August 8, 2018 Santa Fe Reporter

LOCAL NEWS

AND CULTURE

AUGUST 8-14, 2018 SFREPORTER.COM FREE EVERY WEEK

#1 of 3

Cover

The Ralph T Coe Center for the Arts connects artists for an exploration of the breadth of printmaking

LOCAL NEWS

AND CULTURE

AUGUST 8-14, 2018 SFREPORTER.COM FREE EVERY WEEK

#2 of 3

Cover

The Ralph T Coe Center for the Arts connects artists for an exploration of the breadth of printmaking

LOCAL NEWS

AND CULTURE

AUGUST 8-14, 2018 SFREPORTER.COM FREE EVERY WEEK

#3 of 3

Cover

The Ralph T Coe Center for the Arts connects artists for an exploration of the breadth of printmaking

SFR-csv-080118.qxp_Layout 1 7/31/18 2:44 PM Page 1

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CHRISTUS St. Vincent Urgent Care Entrada Contenta Health Center

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For more information call (505) 913-4664

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AUGUST 8-14, 2018 | Volume 45, Issue 32

NEWS Cover #1

by Jason Garcia & Terran Last Gun

OPINION 5 NEWS 7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 A MAP OF THE PROBLEM (OR THE SOLUTION) 9 The city (finally) releases a map of in-progress housing development

A HASHTAG A DAY Can social media help keep you physically healthy? One Santa Fean hypothesizes yes

It’s great to get something when you don’t expect it. I opened a Century Checking Account and received Student Benefits.* Totally unexpected! Century is MY BANK!

Cover #3

by Dakota Mace & Eliza Naranjo Morse

COVER STORY 12

THE INTERFACE 19

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Cover #2

by Jamison Ch s Banks & Jacob Meders

DANCING NEAR THE GRAVES OF THE RICH 11 We sent a writer into the Taos Vortex IMPRINT Local Native arts organization the Ralph T Coe Foundation commissioned six Native artists to create and collaborate for its next citywide installation, IMPRINT

I AM

Find three distinct covers across town this week from the artists featured in the Ralph T Coe Center’s ongoing citywide exhibit, IMPRINT.

* Contact a local Century Bank representative for restrictions and qualifications.

EDITOR AND PUBLISHER JULIE ANN GRIMM

ART DIRECTOR ANSON STEVENS-BOLLEN

SFR PICKS 21 Mamet and Oppenheimer, lousy hicks and Native youths

CULTURE EDITOR ALEX DE VORE STAFF WRITERS AARON CANTÚ MATT GRUBS

THE CALENDAR 22

COPY EDITOR AND CALENDAR EDITOR CHARLOTTE JUSINSKI

MUSIC 25 OUT OF THE BEDROOM Eamon Fogarty hearts prog rock

CONTRIBUTING EDITOR JEFF PROCTOR

A&C 29 AROUND THE WORLD Photographer William Frej’s five-plus decades of shooting ACTING OUT 31

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Cisneros Design:

505.471.6699

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August 11, 2018

Contact: nicole@cisnerosdesign.com Ad Size: 4.75”w x 5.625”h Due Date: August 3, 2018 Send To: Anna Maggiore: anna@sfreporter.com

CONTRIBUTING WRITERS MARY FRANCIS CHEESEMAN JULIA GOLDBERG MATTHEW K GUTIERREZ ALICIA INEZ GUZMÁN DIGITAL SERVICES MANAGER BRIANNA KIRKLAND

SENIOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS

SMALL BITES 33 Mini-reviews for your munching pleasure

ADVERTISING ACCOUNT EXECUTIVE MEGAN RENEAU

FOOD 35 CORNBREAD MOON Real-life Southern barbecue in li’l old Santa Fe

ADVERTISING & DESIGN INTERN MAGDALENA NERO CIRCULATION MANAGER ANDY BRAMBLE OFFICE MANAGER AND CLASSIFIED AD SALES JILL ACKERMAN

MOVIES 39 EIGHTH GRADE REVIEW Plus the tragedy of now in Blindspotting

Phone: (505) 988-5541 Fax: (505) 988-5348 Classifieds: (505) 988-5541 Office: 132 E MARCY ST.

Filename & version:

PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER

THE SECRET Magician John Carney’s minimalist illusions

www.SFReporter.com

MyCenturyBank.com 505.995.1200

ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE

CULTURE

PRINTER THE NEW MEXICAN

EDITORIAL DEPT.: editor@sfreporter.com

CULTURE EVENTS: calendar@sfreporter.com DISPLAY ADVERTISING: advertising@sfreporter.com CLASSIFIEDS: classy@sfreporter.com

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2018

Subaru Crosstrek

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ANSON STEVENS-BOLLEN

LETTERS

LIBERAL MEDIA BIAS Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

Don’t like Trump, didn’t vote for him, sorry he won. But I am also no fan of “journalists” with an agenda, and [Cantú] seems one.

BRUCE MENDES VIA FACEBOOK

EXTRA THOUGHTS: COVER, AUG. 1: “ENEMY OF THE PEOPLE”

FINGERS CROSSED I just read your article and it is awesome! It is totally obvious now to any half-conscious human being that we live in a police state.

Thank you for such an incisive, historical and still very personal account of one of the most blatant examples of our country’s current fascist trend. When will your (first?) book be coming out? Keep up the good work young man—you and all the many many others like you are the voice of the future. Thank you.

JOSEPH McKENNA SANTA FE

TURN IT AROUND Great piece for the Santa Fe Reporter.

Yes, Trump and his extreme corporate right wing cadre are the supreme enemy of the people. I signed up for Trump’s impeachment the day he got into office.

Thanks for getting arrested in DC, the district of criminals.

America needs a 180-degree turnaround if it is going to survive the 21st century, which it may not.

STEVE JONES SANTA FE

INTERNATIONAL FOLK ART MARKET

SPONSORSHIP, OR WORSE? I watched my friend travel 10,000 miles to exhibit at Folk Art Market. Celebrating and economically boosting artisans around the world is the supposed mission of IFAM. Per application, Americans are prohibited from exhibiting, so how about a triple-wide booth for Donna Karan? Yes, placed in the prominent direct flow of market traffic, while some artists shared booths. Let’s call it “paying homage” to world cultures. Let’s call it “inspiration.” ... I believe that was originally called cultural theft or euphemistically, “appropriation.” Next year, IFAM, if you want to go full on-corporate, hire some Apple store employees to be be roving cashiers. Have Donna Karan pay the merchant credit card fees instead of the artists. Add a massage therapist session for jetlagged artists. Put that on Donna Karan’s tab. On the heels of the most successful market to date, IFAM, revisit your mission statement.

JES GILMORE SANTA FE SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.

SANTA FE EAVESDROPPER Man: “Well baby, now we’re poor again.”

Woman: “No, we’re BROKE again. We were already poor.”

—Overheard at Savers check-out Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM

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DAYS

S FR E P O RTE R .CO M / FUN

GROUND BROKEN ON STATE’S SECOND-BIGGEST WIND FARM That’s 90,000 homes’ worth of power, 90,000 MPH of fun.

OFFICIALS RAPPEL DOWN THE LA FONDA FOR FUNDRAISER It’s no SFR dunk tank, but ...

