LOCAL NEWS
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MARCH 6-12, 2019 SFREPORTER.COM FREE EVERY WEEK
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NOVEMBER 21-27, 2018
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SFREPORTER.COM
MARCH 6-12, 2019 | Volume 46, Issue 10
NEWS OPINION 5 NEWS Catherine Sandoval | Universal Banker
7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6
I feel that in our small communities, it’s important to know and support each other.
LET US BE HEARD 7 New energy bill in the Legislature seems like a good thing—till you consider who wasn’t invited to the table to craft it DEVELOPING THE ECONOMY 9 SFR chats with the head of the city’s Office of Economic Development COVER STORY 10 BILL HEARNE’S EXCELLENT ADVENTURE From the suburbs of Dallas to the clubs of Austin and the stages of Santa Fe, we get the deatils of pretty much everything that ever happened to the country music icon
I’m happy to help!
23 24-HOUR WEBCAST PEOPLE It’s not that High Mayhem Emerging Arts went anywhere, its members have just been biding their time, waiting for the right time to strike—which is right now, it turns out.
THE INTERFACE 17 GREEN DREAMS Get the latest news from juice-junkie favorite Verde, not to mention new faces in the San Mateo kitchen
Cover design by Anson Stevens-Bollen artdirector@sfreporter.com
MyCenturyBank.com 505.995.1200
CULTURE SFR PICKS 19 24-hour theater, warriors, poems and ghost
EDITOR AND PUBLISHER JULIE ANN GRIMM
THE CALENDAR 20
ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE
MUSIC 23
ART DIRECTOR ANSON STEVENS-BOLLEN
24-HOUR WEBCAST PEOPLE High Mayhem re-emerges
CULTURE EDITOR ALEX DE VORE COPY EDITOR AND CALENDAR EDITOR CHARLOTTE JUSINSKI
A&C 25 STARTSTRUCK Raya Golden adapts George RR Martin
CONTRIBUTING EDITOR JEFF PROCTOR CONTRIBUTING WRITERS JULIA GOLDBERG LUKE HENLEY GLENN MCDONALD LAYNE RADLAUER ZIBBY WILDER
3 QUESTIONS 27 WITH KATHERINE CROCIATA ACTING OUT 29 OUT OF HIDING Ironweed Productions evolves with one-woman show FOOD 31 CONFECTION PERFECTION Peep that bakery case at Tesuque Village Market
DIGITAL SERVICES MANAGER BRIANNA KIRKLAND PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER SENIOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS ADVERTISING EXECUTIVE MARCUS DIFILIPPO
MOVIES 33
CIRCULATION MANAGER ANDY BRAMBLE
LEAVING NEVERLAND PARTS 1 AND 2 REVIEW Plus Bauhaus Spirit and Capernaum
www.SFReporter.com
EDITORIAL INTERN LEAH CANTOR
Phone: (505) 988-5541 Office: 132 E MARCY ST.
PRINTER THE NEW MEXICAN
EDITORIAL DEPT.: editor@sfreporter.com
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SFR-surgery.qxp_Layout 1 2/18/19 2:21 PM Page 1
F R E E S E M I N A R M A R C H 9 ! RSVP today!
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Saturday, March 9, 2019 • 8:30–11:00 am Eldorado Hotel & Spa 309 W. San Francisco St., Santa Fe, NM 8:30–9:00 am: Registration and complimentary breakfast 9:00–11:00 am: Presentations and discussion with Dr. Kris Rajanna, Dr. Julie Wesp, and Dr. Wendy Davis.
Registration is required for this free event. RSVP to 800-908-8126 no later than March 8 by 4:00 p.m. 4
FEBRUARY 13-19, 2019
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Dr. Kris Rajanna
Dr. Julie Wesp
Dr. Wendy Davis
ANSON STEVENS-BOLLEN
LETTERS really not an either/or arts economy in Santa Fe, as this article might have us believe. Let’s hear more about the potent mix of museums, pop ups, performance, immersive and experiential (yay Meow Wolf!) and good old fashioned retail all working together to entice art lovers to enjoy Santa Fe. And yes, let’s have wine stations too.
BLAIR VAUGHN-GRULER LAMY
WEB EXTRA, MARCH 1: “THE CHANGING FACE OF HOMELESSNESS” Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.
NEWS, FEBRUARY 20: “BEER ME, CAREFULLY”
PURITANVILLE?
CRANK IT UP When I left Santa Fe several years ago, I was making $60K and could barely make ends meet. I owned my own home and it was a struggle. I know exactly why rents, etc. are so high and it all has to do with wealthy folks buying up affordable housing, then cranking up the price on rentals. I know, I was in the realty business for many years.
SANDRA MEYER VIA FACEBOOK
OPINIONS, WE GOT ‘EM
The Violet Crown is an innovative business that is one of the few bright spots in the Railyard experiment. Why in the world is it a good idea to arbitrarily create roadblocks to their business model based on antiquated protectionist regulations?
After reading the article and considering my experiences with the homeless I encounter, I’d say the overriding issue is addiction and alcoholism. No one is going to rent to you if you cannot hold a job and pay rent. Opioid addiction is the problem that needs to be addressed more than anything else.
JIM ROBILLARD SFREPORTER.COM
DENISE JIMENEZ VIA FACEBOOK
AC, FEBRUARY 20: “BOBBY BEALS IS OVER CANYON ROAD”
NOT SO I’m sorry to hear Canyon Road is no longer any fun for Bobby Beals, and I hope his new endeavors pan out. But lest your readers get the impression that all the galleries on Canyon Road are “strapped” and “struggling,” let me add a very different viewpoint. There are many galleries, showing exciting and affordable work in all kinds of genres, that are thriving on Canyon Road, and even (gasp!) working with young collectors! 2018 was a very strong sales year for many Canyon Road galleries, and it’s
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2019 CATEGORIES FINANCIAL INSTITUTION MORTGAGE LENDER LENDER
NOT JUST US In Denver too, so many [people are] displaced and thrown out of their homes for profit of the companies that scoop up properties, just to flip them quickly and make a ton of money after slapping on a new coat of paint. ... Rents doubling and tripling mean [the] people thrown to the curb are now homeless. It’s disgusting!
SHER QUINTANA VIA FACEBOOK
SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.
SANTA FE EAVESDROPPER Girl 1: “I don’t feel like washing my hands.” Girl 2: “Wash your hands, you nasty bitch!” —Overheard in Ski Santa Fe women’s bathroom
Improving lives at dncu.org
*Images submitted by DNCU Member - Owners
Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM
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DAYS
S FR E P O RTE R .CO M / FUN
JONAS BROTHERS ARE BACK! Next is frogs; at night, the locusts come.
STATE LEGISLATURE GUTS LIBRARY FUNDING BILL In your face, Gutenberg!
FORMER NEW MEXICO GOV. MARTINEZ JOINS JEB BUSH-FOUNDED EDUCATION THINK TANK IN FLORIDA What even is this sentence?
STATEWIDE GENDER NEUTRAL BATHROOM BILL PASSES And if that news bugs you, you’re probably a jerk.
POLICE STANDOFF NEAR HATCH WINDS UP IN SHOOTING BUT IS THE CHILE OK?!
MOMO TURNS OUT TO BE A HOAX But we still see her on the inside of our eyelids every time we close our eyes ...
TRUMP KEEPS GOING PLACES AND HUGGING THE AMERICAN FLAG
ILL N N ST I CA LL ONIO E SM
We know the flag isn’t alive, but still, there’s no way it wants that.
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Let Us Be Heard New Mexico might call for a renewable energy transition, but tribes are concerned about lack of outreach BY L E A H CA N TO R l e a h @ s f r e p o r t e r. c o m
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bill wending through the Legislature aims to put New Mexico on a path to a full transition to renewable energy resources. SB 489 would steadily increase the state’s renewable portfolio standards to 100 percent zero-carbon resources by 2045. It would close the coal-fired San Juan Generating Station, and has garnered endorsements from big names like the Sierra Club and Gov. Michelle Lujan Grisham; the latter showed up to a hearing early on Saturday morning to pass out coffee to audience and committee members. Backers say SB 489 would make New Mexico a national leader in the transition toward a more sustainable future. Yet testimony this weekend revealed that in the process of drafting the bill, sponsors and environmental groups failed to include Native people in imagining what that future could look like. Further, they did not consult any of the Indigenous communities or tribal governments in the Four Corners region who will be directly impacted by the closure of the power plant. This oversight reveals significant blind spots within the mainstream environmental movement toward the area of environmental justice, where issues of inequality and historical oppression intersect with the issues of climate change and conservation. The bill received a “do pass” recommendation from the Senate Conversation Committee on Feb. 26. But tribal members stood up during the hearing to voice their concerns about the lack of consultation. The Corporations and Transportation Committee heard the bill Saturday, and on Monday its members moved an amended version forward, which includes additions from Sen. Benny Shendo, Jr. (D-Jemez Pueblo) that address some of the issues concerning Indigenous
NEWS
community input. At Saturday’s hearing, Janene Yazzie (Diné) testified: “I am here to speak on behalf of the coalition of leaders, organizers and advocates that have brought forward an Indigenous reading and analysis of the bill. … As it was originally introduced, [the bill] only represented the results of negotiations between industry, environmental groups and nondescript community groups and the compromises that were agreed upon between these actors. … Not inviting us to the table until after this bill was introduced does not uphold the consultation standards that need to be respected in decisions that impact our Indigenous communities.” Bill sponsor Jacob Candelaria (D-Albuquerque) issued a public apology, and a representative for the president of the Navajo Nation spoke in support of the bill and thanked the sponsors for including amendments to address the needs of Indigenous peoples. Daniel Tso, council delegate for five impacted communities on the Navajo Nation, tells SFR by phone that this endorsement is not enough. “The president hasn’t heard from the chapters and the citizens who are wanting amendments to this particular bill,” he says, adding that proper consultation must begin at the grassroots level by first involving impacted communities. While Tso agrees with the goals of SB 489, he remains concerned that the language of the bill could be interpreted to exclude tribal entities from placing bids on the production of renewable resources needed to replace the electricity currently generated by the San Juan station. “There is this tremendous opportunity for the chapters to participate in the production of solar electricity … but [SB 489] leaves little opportunity for having a far more competitive market for the solar energy production,” he says. “If it passes as written, then that would just leave us with no prospect of being self-sufficient or being able to transition.” The coalition says this is also a concern for pueblo communities who are interested in or who have already begun producing their own renewable energy. Candelaria assured committee members on Saturday that nothing in the bill explicitly limits independent energy producers from bidding on replacement power. But the issue of competitive procurement remained a concern for lawmakers even after they took the vote. Committee Chair Clemente Sanchez (D-Grants), who voted yes, said: “I am hoping that PNM is true to their word to be truly competitive and work with communities.”
P
Family-friendly healthcare across the life span Accepting all insurance plans. Sliding-fee discount program available.
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YOU WANT CLEANER ENERGY. TOGETHER, WE CAN MAKE IT HAPPEN. At PNM, we believe in improving our state, together with our customers. That’s why we’re committed to a stronger future for New Mexico with more renewable energy and fewer emissions. Our goal is to be over 70% emissions-free by 2032 while keeping your rates affordable. How do we get there? For starters, we’re proposing to close the San Juan Generating Station – our large coal-fired plant. We’re replacing that energy with more renewables and emissions-free energy, including wind and solar. We’re adding five new solar plants this year alone. To learn more, visit PNM.com/ForwardTogether
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FEBRUARY 27-MARCH 5, 2019
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NEWS
Developing the Economy
ANSON STEVENS-BOLLEN
S FR E P O RTE R .CO M / N E WS
Get to know Santa Fe’s projects aimed at a more thriving local business landscape
BY JULIE ANN GRIMM e d i t o r @ s f r e p o r t e r. c o m
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he buzzwords don’t get any more buzzy than when officials start talking about “economic development.” Yet, conventional wisdom says an economy that’s vital and growing gives the community a better chance at quality of life. There’s got to be something real there. That’s where Matt Brown comes in. He was appointed director of the city’s rebranded Office of Economic Development in May of 2017, and in the coming months, Brown expects to present and get approval for a new strategy document to guide the next steps. Plus there’s movement afoot at the midtown campus. Brown explains the current situation with SFR. This interview has been edited for clarity and length. What are the economic development projects or strategies that you are the most excited about right now? The most exciting and the biggest is the midtown property, formerly the SFUAD and the College of Santa Fe. That is the No. 1 project that we have, and probably really No. 1, 2 and 3. But some really exciting work we have been doing are the opportunity zones, and building a regional entrepreneurial ecosystem. And we are doing a pilot of a program out of Albuquerque called Community Navigators program. If it works as well here as it does there, then we are going to expand that out. There is another one that is long overdue, which is to both simplify and make our business licensing signup all online. Right now it is a very cumbersome process and a lot of it is manual. … There’s also one that’s in the rearview mirror, but is emblematic of the investments we are making: In January, we made a LEDA investment into Marty’s Meals, and this year we have about eight other possible projects or companies to invest in, which is a really great pipeline. Last year at this time, we had one.
Matt Brown heads the city’s Office of Economic Development.
What do you mean with this ‘ecosystem’ bit? The Kauffman Foundation is the premier national foundation that invests in entrepreneurship and education … and they have launched that program in their home city of Kansas City, and then the other three locations they have selected are Baltimore, Long Beach and us. We are unusual in that the selection of us is a regional choice as opposed to the other three are individual cities. The regional coalition that has come together to start this … is Albuquerque, Santa Fe, Española and Los Alamos. And we expect more to come. We really hope to be working with some of the pueblos as well as with other cities and other more rural communities. What about the ‘opportunity zones’? It’s a construct from the federal tax overhaul that was passed last year that creates an incentive for people or entities who have unrealized capital gains to put that money into what are called distressed communities; these census tracts that are specifically designated and called opportunity zones. We met with investors, real estate developers, community leaders and organizers and foundations, and we want to make sure that all these different groups of people knew about these opportunity zones. (Santa Fe has seven tracts that qualified; five got selected.) … We are marketing out into the nation saying there are wonderful investment opportunities in these locations into things like apartments and entrepreneurship and even infrastructure. Lastly, the Community Navigators? That is a program that was initiated in Albuquerque during the development of the ART going through Central Avenue,
We are marketing out into the nation saying there are wonderful investment opportunities. -Matt Brown
and the goal of it was to survive weathering the road being torn up for six months. People called navigators are trained on how to help very small business audit around some of the fundamentals like financial management and sales. If the navigator finds the company is lacking in some way, the navigator can provide resources and contacts and guidance and technical assistance. That work is tied to a strategic objective of ours, which is to strengthen local business. That is our biggest sector, which is businesses fewer than 20 people. We want to help strengthen them, not just to make them more resilient against a downturn, but also we have a goal of having at least 300 companies hire at least one person. What can you tell us about the status of the midtown campus? We are just on the brink of of making
some announcements on that. We have engaged a company called Projecto, and Daniel Hernandez has been actively on the ground with us working on the planning process with the midtown property since mid-January. … We are in the final stages of finalizing an RFP that we expect to get published here soon that will be the first of two. The combination of those RFPs encompass all of the objectives from the [City Council] resolution which is a land use framework and plan, and economic analysis and a yield analysis, community engagement and market research. A lot of work now is going on around repairs and upkeep and ensuring that the property is safe. … There are parts of the property that are actively being used. So that keeps the place, at least in part, alive and vibrant. And in terms of the debt that we have to cover, it is great to get some revenues. It is not enough to pay for it all, but it certainly makes a dent. How much money does the city spend on ED? Last year our operating budget was around $900,000. Which really does not seem like enough … I think most people feel the way you do. I would take more and could use more, but those are the conditions today. There is, in the bucket of money that comes from the Tierra Contenta development, several hundred thousand dollars. … Money sitting on the sidelines is not helping anyone, but it would be nice to keep some for inevitable downturns so we have some buffer. Our conversations now are how much buffer should we have, and the rest of it then we will use to support the economy and support the community. SFREPORTER.COM
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Excellent Adventure a l e x @ s f r e p o r t e r. c o m
ocal troubadour and studio owner Jono Manson calls him “one of the most intuitive players I’ve ever recorded;” his nephew and sometimes-partner Michael Hearne insists there’s nobody in the world quite like like him; onetime bassist Margaret Burke says “there is no star power hierarchy in his dealings with humanity.” He’s shared a stage with Willie, recorded with Lyle Lovett and maintained a residency at the Hotel La Fonda for over a quarter-century. Legend is an overused term in music, but it fits Bill Hearne. I think of Hearne as a romantic oldtimey Texas singer. His connection to a bygone era wherein country music makers plumbed the great publishing houses and played songs they didn’t write remains strong. And he’s conceived a signature guitar style, the alternating bass notes mingling with the brighter trill of the higher frets. His approach is singular. Without sounding trite, you might call Hearne an eccentric. He impeccably remembers everything that has ever happened to him, like the unofficial historian of his own life. You’ll find Hearne performing in a big belt buckle and an even bigger cowboy hat on the Santa Fe Bandstand or at the La Fonda. At these shows, you’ll never see him without his jeans or custom bolo tie, a pair of guitar picks dangling from its tips. He’s got a custom Collins guitar, too, built just for him; the letters “BH” inlaid into the 12th fret. His folksy, homespun drawl feels right somehow. It’s why I’ve been wanting to tell his story for ages, and it’s why I visited him several times over the last month or so in his home to hear his tale. “I grew up in Dallas, Texas,” Hearne says. His home helper Donna has just let me into his apartment on the edge of town, where he sits in the chair that once belonged to his wife and musical cohort, Bonnie. She died in 2017, the day after Christmas, and Hearne says he has since “gravitated” toward her old spot. He uses that word a lot in explaining how things came to be the way they are,
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ANSON STEVENS-BOLLEN
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BY ALEX DE VORE /
Bill Hearne in his Santa Fe apartment. He’s lived in the same complex since he moved to town in 1991.
