Enemy of the
People
BY AARON CANTÚ
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CHRISTUS ST. VINCENT
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AUGUST 1-7, 2018 | Volume 45, Issue 31
I AM
NEWS OPINION 5
.
In my design business we work to ensure customer satisfaction. The lenders at Century Bank made sure that my business loan was the right fit. Century is MY BANK.
NEWS 7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 SALAD DAYS 9 The Santa Fe Farmers Market turns 50, but not without growing pains HEAR ME OUT 11 Soon, you may not need approximately 7,638 forms of ID to get a driver’s license COVER STORY 12 ENEMY OF THE PEOPLE SFR staff writer Aaron Cantú describes his descent into prosecutorial hell as a result of reporting on the inauguration, and gives a history lesson in the racist origins of American anti-conspiracy law THE ENTHUSIAST 17 IN STRIDE A film shows how ultra-runners the world over have a meditative practice based on movement and exertion
29 THE ALT GRAINS DRIFTERS Who says today’s glutenfree and vegan treats can’t be as good as the bad-foryou versions? Certainly not Drift & Porter.
Cover design by Anson Stevens-Bollen artdirector@sfreporter.com
EDITOR AND PUBLISHER JULIE ANN GRIMM
CULTURE SFR PICKS 19 The return of Nico Salazar, the yuks, the jams and the curator becomes the artist THE CALENDAR 20
ART DIRECTOR ANSON STEVENS-BOLLEN CULTURE EDITOR ALEX DE VORE STAFF WRITERS AARON CANTÚ MATT GRUBS COPY EDITOR AND CALENDAR EDITOR CHARLOTTE JUSINSKI
MUSIC 23 HOP TO IT Philadelphia’s Hop Along and the idea of indie A&C 25 UP, UP AND AWAY Jeffrey Schweitzer—bookworm
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CONTRIBUTING EDITOR JEFF PROCTOR CONTRIBUTING WRITERS MARY FRANCIS CHEESEMAN JULIA GOLDBERG ANASTASIO WROBEL DIGITAL SERVICES MANAGER BRIANNA KIRKLAND
SAVAGE LOVE 26 Sexy German boyfriend has unsexy bathing habits
PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER SENIOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS
FOOD 29
ADVERTISING ACCOUNT EXECUTIVE MEGAN RENEAU
THE ALT GRAINS DRIFTERS Fancy a fine treat?
CIRCULATION MANAGER ANDY BRAMBLE
MOVIES 33 MISSION: IMPOSSIBLE - FALLOUT REVIEW Plus traipsing proudly through the woods— golden beard flapping proudly in the breeze—in Leave No Trace
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CULTURE EVENTS: calendar@sfreporter.com DISPLAY ADVERTISING: advertising@sfreporter.com CLASSIFIEDS: classy@sfreporter.com
THOUGH THE SANTA FE REPORTER IS FREE, PLEASE TAKE JUST ONE COPY. ANYONE REMOVING PAPERS IN BULK FROM OUR DISTRIBUTION POINTS WILL BE PROSECUTED TO THE FULL EXTENT OF THE LAW. SANTA FE REPORTER, ISSN #0744-477X, IS PUBLISHED EVERY WEDNESDAY, 52 WEEKS EACH YEAR. DIGITAL EDITIONS ARE FREE AT SFREPORTER.COM. CONTENTS © 2018 SANTA FE REPORTER ALL RIGHTS RESERVED. MATERIAL MAY NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION.
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M A RI E
SE N A
LETTERS
Michael Davis,
Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.
Would you like to experience caring, smiling, fun, gentle people who truly enjoy working with you?
“BEST OF SANTA FE STAFF PICKS: SANTA FE BULLETIN BOARD”
SMILES OF SANTA FE Michael W. Davis, DDS 1751 Old Pecos Trail, Suite B (505) 988-4448 www.SmilesofSantaFe.com
P R OV I D E R F O R D E LTA A N D U N I T E D C O N C O R D I A D E N TA L P L A N S • M O S T I N S U R A N C E S A C C E P T E D
NOPE
FELICIA TRUJILLO SANTA FE
DDS
New Patients Welcome
COVER, JULY 25:
We are so boring compared to your phantasmagoric picture of us! Five minutes search on Facebook would find none of the subjects you list were ever discussed on the SFBB. The admins are native Santa Feans William H Mee [and] a local historian and Feldenkrais practitioner, Felicia N Trujillo, whose father, Rep. Henry V Trujillo, passed New Mexico’s first minimum wage law in 1951. He was introduced by Mabel Dodge Lujan to her mother, Clare T Newberry, internationally published award-winning children’s book author, winner of four Caldecott Honors, gifting Felicia with their Native, Spanish, Jewish, Black and British lineages. SFBB members include Harvard PhDs, first responders, teachers, healthcare professionals, artists and a majority of native New Mexicans of all ages. We feature posts supporting veterans, teens, Black, Native, Spanish, Jewish, Muslim and Anglo Santa Feans and Santa Fe-oriented community services and discussions. It is funny that you describe us exactly the opposite of who we are. No mention, of course, of our FB page “Children Imprisoned at the Border 2018,” our work on the “Vigil at the Roundhouse,” or our regular health support pages. With 1,000 applicants each week, however, we will happily miss any new members that cannot read.
Have you had a negative dental experience?
YUP Regarding recent shade thrown at the Santa Fe Bulletin Board... Brilliant assessment! Wish it wasn’t the online face of Santa Fe. It’s so embarrassing.
CAT PARKS SANTA FE
NEWS, JULY 25: “SANTA FE ENTRADA MIGHT BE ENDING”
We’ll be there, every step of the way
Santa Fe Ob/Gyn
405 Kiva Court, Santa Fe 87505 505-988-4922 visit us!
www.santafeobgyn.com
Accepting New Obstetrics Patients
HIP HIP Hooray! Fiestas is so overrated and politicized any more, it has absolutely no meaning any more. Good riddance. Bring focus back to the original inhabitants, the Native Americans and the atrocities they faced.
RC FARR-ELLI VIA FACEBOOK
The Santa Fe
Flea Market at Buffalo Thunder The FINEST and LARGEST outdoor Flea Market in the Santa Fe area!
CORRECTION In our Best of Santa Fe winner listings (Cover, July 25), the address of Nambe Trading Post was incorrect. The store is located in Santa Fe.
17751 Highway 285 North. 10 miles north of Santa Fe on 285 and directly across the highway from the Buffalo Thunder Resort.
EVERY FRIDAY THRU SUNDAY 9 AM – 4 PM FREE PARKING! FREE ADMISSION! PETS ALLOWED!
(505) 737-9311
SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.
SANTA FE EAVESDROPPER “I have no problem with any religion—right up to the point when they start talking about God.” —Overheard at a local solar energy office Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com
We pay the most for your gold coins, heirloom jewelry and diamonds! On the Plaza 60 East San Francisco Street, Suite 218 Santa Fe, NM 87501 • 505.983.4562 • SantaFeGoldworks.com SFREPORTER.COM
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AUGUST 1-7, 2018
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7 DAYS
RBG SAYS SHE’LL KEEP HER SUPREME COURT SEAT AT LEAST ANOTHER 5 YEARS Whew!
NEW YORK TIMES EDITOR ASKS TRUMP TO COOL IT WITH ANTI-MEDIA STUFF Yeah—cool it, bro.
FLOODING CLEANUP CONTINUES And we can tell you from experience they probably won’t pick up your water-damaged moving boxes.
AUBREY DUNN JR. DROPS OUT OF SENATE RACE Don’t fret, though, because former Gov. Gary Johnson might pop up on the ballot.
SCHOOL BOARD CONSIDERS OUSTING STUDENT ATHLETES IF THEIR PARENTS ARE OBNOXIOUS And if you think they’re gonna go to Dairy Queen after, you’re dead wrong!
BEST OF SANTA FE PARTY AND TOM PETTY TRIBUTE CONCERT LAST FRIDAY COULD BE BEST EVENT OF THE YEAR Suck it, Tio Coco!
NEW MEXICO READING, MATH SCORES IMPROVE Gud 4 Nü Mecksico, evreewun!
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H O TUR I BSU TT E O N
6401 Richards Ave., Santa Fe, NM 87508
AUGUST
A U G U ST 1 0 t h
TICKETS ARE $10 AT THE DOOR.
Events are free unless otherwise noted. Empower Students, Strengthen Community. Empoderar a los Estudiantes, Fortalecer a la Comunidad. TUES
Workforce Innovation and Opportunity Act Information Session 10 to 11:30 a.m., Room 204-I 505-428-1406 Resource for those ineligible for Pell grants and other, usual financial aid.
7 17 22
TUES
Architectural and Interior Design Open House 4:30 to 6:30 p.m., Room 607 505-428-1144
FRI
Mental Health First Aid Training 8 a.m. to 5 p.m. Call to register: 505-428-1907
WED
SFCC Governing Board Meeting — Public welcome 6 p.m., Board Room, Room 223 505-428-1148 5:30 p.m.: Learning Center District Board meeting
Learn. Save. Advance.
PIANOS AUGUST 17th
CALENDAR OF EVENTS
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DUELING
AUGUST 25
AUGUST 31
BUFFALOTHUNDERRESORT.COM
SFCC offers nearly 100 certificates to help you advance your career. Some can be earned in as little as
16 weeks REGISTER BY AUG. 15 TALK WITH AN ADVISER TODAY
FREE FITNESS FOR FULL-TIME STUDENTS
¡Viva! info at
sfcc.edu/viva
Coming Fall 2018 • Program runs through Friday, Dec. 7.
PLUS... HSE/GED Orientation Sessions 505-428-1356 Prepare for the High School Equivalency/GED tests, Room 503B, $25 registration fee: • Friday, Aug. 10, 10 a.m. to 2:30 p.m. • Tuesday, Aug. 14, 5 to 9 p.m. ESL Orientation Sessions 505-428-1356 Room 503B, $25 registration fee, attend only one: • August 6 & 14: 10 a.m. to 1 p.m. or 5:30 to 8:30 p.m. • August 7 & 13: 10 a.m. to 1 p.m. Job Club, Résumé Review Days, Free Walk-In Clinics and More www.sfcc.edu/events-resources 505-428-1406 REGISTER FOR COURSES, FIND MORE EVENTS & DETAILS AT SFCC.EDU Individuals who need special accommodations should call the phone number listed for each event.
LEARN MORE. 505-428-1000 | sfcc.edu
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CHRISTUS ST. VINCENT REGIONAL DIABETES CENTER
Diabetes Classes
Looking for better control of your diabetes? Or just need more Information?
CHRISTUS St. Vincent Regional Diabetes Center will be conducting a series of diabetes classes. We are committed to providing the best diabetes care possible. We are always working to develop new tools and better ways to care for diabetes that work for you. The classes are offered on the 2nd and 4th Tuesday of the month at 10:00 am. August 14, 2018: The silent killer: inflammation and gut health and how it affects our health. August 28, 2018: The latest research on chemicals in food, GMOs and “what’s on that label?” September 11, 2018: How to keep your feet happy and healthy!
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JUNE 13-19, 2018
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Class size is limited. To RSVP, please call (505) 913-4307. Classes held in the Geriatrics & Internal Medicine Conference Room Medical-Dental Building 465 St. Michael’s Drive Suite 101 Santa Fe, NM 87505 Classes are $56 each without insurance. All insurances are accepted with a referral from your doctor. A co-pay or % of bill may apply. Charges will vary depending on insurance coverage.
Salad Days Santa Fe Farmers Market marks 50 years of growth and growing pains
BY JULIA GOLDBERG @votergirl
N
ina Yozell-Epstein and Matt Ladegaard met two years ago. He had studied sustainable agriculture in college and always wanted to start his own farm. She had worked for the café at the Santa Fe Farmers Market and served on its board. They fell in love and, this year, rented land in Pojoaque and founded Ground Stone Farm, which is having its debut season at the market. On one early Saturday morning in July, Yozell-Epstein offered samples from the couple’s more exotic wares: mouse melon and ground cherries. Drought notwithstanding, their effusion for the new undertaking is palpable. “The market is amazing,” says Yozell-Epstein, whose other business, Squash Blossoms, provides wholesale farm products to local restaurants. “Our customers are amazing in their loyalty to buying local food.” Yozell-Epstein and Ladegaard are among the 150 farmers from Northern New Mexico who fill the market weekly. Newcomers vend side by side with farmers who have sold at market for all of its 50 years, celebrated this year. Entire families have grown up in the market as it’s moved from location to location before landing in a permanent home in the redeveloped Railyard 10 years ago. Along the way, the market has grown, both in size and programmatically, with mixed reviews. Some criticize the logistic and cultural challenges of the Railyard location. Others say a recent Santa Fe Farmers Market Board of Directors decision to expel a long-time vendor reflects poorly on the board and its newer members. Some veteran vendors say these are the salad days. Rose Trujillo, age 83, has sold at market since the early 1970s when
NEWS
JULIA GOLDBERG
S FR E P O RTE R .CO M / N E WS
vendors operated out of the St. Anne’s Church parking lot. She’s training her granddaughter Christina Chacón, a market regular since babyhood, to take over the family stand, featuring everything from vegetables to dried chile to multiple fresh fruit juices. Trujillo has farmed since she was a young girl when “my father had me working in the fields and my mother had me in the kitchen.” Today, she has no complaints because “we have everything. We have food. We have clothing. Then, we didn’t have those things.” Now she wants to take some time “to enjoy my house, enjoy my family.” Families abound at the market. Victoria Montoya sells fruit and apple cider Saturday parking to $1 an hour through at a stand outside while, down the aisle, Fiesta weekend). Others say the location her father Pat slices peaches for his cus- has drawn more tourists and fewer local tomers to sample. Victoria grew up work- shoppers. ing on her dad’s farm in Velarde, started Farmers Market Board President Briher own business at the age of 14, and an DeSpain, who runs Bodhi Farms, says has been at the market for 24 years. Like while “obviously it would be better if we many, she has expanded to also sell “val- had our own lot,” planned improvements ue-added” products, such as apple cider to the pedestrian path between the marslushies. ket and underground parking garage The new products reflect the mar- would improve navigability. ket’s evolving profile; today’s customers Both DeSpain and Farmers Market can buy egg rolls, kimchi pancakes (deli- Institute Executive Director Kierstan cious) and a wide variety of jams, sauces Pickens acknowledge the Railyard loand other products (market rules require cation attracts tourists, though Pickens an 80/20 split, with the larger portion for said an informal survey indicates approxraw agriculture items). These prodimately 80 percent of shoppers ucts make vendors competitive, remain local. particularly with tourists. DeSpain, entering Other changes include his fifth year at maradditional Tuesday ket, characterizes the morning and Wednesgripes as natural. day afternoon Railyard “There’s always gomarkets and a Tuesday ing to be some tenafternoon Southside sion between newmarket, El Mercado comers and people del Sur. The market’s who have been at nonprofit partner, the the market for a Santa Fe Farmers Marwhile,” he says. “A ket Institute, owns the big chunk of that is yearround farmers buildjust change.” ing in the Railyard, offers a One particular sore farmers’ microloan program, spot, raised by numerous and a Double Up Food Bucks vendors, was the May board program that provides matchvote to expel longtime vendor ing funds for customers using Tom Delehanty, who operates Rose Trujillo, 83, has been government assistance, among the poultry business Pollo Real. at the Santa Fe other initiatives. DeSpain said he could not disFarmers Market Today’s market presents cuss Delehanty’s expulsion as for more than logistical concerns for some, 40 years. an appeal is pending, but says with Railyard parking as, by far, such a decision is rare. Delethe biggest gripe. “The buildhanty, who has been farming for ing is a beautiful asset for the more than 40 years and sold at community, but I don’t know if the market for 20 plus, shared it’s the best thing for the vendors,” Todd with SFR extensive correspondence reDoherty says, from behind the stand at lated to his expulsion, which included a the Intergalactic Bread Company, owned grievance filed against him by a former by his wife. “The city really creamed us market manager, and a grievance from with parking.” (In July, the city halved Delehanty filed against DeSpain.
Nina YozellEpstein and Matt Ladegaard of Ground Stone Farm fell in love at the Santa Fe Farmers Market.
Market personnel enlisted the Santa Fe Police Department to remove Delehanty when he showed up at market during a one-week suspension. An email to members from the board, citing its code of conduct, states that “Mr. Delehanty has had numerous violations over the years and several in the past year alone.” Numerous vendors wrote to the board opposing the decision, and several vendors echoed that sentiment to SFR. “I think it was a mistake, personally,” Ligaialein Products owner Thure Meyer says. “No small group of people should ever be in a position to vote out a long-time member.” As for Delehanty, he is organizing a buyers’ club for his customers and on a recent Saturday cheerfully maintained a brisk business in the old Wild Oats parking lot. A Vietnam veteran with PTSD, Delehanty says he’s raised numerous questions related to the market building infrastructure over the years, but disputed he’s been in any way menacing. In some ways, he says, “I’m much happier out of there. I’m healing up.” Despite growing pains, everyone associated with the market expressed a fierce, if occasionally frustrated loyalty for its ecosystem. “It’s been around here for a long time and it’s come a long way since the days of selling out of the backs of trucks in a parking lot,” Institute Executive Director Pickens says. “But we still have that aesthetic. The market brings a certain vibrancy and culture that is vital to our community and we want to see the market here in another 50 years.”