GARY JOHNSON IS NOMINATED BY LIBERTARIANS TO RUN AGAINST MARTIN HEINRICH FOR US SENATE Cannabis for some, miniature American flags for others!

PROPOSED POLICY WOULD LIMIT FIESTA COURT SCHOOL APPEARANCES TO FOURTH, SEVENTH AND NINTH GRADES Another tough blow for revisionist history.

FENN TREASURE HUNTER CITED BY PARK FOR DIGGING Fenn never said it was buried, anyway.

TRUMP’S RIDICULOUS CALIFORNIA WILDFIRE TWEETS DISPLAY FUNDAMENTAL LACK OF ENVIRONMENTAL KNOWLEDGE Surprising absolutely no one.

MEANWHILE, CITY OF WEST HOLLYWOOD WANTS HIS STAR REMOVED FROM THE WALK OF FAME Or ... people could just keep fucking it up.

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ACADEMY FOR THE LOVE OF LEARNING

Chrissie Orr

Mark Horst

55 Contemporary Artists Retell The World’s Greatest Wolf Story

Sunday, August 12 • 2:00PM-4:00PM

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B Y M AT T G R U B S m a t t g r u b s @ s f r e p o r t e r. c o m

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rom the look of things, there’s a lot of residential construction happening in Santa Fe. Building permits for homes have jumped 43 percent, with 250 permits issued for new housing during the first seven months of 2018, according to city records.

Seeking to get a better picture of the scope of both the problem and potential solutions, Santa Fe has produced a map of projects that are either under construction or in the final phases of approval before being built. Twenty-three different projects dot the city, including singlefamily developments and multifamily complexes.

“It’s good for the community because we’ve been hearing about all these things in the pipeline, but no one has ever seen the list and certainly no one’s ever seen a map,” says Kim Shanahan of the Santa Fe Area Home Builders Association.

Mayor Alan Webber found himself pondering the same thing, according to a city spokesman, and asked that Santa Fe’s Land Use Department map out everything that was either shovel-ready or close to it.

The results are at turns impressive and discouraging.

The map, labeled with the four City Council districts, shows a divide in Santa Fe when it comes to rental housing, often referred to as multifamily development.

“Most of it is trending toward the south and west sides of Santa Fe. And the equity notion that multifamily building can happen in all districts is not really playing itself out,” Shanahan tells SFR. “That’s kind of a political hot potato,” he offers, adding that there is a particular urgency for multifamily development.

Project management company JenkinsGavin put a fine point on that in the application for a 120-unit apartment project off Agua Fría between Siler Road and Frenchy’s Field. The company says in its market analysis that “since 1993, only 176 market rate apartment units have been constructed in Santa Fe. However, Santa Fe’s population has increased by 14,000 people, with an associated addition of 13,000 jobs.”

The application letter goes on to estimate that more than 30,000 people work in Santa Fe, but don’t live here. The annual cost to the city’s bank accounts, the company says, is a whopping $300 million.

Santa Fe is missing out on a major economic driver.

“It is critical to Santa Fe’s economy and quality of life to provide quality rental housing in adequate supply to meet local demand,” Jennifer Jenkins and architect Colleen Gavin write.

The permit curve is trending upward since a big dip after 2008, says Daniel Werwath, a development consultant and head of the New Mexico Inter-Faith Housing Corporation. But a jump in building permits isn’t in itself a solution to the problem.

“We haven’t rebounded to the housing production that we had pre-recession, and we really haven’t had the building to keep up with the growth in population,” he tells SFR. As much of a disaster as the recession was, he says Santa Fe builders went into it with a head of steam.

“We did overbuild. We had supply that we had to get rid of before we started building [again],” Werwath explains. But by the time the sluggish market cleared excess supply, the recession had settled in and no one was building—except the wealthy. Builders noticed.

“A lot of those folks retreated into the high-end home market and it’s going to take a lot to coax them out of it,” he says.

He points out enthusiastically that there are older permits pulled before the recession that are just now becoming economically viable. That construction wouldn’t necessarily be reflected in the new permit numbers or, potentially, even on the new city-made map.

City spokesman Matt Ross says the mayor would like to see more data-based mapping that can more easily and visually show the impact of Santa Fe’s housing policies.

Werwath is completely on board

CITY OF SANTA FE

City maps out residential construction as building permits jump

would pay roughly $130,000 to keep its 120 apartments at market rate and more profitable for the developer, Blue Buffalo. It will certainly help ease the housing crunch overall, but it won’t build units within reach of those with lower income.

Shanahan sees trouble on the horizon, too. The fee-in-lieu ordinance was a trial.

It ends on the last day of 2019.

He points to the 188-home Broadstone Rodeo apartment project recently underway.

“It took them 24 months to go from the first application until they were able to break ground,” he says. Just 17 months remain until the program could be shuttered. “So the sunset will put a chill on any other developers that are coming forward.”

BUILDING BREAKOUT

DISTRICT 3

Santa Fe’s pending residential development skews toward the south and west sides of the city

Single Family Paseo del Rio ......................................................36 UNITS................36

DISTRICT 1

Multifamily Madera Apartments ........................................355 Gerhart Apartments .........................................240 Contenta Ridge ...................................................59 Mustang Village .................................................48 UNITS..............702

Single Family Alma Dura..............................................................9 Estancias del Norte ...........................................47 Marisol ...................................................................8 Calle Nopal ............................................................4 El Camino Crossing/Corazon Santo.................64 UNITS..............132

DISTRICT 4 Single Family Estancias de Las Soleras - Phase 1C .............67 Estancias de Las Soleras - 2A .........................81 Estancias de Las Soleras - 2B .........................77 Rufina Subdivisions ...........................................23 UNITS..............248

Multifamily Acequia Lofts ....................................................120 River Trail Lofts ...................................................32 Boies Station Condos ........................................18 UNITS..............170

Multifamily Las Soleras Senior Apartments .....................138 Las Soleras Station ............................................87 Broadstone Rodeo Apartments .....................188 Ross' Peak.........................................................182 UNITS..............595

DISTRICT 2 Single Family Casa Mason ..........................................................5 Cerro del Norte ...................................................32 UNITS................37

SOURCE: CITY OF SANTA FE

A Map of the Problem

with that approach. Sometimes, the solutions that sound the best don’t deliver.

Much of the credit for the uptick in multifamily apartment permits this year—13, as opposed to zero in the same period in 2017—has been credited to a financial escape hatch for builders that allows them to pay a fee in lieu of building and renting 15 percent of their apartments for affordable housing. It’s spurred market-rate building, but that’s it.

“The fee-in-lieu-of program for rentals established under the Gonzales administration has not resulted in more affordable units,” Shanahan says.

Werwath goes a step further. He says the program hasn’t resulted in the construction of a single affordable apartment since it went into effect in early 2016.

For example, the project on Agua Fría

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NEWS

Dancing

Near the Graves of the Rich It was easy to have fun at Meow Wolf’s Taos Vortex STO RY + P H OTO S BY A A RO N C A N T Ú a a r o n @ s f r e p o r t e r. c o m

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ith a little luck and repose from the afternoon rain, the festival will be the beginning of a musical renaissance in New Mexico.”