almost as if he’s been pulled by unknown forces his entire life: Toward music, toward New Mexico. But that discounts the work he’s put in. Hearne can play it off all he wants, yet the truth is plain—he’s dedicated himself to music in a way people just don’t bother to try anymore. He turned 70 last month, right around the time the Santa Fe Film Festival premiered the documentary short New Mexico Rain about
him and Bonnie. Having known Hearne for a decade, but not well, I figured it was time to get a better idea of his life. Partly for posterity, partly because there’s a certain romance there. We started at the beginning. Hearne was born in 1949 in suburban Dallas. His father worked for a paper company and his mother stayed home. He was the youngest of three brothers, one of whom has since died. The other,
now 83, still lives in Dallas. Both, Hearne says, were out of the house by the time he was born, and his early years were more akin to those of an only child. One major difference was the congenital cataracts in his eyes, a lens opacity issue that presents at birth and causes visual impairment in children. Hearne is essentially blind. “It was pretty obvious from the getgo I had visual issues, but fortunately I
COUR TESY BILL HEARN E
70 years of a Santa Fe country music icon don’t really remember them,” Hearne says. “From the time I was 3 or 4 months old until I was about 2 years old, I had a series of operations on my eyes—but it was pretty primitive what they could do at the time. They were able to save my right eye. The left they lost for reasons I’m not quite sure about. Anyway, I’ve got what I’ve got.” Hearne describes a lower-middle class beginning, but says, “We heaved our way into the middle-middle class.” His mother struggled with depression, so he spent most of his time with his aunt and uncle. They’d gift him his first guitar and 45 player; they’d help him order records from the general store in their Dallas neighborhood. “I distinctly remember hearing Fats Domino and Elvis,” Hearne says. “I remember some country stuff, too. These were my first experiences with music.” Hearne recalls summer trips to visit an aunt in the Pineywoods area of East Texas where he fell into old 78s and other vinyl treasures. He learned about Bob Wills and His Texas Playboys and developed a deeper appreciation for rockabilly and Western swing; the rawer country styles born of heartache, misery and, sometimes, things that went right. “That excited me, but of course I couldn’t go to clubs or honky-tonks—I was underage—but the songs about adultery, going out, raising hell,” he says, “it was an energy of music I liked more so than the shlock that was coming out of Nashville created by people like Chet Atkins and Owen Bradley. They were looking for a bigger market and had to make armchair, living-room music with the slick and watered-down strings and pedal steel guitar.” Hearne sought out edgier sounds— the twang of the telecaster and the mournful wail of the fiddle; “the sheer frankness and drive of that music,” he muses. By junior high in the early 1960s, Hearne preferred music to attending classes. He was part of a special needs pilot program for students with visual impairments—the first of its kind in Texas public schools, he claims, but one that ultimately kept students out of the way rather than educate them in any
Photos of a young Bill Hearne in Dallas, circa 1950-something.
meaningful manner. Rock ’n’ roll was everywhere, which made playing with other musicians difficult for a fan of country-Western music. Hearne took guitar lessons on and off in those years, but he also began developing his own style. In the mid1960s, as musicians like Doc Watson found their way onto his growing list of favorites, he began devising a method by which he could strum chords while simultaneously picking out lead guitar parts. He became a sort of one-man band. “It was out of necessity,” he says. “This was suburbia, and I was playing for my own amusement.” In his teens, mainstream country media such as the Grand Ole Opry had lost its spark for Hearne, and the straight-ahead, no-frills music was harder to come by. He’d entered highschool, where, he says, he was “socially non-existent.” Vietnam raged. Bob Dylan and Phil Ochs became commonplace with their cerebral protest songs, and Hearne’s tastes were evolving yet again to include elements of folk. His
They were able to save my right eye. The left they lost for reasons I’m not quite sure about. Anyway, I’ve got what I’ve got. -Bill Hearne
father suffered through late-onset polio and his mother sank deeper into depression; music became more of an outlet, and he led what he describes as a “lonely, isolated life.” It took him an extra year to complete high school “because the teachers—and I’m not knocking them—didn’t know how to deal with me,” he says. But Hearne was accepted to the University of Texas at Austin in 1968, where he’d meet his future wife. “A classmate said, ‘There’s a girl you oughta know, Bill,’” Hearne recalls. “‘She loves country music. And folk music. Y’all would get on, and her name is Bonnie,’ so I called her from a dorm payphone and she said, ‘C’mon over.’ We met, and it was: Boom.” Bill and Bonnie, who was also blind, bonded over a shared love of musicians like Ian & Sylvia, Gordon Lightfoot, Joni Mitchell and George Jones. Ultimately, Hearne only completed one year at UTA, but he emerged in love and with a musical partner. Bonnie played piano and sang beautifully, and they’d be together for the next 50 years. CONTINUED ON NEXT PAGE
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COURTESY BILL HEARNE
Hearne graduates from high-school. BELOW: He developed his own signature guitarplaying style.
COURTESY BILL HEARNE
When I ask how he feels now about her, Hearne doesn’t romanticize Bonnie. He probably respects her memory too deeply to sugarcoat it, even if he misses her terribly. On the walls of his apartment are dozens of photos of Bonnie, paintings of them together and other such time capsules. “Bonnie grew up in Central Texas with country folk and was exposed to a lot of Baptist piano playing,” Hearne says. “She played, but she wasn’t really pursuing music at the time we met— she was a bit of a slow starter, she had to have a lot of prodding, and I was the catalyst.” He’d visit Bonnie regularly, climbing the stairs to her second-floor apartment, handling her old guide dog Artemis who he says “didn’t like men,” and strumming out tunes on his guitar while she sang and played piano. They’d spend time at The Chequered Flag, an Austin bar long since closed, where Bill would perform and Bonnie would join in now and again. “Everybody thought, ‘Oh, these kids are gonna be an item,” Hearne says with a sly chuckle. They’d play regularly at The Chequered Flag and other venues like the Hot Rail, and they became mainstays at the Kerrville Folk Festival, a stomping ground for country titans like Willie, Townes and Blaze. They married Jan. 2, 1971. The same year, Rick Fowler, a member of Texas folk act Three Faces West (notable for also including musician Ray Wylie Hubbard) invited Bill and Bonnie to Red River, New Mexico. There, Fowler’s band spent summers running The Outpost, a coffee shop that hosted traveling acts during the small town’s booming warmer weather seasons. “We rode the bus from Austin to New Mexico, God knows how many hours,” Hearne recalls. “This was ear-
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ly August, the peak of the summer season, and we opened shows for Three Faces West, and people gravitated to us, they went crazy—we were a huge success.” Bill and Bonnie returned the following summer and winter to similar acclaim, and sojourns to Red River became their summertime norm for years. In 1977, they cut their first studio record, Smilin’, with producer Mike Williams. “He was rowdy and used four-letter words,” Hearne says. The record sold poorly. When we get to talking about the album’s reception and the waning days of Hearne’s Austin heyday, it seems he still feels conflicted about his adopted hometown. It may be the music capital of America today, but it was a graveyard of lofty, unfulfilled promises for many musicians in the ’70s. Hearne may be one of them: a lesser-know player who came so close to greatness so many times, but never quite hit the next echelon; a musician’s musician mostly remembered by the socalled greats of the time. “We knocked around, but it was grim in Austin, and the end of summer came and we decided to stay in Red River,” Hearne says. There, Bill and Bonnie lived in an old mobile home and played at venues like The Outpost, the Alpine Lodge and The Motherlode. Hearne maintains that they never got into drugs in those days, but does concede that they “may have partied and drank a bit much at the time.” We call it quits for the day after this story, and Hearne requests a ride to the nearby mall. Part of me doesn’t know if I was supposed
COURTESY BILL HEARNE
to take him someplace without telling someone; part of me says he’s a grown man who can do what he wants. I worried for a day or two after, but when I return the following week to talk some more, there he is in his apartment, more alert and upbeat than I was. “We traveled a bit,” he said, picking his story back up in the 1970s, “and a guy heard us in Raton and booked us for two weeks at a place called the Palace Saloon. And then somehow, some way, I don’t recall, we started playing in Taos,” Hearne continues. “There were a lot of ski areas in Colorado that were catching on to Austin music, the progressive country thing. We started playing in Breckenridge, we started working the ski bar circuit, and we were still going back to Texas to play the Kerrville Folk Festival. But it was endless road, and it was hard, even for us kids.” Did they ever think about quitting? “We were just too young and stupid, I guess,” he says. For a time, Red River became what Hearne describes as a “little Austin.” Developments popped up and gigs were plentiful in the surrounding areas of Colorado, Taos and Santa Fe. This era lasted roughly six years before longtime Red River locals started selling off property and businesses. The town was changing and the Hearnes were ready to leave. Knowing they had a toehold in Northern New Mexico, however, meant it was time to leave Texas behind for good. In the fall of 1991, with the help of a Santa Fe fan and friend named Becky Crutchfield, Bill and Bonnie moved to Santa Fe. He lives in the same apartment complex to this day. By early 1992, Bill and Bonnie had locked down a six-month con-
We rode the bus from Austin to New Mexico, God knows how many hours ... and we opened shows for Three Faces West, and people gravitated to us. -Bill Hearne
ABOVE: Bill and Bonnie Hearne’s first album, 1977’s Smilin’. Hearne says that it sold poorly, but that he and Bonnie learned a lot by undertaking the process. LEFT: The Hearnes on their wedding day in January 1971. “You know it was a special occassion because I was in a suit,” Hearne says.
tract for Wednesday and Thursday nights at La Fonda. “And it worked instantly,” Hearne says. “The dancers embraced us, the tourists, really, people from all over. After that six months, they said: ‘Let’s keep going!’” Through the ’90s, the Hearnes played La Fonda and continued traveling to Red River and Kerrville and Colorado. They released a Best Of album in 1993 with songs by Nanci Griffith, Chuck Pyle and Eliza Gilkyson, but their biggest break came in 1997 when, with the financial help of Crutchfield’s father Barney, they recorded Diamonds in the Rough with producer Jim Rooney. Featuring heavy-hitters like Lyle Lovett and Jerry Jeff Walker as well as Hearne’s nephew, it was released CONTINUED ON PAGE 15
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Jung
The C. G. Jung Institute of Santa Fe presents
In the World
Lecture & Workshop
Ronnie Landau, M.A., LPC, Jungian analyst, Philadelphia, PA Lecture: “The Shape of Water:” A Modern Fairytale for Troubled Times Friday, March 8th 7-9pm $10 (+$10 surcharge for 2 CEUs) This recent and beautifully imaginative film by Guillermo Del Toro, seduces the viewer with mesmerizing images and provocative storytelling into the realm of Jung’s collective unconscious. Combining aspects of the numinous and the erotic we are drawn into a journey of transformation. Del Toro’s cinematic fairytale offers an alchemical salve for the dark, rigidified, and overly rational ego consciousness of today’s times. Jung was particularly concerned with the modern man’s dissociation from the instinctual life and its connectedness to both spirituality and creativity. This divide in our humanity can manifest in particular types of collective trauma. Film clips from The Shape of Water will provide deeper visual access to Carl Jung’s concepts of otherness, anima, animus, shadow, and the numinous. Through the descent into the imaginal realm with the guidance of Del Toro’s storytelling, coupled with Jung’s notion of the unconscious, we will engage in challenging our rational orientations and invite a dialogue with soul.
Workshop: The Queen of Sheba and Her Hairy Legs: The Redemption of the Erotic Feminine Saturday, March 9th 9am-12noon $40 3 CEUs This workshop will focus on the mysterious, mythological, and legendary underpinnings of this erotic and powerful Queen. According to legend, the Queen of Sheba had a “deformity” of hairy legs. We will explore how the Queen of Sheba and her hairy legs are psychologically pertinent today, and to Jung’s notion of the Anima Mundi or World Soul. The use of story-telling, art, and music will assist in exploring the archetypal dimensions of this historical, religious, and mythological Queen.
Both events at: Center for Spiritual Living, 505 Camino de los Marquez, Santa Fe Friday lecture and Saturday workshop tickets at the door – for information call Jacqueline Zeller Levine 505-989-1545 For expanded program details go to www.santafejung.org 14
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COURTESY BILL HEARNE
on Warner Western, a country offshoot of the Warner Records brand, and remains their most enduring work. “It got to number five on the Americana charts,” Hearne says, “and that was back when the term ‘Americana’ had really only just begun.” I tell him we’ll have to break again, and he only seems slightly annoyed. Once you get Bill going, he’s disinclined to stop. Not because he drones on, but because the detail in which he recalls everything is stunning. When we resume the following week, Herne tells me that Bonnie had “run out of gas” by 1999. Exhausted from constant travel and the Santa Fe residency, she took a step back from the project and only appeared live sporadically. Bill continued to play solo, however, and in 2000, Virgin Records approached him about a possible album for their fledgling Back Porch brand. The Hearnes would record Watching Life Through a Windshield, enlisting greats like Joe Ely and Charlie Musselwhite to appear on the album, but Hearne refers to the experience—and the product—as a disappointment. “Bonnie only sings one song on that one,” he laments. “She was very disappointed, and I don’t blame her. We were a duo, but I think they really wanted me.” Here it gets harder. Due to health issues around 2003, Hearne says, Bonnie began forgetting words to songs they’d long played. She quit playing music regularly for good. Hearne recalls special occasion shows, like birthdays and anniversaries, but says they lost momentum as a musical duo. He’s self-released a handful of albums since then, including 2004’s From Santa Fe to Las Cruces, 2010’s Bill Hearne Trio and 2018’s Where Lights Are Low, among others. There’s not an original song among them. Instead, we’re treated to Hearne’s takes on the works of his heroes and contemporaries like Buck Owens, Tommy Collins, to name a scant few. “Bill’s never written a song in his life, but he’s a stylist,” his nephew Michael explains. Michael is the songwriter behind “New Mexico Rain,” Bill and Bonnie’s most popular song. “He takes people’s songs—friends of of his who are songwriters,” Michael continues, “and makes them his own. If you have a song done by Bill, you’re really lucky.” Which brings us, more or less, to today. Hearne has played the Santa Fe Bandstand numerous times and still travels throughout the region to perform or visit friends. In 2017, he and Bonnie were awarded one of the first New Mexico Platinum Music Awards, an honor for
Bonnie Hearne died the day after Christmas in 2017. “I highly commend [Christus] St. Vincent Hospital for treating Bonnie under tough circumstances,” Hearne says.
those who have forever impacted the state with their musical prowess. Meanwhile, the Hotel La Fonda gig remains. Hearne celebrated 27 years of the residency in February, and you can find him there most Monday and Tuesday nights. La Fonda Chairwoman of the Board Jenny Kimball tells SFR he’ll continue to do so as long as he likes. He has regulars who show up to support him and dance, the two-steppers who never let go and those drawn to his raspy Texas vocal style. Some sit quietly and watch from the tables, others stroll to the front. Hearne knows them all. “He’s a great guitar picker, player, he’s got a fabulous voice and he’s really an icon in the country-Western commu-
nity—I really admire him and we’re fortunate to have him here,” Kimball says. “I mean, if you had asked me 20 years ago if I’d have an extended family member named Bill Hearne, and Bonnie before, I’d have asked if you were kidding.” On the last day we meet, Hearne expresses mild disappointment that I won’t be showing up anymore. He wants to make sure I have the dates and places right. I tell him I’ve got it recorded, that I’ve been taking extensive notes while we’ve talked. He leads me into his living room, plops down in Bonnie’s old chair and fields a last few clarifying questions. He doesn’t need a ride. When I’m certain I have everything I need, I pose my final question: After all the years, everything he’s learned, what’ll he carry with him?
“I’ve learned to be grateful for the good things that gravitate my way, but I accept that bad things are gonna come my way, too,” Hearne tells me, not even pausing to think on it. “But I’m grateful to be alive one more day and do what I do. I entertain people.” BILL HEARNE TRIO 7:30 pm Monday and Tuesday March 11 and 12. Free. La Fiesta Lounge, 100 E San Francisco St., 982-5511 NEW MEXICO RAIN SCREENING 11 am Sunday March 10. $10. Violet Crown Cinema, 1606 Alcaldesa St., 216-5678 A portion of proceeds from the screening of New Mexico Rain go to the education initiatives of the New Mexico Music Commission.
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Transitions are afoot at Verde BY JULIA GOLDBERG @votergirl
I
’m drinking my vegetables as I write this week’s column: a Verde almond chai, to be specific. It includes kale, apparently, though I can’t taste it. I’ve been a fan of Verde (verdefood.com) since Kelly Egolf opened it five years ago, so when I heard changes were in the offing, I checked in to find out the news—and make sure that I wasn’t losing my favorite tiger nut horchata source. I am not. Egolf will continue to make the popular cold-pressed juices and nut milks in the back of the facility at 851 W San Mateo Road. But a new business, Kevin Ivens’ Terra Verde Organic, will operate the front of the store, expanding the retail side to include smoothies, baked goods and a variety of made-to-order and grab-and-go lunch items, such as soup, bowls and paninis. The new restaurant will continue Verde’s commitment to organic and locally sourced ingredients. Egolf describes the two Verdes’ relationship as “almost like a partner-
JULIA GOLDBERG
Green Dreams
ship. We are two companies sharing one space.” The shift began last summer, a few months after Ivens and his wife Mariana relocated to Santa Fe from New Orleans. That move was a few years in the making, and coincided with the couple’s transition to a more health-conscious lifestyle. Kevin’s mother had begun experiencing health issues that made it difficult for her to swallow food, so Kevin and Mariana began experimenting with juicing, which expanded to making nut milks and then fermented drinks. Mariana began making beet juices for Kevin, a self-described “gym rat,” to drink before his workouts. “We started to explore other superfoods, things we could infuse into smoothies,” he says. “It made me want to do less of the bad and more of the good.” Eventually, he sold his industrial staffing company and pursued their dream of relocating to Santa Fe to open up a retail space that would combine a love of coffee houses, organic food and juices. They met Egolf through friends and the similarities were striking. Kevin and Mariana had already decided to name their business Terra Verde. Egolf’s own pathway to juicing and healthy foods had also been sparked when her jaw was wired shut after a surgery. Moreover, Egolf had been pursuing transitioning her business to eliminate the retail side and focus on wholesaling her juice line. “It was just perfect timing,” Egolf says. “There’s a lot of things about Kevin and his life experience and his values around organic food and nutrition and health
that just mirrored my own, and the fact that they had this concept [and] they even wanted to call their business Terra Verde; the universe said, ‘You and Kevin are supposed to find each other.” Customers will still be able to find Verde juice at Terra Verde, but Egolf is now also selling the line in independent grocery stores from Albuquerque to Boulder. Transitioning to wholesale has meant some adjustments in production, she says. In order to distribute the product and comply with Federal Drug Administration rules, Egolf needed to extend the shelf life. As a result, the company has added a line of juices with a longer shelf life (both lines are available at the Terra Verde store). The longer shelf life is made possible by using a technology growing in popularity: high pressure processing, or HPP.