SANTA FE FARMERS MARKET 50TH BIRTHDAY PARTY 7 am-1 pm Saturday Aug. 4. Free. Farmers Market Pavilion, 1607 Paseo de Peralta, 983-4098; santafefarmersmarket.com
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NEWS
Hear Me Out BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m
N
ew Mexico’s Motor Vehicle Division knows it’s been a rough couple of years for people trying to find the right documentation to get an ID. Now, the state department that oversees issuance of driver’s licenses and ID cards is considering rule changes. A hearing planned for Wednesday morning aims to gather comments about whether the ideas go far enough. The proposed rules changes appear to relax some of the requirements that are the subject of a class action lawsuit filed in January, which named as defendants the Tax and Revenue Department and top officials there, as well as at the Motor Vehicle Department. The changes would specifically apply to licenses and IDs that do not conform with the federal REAL ID Act. One central complaint in the lawsuit, filed by a coalition of homeless, immigrant and economic justice advocacy groups as well as several individual plaintiffs from Santa Fe and Albuquerque, was that the MVD required applicants to present their social security numbers in order to obtain identification, “a requirement that the Legislature neither enacted nor authorized the department to create or impose,” the lawsuit states. David Coss, who was the mayor of Santa Fe for two terms from 2006 to 2014, is one of multiple plaintiffs alleging that he could not obtain a driver’s license because he couldn’t provide the MVD tax forms or a government-issued social security card that included his full social security number. Even after Coss obtained a letter from the Social Security Administration that disclosed his full social security number, a clerk at the MVD still denied his application for a renewed driver’s license and insisted that he had to bring in his actual social security card, according to the lawsuit. The proposed rule changes from the MVD, which were filed on June 14 and would possibly go into effect by the end of August, appear to eliminate the need
Indian Market JEWELRY SALE
for applicants to present their social security number in order to obtain a driver’s license or a state identification card. Other proposed changes regard proofs of residency that applicants must show in order to obtain a license or ID. Under the new rules, people would now be able to show a New Mexico medical or public assistance card, profile printout, or a letter from the issuing agency. In addition, a person could present various documents establishing residency that only include the names of their spouse, so long as they also presented a marriage certificate. None of these forms are currently accepted as residency proofs by the MVD. And in an apparent reference to people without permanent addresses who’ve had trouble obtaining state ID, the new rules say a person would be able to provide an affidavit or notarized letter from “a New Mexico governmental entity, not-for-profit organization, assisted care facility/home, adult assisted living facility/home, homeless shelter, transitional service provider, or group/half way house attesting to the address where the applicant resides or receives services in lieu of” other documents. Citing ongoing settlement discussions, a representative for the New Mexico Center on Law and Poverty, a plaintiff in the case, declined to comment. A representative from fellow plaintiff Somos Un Pueblo Unido did not return calls or text messages. Kevin Kelley, the public information officer for the Tax and Revenue Department, did not respond to SFR’s emailed questions. Those who can’t attend the public meeting Wednesday can submit written comments on the proposed rule changes to: Taxation and Revenue Department, Director of Tax Policy, PO Box 630, Santa Fe, NM 87504-0630; or by email to policy.office@state.nm.us, sent or postmarked by the end of the day. PUBLIC HEARING FOR MVD PROPOSED RULE CHANGES 10 am Wednesday April 1. Free. ACD Classroom, Manuel Lujan Building, 1200 St. Francis Drive, 827-0700
10 am - 5 pm August 16, 17, 18 Thursday through Saturday Everything 50 - 75% off 675 Harkle Road, Santa Fe, NM Peyotebird.com
Chrissie Orr
ACADEMY FOR THE LOVE OF LEARNING
Tax and Rev Department to hold a hearing on proposed rule changes to get state IDs
PEYOTE BIRD DESIGNS
Mark Horst
55 Contemporary Artists Retell The World’s Greatest Wolf Story
Sunday, August 12 • 2:00PM-4:00PM
aloveoflearning.org
505.995.1860
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AUGUST 1-7, 2018
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An indicted journalist reflects on conspiracy in today’s America
BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m
Editor’s note: When Aaron Cantú arrived at his new job at the Santa Fe Reporter last year, he came with the baggage of a recent arrest. Two months earlier, he spent a night in jail with hundreds of others detained during protests on Inauguration Day in Washington, DC. His actions consisted of walking, wearing black and being a witness to history as a freelance journalist. Yet, a few months later, and despite having no clear evidence of such crimes, federal prosecutors slammed him with eight felony charges including conspiracy to riot and property damage. After nearly 18 months, however, the feds dropped the charges. Cantú is finally able to publicly reflect on the ordeal, and what follows is an essay that puts a real conspiracy into context.
F
or over a year, federal prosecutors and agents have perused my digital communications, tried to hack my cell phone and possibly collected my social media records. The chill of seeing the state in possession of your private political discussions is difficult to convey. I’m not being paranoid; this really happened. The feds invaded my life in pursuit of their own conspiracy theory about a raucous protest in Washington, DC, that resulted in eight felony charges against hundreds, myself included. The overwhelming sense of being watched has abated some since the charges were dropped, but I’m sure people within the United States Attorney’s Office for the District of Columbia—the local arm of the Trump Administration’s Justice Department—will read every word of this essay, with an eye for anything they can use to refile criminal charges against me or the 186 people still living under a five-year statute of limitations. A few weeks after my arrest in Washington, DC, on Jan. 20, 2017 (J20), I accepted some painful advice: Don’t criticize the Trump administration publicly. At that point, I was hoping for my charges to get dropped before my eventual indictment in May. The inability
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to speak freely on social media and in the publications I wrote for drained my confidence; I still reflexively self-censor, often deleting tweets for no real reason. Even though my charges have gone away, writing this is hard. This pounding in my chest, this trembling hand and sour stomach and sweaty tunnel vision are what it feels like to have your freedom of speech curtailed by the state. I went to DC with several other journalists to report on Trump’s ascent, following a year of bubbling anti-fascism against his campaign. I currently enjoy the haven of a newspaper willing to hire lawyers to bite back, but last January I was a freelancer using vacation days from my full-time job to go witness history. This was a completely uncharted assignment: How violent could this get? Would American jackboots try to stomp me in the streets? In the end, it didn’t matter whether I presented myself as a journalist on J20 or that I only carried a sandwich and a notebook; white supremacists wound up messing with me anyway for over a year after, by working with authorities to prosecute and harass me. I pitched a dispatch soon after getting released from jail, but pulled it for legal concerns. After 18 months, the actual memories of the half-hour march leading up to my arrest have mixed with dreams and nightmares of the day, as well as descriptions in multiple indictments, trial transcripts and media reports. My mind’s eye remembers
a dark funhouse of corporate buildings and unusually waifish, Jack Skellington-esque riot cops hemming me into a larger group. Everything looks gray and morose; it may have rained a bit. Police relentlessly deployed sting-ball grenades and pepper spray; the final tally was at least 70 grenades thrown at people blocks away from where Donald John Trump was sworn in as the 45th US president. Creaks and shatters created by objects smashing glass, including the insured windows of a Bank of America branch and a Starbucks, are more memorable than any destruction my eyes may have seen. Very, very loud police sirens, punctuated by grenade explosions and screaming, overwhelm everything else. “The inappropriate and extensive use of less lethal munitions suggests the need for increased supervision of officers during mass demonstrations,” said a recent report from the staid Police Foundation, which evaluated the Metropolitan Police Department’s conduct at Inauguration Day protests. Impossible to forget are the feelings throughout the march: The whole-body nerve rush when I first saw a huge mass of marching people extending at least a whole city block; the panic run as the sting-ball grenades burst near my feet; the euphoria of an ungovernable moment, however frightening and unpredictable, that disrupted the lawful monotony binding our unequal social system together; AARON CANTÚ
and the shock when I checked my phone from inside the mass arrest and saw that protests in DC had overtaken Trump’s inaugural speech as the top headline on CNN.com. If protesters weren’t able to stop the actual inauguration, they still marred it in history. When the first six of over 200 defendants went to trial last November, prosecutors used expressions of apparent excitement, wonder or awe during the march as evidence of a conspiracy to riot. “I’m fucking blissed out,” photojournalist and acquitted defendant Alexei Wood announced in a livestream from the march that day. The feds later tried to use it against him in court. In an identical indictment filed against all defendants, prosecutors also used randomly shouted phrases like “Fuck it up,” “Fuck capitalism,” and “Whose streets? Our streets!” to transform an adrenal impulse into a criminal agreement among riotous co-conspirators. The thought that I might be seriously screwed first occurred to me inside the police wagon transporting us to be processed. I sat cramped and bound along with nine other people in one of half a mile’s worth of law enforcement vehicles flashing various hues of light, as if carrying high-priority enemies of the state. I knew then we weren’t going to get off with a simple citation, and that I was probably going to have to tell my mom. I didn’t expect, however, that I would be charged with eight felonies for the act of attending and reporting on a confrontational protest, or that I would be facing a combined 80 years in prison for these charges. Months later I not only considered my own future, but the far-reaching political implications of these cases: Why did the United States Attorney’s Office for the District of Columbia find it appropriate to hang virtual life sentences over the heads of 214 people after an indiscriminate mass arrest? How could they have so shamelessly gleaned evidence from far-right groups like Project Veritas, a discredited organization known for making deceptive gotcha videos, as well as the paramilitary group the Oath Keepers, and still felt they had a legitimate case? Where was the motivation—the conspiracy—to pursue these cases coming from? Mass arrests at protests have happened plenty of times in cities across the country, including DC in 2002 when hundreds at a World Bank protest were arrested and later lavished with civil settlement money. What appeared new in the J20 case was the attempt to color protesters’ actions as part of a pre-planned conspiracy between strangers to cause mayhem. By wrapping up distinct actions like allegedly breaking windows, chanting and
lighting fireworks at a protest into a single conspiracy, they became one threatening, anti-social act against society, apparently menacing enough to warrant decades in prison. The motive to bust a conspiracy also explains the Justice Department’s initial demand last summer to review 1.3 million IP addresses of people who visited DisruptJ20.org, a website used to organize loosely affiliated masses of protests that took place at the inauguration. Despite an outcry from the media and civil rights groups, the court eventually granted much of the prosecutors’ request, yet they could find no actual conspiracy.
This data-vacuuming extended to the cellphones that all arrestees were carrying that day. The Metropolitan Police Department used technology from an Israeli security firm called Cellebrite to extract information from all confiscated phones that weren’t sufficiently encrypted. After one anonymous defendant’s phone was raided, the defendant received an 8,000-page dossier containing years of personal data, including “intimate emails to and from my friends and lovers through more than a decade, [late-]night political debates over chat apps that helped shape my values and convictions,” and more. The horror of a
hostile state downloading a record of your developing identity reaching back to early teen years is a possibility unique to millennials and later generations that grew up on the internet. To my knowledge, the feds were never able to crack into my phone thanks to strong encryption—though they made clear that they were specifically interested in me, declaring in one motion from last October that they were undertaking “additional efforts” to get my data. But I was sufficiently terrified by other fishing expeditions, including subpoenas issued to Apple, Facebook and possibly Twitter
for communications between and among co-defendants. I never received a notice from any of these companies that my accounts had been subpoenaed—though apparently, they do not have to notify you or can be gagged from doing so—but others did, and I still treat my online presence as if it’s bugged. All this reaching by the prosecutor’s office turned out to be for naught. Although Assistant US Attorney Rizwan Qureshi mumbled to an unbelieving DC jury at the second and only other trial of defendants that there had been a conspiracy to “destroy your city,” this CONTINUED ON NEXT PAGE
A Conspiracy Between The Far-Right And the J20 Prosecutors
January 14: A meeting about logistics at inauguration protests takes place in New York City. Project Veritas operative Allison Maas is present and records part of the meeting.
Before January 20: Project Veritas meets with DC Metropolitan Police, FBI and Secret Service before Inauguration Day to discuss protests.
Summer 2017: Clashes between fascists and antifascists grow more intense, culminating in a deadly confrontation in Charlottesville, Virginia, on August 12.
January 20 (J20): About 240 people are mass arrested during protests at Trump’s Inauguration Day in Washington, DC, and jailed for nearly 36 hours.
July 10: Alt-right media personality Mike Cernovich encourages his Twitter followers to support the Unmasking Antifa Act, which punishes wearing masks at raucous protests by up to 15 years in prison.
May 30: Cantú is indicted for the same felonies as the rest of the J20 defendants.
November 15: The first six J20 defendants go to trial, including photo journalist Alexei Wood.
July 6: Prosecutors drop all charges for all remaining defendants, including Cantú.
January 11: Oath Keepers turn over some of their recordings from inauguration protest planning meetings to DC police.
November and December: US prosecutors use video obtained from Project Veritas and Oath Keepers as evidence at the first J20 trial.
June 11: The trial for the second group of defendants ends in acquittals and mistrials.
December 21: Stone appears on Alex Jones’ conspiracy show InfoWars to discuss protest meetings.
January 8, 2017: Operatives from the far-right organization Project Veritas make secret recordings at a DC inauguration protest planning meeting. DC police are also present.
February 21: The US Attorney’s Office in DC indicts 214 people for felony rioting at the inauguration. The charge carries a 10-year maximum sentence.
February 4: White nationalist Richard Spencer threatens on Twitter to dox all Inauguration Day arrestees after receiving their personal information from DC police.
July 27: Assistant US Attorney Jennifer Kerkhoff tells a judge all defendants are equally liable for damage that occurred at the protests.
August 22: The US Department of Justice backs off its request for 1.3 million IP addresses of those that visited an anti-Trump protest website.
December 12: Alt-right media personality Jack Posobiec emails Trump presidential advisor Roger Stone a report after spying on inauguration protest planning meetings.
November 11: The Oath Keepers, a far-right paramilitary organization, begins to infiltrate anti-Trump protest meetings in Philadelphia, Baltimore, and possibly elsewhere.
November 9, 2016: Donald John Trump is elected president.
April 27: The US Attorney’s Office returns a superseding indictment, which includes felony rioting, conspiracy and destruction charges, for all defendants except Cantú.
January 19, 2018: Prosecutors drop charges for 129 defendants. Charges remain against Cantú and 58 others, alleged as part of a “core group.”
December 21: First six J20 defendants are acquitted on all charges.
May 31: A DC court sanctions prosecutors for misrepresenting the existence of over 60 additional Project Veritas videos.
March: Aaron Cantú hired by the Santa Fe Reporter.
May 16: The second group of J20 defendants goes to trial, with prosecutors using near-identical arguments as the first trial.
SOURCE: Public statements and media reports. SFREPORTER.COM
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This isn’t the first time that authorities in DC have hunted for clues of a conspiracy post-riot. After the city’s Black residents rose up following the murder of Dr. Martin Luther King Jr. in April 1968, resulting in $27 million ($193.4 million today) in damages, the feds wanted to know who, if anybody, had orchestrated the chaos, and whether similar uprisings in over 100 cities had been part of a revolutionary conspiracy to overthrow the white American system. Stokely Carmichael, then the leader of the Student Nonviolent Coordinating Committee, emerged as a primary suspect. Shortly after King’s murder, Carmichael
AARON CANTÚ
told a radio host from Havana, Cuba, that it was “crystal clear [that] the United States of America must fall in order for humanity to live, and we are going to give our lives for that cause.” But no conspiracy indictment was ever filed against Carmichael, or anybody else. The fact that conspiracy charges were filed for so many in the J20 case over a few broken windows illustrates how much prosecutorial aggression has advanced the last half-century. Some in radical circles have called attention to the white privilege of the J20 defendants, arguing that by virtue of their whiteness (or, for the minority of nonwhite defendants, their proximity to that pool of privilege), defendants had access to platforms, sympathy, support networks and resources that most low-income and nonwhite defendants lack, and that these advantages were hugely responsible for our success. I mostly agree with this. It is also true that the entire legal premise underpinning the felony charges
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filed against each of us was steeped in the United States’ centuries-long defense of white supremacy. The anti-rioting statute under which we were charged, which calls for a maximum sentence of 10 years if convicted for rioting where serious injury or at least $5,000 in property damage occurs, was passed in 1967 by Congress in the wake of Black urban uprisings during that decade. Prosecutors used the new law against Black DC residents the following year. But the connection goes deeper. The unifying legal theory of our prosecution was that we engaged in a conspiracy, and were therefore each equally liable for all property destruction or injury that occurred that day. This theory of liability stems from a mid-20th century Supreme Court decision in a moonshining and tax evasion case, but conspiracy law’s modern origins extend to the founding of this country and beyond as a legal weapon of colonialism and counterinsurgency, primarily against Black revolt in the founding of the American state.
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was never proven. That trial in May ended in acquittals and mistrials, after the first resulted in total acquittals last December. The pair of failures set the stage for the eventual collapse of the case in its entirety, letting the few dozen remaining defendants go free. The second trial took place at the DC Superior Court where, in another room, a chief judge determined that Assistant US Attorney Jennifer Kerkhoff had intentionally misled the court about the existence of nearly 70 videos recorded by Project Veritas operatives at protest planning meetings ahead of the inauguration. The operatives handed over the surreptitiously recorded videos to a DC police detective, Greggory Pemberton, who would spend an entire year investigating the J20 case. Defense counsel later discovered personal tweets sent out by Pemberton indicating his sympathies with the racist pro-Trump digital underbelly, and used them to undermine his testimony at trial. According to a recent filing from former defendants, the withheld videos “cut against the theory that the … meeting was an exclusive, secretive meeting to plan unlawful conduct.” The 60s-era stereotype of violent leftists whispering clandestine plans was part of the narrative prosecutors tried to create, and they went as far as lying in open court to preserve it.
ABOVE: Smoke from a burning limousine as seen hours after mass arrests on Inauguration Day. AT LEFT: The limo fire, which became a symbol of resistance, happened after most of the arrests.
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At the end of the 1600s, as the population of enslaved Africans in America grew, “the more encompassing category of ‘whiteness’ ascended,” writes Gerald Horne in Counter-Revolution of 1776, where Horne argues that the Anglo-Saxon settlers’ war for independence entrenched slavery. By 1680, one colonial legislature had drafted a bill “to prevent Negroes’ insurrection,” and this was followed by a torrent of similar anti-conspiracy legislation in the colonies over the next several decades in response to planned and executed rebellions by African people and their sometimes-allies: European servants and Native Americans resisting invasion. One of the most famous pre-1776 conspiracies was the New York Conspiracy of 1741, in which prosecutors accused Black enslaved people and poor whites of conspiring to burn the city and overthrow the colonial governor. The colony’s narrative, as established by a fire-breathing judge named Daniel Horsmanden, was that a multiracial group held secret meetings at a white-owned tavern for months before setting fire to the governor’s home, a church, and horse stables in wealthy white neighborhoods. Four white and 30 Black people were sentenced to death for their alleged role in the plot, and an additional 70 enslaved Africans were exiled from the colony. At the trial, which took on the sort of puritanical zeal legible in the J20 case, the prosecution coerced witnesses into affirming the judge’s racist belief that the “conspiracy was of deeper design” and “more dangerous [a] Contrivance than the Salves [sic] themselves were capable of.” The most serious transgression, in the law’s eyes, was the conspiracy of comradeship between whites and Blacks against colonial rule. After all, it had only been a few decades since “whites had achieved a sense of race solidarity at the expense of blacks” around 1700, according to contemporary historian TH Breen. Elite settlers threatened by the growing population of Africans saw the creation of pan-European solidarity (ie, “whiteness”) in the colonies as necessary to gird against constant rebellions. Key to the eventual supremacy of the concept of whiteness, Horne writes, was that it not be interrogated too hard, lest “the loose threads of class hierarchy that this racial category otherwise obscured” unravel and ruin the entire colonial project. This gets to the heart of the matter: In order for the colonies to overcome endless conspiracies to revolt by people they kidnapped, enslaved, exploited and colonized, its ruling elite had to create their own conspiracy—the institutionalization of “whiteness”—in defense of its power. The Bill of Rights would later implicitly enshrine the three points of power in the
ABOVE: Dozens of J20 defendants and their supporters pack into DC Superior Court for a preliminary hearing on June 9, 2017. BELOW: Journalist Aaron Cantú was the 223rd person arrested in DC during Inauguration Day protests.
new nation, including whiteness, property ownership (wealth) and cis-hetero maleness, consolidating ruling class power through the law. Writing for the Harvard Law Review nearly a century ago, Francis B Sayre wrote that American courts often use conspiracy law as a cudgel, “especially during times of reaction, to punish, as criminal, associations for which the time being are unpopular or stir up prejudices of the social class in which the judges have for the most part been bred.” It’s more than just prejudice: Today the US elite reaffirms its power through law, war, trade and politics daily, in a coordinated effort to preserve the status quo in all its structural inequality. This extreme and concentrated power is its own kind of conspiracy, one which allows the state to persecute others it considers illegal. There isn’t enough room here to chronicle the ways conspiracy law has been used since the 17th century to criminalize associations of nonwhite people, laborers, immigrants, protesters, revolutionaries and others, nor consider nuanced exceptions, such as mafia prosecutions that rope police and politicians into criminal rackets.
