FOR RENEWABLE ENERGY, TODAY’S PROGRESS IS TOMORROW’S FOUNDATION. At PNM, we believe in improving our state, together with our customers. That’s why we’re committed to a stronger future for New Mexico with more renewable energy and fewer emissions. Our goal is to be over 70% emissions-free by 2032 while keeping your rates affordable. How do we get there? For starters, we’re proposing to close the San Juan Generating Station – our large coal-fired plant. We’re replacing that energy with more renewables and emissions-free energy, including wind and solar. We’re adding five new solar plants this year alone. To learn more, visit PNM.com/ForwardTogether
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NOVEMBER 21-27, 2018
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SFREPORTER.COM
FEBRUARY 6-12, 2019 | Volume 46, Issue 6
I AM
NEWS OPINION 5
.
In my design business we work to ensure customer satisfaction. The lenders at Century Bank made sure that my business loan was the right fit. Century is MY BANK.
NEWS 7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 HEALTH CARE, UNIVERSALLY 9 A new bill proposes universal healthcare for NM FUTURE SCHLOCK 11 The city clerk double-dips, but what else?
25
COVER STORY 12 CREDIBLY ACCUSED The Archdioscese of Santa Fe has left some priests’ names off its list of accused pedophiles: priests who worked here and were accused elsewhere THE LISTS 14 The names on all three New Mexico lists of Catholic leaders accused of abuse
PRINTS AMONG US Oaxacan printmaker Daniel Hernández might not have shown in Santa Fe before now, but a local curator happened upon his work in Mexico and fell in love—and we’re reaping all the benefits.
THE INTWERFACE 17 CITY PIVOT A new smartphone app is by locals and for everyone, centered on businesses
Cover design by Anson Stevens-Bollen artdirector@sfreporter.com
CULTURE SFR PICKS 19 Pics ’n’ poems, hot jamz, pop-ups and Black History Month
ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE ART DIRECTOR ANSON STEVENS-BOLLEN
THE CALENDAR 20
CULTURE EDITOR ALEX DE VORE
MUSIC 23 ALEX AND BRIAN HATE JAZZ Jazz guys want you to expand your definitions A&C 25
STAFF WRITER AARON CANTÚ
Filename & version:
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Cisneros Design:
505.471.6699
Contact:
nicole@cisnerosdesign.com
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Century Bank
Ad Size:
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Publication:
Santa Fe Reporter
Run Dates:
July 4, 2018
Due Date: Send To:
June 28, 2018 Anna Maggiore: anna@sfreporter.com
COPY EDITOR AND CALENDAR EDITOR CHARLOTTE JUSINSKI CONTRIBUTING EDITOR JEFF PROCTOR
PRINTS AMONG US Daniel Hernández’ linocut brilliance 3 QUESTIONS 27 WITH LIBRARIAN/ARCHIVIST REBECCA POTANCE ACTING OUT 29
CONTRIBUTING WRITERS JULIA GOLDBERG MATT GRUBS MATTHEW K GUTIERREZ LUKE HENLEY ZIBBY WILDER EDITORIAL INTERN LEAH CANTOR DIGITAL SERVICES MANAGER BRIANNA KIRKLAND
THE TIMES THEY ARE A-CHANGIN’ Shakespeare from 1955 through 1970
PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER
FOOD 31
SENIOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS
STREET CRED KITCHEN YouthWorks’ culinary program nails it
ADVERTISING EXECUTIVE MARCUS DIFILIPPO
MOVIES 33
CIRCULATION MANAGER ANDY BRAMBLE
LEGEND OF THE DEMON CAT REVIEW Rippin’ eyes and layin’ down curses
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Phone: (505) 988-5541 Office: 132 E MARCY ST.
PRINTER THE NEW MEXICAN
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CULTURE EVENTS: calendar@sfreporter.com DISPLAY ADVERTISING: advertising@sfreporter.com CLASSIFIEDS: classy@sfreporter.com
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JANUARY 16-22, 2019
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SFREPORTER.COM
ANSON STEVENS-B0LLEN
LETTERS
Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.
COVER, JANUARY 30: “25 THINGS WE LOVE”
HIPPIE VAN HAVEN What do I love about Santa Fe? Everything. Since I learned ideation I wanted to move to Santa Fe. I heard of its beautiful landscapes. I heard of its art. I heard of its wonderful people and history. I heard of its food. Ever since I was a kid my favorite food was—what passed for, there as—red chile—in a tiny can. Each time I heard of Santa Fe I became more fascinated. I saw Westerns on TV bragging and singing about the Santa Fe Trail. “Heck,” I thought, “there must be something great at the end of it, or folks wouldn’t keep going thataway.” Finally, 44 years ago, at the age of 23, I rolled into town in my VW van and knew that I had come home.
ALBO P FOSSA SANTA FE
C’MON, IT’S DOGS & CATS Thank you for including the Santa Fe Animal Shelter. ... There are so many things to love about our town, and I’m honored that our hometown animal shelter was included on the list. It is wonderful to know our community supports our mission so strongly.
JENNIFER STEKETEE DIRECTOR, SANTA FE ANIMAL SHELTER AND HUMANE SOCIETY
MUSIC, JANUARY 30: “WHAT WE’RE MADE OF”
PISS, MEET CORNFLAKES I’m glad Lauria and Kott got an article, but it would have helped if you had recruited a writer who had actually heard some of their music in this series—or heard some of their music ever. There’s plenty to say about the nature and quality of both of their offerings, and it’s not like they’re new on the scene or anything. What a waste of a page of space. Everything the writer knew about it could have gone in a call-out box with a photo. (So the new music writer has a dick big enough that he doesn’t have to cuss in every other sentence. But does he know the music?)
SM SULOWAY SANTA FE
WEB EXTRA, JAN. 17: “ADULT-USE CANNABIS BILL COMING IN DAYS”
Nominate us NOW through MARCH 17TH at SFREPORTER.COM/BOSF
2019 CATEGORIES FINANCIAL INSTITUTION MORTGAGE LENDER LENDER
MAYBE NOT It’s extremely rare to get politicians to vote for recreational weed! These issues are best dealt with via a voters’ initiative, were the issue is on a ballot. Politicians are spineless and for them to decide an issue like recreational marijuana would require a spine!
HARRY A JONES VIA FACEBOOK SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.
SANTA FE EAVESDROPPER “Are you going to watch the Super Bowl?” “Hell no. I’m going to see a Shakespeare play.” —Overheard at the Souper Bowl (and see a review of that selfsame play on page 29) “Are those real arrowheads, or are they man-made?” —Overheard at Double Take
Improving lives at dncu.org
*Images submitted by DNCU Member - Owners
Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM
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FEBRUARY 6-12, 2019
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DAYS
S FR E P O RTE R .CO M / FUN
NEW STATE REP. ANDREA ROMERO TRIES TO ELIMINATE PRESS FREEDOM But when she realized that we were all on to her, she backed off.
LOWEST-SCORING SUPERBOWL EVER We were too busy taking care of our Souper Bowl hangover to get bored by sportsball.
LOCAL SCHOOLS TRY FIRST ELECTION VIA MAIL No word on whether cursive is mandatory.
SANTA FE AND ALBUQUERQUE MAKE TRIPADVISOR’S “TOP 20 CITIES TO VISIT” LIST Which is exactly what your landlord will tell you when they’re jacking up your rent again or converting to Airbnb.
TRUMP PROMISES TO SCROLL NAMES ACROSS THE SCREEN DURING STATE OF THE UNION FOR THE LOW, LOW PRICE OF $1 Alternate idea: Buy an ad in a newspaper for a low, low price, actually get something out of it, and support the very thing that keeps folks like Trump at bay!
or ...
SANTA FE MAN SMUGGLES KNIFE INTO JAIL IN HIS BUTT It’s getting it in there that’s the hard part.
SERVERS IN SANTA FE SERIOUSLY DON’T WANT THEIR TIPS MESSED WITH Hey, legislators—don’t fuck the people working in one of our most important economic drivers. Thanks, bye.
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FEBRUARY 6-12, 2019
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SFREPORTER.COM
Turquoise Trail Charter School is Expanding on the Southside of Santa Fe
New Free Charter Middle School Grades 6–8 And New K–3 Elementary School Classes • • • • • • •
Small School Smaller Class Sizes High Quality & Challenging Academics Proven Track Record of Success—Turquoise Trail Charter School is the Oldest Charter School in NM Low Student:Teacher Ratio Emphasis on Digital Arts & Film Partnerships With Local & Regional Organizations
Lottery for New Students Now Open. You Must Apply on Our Website by March 5th. Go to TurquoiseTrailCharterSchool.org Charter School 25 Years of Excellence or call 505.986.4000 for more information.
Charter School K–8 founded in 1990
www.ttschool.org SFREPORTER.COM
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FEBRUARY 6-12, 2019
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1) PNM’s residential rates have gone up by what percentage since 2008?
5%
|
10%
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25%
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63%
2) Who has the highest compensation in N.M.?
Teachers | Doctors | YOU! | Firefighters | PNM's CEO 3) Since 2008, how much has PNM’s Wall Street shareholder stock risen?
50%
|
100%
|
250%
|
>300%
4) Since 2008, how much have PNM’s profits risen?
50%
|
100%
|
250%
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>650%
5) Since 2008, PNM’s San Juan coal plant caused an average of how many hundreds of millions of dollars in public health care costs?
$50M
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$100M
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$250M
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>$500M
6) PNM is closing their dirty climate-disrupting coal plant in 2022 and wants ALL the profits they would have made if they kept the unreliable plant operating until 2053. PNM wants legislators to bail them out for at least?
$50M
|
$100M
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$250M
|
>$400M
7) After making hundreds of millions of dollars in profit for out of state shareholders for the last 40 years of the plant's operation, are we going to let them just walk away scott free and leave us holding the bag?
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JANUARY 23-29, 2019
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SFREPORTER.COM
YES
Corporations are people, too!
NO
NO! We demand consumer protections, justice for impacted communities, and corporate accountability - no bailouts!
S FR E P O RTE R .CO M / N E WS
AN
Care, Universally BY L E A H CA N TO R s f r i n t e r n @ s f r e p o r t e r. c o m
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ony Romero has deep roots in the area around Las Vegas, New Mexico, where he lives with his family. His great-great-grandfather is buried several miles outside the city on a property where, as a kid, Romero spent summer days and weekends helping his grandparents tend their livestock. After discovering that his child suffered from a rare illness requiring specialized treatment not covered under his employer-provided health insurance plan, Romero tells SFR he had to sell his grandmother’s house to cover costs. “It was heartbreaking,” he says. “I mean, that land has been in our family for generations.” Romero’s experience is common in America. According to data collected by the Kaiser Foundation, in 2017, one in four insured adults skipped or delayed care due to costs or were unable to pay out-of-pocket medical bills. Here in New Mexico, Romero’s story is an example of what HB 295, the Health Security Act, aims to fix. Sponsored by Rep. Debbie Armstrong (D-Albuquerque) in the Roundhouse this session, the act could set New Mexico on course to develop a statewide public insurance plan that would make affordable health care accessible to virtually all New Mexicans for the first time. Under the plan outlined in the bill, all state residents would receive a similar level of coverage to that currently available to state employees, including full mental health care, substance abuse treatment, and alternative preventative care options such as Oriental medicine. The plan would be funded through a novel combination of public money from Medicaid and Medi-
SO
NS T
EV
EN
S-B
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LE
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With Affordable Care Act in limbo, lawmakers offer bill to give New Mexico its own system
care and individual premiums priced on a able due to pre-existing conditions. sliding scale based solely on income. For Julie Chase-Daniel of Santa Fe, If approved during the 2019 legislative finding coverage under the pool was session, the bill first calls for a comprehen- life-changing. Chase-Daniel has a heredsive study of the state’s current health care itary health condition that excluded her costs and needs, to be completed by 2021. from receiving coverage except under If this analysis concludes that adoption of NMMIP before the passage of the federal the plan can save the state money as well Affordable Care Act. as improve coverage for a majority of New Her voice shaking with emotion, Mexicans, the Legislature would then vote Chase-Daniel shares that getting coverage on whether to move forward. under the pool gave her the peace of mind Armstrong estimates that at least two she needed to make some of the most imthirds of New Mexicans portant decisions of her are insured through publife, such as becoming a lic dollars, and though mother and starting a the percentage of uninbusiness. sured and underinsured “I was able to have a New Mexicans has fallen healthy birth, with the in recent years—largecomplete trust that if ly due to the expansion something happened of Medicaid—nearly that required serious 188,000 New Mexicans medical intervention, remain without coverI would have the care age. that I needed, and With the Affordable my baby would too, Care Act facing an unregardless of my precertain future in Washexisting condition,” she ington after being ruled tells SFR. “Knowing unconstitutional by a that you have access to federal judge in Decemcare is so empowering. ber, Armstrong worries It affects everything that people with longabout your life, and not standing illnesses face an just in the narrow sense uncertain future as well. of physical health or -Julie Chase-Daniel That’s why it is time well-being.” for New Mexico to seize After passage of the the lead in crafting a Affordable Care Act, health care system that Chase-Daniel left the could truly benefit everyone, Armstrong NMMIP for a plan that she could share tells SFR. with her family. Now, she says, with the Her background in health care includes threat that the national program will go the role of executive director of the New away, she lives in constant fear that she Mexico Medical Insurance Pool, an orga- will lose coverage. nization established decades ago to cover Rep. Armstrong became personally residents otherwise considered uninsur- aware of the issue when her own daugh-
Knowing that you have access to care is so empowering. It affects everything about your life.
NEWS
ter was diagnosed with cancer as a young child. “Nobody plans on their kids getting sick, and no one should go bankrupt in the effort to save their kid’s life,” she tells SFR in an interview at her office at the Capitol. “The aim [of the Health Security Act] is to achieve universal coverage.” One of the things that makes the Health Security Act unique is that, unlike single-payer plans considered by other states in the past, New Mexico’s proposed plan would create a publicly run cooperative overseen by a geographically representative committee of 15 members and would represent provider, employer and consumer interests equally. The Health Security for New Mexicans Campaign has pushed for such a bill for decades. The goal, Campaign Chair Max Bartlett tells SFR, is for decision-making to be transparent and open to public input. Bartlett emphasizes choice of providers as an important feature of the plan. It “does away with provider networks. From the patient perspective, this means that you will be able to choose which doctor you want to see. Patients will have agency in the decision-making process about the kind of care they need,” he says. This session, the question of of expense remains the greatest obstacle to passage of the bill. “I would really question the idea that this would somehow be a revenue-neutral proposition,” says Paul Gessing, president of the Rio Grande Foundation, a nonprofit research group specializing in issues concerning “limited government and economic opportunity.” Gessing cautions that single-payer plans implemented or proposed in other states, such as Vermont, Colorado and Maine, were “so expensive that they were either rejected or repealed after the costs became apparent.” But Bartlett tells SFR there has never been a better time for universal coverage. “We have more bipartisan support than we’ve ever had before,” he says, citing over 30 New Mexico cities and counties that have signed resolutions in support of the Health Security Act, including Albuquerque, Las Cruces and Roswell. With a 6-to-1 favorable vote by the City Council last Wednesday, Santa Fe joined that list. Of course, having a Democratic majority in the Legislature doesn’t hurt either, and Democratic Gov. Michelle Lujan Grisham has signaled support for the bill. The Health and Human Services Committee expects to vote on the bill in a hearing on Friday. The bill then heads to the House State Government, Elections, and Indian Affairs Committee and the House Appropriations and Finance Committee for votes in hearings that are yet to be scheduled.
SFREPORTER.COM
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FEBRUARY 6-12, 2019
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THE FOOD DEPOT
Northern New Mexico’s Food Bank
Thank you for celebrating
WINNER OF BEST OVERALL & BEST SAVORY SOUP
Nath’s Inspired Khmer Cuisine Chicken Tom Yum Soup by Chef Kimnath Nou
of soup!
Jung
The C. G. Jung Institute of Santa Fe presents
Lecture & Workshop
In the World
Larry Rayburn, M.A., Jungian analyst, Santa Fe Lecture: Nature and the “Work against Nature” in the Individual and Collective Life Friday, February 8th 7-9pm $10 (+$10 surcharge for 2 CEUs or 2 Cultural CEUs) Throughout the world we see perpetually cataclysmic fires, hurricanes, earthquakes, and floods which exemplify nature in conflict with itself. Likewise, in the political and cultural psyche we are currently experiencing great upheaval, with powerful forces and counter-forces at work. Although we feel ours to be an especially trying time, such extraordinary events have always been at work. Natural phenomena such as rivers, oceans and weather systems by their nature generate counter-forces of different kinds. Similarly, conflict within and between human beings is perpetual. Turning against ourselves and one another is all-too-familiar. In the clinical situation, and in life, we often find ourselves engaged in a pull between what we imagine as the natural course of progress and growth and what is experienced as blockage, resistance, conflict, or sabotage. Certainly, in our current political and cultural life we see a parallel process, which seems to be moving us in directions that appear regressive. While Jung strongly asserted that these dynamics are themselves “natural” to the human psyche, he used the Latin phrase opus contra naturam, or “work against nature,” to highlight the phenomena within the psyche that seem not to fit our conventional views of growth – but which also contain the individuating imperative itself. In other words, by broadening our perspective against, or “contra,” our natural tendency, we might find a new way to make use of our difficulties and pathologies, and, countering our naturally-occurring attitudes and habits, move toward some larger and possibly renewing prospect.
Workshop: Saturday, February 9th 9am-1:15pm $55 4 CEUs or 4 Cultural CEUs On Saturday we will be looking more deeply at several writers that amplify the idea of a work against nature in different ways. I will outline some of C.G. Jung’s and James Hillman’s ideas, those of the Medieval alchemists, and a brief look at Freud’s ideas on perversion. We will then explore together how these ideas may inform the therapeutic situation, as well as our personal, inter-personal and political lives in the present cultural context.
Both events at: Center for Spiritual Living, 505 Camino de los Marquez, Santa Fe Friday lecture and Saturday workshop tickets at the door – for information call Larry Rayburn, 505-310-5698 For expanded program details go to www.santafejung.org 10
FEBRUARY 6-12, 2019
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SFREPORTER.COM
SPONSORS PRESENTING SPONSOR: Albuquerque Journal
BEST SEAFOOD SOUP Dinner for Two Lobster Bisque by Chef Andy Barnes
Platinum: Hutton Broadcasting, LLC; Los Alamos National Bank; David Risser, Charles Goodman, and Peter Murphy with New Mexico Financial Partners; Santa Fe New Mexican
BEST CREAM SOUP Jambo Café Curry Roasted Garlic & Coconut Cream Bisque by Chef Ahmed Obo
Gold: KSFR 101.1 FM Santa Fe Public Radio, Century Bank, City of Santa Fe – Councilor Signe Lindell, District 1, Pronto Signs, Tumbleweeds Newspaper for Santa Fe Families, Zia Craft Beverages Silver: AllPrint Graphics, Builders Source Appliance Gallery, Flow Science, Guadalupe Credit Union, Hal Burns Truck & Equipment Services LLC, John G. Rehders General Contractor, Inc., Santa Fe Reporter, Signplex, Starbucks Bronze: Bellas Artes, Cuddy & McCarthy LLP, Del Norte Credit Union, GMB Construction, Inc., The Lieving Group, Lucky Dawg Daycare, Master Tech Auto Repair, Santa Fe Audio Visual, Starline Printing, Welch Equipment Company
RESTAURANTS
BEST VEGETARIAN SOUP Kingston Residence of Santa Fe Cold Pistachio Soup by Chef Antonio Quintana A SPECIAL THANK YOU TO OUR FRIENDLY COMPETITION, NON-PROFIT CHEFS, LEN RAND AND ANDREW BUSTOS
Anasazi Restaurant • Barranca Café • Café Bon Appétit at IAIA & SFO • Café Mimosa • Café Pasqual’s • Del Charro at The Inn of the Governors • El Castillo Life Plan Community • Jambo Café • Kingston Residence of Santa Fe • La Boca • La Plazuela At La Fonda • Milad Persian Bistro • MiSanta • Nath’s Inspired Khmer Cuisine • Paper Dosa • Rio Chama • Rowley Farmhouse Ales • Social Kitchen + Bar • Sweetwater Harvest Kitchen • Tecolote Café • Terra Restaurant at The Four Seasons Rancho Encantado • Turquoise Trail Bar & Grill at Buffalo Thunder Resort & Casino • Vinagrette • Violet Crown
VOLUNTEERS AND THOSE WHO ATTENDED OUR EVENT TO HELP FEED NORTHERN NEW MEXICO’S HUNGRY – THANK YOU!
The Food Depot 1222 A Siler Road Santa Fe, NM 87507 thefooddepot.org
MATT GRUBS
S FR E P O RTE R .CO M / N E WS
NEWS
City Clerk Yolanda Vigil reads voting results during the last city election.