Things have changed at Verde Juice, but Kevin Ivens and Kelly Egolf are keeping it green.
TECH
The cold-pressure treatment, Egolf explains, kills harmful bacteria but leaves the healthy probiotics intact. The original line of juices typically have four- to fiveday shelf lives; HPP allows that to be extended for up to 45 days—although Egolf says she will pull products prior to that. HPP technology has been growing in popularity in the US, where it’s been used for at least 15 years. It became more widely known over the last decade thanks to products like packaged guacamole. A Feb. 14 Food Business News article that explains the process credits the cold-pressed juice industry with HPP’s growing popularity, characterizing it as a “natural and environmentally friendly technology that eliminates the need for preservatives and other shelf life-extending additives.” Both businesses will also maintain Verde’s “zero waste” ethic. Egolf says all food waste is composted and Terra Verde’s packaging is made from compostable packaging. “If it has a purpose, if it can be reused or recycled, we do that,” Egolf says. Ultimately, she says, Verde wants to have a noticeable impact on the local food economy. To that end, she also has brought on board other startup food companies in various ways. Verde is selling Madre Foods’ locally made bone broths. Tierra Madre Botanical owner Aimee Putnam is using Verde’s kitchen to make her products, as will local salsa company A La Vé! Additionally, Stargazer Kombucha, founded by Alison Schmidt, relocated from Albuquerque to Santa Fe and will relaunch out of Verde’s kitchen. “We do a lot of mentoring and handholding to make the costs of launching a food business manageable,” Egolf says, noting that she rents the kitchen at below-market prices “to like-minded organic good quality food companies that want to grow. … That’s Verde’s commitment: To change the local food economy, we need more mentoring and sharing.”
The Inner Vision Institute (TIVI)
Herb Classes with Internationally acclaimed Herbalist Matthew Woods TO REGISTER, PLEASE VISIT
www.TIVIww.org/herbal-wisdom-series OR CALL TIVI AT 505-747-0741 The Magic of Herbs
Pulse, Tongue & Facial Evaluation: $50*
MARCH 2-3, 9:30 am - 5:30 pm
MARCH 1 & 29 & APRIL 26, 5:30 - 9:00 pm
– The “Doctrine of Signatures” – “Plant Spirit Signatures” – Plant medicine & Medicine animals
The Endocine System:
APRIL 27-28, 9:30 am - 5:30 pm
Medicine Animals & Constitutional Types MARCH 30-31, 9:30 AM - 5:30 pm
COST: $250 per weekend class or $625 when you pre-register and pay for all three weekends upfront* *The pulse class is separate for a $50 fee.*
The Inner Vision Institute, Inc. (TIVI) — Envision New Possibilities 205 State Road 399, Espanola, NM 87532 • 505-747-0741 • www.TIVIww.org a 501(C3) non-profit organization
We pay the most for your gold coins, heirloom jewelry and diamonds! On the Plaza 60 East San Francisco Street, Suite 218 Santa Fe, NM 87501 • 505.983.4562 • SantaFeGoldworks.com SFREPORTER.COM
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SA N TA F E , N E W M E X I CO M E D I C A L ▪ D E N TA L ▪ B E H AV I O R A L H E A LT H
S T T
OUR CHALLENGERS
ATURDAY, MARCH 23, 2019
D &P
Doors open at the Eldorado Hotel & Spa at 6:00 pm 309 West San Francisco Street · Santa Fe, NM 87501
rift
HE EVENT INCLUDES
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OUR SPONSORS
an evening of divine chocolate delights with champagne, hors d’oeuvres, music and a silent auction benefiting the patient programs and services of La Familia Medical Center.
ICKETS: $90 PER PERSON
Purchase tickets online at www.lafamiliasf.org or contact Gloria Martinez (gmmartinez@lfmctr.org)
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SFR E P O RTE R .CO M /A RTS / S FR P I C KS
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What does it mean to be a warrior? The Warrior Women Torso Project aims to answer that question through a feminist lens, focusing on the courage and strength of women. Tesuque-based artist Sharon Bartel-Clements exhibits 31 feminine torsos, paper breastplates interwoven with textures and assemblage. These mixed-media works make use of both acrylic and sewing patterns to tell a story about the women embodying each torso. In addition to the art itself, Bartel-Clements reads selections from and signs copies of her book, which shares a title with the exhibition, and discusses her motives, methods and inspirations in creating the project. (Layne Radlauer)
ANSON STEVENS-BOLLEN
ART OPENING FRI/8
Warrior Women Torso Project: Reading, Conversation and Book Signing: 6 pm Friday March 9. $5-$10. Center for Contemporary Arts, 1050 Old Santa Fe Trail, 982-1338.
MATTHEW MORROW
MUSIC SAT/9 THE FAB FOUR DIY music space Ghost continues its reign as one of the best damn venues in the state with a gathering of acts so good, we’re almost scared they’re coming together. Albuquerque experimentalists and certified weirdos Anna Mall and Lady Uranium make the short drive north to party with rock/punk-ish phenom Jessie Deluxe and worldly purveyor of organic, electronic and vocal sounds Miss Pavlichenko (aka Rumelia Collective’s Alysha Shaw), who tells SFR she’s busting out a mandolin for this one. Expect to rock, to feel strange and to ask yourself why you haven’t paid more attention to these acts. Unless you have been, in which case, carry on. Carry on. (ADV) Anna Mall, Lady Uranium, Jessie Deluxe and Miss Pavlichenko: 8 pm Saturday March 9. $5-$10. Ghost, 2899 Trades West Road.
TIM KELLER PHOTOGRAPHY
EVENT SUN/10 POETRY IN MOTION Ten poetry performers enter, one poetry performer leaves—as the state champion, that is. High school students from across New Mexico fight for the prestigious title of poetry performance state champion. Poetry Out Loud is a state-wide program, funding competitions and workshops all over the state. Judges, including former Santa Fe Poet Laureate Valerie Martínez, decide the victor. “Some of the students really shine,” Poetry Out Loud coordinator Phyllis Kennedy tells SFR. “They are really moved by a particular poem and they dive into it, recite it and make everyone fall in love with it and them too.” (LR) New Mexico Poetry Out Loud: 1 pm Sunday March 10. Free. St. Francis Auditorium, 107 W Palace Ave., 476-5072.
THEATER SAT/9
Intentional Insanity Students stay up all night to get acting, writing, rehearsing and directing Joey Chavez, the theater department head at Santa Fe’s charter school for the arts, has done more than a dozen 24-hour play festivals with his students, starting at Santa Fe High and continuing to the New Mexico School for the Arts. I’d like to think he knows what he’s doing, but in reading over the event’s schedule, it still seems to throw caution to the wind. He and theater teacher Barbara Hatch assure me no one has ever been seriously injured or gone nuts in the process. On the evening of Friday March 8, the names of five directors and five playwrights—all volunteer students— are pulled at random from a hat. Those students then stay up all night with Chavez devising a short play; in the morning, actors show up to audition. Then previously appointed stage managers show up, as well as an omnipotent production manager. Rehearsals happen all day, and then on Saturday evening, the public is invited to a performance. Sounds insane? Well, it is. But teens may be the perfect demographic for the task. Not nearly as delicate as adults seem to believe, high school students are fierce creators, and
their creativity often blossoms under wild circumstances. Years ago, “I realized that, no matter how much time I gave students to work on a project, they would always wait till the end to do it,” Chavez tells SFR. “So I thought, okay, I’m going to impose that really tight deadline.” The result, says Hatch, is a magical day. “It’s an amazing process to start with absolutely nothing, a totally blank canvas, and ending up with fully staged, pretty well-memorized short pieces … that didn’t exist 24 hours before,” she says. Further, Chavez says, it’s a multifaceted learning experience. “The playwrights are also really surprised when they come back the next night and see their show; they say, ‘I had no idea how much it could change in that short amount of time, when the actors get involved and the directors get involved.’” (Charlotte Jusinski)
STRESS AND COFFEE: A 24-HOUR PLAY FESTIVAL 7 pm Saturday March 9. Free. New Mexico School for the Arts, 275 E Alameda St., 310-4194
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Want to see your event here? Email all the relevant information to calendar@sfreporter.com. You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion). Need help?
COURTESY SHELLY JOHNSON
PRESCHOOL STORY TIME Santa Fe Public Library Southside 6599 Jaguar Drive, 955-2820 Get your kids read to. 10:45 am, free RAYA GOLDEN: STARPORT Big Adventure Comics 418 Montezuma Ave., 992-8783 Golden signs and discusses her graphic novel based on the screenplay by George RR Martin (see AC, page 25). 5 pm, free
THE CALENDAR
DANCE 505 DANCE LAB Santa Fe Oxygen & Healing Bar (Kaverns) 137 W San Francisco St., 986-5037 Work through essential lindy hop and tango movements. 7 pm, $5
Contact Charlotte: 395-2906
EVENTS
WED/6 BOOKS/LECTURES CAREER TALKS FOR TEENS Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Professionals (cartoonists to firefighters, lawyers to filmmakers) talk about their careers. 4:30-5:30 pm, free DHARMA TALK BY KIGAKU NOAH ROSSETTER Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This week's talk, presented by Rossetter of Upaya Zen Center is entitled "Zen Mind, Embodied Mind." 5:30-6:30 pm, free EPA ENVIRONMENTAL JOB TRAINING PROGRAM INFO SESSION Northern New Mexico College 921 N Paseo de Oñate, Española, 929-0746 Head to the JCI Building, room 101 for an info session about Santa Fe Community College's program. (This isn't the course, just a chance to learn about it, just to be clear.) 2 pm and 5:30 pm, free JOHN GAW MEEM: AN ARTS AND CRAFTS ARCHITECT IN NEW MEXICO New Mexico History Museum 113 Lincoln Ave., 476-5100 Audra Bellmore, UNM associate professor and curator of the John Gaw Meem Archives of Southern Architecture, discusses New Mexico’s most prominent historic architect. Noon, free
CHILDREN’S CHESS CLUB Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Join other kids to play against for a nice mix of quiet thought and roaring laughter, and play as many games as time allows. 5:45 pm, free GEEKS WHO DRINK Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Pub quiz! 8 pm, free NATIONAL POPULAR VOTE AT THE ROUNDHOUSE New Mexico State Capitol Roundhouse 490 Old Santa Fe Trail, 986-4589 The National Popular Vote table inside the Roundhouse provides supporters a physical space in which to meet. 9 am-2 pm, free WAYWARD WEDNESDAYS Chili Line Brewing Company 204 N Guadalupe St., 982-8474 Stand-up comedy and an open mic. Sign up at 7:30 pm, jokes start at 8:30 pm. 7:30 pm, free
MUSIC ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free JOAQUIN GALLEGOS El Mesón 213 Washington Ave., 983-6756 Soulful flamenco guitar. 7 pm, free
Madrid pop artist Shelly Johnson at last has a solo show at Eye on the Mountain Art Gallery. Celebate Cirque de la Vie: A Vibration of Queer Magic at Saturday’s opening. See full listing, page 24. (Full disclosure: The calendar editor already owns a few pieces of Johnson’s work, but c’mon, who wouldn’t?)
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JULIAN DOSSETT Cowgirl 319 S Guadalupe St., 982-2565 Delta tunes. 8 pm, free OPEN MIC NIGHT Tumbleroot Brewery & Distillery 2791 Agua Fría St. Singer-songwriter Jason Reed hosts his long-beloved open mic. Signups start at 6:30 pm. 7 pm, free SANTA FE CROONERS Social Kitchen & Bar 725 Cerrillos Road, 982-5952 Golden Age standards. 7 pm, free SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free TINY'S ELECTRIC JAM Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Plug it in and rock out. 8:30 pm, free
WORKSHOP INTRODUCTION TO ZEN Mountain Cloud Zen Center 7241 Old Santa Fe Trail, 988-4396 Everyone is welcome, newcomers and experienced practitioners alike, to explore Zen meditation. 5 pm, free PWD OPEN STUDIO Meow Wolf 1352 Rufina Circle, 395-6369 An all-ages choice-based art studio for people with developmental disabilities. 1-3 pm, free
THU/7 BOOKS/LECTURES BROWN BAG IT AT MOCNA: IAIA ARTIST-IN-RESIDENCE MONIQUE SOL SONOQUIE IAIA Museum of Contemporary Native Arts 108 Cathedral Place, 983-8900 Bring your lunch and join IAIA A-i-R Sonoquie (Chumash, Apache, Yaqui, Zapotec, Irish), a basketweaver, documentary filmmaker, youth advocate, traditional food and medicine gatherer, and educator. During her residency at IAIA, Monique plans to explore and expand on representing traditional lifestyles by reclaiming post industrial waste, evolving from her recently created electronic cables baskets to life-size sculptures. Noon-1:30 pm, free FROM 83 TO 38: CUTTING WAGNER DOWN TO SIZE Santa Fe Woman's Club 1616 Old Pecos Trail, 983-9455 Conductor and composer Anthony Barrese discusses adapting Richard Wagner’s Lohengrin for a 38-piece orchestra. He promises a unique perspective on some modern technology for music-making. 5:30 pm, $10
THE CALENDAR
PRESCHOOL STORY TIME Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Kids who are read to are generally smarter than kids who aren't. Get 'em learnt! 11 am, free WOMEN’S REPRODUCTIVE RIGHTS: PAST, PRESENT, AND FUTURE St. John's United Methodist Church 1200 Old Pecos Trail, 982-5397 Few issues in our society are more polarizing than women’s reproductive rights. Attorney Frank Susman discusses the legal history and the impact of religious beliefs on these rights, both nationally and internationally. 1 pm, $15
DANCE COUNTRY-WESTERN AND TWO-STEP Dance Station 947-B W Alameda St. Show off your best moves at your favorite honky-tonk. 7:15 pm, $20
EVENTS THE GATE OF SWEET NECTAR LITURGY Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 Call out to all those who are lost and left behind; offer them the bodhi mind of love, wisdom and transformation. Please arrive by 5:20 pm. 5:30 pm, free GEEKS WHO DRINK Santa Fe Brewing Company 35 Fire Place, 424-3333 Pub quiz! 7 pm, free GRIEF SUPPORT GROUP The Montecito 500 Rodeo Road, 428-7777 The Jewish Care Program offers a grief and loss support group. Register with Ya’el Chaikind at 303-3552. 1 pm, free PUBLIC FORUM FOR COLLEGE PRESIDENT CANDIDATE KIMBERLEE S MESSINA Santa Fe Community College 6401 Richards Ave., 428-1000 Over five days, meet the five candidates for president of the college. Today it's in the board room. 2 pm, free
MUSIC DANA SMITH Upper Crust Pizza 329 Old Santa Fe Trail, 982-0000 Original country-ish folk songs. 6 pm, free DANÚ Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Beautifully crafted vocals blendedwith the unmistakably Irish sounds of flute, tin whistle, fiddle, uilleann pipes, button accordion and bodhrán (Irish drum).. 7:30 pm, $29-$110
ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Jazz and piano standards. 6:30 pm, free INNASTATE Boxcar 530 S Guadalupe St., 988-7222 Reggae and rock. 10 am, free JONO MANSON Tumbleroot Brewery & Distillery 2791 Agua Fría St. Rootsy rock 'n' roll. 6 pm, free REVEREND JUSTIN HYLTON Cowgirl 319 S Guadalupe St., 982-2565 Melodic yet honest singer-songwriter tunes. 8 pm, free SANTA FE SYMPHONY: DREW PETERSEN St. Francis Auditorium 107 W Palace Ave., 476-5072 The 24-year-old presents an evening of beloved piano works by master composers (Bach, Chopin, Schubert—you know the crowd). 7 pm, $22-$55 SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free THROWBACK THURSDAYS SK8 SESSION Rockin' Rollers 2915 Agua Fría St., 473-7755 Good music, good snacks, good people and good times—and an additional $5 get you skates or a scooter. 7 pm, $5 TONE RANGER Meow Wolf 1352 Rufina Circle, 395-6369 Dance music that embodies the supernatural beauty of the American Southwest. 7 pm, $15-$18 VAIVÉN El Mesón 213 Washington Ave., 983-6756 Jazz and flamenco. 7 pm, free
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FRI/8 ART OPENINGS CHRIS KAIN: YELLOW DAYS, BLUE NIGHTS Counter Culture Café 930 Baca St., 995-1105 Poet and artist Kain’s pieces are "painted" by art paper layered, crinkled and twisted to create cloth-like textures. Through March 31. 5 pm, free
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THEATER HIDDEN TREASURE: A GEORGIAN IMMIGRANT'S STORY Teatro Paraguas 3205 Calle Marie, 424-1601 Ketevan Kharshiladze Ussery's one-woman show promises a rich, surprising and perhaps unexpected life-affirming journey (see Acting Out, page 29). 7:30 pm, $10-$20
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THE CALENDAR FENCES Fuller Lodge Art Center 2132 Central Ave. Los Alamos, 662-1635 Almost 40 artists from around Northern New Mexico present 65 artistic interpretations of the structures that divide, contain, include and exclude. Through April 20. 5 pm, free MARY GRIFFITH AND ZANNE NELSON Shidoni Gallery and Sculpture Garden 1508 Bishops Lodge Road, 988-8001, ext. 120 Griffith works in pastels, oils, pencil and bronze. A self-taught artist, she began portrait painting in 1958 and sculpting in 1970. Her work is joined by that of Nelson, whose sculptures have been described as biomorphic and unusual. Through March 15. 10 am-5 pm, free ROBERTA PARRY: OF ROCKS AND TREES Vista Grande Public Library 14 Avenida Torreon, Eldorado, 466-7323 Intimate watercolor "portraits" of rocks and trees. 4-6 pm, free
BOOKS/LECTURES COMMUNITY READING TIME Ortiz Mountain Community Library Johnsons of Madrid Gallery, 2843 Hwy. 14, Madrid, 603-1863 Each week, the library hosts a themed reading time for youngsters; kids can make a craft too. This week, celebrate and learn about herstory (as opposed to history). 11 am-noon, free WARRIOR WOMEN TORSO PROJECT: READING, CONVERSATION AND BOOK SIGNING CCA Santa Fe 1050 Old Santa Fe Trail Through a 31-piece installation wherein she explores the idea of a warrior, Bartel Clements has embarked on a courageous path. She reads excerpts from her book, followed by a discussion about her process and the relationships she formed (see SFR Picks, page 19). 6-8 pm, free
DANCE
JAZZ • ELEMENTARY STRINGS MARIACHI • ORCHESTRA
FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Make a dinner reservation for a show by the National Institute of Flamenco. 6:30 pm, $25
EVENTS
Concert & Reception: $60 to $90 Concert Only: $10 to $40 TicketsSantaFe.org 505.988.1234
GARDEN SPROUTS PRE-K ACTIVITIES Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Weather permitting, head to the garden's outdoor classroom for a hands-on program for 3-5 year olds. 10-11 am, $5
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INTRODUCTION TO HEARTTHREAD Heal the Scars 439-C W San Francisco St., 575-770 1228 Learn about this unique modality, which offers to help you release old patterns and open more space for light. 7 pm, free QUEER SPACE LISTENING SESSION AND ART THERAPY Meow Wolf 1352 Rufina Circle, 395-6369 Members of Meow Wolf’s programming and outreach team facilitate a listening session to gather input, insights, and ideas on how MW can serve the needs of Santa Fe’s community. 6:30 pm, free
FOOD COFFEE TASTING Iconik Coffee Roasters 1600 Lena St., 428-0996 Enjoy a beverage with coffee professionals and other coffee enthusiasts. 9-10 am, free
MUSIC ALL-AGES SK8 SESSION Rockin' Rollers 2915 Agua Fría St., 473-7755 Hit up pizza, a snack bar and DJ tunes—an additional $5 get you skates or a scooter. 6 pm, $5 BIRD THOMPSON The New Baking Company 504 W Cordova Road, 557-6435 Adult contemporary singer-songwriter. 10 am, free CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 First-rate piano and vocals from Charles Tichenor and friends—playful, interactive, family-friendly and eclectic. Vive la révolution! 6 pm, free DON CURRY & PETE SPRINGER Social Kitchen & Bar 725 Cerrillos Road, 982-5952 Acoustic rock from two local mainstays. 7 pm, free DOUG MONTGOMERY AND ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Standards, classical and Broadway cabaret tunes: Doug starts, Ester’s at 8 pm. 6 pm, free DOWN TIME, ATALAYA AND SAYONARA SCIENCE Ghost 2899 Trades West Road Down Time brings the indiefolk desert vibey tunes from Denver with support from local acts. 8 pm, $10 DRASTIC ANDREW Cowgirl 319 S Guadalupe St., 982-2565 Original progressive rock. 8:30 pm, free
HARTLESS Boxcar 530 S Guadalupe St., 988-7222 Classic rock. 10 pm, $5 JJ AND THE HOOLIGANS El Farol 808 Canyon Road, 983-9912 Rock 'n' roll. 9 pm, $5 JANTSEN AND DIGITAL ETHOS Meow Wolf 1352 Rufina Circle, 395-6369 Bass-driven electronica. 9 pm, $20-$25 JESUS BAS La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Spanish and flamenco guitar. 7 pm, free JIMMY STADLER La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock, blues and R&B. 8 pm, free JOEL HARRISON AND FREE COUNTRY GiG Performance Space 1808 Second St. Brooklyn-based guitarist Harrison's new recording, Angel Band, is the third CD in a series where country and Appalachian music is recast in a modern jazz context. 7:30 pm, $22 LOVE UNFOLD THE SUN Second Street Brewery (Original) 1814 Second St., 982-3030 Experimental jazz from your friends Mustafa Stefan Dill, Dan Pearlman, Ross Hamlin and Dave Wayne. 7 pm, free NEXT 2 THE TRACKS Tumbleroot Brewery & Distillery 2791 Agua Fría St. Outlaw country. 8 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar from the six-time Native American Music Award nominee and two-time New Mexico Music Award winner. 7 pm, free RYAN PAINTER AND JAKE PHILLIPS BAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Country-rock. 8 pm, free SEAN COSTANZA Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Americana, roots, country 'n' alt-country on the deck. 5 pm, free TGIF RECITAL: ESSO First Presbyterian Church 208 Grant Ave., 982-8544 The Eternal Summer String Orchestra presents works by Haydn. 5:30 pm, free THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 Swinging jazz. 7:30 pm, free CONTINUED ON PAGE 24
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MUSIC
COURTESY SATIN SPAR / BANDCAMP.COM
24-Hour Webcast People Founding member Carlos Santistevan on local collective High Mayhem’s newest endeavor BY LUKE HENLEY a u t h o r @ s f r e p o r t e r. c o m
S
ince its inception in 2001, High Mayhem Emerging Arts has been a uniquely poised collective of local musicians whose ethos has remained the same even as its methods and members have changed: to create improvisational and experimental music. The collective has always played by its own rules—namely, that there are very few rules—and gone through everything from being fully DIY and self-funded to receiving city funds to running a performance space and record label, all not-for-profit. Things have been relatively quiet in the past few years, however, but founding member, current director and prolific musician Carlos Santistevan (aka The Uninvited Guest) says, “As artists, we haven’t been dormant—just not public.” Now, he and other devotees are ready to kick off a new webcast and album release series titled On(e) Day (pronounced “on one day”). During High Mayhem’s stint at their previous midtown warehouse location, they would not only host live performances but webcast them online for out-of-towners who wanted to see what the desert’s avant-garde and assorted genre-shirking vanguards were cooking up. We can think of this like a sort of prototype to what High Mayhem’s getting into now. “We’re in a small town and the audience is limited,” says Santistevan of the
Texas two-pice Satin Spar kicks off High Mayhem’s new series of recording sessions and webcasts.
