983-6756 Flamenco and classical Spanish guitar. 7 pm, free GRACE ASKEW Cowgirl 319 S Guadalupe St., 982-2565 Electronic Americana. 8 pm, free
GREG SCHLOTTHAUER Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free OPEN MIC NIGHT Tumbleroot Brewery & Distillery 2791 Agua Fría St., 87507 Signups start at 6:30 pm, and everyone who performs gets a recording afterward. 7 pm, free SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free TINY'S ELECTRIC JAM Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Plug it in and rock out. Hosted by Nick Wymette and Albert Diaz. 8:30 pm, free
WORKSHOP INTRODUCTION TO ZEN Mountain Cloud Zen Center 7241 Old Santa Fe Trail, 988-4396 Everyone is welcome to explore the basics and finer points of Zen meditation. 5 pm, free
THU/3 BOOKS/LECTURES MAKING IT MATTER AGAIN: EXPLORING OUR ROOTS, INCLUDING LIFE WAY, FOOD WAYS, AND OUR FUTURE New Mexico Museum of Art 107 W Palace Ave., 476-5072 Roxanne Swentzell discusses the 13 months she spent eating only the foods available to her ancestors before first contact with Europeans in 1540. Noon, free
EVENTS GEEKS WHO DRINK Santa Fe Brewing Company 35 Fire Place, 424-3333 Stellar quiz results can win you drink tickets. 7 pm, free GRIEF SUPPORT GROUP Temple Beth Shalom 205 E Barcelona Road, 982-1376 The Jewish Care Program offers a grief and loss support group; anyone over 18 years can join and participate. Grief is a natural process that often can be eased through sharing with others who have experienced the loss of a loved one, so don’t go it alone. Please register with Ya’el Chaikind at 303-3552. 1-2 pm, free
MUSIC ANDY KINGSTON AND MIKE BURT El Mesón 213 Washington Ave., 983-6756 Jazzy piano and bass. 7 pm, free GREG SCHLOTTHAUER Fenix at Vanessie 427 W Water St., 982-9966 Pop, rock and contemporary favorites on piano. 6:30 pm, free JONO MANSON Tumbleroot Brewery & Distillery 2791 Agua Fría St. Rootsy rock 'n' roll from the dude beloved for many reasons, not the least of which is The Kitchen Sink Recording Studio and all the fab acts be books and records there. 6 pm, free JULIE STEWART AND ROD WELLES Chili Line Brewing Company 204 N Guadalupe St., 982-8474 Rock 'n' blues ‘n’ smoked beers. Never had a smoked beer? Here’s your chance. 7:30 pm, free ROCKY MOUNTAIN SIREN TOUR Cowgirl 319 S Guadalupe St., 982-2565 Caitlin Cannon, Megan Burtt and Monica Marie make up the ethereal Colorado-based trio that whips out the neofolk full of rich three-part harmony and stories from the road. 8 pm, free ROLL, BOUNCE, SK8 JAM AND ROLLER-OKE WITH DJ RAASHAN AHMAD Rockin' Rollers 2915 Agua Fría St., 473-7755 Jealous of kids getting all the cool skate parties? This one's especially for grown-ups. Hit up pizza, a snack bar, and tunes—and an additional $5 get you skates or a scooter. 7 pm, $5 SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free
THE CALENDAR
FRI/4 ART OPENINGS CARVED & CAST, SHOTS IN THE DARK, WAIT UNTIL DARK AND NIGHT LIFE IMAGINATION STATION New Mexico Museum of Art 107 W Palace Ave., 476-5072 These four exhibitions have been open for a while, but head over to the museum for this first Friday for a public reception to celebrate them. Carved & Cast showcases sculpture in a range of media, genres, and styles that New Mexican artists have used over the last century; Shots in the Dark uses unique photography to probe the relationship of photography to the landscape, human experience and persisting stories both true and mythical; Wait Until Dark is drawn from the museum’s extensive collection of nocturnes, including painting, prints and photographs, all of which are informed by the quality of light; and in the Night Life Imagination Station, kids can explore the many aspects of nightlife with pictures, puppets and activities. 5 pm, free DEAN HOWELL: WOMAN, WOMAN ... EMBODIED Stevens & Howell Fine Art Agora Center, 7 Avenida Vista Grande, Ste. B-8, 466-7277 The prolific painter and sculptor presents a retrospective "best of the best" exhibition from his huge body of work, all of which explore the beauty of women. Through Jan. 31. 5 pm, free HISTORIC MISSIONS OF THE SOUTHWEST Cheri O'Brien Fine Art 618 Canyon Road, 425-308-2061 Paintings by Cheri O'Brien and photographs by Thomas Dodge depict the many moods, personalities and beautiful ambiances of our area’s historic churches. Through Jan. 31. 5 am-7 pm, free
BOOKS/LECTURES ERIC-PAUL RIEGE: NA’ATL'O’ DÓÓ NA’ASHJÉ’ÍÍ ASDZÁÁ: ARTIST TALK SITE Santa Fe 1606 Paseo de Peralta, 989-1199 Riege, a Diné weaver and fiber artist from Na’nízhoozhí (Gallup) also works in performance, installation and collage. In this program, Riege shares a story of Na’ashjé’íí Asdzáá (spider woman) and teaches string games. 6 pm, $5-$10
DANCE FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Make a dinner reservation for a show by the National Institute of Flamenco. 6:30 pm, $25
EVENTS ERIC-PAUL RIEGE: NA’ATL'O’ DÓÓ NA’ASHJÉ’ÍÍ ASDZÁÁ: PERFORMANCE SITE Santa Fe 1606 Paseo de Peralta, 989-1199 In addition to his 6 pm lecture (a few listings up from here), Reige (Diné) blesses the SITE installation by storytelling the birth and rebirth of weaving in a ritual for healing, well-being, Hózhó, patience and love. Free with admission. 1 pm, $5-$10 GARDEN SPROUTS PRE-K ACTIVITIES Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 A hands-on program for 3-5 year olds and their caregivers. Listen to a book and participate in interactive nature and garden-related activities. 10-11 am, $5
Visit us in JANUARY!
Photos: Addison Doty
ENTER EVENTS AT SFREPORTER.COM/CAL
MUSIC ALL-AGES SK8 SESSION Rockin' Rollers 2915 Agua Fría St., 473-7755 Snacks ‘n’ DJ tunes—that $5 gets skates or a scooter, too. 6 pm, $5 ALPHA CATS Second Street Brewery (Original) 1814 Second St., 982-3030 Blues, jazz and swing. 7 pm, free BIRD THOMPSON The New Baking Company 504 W Cordova Road, 557-6435 Adult contemporary singersongwriter—now performing songs from his new album, Prayer Wheel. 10 am, free DJ DYNAMITE SOL Boxcar 530 S Guadalupe St., 988-7222 House, funk, reggaeton and hip-hop. 10 pm, free DON CURRY & PETE SPRINGER Social Kitchen & Bar 725 Cerrillos Road, 982-5952 Acoustic rock. 7 pm, free DOUG MONTGOMERY AND GREG SCHLOTTHAUER Fenix at Vanessie 427 W Water St., 982-9966 PIano standards: Doug starts, Greg takes over at 8 pm. 6 pm, free DUO VER GiG Performance Space 1808 Second St. Guitarist Bruce Dunlap and bassist Jon Gagan draw from jazz, classical and world influences; often simple melodies are underpinned by intricate harmony and orchestral guitar parts. 7:30 pm, $20 GIARDIA, ST. VICTIMS AND SNOT GOBLIN Zephyr Community Art Studio 1520 Center Drive, Ste. 2 Giardia comes down from Denver to join some locals for a metal-fest (see Music, page 23). 8 pm, $10
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14 JAN
Free First Sunday
LIT: The Work of Rose B. Simpson
Old Man Looking Backward: Bob Haozous
Friends Lecture: Emerging Artists Panel Monday, January 14, 2019 2:00 p.m. Doors Open • 2:30 p.m. Lecture Mary Wheelwright Library Nanibaa Beck (Diné)
Hollis Chitto (Mississippi Choctaw/Laguna/Isleta) Matagi Sorenson (Yavapai-Apache) Jared Tso (Diné)
Artwork available for purchase during the event!
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Friends Book Club: Appetite for America Wednesday, January 16, 2019 1:30 p.m. Discussion Mary Wheelwright Library
704 Camino Lejo, Santa Fe, NM 87505 • 505-982- 4636 For more information, visit wheelwright.org.
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THE CALENDAR There’s always room for more happenings. Send your event deets to calendar@sfreporter.com. Make sure you include all the pertinent details such as location, time, price and a description. Submission doesn’t guarantee inclusion, but we do our best.