Future Schlock Webber’s vision for city clerk’s office long on talk, short on action B Y M AT T G R U B S a u t h o r @ s f r e p o r t e r. c o m
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lan Webber can be pretty quick on the draw. When SFR asked the mayor last July about his decision to rehire City Clerk Yolanda Vigil at a six-figure salary, he said she knew a lot about city government and was his choice to help modernize the role of the clerk’s office. Back then, the city planned to ask voters to consider moving city elections to every other November in oddnumbered years. It did ask, and voters said yes. Webber knew that would reduce election-related duties for Vigil. Vigil, as SFR has reported, makes not just her $100,500 salary, but about $73,000 annually from her public pension. When she retired in 2005, she went back to the same job within months. She’s one of the last remaining retirees to be allowed that sweet gig—which is legal, but worth pointing out. When SFR asked about the good-government aspects of such an arrangement, Webber was honest and said he hadn’t
considered it. But he didn’t see an issue, the mayor said, because of Vigil’s expertise and ability to guide the city through its transition from a city clerk’s office that ran elections to one that served more as a clearinghouse for city data. Making data sets available to businesses could lead to more innovation, Webber theorized. With the quick-draw gun out and fired last July, however, there’s little evidence that the mayor’s innovation bullet has hit its mark. The city’s website is still a byzantine collection of endless lists and links of varying usefulness. There’s been no serious public discussion of reform, and an online search of city contracts for website improvements is fruitless. Vigil didn’t respond to SFR’s request for an interview, and Webber was uncommonly difficult to reach to talk about any changes that have been made. It’s an odd tack for the mayor, who fashions himself an innovation junkie and likes to make references to his time at the helm of the Harvard Business Review and Fast Company. He’s frequently admonished the press corps that “this is
what good government looks like” when he rolls out a new initiative or study. “We’re moving in that direction. Probably slower than I would like, but that’s true of many of the changes in city government,” Webber told SFR from his office late last week, recalling comments from the city manager at the most recent City Council meeting. The manager, Erik Litzenberg, was talking about deferred maintenance on city property. Webber says it applies not just to aging city recreation facilities, but outdated city business practices, too. He doesn’t have much to point to in terms of concrete achievements, though. Webber leads with the elimination of paper-filled three-ring binders for governing body meetings and senior staff gatherings every week. That’s not nothing. Those were big binders, and almost all that paper was destined for the recycling bin. But it’s not the kind of 21st-century-city idea that Alan Webber talks about so often. It’s more a symbolic gesture, he admits, that sends a signal that real change is on the way. At least, he’d like it to be. None of the city councilors SFR contacted about innovations in the city clerk’s office responded saying they were aware of major new initiatives that were underway. Webber would like the clerk’s office to work more closely with the constituent services office on “outward-facing” im-
provements. One of those might be not only providing better data for businesses, as mentioned above, but also “more transparency, so people have access to the data that affects their daily lives.” Asked by SFR what successful innovation would look like for Vigil this spring as he reevaluates her contract, the mayor bristles a touch. “I don’t mean to be rude, but I don’t think I want to engage in a contract negotiation through you,” he says. He plans to sit down with the clerk at the end of her contract and talk about where she sees the most progress and where the city is moving. Webber hired Vigil after she oversaw the city’s change to ranked-choice voting, a process that was tortured even before the election. Then, results took hours to arrive. The mayor says the clerk shouldn’t be left holding the bag for a state law that prevented memory cards from being transported to the clerk’s office until the polling place had been closed. Pressed about his reputation as a manager who wants to see data points and concrete ways to gauge the effectiveness of his administration, the mayor demurs somewhat, but adds that there’s a human component to hiring that’s more about vision and a shared direction than quantifiable progress. “I think it’s safe to say I have high standards and great expectation about the city’s ability to improve and get better,” Webber says.
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by the diocese during its bankruptcy proceedings. Baca, also dead, is listed, too. Both men served for decades not just in Gallup, but in the Archdiocese of Santa Fe. Neither is on Santa Fe’s list of abusive priests.
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MATT GRUBS
THE ARCHDIOCESE OF SANTA FE LEFT NAMES OFF ITS LIST OF PEDOPHILE PRIESTS—AND HAS NO PLANS TO ADD THEM
im Field loved going to church. As a kid, he remembers waking for morning mass. “The sun might just about be coming up. And I’d get in the bathtub, I’d clean myself up, I’d hop on my bike and ride to Sacred Heart Church in Farmington,” he says. “And I would sit and wait for mass. I just loved being there.” It was around 1960 and the service, he recalls, was in Latin. He didn’t understand a word, but something about the ceremony—the quiet, the reverence—resonated with him. He was 8 years old, getting ready to turn 9 in 1961, when the abuse happened. It was summer. Father Conran Runnebaum, a Franciscan priest, had only been a cleric since 1955. Farmington was his second assignment, starting in 1958. Field is not sure how many times the priest abused him. Once for sure. Maybe three times, he thinks. “Conran had me pull down my pants and he pulled up his habit, like a cassock,” Field begins. He had no idea what was happening. “How would I know what was going on? Except, I do remember at one point, enters Miguel … and he’s horrified,” Field says of another priest, Miguel Baca. Horrified—but also the same man who would later expose himself to, and further abuse, Field. “I have a memory of later, in the bathroom, which you accessed from outside the church in those days … but it was in that bathroom where those …” Field trails off. It would be 40 years before the memories, in terrifying flashes, started to come back to him. “My knees went weak and I fell to the floor and began to sob and cry. … It was like lava in a volcano coming up through me,” he says. After he worked up the courage to report the layers of abuse, the Diocese of Gallup investigated. Runnebaum, who died in 2007, is on the list of “credibly accused” priests, brothers, seminarians and laity compiled
WICHITA CATHOLIC ADVANCE, SEPTEMBER 23, 1960
J
B Y M AT T G R U B S a u t h o r @ s f r e p o r t e r. c o m
Attorneys and survivors who spoke to SFR about the decision say abuse victims are often reluctant to speak out for fear they won’t be believed. Seeing a name on an official church list can help them, and help the church realize a full accounting of the damage done. In November, the Archdiocese That’s especially important in a place of Santa Fe filed for bankruptcy like the Archdiocese of Santa Fe, which protection and reorganization. Its will soon have a federal bankruptcy court decision to keep the two priests— set a “bar date,” after which abuse surviand potentially scores of others like vors aren’t guaranteed their cases will be them—off its public list raises questions considered. In dioceses that have signifabout Archbishop John C Wester’s stance icant assets, funds have been set up for on making public the painful history of survivors who come forward after the bar priestly sex abuse as the church faces a date. It’s unclear if Santa Fe will have such legal reckoning with survivors of such a fund after bankruptcy. crimes. The debate over which priests to The archdiocese refused to provide include on lists of credibly accused cleranyone to answer questions from SFR. It gy—and even what the term sent a brief statement in “credibly accused” should response to SFR’s inquimean—is one that’s playing ry, denying it had received out right now in the Cathany allegations against olic Church. Pope Francis Conran Runnebaum or recently ordered the US Miguel Baca “occurring Conference of Catholic within the archdiocese Bishops to delay sex abuse and thus we cannot disreforms until he meets with cuss these names any furleaders from world bishther.” It ignored further ops’ conferences later this requests for an interview. month in Rome. But bishops in New The Roman Catholic Mexico’s other two dioChurch is at once hierarceses in Gallup and Las chical and monarchal. Total Cruces have made the authority is vested in the Miguel Baca (who also went decision Wester in Santa Holy Father at the Vatiby Michael) traveled as a Fe has not: Both of their can, who tells tens of thoupriest. This picture is from lists of abusive priests a 1960 newspaper article in sands of cardinals, bishops Kansas. and church leaders and priests what to do, and include the names of men instructs hundreds of milwho have been credibly lions of lay Catholics on how accused elsewhere and have served in the to interpret God’s word. New Mexico dioceses. While there’s a hierarchy for priests, “Basically, it helps with being more once they become bishops, they have near transparent,” says Suzanne Hammons, total authority over their diocese. The only communications director for the Diocese person, in effect, who can tell a bishop of Gallup. “Anybody who’s a potential sur- definitively what he must do is the pope. vivor … it might give them the courage to The takeaway here in New Mexico is come forward.” that bishops in Gallup and Las Cruces
Although Conran Runnebaum is on Gallup’s “credibly accused” list and also worked in Santa Fe, the local diocese won’t list him among other abusers. He’s not alone.
Santa Fe Catholics Respond
can’t tell the archbishop in Santa Fe what to do any more than they can tell Pope Francis how to run the church. Nor can Wester tell those bishops how they must behave. The Archdiocese of Santa Fe defines credibly accused to mean “the allegation of abuse could reasonably have occurred.” The church investigates allegations— though it’s also supposed to report them to police—and a bishop-appointed review board offers advice on whether allegations are credible. But bishops have the final say.
Y JI M FI EL D
Since the Archdiocese of Santa Fe released its first credibly accused list, and even now as it moves into bankruptcy over the financial fallout from decades of crimes, Catholics in Santa Fe have had to grapple with the knowledge of past abuses and learn to move forward both as congregations and as individuals. “I was so mad, so horrified, I was ready to walk out,” Jenny Barrera of Santa Maria de la Paz Catholic Community Church tells SFR. “But then I had a real come-to-Jesus moment within myself and I realized that the priests are not the reason I come to church—I come for God.” Barrera is near tears as she says that at the time, she experienced both a deep sense of betrayal from the church and a heightened sense of isolation from the non-Catholic community after being verbally attacked for continuing to practice her faith. Since then, her congregation has come together to support one another. “We don’t have to feel ashamed to talk about it or ask questions, and this is important,” she says, “because I was really concerned about closed ranks and secrecy around this issue before.” When SFR asks Cristo Rey Catholic Church parishioner Barbara Martinez how she wants the church to respond to an allegation of abuse, she says she would want the priest to be immediately removed. The ultimate credibility of the accusation, she says, can only be known by God, but “there is no reason for [the priest] to stay if he can’t be what he is supposed to be. Because they are supposed to be the examples who we’re supposed to follow.”
Macejka also says that the church has an opportunity to show moral leadership in how they handle the problem. “If we take responsibility and action immediately, if we work together with total transparency to make sure there is justice for those who were harmed and to educate the parishioners and hold the guilty parties accountable, and finally, if we can find a way to come together within our congregations in forgiveness and love—well, you can’t change the past, but I think the church can be a guide and a model to the rest of society in how to move forward from this.” Maria Garcia lives in Española but attends Our Lady of Guadalupe Church when in Santa Fe to visit her daughter. She tells SFR in Spanish it is not up to her to question how the church is handling this issue, but in response to the question of whether it is important to know if a priest who has been accused in another diocese had ever worked in Santa Fe, her daughter pipes up: “Absolutely.”
CO U RT ES
BY L E A H CA N TO R s f r i n t e r n @ s f r e p o r t e r. c o m
This sentiment is echoed by Vicky, another member of Cristo Rey Catholic Church who didn’t want her last name published. “[Priests] are there as a symbol of people’s faith, and so for them to cross that line and still be preaching to other people about what’s right and wrong, it’s the worst thing,” she says. When it comes to determining the facts of an allegation, she says the church and the courts should work together. “The list of the accused should be published. It should be made accessible to the public without people having to go look for it.” (See page 14.) After mass at Santa Maria de la Paz Catholic Community last weekend, Joseph Macejka enjoys a few minutes of sunshine with his two teenagers. He is quick to point out that abuse is a problem in many different parts of society and not just within the Catholic Church, and equally quick to condemn abuse within the church as particularly heinous, considering the role of moral leadership that the church is supposed to play. “It should have never happened in our church. We are all appalled by this and we are all invested in correcting it, making sure there’s transparency. Personally, I want to make sure that my children are safe in their environment to practice their faith without any atrocity of this kind ever happening again,” he says.
Jim Field says he first recalled his abuse some 40 years later as he listened to a morning news show in the early 2000s interview with a survivor of priestly sex abuse in Boston.
Merit Bennett was one of the first attorneys in New Mexico to sue the Catholic Church over abusive priests in the 1990s. “It’s a moving target … ‘credibly accused,’” he tells SFR. He says the church’s arbitrary definition isn’t something that binds the legal system. “We’re dealing with kids. [Survivors] who were raped when they were kids. … We don’t know a fraction of the extent of this.” Brad Hall’s Albuquerque law firm has sued the archdiocese on behalf of victims dozens of times. “The logic of the list is to provide notice,” says associate attorney Levi Monagle. “Victims find their validation frequently in these lists,” Hall explains. “If they’re abused by Runnebaum or Baca and don’t see either of their names … that can be the difference between somesomeone who comes forward [and some one who doesn’t].” It’s how some survivors realize that what happened to them was abuse, the attorneys say. And given the number of priests who have decades of abuse charges in the Catholic Church, it’s likely at least Archsome of the men who served in the Arch diocese of Santa Fe without an accusation here still committed a crime. “Trying to mediate this public access to the truth is something they’ve lost the
right to, in my opinion,” Monagle says. Hammons, with the Diocese of Gallup, says there’s no national standard within the church for determining what accusations are credible. And even if the bishops could agree on something among themselves, she says, “The pope is the only one who can come in and say, ‘You have to do this.’” After a stunning report from a Pennsylvania grand jury last year chronicled decades of systematic abuse and cover-ups by the Catholic Church, New Mexico was among the states to begin its own investigation. Attorney General Hector Balderas’ inquiry isn’t done yet, but spokesman David Carl signaled the office’s dissatisfaction when SFR asked about the archdiocese’s choice to exclude priests like Runnebaum and Baca from its list. “Failure to provide accurate information, including an accurate accounting of credibly accused clergy, is inappropriate and only serves to delay justice,” Carl says in an email. At the Survivors Network of those Abused by Priests, all of SFR’s inquiries were met with sighs and frustration. “The church has no business doing this,” says Michael Norris, a member of the organization’s national board of directors. Norris says he went to the church in 2001 with his accusations about a priest in Louisville, Kentucky. The diocese there told him he didn’t need to worry about a priest who was much older now than when he committed the alleged crimes. His sex drive, Norris says the church told him, wasn’t what it used to be. “I sat there for 12 years until another victim came forward,” he tells SFR. Former SNAP president David Clohessy is equally as skeptical about the church’s efforts. “Bishops continue to do the absolute bare minimum. And they don’t put out complete lists because they don’t have to,” he says. “As long as bishops can split hairs, they do.” Field, who lives in an old farmhouse in Warren County, Indiana, is on the phone. A block away from SFR—and probably audible to him on the connection—the bells from the Cathedral Basilica of St. Francis of Assisi peal away. As he talks, Field gets so focused on what he’s saying or remembering that he doesn’t seem to hear questions. He just plows on, determined to get through what took him decades to talk about. “It’s very disturbing that these leaders—you know, the archbishop and Father
SFREPORTER.COM
CONTINUED ON PAGE 16
• FEBRUARY 6-12, 2019
13
Archdiocese of Santa Fe
NAME
Fr. Augustine Abeywickrema (Deceased)
Fr. Marvin Archuleta (living)
Holy Cross, Santa Cruz; 1970-1978
Fr. Paul Baca (deceased)
Immaculate Conception, Las Vegas; 1949-1950 St. Joseph, Anton Chico; 1950-1955 San Juan Nepomuceno, El Rito; 1955-1958 Our Lady of Sorrows, Bernalillo; 1958-1965 Queen of Heaven, Albuquerque; 1965-1979 Risen Savior, Albuquerque; 1979-2000
Fr. Donald Bean (deceased)
San Miguel, Socorro; 1963-1965 Queen of Heaven; 1965-1968 San Miguel, Socorro; 1968-1969 Chaplain, University of Albuquerque; 1969
Fr. Earl Bierman (deceased)
Our Lady of Fatima, Albuquerque; 1961-1962 Immaculate Heart of Mary Seminary, Santa Fe; 1962-1965
Fr. Bernard Bissonnette (deceased)
St. Anne, Santa Fe; 1966-1968 St. Alice, Mountainair; 1968-1973 Newman Center, Las Vegas; 1973-1975 Leave of absence; 1975-1976 Chaplain, New Mexico Boys School, Springer; 1976-1979 St. Bernadette, Albuquerque; 1979-1981
*Seminarian Rudy Blea (living)
In Formation for the Archdiocese of Santa Fe 1969-1976
Fr. Wilfred Bombardier (deceased)
Blessed Sacrament, Albuquerque; 1954-1958 St. Charles Borromeo, Albuquerque; 1966-1970
Fr. Laurence Brett (deceased)
St. Charles Borromeo, Albuquerque; 1966 St. Therese, Albuquerque; 1966-1967
Br. Luis Brouseau (living)
St. Michael’s High School, Santa Fe; 1963-1967, 1969-1971
Fr. Ronald Bruckner (living)
Assumption & St. Pius X High School, Albuquerque; 1965-1967 Queen of Heaven, Alb. & IHM Seminary, Santa Fe; 1967-1968 St. Pius High School, Albuquerque; 1968-1971 Chaplain, College of Santa Fe; 1971-1972 Immaculate Heart of Mary, Los Alamos; 1972-1978 Office of Family Life ASF, Albuquerque; 1978-1980 Our Lady of the Assumption, Albuquerque; 1980-1987 Our Lady of the Annunciation, Albuquerque; 1987-2005
Br. Marr Burbach (living)
Benedictine Monastery, Pecos; 1960s
Fr. Walter Cassidy (deceased)
Sacred Heart, Albuquerque; 1942 St. Anthony, Peñasco; 1942-1943 St. Anthony, Pecos; 1943-1944 Our Lady of Guadalupe, Sapello; 1944-1950 Sacred Heart, Española; 1950-1964 Our Lady of Guadalupe, Albuquerque; 1964-1977 St. Rose of Lima, Santa Rosa; 1977-1983 San Jose, Albuquerque; 1983-1987
Fr. Charles Charron (living)
Albert Chavez (deceased)
Fr. Johnny Lee Chavez (living)
San Jose, Albuquerque; 1976-1979 Immaculate Heart of Mary Seminary, Santa Fe; 1979-1987 St. Francis, Ranchos de Taos; 1987-1995 Temporary Administrator: St. Anthony, Questa; 1992 Sacred Heart, Española; 1993 San Antonio, Peñasco; 1993 St. Anthony, Pecos; 1995-1997 Estancia Valley, Moriarty; 1997-1999 Queen of Heaven, Albuquerque; 1999-2011 Sangre de Cristo, Albuquerque; 2011-2014
St. Anne, Tucumcari; 1963-1966 San Miguel, Socorro; 1966-1968 Queen of Heaven, Albuquerque; 1968-1969 Holy Ghost, Albuquerque; 1969 St. Francis Xavier, Clayton; 1969-1972
Fr. Robert Galli (deceased)
Our Lady of Guadalupe, Taos; 1948 Our Lady of Guadalupe, Peñasco; 1948-1949 St. Anthony, Pecos; 1949-1950 Our Lady of Sorrows, La Joya; 1950-1952 San Juan Nepomuceno, El Rito; 1952-1954 St. John the Baptist, Santa Fe; 1954-1970 St. Anne, Albuquerque; 1970-1985
Deacon Hector Garcia (living)
Our Lady of Fatima, Albuquerque; 1981-1984 Queen of Heaven, Albuquerque; 1984-1989
Fr. David Clark (deceased)
Fr. Ruben Garcia (living)
Our Lady of Guadalupe, Albuquerque; 1973-1974 San Miguel, Socorro; 1974-1975 Immaculate Conception, Las Vegas; 1975-1976 Our Lady of Guadalupe, Albuquerque;1976-1977 St. Anthony, Dixon; 1977-1978
Fr. Henry Clark (deceased)
St. Anne, Santa Fe; 1951-1957
Sacred Heart, Albuquerque; 1954-1964
Fr. Octavio Coggiola (deceased)
San Jose, Albuquerque; 1952 Immaculate Conception, Las Vegas; 1952-1953 St. Michael’s High School, Santa Fe; 1953-1955 Chancellor, Archdioscese of Santa Fe; 1955-1959 Annunciation Parish, Albuquerque; 1959-1968
Fr. Paul Greenwell (deceased)
Fr. Sabine Griego (living)
Fr. Leon Corpuz (living)
Chaplain State Hospital, Las Vegas; 1973-1985 Our Lady of Sorrows, Las Vegas; 1974-1985 Santa Clara, Wagon Mound; 1985-1988 St. Joseph, Springer; 1988-1994
Cristo Rey, Santa Fe; 1964-1966 Nativity of Mary, Albuquerque; 1966-1967 St. Eleanor, Ruidoso; 1967-1968 Immaculate Conception, Las Vegas; 1968-1970 Chaplain State Hospital, Las Vegas; 1970-1973 Our Lady of Sorrows, Las Vegas; 1973-1979 Queen of Heaven, Albuquerque; 1979-1993
Fr. Richard Hennessey (living)
Blessed Sacrament, Albuquerque; 1961-1963
Fr. Leo Courcy (living)
Holy Ghost, Albuquerque; 1967-1968 St. Pius X High School, Albuquerque; 1968-1969 St. Francis Xavier, Clayton; 1969-1970
Fr. David Holley (deceased)
St. Pius XII Institute, Albuquerque; 1971-1972
Fr. Barry Finbar Coyle (deceased)
Cathedral of St. Francis, Santa Fe; 1959-1966 St. Peter, Roswell; 1966 Cathedral of St. Francis, Santa Fe; 1966-1974
Br. Dennis Huff (living)
St. Catherine Indian School, Santa Fe; 1976-1982
Fr. Theodore Isaias (living)
Newman Center, Las Vegas; 1972-1973 Our Lady of Mount Carmel Byzantine, Albuquerque; 1973-1975 Nativity of Mary, Alameda; 1975-1976 San Miguel, Socorro; 1976-1980 San Ysidro, Corrales; 1980-1984
Fr. Ed Donelan (deceased)
Cristo Rey, Santa Fe; 1956-1957 Our Lady of Sorrows, Las Vegas; 1957 Holy Trinity, Arroyo Seco; 1957-1958 Chaplain, New Mexico Boys School, Springer; 1958-1970 Hacienda de Los Muchachos; 1970-1977 Our Lady of Guadalupe, Santa Fe; 1977 St. Joseph, Mosquero; 1977-1979 Our Lady of Guadalupe, Taos; 1979-1982 St. Patrick, Raton; 1982 St. Alice, Mountainair; 1982-1984 Our Lady of the Ascension, Albuquerque; 1984-1986 Immaculate Conception, Cimarron; 1986-1987 St. Joseph, Springer; 1987-1990 Chaplain, Lovelace Hospital, Albuquerque; 1990-1994
Fr. James Kemper (deceased)
Sacred Heart, Española; 1965-1966 St. Anne, Santa Fe; 1966-1967 Santa Clara, Wagon Mound; 1967-1969 San Ignacio, Albuquerque; 1969-1975 Our Lady of Annunciation, Albuquerque; 1975-1992
Fr. Robert Kirsch (deceased)
Santa Nino, Aragon; 1957-1959 Parishes in Arizona; 1959-1965 St. Eleanor, Ruidoso; 1965-1967 St. Thomas, Abiquiú; 1967-1977 Most Holy Rosary, Albuquerque; 1977-1979 San Martin, Albuquerque; 1979-1989 St. Rose of Lima, Santa Rosa; 1989-1991 St. Mary, Vaughn; 1991-1992
Fr. Irving Klister (deceased)
Our Lady of Perpetual Help, Truth or Consequences; 1968 Cristo Rey, Santa Fe; 1968-1970 St. Joseph, Springer; 1970-1985
Fr. Laurier Labreche (living)
St. Therese, Albuquerque; 1959-1962 St. Eleanor, Ruidoso; 1962-1968 San Miguel, Socorro; 1968-1975 Ascension, Albuquerque; 1975-1992
Fr. John Esquibel (living)
St. Eleanor, Ruidoso; 1964-1966 Nativity of Mary, Alameda; 1966 Our Lady of the Assumption, Albuquerque; 1966-1969 Our Lady of Guadalupe, Albuquerque; 1969-1970 Leave for Study, Palo Alto; 1970 Hospital Chaplain, UNMH, Albuquerque; 1971 San Jose, Albuquerque; 1971-1972 Leave for Study, UNM, Albuquerque; 1972-1974 San Isidro, Santa Fe; 1974-1978 St. Edwin, Albuquerque; 1978-1979 Queen of Heaven, Albuquerque; 1979-1983 San Clemente, Los Lunas; 1983-1992
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Fr. Anthony Gallegos (deceased)
Our Lady of Guadalupe, Albuquerque; 1966-1967 Our Lady of the Annunciation, Albuquerque; 1967-1969 St. Francis Xavier, Albuquerque; 1969-1971 St. Bernadette, Albuquerque; 1971-1972 Nativity of Mary, Alameda; 1972-1975 Chaplain, Vegas Grande Rest Home, Las Vegas; 1975-1979
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Fr. Dan Farris (living)
Most Holy Rosary, Albuquerque; 1967-1969 Immaculate Conception, Las Vegas; 1969-1973 Our Lady of Sorrows, Las Vegas; 1973-1974 San Miguel, Socorro; 1974 Holy Ghost, Albuquerque; 1974-1976 Estancia Valley, Moriarty; 1976-1983 Our Lady of Belen, Belen; 1983-1989 San Martin de Porres, Albuquerque; 1989-2001
St. Michael’s High School, Santa Fe; 1944-1947, 1950-1971, 1973-1977
Our Lady of the Assumption, Jemez Springs; 1963-1965
FEBRUARY 6-12, 2019
ASSIGNMENTS
Br. Andrew Abdon (deceased)
*Blea has filed suit against the archdiocese, claiming it misidentified him. That case is unresolved, pending bankruptcy hearings.