genesis of these webcasts. “You’d have the same 20 people show up at every show. That’s awesome and great for those 20 people, but how could we expand an audience beyond that?” High Mayhem performances wound up being viewed remotely from all over the globe, with viewers from Africa to Norway and all points in between tuning in. Since the closure of that space in 2015, Santistevan and High Mayhem have built an entirely new private studio on the Southside with the help of a $5,000 grant from Kindle Project, which has sporadically funded the collective since 2009. “We never would have survived [in the old space] without them,” Santistevan says of Kindle’s assistance. So plans to resume operations in the new space with a focus on webcasting rather than live events have become real-
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ity. Santistevan cites the rise of other DIY-friendly venues like Ghost and Zephyr Community Art Studio as part of High Mayhem’s collective realization that there is a reduced community need for another such space. On(e) Day gives musicians exactly one day (or, says Santistevan, roughly 10 hours) in the studio to create a release of whatever length they can complete. “Time spent in a studio is generally a very private practice that people don’t see,” Santistevan tells SFR. “It also has a lot of challenges in replicating the energy of a live show. Is there a way to make the exchange [between artist and audience] go both ways?” Littlefield, Texas’ Satin Spar is scheduled for the premiere performance and recording on Sunday March 10 at 9 pm (find High Mayhem on YouTube and or
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Facebook to check it). The experimental duo’s music is generally created in a live environment. Courting jazz with spikes of member Connor Sorenson’s cornet and trombone playing, the duo excels at ambient, experimental compositions that blend synths and percussion from member Andrew Weathers to engaging, ponderous effect. It’s very much in line with modern, minimalist composition in the mold of John Cage by way of Tortoise. In other words, it’s a near-perfect marriage for High Mayhem’s love of music made in the moment. It’s a smart move, hopefully capturing what is most exciting about improvised music while keeping things simple. Santistevan says not every album will be handled this way, and that High Mayhem wants the artist to have as much control as they can have within the project’s parameters. “The goal is, when the artist uses the studio it pretty much defines what the album is going to be,” Santistevan says. “It will be up to us as High Mayhem to finish the album, and it is up to those artists to trust us in finishing that.” With mixing and mastering expected to be a minimal process, he hopes to have a turn-around of monthly webcasts and releases. The next planned event in the series features indefinable heavies Bodies in April, plus Santistevan also hopes to curate ensembles of players who have not worked together before to see what they might come up with. “Overall, what’s really going to be cool is the collection of [albums] and the diversity,” Santistevan predicts; “being able to see all these different approaches to the studio.” In the meantime, it’s equally exciting just to see High Mayhem entering a new period in its nearly two-decade existence as one of Santa Fe’s great stewards of the unexpected and fiercely creative.
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THE CALENDAR
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THEATER CHURCH & STATE Los Alamos Little Theatre 1670 Nectar St., Los Alamos, 662-5493 This timely dramedy follows a US Senator up for re-election who finds himself dealing with the fallout from a candid comment to a blogger. 7:30 pm, $13-$15 HIDDEN TREASURE: A GEORGIAN IMMIGRANT'S STORY Teatro Paraguas 3205 Calle Marie, 424-1601 Based on Ketevan Ketevan Kharshiladze Ussery’s one-woman show promises a rich, surprising and perhaps unexpected life-affirming journey (see Acting Out, page 29). 7:30 pm, $10-$20 SANTA FE IMPROV: TO BE DETERMINED Warehouse 21 1614 Paseo de Peralta, 989-4423 A theatrical comedy created right before your eyes! Based on a single word or phrase from the audience, witness stories unroll from that mystical place of creativity. Three teams of improvisers make you laugh and wonder at the ability to build a world from a word. All performers are teachers at Santa Fe Improv, so maybe sign up for a class. 7 pm, $15
SAT/9
CELEBRATING
DOWNTOWN
THOMAS HINDS AND TERRI LYNN DAVIS Kitchen Sink Recording Studio 528 Jose St., 699-4323 New Mexican singer/songwriter Thomas Hinds is joined by Portland, Oregon-based Davis. 7 pm, $10
NANETTE SHAPIRO: IMAGINED LANDSCAPES Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Influenced by magical realism and a primitive spirituality, local artist Shapiro's pastels on paper convey subconscious memories of landscapes from the Southwest. Through March 31. 2-3 pm, free SHELLY JOHNSON: CIRQUE DE LA VIE: A VIBRATION OF QUEER MAGIC Eye on the Mountain Art Gallery 614 Agua Fría St., 928-308-0319 Madrid-based pop artist Johnson presents a colorful celebration. The release of her new body of bold paintings—an intimate place where the provocative and magic meet—is aptly celebrated with an opening full of food, music and party times. See image, page 20; through March 30. 5 pm, free
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BOOKS/LECTURES HILARIO ROMERO: TWO SETTLEMENTS WITH A RIVER BETWEEN San Miguel Chapel 401 Old Santa Fe Trail, 983-3974 In a lecture subtitled "Interactions between El Barrio de Analco and Santa Fe Across the Centuries," historian Romero kicks off a five-week series about the neighborhood. Explore lesser-known facets of El Barrio de Analco National Historic District and its centerpiece, San Miguel Chapel. 4 pm, $10 MOCNA READER: KIDS' DAY AT THE MUSEUM STORE IAIA Museum of Contemporary Native Arts 108 Cathedral Place, 983-8900 A presentation by Native children's book author Emmett "Shkeme" Garcia (Santa Ana/ Jemez), reading from Sister Rabbit's Tricks, plus a sing-along, book signing and snacks for kids up to age 5. 11 am-noon, free TANIA KATAN: CREATIVE TRESPASSING: HOW TO PUT THE SPARK AND JOY BACK INTO YOUR WORK AND LIFE St. Francis Auditorium 107 W Palace Ave., 476-5072 Katan offers a refreshing look at how to fit creativity into the seemingly mundane. She believes that any task or pursuit can be a creative one— you just need to be willing to defy conformity, and be ready to conjure imagination anywhere, at any time. Success coach Jen Sincero joins Katan onstage for a discussion of these topics and more. 6 pm, $5 WILLIAM GLASSLEY: GREENLAND WILDERNESS Travel Bug Coffee Shop 839 Paseo de Peralta, 992-0418 Glassley, working with Danish colleagues John Korstgård and Kai Sørensen, has spent numerous field seasons living in the wilds of the Greenland coast, conducting geologic research. In a slide lecture, he provides a guided visual exploration of fjords, beaches, rivers and mountains. 5 pm, free
DANCE FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Make a dinner reservation for a show by the National Institute of Flamenco. 6:30 pm, $25
EVENTS EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Part fine arts market, part flea market, all full of treasures. 8 am-3 pm, free
SANTA FE ARTISTS MARKET Santa Fe Railyard Market Street at Alcaldesa Street, 310-8766 Find pottery, paintings, photography, jewelry, sculpture, furniture, textiles and more from a juried group of local artists. 8 am-2 pm, free SANTA FE HOME SHOW Santa Fe Community Convention Center 201 W Marcy St., 955-6590 Whether you are a vendor or a homeowner considering improvements and green technology, in addition to booths featuring builders, architects and trade contractors, check out the work of Santa Fe’s best remodelers (see 3 Questions, page 27). 10 am-5 pm, $5 SANTA FE PEN FAIR DeVargas Center 564 N Guadalupe St., 983-4671 Writing with a nice pen is an underrated pleasure. Learn the art with Santa Fe Pens as the shop unveils its Santa Fe Edition XXI fountain and roller ball pens, inspired by chile peppers. In addition to hosting more than 20 pen and ink manufacturers, catch two calligraphy seminars today. 10 am-6 pm, free ZIRCUS EROTIQUE The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 The local burlesque troupe tries out a new venue for its fun and sexy entertainment featuring MC LinZ and lovely locals' scintillating routines. 7:30 pm, $10-$25
FOOD SANTA FE FARMERS MARKET Farmers Market Pavilion 1607 Paseo de Peralta, 983-4098 The place to see and be seen. 8 am-1 pm, free
MUSIC ANNA MALL, LADY URANIUM, JESSIE DELUXE AND MISS PAVLICHENKO Ghost 2899 Trades West Road Local indie-folk-world-looping-rocking music (see SFR Picks, page 19). 8 pm, $5-$10 CS ROCKSHOW El Farol 808 Canyon Road, 983-9912 Classic rock 'n' roll. 9 pm, $5 CANDYMAN STUDENT SHOWCASE Tumbleroot Brewery & Distillery 2791 Agua Fría St. A full concert by the budding bands of Rock School. 2 pm, free CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 First-rate piano and vocals from Charles Tichenor. 6 pm, free CONTINUED ON PAGE 26
S FR E P O RTE R .CO M /A RTS
Starstruck Raya Golden adapts untapped 1994 George Martin pilot script Starport into graphic novel form
BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
A
COURTESY RAYA GOLDEN
rtist and illustrator Raya Golden has an extensive travel resume. Originally from Manhattan, Golden wound up in Montana for high school, and then San Francisco for art school at the Academy of Art University. “The main reason I went there is because, unlike a lot of art colleges, it’s required that the teachers be working artists,” Golden says. “I was so in love with the program and teachers.” Art was in her blood. Her mother worked as an editor for fantasy publishing mega-brand Tor Books and, Golden says, she grew enamored with the covers she’d find on projects laying around the house. She also says she was a comic book fan as far back as she can recall, sneaking peeks at her mother’s copy of Watchmen, falling in love with Tank Girl—as we all do at one point or another—and sinking her teeth into the work of Jhonen Vasquez of Johnny the Homicidal Maniac and Invader Zim fame. But while she toiled at art school learning the ropes of illustration and book cover design, the industry shrank rapidly in conjunction with the rise of Photoshop. “Between when I got [into college] in 2002 and graduated, as my nose was to the grindstone, I didn’t realize book covers were being replaced,” she explains. “Jobs kind of dried up.” Fast forward to 2010, and Golden wound up taking a job with Santa Fe’s favorite citizen, George RR Martin, as his art director. This means she’s done things like design the logo for the Jean Cocteau Cinema, Martin’s art house theater, and she says he trusts her eye completely. She’s worked for Martin since then, but Artist Raya Golden brings an unproduced George RR Martin script to life in in 2015, he approached her with an unproduced Starport, premiering this week at Santa Fe’s only comic book shop. pilot script for a television show about cops
Hidden Treasure: a Georgian Immigrant’s Story
by Ketevan Kharshiladze Ussery
Presnted by Ironweed Productions at Teatro Paraguas 3205 Calle Marie March 7–17 For full details and to buy tickets:
www.TheatreSantaFe.org
Thursdays, Fridays, Saturdays at 7:30 pm; Sundays at 2 pm
A&C
and aliens he’d written called Starport. He wanted it adapted into a graphic novel. “I didn’t think saying no was an option,” Golden says with a laugh. She finally finished the project (it took her roughly three years from start to finish) thanks in part to Albuquerque-based colorist Rachel Hilley, and its world premiere is set for Santa Fe’s Big Adventure Comics as part of a special signing and speaking engagement with Golden. So what’s it about? At its most simplistic, Starport is the story of Chicago police working in the shadow of Earth becoming the newest member of an intergalactic collective of planets. Hardboiled cops, futuristic weapons and anti-alien extremists abound— but everything threatens to come to a head when an assassination plot is uncovered. “I have these taglines I’ve been telling people,” Golden says, half-jokingly. “Like, ‘It’s NYPD Blue but in Chicago and with space monsters,’ or ‘If Futurama ate Law & Order and had a food baby, it’d be Starport.’” Essentially, and without trying to lean too much into likening it to other properties, Golden says Martin was going for a Hill Street Blues meets Babylon 5 kinda thing back in ’94, which allowed her to take some of the more serious aspects of Starport—including elements from cop shows that have evolved to become stale—and alter them for her adaptation. “I wanted to make sure it stayed true to his original idea, so 85 percent of the dialogue is the same, but I sort of changed how it’s viewed or pulled certain things into the future,” Golden tells SFR. “For example, I had to change this part where cops can’t figure out a VCR … but keep to his original cadence—it’s kind of serious gumshoe, hardcore, but I took these things that in the last 20 years have become tropes and made them tongue-in-cheek.” She hopes this might lead to other graphic novel projects, perhaps even Starport 2. But for now, she’s taking things in stride and enjoying the relief of completing the massive book. “I’m nervous to see how the world is going to like it,” she says, “but I’m not so proud as to tell people what they should like. I’ll just wait and see.” RAYA GOLDEN: STARPORT TALK AND SIGNING 5 pm Wednesday March 6. Free. Big Adventure Comics, 418 Montezuma Ave., 992-8783
To Be Determined, an improv comedy show
Trevor by Nick Jones
at Warehouse 21 1614 Paseo de Peralta
March 14–31
by Santa Fe Improv
Friday, March 8 at 7 pm
at the Santa Fe Playhouse 142 E. DeVargas Street Thursdays, Fridays, Saturdays at 7:30 pm; Sundays at 2 pm
The Miser by Molière With a new translation by David Carter at the Oasis Theatre, 3205 Calle Marie, Suite A March 21–April 7 Thursdays, Fridays, Saturdays at 7:30 pm; Sundays at 3 pm SFREPORTER.COM
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THE CALENDAR CHATTER: THE UP QUARTET SITE Santa Fe 1606 Paseo de Peralta, 989-1199 String quartets by Alexander Borodin and Caroline Shaw, plus spoken word by poet Bruce Noll, a two-minute celebration of silence, and free coffee! 10:30 am, $15 DOUG MONTGOMERY AND ESTER HANA Fenix at Vanessie 427 W Water St., 982-9966 Piano standards: Doug starts, Ester takes over at 8 pm. 6 pm, free GENERAL MOJO'S Tumbleroot Brewery & Distillery 2791 Agua Fría St. Pacific Northwest-based psych-rock. 8 pm, free GLEU Santa Fe Oxygen and Healing Bar (Apothecary) 133 W San Francisco St., 986-5037 Neo-soul jazz with Cymphony Jackson and Mimi Diallo. 7 pm, free HALF BROKE HORSES Ski Santa Fe 1477 Hwy. 475, 982-4429 Head to the deck at Totemoff’s for a danceable blend of honky-tonk and Americana. 11 am-3 pm, free J REYNOLDS AND THE HIGH VIBES Cowgirl 319 S Guadalupe St., 982-2565 Jake Reynolds leads his buds in some psychedelic funk. 8:30 pm, free JEW MEXICO Paradiso 903 Early St. Refreshing interpretations of klezmer and Yiddish tunes from Los Klezmerados, plus New Mexican tunes from Lone Piñon. 7:30 pm, $10-$15 JIMMY STADLER La Fiesta Lounge 100 E San Francisco St., 982-5511 Rock, blues and R&B. 8 pm, free JULIAN DOSSETT TRIO Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Delta blues. 8 pm, free KATY P AND THE BUSINESS Boxcar 530 S Guadalupe St., 988-7222 Rock ‘n’ roll. 10 pm, free KITTY JO CREEK Cowgirl 319 S Guadalupe St., 982-2565 Bluegrass. 1 pm, free LOW Meow Wolf 1352 Rufina Circle, 395-6369 Punk-adjacent slowcore. 8 pm, $18-$20 PAT MALONE TRIO El Mesón 213 Washington Ave., 983-6756 Jazz on guitar from Malone, plus Kanoa Kaliluhea on sax and Jack Hanan on bass. 7:30 pm, free