But fundamentally, the difference between a legitimate and illegitimate conspiracy comes down to power. It’s ironic that some top Trump cronies involved in the J20 conspiracy prosecution are themselves caught up in their own high-profile conspiracy cases, though not necessarily as defendants. For example, Roger Stone, the longago Nixon ratfucker and more recently a top campaign adviser to his friend Trump, sent far-right spies to inauguration protesters’ planning meetings as far back as December 2016. Stone was referenced in a July federal indictment against a dozen Russian intelligence military officials as a “senior member of [Trump’s] campaign” in direct contact with Russian hackers targeting the 2016 presidential election. Another is Attorney General Jefferson Beauregard Sessions III, the top official overseeing the J20 conspiracy prosecution. In March 2016, Sessions was beckoned in an email sent to Trump advisor Rick Dearborn from Republican activist Paul Erikson, who wanted to arrange a meeting between Trump and Vladimir
Putin. A criminal complaint unsealed in July claims Erikson was manipulated by a Russian state operative named Maria Butina to gain access to top Republicans. In another twist, the J20 defendants may have been saved by prosecutors out of the US Attorney’s Office in DC turning their attention to Butina’s conspiracy prosecution. To this day, neither Sessions nor any prosecutor from the US Attorney’s Office in DC have spoken publicly about J20. While prosecutors don’t often comment publicly on their cases, especially when they lose, this could have been the perfect chance for this Justice Department to trumpet its law-and-order bonafides, which makes its silence striking. Instead, prosecutors showed their asses in court, just as the authoritarian-leaning Trump presidency—which includes the Russia meddling cases, the overt embrace of white supremacy, the attacks on the press, the ultranationalism and everything else—is showing the country’s ass to the world right now. The power structures animating US life are themselves the result of long-running conspiracies, and to update Horne’s analysis, the American project is being intensely interrogated in this moment. History shows that when a state’s ability to present itself as a stable force for social order wanes, illegal conspiracies begin to sprout. That’s not what happened at the J20 protests, but it would be ahistorical to think it wouldn’t happen somewhere else—or that a journalist wouldn’t be there to cover it. Thank you to my legal team, the tireless J20 defendant support network, my family, my partner and the Santa Fe Reporter for their support. SFREPORTER.COM
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In Stride Documentary delves into the motivations of distance runners across the globe The film 3100 investigates a world’s worth of ultra runners, including Japan’s “marathon monks.”
BY ELIZABETH MILLER e l i z a b e t h @ s f r e p o r t e r. c o m
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he list of assembled characters reads like what has to be a series of monologues, not an ensemble cast: Diné in Arizona, monks in Japan, ultramarathon runners in New York City and Bushmen in Africa. And in truth, in the documentary 3100: Run and Become, which debuts in Santa Fe on Aug. 17, they only brush past one another. Yet, they’re somehow in conversation, each adding on to what the others have said for a cumulative sentiment that’s shared across cultures. “Running was prayer, and there was no way to survive without prayer,” says film director Sanjay Rawal. “There wasn’t a concept of sitting silently in a monastery or on a pew and praying passively. It was the idea that your body helped to unlock energies and experiences for your spirit and vice versa.” The threads wove together often through coincidence as Rawal began an exploration of ultrarunning that started with the film’s namesake event, the Sri Chinmoy Self-Transcendence 3100 Mile Race, which requires road runners to average 60 miles per day to complete 3,100 miles in 52 days, all on a half-mile loop around a New York City block. Rawal lives a mile and a half from their route—it’s on sidewalks he regularly runs, and he’d watched it for more than a decade. He befriended and was baffled by its competitors, including the 2015 winner, Ashprihanal Aalto. “It’s a frightening race to stop and watch because you see how inadequate you are as a runner and how you have no
desire to test your strength that way,” Rawal says. “At the same time, it’s fundamentally fascinating how and why someone would do that.” He followed two runners in the 2016 race, Aalto and Shamita Achenbach-König, who had never run the event before but also had never quit a race she’d started. The two circle the same patches of sidewalk past chain link fences and school buildings during a “heat dome” of days with temperatures peaking at 100 degrees. “For me, the goal is to transform myself, to become a better person, and running itself is the meditation,” Aalto says in the film. The event is named for its founder, who believed that peace could be attained through meditation as well as through art and sports. It’s not a journey, one of this year’s runners said on a video posted to the film’s site; it’s a pilgrimage, and every step is part of the ritual. Achenbach-König, a 51-year-old cellist from Vienna, struggled as hot temperatures threatened her health. In the film her will to continue seems to speak directly to Japan’s “marathon monks,” who commit to hiking circles around a peak for 1,000 days, knowing that tradition requires suicide if they fail. The film shares remarkable access to a monk 800 days into his journey, filming him on the trail with prayer beads in hand, and in conver-
sation with his advisor. The story moves quickly to the Southwest desert. A book on the history of the Pueblo Revolt that mentioned how running coordinated the Pueblos brought Rawal’s interest here. Speaking with Shaun Martin, an ultrarunner and board member of Wings of America, a nonprofit that encourages Native youth to run, brought the filmmakers to Arizona. There, the film captures the 55-km ultramarathon through Canyon de Chelly—an unsponsored, prize-free race run just to experience the canyon—and Martin on a solo run to retrace the path his father followed when he fled boarding school for his family’s ancestral homesite. The run Martin’s father took to save himself from an effort to erase his culture is echoed now in the African desert. Bushmen in Kalahari Desert have hunted for thousands of years with spears and in a footrace with their prey that sometimes sees them running for days at a time, but the government has banned the practice. The tribes argue it cuts them off from not just a key food source, but from an experience they believe gives them access to the power of nature and the blessings of their ancestors. They break the law to teach their children how to hunt this way, too. Running draws people to a higher place. Rawal finds this in observing the way people accept rather than question one another’s motivations when they
pass on the trail. Whether it’s Bushmen or Diné, what they could achieve in the past— the trade routes that required running 60 miles in a day or the hunts wherein they chased antelope across the desert—bends understanding of what is humanly possible. And today, people test that running laps around a city block in the summer heat on a course that is no doubt as punishing as it is maddeningly repetitive. In all of them, “you’re getting happiness out of what you’re doing, and you’re running with a deep well of joy or bliss or freedom,” says Rawal, who has also completed multi-day races. “It’s not the idea of pushing yourself to a limit. It’s the idea of experiencing what it means to go beyond limits.”
WINGS OF AMERICA FUNDRAISING DINNER AND CONVERSATION with Olympic gold medalist Billy Mills (Oglala Lakota), artist Roxanne Swentzell, author N Scott Momaday and others: 6 pm Thursday Aug. 16. $175. Hotel Santa Fe, 1501 Paseo de Peralta; wingsofamerica.org.
3100: RUN AND BECOME Various times Aug. 17-23. $8-$11. Center for Contemporary Arts, 1050 Old Pecos Trail, 982-1338.
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YUK IT UP Evan Galpert, one of the founders of Wayward Comedy, says that when the group formed a couple years ago, stand-up comedy open mic was one of members’ biggest interests—but that no bars bit until they approached Chili Line Brewing. Now, he says of the the biweekly mic (every first and third Wednesday): “Without trying to sound too full of myself, I think a lot of the regulars are really talented.” But he also doesn’t want new folks to feel intimidated—actually, he says with a laugh, “I would love to have more mediocre people. … That’s kind of what open mics are for.” So if you’re constantly making your friends laugh in basements like Galpert and his friends did for years before forming their own loose confederation, get the mic and give it a go. (Charlotte Jusinski)
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Wayward Wednesday Open Mic: Sign-up: 7:30 pm; Comedy: 8:30 pm Wednesday Aug. 1. Free. Chili Line Brewing Co., 204 N Guadalupe St., 982-8474
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MUSIC FRI/3 PAINT THE TOWN RED Many are familiar with the story of Albuquerque’s Red Light Cameras—one wherein an indie rock band added a monster singer (Amanda Machon) and altered their sound to a bit more garage-punk-meets-bluesy-soul thing. And thank goodness they did. Red Light Cameras have been making moves and dominating regionally. This means shows all over their hometown and Santa Fe, but also on the outskirts of town at venues like Shadeh Nightclub at Buffalo Thunder. Their presence is growing, so you may as well catch ’em now. Y’know, before they get huge. (ADV) Red Light Cameras: 7 pm Friday August 3. Free. Shadeh Nightclub, Buffalo Thunder Resort and Casino, 20 Buffalo Thunder Trail, 455-5555.
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ART OPENING SAT/4 SEASON OF THE WITCH We usually see artist/curator Niomi Fawn on the other side of local shows and exhibits, but with their upcoming Wild Home opening at NO LAND, Fawn is the creator and star of the show. “To be honest with you, it’s a super witchy show,” Fawn says. “I’m talking a lot about the non-binary world and exploring these things that are primordial to our humanness.” At Wild Home, see wooden objects altered through suminagashi, a Japanese marbling technique usually done on paper. Also find digital imagery crafted by Fawn and printed onto dishwasher-safe plates. “People can have a plate set to eat off of,” Fawn tells SFR, “or to include in their altar.” (ADV) Niomi Fawn: Wild Home: 7 pm Saturday August 4. Free. NO LAND, 54 San Francisco St., 216-973-3367.
ART OPENING THU/2
Black and White Nico Salazar’s reign of pop bliss SFR knew local artist Nico Salazar was special when we brought him in to create the cover art for our 2017 Best of Santa Fe issue, but he’s been wowing locals and non-citizens since the day Meow Wolf opened with an entire room of his black-and-white anime-meets-fine-art creations two-plus years ago. Since then, Salazar has launched his Future Fantasy Delight clothing line, shown at galleries like Beals & Co. and spent a good chunk of his time on the road visiting places like Coachella and hitting up Europe and Japan (follow @futurefantasydelight on Instagram to see his work and travels— it’s worth it!)—all places he says have inspired him greatly. “Just seeing how the rest of the world works is such an eye-opening experience,” Salazar tells SFR, “and as far as inspiration, just seeing boutiques and popups in Paris and Tokyo, how they do retail. … I’m looking into doing more pop-ups this coming year. It was just so inspiring altogether.” For now, though, Salazar is set to unleash 12 new pieces on the world with his upcoming show Black Cap at the Jean Cocteau Cinema. “It’s this triple-entendre meaning: black cap like my hat I wear, the
cap of a marker and it’s also a mushroom cap,” Salazar explains, adding that the new work is a culmination of his journey, his imagination and the powers of play and passion. “For this one, it’s all super fresh and it’s more so just pure imaginative types of nostalgia,” he says. “There’s not necessarily a direct theme, it’s just kind of my mind on the canvas. I just like to have fun with it.” Not bad for an artist who says that even a few years ago he wasn’t taken as seriously as he is now. “Growing up in Santa Fe, it’s not like my type of art was super-celebrated,” Salazar recalls. “Some people get really hung up on being political and, for me, I just can’t do it the way other people can—[my art] is all really personal stuff and if people relate to it, that’s cool. I’d rather inspire people by being an example. I take my art seriously, but I’d rather draw weird stuff and make things.” (Alex De Vore) NICO SALAZAR: BLACK CAP 5:30 pm Thursday Aug. 2. Through Aug. 31. Free. Jean Cocteau Cinema, 418 Montezuma Ave., 466-5528
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COURTESY A SEA GALLERY
Want to see your event here?
THE CALENDAR
Email all the relevant information to calendar@sfreporter.com. You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion). Need help?
Contact Charlotte: 395-2906
WED/1 BOOKS/LECTURES ARISTOTLE: THINKING WITH IMAGES St. John's College 1160 Camino Cruz Blanca, 984-6000 Ed Sarkis lectures in the Junior Common Room, Peterson Student Center. 3:15 pm, free BOW-WOW BODY TALK Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Explore how body language translates to our dogs, what our dogs are trying to tell us, and how to cross the bridge of inter-species communication. With trainer David Crosby. 6:30 pm, free BREAKFAST WITH O’KEEFFE: CLIMATE AND GARDENING IN THE SOUTHWEST Georgia O'Keeffe Education Annex 123 Grant Ave., 946-1039 Scott Canning, director of horticulture and special projects at the Santa Fe Botanical Garden, reflects New Mexico’s changing climate. 9 am, $15 CRITICAL CONVERSATIONS: THE MEXICAN PARADOX Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 A panel discussion covers issues from migration and the border to the drug war and human rights. Including Alejandro Madrazo, law professor and activist; Catalina Perez Correa, an expert on Mexico’s drug policy and criminal justice system; and Lisa Veneklasen, who speaks to the role of women in Mexico. 5:30 pm, $5 DHARMA TALK BY SENSEI HOZAN ALAN SENAUKE AND PETRA ZENRYU HUBBELING Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 The evening begins with a 15-minute meditation, so please arrive by 5:20 pm. 5:30 pm, free
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A little bit Banksy, a little bit Simpsons, a lot socially conscious and intriguing. Self-taught artist Ardell Rainwater opens a solo show, Hidden Gems Revealed, at A SEA Gallery on Friday. Gallery proprietor Monika Steinhoff focuses on socially engaged creators, and Rainwater fits the bill. This is “Salvation Mountain.” MIDDLE LENGTH LAM RIM Thubten Norbu Ling Tibetan Buddhist Center 1807 Second St., Ste. 35, 660-7056 Geshe Thubten Sherab teaches about the Lam Rim—"Stages of the Path" in Tibetan. 6:30 pm, free SPANISH COLONIAL WOMEN AND THE LAW: COMPLAINTS, LAWSUITS AND CRIMINAL BEHAVIOR New Mexico History Museum 113 Lincoln Ave., 476-5100 Linda Tigges discusses the female badassery that has reigned in New Mexico for centuries, and how women were actually regarded as humans by the Spanish Crown. What a novel concept! Noon, free
DANCE EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A performance from La Emi and the National Institute of Flamenco. 8 pm, $20-$50
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FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 A dramatic performance by Entreflamenco. Doors open an hour before the performances so you can get dinner (purchased separately). 7:30 pm, $25-$40
EVENTS HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 World-class hunter/jumper equestrian competition, food and fun make up Santa Fe's best party for horse lovers. Get info at hipicosantafe.com. 8 am-5 pm, free LIBRARY OPEN HOUSE New Mexico Museum of Art 107 W Palace Ave., 476-5072 Browse a wide collection of over 7,500 books and files and chat with the librarian. Bring your WiFi-connected devices to do additional research or work on the great American novel you’ve almost finished. 1-4 pm, free
WAYWARD WEDNESDAYS Chili Line Brewing 204 N Guadalupe St., 982-8474 The freshest comedy open mic you’ve ever heard! Sign-up starts at 7:30 pm, jokes start at 8:30 pm (see SFR Picks, page 19). 7:30 pm, free
MUSIC DANIEL MURPHY Cowgirl 319 S Guadalupe St., 982-2565 Americana and rock. 8 pm, free ESTER HANA Vanessie 427 W Water St., 982-9966 Classical, jazz and cabaret. 6:30 pm, free RAMON BERMUDEZ JR. TerraCotta Wine Bistro 304 Johnson St., 989-1166 Latin and smooth jazz guitar. 6 pm, free ROBERTO GONZALES El Mesón 213 Washington Ave., 983-6756 Flamenco and classical guitar. 7 pm, free
SANTA FE BANDSTAND: NACHA MENDEZ Santa Fe Plaza 100 Old Santa Fe Trail Mendez' music expands the definition of “Latin” music. With support from Santa Fe Opera Apprentices. 6:30 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: TCHAIKOVSKY TRIO New Mexico Museum of Art 107 W Palace Ave., 476-5072 Two of music's greatest melodists are heard on this program of trios: Schubert and Tchaikovsky. Featuring Schubert’s String Trio in B-flat Major and Tchaikovsky’s Piano Trio in A Minor. 6 pm, $38-$77 SANTA FE CROONERS Palace Saloon 142 W Palace Ave., 428-0690 Golden Age standards. 6:30-9:30 pm, free SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free
OPERA ARIADNE AUF NAXOS Santa Fe Opera House 301 Opera Drive, 986-5900 If a filthy rich and hopelessly conceited man invites you to an ostensibly entertaining party, it will rapidly turn into a horror show—and this 1912 opera by German composer Richard Strauss is a hilarious case study on this phenomenon. 8 pm, $37-$310
WORKSHOP DEVELOPMENT PEER GROUP Santa Fe Community Foundation 501 Halona St., 988-9715 Share your fundraising and development knowledge and resources with your peers and get some networking in. 8:30-10 am, free NEW VOLUNTEER TRAINING Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 The garden’s prime gardener, Linda Churchill, offers an orientation for new volunteers. 9-10 am, free
ENTER EVENTS AT SFREPORTER.COM/CAL
THU/2 ART OPENINGS CASA TOMADA (HOUSE TAKEN OVER) OPENING NIGHT SITE Santa Fe 1606 Paseo de Peralta, 989-1199 The exhibition opens tomorrow, but you can get a sneak peek and a dance party to boot if you open your wallet. The biennial show has a focus on contemporary art from the Americas, features 23 artists from eight countries. 6 pm, $25-$100 CYNDIE BELLENBERTHÉZÈNE: I SLEEP IN A GARDEN OF 100 DRESSES Santa Fe Art Institute 1600 St. Michael's Drive, 424-5050 In this installation, the New York-based artist explores the drawing of one hundred dresses as a means to leave behind the voices of unfulfilled childhood promises. Performances occur at 7:15 and 7:45 pm. 7 pm, free NICO SALAZAR: BLACK CAP Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Iconic figures with a whimsical, cartoonish feel. Through Aug. 31 (see SFR Picks, page 19). 5:30 pm, free
BOOKS/LECTURES LESLIE GALLERYDILWORTH: A VERY PERSONAL LOOK AT LOUIS KAHN, ARCHITECT La Sala de Galisteo 5637 Hwy. 41, Galisteo, 466-3541 Gallery-Dilworth, architect, discuses the film My Architect and her experience of working with Kahn, the architect featured therein. 7 pm, free PARADOX AND NUANCE IN THE DAODEJING MogaDao Institute 1400 Agua Fría St., Suite A This free talk celebrates the grand opening of the MogaDao Institute at its new location; get more info at mogadaoinstitute.com. 6-7 pm, free TIMOTHY KRAUSE: FINDING THEO Hervé 139 W San Francisco St., 795-7075 Hear the author's account of his son’s battle for life after a biking accident, and the deeper story of discovery about the people whose lives became interwoven with his. 5 pm, free
DANCE EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 La Emi and the National Institute of Flamenco. 8 pm, $20-$50
THE CALENDAR
FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 A dramatic performance by Entreflamenco Doors open an hour before the performances so you can get dinner (purchased separately). 7:30 pm, $25-$40 O2 SWING NIGHT Santa Fe Oxygen & Healing Bar 133 W San Francisco St., 986-5037 Get your swing on. There's a lesson from 8-9 pm, then dancing at 9 pm. 8 pm, $10
EVENTS HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 World-class hunter/jumper equestrian competition and more at Santa Fe's best party for horse lovers. Get all the info and scheduling at hipicosantafe.com. 8 am-5 pm, free WORKFORCE INNOVATION AND OPPORTUNITY ACT ORIENTATION SESSION Santa Fe Community College 6401 Richards Ave., 428-1000 Looking for a funding for training, certificates or degrees? Head to the Welcome and Advising Center, room 204-I. 10 am, free