Those words were printed in these pages back in August 2007, right before the Santa Fe Muzik Fest took over the long-defunct Santa Fe Downs race track off I-25. The Wu Tang Clan and Public Enemy, among others, headlined the weekend show. Needless to say, we were wrong; the Muzik Fest was a flop.

It would be a stretch to say that the renaissance finally appeared this past weekend at Meow Wolf’s Taos Vortex music festival in, uh, Taos. But the collection of acts that gathered, including The Flaming Lips, Washed Out and Thievery Corporation, represented a greater concentration of hip music in one place than Northern New Mexico has seen in a long time.

Fitting, too, that the event encouraged merriment and debauchery near the graves of Kit Carson, the US Army Officer bitterly remembered by Navajo people, and other excessively wealthy colonizers buried at his namesake park just a few blocks up from the Taos Plaza.

“Festival season” has grown into a multi million-dollar industry, and its trappings were visible in Taos for much of the weekend, for better or worse: A late-night, bass-heavy dance tent to cap off an evening of psychedelic headliners and West Coast chillwave; easy-to-find drugs and overpriced beer; and the antiegalitarian spirit implied by cordonedoff sections (VIP versus glamping versus camping) for higher-paying patrons.

Meow Wolf’s Vince Kadlubek saw the Vortex as smaller and “more manageable” than the failed Muzik Fest of 2007.

He also said it was geared for an older crowd by promoting Taos-area recreation like llama-riding and river rafting.

“It’s not the all-day-music type thing,” Kadlubek told SFR last Thursday. “We want people out in Taos, to enjoy the city and nature.”

According to Neal Copperman, the executive director of AMP Concerts, the weekend came together only about four months ago, when AMP approached Meow Wolf about putting together a double headliner with Thievery Corporation and The Flaming Lips. With a brand that lends itself to the trippy themes of the Vortex, Meow Wolf took the lead with promotion, but Copperman says both companies equally shared event costs.

Kadlubek told SFR he would have been happy with 3,500 people showing up. AMP Concerts’ Santa Fe director Jamie Lenfestey says over 5,000 people attended some part of the weekend at the 19-acre park, but neither organization would say how many tickets sold.

A field of food vendors across from the main stage included Santa Fe-based Jambo Café and Vadito-based J&J’s

People could peek under this pyramid at Taos Vortex for a glimpse of trippy art.

TOP: Los Angeles-based chillwave band Poolside opened Friday’s show.

Lunchbox, which sold affordable dishes like chili dogs and Frito pie. Tim Sanchez, an owner of J&J’s, said vendors might have taken a financial hit due to low turnout.

“They told us about 5,000 people would show up, and for about 5,000 people [the vendors] probably would have done okay—but it seemed a little less than what we are used to,” said Sanchez, adding, “it was a great event, and we had a lot of fun meeting a lot of cool people.”

In addition to the cityfolk of New Mexico, Meow Wolf had hoped to attract people from Denver and southern Colorado, as well as the Flagstaff area in Arizona and El Paso in Texas, according to Kadlubek. Lenfestey says that 40 percent of attendees were from outside New Mexico.

Standing near the main stage after Washed Out’s set on Saturday night, Denverite couple Olivia Leigh and Patrick Anderson told SFR they first visited the Meow Wolf installation in Santa Fe two years ago and were “totally blown away.”

The two are now investors in the company’s upcoming installation in Denver.

“The main reason why we decided to come here, we saw it was Meow Wolf and Taos, we’ve never been to Taos and we figured it’d be great,” said Anderson, who wore a massive wig of spiked blonde hair resembling a Super Saiyan.

The weekend wasn’t without its awkward moments, like when Lenfestey walked onto the main stage to hype the crowd as a clutch of Taos cops and private security surrounded a young woman who had collapsed onto the ground. And the turnout may not spark a long-delayed music festival renaissance for the state.

The Vortex did establish a framework for future fests in New Mexico, though, and it seems safe to say that if they try it again, some will come.

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THE RALPH T COE CENTER FOR THE ARTS LAYERS ON INDIGENOUS PRINT COLLABORATION

BY ALICIA INEZ GUZMÁN a u t h o r @ s f r e p o r t e r. c o m

Before I leave his studio, artist Jason Garcia (Santa Clara Pueblo Tewa) hands me a CD he burned, Song for My Muse: Vol. 1.

One of the tracks is “You’re Mine,” a slow, two-steppin’ cover of the Ritchie Valens’ hit recorded by Los Lobos for the movie La Bamba. I’ve known the song since I was a kid—back when I thought Lou Diamond Phillips was actually Valens himself—and I sang along, humming to the twangy guitar chords, awash in a nameless nostalgia.

Garcia (known also by his Tewa name, Okuu Pin or Turtle Mountain) is one of six artists participating in IMPRINT, an exhibition-cum-public art and social media blitz helmed by the Ralph T Coe Center for the Arts that opens Tuesday Aug. 14. Founded in 2012 by Coe, a collector and art historian, the center holds nearly 2 ,000 objects in its collection and has proven to be a curatorial and creative laboratory and vanguard in commissioning these six Indigenous artists. They produced the work together and individually and helped decide at which venues it would be appear. Most of the artists were at the table (virtually or in person) during the earliest stages of conception, even when the title had yet to be set; uncertainty was present throughout, but the experimentalism is now IMPRINT’s signature.

Garcia’s album is just one piece of ephemera he plans to put into one of two repurposed newspaper boxes to be strategically placed and re-placed all over Santa Fe and elsewhere as part of the show.

Other artists plan to contribute items as well, and any passersby can simply take whatever they find inside, including Song for My Muse, which Garcia has placed in a custom sleeve, screen printed in red ink and signed. I wound up with edition 10/10; the CD and the print are germane

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companions, analog forms sharing the material qualities of inscribed media.

And the impression the song left lingers on like an afterimage, even well into this writing.

According to the Coe’s press release, “To imprint is to forge a connection that leaves a lasting mark.” Mark-making can be the actual practice of putting ink to paper, multiplying one form into many, or the far more elusive act of impressing a certain worldview through art onto viewers. From the conceptual to the actual and even psychological, IMPRINT bundles all of those lines of thinking into one grand experiment in making impressions.

Garcia, along with Eliza Naranjo Morse (Santa Clara), Jamison Chās Banks (Seneca-Cayuga, Cherokee), Terran Last Gun (Piikani), Dakota Mace (Diné) and Jacob Meders (Mechoopda/ Maidu), with Coe curators Bess Murphy and Nina Sanders (Apsáalooke), have spent the last year conceptualizing IMPRINT. This long-simmering process of co-creating a vision was, as Naranjo Morse says, similar to the organic meandering art-making itself often takes. The vision takes several forms over the course of the month and coming year, traveling beyond the walls of the Coe into social media, the streets of Santa Fe and beyond.

Art works will be wheat-pasted across the city alongside a near-monthlong scavenger hunt for the official repurposed IMPRINT boxes, which will be filled with original art by all six artists.

Some who find these will do so by happenstance. Others will seek its location based on clues found on social media or shared by word of mouth. In addition to the traveling boxes, Axle Contemporary hosts IMPRINTMOBILE throughout the month, and is set to travel to the Santa Clara Feast Day on Sunday Aug. 12.