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JESUS BAS La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Spanish and flamenco guitar. 7 pm, free JUICEBOX TRIO Tonic 103 E Water St., 982-1189 Modern takes on jazz standards from Matt Ruder (guitar, vocals), Juan Aniceto (bass) and Isaac Scarlott (drums). 9:30 pm, free JULIAN DOSSETT TRIO Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Delta blues. 8 pm, free KEY FRANCES Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Funky and rockin' blues with a psychedelic twist on the deck. 5 pm, free LITTLE LEROY AND HIS PACK OF LIES La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock 'n' roll for dancin' to. 8 pm, free RON CROWDER BAND El Farol 808 Canyon Road, 983-9912 Rock 'n' roll with frontman Crowder along with Jim Casey, Milo Jaramillo, Glenn Kostur and Mark Clark. 9 pm, $5 ST. RANGE Cowgirl 319 S Guadalupe St., 982-2565 Rock 'n' roll, outlaw-style. 8:30 pm, free TGIF RECITAL: MICHAEL GING First Presbyterian Church 208 Grant Ave., 982-8544 Organist Ging rings in the new year of recitals with selections by JS Bach, Louis Vierne, Jehan Alain and Maurice Duruflé. 5:30 pm, free THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 Swinging jazz. 7:30 pm, free
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TREVOR BAHNSON AND ATALAYA Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 Acoustic-driven indie-folk from two beloved local acts. 7:30 pm, free TROY BROWNE Tumbleroot Brewery & Distillery 2791 Agua Fría St. Dextrous Americana. 8 pm, free
THEATER MURDER AT THE LONE ELM Los Alamos Little Theatre 1670 Nectar St., Los Alamos, 662-5493 When a guest at the Lone Elm Inn falls down the stairs to his death, the head of hotel security suspects foul play. She rounds up the most likely suspects and tries to determine whodunit before the killer claims more victims. The interactive murder mystery is written and directed by Miles Ledoux, and every audience member gets an ice cream sundae. 7:30 pm, $13-$15
WORKSHOP FIRST FRIDAY ART ACTIVITY Georgia O'Keeffe Museum 217 Johnson St., 946-1000 For art lovers of all ages, create your own drawings while exploring the use of color in modern artwork. Free with museum admission, and the museum is free to New Mexicans on First Fridays. 5-7 pm, $11-$13
SAT/5 BOOKS/LECTURES GENNAROSE NETHERCOTT: THE LUMBERJACK'S DOVE op.cit Books DeVargas Center, 157 Paseo de Peralta, 428-0321 Nethercott reads from her National Poetry Series Winner, The Lumberjack's Dove: A Poem. It was selected for that honor by Louise Glück, which ain't too shabby. 2 pm, free IAIA WINTER READERS GATHERING: TOMMY ORANGE AND LUCI TAPAHONSO Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 The annual series returns again, featuring faculty and visiting writers reading their work in poetry, fiction, nonfiction and that which cannot be categorized. Head to the auditorium in the Library and Technology Center to hear from Orange, whose first novel, There There, received national acclaim from the New York Times, NPR and—of course—SFR. The legendary Tapahonso is the author of three children's books and six books of poetry (see SFR Picks, page 19). 6 pm, free
NOCTURNES IN ART New Mexico Museum of Art 107 W Palace Ave., 476-5072 Christian Waguespack, curator of Wait Until Dark, discusses the history of the nocturne in art, including a broad overview of the ways artists have engaged nighttime and the motif of darkness in their work from over the course of art history. 1 pm, free SHOTS IN THE DARK: A CONVERSATION New Mexico Museum of Art 107 W Palace Ave., 476-5072 Photography is most often associated with light; but this exhibition of nearly 30 images by four Southwestern photographers explore the dark side of the medium. Featured photographers Christopher Colville, scott b davis, Michael Lundgren and Ken Rosenthal explore the exhibition in a panel discussion. 10 am, free
DANCE FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Make a dinner reservation for a show by the National Institute of Flamenco. 6:30 pm, $25 NOCHE DE FLAMENCO El Mesón 213 Washington Ave., 983-6756 EmiArte Flamenco presents a performance with dancer La Emi and members of her company. Reservations are needed for this puppy, so call in. Pay cash at the door; dinner seating's at 5 pm. These dancers are fierce, folks. 7 pm, $20
EVENTS EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Locals and tourists alike are amazed and stimulated by the variety of visual offerings and intriguing conversations they find here—fine art, antique booths, handcrafted clothing and accessories, used books and more are available just across the tracks from the farmers market. 8 am-3 pm, free
MUSIC CANYON ROAD BLUES BAND El Farol 808 Canyon Road, 983-9912 Blues 'n' rock 'n' R&B from the El Farol legends (Paul E, Mike Montiel, Josh English and Tone Forrest). 9 pm, $5 DOUG MONTGOMERY AND GREG SCHLOTTHAUER Fenix at Vanessie 427 W Water St., 982-9966 Standards, classical, pop and Broadway tunes on piano: Doug starts, Greg takes over at 8 pm. 6 pm, free CONTINUED ON PAGE 24
LLOYD GRAY
MUSIC
Think It’s Funny Española’s Snot Goblin brings a potent witch’s brew in their debut EP BY LUKE HENLEY a u t h o r @ s f r e p o r t e r. c o m
A
lot of bands take for granted how important a solid image is. When a band really dials in an aesthetic that fits its music, it demonstrates a focus that most people tend to ignore. But try to separate the music of Black Flag from the artwork of Raymond Pettibon and it seems impossible. It’s something more musicians should consider; even in the digital age, album art is important—and at the young age of 20, Thomas Gray, lead singer, guitarist and founder of Snot Goblin, already has a vital partner in his younger brother Lloyd Gray, whose drumming and visual art help place the band years ahead in the game. Snot Goblin released its debut EP, Into the Boiling Pot, last Halloween, and it’s visually introduced by what appears to be the band’s mascot. Like a lo-fi version of Iron Maiden’s Eddie, Snot Goblin has their own green creature featured in all of their art, its maniacal grin and witch’s hat working to brand exactly what they’re selling—a cartoonish splatter-punk collage of horror elements and grave-fresh riffs that all sum up to be one of the most fun metal releases New Mexico has seen in years. The album cover has it all: A foreboding Scooby Doo-esque background, the goblin itself and a noxious green-gasgurgling cauldron—the titular boiling pot
from which the Gray brothers birthed their monster. “We draw a lot of inspiration from other bands but mostly from horror movies. We try to stay true to that and weave in our own stories.” Lloyd tells SFR. “[The EP is] the kind of a concept album about being born from the boiling pot. We’re describing all the ingredients that go into creating this monster and birthing it. Then throughout the songs
We draw a lot of inspiration from other bands but mostly from horror movies. We try to stay true to that and weave in our own stories. -Lloyd Gray
it’s kind of like gathering the ingredients, and at the end it’s like the death of it, decaying.” The music is in line with other story-driven metal bands such as Detroit’s Acid Witch and Chicago’s self-described “murder metal” act Macabre. Like those bands, Snot Goblin doesn’t just rely on gimmicks. The songwriting is solid and the tracks are performed well, especially
Snot Goblin’s mascot will haunt you.
notable given Boiling Pot’s home recording and lack of professional production. And whereas potential muddiness is the pitfall to any home recording project, Snot Goblin’s material has clarity and punch in a way plenty of metal acts struggle to find even in the studio. Besides, we’re talking punky thrashers who would surely suffer under the weight of too much studio sheen. Take “Path of the Shrunken Heads,” a track that starts with a sample from 1971’s Willy Wonka & the Chocolate Factory before vaulting through a carnival ride of breakneck guitar riffs, tremolopicked leads and demented vocals. Even with the focus on horror imagery, the musicality keeps you grinning. So how does such a relatively young band have it so together? According to Thomas, it has something to do with the specific type of collaborative songwriting between he and his brother—and it all starts with the artwork. “Lloyd’s visual art really helps us craft the songs,” he says. “We’ll look at an image and say, ‘Dang, we need to write a
song about that,’ then we’ll come up with a track name and add all the concepts into each song. It will eventually tell the story of the image of the album.” While unorthodox, it has clearly focused the band’s ideas into something fresh: the creation of visual worlds first, then the creation of a soundtrack to match that unique iconography. Now joined by their older brother Daniel Mapp (also of local metal band Marrow Monger) on bass and friend Zach Vigil on second guitar, Snot Goblin is already crafting new material for a sophomore follow-up. Catch them on the Southside this week with Denver-based jazz-inflected noisegrind crew Giardia and Santa Fe’s recently unleashed grindcore weirdos St. Victims. SNOT GOBLIN WITH GIARDIA AND ST. VICTIMS 8 pm Friday Jan. 4. $10 suggested donation. Zephyr Community Art Studio, 1520 Center Drive, Ste. 2.
Adopt Me! You can adopt Arroyo de Los Pinos by calling:
(505) 820-1696
See what other arroyos are up for adoption by visiting:
Arroyo de Los Pinos is a delightful little arroyo that loves being a part of the Santa Fe Community. A bit temperamental when it rains, Arroyo de Los Pinos just needs some TLC from humans that love her.
www.santafewatershed.org
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January 2019 EVENTS A L L E V E N T S AT 6 : 0 0 P M
U N L E S S O T H E R W I S E S TAT E D ( S U B J E C T T O C H A N G E )
T U E S D AY, J A N U A RY 8
THURSDAY, JANUARY 17
Hearts of the Missing by Hillerman Award-winning New Mexico author, Carol Potenza – with introduction by Anne Hillerman
Screening of Nasario Remembers the Rio Puerco and book signing of No More Bingo, Comadre! by Nasario Garcia
T H U R S D AY, J A N U A RY 1 0
SUNDAY, JANUARY 27 @ 5-7 PM
The Bookshop Band Concert
Hiking with Nietzche by John Kaag (Named a Best Book of 2018 by NPR)
MONDAY, JANUARY 28
SATURDAY, JANUARY 12 @ 9:30 AM
Deep Creek by Pam Houston
OPERA BREAKFAST LECTURE SERIES
WINNER: BEST BOOKSTORE
Cilea’s Adriana Lecouvreur with Lecturer Robert Glick
2008-2018
MONDAY, JANUARY 14 @ 6:15 PM
OPERA BOOKCLUB:
Hard Bargain by David Tucker
202 Galisteo Street 505-988-4226
www.cwbookstore.com WINTER HOURS: MON-SUN 8AM-6PM 24
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(UNLESS THERE IS AN EVENT)
THE CALENDAR LAURIA & KOTT: NEON San Miguel Chapel 401 Old Santa Fe Trail, 983-3974 Never mind the traditional elements of earth, air, fire, water, metal and wood. This is a more in-depth elemental concert series of "elemental Americana" music. Today's concert is themed "Neon"— which some say causes one to be light and whimsical, bashful, bright, blushing and ever-super-cool. Also featuring singer Felecia Ford, as well as an elemental presentation by archaeologist Alysia Abbot. 7 pm, $20 LITTLE LEROY AND HIS PACK OF LIES La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock 'n' roll for dancin' to. 8 pm, free ORNETC. Second Street Brewery (Original) 1814 Second St., 982-3030 Funky jazz with Lee Steck, Dan Pearlman, Chris Jonas, Noah Baumeister and Dave Wayne. 7 pm, free THE PORTER DRAW Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Rock and roll and indie tunes from Albuquerque. 8 pm, free RON CROWDER BAND Cowgirl 319 S Guadalupe St., 982-2565 Rock 'n' roll and funky covers with Crowder and his all-star buddies Jim Casey, Milo Jaramillo, Alex Murzyn and Tomas White. 8:30 pm, free RON ROUGEAU The Dragon Room 406 Old Santa Fe Trail, 983-7712 Acoustic songs from the '60s, '70s and beyond. 5:30 pm, free SEAN JOHNSON TRIO Tonic 103 E Water St., 982-1189 Jazz by Sean Johnson (sax), Joel Fadness (drums) and Cyrus Campbell (bass). 9:30 pm, free STANLIE KEE AND STEP IN Cowgirl 319 S Guadalupe St., 982-2565 Blues 'n' rock. 1 pm, free TREVOR BAHNSON Iconik Coffee Roasters 1600 Lena St., 428-0996 Enjoy the folky, Americanaey, ever-melodious tunes of singer-songwriter Bahnson. Often recognized for his dynamic, emotive voice and contemplative lyrics, Bahnson has played for nearly 20 years in venues ranging from San Francisco coffee shops to the streets of Berlin to touring the international club scene. He currently performs with Karina Wilson on fiddle, Mikey Chavez on percussion and Ryan Little on steel guitar. Noon-2 pm, free
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THEATER
BOOKS/LECTURES
MURDER AT THE LONE ELM Los Alamos Little Theatre 1670 Nectar St., Los Alamos, 662-5493 When a guest at the Lone Elm Inn falls down the stairs to his death, the head of hotel security suspects foul play. She rounds up the most likely suspects and tries to determine whodunit before the killer claims more victims. The interactive murder mystery is written and directed by Miles Ledoux, and every audience member gets an ice cream sundae. Dinner theater is so passé. Let all theater be ice cream theater. The only theater is the theater of ice cream. 7:30 pm, $13-$15
BOYCOTT AGAINST ISRAEL: FACTS AND MYTHS Santa Fe Woman's Club 1616 Old Pecos Trail, 983-9455 Santa Fe Middle East Watch hosts Asaf Romirowsky, executive director of Scholars for Peace in the Middle East, for a discussion about the Boycott, Divestment and Sanctions movement. Investigate who's behind it, what its goals are, what effect it's had on Palestine, and how it could foment anti-Semitism. 2:30 pm, $15-$20 GRANMARY’S PLACE: STORYTELLING Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 In addition to oral traditions, this beloved children's program also explores how storytelling occurs through dance, song, drawings or art. Free with museum admission, and museum admission is free for New Mexicans on the first Sunday of every month. 2 pm and 4 pm, $6-$12 IAIA WINTER READERS GATHERING: CHERIE DIMALINE AND FAITH ADIELE Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 Faculty and visiting writers reading their work in poetry, fiction, nonfiction and that which cannot be categorized. Head to the auditorium in the Library and Technology Center for a reading by Cherie Dimaline (Georgian Bay Métis), who’s most noted for her 2017 dystopian young-adult novel The Marrow Thieves, and Adiele, the author of the memoirs The Nigerian-Nordic Girl's Guide To Lady Problems and Meeting Faith, an account of becoming Thailand's first black Buddhist nun that won the PEN Beyond Margins Award (see SFR Picks, page 19). 6 pm, free IAIA WINTER READERS GATHERING: SECOND YEAR MFA STUDENTS Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 Head to the library for this one; it's presented by the college's low-res MFA writing program, which is directed by poet Jennifer Foerster (see SFR Picks, page 19). 1-2 pm, free JOHN MACKER: THE BLUES DRINK YOUR DREAMS AWAY op.cit Books DeVargas Center, 157 Paseo de Peralta, 428-0321 Poet, essayist and playwright Macker presents his ninth book of poetry. He is also the author of Gorge Songs (with Denver woodblock artist Leon Loughridge) and the Badlands trilogy. He was also contributing editor for Malpais Review. 2 pm, free
WORKSHOP BUILD YOUR OWN CORPSE Community Gallery 201 W Marcy St., 955-6705 A hands-on workshop lets you create your own exquisite corpses with others. All ages are encouraged to attend and collaborate with others to create corpses using a variety of materials. Instructor Joel Nakamura is an artist, illustrator and arts instructor who lives and works in Santa Fe. His work represents a cross-cultural tableau of references to both old and new, seriousness and whimsy, and both actual and mythological. 1-3 pm, free
SUN/6 ART OPENINGS COMMUNITY THROUGH MAKING FROM PERU TO NEW MEXICO Museum of International Folk Art 706 Camino Lejo, 476-1200 The new exhibition in MOIFA's Gallery of Conscience brings together local and Peruvian artists to explore how art shapes healthy and vibrant communities, filling the gallery with video, stories and artworks. The installation is a conversation across borders, highlighting three collaborative projects that paired local artists and artists from Peru for 10-day residencies in conjunction with the exhibition Crafting Memory: The Art of Community in Peru. There’s an artist talk at 1 pm, and a pop-up shop, craft workshop and Peruvian food starting at 2 pm. 1-4 pm, free WOODTRANSFORMATIONS: IMAGES OF THE SOUTHWEST ON WOOD Java Joe's 2801 Rodeo Road, 795-7005 Photographer Tim Noger presents local and Southwest landscape photography images transferred onto wood. Through Jan. 31. 3-5 pm, free
CONTINUED ON PAGE 26
S FR E P O RTE R .CO M /A RTS
Eye on the Image L
ast September, students from the New Mexico School for the Arts photography program were invited to submit their work as part of the Eye of the Image Awards, a contest sponsored by the O’Connor Fund for the Visual Arts. The winners printed on this page were selected earlier this month. Local creators served as judges, including Kate Rivers, Jon Stern, and Pilar Law, also the owner of Edition One Gallery. “Every participant’s work reflected an appreciation of the
formal techniques of making great photographs,” Law says. “The images were striking in their maturity both in composition and in printing technique. What a thrill to see such great work!” A representative from the O’Connor Fund tells SFR that the submissions were stunning across the board, and that the contest is now slated to become an annual event. Such a boon not only bolsters confidence in the budding photogs, but it also doesn’t look half bad on a college application.