MUSIC BILL HEARNE TRIO Second Street Brewery (Original) 1814 Second St., 982-3030 Country and honky-tonk. 6 pm, free CHRIS ISHEE El Mesón 213 Washington Ave., 983-6756 Piano-led jazz. 7 pm, free DJ INKY The Matador 116 W San Francisco St., 984-5050 Punk, funk, soul, rock 'n' roll, old-school country and more. 9 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Broadway ‘n’ standards. 6 pm, $2 DUO RASMINKO Cowgirl 319 S Guadalupe St., 982-2565 Bohemian pop. 8 pm, free ESTER HANA Vanessie 427 W Water St., 982-9966 Classical, jazz and cabaret. 6:30 pm, free LION HEIGHTS Boxcar 530 S Guadalupe St., 988-7222 Reggae straight outta Austin. 9 pm, free THE LONG GONE Palace Saloon 142 W Palace Ave., 428-0690 Original Americana. 10 pm, free
PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar. 6 pm, free RON ROUGEAU The Dragon Room 406 Old Santa Fe Trail, 983-7712 Acoustic folk-rock. 5:30 pm, free SANTA FE BANDSTAND: MANZANARES Santa Fe Plaza 100 Old Santa Fe Trail Spanish guitar, Latin percussion and soulful vocals form a high-energy sound that ranges from flamenco to pop to Latin rock. With support from Busy y Los Big Deals. 6 pm, free SIERRA La Fiesta Lounge 100 E San Francisco St., 982-5511 Country tunes to dance to. 7:30 pm, free SUNSET IN THE GARDEN: THE GRUVE Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 'Tis the season once again for a stroll in the garden, accompanied by some soul and R&B. 5 pm, $3-$10 TODD TIJERINA Derailed at the Sage Inn 725 Cerrillos Road, 982-5952 Blues 'n' roots rock. 6-8:30 pm, free
THEATER NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 Playwright David Mamet penned this 2008 Oval Office satire; a scathing take on the state of American politics. 7:30 pm, $5-$15
FRI/3 ART OPENINGS AFRICAN RENDEZVOUS Intrigue Gallery 238 Delgado St., 820-9265 A gathering for collectors and lovers of vintage African art features masks, figures and miniatures. Through Aug. 27. 5 pm, free ANNA BOOTH: ABOUT A PLACE El Zaguán 545 Canyon Road, 982-0016 Painter Booth presents a new body of work inspired by her residency at El Zaguán. She hopes to convey calm and quiet (despite the wild ragers artists used to throw on Canyon Road in its hedonistic heyday). Through Aug. 31. 5 pm, free ARDELL RAINWATER: HIDDEN GEMS REVEALED A Sea Gallery 835-A Canyon Road, 988-9140 By combining graffiti art and appropriated pop culture images, Rainwater creates socially relevant paintings that remain beautiful and haunting. Through Aug. 18. 5 pm, free
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THE CALENDAR CASA TOMADA (HOUSE TAKEN OVER) SITE Santa Fe 1606 Paseo de Peralta, 989-1199 Enjoy the new exhibition at SITE with performances and talks interspersed throughout the day, plus free admission. Featuring contemporary art from the Americas. Through Jan. 6, 2019. 10 am-7 pm, free CHARLOTTE FOUST & ERIC BOYER Hunter Kirkland Contemporary 200 Canyon Road, 984-2111 Explore the spontaneous energy of the action painters and the more orderly structures of the color field artists. Through Aug. 19. 5 pm, free CONNECTIONS II OTA Contemporary 203 Canyon Road, 930-7800 Works that seek to show that all of us are interconnected. So much so that we often become who we are based on how we interact with each other. Through Oct. 31. 5:30-7 pm, free DAVID DRUMMOND: CANYON REFECTIONS Sage Creek Gallery 421 Canyon Road, 988-3444 In realistic watercolors of Western landscapes, Drummond concentrates on attention to detail and mood. Through Aug. 17. 5 pm, free IMPRINTMOBILE Axle Contemporary 670-5854 In the mobile gallery under the Railyard shade structure, view works from artists participating in the Coe Center's upcoming Imprint exhibition, which challenges our ideas about how art engages with the public. Through Aug. 26. 5 pm, free JEFFREY SCHWEITZER: HOME Bindlestick Studio 616 A Canyon Road, 917-679-8080 The artist offers a preview of the whimsical escapist paintings to be featured in his book, forthcoming in November (see AC, page 25). 5 pm, free LAND AND LIGHT: OBSERVATIONS AND MEDITATIONS 7 Arts Gallery 125 Lincoln Ave., 437-1107 Painter Nancy Silvia has explored landscape subjects, seeking to represent not only the physical features of the earth but the ephemeral qualities of light and weather. Through Aug. 31. 5 pm, free MELINDA ROSE: ALL THINGS SACRED Java Joe's (Siler) 1248 Siler Road, 780-5477 Explore the lively culture and down-to-earth humor of the Oglala Lakota people though photography of the Pine Ridge Reservation. Through Aug. 31. 4-6 pm, free
ENTER EVENTS AT SFREPORTER.COM/CAL
STAR LIANA YORK: COWBOYS AND COWGIRLS Sorrel Sky Gallery 125 W Palace Ave., 501-6555 York re-works stereotypical Western subjects. Through Aug. 31. 5-7:30 pm, free SURFACE Aqua Regia 627 W Alameda St., 988-5005 Using methods taken from both artisanal traditions and industrial processes, Roland Ostheim and Marta Lea Andersson focus on the potential of materials, re-dedicating the familiar to something new. Through Sept. 21. 6 pm, free WARD RUSSELL: PHOTO ANTHROZOOLOGY Ward Russell Photography 102 W San Francisco St., 995-0041 Observe Russell's study of anthrozoology: human-nonhuman-animal studies and its quantifying of the effects of human-animal relationships on either party and the study of their interactions. Through Jan. 5, 2019. 4 pm, free WILLIAM M FREJ: SACRED SITES & CEREMONIES Peyton Wright Gallery 237 E Palace Ave., 989-9888 Color photographs along with artifacts and textiles from a number of the world’s most sacred sites and enclaves. Through Sept. 4. 5-7 pm, free
BOOKS/LECTURES ANDREA FRASER: 2016 IN MUSEUMS, MONEY, AND POLITICS SITE Santa Fe 1606 Paseo de Peralta, 989-1199 Fraser examines the intersection of electoral politics and nonprofit art institutions in the United States at a pivotal historical moment. 6 pm, $5-$10 BREAKFAST WITH THE CURATORS: MAXINE McBRINN WITH NINA SANDERS Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 Curator Maxine McBrinn hosts scholar and beader Nina Sanders (Crow) for a presentation of her work. Seating is very limited, so call 476-1269. 8:30-10:30 am, $30-$35 SUSAN MEISELAS: MEDIATIONS AND ON THE FRONTLINE photo-eye Bookstore + Project Space 1300 Rufina Circle, Ste. A3, 988-5152 The photographer signs copies of two books: Mediations, which explores her approach to the underlying reasons for making photographs, and On the Frontline, wherein she provides an insightful personal commentary on the trajectory of her career. 4 pm, free
DANCE EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A performance from La Emi and the National Institute of Flamenco. 8 pm, $20-$50 FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Doors open an hour before the performances so you can get dinner (sold separately). 7:30 pm, $25-$40 SANTA FE BLUES DANCE Move Studio 901 W San Mateo Road, 660-8503 Need a lesson? That's at 8:30 pm, then the dance starts at 9:30 pm. Smooth soles only, please. 8:30 pm, $8-$10 STARS OF AMERICAN BALLET Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Founded by New York City Ballet principal dancer Daniel Ulbricht, this visionary ensemble brings Santa Fe some breathtaking dance from world-class ballet performances. 7:30 pm, $14-$110
EVENTS CHARLOTTE'S BIRTHDAY Did you know that when you're the calendar editor, you get to put your own birthday into the events calendar? It's true. This is proof of that. All day, $1 billion (to Charlotte) HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 World-class hunter/jumper equestrian competition and more make up Santa Fe's best party for horse lovers. Get all the info and scheduling at hipicosantafe.com. 8 am-5 pm, free
MUSIC AWNA TEIXEIRA GiG Performance Space 1808 Second St. The Portuguese/Canadian multi-instrumentalist brings her roots music to town. 7:30 pm, $20 THE BLUES REVUE BAND Second Street Brewery (Original) 1814 Second St., 982-3030 Review some blues. 6 pm, free THE BUSY McCARROLL BAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Trippy-drippy surf sounds. 8 pm, free CHANGO Cowgirl 319 S Guadalupe St., 982-2565 Danceable cover tunes. 8:30 pm, free CONTINUED ON PAGE 24
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Hop To It BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
H
ip-hop has become the most important musical genre of our time. Not even kidding. Electronic music, meanwhile—house, techno, dubstep and so forth—has become a mainstream mainstay. Country, of course, has always had its place as well, a big seller with big personalities. Countless genres and subgenres spiral out from there, eating up almost every sound and style. But whatever happened to indie rock? No, I don’t mean the Weezers or the Future Islands or even the OK GOs of the world, but the mid-level (and happy about it) bands on labels like Asian Man Records or Doghouse or Saddle Creek. These bands are alive and well— they’re just operating outside of a dying system and forging their own futures in the relative youth of an online wilderness. They are Grizzly Bear, Snail Mail, Milagres, Kurt Vile, Japanese Breakfast and on and on, countlessly; the major players long ago shirked the idea of attaining quote-unquote rockstar status (anyway, the “it” in making “it” isn’t even really an “it” anymore, y’know?) and are now making moves and succeeding and failing in their own way, on their own time. Big-label support did wonders for putting music in the minds of the masses, this is true, but the real-life living achieved during the late-’90s and early-aughts American obsession with post-punk, sorta-emo, fuzzy guitars, lyricists-who-really-fucking-meant-it thing evolved into a self-produced and self-propelled DIY aesthetic-cum-movement that amounts to something like constant touring, a strong online presence, self-made
COURTESY HOP ALONG
MUSIC Philadelphia’s Hop Along sits at the forefront of an indie revolution videos and albums and a distinct lack of artifice. Philadelphia’s Hop Along is one such band within this new-ish milieu. Make no mistake, Hop Along is singer and lyricist Frances Quinlan’s project. Bursting onto the scene with 2012’s Get Disowned (not counting earlier self-released material when she was known as Hop Along, Queen Ansleis), Quinlan and crew presented a raw and emotionally charged opus hallmarked by heart-wrenching vocals and a post-emo sound. The album made the rounds and won the critics and fans, especially Omaha, Nebraska-based label Saddle Creek (hey, we just mentioned those guys!). Cut to 2015 and Painted Shut, the band’s Saddle Creek debut and a continuation of Quinlan’s sing-shouty vocal style, which won similar acclaim. The fan base grew. But Hop Along keeps on growing up, it seems, with this year’s Bark Your Head Off, Dog, a more mature effort and the kind of album that seems to make music writers want to use words like “restraint” and “abstraction.” Still there, however, is Quinlan’s knack for storytelling—songs that paint a picture and make economical use of her sometimes acrobatic vocal range. “I think it’s the direction that [the music] just took,” says Mark Quinlan, Hop Along’s drummer and Frances’ brother. “Naturally, in working together, we become better at communicating with each other; we become better at serving the song as best we can without stepping all over each other.” Mark is a self-proclaimed metalhead who also freely admits he’s tried to replicate a hybrid Blood Brothers/The Faint (The Faint also released music on Saddle
Hop Along’s Mark and Frances Quinlan (from left) give indie rock a good name.
Creek) sound in his previous bands. He also says he’s found a more suitable home with Hop Along; a place where he’s happy to collaborate with his sister and friends. “I don’t know that I was coordinated enough to be a metal drummer,” he says jokingly. “I don’t know that I was ever a metal drummer—I always loved indie rock and I think I was just lucky enough to have a place in music with my sister, and I was willing to sort of play whatever as long as I could have that place.” Mark defers to Frances’ ability and vision numerous times throughout our phone call, identifying her as a humble songwriter, a top-notch collaborator (vocalist Chrissy Tashjian of Friday’s opener Thin Lips has appeared on every Hop Along album thus far) and a mindful human person. “I think Frances’ goal is awareness and being caring and responsible for people, especially those who are smaller than you or with less power than you,” Mark explains. “I think if you have a voice and people pay attention, you should use it for good.” This includes Hop Along’s process, which Mark says is democratic. It also encompasses the band’s DIY aesthetic. Saddle Creek, he says, has been very hands-off, even as the band is aware of the value of producers. “They bring in ideas
and thoughts, of course, but we all want to have the most say over what we create as we possibly can,” Mark tells SFR. “And the power dynamic has shifted a little bit since the early aughts when record sales went down the tubes—I think smart labels are aware of that and able to adapt; we definitely shopped around, but [Saddle Creek] seemed like the best bid for sure.” And thus, indie bands keep indie-ing. Just don’t be surprised if you start to hear more about Hop Along as time goes by. Their growth, output and trajectory are noteworthy, even if they know how it goes in the rock game. “I don’t think it’s the world where a band like Nirvana could be the biggest band in the world anymore, but that doesn’t mean there’s not a comfortable niche for music with guitars,” Mark adds. “I don’t think there’s a place for playing guitar music as pop culture icons anymore, but I don’t think it’s dead, either. Do I think the times are scary because of indie rock’s musical place in the world? Not really.” HOP ALONG WITH THIN LIPS AND FUTURE SCARS 8 pm Friday August 3. $15-$18. Meow Wolf, 1352 Rufina Circle, 395-6369
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THE CALENDAR CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 A subversive cabaret from pianist Charles Tichenor and friends. Vive la révolution! 6 pm, free DJ DYNAMITE SOL Boxcar 530 S Guadalupe St., 988-7222 House, funk, reggaeton and hip-hop. 10 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Broadway ’n’ standards. 6 pm, $2 DOUG MONTGOMERY AND ESTER HANA Vanessie 427 W Water St., 982-9966 Standards: Doug starts, Ester takes over at 8 pm. 6 pm, free DUO RASMINKO Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Bohemian pop on the deck. 5 pm, free HOP ALONG Meow Wolf 1352 Rufina Circle, 395-6369 A dynamic and textured grunge, folk, punk and power pop fusion (see Music, page 23). 7 pm, free LITTLE LEROY AND HIS PACK OF LIES La Fiesta Lounge 100 E San Francisco St., 982-5511 Party-time rock 'n' roll. 8 pm, free THE NIGHTMARE SHOW All Out Zone Santa Fe Santa Fe Place Mall, 4250 Cerrillos Road, 428-0172 Rappers The Villain, Alec Blaze and 2800 present an all-ages (and teen-centric) concert at the mall to raise funds for a friend of the rappers diagnosed with leukemia. 9 pm, $5 RED LIGHT CAMERAS Shadeh Nightclub 30 Buffalo Thunder Trail, 819-2338 Blues-inspired garage pop (see SFR Picks, page 19). 7 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar. 7 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: FLUX QUARTET New Mexico Museum of Art 107 W Palace Ave., 476-5072 Selections by Giacinto Scelsi, Binna Kim and Michael Seltenreich. 6 pm, $10 TGIF ORGAN RECITAL: JERRY BORSHARD AND DAVID SOLEM First Presbyterian Church 208 Grant Ave., 982-8544 The pianist and the organist play Rachmaninoff and Paganini variations. 5:30 pm, free
ENTER EVENTS AT SFREPORTER.COM/CAL
THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 A swinging jazz trio. 7:30 pm, free TONIC JAZZ SHOWCASE Tonic 103 E Water St., 982-1189 Jazz and more jazz. 9:30 pm, free TYLOR BRANDON BAND Turquoise Trail Bar at Buffalo Thunder 30 Buffalo Thunder Trail, 877-848-6337 Classic country. 9:30 pm, free UNDERGROUND CADENCE Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Rock, blues, Latin and jazz. 8:30 pm, free VICTOR MASON Blue Corn Café and Brewery 133 E Water St., 438-1800 Americana. 6-8:15 pm, free
OPERA THE ITALIAN GIRL IN ALGIERS Santa Fe Opera House 301 Opera Drive, 986-5900 Italian model Isabella crashlands in Algiers on a mission to rescue her lover Lindoro from the sultan Mustafà. This one’s way funny, folks. 8 pm, $47-$310
THEATER JULIUS CAESAR Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 The students' classical theater troupe always wows. 6 pm, $5-$10 A MIDSUMMER NIGHT’S DREAM Monte del Sol Charter School 4157 Walking Rain Road, 982-5225 The Santa Fe Shakespeare Society returns for its eighth year, this time with one of Shakespeare’s most-beloved comedies. Performance is outdoors, so be ready. 6 pm, free NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 David Mamet penned this 2008 Oval Office satire as a scathing take on the state of American politics. 7:30 pm, $5-$25
SAT/4 ART OPENINGS NIOMI FAWN: WILD HOME NO LAND 54 E San Francisco St., Ste. 7, 216-973-3367 Fawn's immersive installation explores genderqueer identity, domesticity, and a return to a nonbinary state of knowing and being. Through Sept. 29 (see SFR Picks, page 19). 6 pm, free
BOOKS/LECTURES HOW MONEY IN POLITICS INFLUENCES IMMIGRATION POLICY Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Learn more about how money in politics influences immigration with Elaina Vermeulen of the Santa Fe Dreamers Project, and learn about how a new proposal would level the playing field in Santa Fe. 10:15 am-12:15 pm, free
DANCE EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 La Emi and the National Institute of Flamenco. 8 pm, $20-$50 FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 A dramatic performance by Entreflamenco. Doors open an hour before the performances so you can get dinner (sold separately). 7:30 pm, $25-$40 STARS OF AMERICAN BALLET Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Founded by New York City Ballet principal dancer Daniel Ulbricht, this visionary ensemble brings us breathtaking dance from world-class ballet dancers. 7:30 pm, $14-$110
EVENTS BIRD WALK Randall Davey Audubon Center 1800 Upper Canyon Road, 9834609 A guided birding hike. 8:30-10 am, free CONQUER HEIGHTS. EMPOWER GIRLS. La Fonda on the Plaza 100 E San Francisco St., 982-5511 Fundraisers who have raised a bunch of money for Girls Inc. earned their chance to spidey all the way down La Fonda. Watch ‘em do it. Info: girlsincofsantafe.org. 9 am-6 pm, free THE DREAMING 3: SANTA FE Railyard Performance Center 1611 Paseo de Peralta, 982-8309 Music, dance and art support arts education in Haiti, a vibrant, beautiful land with amazing value to offer the world. Get more info at selkedimanche.org. 7 pm, $10 GIRLS INC. ARTS AND CRAFTS SHOW Santa Fe Plaza 100 Old Santa Fe Trail The local nonprofit for female empowerment presents its 46th annual art fair. 9 am-6 pm, free CONTINUED ON PAGE 26
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A&C
Up, Up and Away Getting lost in Jeffrey Schweitzer’s aversion to politics B Y A N A S TA S I O W R O B E L a u t h o r @ s f r e p o r t e r. c o m
PHOTO: ANASTASIO WROBEL
I
t might not be revolutionary to be self-reflexive during such harsh political times—rather, it’s an exercise in privilege to ignore the madness and give ourselves the opportunity to focus on self-care. For artist Jeffrey Schweitzer, this practice is rooted in escapism and making work that focuses on adventure, freedom and independence. Tucked deep into a driveway off Canyon Road is the small casita that is Scweitzer’s Bindlestick Studio. He moved here from Brooklyn, New York, in 2013 with his then-girlfriend (now wife) Meredith. At the time, he didn’t intend to have a studio become his livelihood; he simply needed a workspace. But once he had restored the casita, he says, “People started coming through and buying stuff—it sustained itself in a surprising way.” Now, the Schweitzers share their homestead with 14-month-old son Vincent and a young cattle dog named Roh, and his live-work space continues to turn heads. “I love bringing people to Jeff’s studio because he has created his own little world there,” says Elaine Ritchel, founder and lead guide of Santa Fe Art Tours. “I think it’s great to visit an artist who lives, works and sells his art on Canyon Road. That’s a rarity. It’s significant to realize that you’re visiting the personal space of an artist.” Inside on the studio walls hang various pen and ink wash drawings. Some feature a miniature digital version of Schweitzer himself juxtaposed with various backgrounds, interiors and hyper-exaggerated
The title piece from Home, Jeffrey Schweitzer’s newest book.
