July 12, 2017 Santa Fe Reporter by Santa Fe Reporter

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SANTA FE INSTITUTE LAUNCHES AN INTERPLANETARY PROJECT WITH GALACTIC AMBITIONS B Y J U L I A G O L D B E R G , P. 1 2

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JULY 12-18, 2017 | Volume 44, Issue 28

NEWS OPINION 5

Celebrate Folk Art with PBD

NEWS 7 DAYS, METROGLYPHS AND THIS MODERN WORLD 6 AD BLOCKER 8 Anti-DWI-advertisement funds, they are a-changin’

Folk Art Market Weekend

KID SISTER 9 The International Folk Art Market took a sojourn into Texas last month SICK BARS 11 When inmates are released from prison, they’re often expected to get medical care as a condition of their release—so what will happen if Medicaid sees cuts? COVER STORY 12

31 Kent Monkman’s The Rendezvous reimagines a style steeped in Manifest Destiny to include LGBTQ characters, people of color and others from whom we generally do not hear.

EDITOR AND PUBLISHER JULIE ANN GRIMM

Handcrafted Jewelry Silver & Turquoise Beading Supplies

50-75% Off Come colorfully clad! 675 Harkle Road Santa Fe, NM

ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE

CULTURE SFR PICKS 19 Madness and guitar bros, fantasms and farmers THE CALENDAR 21

ART DIRECTOR ANSON STEVENS-BOLLEN CULTURE EDITOR ALEX DE VORE STAFF WRITERS AARON CANTÚ MATT GRUBS

MUSIC 23

Learn more at:

www.peyotebird.com

COPY EDITOR CHARLOTTE JUSINSKI

BRANDEN & JAMES: SAD BASTARDS It was two dudes the whole time!

CULTURE STAFFER MARIA EGOLF-ROMERO

FIRST TRACKS 27

CONTRIBUTING EDITOR JEFF PROCTOR

DREAMCASTLE: BLOOM DELICACY REVIEW Jake Trujillo plays the hits

CONTRIBUTING WRITERS JULIA GOLDBERG ALICIA INEZ GUZMÁN NEIL MORRIS MICHAEL J WILSON

SAVAGE LOVE 28 Savage words of wisdom

EDITORIAL INTERN LAUREN THOMPSON

PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER

FRONTIER CARNIVAL Kent Monkman’s wooded wonderland

PHOTO INTERN LILIANA DILLINGHAM

ACTING OUT 33

MAJOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS

NOTHING BUT LOVE Go two-sies on staged events

ADVERTISING EXECUTIVES MICHELLE RIBEIRO GAYE ROTH

FOOD 35 SUMMER PUDDING: HAD ME A BLAST This ain’t your mama’s pile of goo MOVIES 39 SPIDERMAN: HOMECOMING REVIEW Finally, a Spiderman movie we can get behind

Phone: (505) 988-5541 Fax: (505) 988-5348 Classifieds: (505) 983-1212 Office: 132 E MARCY ST.

NEED A PHYSICIAN?

DIGITAL SERVICES MANAGER BRIANNA KIRKLAND

A&C 27

www.SFReporter.com

Open 10 - 5 PM

FRONTIER CARNIVAL

Cover design by Anson Stevens-Bollen artdirector@sfreporter.com

OUT OF THIS WORLD The Santa Fe Institute takes a look at what Earth contributes to the galactic discourse

July 13th - 15th

WE PROVIDE health care for THE entire family.

CIRCULATION MANAGER ANDY BRAMBLE OFFICE MANAGER AND CLASSIFIED AD SALES JILL ACKERMAN PRINTER THE NEW MEXICAN

EDITORIAL DEPT.: editor@sfreporter.com

CULTURE EVENTS: calendar@sfreporter.com DISPLAY ADVERTISING: advertising@sfreporter.com CLASSIFIEDS: classy@sfreporter.com

THOUGH THE SANTA FE REPORTER IS FREE, PLEASE TAKE JUST ONE COPY. ANYONE REMOVING PAPERS IN BULK FROM OUR DISTRIBUTION POINTS WILL BE PROSECUTED TO THE FULL EXTENT OF THE LAW. SANTA FE REPORTER, ISSN #0744-477X, IS PUBLISHED EVERY WEDNESDAY, 52 WEEKS EACH YEAR. DIGITAL EDITIONS ARE FREE AT SFREPORTER.COM. CONTENTS © 2017 SANTA FE REPORTER ALL RIGHTS association of alternative newsmedia RESERVED. MATERIAL MAY NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.

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JULY 12-18, 2017

JULY 5-11, 2017

â&#x20AC;¢

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COURTESY VEILED LIGHTNING

LETTERS

Have you had a negative dental experience? Michael Davis,

DDS

New Patients Welcome

SMILES OF SANTA FE

Would you like to experience caring, smiling, fun, gentle people who truly enjoy working with you?

Michael W. Davis, DDS 1751 Old Pecos Trail, Suite B (505) 988-4448 www.SmilesofSantaFe.com

P R OV I D E R F O R D E LTA A N D U N I T E D C O N C O R D I A D E N TA L P L A N S • M O S T I N S U R A N C E S A C C E P T E D

WATCH YOUR MOUTH Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

NEWS, JULY 5: “ENTRADA TROUBLE”

CHANGE IT UP

“If a motherfucker...” Perhaps the Segwayequipped officers can provide assistance to Mr. Hastcoat by towing his wheelchair to the RailRunner station? Perhaps the merchants association would like to start a GoFundMe page to pay for his ticket back to Albuquerque? Perhaps Mr. Hastcoat can learn a few dollars by providing training to the police academy on the very definition of “aggressive panhandling”?

JUDY KAMINSKY SFREPORTER.COM

Change the Entrada! Old school! Give honor to the Native Americans where it should be!

LIZ MONTOYA VIA FACEBOOK

WEB EXTRA, JULY 6: “HOT WHEELS”

IN DA HOOD

IT’S GOTTEN PERSONAL

Your tax dollars at work (or maybe rest)—I have never seen a policeman on foot patrol in my neighborhood! Maybe now they can hit all the hoods!

Politics and personal grudges find a platform in Eric Killelea’s critical forum on Meow Wolf, most of which centers around the age old dorm-room discussion topic: “Is it art?” Back in the day I used to enjoy latenight ruminations on subjects such as this. That is, until local (and late) artist Max Friedenberg delivered the proverbial mic drop, when he answered the question thusly: “If you frame it and ask people to look at it, it’s art.” Bam. To this day, this is as thorough a definition of art as I know of. It blasts

DRU LIBBY VIA FACEBOOK

  - 

Social Resilience Model (SRM) Level i Presented by Laurie Leitch, PhD 505-986-8518

WWW.UPAYA.ORG

WE MISS BOWLING THO

JOSEPH CHAVEZ VIA FACEBOOK

While public school teachers live paycheck to paycheck, and students come to school hungry. Get your head out of your ass, Santa Fe.

Taught by Acharya Fleet Maull, PhD

“WHO’S AFRAID OF THE BIG BAD WOLF?”

CANDIS MCKINZIE VIA FACEBOOK

$34K WELL SPENT?

Practices for Compassionate Communication, Authentic Relationship, and Servant Leadership

A&C, JUNE 28:

I support [police on Segways]. There are too many homeless on the Plaza to the point it makes you uneasy. Tourists spend a lot of money to get here and spend more money shopping the Plaza. They deserve to feel safe and unhasseled by vagrants. A active police presence with new mobility vehicles will provide that.

HARRY A JONES VIA FACEBOOK

  - 

Radical Responsibility:

SANTA FE, NM

You can call it what you want, it’s something that’s changed an abandoned bowling area to a unique attraction and changes the way people experience art. Meow Wolf is actually marketing to an audience that isn’t wealthy, white, retired, “cultured” people, but the entire community, and if you ask me, that’s more important than putting up another conventional art gallery with art pieces most real residents of Santa Fe are never able to afford.

GOOOOOO COPS!

CEU Workshops for Compassionate Leadership and Resilience to Burnout

David Griego invites you to join us on FRIDAY, JULY 14, when we sponsor Santa Fe Bandstand’s Music on the Plaza with LUMBRE del SOL! Register at 3:00pm the day of the event to win a Gold & Turquoise Zia Heart Pendant! 60 E. San Francisco St., Suite 218 | 505.983.4562 | SantaFeGoldworks.com

FRESHAIR

BEAUTY Oscar Daniel Hair Design 227 E. Palace Ave. Suite L 989-3264 | Open Tues - Sat

CONTINUED ON PAGE 7

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JULY 12-18, 2017

7 DAYS

L I WIL U O Y D FIN

VENDORS ROBBED PRIOR TO 4TH OF JULY PLAZA PANCAKE BREAKFAST USA! USA! USA! USA!

MEOW WOLF TO LAUNCH CROWDFUNDING EQUITY CAMPAIGN ON JULY 15 But, like, is it art, man?

PEARCE DEFINITELY RUNNING FOR GOVERNOR And he already has his own plane.

CITY COUNCILOR SIGNE LINDELL PROPOSES CIRCUS BAN Failing that, the city will probably ban smoking at circuses and also people on the Plaza pretending to be in the circus. SOME T MIGH SAY THE EST BIGG

BUG MUSEUM AT DE VARGAS MALL GETS BIG OL’ STICK BUG Seriously, though—it’s a huge-ass stick bug.

NM FILM HALL OF FAME PROPOSED Think they’ll prominently display Wild Hogs?

CITY UNVEILS @POSTAPOTHOLESF TWITTER ACCOUNT ALLOWING CITIZENS TO TWEET A POTHOLE LOCATION FOR A PROMISED FIX WITHIN 72 HOURS No word on when @OutrageousDowntownParkingCosts might show up...

JULY 12-18, 2017

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SFREPORTER.COM

RIMA KRISST FOR FLY SANTA FE

LETTERS “Summary of peer-reviewed research: Fuel reduction is not useful in preventing wildfires and in fact causes wildfires to be worse by opening the forest floor to wind and dryness.” ... We need more gadflies like ... Arthur Firstenberg and a lot less taxpayer-financed destroyers of nature. through a lot of fanciful subjectivity and—much to the chagrin of late-night art school conversationalists everywhere— cuts the potential discussion time significantly. Yes, Meow Wolf is art, by any definition. The real question Killelea’s panel of malcontents are circling, then, isn’t “Is it art?” But—is it fine art? It depends, of course, on how you define ‘fine’. Artist Tim Reed, the most vocal critic in the article, offers this: “Fine art is one of the most important tools we have to healing in a troubled society.” Which of course, begs the question— who’s doing the healing, who’s getting healed, and how? … Giving hard-working people a place to congregate and contemplate the fantastical, the modern day mythological, … might. … Personally, I prefer the warmer and more inclusive definitions of “fine.” Community and story are very fine things. … And if an art space can provide a place for families to come together in wonder and imagine what is possible, in a way that grows love in our community, then that is very fine indeed.

JOSH SCHREI SANTA FE

LETTERS, JUNE 28: “LOCAL GADFLIES”

FRED KING SANTA FE

COVER, JUNE 14: “FLIGHT PLANS”

ASK THE RESIDENTS The city and county government’s lack of representing their constituency outside of the airport boundaries is deplorable. In the SFR article, I am surprised the journalist who wrote the story did not interview any of the local people who resided next door to the airport about their input relating to quality of life, public safety, flight path restrictions, airport operations, and noise abatement concerns. Since the early ’80s and afterwards, the city and county have ignored our concerns and eventually, we will have to rise once again, resist, object, and denounced future city/county plans for any type of airport expansion and projects at this location. By the way, who cares on what the passengers see when they pass by the old auto junkyards as well as smelling the chit coming downwind from the WWTF. Here in La Cieneguilla, we have to see and smell this chit every day and what has the city and county governments accomplished in addressing the land-use issues for our community south of the city and county limits? Nada!

JOSE L VILLEGAS, SR. LA CIENEGUILLA

SO-CALLED SCIENCE The so-called science of current Forest Service “management” around Santa Fe is just unproven hypothetical theories. See George Wuerther, Idaho State University:

SFR will correct factual errors online and in print. Please let us know if we make a mistake, editor@sfreporter.com or 988-7530.

SANTA FE EAVESDROPPER “Dancing, crying and throwing up. They’re all in the same category. I’m like, ‘No no no no no!’ But then once I’m doing it, I’m glad I am.” —Overheard at The Hollar

Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM

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JULY 12-18, 2017

T H I S I S A PA I D A D V E R T I S E M E N T

NEWS

Ad Blocker Governor bans county anti-DWI ads, still spends cash on state marketing message

2017 Is the Best Time to Go Solar

FIVE REASONS YOU SHOULD MAKE THE SWITCH TODAY Consumer Reports — one of the nation’s most trusted personal finance publications — offered a bold statement in a recent article: “There has probably never been a better time to switch to solar.” From tech improvements to environmental benefits to tax incentives, there are so many reasons why this is true. People are catching on: America has been averaging one new residential solar installation every 100 seconds. Here are five reasons to act now and install home solar: 1. This is the moment to take advantage of falling solar costs. Solar installation costs have fallen dramatically — to half of what they were in 2008 and 100 times less than what they were back in 1978. Still, as Consumer Reports notes, this is the time to go solar, rather than waiting on the sidelines for further price reductions: many of the recent price cuts have been “soft costs,” including labor costs that are unlikely to decline much further. You can have confidence installing solar today. 2. The 30% federal tax credit scales down starting in 2019. The federal government is still offering excellent incentives to go solar — but you must act now. In the coming years, tax credits will scale down to 26 percent and then to 22 percent. In addition to tax breaks, there are other excellent options including low-interest financing that are available now. 3. New Mexico’s “Net Metering” law makes solar a smart investment. Through “net metering,” New Mexico residents can generate their own power and get credit for what they provide to the grid for others to use. This law — in effect now — makes solar extraordinarily cost-effective. 4. Solar technologies and installation processes are better than ever. As the solar industry has grown and matured, customer satisfaction has reached impressive heights. Leading firms, including SunPower by Positive Energy Solar, are now able to design and install solar energy systems with minimal impact on your home’s appearance. Power failures are extremely rare, and customers can enjoy the peace of mind that comes with a 25-year power and product warranty. 5. This is a crucial moment to help protect clean air and water. As challenges including water scarcity, air pollution, and carbon emissions intensify, people are looking for opportunities to live sustainably. Going solar is a simple and effective way to do your part. By eliminating the need for polluting and waterconsumptive power plants, solar energy reduces harmful air pollution, saves vital resources, and improves our quality of life. It’s an easy way to be part of the solution.

To find out how much you can save with solar, visit PositiveEnergySolar.com or call 505.424.1112 8

JULY 12-18, 2017

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SFREPORTER.COM

B Y M AT T G R U B S @mattgrubs

he ad is, as the governor’s press release says, powerful. A man lies in his jail cell, unable to rest as he’s haunted by the memory of driving drunk and killing a young woman. “ENDWI” it says across the screen at the end. “This new ad shows exactly what happens when people make the choice to get behind the wheel drunk,” the June 22 press release quotes Gov. Susana Martinez as saying. Four days later, when police caught up with a six-time DWI offender who wasn’t reporting for his parole check-ins, another press release noted the arrest “comes on the heels of the Governor unveiling a new hard-hitting ad to end DWI.” In the past three years, the New Mexico Department of Transportation has paid more than $4.7 million to RK Venture, the ad agency responsible for the ENDWI campaign and other state work. That figure is not a telltale sign of overspending or government waste; by many accounts, the campaign is among the more successful efforts of the governor’s time in office. Rather, it’s a clear indication that there’s value to advertising, and the Martinez administration believes it. So imagine the surprise when local anti-DWI programs in counties across the state learned late last year they could no longer use millions in state grant funds to pay for promotional items or advertising. Times were tight, the DWI Grant Council informed some program managers in November. The six-member panel is appointed by the governor and doles out funding that comes from the excise tax on beer, wine and liquor sales. Effective with the council’s Dec. 15 vote, all spending by counties on advertising was banned until further notice.

According to minutes from the meeting, the council’s chairman, former Clovis police chief Caleb Chandler, told the few people in the room that because of budget cuts, the council “needed to set priorities that have a direct impact on DWI offenders, such as probation and law enforcement.” By May, counties were pushing back. Kelly Ford, the DWI program coordinator for Lea County, sits on the council and raised the issue. According to the minutes for the council’s May 2 meeting, Ford told her fellow councilors, “Much of our advertising is conditioning and being successful in changing behavior. If we don’t advertise our services, they will not be utilized. If they are not utilized, the staff members we employ will be sitting in the gallery. Counties cannot afford the costs of advertising.” Martinez spokeswoman Emilee Cantrell offered little explanation in an email response to questions from SFR. “We always expect DWI funds to be spent responsibly on effective tools that help fight drunk driving in New Mexico. The administration will continue working with partners like law enforcement, local leaders, community groups and others to fight to get drunk drivers off our roads,” she wrote. In Santa Fe County, which is relatively lucky, the DWI prevention program has shuffled its funding sources to keep up its advertising. “There’s a compliance fee that we charge offenders, so we’re going to use that to offset what we lost from the state,” Lupe Sanchez, Santa Fe County’s program coordinator, tells SFR. While it’s close to maintaining the level of advertising and promotion—which includes radio ads, bus wraps and drink coasters given to bars—the contract expires next March, three months before the end of the budget year. In the May 2 DWI Grant Council meeting, county after county told commissioners about the impact of advertising cuts, including how advertising saturation patrols or DWI checkpoints increases the perception that drunken drivers will get caught and keeps them off the road. Billboards and sign rentals can often be reused, said the Roosevelt County program coordinator, who called advertising “vital.”