A&C
2nd
PLACE
VERONICA SILVA: “To The World,” 6.25 by 9.25 inches, 2018
3rd
PLACE
1st
EMILY SEGURA MAZE Untitled, 13 by 19 inches, 2018
PLACE
HONOR ABLE MENTION
MACY LOY: Untitled, 13 by 19 inches, 2018
HAILEY CHANLER: ”Truckin’ in Taos,” 18 by 18 inches, 2018 SFREPORTER.COM
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COURTESY TIM NOGER
THE CALENDAR
P
Family-friendly healthcare across the life span Accepting all insurance plans. Sliding-fee discount program available.
Tim Noger presents his Southwestern landscape photos affixed to wood panels at Java Joe’s, opening Sunday afternoon. “Cave Trees” is among them. See full listing on page 24. JOUNEYSANTAFE: MAYOR ALAN WEBBER Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 The mayor reviews his first 10 months in office and looks ahead to the coming year. 11 am, free
DANCE BEGINNING SALSA Dance Station 947-B W Alameda St. Drop in to try your hand (or feet and body, as it were) at some salsa dancing. 5 pm, $20 BEGINNING SWING Dance Station 947-B W Alameda St. Take advantage of those swing nights that pop up around town! 4 pm, $20 KIDS' PARTNER DANCE Dance Station 947-B W Alameda St. Get your kids moving with friendly and professional lessons in ballroom, Latin and swing. 10:45-11:30 am, $12 PARTNER DANCE FUNDAMENTALS Dance Station 947-B W Alameda St. Whether you want to be more coordinated on the dance floor or just want a little exercise, here's a low-impact (and free!) way to do it. 2:45-3:30 pm, free
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EVENTS EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Part fine arts market, part flea market, all full of treasures. Make an extra stop during your Railyard weekend adventures and see what treasures you might find. 9 am-4 pm, free
THE GATE OF SWEET NECTAR LITURGY Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 During this ceremony, chant The Gate of Sweet Nectar Liturgy calling out to all those who are lost and left behind, those who hunger and thirst, including those parts of ourselves that we think of as insufficient and lacking; offer them the bodhi mind of love, wisdom and transformation. Please arrive by 5:20 pm to be polite. 5:30 pm, free GEEKS WHO DRINK Desert Dogs Brewery and Cidery 112 W San Francisco St., Ste. 307, 983-0134 Stellar quiz results can win you drink tickets for next time. 7 pm, free LEARN TO MEDITATE Zoetic 230 St. Francis Drive, 292-5293 Explore and deepen your understanding of The Stages of the Path through teachings and meditations. Allow this essential wisdom to naturally increase your happiness and reduce your problems, and perhaps attain Nirvana. 10:30 am-noon, $10
MUSIC BILL HEARNE TRIO Second Street Brewery (Original) 1814 Second St., 982-3030 Country and honky-tonk. 6 pm, free BORIS AND THE SALTLICKS Cowgirl 319 S Guadalupe St., 982-2565 Gothic Americana. Noon, free DOUG MONTGOMERY Fenix at Vanessie 427 W Water St., 982-9966 Piano standards, originals and pop with vocals too. 6:30 pm, free
GENE CORBIN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Soulful Americana. 3 pm, free NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Creative but rooted takes on Latin music. 7 pm, free PAT MALONE AND JON GAGAN El Farol 808 Canyon Road, 983-9912 A jazz duet with guitarist Malone and bassist Gagan on what's become known as Civilized Sunday at the historic bar. 7 pm, free ROBERT MARCUM AND BRIAN DEAR La Fiesta Lounge 100 E San Francisco St., 982-5511 Folk 'n' rock. 6 pm, free
Want to see your event listed here? Cool! So do we. Email all your event info ASAP to Charlotte at calendar@sfreporter.com Include all the pertinent details and tell us a little bit about what you’re doing. Submission doesn’t guarantee inclusion; ask for clarification if you need it.
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COURTESY BIANCA SOPOCI-BELKNAP
As we head into 2019, Santa Fe nonprofit Earth Care is on the hunt for $10,000 in donations. The organization is all about educating and empowering young Santa Feans through a curriculum of youth-first cross-cultural relations and support to help in creating a more sustainable future for us all—noble both for humankind and for local young folk growing up in a town that does’t always keep their best interests in mind. SFR spoke with co-director Bianca SopociBelknap to get the lowdown on Earth Care, and everyone else can find out more at earthcarenm.org. (Alex De Vore) In plain terms, what’s Earth Care’s specific goal? Our goal is to create an ecologically sustainable and socially and economically just world. You know, just a small goal. We work in Northern New Mexico to support Native, Latinx, Chicano, Hispano, and low-income youth and families to work together cross-culturally to strengthen our communities and start organizing around the issues they care about—which are the issues of our times; climate change, immigration, income inequality, poverty, civil rights, housing, health care, etc. We think of ourselves as a feeder into the movement since we activate and support folks who most often haven’t had the opportunity or privilege to receive formal leadership development from other orgs and whose voices are almost entirely left out of decision-making processes. We always hear about how Santa Fe is terrible for young people. Do you see evidence that organizations like Earth Care tend to give them a sense of purpose? Young people are not just young, nor are they just students. They are artists, workers, intellectuals, visionaries, orators, strategists, family members and community members. Our young leaders have complex identities based on rich cultural heritages as well as their racial, class, sexual, gender and religious identities. This is what our organization acknowledges and celebrates. Our work is to help the young and emerging leaders we are cultivating discover their voices and their gifts and deploy those enormous assets to make our communities and the world a better place. One of the things our leaders hate the most is when they are asked about “youth issues,” as though their experience, concerns for the world and needs are limited to their age bracket. Young people and the families they are a part of, including their chosen families, are actually the foundation of our community—because they carry the thread that runs from present, into our future. We have generations and generations of young people who’ve come up through our programs and remain part of the Earth Care family (which is how we refer to ourselves, never as an organization). It is beautiful that so many of our trainers, board members and role models were once youth participants themselves. And we don’t stop at education. We believe in organizing and changing how decision-making gets done. What’s an easily noticeable step Earth Care might take if donation goals are met? Our youth and parent leaders will be organizing their families and neighbors like crazy around three issues we hope to make serious progress on in 2019: education reform, climate justice—let this be the year for renewables!—and equitable community development. We’re working with Chainbreaker [Collective] on creating a model that we hope we can use for our Southside communities since that’s where we’re based. Most immediately, support will go to help us fund our membership meeting for [Martin Luther King] Day this January.
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XANADU
at Jackalope
2820 Cerrillos Rd. 505-424-3231
S ISTMAS GIFT R H C R O F Y PORTUNIT
GREAT OP
Visit our new store at
135 W. Palace Ave.
Through March 29, 2019
Las Cruces Prison Tattoo, 2018, by Frank Blazquez
IAIA WINTER READERS GATHERING: DARLENE NAPONSE AND JOAN NAVIYUK KANE Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 In the auditorium in the Library and Technology Center, today's reading features a film screening from Naponse too; she was born, raised and now works in her community, Atikameksheng Anishnawbek in Northern Ontario. Her most recent film, Falls Around Her, was recently screened at the Toronto International Film Festival. She is a 2015 alumna of the IAIA MFA in creative writing program. Naviyuk Kane is a 2018 Guggenheim Fellow and was a Harvard National Scholar; Iñupiat with family from King Island and Mary's Igloo, she lives in Anchorage (see SFR Picks, page 19). 6 pm, free
EVERYTHING MUST GO!
Reboot adds important new works by GenNext artists, and introduces five new artists: Frank Blazquez, William Lyday, Autry Macias, Michael Martinez and Alberto Zalma.
MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo | 505.982.2226 Open Tues–Sun | spanishcolonial.org
JANUARY
4 5 6
AT THE ORIGINAL
THE ALPHA CATS Jazz, 7-10 PM / FREE
ORNETC.