naturescapes. There is a large table in the center of the room covered in art, and a small workspace crammed neatly into the corner near a window. Previous books he’s written are sprinkled around the room. The moon is often present in his work at varying lunar stages as a kind of homage to New Mexico. His first book, 2016’s Into the Moonlight, explored the wonder of “being in higher altitude,” Schweitzer says. “Feeling like you’re so close to the moon you can touch it—that is very much New Mexico to me.” Schweitzer’s next release and fifth book is called Home, and it is his first foray into writing short, autobiographical stories. Each was inspired by time he spent working in an RV camper, and he is showing the artwork associated with each story this week, months ahead of the official release in November. “It is being sold as it’s made,” says Schweitzer, who also emphasizes the works on display will be originals, “before there aren’t any left.” In Home, the stories run anywhere from a few lines to a few pages long. Any spelling or grammatical errors Sch-
weitzer corrected by hand are preserved in the printing process to make the book feel more like a diary. He is even using handmade papers and thin ink washes to build up various color tonalities in the original works. He layers several sheets on top of one another so it almost looks like encaustic wax piece, where the pigment is mixed with hot wax and inlaid into the surface. Lastly, he varnishes a piece of paper onto the final composition and then removes it, leaving added textures and obscuring details, giving the works reproduced in the book a vintage look. “This stuff is representative of fading memory,” he tells SFR. “It feels very outside of what’s expected on Canyon Road.” In the book’s title piece, his camper rests atop a precariously steep hill beneath an intricately rendered tree and a waning crescent moon. This is the embellished version of the real-life camper, another restoration project of Schweitzer’s and now his de facto studio. “Half the time, there’s a screaming baby in here,” he says, gesturing around the room, “and
www.TheatreSantaFe.org
★ youth performers
JEFFREY SCHWEITZER: HOME 5 pm Friday August 3. Free. Bindlestick Studio, 616 A Canyon Road, 917-679-8080
The Curious Incident of the Dog in the Night-Time • by Simon Stephens
Coming up:
November • by David Mamet
Coming up:
at Santa Fe Playhouse • August –August Thurs. Fri. Sat. at : p.m. • Sunday at p.m.
For full details and to buy tickets:
a dog running around. I cleaned up all the Cheerios and shit before you got here.” But the camper becomes iconographical, a conduit for channeling, expressing and achieving his freedom so that he may find reprieve from the bustling, budding life around him. It feels open and welcoming. These environments aren’t just nice to look at, but also offer a place in which to rest the mind and reflect on our needs. For Schweitzer, Home transports him from the outside world and “the political stuff that can be crushing and overwhelming.” If it is truly a political act to be apolitical within the construct of one’s creations, then Schweitzer is on the right track. “Putting things out into the world is like having children that will be there long after you’re gone,” he says. “These things will outlive you.”
New Mexico Actors Lab at Teatro Paraguas August – • Thur. Fri. Sat. : p.m., Sun. at p.m.
★ Julius Caesar • by Shakespeare
John Carney Magic and Comedy Show
at Adobe Rose Theatre • August –August Fri. Sat. at : p.m. • Sunday at p.m. A Midsummer Night’s Dream, by Shakespeare at Santa Fe Botanical Garden August –September except Mondays All performances at : p.m.
Upstart Crows of Santa Fe at Santa Fe Botanical Garden, August – • p.m. SFREPORTER.COM
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Get savager at: SFReporter.com/savage
I’m gay and have been dating a guy for 10 months. He’s great overall, and I would say for the most part we both want it to work out. But I am having a problem with his friends and other lifestyle choices. All of his friends are straight, and almost all of them are women. All of my friends have always been gay men, like me, so I find this strange. I don’t have any problem with women, but I don’t hang out with any women, and neither do most of my friends. He makes dinner plans for us with his straight friends almost every week, and I grin and bear it. They’re always old coworkers, so the whole conversation is them talking about old times or straighty talk about their children. It’s incredibly boring. He’s met my friends, and he likes some of them but dislikes others. It’s obvious that he is not comfortable relating to gay men, generally speaking. He does not seem knowledgeable about gay history or culture. For example, he strongly dislikes drag queens and never goes to gay bars. There is one woman in particular he makes dinner for every Friday night. It’s a standing date that he’s only occasionally been flexible about changing to accommodate plans for the two of us. Now he’s planning a weeklong vacation with her. When he first mentioned this trip, he asked if I would want to spend a week camping. I said no, because I don’t like camping. He immediately went forward with planning it with her. I’m pretty sure the two of them had already hatched this plan, and I don’t think he ever really wanted me to go. I think it’s WEIRD to want to go camping for an entire week with some old lady. He does other weird things, too, like belonging to a strange new-age church, which is definitely at odds with my strongly held anti-religious views. He has asked me to attend; I went once, and it made me EXTREMELY uncomfortable. The fact that I didn’t like it just turned into a seemingly unsolvable problem between us. He says I’m not being “supportive.” I need some advice on how to get past my intense feelings of aversion to the weirdness. How can I not let our differences completely destroy the relationship? -Hopelessly Odd Man Out Differences don’t have to destroy a relationship. Differences can actually enhance and help sustain a relationship. But for differences to have that effect, HOMO, both partners have to appreciate each other for their differences. You don’t sound appreciative—you sound contemptuous. And that’s a problem. According to Dr. John Gottman of the Gottman Institute (a research institution dedicated to studying and strengthening marriages and other interpersonal relationships)—who says he can accurately predict divorce in 90 percent of cases—contempt is the leading predictor of divorce. “When contempt begins to overwhelm your relationship, you tend to forget entirely your partner’s positive qualities,” he writes in Why Marriages Succeed or Fail. Contempt, Gottman argues, destroys whatever bonds hold a couple together. You’ve been together only 10 months, HOMO, and you’re not married, but it sounds like contempt has already overwhelmed your relationship. It’s not just that you dislike his friends, you’re contemptuous of them; it’s not just that you don’t share his spiritual beliefs, you’re contemptuous of them; it’s not just that his gayness is expressed in a different-than-yours-but-still-perfectly-valid way, you’re contemptuous of him as a gay man. Because he doesn’t watch Drag Race or hang out in gay bars. Because he’s got a lot of female friends. Because he’s happy to sit and talk with his friends about their kids. (There’s nothing “straighty” about kid conversations. Gay parents take part in those conversations, too. And while we’re in this parenthesis: I can’t understand why anyone would waste their time actively disliking drag queens. But being a gay male correlates more strongly with liking dick than it does with liking drag.)
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This relationship might work if you were capable of appreciating the areas where you two overlap—your shared interests (including your shared interest in each other)—and content to let him go off and enjoy his friends, his new-age church, and his standing Friday-night dinner date. A growing body of research shows that divergent interests + some time away from each other + mutual respect = long-term relationship success. You’re missing the “mutual respect” part—and where this formula is concerned, HOMO, two out of three ain’t enough. Here’s how it might look if you could appreciate your differences: You’d do the things you enjoy doing together—like, say, each other—but on Friday nights, he makes dinner for his bestie and you hit the gay bars with your gay friends and catch a drag show. You would go on vacations together, but once in a while he’d go on vacation with one of his “straighty” friends, and once in a while you’d go on vacation with your gay friends. On Sundays, he’d go to woo-woo church and you’d sleep in or binge-watch Pose. You’d be happy to let him be him, and he’d be happy to let you be you— and together the two of you would add up to an interesting, harmonious, compelling “we.” But I honestly don’t think you have it in you. P.S. I have lots of straight friends, and I’m a parent, and sometimes I talk with other parents about our children, and I rarely go to gay bars, and I haven’t gotten around to watching Pose yet, or the most recent season of Drag Race, for that matter. It’s devastating to learn, after all these years and all those dicks, that I’m terrible at being gay. P.P.S. If a straight person told you, “I don’t have any problem with gay men, but I don’t hang out with any gay men, and neither do most of my friends,” you’d think they had a problem with gay men, right? I’ve been in an on-again, off-again relationship for the past four years. My girlfriend has an assortment of mental-health issues—anxiety, depersonalization episodes, depression, paranoia, among others—that make it very stressful and tiring to be with her. Despite my best attempts at getting her to seek help, she refuses to take the plunge. Whether it’s a result of her illness or not, she refuses to believe that I actually want to be with her. I do care deeply about her, and the good days are wonderful. But nearly every time we go on a date or have sex, it ends in tears, and I have to endlessly reassure her that I do really want to be with her. I’m exhausted by having to defend my feelings for her multiple times per week and I don’t know what to do. -He’s Exhausted And Lost There’s only one thing you can do, HEAL: Put this relationship on hold—take it back to off-again status—and make getting back together contingent upon her seeking help for her mental-health issues. You’ve made it clear, again and again, that you want to be with her. By finally seeking help— by actually taking the plunge—she can make it clear that she wants to be with you. I have a very sexy German boyfriend, and he is not circumcised. His otherwise beautiful dick is a problem. It smells—sometimes a little, sometimes it really stinks. After he showers, the smell is still there. He says he uses only water. Is there a better way to wash an uncircumcised penis? Can he use some kind of soap? -Girl Asks Gay4 Grooming Intervention Near Genitals Yes, GAGGING, there is a better way: He needs to wash that thing with motherfucking SOAP. If the soap he’s got is irritating the head of his penis or the inside of his foreskin, he needs to try other soaps until he finds one that cleans his dick without causing irritation. And you should make allowing that otherwise beautiful German dick anywhere near you contingent upon him learning how to clean it properly. There’s no excuse for stank-ass dick. On the Lovecast, a biblical recipe for abortion: savagelovecast.com mail@savagelove.net @fakedansavage on Twitter ITMFA.org
HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 World-class hunter/jumper equestrian competition and more makes up Santa Fe's best party for horse lovers of all ages. Plus food trucks, art and more. Get all the info at hipicosantafe.com. 8 am-5 pm, free SANTA FE ARTISTS MARKET Santa Fe Railyard Market Street at Alcaldesa Street, 310-8766 A juried group of local artists. 8 am-2 pm, free SANTA FE FARMERS MARKET 50TH ANNIVERSARY Santa Fe Farmers Market 1607 Paseo de Peralta, 983-4098 In addition to everything you love every week, today also features cake, face-painting, a clown, piñatas and other fun birthday activities. 7 am-1 pm, free ZIRCUS EROTIQUE Palace Saloon 142 W Palace Ave., 428-0690 The local burlesque and variety troupe welcomes special guest Marlo Marquise of New York City (who specializes in fire-eating and suspension—woah). 9:30-11:30 pm, $15-$25
FOOD ESPAÑOLA HUMANE'S COFFEE CART Frank Ortiz Dog Park 160 Camino de Las Crucitas Are your dogs early risers? Luckily, so are the folks from Española Humane and Ohori's Coffee! 7-10 am, free PANZA LLENA, CORAZÓN CONTENTO El Rancho de las Golondrinas 334 Los Pinos Road, 471-2261 Taste your way through the history of the Land of Enchantment. Experience historic methods of food preparation, learn from food historians, attend demonstrations, sample delicious locally made creations and find something special from our vendors and artisans. 10 am-4 pm, $6-$8
MUSIC CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 Modeled after 19th-century Parisian cabarets, local musician Charles Tichenor and pals get together for a musical respite. 6 pm, free DAVID GEIST AND JULIE TRUJILLO Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano tunes from Geist’s long career on Broadway, with singer Trujillo. 6 pm, $2
DAVID ISRAEL, RUN ON SENTENCE AND MYSTERY SCHREITZ THEATER Zephyr Community Art Studio 1520 Center Drive, Ste. 2 Singer-songwriter Israel comes in from Austin, Texas, to play some mellifluous and thoughtful but still jaunty indie tunes. He's joined by Portland, Oregon's equally thoughtful but accessible Run On Sentence and the latest project from Will Schreitz. 7:30 pm, $5-$10 DEVA MAHAL Railyard Plaza Market and Alcaldesa Streets, 982-3373 The genre-defying artist has grown her blues roots through the fertile soil of modern R&B, indie-pop, soul, rock and gospel. With support from Joie Flare. 7 pm, free DOUG MONTGOMERY AND ESTER HANA Vanessie 427 W Water St., 982-9966 Standards: Doug starts, Ester takes over at 8 pm. 6 pm, free ED GORMAN & TWO LEFT SHOES Derailed at the Sage Inn 725 Cerrillos Road, 982-5952 Irish-inspired folky fun tunes. 6-9 pm, free HIGH ON THE HOG Cowgirl 319 S Guadalupe St., 982-2565 Americana. 8:30 pm, free THE HOLLOW ROOTS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Rock ‘n’ roll. 8 pm, free KITTY JO CREEK Cowgirl 319 S Guadalupe St., 982-2565 Bluegrass. 1 pm, free LAURIA & KOTT: PLATINUM San Miguel Chapel 401 Old Santa Fe Trail, 983-3974 Lauria (songwriter/vocalist) and Michael Kott (cellist) express "Platinum" through music—some say it causes you to be "one heavy dude" (or dudette). Also featuring musician Stephanie Hatfield, as well as an presentation by archaeologist Alysia Abbot. 7 pm, $20 LEFT BANK Second Street Brewery (Original) 1814 Second St., 982-3030 Ragtime jazz. 6 pm, free LITTLE LEROY AND HIS PACK OF LIES La Fiesta Lounge 100 E San Francisco St., 982-5511 Party-time rock 'n' roll. 8 pm, free LOS PRIMOS MELØDICOS Cava Lounge Eldorado Hotel, 309 W San Francisco St., 988-4455 Afro-Cuban and Latin tunes. 8 pm, free
MARROW MONGER, ARTICLE 15 AND DISASTERMAN Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 In a benefit for Santa Fe Community Screenprinting (an affordable nonprofit screen printing studio that deserves all our love), rock out to a few New Mexico metal and punk bands. 8:30 pm, $5-$10 MELODIOUS GROOVE Turquoise Trail Bar at Buffalo Thunder 30 Buffalo Thunder Trail, 877-848-6337 One of the grooviest bands around has to go on hiatus for a bit, so bid them a (temporary?) farewell 9:30 pm, free OPEN MIC & JAM About the Music 2305 Fox Road, 603-4570 Get together with your old friends or make some new ones at this weekly mic. That $5 is a suggested donation. 5-9 pm, $5 RIO El Mesón 213 Washington Ave., 983-6756 Bossa nova and Brazilian jazz. 7:30 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar. 7 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: BORDIGNON PLAYS BACH New Mexico Museum of Art 107 W Palace Ave., 476-5072 A recital by Paolo Bordignon, the New York Philharmonic's harpsichordist. 5 pm, $41-$53 SANTA FE MUSIC COLLECTIVE: BOBBY SHEW Museum Hill Café 710 Camino Lejo, 984-8900 Shew, a jazz trumpeter and teacher, continues to tour internationally, and the Santa Fe Music Collective now brings him to town for an intimate show. For reservations, call 946-7934. 7 pm, $20-$25 SEVERO Y GRUPO FUEGO Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Latin superstar Severo Martinez brings cumbia flavor with a touch of tropical rhythm to the Latin music genre. 8:30 pm, free SHANE WALLIN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Soulful blues on the deck. 3 pm, free WHAT IS THE WHAT Tonic 103 E Water St., 982-1189 Jazz and funk originals. 9:30 pm, free
ENTER EVENTS AT SFREPORTER.COM/CAL
THE CALENDAR
OPERA MADAME BUTTERFLY Santa Fe Opera House 301 Opera Drive, 986-5900 Giacomo Puccini's beloved, simple, devastating opera is one of Santa Fe Opera's most popular shows of all time, so get your tickets early. 8 pm, $118-$310
with Zac Hogan
THEATER
CONTINUED ON NEXT PAGE
AN INVITATION to Art Lovers in Santa Fe! Travel up the “Hill” to Los Alamos and join us, as we are…
Haunted by Picasso thru the Streets of Warsaw! Featuring Artist
How has Dysphotic been evolving over the last three years? It was purely organic. The EP we did three years ago, Ben and I just kind of shat it out. We said, ‘Let’s write some stuff, record it, get it out there, and then let’s really start writing.’ We wanted to demo what we had in mind for this band, and you can kind of hear that. Ben and I have been writing [the new] album since the release of the EP three years ago. Some of those songs on this album are going to be three years old. I’d sit down and come up with a riff on the spot, Ben would write the drums, it was back and forth like that. Constantly. Two months later we had five or six songs and we were like, ‘Woah, this is going pretty fast!’ Jamming with somebody for 12 years is certainly a perk, but Ben and I have this chemistry where it just clicks. I don’t have to sit there and explain what I want from him. Why do you think pockets of Santa Fe have embraced metal as they have? I think of it as almost flu-type symptoms, and the symptoms are you wanna go out there and you wanna play, and you want people to be there at your show and you want it to be a good show. I think that a lot of people have that feeling. That’s kind of something that is real in the metal scene. And of course, our scene isn’t really that big, but there are always shows happening, always people coming out. We want to do something on a fucking Friday night! The closing of The Underground was a huge bummer and it’s overbooked The Cave, but … this isn’t going to die. We’re gonna go on.