PETER SILLS

NEWS

Kid Sister

Santa Fe’s International Folk Art Market sews its wild oats in new cities as it seeks to grow opportunity for artists

“I knew that it was a new baby, so I managed my expectations. It had to be done. Nothing is like here’s usually plenty of Santa Fe,” he tells SFR on sun at the Santa Fe Interthe phone from his WashWash national Folk Art Market, ington, DC, hotel room. held on a July weekHe’s at the Smithsonian end every year for the last Folklife Festival. He’ll 14 years. This was somebe in Santa Fe in a thing different, though. few days. HandsThis was Texas heat. down, the market It was four weeks here is the preago, June 17, and the miere event of temperature in Arhis selling season. lington topped out in He never considthe mid-90s. Humidered saying no to ity climbed to 85 perthe Arlington sister cent. By 10 pm, three market. dozen exhausted arti“For me, the mosans and scores of sticky, ment they said there is this tired volunteers found their opportunity and would you way to an air-conditioned be interested, I said 100 perroom to gather. Andrea Usai, a cent. In fact, if there is more jeweler from Sardinia It was a mixed bag for the who was part of the than 100 percent, I would International Folk Art Allifirst International be interested even more,” ance’s first-ever sister marFolk Art Market in he says with an easy Italian ket; those who made scarves, Texas, says, “We are laugh. all looking for more drums and baskets did well. opportunities … to The alliance, which puts For some reason, fine jewmake our product as on the annual Santa Fe Inelry hadn’t sold as expected. known as possible.” ternational Folk Art MarThat’s Andrea Usai’s trade, ket, brought in Jeff Snell but the Sardinian artist still two years ago to lead the orstood up to praise his fellow ganization into expansion. craftsmen and women, as Snell hopes to start half a well as the effort by the allidozen sister markets by 2025. ance to push the boundaries of its innova“These are not exercises of ego or just tive program. getting bigger and growing for growth’s They were all pioneers, Usai told sake. It’s about mission and opportunities the crowd. He was proud to be counted for artists who are waiting,” he tells SFR among them.

B Y M AT T G R U B S @mattgrubs

be brought to the world through our market venue. And their faces are pressed against the glass asking, ‘When can I come back? When’s my opportunity?’” Snell says. New markets mean each artist at the sister venue has a chance to grow their business outside the safe nest of Santa Fe. All of them will have come through the flagship program first. And while some such as Usai are coming to Santa Fe as well, 60 percent of the artists in Arlington only sold their wares in Texas. The vast majority of the Arlington artists were a natural fit with a special wholesaling program the International Folk Art Alliance sponsors at a nearby trade center in Dallas, so they have a financial safety net and are ready to grow. That means more spots in Santa Fe (54 this year) for new artists. The from his office. He’s market is fast closing in already shepherding on an alumni network of the alliance into new 1,000 artists from 100 counoffice space as it prepares tries. to mentor staff from the Jeff Snell, CEO of Now is the time to try, the International sister markets. Each potenSnell believes. The market for Folk Art Alliance, tial new city has to commit folk art and handmade work is drawing on his to working at the Santa Fe is booming. Artists on the background in market for a year to learn social innovation sidelines mean, in a business to expand the how the event comes tosense, product on the sidemarket to new gether. lines. And that’s no good. If, cities. Snell, who has a backas filigree jeweler Usai says, ground in academia as well the artists are pioneers, the as innovative nonprofit frontier has come to them. groups, looks to partner The IAFF named Lidewij with a local university— Edelkoort, a renowned trend forecaster as the alliance did with the University and dean of Hybrid Design Studies at the of Texas at Arlington—for each sister Parsons School of Design in New York market. The first ones are likely to be in City, as its honorary chair this year. strong travel markets for Santa Fe, such “In an ever-more complex and inforas Denver, Phoenix and Los Angeles. mation-riddled society, it will be importSnell sees expansion as a natural next ant to touch base and to feel real matter, step in a lot of ways, not the least of which as if literally getting in touch with civiliis that sister markets can act as a pressure zation,” Edelkoort tells SFR in an email release valve. on her way to Santa Fe. “This is why the The original market’s 250,000 square human-to-human revival of craft will alfeet will be packed once again this weekways flourish.” end, as Museum Hill’s Milner Plaza is fesFolk art is authentic. Authenticity tooned with bright colors and alive with sells. And if it’s done right, it has an imenergy. Every square foot is mapped out pact far beyond the confines of the weekand assigned a use. But there can only be end festival. so many artists. 160 this year. The venue can hold 163. 165? Too many. SANTA FE INTERNATIONAL That’s a problem. For every artist who FOLK ART MARKET gets in to the festival and can access its 7:30 am-5:30 pm Saturday July 15; intensive training designed to turn a tra9 am-5 pm Sunday July 16. Saturday early ditional craft into a sustainable living, bird tickets $75; otherwise $15-$20. there are six more who want a chance. Milner Plaza, Museum of International “I don’t like the idea of six qualified Folk Art, 706 Camino Lejo, 992-7600. master artisans with their gifts waiting to

SFREPORTER.COM

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JULY 12-18, 2017

D O N ’ T M I S S T H E S A N TA F E O P E R A

“[Director] Ned Canty is a comic genius.”

— Santa Fe New Mexican

— Pasatiempo interview with Susan Graham

Ken Howard photo

“[Brenda Rae] held the audience rapt in the palm of her bloody hand.”

A Wedding To Die For

The Prankster Pranked

LUCIA

DIE FLEDERMAUS

DI LAMMERMOOR G A E T A N O

PERFORMANCES

J O H A N N

D O N I Z E T T I

8:30 PM

JULY 21

8:00 PM

JULY 31; AUGUST 5, 8, 12, 16, 24

PERFORMANCES

S T R A U S S

I I

8:30 PM

JULY 14

8:00 PM

AUGUST 1, 7, 14, 19, 26

An unfogettable evening filled with romance, drama, and FUN! Arrive early with a tailgate supper and enjoy a colorful sunset and stunning mountain views before the performance.

First-Time Buyers Kate Russell photo

who are NM Residents

JUNE 28-JULY 4, 2017

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SFREPORTER.COM

Save 40% Call for details!

SantaFeOpera.org

505-986-5900

ANSON STEVENS-BOLLEN

NEWS

Sick Bars Programs to enroll New Mexico’s recently released inmates in Medicaid face an uncertain future BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m @aaron_con_leche

erek Malkhassian of Albuquerque now owns a dog, a delight once rendered impossible by his severe, allergy-induced asthma. But since he enrolled in Medicaid last year, a regimen of allergy shots and surgery for a deviated septum have helped him to breathe normally, even when Willow, a Yorkie, is around. Medicaid also covers visits to a psychiatrist, part of his conditions of release after serving a two-and-a-half-year prison sentence that ended in September. Without the coverage, he estimates he’d have paid north of $12,000 last year for all the care he’s received. Staff at the Los Lunas prison, where Malkhassian was incarcerated on a drug charge, helped him enroll in Medicaid. With an income less than 138 percent of the federal poverty limit, he qualified for the program after the Affordable Care Act expanded eligibility requirements. He wasn’t insured at the time of his sentencing. “I can’t imagine being required to have that sort of treatment if they weren’t willing to pay for it,” he tells SFR. “Like, if I had to foot the bill, all the things I’d have to pay for as part of my conditions.” Malkhassian, who now works a construction job with limited benefits, fears he’d be more likely to renege on his conditions of release and possibly end up back in prison if he had to pay for care out of pocket. With the US Senate mulling legislation that could change federal funding for states’ Medicaid programs, the future of health care for New Mexico’s newly freed is less than certain. Under the proposed change, federal dollars in the form of block grants would give state governments more latitude in choosing how to spend funds, but the money would no longer be replenished by the feds on an ongoing basis. Advocates worry that a state program to help people like Malkhassian would slip down the priority list.

New Mexico legislation passed in 2015 changed the way incarcerated people retain health care before serving their sentences and after being released. The law bars people enrolled in Medicaid from being kicked off the program during their incarceration, which is what happened before. Instead, their enrollment is merely suspended if they’re incarcerated longer than 30 days. Prisons then notify the state when a Medicaid-eligible person is approaching release date. That’s when either enrollment or re-enrollment kicks in. New Mexico’s adult and juvenile prisons participate in the effort as well as five county jails, including those in Santa Fe and Bernalillo counties. As of last October,

As of last October, there were more than 4,000 inmate applications for Medicaid enrollment filed and over 3,000 requests for reinstatement of benefits postrelease statewide.

there were more than 4,000 inmate applications for Medicaid enrollment filed and over 3,000 requests for reinstatement of benefits post-release statewide. Without the financial assistance, “it makes it harder to stay out of jail,” state Sen. Jerry Ortiz y Pino, D-Albuquerque, who sponsored the rule change, tells SFR by phone. “People recognized that this is going to save money. … It would reduce the number of people who commit crimes again because they have mental or substance issues and didn’t get treatment.” While it’s too early to know whether the program has had an impact on recidivism, other analyses support Ortiz y Pino’s claim. A 2004 study conducted by the Department of Justice examining recidivism among county jail populations in Florida and Illinois found that inmates with severe mental illness who had Medicaid upon release stayed out of jail longer. Several other states have implemented similar programs to New Mexico’s since the passage of the Affordable Care Act. People passing through the Santa Fe County Correctional Facility are commonly afflicted with post-traumatic stress disorder and substance abuse issues. Many also have severe mental illness, diabetes, hepatitis C and other ailments of the poor, according to Dr. Merritt Ayad, who launched and manages the re-entry program at the jail. Because people cycle through county jails at a more rapid clip than state prisons, Ayad hired a person last month to track down inmates who were released before his staff had a chance to enroll them.

“For people who were enrolled [in Medicaid], we’re going to see if they went to services, and if they didn’t, we’ll offer to connect them to services, and we’ll track whether they complete their programs,” Ayad tells SFR. He says the detention center plans to create a database not only tracking which former inmates actually signed up for Medicaid but also whether they received treatment. The Santa Fe jail’s program is funded with state and federal dollars over three years, Ayad says. If it is shown to reduce recidivism, renewed funding will be more likely. Still, a lot is dependent on what happens to health care in DC. About twothirds of Medicaid expenditures in the state currently pay for elderly and child care. Adult primary care and, to a smaller extent, behavioral care represent smaller shares. If Medicaid funding is changed to a block grant, says Ortiz y Pino, he fears “behavioral health would get the short end of the stick under those scenarios. … If the total amount gets a cap, and the number of elderly needs go up, and adult needs go up, then mental health cuts will maybe be 8 percent, then 6, and before you know it we’ll have 2 percent for mental health.” For all the spectacle over health care in the US Congress, the stakes are clear for Malkhassian. “I haven’t researched much about Trumpcare,” he says, “but I don’t know what I would do without my current health care. Since I’ve been out I’ve been in the best health I’ve been in my life.”

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Santa Fe Institute launches an InterPlanetary Project with galactic ambitions

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BY JULIA GOLDBERG @votergirl

cience fiction lovers will probably recognize the galactic tribunal trope from any number of graphic novels, books or films. Santa Fe Institute President David Krakauer introduces the notion of cosmic judges rendering decrees on humanity as part of a thought experiment: “I’m so interested in the question, ‘What can we be proud of?’” Krakauer says during an interview in his office at the institute where, on this June afternoon, smoke from fires burning in the national forest semi-obscures the vast city and mountain views from Hyde Park Road. Stacks of books crowd most available surfaces—George Johnson’s Fire in the Mind and The Book of Trees by Manuel Lima catch the eye; a model rocket sits atop Krakauer’s desk. “So, at the galactic tribunal, where you’re asked, ‘What has your species contributed to the universe?’ you could stand up and say, unequivocally, ‘This was an amazing accomplishment and I could tell anyone on this planet or any other one that I thought this was something that was worthwhile.’” Questions such as these, which require considering humanity and life on Earth from an interplanetary perspective, drive SFI’s new InterPlanetary Project. It launches July 18 with a panel discussion between scientists, writers,

MINESH BACRANIA FOR THE SANTA FE INSTITUTE

Out of this Santa Fe Institute President David Krakauer wants to know what Earthlings will say at a “galactic tribunal.”

artists and thinkers whose work all revolves in various ways around humanity’s future—in space and otherwise. InterPlanetary builds on the type of complex, interwoven, boundary-pushing research SFI is known for locally and internationally. Santa Fe Institute’s main partner in the endeavor, Creative Santa Fe, sees InterPlanetary as another joint project aimed at thinking through problems with both local and global significance. “Our mission is to help people think creatively and outside conventional bar-

riers,” says Executive Director Cyndi Conn, “and to look at difficult complex issues using a visionary approach that combines arts, technology, innovation.” The project also comes at a time during which interest and money for space science is harkening a new golden age for galactic exploration. Among other developments, NASA ushered in a new class of astronauts from a record number of applicants, scientist Stephen Hawking proclaimed humans only have 100 years left on Earth, and SpaceX technologist Elon Musk published detailed plans for resettlement on Mars. It’s a fitting context, in other words, for InterPlanetary’s first panel, for which the starting question is: “What will it take to become an interplanetary civilization?” That mind-bender encompasses many concerns—from preparing humans for space travel to the hard science and technology required to make the journey, along with aspirational initiatives centered on how we might communicate with other life in the universe (should it exist). Last but not least: How can humanity tackle the problems of today to prepare for its future? As a child, Kate Greene always wanted to travel to other planets. She loved both science and stories. “When you’re a kid and you think about other planets, it’s fertile ground. I loved imagining other planets because the thing I liked the most about science was getting little bits of information here and there and weaving

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COURTESY HI-SEAS

them together into a whole story.” As an adult, Greene ended up on a 2013 NASA-sponsored simulated trip to the Red Planet by luck. She was scrolling through Twitter and spotted a link to an NPR article on why astronauts crave Tabasco sauce. NASA was set to begin studies on astronauts’ food habits and, at the end of the article, there was a call to apply to be one of six crew members on the HI-SEAS project—the Hawaii Space Exploration Analog and Simulation, a Mars simulation research project that takes place on Hawaii’s Big Island, approximately 8,200 feet above sea level on the Mauna Loa side of the saddle area. “My palms started to get sweaty, my heart started racing,” Greene says. “I had a real physical response to living out this kid dream, so I applied.” Greene applied and was accepted into the program—not by luck. Her background includes work as both a laser physicist and a science journalist. She spent her four months on the project as a crew member and crew writer, contributing dispatches for Discover magazine, while also conducting a separate sleep study for NASA. Day to day, she says, the experience didn’t necessarily “feel like living on Mars, and I don’t know if living on Mars day to day would feel like living on Mars.” A fair amount of her time and, presumably, a fair amount of time for future astronauts who would actually live on Mars, was spent indoors in a habitat that included living, kitchen, work and exercise space.

ABOVE: HI-SEAS is a Martian simulation on the slopes of the Mauna Loa volcano on the island of Hawaii. BELOW: Writer Kate Greene spent four months as a crew member on the first HI-SEAS simulation of astronaut life on Mars.

The project incorporates 20-minute communication delays with the outside world and no real-time conversations to further simulate an off-world experience. “For me, it felt more like graduate school, in a way,” Greene says. “I studied semi-conductor lasers and spent a lot of time in the basement laser lab. We spent all day trying to figure out experiments. That’s what it felt like in a lot of ways: working together, solving problems.” There were times, when the crew would don their spacesuits and walk around in a landscape that is red and

rocky and “looked a lot like Mars on the outside,” during which Greene could imagine she was exploring another planet. The experience also yielded other rewards, such as contributing research to help future astronauts, and collaboration with new people. Moreover, Greene, who will appear on the SFI panel, says the experience changed her work as a writer, and set her on a new path of integrating her science-writing background with more personal narratives. Her book of CONTINUED ON NEXT PAGE

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essays that came from the experience, Once Upon a Time I Lived on Mars and Other Stories, is forthcoming from St. Martin’s Press.