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RON ROUGEAU The Dragon Room 406 Old Santa Fe Trail, 983-7712 Acoustic classic rock. 5:30 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar. 7 pm, free ROVER Cava Lounge Eldorado Hotel, 309 W San Francisco St., 988-4455 Flamenclasica guitarra. 6 pm, free RYAN & JASPER Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Western tunes on the deck. 5 pm, free SANTA FE PRO MUSICA: MUSIC WITHOUT BORDERS Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Colombian conductor Lina Gonzalez-Granados leads the Pro Musica Orchestra and Colombian-American cellist Christine Lamprea. 4-6 pm, $12-$80 SHINERS CLUB Second Street Brewery (Original) 1814 Second St., 982-3030 Ragtime 'n' jazz. 7 pm, free
THEATER CHURCH & STATE Los Alamos Little Theatre 1670 Nectar St., Los Alamos, 662-5493 This timely dramedy follows a US Senator up for re-election who finds himself dealing with the fallout from a candid comment to a blogger. 7:30 pm, $13-$15 HIDDEN TREASURE: A GEORGIAN IMMIGRANT'S STORY Teatro Paraguas 3205 Calle Marie, 424-1601 Ketevan Ketevan Kharshiladze Ussery’s one-woman show promises a rich, surprising and life-affirming journey (see Acting Out, page 29). 7:30 pm, $10-$20 STRESS AND COFFEE: 24-HOUR PLAY FESTIVAL New Mexico School for the Arts 275 E Alameda St., 310-4194 On Friday at 5 pm, five NMSA students' names were randomly drawn from a hat. These are the playwrights. The writing process began at 7 pm, and the playwrights write all night long. On Saturday morning at 8 am, five randomly selected directors arrive; at 9 am actors audition. Rehearsals begin at 11 am and continue until 7 pm. The doors are then opened to the public, who view five fully staged plays that did not exist 24 hours before! (See SFR PIcks, page 19.) 7 pm, free
WORKSHOP ART OF DECORATIVE KNOT-TYING WORKSHOP MAKE Santa Fe 2879 All Trades Road, 819-3502 Learn vocabulary, tools, rope and twine identification, the tying of many knots, plus techniques and resources. Register in advance to secure your spot. 1-3:30 pm, $40 CLIMATE CHANGE AND WATER RESOURCES IN NEW MEXICO AND THE GREATER SOUTHWEST Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 New Mexico and the rest of Southwestern North America are already feeling the effects of a warming world. Learn about recent climate research from Luke Parsons as he explains how the region is already changing and may continue to change in the coming decades. 4-5 pm, $10-$15 FLOW ARTS & HOOP JAM Wise Fool New Mexico 1131 Siler Road, Ste. B., 992-2588 Try out this movement-based art form that combines dance and props. Bring your own equipment, or Wise Fool has plenty to go around (hoops, martial/contact staff, levi wand, fans and more). For ages 10 and up. 1-3 pm, $5-$15 HOW TO GRAFT A FRUIT TREE Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 An interactive workshop provides an in-depth look at the function of fruit trees, their most important cells and tissues, and how this applies to the art of grafting. 1-4 pm, $45-$50 TAX-AIDE SANTA FE Higher Education Building 1950 Siringo Road, 428-1725 SFCC and the AARP have teamed up to offer free (!) help taking care of your taxes. Call 505-946-3615 or visit sfcc.edu/taxaide to reserve a time. 9 am-noon, free
SUN/10 BOOKS/LECTURES J BARTON MITCHELL: THE RAZOR Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Mitchell presents his new science fiction thriller about a man struggling to survive chaos on a prison planet. 4 pm, $10-$29 JOURNEYSANTAFE: SENATOR JEFF STEINBORN Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Steinborn, of Doña Ana County, is a staunch advocate of public lands and is passionate about renewable energy. 11 am, free
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NEW MEXICO POETRY OUT LOUD St. Francis Auditorium 107 W Palace Ave., 476-5072 Join 10 New Mexico high school students as they compete to become New Mexico’s poetry performance state champion. Ten schools, 990 students, and 21 teachers participated at the classroom level across New Mexico to select the 10 finalists who perform at this 14th annual event.. 1 pm, free
THE CALENDAR
The Inner Vision Institute (TIVI)
Herb Classes with Shamanic Herbalist Judy Lieblein TO REGISTER, PLEASE VISIT
www.TIVIww.org/herbal-wisdom-series OR CALL TIVI AT 505-747-0741
with Katherine Crociata
Equinox Cacao Plant Journey: $75
MARCH 21, 7:00 - 10:00 pm Drink a traditional ceremonial dose of Cacao with an hour long meditation, ceremony and time for sharing and/or journaling to integrate and catalyze the experience.
Herbs for Sleep & Nurturing the Dreamtime: $70 MARCH 22, 6:00 AM - 9:00 pm
EVENTS EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Part fine arts market, part flea market, all full of treasures. 9 am-4 pm, free GEEKS WHO DRINK Desert Dogs Brewery and Cidery 112 W San Francisco St., Ste. 307, 983-0134 Quiz results can win you drink tickets for next time. 7 pm, free HONORING DR. ANNIE DODGE WAUNEKA Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 A celebration of Wauneka, the tribal leader of the Navajo Nation and public health activist who worked tirelessly to improve the health and welfare of the Navajo People, as well as reduce tuberculosis nationwide. 1-2:30 pm, free MEDITATIONS IN MODERN BUDDHISM Zoetic 230 St. Francis Drive, 292-5293 Open to all levels. Presented by the Santa Fe branch of Kadampa Meditation Center of New Mexico. 10:30 am-noon, $10 CONTINUED ON NEXT PAGE
$48 (includes 1/2 oz. tincture) MARCH 23, 1:00 - 3:00 pm
Plant Journey with Hops: $48 (includes 1/2 oz. tincture) MARCH 24, 1:00 - 3:00 pm
The Inner Vision Institute, Inc. (TIVI) — Envision New Possibilities 205 State Road 399, Espanola, NM 87532 • 505-747-0741 • www.TIVIww.org a 501(C3) non-profit organization
DANCE BEGINNING SALSA Dance Station 947-B W Alameda St. Drop in to try your hand (or feet and body, as it were) at some salsa dancing. 5 pm, $20 BEGINNING SWING Dance Station 947-B W Alameda St. Take advantage of those swing nights that pop up around town! 4 pm, $20 KIDS' PARTNER DANCE Dance Station 947-B W Alameda St. Get your kids moving with friendly and professional lessons in ballroom, Latin and swing. 10:45-11:30 am, $12 PARTNER DANCE FUNDAMENTALS Dance Station 947-B W Alameda St. A low-impact (and free!) way to get moving and dancing. 2:45-3:30 pm, free
Plant Journey with Mugwort:
Santa Fe Place Mall across from Victoria Secret WUMANITI EARTH NATIVE SANCTUARY Now at
COURTESY KATHERINE CROCIATA
Katherine Crociata is taking the reins of the Santa Fe Area Homebuilders Association this month after Kim Shanahan, director for 10 years, stepped down. With the housing crisis on and whatnot, we thought it’d be good to check in with her. Plus, the association holds its annual Home Show this weekend at the Santa Fe Community Convention Center (10 am-5 pm Saturday March 9 and 10 am-4 pm Sunday March 10. Free. 201 W Marcy St., 955-6590). Get more info at santafehomeshow.com. (Julie Ann Grimm) Why did you want to be director of the SFAHBA? I have a long professional history working with homebuilders and within the construction industry in New Mexico. I served as Central New Mexico Homebuilders’ Association government affairs director for eight years, and then after that I was Construction Industries Division director. So I worked on the construction side and then on the regulatory side. I have a good understanding of working on both sides and finding the common ground around issues. I have always loved being part of the built environment not only because of the importance it has in our society now with home ownership, but also how important it is into our future.
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What do you see in the future for Santa Fe’s built environment? I think that the builders here are thoughtful, whether it be with sustainability or affordability, and I know those are the two big issues. We have to continue addressing carefully as we move forward and build here in Santa Fe. There are a lot of ideas on the table with the current mayor ... and I am looking forward to serving on some of those committees and trying to find solutions. Certainly we need to address the housing crisis that we have, and that is not just addressing affordability but getting homes built. We have, luckily, a lot of jobs coming into the area, especially in the labs, and so we need to find ways we can overcome some of these barriers. You’ve got the home show coming up. What can people expect to see there? It’s a really great opportunity. ... They will see remodelers showcasing some of their projects. They are competing for a best remodel, and those projects will be available. There will also be a lot of booths displaying different homes and home goods, whether it comes to kitchens or whatever somebody might be interested in. If somebody has just bought a home it is a great place to go look and get ideas. One of the best features of the home show is there are Lego competitions for Santa Fe area public school kids.
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MARCH 6-12, 2019
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What are we waiting for, New Mexico?
300+ days of sun. Open spaces. A workforce ready to work.
The ENERGY TRANSITION ACT (SB 489) will create the strongest renewable energy standards in the country and make New Mexico completely carbon-free by 2045. Endorsed by Governor Lujan Grisham, labor unions, community groups, low-income organizations, and environmental advocates, the Energy Transition Act will stabilize electricity costs and create good paying jobs.
THE CALENDAR SANTA FE HOME SHOW Santa Fe Community Convention Center 201 W Marcy St., 955-6590 In addition to booths featuring builders, suppliers, architects and trade contractors, and check out Santa Fe’s best remodelers (see 3 Questions, page 27). 10 am-4 pm, $5 SANTA FE PEN FAIR DeVargas Center 564 N Guadalupe St., 983-4671 Santa Fe Pens unveils its Santa Fe Edition XXI fountain and roller ball pens, inspired by chile peppers. In addition to hosting more than 20 pen and ink manufacturers, catch a seminar on improving your handwriting today. Noon-5 pm, free SUNDAY RAILYARD ARTISAN MARKET Farmers Market Pavilion 1607 Paseo de Peralta, 983-4098 Pottery, painting, jewelry, sculpture, fiber arts, photography, hand-blown glass, artisanal teas and handmade herbal body products. 10 am-4 pm, free TAI CHI FOR 50+ La Escuela y Galleria del Cuervo Azul 1406 Third St., 551-2345 A martial art for balance, poise, meditation and more. 2-3 pm, free
FILM NEW MEXICO RAIN: THE STORY OF BILL AND BONNIE HEARNE Violet Crown Cinema 1606 Alcaldesa St.., 216-5678 A documentary features the local musicians, followed by a Q&A with Bill Hearne and director Bunee Tomlinson (see cover story, page 10). 11 am, $10
MUSIC
There is a lot of disinformation being spread about this landmark bill. For the facts, please go to https://www.cvnm.org/energy-transition-act-top-myths-facts/
Please call your legislator at 505-986-4300 and urge them to support the Energy Transition Act (SB489)
BANE'S WORLD Meow Wolf 1352 Rufina Circle, 395-6369 Synth-heavy alternative 'n' indie pop. 7 pm, $16-$20 DOUG MONTGOMERY Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free THE LARRY CONGA SHOW Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Classic rock on the deck. 3 pm, free MATTHEW ANDRAE La Fiesta Lounge 100 E San Francisco St., 982-5511 Rhythmic covers and originals of a folky bent on guitalele. 6 pm, free MATTHEW STEWART Cowgirl 319 S Guadalupe St., 982-2565 Enjoy California-based Stewart’s Western-influenced indie folk. 8 pm, free
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NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Creative but rooted takes on Latin music. 7 pm, free PAT MALONE AND JON GAGAN El Farol 808 Canyon Road, 983-9912 A jazz duet. 7 pm, free READ STREET SUNDAY SESSIONS: JOHN FRANCIS TRIO Santa Fe Spirits Downtown Tasting Room 308 Read St., 780-5906 Join John Francis, Greg Butera and Casey Anderson for three-part harmonies and finely arranged original music. 7 pm, free SANTA FE PRO MUSICA: MUSIC WITHOUT BORDERS Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Colombian conductor Lina Gonzalez-Granados leads the Pro Musica Orchestra and Colombian-American cellist Christine Lamprea in a concert celebrating the works of Latino composers Heitor Villa-Lobos and Arturo Márquez alongside Beethoven’s Pastoral Symphony. 3 pm, $12-$80 SUGAR MOUNTAIN Cowgirl 319 S Guadalupe St., 982-2565 A Neil Young Brunch with a Neil Young tribute band brings y’all some Neil Young. Noon, free
THEATER CHURCH & STATE Los Alamos Little Theatre 1670 Nectar St., Los Alamos, 662-5493 This timely dramedy follows a US Senator up for re-election who finds himself dealing with the fallout from a candid comment to a blogger. 2 pm, $13-$15 HIDDEN TREASURE: A GEORGIAN IMMIGRANT'S STORY Teatro Paraguas 3205 Calle Marie, 424-1601 Based on Ketevan Kharshiladze Ussery's remarkable journey immigrating to the United States from her home in Tbilisi, Georgia (read: not the Southern state), the one-woman show Hidden Treasure promises a rich, surprising and life-affirming journey (see Acting Out, page 29). 2 pm, $10-$20
MON/11 BOOKS/LECTURES MONDAY STORY TIME Bee Hive Kid's Books 328 Montezuma Ave, 780-8051 Story time for all ages at the little bookstore that could. 10:30 am, free
SOUTHWEST SEMINARS: STUDYING SOUTHWESTERN ARCHAEOLOGY (AND GETTING IT WRONG) Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Stephen H Lekson, curator of Archaeology at the Museum of Natural History and professor of anthropology at the University of Colorado, lectures. 6 pm, $15 TOMASITA DURAN: OWE’NEH BUPINGEH PRESERVATION PROJECT Wheelwright Museum of the American Indian 704 Camino Lejo, 982-4636 The Ohkay Owingeh Housing Authority Executive Director discusses the pueblo restoration project. 2:30 pm, free VIVACE OPERA BOOK CLUB: MAD SCENES AND EXIT ARIAS Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Discuss Heidi Waleson's book, a narrative history of how and why the New York City Opera went bankrupt. 6:15 pm, free
EVENTS GEEKS WHO DRINK Draft Station Santa Fe Arcade, 60 E San Francisco St., 983-6443 Quiz results can win you drink tickets for next time. 7 pm, free PUBLIC FORUM FOR COLLEGE PRESIDENT CANDIDATE REBECCA K (BECKY) ROWLEY Santa Fe Community College 6401 Richards Ave., 428-1000 Meet the candidate for president of the college in the Jemez rooms. 2 pm, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group for group activism. 7 pm, free THE SANTA FE HARMONIZERS REHEARSAL Zia United Methodist Church 3368 Governor Miles Road, 699-6922 The barbershop harmony chorus wants anyone who can carry a tune (women too!) at its weekly rehearsals. 6:30 pm, free
FILM BANFF MOUNTAIN FILM FESTIVAL Lensic Performing Arts Center 211 W San Francisco St., 988-1234 For two nights, the Banff Center hosts its renowned and beloved festival of action, environmental and adventure films from around the world. Hot tip: Get tix in advance. 7 pm, $18-$32
Paid for and authorized by ProgressNow New Mexico.