14
NAME
St. Rose of Lima, Santa Rosa; 1947-1948 St. Gertrude the Great, Mora; 1948-1954 Nuestra Señora de Guadalupe, Taos; 1954-1961 St. Bernadette, Albuquerque; 1961-1969 Our Lady of Guadalupe, Santa Fe; 1969-1970 Immaculate Conception, Tome; 1970 Our Lady of Guadalupe, Peralta; 1970-1977 Our Lady of Perpetual Help, Truth or Consequences; 1977-1982
ASSIGNMENTS St. Bernadette, Albuquerque; 1963-1971 Our Lady of Fatima, Albuquerque; 1971-1977 Sacred Heart, Albuquerque; 1977-1984 Immaculate Heart of Mary, Los Alamos; 1984-1987 St. Anne, Tucumcari; 1987-1990 Queen of Heaven, Albuquerque; 1990-1991 St. Alice, Mountainair; 1991-1993
ASSIGNMENTS
Professional Counselors and Peer Supports are here to HEAR YOU 24 /7/365
er
Peer to P e
This list contains names of priests, deacons seminarians and laity leaders accused of sexual abuse of children in the archdiocese, last updated on Aug. 24, 2018.
NAME
Warmline
Crisis and
Access Line
Crisis Line
CRISIS LINE WARM LINE
1 (855) 662-7474 1 (855) 466-7100
New Mexico
1 (855) 662-7474 1 (855) 466-7100
www.nmcrisisline.com Warmline
For TTY access call
1 (855) 227-5485
NAME
Fr. Vincent Lipinski (living)
Fr. Humbertus Lomme (deceased)
ASSIGNMENTS
Our Lady of Fatima, Albuquerque; 1987-1989 St. Anthony, Questa; 1989-1992 Our Lady of Sorrows, Las Vegas; 1934-1936 St. Clara, Wagon Mound; 1936-1937 San Isidro, Trujillo; 1937-1939 Our Lady of Guadalupe, Sapello; 1939-1941 St. Anthony, Peñasco; 1941-1944 Our Lady of Sorrows, Las Vegas; 1944-1964 Canonical Administrator, Our Lady of Guadalupe, Sapello and San Isidro, Trujillo; 1957-1964 Chaplain, St. Joseph Hospital, Albuquerque; 1964-1975
Fr. Clive Lynn (living)
Our Lady of the Annunciation, Albuquerque; 1970-1971 Our Lady of the Assumption, Roswell; 1971 St. Rita, Carrizozo; 1971-1973 Leave of Absence; 1973-1974 St. Therese, Albuquerque; 1974 St. Anthony, Fort Sumner; 1974-1977 St. Gertrude, Mora; 1977-1982 St. Joseph, Raton; 1982-1985
Fr. Robert Malloy (living)
Our Lady of Sorrows, Las Vegas; 1983-1985 Our Lady of the Assumption, Albuquerque; 1985-1987 Our Lady of the Annunciation, Albuquerque; 1987-1989 Chaplain, APD, Albuquerque; 1989-1990 Chaplain, St. Joseph Hospital, Albuquerque; 1990 Holy Ghost, Albuquerque; 1990 St. Francis Xavier, Albuquerque; 1991-1995 Queen of Heaven, Albuquerque; 1995-1998
Fr. Phillip Martin/Peralta (living)
Our Lady of Guadalupe, Santa Fe; 1979-1980 Chaplain, New Mexico Boys School, Springer; 1980-1981 San Miguel, Socorro; 1981-1982 Our Lady of Fatima, Albuquerque; 1982-1983 Chaplain, New Mexico Military Institute, Roswell; 1983-1984 Foundation House, Jemez Springs; 1984 Holy Ghost, Albuquerque; 1985 Foundation House, Jemez Springs; 1985 St. Augustine, Isleta Pueblo; 1986 Chaplain, UNM Hospital, Albuquerque; 1986-1990 Chaplain, Veterans Hospital, Albuquerque; 1990-1992
Fr. Armando Martinez (deceased)
St. Anne, Tucumcari; 1961-1963 St. Joseph, Anton Chico; 1963-1965 San Juan Nepomueceno, El Rito; 1965 St. Joseph, Springer; 1965-1970 Temporary Administrator, Immaculate Conception, Cimarron; 1967 San Juan Nepomueceno, El Rito; 1970-1973 St. Mary, Vaughn; 1973-1976 Further Studies at Catholic University, DC; 1976-1985 Our Lady of Belen, Belen; 1985-1986 Sacred Heart, Española; 1986-1988 Leave of absence; 1988-1989 St. Anne, Santa Fe; 1989-1990 Leave of absence; 1990 St. Joseph, Anton Chico; 1990-1991 St. Rose of Lima, Santa Rosa; 1991-1993
Fr. Luis Martinez (living)
Holy Cross, Santa Cruz; 1964-1970
Fr. Robert Martinez (living)
San Miguel, Socorro; 1979-1981 Immaculate Conception, Las Vegas; 1981 Santa Clara, Wagon Mound; 1981-1988 Counseling practice, Santa Fe; 1988-1993
Fr. Roger Martinez (living)
San Felipe de Neri, Albuquerque; 1978 St. Anthony, Peñasco; 1978-1982 San Francisco, Ranchos de Taos; 1982-1983 Leave of absence; 1983-1984 Holy Ghost, Albuquerque; 1984-1985 St. Thomas, Abiquiú; 1985-1988 Our Lady of Belen, Belen; 1988-1990 Our Lady of Sorrows, La Joya; 1990-1993
Fr. Diego Mazon (living)
Tepeyac Formation House, Albuquerque; 1982-1986 Our Lady of Guadalupe, Peña Blanca; 1986
Fr. Thaddeus Mazur (deceased)
Holy Ghost, Albuquerque; 1955-1956 St. Patrick, Raton; 1956-1957 Our Lady of Guadalupe, Taos; 1957 Sagrado Corazon, Costilla; 1957-1966 St. Alice, Mountainair; 1966-1968 St. Anthony, Fort Sumner; 1968-1971 Our Lady of the Assumption, Albuquerque; 1971-1972 Our Lady of Sorrows, Bernalillo; 1972-1974
Br. Tom McConnell (living)
St. Michael’s High School, Santa Fe; 1969-1975
Fr. Michael O’Brien (deceased)
Our Lady of Guadalupe, Taos; 1970 San Jose, Albuquerque; 1970-1972 Estancia Valley, Moriarty; 1972-1976 St. Anthony, Peñasco; 1976-1977 San Francisco, Ranchos de Taos; 1977-1982 St. Gertrude, Mora; 1982-1985 Our Lady of Sorrows, Las Vegas; 1985-1986 St. Anthony, Questa; 1986-1989
Fr. Don Osgood (living)
Our Lady of the Assumption, Albuquerque; 1963
NAME
ASSIGNMENTS
Fr. Ralph Pairon (deceased)
St. Rose of Lima, Santa Rosa; 1957-1959 St. Thomas, Abiquiú; 1959-1967 St. Anthony, Pecos; 1967
Fr. George Pausch (deceased)
Servants of the Paraclete, Jemez Springs; 1955-1971
Fr. John Peris (deceased)
St. Francis Xavier, Clayton; 1934 St. Gertrude, Mora; 1934-1956 St. Joseph, Anton Chico; 1956-1963
Fr. Arthur Perrault (living)
St. Pius X High School, Albuquerque; 1966-1970 Chaplain, University of Albuquerque, Albuquerque; 1970-1971 Our Lady of Guadalupe, Albuquerque; 1971-1973 Our Lady of the Assumption, Albuquerque; 1973-1975 Our Lady of the Annunciation, Albuquerque; 1975-1982 St. Bernadette, Albuquerque; 1982-1992
Fr. Roman Pfalzer (deceased)
Cathedral of St. Francis, Santa Fe; 1966
Fr. James Porter (deceased)
Villa Madre de Dios, Santa Fe; 1967
Fr. Louis Prefontaine (deceased)
St. Charles Borromeo, Albuquerque; 1968
Fr. John Quinn (living)
Villa Madre de Dios, Santa Fe; 1960
Fr. John Rodriguez (living)
Our Lady of Guadalupe, Albuquerque; 1960-1963 Our Lady of Sorrows, La Joya; 1963 Immaculate Conception, Cimarron; 1963-1964 St. John the Baptist, Ohkay Owingeh; 1964-1966 Sacred Heart, Albuquerque; 1966 St. John the Baptist, Ohkay Owingeh; 1966-1973 Further study, Catholic University, Washington DC; 1973-1974 San Ignacio, Albuquerque; 1974-1977 Our Lady of Guadalupe, Pojoaque; 1977-1980 Our Lady of Guadalupe, Santa Fe; 1980-1992 Queen of Heaven, Albuquerque; 1992-1995
Fr. Paul Rodriguez (living)
Via Coeli, Jemez Springs; 1965 Psychology practice, Albuquerque; 1966-1986
Fr. Ronald Roth (deceased)
St. Gertrude, Mora; 1968 St. Eleanor, Ruidoso; 1968 St. Anne, Tucumcari; 1968-1969 St. Therese, Albuquerque; 1969-1971
Fr. Charles Rourke (deceased)
In Archdiocese of Santa Fe 1970-1973 Leave of absence for the Tucson Diocese
Fr. Lorenzo Ruiz (living)
Holy Family, Albuquerque; 1970-1972 and 1979-1987
Fr. Edward Rutowski (deceased)
St. Helen, Hobbs; 1950-1952 St. Rose of Lima, Santa Rosa; 1952 St. Mary, Vaughn; 1952-1954 Nativity of Mary, Alameda; 1954-1975 Leave of absence; 1975-1977 St. Jude Thaddeus, Albuquerque; 1977-1991
Deacon Julian Sanchez (living)
Nativity, Albuquerque; 1981-1986 St. Anne, Santa Fe; 1986-1993
Fr. Clarence Schoeppner (deceased)
St. Michael’s High School, Santa Fe; 1937-1938 St. Catherine School, Santa Fe; 1938-1941 St. Anne, Santa Fe; 1941-1945 Our Lady of Guadalupe, Santa Fe; 1945-1954 Chaplain, St. Vincent Hospital, Santa Fe; 1954-1962 Our Lady of Guadalupe, Taos; 1962-1964 Our Lady of Sorrows, Las Vegas; 1964-1966 Chaplain, St. Anthony Home for Boys, Albuquerque; 1966-1970 Our Lady of the Annunciation, Albuquerque; 1970-1975 San Ysidro, Corrales; 1975-1980
Br. Fintan Shaffer (deceased)
St. Joseph Manor, Bernalillo; 1971-1981
Fr. Frank Sierra (living)
Holy Cross Parish, Santa Cruz; 1953 and 1960-1961
Fr. Jason Sigler (living)
St. Thomas, Abiquiú; 1971-1974 St. Anthony, Fort Sumner; 1974 In Michigan; 1975 Immaculate Conception, Las Vegas; 1976-1978 Leave of absence; 1978-1979 St. Therese, Albuquerque; 1979-1981
Fr. George Silva (living)
St. Francis Xavier, Clayton; 1997-2003 St. Patrick, Raton; 2003-2005 Hospital Ministry, Albuquerque; 2005
Fr. Robert Smith (deceased)
Annunciation, Albuquerque; 1971-1974 Immaculate Heart of Mary, Los Alamos; 1974-1975 Leave of absence; 1975-1976 Our Lady of Fatima, Albuquerque; 1976 Holy Ghost, Albuquerque; 1976-1984
NAME
ASSIGNMENTS
Fr. Ignacio Tafoya (living)
Our Lady of Guadalupe, Pojoaque; 1966 St. Anne, Tucumcari; 1966-1969 Our Lady of Sorrows, Las Vegas; 1969-1974 St. Therese, Albuquerque; 1974-1977 San Ignacio, Albuquerque; 1977-1985 St. Anne, Albuquerque; 1985-1994
Fr. Gordon Wagoner (deceased)
Chaplain, University of Albuquerque; 1977-1979
Fr. George Weisenborn (deceased)
Via Coeli, Jemez Springs; 1964 St. Pius Villa, Albuquerque; 1966 Our Lady of the Ascension, Albuquerque; 1967-1968 St. Francis Xavier, Albuquerque; 1968-1977 St. Bernadette, Albuquerque; 1977 St. Anthony, Peñasco; 1977-1978 St. Therese, Albuquerque; 1978-1980 Our Lady of Sorrow, La Joya; 1980-1982 San Miguel, Socorro; 1982 Most Holy Rosary, Albuquerque; 1982-1983 St. Anne, Tucumcari; 1983-1986 St. Anthony, Fort Sumner; 1986-1988
Fr. Thomas Wilkinson (deceased)
Our Lady of Fatima, Albuquerque; 1958-1959 Our Lady of Sorrows, Manzano; 1959-1962 St. Alice, Mountainair; 1962-1964 St. Anthony, Peñasco; 1964-1970 Sacred Heart, Española; 1970-1980 San Felipe de Neri, Albuquerque; 1980-1986
In both Gallup and Las Cruces, the diocese has added the names of priests credibly accused elsewhere to its list of abusers, marked with red asterisks.