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Of course, not everyone wants to travel to outer space, or even simulated outer space. But to scientist Lindy Elkins-Tanton, just the prospect of human space travel sparks “intrinsic excitement” that “seems to be deeply rooted in being human.” Director of Arizona State University’s School of Earth and Space Exploration, Elkins-Tanton’s own research focuses on the processes involved with the formation of terrestrial planets. She has received numerous awards and accolades as both a scientist and a teacher. In January, NASA announced ElkinsTanton’s Psyche Mission had been chosen as one of the government space office’s Discovery Program projects. Psyche is a metallic asteroid researchers believe is the core of what would have been a planet in the earliest days of the solar system, and which may provide information about the Earth’s own core. The project spacecraft is scheduled to leave Earth in 2022, reach Psyche in 2026 and spend close to two years mapping and studying the asteroid, which orbits the Sun between Mars and Jupiter. “Psyche is probably the only way human kind will visit or measure a core directly,” Elkins-Tanton says. Elkins-Tanton, like Krakauer, staunchly believes that inspiring work— scientifically or otherwise—comes through collaborations across disciplines.

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To scientist Lindy Elkins-Tanton, director of Arizona State University’s School of Earth and Space Exploration, just the prospect of human space travel sparks “intrinsic excitement.”

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Her own school at ASU is somewhat unusual in science academia in that its faculty, students and research projects work across a spectrum of interests: from cosmology to earth science to technology. Last year, ASU’s president asked Elkins-Tanton to lead an initiative across all the schools for an interplanetary initiative that has, she says, synergy with SFI’s project. “I think what we are doing is really important,” she says. “Humans are going to have a space future. Up until now, our space future has been worked on by national organizations like NASA or individual technologists like Elon Musk. We need all the human disciplines to come to bear if we’re going to have a human space future. We need the sociologists and the psychologists and the artists and the theater people to really approach what our society is going to be like as we go into space.” As such, Elkins-Tanton says, the initiative ties into what she calls her primary mission. “What we do at ASU that is so complementary to the Santa Fe Institute is we’re also trying to create the future of education. We’re trying to teach people process and not just content, to prepare them to answer questions we can’t anticipate from where we are right now that are going to need to be answered in the future.” One of those questions, as ElkinsTanton perceives it, is what impact will the discovery of life elsewhere— intelligent or otherwise—have on the human psyche. She references 19th-century geologist Charles Lyell, whose work influenced Charles Darwin’s human evolutionary theory. Lyell, she notes, “was the first to really clearly explicate and lay out for public consumption the proof that the earth must be very, very old and that there were these reoccurring natural processes that just operated over such a long time scale that it was hard for us to envision what it was.” This notion, she says, “caused a great crisis of faith. It caused a crisis in meaning. There was a sense that if things weren’t laid out by divine providence and we were just subject to this pitiless occurrence of natural phenomena, then we had no meaning.” Elkins-Tanton wonders if the discovery of life elsewhere—be it uni- or multicellular—“will give people that feeling that we’ve lost meaning or the feeling that we’ve gained meaning again.” Regardless, the prospect that we are not alone in the universe is fertile ground for scientists, artists and artist-scientists such as Dario Robleto.

ASU/PETER RUBIN

Upcoming Events July 17: ET: The Extraterrestrial Screening; Panel discussion with biologist Chris Kempes and writer Neal Stephenson 4:30 pm Monday July 17. $9-$10.50; panel discussion: 7 pm. Free. Jean Cocteau Cinema, 418 Montezuma St., 466-5528.

July 18: SFI’s InterPlanetary Project Launch: Panel Discussion 7:30 pm Tuesday July 18. $5. Lensic Performing Arts Center, 211 W San Francisco St., 988-1234, ticketssantafe.org. Confirmed panelists include: • Planetary scientist Lindy Elkins-Tanton (Arizona State University) • Astronomy and astrophysics professor Sandra Moore Faber (UC Santa Cruz), the project investigator for the DEEP2 survey of 50,000 distant galaxies • Science and technology journalist Kate Greene • Screenwriter, producer, director and author Jonathan Nolan (Interstellar, The Dark Knight, Memento, and the Westworld TV series) • Transdisciplinary artist, researcher, writer, teacher and citizen scientist Dario Robleto • Digital media executive Scott Ross, who led George Lucas’ companies in the 1980s • SFI Miller Scholar Neal Stephenson, author of Seveneves, Cryptonomicon and Snowcrash • SFI distinguished professor Geoffrey West

October 2017: • Oct. 13: Second InterPlanetary panel • Oct. 14: InterPlanetary film festival with new and classic sci-fi films hosted by the Jean Cocteau Cinema, SITE Santa Fe, Violet Crown Cinema and The Screen • Oct. 15: SFI Professor Geoffrey West will present his “theory of enormous power” at SITE Santa Fe • Oct. 17: SFI external professor Manfred Laubichler delivers a community lecture at the Lensic Performing Arts Center on the Anthropocene era.

2018 and beyond: June 2018: The first InterPlanetary Festival is planned for the Railyard District with an innovation and technology expo, maker contests, music, lectures and discussions. The festival also will feature sci-fi films from the Jean Cocteau and Violet Crown Cinema, as well as interplanetary-themed artwork from SITE Santa Fe and the Currents New Media Festival.

Arizona State University’s Psyche Mission, scheduled to launch in 2023, will spend 20 months studying the metallic asteroid.

Robleto has spent much of his career thinking on the message people of earth might want to convey about themselves. A formative moment happened when he was 6 or 7 years old and first encountered the Golden Record, placed on the spaceships Voyager 1 and 2 in 1977 containing images, sounds and messages meant to capture life on earth. Robleto had stayed home sick from school and dialed a 1-800 number NASA had set up for listening to sounds of space as the Voyager made its first approach to Saturn. Robleto called in expecting to hear aliens, and instead heard the Golden Record. “I didn’t understand that at all. … I was so disappointed. It just made no sense to me why NASA would send this into space. I had no idea I was listening to the most beautiful thing I’ve ever heard.” He’s referring to Ann Druyan’s brain waves, recorded shortly after she and Carl Sagan, with whom she collaborated on the Golden Record, admitted they were falling in love. Robleto says in many ways his work has been directed by Druyan’s actions. “She essentially snuck love on board,” he says. Two years ago, Robleto—who has ended up working with Druyan—became the artistic consultant for the “Breakthrough Message” project, one of Yuri and Julia Milner’s Breakthrough Initiatives founded in 2015 “to explore the Universe, seek scientific evidence of life beyond Earth, and encourage public debate from a planetary perspective,” according to the project’s website. “Breakthrough Message” is a $1 million competition to design a message that comprehensibly captures humanity and life on Earth for another civilization. Robleto also serves as artist in residence at the SETI Institute. The work at SETI—the Search for Extraterrestrial

Intelligence—includes a vast array of research and development projects in the service of finding signs from advanced civilizations in the galaxy. Based in Houston, Robleto has shown work in both solo and group shows across the country, and has been recognized with a variety of awards, fellowships and residencies. As an artist, Robleto’s practice spans mediums: He works in sculpture, paper, print and more. As an artist with both a background and passion for science (he was a biology major before switching to the arts), he prefers CONTINUED ON PAGE 17 THOMAS R DUBROCK

Interstellar Screening 3:30 pm Tuesday July 18. $8-$9. Jean Cocteau Cinema, 418 Montezuma St., 466-5528.

Artist Dario Robleto’s “Setlists for a Setting Sun (The Crystal Palace)” will be part of SITE Santa Fe’s Future Shock exhibition, part of SFI’s InterPlanetary festival in October 2017. Courtesy the artist and Inman Gallery, Houston.

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MINESH BACRANIA FOR SFI

Return to Krakauer’s original thought experiment: What has humanity done for which it can be proud? Krakauer believes that while specific citations would vary from person to person, most would likely name artistic or scientific achievements rather than, say, “human decency,” although he believes the latter also would be legitimate.

“I’m very sensitive to this idea that interplanetary concept would be considered irresponsible and that we’re running away from the problems we’re facing now,” Krakauer says. “It’s the opposite. Friends have asked me, ‘Don’t we have real problems with income inequality and spoiling the environment?’” Yes, Krakauer says. And “if we really want to settle a colony on Mars, we sure as hell better understand how to create a social system that doesn’t fragment within a year, we better understand planetary cycles and we better understand how we’re going to grow food in an inhospitable environment.” Re-contextualizing some of these challenges within enlivened discussions is a way of “injecting playfulness … and hedonism” into serious topics. Changing the lens through which we view our civilization and its workings might be one way (if an overly simplistic one) of considering panelist, former SFI

If we really want to settle a colony on Mars, we sure as hell better understand how to create a social system that doesn’t fragment within a year. -David Krakauer, Santa Fe Institute

The question ties into Krakauer’s own background as a mathematic biologist, and one of the many thoughts that prompted the InterPlanetary Project as a whole. We are living in a time in history, he argues, filled with “incredibly positive things,” among them the ability to connect with other people all over the world, progress in our understanding of the environment, “the second great space race” and many other accomplishments. These signs of progress are occurring alongside other signs of the worst time in history, what Krakauer characterizes as a “stupidity pandemic, and the deepest political distrust and the worst kinds of prejudice.” Interdisciplinary work, such as the InterPlanetary Project, provides an opportunity to consider how and why such darkness and light can occur together—and perhaps yield some solutions.

MINESH BACRANIA FOR THE SANTA FE INSTITUTE

the term “trans-disciplinary” because it fully encompasses the degree to which his projects are intertwined rather than merely referential to scientific issues and phenomena. “When I made the switch from science to becoming an artist, it never occurred to me to not bring that background with me,” Robleto says. “I find the tension between them fascinating. … The common seed is both originate from the quest to increase the sensitivity of our observations.” Complexity science, which guides SFI’s work, particularly interests Robleto. “I’m really drawn to the issue of scale in complexity science, how scaling up and down reveals a different set of information that wasn’t apparent from the previous scale. That’s not unlike what artists do.” The question of scale connects with another driving concern Robleto brings to his work and that has been a research focus at SFI: altruism. “Competition and destruction,” Robleto says, “dominates so much of all our topics.” His personal quest “is poetic and scientific proof we can be cooperative at some fundamental level,” which makes as much evolutionary sense as the belief that competition drives human existence. After all, over the span of time, “the only civilizations that will survive are ones who figure out how not to destroy ourselves. If we ever found another civilization, just the fact that they’re there, that means altruism won out.”

Theoretical physicist Geoffrey West was named one of the “100 Most Influential People in the World” in 2006 by Time magazine, among other accolades.

The Santa Fe Institute’s InterPlanetary Project will help unfold the mysteries of the universe.

president and distinguished professor Geoffrey West’s work. For much of his career, West, a theoretical physicist, focused on fundamental questions of physics: the cosmological implications of the evolution of the universe, the nature of dark matter. For the last 15 years, his research associated with the Santa Fe Institute has been looking, from a physicist’s perspective, which he describes as “quantitative, analytic, computable and therefore predictable,” at “the phenomena that go on on this planet. In particular, the questions to do with the generic principles giving rise to life and laws of life, the regularity that underlies the extraordinary complexity of life around us, social life, the socioeconomic life, the life we’ve created on this planet.” (West’s most recent book, released in May, is titled Scale: The Universal Laws of Growth, Innovation, Sustainability, and the Pace of Life in Organisms, Cities, Economies, and Companies). Just as Krakauer and Elkins-Tanton both emphasize the need for work across disciplines, West points to the way in which an interplanetary viewpoint can create a more holistic picture “in which everything is recognizing that everything is interacting with everything else and everything is dependent on everything else.” If “changing the world one planet at a time,” as Krakauer describes the project’s aims, sounds overly ambitious—that, too, is part of the point. “Cynicism is boring,” Krakauer says. “Gloom has its own aesthetic appeal … and optimism can be a little boring at times, but it is an optimistic project in that it says ingenuity is unbounded and understanding in many ways is unbounded and there’s so much more to know.”

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GUITAR YOU READY?!

PUBLIC DOMAIN

CHIANG PANG FEI

MUSIC FRIDAY/14

Good news, fans of intricate and baffling guitar styles—Roberto Capocchi and Mohit Dubey are here with a tour of fingerboard excellence. Capocchi is, of course, a longtime local favorite who draws from classical and international styles with beautiful aplomb. Dubey, meanwhile, is the young upstart, a natural talent whose age belies his skill in a way that would be almost maddening if he weren’t so skilled. Gorgeous, we think, is the right word to use for both players—and if baroque, Arabic and classical are your styles (and that’s only naming a few), this is your don’t-miss show this week. (Alex De Vore) Roberto Capocchi and Mohit Dubey: 7:30 pm Friday July 14. $20. GiG Performance Space, 1808 Second St., 989-8442.

COURTESY GRUPO FANTASMA

MUSIC SAT/15 ¡FANTASTICO! Austin, Texas, has quite the little music scene going down—but for a band residing there to really make waves, they must set themselves apart in a sea of talent. Grupo Fantasma, of course, has that covered in spades with their Grammy-winning Latin funk sounds and a staggering nine-piece killer live show. This is music that respects tradition but breaks new ground, an enticing reminder of the Latin roots that came before and a simultaneous vision of the genre’s future—all from a completely independent act. Local Latin jazz/rock act Nosotros opens, and we couldn’t think of a better combo for Latin music lovers. (ADV) Grupo Fantasma with Nosotros: 8 pm Saturday July 15. $20-$24. Meow Wolf, 1352 Rufina Circle, 395-6369.

PUBLIC DOMAIN

EVENT TUE/18 FARMER’S TAN The Southside knows how to host its own Farmers Market and proves it tenfold with El Mercado del Sur, a massive afternoon event featuring all the veggies and fruit you can handle plus health screenings, demonstrations, a bouncy house for the kids and much more. Seems it isn’t just those downtowners who want fresh honey and gigantic tomatoes. El Mercado del Sur also offers arts workshops and affordable meals. We’d add as well that the later-in-the-day start time does wonders for our confidence in getting quality items without waking with the sun, and that we love living in a town where the farming types can ply their wares in more than one neighborhood. (ADV) Santa Fe Farmers Market: El Mercado del Sur: 3-6 pm Tuesday July 18. Free. Plaza Contenta, 6009 Jaguar Drive, 550-3728.

EVENT FRI-SAT/14-15

We’re All Mad Here Practice your mini-golf swing with the Cheshire Cat Tumble down the rabbit hole and join the May Center for Learning over two days of mini-golf in the Railyard Park. This week, students transform the park from Southwest garden-scape to magical wonderland golf course inspired by Lewis Carrol’s Alice in Wonderland. Golfers can enjoy Wonderland references with themed greens like “Through the Looking Glass,” “The Queen’s Croquet Match” and, of course, “The Cheshire Cat.” The 10-hole course opens on Friday afternoon at the Bring-the-Kids Gala with mini-golf, food, drinks, prizes and more. The event also doubles as a fundraiser for the May Center, with ticket sales going towards the center’s satellite tutoring programs around Santa Fe. For you avid golf fans out there, keep the game going with Happy Gilmore at 8 pm, which plays as part of the Railyard Park Summer Movie Series. Dinner, a movie, and mini-golf? What more could you want on a summer evening? The festivities continue on Saturday morning when the course is free and open to the public. And, if themed minigolf isn’t enough for you, enjoy a little theater with your game. May Center students are scheduled to entertain golfers with performed excerpts from Alice in Wonderland in costume—it wouldn’t be

a party without costumes, right? And if that still isn’t enough for you, maybe a prize would change your mind? Whether you’re a champ or a chump on the golf green, all players have a chance to win with prizes like lowest score and “Maddest Golf Hat.” (Sounds like you should come dressed for tea, too.) Don’t fret if you don’t have all the trappings of a mini-golf superstar, though, because the May Center’s got you covered. “This is the golf event different for the City Different created by students different,” May Center Executive Director Amy Miller tells SFR. “They’ve used their imaginations and ingenuity to craft something that is new and inclusive, rather than exclusive; our event motto is ‘No Clubs? No Cart? No Course? No Problem!’” So bring your kids and your A-game to the Railyard and take a trip through Wonderland. It’s sure to be a mad time. (Lauren Thompson) THE MAD HATTER’S TEE PARTY Noon-6 pm Friday July 14; 9 am-2 pm Saturday July 15. Ticket prices vary; donations suggested.

HAPPY GILMORE SCREENING 8 pm Friday July 14. Free. Both events at Railyard Park, Cerrillos Road and Guadalupe St., 982-3373 SFREPORTER.COM

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THE CALENDAR

Students from the Institute of American Indian Arts and the Native American Community Academy explore Native culture and heritage through the lens of baseball, under the guidance of multi-disciplinary artist Jamison Chas Banks. Check out the result at Axle Contemporary’s Run Home Derby Store on Friday evening.

Want to see your event here? Email all the relevant information to calendar@sfreporter.com. You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion). Need help?