Finally, the official reception for IMPRINT takes place at the Coe on Tuesday Aug. 14 and includes a larger exhibition

ALICIA INEZ GUZMÁN

ALICIA INEZ GUZMÁN

of prints made especially for the event, as well as fare from the YouthWorks food truck, a Meow Wolf family activity, live music with DJ Garronteed and, yes, more onsite printmaking. Naranjo Morse plans to wheat-paste an enlarged drawing of a rabbit with his treasures on the wall of Consolidated Electrical Distribution ( just east of the Coe at 1590 Pacheco St.), and attendees will have a chance to contribute their own drawings to the process.

Think also of the pages of SFR as another IMPRINT venue. Three pairs of artists (Meders/Banks, Last Gun/ Garcia and Naranjo Morse/Mace) each co-created one of the three covers for this edition, which can be found across the city; and look inside for free original art created by the show’s collaborators.

With all of IMPRINT’s efforts to transmit cutting-edge Native printmaking into Santa Fe’s consciousness—and art into people’s hands—therein lies a fresh and untapped model for how to make art accessible to those who may never step inside an institution. And in that way, the format is apropos. As Meders, the originator of Warbird Press, a newspaper vending machine filled with $3 prints, describes, “the print is for the disenfranchised, the common man, and the community.”

It is best meant for circulation.

“IMPRINT acknowledges what came before us,” artist Meders says, explaining the tendency toward creative mutualism already present in Native communities. As a print collaboration, he continues, “IMPRINT just highlights how connected we already are in Indian country, … our love of working together and sharing together.”

Terran Last Gun pulling prints at Jason Garcia’s Santa Clara studio.

And where there may only be six degrees separating the rest of us from Kevin Bacon, “there are only three degrees of separation [between artists] in the Native art world, much less printmakers,” Garcia estimates.

Meders is an assistant professor in arts and cultural studies at Arizona State

University, and fellow artist Banks is adjunct instructor of printmaking at the Institute of American Indian Arts. The pair have long worked together, even before IMPRINT was an inkling of an idea at the Coe. Banks describes their relationship like fishing, so easily do they bounce ideas off one another and so likeminded are their processes and simplified aesthetic. But, like Banks and Meders, all of the IMPRINT artists have already crossed paths in the intimate constellation of creativity they inhabit, whether through institutional lines or otherwise.

The three covers for this issue speak to those intersecting paths: layered images that not only partake in the legacy of print—one that is long and complex in the Americas—but also build on the stories, places, histories of travel and symbolic languages each artist holds dear. Collaborating on these images took many forms, from sharing studio space and equipment, to digital files for Photoshop edits when distance couldn’t

be bridged physically. In that way, IMPRINT’s reach has already been expansive—a process of co-creating that Naranjo Morse calls “an incredible beginning.”

TAKING PRINT BACK: JACOB MEDERS AND JAMISON CHĀS BANKS “Print,” Meders explains, “is an important medium in the history of the conflict of this land.” His oeuvre often broaches the thorny relationship between image-making and colonization.

His Divided Lines, a series of 3-by-2-foot woodblock prints exhibited at the IAIA Museum of Contemporary Native Arts in 2013, featured figures whose torsos were split; the upper body could have the features of an Indigenous person and the lower half of a European, or vice versa. Divided Lines spoke of the conflict of assimilation at the point of first CONTINUED ON NEXT PAGE

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TOP LEFT: Jason Garcia & Terran Last Gun, “Elevated II,” 2018 BOTTOM LEFT: Jamison Chās Banks & Jacob Meders, “Is This For Sale,” 2018 BOTTOM RIGHT: Dakota Mace & Eliza Naranjo Morse, “Direction,” 2018

1330 Rufina Circle 505.231.7775 Monday - Saturday | 10am - 6pm Southside Location | Easy Parking

contact, but also to the history of European-generated print imagery, a reproducible visual format that circulated all over the Old World during the early colonial period and beyond. Meders created his prints in the vein of those early colonial examples, traveling back in time through the language of print, a language driven in some measure by the logic of cataloging Native people for Western eyes.

“In order to claim the land,” Meders says, “you have to erase or nullify the existence of its Indigenous inhabitants and replace yourself as Indigenous.” This is at the core of his contribution to IMPRINT, the TOTE series, based on a dingbat (a decorative element in the language of letterpress) he found in grad school. TOTE refers to the Totem of the Eagle, a version of The Improved Order of Red Men, both 19th-century fraternal brotherhoods comprised exclusively of white men. Playing Indian was real (even if in really bad taste), as the historian Phil-

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lip Deloria outlined in his 1998 book of that same name, and the irony of such history is palpable in Meders’ replication of the TOTE symbol, replete with the word and an Indian in profile.

Banks’ IMPRINT series, The Bountiful South, focuses on the continental story of a parrot that allegedly once flew in Southwestern skies. “In the 1600s,” he says, “Spanish expeditions noted the colors of [the thick-billed parrot] in this region.”

That parrot still exists in Mexico in Chihuahua and Durango, living on a healthy diet of pine nuts. As an art practice, Banks rewrites narratives. “My whole objective is to uncover information that may or may not be true,” he says. Did the parrot ever live in this region? Maybe. Maybe not. There’s a sense of truthiness (thank you Stephen Colbert) to this approach to history; a reminder, Banks muses, “that these possibilities exist.”

The discipline of history tends to be like that; where hard and fast evidence doesn’t exist, there have often been leaps of the imagination. Some conclusions are likely.

Others less so. But histories exist elsewhere, too. Along those lines of inquiry, an Acoma pot in the Coe’s collection bears an avian likeness to the thick-billed parrot. And Cochiti dances, Banks reminds me, use parrot feathers, too.

Kites with the green bird printed on one side, based on photographs taken in Mexico a couple of years back, will hang from the skylight of the Coe this month. The Acoma pot, for which the provenance is unknown, will be on display as well.

Banks’ interest in animal life and its disappearance from particular environments played out in his June 2018 exhibition in Winnipeg, Manitoba, titled Crypsis: Eradication Methods Laboratory. The title riffs on an actual agency of the same name, which began with poison research in 1916. It was, as it happens, located in Albuquerque and focused on eradicating predatory animals (think coyotes, wolves, mountain lions and

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ALICIA INEZ GUZMÁN

Eliza Naranjo Morse builds in miniature under the cottonwoods at her home and studio.

bobcats), but in the exhibition, the laboratory eerily paralleled the eradication of animals alongside the history of westward expansion and, no doubt, the Indian Wars.

“Much of my work,” Banks says, “has a foundation in conflict and a loss of innocence.” Nothing says it more clearly than a screen-printed cardboard box emblazoned with the visage of Davy Crockett and the words “Official Indian Fighter Hat,” replete with a coonskin cap. It looks like it’s a throwback to the 1950s.

Meders’ and Banks’ SFR cover reproduces the likeness of Crockett yet again, but overlaid with Mechoopda design motifs.

IN MULTIPLES: JASON GARCIA AND TERRAN LAST GUN A print is an artwork comprised of “multiple originals,” according to Last Gun. It seems counterintuitive—

especially when, in any other art context, copying an original artwork leads to devaluation and, worse, the loss of that je ne sais quoi (the aura, say) that pulses within originals. But prints are different.

And to that end, screen-printing is the practice of thinking in layers of color separations made from positive images burned onto one or several screens.