Friday
BOOKS/LECTURES
IS CLOSING THEIR 6,000 SQ.FT. STORE
Friday
MON/7
XANADU at Jackalope
with Bianca Sopoci-Belknap
Saturday
WORKSHOP WRITING IN PROGRESS Zephyr Community Art Studio 1520 Center Drive, Ste. 2 If you're having a hard time putting pen to paper (or hands to the keyboard), join a structured group writing session led by Bucket Siler. Sign up early, because there are only 12 spots and these tend to be popular. 1-2:30 pm, $10 ZEN MEDITATION INSTRUCTION Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 Get acquainted with Upaya and learn basics of zazen and temple etiquette; those new to Upaya can get acquainted and receive instruction on meditation and temple forms. 3 pm, free
STORE MOVING SALE
Sunday
SCHOOL OF ROCK ABQ Meow Wolf 1352 Rufina Circle, 395-6369 School of Rock ABQ’s performance program presents 12- to 14-year-old musicians’ takes on tunes by Pink Floyd, The Who and Black Sabbath (see SFR Picks, page 19). 7 pm, $15 SHANE WALLIN Cowgirl 319 S Guadalupe St., 982-2565 Soulful blues. 8 pm, free WINTER BLUES CONCERT Immaculate Heart of Mary Chapel 50 Mt. Carmel Road, 988-1975 The New Mexico Performing Arts Society and the Santa Fe Women’s Ensemble join forces for music for women's voices. Flute and harp interludes round out the program. 5:30 pm, $24-$47
THE CALENDAR
LIVE MUSIC
4
AT RUFINA TAPROOM
TREVOR BAHNSON ATALAYA 7:30 PM / FREE
Jazz, 7-10 PM / FREE
BILL HEARNE
Americana, 6 - 8 PM / FREE
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CHERI O’BRIEN, “SAN MIGUEL NOCTURNE”
THE CALENDAR
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Painter Cheri O’Brien and photographer Tom Dodge present images of the historic missions of the Southwest, opening Friday at O’Brien’s eponymous gallery; see full listing on page 21. IAIA WINTER READERS GATHERING: SECOND YEAR MFA STUDENTS Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 In the library, students the college's low-res MFA writing program offer a reading from their work. This is also your chance to meet the program’s interim director, Jennifer Foerster (see SFR Picks, page 19). 1-2 pm, free SOUTHWEST SEMINARS: THREE CENTURIES IN A HISPANO VILLAGE: ARCHAEOLOGY OF WOLVES, FAITH AND CAPITALISM Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Author and anthropological archaeologist Severin Fowles, assistant professor of anthropology at Barnard College and the author of books about religion and hierarchy in Tewa culture, lectures. 6 pm, $15
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EVENTS GEEKS WHO DRINK Draft Station Santa Fe Arcade, 60 E San Francisco St., 983-6443 Pub quiz! 7 pm, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group for occasional guest speakers, discussing your concerns, and group activism. 7 pm, free
MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana from a Santa Fe legend. 7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Michèle Leidig hosts Santa Fe's favorite night of karaoke. 9 pm, free
DOUG MONTGOMERY Fenix at Vanessie 427 W Water St., 982-9966 Piano standards, originals and pop with vocals too. 6:30 pm, free JAMIE RUSSELL Chili Line Brewing Company 204 N Guadalupe St., 982-8474 Americana, pop and rock originals and covers. 7 pm, free JUAN CARMONA ENSEMBLE James A Little Theatre 1060 Cerrillos Road, 476-6429 French guitar virtuoso Juan Carmona is the perfect symbol of flamenco’s rebirth; he’s proven to be one of the most creative guitarists of the new flamenco generation. Though proud of his Andalusian roots, he insists on moving beyond the typical ethnic clichés with a profound awareness of musical genres, traditional styles and a devastating modernity. 7:30 pm, $10-$33
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WORKSHOP MAKING HISTORY: LEATHERWORK New Mexico History Museum 113 Lincoln Ave., 476-5100 Learn a traditional craft used for making boots and saddles, and take home your own leather bookmark. Wander the museum galleries either before or after to see what place leatherwork has had in New Mexico’s history (hint: It’s pretty significant). Free with museum admission. 1:30-3:30 pm, $6-$12
TUE/8 BOOKS/LECTURES BOTANICAL BOOK CLUB: IN SEARCH OF LOST ROSES Stewart Udall Center 725 Camino Lejo, 983-6155 At the Santa Fe Botanical Garden's monthly Botanical Book Club, join other enthusiasts over tea, cookies and great conversation. The book of the month for January is by Thomas Christopher. Chrisopher describes how, before the 1860s, people loved old roses like “Pearl of Gold,” “Marchionesse of Lorne” or “Autumn Damask.” Then along came the hybrid tea roses, which were easier to arrange, more dramatic and longer-blooming, and the old roses were all but forgotten. Christopher tells the fascinating stories of the old roses—how they were created and made their way to America—and the unforgettable people who “rustle” them from abandoned lots and secret gardens today. 1-2:30 pm, free CAROL POTENZA: HEARTS OF THE MISSING Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Potenza, a professor of chemistry and biochemistry at New Mexico State University, has proven to also have serious chops as a mystery novel writer. Her debut novel, which won the Tony Hillerman Prize in 2017, weaves a story of murder, wandering spirits and tribal life. She visits from Las Cruces to read from and discuss the book this evening; it tells the story of the fictional Fire-Sky Tribe; when a young woman linked to a list of missing tribal members commits suicide, Pueblo Police Sergeant Nicky Matthews is assigned to the case. As the investigation unfolds, she uncovers a threat that strikes at the very heart of what it means to be a Fire-Sky Native: victims are chosen and murdered because of their genetic makeup. In a vengeful twist, the killer ensures the spirits of those targeted will wander forever, lost to their family, their people, and their ancestors. 6:30 pm, free
THE CALENDAR
IAIA WINTER READERS GATHERING: SANTEE FRAZIER, MARIE-HELENE BERTINO AND TONI JENSEN Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 In the auditorium in the Library and Technology Center, enjoy a reading by Frazier, who’s a citizen of the Cherokee Nation of Oklahoma and whose poems have appeared in American Poet, Narrative Magazine, Ontario Review, Ploughshares, and other literary journals. Bertino is the author of the novel 2 am at The Cat's Pajamas and the story collection Safe as Houses, and was the 2017 Frank O'Connor International Short Story Fellow in Cork, Ireland. Jensen (Métis) is the author of a forthcoming memoir-in-essays, Carry, and From the Hilltop, a collection of linked stories published through the Native Storiers Series at the University of Nebraska Press (see SFR Picks, page 19). 6 pm, free IAIA WINTER READERS GATHERING: SECOND YEAR MFA STUDENTS Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 The annual series returns again, featuring faculty and visiting writers reading their work in poetry, fiction, nonfiction and that which cannot be categorized. Head to the library for this one. It's presented by the college's low-res MFA writing program, directed by Jennifer Foerster (see SFR Picks, page 19) 1-2 pm, free PRESCHOOL STORY TIME Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Kids who are read to are generally smarter than kids who aren't. Get 'em learnt! 10:30 am, free
METTA REFUGE COUNCIL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 A support group for sharing life experiences around illness and loss in a variety of its forms. It is an opportunity for the sharing of life experiences in a setting of compassion and confidentiality. 10:30 am, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group to put into action the planning you did last night. Newcomers are always welcome, so go fight the good fight. 8:30 am, free
MUSIC BENNY BASSETT Cowgirl 319 S Guadalupe St., 982-2565 Acoustic rock. 8 pm, free BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana. 7:30 pm, free BILL PALMER Tumbleroot Brewery & Distillery 2791 Agua Fría St. Rock 'n' roll, dirty country and beautiful acoustic ballads galore. 5-8 pm, free CANYON ROAD BLUES JAM El Farol 808 Canyon Road, 983-9912 Sign up to sing or play. 8 pm, $5 CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar. 7 pm, free DAVID WOOD Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free
RAILYARD URGENT CARE and deliver excellent care in the heart of Santa Fe. Open 7 days a week, 8am – 7pm Railyard Urgent Care is Santa Fe’s only dedicated urgent care clinic operating on a solely walk-in basis, 7 days a week, to ensure excellent medical care with the shortest possible wait times.
DANCE ARGENTINE TANGO MILONGA El Mesón 213 Washington Ave., 983-6756 Put on your best tango shoes and join in (or just watch). 7:30 pm, $5 BEGINNING BALLROOM Dance Station 947-B W Alameda St. Whether you want to be traditional and elegant or spice things up a bit, ballroom dance is a good foundation to learn. Drop in for $20, or pay $60 for four classes. 6:30 pm, $20
EVENTS GEEKS WHO DRINK Boxcar 530 S Guadalupe St., 988-7222 This pub quiz can win you drink tickets for next time. 8 pm, free
Short wait times! Anyone who says nothing happens in January clearly hasn’t read our calendar.
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Have something to add? Email all your event info to calendar@sfreporter.com Submission doesn’t guarantee inclusion, but we do our best to include everything that’s fit to print.
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WHERE TO FIND US 831 South St. Francis Drive, just north of the red caboose.
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Explore the best 3-D art our state has to offer in the New Mexico Museum of Art’s Carved & Cast: 20th Century New Mexican Sculpture. There’s an opening reception on Friday, and it’s up through March 31.
CENTER FOR CONTEMPORARY ARTS 1050 Old Pecos Trail, 982-1338 Three Image Makers. Shelley Horton-Trippe: A Greater Sublime: 8 Poets / 8 Paintings. The Wanderer: The Final Drawings of John Connell. All through Jan. 6. GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 Jo Whaley: Echoes. Through Feb. 24. The Candid Camera. Through April 22. HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 Peter Chinni: Inside/Out. Pop Chalee: Blue Flower Rooted. Through Jan. 13. The Legacy of Helene Wurlitzer: Works from the Harwood Collection. Through May 5. IAIA MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 Holly Wilson: On Turtle’s Back; Rolande Souliere: Form and Content. Both through Jan. 27. Darren Vigil Gray: Expanding Horizons; Meeting the Clouds Halfway. Both Through Feb. 16. Action/ Abstraction Redefined. Through July 7. MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283
National and international wax artists. MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Stepping Out: 10,000 Years of Walking the West. Through Dec. 30. Maria Samora: Master of Elegance. Through Feb. 28. What’s New in New: Selections from the Carol Warren Collection. Through April 7. Lifeways of the Southern Athabaskans. Through July 7. MUSEUM OF INT’L FOLK ART 706 Camino Lejo, 476-1200 Beadwork Adorns the World. Through Feb. 3, 2019. Crafting Memory: The Art of Community in Peru. Through March 10. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 GenNext: Future So Bright. Through March 29. NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 The Land That Enchants Me So: Picturing Popular Songs of New Mexico. Through Feb. 28. Atomic Histories. Through May 26. On Exhibit: Designs That Defined the Museum of New Mexico. Through July 28. The First World War. Through Nov. 11, 2019. NM MUSEUM OF ART 107 W Palace Ave., 4765072 Good Company: Five Artists Communities in New Mexico. Through March 10. Shots in the Dark;
Carved & Cast: 20th-Century New Mexican Sculpture. All through March 31. Wait Until Dark; Night Life Imagination Station. Both through April 21. PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Closed for renovations. POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 In T’owa Vi Sae’we. EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Closed for the season; to reopen June 1, 2019. SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Dan Ostermiller: Gardens Gone Wild! Through May 11. SITE SANTA FE 1606 Paseo de Peralta, 989-1199 Casa Tomada (House Taken Over). Through Jan. 6. Hildegarde Duane and David Lamelas: The Dictator. Through Feb. 28. WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 LIT: The Work of Rose B Simpson. Through Oct. 6.