Contact Maria: 395-2910

WED/12 BOOKS/LECTURES KEVIN ROHDE: ARTIST LECTURE Santa Fe Clay 545 Camino de la Familia, 984-1122 Rohde, an award-winning sculptor, lectures on his works, many of which feature ordinary people rendered in extraordinary colors. 7 pm, free DAN NAMINGHA Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Namingha, a Tewa-Hopi artist with work featured in the gardens, speaks about his works which draw from his deep roots in ceremony. He guards his traditions closely, while staying true to them in his creations, and his discusses this balance in his lecture. 10 am, $10

DHARMA TALK: SENSEIS KAZ TANAHASHI, JOSHIN BYRNES AND GENZAN QUENNELL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This talk is titled "Body and Mind,” and you better get your body and your mind there on time, because this starts with 15 minutes of silent meditation. 5:30 pm, free THE POWER OF PHOTOGRAPHY David Richard Gallery 1570 Pacheco St., 983-9555 A panel discussion about the works in History/Her Story with Kathryn M Davis, Lucy Lippard and Maria Varela, moderated by New Mexico Museum of Art curator Merry Scully. 6:30 pm, free THE REPUBLIC OF LAUGHTER St. John's College 1160 Camino Cruz Blanca, 984-6000 Join Robert Richardson for a discussion of The Republic, a philosophical writing that can be examined as a body of work consisting of only jokes. Junior Common Room, Peterson Student Center. 4:30 pm, free ROBERT MADRIGYN: SOLACE OF TREES Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Madrigyn speaks on his novel about a Bosnian Muslim orphan who comes to America only to be swept into the currents of the War on Terror. 6 pm, free

DANCE ENTREFLAMENCO: 2017 SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 2nd floor, 209-1302 Antonio Granjero, Estefania Ramirez and Antonio Hidalgo Paz co-direct this summer series. 7:30 pm, $25

EVENTS GEEKS WHO DRINK Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Participate in this competition, which pits teams of nerds against each other. 8 pm, free TAPS AND TABLETOPS Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Bring your favorite board game with you, or play one of theirs at this night of fun and beer. 6 pm, free

MUSIC BRANDEN & JAMES Vanessie 427 W Water St., 982-9966 Any kind of music you could ever want on cello and voice (see Music, page 23). 7 pm, free CALVIN HAZEN El Mesón 213 Washington Ave., 983-6756 Flamenco and classic Spanish guitar. 7 pm, free THE COLES WHALEN Cowgirl 319 S Guadalupe St., 982-2565 Americana with hints of folk, country and pop. 8 pm, free

DAVID GEIST Osteria D'Assisi 58 S Federal Place, 986-5858 Pianist Geist plays Broadway music, standards, jazzy tunes and more. 6:30 pm, free GERRY & CHRIS La Fiesta Lounge 100 E San Francisco St., 982-5511 Irish and Latin music come together when these two friends team up. 7:30 pm, free LONGRIVER Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Longriver is a singer, songwriter and poet living in Austin, Texas, who serenades on guitar and harmonica. 5 pm, free MUSIC ON THE HILL: NACHA MENDEZ QUARTET St. John's College Green 1160 Camino de Cruz Blanca, 984-6199 Contemporary Latin tunes. 6 pm, free SANTA FE BANDSTAND: ANDRES CANTISANI AND THE PETERSON BROTHERS Santa Fe Plaza Bandstand 100 Old Santa Fe Trail Rock and blues by the Andres Cantisani Band, hailing from Monterey, Mexico, and a modern blend of blues and soul by the Peterson Brothers. 6 pm, free SANTA FE CROONERS Palace Saloon 142 W Palace Ave.,428-0690 These crooners make swing music magic. Jump ’n’ jive with them; we could all die tomorrow. 7 pm, free

OPERA LUCIA DI LAMMERMOOR Santa Fe Opera House 301 Opera Drive, 986-5900 A devilish brother plans to increase his wealth and power by marrying his sister to a rich man, instead of the man she loves. Spoiler: It gets bloody. 8:30 pm, $41-$261

WORKSHOP COMIC MAKING WORKSHOP Big Adventure Comics 418 Montezuma Ave., 992-8783 A hands-on class about the visual language of comics and how to create your own. 6 pm, free

THU/13

VICTOR HUAMAN: MADE IN PERU William Siegal Gallery 540 S Guadalupe St., 820-3300 One of Peru’s most skilled retablo artists, Victor Huaman Gutierrez’ unique social, political and historical content has set him apart and helped bring the traditional art form into the 21st century. 3 pm, free

ART OPENINGS

EVENTS

KERI ATAUMBI AND ROBERT LEE MORRIS: JEWELRY POP-UP Shiprock Santa Fe 53 Old Santa Fe Trail, 982-8478 Contemporary Native jewelry by two modern artists who combine tradition and innovation in their works. 2-4 pm, free PEYOTE BIRD'S FOLK ART CELEBRATION Peyote Bird Designs 675 Harkle Road, 986-4900 Celebrate Frida Kahlo with the local jeweler, including a chance at beading supplies for crafters. A portion of all sales will benefit the International Folk Art Alliance, so treat yo’self. 10 am-5 pm, free

ART SANTA FE: OPENING NIGHT PREVIEW PARTY Santa Fe Community Convention Center 201 W Marcy St., 955-6590 Attendees get a first look at the massive exhibit featuring contemporary works in a variety of mediums made by artists around the country. 5 pm, $10-$100 WAREHOUSE 21ST BIRTHDAY: FACE TO FACE FILM CONVERSATION Warehouse 21 1614 Paseo de Peralta, 989-4423 Join Danny Rubin (Groundhog Day), Ron Bloomberg, Cathy Smith and Lee Zlotoff (MacGyver) to discuss their work and careers in film (see 3Qs, page 29). 7:30 pm, $12-$21 CONTINUED ON NEXT PAGE

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JULY 12-18, 2017

THE CALENDAR HORNO CONSTRUCTION PROJECT Palace of the Governors 105 W Palace Ave., 476-5100 Check out the construction of a traditional oven, made from natural adobe. 9 am-5 pm, free INTERNATIONAL FOLK ART MARKET ARTIST DEMONSTRATION Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 See folk art in action as artists live-create works. 2 pm, free

Joshua Habermann | Music Director

35th ANNIVERSARY

MUSIC BRANDEN & JAMES Vanessie 427 W Water St., 982-9966 A cello and vocal duo (see Music, page 23). 7 pm, free CHAMA PATIO SESSIONS Rio Chama Steakhouse 414 Old Santa Fe Trail, 955-0765 Deep house and downtempo tunes. 5 pm, free THE CURRY SPRINGER DUO Cowgirl 319 S Guadalupe St., 982-2565 Classic rock. 8 pm, free DANIELE SPADAVECCHIA L’Olivier Restaurant 229 Galisteo St., 989-1919 Gypsy jazz guitar. 6 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Broadway tunes. 6 pm, $2 ERIK & LORI Second Street Brewery (Original) 1814 Second St., 982-3030 Americana jam-a-lams. 6 pm, free

JULY 19 - AUGUST 13, 2017

Photo: Chama River Road Cliffs, J. David Levy

SANTA FE & ALBUQUERQUE

LIBERTÉ and JUSTICE

THEATER HEISENBERG Teatro Paraguas 3205 Calle Marie, 424-1601 A quirky comic love story that has nothing to do with science or Werner Heisenberg or Breaking Bad (see Acting Out, page 33). 7:30 pm, $5-$10 MARRIAGE BY THE MASTERS Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Three one-act plays by George Bernard Shaw, Moliére and Anton Chekhov explore the intricacies of relationships. 7:30 pm, $15-$20

WORKSHOP PAINTING AND VINO Skylight 139 W San Francisco St., 982-0775 The latest trend sweeping the country is to drink wine and get told how to paint. Register at paintingandvino.com. 6 pm, $45

FRI/14 ART OPENINGS ALTERNATE VIEWS: THE LANDSCAPE SHOW City of Mud 1114-A Hickox St., 954-1705 Interpretations of landscapes. 5 pm, free BEYOND THE VEIL Keep Contemporary 112 W San Francisco St., 307-9824 A group abstract expressionism show with refreshments from La Fogata Grill. 5 pm, free CONTINUED ON PAGE 26

COURTESY CITY OF MUD

FESTIVAL TICKETS NOW ON SALE!

FREAKS OF THE INDUSTRY WITH DJ POETICS Skylight 139 W San Francisco St., 982-0775 Hip-hop, funk and disco. 9 pm, $5-$7 GERRY & CHRIS La Fiesta Lounge 100 E San Francisco St., 982-5511 Irish and Latin music. 7:30 pm, free HALF BROKE HORSES Tiny's Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Honky-tonk. 7 pm, free LIMELIGHT KARAOKE The Palace 142 W Palace Ave., 428-0690 Karaoke night with Michéle Leidig as your gracious host. 10 pm, free MARC SANDERS Osteria D'Assisi 58 S Federal Place, 986-5858 Standards in the piano lounge. 6:30 pm, free MIAMI NIGHT WITH VDJ DANY Skylight 139 W San Francisco St., 982-0775 Bachata, merengue y mas. 9 pm, $5-$7 RIO El Mesón 213 Washington Ave., 983-6756 Brazilian bossa, samba and jazz. 7 pm, free TRADISON: FOLK ART MARKET KICK-OFF AND ARTIST PROCESSION Santa Fe Plaza Bandstand 100 Old Santa Fe Trail Cuban music and an artist procession, celebrating the start of the International Folk Art Market. 6 pm, free

4 Distinct Programs • 25 Vocalists 14 Performances • 6 Venues • 2 Films Tickets range from $75 -$20 in Santa Fe and $55 -$20 in Albuquerque. Student tickets (with ID) available in select sections for most concerts. Groups of 10 or more save 10%.

Box Office (505) 988-2282 desertchorale.org THANK YOU TO OUR SPONSORS Landscapes get new treatment at City of Mud this weekend with Alternate Views, opening Friday. Don Roach’s “Descanso” is among works being exhibited.

JULY 12-18, 2017

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SFREPORTER.COM

FUZZY IMAGE MEDIA

MUSIC

James Clark (left) and Branden James: So maybe they’re not that sad, but you’ve gots to love the cello. You’ve just gots to.

Branden & James: Sad Bastards BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

randen & James is actually two people: Branden James and James Clark. The pair, hailing from Los Angeles and Australia, respectively, have performed together for two years, been in a relationship for three and steadily formed a signature sound (mostly through their sporadic residencies at Vanessie) that has allowed them to tour the world with a self-described “Bach-toBeiber” style. Obviously, I had to meet ’em and throw some Qs their way. SFR: Branden, what do you do? Branden James: I’m a singer. Just a singer? BJ: Yeah. Well, and I play piano. James, how do you fit in? James Clark: I’m a cellist, I play piano, too, and I’m like Pumba and do backup vocals. Pumba, like, from The Lion King? JC: Yeah. OK, so how did you get involved? JC: We’re romantic partners, and we met online. I was getting my masters, he was doing freelance music; we did a gig together, and people liked the cello and the voice together. Your masters in what? JC: Cello performance at Cal State Long Beach.

I’m detecting from your accent that you’re not American. JC: No. I’m from Austraila. Adelaide. Branden, covers or originals? BJ: Covers. We’re definitely more covers-driven. We suck at writing, but we’re trying to write more. What’s the division of labor like? BJ: It’s kind of sometimes this ... dual struggle, for lack of a better term. Sometimes it has to do with my voice, sometimes it just goes with what we’re playing or not. JC: Branden comes up with most of the ideas. Is it challenging to play together and be together? JC: We joke about it as being a challenge. We do spend so much time together. Luckily, we’re very good friends. Why/how did you come to Santa Fe? BJ: It was random. I got the job [at Vanessie] on Craigslist and came alone. I had just moved back to Los Angeles after four years with the Lyric Opera in Chicago and I was kind of in this weird place in my life. I saw the ad on Craigslist, came out alone and people just went crazy for it. So you’re from LA? BJ: I was born in Anaheim, lived in southern Orange County and got out as soon as I could. I went to the San Francisco Conservatory of Music, lived in New York for 10 years, then Chicago. I was trained in opera singing, though I came late at 17.

Gotcha. So. Bach to Beiber? JC: Yup. We cover all that. You travel a lot, it seems. Is there a home base? JC: For the last 18 months we’ve been on the road. We did buy an apartment in Las Vegas and move our stuff out of our Los Angeles storage unit. And now that apartment is our storage unit, but at least it has a kitchen. Branden, you were on America’s Got Talent. My knee-jerk reaction to that is kind of like, “Ehhhhhh…” BJ: I’m so grateful for the experience and the opportunities it brought me. Being able to carry a brand like that really intrigues people, but it’s definitely a little cringey. Being in that reality TV environment was definitely stressful. How far did you make it? I made it to the finals. Can young people get into more classical styles? JC: Everything is so fused with everything, there are so many mashups of everything—like this Steve Jobs opera [at the Santa Fe Opera] is EDM fused with classical. We fuse Bach with Elton John or Vivaldi with a Disney song; we’re just trying to acknowledge our backgrounds in classical music, but play what we prefer, which is pop, rock and jazz. We do have surprising young people who get really into it; a 17-year-old girl from Albuquerque who cried when we were leaving Santa Fe the last time. BJ: Yes, and ... you know, our whole sound

20-ish questions with the piano-cello-vocals duo came out of being here in Santa Fe. The repertoire we play is because Santa Feans would request specific songs, and the next night they’d request them again. You get immediate feedback. Happy music or sad? JC: Oh, I think we go for sad. The cello is just like that. So that’s the headline? “Branden & James: Sad Bastards?” JC: That would be a really great album title. Maybe when we do our originals. How much longer are you here? BJ: Through July 21, and then we come back to do a one-night-only thing at the La Casa Sena Cantina on September 9. JC: We’ll head out to New York for a couple days, and then we do a cruise to Cartagena. We do about 50 percent of our work on cruise lines. BJ: On the big ships they have these 1,000-seat theaters, which is so interesting, because we play a lot of more intimate shows. JC: They have great production values. BJ: But we’ll keep coming back to Santa Fe. We love traveling—we’re going to Cuba later this year—but we keep coming back because the people have endeared themselves to us and so much of our sound comes from right here in this weird, enchanting town. BRANDEN & JAMES 7 pm Wednesday and Thursday July 12 and 13; 8 pm Friday, Saturday and Tuesday July 14, 15 and 18. Free. Vanessie, 427 W Water St., 984-1193 SFREPORTER.COM

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JULY 12-18, 2017

NM Music Commission Foundation and

A Benefit for Solace Crisis Treatment Center

present:

and the New Mexico Music Commission

An All Star Salute to New Mexico's Musical Heroes

Bill and Bonnie Hearne saluted by American JEM

July 21, 2017 • 7:30 PM • Lensic Performing Arts Center

A Classical Thank You to Dr. Dale Kempter

Featuring Joe West Master of Ceremonies and the Santa Fe Revue as the House Band

Al Hurricane tributed by Al Hurricane Jr.

Arlen Asher honored by Horace Alexander Young

Lee Berk Award presented to Catherine Oppenheimer

Fernando Cellicion celebrated by Zuni Dancers

tickets available at the Lensic Box Office

Additional Presenters and Performers

505-988-1234 | www.lensic.org/events

Jono Manson • Sean Healen • John Kurzweg • Tiffany Christopher • Benito Concha Brian Hardgroove and Impulse Groove Foundation • NDI Dancers and more…

Platinummusicawards.org

Gold Circle Level Sponsors • Candyman Strings and Things; Capitol Ford and Lincoln; Coronado Paint and Decorating; Cowgirl BBQ; Daniel Quat Photography; Friday Networking Lunch; Frogville Studio; Kitchen Sink Studio; Lectrosonics; Graphic Sky Printing; NDI Santa Fe; Santa Fe Bandstand; Santa Fe Bar and Grill; Santa Fe Chamber of Commerce; Santa Fe Skin Care Clinic; Tecolote; Santa Fe Selection; Santa Fe Spirits; Santa Fe University of Art and Design; Santa Fe Waldorf School; Rivera Family Funeral Home; Windswept Media

Sustaining Level Sponsors • Borrego’s Guitars & Music Supply Co.; 5D Photography; White & Luff Financial; Sutin Thayer Browne Law; Sunpower Positive Energy Solar; Zlotnick; Laws & Sandoval CPA Arlen Asher, Bill and Bonnie Hearne and Catherine Oppenheimer photos by © Daniel Quat Photography.

NM Music Commission Foundation and

A Benefit for Solace Crisis Treatment Center

present:

and the New Mexico Music Commission

An All Star Salute to New Mexico's Musical Heroes

Bill and Bonnie Hearne saluted by American JEM

July 21, 2017 • 7:30 PM • Lensic Performing Arts Center

A Classical Thank You to Dr. Dale Kempter

Featuring Joe West Master of Ceremonies and the Santa Fe Revue as the House Band

Al Hurricane tributed by Al Hurricane Jr.