Santiago Almaguer (Living) Daniel R Barfield (Deceased) *David Bentley (Living) Bernard Bissonnette (Deceased) Albert Chavez (Deceased) Wilfred Diamond (Deceased) Miguel Esquivel (Living) Dennis Fountain (Deceased) Samuel Garcia (Living) Kerry Guillory (Living) David Holley (Deceased) Irving Klister (Living) Laurier Labreche (Living) Wayne Ladenburger (Living) Rosario Lopez (Living) Richard P Lynch (Deceased) Manual Perez Maramba (Living) Phillip Martin (Living) Diego Mazon (Living) Arthur C Morgan (Deceased) Arthur O’Sullivan (Living) Bruno Primavera (Deceased) Casilda Pudei (Deceased) Frank Sierra (Living) Benjamin Silva (Living) Dennis Tejada (Living) John Tickle (Living) David Viramontes (Deceased)
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Fr. William Allison (Deceased) Fr. Michael Aten (Deceased) Fr. Michael Baca, (Deceased) Fr. George Baz (Deceased) Fr. Ephraim Beltramea, (Living) Fr. John Boland (Living) *Fr. Eugene Bowski (Living) Fr. James Burns (Deceased) Brett Candelaria (Living) Fr. Santino Casimano (Deceased) Fr. Charles Cichanowicz, (Living) Fr. David Clark, (Deceased) *Fr. Timothy Conlon, (Living) Fr. Joseph Coutu (Living) Fr. John Degnan (Deceased) *Fr. Laurence Florez (Deceased) *Fr. Dennis Fountain, (Deceased) Fr. Clement Hageman (Deceased) Fr. Julian Hartig, (Deceased) Fr. Robert J Kirsch (Deceased) *Fr. Bruce MacArthur (Deceased) *Fr. Diego Mazon, (Living) Fr. Douglas McNeill (Deceased) Fr. Rene Messier (Deceased) Fr. Lucien Meurnier (Deceased) *Fr. Harry Morgan (Deceased) *Fr. Francis Murphy (Living) Fr. John Newton, (Deceased) Fr. Jose Rodriguez (Living) Fr. William Roper, (Deceased) Fr. Conran Runnebaum, (Deceased) Fr. Raul Sanchez (Living) Brother Mark Schornack, (Deceased) Fr. Lawrence Schreiber, (Living) Fr. John Sullivan (Deceased) Carl Todaro (Living) Fr. David Enrique Viramontes (Deceased) *Fr. Justin Weger, OSC (Deceased) Fr. Samuel Wilson (Deceased)
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diocese of Gallup
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COURTESY JIM FIELD
John, the vicar general—can’t under- through the facility and into parishes stand why it would be important to list around the archdiocese, including Graff these pedophile priests on their website in the 1980’s. He continued to abuse chilas credible allegations,” he says. dren, and was eventually caught in 2002 A decade ago, angry, hurt and craving in Texas. acknowledgment, Field decided to sue “He’s not on the archdiocese’s list Gallup. either,” she says. “The story checked out. I did our Bishops and archbishops have to be research. There had been credible com- dedicated to getting the full picture, she plaints about particularly Runnebaum says, and willing to expend resources to and Baca in the past,” recalls his attor- do it. ney, Jeffrey Trespel. The diocese settled Referencing another diocese’s list, before Trespel had to file a suit. The though, wouldn’t seem to cost much. amount is confidential. Holscher thinks the number of men “[Runnebaum and Baca] had been who might fall on an archdiocesan list of shifted around to a number of parishes,” those credibly accused elsewhere could Trespel says. “And of course they usually be “at least dozens of priests, if not hunstuck them in poor, dreds.” rural places where Trespel says the nobody was going to archdiocese has no say anything; where excuse. the church had a lot “I think they’re of sway.” obstructing justice. I By 1980, Runthink they are playing nebaum was in the games with their Archdiocese of Santa parishioners and with Fe. A Farmington the public at large,” Daily Times article Trespel says. “They from May of that year have a duty to disclose has him returning to those priests with Sacred Heart for a credible allegations, special mass. He also wherever in the world served at Our Lady of they are.” Belen parish. A 1991 “It’s taken years,” Field says All these years later, church history that’s about coming to grips with the Jim Field still goes to still alive online abuse. “And to this day I realize church. today reports Runnehow it gravely, gravely affected On a recent Friday, my adult life.” baum’s assignment he postpones another there as “youth oriphone call to honor a ented.” His obituary commitment to help says he served in Pojoaque and Arroyo the priest at the local parish set up for Seco. Santa Fe Archbishop Michael Sheeeucharistic adoration, a ceremony in han presided at his funeral in 2007. Baca traveled around frequently and which Catholics worship, pray and medappears to have served in San Fidel, near itate in front of communion materials— Grants, with Runnebaum for a time. bread and wine. “I love my church,” he says. He led spiritual retreats and eventualSometimes, he says, other parishioly served in the Archdiocese of Santa ners or priests will notice his willingness Fe, too. Newspapers show Baca traveling to help and say he’s special. frequently in and out of archdiocesan He’s heard that before—at Sacred territory. Kathleen Holscher, the endowed Heart, from the priests who abused him. “I was very special, and they would chair of the University of New Mexico’s Roman Catholic Studies program, says tell my parents that they were sure I situations like Baca’s present a particular would grow up to become a priest,” he problem for the church in tracking abu- remembers. Ever frank, he says it gives sive priests. “That story is a very famil- him the creeps: “I don’t want to be speiar story,” she tells SFR. “That actually cial. I just want to be ordinary.” Jim Field has spent a lifetime trying shows up in the Pennsylvania grand jury to come to grips with a faith that refuses report.” Father Edward Graff is the man she’s to die, and the church in which it was so talking about. He was a priest in Allen- grievously harmed. Even in his darkest town, Pennsylvania, who “raped scores times, he says, he would kneel and say of children,” according to the report. the prayer of St. Francis. Lord, make me an instrument of your After decades there, he came to the peace. now-shuttered Servants of the Paraclete Where there is hatred, let me sow love rehabilitation center in Jemez Springs. Where there is injury, pardon … Dozens of pedophile priests passed
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SFRE P O RTE R .CO M / N E WS / TH E I N TE R FAC E
New CitySwivel app aims to shift how people navigate exploring Santa Fe BY JULIA GOLDBERG @votergirl
D
aniel Link and Ralph Lopez met in Austin in 1998 when Link was a singer/songwriter and Lopez worked in the nonprofit world. When they moved to Santa Fe—Lopez’ hometown—in 2010, “we were like, ‘Now what are we going to do?’” Link says, relating the origin story of how he met his husband and business partner. What they did was found Poster Boyz, a guerrilla marketing boutique, as Link describes it. “We wanted to distribute posters and postcard stacks and information for our clients to all the hotels and visitor centers, and we also had an element of website and graphic design folded into our business.” Posters, brochures, postcards—they were all part of the distribution mix for clients such as the Lensic Performing Arts Center, Aspen Santa Fe Ballet and Santa Fe Indian Market. If you’re not sure what happens next in this story, you probably haven’t worked in print media anytime over the last decade. “In about 2014, we started to notice this dramatic drop in what people were spending in terms of print materials,”
Friday
Saturday Friday
FEBRUARY 8 9 8
COURTESY CITYSWIVEL
City Pivot
Link says. “People weren’t putting their money into brochures and posters; it was a huge drop-off.” Link and Lopez began holding indepth focus groups with their clients and others in related industries. They envisioned an interface combining the needs they heard with a desire to showcase the city in a holistic way. CitySwivel was born. The app has been in beta with numerous organizations since last June and launches officially with a party on Wednesday Feb. 13, with other events to follow. The multifaceted platform includes an events calendar with direct links to tickets and personal
calendars; curated self-guided tours from food to culture to the outdoors created by the participating businesses; a cohesive rewards program (“Keys to the City”); and built-in navigation, among other features. While different aspects of the app exist in various other places, Link notes, on CitySwivel, “it’s all in one place.” And, he adds, it’s all accurate. For businesses and nonprofits, the app has tiered pricing and the content is curated. “The qualifiers are they have to have an incredible business, personal accountability, a deep understanding for business-to-business collaboration and zero tolerance for discrimination,” Link says. Some of the feedback driving CitySwivel came from businesses’ experiences in navigating crowdsourced review sites, such as Yelp and TripAdvisor. “Someone gets mad about something while they are in their store … leaves and goes and vents on Yelp because they can, rather than taking the time to walk up to a manager … when nine times out of 10,
TECH
that situation is going to be taken care of,” Link says. For smaller hotels and bed and breakfasts, TripAdvisor keeps them in a stronghold. “We just met with one yesterday … who said, ‘We’re at the mercy of TripAdvisor.’ They literally can’t breathe without them.” Such user-based sites, Link says, “affect [rankings] on Google; it’s not sustainable, and it can have severe impacts on small businesses and the local economy. … We had a lot of discussions about this, the pros and cons, and at the end of the day, this is the right thing to do. We want CitySwivel to be a place where people can find recommendations that actually come from Santa Fe. I don’t need someone from Florida telling me where to find the best green chile cheeseburger in Santa Fe; I want somebody in Santa Fe to tell me where to find that.” The name was derived “after months and months and months” of discussion, he says. “We landed on CitySwivel [because] the app and the platform does revolve around [the businesses]. They control the content, they get to leverage the power of CitySwivel, rather than Yelp or TripAdvisor leveraging them. From the end user perspective, for a visitor or people who live here, CitySwivel revolves around you, because it’s based on your interests.” While the app is robust and designed with aesthetics in mind, Link says he wants people to understand the intention. “It’s not about the app, it’s about the experience you get out of the app. We’ve gotten away from face-to-face interaction with people. … It’s an app that encourages you to put your phone back in your pocket. If you want to interact with a business, don’t do it online—go see them face-toface.” CITYSWIVEL LAUNCH PARTY 6:30 pm Wednesday Feb.13. Free. Plaza Café Southside, 3466 Zafarano Drive, 424-0755
The CitySwivel app incorporates tours, events and a rewards program for Santa Fe.
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The past, present and future of the pedal steel movement‌
An ecstatic and eclectic mix of jazz, rock, Turkish Indian sounds & Balkan village folk music
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FEBRUARY 6-12, 2019
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TRUNK SHOW If the sting of missing out on the sold-out Laura Gibson and Gregory Alan Isakov show at Meow Wolf this week is too much to bear, look no further than midtown DIY space Ghost for hot tunes. Los Angeles’ Dante Elephante is coming in swinging with satisfying indie-pop with a soulful bent. Think Motown-y bass lines meeting sexy horn pieces over dreamy guitars and smooth vocal melodies and harmonies a la Dr. Dog, Mac DeMarco or even the Traveling Wilburys. It’s smooth to be sure, and the band’s most recent album Rare Attractions is officially now our go-to in the car. Locals Edward Almost and Vonnie Kyle kick things off. (ADV)
AUSTIN ECHELBERGER
JON HILL
MUSIC WED/6
Dante Elephante with Vonnie Kyle and Edward Almost: 8 pm Wednesday Feb. 6. $5-$10. Ghost, 2899 Trades West Road.
ANDREA ABEDI
EVENT FRI/8 HEART SMART For those about to enter the Valentine’s Day gauntlet, fairly warned be thee, says we—there’s a cooler way to do it than frantically picking up a box of Russell Stover at the CVS on your way home. Zalma Lofton Gallery’s Two of Hearts, a brilliantly timed pop-up, features unique jewelry from Lauren Aguilar of Cultura Corazón, clever sculptures from Cathy Carr and insanely delicious chocolates from Andrea Abedi, aka local private chef The Temptress. That’s not even mentioning the supply of art from local creators always on hand in the space. You’ll win all the points, impress all the right people and feel good about supporting locals during a holiday while you’re at it. (ADV) Two of Hearts: 5 pm Friday Feb. 8. Free. Zalma Lofton Gallery, 407 S Guadalupe St., 670-5179.
PUBLIC DOMAIN
LECTURE TUE/12 IF YOU’RE NOT OUTRAGED … To celebrate Black History Month, the community college presents a lecture by UNM’s Jamal Martín. His hefty background in public health, Africana studies and peace studies informs his views on the rise of neo-Confederacy in higher education, and how it has developed and has been developed by the prison industrial complex. Sounds heavy? Whew—it is. But Martín, ever an educator, emphasizes the need for the give-andtake of discourse rather than the right-and-wrong of debate. “I think people … need to become more aware of the importance of having some sort of truth and reconciliation hearings in this country,” he says. “I think [that would] require a revolution of consciousness, and hopefully not some cataclysmic apocalypse.” (Charlotte Jusinski) Jamal Martín: Contemporary Issues Facing People of Color: 11 am-1 pm Tuesday Feb. 12. Free. Jemez Rooms, Santa Fe Community College, 6401 Richards Ave., 428-1000
POETRY SAT/9
Duality Austin Eichelberger merges his two loves As an artist and educator, Santa Fean Austin Eichelberger is probably more recognizable when he dons his writer’s cap. But he tells SFR that he began as a visual artist, only switching full-time to words when he came to Santa Fe some years ago. For his new show Typeface, Eichelberger places the two together in the form of double-exposed photos emblazoned with original short poems. They’re akin to self-portraits, both literally and symbolically; Eichelberger’s soul is laid bare in images and a few stanzas. He shows incredible vulnerability but, he says, it felt right. “It feels very natural, like something my work was always driving toward,” Eichelberger tells SFR. “But it was also scary for me—I don’t usually bring my art and words together, but this risk-taking has been where the fun comes in—I like this idea that they’re like self-portraits, but it was also more of an exploration to see what it could mean to being these forms together.” To achieve the pieces, Eichelberger uses the Hipstamatic phone app, soft-
ware that allows him to shoot whenever inspiration strikes with his handy smartphone—a method he defends against a world of photography gatekeepers. “[Smartphones] have amazing cameras that people didn’t think could be possible in a cellphone 10 years ago,” he says. “They’re a part of this medium, a natural part; art is for everyone and should be made by everyone.” Eichelberger says the time of year also partly inspired the work, particularly with Valentine’s Day looming. “The holiday revolves around love, which brings up, for me, the idea of queer love and self-love; my husband, and the loves that are difficult for people to achieve,” he says. “Working on a project like this is helping me process some of those emotions and accept them in a new way.” (Alex De Vore)
AUSTIN EICHELBERGER: TYPEFACE 4 pm Saturday Feb. 9. Free. ART.i.factory, 930 Baca St., Ste. C, 982-5000
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Want to see your event here? Email all the relevant information to calendar@sfreporter.com. You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion). Need help?
Contact Charlotte: 395-2906
WED/6 BOOKS/LECTURES ARTIST TALK: DON KENNELL Hat Ranch Gallery 27 San Marcos Road W, 424-3391 Learn about Kennell's new “Long View Polar Bear” sculpture project, a 35-foot-tall sculpture of a polar bear made out of recycled car hoods. Hear about the process, his message and the daunting logistical feats of making and transporting the sculpture. 5 pm, free BREAKFAST WITH O'KEEFFE: HOW CANDID IS CANDID? Georgia O'Keeffe Museum 217 Johnson St., 946-1000 Explore the idea of candid photography with renowned photographer Alan Ross. 9-10 am, $15 CAREER TALKS FOR TEENS Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Professionals (cartoonists to firefighters, lawyers to filmmakers) to share about their careers with high school students. 4:30-5:30 pm, free DHARMA TALK BY CLARK STRAND Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 Strand, author of Waking Up to the Dark, Waking the Buddha and Meditation Without Gurus, presents "Haiku: The Art of Writing 'Playful' Verse." 5:30 pm, free
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FEBRUARY 6-12, 2019
JOHN DUGDALE, “LING’RING NEAR THE ROSE”
THE GALISTEO BASIN: PUEBLO COMMUNITIES ACROSS THE THRESHOLD OF SPANISH COLONIZATION New Mexico History Museum 113 Lincoln Ave., 476-5100 Eric Blinman, director of the Office of Archaeological Studies, discusses how the 17th-century Spanish Colonization changed the trajectory of the Galisteo Basin’s cultural history, culminating in the Pueblo Revolt of 1680. Noon, free MY DOG WON'T LISTEN TO ME! Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 With trainers Gaia Richards and David Crosby, explore causes and conditions and solutions to shape engagement, motivation and obligation with your dog. Remember, though, no pet dogs are allowed in the library (and no fake service dogs either, that's just wack). 6:30 pm, free READINGS & CONVERSATIONS: TRACY K SMITH WITH JOY HARJO Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Smith, two-time United States poet laureate and winner of the 2012 Pulitzer Prize, chats with the renowned poet Harjo. 7 pm, $5-$8
THE CALENDAR
EVENTS 100 WOMEN WHO CARE Scottish Rite Center 463 Paseo de Peralta, 982-4414 In this shockingly efficient fundraising concept, a nonprofit gets $10,000 in donations in one evening. Sounds insane, actually works. Info at 100womenwhocaresantafe. com. 6 pm, free CHILDREN’S CHESS CLUB Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Join other kids to play against for a nice mix of quiet thought and roaring laughter. 5:45 pm, free LIBRARY OPEN HOUSE: LGBTQ ARTISTS New Mexico Museum of Art 107 W Palace Ave., 476-5072 Drop in to the library to learn more about the history of LGBTQ creators. The museum’s librarian/archivist is available to answer any questions. 1-4 pm, free
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Local photograpohy know-it-alls (and we mean that in the best way) Scheinbaum & Russek present All You Need Is Love, opening Saturday, in celebration of all kinds of love—including passion for photography. See full listing on page 24.
ENTER EVENTS AT SFREPORTER.COM/CAL
VINYASA FLOW Duel Brewing 1228 Parkway Drive, 474-5301 One hour of yoga is followed by a beer. BYOM (mat). 6:30 pm, $15 WAYWARD WEDNESDAYS Chili Line Brewing Company 204 N Guadalupe St., 982-8474 Local and touring comedians, plus an open mic. Signup starts at 7:30 pm, jokes start at 8:30 pm. 7:30 pm, free
FILM THE UNRULY MYSTIC: JOHN MUIR The Screen 1600 St. Michael’s Drive, 473-6494 The new documentary by filmmaker Michael Conti explores the life and influential works of a patron saint of environmental activism. Followed by a Q&A with director Conti and producer Heather Boyle. 7:15 pm, $12
MUSIC DANTE ELEPHANTE, EDWARD ALMOST AND VONNIE KYLE Ghost 2899 Trades West Road Dante Elephante imports alternative indie rock from California; they're joined by locals for a sure good time. 8 pm, $5-$10 ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free FRUITION Meow Wolf 1352 Rufina Circle, 395-6369 Folky psychedelia and soul. 7 pm, $15-$18 JOAQUIN GALLEGOS El Mesón 213 Washington Ave., 983-6756 Soulful flamenco guitar. 7 pm, free OPEN MIC NIGHT Tumbleroot Brewery & Distillery 2791 Agua Fría St. Singer-songwriter Jason Reed hosts his long-beloved open mic. Signups start at 6:30 pm. 7 pm, free SANTA FE MEGABAND REHEARSAL Odd Fellows Hall 1125 Cerrillos Road, 470-7077 Join an open community band of acoustic string band music. 7 pm, free SHANE WALLIN Cowgirl 319 S Guadalupe St., 982-2565 Soulful blues. 8 pm, free SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free TINY'S ELECTRIC JAM Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Plug it in and rock out. 8:30 pm, free
THE CALENDAR
WORKSHOP
NMSA FIRST THURSDAYS form & concept 435 S Guadalupe St., 982-8111 The arts high school presents a special performance hosted by faculty members and showcasing outstanding student musicians, fiction writers and poets. 7-7 pm, free
DIY VALENTINE WORKSHOP Museum of Interactive Art at Shidoni 1508 Bishops Lodge Road, 670-2118 Make your own Valentine. 9 am-5 pm, $5 DATE NIGHT POTTERY CLASS Paseo Pottery 1424 Paseo de Peralta, 988-7687 You've seen Ghost, haven't you? This could be the start of something beautiful. 6-8 pm, $75 INTRODUCTION TO ZEN Mountain Cloud Zen Center 7241 Old Santa Fe Trail, 988-4396 Explore the basics and finer points of Zen meditation. 5 pm, free
MUSIC
THU/7 BOOKS/LECTURES HITLER’S OLYMPICS: THE POLITICS OF THE 1936 OLYMPIC GAMES St. John's United Methodist Church 1200 Old Pecos Trail, 982-5397 K Paul Jones, retired professor of modern European history, discusses the effort to derail the 1936 Berlin Olympics. 1 pm, $15 PAUL RYER: BEYOND CUBAN WATERS Garcia Street Books 376 Garcia St., 986-0151 Anthropologist Ryer's book examines Cuban understandings of the world and of Cuba's place in it through "La Yuma," a distinctly Cuban concept of the American experience, and "África," the ideological understanding of that continent's experience. In conjunction with the reading, view photographs by photographers Patricia Galagan and Karen Novotny, which portray two sides of contemporary Havana: its architectural character and individual Cubans photographed in their homes. 5:30 pm, free RACHEL KLEINFELD: A SAVAGE ORDER: HOW THE WORLD’S DEADLIEST COUNTRIES CAN FORGE A PATH TO SECURITY Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 The Santa Fe Council on International Relations presents Kleinfeld, senior fellow at the Carnegie Endowment for International Peace, in a talk moderated by Mary-Charlotte Domandi. 7:30 pm, $5-$10
EVENTS GRIEF SUPPORT GROUP The Montecito 500 Rodeo Road, 428-7777 The Jewish Care Program offers a grief and loss support group; register with Ya’el Chaikind at 303-3552. 1 pm, free
BERT AND MILO El Mesón 213 Washington Ave., 983-6756 Jazz. 7 pm, free ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free JONO MANSON Tumbleroot Brewery & Distillery 2791 Agua Fría St. Rootsy rock 'n' roll. 6 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar. 6 pm, free REBECCA ARSCOTT & ONE HEART FYAH Boxcar 530 S Guadalupe St., 988-7222 Reggae, pop and soul. 10 pm, free SEAN COSTANZA Cowgirl 319 S Guadalupe St., 982-2565 Americana, roots ‘n’ country. 8 pm, free SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free THROWBACK THURSDAYS SK8 SESSION Rockin' Rollers 2915 Agua Fría St., 473-7755 A skate party especially for grown-ups. An additional $5 get you skates or a scooter. 7 pm, $5 WESTIN MCDOWELL Opuntia Café 922 Shoofly St. Old-timey tunes and blood-curdling ballads. 6 pm, free
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THEATER NT LIVE IN HD: I'M NOT RUNNING Lensic Performing Arts Center 211 W San Francisco St., 988-1234 An explosive new play by David Hare, premiering at London's National Theatre and broadcast live, features a successful doctor whose life and career runs the risk of being derailed by an old boyfriend with differing views. 7 pm, $19-$22 ONCE UPON A MATTRESS Santa Fe Playhouse 142 E De Vargas St., 988-4262 Students from the New Mexico School for the Arts present the "real" story of the Princess and the Pea. 7 pm, $5-$10
CONTINUED ON NEXT PAGE
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FEBRUARY 6-12, 2019
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THE CALENDAR WE ARE HISPANICAMERICAN WOMEN … OKAY? Teatro Paraguas 3205 Calle Marie, 424-1601 A hilarious, heartfelt romp about sisterhood, generational wisdom and body politics. 7:30 pm, $12-$20 THE WINTER’S TALE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 Oasis Theatre Company presents Shakespeare’s play, set in Chicago in 1955 (see Acting Out, page 29). 7:30 pm, $25
WORKSHOP
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In Case you need that special gift!