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SFRE PORTE R .CO M /A RTS /ACTI N G O UT
ACTING OUT Out of Hiding
W
BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m
new direction for his well-established Santa Fe theater company. “Ironweed’s looking to more fully embrace diverse American stories,” Harrison said then. “We’ve done several [American Classics], but I don’t really want that to be the way that we’re seen.” Ironweed’s first foray into its new storytelling mission is a one-woman show by Georgian immigrant Ketevan Kharshiladze Ussery. Ussery illegally entered the United States in 2000, leaving behind her beloved city of Tbilisi, where she managed a theater and was a successful director. Harrison met her in 2004, at which time she was working on a one-woman show about her experiences. Ussery was deported in 2007, and then re-entered the United States—legally—in 2011. She and Harrison connected again. Ussery still wanted to write a one-woman show. “She said, ‘I’d love to
CARRIE McCARTHY
hile Ironweed Productions’ performances of works by playwrights like Arthur Miller, Thornton Wilder and Sam Shepard have impressed townsfolk for nearly 15 years, one theme was pervasive in the company’s repertoire: Lots of dead white men. Sure, canonical works are canonical for a reason; they’re exceptional. But a significant paradigm shift occurring in art and media and across the country acknowledges at last that women, queer folk and people of color have stories just as viable, and it’s our duty now as stewards of the craft to hand them the mic. (No, we don’t have to “give them a voice.” They have a voice. The dominant narrative just needs to shut up and let them talk.) Ironweed founder and artistic director Scott Harrison agrees. Back in September, as he prepared for the Santa Fe Theatre Walk, he talked to SFR about a
find an actress to do this,’” Harrison told SFR in September. “I said, ‘I’d love to work on this, but only if you’ll perform it.’” Now, that 70-minute monologue years in the making comes to Teatro Paraguas for two weekends. Harrison and Ussery invited SFR to a dress rehearsal to get a sneak peek. In true Santa Fe one-woman-show fashion, there aren’t a ton of bells and whistles with this one; the only set pieces are a chair and two suitcases, and Ussery has a purse with five or six props inside. Highly effective lighting by Matt Sanford help transition us from “scene” to “scene” in her narrated story, but it’s mostly Ussery’s magnetic expressions and fine storytelling tactics that keep us engaged. Our town sure loves its one-woman shows, and many tend to share one flaw: They take on too much. It’s understandable that a woman who’s had one hell of an interesting life would want to tell an audience about the whole thing, every major event, down to this very day; and many of the one-woman shows we’ve seen in the last few years accomplish this at the expense of detailed, more writerly storytelling. Entering the rehearsal for Hidden Treasure, I wondered how Ussery would manage to cram her childhood, her young adulthood, seven years here, three years back in Georgia, then eight years back in the US again all into 70 minutes. I held on tight and prepared to be exhausted by a mad dash through her life. What a pleasant surprise, then, that Ussery has chosen to focus on just one aspect of her life story: Her very first job in America. We do get a good sense of her childhood and young adulthood through a few anecdotes, and her description
THEATER
of her harrowing entrance to America (Tbilisi to Moscow to Amsterdam to Mexico City to Juarez, then crawling through a 2-mile-long underground tunnel, if you were curious) help us appreciate just how much she reveled in a $10-an-hour retail job on the Santa Fe Plaza. Despite a raging head cold for which Ussery apologized profusely at the dress rehearsal, her speech was clear and deliberate, and her facial expressions shone like the sun as she talked about her childhood in Georgia under Soviet rule, and how delighted she was to meet “real Americans” at her school at age 7. By her adulthood, when she was artistic director of a 500-seat theater in the vibrant capital city, there was no power, no money; they often had to rehearse by candlelight. “Dying in the streets is common,” Ussery describes. (Oh, there it is, the everpresent timeliness; I shuddered off the thought of the 25 or so unsheltered folks who freeze in Santa Fe every winter.) So Ussery came to America where, despite getting happily married and falling in love with the smooth “velvet highways” of the West, she was still an undocumented immigrant. She describes living through a filter; nothing felt quite real, because she wasn’t really supposed to be here. A world opened up when she was able to get a job, however; and, as is the experience of many in our society, working was both empowering and degrading. Ussery’s stories of the customers at the jewelry store and powerful threads woven through her time behind the display cases, plus her own experience of making a retail job a theatrical endeavor, are inspiring to hear—but in the end, she was still an employee, and we get frustrated right along with her as she is treated poorly or rendered powerless. Ussery’s masterful sense of contrast from story to story kept Hidden Treasure flowing like a river. From a smile as bright as a sun to childlike wonder when playing with a little boy in the shop to crouched in a tunnel in Juarez and more, Ussery is like that favorite great-aunt who has nothing but incredible tales to tell—only this time she’s onstage instead of at the kitchen table, and she has an acting background to boot. And luckily for us, Hidden Treasure is crafted like a superhero movie that just begs for a sequel.
HIDDEN TREASURE: A GEORGIAN IMMIGRANT’S STORY Ketevan Kharshilze Ussery’s one-woman show is not only well-crafted, but it’s a story of the intricate details of being an undocumented immigrant—right from the source.
7:30 pm Thursdays-Saturdays March 7-16; 2 pm Sunday March 10 and 17. $10-$20. Teatro Paraguas, 3205 Calle Marie, 424-1601 SFREPORTER.COM
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THE CALENDAR MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana (see cover story, page 10). 7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Santa Fe's most famous night of karaoke. 9 pm, free DOUG MONTGOMERY AND ELIZABETH YOUNG Fenix at Vanessie 427 W Water St., 982-9966 Standards on piano and violin. 6:30 pm, free GERMÁN LÓPEZ GiG Performance Space 1808 Second St. A star of the timple, a diminutive five-stringed instrument intrinsic to music of the Canary Islands, López touches audiences with original instrumental music with the grit of flamenco, the structure of West African rhythms and the spirit of jazz. 7:30 pm, $22-$27
THEATER YOUNG PLAYWRIGHTS PROJECT Santa Fe Public Library Southside 6599 Jaguar Drive, 955-2820 Santa Fe kids aged 8 to 12 years old are invited to dive into improvisation, theater games, creating scenes and characters, and developing character monologues. 3:30-5 pm, free
SFR 2019 Spring Poetry Search THE
WINNERS READ THEIR POEMS FREE | 6 PM MONDAY,
MARCH 25 at Collected Works 202 Galisteo St. Santa Fe, NM 87501
WORKSHOP ART AS SELF-CARE Meow Wolf 1352 Rufina Circle, 395-6369 Art therapist Chelsea Call facilitates community building, self-care and enhancing emotional intelligence. 5:30-7:30 pm, $15 TAX-AIDE SANTA FE Higher Education Building 1950 Siringo Road, 428-1725 Free (!) help taking care of your taxes. Call 505-9463615 or visit sfcc.edu/taxaide to reserve a time. 8 am-4 pm, free
TUE/12
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BOTANICAL BOOK CLUB: COYOTE AMERICA: A NATURAL AND SUPERNATURAL HISTORY Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Join other botanical book enthusiasts over tea, cookies and great conversation about local guru Dan Flores’ seminal Coyote America: A Natural and Supernatural History. 1-2:30 pm, free HASHTAG TO HEADLINES: THE GAZA GREAT MARCH OF RETURN Unitarian Universalist Congregation 107 W Barcelona Road, 982-9674 Last year, Ahmed Abu Artema helped inspire the Great March of Return, a nonviolent protest for Palestinian human rights. He shares his views on the future of nonviolent actions in Palestine. 7-9 pm, $10 JO WHALEY AND LINDA WIENER: INSPIRED BY INSECTS Georgia O'Keeffe Education Annex 123 Grant Ave., 946-1039 Join artist Whaley and entomologist Wiener for a discussion of Whaley’s book, The Theater of Insects. 6-7 pm, $5-$15 PRESCHOOL STORY TIME Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Get out of the house, folks! 10:30 am, free STEPS TO STARTING A SMALL BUSINESS Higher Education Building 1950 Siringo Road, 428-1725 Get help deciding if business ownership is right for you. 9-11 am, $15 THEATRE LOVERS CLUB: MOLIÈRE'S THE MISER The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 Learn more about the play from those involved in advance of its opening night on March 21. Brenda Bynum, artistic director of The Oasis Theatre Company, and David Carter, translator of Molière's The Miser, discuss the process of creating a new translation of this timeless French comedy about a man’s obsession with money and the consequences. 6 pm, free
BOOKS/LECTURES
DANCE
ANNA BADKHEN: FISHERMAN’S BLUES: A WEST AFRICAN COMMUNITY AT SEA Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Badhken appears in conversation with Christopher White, author of The Last Lobster, to explore her book—an intimate account of life in a West African fishing village dependent on an ocean that is being radically transformed. 6 pm, free
ARGENTINE TANGO MILONGA El Mesón 213 Washington Ave., 983-6756 Put on your best tango shoes and join in (or just watch). 7:30 pm, $5 BEGINNING BALLROOM Dance Station 947-B W Alameda St. Whether you want to be traditional and elegant or spice things up a bit, ballroom dance is a good foundation to learn. 6:30 pm, $20
EVENTS METTA REFUGE COUNCIL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 A support group for sharing life experiences around illness and loss in a variety of its forms. 10:30 am, free PUBLIC FORUM FOR COLLEGE PRESIDENT CANDIDATE REY RIVERA Santa Fe Community College 6401 Richards Ave., 428-1000 Over five days, head to the Jemez rooms to meet the five candidates for president of the college. Rivera is the last one. Gotta catch 'em all. 2 pm, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group to put into action the planning you did last night. Divide and conquer! 8:30 am, free SANTA FE MODEL TRAIN CLUB MEETING Eldorado Community Center 1 Hacienda Loop, Eldorado, 87508 Train modelers of all ages are welcome. Get more info at santafemodelrailroadclub.org. 6:30 pm, free
FILM BANFF MOUNTAIN FILM FESTIVAL Lensic Performing Arts Center 211 W San Francisco St., 988-1234 For two nights, the Banff Center hosts its renowned and beloved festival of action, environmental and adventure films from around the world. This event has sold out quickly in the past, so purchase your tickets in advance. 7 pm, $18-$32
FOOD DELECTABLE DINNER, COMPASSIONATE CAUSE Santa Fe Bar and Grill 187 Paseo De Peralta, 982-3033 The restaurant donates 20 percent of all evening sales to the Santa Fe Public Schools’ Adelante Program. 5-11 pm, free
MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana (see cover story, page 10). 7:30 pm, free BLUEGRASS JAM Social Kitchen & Bar 725 Cerrillos Road, 982-5952 Oh yes. A bluegrass jam. 6 pm, free CANYON ROAD BLUES JAM El Farol 808 Canyon Road, 983-9912 Sign up to sing or play, but this ain't amateur hour. 8 pm, $5 CONTINUED ON PAGE 32
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T
hey say Disneyland is the happiest place on Earth—but, for many, the happiest place on Earth is the space in front of a pastry case. When I was in college, one of our favorite dreary-weather outings was to the North End, Boston’s Italian neighborhood, to hover, drooling, in front of the curved, fluorescent-lit glass at Mike’s Pastry. It seemed there was no end to the rows of cakes, cream puffs and cannoli; the only limits were the size of our stomachs and paltry wallets. In Santa Fe, we are lucky to delight in the bright delicacies lovingly showcased behind the glass at the likes of Clafoutis, Panaderia Zaragoza, Dulce and Chez Mamou. But there is one place where the pastries really stand out, perhaps mostly because they don’t really fit in; and that is shining forth from the charming schtick of Tesuque Village Market (138 Tesuque Village Road, 988-8848). Whether you’re going for a pizza or enchiladas, to peruse the premium wine selection or to grab a can of San Marzano tomatoes and a package of highquality Italian pasta, it’s hard not to notice the baked goods section. If you’re early enough, the table just inside the door welcomes you with fresh-baked loaves of green chile cheese bread. A serve-yourself case to the left offers breakfast-y baked goods ranging from sticky pecan rolls and muffins to danish and croissants. Then, there’s the elephant in the room: the hulking, brightly lit, oldschool pastry case. Even if you don’t profess to have a sweet tooth, it’s hard
to resist what’s inside. As I sat near that case one day, eating lunch after a hike, it was impossible not to smile at the exclamations bursting forth from parties lurking around this showstopper. One man let out a good, 30-second “ahhhhhh” of a rumbling exhale as he considered the impossible: a choice from the rows of cheesecake (chocolate and cherry), cream puffs, pies (Key lime, banana cream, apple, rhubarb, chocolate cream), coconut cake, triple chocolate cake, tres leches, eclairs and tiramisu. Is this all part of Tesuque Village Market’s bric-a-brac charm, or is there a story behind these delectables? “I inherited them,” is the answer from Michael Stein, Tesuque Village Market’s New York-born Italian co-owner. “And I am very happy I did.” Stein and his business partners bought the market in 2006, inheriting both its character and its baked goods recipes. While some may comment on how hard Tesuque Village Market has had to work to engineer that “character,” it is, in fact, bygones of the original structure’s former incarnations: chicken coop, filling station, butcher shop and—still—community meeting place. The original Tesuque Village Market opened in 1989 and the baked goods are among its original remaining offerings. “People with serious baking training get frustrated here because they want to evolve us, and that’s not what we’re about,” points out Stein. As such, no real change has been made to the traditional pastries other than replacing the quality of their ingredients. One of Stein’s first moves was to equip the bakers with ingredients such as Vermont butter and real
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You don’t have to be an extremely talented Frenchie to enjoy the baked goods at Tesuque Village Market.
Other pies with flaky crusts and sweet, gooey insides are seasonal—whether due to the fruit or holiday—and can be ordered by the slice and whole ($30). If you’re really craving something out of season, or don’t want to bake during the holidays, call a few days ahead and the Tesuque Village Market bakers will whip you up something delicious. Let’s not forget the non-dessert baked goods. The green chile cheese bread ($5 for a small, $8 for a large) is fluffy and greasy and spicy and absolutely ideal for a New Mexico-style grilled cheese. It’s not unheard of that Tesuque Village Market staff are asked to freeze and mail loaves to chile-hungry out-of-towners. From the self-serve bakery case, one can procure extra-large flaky croissants and sticky, nutty pecan rolls in addition to muffins, danish and more (all $4) that early birds have always picked off before slackers like me get there.
cream. “If someone knows what they’re doing and you give them the right ingredients, they’re guaranteed to do it even better,” says Stein. “For us it was about quality, not price.” For $7, one can choose from among the large slices of pie and cake. The most popular are the big squares of tiramisu and Key lime pie. The tiramisu is a fine take on the traditional, more coffee than booze-flavored, its light layers belying the richness of its ingredients. Just the thought of Key lime pie makes me nauseous, as my first, and only, experience with it was after day-drinking too many margaritas in Miami when I was 21. I shook off the bad memories to try this one, and am happy I did. It was light and fluffy, its tart citrus followed by a soothing wave of fresh cream and graham cracker crust crunch. I’d actually eat it again— something I never thought I would ever say about Key lime pie.
MARCH Friday
BY ZIBBY WILDER a u t h o r @ s f r e p o r t e r. c o m
Appearances can be deceiving at Tesuque Village Market
Saturday
Confection Perfection
ZIBBY WILDER
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8 9
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SHINERS CLUB Vaudeville & Ragtime, 7-10 PM / FREE
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THE CALENDAR CASEY MICHAELS Tumbleroot Brewery & Distillery 2791 Agua Fría St. Montana-born, New Mexicobased country tunes. 6 pm, free CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar from a master of the genre. 7 pm, free ERYN BENT Cowgirl 319 S Guadalupe St., 982-2565 Country and folky Americana. 8 pm, free
SOCIAL KITCHEN + BAR offers an all-day menu and drink specials from lunch to late night!
From Bowls to Burgers, Blue Plates to Chalkboard Specials, our “south by southwest” comfort cuisine is perfect for a midday meal or a leisurely dinner and drinks with friends. We open for lunch at 11:30am and serve $6 Brunch Cocktails—Cajun Bloody Marys, Mimosas and Aperol Spritzers—everyday until 4pm. Join us for Happy Hours with $5 Pints, Wines, Tequila Shots and Queso.
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JOHN RANDALL Fenix at Vanessie 427 W Water St., 982-9966 Piano standards and other general swankiness. 6:30 pm, free VINTAGE VINYL NITE The Matador 116 W San Francisco St., 984-5050 DJ Prairiedog and DJ Mama For 11 years and counting, every Tuesday nite is Vintage Vinyl Nite. DJ Prairiedog and DJ Mama Goose spin the best in garage, surf, country and rockabilly till the wee hours. 9 pm, free
WORKSHOP TAX-AIDE SANTA FE Higher Education Building 1950 Siringo Road, 428-1725 SFCC and the AARP have teamed up to offer free (!) help taking care of your taxes. NOTE: This year, you must make an appointment. Call 946-3615 or visit sfcc.edu/ taxaide to reserve a time. There are some qualifications, and a list of everything you need; get more info when you sign up for a slot. 8 am-4 pm, free
MUSEUMS CENTER FOR CONTEMPORARY ARTS 1050 Old Pecos Trail, 982-1338 Jeremy Thomas: Unintended Consequences. Sharon Bartel Clements: Warrior Women Torso Project. Both through April 21. GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 The Candid Camera. Through April 22. HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 The Legacy of Helene Wurlitzer: Works from the Harwood Collection. Through May 5. Izumi Yokoyama and Tasha Ostrander: Birds of Appetite: Alchemy & Apparition. Lynda Benglis: Bird’s Nest. Both through May 12. IAIA MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 #NOFILTER: IAIA 2019 BFA Exhibition. Through May 11. Action/Abstraction Redefined. Through July 7. Robyn Tsinnajinnie and Austin Big Crow: The Holy Trinity. Through Oct. 31. Wayne Nez Gaussoin: Adobobot. Through Nov. 30. Heidi K Brandow: Unit of Measure. Through Jan. 31. MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283 National and international wax artists. MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Maria Samora: Master of Elegance. Through Feb. 28. What’s New in New: Selections from the Carol Warren Collection. Through April 7. Lifeways of the Southern Athabaskans. Through July 7. Beyond Standing Rock: The Past, Present, and Future of the Water Protectors. Through Oct. 27. MUSEUM OF INT’L FOLK ART 706 Camino Lejo, 476-1200
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Hana Claxton (Hunkpapa Lakota/Sioux)’s “Headdress” is featured in IAIA MoCNA’s Art for a New Understanding: Native Perspectives, 1950s to Now. Crafting Memory: The Art of Community in Peru. Through March 10. A Gathering of Voices: Folk Art from the Judith Espinar and Tom Dillenberg Collection. Through Sept. 8. Gallery of Conscience: Community Through Making from Peru to New Mexico. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 GenNext: Future So Bright REBOOT. Through March 29. NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 Atomic Histories. Through May 26. On Exhibit: Designs That Defined the Museum of New Mexico. Through July 28. The First World War. Through Nov. 11, 2019. NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Good Company: Five Artists Communities in New Mexico. Through March 10. Shots in the Dark; Carved & Cast: 20th-Century New Mexican Sculpture. All through March 31. Wait Until Dark; Night Life Imagination Station. Both through April 21.
PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Closed for renovations. POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 In T’owa Vi Sae’we. EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Closed for the season; to reopen June 1. SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Dan Ostermiller: Gardens Gone Wild! Through May 11. SITE SANTA FE 1606 Paseo de Peralta, 989-1199 Jacob Hashimoto: The Dark Isn’t The Thing to Worry About. Through March 24. WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 LIT: The Work of Rose B Simpson. Bob Haozous: Old Man Looking Backward. Both through Oct. 6.