Arlen Asher honored by Horace Alexander Young

Lee Berk Award presented to Catherine Oppenheimer

Fernando Cellicion celebrated by Zuni Dancers

tickets available at the Lensic Box Office

Additional Presenters and Performers

505-988-1234 | www.lensic.org/events

Jono Manson • Sean Healen • John Kurzweg • Tiffany Christopher • Benito Concha Brian Hardgroove and Impulse Groove Foundation • NDI Dancers and more…

Platinummusicawards.org

ASPEN SANTA FE BALLET

2017 SUMMER SEASON

ASPEN SANTA FE BALLET July 15 | 8pm

COMPAGNIE HERVÉ KOUBI

July 23 | 8pm

ASPEN SANTA FE BALLET September 2 | 8pm

THE CALENDAR DOUG MENUEZ: FEARLESS GENIUS Patina Gallery 131 W Palace Ave., 986-3432 Menuez' photographs follow Steve Jobs through some of the most intense periods of growth in Apple's history. 5 pm, free FIGURATIONS Nüart Gallery 670 Canyon Road, 988-3888 Examine current trends in representative art through four artists: Michael Bergt, Vincenzo Calli, Charles Ladson and Doug Smith. 5 pm, free KITTY LEAKEN: TEA SCROLLS & CEREMONY natasha Santa Fe 403 S Guadalupe St., 913-9236 Leaken traveled the world to photograph tea houses around the globe. 5 pm, free NEW ARTIST GROUP SHOW Samayra Studio and Gallery 129 W Water St., 310-4514 Sculpture, printmaking, jewelry, and woodworking. 6 pm, free PEYOTE BIRD’S FOLK ART CELEBRATION Peyote Bird Designs 675 Harkle Road, 986-4900 Celebrate Frida Kahlo with the local jeweler. A portion of all sales will benefit the International Folk Art Alliance, so treat yo’self. 10 am-5 pm, free RUN HOME DERBY STORE Axle Contemporary 670-5854 In partnership with SITE Santa Fe, Jamison Chas Banks leads art students as they explore Native identity and the concept of home and baseball. Find it at the Farmers Market Pavilion (1607 Paseo de Peralta). 5 pm, free TED GALL AND LAURA WAIT Hunter Kirkland Contemporary 200 Canyon Road, 984-2111 Gall presents bronze and steel sculptures of characters from ancient myths and Wait shows his layered encaustic paintings of wave-like energy fields and motion. 5 pm, free

BOOKS/LECTURES

SEEEXTRAORDINARY EXTRAORDINARYDANCE DANCEAT AT SEE BUSINESS PARTNER 

Tickets: www.aspensantafeballet.com Tickets: 505-988-1234 or online at www.aspensantafeballet.com MEDIA SPONSORS 

PREFERRED HOTEL PARTNER 

GOVERNMENT / FOUNDATIONS 

Melville Hankins

Family Foundation

Partially funded by the City of Santa Fe Arts Commission and the 1% Lodgers Tax, and made possible in part by New Mexico Arts, a Division of the Department of Cultural Affairs, and the National Endowment for the Arts. PHOTO: DIDIER PHILISPART

JULY 12-18, 2017

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SFREPORTER.COM

SPROUTS PRE-K ACTIVITIES Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Join a hands-on program for 3- to 5-year-olds. Listen to a book and participate in interactive nature and garden related activities. 9-10 am, $5 donation

DANCE ENTREFLAMENCO: 2017 SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 2nd floor, 209-1302 Antonio Granjero, Estefania Ramirez and Antonio Hidalgo Paz co-direct this series. 7:30 pm, $25

ENTER EVENTS AT SFREPORTER.COM/CAL

EVENTS ART SANTA FE Santa Fe Community Convention Center 201 W Marcy St., 955-6590 A massive exhibit featuring contemporary works in a variety of mediums made by artists around the country. 11 am-8 pm, $10-$100 INTERNATIONAL FOLK ART MARKET: OPENING NIGHT Museum of Int’l Folk Art 706 Camino Lejo, 476-1200 Shop, dance and enjoy live music at this celebratory opening of the stunning International Folk Art Market, which brings artists from around the world. 6:30 pm, $225 THE MAD HATTER’S TEE PARTY Railyard Park Cerrillos Road and Guadalupe St., 982-3373 Students from the May Center for Learning create this mini-golf course themed around the classic Alice in Wonderland (see SFR Picks, page 19). Noon-6 pm, various prices

FILM HAPPY GILMORE Railyard Park Cerrillos Road and Guadalupe St., 982-3373 Watch Adam Sandler at a time when he was actually funny at this outdoor summer movie screening (see SFR Picks, page 19). 6 pm, free

MUSIC 2017 NLBHA STAR VOCALIST COMPETITION Skylight 139 W San Francisco St,, 982-0775 The National Latino Behavioral Health Association throws this competition every year. Who knew? 5 pm, $35 BORIS McCUTCHEON Meow Wolf 1352 Rufina Circle, 395-6369 Hey now! It’s the release of Boris McCutcheon's new Americana album, I'm Here. Let Me In. 9 pm, $10-$12 CHANGO Cowgirl 319 S Guadalupe St., 982-2565 Covers of rock songs. 8:30 pm, $5 DANIELE SPADAVECCHIA Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Jazz, swing, Latin and Italian classics. 7 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano standards from the pop world and Broadway. 6 pm, $2

DOUG MONTGOMERY AND BRANDEN & JAMES Vanessie 427 W Water St., 982-9966 Montgomery plays standards on piano, then turns over the mic at 8 pm to the cello/ vocals duo (see Music, page 23). 6 pm, free EVAN BARTELS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Americana. 5 pm, free HALF BROKE HORSES Second Street Brewery (Original) 1814 Second St., 982-3030 Country and Americana. 6 pm JESUS BAS La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Spanish folk songs. 7 pm, free JIMMY STADLER La Fiesta Lounge 100 E San Francisco St., 982-5511 Danceable alt.country, rock and blues. 8 pm, free KARAOKE WITH McLAIN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 You know the drill. 8 pm, free KATY P AND THE BUSINESS Palace Saloon 142 W Palace Ave., 428-0690 Rock and roll dance music. 10 pm, $10 LONE PIÑON Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Norteño tunes. ¡Que viva Nuevo México! 6 pm, free MOHIT DUBEY AND ROBERTO CAPPOCHI GiG Performance Space 1808 Second St., 989-8442 Classical guitar from Bach to the 20th century, plus some Arabic arrangements (see SFR Picks, page 19). 7:30 pm, $20 MUSIC AT THE MUSEUM: ALMAZAZZ! New Mexico Museum of Art 107 W Palace Ave., 476-5072 Gypsy jazz in the museum’s courtyard, free with museum admission. 5 pm, $7-$12 NELSON DENMAN Chez Mamou French Bakery & Cafe 217 E Palace Ave., 216-1845 An eclectic mix of classical, jazz, folk and improv cello. 6 pm, free NOAH MURO Osteria D'Assisi 58 S Federal Place, 986-5858 Jazz and standards on piano. 6:30 pm, free CONTINUED ON PAGE 28

FIRST

TRACKS

Dreamcastle: Bloom Delicacy Review BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

reamcastle is just about the perfect name for the densely layered soundscape songs created by local indie singer-songwriter Jake Trujillo. With his latest, Bloom Delicacy, Trujillo hits lush and ethereal Radioheady melodies peeking out from Jeff Mangum-like autobiographical pieces, though his voice often strays more toward some bizarrely brilliant blend of Tea For the Tillerman-era Cat Stevens meets Thom Yorke croon in its timing and timbre and, charmingly, its imperfections. Bloom is obviously a bedroom recording, and this works in Trujillo’s favor, allowing him carte blanche to phase from brief moments of synth-pop weirdness and Mazzy Star slowness/brightness to an almost folky, country style, all while maintaining cohesive balance. These songs are, it would seem, painstakingly arranged just so—and they are beautiful, like the soundtrack to some kind of warm dream. “I feel my spirit slipping away every night/but every day it will return to me at dawn,” he sings on “Floral Pick,” a love song indeed, but more a ru-

mination on where our thoughts might wander when they’re propelled by someone new. Oddly, it’s reminiscent of Seal’s “Kiss From a Rose”—no joke—but also of Northern California indie act Duster in its tracks-on-tracks big sound. Trujillo also takes intelligent detours from quiet introspection into synthheavy, major-to-minor chord territories both danceable yet thinkable, a deft

choice that at first seems jarring but ultimately works when he pulls back into his guitar-driven arrangements. The shift from the lo-fi, almost new-wave thump beat of “Last Book, Vol. 2” into “Neon Limes” (arguably one of the more sparse offerings on Bloom) is just plain smart. It’s an intriguing hint, perhaps, at areas Trujillo has yet to fully explore, but ones we hope he will.

Dreamcastle mastermind Jake Trujillo painted the album art for Bloom Delicacy himself.

Bloom isn’t a departure from previous Dreamcastle works such as 2016’s The Fixed Stars per se, but it is a maturation in terms of instrumentation and thematic work—a cleaner overall product and the strongest set of Trujillo tunes we’ve yet to hear. The floral motif insofar as the idea of rebirth, new beginnings and new feelings permeates his lyricism with a message that hits somewhere between a healthy fear (or maybe respect) of the unknown and an almost giddy excitement for the very same. Album closer “A Delicate Bloom” recalls a pretty, yet subtly dark, classic like “Happiness is a Warm Gun” and makes Bloom worth it all on its own, but as far as albums listened to as a single concept go, this is among the best we’ve heard in ages—local or not. Is it perfect? Hardly. It may, in fact, be under-produced, but one can’t help but feel this was deliberate, which is endearing in the end. For now, Bloom Delicacy is available digitally (and affordably) through dream-castle.bandcamp.com with the promise of physical copies—complete with artwork painted by Trujillo himself—in the coming weeks. If Dreamcastle maintains its current trajectory, we’d expect bigger and better things than self-released material. Someone in a distro or label position should actually pay close attention to what he’s got going on. There’s a natural talent for beauty and poetry at play making Bloom Delicacy a must-own, especially with its paltry $9 pricetag. Straight-up—you need this.

Santa a Fe Woman Woman’ss Club INVITES THE COMMUNITY

ANNIVERSARY CELEBRATION

Join us for free refreshments & music! SUNDAY • JULY 3OTH • 4PM -7PM AT 1616 OLD PECOS TRAIL SFREPORTER.COM

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JULY 12-18, 2017

Get savager at: SFReporter.com/savage

men how it’s done! -Really Angry Gal Is Needing Gays

I’m a gay medical student with a medical fetish, and I can’t even open up to my therapist about this. I think the fetish started when I was young; I was once in the hospital and given a suppository for a fever. Then one time I was given a Fleet enema. I don’t think the “butt stuff” turned me gay, but my fetish may stem from the aspect of being controlled. I grew up in a very conservative religious household. I’ve never been in a relationship, and I don’t know that I could have one while hiding what turns me on. In my profession, we have to be confident and even sort of “dominant” in our roles as providers, but underneath I’m incredibly submissive. I didn’t go into medicine for this reason. We have very strict professional boundaries and ethical expectations, and I have no problem with that. I expect my job to be very clinical and boring. But outside of work, I feel like my sexual desires need some kind of outlet. -Dilemma Of Conscience “Someone can have one persona at work and another at home,” said Eric the Red, a Florida nurse and a fellow medical fetishist. “DOC can be confident and dominant at work— his patients need someone confident and dominant to get them through their medical issues—and then find someone to spend his life with who brings out his submissive side and gives him the balance to make him feel like a whole person.” In other words, DOC, when you do start dating and having relationships, you’re going to want to be open about your kinks. They’re nothing to be ashamed of, and there’s no point in hiding your sexual interests from your future partner(s). You want a sex partner who meets your needs, not one you have to hide your needs from. So long as you keep things professional at work—which shouldn’t be hard, since it’s being the patient and not the doctor that turns you on—you have nothing to feel conflicted about. “The one practical problem he will encounter is that since he actually knows how to give a physical, he may have less patience with fetishists who are not medical professionals in real life and don’t really know what they are doing,” said Eric. “Over the years, I have trained nonprofessionals who want to play doctor to give semi-realistic physicals, insert and irrigate catheters, use sounds, and otherwise have enough technical expertise to do a medical scene that’s realistic enough that I can enjoy being their patient without screaming, ‘No, that’s not how it’s done!’ He may find himself doing the same.” The good news? “DOC won’t have any trouble finding like-minded people,” said Eric. “Medical fetishists are well organized online; just spend a few minutes on Google and he’ll find them.” As a 56-year-old, 95-percent-straight woman, I’d like to think all y’all gay men can enjoy blowjobs without that dip in the degradation pool straight men always take. Maybe you could gaysex talk some sense into stupid straight men. On PornHub recently, I watched a fearless young woman use a dildo five ways and come at least 10 full symphony times. This new generation of women! Impressive! But then I watched an 18-year-old Russian woman with an equally beautiful black American man. She sucked away on his dick and swallowed 12 times in five minutes! I kept thinking: She’s gonna get a break now? Maybe a hug? A beer, a joint, a pay raise? Something?!? Nope. She even apologized for spilling some come at one point. Now I’m SAD. It’s the exact same shit I faced when I started in ’73. Gaysex talk some sense into stupid straight boys! Y’all gay men do blowjobs without degradation. Tell straight

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There’s nothing inherently demeaning about giving someone a blowjob, and plenty of people—gay, straight, bi, pan, demi, sapio, etc.— give and receive blowjobs without splashing around in the degradation pool. That said, RAGING, gay men are just as likely as straight men to “dip in the degradation pool” when they’re getting blowjobs— particularly when a blowjob is being filmed. No need to take my word for it: Head over to the gay aisle at PornHub. You’ll find lots of videos where the guys giving blowjobs are degraded—called names, roughly handled, made to apologize for come spillage—and you’ll be hard-pressed to find one in which the word “cocksucker” isn’t tossed around. But don’t feel bad for all those gay cocksuckers, RAGING: For many gay men, the taunts we feared most in high school become the dirty talk that gets us off in adulthood. As for the video you saw—a Russian interfering with an American erection—there must have been breaks that were edited out (no guy can come 12 times in five minutes), so hugs, beers, and joints may have been made available when the cameras weren’t running. I have a phone-sex kink, and I got Tinder to explore that. I tell guys it won’t get physical and that I’m interested only in text play and photo swapping. I matched with a cute, kinky guy, and I have been playing with him mostly over text for about two years. The issue is that I found out recently that he’s engaged. I’m pretty conflicted about this. He says that sex with her is good but vanilla and that she’s unwilling to experiment. He also isn’t comfortable sharing his kinks with her. I understand that some people have a hard time reconciling the dirty shit they want to do in bed with the sweet girl they want to marry, but he seems unwilling to try. Do I cut him off? Is he just doing what he has to do to make an otherwise good relationship work? Is it okay of him if she never finds out and everyone is happy? -Playing Hurtful Over Text Only? The odds that your sext buddy’s wife will never find out are slim. Spouses snoop, computers and phones get left open, a dirty message or photo intended for one person (say, you) gets sent to the wrong person (say, her). If you’re not comfortable playing with someone who is deceiving his girlfriend and/ or wife—if you don’t want the incriminating message his wife inevitably finds to be one intended for or from you—you should end this, PHOTO. But it is possible to continue playing/ texting/sexting with a semi-clear conscience: He may be doing what he needs to do to make this relationship work; he’s exploring his kinks without touching another woman; if this is cheating, it’s cheating lite; etc. Whatever you ultimately decide to do, PHOTO, you should encourage this guy to open up to his fiancée about his fantasies and kinks. It’s exhausting to spend your life with someone you have to hide from—exhausting and rarely successful. If he doesn’t want the truth to end his marriage, he needs to tell her the truth now. Engagements are easily called off, marriages less so. ITMFA UPDATE: We want to send tasteful ITMFA American flag lapel pins to every member of Congress! Go to ImpeachTheMotherFuckerAlready.com, select a member of Congress, and write a short note explaining why you want that motherfucker impeached! It costs $15 bucks to send two tasteful pins— and one unmistakable message—to Congress! All proceeds benefit the ACLU, Planned Parenthood, and the International Refugee Assistance Project! Help us flood Congress with ITMFA pins! On the Lovecast, trans activist Buck Angel: savagelovecast.com mail@savagelove.net @fakedansavage on Twitter

RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar. 7 pm, free SANTA FE BANDSTAND: SMOOTH AND LUMBRE DEL SOL Santa Fe Plaza Bandstand 100 Old Santa Fe Trail Santana tribute band Smooth, followed by Chicano rock from Lumbre del Sol. 6 pm, free SUMMER FLING WITH DJ POETICS Skylight 139 W San Francisco St., 982-0775 Top 40, hip-hop, reggae, Latin and house music. Wahoo! 9 pm, $5-$7 THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 Swinging jazz piano trio featuring special guest musicians. 7:30 pm, free

OPERA DIE FLEDERMAUS Santa Fe Opera House 301 Opera Drive, 986-5900 In 2017, the waltz is the tamest of dance styles. However, 200 years ago it was seen as sinful. This opera by Johann Strauss Jr. and directed by Ned Canty is set in a huge ballroom in hedonistic Vienna. 8:30 pm, $43-$310