FEB. 8–17, 2019
DIY VALENTINE WORKSHOP Museum of Interactive Art 1508 Bishops Lodge Road, 670-2118 Make your own Valentine. 9 am-5 pm, $5 THE POWER IN STORY Academy for the Love of Learning 133 Seton Village Road, 995-1860 Explore your individual and collective stories, and what can emerge when we unearth and breathe life into them. 6:30-9 pm, free
FRI/8
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DANIEL HERNÁNDEZ: QUERIDA MORTEM Iconik Coffee Roasters (Lupe) 314 S Guadalupe St., 428-0996 Hernández, a printmaker based in Oaxaca City, Mexico, is an expert in linocut and woodcut techniques. Through March 31 (see AC, page 25). 5-7 pm, free DAVID PEARSON AND DANVILLE CHADBOURNE Shidoni Foundry & Sculpture Garden 1508 Bishops Lodge Road, 670-2118 Today’s your first day to check out three bronze figures by Pearson and more than 20 sculptural abstractions by Chadbourne. Through Feb. 15. 9 am-5 pm, free JEAN MARC RICHE: ARROYO MUNDO Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Meet the artist at a show of original prints in the second-floor gallery. 4 pm, free ON/OFF HOURS 5 El Zaguán 545 Canyon Road, 982-0016 Historic Santa Fe Foundation (HSFF) hosts its fifth annual staff show, featuring Jacqueline Hill's collages, Melanie McWhorter's installation with photographs from Japan, Mara Saxer's stained glass and wall pieces, and Pete Warzel's drawings. Through Feb. 25. 5 pm, free
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TIM WONG AND AKIKO HIRANO Edition One Gallery 728 Canyon Road, 570-5385 In this project spanning over two decades, photographer Wong and calligrapher Hirano present black-and-white images complemented with Japanese calligraphy. The artists are in residence at Edition One for the month of February. 4 pm, free TWO OF HEARTS Zalma Lofton Gallery 407 S Guadalupe St., 670-5179 In a Valentine's Day popup show, Lauren Aguilar of Cultura Corazón shows off badass jewelry, Cathy Carr presents figurines, sculptures and surprises, and chef Andrea Abedi from The Temptress prepares chocolates too (see SFR Picks, page 19). 5 pm, free WES MILLS: DRAWING AND A HISTORY 5. Gallery 2351 Fox Road, Ste. 700 Renowned Tucson-based artist Mills presents new works. 5-7 pm, free
DANCE FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Make a dinner reservation for a show by the National Institute of Flamenco. 6:30 pm, $25 PHASES WINTER DANCES James A Little Theatre 1060 Cerrillos Road, 476-6429 Choreographed reimaginings of classic dances by the dance department at the New Mexico School for the Arts. 7-9 pm, $5-$10
EVENTS GARDEN SPROUTS PRE-K ACTIVITIES Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Head to the garden’s outdoor classroom (weather permitting) for a hands-on program for 3-5 year olds and their caregivers. 11-11 am, $5 MAGIC: THE GATHERING: RAVNICA ALLEGIANCE DRAFT Big Adventure Comics 418 Montezuma Ave., 992-8783 Official in-store tournament play for the collectible trading card game Magic: The Gathering. 7 pm, $15 VALENTINE’S DAY POP-UP MARKET Shelby House 220 Shelby St., 216-0836 Don't miss a special menu from bakers Drift & Porter, handmade fur felt hats from Ramblin Rose Hat Co., artist Caldwell Morrison’s Cupcake Series oils and more. 10 am-6 pm, free
FILM GULLIVER'S TRAVELS Eldorado Community Center 1 Hacienda Loop, Eldorado Screen the loose film adaptation from 1939 of Jonathan Swift's 18th-century novel. 7 pm, free
MUSIC ALL-AGES SK8 SESSION Rockin' Rollers 2915 Agua Fría St., 473-7755 Hit up pizza, a snack bar and DJ tunes—an additional $5 get you skates or a scooter. 6 pm, $5 BIRD THOMPSON The New Baking Company 504 W Cordova Road, 557-6435 Adult contemporary singer-songwriter. 10 am, free BORIS AND THE SALTLICKS Tumbleroot Brewery & Distillery 2791 Agua Fría St. Gothic Americana. 8 pm, free BRIAN HAAS TRIO Tonic 103 E Water St., 982-1189 Jazz (see Music, page 23). 9:30 pm, free CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 First-rate piano and vocals from Charles Tichenor and friends. 6 pm, free DJ KODER'S B-DAY BASH Boxcar 530 S Guadalupe St., 988-7222 Koder and Dynamite Sol spin some dance jam-a-lams. 10 pm, free DOUG MONTGOMERY AND ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Piano standards: Doug starts, Ester takes over at 8 pm. 6 pm, free FELIX Y LOS GATOS Cowgirl 319 S Guadalupe St., 982-2565 Americana, blues, cumbia, jazz, ranchera, swing, TexMex and zydeco. 8:30 pm, $5 JJ AND THE HOOLIGANS El Farol 808 Canyon Road, 983-9912 Rock 'n' roll. 9 pm, $5 JIMMY STADLER La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock, blues and R&B. 8 pm, free LONE PIÑON Second Street Brewery (Original) 1814 Second St., 982-3030 Ranchera and Norteño. 7 pm, free LORI OTTINO AND ERIK SAWYER Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Americana-folk on the heated and enclosed deck. 5 pm, free CONTINUED ON PAGE 24
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ALEX DE VORE
MUSIC Meanwhile, above Brian Haas’ house, musical revolution is afoot.
Alex and Brian Hate Jazz Screw academia—this is improv! BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
J
azz piano mastermind Brian Haas (Jacob Fred Jazz Odyssey) has eked out a veritable paradise off Alameda Street. Nestled up against the hill, his glorious home and studio have provided shelter from the cold, and a home base from which he can dramatically and drastically affect the future of jazz. No big. It’s here, recently, that Haas and his buddy and musician-in-arms, trumpeter Alex Massa, sat down to discuss their local shows, their upcoming four-week tour and exactly why modern jazz is in so much trouble. Spoiler alert: We’re all thinking about it a little too hard. “It’s like, my concept—harmonically, melodically—it’s shifting constantly. I
don’t stick to any straight forms,” Haas says. “A lot of what I do is theme and variation, kind of like classical music, and Alex just gets it.” Haas and Massa met a few years back in New Orleans. Haas was performing at a club; Massa was there reading. “I was like, ‘Why is this dude reading in the back of the jazz club?’” Haas recalls. “We literally bumped into each other,” Massa says. “He was super jittery and anxious, and we started talking about how I had come into this new New Orleans scene of avant-garde jazz improvisers— and we didn’t see each other for about nine months. But we ran into each other somewhere, and Brian was playing this private house concert, and I sat in for the last tune.” A kinship formed. According to Haas and Massa, jazz
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is in serious trouble and rife with musi- audience, too,” Haas explains of live percians who have little interest in innova- formances. “It’s about the kind of music tion and who instead choose to focus on we play being super-influenced by ambithe classics and homage with little to no ent music and electronica. The reason concept of pushing the style forward. As I’ve been lucky enough to have any sucmusicians, each had tired of standards cess in music at all is because I’m really and bebop well before they met; both bad at copying. I’m a terrible jazzbot, but had struggled in music programs during I’m good at being Brian Haas.” college with prohibitive teaching methFor his part, Massa, who now calls odology and small-minded teachers—the Chicago home, self-identifies as a lifelong jam sessions no longer held any appeal. outcast. For him, jazz has proven a tough “If jazz is going to nut to crack. He doesn’t continue as an Ameriplay quite like anyone else, can art form, we can’t let he says, and from the proit turn into academia,” fessors who called his song Haas explains. “All of the selections “stupid” to the studying, the jazz schools, jam bands who questioned it’s completely dumbhis off-meter style, he ing down America’s only struggled to find a musicaltrue art form and turning ly intellectual equal before it into an archaic music, Haas. He’s been kicked when the entire definition off tours and forced to sit of jazz is something that out, but Haas summarizes has to keep pushing fortheir output as something ward and changing every almost divine; the love day. That’s how art works. between them is apparent That’s evolution.” and fuels the creativity. It -Alex Massa “In doing so,” Massa almost goes without saying adds, “you add to the that they’re both weirdos. tradition instead of just “There’s an attitude using the same recipe.” that not only surrounds older jazz and Thus, they improvise together. The black American music, but a lot of conpractice is firmly rooted in trust and the temporary sounds,” Massa says. “If you bond Haas and Massa have built. While don’t understand it, if you’re not ‘hip’ visiting Haas’ studio space, the pair enough to listen to it, if you don’t feel allowed me to capture footage of a com- like you have the ability to be vulnerable pletely improvised minute-long song enough to say ‘I don’t know…’ I don’t (find it on SFR’s YouTube channel). Haas, think I’d even call what we’re playing of course, is a monster pianist, his fin- ‘jazz.’ And doing that is paying tribute to gers dancing over the keys in arhythmic those who came before.” movements that firmly embody the jazz Massa and Haas perform at Tonic this gestalt, but sound unlike most anything Friday and Saturday night with stalwart you’ll hear elsewhere. Massa’s accompa- local jazz drummer Loren Bienvenu. The niment tunes into the underlying beauty rest is up to you. of the keys, accentuating and building on seemingly inconsequential notes and BRIAN HAAS, ALEX MASSA bringing them to the forefront in clever AND LOREN BIENVENU polyphonic moments that feel lyrical, like they are telling a story. 9:30 pm Friday Feb. 8 and Saturday Feb. 9. Free. Tonic, 103 E Water St., 982-1189 “It’s about our interaction with the
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POWER IN STORY: 3-Part Series 2019
THE CALENDAR NORDIC VOICES St. John's College 1160 Camino Cruz Blanca, 984-6000 This six-voice a cappella group has been making waves far beyond their home in Scandinavia. Great Hall, Peterson Student Center. 7:30 pm, $20 THE PALM IN THE CYPRESS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Old-timey country ‘n’ blues. 8 pm, free TGIF RECITAL: FOLK MUSIC OF NORTHERN EUROPE First Presbyterian Church 208 Grant Ave., 982-8544 Scott and Johanna HongellDarsee present music from Finland, Scotland, Sweden, France and even Punjab. 5:30 pm, free TEN TEN DIVISION AND THE SEX ON TV Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 Finely crafted rock 'n' roll from Santa Fe and Albuquerque, respectively. Also, starting at 7 pm, enjoy a Valentine's Day pop-up market. 8 pm, free THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 Swinging jazz. 7:30 pm, free
Stories have the power to help us understand ourselves and others. Join us for our three-part series, The Power in Story, to explore how story lives in self, group and community, and the larger systems in which we are all situated. Intensive 1 / March 1 – 3 or May 3 – 5, 2019 Intensive 2 / June 28 – 30, 2019 Intensive 3 / September 27 – 29, 2019 For more information, email story@aloveoflearning.org or call 505.995.1860 Register now at www.aloveoflearning.org/events-workshops/powerinstory/2019-03-01/ For 20% off, use coupon code STORY
THEATER
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ONCE UPON A MATTRESS Santa Fe Playhouse 142 E De Vargas St., 988-4262 Students from the New Mexico School for the Arts present the "real" story of the Princess and the Pea. 7 pm, $5-$10 WE ARE HISPANICAMERICAN WOMEN … OKAY? Teatro Paraguas 3205 Calle Marie, 424-1601 Four generations of women quarrel and explore in English and Spanglish what it means to be part of their family, what it means to be a Latina in this day and age, and whether tequila is tasty or is just a good way to empezar la borrachera. 7:30 pm, $12-$20 THE WINTER’S TALE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 Shakespeare’s play is set in Chicago in 1955 (see Acting Out, page 29). 7:30 pm, $25
WORKSHOP DIY VALENTINE WORKSHOP Museum of Interactive Art at Shidoni 1508 Bishops Lodge Road, 670-2118 Make your own Valentine from the heart to truly tell someone how much you love them. Kids under 10 are free, as ever. 9 am-5 pm, $5
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SAT/9 ART OPENINGS ALL YOU NEED IS LOVE Scheinbaum and Russek 812 Camino Acoma, 988-5116 In celebration of Valentine’s Day, celebrate love for each other, love for others—and of course, love of photography. Love is a theme that has been addressed by all artists at some point in their careers. This show in particular features heavy-hitters like Brassaï, Henri Cartier-Bresson, Annie Leibovitz, Patrick Nagatani and many more. Through March 10. 2-4 pm, free AUSTIN EICHELBERGER: TYPEFACE The ART.i.factory 930 Baca St., Ste. C, 982-5000 An exhibition of new text-inspired visual art by Eichelberger features a poetry reading at 6 pm with the artist and other local writers (see SFR Picks, page 19). 4-7 pm, free HERE FOR YOU Dandelion Guild 1925 Rosina St., Ste. H, 820-0847 Celebrate Valentine's Day with a show focused on all kinds of love, beyond the romantic. The opening includes a performance by Dizzy Spells, herbal teas by Golden Eagle Thunder Herbs, a pop-up with nourishing broths by Madre Foods and more. Through April 7. Noon-6 pm, free
BOOKS/LECTURES BRIAN EDWARDS: TUSCANY Travel Bug Coffee Shop 839 Paseo de Peralta, 992-0418 As part of his MFA program at the Academy of Art University in San Francisco, Santa Fe photographer Edwards took a summer abroad in Florence, Italy, in 2018. In a slide lecture, Edwards shows a selection of images from these places, some of which will be part of his final MFA degree project. 5 pm, free CINDY M MEDINA: A JOURNEY INTO THE HEART OF THE BLACK MADONNA op.cit Books DeVargas Center, 157 Paseo de Peralta, 428-0321 Medina's story is one of a spiritual transformation that leads to environmental activism. She details her work to restore the Alamosa River. 2 pm, free HANGRY FOR LOVE IAIA Museum of Contemporary Native Arts 108 Cathedral Place, 983-8900 Join IAIA writing faculty and students as they celebrate the month of love with a reading. 2 pm, free
MISSING PERSONS Teatro Paraguas 3205 Calle Marie, 424-1601 Beatlick Press launches its first book dealing with the diseases of dementia, featuring essays from a number of writers. 3 pm, free
DANCE CONTRA DANCE Odd Fellows Hall 1125 Cerrillos Road, 470-7077 The New Mexico Folk Music and Dance Society presents caller Sherilyn Urben and tunes from Rusty Tap. Get a lesson at 7 pm; the dance begins at 7:30 pm. 7 pm, $8-$9 FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Make a dinner reservation for a show by the National Institute of Flamenco. 6:30 pm, $25 PHASES WINTER DANCES James A Little Theatre 1060 Cerrillos Road, 476-6429 Choreographed reimagining of classic dances by the dance department at the New Mexico School for the Arts. 7 pm, $5-$10
EVENTS CANCER FOUNDATION FOR NEW MEXICO SWEETHEART AUCTION Santa Fe Community Convention Center 201 W Marcy St., 955-6590 In live and silent auctions, vie for nearly 400 items. The ticket price includes dinner, dessert, and an open wine and beer bar. 5 pm, $100 EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Part fine arts market, part flea market, all full of treasures. 8 am-3 pm, free LOVE YOUR RIVER DAY Frenchy's Field Osage Ave. and Agua Fría St. At the 13th annual event, pick up litter from the river and arroyos. Meet at the barn to fuel up with something hot to drink and some snacks. Bring some work gloves—everything else is provided. 10 am-noon, free MAGIC: THE GATHERING: STANDARD SHOWDOWN Big Adventure Comics 418 Montezuma Ave., 992-8783 Official in-store tournament play for the collectible trading card game. 7 pm, $5 VALENTINE’S DAY POP-UP MARKET Shelby House 220 Shelby St., 216-0836 Don't miss a special menu from bakers Drift & Porter, handmade fur felt hats from Ramblin Rose Hat Co., artist Caldwell Morrison’s Cupcake Series oils and more. 10 am-6 pm, free CONTINUED ON PAGE 26
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S FR E P O RTE R .CO M /A RTS
Oaxaca’s Daniel Hernández meets life and death
BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
T
“
he concept that exists in Mexican culture of death not as something tragic, but as something inherent in us, that exists—that remains reason for celebration,” Daniel Hernández says. Admittedly, there’s a language barrier between me and the printmaker from Oaxaca, Mexico, but he has a good point. The fear of death, or the casting of it as a terrifying and ruthlessly unavoidable ugliness, is a largely Anglo-Saxon concept. Hernández instead celebrates it—life, too—in his wood and linocuts, prints of which he’ll show at Hecho a Mano’s upcoming show Querida Mortem (roughly, Dear Death) at Iconik Coffee Roasters’ Guadalupe Street location. Hernández picked up a degree in visual and plastic arts at the Benito Juárez Autonomous University of Oaxaca School of Fine Arts. He’s also shown at Mexico’s Biennial of Graphic Arts Shinzaburo Takeda and the Instituto Cultural Peruano Norteamericano Printmaking Biennial in Santiago, Chile. Not too shabby for a 20-something; Hernández clearly has a gift. For the uninitiated, and though Hernández also works in woodcut and painting, let us look at the humble linocut as an example. An artist starts with a rough sketch directly on a piece of linoleum. They then carve a relief image into the lino; an impression is then made on paper or whatever other medium the artist chooses. In Hernández’ case, such carvings almost invariably depict the well-
known markers and imagery of death: skulls and black birds, leafless trees, rotting animal corpses or skeletal remains, bleached and bare. Each cut in the lino is permanent, allowing little room for error, and the artist makes use of a bevy of cutting and chiseling tools. It’s a grueling process for anyone, but what’s particularly notable about Hernández’ work is the attention to the smallest details. Some pieces recall the fine linework of an illustrator like Edward Gorey, others resemble tattoo flash if only skin were able to accommodate as many lines as ink on paper can. Each is brimming with subtext and symbolism. Take 2017’s “Santuario Postmortem,” wherein a bird seems to be stealing a flame from a candle. A halo of human teeth surrounds the piece as if our perspective places us inside a mouth, someplace near the jaw; below and outside the main frame, a death’s-head hawkmoth spreads its wings, though lines nearby may hint that the moth itself is dead and ready to be pinned. Birds are common in Hernández’ work, and there’s a rather occultish feel to a wide swath of their appearances (though this could be chalked up to my very American sense of death). Fish appear regularly as well, displayed in all of their scaly, wriggly glory, represented realistically. Hundreds of hours must go into the prep and execution, but it’s still
pened upon Hernández by coincidence during a trip to Oaxaca last year. “There’s a vibrant printmaking scene down there, and I saw [Hernández’ work] in one of the many printmaking workshops that’re all over Oaxaca City,” Rose says. “It was really by happenstance.” Though Querida Mortem is taking place at Iconik, Rose is taking over the former Beals & Co. space at 830 Canyon Road with his new gallery Hecho a Mano in the coming weeks. “When I decided to go out on my own, I wanted to make printmaking a big part of what I’m doing,” Rose says. “Printmaking in general doesn’t always get a lot of attention, even though it’s such an involved process. Because it’s a ‘popular’ medium, or maybe because it’s easy to reproduce, because it can be more affordable than a painting, it’s … funny how accessibility can make people take it less seriously.” Rose further says that he hopes Hernández and Querida Mortem might be the start of more printmaking exhibits around Santa Fe. At best, they’re a fairly rare occurrence. As for Hernández, he’s just happy to be involved. “The idea is to be able to reach many more people,” he says, “and to show that the graphic is a simple medium, but that great things can be done.” COURTESY HECHO A MANO
Among Us
fun for Hernández. “I enjoy the part of the carving a lot; it mainly takes time to conceive the idea and the symbolic elements that will compose it,” he says, adding that it’s also a form of catharsis from the day-to day. “The political and social events that happen every day in the place where I am from intervene wildly with all its inhabitants,” he says, “and art is a means that allows us to talk about it.” And we could have just as easily never heard of him. According to Querida Mortem curator Frank Rose, formerly of form & concept, he hap-
A&C
DANIEL HERNÁNDEZ: QUERIDA MORTEM
Daniel Hernandez, “Santuario Postmortem”
6-8 pm Friday Feb. 8. Free. Through March 31. Iconik Coffee Roasters (Lupe Location), 314 S Guadalupe St., 428-0996.