RATINGS
BEST MOVIE EVER
MOVIES Leaving Neverland Parts 1 & 2 Review Michael Jackson was a monster
10 9 8 7 6 5 4 3 2 1 WORST MOVIE EVER
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BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
+ EYE OPENING
Content warning: This review contains disturbing information and language. After making waves and shocking audiences at Sundance, filmmaker Dan Reed’s explosive two-part, four-hour documentary Leaving Neverland finds its way to HBO, where it finally digs deep into allegations that pop superstar Michael Jackson molested several young boys throughout his career. For some, the film will be a painful sojourn through in-depth interviews with survivors of Jackson’s abuse; for others it will affirm what they’ve believed since charges were first levied against Jackson in 1993. Regardless of which camp you fall into, however, it’s certain that we can no longer ignore the testimony of those who’ve come forward, and it is no longer and option to defend Jackson in any way. The bulk of the interviews come from Wade Robson and Jimmy Safechuck, each of whom speak at length about their complicated relationships with Jackson. Each met the man by different means, and through a combination of celebrity obsession, missteps from parents and Jackson’s wellplanned psychological manipulation, they were molested for years while on tour with Jackson, at his Neverland Ranch home and at so-called “hideaway” apartments. The hardest pill to swallow may
AND THOROUGH - QUITE LONG; PERHAPS TOO PAINFUL FOR SOME
be interviews with the parents who insist that, at the time, they felt it perfectly normal that Jackson invited children into his room and bed or, in one case, that they left their child alone with him for an entire week while they visited the Grand Canyon. Robson and Safechuck’s accounts are damning and detailed—and incredibly similar in terms of how the abuse played out. We believe them. This makes the first part of Neverland difficult to bear, as it is explicit. The second part isn’t much easier, however, and the personal toll it took on the young men—not to mention the survivor’s guilt they still harbor—becomes the real tragedy. As we know, both men refused to besmirch Jackson’s name for years, discrediting other survivors who were strong enough to come forward and deepening the aftermath’s affect on their lives and families. Reed provides countless pieces of evidence in the form of photos, video, audio recordings and faxes sent from Jackson to Robson that start seemingly friendly, but devolve into obsessive and terrifying. We learn of houses bought and gifts obtained, of Jackson’s cold and cruel ability to teach
children as young as 7 that sexual acts are just how people show love, regardless of age. And it is every bit as riveting as it is nauseating. This might dredge up uncomfortable feelings about how we regard celebrities, but as Robson points out at one point, people feel like they knew Jackson; he was a part of our lives as far back as we can remember. The resolution, as it were, is not satisfying. Jackson of course dodged prison and died before he was ever brought to justice. Still, Neverland does force us to ask big questions: Can we still enjoy the music knowing he was a monster? Why are we so quick to defend the famous on such charges? We believe Robson and Safechuck, but we still aren’t quite sure how to feel about it all. Not good, though—that’s for sure. Regardless, any Jackson defenders need to reassess, and anyone with the fortitude to watch Leaving Neverland should certainly do so. LEAVING NEVERLAND Directed by Reed NR, HBO, 240 min.
QUICKY REVIEWS
7
BAUHAUS SPIRIT
8
CAPERNAUM
8
SOY CUBA
6
WORLDS OF URSULA K LE GUIN
BAUHAUS SPIRIT
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+ FUN; WORTH KNOWING ABOUT - CONFUSING TRANSITIONS;
INACCESSIBLE ACADEMIC SPEAK
Hard to believe it’s been 100 years since Walter Gropius and a handful of others founded the Bauhaus movement, an aesthetic philosophy that saw no distinction between form and function, eschewing ornamentation. It certainly seems like those founders didn’t even know it would go on to inspire countless artists, dancers, architects and creatives around the world in the way it has. German filmmakers Niels Bolbrinker and Thomas Tielsch understand, though, and their new film Bauhaus Spirit teaches us everything we need to know, even if it veers into the unfocused now and then. Those who aren’t intimately familiar with Bauhaus may be surprised to learn that it was a utopian physical school in Weimar, Germany, in addition to a then-radical new wave of artistic expression. Students (like Kandinsky, Schlemmer and Albers, just to name a few) and teachers Balconies, we’re told in Bauhaus Spirit, were an important part of the Bauhaus movement. CONTINUED ON NEXT PAGE
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MOVIES
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WED - THURS, MARCH 6 - 7 12:15p Never Look Away 12:30p Young Picasso* 2:30p Never Look Away* 3:45p Never Look Away 6:15p Worlds of Ursula K. Le Guin* 7:15p Never Look Away 8:00p The Wife* FRI - SUN, MARCH 8 - 10 10:30a Apollo 11 10:45a Never Look Away* 12:30p Apollo 11 2:15p Bauhaus Spirit* 2:30p Apollo 11 4:15p Never Look Away* 4:30p Apollo 11 6:30p Apollo 11 7:45p Never Look Away* 8:30p Apollo 11 Capernaum won the jury prize at Cannes, so .. it’s a pretty big deal.
MON - TUES, MARCH 11 - 12 12:15p Apollo 11 12:45p Never Look Away* 2:15p Apollo 11 4:15p Apollo 11 4:30p Bauhaus Spirit* 6:15p Apollo 11 6:30p Never Look Away* 8:15p Apollo 11
affected nearly every aspect of creation to this day, even making their way into the building’s design itself—and it still stands, a monument to the so-called weirdos of the day who freaked out the townsfolk of Weimar while expanding their horizons and experimenting and who would end up influencing our culture and design incalculably for the rest of all time. We travel from Weimar to the favelas of South America, hear from those who continue to live and work with the Bauhaus ethos and see its application in everything from a progressive Swedish school without classrooms, the way in which dance and math feed and influence each other and other such delights. At its heart, Bauhaus Spirit proves without question that fun was a core component of the goings-on, and we long to have played a part in its birth, existence and influence—or to even contribute now. The film does, however, flail in terms of accessibility. This is not an intro to art doc for those looking to dabble or pick up the basics, nor will it probably spark curiosity for those unfamiliar with the lingering affects of Bauhaus. It can feel dense and, like the early days of the movement itself, you just kind of have to be onboard to reap its benefits. Of course, we do, whether we’re aware of that or not; for those looking to learn more or reignite an already-there appreciation, Bauhaus Spirit is a wonderful celebration of the history from which it came and the product of all it wrought. (ADV) Center for Contemporary Arts, NR, 95 min.
WEDNESDAY, MARCH 6 2:15p Roma 5:00p Ruben Blades Is Not My Name 7:00p Harry & Avis THURSDAY, MARCH 7 2:15p Roma 5:00p Ruben Blades Is Not My Name 7:00p Roma FRIDAY, MARCH 8 12:15p The Sower 2:30p I Am Cuba 5:30p The Sower 7:30p The Sower
CAPERNAUM
SATURDAY, MAR 9 11:45a The Sower 2:30p I Am Cuba 5:30p The Sower 7:30p The Sower
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NO SHOWS MONDAY, MAR 11 TUESDAY, MARCH 12 1:30p The Sower 3:30p The Sower
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MARCH 6-12, 2019
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ISHES; A TWINGE TOO RHETORICAL
The winner of the Jury Prize at the 2018 Cannes Film Festival, Capernaum tells the grim story of Zain (Zain Al Rafeea), a 12-year-old Lebanese boy born into extreme poverty. When he fails to rescue his younger sister from a terrible fate, he runs away from home, disappearing into the crowded slums of Beirut. Living off his wits and a kind of brainstem survival instinct, Zain improvises clever solutions to lethal dilemmas. He eventually finds a friend in Rahil (Yordanos Shiferaw), an African refugee who lives in a crumbling shantytown with her toddler son, Yonas. When Rahil vanishes, Zain becomes the child’s fierce guardian, wheeling tiny Yonas through the slums in a bucket strapped to a skateboard. Capernaum moves with the speed and verve of an adventure movie while also
SUNDAY, MARCH 10 11:00a CatVideoFest 12:30p CatVideoFest 2:30p I Am Cuba 5:30p The Sower 7:30p The Sower
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+ KINETIC GUERRILLA FILMMAKING - UNNECESSARY STRUCTURAL FLOUR-
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capturing a street-level view of brutal poverty and despair. Lebanese director Nadine Labaki shot the film vérité-style over the course of six months, using handheld cameras, natural light, guerrilla improvisations and nonprofessional actors. In fact, the real-life stories of the performers parallel events in the film. In one critical scene, refugee mother Rahil is jailed for being undocumented. Three days later, the woman playing Rahil was arrested for the same thing. The story behind the story of Capernaum is an important part of it. Unfortunately, director Labaki kneecaps her own endeavor with a didactic framing narrative that doesn’t really work. You may read elsewhere that this film is about a kid who sues his parents. Ignore that. It’s technically accurate, but terribly misleading. Roger Ebert had a perfect line for situations like this: “A movie is not about what it is about. It is about how it is about it.” (Glenn McDonald) Violet Crown, R, 126 min.
SOY CUBA
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+ WEIRDLY HARD TO LOOK AWAY - SO NEEDLESSLY LONG; SUBTEXT PRETTY MUCH BECOMES TEXT
Make no mistake—1964’s Soy Cuba is about as anti-America a propaganda film as there has ever been, but Russian director and cinematographer Mikhail Kalatozov’s vision of a post-Missile Crisis Cuba is shot so beautifully, it’s sometimes hard to absorb the actual contents of the four disparate vignettes set on the island nation. Now, completely remastered in 4K resolution with the assist from America’s own cinematic legends Scorsese and Coppola, audiences have the first chance to see the film since its last wide-ish cinematic foray in 1995. Kalatozov takes us from the dizzying highs of a Havana rooftop bikini-off to the lowest, darkest corners of the filthiest slums; the disgusting Americans who loudly take what they want; the poverty-stricken farmer whose land is sold out from under him. Revolutionary students take to the streets to vie for Castro, women forced into prostitution sell their faith, and the shadow of the US-backed Batista looms over everything like some omnipresent boogeyman we’re meant to hate. And so we do. Oddly, or perhaps just as it was intended, Soy Cuba begins to sway us—or at least make us understand. Besides, Americans are loud and boorish and easy to hate.
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MOVIES
Soy Cuba might just turn you against America. Haha! Just kidding, any authoritarian overlords who happen to be reading this. USA! USA! USA! Why did we hate Cuba for so long anyway? Besides, Kalatozov’s technical prowess is undeniable, particularly in shots that descend sheer towers or pan through windows then soar over citizen-packed city streets without even the hint of a cut. How such shots were possible so cleanly in 1964 is anyone’s guess, but Soy Cuba is rumored to have had an astronomical budget from its joint government backers in Cuba and Russia. The film was near-universally reviled at the time of its release and has largely remained unseen, save now and again when it’s pulled out and pointed to as a historically relevant time capsule. Which it is, of course, and evocatively so, even if it lags toward the middle. As a cinematic accomplishment, Soy Cuba is astonishing and utterly gorgeous. As a propaganda flick, it’s chilling to think of the particulars of the era. Still, it’s a cinephile’s dream laid out in impossibly crisp black and white and a significant must for any film or history buffs. (ADV) The Screen, NR, 108 min.
WORLDS OF URSULA K LE GUIN
6
+ GREAT SUBJECT; COOL ANIMATION - A LITTLE SPARSE; COVERS THE SAME GROUND A LOT
Worlds of Ursula K Le Guin from director Arwen Curry does a fine enough job celebrating the life of the groundbreaking sci-fi novelist through interviews with family and those she impacted like Neil Gaiman or Margaret Atwood, but rather than feel like a love letter to a personal hero, the documentary reads almost like a sales pitch to people who already bought what Curry’s selling ages ago. Le Guin, who died last year, of course shattered barriers in the sci-fi world at a time when the bulk of its tales lay firmly in the hands of male authors and hidden in 10-cent pulp paperbacks shoved into bookstore back rooms. By the late 1960s, she had a bevy of stories under her belt and novels like A Wizard of Earthsea tearing up sexist preconceived notions and making her a bit of a literary and feminist hero. And that’s fantastic. But other than a handful of moments about how critics didn’t get her and how she was unparalleled when it came to world-building, we mostly get a bunch of people saying the same thing over and over again: Le Guin was amazing; Le Guin wasn’t appreciated when she was at the height of her powers; Le Guin influenced writers we all love today; Le Guin was a champion.
This is all very true—Le Guin was a brilliant writer (notice we italicized “brilliant”), and though Curry’s footage of the author herself and some light biography is fairly interesting, we aren’t told much that would be valuable to anyone who isn’t a newcomer. Thus, the film feels like a bit of video Cliff’s Notes or a nice way to kill about an hour in a junior high classroom somewhere. We were hoping for a deeper look at her history or maybe even a little less gushing. Either way, Worlds of Ursula K Le Guin does have some cool animated sections and will surely dazzle longtime fans or maybe win over a few new ones. We just don’t think it’ll go down in history quite like Le Guin did. (ADV) Center for Contemporary Arts, NR, 68 min.
CCA CINEMATHEQUE 1050 Old Pecos Trail, 982-1338
JEAN COCTEAU CINEMA 418 Montezuma Ave., 466-5528
REGAL STADIUM 14 3474 Zafarano Drive, 844-462-7342 CODE 1765#
THE SCREEN 1600 St. Michael’s Drive, 473-6494
VIOLET CROWN 1606 Alcaldesa St., 216-5678
For showtimes and more reviews, visit SFReporter.com
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ACROSS 1 Biblical fratricide victim 5 Ragged peak 9 Passing lines 13 “3 Feet High and Rising” group ___ Soul 14 Pick up 16 Controversial director Riefenstahl 17 Current U.S. Secretary of Transportation 19 Cheap bar 20 Calico pony 21 Vaccination 23 Patch of grass 24 Holiday in Hanoi 25 Suffix for novel 28 In a genial manner 30 1992 song by The Cure that goes through the week 33 Airline from Stockholm 34 Likely 35 Fanning of “Maleficent” 36 Magazine for teens since 1965 40 “___ Is Us” 42 Charged-up particle 43 Settings for med. dramas 46 Thought experiment featured in an episode of “The Good Place” 50 Meat dish with a filling
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PETCO: 1-4 pm Thursday, Friday, Saturday & Sunday TECA TU at DeVargas Center: 12 noon-3 pm, First Saturday of each month Please visit our cats at PETCO and TECA TU during regular store hours. FOSTER HOMES URGENTLY NEEDED FOR ADULT CATS OF VARIOUS AGES SANTA FE CATS not only supports the mission of FELINES & FRIENDS from revenue generated by providing premium boarding for cats, pocket pets and birds, but also serves as a mini-shelter for cats awaiting adoption. For more information, please visit www.santafecats.com
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51 Mop & ___ (floor cleaner brand) 52 French possessive meaning “your” 54 Contribute 55 Thailand, formerly 57 “Inconceivable!” 59 “Cool, man” 61 TV host with a “Neighborhood of Make-Believe” (where the starts of the theme answers were found) 64 Letterman rival, once 65 Meditation teachers 66 “Language” of “haxored” and “pwn’d” 67 Agitated state 68 Word before or after break 69 Airport data, for short
DOWN 1 Not so klutzy 2 Philosophy 3 2019 Hyundai model 4 Café au ___ 5 A.L. Central team, on a scoreboard 6 Tape deck button 7 Oohs’ followers 8 S’mores flavor component 9 Antiquarian 10 Diamond game, in Santo Domingo 11 Make use of
12 Create a colorful T-shirt 15 Swedish actress Rapace of the “Millennium” series 18 Domino’s ad character, once 22 ___ pedis (athlete’s foot) 26 ___ paneer (Indian spinach dish) 27 Do some keyboarding 29 2008 Verizon acquisition that once had naming rights to Jacksonville’s stadium 31 “And ___ don’t know what’s going on!” 32 “Let ___!” (“Go ahead”) 37 Cuba y Puerto Rico, por ejemplo 38 “Star Trek” collective 39 Compound with a double bond 40 Walked on 41 Harry who died on Halloween 44 Amplify a certain message 45 Spoke ill of 46 Hiker’s routes 47 Inform 48 ___ the Pig (2019) 49 “With or Without You” singer 53 Complex orgs. 56 Prefix with byte or hertz 58 Stare at in a gross manner 60 “I ___ You Babe” 62 Talk smack about 63 Q-U filler
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SOLUTION
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Colt and Una are waiting to meet you at our Adoption Center inside Petco in Santa Fe.
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UNA and her sibling were found at a nearby pueblo and rescued by a kind person who transferred them to Felines & Friends. TEMPERAMENT: UNA is a very sweet girl that loves attention. She is extremely gentle and great with children. She is bonded to COLT and hoping to find a home with him. UNA is a beautiful girl with a short black & white tuxedo coat. AGE: born approx. 5/4/18.
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COLT was found with his siblings abandoned at a Santa Fe mobile home park and transferred to Felines & Friends for placement. TEMPERAMENT: COLT is a sweet boy that loves to play. His best friend is another young tuxedo kitten named UNA. We are looking for a home where they can be adopted together. COLT is a handsome boy with a short black & white coat. AGE: born approx. 7/5/18.