THEATER BEAUTY AND THE BEAST James A Little Theatre 1060 Cerrillos Road, 476-6429 Disney’s animated film comes to life on stage with the kids of Pandemonium Productions. 7 pm, $6 HEISENBERG Teatro Paraguas 3205 Calle Marie, 424-1601 A quirky inter-generational love story that has nothing to do with Breaking Bad (see Acting Out, page 33). 7:30 pm, $15-$20 MARRIAGE BY THE MASTERS Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Three one-act plays by George Bernard Shaw, Moliére and Anton Chekhov explore the intricacies of relationships. 7:30 pm, $15-$20 MUCH ADO ABOUT NOTHING Monte Del Sol Charter School Courtyard 4157 Walking Rain Road, 490-6271 The Santa Fe Shakespeare Society presents the classic comedy. 6 pm, $15-$20

WORKSHOP SUMMER SALON New Mexico Museum of Art 107 W Palace Ave., 476-5072 Artists guide visitors by demonstrating a variety of drawing techniques, followed by dialogue about artist processes. 3 pm, $7-$12

SAT/15 ART OPENINGS THE ART OF DR. SEUSS: RARE EDITIONS Chuck Jones Studio Gallery 126 W Water St., 983-5999 Glimpse rare works by Dr. Seuss at this one-night exhibit. 5 pm, free KNOWN SUBVERTS Offroad Productions 2891-B Trades West Road, 670-9276 Challenging the norm is the norm in this group exhibit. 6 pm, free PEYOTE BIRD'S FOLK ART CELEBRATION Peyote Bird Designs 675 Harkle Road, 986-4900 Celebrate Frida Kahlo with the local jeweler, including a chance at beading supplies for crafters. 10 am-5 pm, free

EVENTS ART SANTA FE Santa Fe Community Convention Center 201 W Marcy St., 955-6590 A massive exhibit featuring contemporary works in a variety of mediums made by artists around the country. 11 am-8 pm, $10-$100 BUILD A BETTER WORLD SUMMER READING PROGRAM 2017 Southside Branch Library 6599 Jaguar Drive, 955-2820 Learn all about exotic animals at this educational workshop for kids titled “Peace Pets.” 1:30 pm, free COMMUNITY CLEAN-UP RIDE Santa Fe Harley Davidson 4360 Rodeo Road, 471-3808 Calling all bikers! Get on your bike at this benefit for Keep Santa Fe Beautiful. There will also be pet adoptions, a bike wash, giveaways, food trucks and a beer garden. 9 am, $5-$10

INTERNATIONAL FOLK ART MARKET Museum of Int’l Folk Art 706 Camino Lejo, 992-7600 Folk artists from around the world come to Santa Fe to display their crafts at this renowned market. Pay a little extra to attend the Early Bird Market from 7:30-10 am and nab goodies before others get the chance, or arrive at 10 am for the lower price. 7:30 am-5:30 pm, $75 or $15-$20 THE MAD HATTER’S TEE PARTY Railyard Park Cerrillos Road and Guadalupe St., 982-3373 Students from the May Center for Learning create this mini-golf course themed around the classic Alice in Wonderland (see SFR Picks, page 19). 9 am-2 pm, free SANTA FE ARTISTS MARKET Railyard Park Cerrillos Road and Guadalupe St., 310-8766 Local artists show and sell their original works representing mediums like photography, sculpture and more. 8 am-4 pm, free

MUSIC BAD CAT & AUDIOBUDDHA Duel Brewing 1228 Parkway Drive, 474-5301 Deep soulful beats by two electronica artists. 8 pm, free BILL HEARNE Second Street Brewery (Original) 1814 Second St., 982-3030 Americana and honky-tonk. 6 pm, free THE BLUES REVUE BAND Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Country blues. 6 pm, free CHANGO Palace Saloon 142 W Palace Ave., 428-0690 Cover songs and dance music. 10 pm, $5 DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano standards. 6 pm, $2 DELPHIA Osteria D'Assisi 58 S Federal Place, 986-5858 A soulful performance of “Wine is my Valentine.” 6:30 pm, free DOUG MONTGOMERY AND BRANDEN & JAMES Vanessie 427 W Water St., 982-9966 Standards on piano, then the cello and vocal duo (see Music, page 23). 6 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

DRASTIC ANDREW Cowgirl 319 S Guadalupe St., 982-2565 Rock. 8:30 pm, free GARY PAUL Upper Crust Pizza 329 Old Santa Fe Trail, 982-0000 Is he a singer? Is he a storyteller? He is both! 6 pm, free GRUPO FANTASMA AND NOSOTROS Meow Wolf 1352 Rufina Circle, 395-6369 Grupo Fantasma plays Latin jazz rock and Nosotros blends rock, jazz, salsa and more, creating a unique modern sound (see SFR Picks, page 19). 8 pm, $20-$24 HALF BROKE HORSES Cowgirl 319 S Guadalupe St., 982-2565 Country and Americana. 1 pm, free JIMMY STADLER La Fiesta Lounge 100 E San Francisco St., 982-5511 Alt.country, rock and blues. 8 pm, free JULIAN DOSSETT TRIO Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Delta blues. 3 pm, free LIV LOMBARDI, VONNIE KYLE, MATTHEW SMITH Zephyr Community Art Studio 1502 Center Drive, Ste. 2 Acoustic rock. 8 pm, $5-$10 NELSON DENMAN Chez Mamou French Bakery & Cafe 217 E Palace Ave., 216-1845 Jazz, folk and improv cello. 6 pm, free PAT MALONE Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Acoustic jazz guitar. 7 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and classical Spanish guitar. 7 pm, free SECRET CIRCUS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Indie rock from Sweden. 7 pm, free STILETTO SATURDAYS WITH DJ 12 TRIBE Skylight 139 W San Francisco St., 982-0775 Dance around in those high heels, if you can. 9 pm, $5-$7 TIM NOLEN AND THE RAILYARD REUNION Santa Fe Farmers Market 1607 Paseo de Peralta, 983-4098 Get serenaded at the Farmers Market with classic bluegrass and Tim's own original songs. 9 am, free

THE CALENDAR

Tickets on sale now at FOLKARTALLIANCE.ORG/TICKETS 14TH ANNUAL • JULY 14, 15, 16, 2017

Danny Rubin

International Folk Art Market Santa Fe

COURTESY WAREHOUSE 21

Warehouse 21, the longtime beloved local nonprofit teen arts center, turns 21 years old on Tuesday July 11. It hosts a week’s worth of festivities in a variety of exciting events including a concert, an open house and a special meetand-greet with some big-name entertainment industry folk (7:30 pm Thursday July 13. $12-$21. 1614 Paseo de Peralta, 989-4423). Included in the event are television writer Ron Bloomberg, MacGyver creator Lee Zlotoff and Danny Rubin, the writer of Groundhog Day (both the 1993 Bill Murray movie and the recent Broadway musical). Rubin also served on the very first board of directors for Warehouse 21, so the birthday is near and dear to his heart. We’re pretty big fans of Rubin’s work—in film and with Warehouse 21—and wanted to learn how it’s going for him these days. And it goes a little something like this: (Alex De Vore) Note: An extended version of this interview appears online at SFReporter.com. What is it that has made you want to be involved with W21? For me, it was the prefect idea; first of all, just because when [my family] first moved to Santa Fe 25 years ago, it was coming from Los Angeles, and very much wanting to be part of the community in one way or another. At the time, the Teen Art Project, which was pretty much the proto-Warehouse 21, was a project that I heard about at the Center for Contemporary Arts, and I started getting involved with it at that point. And then maybe a year later, when they were looking for a safety net for the program, I jumped on, like, ‘Oh, this is something that chose me.’ It’s something I liked, and it said, ‘Come now.’ And I loved just the idea that it’s sort of a natural connection for teenagers to express themselves and to do so through a variety of media and art. Can you give us an idea about what you’ll be touching on with this meet-and-greet event? Whatever anybody wants to talk about. In a kind of interesting way, I feel like I was here all the way from starting the organization to opening the building. And then I left town, and I was gone for eight years. So, for me, from my point of view, this is a chance to rejoin the community and say hello. Whatever anybody wants to ask me about, I’m happy to share tales from my travels. Was Groundhog Day: The Musical something that you always wanted to do? Almost immediately. Almost right after the movie came out. I also wasn’t in any hurry to be in the groundhog business. I wanted to do other things and to take my time figuring out how to make it a musical. It was about 10 years after the movie came out that other people started talking about it as well as a good idea, most prominently Stephen Sondheim. I started taking it more seriously, studying up on musicals, figuring out what my role would be, which tuned out to be the writer. Then it was finding the right partners who wanted to do a really rich, exploratory, big reexamination of this story—and music seemed the greatest way to do it, to expand into the characters and bigger emotions. And we were successful, I feel.

DOWNTOWN BUSINESS PARTNERS

Folk Artist Demonstrations & Walking Tour THURSDAY, JULY 13 | 2–4PM | FREE

SERET & SONS

Rustam Usmanov & Damir Usmanov | Uzbekistan | Ceramics

ROCKI GORMAN GALLERY

WORKSHOP & SANTA FE DRY GOODS

Karim Oukid Ouksel | Algeria | Filigree Jewelry

Juana Pumayalli | Centro de Textiles Tradicionales del Cusco | Peru | Backstrap Weaving S PE C I A L T H A N K S TO OUR EVENT SPONSORS

COLLECTED WORKS BOOKSTORE & COFFEEHOUSE

Manisha Mishra | India | Madhubani Painting

MALOUF ON THE PLAZA

Tarek Abdelhay Hafez Abouelenin & Ekramy Hanafy Ahmed Mahmoud | Tentmakers of Cairo | Egypt | Appliqué Wall Hangings

SINGULAR COUTURE

Dahyalal Atmaram Kudecha | Somaiya Kala Vidya | India | Woven Textiles

SHIPROCK SANTA FE

Blaise Cayol | France | Wicker Basket Weaving

Details at FOLKARTALLIANCE.ORG/DOWNTOWN A program of International Folk Art Alliance

LANB

Santa Fe Trails

Creating a better way.

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JULY 12-18, 2017

THE CALENDAR VAIVÉN El Mesón 213 Washington Ave., 983-6756 Flamenco and jazz fusion, and those delicious spicy little peppers they fry so damn well. 7:30 pm, free

OPERA THE GOLDEN COCKEREL Santa Fe Opera House 301 Opera Drive, 986-5900 Nikolai Rimsky-Korsakov explores the opposing forces of love and war in this opera. 8:30 pm, $43-$310

THEATER

The New Earth Institute of Southwestern College Presents the 36th Annual

Transformation & Healing Conference WED. – SUNDAY, JULY 19–23, 2017 Keynote Presentation:

THE HUNGRY GHOST:

A BIOPSYCHOSOCIAL PERSPECTIVE ON ADDICTION

GABOR MATÉ, M.D.

SUNDAY, JULY 23, 9AM–5:30PM

$160 for 7 CECs

(Ticket price includes lunch at IAIA) Institute of American Indian Arts (IAIA) 83 Avan Nu Po Road, Santa Fe

Wed.–Fri. Workshops, July 19–21, at SWC Campus, 3960 San Felipe Rd. • The Power of Presence • Consciousness & Compulsive Gambling • Effective Eating Disorders Treatments • The Medicine Wheel, a Map for Healing • Working with Youth Substance Abuse • Addiction Recovery Using Art Therapy • Transforming Addiction into Relatedness • Survival Strategies: Another Kind of Addiction • MBEP Techniques to Support Emotional Healing • On Falling in Love with Love • An integrated Approach to Recovery • Spirituality in Healing Addictions • Conscious Soul Evolution $40 each 3-hour workshop for 3 CECs

LEE CARTWRIGHT, M.A.

The Guts to Stand Up For Yourself Saturday, July 22, 2–5pm At the Center for Spiritual Living 505 Camino de los Marquez, Santa Fe

This workshop introduces the fundamental nature of the enteric nervous system, and how to make the ‘gut brain’ a valuable resource in breaking trauma cycles, to truly provide “The Guts to Stand Up for Yourself.”

Space is Limited! To REGISTER for any event or see a complete conference brochure , visit www.tandh.org 30

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BEAUTY AND THE BEAST James A Little Theatre 1060 Cerrillos Road, 476-6429 Disney’s animated film comes to life. 7 pm, $6 HEISENBERG Teatro Paraguas 3205 Calle Marie, 424-1601 Presented by the New Mexico Actors Lab, this new comedy comes directly from Broadway (see Acting Out, page 33). 7:30 pm, $20 MARRIAGE BY THE MASTERS Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Three plays by George Bernard Shaw, Moliére and Anton Chekhov. 7:30 pm, $15-$20 MUCH ADO ABOUT NOTHING Monte Del Sol Charter School Courtyard 4157 Walking Rain Road, 490-6271 By suggested donation, the Santa Fe Shakespeare Society presents the classic comedy about mistaken identity. 6 pm, $15-$20

SUN/16 ART OPENINGS CHARLES CARRILLO Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Carrillo, an award-winning Santero, presents visual works and signs copies of his book. 2 pm, free

BOOKS/LECTURES JOURNEYSANTAFE: JEFF SNELL AND KIM MEREDITH Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Get a peek behind the scenes of the International Folk Art Market in this lecture by market executive director Snell and Meredith, founding director of the Stanford Center on Philanthropy and Civil Society. 11 am, free

ENTER EVENTS AT SFREPORTER.COM/CAL

DANCE ENTREFLAMENCO: 2017 SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 2nd floor, 209-1302 Antonio Granjero, Estefania Ramirez and Antonio Hidalgo Paz co-direct this series. 7:30 pm, $25

EVENTS ART SANTA FE Santa Fe Community Convention Center 201 W Marcy St., 955-6590 A massive exhibit featuring contemporary works in a variety of mediums made by artists around the country. 11 am-5 pm, $10-$100 BUILD A BETTER WORLD SUMMER READING PROGRAM 2017 Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Learn all about exotic animals at this educational kids workshop titled “Peace Pets.” 1:30-2:30 pm, free INTERNATIONAL FOLK ART MARKET Museum of Int’l Folk Art 706 Camino Lejo, 476-1200 Folk artists from around the world come to Santa Fe to display their crafts at this renowned market. Don't miss the last day! 9 am-5 pm, $10-$15 SANTA FE FREE THINKERS’ FORUM Unitarian Universalist Congregation 107 W Barcelona Road, 982-0439 Get up early for a discussion called “Are Capitalism and Democracy compatible with the basic tenants of Humanism, free thinkers, and modern skeptics?” 8:30 am, free

MUSIC BLUEGRASS SUNDAY BRUNCH Second Street Brewery (Original) 1814 Second St., 982-3030 You can work this one out, right? It’s bluegrass. 11:30 am, free THE BURTON JACKSON EXPERIENCE Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Bluegrass on the deck. 3 pm, free KITTY JO CREEK BAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Guess what? More bluegrass. 1 pm, free NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Latin standards. Not bluegrass, weirdly enough, though we bet she could do it. 7 pm, free

RAMON BERMUDEZ La Fiesta Lounge 100 E San Francisco St., 982-5511 Latin and smooth jazz guitar. 6 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: SCHUMANN QUARTET St. Francis Auditorium 107 W Palace Ave., 982-1890 The kick-off of the 45th annual festival features Sor's Gran solo concertante, Stravinsky's L’histoire du soldat, Schumann's Piano Quartet and other pieces. 6 pm, $10-$86 THE SANTA FE REVUE Cowgirl 319 S Guadalupe St., 982-2565 Psychedelic country songs. 8 pm, free STEEL PENNY Cowgirl 319 S Guadalupe St., 982-2565 Lively country music. 8 pm, free THE STRINGMASTERS Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Country. 1 pm, free

THEATER BEAUTY AND THE BEAST James A Little Theatre 1060 Cerrillos Road, 476-6429 There’s never a dull moment with the kids of Pandemonium Productions, which presents a tale as old as time. 7 pm, $6 HEISENBERG Teatro Paraguas 3205 Calle Marie, 424-1601 A quirky comic love story that has nothing to do with Breaking Bad (see Acting Out, page 33). 2 pm, $15-$20 MARRIAGE BY THE MASTERS Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Three one-act plays by George Bernard Shaw, Moliére and Anton Chekhov. 3 pm, $15-$20 MUCH ADO ABOUT NOTHING Monte Del Sol Charter School Courtyard 4157 Walking Rain Road, 490-6271 The Santa Fe Shakespeare Society presents the classic comedy. 6 pm, $15-$20

WORKSHOP INTRO TO MODERN BUDDHISM: ANCIENT WISDOM IS TIMELESS AND UNIVERSAL Zoetic Center 230 St. Francis Drive, 982-5293 Meditate and learn about karma and essential truths in this class led by American Buddhist nun Gen Kelsang Ingchung. 10:30 am, $10