2019 Food Trend Predictions BY ZIBBY WILDER a u t h o r @ s f r e p o r t e r. c o m
N
ew Year’s predictions, like resolutions, seem like exercises in futility. I mean, who really knows what’s going to happen tomorrow, much less over the next 12 months? Well, apparently there are folks that do this prediction thing for a living, collating user data to make informed predictions about what’s going to be “hot” in the new year. Among these people are the analytics nerds at Whole Foods and Pinterest, who use what you’re asking about or searching for to take a good guess at the evolution of food trends. Here’s a look at five of the more interesting trends predicted for the food world, and thoughts on whether we might see them pop up locally. Also, I add a prediction of my own: You won’t stick to that New Year’s diet. And you shouldn’t. There’s just too much goodness out there. CBD is buzzing CBD is the new food wunderkind— perhaps that’s why The New York Times recently declared it the “new avocado toast.” CBD is the non-psychoactive compound of cannabis and hemp plants and is used mainly as a pain reliever and anti-inflammatory, as well as a general relaxant. Because it’s not regulated like its psychoactive sister, THC, it’s relatively easy to find and legal for anyone to purchase. In 2018, we found it included in everything from tinctures and creams to caramels and doggie treats. In 2019, the craze is predicted to spiral, with CBD cocktails already being slung in New York City, CBD smoothies spinning up in Los Angeles and the introduction of mainstream products such as Recess, a La Croix-esque, CBD-infused sparkling wa-
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What you’ll probably be eating in the new year
ter. According to Gloria Silva, one of the experts at CBD shop Sacred Wellness (1300 Luisa St., Ste. 4, 257-3733), the obsession likely won’t hit Santa Fe as hard as it has other places. “My concern is that people might jump into it without doing any research,” Silva tells SFR. “The effects of CBD are highly personal and there’s no protocol for taking it, so usually finding out what works for a patient is a process of trial and error.” So, rather than going out and downing a six-pack of CBD bubble water, use the education and experience of your local expert. Overdoing it is not a pretty way to start a new year. This milkshake [might] bring the boys to the yard While on a recent trip to Connecticut, I had the opportunity to taste the new kid on the block of New England-style IPA: a milkshake IPA by Relic Brewing. A milkshake IPA is basically billed as a hazy, fuller-bodied IPA achieved through brewing with lactose (milk sugar). As I swirled the sickly sweet bubbles around in my mouth, all I could think was, “Oh, hell no!” Being that New Mexico is considered a bit of a powerhouse in the world of IPA, I wondered if this is a trend we may see more of here. “People love the juicy, hazy, creamy aspects of milkshake IPAs,” says Tom Ludzia, a brewer at Second Street Brewery. “We’ve made them before and they sell out right away.” I was surprised by this, so I asked about the sweetness. “I can’t say I personally could drink more than one but, really, it’s just a chance play
FOOD
of it all, no amount of fancy water makes up for good old-fashioned H2O. dif with something different,” Ludzia says. “It’s a lot of fun for brewers and people really like a beer that tastes as different as it looks.” Hydration hype Former trend-setters coconut water and aloe vera water might see competition this year from some unexpected sources: maple trees and prickly pear cactus. While uberwaters have been lauded for the treatment of everything from nasty hangovers to a bad case of wrinkles, the KIND 2019 healthy snacking trend report notes the newcomers taking these types of health claims a step farther. The phytonutrients, amino acids, minerals and antioxidants found in maple sap make it a healthy alternative to other “waters” on the market. Cactus water, on the other hand, is made with half the calories and sugar than many coconut water products. This elixir claims benefits ranging from fighting skin damage from the sun with taurine, and boosting the immune system with vitamins B and C, iron, magnesium, calcium and potassium. Intriguing claims, yes, but consider this: Pinterest’s top 100 trends for 2019 notes that searches for ginger water are up 353 percent. Ginger has a long history as an anti-inflammatory and digestive aid and, no doubt, makes for a much more affordable water “experience.” And when it comes down to the reality
Don’t call it a comeback Hummus has made many an appearance on food trends lists over the years. Actu Actually, it probably never left. Now, 2019 is reportedly the dawn of—get this—dessert hummus? Yup! Whole Foods Markets has listed fro frozen, sweet hummus as one of its top 10 food trends for 2019, along with other “innovative bases” for frozen goodies, such as avocado, tahini and coconut wa water. Owen Laurion, pastry chef at Paloma (401 S Guadalupe St., 467-8624) 467-8624), was a little surprised by this predicted pen penchant. “After thinking about what on earth frozen hummus could be … it seems there’ve been a lot of people making al alternative, dairy-free ice creams,” Laurion posits. “Recently I was experimenting with garbanzo bean water for a vegan me meringue, and that’s what this trend could be about. Vegan baking and pastry are on the rise to satisfy growing vegan patronage and changing eating habits in general.” So, you might not see dessert hummus showing up on local restaurant menus anytime soon, but if it sounds intriguing, keep an eye on the freezer case at Whole Foods. Butter me up The paleo craze will stay a craze in 2019, and for those looking for nutrient-dense alternatives to the ubiquitous almond butter, sunflower, pumpkin and even watermelon seed butters are predicted to enjoy their 15 minutes of fame this year. The KIND report notes these butters contain the same good fats as nut butters, but can also be enjoyed by those with nut allergies. Seed butters can be eaten straight, with fruit or on toast, and are even being used in soups as an alternative to cream. Bonus: You can make them yourself. What better way to start the New Year than by trying something new?
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RATINGS
MOVIES
Vice Review
BEST MOVIE EVER
4
What a Dick
10
+ A PROMISING
PRISM OF CHENEY AS THE BROODING FULCRUM OF A RIGHT-WING MOVEMENT - NO MORE INSIGHTFUL THAN CURATED WIKIPEDIA PAGES; CHARACTERS ARE CARICATURES
BY NEIL MORRIS a u t h o r @ s f r e p o r t e r. c o m
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“Vice” is the nickname President George W Bush gave Vice President Dick Cheney. It’s also a stock character in Elizabethan morality plays, a devilish opportunist often cloaked as Virtue, remorseless for evil acts. This is the promising prism through which director Adam McKay refracts Cheney, the brooding fulcrum of a right-wing movement that began with Nixon and continues through Trump. But a feature film, like Shakespeare, requires other elements. Vice, an ambitious mess, is a parody in search of a punch line—a cheap-seats harangue no more insightful than Wikipedia. It opens with a disclaimer from the filmmakers, who ostensibly set out to reveal something about the notoriously inscrutable Cheney: “We did our fucking best.” As the film goes on, this defiant declaration sounds more and more like an exasperated mea culpa. We first meet Cheney (a corpulent Christian Bale) in 1963, a hard-drinking “dirtbag” who goes from running high-tension line across Wyoming to a congressional internship on Capitol Hill without much transition. Cheney learns at the feet of Donald Rumsfeld (Steve Carell), a young representative with a Cheshire grin and a crass disposition. They worm their way into the White House,
8 7 6 5 4 3 2 1 WORST MOVIE EVER
eventually scoring high-ranking positions amid the wreckage of Watergate. McKay then speed-walks us to 2000, when Bush (Sam Rockwell) is begging Cheney to serve as his running mate. It’s intriguing to observe how the initially ambivalent Cheney sizes up Bush as a greenhorn and gradually reels him into augmenting the power of the vice president. Less intriguing are McKay’s caricatures. Bale turns in a masterful act of mimicry that reveals little about the man or his motives. Lynne Cheney (Amy Adams) is just a sanctimonious prude. Rockwell pigeon-toes his way through a cornpone W that minimizes Bush’s culpability. At one point, Alfred Molina appears as a waiter offering Cheney, Rumsfeld and the rest of their dinner party such menu items as “Enemy Combatant,” “Extreme Rendition,” and “Guantanamo Bay,” a surreal aside similar to the one McKay used in The Big Short. The scene is an apt metaphor for the whole of Vice, in which a parade
of horrors—9/11, Abu Ghraib, Cheney shooting his friend in the face—swirl in a haze of visual tchotchkes and think-tank argot. Accompanying it all is the needless nattering of a narrator, a common crutch of McKay’s, who dangles the identity of his omnipresent observer like the MacGuffin it becomes. For all its faults, Vice nearly stumbles onto an ending that befits its tragic, dramatic aspirations: a montage of Cheney’s political casualties that fades to black on the image of his transplanted heart. But then McKay tacks on one of the most misguided mid-credits codas you’ll ever see, allowing Cheney to break the fourth wall and defend his actions in service of “keeping us safe.” It’s remorseless Vice, still as much a stock character as ever. VICE Directed by McKay With Bale, Carell, Adams and Rockwell Regal, The Screen, Violet Crown, R, 132 min.
QUICKY REVIEWS
4
BIRD BOX
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SPIDER-MAN: INTO THE SPIDER-VERSE
9
THE FAVOURITE
BIRD BOX
4
+ COOL AND SPOOKY IDEA - MOSTLY TEDIOUS AND DISSATISFYING
Those who’ve seen the new Sandra Bullockled thriller/kind-of horror film Bird Box have been flocking (ha!) to Facebook in droves to cleverly and angrily clack their keys to the tune of “It’s basically A Quiet Place!” They’re not entirely wrong, they’ve just got it backwards. Indeed, Netflix’s new vehicle does find the world ending amid a strange threat with a particular means of killing its victims, but the Josh Malerman novel on which it’s based came out way back in 2014. Sorry, Krasinski fans. In Bird Box, Bullock is swept up in the end of the world as we know it, a calamity caused by some invisible force (they call them “creatures”) that, when gazed upon, causes people to see some invisible something and then kill themselves. We get hints that maybe it’s literal angels, maybe it’s demons, maybe it’s some ancient force that cleanses the Earth every so often. Whatever. All we really know is that the mentally ill seemingly have no problem looking right at whatever the creature might be, and they want everyone else to look, too. So, like, there’s more danger there, too. Those who wish to stay alive stay indoors
You’ll wish you’d thought to have worn a blindfold (and to have shoved knitting needles into your ears) once you’ve seen Bird Box.
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THE BALLAD OF BUSTER SCRUGGS
(because the creatures’ one weakness is apparently being inside) or wear blindfolds when they have no choice but to scavenge for supplies and such out in the open. But when all seems lost and Bullock is forced to traverse a river, blindfolded and with a couple of kids and a box full of birds in tow, blah blah blah blah blah. Bird Box leans too intently into its own premise, building and building but never really revealing. There’s that old horror movie rule about how showing the monster defuses the scares—but in this case, never learning what the creatures are or what exactly they’re up to is incredibly irritating. Even worse are the pointless characters who, in most cases, may as well announce they’re just there to die moments later. John Malkovich is particularly grating in a role that seems as if it were written to mock his Malkovichian gestalt; he yells and stomps and is a dick. Everything else, meanwhile, pretty much just happens to Bullock, and she reacts in wideeyed terror or fumbles sightlessly against her invisible foes and errant tree branches alike. There may be something to be said for creating a sense of dread and tension, but the resolution that eventually comes in Bird Box is as hollow as it is dissatisfying. If you Google the book or movie, you’ll find plenty of articles about how director Susan Bier (a foreign CONTINUED ON NEXT PAGE
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MOVIES
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WED - THURS, JAN 2-3 11:45a Shoplifters* 12:00p The Favourite 2:15p At Eternity’s Gate* 2:30p The Favourite 4:45p Shoplifters* 5:00p The Favourite 7:15p Shoplifters* 7:30p The Favourite FRI - TUES, JAN 4-8 11:45a Burning 12:00p Shoplifters* 2:30p At Eternity’s Gate* 2:45p The Favourite 5:00p Shoplifters* 5:15p The Favourite 7:30p Burning* 7:45p The Favourite
Spider-Man: Into the Spider-Verse is probably the most fun you had at the movies last year. Or this year, if you’ve yet to see it.
+ ORIGINAL ANIMATION; FUN FROM
dimension, where everything takes place. You’d think it would feel confusing, but even as the different planes of existence begin collapsing on one another in a gloriously colorful and chaotic endgame sequence, we never lose the story or the characters for a moment. Of course, this could be because Spider-Verse is ultimately courting a younger audience and attempting to make quantum physics digestible. For the nit-pickers, this will surely mean small flaws to pick apart; for those who came to have fun, however, they’ll be able to let go and enjoy what must be hands-down the most fun movie of the year for any age. (ADV) Regal, Violet Crown, PG, 117 min.
- SO MUCH HAPPENING
THE FAVOURITE
language Oscar winner, by the way) decided to keep the ending less dark than in the book. This seems a misstep, and ultimately one designed to play better to underestimated audiences rather than trust us to soak in and appreciate a more nihilistic viewpoint. Pity, that, because the core ideas at play would have been enough to keep us caring had the pacing, acting and those damn nosy kids not been so profoundly lacking. (ADV) Netflix, R, 124 min.