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SANTA FE FARMERS MARKET Farmers Market Pavilion 1607 Paseo de Peralta, 983-4098 The place to see and be seen in Santa Fe. Fingerling potatoes and grass-fed beef, here we come! 8 am-1 pm, free
MUSIC AUDIC EMPIRE, THE RIDDIMS AND VANA LIYA Boxcar 530 S Guadalupe St., 988-7222 Reggae. 10 pm, free BRIAN HAAS TRIO Tonic 103 E Water St., 982-1189 The second of a special twonight tour-launching engagement features New Orleans trumpeter Alex Massa, Haas and Loren Bienvenu (see Music, page 23). 9:30 pm, free CS ROCKSHOW El Farol 808 Canyon Road, 983-9912 Classic rock 'n' roll with Don Curry, Pete Springer and Ron Crowder. 9 pm, $5 CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 First-rate piano and vocals from Charles Tichenor and friends. 6 pm, free CHATTER SITE Santa Fe 1606 Paseo de Peralta, 989-1199 The Albuquerque institution brings its slightly weird, really interesting and comfortably informal contemporary chamber music north for a spell. 10:30 am, $5-$15 DOUG MONTGOMERY AND ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Piano standards: Doug starts, Ester takes over at 8 pm. 6 pm, free HALF BROKE HORSES Cowgirl 319 S Guadalupe St., 982-2565 Country and Americana. 1-4 pm, free JAY HENEGHAN TRIO El Mesón 213 Washington Ave., 983-6756 Eclectic classic jazz. 7:30 pm, free JIMMY STADLER La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock, blues and R&B. 8 pm, free LEFT BANK Second Street Brewery (Original) 1814 Second St., 982-3030 Ragtime jazz. 7 pm, free LONN CALANCA BAND Tumbleroot Brewery & Distillery 2791 Agua Fría St. Grateful Dead tribute tunes. 8 pm, free
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MADRID PROM WITH DJ ZAK Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Did you not quite make it to your high school prom? Or maybe you did, and it sucked and want a re-do? Or maybe you did and you loved it and you wanna do it all again? Don your best duds for a Motown-themed party. 8 pm, free MARK'S MIDNIGHT CARNIVAL SHOW Cowgirl 319 S Guadalupe St., 982-2565 Colorado rock and indie tunes. 8:30 pm, free PAT MALONE Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Solo jazz guitar. 7 pm, free RON ROUGEAU The Dragon Room 406 Old Santa Fe Trail, 983-7712 Acoustic classic rock. 5:30 pm, free RYAN & JASPER Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Pregame for the Madrid Prom with Western tunes on the deck. 5 pm, free SOUL FOUNDATION Ski Santa Fe 740 Hyde Park Road, 982-4429 Get an aprés burger at Totemoff’s to the tune of funk, blues, R&B and Latin jazz. 11 am-3 pm, free ZERO HOUR TANGO AND SHINERS CLUB JAZZ BAND Paradiso 903 Early St. Enjoy the evocative and sublime tango of Zero Hour and the sweet and lusty swing 'n' jazz of the Shiners Club. 7:30 pm, $10-$15
THE WINTER’S TALE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 Oasis Theatre Company presents Shakespeare’s play, directed by Brenda Lynn Bynum and set in 1955 Chicago at the height of McCarthyism. In this classic tale of love gone wrong, Shakespeare looks at jealousy’s destructive nature and the power of love and redemption to overcome it (see Acting Out, page 29). 7:30 pm, $25
OPERA
JOURNEYSANTAFE: GAIL EVANS Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Meet the new legal director for New Energy Economy. 11 am, free
OPERA MAKES SENSE Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Created just for children ages 3 to 5, to explore the world of opera through a variety of activities and games. 10:30 am-noon, free
THEATER ONCE UPON A MATTRESS Santa Fe Playhouse 142 E De Vargas St., 988-4262 Students from the New Mexico School for the Arts present the "real" story of the Princess and the Pea. 7 pm, $5-$10 WE ARE HISPANICAMERICAN WOMEN … OKAY? Teatro Paraguas 3205 Calle Marie, 424-1601 A hilarious, heartfelt romp about sisterhood, generational wisdom and body politics, directed by Alix Hudson. 7:30 pm, $12-$20
WORKSHOP DIY VALENTINE WORKSHOP Museum of Interactive Art at Shidoni 1508 Bishops Lodge Road, 670-2118 Make your own Valentine from the heart. 9 am-5 pm, $5 SEWING FOR BEGINNERS MAKE Santa Fe 2879 All Trades Road, 819-3502 Create your own leather card carrying case. Whether you lost your wallet or just want to learn how to sew, MAKE has you covered. Learn on a Juki Industrial sewing machine. 1-4:30 pm, $40 TAX-AIDE SANTA FE Higher Education Building 1950 Siringo Road, 428-1725 The community college and the AARP have teamed up to offer free (!) help taking care of your taxes. NOTE: This year, you must make an appointment. Call 946-3615 or visit sfcc.edu/taxaide. 9 am-noon, free
SUN/10 BOOKS/LECTURES
EVENTS EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Part fine arts market, part flea market, all full of treasures. 9 am-4 pm, free LUNAR NEW YEAR CELEBRATION Museum of International Folk Art 706 Camino Lejo, 476-1200 Celebrate the Year of the Pig with a Lion Dance performance by the Quang Minh Buddhist Temple Youth Group of Albuquerque, and Santa Fe JIN offers a mochitsuki rice cake pounding presentation. Chill with your fellow pigs. 1-4 pm, free
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MAGIC: THE GATHERING: COMMANDER TOURNAMENT Big Adventure Comics 418 Montezuma Ave., 992-8783 Official in-store tournament play for the collectible trading card game. 5 pm, $5 MAGIC: THE GATHERING: STANDARD SHOWDOWN Big Adventure Comics 418 Montezuma Ave., 992-8783 Even more tournament play! 2-7 pm, $5 MEDITATIONS IN MODERN BUDDHISM Zoetic 230 St. Francis Drive, 292-5293 Open to all levels. Presented by the Santa Fe branch of Kadampa Meditation Center of New Mexico. 10:30 am-noon, $10 RELAXATION ROCKS!: YOGA-PILATESRELAXATION FUNDRAISER Española Fitness Center 326A South Paseo de Oñate Espanola, 505-927-8516 Tana Beverwyk-Abouda hosts a one-hour class; all proceeds donated to the Mesa Prieta Petroglyph Project. 5 pm, $15 SUNDAY RAILYARD ARTISAN MARKET Farmers Market Pavilion 1607 Paseo de Peralta, 983-4098 Local art and music. 10 am-4 pm, free TAI CHI FOR 50+ La Escuela y Galleria del Cuervo Azul 1406 Third St., 551-2345 Azul La Luz teaches the martial art for balance, poise, meditation and stress control. 2-3 pm, free VALENTINE EXTRAVAGANZA FAMILY FUN DAY New Mexico Museum of Art 107 W Palace Ave., 476-5072 A day of Valentine-themed art-making with hands-on experiences. 1-4 pm, free
FOOD LOVE IS IN THE AIR Hervé 139 W San Francisco St., 795-7075 Enjoy an educational tasting to learn how wine complements and brings out the unique flavor of chocolate. 3-5 pm, $70-$80
MUSIC DOUG MONTGOMERY Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free GENE CORBIN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Soulful Americana from a Madrid mainstay. 3 pm, free
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THE CALENDAR
February 2019 Pardon Our Dust!
with Rebecca Potance
We will be open during February while we undergo building renovations — Call us or come in, we’re happy to serve you as always!
ALEX DE VORE
Did you know the New Mexico Museum of Art has a massive library of texts open to the public? Well, it does, and behind the tomes, pages and materials is librarian and archivist Rebecca Potance. Potance also presides over a monthly open house series of events wherein anyone can visit the library and learn about a particular topic. This month’s open house (1-4 pm Wednesday Feb. 6. Free. New Mexico Museum of Art, 107 W Palace Ave., 476-5072) focuses on LGBTQIA+ artists. (Alex De Vore) Tell us a little bit about the impetus of the event. Last year, the museum was celebrating our centennial, and I was asked to help out with doing special events to promote the museum. So I came up with the idea of doing these library open houses. I was doing them every month, and they really took off—very popular with the public and staff. I wanted to continue doing them, and I thought because February has Valentine’s Day and is the month of love, I thought it would be nice to do something about queer artists. I like to highlight different aspects of the library to give people an idea of what sort of resources they can find.
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How do you narrow it down? What’s the scope? The scope is really pretty broad. I try to match up resources that are most relevant to our collection. I give priority to artists who I know we have their work represented, people like Cady Wells, Marsden Hartley, Harmony Hammond—so a lot of them are going to have local connections. I also have resources that give a broader perspective on queer art history. I have one book that’s an encyclopedia that looks at all of art history from a queer perspective. It’s really informal, you can pop in anytime, and I have the specialty topic all pulled and aligned at the front. People can wander in, sometimes people like to stop and chat with me. It’s really just getting to know the museum library. Is this a resource you’d say that people are particularly aware of? I don’t think there’s a lot of awareness about the resource. We are available for public use, but because it’s a one-person library, my hours are a little bit limited. And we are a little tucked away in the basement, so it’s not a part of the museum you see pretty often. But I’ve gotten all sorts of people. People pop in because they’re curious. There aren’t that many museum libraries, so it’s new and interesting to them. Other people have really specific research questions. And I have a few regulars who come back just because they enjoy it. I get a lot of college students who come here, particularly at the master’s level.
Traveler’s Market DeVargas Center, 542 N Guadalupe Street, Santa Fe. NM. 87501 505-989-7667 44 Dealers of Fine Tribal Art & Jewelry, Books, Antiques, Folk Art & Furniture, Textiles, Beads
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Family-friendly healthcare across the life span Accepting all insurance plans. Sliding-fee discount program available.
JOAQUIN GALLEGOS La Fiesta Lounge 100 E San Francisco St., 9825511 Flamenco guitar. 6 pm, free JONO MANSON & FRIENDS Cowgirl 319 S Guadalupe St., 982-2565 The rootsy rock 'n' roller invites some buddies to jam. Noon, free JULIAN DOSSETT Cowgirl 319 S Guadalupe St., 982-2565 Delta tunes. 8 pm, free MIKEY BAKER AND STEPHANIE HATFIELD STUDENT SHOWCASE Tumbleroot Brewery & Distillery 2791 Agua Fría St. The local musicians show what their teachings can do. 3 pm, free NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Latin tunes. 7 pm, free PAT MALONE TRIO El Farol 808 Canyon Road, 983-9912 Jazz with guitarist Malone, joined by Kanoa Kaluhiwa on sax and Colin Dueble on bass. 7 pm, free
THEATER
Come find your Valentine’s delight at El Museo Market
Saturday 8 - 3 pm Sunday 9 - 4 pm Art, Antiques, Folk & Tribal Art, Books, Jewelry, Beads, Glass, Hides, Rugs and much much more!!
El Museo Cultural de Santa Fe 555Camino de la Familia, Santa Fe, NM 87501 (In the Railyard across the tracks from the Farmer’s Market)
Info call: Steve at 505-250-8969 or Lesley at 760-727-8511
ONCE UPON A MATTRESS Santa Fe Playhouse 142 E De Vargas St., 988-4262 Students from the New Mexico School for the Arts present the "real" story of the Princess and the Pea. 2 pm, $5-$10 WE ARE HISPANICAMERICAN WOMEN … OKAY? Teatro Paraguas 3205 Calle Marie, 424-1601 Four generations of women quarrel and explore in English and Spanglish what it means to be a Latina. 2 pm, $12-$20 THE WINTER’S TALE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 Oasis Theatre Company presents Shakespeare’s play (see Acting Out, page 29). 2 pm, $25
MON/11 BOOKS/LECTURES EASY HEALING DRINKS FROM THE WISDOM OF AYURVEDA Garcia Street Books 376 Garcia St., 986-0151 Get some ayurvedic wisdom in your life with knowledge and recipes from Amadea Morningstar and Renee Lynn. 5:30 pm, free MONDAY STORY TIME Bee Hive Kid's Books 328 Montezuma Ave, 780-8051 Story time for all ages at the fabulous little book store. 10:30 am, free
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SOUTHWEST SEMINARS: CHACO CARS: THE ART OF PATRICK NAGATANI Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Joseph Traugott, retired curator of 20th-century art at the New Mexico Museum of Art, lectures. 6 pm, $15
EVENTS SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group for group activism. 7 pm, free THE SANTA FE HARMONIZERS REHEARSAL Zia United Methodist Church 3368 Governor Miles Road, 699-6922 Have you been itching to start singing again? The barbershop harmony chorus wants anyone who can carry a tune at its weekly rehearsals. 6:30 pm, free
MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana. 7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Sing some Devo. 9 pm, free DOUG MONTGOMERY Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free KONGOS Boxcar 530 S Guadalupe St., 988-7222 New-fangled rock 'n' roll. 8 pm, $22-$25
WORKSHOP LISA PELLETIER: HOW TO OWN YOUR ENERGY WITH INTUITION Eldorado Fitness Studio 7 Caliente Road, Ste. B-6, 466-7600 Learn form a clairvoyant healer following a path of Spirit. 12:30-1:30 pm, free TAX-AIDE SANTA FE Higher Education Building 1950 Siringo Road, 428-1725 Reserve a time for free tax prep help at 946-3615 or visit sfcc.edu/taxaide. 8 am-4 pm, free
TUE/12 BOOKS/LECTURES BOTANICAL BOOK CLUB: THE MILAGRO BEANFIELD WAR Stewart Udall Center 725 Camino Lejo, 983-6155 Join other botanical book enthusiasts over tea, cookies and great conversation about John Nichols' classic book. 1-2:30 pm, free
DANIELLE S BASSETT: NETWORKS THINKING THEMSELVES Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Neuroscientist Bassett discusses emerging work assessing network constraints on the learnability of relational knowledge, and physical constraints on the development of interconnected patterns in neural systems. 7:30-9 pm, free GARDEN CONVERSATIONS Stewart Udall Center 725 Camino Lejo, 983-6155 Share and engage in informational conversations around gardening and horticulture. 5 pm, free JAMAL MARTÍN: CONTEMPORARY ISSUES FACING PEOPLE OF COLOR Santa Fe Community College 6401 Richards Ave., 428-1000 Head to the Jemez Rooms to learn more about the contemporary experience of Black people and other POC (see SFR Picks, page 19). 11 am-1 pm, free
EVENTS METTA REFUGE COUNCIL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 A support group for sharing life experiences around illness and loss in a variety of its forms. 10:30 am, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group to put into action the planning you did last night. 8:30 am, free
MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana from a Santa Fe legend. 7:30 pm, free BILL PALMER Tumbleroot Brewery & Distillery 2791 Agua Fría St. Rock 'n' roll ’n’ country. 8-8 pm, free CANYON ROAD BLUES JAM El Farol 808 Canyon Road, 983-9912 Sign up to sing or play. 8 pm, $5 CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar. 7 pm, free ERYN BENT Cowgirl 319 S Guadalupe St., 982-2565 Country and folky Americana. 8 pm, free ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free CONTINUED ON PAGE 30
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ACTING OUT The Times, They Are A-Changin’ hen a local company presents a classic or canonical play, we must ask, “Why now?”— and it’s quite satisfying when, during a few blissful hours in an audience seat (or bench, in this case), that question is clearly and resoundingly answered. Expectedly, the Oasis Theatre Company once again delivers. Oasis presents The Winter’s Tale this month, first performed nearly 408 years ago. While it’s one of Shakespeare’s lesser-produced works, in director Brenda Lynn Bynum’s capable hands, it is unclear why it isn’t more popular, especially now: Toxic masculinity, jealousy, odd coincidences, humor, the insane actions of a blind oligarch and the best example of Deus Ex Machina around make it not only a captivating tale, but brings to light the unfortunately eternal relevancy of the bullshit that humans have pulled since Elizabethan times—and will continue to pull forever. We will never learn. (Plus, it contains every theater nerd’s favorite stage direction ever: “Exit, pursued by a bear.”) The action, originally set in Sicily a few centuries ago, is ushered forward to Chicago’s Little Sicily in 1955, at the height of finger-pointing McCarthyism. When the setting zips ahead 16 years and across a “sea” at intermission, we’re brought to 1970 in the fictional hippie hamlet of Bohemia, Michigan (and, yes, historic Bohemia had no sea coast, but there’s a whole branch of scholarly thought as to why the Bard chose a nonexistent coastline as a setting). In discussing this change of temporal venue with Bynum back in September, she noted how the 16 years between, say, 1570 and 1586 may seem inconsequential to us now—but consider how much America changed between 1955 and 1970, and it
becomes clear what 16 years really means. The show opens on a grand New Year’s Eve party held by King Leontes (Vaughn Irving) and his heavily pregnant wife Hermione (a perfectly poised Sarah Runyan). Leontes’ childhood friend Polixenes (Alexander Shicoff ), now the King of Bohemia, is also in attendance. As tends to happen when spouses settle into each other’s lives, Polixenes and Hermione have also become friends. As they chat, Leontes watches from an elevated throne (a super-mod leather chair on a chic black and white set; another spatial triumph for Oasis), and later BRENDA LYNN BYNUM
W
BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m
tells the audience in soliloquy that he suspects Hermione and Polixenes are a little too friendly. He quickly decides that Hermione’s unborn baby is not his, but indeed Polixenes’. He freaks out and calls on his advisor Camillo (Steven Oakey) to throw Hermione in jail for adultery. Yikes—that escalated quickly. With Irving’s portrayal of the king driven mad with jealousy next to Runyan’s clear, measured delivery, we get a look at the hideous reality of so much intimate partner violence: He is not frothing at the mouth or visibly tyrannical, but rather reasonably convinced his insane ideas are truth, and uses his power as a man (and, in this case, a literal king) in a patriarchy to have his crazy whims executed. Runyan, meanwhile, never flashes fear, never raises her voice—what an unnerving and all-tooreal example of how so many abused women deal with their partners’ rages: with unwavering calm in the face of baseless accusations. While her stakes sometimes felt a bit low, mostly Runyan delivers the goods with ease. It’s a treat from the actress who has heretofore in Santa Fe mostly reigned from the stage manager’s seat. In prison, accompanied by her ladies-in-waiting (Joey Beth Gilbert and Eibhlin Brennan, both of whom nicely straddle the line between having distinct characters and stealing the scene, a feat for ensemble players—and whose chic costumes deserve a nod too), Hermione gives birth to a baby girl. Kathi Collins, playing
THEATER
Paulina, is just the fierce little old lady this play needs: She swoops into the jail, takes the baby in a basket and fearlessly presents her to Leontes, hoping the sight of his daughter will soften the king. Spoiler alert: It doesn’t. Leontes orders the baby killed. Antigonus (Yannig Morin), husband of the wily Paulina, chisels away at him, and eventually Leontes instead banishes the baby. “Carry this female bastard hence and … bear it to some remote and desert place quite out of our dominions,” he tells Antigonus, “and … leave it, without more mercy, to its own protection and favour of the climate.” Nice guy, huh? Long story short, the baby gets found by a Bohemian shepherdess, also portrayed by the ever-capable Collins. The largely black-and-white (with pops of red) first act explodes in act two, when we get to frolic among the flower children in their hippie hideaway. A benefit of such a small theater is that we get an olfactory experience too; Zoe Burke portrays the now-16-year-old former baby, Perdita, and each time she flitted onstage, the scent of flowers filled the air. She coincidentally has met Florizel (Noah Segard), son of Polixenes, and has fallen in love. Fancy that! (You can tell now that the show is headed for a saccharine ending after all.) The second act, despite its happier tone and colorful costumes, is less engaging than the first. The intrigue has cooled, so we’re left with a lot of conversation that occasionally sags between high points. And then of course, there’s the end; it’s silly. It’s a bit eye-roll-inducing. But whatever, it’s sweet. Enjoy it, and don’t be cynical. The best part of act two may have been Morin’s Autolycus; “a Rogue,” says the script. For the 1970s version of the traveling Elizabethan vagabond thief/peddler, Autolycus is a hippie caricature complete with a harmonica and sunglasses and a decidedly Bob Dylan-style wheeze. Sounds stupid in theory, is hilarious in practice. The audience loved him, and Shakespeare’s occasional addresses to “man” become a drawn-out “maaaaan” in Morin’s portrayal, never failing to get laughs from the crowd. There’s a lot more I’d love to say, but indeed I’ve run out of words. Every time I walk into a canonical work, I wonder what more a theater company can do that hasn’t been done, what more I can say that hasn’t been said. Not sure why I keep wondering; Santa Fe, and particularly Oasis, always shows me, and then some. THE WINTER’S TALE
It’s all death ‘n’ infidelity ‘n’ mod white leather chairs for Vaughn Irving (Leontes), Sarah Runyan (Hermione) and Alexander Shicoff (Polixenes). Oh, and tie-dye. But that’s later.