CONTINUED ON PAGE 34

A&C

Frontier Carnival The Rendezvous makes immortals of those on the margins

hen I first taught the art of Kent Monkman at Santa Fe University of Art and Design, the air in the classroom was thick with discomfort. Cavorting cowboys wearing assless chaps romped across vast Bierstadt-esque landscapes with stereotypical Indians by their sides. It was not what we had seen up until that point: triumphant settlers, roving expeditionaries in the vein of Lewis and Clark, and marauding Indians. This was a “Landscape in the Americas” class, and most of what we’d spoken about and critiqued was the inextricable relationship between envisioning pristine landscapes and the aspirations of Manifest Destiny, the fantasies and projections of imperialism cloaked in the beauty of landscape painting. Fast forward to our class on Monkman, a First Nations artist of Cree descent, who queered the whole template of 19th-century masculinity and landscape, calling out the genre’s own shadowy subconscious. The artist’s alter ego, Miss Chief Eagle Testickle, a figure he paints into his scenes and one he also performs as, seemed an apt guide. For Monkman, Miss Chief “travels through time and exists in different periods of art history and history. ... It’s her way of stitching together” the components that “relate to Indigenous people.” Her travels take her across the Americas. Miss Chief could again be glimpsed in the latest opening of the artist’s work at Peters Projects. In Fate is a Cruel Mis-

tories with Biblical episodes and mythological figures. Indeed, Greek and Roman lore are familiar friends of the American West in Monkman’s visions. Take for instance his version of the three graces. The goddesses of charm, beauty and creativity are, in his hands, three Indigenous women. Also from the looped video: “In Canada, there is a lot of violence against Indigenous women. We have over 1,300 missing and murdered Indigenous women. This paintings really speaks to the power of Indigenous women.” In the painting “Saturnalia,” based upon the Roman festival of Saturn, you’ll see men in drag wearing laurel wreaths and falling into each other’s arms. "Wedding at Sodom” opens into a scene of a priest presiding over the union of two frontiersmen. “Baptism By Fire” depicts a story of one man doused in whiskey and lit on fire. It was a story Monkman came across in his archival research. Of the find he thought: “This is a kind of baptism by fire.” With detail for days, translucent washes of oil to create luminosity, and a whole cast of characters (some of Monkman’s studio assistants stand in as the paintings’ models), the series reminds us that history shouldn’t be beholden to our contemporary social norms regarding divisions in race, class and gender. Indeed, history, according to Monkman, is filled with the whimsy of real people.

tress, a photo series in collaboration with Chris Chapman, the alter ego plays the role of “five female archetypes:” Jezebel, Delilah, Potiphar’s Wife, Judith and Salome. The prints are part of a larger series titled Shame and Prejudice, which deals with the period of Confederation in Canada. The title series, The Rendezvous, demands the most space, with large-scale canvases that double as stages for capricious revelry. The series is based upon the work of Alfred Jacob Miller, an American painter who traveled west of the Mississippi in 1837. He was one of many artists, including George Catlin, who put brush to canvas in an attempt at capturing Native life before Manifest Destiny would fully realize. This era was marked by Andrew Jackson’s forced removal of the Choctaw, Cherokee, Chickasaw, Muscogee and Seminole in the Trail of Tears. Still, as Miller’s paintings show, there were realms far beyond the reach of Jackson and the American government. Traders, trappers and Indigenous peoples came to their own pacts in these frontier spaces, especially in Kent Monkman’s “The Three Graces,” on view at Peters Projects what Miller later described through early September, highlights a lost American tradition. as “a grand carouse,” or the rendezvous. On the confluCOURTESY PETERS PROJECTS

BY ALICIA INEZ GUZMÁN a u t h o r @ s f r e p o r t e r. c o m

ence of the Green River and Horse Creek in what is now Wyoming, beaver pelts and buffalo robes could be exchanged for rifles, blankets, supplies and alcohol. It was, in other words, a frontier bacchanal that spanned only a few weeks. In a filmed talk from the VOLTA NY invitational fair, which plays on a loop in the exhibit, Monkman says, “People would get married. People would die. People would be born. They would celebrate their religious rituals. They would gamble. They would drink, carouse, trade.” The event was fertile ground for an artist known to transpose lesser-known his-

KENT MONKMAN: THE RENDEZVOUS Through Sept. 2. Peters Projects, 1011 Paseo de Peralta, 954-5800

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CCandNS.com 505.216.1108

518 Old Santa Fe Trail #6, Santa Fe, NM SFREPORTER.COM

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ACTING OUT Nothing But Love BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m

cast. Debrianna Mansini is Georgie, a 30-something manic-pixie-dream-girl who falls in love with Jonathan Richards’ Alex, a reserved man some 40 years her senior; their relationship blossoms into a give-and-take full of tenderness and probing. The tight quarters of Teatro Paraguas further draws the audience in to the action, and director Benedetti prefers it this way. “The smaller the cast, the better the individual actors need to be. There’s no place to hide,” he says. “I was a film producer for almost 20 years, and I like filmic acting. Small detail, very deeply personal, intimate. The small space that we work in has that kind of intimacy that permits us to do it. There’s a lot of personal exposure

ROBERT BENEDETTI

anta Fe’s stages are bursting with activity these next few weeks, and it was a feat to narrow the upcoming offerings down to just a page’s worth of previews. In other words: If you’re bored, you simply aren’t even trying. SFR caught up with Robert Benedetti of the New Mexico Actors Lab, which closes its 2017 season with the light-hearted Heisenberg. For some, the play’s title conjures quite serious notions of theories in quantum physics or Walter White’s sinister alter ego in Breaking Bad, but the show is, in fact, a funny study of the uncertainties of an inter-generational relationship. Like many excellent productions in Santa Fe this year, the play has a small

For those 30-somethings who are now too old to be hit on by the 60-somethings of Santa Fe, Heisenberg shows what’s possible for inter-generational love.

involved; you need to be working from a very deep place within yourself.” He says, by his count, about 60 percent of Pulitzer-winning plays can be performed with four or fewer people. “It’s a form that challenges writers,” he says; “it’s like the difference between writing symphonies and writing chamber music. There are special skills involved in smallcast writing. … Being able to fashion an entire story and give it momentum and a satisfying dramatic shape with only three or four voices is a tremendous challenge.” Getting Heisenberg, by the way, was a feat; it is fresh off Broadway and it was tough to secure the rights. Benedetti says he was able to finally acquire permission to put it on “by just bothering the rights-holders a lot.” We see yet again that persistence has paid off, both for Georgie courting Alex and Benedetti courting his script.

LUCRECIA CUERVO

THEATER

HEISENBERG 7:30 pm Thursdays-Saturdays July 13-29; 2 pm Sundays July 16-30. $15-$20. Teatro Paraguas, 3205 Calle Marie, 424-1601.

nother production going up in the next couple weeks is perhaps not theater as we are used to it, but it is certainly a theatrical production. Local singer Nacha Mendez is best known around town for buttery vocals and deft guitar when she performs Latin tunes over tapas. Last autumn, however, a serious illness had her in the hospital and confined to bed to recover, and the prolific performer was forced to slow her roll for a few months. As would be expected from an artist, a new project came out of it. Love Letter to Frida is the end result of Mendez’ musings on Frida Kahlo, famed Mexican painter. Kahlo herself embodies the complex nature of femininity: She was formidable in her own right, but her happiness, or lack thereof, seemed to depend greatly on her relationships with others. She represented the paradox of the modern woman, which calls for both prostration to the world and the ability to be strong when in isolation. She represented intense love, and she represented loneliness. To explore modern relationships with Kahlo, who died in 1954, Mendez commissioned 15 letters from women around the world. The requirements were loose—a love letter to Kahlo—and the results are wide-ranging. Many approach Kahlo through her work, but some explore her on a more personal level, or her fraught relationship with her husband Diego Rivera.

Local musician Nacha Mendez commissioned 15 missives to be read to music in Love Letter to Frida on July 23.

Mendez composed an ambient soundscape that plays under the whole production, and occasionally, readers are accompanied by cellist Chase Morrison, as well as Sitara Schauer and Carla Kountoupes on violin. The letters were written in four languages: English, Spanish, Greek and Italian. The non-English letters are presented without a translation, and while Mendez is aware this may give viewers pause, she believes the readers’ expression and the accompanying music will be helpful in conveying the meaning. Mendez says when she was traveling in Greece a few years ago, a friend got her tickets to see a performance at the National Theatre of Greece. Mendez doesn’t speak Greek, but her friend told her to come anyway. “I didn’t understand what they were saying, but their movements, the gesturing, the music, was all really compelling. I walked out of there saying, ‘I loved that! Even though I had no idea what you guys were talking about.’” Of her own performance, too, she says, “A lot of people who come out to hear me don’t know what I’m saying, because I’m singing in Spanish. I think meaning is conveyed in other invisible ways that I can’t explain, but it touches them on some level, and they’re moved by it.” LOVE LETTER TO FRIDA 5 pm Sunday July 23. $35-$40. Scottish Rite Center, 463 Paseo de Peralta, 982-4414.

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Posa’s

ASIF SHAIKH: AAKANSHA William Siegal Gallery 540 S Guadalupe St, 820-3300 Embroidered works, which are exemplary of India's embroidery revival. Through August 1. 3 pm, free

BOOKS/LECTURES MARIE AND SIDNEY DAVIS: VOICES FROM THE SOUTHWEST 2017 Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 The Davises speak about environmental agriculture in "Rising River: Colorado River, Grand Canyon & Ancient Colorado Plateau Agriculture.” 6 pm, $15 MELVIN GOODMAN: WHISTLEBLOWER AT THE CIA Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 In conversation with Valerie Plame, Goodman speaks about his book and the personal experiences he had in 1991 when he went public with damaging information about the CIA. 6 pm, free NEAL STEPHENSON: SEVENEVES Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 The prolific science fiction author presents his newest book, which imagines a scary future in which space is filled with ever-multiplying trash. 7 pm, $10

DANCE ENTREFLAMENCO: 2017 SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 2nd floor, 209-1302 A summer series featuring original choreography. 7:30 pm, $25 New Mexico’s #1 Tamale Makers Since 1955. Tamales Are Still Made The Original Way... By Hand.

Posa’s

EVENTS GEEKS WHO DRINK Draft Station 60 E San Francisco St., 983-6443 You don’t really have to drink—just know stuff. 7 pm, free

FILM THE SANTA FE INSTITUTE’S INTERPLANETARY PROJECT: ET: THE EXTRATERRESTRIAL Jean Cocteau Cinema 418 Montezuma St., 466-5528 See the classic movie that either entranced you or scared the crap out of you as a kid. Followed by a free panel discussion at 7 pm (see cover, page 12). 4:30 pm, $9-$10.50

ENTER EVENTS AT SFREPORTER.COM/CAL

MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Americana and honky-tonk. 7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 We really like to sing Patsy Cline at karaoke. 9 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: GUITAR & STRINGS YOUTH CONCERT St. Francis Auditorium 107 W Palace Ave., 982-1890 Get kids into chamber music, not rap. I mean, rap is OK and all, but chamber music is cool. 10 am, free SANTA FE CHAMBER MUSIC FESTIVAL: SCHUMANN QUARTET St. Francis Auditorium 107 W Palace Ave., 982-1890 Classical compositions. 6 pm, $10-$86

TUE/18 BOOKS/LECTURES THE SANTA FE INSTITUTE'S INTERPLANETARY PROJECT Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Explore the wonders of space at this panel discussion including artists, scientists and more. The evening is part conference, part festival, part research program (see cover, page 12). 7:30 pm, $5 TUESDAY FAMILY MORNINGS Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Hands-on activities. 10-11 am, $10

DANCE ARGENTINE TANGO MILONGA El Mesón 213 Washington Ave., 983-6756 Dance the night away. 7:30 pm, $5

EVENTS BEHIND ADOBE WALLS Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 The Santa Fe Garden Club presents its annual bus tour of dreamy gardens. Visit thesantafegardenclub.org for more information. 12:10 pm, $75 GEEKS WHO DRINK Boxcar 530 S Guadalupe St., 988-7222 Use those drink tickets you won last time. 8 pm, free HORNO CONSTRUCTION PROJECT Palace of the Governors 113 Lincoln Ave., 476-5100 See how a horno is made. 9 am-4 pm, free

SANTA FE FARMERS MARKET: EL MERCADO DEL SUR Plaza Contenta 6009 Jaguar Drive, 550-3728 A mega farmers' market offering health screenings and food demonstrations (see SFR Picks, page 19). 3 pm, free

FILM THE SANTA FE INSTITUTE’S INTERPLANETARY PROJECT: INTERSTELLAR Jean Cocteau Cinema 418 Montezuma St., 466-5528 Think about space, and Matthew McConaughey, at this screening (see cover, page 12). 3:30 pm, $8-$9

MUSIC BEACH FOSSILS, SHEDEVILS AND ABLEBODY Meow Wolf 1352 Rufina Circle, 395-6369 Indie rock, electronica and harmonic '70s-influenced pop, respectively. 7 pm, $15-$19 BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk. 7:30 pm, free CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Flamenco guitar. 7 pm, free CONSUELO LUZ AND CARRIE RODRIGUEZ: SANTA FE BANDSTAND 2017 Santa Fe Plaza Bandstand 100 Old Santa Fe Trail Luz performs folk songs; then indie tunes and Americhicana by Rodriguez. 6 pm, free DJ PRAIRIEDOG’S VINTAGE VINYL NITE The Matador 116 W San Francisco St. Garage, surf, rockabilly and old-school country. 9 pm, free DOUG MONTGOMERY AND BRANDEN & JAMES Vanessie 427 W Water St., 982-9966 Montgomery plays standards on piano, then turns it over to the cello and vocal duo (see Music, page 23). 6 pm, free EDMUND GORMAN & TWO LEFT SHOES Duel Brewing 1228 Parkway Drive, 474-5301 Rock with blues, folk and Celtic influences. 6 pm, free JIM ALMAND Cowgirl 319 S Guadalupe St., 982-2565 Americana and country and Faulkner-influenced jams. 8 pm, free CONTINUED ON PAGE 37

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MICHAEL J WILSON

Summer Pudding: Had Me a Blast

FOOD

It’s just fruit and white bread—seriously BY MICHAEL J WILSON t h e f o r k @ s f r e p o r t e r. c o m

ritish food is incredibly creative in the most oddly boring way imaginable. Mainly consisting of things stuffed into other things and then boiled, it heavily relies on meat, more meat, some potatoes and then, often, the blood from the meat. Dessert comes in sickly-sweet or savory versions. Pastries have suet in the crust and tons of sugar. Most are super-simple to make and incorporate pre-made elements. With summer cookouts on my mind, I thought this was the perfect time to revisit one of my favorite weirdo British delights: summer pudding. “Pudding” is a term used very differently in the UK than the USA. A pudding can be dessert or a savory meal, and mainly implies that the ingredients are encased in something and then set in some way. This includes being boiled, cooked or cooled. Summer pudding is almost too simple: It’s bread and fruit. That’s it. What makes it amazing are the steps that get you from ingredient list to table. You’ll need a medium saucepan, a wooden spoon, a strainer, cling wrap and a pudding form. You can go fancy and get a pudding basin (they run in the $15-$20 range), but a good bowl with a nice taper will work just as well. You want the bottom to be about 3 inches round, and the mouth around 8 inches. Anything kinda bell-shaped will work.

INGREDIENTS: • 1 lb. brioche or French bread • 12 oz. strawberries • 12 oz. blueberries • 8 oz. raspberries • 8 ounces blackberries • 1 cup sugar • 1 tsp. fresh lemon juice DIRECTIONS: 1 Slice your bread lengthwise into halfinch thick slices. Remove the crusts. In the saucepan, bring the berries, sugar and lemon juice to a boil over medium heat. Then lower temperature and let simmer for about 10 minutes until the berries release their juice and become very soft. It resembles jam-making at this stage. 2

3 Strain the berries from the liquid and set them aside for now.

Pudding UK-style is way more than just a bunch of sweetly flavored goo. 4 Time to get messy! Line your bowl with a double layer of cling wrap. You want there to be overhang—lots of it. This will make sense in a minute. 5 Get one of the more solid slices of bread and cut to fit in the bottom of the bowl. Soak the piece in the juice and place in the bottom of the bowl. You are then going to line the sides of the bowl with the rest of the juice-soaked bread. Overlap the pieces slightly. You can press them into the sides a little as well, but they should be saturated in juice. 6 Once you have a lined bowl, fill the inside with the fruit mixture. Then you need to use the last of your juice-filled bread to seal the top, hiding all the fruit in a bready tomb. At this point you will look like you murdered someone. This is fine. Mess is good. 7 Use the leftover parts of the cling wrap to wrap up the pudding tightly. Press down a bit and place a small plate or other covering on the top of the pudding. It should fit in the mouth of the bowl. Put something heavy on top

(I used a one-pound bag of sugar) and place in the fridge. 8 It needs to sit in the fridge for at least eight hours to set fully. You want gelatinous wonderment, not goo. 9 If you did it right you should be able to open the top of the pudding and plate it easily. Slice and serve cold with ice cream or, to be extra British, clotted cream. Enjoy! It should keep for a few days. Below is a “quick” and “easy” recipe for clotted cream.

CLOTTED CREAM RECIPE: Take 1 quart heavy cream and place in a heatproof bowl over a pot of boiling water; use a double boiler if you have one. Bring cream to 175 degrees. Then slowly bring cream to 200 degrees and hold it there for an hour. A cracked, yellow foam will form. This is what you want. Set the bowl of cream in an ice bath to cool quickly. Cover and place in the fridge overnight. Skim the yellowed part into a jar and there you have it! Clotted cream. Or, you could just go buy some whipped cream. That works too.