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COMMUNITY ANNOUNCEMENTS GRIEF SUPPORT GROUP - for those experiencing grief in their lives age 18 and over. Tierra Nueva Counseling Center, 3952 San Felipe Road (next door to Southwestern College), 471-8575, Saturdays 10:00-11:30, ongoing, facilitated by student therapists from Southwestern College. It is offered by TNCC and Golden Willow with sponsorship by Rivera Family Funeral Home. Drop-ins welcome. No group on Saturday, March 16. UPAYA ZEN CENTER: A GLOBAL LEADER IN ENGAGED BUDDHISM Upaya is open to the community for daily meditation and Wednesday Dharma Talks at 5:30 to 6:30p.m. April 6 and April 13, 6:00a.m. to 9:00p.m. ZAZENKAIs are Daylong Silent Meditation Retreats offering meditation instruction to beginners. These retreats include sitting and walking meditation, an hour of work practice, a talk, and three meals for $50. Retreat registration: Upaya.org/programs registrar@upaya.org, or 505-986-8518. 1404 Cerro Gordo, SF, NM. FINDING CALM IN THE STORM: Using Patience to Disarm Anger Mondays, March 18th-April 22nd 12:00-1:00 PM Thubten Norbu Ling 1807 2nd St #35, Santa Fe One of the most destructive emotions we experience is anger. In this six-session lunchtime course, explore the nature of this disturbing emotion, and learn Buddhist methods to help reduce its harmful effects in our lives. The suggested donation is $10/session or $50/full course. Register: www.tnlsf.org/patience KHENPO THUPTEN GONGPHEL: THE THREE VISIONS Tibetan Buddhist Teachings on the Direct Process of the Vast Path Culminating in Ultimate Peace 5 Part Series • Friday, March 15: 6-7:30 pm • Sat & Sun, Mar 16 & 17th: 10-12, 2-4 pm 66 E San Francisco St - Lower level • $20 per session / $75 for All 5 Sessions https://tsechennamdrolling.org/ coming-up/santa.fe Sakya@Yahoo.com • 505.577.1116
TONIGHT - FREE PUBLIC TALK: Body Language, Behavior and Communication: Understanding Your Canine Best Friend 6:30-7:30pm, LaFarge Public Library, 1730 Llano St., For dogs, all body language is meaningful and communicative: yours and theirs! Join David Crosby and Gaia Richards for this free, hourlong informative talk about how you can better understand your best friend! David Crosby is owner of Wabniaq, LLC, and he understands dogs and saves lives. When dogs become inconvenient or dangerous, all too often things end badly. Crosby has succeeded where others have failed with such dogs by emphasizing how canine behavior is directly linked to the humans around them. The same techniques pros use to produce high-performance K9 teams can help you to enter a new world of enjoyment and satisfaction with your dog. (No pet dogs allowed in the library.)
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AUTOMOTIVE FOR SALE
JOHREI CENTER OF SANTA FE .JOHREI IS BASED ON THE FOCUS AND FLOW OF THE $12,000 OBO UNIVERSAL LIFE ENERGY. 2018 Honda Pioneer 700-2 When clouds in the spiritual body and in consciousness are dissolved, there is a return to true health. This is according to the Divine Law of Order; after spiritual clearing, physical and mental- emotional healing follow. You are invited to experience the Divine Healing Energy of Johrei. All are Welcome! The Johrei Center of Santa Fe is located at Calle Cinco PLaza, 1500 Fifth St., Suite 10, 87505. Please call 820-0451 with any questions. Drop-ins welcome! Open Tuesday, Wednesday, Thursday, 2-5pm. Friday 2-4pm. Saturday, 10am-1pm. Closed Sunday and Monday. There is no fee for receiving Johrei. Donations are gratefully accepted. Please check us out at our new website: Santafejohreifellowship.com
Deluxe, 60 miles, still under warranty. Accessories: • Honda hard roof • Honda full glass windshield OR NIB Honda 2 piece flip-up hardcoat windshield • Honda hard rear panel w/sliding glass • Honda camo full seat covers • Honda Fender Flares • KFI winch mount • Spare tire & wheel • LED Headlight upgrade • TurnPro fully integrated turn signals w/flasher, horn • Factory service manual • Bed mat Mark 505.249.3570 mklap480@gmail.com
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SERVICE DIRECTORY ARTS
— In Fond Memory of Those We Served —
LEGALS LEGAL NOTICE TO CREDITORS/NAME CHANGE
CHIMNEY SWEEPING
GREENE FINE ARTS Edenic Scene Willard F. Clark Oil on Canvas 17” x 23” $9,500 A resident in Santa Fe from 1928 until his death in 1992, Clark addressed nearly every aspect of life in NM in his paintings, woodcuts and engravings. Friend and contemporary of such New Mexican notables as Gustave Bauman, Eli Levin and Brian Long. Clark was an integral part of Santa Fe’s artistic tradition. 206-605-2191 greenefinearts.com
appointed personal representative of the estate of the decedent. All persons having claims against the decedent are required to present their claims FENCES & GATES within four (4) months after the STATE OF NEW MEXICO date of the first publication of COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT any published notice to creditors or sixty (60) days after the IN THE MATTER OF THE date of mailing or other delivery PETITION OF of this notice, whichever is later, KEVIN R. KORTE AND or the claims will be forever MIQUELA KORTE barred. Claims must be preNO. D-101-CV-2019-0038 sented either to the undersigned SANTA FE COYOTE FENCING. FOR CHANGE OF NAME OF Specializing in Coyote Fencing. EZEKIEL JOHN KORTE, a minor, personal representative at the License # 19-001199-74. address listed below, or filed NOTICE OF PETITION TO Thinking about upgrading or with the Probate Court of Santa CHANGE NAME (OF PERSON Fe County, New Mexico, located building a new fence? Schedule UNDER 14 YEARS OF AGE) your Spring/Summer appointat the following address: NOTICE IS HEREBY GIVEN ment starting March, 1st! that Kevin R. Korte and Miquela 102 Grant Avenue, Santa Fe, Give Richard a call: NM 87501Dated: February 20, Korte, residents of the City of 505-690-6272 2019Maria Ruth Martinez Santa Fe, County of Santa Fe, santafecoyotefencing.com 1808 San Felipe Circle State of New Mexico, by their attorneys, Prince, Schmidt, Korte Santa Fe, NM 87505 & Baca,LLP (Vitalia Sena-Baca) LANDSCAPING on February 6, 2019, filed a peti- STATE OF NEW MEXICO COUNTY OF SANTA FE tion to Change Name of their LANDSCAPES BY DENNIS FIRST JUDICIAL DISTRICTIN child in the First Judicial Court, Landscape Design, Xeriscapes, THE MATTER OF THE ESTATE Santa Fe County, New Mexico, Drip Systems, Natural Ponds, wherein they seek to change the OF ROBERT F. QUICK, Low Voltage Lighting & Deceased. name of their child as follows: Maintenance. I create a cusCurrent Name: Ezekiel John Korte No. D-101-PB-2019-00037 tom lush garden w/ minimal NOTICE TO CREDITORS Proposed Name: Ezequiel use of precious H20. NOTICE IS HEREBY GIVEN John Korte 505-699-2900 that the undersigned has This Petition will be heard before the Honorable Raymond been appointed Personal Representative of this PERSONAL & Z. Ortiz, District Judge, on the estate. All persons having 19th day of April, 2019 at the PROFESSIONAL claims against this estate hour of 10:00 am at the Judge SERVICES Steve Herrera Judicial Complex, are required to present their 225 Montezuma Avenue, Santa claims within four months after the date of the first pubFe, NM 87501. lication of this notice or the ISSUED: 2/14/2019 claims will be forever barred. STEPHEN T. PACHECO Claims must be presented Court Clerk either to the undersigned Jorge Montes Personal Representative in Deputy care of Karen Aubrey, Esq., PRINCE, SCHMIDT, KORTE & Law Office of Karen Aubrey, BACA, LLP Post Office Box 8435, Santa By: /s/ Vitalia Sena-Baca, Fe, New Mexico 87504-8435, Attorney at Law or filed with the First Judicial 2905 Rodeo Park Drive East, District Court, Santa Fe Bldg. 2 Santa Fe, NM 87505 County Judicial Complex, Post (505) 982-5380 Vitalia@lawMediate—Don’t Litigate! Office Box 2268, Santa Fe, forpersonalinjury.com New Mexico 87504-2268. PHILIP CRUMP Mediator Dated: February 19, 2019 STATE OF NEW MEXICO I can help you work together CYNTHIA M. VOLLMER IN THE PROBATE COURT toward positive goals that LAW OFFICE OF KAREN AUBREY SANTA FE COUNTY IN THE create the best future for all BY: /S/ MATTER OF THE ESTATE • Divorce, Parenting plan, Family KAREN AUBREY OF MARIA CORDELIA • Business, Partnership, Construction P.O. BOX 8435 MARTINEZ, DECEASED. Santa Fe, New Mexico 87504-8435 CASE NO: 2019-0010 FREE CONSULTATION (505) 982-4287; facsimile NOTICE TO CREDITORS philip@pcmediate.com (505) 986-8349 NOTICE IS HEREBY GIVEN ka@Karenaubreylaw.com that the undersigned has been 505-989-8558
Make sure all the workers for your chimney service company are covered by worker’s comp insurance. (Hint: the cheapest chimney sweeps do not insure their workers.) Be safe! Baileyschimney.com. Call Bailey’s today 505-988-2771
• 40 Years in Business • Casey’s Chimney Sweeps has been entusted to restore the fireplaces at: • The Historic St. Francis Hotel • The 60 Ft. Flues at the Elodorado Hotel • The Santa Fe Historic Foundation Homes • The Fenn Gallery and now Nedra Matteucci Gallery • Geronimo Restaurant • Georgia O’Keefe’s home and now Paul Allen’s Home Thank You Santa Fe! 505-989-5775
HANDYPERSON CARPENTRY to LANDSCAPING Home maintenance, remodels, additions, interior & exterior, irrigation, stucco repair, jobs small & large. Reasonable rates, Reliable. Discounts avail. to seniors, veterans, handicap. Jonathan, 670-8827 www.handymannm.com
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SFR CLASSIFIEDS 3 Ways to Book Your Ad!
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Rob Brezsny
Week of March 6th, 2019
ARIES (March 21-April 19) Genius inventor Thomas Edison rebelled against sleep, which he regarded as wasteful. He tried to limit his time in bed to four hours per night so he would have more time to work during his waking hours. Genius scientist Albert Einstein had a different approach. He preferred ten hours of sleep per night, and liked to steal naps during the day, too. In my astrological opinion, Aries, you’re in a phase when it makes more sense to imitate Einstein than Edison. Important learning and transformation are happening in your dreams. Give your nightly adventures maximum opportunity to work their magic in your behalf.
astrological omens, I urge you to commune with other dull but meaningful things. Seek out low-key but rich offerings. Be aware that unexciting people and situations may offer clues and catalysts that you need.
SCORPIO (Oct. 23-Nov. 21): Many of you Scorpios regard secrecy as a skill worth cultivating. It serves your urge to gather and manage power. You’re aware that information is a valuable commodity, so you guard it carefully and share it sparingly. This predilection sometimes makes you seem understated, even shy. Your hesitancy to express too much of your knowledge and feelings may influence people to underestimate the intensiTAURUS (April 20-May 20): The Danish flag has a red ty that seethes within you. Having said all that, I’ll now predict that you’ll show the world who you are with background emblazoned with an asymmetrical white cross. It was a national symbol of power as early as the more dazzle and flamboyance in the coming weeks. It’ll fourteenth century, and may have first emerged during be interesting to see how you do that as you also try to heed your rule that information is power. a critical military struggle that established the Danish empire in 1219. No other country in the world has a flag SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian actress with such an ancient origin. But if Denmark’s Prime and producer Deborra-Lee Furness has been married to Minister Lars Løkke Rasmussen, who’s a Taurus, came megastar actor Hugh Jackman for 23 years. Their wedto me and asked me for advice, I would urge him to ding rings are inscribed with a motto that blends break with custom and design a new flag—maybe Sanskrit and English, “Om paramar to the mainamar.” something with a spiral rainbow or a psychedelic tree. Hugh and Deborah-Lee say it means “we dedicate our I’ll suggest an even more expansive idea to you, Taurus: union to a greater source.” In resonance with current create fresh traditions in every area of your life! astrological omens, I invite you to engage in a similar gesture with an important person in your life. Now is a GEMINI (May 21-June 20): On June 7, 1988, Gemini musician Bob Dylan launched what has come to be known marvelous time to deepen and sanctify your relationship by pledging yourselves to a higher purpose or as the Never Ending Tour. It’s still going. In the past 30+ beautiful collaboration or sublime mutual quest. years, he has performed almost 3,000 shows on every continent except Antarctica. In 2018 alone, at the age of CAPRICORN (Dec. 22-Jan. 19): In 1997, a supercomputer 77, he did 84 gigs. He’s living proof that not every Gemini named Deep Blue won six chess matches against Chess is flaky and averse to commitment. Even if you yourself Grand Master Gary Kasparov. In 2016, an Artificial have flirted with flightiness in the past, I doubt you will do Intelligence called AlphaGo squared off against human so in the next five weeks. On the contrary. I expect you’ll champion Lee Sodol in a best-of-five series of the Chinese be a paragon of persistence, doggedness, and stamina. board game Go. AlphaGo crushed Sodol, four games to one. But there is at least one cerebral game in which CANCER (June 21-July 22): The otters at a marine human intelligence still reigns supreme: the card game park in Miura City, Japan are friendly to human visitors. There are holes in the glass walls of their enclo- known as bridge. No AI has as yet beat the best bridge sures through which they reach out to shake people’s players. I bring this to your attention, Capricorn, because I hands with their webbed paws. I think you need expe- am sure that in the coming weeks, no AI could out-think riences akin to that in the coming weeks. Your mental and out-strategize you as you navigate your way through and spiritual health will thrive to the degree that you life’s tests and challenges. You’ll be smarter than ever. P.S.: seek closer contact with animals. It’s a favorable time I’m guessing your acumen will be extra soulful, as well. to nurture your instinctual intelligence and absorb AQUARIUS (Jan. 20-Feb. 18): At regular intervals, a influences from the natural world. For extra credit, hot stream of boiling water shoots up out of the earth tune in to and celebrate your own animal qualities. and into the sky in Wyoming’s Yellowstone National LEO (July 23-Aug. 22): Between 1977 and 1992, civil war Park. It’s a geyser called Old Faithful. The steamy surge raged in Mozambique. Combatants planted thousands of can reach a height of 185 feet and last for five minutes. When white settlers first discovered this natural pheland mines that have remained dangerous long after the conflict ended. In recent years, a new ally has emerged in nomenon in the nineteenth century, some of them used the quest to address the problem: rats that are trained to it as a laundry. Between blasts, they’d place their dirty find the hidden explosives so that human colleagues can clothes in Old Faithful’s aperture. When the scalding flare erupted, it provided all the necessary cleansing. defuse them. The expert sniffers don’t weigh enough to I’d love to see you attempt a metaphorically similar detonate the mines, so they’re ideal to play the role of feat, Aquarius: harness a natural force for a practical saviors. I foresee a metaphorically comparable development in your future, Leo. You’ll get help and support from purpose, or a primal power for an earthy task. a surprising or seemingly unlikely source. PISCES (Feb. 19-March 20): Who was the model for VIRGO (Aug. 23-Sept. 22):Imagine a stairway that leads Leonardo da Vinci’s iconic painting Mona Lisa? Many nowhere; as you ascend, you realize that at the top is not scholars think it was Italian noblewoman Lisa del Giocondo. Leonardo wanted her to feel comfortable dura door or a hallway, but a wall. I suspect that lately you may have been dealing with a metaphorical version of an ing the long hours she sat for him, so he hired musicians to play for her and people with mellifluous voices to read anomaly like this. But I also predict that in the coming her stories. He built a musical fountain for her to gaze weeks some magic will transpire that will change everyupon and a white Persian cat to cuddle. If it were within thing. It’s like you’ll find a button on the wall that when pushed opens a previously imperceptible door. Somehow, my power, I would arrange something similar for you in the coming weeks. Why? Because I’d love to see you be you’ll gain entrance through an apparent obstruction. calmed and soothed for a concentrated period of time; to LIBRA (Sept. 23-Oct. 22): Not all of the classic works feel perfectly at ease, at home in the world, surrounded of great literature are entertaining. According to one by beautiful influences you love. In my opinion, you need survey of editors, writers, and librarians, Goethe’s and deserve such a break from the everyday frenzy. Faust, Melville’s *Moby Dick*, and Cervantes’ *Don Quixote* are among the most boring masterpieces ever Homework: Think of the last person you cursed, if only with a hateful thought if not an actual spell. written. But most experts agree that they’re still valuNow send them a free-hearted blessing. able to read. In that spirit, and in accordance with
Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 9 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700. 38
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MIND BODY SPIRIT
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DR. JOANNA CORTI, DOM, Powerful Medicine, Powerful Results. Homeopathy, Acupuncture. Micro-current (Acupuncture without needles.) Parasite, Liver/cleanses. Nitric Oxide. Pain Relief. Transmedium Energy Healing. Worker’s Compensation and Auto Accidents Insurance accepted 505-501-0439
Dr. Wendy Feldman, Network Spinal Care. Complimentary Consultation. The nervous system holds the key to the body’s incredible potential to heal itself. Benefits may include: increased energy & activity, healing emotions, decreased illness, back and neck pain relief, more restful sleep, less stress and anxiety. Support for seekers. 505-310-5810.
AYURVEDIC ASTROLOGY
Ayurveda looks into bringing balance to the body so that no disease can take over. Astrology gives us your DNA and can easily Diagnose the disease or imbalance. Together the 2 ancient arts can help treat all ailments including CANCER, DIABETES Etc. Power readings 20 min for $15. Please call 505 819 7220 for your appointments. 103 Saint Francis Dr, SF, NM
PERSONALIZED REFLEXOLOGY SESSIONS Julie Glassmoyer, CR www.SFReflexology.com 505/414-8140
ROLFING
HYPNOTHERAPY & NLP Jamie Compton Certified advanced Rolfer and Somatic Experiencing Practitioner *Healing trauma *Better posture *Feel better from the inside out Experience your Core 24 yrs experience. 505 699-0323 rolfnet.com Get On Track to Live your Best Life Ever! Over 20 yrs. experience with all kinds of issues and goals. Call Patrick Singleton at 505-577-1436 santafehypnotherapyandnlp.com
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TANTRA MASSAGE & TEACHING Call Julianne Parkinson, 505-920-3083 • Certified Tantra Educator, Professional Massage Therapist, & Life Coach
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LOVE. CAREER. HEALTH. Psychic readings and Spiritual counseling. For more information call 505-982-8327 or go to www.alexofavalon.com. Also serving the LGBT community.
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ARE YOU A THERAPIST OR HEALER? YOU BELONG HERE IN MIND BODY SPIRIT!
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It’s in your hands. pick the finalists, Santa Fe.
Nominations in 150 categories through March 17.
The top six winners from each category Don’t let your faves get left behind.
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WE BUY DIAMONDS GOLD & SILVER GRADUATE GEMOLOGIST THINGS FINER Inside La Fonda Hotel 983-5552
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SELL YOUR LIBRARY Big Star buys all subjects, collectibles, & CDs 329 Garfield Street - 505-820-7827
YOGA VIDYA
Intro Series Begins March 7&9 www.yogavidyasantafe.com 505-629-6805
MATH TUTORING SAT•ACT•LSAT•ETC SCIENCES • LANGUAGES • WRITING $35/Hr CONTACT ANTHONY Polloa.sseus@gmail.com
INNER FOR TWO 106 N. Guadalupe Street (505) 820-2075 •
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