7:30 pm Thursdays-Saturdays Feb. 7-16; 2 pm Sundays Feb. 10-17. $25. The Oasis Theatre, 3205 Calle Marie, 917-439-7708
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THE CALENDAR PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar. 6 pm, free
THEATER THEATRE LOVERS CLUB: WE ARE HISPANIC-AMERICAN WOMEN … OKAY? Teatro Paraguas 3205 Calle Marie, 424-1601 Director Alix Hudson and actresses discuss the challenges of attracting a diverse audience to Teatro Paraguas. 6 pm, free
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WORKSHOP DIY VALENTINE WORKSHOP Museum of Interactive Art at Shidoni 1508 Bishops Lodge Road, 670-2118 Flowers and chocolates are so impersonal. Make your own Valentine from the heart to truly tell someone how much you love them. Kids are free, as ever, and after you make your own Valentine creation, you can explore the museum’s interactive exhibits. 9 am-5 pm, $5
TAX-AIDE SANTA FE Higher Education Building 1950 Siringo Road, 428-1725 Get free tax prep help from the community college and the AARP. This year, you must make an appointment. Call 946-3615 or go online at sfcc.edu/taxaide to reserve a time. 8 am-4 pm, free
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CENTER FOR CONTEMPORARY ARTS 1050 Old Pecos Trail, 982-1338 Jeremy Thomas: Unintended Consequences. Sharon Bartel Clements: Warrior Women Torso Project. Both through April 21. GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 Jo Whaley: Echoes. Through Feb. 24. The Candid Camera. Through April 22. HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 The Legacy of Helene Wurlitzer: Works from the Harwood Collection. Through May 5. IAIA MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 Darren Vigil Gray: Expanding Horizons; Meeting the Clouds Halfway. Both Through Feb. 16. Action/Abstraction Redefined. Through July 7. Robyn Tsinnajinnie and Austin Big Crow: The Holy Trinity. Through Oct. 31. Wayne Nez Gaussoin: Adobobot. Through Nov. 30. MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283 National and international wax artists. MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Maria Samora: Master of Elegance. Through Feb. 28. What’s New in New: Selections from the Carol Warren Collection. Through April 7. Lifeways of the Southern Athabaskans. Through July 7. MUSEUM OF INT’L FOLK ART 706 Camino Lejo, 476-1200 Crafting Memory: The Art of Community in Peru. Through March 10. Gallery of Conscience: Community Through Making from Peru to New Mexico. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo,
CHULLU (HAT). OCONGATE DISTRICT, CUZCO, PERU, 2002
MUSEUMS
Have you seen Crafting Memory at the Museum of International Folk Art yet? Time’s almost up! 982-2226 GenNext: Future So Bright. Through March 29. NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 The Land That Enchants Me So: Picturing Popular Songs of New Mexico. Through Feb. 28. Atomic Histories. Through May 26. On Exhibit: Designs That Defined the Museum of New Mexico. Through July 28. The First World War. Through Nov. 11, 2019. NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Good Company: Five Artists Communities in New Mexico. Through March 10. Shots in the Dark; Carved & Cast: 20th-Century New Mexican Sculpture. All through March 31. Wait Until Dark; Night Life Imagination Station. Both through April 21. PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Closed for renovations.
POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 In T’owa Vi Sae’we. EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Closed for the season; to reopen June 1. SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Dan Ostermiller: Gardens Gone Wild! Through May 11. SITE SANTA FE 1606 Paseo de Peralta, 989-1199 Hildegarde Duane and David Lamelas: The Dictator. Through Feb. 28. WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 LIT: The Work of Rose B Simpson. Through Oct. 6.
Street Cred Kitchen
FOOD
ZIBBY WILDER
@THEFORKSFR
At YouthWorks, cooking is the casework BY ZIBBY WILDER a u t h o r @ s f r e p o r t e r. c o m
W
hen award-winning chef Carmen Rodriguez and his wife Penny returned to New Mexico in 2017 from a stint working out of state, they opened the MiSanta catering company. Finding themselves in need of assistance for a large special event in Pojoaque, a friend suggested they call in the students from a culinary training program run by Santa Fe’s YouthWorks. Being longtime supporters of local nonprofits, they were excited to once again get involved in their community. The handful of students were working in a life-changing program, but it was Carmen and Penny’s lives that would soon be changed. The Rodriguezes were so impressed by the students that, by October of 2017, Carmen had become the “godfather” of YouthWorks’ culinary program and Penny had embraced the role of special projects coordinator. Sitting down with YouthWorks Executive Director Melynn Schuyler, they worked together to outline a five-year plan to grow the program. At that time, YouthWorks was preparing and delivering 1,400 meals a week to the lowest-income schools in the area for their lunch programs. With the advent of that five-year plan, a lot of hustle and no lack of able and willing students, by December 2018 the program was serving 1,400 meals a day to local schools, all while training at-risk youth for work in Santa Fe’s hospitality industry. “We get youth engaged in a positive way if they’ve been tripped up in the system,” says Schuyler.
“Our goal is not to make great chefs, it is to make great people to support them,” adds Rodriguez. “It’s not about cooking, it’s about job training. This is realworld, all hands-on work, not book work. I teach them to make the quality of food I made to win [the New Mexico Restaurant Association’s] 2012 New Mexico Chef of the Year.” So, yeah, this isn’t just any “school food.” A peek at the month’s meal plan for one local school includes coconut chicken curry with brown rice, peas, carrots and fruit; another day is beef pot roast with potatoes, carrots and fruit. Every meal includes a vegetarian counterpart, for these they include coconut curry lentils and hearty chickpea stew. “Ninety-eight percent of the program’s food is made from scratch and we get as much as we can locally,” points out Schuyler. “We want kids we cook for to learn healthy eating habits and have exposure to a wide range of foods.” For students in the culinary program, it builds self-esteem and pride. Not only do they prep the food, they deliver it to the schools. “They get to see how happy their hard work makes the kids in the schools,” says Penny Rodriguez. In addition to creating meals for local schools, the YouthWorks culinary program has expanded to include a food truck and catering service. “Food is a great vehicle to get people’s attention,” says Rodriguez. “We’re not just making peanut butter and jelly sandwiches, but interesting, creative, out-of-this-world food.”
Carmen Rodriguez (left) and his wife Penny (far right) hold court with YouthWorks culinary grads and students and director Melynn Schuyler (second from right).
The YouthWorks food truck has become a standard at community events, from Spanish Market to festivals at El Rancho de las Golondrinas. “I always ask, ‘What food don’t you have at the event?’ And we develop menus from there,” Rodriguez tells SFR. “We tailor our offerings to fit the needs of the event.” One event organizer zeroed in on Brussels sprouts as a missing ingredient, so the YouthWorks culinary team responded with charred brussels sprouts with riced cauliflower and stir-fried vegetables in buddha sauce. “On the other hand, we’re just as ready to offer hamburgers and hot dogs, if that’s what folks want,” Rodriguez notes with a laugh. “We like to mix it up,” adds sous chef Jackie Gibbs, herself a graduate of the YouthWorks culinary program. About 1,200 youth benefit from YouthWorks’ programs each year, and all proceeds from the culinary program’s efforts are reinvested to support other job training and placement programs, as well as counseling and alternative education efforts.
“We never say ‘no,’ because if it’s to the benefit of our community, we’re going to do it,” says Schuyler. “It’s a daunting task and maybe we’re crazy, but we say, bring it. We’re ready to throw down,” adds Rodriguez. It’s this attitude that lends street cred to YouthWorks programs. “We don’t have to recruit,” says Schuyler. “This is a close-knit community, so word of mouth spreads. Young people are telling other young people about YouthWorks. If we don’t have a program or help that fits their needs, we’ll figure it out and build it. We don’t give up.” Currently working from a temporary kitchen, YouthWorks has plans to expand the program based on success stories such as Father Greg Boyle’s Homeboy Industries in Los Angeles and Seattle’s FareStart. “We have dreams not just of following these examples, but exceeding them,” says Schuyler. “We’re taking care of the ones who are forgotten—and that’s the kids. We want them to be heard, seen, and to have a future here in Santa Fe,” adds Rodriguez.
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BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
Legend of the Demon Cat is a tough one. On the one hand, the newest from filmmaker Kaige Chen (Farewell My Concubine) is beyond gorgeous, a sweeping epic with a monumental budget shot beautifully and rolling up elements of Chinese ghost lore. On the other, however, it’s at times confusing and leans more into its beauty than its content. Still, it represents something like a $200 million budget and a nigh-unprecedented cooperative feat between production companies in China, Japan and Hong Kong. Yeah, it’s a big deal. It is the Tang Dynasty (700-something), and the emperor and wife of a mucky-muck general have both fallen victim to a ghost cat with a lust for blood and rippin’ eyeballs. A tentative peace is disrupted. Japanese monk Kukai (Shota Sometani) thus joins forces with the empire’s scribe Bai Letian (Xuan Huang) to investigate the goings-on—and the rest, as they say, is history. Or folklore, anyhow.
+ INCREDIBLY
BEAUTIFUL; SOMETANI AND HUANG - CONFUSING IN PARTS; SLOWISH
As far as the visuals go, Legend of the Demon Cat is in a league of its own, even if the CGI cat sometimes yanks back the curtain of suspended disbelief. Still, a massive real-life city was constructed to house the sets, they’re incredible and they’ll stick around long after in the form of a real-life theme park. But it’s what the actors do with them that really sets the scope. Sometani’s young monk imparts some level of natural wisdom but with a vulnerable naivete or, at least, a charming and youthful curiosity behind empathetic eyes. As the counterpoint, Huang’s overconfident scribe is bursting with charisma, and when they really get going as a team, Demon Cat excels. But it also tends to drag. A small complaint given its beauty, and it’s generally not too long before
we’re back into the fray or trying to piece together the mystery. It is, essentially, a big fat love song dedicated to the traditional Chinese ghost story, and one that is worth seeing for the visual aesthetics alone. Magical realism, when done well, can be truly thrilling, and Chen comes so close to brilliance we can almost taste it—it’s just not quite all the way there, even if it’s easily the most beautiful film we’ve seen in ages.
LEGEND OF THE DEMON CAT Directed by Chen With Sometani and Huang Jean Cocteau Cinema, NR, 129 min.
QUICKY REVIEWS
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COLD WAR
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STAN & OLLIE
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FYRE FRAUD
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GLASS
COLD WAR
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of phenomenal. There is a danger to love like this, the kind in which we lose ourselves. And yet we can’t help but focus so intently on the principal characters, even at their worst and despite the numerous others that surround them. Like them, we throw caution to the wind and hope beyond hope that it all works out—but these things seldom do, right? It all boils down to chemistry: the kind that burns between Kulig and Kot, the kind that cannot be faked onscreen or otherwise, and the stuff that goes down as cinematic legend. Don’t miss this gorgeous film. (ADV) Center for Contemporary Arts, Violet Crown, R, 89 min.
+ INCREDIBLE PERFORMANCES; THE MUSIC; THE FEELING
- MOMENTS OF FLEETING TEDIUM
By the time Santa Feans get a chance to see Polish director Pawel Pawlikowski’s stirring era-spanning romance Cold War, it’ll already be making the Oscar nomination rounds with nods for Best Foreign Language Film, Director and Cinematography. Pawlikowski previously picked up a Best Director statue for his 2017 film Ida. Here we follow young Zula and the slightly older Wiktor, musicians from disparate classes in post-war Poland brought together by a government-run academy dedicated to the preservation of Polish folk music. This was an actual thing founded in war-torn Poland in 1948—the Mazowsze, which exists to this day. Zula’s a bit of a con artist, or so we glean— but as Wiktor says almost immediately, she has “something,” a certain darkness, but also burning passion and talent among the wreckage of her past. Newcomer Joanna Kulig as the tortured young singer brings a natural and effortless grace and style, even in her more human or pitiful moments, while Tomasz Kot’s portrayal of the lovesick but prideful Wiktor is so painfully relatable, we wind up empathizing a little too deeply with him. Both perspectives make absolute sense,
IF BEALE STREET COULD TALK
STAN & OLLIE Everyone everywhere is loving on Cold War, and that’s probably because it’s amazing. however, even in their less courteous actions. We root for each character equally, a rare but fantastic feat from a powerhouse like Pawlikowski that feels like a more modern-day Dr. Zhivago … a sexier one, anyway. The pair discovers an immovable love blossoming between them, one that crosses borders and time, withstanding detour lovers, marriages of convenience and deportations; the music they make together through the 1950s and ’60s
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is even more beautiful. Pawlikowski captures it all in crisp black and white with a stunning attention to detail and scenic composition. From the countryside of Poland to the streets of Paris, from a Russian stage to bombed-out churches, everything is romance in all of its charred, beautiful, terrible power. The heart-wrenching soundtrack culled from real-life traditional Polish folk songs, which are then reinterpreted to mirror the times represented in the film, is nothing short
+ LESSER-KNOWN HISTORY - POTENTIALLY LESS MEANINGFUL FOR THE UNINITIATED
In the late 1930s, comedy duo Stan Laurel and Oliver Hardy were about the biggest stars on the planet. We’re talking Beatlemania levels of fandom—they were mobbed in the streets by screaming fans. But by the time World War II had concluded, Laurel and Hardy’s sheen had faded, and a 1953 tour of a post-war United Kingdom undertaken as a moonshot attempt at CONTINUED ON NEXT PAGE
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re-breaking into film proved to be the final chapter of their careers. This lesser-known tour is examined up close in Stan & Ollie from filmmaker Jon S Baird (HBO’s Vinyl), a sad yet hopeful biopic that eschews comedy for the most part (though there are certainly laughs) for a darker look at waning stardom and the closing out of a particular era in Hollywood. Here we see the nitty-gritty of Laurel and Hardy’s later lives, from the impact of lost fame and the pressures of consistently being “on” to lingering resentment born from Hardy’s having worked with a different partner in the infamous 1939 film Zenobia. Steve Coogan and John C Reilly disappear completely into their respective roles, masterfully phasing between the archetypical art of comedy—blueprints drawn by Laurel and Hardy themselves, among others—and regular people clinging to scraps of fame. Reilly as Hardy in particular proves without question that he’s grown into one of the finer actors of our time. Coogan’s tender portrayal of Laurel isn’t far behind, however, and the film truly excels in portraying how much these men loved one another, even to the near detriment of their careers. Their chemistry is electric. “I’ll miss us when we’re gone,” Reilly says plainly to Coogan in one particularly moving scene; a simple moment conveyed so resonantly that we almost overlook Coogan’s response: “So will you,” he says, the hint of a smile on his
face. Stan & Ollie is full of these exchanges, and smartly so. This helps us forgive early missteps in pacing or the glaring concern that those unfamiliar with the duo’s work might find it hard to connect with the gravity of the film. That’s partly good news, though, because if you don’t know their films, now’s a great time to start, especially since Stan & Ollie is sure to make waves come Oscar time. And even if we aren’t sure it merits a Best Picture win, we’re officially on team Reilly from here on out … assuming he ratchets back the awful Will Ferrell movies. (ADV) PG-13, 97 min.
FYRE FRAUD
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+ SWEET, SWEET SCHADENFREUDE - PAID INTERVIEWS ARE WEIRD; WHY ARE WE WATCHING THIS AGAIN?
Oh, how satisfying was it to watch Fyre Fest go down in flames, circa summer 2017? How gleefully rapt were we in observing young folks with more money than sense descend upon the nightmarish event in the Bahamas only to learn they’d been oversold nothingness by snake oil salesman Billy McFarland? It was the type of schadenfreude that doesn’t come along every day—or every generation, even—and now we can relive the glorious drama in the new Hulu documentary, Fyre Fraud. It’s important to note that Hulu competitor
Hulu’s Fyre Fraud doesn’t really help us sympathize with rich people.
Netflix has a similar documentary out now as well, titled Fyre: The Greatest Party that Never Happened (which we haven’t seen yet) and, according to outlets like NPR, there are journalistic issues with both—namely that the Hulu doc’s exclusive on-camera interviews with McFarland were bought and paid for. The Netflix version was produced by Jerry Media, the selfsame company that helped produce and promote the disastrous Fyre Fest itself, and members of which are reportedly extensively interviewed in that movie. But we’re almost willing to forgive these ethically shitty steps to observe the beautiful train wreck that hit the Bahamas all those many months ago. Besides, no one is filing these docs in the annals of history as anything more than trashy fun. We hope. Ultimately, Fyre Fraud is a tale about a conman who foresaw and harnessed the dark powers of social media in a way that many are just now beginning to grasp. Yes, certain aspects of the internet are obviously shady at best, but by enlisting the dubious marketing/meme factory Jerry Media (aka Fuck Jerry), an army of Instagram-famous models and influencers and tapping into millennials’ FOMO (fear of missing out), McFarland managed to kick up the perfect storm of desire and stupidity like almost nothing before it. As one interviewee in the film says, Fyre Fest looked like the most enticing parts of Instagram come to life. But there was one big problem: McFarland and his partners impatiently insisted on a sixmonth timeline. Events and marketing experts interviewed in the film estimate that even 18 months would have been cutting the planning too close. Throw in a cast of other idiots, from longtime McFarland collaborator Grant Margolin and early-2000’s rapper Ja Rule, and one wonders why anyone thought it was a good idea. Of course, we all know the rest—from the infamous images of FEMA tents on the Bahamian “beaches” and cheese on bread to the canceled bands and mad dash to the airport from terrified young folk who realized they’d made a horrific mistake too late. It’s frankly miraculous that no one was killed. But, since everyone survived, Fyre Fraud is pretty fun (funny?), even if McFarland’s interviews mostly amount to him not commenting on things. The other players are absent altogether. Ja Rule was famously unwilling to accept accountability, though, so … y’know. We do hear from people on the ground as well as culture journalists who predicted the mess—people should’ve listened to them in the weeks leading up to the event—but we mostly feel bad for these unpaid and unheeded people. McFarland is of course now serving six years in prison for wire fraud, but we hear rumblings of potential new business ventures in the documentary. Jesus.
The lesson, though, we think, is in how prevalent we’ve allowed the internet to become in our decision-making process. The evidence was all there and smart people were begging people not to do it. But they did, and we now know exactly how that turned out. Glorious. (ADV) Hulu, NR, 96 min.
GLASS
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+ SOMETIMES THRILLING - FLIMSY UNDERSTANDING OF MENTAL ILLNESS; OVER-EXPLANATION
Setting aside the often unbearable pacing of Glass, one-time wunderkind M Night Shyamalan’s followup to Unbreakable and Split, there’s one glaring problematic issue at play that needs mentioning: the indelicate portrayal of mental illness. Now, we’re not saying that movies shouldn’t examine such things, nor do we believe it’s necessary for them to portray those grappling with such issues in an unyieldingly positive light— but the moral here, if there is one, seems almost to be that the mentally ill are over-the-top crazies who are probably going to kill people. Glass is ultimately a sequel to 2016’s Split, the James McAvoy-led thriller about a man named Kevin suffering from dissociative identity disorder who, in the wake of childhood abuse, develops a violent personality called The Beast that runs roughshod over the rest of his internal personalities causing him to commit heinous crimes. Here, however, Shyamalan has added the threads from 2000’s Unbreakable—namely that that movie’s villain Elijah/Mr. Glass (Samuel L Jackson) has been imprisoned for his own crimes carried out while in search of extraordinary humans with extraordinary abilities, of which Bruce Willis’ character David Dunn is one. Woof, that’s a lot; and we haven’t even thrown American Horror Story‘s consummate over-actor Sarah Paulson into the mix as a psychiatrist specializing in disorders that find people believing they are superheroes. Thus, Mr. Glass, Kevin and David are thrust together into treatment and left to ponder whether they’re actually super or simply suffering from trauma that caused them to shape their own bizarre narratives rooted in fantasy and comic books. Jackson, as always, is fantastic and portrays Elijah’s cold and calculating nature in an eerily sympathetic way. McAvoy hits some very high notes when the writing allows for his various personalities to prove distinct enough from one another, but the vast majority of his performance can be distilled into how he does different accents. The Beast is at turns truly frightening and rather silly, though it does settle into the latter by the film’s end. Willis’ David—whom the film goes so far as to straight-up identify as the reluctant
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M Night Shyamalan’s Glass sure does exist. hero archetype—feels every bit as vexing as in the original film, though not in the best ways. His unfeeling tone that we’re supposed to interpret as some sort of facade for dealing with pain feels more like shoddy development than it does a statement on the strong and silent type. Still, certain twists and turns recall the faintest whispers of Shyamalan’s onceformidable Hitchcockian powers, even if he didn’t ever get the less-is-more in the cameo department memo; Glass thrills once or twice in unexpected ways. But then it’s back to long-winded monologues, overly dramatic thoughts on the human condition and—one of Shyamalan’s biggest weaknesses—the over-explanation of plot. We don’t need to be beaten over the head with reminders about foreshadowing! We’d much prefer, in fact, to be trusted as audiences to follow along and understand. And it’s a shame, because when he wasn’t overindulging in symbolic camera angles or “Don’t forget that one thing!” dialogue, Shyamalan came perilously close to helping us get lost in Glass‘ starkly beautiful cinematography and characters. But we never forget it’s a movie we’re watching in a theater, no matter how badly we want to believe it could have been something super. (ADV) Regal, Violet Crown, PG-13, 129 min.
familiar faces pop up along the way as well, like Diego Luna, Dave Franco and Game of Thrones alums Pedro Pascal and Ed Skrein. It’s hard to tell what Jenkins’ best quality is as a filmmaker, as both his eye and language approach perfection. Every moment is rich with emotion, lighting and depth, practically demanding you savor them. Every one of Jenkins’ collaborators gives their all, from the cinematographer, production designer and sound designer—a scene of anger poetically drowns background noise for weight, only to raise that volume subtlety once the moment passes—to composer Nicholas Britell. Britell, who scored Moonlight, brings yet another intensely moving score, dramatically raising the bar for every other composer in Hollywood. Thus, Beale Street is rich with atmosphere, seamlessly including real-life photographs of racial strife in New York City in the ’70s. It simultaneously enriches the personal drama, and makes the viewer acknowledge that this singular story is part of a much bigger and more tragic narrative. Beale Street is a stark reflection of racial tension, but also a celebration of what makes family so important in everyday life. You are wholeheartedly dared to watch this film and leave with dry eyes. You won’t be able to pull it off. (Matthew K Gutierrez) Jean Cocteau Cinema, R, 119 min.