When those separations line up in all of the print iterations, making them nearly indistinguishable from one another, a print edition is born. Sometimes, however, that means making double the intended amount of the edition, just to account for error.

Garcia’s Santa Clara studio is tucked just behind the Pueblo’s church in the home where his paternal grandparents used to live. “Just look outside this window,” he says, pointing beyond the turquoise frame toward the satellite dishes, electrical lines and antennas that criss-

cross the skies and roofs of houses; the visual cues that pop up in his Corn Maiden series, which features Pueblo dancers scrolling through cellphones, taking selfies or leaning against lowriders. His muses are the actual women he sees, sometimes in person and sometimes on social media. The series, he adds, is about “the influence of technology on identity.”

Garcia grew up in a family of potters (his mother is the renowned Gloria Goldenrod Garcia) and pop culture.

After school, Garcia recalls going to his maternal grandmother’s house where she would paint pots with Pueblo iconography. Wanting to participate, a 7-year-old Garcia instead painted images of Darth Vader. That pop culture sensibility is a trademark of his Tewa Tales of Suspense, a body of work that features characters drawn in a comic book style to tell the stories of historic events, such

as the Pueblo Revolt of 1680. Then and still now, he made clay tiles that look like comic book covers, pulling his materials from the pits just west of the Pueblo and using slips from clay he’s collected all over the Southwest. He shows me the hunks of earth, which seem to shimmer in the sunlight. It wasn’t until years after working alongside his grandmother that Garcia created a serigraph of Tewa Tales of Suspense. And though the medium changed, he says, “the work, whether pottery or print, is a linked together by a graphic illustrative format.”

During a recent visit to his studio, Garcia placed paper bags underneath the screen as Last Gun pulled the squeegee, carrying the yellow speedball paint across the surface, pressing it into a print. Last Gun, who has an exhibition currently on view at the IAIA Museum CONTINUED ON PAGE 17

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COMING HOME: DAKOTA MACE AND ELIZA NARANJO MORSE Spider Woman, according to Diné cosmology, was born in the second world.

With the birth of the third, she shuttled across the skies weaving the cosmos.

Garcia turns over pieces of clay collected for various ceramic slips.

ALICIA INEZ GUZMÁN

“My work is often compared to geometrical abstraction, but it’s really representational,” Last Gun says. While some of his influences include Ellsworth Kelly, Frederick Hammersley and Wassily Kandinsky, Last Gun also points out, however, that “those artists were influenced by us.”

His own prints have hard edges and vibrant colors that appear to vibrate in space, landscapes that have been distilled into simple shapes—much like his A Place of Elevation, a print that features what appears to be a mountain’s silhouette against a red ground. It’s done in a full bleed, printed from one edge of the paper to the other, and based on a photo he took of an Alan Houser sculpture on the IAIA campus. After making multiple sketches of the abstract sculpture’s upper form, Last Gun came upon his own design.

ALICIA INEZ GUZMÁN

of Contemporary Native Arts, spent five consecutive days at Garcia’s studio, learning his way around and pulling prints. In thanks, he gave Garcia an artist proof of one of his creations.

“I consider what I do as continuum art,” Last Gun explains, a carrying on of his tribe’s long history of using geometric design motifs on lodges (buffalo hides stretched over a conical frame). In Piikani aesthetics, the lodge can be divided into three parts: the bottom, which represents the land; the middle, which is close to the owner and not to be replicated; and the top, which represents the cosmos. Once a lodge was rendered unusable, it was laid out onto the plains or sunk into a lake. Its design could only be replicated when permission was transferred from its owner to another person.

“I focus on the above and the below;” the earth, that is, and the cosmos, he said.

A photograph of Last Gun’s Above Beings and Us, an edition of 10 paper bags silkscreened with four concentric disks—the sun, moon, Morningstar, and earth—is included as one of the inserts in SFR. It is based on an origin story, the birth of the Morningstar from the sun and the moon.

Jason Garcia shows off the 10 editions of Song for My Muse, Vol. 1, one of the contributions to be found in repurposed newspaper boxes that will appear around town during IMPRINT.

“She is the birth mother of weaving,” represented in a “motif with four points,” says artist Mace. It is a shape that Mace comes back to again and again in her own practice, one best described as a kind of reverent seriality. Often, the cross is surrounded by three other stylized forms that represent aspects of the landscape and deep, watery blues. Spider Woman’s four points reflect a broader “symmetry that exists in fours,” she says. “I am imprinting our way of understanding landscape through printmaking.”

Mace’s signature blues, achieved through both the natural process of indigo dyeing and through the chemical development of cyanotypes, speak to the essential quality of water to all life.

But creating such deep azures is timeconsuming; Mace must dip a piece of paper in an indigo bath at least 15 times to achieve the brilliant blue. Cyanotypes, alternately, require coating a lightsensitive paper while processing it with hydrogen to intensify the color and speed up the process, helped along by an ultraviolet light table.

An MFA graduate student at the University of Wisconsin’s School of Human Ecology who researches the history of Diné textile design, Mace speaks of cultural forms as nomads, wandering into various groups’ hands through lineages of trade across the Americas and throughout the world, or what she calls “the cross-cultural influence of design.”

Her crosses, in a way, chart that wandering path. Naranjo Morse’s landscape (seen on one SFR cover) is a kaleidoscopic drawing of a village punctuated by various architectural forms, a picture she describes as having the potential to conjure a sense of community. Mace’s crosses were like anchor points for Naranjo Morse, who calls her own drawn

landscapes “expressions of universe and the expansiveness of the world.” In the oeuvre she made for IMPRINT, drawings pull viewers toward their detailed line work and prismatic color palette. They are intimate, in that way, like small conversations in tiny, but expansive worlds.

In those worlds, creatures carry their treasures and homes on their backs, as if homeward bound to fantastical communities one might find in the pages of Frog and Toad. Some of her drawings on view will likely be surrounded by shrines, comprised of materials from the Coe’s collection.

Naranjo Morse, who teaches art at K’hapo Community School in Santa Clara Pueblo, describes those anthropomorphic beings as harking back to her childhood; characters that represent a sense of safety and innocence. She speaks of that innocence personally, but also in terms of her students’ process of learning—how to mix color, for example.

Her classroom is a space for exploration, where she’s working through how to indigenize arts education and maintain a sense of wonder in making.

There is nothing forceful about her works or their message, but there is an allusion to our unsettling political moment, especially to the increase in school shootings. Drawing becomes a way of processing what continues to reoccur: a kind of violence that poses a threat to the asylum we all find in our safe spaces, including school and home. She says this as we sit beneath the heavy branches of cottonwood trees that surround her own home and studio on land that her grandfather once farmed.

IMPRINT 5 pm Tuesday Aug. 14. Free. Through March 15, 2019. Ralph T Coe Center, 1590 Pacheco St., 983-6372

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CHNA-SFR.qxp_Layout 1 7/31/18 11:07 AM Page 1

APPLICATIONS FOR WRITER

Community Health Needs Assessment and Community Health Implementation Plan Summary and Background CHRISTUS St. Vincent is seeking candidates to prepare the report for the 2020-2023 Community Health Needs Assessment (CHNA) and the Community Health Implementation Plan (CHIP) for Santa Fe County.