SPIDER-MAN: INTO THE SPIDER-VERSE
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WED - THURS, JAN 2-3 11:30a Vice 2:15p Vice 5:00p Vice 7:45p Vice FRI - TUES, JAN 4-8 11:45a Vice 2:30p The 20th Annual Animation Show of Shows 4:30p Vice 7:15p Vice
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Filmmakers have really made Spider-Man a lot more fun as a character in recent years. Sorry, Tobey Maguire, but gothy/jazzy/brooding Spider-Man just isn’t as fun as wise-cracking, backflipping, tons-of-heart Spider-Man. The newest film in the hero’s extended universe, Into the Spider-Verse, proves it with its unique animation style, clever script and nonstop cavalcade of in-jokes, out-jokes and good oldfashioned Marvel mayhem. Here we follow Miles Morales (Shameik Moore), a teenager and relative newcomer to the world of Spidey, as he deals with being too smart and talented to particularly fit in at his new fancy school. Cue radioactive spider bite, the origin of powers, high stakes and, in this case, a super-collider funded by longtime Marvel villain Kingpin (Liev Schreiber) that opens up parallel universes from which other SpiderHeroes emerge. You’ve got schlubby middleaged Spider-Man (Jake Johnson), super-cute/ punk-rock Spider-Gwen (Hailee Steinfeld), Noir Spider-Man (Nicolas Cage), the ultra-anime Peni Parker (Kimiko Glenn) and Spider-Ham (a delightful Looney Tunes homage character voiced by John Mulaney). Turns out bridging between dimensions is no good for any of them, though, so they have to stop Kingpin, get back to their respective dimensions and blow up the supercollider while learning about love and what’s important and stuff. Easy. Into the Spider-Verse truly shines in its willingness to riff on past Marvel mistakes (dancing Spider-Man, for example) and highlighting and/or parodying beloved fan elements while throwing enough curveballs to keep us guessing. A number of twists even managed to surprise this longtime comics fan, and Phil Lord’s script, co-written by Miles Morales creator Brian Michael Bendis, keeps up the feels while never straying into material that’s too heavy-handed or emotional. The animation style, meanwhile, is off-thewall fantastic with disparate styles representing the different Spideys and an old-timey comic book filter tying everything together via Miles’
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+ QUITE FUNNY; PERFORMANCES FROM PRINCIPAL CAST
- DRAGS ON A TAD TOO LONG
Director Yorgos Lanthimos does like his moody comedies, but whereas his previous works such as 2015’s The Lobster leaned heavily into magical realism, he stays grounded with The Favourite for a darkly funny and captivating period piece the likes of which we’ve never really seen. It’s 1700-something, and an aging Queen Anne (Olivia Colman) reigns over England and war with France (Queen Anne’s War, to be precise)—but the country land owners who fund the dustup are emptying their coffers at a pace too quick for their own tastes. Enter Lady Sarah (Rachel Weisz, who reunites with Lanthimos for the second time), the queen’s close confidant, sometimes lover and the true power behind the throne. Sarah rides roughshod over Anne almost always, navigating the temper tantrums and sexual tugs-of-war between moments of brief lucidity, medical issues and the rising tide of a dissatisfied citizenry. While the queen whiles away the hours lonely, wandering the halls, eating her way to sickness or tending to the rabbits she’s raised to replace her 17 dead children, Sarah exercises power and bends the country to her will. But when her cousin Abigail (Emma Stone)—once a lady and since fallen from grace—arrives looking for work, a battle for the queen’s ear (and thus, absolute power) unfolds like a gloriously slowburning train wreck. Weisz is phenomenal as the too-proud Sarah and often does more with body language or a simple expression than should be possible. Colman shines as well, particularly in scenes with Weisz, and there’s undeniable chemistry between them. Never once do we comfortably understand their relationship, though there does seem to have been a foundation of sincere love laid at one point, even if it’s mutated into a sort of puppet regime. Stone impresses, too, and not just with a capable British accent, but in the smug way she comes into her own. At first, we
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The Favourite: Who knew 1700s England was all about games of sexy one-upsmanship? see her as a wounded animal intent on survival and little else, but with writers Deborah Davis and Tony McNamara’s clever script, she evolves into a bit of an evil monstrosity. Our allegiances shift several times over, and it’s satisfying to watch men who believe themselves powerful reveal their pettiness, juvenile sexual motivations and ultimate impotence in the face of strong women leaders. Don’t get us wrong, no one woman particularly uses her strength for good; it’s lust and power they’re feeding throughout The Favourite. These struggles are well-illustrated through some of the most gorgeous cinematography we’ve seen this year. The closing moments of practically every shot read almost like Renaissance paintings, and Lanthimos reliably lends a few extra moments toward the end of many scenes for their goings-on to land. They hit hard and drive the pacing forward—no easy job for a film set in the 1700s and full of fanciful clothes, ridiculous wigs and stuffy bedchambers belonging to nobles. And even if we don’t quite know whom to root for as the film winds down, we do rather enjoy ambiguity so artfully displayed. They snuck this one in right under the awards-season wire and already have a number of Golden Globes nominations for acting and writing, and we won’t be surprised if The Favourite team takes home a couple statues—but even if they don’t, it doesn’t make it any less fun watching the would-be powerful stoop so low. (ADV) Center for Contemporary Arts, R, 119 min.
dissonance when we’re presented with such emotionally differing material in such a rapid-fire manner. Special mentions abound, however, to the likes of Tim Blake Nelson as the titular Buster Scruggs, as funny and layered a performance as we’ve ever seen from the O Brother, Where Art Thou? vet. Kudos go as well to Harry Melling, whose turn as a limbless actor tethered to a Liam Neeson-run traveling theater act far surpasses what we know of the Harry Potter alum. Neeson, as always, is pretty damn good in the quieter moments. But it’s not all good news, especially in the case of Big Sick actor/writer Zoë Kazan’s toolong and too-slow installment wherein a woman traveling by covered wagon caravan loses everything to the unforgiving era and region. Still, by the time we reach the final entry and are thrust into the capable hands of talented actors like Brendan Gleeson, Tyne Daly and Saul Rubinek, all is mostly forgiven. It would be strange to take in The Ballad of Buster Scruggs in a theater, though its sweeping panoramic vistas and stunning cinematography surely help defuse its more stilted moments. All the same, it’s better to view on the couch at home where one might have a chance to pause and reflect if they so chose. The premise is interesting and the writing is solid—it’s just not quite what we’re used to, for better or for worse. (ADV) Netflix, R, 132 min.
GEORGE R.R MARTIN’S CINEMA
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presents
THE BALLAD OF BUSTER SCRUGGS
7
+ DARK AND WELL-CRAFTED - SOME EPISODES LAG; SOME
PERFORMANCES DISAPPOINT
While the anthology film is nothing particularly new, it’s most often relegated to horror— think Creepshow. We’ve almost definitely never seen one so intricately crafted and large in scope as with the Coen Brothers’ new Netflix (and in select theaters) production, The Ballad of Buster Scruggs. Six disparate tales of the Wild West are told from various genre standpoints, from the dark comedy of a sing-songy gunslinger or the robber ever-destined for the gallows to the sparse and ultimately triumphant tale of the aged prospector and the subtle scares of a mysteriously populated stagecoach bound for who-knows-where. The episodes, as it were, are at turns quite funny or heartbreaking or, in one case, almost Tolstoyan—though without a singular narrative thread interwoven throughout, it’s challenging to carry the events or lessons of one tale with us into the next. This is by design, and Scruggs almost never stumbles in its pacing, but it can cause a sort of disconnect or cognitive
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11 Longtime Dolphins coach 12 Prop for Paul Bunyan 13 W’s successors? 18 Bela of monster roles 23 Completely fake 25 Speak before a crowd 26 2000 Alejandro Iñárritu drama “Amores ___” 27 Baseballer Felipe, Matty, or Jesus 28 Promising words 31 Where 100 is 4 32 Midler of “Beaches” 34 Word before artist, clause, or room 35 Best-case 36 Soup du ___ 37 Up to this point 38 Opens a bottle 39 Okra portion 42 Crème de ___ (strawberry liqueur) 43 Tanner of ‘70s-’80s tennis 44 Garfield’s girlfriend 45 Got overexcited over niche pop culture, with “out” 47 Hockey pucks, e.g. 49 Gargantuan 51 Strong ___ ox 52 Loretta played by 56-Across 54 Print maker 55 Id’s counterpart 57 Upscale hotel amenity 58 Circumference-todiameter ratios
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MISS CUDDLES and her sister, MISS CRICKET were rescued during a TNR project at a mobile home park in July. TEMPERAMENT: The kittens are still a little shy, but are quickly becoming social and playful. MISS CUDDLES is very sweet and must be adopted to a home with another playful cat or kitten. AGE: born approx. 5/1/18.
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UNA and her brother MICK [also available] found at a nearby pueblo and rescued by a kind person who transferred them to Felines & Friends. TEMPERAMENT: Both kittens are very sweet and social, and love playing with each other; they also love attention from their foster family. They must go to a home together, or each to a home with another playful cat or kitten. UNA is a beautiful girl with a short black & white tuxedo coat. AGE: born approx. 5/4/18.
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MINERALS OF THE EARTH ART THERAPY GROUP: This group will focus on releasing energy that feeds off our anxiety and depression through using clay. We will do structured activities and a free form project, while engaging in discussions about how anxiety and depression affects our daily lives. Facilitated by student therapists. Thursdays, from 6:30-8:30, January 10 - March 7. $10/session, sliding scale available. Call 505-471-8575 to register.
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JOHREI CENTER OF SANTA FE. JOHREI IS BASED ON THE FOCUS AND FLOW OF THE UNIVERSAL LIFE ENERGY. When clouds in the spiritual body and in consciousness are dissolved, there is a return to true health. This is according to the Divine Law of Order; after spiritual clearing, physical and mental- emotional healing follow. You are invited to experience the Divine Healing Energy of Johrei. All are Welcome! The Johrei Center of Santa Fe is located at Calle IS FOOD A PROBLEM FOR YOU? Cinco Plaza, 1500 Fifth St., Do you eat when you’re not Suite 10, 87505. Please call hungry? Do you go on eating 820-0451 with any questions. binges or fasts without medical Drop-ins welcome! Open approval? Is your weight affecting Tuesday, Wednesday, Thursday, your life? Contact Overeaters 2-5pm. Friday 2-4pm. Saturday, Anonymous! We offer support, 10am-1pm. Closed Sunday and no strings attached! No dues, Monday. There is no fee for no fees, no weigh-ins, no diets. receiving Johrei. Donations We meet every day from 8-9 are gratefully accepted. Please am at The Friendship Club, check us out at our new website 1316 Apache Avenue, Santa Fe. santafejohreifellowship.com www.nnmoa.com Join the winter months, please call the Center number, 820-0451, DO YOU HAVE A LOVED ONE to see if the Center is open STRUGGLING WITH ADDICTION? before coming. CRAFT (Community Reinforcement and Family TEACH YOUR WAY AROUND Training) was designed to help THE WORLD. Get TESOL family members learn new skills Certified & Teach English for improving their quality of Anywhere. Earn an accredited life, reducing their loved ones TESOL Certificate and start substance use and engaging teaching English in USA & them into treatment. Group abroad. Over 20,000 new jobs meets Thursdays from 5:30-7:30, every month. Take this highly January 17 - March 14 at Tierra engaging & empowering course. Nueva Counseling Center. Group Hundreds have graduated from facilitated by student therapist our Santa Fe program. Next and experienced CRAFT Course: January 26 - April 13, facilitator, Aimee Dale-Lucius. 2019 weekend course. Contact Call 505-471-8575 to register. John Kongsvik. 505-204-4361. $10/session, sliding scale. www.tesoltrainers.com
CANINE NUTRITION: DIET & WELL-BEING Free Talk Tonight, January 2, 2019, 6:30-7:30pm LaFarge Public Library, 1730 Llano Street What dogs eat will affect their health, behavior, and even their mood. Tonight we will learn about how a healthy dog eats, how she behaves, and what to watch for. We will also talk about how feeding relates to relationship and performance. Good nutrition can help a dog become more resilient, and can be beneficial in recovery from trauma or abuse. We will also examine what is really going on when we see a maladaptive response by our dog to a routine and otherwise apparently innocuous event (such as a UPS driver approaching), and how we can humanely and effectively address these common problems. Please do not bring your dog to this event. To schedule an assessment for your dog, call David Crosby at 505-577-2310 or email wabniaq@cybermesa.com
CASEY’S TOP HAT CHIMNEY SWEEPS is committed to protecting your home. Creosote buildup in your fireplace or lint build-up in your dryer vent reduces efficiency and can pose a fire hazard. Be prepared. Call 989-5775
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Week of January 2nd
ARIES (March 21-April 19): No one has resisted the force of gravity with more focus than businessman Roger Babson (1875–1967). He wrote an essay entitled “Gravity - Our Enemy Number One,” and sought to develop anti-gravity technology. His Gravity Research Foundation gave awards to authentic scientists who advanced the understanding of gravity. If that organization still existed and offered prizes, I’m sure that researchers of the Aries persuasion would win them all in 2019. For your tribe, the coming months should feature lots of escapes from heaviness, including soaring flights and playful levity and lofty epiphanies.
grows wild in wetlands. Indigenous people ate the rootstock, stem, leaves, and flower spike. I propose that we use this scenario to serve as a metaphor for some of your potential opportunities in 2019. Things you’ve regarded as useless or irrelevant or inconvenient could be revealed as assets. Be alert for the possibility of such shifts. Here’s advice from Ralph Waldo Emerson: “What is a weed? A plant whose virtues have not yet been discovered.”