CINEMA
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IF BEALE STREET COULD TALK
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+ GORGEOUS ALL AROUND - ABSOLUTELY NOTHING
If Beale Street Could Talk is the most beautifully intimate film of 2018. Director Barry Jenkins’ follow-up to his award-winning film Moonlight holds up to that movie’s weight, adapting James Baldwin’s story of the same name that still powerfully resonates. Set in Harlem in the early 1970s, we follow Tish and Fonny’s relationship; the childhood friends turned lovers have their lives flipped upside down when Fonny is incarcerated for a crime he didn’t commit. But with the help of family, Tish discovers her true strength after revealing she’s with child. We were lucky to have seen so many creative contributions to black cinema in 2018, but Beale Street is a remarkable cut amongst the rest. This movie would’ve been nothing without flawless performances, and no, there is not one weak actor in the lot. At the forefront, Kiki Layne and Stephan James are revelations as Tish and Fonny. Every conversation they have is layered, bestowing an incredible level of affection or, at turns, frustration, anxiety and longing. They’re captivating. Regina King as Tish’s mother deserves every single award imaginable. She takes command during every scene, her power shining through the camera lens like the sun. Some
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52 Diamond experts? 53 Bird-related 1 “In ___” (Nirvana album of 1993) 54 Laissez-___ 6 506, in Roman numerals 56 Tolkien trilogy, to fans 9 Breaks down 57 Islands off the North Carolina 13 Diminished coast, or the theme of this puzzle 15 Youngest woman to serve in 62 One in the red Congress, initially 63 Volcanic dust 16 “___ for Steve” (Morley 64 “The Death of Actaeon” painter Callaghan short story) 65 ___ buco (Italian veal dish) 17 Coen Brothers movie of 1991 66 ATM charge 19 Zip 67 Word of the future? 20 Internet annoyance 21 Lazybones DOWN 22 Lenny’s friend on “The 1 Flash drive letters Simpsons” 2 “___ Carter V” (Lil Wayne 25 2007 T-Pain song feat. Yung Joc album of 2018) 28 Garden pests 3 Goof 30 March Madness org. 4 Sounding like a clunky engine 31 Queen of Quebec? 5 ___ about (approximately) 32 Sandcastle tool 6 Every 24 hours 34 “A Midsummer Night’s 7 Actor Max ___ Sydow Dream” disguise 8 “Ew!” 37 Good value, slangily 9 Actress Bullock of “Bird Box” 41 “___ y Plata” (Montana motto) 10 Central Florida city 42 “Tres ___” (“Very well,” in Paris) 11 City in the Black Forest, when 43 Bindi and Robert Irwin’s mother doubled 12 Inspire, as Kondoesque joy 44 Crawl around? 14 Radio features, once 46 Bedazzler item 18 It might give you chills 47 Color categorized as 21 “Princess ___” (Gilbert & #DA1884 and Pantone 219C Sullivan operetta) and trademarked by Mattel
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A wonderful cat with a great personality, BELLA is very outgoing and social. She gets along with other cats as well as polite small dogs. BELLA is a beautiful Turkish Angora girl with a silky medium-length black coat. AGE: born approx. 7/4/09.
CIELO [f], CILIE [f] and CEELO [m] were found abandoned in an empty lot between two commercial buildings. They were cold and CEELO hungry and sadly, a fourth littermate did not survive. TEMPERAMENT: All the kittens are very social and crave human interaction. They are playful and if not adopted with a littermate, they must go to homes with another young cat to play with. AGE: born approx. CILIE 9/30/18.
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COMMUNITY ANNOUNCEMENTS LEGALS TWO FACES OF THE SAME EMOTIONS: Are you having a hard time expressing difficult emotions such as anger and fear? Join us for a therapeutic group where we will be exploring ways on how to express anger and fear through the use of clay and other creative modalities. Group meets Wednesdays from 6:00 - 8:00 pm, February 6th - March 6th. Please call Tierra Nueva Counseling Center at 505-471-8575 to register. $10/session, sliding scale. Ages 21+ only.
STATE OF NEW MEXICO IN THE PROBATE COURT COUNTY OF SANTA FE No. PB-2019-0004 IN THE MATTER OF THE ESTATE OF DELLA S. O’KEEFE., Desceased. NOTICE TOCREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed Personal Representative of this estate. All persons having claims against this estate are required to present their claims within four months after the date PRE-TRAINING TIPS & of the first publication of this TO-DO LIST - Free Workshop, Notice or claims will be forever Saturday, February 9, 2019, barred. Claims must be presented 3:00pm-4:30pm LaFarge either by delivery or mail to the THE ARTIST’S WAY: 2 groups Public Library. Before you visit undersigned in care of Tracy E. forming with special focus on your dog trainer, there are Conner, P.C., Post Office Box health, fitness and fun cresome things you can do to 23434, Santa Fe, New Mexico 87502, or by filling with the ativity. Support and structure ensure that you get the most Probate Court for the County of through EFT, Life Coaching out of your session. Today Santa Fe, 102 Grant Avenue, Santa and The Artist’s Way book. we will look at some of these Wednesdays 11:00 to 1:00 and things, beginning with our own Fe, New Mexico 87501, with a 6:30 to 8:30. February 27 to mindset, our understanding of copy to the undersigned. May 15. Facilitator: Mary Jo how a dog processes an expe- Dated: January 15, 2019 Carafelli, LPCC, has 15+ years rience and our communication Daniel O’Keefe Personal Representitive experience with The Artist’s skills (including body lanWay, EFT, Yoga, Meditation, guage). We will discuss these c/o Tracy E. Conner Post Office Box 23434 Counseling Practice and things and participate in some Santa Fe, New Mexico 87502 Creative-Fitness Fun. Cost: exercises to practice being Phone: (505) 982-8201 $420.00 ($335.00 when paid aware of our own Body Talk in full by first class). 2 Free/ and projections. This workSTATE OF NEW MEXICO Fun introduction Sessions: shop, led by Gaia (aka “Gen”) COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT February 16th, and 23rd at Richards is free and open to COURT IN THE MATTER OF 826 Camino de Monte Rey/ the public, but our pet dogs A PETITION FOR THE NAME Amata Chiropractic Office, are not allowed in the library. CHANGE OF KATIE NICOLE 1:00 to 2:30. Questions COLLINS UPAYA ZEN CENTER: and to confirm spot: CASE NO: D-101-CV-2019-000067 A GLOBAL LEADER IN mjc842@hotmail.com NOTICE OF CHANGE OF NAME ENGAGED BUDDHISM 505-316-5099. TAKE NOTICE that in accordance Upaya is open to the comwith the provisions of Sec. 40-8-1 JOHREI CENTER OF SANTA FE. munity for daily meditation JOHREI IS BASED ON THE and Wednesday Dharma Talks through Sec. 40-8-3 NMSA 1978, et seq. the Petitioner Katie Nicole FOCUS AND FLOW OF THE at 5:30p.m. February 12-17, Collins will apply to the Honorable UNIVERSAL LIFE ENERGY. SESSHIN: BODHISATTVA Matthew J. Wilson, District Judge We will be holding a Valentine, PERSPECTIVES ON THE of the First Judicial District at the Love and Gratitude Service, HEART SUTRA is a meditation Santa Fe Judicial Complex, 225 Saturday February 16th, 2019 @ retreat that includes dharma Montezuma Ave., in Santa Fe, 11 AM. All are welcome! talks, meals, and lodging. New Mexico, at 2:00 p.m. on the When clouds in the spiritual February 24, THE EASE AND 20th day of February, 2019 for an ORDER FOR CHANGE OF NAME body and in consciousness are JOY OF MORNINGS is an dissolved, there is a return to introductory half-day medita- from Katie Nicole Collins to Arlo Edgar Duke Collins. true health. This is according to tion retreat, offered for only STEPHEN T. PACHECO, the Divine Law of Order; after a donation. Retreat registraDistrict Court Clerk spiritual clearing, physical and tion: Upaya.org/programs, By: Marina Sisneros mental- emotional healing folregistrar@upaya.org, or Submitted by low. You are invited to experi505-986-8518. 1404 Cerro Collins ence the Divine Healing Energy Gordo, SF, NM. Petitioner, Pro Se of Johrei. All are Welcome! The Johrei Center of Santa Fe is located at Calle Cinco Plaza, 1500 Fifth St., Suite 10, 87505. Please call 820-0451 with any questions. Drop-ins welcome! Open Tuesday, Wednesday, Thursday, 2-5pm. Friday 2-4pm. Saturday, 10am-1pm. Closed Sunday and Monday. There is no fee for receiving Johrei. Donations are gratefully accepted. Please check us out at our new website santafejohreifellowship.com MY DOG WON’T LISTEN TO ME! - Free Public Talk, Wednesday, February 6, 2019, 6:30pm-7:30pm, LaFarge Public Library, 1730 Llano Street. Along with aggressive behavior and separation anxiety, this is one of the three most common complaints that dog owners bring to their first training session.
Your dog probably is listening to you. The problem isn’t about listening, it’s about whether the dog cares about what you are trying to say. Tonight’s talk will be an introduction to how dogs perceive the world, how to improve your relationship with your dog, how to communicate more clearly, and what makes a dog more likely to follow your direction. For more info visit: www.Wabniaq-k9.com.
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SERVICE DIRECTORY STATE OF NEW MEXICO ARTS COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURTIN THE MATTER OF A PETITION FOR CHANGE OF NAME OF REBECCA ALENE BAILEY AKA SABIN BAILEY CASE NO.: D-101-CV-2018-03621 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accorGREENE FINE ARTS dance with the provisions Edenic Scene of Sec. 40-8-1 through Sec. Willard F. Clark 40-8-3 NMSA 1978, et seq. Oil on Canvas the Petitioner Rebecca Alene 17” x 23” $9,500 Bailey AKA Sabin Bailey will A resident in Santa Fe from 1928 apply to the Honorable David until his death in 1992, Clark K. Thomson, District Judge of addressed nearly every aspect the First Judicial District at the of life in NM in his paintings, Santa Fe Judicial District at woodcuts and engravings. Friend the Santa Fe Judicial Complex, and contemporary of such New Mexican notables as Gustave 225 Montezuma Ave., in Bauman, Eli Levin and Brian Long. Santa Fe, New Mexico, at Clark was an integral part of 9:00 a.m. on the 28th day of Santa Fe’s artistic tradition. March, 2019 for an ORDER 206-605-2191 FOR CHANGE OF NAME from greenefinearts.com Rebecca Alene Bailey to Sabin Bailey. FENCES & GATES STEPHEN T. PACHECO, District Court Clerk By: Ginger Sloan Deputy Court Clerk Submitted by: Rebecca Alene Bailey AKA Sabin Bailey Petitioner, Pro Se SANTA FE COYOTE FENCING Specializing in Coyote Fencing. FIRST JUDICIAL DISTRICT License # 18-001199-74. COURT We do it all. Richard, COUNTY OF SANTA FE 505-690-6272 STATE OF NEW MEXICO Visit our work gallery IN THE MATTER OF THE santafecoyotefencing.com NAME CHANGE OF: MARGARITA GURULE. LANDSCAPING No. D-101-CV-2018-03182 NOTICE OF CHANGE OF LANDSCAPES BY DENNIS NAME Landscape Design, Xeriscapes, TAKE NOTICE that in accorDrip Systems, Natural Ponds, dance with the provisions of Low Voltage Lighting & Sec 40-8-1 through Sec 40-8Maintenance. I create a cus3 NMSA 1978, et seq. the tom lush garden w/ minimal use of precious H20. Petitioner, Margarita Gurule, 505-699-2900 will apply to the Honorable Matthew J. Wilson, Division IX, District Judge of the First PERSONAL & Judicial District, at the Santa PROFESSIONAL Fe County Judicial Complex, SERVICES 225 Montezuma Avenue, in Santa Fe, New Mexico, at 1:15 p.m., on the 17th day of April, 2019, for an ORDER FOR CHANGE OF NAME from Margarita Gurule to Margie Gallegos Gurule. STEPHEN T. PACHECO, District Court Clerk By: Francine Lobato DEPUTY CLERK Submitted by, LAW OFFICE OF BARRY GREEN Mediate—Don’t Litigate! By: /s/ Barry Green PHILIP CRUMP Mediator Barry Green I can help you work together Attorneys for Petitioner toward positive goals that Suite 7 create the best future for all 200 West Devargas Street • Divorce, Parenting plan, Family Santa Fe, New Mexico 87501 • Business, Partnership, Construction 505/989-1834 (phone) 505/982-8141 (Fax) LawOfficeOfBarryGreen@msn. com (Email)
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SFR CLASSIFIEDS 3 Ways to Book Your Ad!
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Rob Brezsny
Week of February 6th, 2019
ARIES (March 21-April 19): Climbing mountains has been a popular adventure since the nineteenth century, but there are still many peaks around the world that no one has ever ascended. They include the 24,591-fothigh Muchu Chhish in Pakistan, 23,691-foot Karjiang South in Tibet, and 12,600-foot Sauyr Zhotasy on the border of China and Kazakhstan. If there are any Aries mountaineers reading this horoscope who have been dreaming about conquering an unclimbed peak, 2019 will be a great time to do it, and now would be a perfect moment to plan or launch your quest. As for the rest of you Aries, what’s your personal equivalent of reaching the top of an unclimbed peak?
erator created by the rap group Wu-Tang Clan. I tried the same generator and got “Fearless Warlock” as my new moniker. You might want to try it yourself, Libra. The coming weeks will be an excellent time to add layers to your identity and expand your persona and mutate your self-image. The generator is here: tinyurl. com/yournewname. (P.S.: If you don’t like the first one you’re offered, keep trying until you get one you like.)
SCORPIO (Oct. 23-Nov. 21): Leonardo da Vinci’s painting Salvator Mundi sold for $450 million in 2017. Just twelve years earlier, an art collector had bought it for $10,000. Why did its value increase so extravagantly? Because in 2005, no one was sure it was an authentic da Vinci painting. It was damaged and had been covered TAURUS (April 20-May 20): Eminem’s song “Lose Yourself” was a featured track in the movie 8 Mile, and with other layers of paint that hid the original image. After extensive efforts at restoration, the truth about it it won an Academy Award for Best Original Song in 2003. The creator himself was not present at the Oscar emerged. I foresee the possibility of a comparable, if less dramatic, development in your life during the next ten ceremony to accept his award, however. He was so convinced his song would lose that he stayed home. At months, Scorpio. Your work to rehabilitate or renovate the moment that presenter Barbra Streisand announced an underestimated resource could bring big dividends. Eminem’s triumph, he was asleep in front of the TV SAGITTARIUS (Nov. 22-Dec. 21): We can behold colwith his daughter, who was watching cartoons. In conors because of specialized cells in our eyes called trast to him, I hope you will be fully available and on cones. Most of us have three types of cones, but a few the scene for the recognition or acknowledgment that rare people have four. This enables them to see far should be coming your way sometime soon. more hues than the rest of us. Are you a tetrachromat, a person with super-vision? Whether you are or not, I GEMINI (May 21-June 20): While enjoying its leisure time, the peregrine falcon glides around at 50 miles per suspect you will have extra powerful perceptual capachour. But when it’s motivated by the desire to eat, it may ities in the coming weeks. According to my analysis of the astrological omens, you will be able to see more swoop and dart at a velocity of 220 miles per hour. than you usually do. The world will seem brighter and Amazing! In accordance with your astrological omens, deeper and more vivid. I urge you to deploy your temGemini, I propose that we make the peregrine falcon porary superpower to maximum advantage. your spirit creature for the next three weeks. I suspect you will have extraordinary speed and agility and focus CAPRICORN (Dec. 22-Jan. 19): There are two kinds of whenever you’re hunting for exactly what you want. So minor, boring little tasks. One is when you’re attending here’s a crucial question: what exactly do you want? to a detail that’s not in service to a higher purpose; the CANCER (June 21-July 22): Now and then the sun shines other is when you’re attending to a detail that is a cruand rain falls at the same time. The meteorological name cial step in the process of fulfilling an important goal. for the phenomenon is “sunshower,” but folklore provides An example of the first might be when you try in vain to scour a permanent stain on a part of the kitchen other terms. Hawaiians may call it “liquid sunshine” or counter that no one ever sees. An example of the sec“ghost rain.” Speakers of the Tangkhul language in India imagine it as “the wedding of a human and spirit.” Some ond is when you download an update for an existing Russians refer to it as “mushroom rain,” since it’s thought piece of software so your computer works better and you can raise your efficiency levels as you pursue a to encourage the growth of mushrooms. Whatever you might prefer to call it, Cancerian, I suspect that the fore- pet project. The coming weeks will be an excellent time to keep this distinction in mind as you focus on seeable future will bring you delightful paradoxes in a similar vein. And in my opinion, that will be very lucky for the minor, boring little tasks that are crucial steps in the process of eventually fulfilling an important goal. you, since you’ll be in the right frame of mind and spirit to thrive amidst just such situations. AQUARIUS (Jan. 20-Feb. 18): Can you sit on your LEO (July 23-Aug. 22): A study by the Fidelity financial own head? Not many people can. It requires great flexibility. Before comedian Robin Williams was services company revealed that in 43% of all couples, neither partner has an accurate knowledge of how much famous, he spontaneously did just that when he audimoney the other partner earns. Meanwhile, research by tioned for the role of the extraterrestrial immigrant Mork, the hero of the TV sitcom Mork and Mindy. The the National Institute of Health concludes that among casting director was impressed with Williams’ odd heterosexual couples, 36 percent of husbands misperbut amusing gesture, and hired him immediately. If ceive how frequently their wives have orgasms. I bring you’re presented with an opportunity sometime soon, this to your attention in order to sharpen your focus on how crucial it is to communicate clearly with your clos- I encourage you to be inspired by the comedian’s ingenuity. What might you do to cinch your audition, est allies. I mean, it’s rarely a good idea to be ignorant to make a splashy first impression, to convince interabout what’s going on with those close to you, but it’ll ested parties that you’re the right person? be an especially bad idea during the next six weeks. VIRGO (Aug. 23-Sept. 22): Torre Mayor is one of the tallest skyscrapers in Mexico City. When workers finished its construction in 2003, it was one of the world’s most earthquake-proof buildings, designed to hold steady during an 8.5-level temblor. Over the course of 2019, Virgo, I’d love to see you erect the metaphorical equivalent of that unshakable structure in your own life. The astrological omens suggest that doing so is quite possible. And the coming weeks will be an excellent time to launch that project or intensify your efforts to manifest it. LIBRA (Sept. 23-Oct. 22): Multitalented Libran singer and actor Donald Glover uses the name of Childish Gambino when he performs his music. How did he select that alias? He used an online random name gen-
PISCES (Feb. 19-March 20): Twitter wit Notorious Debi Hope advises us, “Before you diagnose yourself with depression or low self-esteem, first make sure that you are not, in fact, just surrounded by assho--s.” That’s wise counsel for you to keep in mind during the next three weeks. Let me add a few corollaries. First, stave off any temptation you might have to believe that others know what’s good for you better than you do. Second, figure out what everyone thinks of you and aggressively liberate yourself from their opinions. Third, if anyone even hints at not giving you the respect you deserve, banish them for at least three weeks. Homework: What is the best gift you could give your best ally right now? Testify at https://FreeWillAstrology.com.
Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 9 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700. 38
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