CHRISTUS St. Vincent has a long standing commitment to understanding the needs of our community. This knowledge contributes toward efforts to improve the health and well-being of the community. We are seeking candidates who are experienced in academic writing and are able to work collaboratively in co-creating the CHNA with the CHRISTUS St. Vincent team. This will be a process involving collaboration with the Department of Health and other potential contributors.

Qualifications • Experience in preparing documents such as needs assessments required.

• Demonstrated experience in (technical/academic/narrative) writing.

• Ability to identify updated health indicator reliable data.

• Ability to present data in the form of charts and graphs.

• Ability to interpret data.

• Ability to properly reference data and other sources.

• Must hold a Master’s degree or PhD. Guidelines for Submission 1. A Letter of Interest 2. Proposed Approach including time frame and methodology 3. Proposed Budget for deliverables 4. Writing Sample, specifically a report or needs assessment that has been prepared for public presentation and a strategic plan 5. Resume or CV 6. Submit application electronically or hard copy to: CHRISTUS St. Vincent Community Health Attn: Kenneth Gunter Kenneth.gunter@stvin.org 455 St. Michael’s Drive Santa Fe, NM 87505 Visit www.stvin.org/chnawriter for more information.

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TECH

#Instafitnessclub harnesses social media for personal accountability and community

BY JULIA GOLDBERG @votergirl

L

ast spring, I came across an article from the Nieman Foundation for Journalism about start-up Neva Labs’ quest to build a news app that worked more like health and wellness apps. Co-founder Áine Kerr was quoted as saying that the company’s research had found that “people want their news and information experience to be more like their health and fitness experiences: They want to set goals, control filters, discover new sources, track progress.”

I find this idea interesting, if opaque, and like to amuse myself imagining what it would it look like for me to set goals and track progress for news consumption. For example, perhaps I could set a goal to consume less national news inclined to make me enraged and psychotic on a daily basis and then receive cheerful notifications: “Way to go, Julia! You made it three hours without reading about the crumbling state of society! Rock star!”

JULIA GOLDBERG

A Hashtag a Day

Sarcasm notwithstanding, consumer use of health and wellness apps continues to boom. A recent Forbes article on the growth of partnerships between fitness apps and streaming music services noted that the Consumer Technology Association reports that “portable consumer fitness tech” (things like Fitbits and smart watches but also, apparently, smart basketballs and baseballs) will bring in approximately $6.4 billion in sales this year in the US alone—a 10 percent increase from last year.

I’ve been wearing a Fitbit for three years this month (at least that’s what the Fitbit says). I almost took it off after reading Dave Eggers’ book The Circle, in which personal accountability and social sharing join together to create a dystopian nightmare, but then the 2016 election happened and I figured there were more alarming things to worry about than my need to ensure I’d walked 10,000 steps a day.

Besides, I don’t share my Fitbit stats, compete with anyone or announce the various silly badges I’ve received (in May, I earned the “Nile” badge for having walked 4,132 miles). I just stomp along listening to news podcasts all by my lonesome, becoming grouchier and more despondent by the minute—it’s the best part of my day and I feel no need to share it with anyone.

Not so for Amy Tischler. Co-owner of Simply Social Media and @amytischler on Instagram, Tischler recently unveiled a new personal initiative through the platform: #instafitnessclub, which makes use of the new Instagram feature, IGTV, as a means of personal accountability, but also of community building.

Simply put, Tischler records short (approximately four-minute) videos in tandem with her exercise routine. What began as an experiment in personal accountability for Tischler about a month ago morphed into an initiative in which others share their own fitness and health goals.

Tischler’s videos are honest and engaging. She talks about the struggles to stay on track with exercise as the mother of three children with a full-time business. She records them after her walk, without makeup or even brushed hair (aka, how I look all the time). And her candor with her struggles around exercise, healthy eating and other topics immediately drew others in.

Last week, I met up with Tischler at 7:30 am at a city park (we decided for safety’s sake not to advertise specifically where Tischler can be found) for a walk.

Tischler is not the typical social media user, as social media is her business. She met her business partner, Caitlin Jenkins, on Instagram three years ago. So in June, when Instagram rolled out IGTV‚ which allows users to share videos that are as

Simply Santa Fe co-owner Amy Tischler decided to use the nascent IGTV to create accountability for her fitness goals, and #instafitness was born.

long as an hour (previously they could only be a minute long), Tischler needed to be an early adopter. At the same time, she was thinking about her own personal goals around exercise, and decided to experiment with the new video service.

“The timing was serendipitous,” Tischler says. “IGTV appeared on the scene, and I was trying to stay on top of that and figure that out, because it’s my job.

And so I thought, ‘I’ll go super public and make myself accountable and trick myself into walking by doing these videos.’” She adds: “People started responding; it was resonating with a lot of people.”

Through a conversation in private messaging on Instagram, the idea hit to use the hashtag #instafitnessclub so that others could participate and share their own challenges and accomplishments.

“It was totally unintended and it happened fast,” she says, “but that was in part because I was already comfortable making connections through social media.” The project is grounded in the concept of using social media for accountability. “I make a million excuses because I have a million excuses,” she says. “And then someone will tag me in their story. I’ll be like, ‘I got to get up and do it.’” But #instafitnessclub also “is evolving into people having conversations. … People love to share their experiences and what works for them.”

And Tischler has found she’s talking about exercise and food, yes, but also “whatever random thing pops into my head.” Despite building a business on social media, Tischler is normally very private about her own life, so she’s been surprised by her response to the experiment. “I think the physical and emotional vulnerability that has come out has surprised me about myself,” she says.

But given the fractured, pressurized landscape we all live in, she’s happy to have found another outlet for building relationships. “I think we’re all desperate to make these connections,” she says. “Having these daily touch points has been really lovely for me.”

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THE MAN, THE MYTH One of the most passionate points made by former US Secretary of Energy Ernest Moniz in a talk at the Lensic a few weeks ago was that Robert Oppenheimer, despite having accusations of treason leveled against him, was endlessly loyal to the United States. It’s generally accepted that the US screwed up big-time when it stripped the head of the Manhattan Project of his security clearance, but historians and scientists still heatedly discuss the unique man’s motivations.

In a panel presented by Recursos de Santa Fe, Oppenheimer biographer Gregg Herken, KGB communications decryption veteran John E Haynes and legal expert Jim Fitzpatrick are moderated by former CIA agent Valerie Plame Wilson. (Charlotte Jusinski)

NICHOLAS BALLAS

PUBLIC DOMAIN

BOOK/LECTURE WED/8

Oppenheimer’s Rise and Fall from Grace: 6 pm Wednesday Aug. 8. $10. Terraza Ballroom, La Fonda on the Plaza, 100 E San Francisco St., 215-806-3732.