TAURUS (April 20-May 20): The night parrots of Australia are so elusive that there was a nearly sixdecade stretch when no human saw a single member of the species. But in 2013, after searching for 15 years, photographer John Young spotted one and recorded a 17-second video. Since then, more sightings have occurred. According to my astrological vision, your life in 2019 will feature experiences akin to the story of the night parrot’s reappearance. A major riddle will be at least partially solved. Hidden beauty will materialize. Long-secret phenomena will no longer be secret. A missing link will re-emerge. GEMINI (May 21-June 20): Millions of years ago, Europe, Asia, Africa, Australia, Antarctica, and North and South America were smooshed together. Earth had a single land mass, the supercontinent Pangea. Stretching across its breadth was a colossal feature, the Central Pangean Mountains. Eventually, though, Europe and America split apart, making room for the Atlantic Ocean and dividing the Central Pangean range. Today the Scottish Highlands and the Appalachian Mountains are thousands of miles apart, but once upon a time they were joined. In 2019, Gemini, I propose that you look for metaphorical equivalents in your own life. What disparate parts of your world had the same origin? What elements that are now divided used to be together? Re-establish their connection. Get them back in touch with each other. Be a specialist in cultivating unity.
SCORPIO (Oct. 23-Nov. 21): The slow, gradual, incremental approach will be your magic strategy in 2019. Being persistent and thorough as you take one step at a time will provide you with the power to accomplish wonders. Now and then, you may be tempted to seek dramatic breakthroughs or flashy leaps of faith; and there may indeed be one or two such events mixed in with your steady rhythms. But for the most part, your glory will come through tenacity. Now study this advice from mystic Meister Eckhart: “Wisdom consists in doing the next thing you have to do, doing it with your whole heart, and finding delight in doing it.” SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian polymath Piet Hein wrote a poem in which he named the central riddle of his existence. “A bit beyond perception’s reach, / I sometimes believe I see / That life is two locked boxes / Each containing the other’s key.” I propose that we adopt this scenario to symbolize one of the central riddles of your existence. I’ll go further and speculate that in 2019 one of those boxes will open as if through a magical fluke, without a need for the key. This mysterious blessing won’t really be a magical fluke, but rather a stroke of well-deserved and hardearned luck that is the result of the work you’ve been doing to transform and improve yourself.
CAPRICORN (Dec. 22-Jan. 19): What themes and instruments do people least want to hear in a piece of music? Composer Dave Solder determined that the worst song ever made would contain bagpipes, cowboy music, tubas, advertising jingles, operatic rapping, and children crooning about holidays. Then he collaborated with other musicians to record such a song. I suspect that as you head CANCER (June 21-July 22): 2019 will be an excellent into 2019, it’ll be helpful to imagine a metaphorically time to swim in unpolluted rivers, utter sacred oaths comparable monstrosity: a fantastic mess that sums up near beautiful fountains, and enjoy leisurely saunas that help purify your mind and body. You are also like- all the influences you’d like to avoid. With that as a vivid symbol, you’ll hopefully be inspired to avoid allowing any ly to attract cosmic favor if you cry more than usual, seek experiences that enhance your emotional intelli- of it to sneak into your life in the coming months. gence, and ensure that your head respectfully conAQUARIUS (Jan. 20-Feb. 18): In Canada, it’s illegal to sults with your heart before making decisions. Here’s pretend to practice witchcraft. It’s fine to actually do another way to get on life’s good side: cultivate duties witchcraft, however. With that as our inspiration, I that consistently encourage you to act out of love and advise you to be rigorous about embodying your joy rather than out of guilt and obligation. authentic self in 2019. Make sure you never lapse into merely imitating who you are or who you used to be. LEO (July 23-Aug. 22): Here are four key questions I Don’t fall into the trap of caring more about your hope you’ll meditate on throughout 2019: 1. What is image than about your actual output. Focus on standlove? 2. What kind of love do you want to receive? 3. ing up for what you really mean rather than what you What kind of love do you want to give? 4. How could imagine people expect from you. The coming months you transform yourself in order to give and receive more of the love you value most? To spur your efforts, I will be a time when you can summon pure and authoritative expressions of your kaleidoscopic soul. offer you these thoughts from teacher David R. Hawkins: “Love is misunderstood to be an emotion; PISCES (Feb. 19-March 20): In the eighteenth century, actually, it is a state of awareness, a way of being in Benjamin Franklin was a Founding Father who played a key the world, a way of seeing oneself and others.” role in getting the United States up and running. He VIRGO (Aug. 23-Sept. 22): “Most living things begin in the absence of light,” writes Virgo author Nancy Holder. “The vine is rooted in the earth; the fawn takes form in the womb of the doe.” I’ll remind you that your original gestation also took place in the dark. And I foresee a metaphorically comparable process unfolding for you in 2019. You’ll undergo an incubation period that may feel cloaked and mysterious. That’s just as it should be: the best possible circumstances for the vital new part of your life that will be growing. So be patient. You’ll see the tangible results in 2020.
wasn’t happy that the fledgling nation chose the bald eagle as its animal symbol. The supposedly majestic raptor is lazy, he wrote. It doesn’t hunt for its own food, but steals grub obtained by smaller birds of prey. Furthermore, bald eagles are cowardly, Franklin believed. Even sparrows may intimidate them. With that as our theme, Pisces, I invite you to select a proper creature to be your symbolic ally in 2019. Since you will be building a new system and establishing a fresh power base, you shouldn’t pick a critter that’s merely glamorous. Choose one that excites your ambition and animates your willpower.
Homework: I’d love to see your top New Year’s resoluLIBRA (Sept. 23-Oct. 22): Many plants that modern Americans regard as weeds were regarded as tasty food by tions. Share by going to RealAstrology.com and clicking Native Americans. A prime example is the cattail, which on “Email Rob.”
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LEGALS CITY OF SANTA FE, NEW MEXICO ORDINANCE NO. 2018-15 AN ORDINANCE GRANTING CYBER MESA COMPUTER SYSTEMS, INCORPORATED A NON- EXCLUSIVE FRANCHISE TO OPERATE A TELECOMMUNICATIONS NETWORK WITHIN THE CITY OF SANTA FE; THE RIGHT TO USE CITY PUBLIC RIGHTS-OF- WAY TO PROVIDE TELECOMMUNICATIONS SERVICES WITHIN THE CITY; AND FIXING THE TERMS AND CONDITIONS THEREOF. 11 BE IT ORDAINED BY THE GOVERNING BODY OF THE CITY OF SANTA FE: Section 1. Legislative Findings. The governing body of the city of Santa Fe finds that: A. The granting of a franchise to Cyber Mesa Computer Systems, Inc. (“the Company”), is necessary for the access and use of public rights-of-way to provide telecommunications services within the city limits in accordance with the terms and conditions of this Ordinance and the Telecommunications in the Public Rights-of-Way Ordinance, Article 27-2 19 SFCC 1987 (“Article 27-2”). B. The granting of such a franchise permits competitively neutral and non-discriminatory access to the public rights-of-way for providers of telecommunications services; and allows the city to appropriately manage the public rights-of-way in order to minimize the impact and cost to the citizens of the placement of telecommunications facilities within the public rights-of-way. C. The granting of a franchise promotes competition among telecommunications services providers and encourages the universal availability of telecommunications services to residents and businesses of the city through the careful management of public rights-of-way. D. It is the intent of the city in the granting of the franchise to obtain fair and reasonable compensation for the use of public rights-of-way through the collection of fees and charges, and to minimize the congestion, inconvenience, visual impact, and other adverse effects on the public rights-of-way by Company’s commercial use of public rights-of-way. E. To the extent permitted by state and federal law, the granting of a franchise allows the city to exercise such other powers, as the city may have to protect the public health, safety, and welfare, ensure the continued quality of telecommunications services, and safeguard the rights of consumers who are residents of the city. F. In accordance with Article 27-2, Company submitted an application for a franchise on September 7, 2012. G. The city is authorized to grant one or more nonexclusive franchises for telecommunications services within the city. H. The city has reviewed Company’s application and has determined that granting a franchise in accordance with Article 27-2 is in the public interest and in the interest of the city and its residents. I. This franchise, as it relates to the city’s costs, maintenance, management, and necessary regulation of public rights-of-way, will assist in meeting the telecommunications related needs and interests of the community. Section 2. Franchise Terms. In exchange for Company’s compliance with the terms of this Ordinance, the provisions of Article 27-2, and other applicable city codes, there is hereby granted by the city to Company permission to use public rights-of-way to provide telecommunications services. All terms of Article 27-2 shall control Company’s use of the public rights-of-way except as specifically set out in this Ordinance. A. Short Title; Purpose; Applicability. 1. This Ordinance shall be cited as the “Cyber Mesa Franchise Ordinance”. 2. The purpose of this Ordinance is to grant Company, the right, privilege, and authority to: a. Furnish and distribute telecommunications services in the city,
by means of its network, on, over, under, along and across public rights-of-way, now or hereafter included in the boundaries of the city as such boundaries now exist or may hereafter be extended; and b. Construct, purchase, acquire, locate, maintain, and extend into, within, and through the city, a telecommunications network for the period and upon the terms and conditions specified in this franchise comprised of all facilities and equipment used by Company to provide telecommunications services, including but not limited to “Backhaul Equipment” and “Wireless Communication Equipment.” This permission is not exclusive and does not prevent the city from issuing other franchises or authorizations or prevent the city itself from constructing or operating its own telecommunications network within the public rights-of-way, with or without a franchise. 3. This franchise applies to the placement of telecommunications facilities in the city’s public rights-of-way. B. Definitions. Bad Debt means any portion of a debt that is related to a sale of telecommunications at retail, for which gross charges are not otherwise deductible or excludable, that has become worthless or uncollectible as determined under applicable federal income tax standards. Department means the department of public works. Gross Charge. 1. Includes all revenues derived directly or indirectly by a Provider from or in connection with the Telecommunications Services offered within the city through or by means of a Telecommunications Network within the city, exclusive of any Franchise Fee or tax passed through to consumers on behalf of governmental agencies, received by the Provider for services provided to customers through use of the Network. Gross Charge shall include any revenue received by a Provider or any Affiliate through any means that is intended to have the effect of evading the payment of compensation that would otherwise be paid to the city for Franchise Contract granted pursuant to this ordinance. 2. Gross Charge shall not include: a. proceeds from the sale of bonds, mortgages, or other evidence of indebtedness, securities, or stocks; or b. gross receipts taxes, bad debt write-offs, and customer credits; or c. revenue of any Affiliate or Provider from long distance service, commercial mobile radio service, cellular, personal communications service, other wireless communications service, or directory advertising. Each of the above are not included in the definition of Gross Charge and, therefore, are not included in the calculation of any fee due under a Franchise. 3. Gross Charge shall not include the wholesale revenue of any Provider to the extent that the Person providing such wholesale revenue to the Provider pays to the city, pursuant to an agreement with the city, an annual Franchise Fee under § 27-2.5, or an amount equivalent thereto, calculated on the basis of such Person’s Gross Charge (as defined in this ordinance) from the provision of Telecommunications Service in the city. 4. Gross Charge shall be measured and monitored periodically. Sale of Telecommunications at Retail means the transmitting, supplying, or furnishing of telecommunications and all services rendered in connection therewith for consideration, other than between a parent corporation and its wholly owned subsidiaries or between wholly owned subsidiaries, but only when the infrastructure maintenance fee imposed by this chapter previously has been paid to a retailer and the gross charge made by one such corporation to another such corporation is not greater than the gross charge paid to the retailer for use or consumption and not for resale. Service Address means the location of telecommunications equipment from which tele-