OPENING RECEPTION:
MICHAEL ANDRYC
FRIDAY AUGUST 10 5-7 PM
“Sophisticated Primitive” Modern Art michaelandryc.com
Coinciding with:
UNDER THE INFLUENCE of Artists, Authors, Musicians and Other Creatives
PORTAL Gallery Fuller Lodge Art Center 2132 Central Ave. Los Alamos, NM 87544 fullerlodgeartcenter.com
MAIN GALLERY
AUGUST FREE LIVE MUSIC AT THE ORIGINAL
2
BILL
HEARNE Country, 6 PM
4
3
BLUES REVUE
4
LEFT BANK
Sunday
I’m doing guitar and backing vocals. I write most of the material, but [drummer] Ben Durfee actually writers some guitar parts, but most of the core riffs are from me. Ben did all the lyrics and all their placement, y’know? I’ve been calling it ‘black death.’ ... We’re not a black metal band, we’re not a death metal band—we’re kind of both. Each song is almost from a different band; I’m kind of pulling from everywhere. But, I’ll say there are a lot of people who say we sound like Incantation or early Morbid Angel, which are cool compliments, but it’s funny because I never really thought of it that way. A lot of people say we have a doom influence, which is pretty obvious because that’s what I played for years, but I dunno. I think ‘doom’ is a very trendy word nowadays.
Saturday
ANA PACHECO: PUEBLOS OF NEW MEXICO New Mexico History Museum 113 Lincoln Ave., 476-5100 Santa Fe historian Pacheco presents on her latest book, featuring photos from the museum’s photo archives. 2 pm, free ENLIGHTENED COURAGE Thubten Norbu Ling Tibetan Buddhist Center 1807 Second St., Ste. 35, 660-7056 Explore the ideas in The Way of the Bodhisattva, a great classic of Indian Buddhist literature. This revered text is widely regarded as the most authentic and comprehensive guide for enlightened courage. 10 am-noon, free JOURNEYSANTAFE: STEVE HARRIS Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Outdoorsman Harris makes the case for protecting the Gila River, which is currently the subject of a water development project. 11 am, free
What do you do in Dysphotic?
Friday
BOOKS/LECTURES
Local metalheads will surely know guitarist Zac Hogan— homeboy’s been around. As a former member of acts like Casso Vita and Drought, Hogan takes his crushing riffs mentality even further with Dysphotic, a veritable who’swho of local metal talent with an EP already under their collective belt and a new album on the horizon. Dysphotic takes over DIY space The Cave on Tuesday Aug. 7 (7 pm. $10. 1226 Calle Del Commercio) alongside fellow metal acts Pyrrhon and Succumb. (Alex De Vore)
Saturday
SUN/5
COURTESY ZAC HOGAN
Thursday
A MIDSUMMER NIGHT'S DREAM Monte del Sol Charter School 4157 Walking Rain Road, 982-5225 The Santa Fe Shakespeare Society returns for its eighth year with one of Shakespeare's most-beloved comedies. Bring blankets or lawn chairs, family, friends— and umbrellas, just in case. Admission is by donation, so be generous. 6 pm, free JULIUS CAESAR Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 The students' classical theater troupe takes advantage of the garden's beautiful stage setup. 6 pm, $5-$10 NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 Playwright David Mamet, in his usual no-holds-barred style (think Glengarry Glen Ross), penned this 2008 Oval Office satire as a scathing take on the state of American politics in the Age of the Deal. Presented by New Mexico Actors Lab. 7:30 pm, $5-$25
Ragtime, 6 PM
Blues, 6 PM
5
MYSTIC LIZARD
Bluegrass, 11:30 AM
AT THE RAILYARD
AMP RAILYARD PLAZA CONCERT No music in pub
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AUGUST 1-7, 2018
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THE CALENDAR
ENTER EVENTS AT SFREPORTER.COM/CAL
DANCE
FOOD
EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A special collaboration with the National Institute of Flamenco. 8 pm, $20-$50 FLAMENCO YOUTH DE SANTA FE The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A youth show of flamenco artists ranging from ages 5-18, with guitarist Chuscales and singer Vicente Griego. 2 pm, $15-$20 FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Get dinner, wine and beer, and a performance by Entreflamenco. Doors open an hour before the performances so you can get situated with dinner (sold separately). 1:30 and 7:30 pm, $25-$40 SUNDAY TANGO Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 A relaxed afternoon of dancing on a spacious, smooth dance floor. Come at 1 pm for a class, then dancing starts at 2 pm. 1-5 pm, $4-$15
PANZA LLENA, CORAZÓN CONTENTO El Rancho de las Golondrinas 334 Los Pinos Road, 471-2261 Taste your way through the history of the Land of Enchantment. Learn about historic foods and make connections to New Mexico's contemporary culinary scene, and be the judge of an epic posole smackdown. 10 am-4 pm, $6-$8
EVENTS GIRLS INC. ARTS AND CRAFTS SHOW Santa Fe Plaza 100 Old Santa Fe Trail The local nonprofit for female empowerment presents its 46th annual art fair. 9 am-4 pm, free HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 World-class hunter/jumper equestrian competition and Santa Fe's best party for horse lovers. Get all the info at hipicosantafe.com. 8 am-5 pm, free MEDITATION & MODERN BUDDHISM: SOLUTIONS FOR DIFFICULT DAYS Zoetic 230 St. Francis Drive, 292-5293 Experience and learn simple meditations that cause lasting happiness and contentment. 10:30 am-12 pm, $10 STEAM SUNDAYS New Mexico Museum of Art 107 W Palace Ave., 476-5072 Find out how gallery artists use STEAM (science, technology, engineering, art and math) to create their work through a scavenger hunt. Free with museum admission. 10 am-5 pm, $6-$12 ZEN MEDITATION INSTRUCTION Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 Get acquainted with Upaya, Zen meditation and temple forms. 3 pm, free
MUSIC BENEFIT FOR DREAMERS Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 Five acclaimed local music acts (Chango, Fox White, Full Speed Veronica, Bella Gigante, and Last Cause) play for the Santa Fe Dreamers Project. A silent auction too! 8 pm, $5-$15 CRISTINA VANE Cowgirl 319 S Guadalupe St., 982-2565 Delta blues-inspired tunes. 8 pm, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free GENE CORBIN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Soulful Americana. 1 pm, free JOE WEST AND FRIENDS Cowgirl 319 S Guadalupe St., 982-2565 Get to the patio for an alt. country brunch. Noon, free LAUREN RODRIGUEZHASTINGS: OPERA RECITAL Christ Lutheran Church 1701 Arroyo Chamiso, 983-9461 The 19-year-old opera singer presents selections by Bellini, Puccini and Mozart, musical theater pieces, movie classics and more. 4:30 pm, free MARIO REYNOLDS La Fiesta Lounge 100 E San Francisco St., 982-5511 Latin American tunes on guitar, charango and flute. 6 pm, free MYSTIC LIZARD Second Street Brewery (Original) 1814 Second St., 982-3030 Bluegrass. 11:30 am-1:30 pm, free NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Creative but rooted takes on Latin music. 7 pm, free PAT MALONE AND JON GAGAN El Farol 808 Canyon Road, 983-9912 A jazz duet croons you to calmness on Civilized Sunday at the historic bar. 7 pm, free
SANTA FE CHAMBER MUSIC FESTIVAL: WALTON FACADE New Mexico Museum of Art 107 W Palace Ave., 476-5072 Tongue-twisters, nonsense rhymes a la Lewis Carroll, and all-around great fun on violin and piano. 6 pm, $72-$98
THEATER A MIDSUMMER NIGHT'S DREAM Monte del Sol Charter School 4157 Walking Rain Road, 982-5225 The Santa Fe Shakespeare Society returns for its eighth year. Bring blankets or lawn chairs, family, friends—and umbrellas, just in case. Admission is by donation, so be generous. 6 pm, free NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 Playwright David Mamet, in his usual no-holds-barred style (think Glengarry Glen Ross), penned this 2008 Oval Office satire as a scathing take on the state of American politics in the Age of the Deal. 2 pm, $5-$25
WORKSHOP FAMILIES MAKE HISTORY WORKSHOP: COMPUTERGENERATED MUSIC New Mexico History Museum 113 Lincoln Ave., 476-5100 What does computer-generated music look like? An assistant professor of music and electrical and computer engineering at the University of New Mexico brings with him several of his invented instruments. Free for New Mexico residents. 1:30-3:30 pm, $6-$12
MON/6 ART OPENINGS ENORMOUS FORMS Adobe Gallery 221 Canyon Road, 955-0550 The Puebloans of New Mexico and Arizona count among their very best artistic accomplishments pieces made for personal use—their dough bowls and storage jars of the late 19th and early 20th centuries. This show features 20 of these rare, beautiful jars from 10 different Pueblos, featuring exemplary decorations from each community. Through Sept. 29. 4 pm, free NOTEWORTHY WORKS BY SEVEN PUEBLO PAINTERS Adobe Gallery 221 Canyon Road, 955-0550 Classic and traditional images are featured alongside interesting anomalies, providing the viewer with an intriguing look at the variety of styles created by pioneering Pueblo artists. Through Sept. 29. 4 pm, free CONTINUED ON PAGE 30
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@THEFORKSFR
The Alt Grains Drifters The culinary creations of Drift & Porter are addictively delicious BY MARY FRANCIS CHEESEMAN a u t h o r @ s f r e p o r t e r. c o m
N
estled among the pottery displays and jewelry stands of the Railyard Artisan Market are the gorgeous tiered cakes, layers of pastries and mouthwatering confections of Drift & Porter, Santa Fe’s latest bakery popup. It isn’t immediately obvious from the outward appearances or taste of the delicately decadent treats, but everything on the menu is vegan and gluten-free. What is obvious within seconds of meeting founders Matthew Spano and John Partazana, however, is that they are committed to health, beauty, art and food. They left my head spinning from the sheer joy of a conversation that leaped from current health trends, the diversity of American baked goods, the inspiration of Alexander McQueen dresses, and helping kids with serious food allergies discover the delights of biting into their rainbow cookies for the first time. Drift & Porter opened its doors in January. Santa Fe has a mysterious magnetic power, and New York expatriates Spano and Partazana heeded the call. Spano worked in a vegan restaurant COURTESY DRIFT AND PORTER
and Partazana as a hairdresser, but each tired of the cramped and claustrophobic energy of a city with no room or opportunity to create amidst the outrageously expensive real estate. They went west. “When we got here, I had multiple deja-vus,” says Partazana. “I almost wanted to go the hospital, it almost felt like something was wrong with my brain. But ultimately it felt like I was home. Then there was a snowstorm, and we couldn’t go home for two weeks, so we just decided to stay. Land of Entrapment, I guess.” Six months after opening, the menu has grown from 12 items to 28, with an emphasis on sweet rather than savory, though said savory offerings cannot be denied. One of the most popular menu items is the Brooklyn street pie ($8.50) which reliably sells out within the first hour of Sunday market appearances. It’s made with lentil, spicy fennel bean and quinoa sausage rolled in homemade American cashew cheese, roasted red pepper and caramelized onion, then baked in a rich puff pastry made from white rice flour. It’s the kind of food rarely encountered in Santa Fe: undeniably East Coast in its inspiration, reinterpreted with a gluten-free and
vegan twist. “It’s inspired by the rough, hardcore vendors on the streets of Brooklyn,” Spano says, “and these men are serious when it comes to food. Or from going to Coney Island and getting these bizarre, amazing things you can’t find anywhere else.” But Drift & Porter’s creative vision extends far beyond East Coast roots. They constantly incorporate new themes into their baking, drawing inspiration from the worlds of fashion, art and history. “I also used to make clothes, and I can make earrings, necklaces and all sorts of art,” Spano says. “I can get a little out of control when I see opportunity and potential, and now I want to show that gluten-free and vegan food can be really beautiful, and it’s not a sacrifice or giving up of anything.” “Last week, we did a Marie Antoinette theme that celebrated the beauty of food in France, the lavish lushness and indulgence,” Partazana adds. “Our mantra is to keep food amazing for people without excluding them.” In that vein, everything at Drift & Porter is gorgeous and outwardly decadent in appearance, paying tribute to pastries normally
FOOD
inaccessible to anyone with serious food allergies. For example, the whoopie pies ($6), a treat with Amish and Pennsylvania Dutch origins, are now reimagined as almond flour-based cakes filled with a wide array of vegan butter creams such as vanilla, strawberry and chocolate—but it’s a dead ringer for the real thing, luscious filling sandwiched between two soft chocolate discs that demonstrate none of the inconsistent grittiness that frequently plagues gluten-free desserts. This is due to a high level of customization. Normally, gluten-free flour is heavy and dense, made from almond and rice, an enormous hurdle when it comes to creating light, delicate pastries. “Each item is a different flour,” Spano points out. “We make a different blend by hand for everything, and we don’t have an all-purpose that we use across the board.” As for excluding meat and animal byproducts, they are fully committed to celebrating plant-based options—with one caveat. “We are a fully vegan business, we do not support the replication of fake meat substitutes,” Spano emphasizes. “We want nothing mass-produced in a laboratory to try and mimic the exact texture, smell and taste of meat.” Partazana agrees. reAnd excluding eggs, cream, milk, re fined sugars and artificial dyes? Both men treat it as an opportunity to flex their creative muscles. After all, the ultimate inspiration is the customers. “It’s such a spiritual connection, and that’s why we want to keep moving and keep growing,” Partazana says. “There’s a light that turns on in people’s eyes, and it’s like their inner child comes out right in front of me.”
DRIFT & PORTER Drift & Porter serves up gorgeous treats on Sundays.
10 am-4 pm Sundays. Railyard Artisan Market, Farmers Market Pavilion, 1607 Paseo de Peralta, 983-4098 driftandporter.com
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THE CALENDAR EVENTS
OPERA
ESL CLASS ORIENTATION Santa Fe Community College 6401 Richards Ave., 428-1000 Do you want to learn English as a Second Language? Any adult who wants to learn English is welcome, and new students must attend an orientation session. 10 am and 5:30 pm, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group for occasional guest speakers, discussing your concerns, and group activism. 7 pm, free
CANDIDE Santa Fe Opera House 301 Opera Drive, 986-5900 The main duo of this Bernstein opera is grossly optimistic. Spoiler alert: They're swiftly separated and survive volcanic eruptions, earthquakes, shipwrecks, poverty, warfare and—yes—the Spanish Inquisition. 8 pm, $35-$310
MUSIC
OPENING featuring the work of
Nico Salazar Thursday, Aug 2
5:30 - 7pm
J ean C octeau A rt G allery 4 1 8 M o n t e z u m a Av e , S a n t a Fe , N M 8 7 5 0 1
(505) 466-5528
GALLERY
Walk-ins through September 28th Monday–Friday 8:15 AM to 10 AM or by appointment. Regular clinic hours: M, T, F: 8-5. W: 8-1 and 2:30-5. TH: 8-6.