COURTESY THE HICKOIDS

MUSIC FRI/10 COUNTRY-PUNK HOOTENANNY Looking at the members of Austin cowpunk act The Hickoids, you’d be forgiven for thinking they’re a straight-up punk band. That particular brand of attitude does reside somewhere between the twangy guitars, keys and pissed-off growl of frontman Jeff Smith, too, but this band might fit in more in the honky-tonks of Texas than some grimy NYC basement. All the same, The Hickoids are cool, man—a not-giving-a-shit style delivered with a Southern drawl and more than a few PBRs. Fun fact: Former Santa Fean Tom Trusnovic joined the fold on guitar some years ago and never looked back. (Alex De Vore) The Hickoids with Imperial Rooster: 8 pm Friday Aug. 10. Free. Mine Shaft Tavern, 2846 Hwy. 14, Madrid, 473-0743

SFR FILE PHOTO

EVENT SUN/12 BAM! POW! ZAP! As the world of superheroes, graphic novels and pop culture becomes more accessible, why shouldn’t there be an Indigenous celebration of the art forms? In fact, in just under three short years, the Indigenous Comic Con has grown exponentially and even announced plans to debut in Australia. But how might underprivileged Native youths get in on the action? Easy: You. Visit the Jean Cocteau Cinema this Sunday for the Native Youth Sponsorships Fundraiser, a gathering with guests like cartoonist Ricardo Caté, live screen-printing with clothing company Saba Wear and the Indigenous Futurisms fashion showcase. All proceeds help Native kids get three-day passes to the event at Isleta Resort and Casino this November. The event is by donation—so give generously. (ADV) Native Youth Sponsorships Fundraiser: 7 pm Sunday Aug. 12. $20 suggested donation. Jean Cocteau Cinema, 418 Montezuma Ave., 466-5528.

THEATER

THU/9 - SAT/11

Traitors, Treason and Poison Darts … but it’s funny this time “Everybody hates you and you’re out of cash. Go home.”

These days, more refreshing words couldn’t possibly be spoken to a president—and attorney Archer Brown does just that quite early on in November, the last show of the season from New Mexico Actors Lab. Brown (played by a slick Geoffrey Pomeroy) is adviser to the hapless and horrible President Charles Smith (the ever-friendly Robert Nott, perhaps too doofy and not quite hateable enough) in this satirical take on American politics penned by David Mamet.

Mamet, best known for the famously foul-mouthed Glengarry Glen Ross, wrote November in 2008 to lampoon the Bush administration. It’s mercifully not as depressing or epithet-laden as Glengarry (essentially, I didn’t want to end my life as I left the theater), but some of the jokes that we would have found outrageous during the Obama administration just feel too normal now— particularly when President Smith calls a Native American chief “Tonto” over the phone, we aren’t even fazed (Tonto, Pocahontas, whatever). Seems par for the course.

Maybe don’t go to this show if you fancy the theater as a “safe place” away from politics. Spoiler alert, though: That’s not what theater is for.

Actress Jody Durham is the blond and beautiful Clarice Bernstein, who Kellyanne Conway probably wishes she was.

It’s always muttered that Mamet’s works are misogynistic—and sure, the way in which the male characters treat Bernstein and the silly way in which she’s written smacks of sexism … until you look at everyone in this play. They’re all assholes.

They’re all stupid. They’re all entertaining.

This is equal opportunity lambasting, and we’re here for it.

Toward the end, when in a hairy dilemma, President Smith barks to Brown: “Wait. Are we still in the UN?” “Let me check,” Brown says, whipping out his phone.

It’s funny ’cause it feels so true.

(Charlotte Jusinski) NOVEMBER 7:30 pm Thursday-Saturday Aug. 9-11; 2 pm Sunday Aug. 12. Through Aug. 19. $5-$25. Teatro Paraguas, 3205 Calle Marie, 424-1601

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COURTESY OF THE CARL & MARILYNN THOMA ART FOUNDATION, PHOTO BY RW WORK LTD/JULIAN MOMMERT

THE CALENDAR

EVENTS Want to see your event here?

Email all the relevant information to calendar@sfreporter.com.

You can also enter your events yourself online at calendar.sfreporter.com (submission doesn’t guarantee inclusion).

Need help?

Contact Charlotte: 395-2906

WED/8 BOOKS/LECTURES DHARMA TALK BY ROSHI FLEET MAULL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 Maull speaks on "The Four Noble Truths: Liberation from the Structures of Suffering."

5:30 pm, free MIDDLE LENGTH LAM RIM Thubten Norbu Ling Tibetan Buddhist Center 1807 Second St., Ste. 35, 660-7056 In weekly classes taught by Geshe Thubten Sherab, learn about Lam Rim, the Buddhist path to enlightenment.

6:30 pm, free OPPENHEIMER’S RISE AND FALL FROM GRACE La Fonda on the Plaza 100 E San Francisco St., 982-5511 A panel explores the long and tangled history of the role of J Robert Oppenheimer as head of the Manhattan Project (see SFR Picks, page 21).

6 pm, $10

DANCE

Eye Contact: Portraits in the Global Age (opening at Art House on Friday) explores portraiture as a conduit of not only faces, but of trade, colonialism and technology. Robert Wilson’s “LADY GAGA: Mademoiselle Caroline Riviere” is definitely a crowd-pleaser.

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DANCE FOR ALL ABILITIES AND LEVELS Cornell Rose Garden Galisteo St & W Cordova Rd Dance for flexibility, balance, grace, creativity, socializing and joy. RSVP is required at crodill99@gmail.com.

4 pm, $10 EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A collaboration with the National Institute of Flamenco.

8 pm, $20-$50 FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 A dramatic performance by Entreflamenco. Doors open an hour early so you can eat (meals sold separately).

7:30 pm, $25-$40

HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 Hunter/jumper equestrian competition, food trucks, handcrafted beer and wine, fine art and special events. Get info at hipicosantafe.com.

8 am-5 pm, free INSTRUMENT "PETTING ZOO" New Mexico History Museum 113 Lincoln Ave., 476-5100 An interactive educational youth session about the history and evolution of Indigenous Peruvian flute and percussion instruments through hands-on music-making; kids get flutes to take home.

10:30 am-4 pm, free PUEBLO POTTERY DEMONSTRATION: MARIETTA AND MELVIN JUANICO Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 The demo series continues with the Juanicos of Acoma Pueblo. Free with museum admission.

Noon-2 pm, $6-$12 ¡VÁMONOS! SANTA FE: WALK WITH THE FAITH COMMUNITY Bicentennial Alto Park 1121 Alto St. What better motivation to walk than when you can talk to someone interesting while you do it? Rise 'n' shine and stroll with Rev. Blaine Wimberley.

Info: sfct.org/vamonos.

7 am, free

FILM THE TRIP TO SPAIN Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Celebrate the Santa Fe Farmers Market's 50th birthday with a special screening of the acclaimed culinary comedy.

7:30 pm, $10-$25

MUSIC ESTER HANA Vanessie 427 W Water St., 982-9966 Jazz and cabaret on piano.

6:30 pm, free GARY GORENCE Cowgirl 319 S Guadalupe St., 982-2565 Classic rock.

8 pm, free GERRY & CHRIS La Fiesta Lounge 100 E San Francisco St., 982-5511 Irish sounds ‘n’ Latin tunes.

7:30 pm, free JOAQUIN GALLEGOS El Mesón 213 Washington Ave., 983-6756 Soulful flamenco guitar.

7 pm, free MOHIT DUBEY Fuller Lodge 2132 Central, Los Alamos, 662-8405 Dubey, a New Mexico School for the Arts alum and current Oberlin Conservatory senior, presents selections from his album, Fairuz.

7 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

SANTA FE BANDSTAND: JONO MANSON Santa Fe Plaza 100 Old Santa Fe Trail Rootsy rock with support from one-man band sensation Lipbone Redding.