communications services are originated or at which telecommunications services are received. If this location is not a defined location, as in the case of wireless telecommunications, paging systems, maritime systems, air-to-ground systems and the like, “service address” shall mean the location of the customer’s primary use of the telecommunications equipment as defined by the location in the city where bills are sent. Telecommunications Network Any System which includes facilities and/or equipment placed in the Public Rights-ofWay and used to provide any Telecommunications Service. Telecommunications. I. All transmissions between or among points specified by the user of information of the user’s choosing (whether voice, video, or data), without change in the form or content of the information as sent and received, where such transmissions are accomplished by means of a Telecommunications Network. 2. Telecommunications shall not include cable services as defined in Title 47, Chapter 5, Subchapter V-A of the United States Code, as amended (47 USC§ 521 et seq.) and shall not include telecommunications services provided and used by a public utility as that term is defined at § 62-3-3(G) NMSA 1978, or successor statute, for: a. its internal system communication needs; and b. provided directly or indirectly to its customers, including but not limited to electronic meter reading, load control, demand side management, power quality monitoring, and other activities related to the delivery of electricity or natural gas. Telecommunications Provider (“Provider”) means: 1. Any Person who provides any Telecommunications Service within the city by means of: a. Affiliate; b. a Telecommunications Network owned by such Person or its specifically identifiable facilities of a Telecommunications Network reserved or made available for the use of such Person or its Affiliate under a lease or any other arrangement for a term longer than one hundred and twenty (120) days; or c. facilities of a Telecommunications Network not owned by such Person or its Affiliate and not specifically identifiable but obtained from another Person (including another Provider) if the use of such facilities is continuing and substantial. A Person owning or operating telecommunications facilities that merely pass through the city and such Person and facilities do not offer Telecommunications Service to subscribers within the city shall not be subject to this ordinance, provided that Person has received other appropriate authorization from the city to rent or occupy the Public Rights-of-Way. 2. Except to the extent that a Provider or a Person uses the Public Rights- of-Way, a Provider or any Person which provides commercial mobile radio service, cellular, personal communications service, or other wireless communications service shall not be subject to this ordinance with respect to such service. Telecommunications Service. The offering of Telecommunications within the city for a fee directly to the public, or to such classes of users as to be effectively available directly to the public. Trenchless excavation means any line installation, replacement or rehabilitation through the use of boring, jacking, horizontal drilling or tunneling. Wireless Telecommunications includes cellular mobile telephone services, personal wireless services as defined in Section 704(C) of the Telecommunications Act of 1996 (Public Law Number 104-104), as now or hereafter amended, including all commercial mobile radio services and paging services. C. Infrastructure Maintenance Franchise Fee. 1. Pursuant to the authority granted by section §
3-42-1 NMSA 1978 and 47 U.S.C. 253(c), there is hereby imposed an infrastructure maintenance franchise fee upon the Company at the rate of two percent (2%) of all gross charges charged by the Company to a service address in the city for telecommunications originating or received in the city. 2. The fee imposed by this Section shall not be imposed in any circumstances in which the imposition of the fee would violate the Constitution or statutes of the United States. D. Filing Returns and Payment of Franchise Fee. 1. On or before the last day of each quarter, the Company is required to pay the infrastructure maintenance fee imposed by this Section and shall file with the city a remittance return and shall pay the fee attributable to gross charges for the preceding quarter. The return shall contain such information as the director may reasonably require. 2. No later than February 28th of each year beginning in 2019, the Company shall provide to the city a report certified by an independent certified public accountant attesting to the amount of the infrastructure maintenance fees paid to the city for the preceding calendar year, and that such amount complies with the requirements of this chapter. E. Collection of Additional Charges by Retailers. 1. When the Company makes or effectuates a sale of telecommunications at retail, it shall pay the infrastructure maintenance fee to the city as provided by subsection C, of this Section. The fee shall constitute a debt owed by the retailer to the city. 2. The retailer may charge each customer an additional charge in an amount equal to the infrastructure maintenance fee attributed to the customer’s service address in the city. This additional charge to customers shall, when collected, be stated as a distinct item on the bill to each customer separate and apart from the retailer’s gross charges to its customers for telecommunications. 3. Each retailer may retain two percent (2%) of the additional charges it collects under this Section to reimburse itself for expenses incurred in connection with accounting for and remitting the fee to the city. F. Registration of Providers and Resellers. 1. Within ninety (90) days after the effective date of the ordinance authorizing a franchise with the Company, the Company shall provide the name and address of every telecommunications reseller or other telecommunications company with whom the Company has a contractual relationship to provide telecommunications services or to make available telecommunications facilities in the public way. The Company shall have a continuing duty to file with the city, within forty-five (45) days after the date of occurrence of any changes in the information provided to the city, including the creation or termination of a contractual relationship described herein. 2. Resales. Whenever amounts are claimed to be excluded from gross charges as sales for resale, the reseller shall furnish to the Company the reseller’s resale information. The Company shall retain the resale information with its books and records. G. Maintaining Books and Records. The Company shall keep accurate books and records of its business or activity, including original source documents and books of entry denoting the transactions that gave rise, or may have given rise, to any liability or exemption. All such books and records shall, at all times during business hours of the day, be subject to and available for inspection by the city with twenty-four (24) hour notice. H. Insurance Requirements. Company shall comply with the provisions of Section 27-2.9 SFCC 1987, and Company shall obtain and maintain in full force and effect throughout the term of this franchise the following types of insurance: a. b. Commercial comprehensive general lia-
bility insurance; Workers’ Compensation insurance as required by law; and c. Commercial automobile liability insurance providing a minimum coverage in the amount required under the New Mexico Tort Claims Act. I. Term of Franchise. The term of this franchise, and the rights, privileges, and authority granted hereunder shall continue for a period of ten (I 0) years from the effective date hereof. The term of this franchise shall automatically be renewed annually unless Company provides notice to city of its intent not to renew at least thirty (30) days prior to expiration of the then current term. Company may surrender permits at any time and remove its telecommunications facilities at any particular location upon thirty (30) days’ prior written notice to city. Company shall not be obligated to pay the franchise fee for such location following removal of its telecommunications facilities. J. Indemnity. Company and city agree to defend, indemnify, and hold harmless each other and its officials, agents, volunteers, and employees from and against any and all claims, actions, suits, or proceedings of any kind brought against said parties because of any injury or damage received or sustained by any person, persons, or property arising out of or resulting from the activities of the indemnifying party pursuant to this franchise, except to the extent caused by the negligence or willful misconduct of the indemnitee or by reason of any asserted act or omission, neglect, or misconduct of the indemnitee, or it’s agents or employees, or any subcontractor or its agents or employees. The indemnity required hereunder shall not be limited by reason of the specification of any particular insurance coverage. Neither party shall be liable to the other for consequential, indirect or punitive damages (including lost revenues, loss of service, or loss of data) for any cause of action, whether in contract, tort or otherwise, even if the party was or should have been aware of the possibility of these damages, whether under theory of contract, tort (including negligence), strict liability or otherwise. The maximum liability of either party to the other hereunder shall be the amount paid or payable during the preceding twelve (12) months. K. Violations and Penalties. If the Company fails to pay the infrastructure maintenance franchise fee, as provided by this Chapter, the Company shall be subject to a fine of one hundred dollars ($100.00) for each day that the failure to pay continues. Each day that the Company fails to pay shall constitute a separate and distinct violation under this Chapter. Any retailer that becomes subject to this fine may be enjoined from doing business in the city until the Company has paid all sums due under this Chapter. Any telecommunications company who otherwise violates this chapter shall be subject to a fine of one hundred dollars ($100.00) for each offense. Each day the violation continues shall constitute a separate offense. L. Dispute Resolution Provision. 1. In the event of any other dispute arising from or relating to the franchise or breach thereof, and if the dispute cannot be settled through negotiations, the following process will be followed during which any of the above remedies and penalties may be imposed. 2. All disputes will be mediated prior to litigation. The costs of such mediation will be equally split. The place of the mediation session shall be in Santa Fe, New Mexico. The city and the Company will select a mediator or mediators by mutual agreement and, in cooperation with the mediator(s), shall determine all necessary rules and procedures for the mediation. The city and the Company will fully cooperate in the mediation activities. All mediation communications shall be confidential, not subject to disclosure and shall not be
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used as evidence in any arbitration, judicial, or administrative proceeding, as set forth in the Mediation Procedures Act, NMSA 1978, §§ 44-7b- I through 44-7b-6. M. Unauthorized Use of Public RightsOf-Way Unlawful. In accordance with Section 27-2.12 SFCC 1987, Company shall not: I. Use public rights-of-way without authorization to provide telecommunications services. 2. Place facilities on public structures or public utility infrastructure to provide telecommunications services which are not allowed under the terms of this franchise. Each unauthorized use shall be deemed to be a distinct and separate offense. The provisions of this paragraph do not apply to any dispute between the city and Company under this franchise where the city alleges that Company has failed to comply with the terms of this franchise. N. Land Use Review. After approval of this franchise by the governing body, if Company proposes to construct additional telecommunications facilities the applicant shall comply with the provisions of27-2.19. 0. Compliance with Law. 1. Company and city shall comply with the terms and conditions of Article 27-2 SFCC 1987 except as set forth herein, all other applicable city ordinances, and federal and state laws. 2. Company is explicitly subject to the police powers of the city, all other applicable governmental powers, and the city’s rights under state and federal laws. P. Severability. The requirements and provisions of this Ordinance and its sections, parts, subparts, paragraphs, and clauses are severable. In the event that any requirement, provision, section, part, subpart, paragraph, or clause of this Ordinance, or the application thereof to any person or circumstance, is held by a court of competent jurisdiction to be invalid or unenforceable, it is the intent of the governing body that the remainder of the Ordinance be enforced to the maximum extent possible consistent with the purposes of this Ordinance. Q. Effective Date; Publication. As provided by NMSA 1978, Section 3-42-1, this Ordinance shall not become effective until at least thirty (30) days after its adoption, during which time this Ordinance shall be twice published in full, not less than seven days apart. As required by law, Company shall pay the publication cost. R. Acceptance. Company, within thirty (30) days of the date of adoption of this Ordinance, shall file with the city clerk an unconditional acceptance of this Ordinance, on a form prescribed by the city. Within ten (10) days after the filing of the acceptance, the city clerk shall acknowledge in writing the receipt of Company’s acceptance. If Company does not file said acceptance this Ordinance shall not be or become effective. S. Notice. For the purpose of this Ordinance: 1. Notice to the city shall be to: City Manager City of Santa Fe Post Office Box 909 Santa Fe, New Mexico 87504-0909 With a copy to: City Attorney City of Santa Fe Post Office Box 909 Santa Fe, New Mexico 87504-0909 2. Notice to Company will be to: Attn.: Jane Hill, President Cyber Mesa Computer Systems, Inc. 4200 Rodeo Road Santa Fe, NM 87507 3. Notice shall be effective upon delivery at the above addresses until the city or Company notifies the other in writing, of a change in address. All notices shall be delivered personally or sent by certified mail, return receipt requested to the parties at their respective addresses set forth above. PASSED APPROVED and ADOPTED this 9th day of May, 2018. 18 19 20 ALAN M. WEBBER, MAYOR 21 ATTEST: 22 23 24 CLERK 25 1 APPROVED AS TO FORM: 2 3 ,41Z)1il 4 GENO ZAMORA, INTERIM CITY ATTORNEY 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 M/ Legislation/Ordinances 2018/2018-15 Telecom Franchise Cyber Mesa
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