We pay the most for your gold coins, heirloom jewelry and diamonds! On the Plaza 60 East San Francisco Street, Suite 218 Santa Fe, NM 87501 • 505.983.4562 • SantaFeGoldworks.com SFREPORTER.COM

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MARC SANDERS Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards. 6:30 pm SANTA FE CHAMBER MUSIC FESTIVAL: WEI LUO PIANO RECITAL St. Francis Auditorium 107 W Palace Ave., 982-1890 Pianist Wei Luo performs compositons by Haydn, Ravel, Chopin and Prokofiev. 12 pm, $10-$30

THE CALENDAR

THEATER THE JULESWORKS FOLLIES Jean Cocteau Cinema 418 Montezuma St., 466-5528 Santa Fe’s best/only variety show is here for the 51st time. 8 pm, $7-$10

WORKSHOP YOGA Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Early-morning R&R. 8 am, $7

ZARINA KENJAEVA: SUZANI EMBROIDERY Zocalo Clubhouse 1301 Avenida Rincon, 986-0667 Kenjaeva is a master artisan who creates embroidered works of art made from silk yarns. In this course, she demonstrates the Uzbek traditional techniques of Suzani sticking. With materials and a kit provided, so you can make your own embroidered masterpiece. 8 am-4 pm, $7

Pandemonium Productions presents

Be Our Guest! July 14, 15, 16, 21, 22, 23 Fridays at 7:00 Saturdays & Sundays at 2:00

James A. Little Theater

MUSEUMS COURTESY MUSEUM OF ENCAUSTIC ART

505-982-3327 for tickets and information Register for Fall Classes! Beg. Aug 23rd! Space is limited, Scholarships Available! www.pandemoniumprod.org • 505-920-0704

This project is supported in part by New Mexico Arts, a Division of the Department of Cultural Affairs, by the National Endowment for the Arts and New Mexico Childrens Foundation

MANY MOTHERS Angela Corbin’s “Coral Morte” from the Museum of Encaustic Art’s ongoing exhibit, Global Warming is REAL.

EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Living history. GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 O’Keeffe at the University of Virginia. Through Oct. 28. HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 The Errant Eye: Portraits in a Landscape. Through Sept. 17. MUSEUM OF CONTEMPORARY NATIVE ART 108 Cathedral Place, 983-8900 Daniel McCoy: The Ceaseless Quest for Utopia. Through Jan. 2018. New Acquisitions. Through Jan. 2018. Desert ArtLAB: Ecologies of Resistance. Through Jan. 2018.

MUSEUM OF ENCAUSTIC ART 623 Agua Fría St., 989-3283 Global Warming is REAL. Through Aug. 20. MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Frank Buffalo Hyde: I-Witness Culture. Through Jan. 2018. Into the Future: Culture Power in Native American Art. Jody Naranjo: Revealing Joy. Through Sept. MUSEUM OF INTERNATIONAL FOLK ART 706 Camino Lejo, 476-1200 No Idle Hands: The Myths and Meanings of Tramp Art. Through Sept. 16. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 Mirror, Mirror: Photographs of Frida Kahlo. Through Oct. 23. NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 Out of the Box: The Art of the Cigar. Through Oct. Voices of Counterculture in the Southwest. Through Feb. 11, 2018.

NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Meggan Gould and Andy Mattern: Light Tight. Through Sept. 17. Cady Wells: Ruminations. Through Sept. 17. Lines of Thought: Drawing from Michelangelo to Now. Through Sept. 17. PALACE OF THE GOVERNORS 105 W Palace Ave.,476-5100 Tesoros de Devoción. POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 Nah Poeh Sang. SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Ojos y Manos. WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Beads: A Universe of Meaning. Through April 15, 2018.

Improving our community, one baby at a time is excited to announce the arrival of the

BABY BOX PROGRAM! A BABY BOX is made of heavy cardboard, with a firm mattress and sheet, serving as a safe sleep environment for a baby. It includes useful baby supplies to help the baby get off to a good start. Families who participate in the program will also receive free education about safe sleep practices, including a home visit from a Many Mothers Program Coordinator. Who qualifies for a BABY BOX? Families who live in Santa Fe, Los Alamos, or Rio Arriba counties. BABY BOXES are geared toward babies younger than 6 months of age.

IF YOU HAVE ANY QUESTIONS, WE ARE HERE TO HELP!

Feel free to email Kristen at babybox@manymothers.org or call 505-428-9109. Se habla español. www.ManyMothers.org

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MOVIES

RATINGS

Spiderman: Homecoming Review

BEST MOVIE EVER

He’s got that radioactive blood

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

Marvel Studios’ interconnected superhero universe keeps kicking ass with Spiderman: Homecoming, the third reboot in the franchise, now with newcomer Tom Holland as the titular Spidey. The what’s-right elements of the film are many: no tired origin story, superior cast (including an actually young Peter Parker, because wasn’t Toby Maguire, like, 37 and who the hell is Andrew Garfield anyway?), a healthy mix of humor interspersed throughout the melodrama and, most importantly, summer fun. We follow Spiderman as he desperately tries to win favor with Tony Stark/Ironman (Robert Downey Jr. himself ) and, by extension, the fullon Avengers. Our hero is just 15, so he’s obviously brash and impatient. But he still acts as the hero of Queens, curbing crime and flinging all over the damn place with his web-shooters. But when a one-time salvage crew foreman (Michael Keaton) is screwed out of a job by some covert and newly founded government/Stark Industries alien collateral damage joint cleanup depart-

7 6 5 4 3 2 1 WORST MOVIE EVER

+ FINALLY PROP-

ERLY EMBRACES THE SOURCE MATERIAL - Y’KNOW, MAINSTREAM CINEMA IS NEVER PERFECT

ment, the class of criminal in NYC shoots up into the super-villain strata, whereupon Spiderman is also tangled up in the high-stakes world of alien tech-propelled murder and mayhem. Keaton is a goddamn treasure as The Vulture, an everyman father-type pushed to extreme measures—and a pretty nifty flying super-suit— because of class warfare or something. Holland excels as well, providing a perfect balance between petulant youth and accidental hero; the quieter, tenser moments between the two are superb, especially in Keaton’s more restrained “Imma kill your ass!” scenes. Overall, the story (from Freaks and Geeks alum John Francis Daley) provides more

complexity than we’re accustomed to from the Spiderman world, and director Jon Watts makes sure the dramatics never quite reach overthe-top. He prefers instead to zero in on the wise-cracking, web-dangling, lady-saving Spidey we’ve come to know and love over most of our lifetimes. Is this high cinema? God, no—but you’ll have a blast and a half the entire time, and that’s not nothing. SPIDERMAN: HOMECOMING Directed by Watts With Holland, Keaton and Downey Jr. Regal, Violet Crown, PG-13, 133 min.

QUICKY REVIEWS

FOOD EVOLUTION

THE HERO

THE MUMMY

WONDER WOMAN

FOOD EVOLUTION

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES

rife with misinformation and conflicting facts. Kennedy, however, gives voice to both sides of the issue and includes interviews with GMO scientists as well as influential anti-GMO activists like Jefferey Smith and Zen Honeycutt. And though a documentary about GMOs could easily become dull, Food Evolution stays fresh and energetic, showing that, in the end, we all want the same thing: fresh, safe, sustainable food. It’s just a question of how to get there. Regardless of where you stand on the issue, Food Evolution is a must-see. To know, to understand and to think critically about the future of food production is essential—quite literally a matter of life and death. (Lauren Thompson) Jean Cocteau Cinema, NR, 92 min.

+ ENGAGING AND CHALLENGING - NOT ENOUGH NEIL DEGRASSE TYSON. GIVE US MORE!

In an age of alternative facts, you’d at least like to know what’s in your food. But as director Scott Hamilton Kennedy (Fame High) reveals in his newest documentary, Food Evolution, things aren’t that simple. Navigating the debate surrounding GMOs (genetically modified organisms) and with narration from scientist/superstar Neil deGrasse Tyson, the film documents why the United States, along with the rest of the world, is so torn up about engineering our food. The words “GMO debate” evoke images of a divided, white, middle-class America, and Food Evolution puts the issue into a larger context of a global scale. The film asserts that with few facts and unchecked fear, GMOs have been banned in places across the world. As a result, farmers in countries as distant as Kenya and South Africa are losing food sources to disease and face starvation and mass crop loss. As one farmer urges, “Americans, please be aware, be informed that whenever you say ‘no’ to GM technology, you are suppressing Africa.” While the documentary unquestionably favors GMOs, the debate itself is nebulous and

THE HERO

Food Evolution: there might be more at play with GMOs than you think.

+ ELLIOTT IS SUPERB - WRAPS UP A LITTLE FAST; WE DIDN’T LOVE PREPON

Sam Elliott gives what may just be the performance of his career in The Hero, a painful yet ultimately hopeful look into the side effects of fading stardom and the hard knocks of aging. Elliott is Lee Hayden, a one-time Western film star in the twilight of his existence. As Lee faces a grim medical diagnosis, he begins to CONTINUED ON NEXT PAGE

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• JULY 12-18, 2017

MOVIES

FOR SHOWTIMES AND MORE REVIEWS, VISIT SFREPORTER.COM

reconsider his legacy and tries to patch things up with his family, but as his unresolved emotions begin to pile, he grapples with whether or not he’s led a life worth living. Lee spends his days getting stoned with his former costar Jeremy (Nick Offerman, who previously starred alongside Elliott in the sitcom Parks and Recreation), providing voiceover work for commercials with his deep, booming voice or trying to reconnect with his estranged daughter (Krysten Ritter). When he starts dating a much younger woman named Charlotte (Orange is the New Black’s Laura Prepon) and is offered a lifetime achievement award from some rinky-dink Western appreciation club, he sets into motion what may be a professional second wind. Still, he deals with the diagnosis alone, causing him to stumble in auditions and sabotage whatever scraps of potential happiness he may have left. Writer/director Brett Haley (I’ll See You in My Dreams) crafted The Hero specifically for Elliott, who is utterly brilliant—all at once effortlessly channeling his own real-world career and the stark sadness of a father who feels he’s failed his child. Even as he’s point-blank confronted with the possibility that he’s only trying to right the past in the face of death, Lee wonders how that could possibly be so bad; he’s not wrong so much as it may be too late. But still he tries, even as he feels he never lived up to his own promise. This isn’t easy to watch, but it does raise poignant questions, all the while cutting to the very core of universal self-doubt and our innate human need to feel we

did OK with whatever limited time we may have had. (Alex De Vore) Center for Contemporary Arts, Violet Crown, R, 93 min.

THE MUMMY

+ I MEAN, IT’S PEOPLE FIGHTING MUMMIES

- TOM CRUISE, IN GENERAL

Where does one even begin in dismantling any far-fetched high hopes for a quality reboot (sort of, but more on that soon) of The Mummy with Tom Cruise? First off, Cruise at this point is really more of an onscreen presence than actual thespian. Rather than sink his teeth into anything, Cruise remains content to sprint towards things or away from things and make silly quips and one-liners while doing his best to not look as short as he actually is next to his leading ladies. Here Cruise plays Nick Morton, an American solider of some kind who, along with his reluctant cohort Vail (New Girl’s Jake Johnson), disregards orders to traipse around the Middle East stealing artifacts to sell on the black market. It’s absurd—and not in a fun, Indiana Jones kind of way because at least Indy was all like, “It belongs in a museum!” It’s more like, Cruise-isn’t-ascharming-as-he-thinks-and-who-the-hell-decided-to-try-and-inject-humor-into-this-movie kind of way. During a routine theft attempt in Iraq, Nick and Vail unwittingly discover the ancient tomb (or is it?!) of an Egyptian princess (Sofia Boutella) who was buried alive for making a

If you don’t love—and we mean LOVE—Sam Elliott, you’re dead inside and need to fix your life.

Even if this had happened in The Mummy, it still would’ve been more enjoyable than the actual final product. deal with the god Set so she could be all kinds of powerful. Wouldn’t you know it, though—they awaken her, she’s pissed and she’s gonna give Set Nick’s body so he can have dominion over life and death which, frankly, doesn’t sound all bad to us. Along for the ride is a beautiful archaeologist named Jennifer (Annabelle Wallis) with whom Nick shares one of those oh-so-playfully combative relationships (but they probably care deeply about each other). Jen has secrets of her own, though, like how she works for Russell Crowe who—twist!—plays Dr. Jekyll. Yes, yes— that Dr. Jekyll. See, Universal Studios is clearly telegraphing a return to their monster movie stable of yesteryear, and with sly nods to properties like the Creature from the Black Lagoon and vampires and stuff, it becomes clear to film fans (read: people of a certain age) that there’s plenty more where this came from whether we like it or not. The exposition becomes downright gratuitous at a certain point, and it isn’t long before we realize we’ve just been watching running punctuated by a few face-punches, and whatever light elements of Egyptology may have made it through seem squandered to a fault. No, this film is not as goofy-fun as the 1999 Brendan Fraser romp, and even far-superior CGI and a lack of The Rock don’t make up for a dragging plot, god-awful writing and another forgettable turn from Cruise. Killing time? Knock yourselves out. Looking for something even slightly good? Move on. (ADV) Regal, PG-13, 110 min.

WONDER WOMAN

+ GAL GADOT ABLY BLENDS BEAUTY AND BRAWN

- RATHER FORMULAIC

The long-overdue Wonder Woman film is an origin story that doesn’t shrink from the beauty or brawn of a hero in whom the parallels of ancient mythology and modern superhero fiction become literal. Diana (Gal Gadot), the precocious daughter of Queen Hippolyta (Connie Nielsen), is a princess of the superhuman Amazons. The all-female tribe, originally created by Zeus to protect mortals, eventually withdrew to the mystical “Paradise Island” of Themyscira to escape man’s wickedness. But mankind interrupts paradise when American soldier and spy Steve Trevor (Chris Pine) crash-lands on Diana’s doorstep, during World War I, with a squadron of Germans in pursuit. As the far-off factions negotiate an armistice, a rogue German general (Danny Huston) and his maimed, mad chemist (Elena Anaya) concoct a new nerve agent that could tip the balance of the war. Hearing of the cataclysm and motivated by the mythological bedtime stories of her childhood, Diana comes to believe that only she can save the world by leaving Themyscira and vanquishing Ares, the Greek god of war and an enemy of the Amazons. Arriving in World War I-era London, Diana peruses a new wardrobe to cover her utilitarian leather skirt and blend into a corseted, maleCONTINUED ON PAGE 43

JULY 12-18, 2017

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SFREPORTER.COM

Mirror, Mirror Photographs of Frida Kahlo

C I N E M AT H E Q U E 1050 OLD PECOS TRAIL • 505.982.1338 • CCASANTAFE.ORG

SHOWTIMES JULY 12 – JULY 18, 2017

Wednesday, July 12 12:45p The Hero 1:30p The Journey* 2:45p Pop Aye 3:30p The Hero* 5:00p The Journey 5:30p Pop Aye* 7:00p Radical Southwest: Monterey Pop 7:45p The Hero* Thursday, July 13 12:45p The Hero 1:30p The Journey* 2:45p Pop Aye 3:30p The Hero* 5:00p The Journey 5:30p Pop Aye* 7:00p The Exception 7:45p The Hero* Friday-Sunday, July 14-16 11:00a The Exception 11:30a The Ornithologist* 1:15p Maudie 1:45p The Hero* 3:30p Maudie 3:45p Radical Southwest: Monterey Pop* 5:45p The Hero* 6:00p Maudie 7:45p Maudie* 8:15p The Ornithologist Monday-Tuesday, July 17-18 1:15p Maudie 1:45p The Exception* 3:30p Maudie 3:45p The Hero* 5:45p The Hero* 6:00p Maudie 7:45p Maudie* 8:15p The Ornithologist

RADICAL SOUTHWEST:

7P WED. JULY 12 / 3:45P FRI.-SUN.

Frida Looking Into Mirror, 1944, by Lola Álvarez Bravo Courtesy of Throckmorton Fine Art, New York

May 6, 2017 - October 29, 2017

*in The Studio

CHRISTOPHER PLUMMER IS GLORIOUS.”

“

David Edelstein

Follow Frida from a self-possessed teen to a passionate wife and lover, an independent artist, fashion icon, and object of cult-like reverence through over 50 portraits by photographers including Manuel and Lola Alvarez Bravo, Imogen Cunningham, Carl Van Vechten, and Nickolas Muray.

Museum of Spanish Colonial Art Santa Fe, New Mexico (505) 982 -2226 • www.spanishcolonial.org

To purchase tickets go to tickets.ticketssantafe.org

Tossell Film

FINAL SHOWS:

POP AYE THE JOURNEY

ALLIED INTEGRATED MARKETING

THE EXCEPTION NATIONAL/FIELD - BW BW NEWSPAPER_2col. x 4" (3.75"x 4") .5" BASE

CAMP A FINAL