Come experience family-friendly healthcare across the life span
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AUGUST 1-7, 2018
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BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana. 7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Santa Fe's most famous night of karaoke. 9 pm, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Piano standards ‘n’ originals. 6:30 pm, free MONDAY NIGHT SWING: LIPBONE REDDING Odd Fellows Hall 1125 Cerrillos Road, 470-7077 That cover charge includes a class at 7 pm and dancing that starts at 8 pm. 7 pm, $10 SALES Meow Wolf 1352 Rufina Circle, 395-6369 The indie pop duo out of Florida—a sound minimal, yet meticulously crafted, emotive and incisive—is joined by bedroom-poppers/surf-rockers No Vacation. 7 pm, $15-$17 SANTA FE CHAMBER MUSIC FESTIVAL: WALTON FACADE New Mexico Museum of Art 107 W Palace Ave., 476-5072 Tongue-twisters, nonsense rhymes a la Lewis Carroll, and all-around great fun on violin and piano. 6 pm, $66-$90 SANTA FE CHAMBER MUSIC FESTIVAL: YOUTH CONCERT New Mexico Museum of Art 107 W Palace Ave., 476-5072 Festival artists engage children (and their adults!) through fascinating storytelling about music, musical instruments and styles and performance. 10 am, free VAIVÉN El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Flamenco-jazz fusion. Doors open an hour before the performance so you can get dinner (purchased separately). 7:30 pm, $25
WORKSHOP GARDEN ART ADVENTURE Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 In a fun, relaxing and exploratory art making workshop, you learn how to use dry and water-based media on paper to render impressions and abstractions while exploring the garden. Noon-3 pm, $30
TUE/7 DANCE ARGENTINE TANGO MILONGA El Mesón 213 Washington Ave., 983-6756 Put on your best tango shoes and join in (or just watch). 7:30 pm, $5
EVENTS ESL CLASS ORIENTATION Santa Fe Community College 6401 Richards Ave., 428-1000 Do you want to learn English as a Second Language? Any adult who wants to learn English is welcome, and new students must attend an orientation session. 10 am-1 pm, free FIRST TUESDAY WHAT’S BLOOMING TOUR Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Join Ken and Susan Bower in a walk through the garden to identify and describe the plants that are in full bloom. 9:30-11 am, $10 SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group to put into action the planning you did last night. Divide and conquer to deliver postcards to our members of Congress. Newcomers are always welcome, so go fight the good fight. 8:30 am, free SANTA FE NOW MONTHLY MEETING Del Charro 101 W Alameda St., 954-0320 The grassroots arm of the National Organization for Women meets in the back room of the bar. Learn what's happening locally and what you can do to further social justice. 6:30 pm, free
¡VÁMONOS! SANTA FE: WALK WITH A DOC Santa Fe River Trail W Alameda Street and Placita de Oro Head to the Santa Fe River Trail on West Alameda Street (across from the Solana Center) to go for a stroll with Dr. Michael Chartrand, a doctor of internal medicine at the Southwest Care Center. For more info, check out sfct.org/ vamonos. 5:30-6:30 pm, free
MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana. 7:30 pm, free BLUEGRASS JAM Derailed at the Sage Inn 725 Cerrillos Road, 982-5952 Uh huh: It's a bluegrass jam. 6 pm, free CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar. 7 pm, free DOUG MONTGOMERY AND ESTER HANA Vanessie 427 W Water St., 982-9966 Piano standards: Doug starts, Ester takes over at 8 pm. 6 pm, free LIPBONE REDDING Cowgirl 319 S Guadalupe St., 982-2565 A one-man orchestra with only natural sounds including throat-singing, beat-boxing and lip-tromboning. 8 pm, free LOS KLEZMERADOS Evangelo's 200 W San Francisco St. Klezmer, Ladino and Chassidic dance music. 8:30 pm, free PYRRHON, SUCCUMB AND DYSPHOTIC The Cave 1226 Calle de Commercio A brutal onslaught from the cutting edge of death metal (see 3Q, page 27). 7 pm, $10 ROLLER'OKE Rockin' Rollers 2915 Agua Fría St., 473-7755 Roller skating, aliens and karaoke are back! 7 pm, $5 RONALD ROYBAL El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Native flute and Spanish classical guitar. Doors open an hour before the performance so you can get dinner (sold separately). 7:30 pm, $25 SANTA FE BANDSTAND: ROB ICKES & TREY HENSLEY Santa Fe Plaza 100 Old Santa Fe Trail Ickes has decades of bluegrass cred; he and vocalist and guitarist Hensley bring a mix of shouts, jazzy breakdowns and fingerpicking. 6 pm, free
ENTER EVENTS AT SFREPORTER.COM/CAL
SANTA FE CHAMBER MUSIC FESTIVAL: DANISH STRING QUARTET New Mexico Museum of Art 107 W Palace Ave., 476-5072 In its festival debut, the Danish String Quartet performs Beethoven’s transcendent Opus 132, some of the most deeply personal music Beethoven ever composed. 12 pm, $42 TONY BROWN Palace Saloon 142 W Palace Ave., 428-0690 R&B, soul, reggae, rock, blues, jazz, funk y más. 6:30 pm, free
THE CALENDAR
VACATIONER Meow Wolf 1352 Rufina Circle, 395-6369 Ornate but breezy, the delicate melodies and crystalline rhythms of this warm-hearted dream-pop are sure to take you on a vacation of the brain. 7 pm, $15-$18 VINTAGE VINYL NIGHT The Matador 116 W San Francisco St., 984-5050 DJ Prairiedog and DJ Mamagoose spin the best in garage, surf, country and rockabilly. 8:30 pm, free
Wow! Wahoo! That was so fun! Want us to list your event? Email the deets: calendar@sfreporter.com.
For help, call Charlotte: 395-2906.
COURTESY MUSEUM OF SPANISH COLONIAL ART
MUSEUMS GEORGIA O’KEEFFE MUSEUM 217 Johnson St.,946-1000 The Black Place: Georgia O’Keeffe and Michael Namingha. Through Oct. 28. HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 Larry Bell: Hocus, Focus and 12; Rafa Tarín: For Now. Both through Oct. 7. IAIA MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 CineDOOM: Narratives of Native Film and Beyond. Through Oct. 29. Rolande Souliere: Form and Content. Both through Jan. 27, 2019. Action/Abstraction Redefined Through July 7, 2019. MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283 Climate Change is REAL. Makers MUSEUM OF INDIAN #1 Tamale Patrick McGrath Muñíz’ “The Revelation” exemplifies Mexico’s w e . N 5 5 ARTS & CULTURE Since 19 e the weird but technically masterful and Madincredibly Are Still 710 Camino Lejo, 476-1250 Tamales forward-thinking nature of the Museum of Spanish nd. a H y B .. Stepping Out: 10,000 Years of Way. Colonial Art’s GenNext: Future So Bright. Original e h T Walking the West. Through Dec. 30. Points Through Time. Through Oct. 1. Maria Samora: EL RANCHO DE LAS So: Picturing Popular Songs of Master of Elegance. Through GOLONDRINAS New Mexico. Through Feb. Feb. 28, 2019. What’s New in 28, 2019. Atomic Histories. 334 Los Pinos Road, New: Selections from the Carol Through May 26, 2019. 471-2261 Warren Collection. Through Living history. NM MUSEUM OF ART April 7, 2019. Lifeways of 107 W Palace Ave., SANTA FE BOTANICAL the Southern Athabaskans. 476-5072 GARDENS Through July 7, 2019. Patrick Nagatani: Invented 715 Camino Lejo, MUSEUM OF Realities. Frederick 471-9103 INT’L FOLK ART Hammersley: To Paint Dan Ostermiller: Gardens 706 Camino Lejo, 476-1200 Without Thinking. Both Gone Wild! Through May No Idle Hands: The Myths through Sept. 9. Shifting 11, 2019. & Meanings of Tramp Light: Photographic SITE SANTA FE Art. Through Sept. 16. Perspectives. Through 1606 Paseo de Peralta, Beadwork Adorns the World. Nov. 4. Horizons: People & 989-1199 Through Feb. 3, 2019. Place in New Mexican Art. SITElab 10: Michael Rakowitz. Crafting Memory: The Art of Through Nov. 25. Through Aug. 18. Casa Community in Peru. Through PALACE OF THE Tomada (House Taken Over). March 10, 2019. GOVERNORS Through Jan. 6, 2019. MUSEUM OF SPANISH 105 W Palace Ave., WHEELWRIGHT COLONIAL ART 476-5100 MUSEUM OF THE 750 Camino Lejo, 982-2226 Closed for renovations. AMERICAN INDIAN GenNext: Future So Bright. POEH CULTURAL CENTER 704 Camino Lejo, Through Nov. 25. AND MUSEUM 986-4636 NM HISTORY MUSEUM 78 Cities of Gold Road, Peshlakai Vision. Memory 113 Lincoln Ave., 476-5019 Pojoaque, 455-3334 Weaving: Works by Melanie The Land That Enchants Me In T’owa Vi Sae’we. Yazzie. Both through Oct. 7.
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1050 OLD PECOS TRAIL • (505) 982-1338
LOCATED AT: 1600 ST. MICHAEL’S DRIVE
ADVANCE TICKETING: visit CCASANTAFE.ORG or call (505) 982-1338
HEARING & SIGHT ASSISTIVE DEVICES AVAILABLE AT BOTH LOCATIONS
CCA CINEMATHEQUE: 1050 OLD PECOS TRAIL WED-THURS, AUG 1-2 12:15p Eating Animals 1:00p The Cakemaker* 2:15p The Desert Bride 3:15p 3 Identical Strangers* 4:15p The Desert Bride 5:15p The Cakemaker* 6:15p 3 Identical Strangers 7:30p The Cakemaker* 8:15p 3 Identical Strangers FRI-SAT, AUG 3-4 11:15a The Desert Bride* 11:45a 3 Identical Strangers 1:15p The Cakemaker
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[FRI-SAT, AUG 3-4 CONT.] 1:45p 3:30p 3:45p 5:45p 6:15p 8:00p 8:15p
3 Identical Strangers Generation Wealth* The Cakemaker Generation Wealth* The Desert Bride The Cakemaker* 3 Identical Strangers
SUNDAY, AUG 5 11:15a The Desert Bride* 11:45a 3 Identical Strangers 1:15p The Cakemaker 1:45p 3 Identical Strangers 3:30p Generation Wealth*
SFREPORTER.COM
[SUNDAY, AUG 5 CONT.] 4:00p 5:45p 6:15p 8:00p 8:15p
Roberty Bern Generation Wealth* The Desert Bride The Cakemaker* 3 Identical Strangers
MONDAY, AUG 6 12:30p The Cakemaker* 1:00p 3 Identical Strangers 2:45p Generation Wealth* 3:00p The Cakemaker 5:00p Generation Wealth* 6:00p Time’s Up Opera 7:15p The Cakemaker*
CCA PRESENTS
[MONDAY, AUG 6 CONT.] 7:30p
Santa Fe Opera presents: Sing Faster w/ Jon Else in person
TUESDAY, AUGUST 7 12:30p The Cakemaker* 1:00p 3 Identical Strangers 2:45p Generation Wealth* 3:00p The Cakemaker 5:00p Generation Wealth* 5:30p The Desert Bride 7:15p The Cakemaker* 7:30p 3 Identical Strangers *in The Studio
THE SCREEN:
1600 ST. MICHAEL’S DR.
WEDNESDAY, AUG 1 12:30p A Bag of Marbles 3:00p The Desert Bride 4:45p A Bag of Marbles 7:15p The Desert Bride THURSDAY, AUG 2 1:30p A Bag of Marbles 4:15p The Desert Bride 6:00p Eighth Grade 8:00p Eighth Grade FRI-SAT, AUG 3-4 11:30a - Eighth Grade 1:30p - Eighth Grade 3:30p - Eighth Grade
[FRI-SAT, AUG 3-4 CONT.] 5:30p - Eighth Grade 7:30p - Eighth Grade SUNDAY, AUG 5 11:30a - Eighth Grade 1:30p - Eighth Grade 3:30p - Eighth Grade 5:30p - Eighth Grade MON-TUES, AUG 5-6 11:30a - Eighth Grade 1:30p - Eighth Grade 3:30p - Eighth Grade 5:30p - Eighth Grade 7:30p - Eighth Grade
MOVIES
RATINGS
Mission: Impossible Fallout Review
BEST MOVIE EVER
A history of rogue behavior
10 9
7
B Y M AT T H E W K G U T I E R R E Z a u t h o r @ s f r e p o r t e r. c o m
M
ission: Impossible - Fallout, the franchise’s sixth installment, throws away coherency and realism, replacing these with palpable tension and absurd action pieces. Ghosts of Ethan Hunt’s (Tom Cruise) past come back to haunt him as a cache of plutonium is lost on his watch, and it’s up to the Impossible Missions Force (ugh) to combat a group of terrorists called The Apostles in retrieving it. Fans of the series will appreciate the gunplay, fistfights, mask-wearing and daredevil stunts provided by Cruise, anyone else will find a serviceable action flick that works OK for late summer. Cruise is loose—hydrated and unstoppable, remarkable for a 56-year-old actor. Henry Cavill (Man From UNCLE), meanwhile, looks as if he’s been sleeping in his car for the last few weeks. He’s so puffy, he can’t fully put his arms down. Ving Rhames is surprisingly soulful as Luther Stickell, however, and his long-standing relationship with Cruise’s Ethan Hunt takes the forefront, further strengthening their 23-year bond. Elsewhere, Rebecca Ferguson (Life) has the most spectacular character entrance in the film,
8 7 6 5 4 3 2 1 WORST MOVIE EVER
+ THRILLINGLY
OVER-THETOP ACTION; (MOSTLY) MAGNETIC CAST - LONG WINDED PLOT DEVICES; EVERY CLICHE IMAGINABLE; HENRY “PUFFY” CAVILL’S AWKWARDNESS
and although she is underused, she is easily the biggest scene-stealer. Simon Pegg further proves he belongs in the series with some of the best scenes coming from his familiarity with every single recurring character. Alec Baldwin shows up, too, basically playing himself, but Angela Bassett capably counters his forgiving-father archetype with a stern mother character as head of the CIA. Sean Harris, the stereotypical villain, growls and makes threats. An honorable mention does go to True Detective alum Michelle Monaghan as it was particularly nice to see her come back to the series. Christopher McQuarrie returns as well as series writer/director, following up his success with the fifth installment, Rogue Nation. McQuarrie’s
directing style is competent enough as far as action scenes go, but between the too-frequent double crosses and an excess of cheesy lines (21 by this author’s rough count), his writing skills feel weak. The sets and cinematography simultaneously scream “pretty” and “fake.” Still, as we approach late summer, there are far worse choices. Fallout is as silly as it comes, but at least it isn’t a disappointment. MISSION: IMPOSSIBLE - FALLOUT Directed by McQuarrie With Cruise, Rhames, Pegg, Ferguson, Bassett and Baldwin Regal, Violet Crown, PG-13, 147 min.
QUICKY REVIEWS
8
LEAVE NO TRACE
7
DON’T WORRY, HE WON’T GET FAR ON FOOT
LEAVE NO TRACE
8
+ IT’S A HEART-WRENCHING THINKER - MINIMAL STORYTELLING LEAVES LOTS UNDONE
For a movie based on the post-service experiences of disturbed veteran, the soundscape of Leave No Trace is stunning in its quiet. Not just its lack of flashbacks, mind you, but its pensive non-verbal communication—all the sounds you don’t hear. For a movie that takes place largely in the dripping wet woods of the Pacific Northwest, the complexity of the plot is fitting in its density. There are few rewards in being such an outsider that even your own footprint creates a sense of unease. But that is the life that Will (Ben Foster, ) lives, in complete survivalist mode, and thus the life in which he leads his daughter Tom (Thomasin Harcourt McKenzie). The backstory of where and when he served and what happened to Tom’s mother isn’t important in this telling, although we admit we crave more of that. The unknowns of how they came to live on public land are still gnawing days after our viewing. Foster conveys gruff love with deep eyes since his face is largely hidden under a golden beard, and Tom’s own chin does some of her biggest heaves as it quivers under the weight of her coming of age.
7
THE KING
“The same thing that’s wrong with you,” she says at a pivotal moment, “isn’t wrong with me.” The two characters get all the artistic focus of director Debra Granik, known for her griping Missouri woods rendition of Winter’s Bone; Leave No Trace is also adapted from a novel, by Peter Rock, which that author says is based on a true
8
7
SORRY TO BOTHER YOU
story. This one’s also solemn and unjust as the pair suffers the intervention of social services. It feels true enough: the rules our society imposes, the way in which for many those rules are just too much to bear. And how we don’t have much room, really, for figuring out a way to loosen the bondage to allow for healing. (Julie Ann Grimm) Violet Crown, PG, 109 min.
People don’t like it when other people live in the forest, leaving no trace and stuff.
SHOCK AND AWE
DON’T WORRY, HE WON’T GET FAR ON FOOT
7
+ PHOENIX IS STELLAR; JOYFUL
- OCCASIONALLY SLOWS TO A SLOG
When Portland, Oregon-based cartoonist John Callahan died in 2010 at 59 years old, the New York Times obituary wasted no time in hitting on descriptions like “paraplegic” and “alcoholic.” Yes, Callahan did find himself wheelchair-bound after a night of over-drinking led to a car accident—he wasn’t even driving—but in Gus Van Sant’s retelling of Callahan’s life story, Don’t Worry, He Won’t Get Far on Foot (based on the book by Callahan), the moral winds up landing fairly far from cautionary drunk driving tale, instead asking us to question our own motivations, forgive when possible and, ultimately, to choose life. Callahan is here portrayed by Joaquin Phoenix, one of contemporary film’s most committed character actors. As Callahan, Phoenix captures an eerie combination of charming and asshole, from the self-pitying early days of his paralysis to the barely restrained joy of becoming the regular cartoonist for Willamette Week (SFR’s sister paper, by the way). It’s no solo journey, however, and Jonah Hill’s turn as Callahan’s sponsor Donnie is surprisingly rich for the usually goofy actor. Perhaps he’s growing as a performer? CONTINUED ON NEXT PAGE
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Yeah, it’s a real junkyard jam-down in Eugene Jaercki’s The King.
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Regardless, and despite the film’s best efforts, Donnie’s story is overshadowed by Callahan—which may seem obvious given the central premise, but when we discover Donnie died of AIDS, the news is delivered fleetingly; short shrift for a savior role, but again—this is Callahan’s journey. And it is triumphant, all things considered. We watch as he slowly regains relative use of his hands and develops his illustrative style; we cheer as he builds a relationship with his onetime physical therapist Annu (Rooney Mara); we feel alongside Callahan as he searches for the mother who gave him up for adoption. But as we wonder whether we could survive paralysis (or would even want to), Don’t Worry dips painfully close to boring. It’s certainly fun to see punk rock legends like Kim Gordon and Carrie Brownstein tackle minimal roles as a fellow alcoholic and a social worker, respectively, but outside of the moment wherein you recognize them, we’re talking characters who ultimately have very little to do with anything. Even Jack Black’s appearance as the ill-fated driver in Callahan’s accident feels almost unimportant, or at least like it could have been just anyone in the role. Still, the film grows on you, leading the charge from a deep place of depression to something akin to redemption, or at least self-forgiveness. (Alex De Vore) Violet Crown, R, 114 min.
THE KING
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+ AN ORGY OF JUMP CUTS; CHUCK D
STANDING BY HIS LYRICS - ELVIS AS METAPHOR? MEH
The lead-up to the 2016 presidential election horrified half the country or more, forcing into mainstream discussion whether the republic itself would atrophy as badly as the American dream already had. To illustrate the derangement, filmmaker Eugene Jarecki (Freakonomics, Why We Fight) laid hands on Elvis Presley’s shitbox of a 1963 Rolls Royce, retrofitted it with cameras and drove across the nation as Americans considered whether to send Donald Trump to the White House. Jarecki slapped Elvis’ life, career and deathon-a-toilet over the nation’s sordid history, visiting living rooms in the King’s birthplace of Tupelo, Mississippi, filling the backseat of the Rolls with a parade of incredible musicians and piping in sad interview clips of Elvis lamenting his loneliness to tell viewers that capitalism will eventually eat itself. David Simon (creator of The Wire and current Twitter exile) complains that Jarecki should’ve used one of Elvis’ madein-America Cadillacs—the Rolls breaks down several times, notably with alt-country growler Mary Gauthier about to belt out a tune in the back seat.
Van Jones (former Obama aide, current CNN host) bigfoots Jarecki, schooling him up on how Elvis was nothing more than cultural appropriation personified; Public Enemy’s Chuck D says fuck all that, “culture is culture,” but stands by the famous lyric from “Fight the Power:” “Elvis was a hero to most, but he never meant shit to me you see, straight-up racist that sucker was.” The film’s exploration of massive, difficult themes is nakedly ambitious, as was Elvis’ insatiable grab for money, fame and everything that comes with them. Ethan Hawke appears to have made much of the trip with Jarecki, and Hawke tosses a bow around the metaphor by describing Elvis as a perfect symbol for imperial America, whose chief export once was democracy but now is capitalism. It’s probably a reach, and the comparison struggles in spots— though the surprise of it and the interspersal of old footage of everything from the Vietnam war to Elvis’ final performance delighted us. The nighttime shots make the film luxurious and drippy, and Jarecki has sorted a way to stitch together a million jump cuts without making us dizzy. But this is no happy repackaging of either the Presley or American myths. Still, EmiSunshine wailing away in the back of that Rolls brings just enough feels to even the scales. (Jeff Proctor) Center for Contemporary Arts, R, 108 min.
SORRY TO BOTHER YOU
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+ SNEAKS UP ON YOU; MAGIC REALISM - SOME LOOSE THREADS; SOME SUPERFLUOUS SCENES
Fans of Donald Glover’s bizarrely brilliant TV series Atlanta will no doubt recognize Lakieth Stanfield (also of Get Out fame) as the sidekick to Paper Boi, Darius. As Cassius in Sorry to Bother You from writer/director Boots Riley, Stanfield brings a similar subtle vulnerability to his first big-screen starring role. Cassius is a struggling Oakland resident with an artsy girlfriend who is probably too good for him (Westworld’s Tessa Thompson in white might be her most natural performance yet), a goofy pal and a new job with a multitiered telemarketing firm. But when his low-paid coworkers attempt to unionize, Cassius is forced to choose between standing on the side of what’s right or finally making a decent living. As always, those in power wind up being evil. With a little help from screen vet Danny Glover, Stanfield’s character adopts a white voice (David Cross) to help close sales. His stats skyrocket and he is thrust into the highest echelons of the company—a place where his boss (played by Common and voiced by Patton Oswalt) can spin arms sales and legalized slavery as good things, a place where one of the telemarketing firm’s clients (Armie Hammer) spouts off-handed racist claptrap
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YOUR HOMETOWN MOVIE THEATRE WEDNESDAY, AUG. 1ST 6:00 THE CATCHER WAS A SPY 2:00 ON THE SEVENTH DAY 8:15 NIGHT COMES ON 4:00 SHOCK AND AWE
SUNDAY, AUG. 5TH
6:00 UNDER THE TREE 8:00 14 CAMERAS THURSDAY, AUG. 2ND 2:00 SHOCK AND AWE
SHOCK AND AWE
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+ FEELS SO GOOD TO BE RIGHT - PRETTY HEAVY-HANDED AT TIMES
A baby-faced American soldier, wheelchairbound, glides silently across a courtroom floor and explains to a judge that he was boots-onthe-ground in Iraq for precisely three hours when a roadside IED tore through his squad, severing his spinal cord and killing the rest. “How the hell does this happen?” he angrily asks. This question is at the center of Rob Reiner’s Shock and Awe, a drama about the post9/11 era of Bush-Cheney, the occupation of Iraq and the dangerous implications of a government lying to its people. But it’s also a tale of heroic journalism against seemingly insurmountable odds and a sort of early-aughts parallel to that most famous newspaper movie of all time, All the President’s Men. It’s here we meet Warren Strobel (James Marsden) and Jonathan Landay (Woody Harrelson), two very real Knight-Ridder journos who unearthed the absurd motivations behind war in the Middle East post-9/11 despite a shocking lack of evidence, alongside their valiant chief editor John Walcott (Reiner). As the rest of the country’s mainstream media pushes out the government’s false narrative (remember when the New York Times apologized to its readers?), Strobel and Landay follow the actual facts, reporting the truth as their friends and family and even the American public doubt their credibility and work. Today, of course, we know these men to have been right—Hussein may have been evil,
but he certainly didn’t possess WMDs, nor was he in cahoots with Bin Laden; Rumsfeld and Wolfowitz and Bush and Cheney were … well, fuck ’em, we should’ve been in Afghanistan— the point is, these journalists were right and eventually acknowledged for their fine work and bravery. God bless the Fourth Estate, right? Still, for every satisfying moment or silly little in-joke about copy editing, there are truly perplexing choices. Like if the journalist Joe Galloway (Tommy Lee Jones) was so vital to Strobel and Landay’s ongoing good work, why is the role relegated to a few tired lines about how he’s old or how glory is for the young folk? And that war veteran from before? We catch snippets of his journey from small town boy to disabled former soldier, but as far as Shock and Awe’s “they’re sending your kids to a needless death!” agenda goes, it seems painfully underdeveloped and all too brief. Borderline emotionally manipulative, even. Perhaps Reiner was really just looking to illustrate his point— y’know, to really drive it home—but they feel like scenes from a different film. And besides, we were pissed off enough already. Shock and Awe paints a fine history lesson, though, and a provides a good reminder that the good old US of A would be a hell of a lot more terrifying if there weren’t brave newspaper folk who’ve made it their lives’ work to shine a light on powerful assholes being assholes. Wow. Who would’ve thought a movie about kickass journalism would resonate with us? (ADV) Jean Cocteau Cinema, R, 90 min.
4:00 AUTHOR EVENT: S.M. STIRLING
4:00 UNDER THE TREE 6:30 THE CATCHER WAS A SPY 6:00 SHOCK AND AWE 8:00 ON THE SEVENTH 8:40 NIGHT COMES ON DAY MONDAY, AUG. 6TH FRIDAY, AUG. 3RD 4:20 THE CATCHER WAS 2:00 THE CATCHER WAS A SPY A SPY 4:00 UNDER THE TREE 7:00 CARLOS MEDINA PRESENTS: 6:00 THE CATCHER WAS DONT4GET2LAUGH A SPY TUESDAY, AUG. 7TH 8:15 NIGHT COMES ON
Oh, Common—you’ve stolen our hearts yet again, this time in director Boots Riley’s newest, Sorry to Bother You. and spearheads an utterly dark special project. Cassius becomes unfortunately privy to said project and hijinks ensue, yes, but also social commentary and terrifyingly strange conditions punctuate the sad-funny jabs at modern America. Sorry to Bother You transforms just before the final act from an Office Space-esque riffing on contemporary office culture to a silly—though not entirely unthinkable—nightmare akin to Jordan Peele’s critically adored Get Out. The film’s descent into glorious controlled chaos is so sudden and jarring that we don’t have time to catch our breath before we are forced to accept the sci-fi lite absurdity. And we do so with relish; empathizing with Cassius as a man who finally felt like someone, but hating him for how he does it; fearing the corporatization of everything under the sun and the subsequent deregulated madness, but identifying with the powerlessness of the working class all through the fever dream insanity of Cassius’ meteoric rise and humiliating fall. (ADV) Violet Crown, R, 105 min.
2:00 UNDER THE TREE
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L O C A T E D
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MIND BODY SPIRIT ACUPUNCTURE Rob Brezsny
Week of August 1st
ARIES (March 21-April 19): Palestinian American writer Susan Abulhawa writes that in the Arab world, to say a mere “thank you” is regarded as spiritless and ungenerous. The point of communicating gratitude is to light up with lively and expressive emotions that respond in kind to the kindness bestowed. For instance, a recipient may exclaim, “May Allah bless the hands that give me this blessing,” or “Beauty is in the eyes that find me beautiful.” In accordance with current astrological omens, I propose that you experiment with this approach. Be specific in your praise. Be exact in your appreciation. Acknowledge the unique mood and meaning of each rich exchange.
43 percent since 2000. According to journalist Madeleine Schwartz writing in Garage magazine, historians of rhinoplasty say there has been a revival of appreciation for the distinctive character revealed in an unaltered nose. I propose, Libra, that in accordance with current astrological omens, we extrapolate some even bigger inspiration from that marvelous fact. The coming weeks will be an excellent time for you to celebrate and honor and express pride in your idiosyncratic natural magnificence.
DR. JOANNA CORTI, DOM, Powerful Medicine, Powerful SCORPIO (Oct. 23-Nov. 21): “Maybe happiness is this: not feeling like you should be elsewhere, doing something Results. Homeopathy, Acupuncture. Micro-current else, being someone else.” This definition, articulated by (Acupuncture without needles.) TAURUS (April 20-May 20): According to my analysis of author Isaac Asimov, will be an excellent fit for you Parasite, Liver/cleanses. the astrological omens, you need this advice from mythol- between now and September 20. I suspect you’ll be ogist Joseph Campbell: “Your sacred space is where you unusually likely to feel at peace with yourself and at home Nitric Oxide. Pain Relief. Transmedium Energy Healing. can find yourself again and again.” He says it’s “a rescue in the world. I don’t mean to imply that every event will Worker’s Compensation and land . . . some field of action where there is a spring of make you cheerful and calm. What I’m saying is that you Auto Accidents Insurance ambrosia -- a joy that comes from inside, not something will have an extraordinary capacity to make clear deciexternal that puts joy into you -- a place that lets you sions based on accurate appraisals of what’s best for you. accepted 505-501-0439 experience your own will and your own intention and your SAGITTARIUS (Nov. 22-Dec. 21): I’ve compiled a list own wish.” Do you have such a place, Taurus? If not, now of new blessings you need and deserve during the next is a great time to find one. If you do, now is a great time to 14 months. To the best of my ability, I will assist you to go there for a spell and renew the hell out of yourself. procure them. Here they are: a practical freedom song GEMINI (May 21-June 20): When he was 20 years old, and a mature love song; an exciting plaything and a future U.S. President Thomas Jefferson had an awkrenaissance of innocence; an evocative new symbol ward encounter with a young woman who piqued his that helps mobilize your evolving desires; escape from interest. He was embarrassed by the gracelessness he the influence of a pest you no longer want to answer displayed. For two days afterward, he endured a territo; insights about how to close the gap between the ble headache. We might speculate that it was a psyrichest and poorest parts of yourself; and the cutting chosomatic reaction. I bring this up because I’m wonof a knot that has hindered you for years. dering if your emotions are also trying to send coded CAPRICORN (Dec. 22-Jan. 19): “It has become clear to messages to you via your body. Are you aware of me that I must either find a willing nurturer to cuddle unusual symptoms or mysterious sensations? See if and nuzzle and whisper sweet truths with me for six you can trace them back to their source in your soul. hours or else seek sumptuous solace through the aid of CANCER (June 21-July 22): There’s a zone in your eight shots of whiskey.” My Capricorn friend Tammuz psyche where selfishness overlaps generosity, where confided that message to me. I wouldn’t be surprised if the line between being emotionally manipulative and you were feeling a comparable tug. According to my gracefully magnanimous almost disappears. With both assessment of the Capricorn zeitgeist, you acutely hope and trepidation for the people in your life, I advise need the revelations that would become available to you to hang out in that grey area for now. Yes, it’s a you through altered states of emotional intelligence. A risk. You could end up finessing people mostly for your lavish whoosh of alcohol might do the trick, but a more own good and making them think it’s mostly for their reliable and effective method would be through immerown good. But the more likely outcome is that you will sions in intricate, affectionate intimacy. employ ethical abracadabra to bring out the best in AQUARIUS (Jan. 20-Feb. 18): Not even five percent of others, even as you get what you want, too. the world’s population lives in a complete democracy. Congratulations to Norway, Canada, Australia, Finland, LEO (July 23-Aug. 22): You probably gaze at the sky enough to realize when there’s a full moon. But you may Ireland, Iceland, Denmark, New Zealand, Switzerland, not monitor the heavenly cycles closely enough to tune in and Sweden. Sadly, three countries where my column is to the new moon, that phase each month when the lunar published -- the U.S., Italy, and France -- are categorized orb is invisible. We astrologers regard it as a ripe time to as “flawed democracies.” Yet they’re far better than the formulate fresh intentions. We understand it to be a pro- authoritarian regimes in China and Russia. (Source: The pitious moment to plant metaphorical seeds for the Economist.) I offer this public service announcement as a desires you want to fulfill in the coming four weeks. prelude to your homework assignment. According to my When this phenomenon happens during the astrological astrological analysis, you will personally benefit from month of Leo, the potency is intensified for you. Your next working to bring more democracy into your personal appointment with this holiday is August 10th and 11th. sphere. How can you ensure that people you care about feel equal to you, and have confidence that you will lisVIRGO (Aug. 23-Sept. 22): In her poem “Dogfish,” ten to and consider their needs, and believe they have a Virgo poet Mary Oliver writes, “I wanted the past to go strong say in shaping your shared experiences? away, I wanted to leave it.” Why? Because she wanted her life “to open like a hinge, like a wing.” I’m happy to PISCES (Feb. 19-March 20): Mystic poet Kabir wrote, “The flower blooms for the fruit: when the fruit comes, tell you, Virgo, that you now have more power than the flower withers.” He was invoking a metaphor to usual to make your past go away. I’m also pleased to speculate that as you perform this service for yourself, describe his spiritual practice and reward. The hard inner work he did to identify himself with God was the you’ll be skillful enough to preserve the parts of your past that inspire you, even as you shrink and neutralize blooming flower that eventually made way for the fruit. The fruit was his conscious, deeply felt union memories that drain you. In response to this good work, I bet your life will open like a hinge, like a wing -- with God. I see this scenario as applicable to your life, no later than your birthday, and most likely before that. Pisces. Should you feel sadness about the flower’s withering? It’s fine to do so. But the important thing is LIBRA (Sept. 23-Oct. 22): Libran fashion writer Diana that you now have the fruit. Celebrate it! Enjoy it! Vreeland (1903-1989) championed the beauty of the Homework: If you could make money from doing exactly strong nose. She didn’t approve of women wanting to what you love to do, what would it be? Testify at look like “piglets and kittens.” If she were alive today, she’d be pleased that nose jobs in the U.S. have declined Freewillastrology.com.
Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 8 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700. 38
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LEGALS LEGAL NOTICE TO CREDITORS/NAME CHANGE FIRST JUDICIAL DISTRICT COURT COUNTY OF SANTA FE STATE OF NEW MEXICO No. D-0117-PB-2018-00021 IN THE MATTER OF THE ESTATE OF MATILDA GURULE, DECEASED. NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed Personal Representative of this estate. All persons having claims against this estate are required to present their claims within four months after the date of the first publication of this Notice, or the claims will be forever barred. Claims must be presented either by delivery or mail to the undersigned in care of Tracy E. Conner, P.C., Post Office Box 23434, Santa Fe, New Mexico 87502, or by filing with the First Judicial District Court, Post Office Box 2268, Santa Fe, New Mexico 87504-2268, with a copy to the undersigned. Dated: July 11, 2018. James Gurule Personal Representative c/o Tracy E. Conner Post Office Box 23434 Santa Fe, New Mexico 87502 Phone: (505) 982-8201 STATE OF NEW MEXICO IN THE PROBATE COURT SANTA FE COUNTY No. 2018-0113 IN THE MATTER OF THE ESTATE OF Frances I. Martinez, DECEASED. NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed personal representative of this estate. All persons having claims against this estate are required to present their claims within four (4) months after the date of the first publication of this notice, or the claims will be forever barred. Claims must be presented either to the undersigned personal representative at the address listed below, or filed with the Probate Court of Santa Fe, County, New Mexico, located at the following address: 102 Grant Ave., Santa Fe, NM 87501. Dated: July 17, 2018 Theresa Martinez PO Box 1965 Santa Cruz, NM 87567 Donald R. Martinez PO Box 601 Santa Cruz, NM 87567 Robert N. Martinez PO Box 90 Santa Cruz, NM 87567
STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF STACY ANN LEEDER Case No.: D-101-CV-2018-02153 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. Petitioner Stacy Ann Leeder will apply to the Honorable Raymond Z. Ortiz, District Judge of the First Judicial Dristrict at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 10:00 a.m. on the 14th day of September, 2018 for an ORDER FOR CHANGE OF NAME from Stacy Ann Leeder to Stacy Ann Brown. S TEPHEN T. PACHECO, District Court Clerk By: Bernadette Hernandez Submitted by: Stacy Ann Leeder Petitioner, Pro Se. STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT IN THE MATTER OF THE ESTATE OF LEROY W. THOMPSON, Deceased. No. D-101-PB-2018-00116 NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed Personal Representative of this estate. All persons having claims against this estate are required to present their claims within four months after the date of the first publication of this notice or the claims will be forever barred. Claims must be presented either to the undersigned Personal Representative in care of Karen Aubrey, Esq., Law Office of Karen Aubrey, Post Office Box 8435, Santa Fe, New Mexico 875048435, or filed with the First Judicial District Court, Santa Fe County Judicial Complex, Post Office Box 2268, Santa Fe, New Mexico 87504-2268. Dated: July 20, 2018 LISA DAUGHTERY LAW OFFICE OF KAREN AUBREY By: Karen Aubrey P.O. Box 8435 Santa Fe, New Mexico, 87504-8435 (505) 982-4287; facsimile (505) 986-8349 ka@karenaubreylaw.com
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LEGAL NOTICES ALL OTHERS FIRST JUDICIAL DISTRICT COURT STATE OF NEW MEXICO COUNTY OF SANTA FE Bruno Lopez Serna Petitioner/Plaintiff, vs. Obed Saldivar Respondent/Defendant. Case No.: D-101-SA-2018-00005 NOTICE OF PENDENCY OF SUIT STATE OF NEW MEXICO TO Obed Saldivar. GREETINGS: You are hereby notified that Bruno Lopez Serna, the abovenamed Petitioner/Plaintiff, has filed a civil action against you in the above-entitled Court and cause, The general object thereof being: Step Parent Adoption Unless you enter your appearance in this cause within thirty (30) days of the date of the last publication of this Notice, judgment by default may be entered against you. Bruno Lopez Serna 15 Taylor Loop Santa Fe, NM 87508 505-270-9879 Dated: July 20, 2018 STEPHEN T. PACHECO CLERK OF THE DISTRICT COURT By: Marina Sisneros Deputy Clerk
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STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT Rosita Peña/Unique Peña, Petitioner(s) No. D-10-DM-2016-00115 IN THE MATTER OF THE KINSHIP GUARDIANSHIP OF Andrew Chavez, a Child, and concerning Echo Gallegos and Andrew Chavez, Respondent(s). NOTICE OF PENDENCY OF ACTION STATE OF NEW MEXICO to Echo Gallegos/Andrew Chavez, Respondent(s). Greetings: You are hereby notified that Unique Peña/Rosita Peña, Petitioner(s), filed a Petition To Appoint Kinship Guardian(s) for Andrew Chavez (b. July 20, 2011) against you in the above entitled Court and cause. Unless you enter your appearance and written response in said cause on or before August 17, 2018, a judgment by default will be entered against you. Unique Peña/Rosita Peña 1204 Maclovia St. Santa Fe, NM 87505 SFREPORTER.COM
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