6:30 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: GLORIA CHIEN New Mexico Museum of Art 107 W Palace Ave., 476-5072 Pianist Chien presents Debussy’s Suite bergamasque (including Clair de lune), two iconic works by Chopin and Etudes by György Ligeti.

Noon, $27-$31 SANTA FE CHAMBER MUSIC FESTIVAL: MOZART CLARINET 5TET New Mexico Museum of Art 107 W Palace Ave., 476-5072 Enjoy Chausson's Concerto for Violin, Piano & String Quartet, which moves from dramatic to graceful to pastoral with lively energy.

6 pm, $38-$77 SANTA FE CROONERS Palace Saloon 142 W Palace Ave., 428-0690 Golden Age standards.

6:30-9:30 pm, free SANTA FE MEGABAND REHEARSAL Odd Fellows Hall 1125 Cerrillos Road, 470-7077 Join an open community band which provides an opportunity for musicians to get together and play acoustic string band music.

7 pm, free VICTOR MASON Chili Line Brewing Company 204 N Guadalupe St., 982-8474 Classic Americana and pop tunes on an eight-string baritone guitar, among other instrumental delights.

7:30 pm, free

THE CALENDAR

NANIBAA BECK: ARTIST TALK AND STUDIO TOUR School for Advanced Research 660 Garcia St., 954-7200 The second-generation Diné jeweler hosts a studio visit after a presentation.

5:30-7:30 pm, free PATRICK McGRATH MUÑIZ: FROM COLONIALISM TO CONSUMERISM Museum of Spanish Colonial Art 750 Camino Lejo, 982-2226 The artist discusses his combination of traditional styles and current events to create his surreal work.

5:30 pm, $5-$10 RAHIM ALHAJ SITE Santa Fe 1606 Paseo de Peralta, 989-1199 The Iraqui oud player was awarded the National Endowment for the Arts National Heritage Fellowship, the highest honor for traditional arts in the USA. 6:30 pm, $10-$15

DANCE EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 Another summer of flamenco performances at the Benitez Cabaret welcomes a special collaboration with the National Institute of Flamenco.

8 pm, $20-$50 FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Get dinner (doors open an hour early for that, sold separately) and a dramatic performance by local dancer Antonio Granjero and his renowned international company, Entreflamenco.

7:30 pm, $25-$40

OPERA

EVENTS

MADAME BUTTERFLY Santa Fe Opera House 301 Opera Drive, 986-5900 Giacomo Puccini's beloved, simple, devastating opera in which an American naval lieutenant and a 15-year-old Japanese geisha fall in love, and she bears a child. Then he abandons her. Needless to say, it doesn’t go well.

8 pm, $35-$310

HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 World-class hunter/jumper equestrian competition, food trucks, handcrafted beer and wine, fine art and special events make for a great horsey party. Get schedules at hipicosantafe.com.

8 am-5 pm, free MEDICINAL HERB WALK Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Learn about the plants of the botanical garden on an interactive and educational walk through the gardens focusing on the identification of plants and their medicinal uses.

5-7 pm, $15 O2 OPEN MIC Santa Fe Oxygen & Healing Bar 137 W San Francisco St., 986-5037 What do you get when you combine a nice space, good people, creative expressions, a mic 'n' an amp, then throw in some oxygen elixirs? One hell of a mic, that's what.

8 pm, $5

THU/9 BOOKS/LECTURES LAYLI LONG SOLDIER: WHEREAS City of Mud 1114A Hickox St., 954-1705 Poet Long Soldier, the first Native woman to win the prestigious PEN/Jean Stein Book Award, reads at a fundraiser for United States Congressional Candidate Deb Haaland. Also featuring live music and words from Haaland, who will be in attendance.

6 pm, free

POLLINATOR PLANT DAYS Waterwise Gardening 2902 A Rufina St., 946-3507 Start the day with a pollinator tour from renowned xeriscape horticulturist David Salman, and then pick up hard-to-find pollinator plants that support bee, butterfly and hummingbirds populations.

8:30 am-4 pm, free

FOOD SIT, STAY, SUPPORT Fire & Hops 222 N Guadalupe St., 954-1635 Fire & Hops donates 10 percent of the evening’s proceeds to Española Humane.

5-10 pm, free

MUSIC ARTHUR BUEZO Cowgirl 319 S Guadalupe St., 982-2565 Looks like a folk or bluegrass singer, sounds like a raw, edgy roots-music freight train. He plays a guitar and drums at the same time. What?

8 pm, free BILL HEARNE La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Country and honky-tonk.

7 pm, free DJ INKY The Matador 116 W San Francisco St., 984-5050 Punk, funk, soul, rock 'n' roll, old-school country and modern alternative.

9 pm, free ESTER HANA Vanessie 427 W Water St., 982-9966 Jazz and cabaret on piano.

6:30 pm, free GARRY BLACKCHILD Second Street Brewery (Original) 1814 Second St., 982-3030 Americana.

6 pm, free GERRY & CHRIS La Fiesta Lounge 100 E San Francisco St., 982-5511 Irish and Latin tunes.

7:30 pm, free JOHN RANGEL'S DUETS SERIES El Mesón 213 Washington Ave., 983-6756 Jazz.

7 pm, free KARAOKE Palace Saloon 142 W Palace Ave., 428-0690 The more you drink, the better you sound. #science 10 pm, free MAX MANZANARES AND BERT DALTON Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Jazz.

6 pm, $2 OMAR APOLLO Meow Wolf 1352 Rufina Circle, 395-6369 A mix of jazz, R&B, funk, alternative, soul and pop from a young up-and-comer. With support from Mk.gee and Ryan Justice.

7 pm, $15-$17

You’ve got

goals, we’ve got classes

Reach your financial and home buying goals with help from Homewise. We offer FREE Financial Fitness and Homebuyer Education workshops in both English and Spanish to help you proactively manage your money, plan for the future, and make smart home purchase decisions.

UPCOMING CLASSES:

Financial Fitness for Life

Homebuyer Education

Sep. 15, English, in Santa Fe Sep. 22, Spanish, in ABQ Oct. 20, English, in ABQ Nov. 3, Spanish, in Santa Fe

Aug. 25, English, in ABQ Sep. 8, Spanish, in ABQ Sep. 15, English, in ABQ Sep. 22, English, in Santa Fe

Visit our website for a complete listing of classes.

Sign up today!

Call 983.9473 or register online at homewise.org/register

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THE CALENDAR OPEN MIC & JAM About the Music 2305 Fox Road, 603-4570 Get together with your old friends or make some new ones at this weekly mic. That $5 is a suggested donation.

5-9 pm, $5 RON ROUGEAU The Dragon Room 406 Old Santa Fe Trail, 983-7712 Acoustic classic rock.

5:30 pm, free SANTA FE BANDSTAND: ROBERT MIRABAL Santa Fe Plaza 100 Old Santa Fe Trail Two-time Grammy Award winner Mirabal is a bit of a Native American Renaissance man—musician, composer, painter, master craftsman, poet, actor, screenwriter, horseman and farmer, and he's an engaging performer who never fails to engage his audience with music and lyrics both ancient and contemporary.

6 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: MOZART & FRANCK New Mexico Museum of Art 107 W Palace Ave., 476-5072 Pianist Simon CrawfordPhillips presents the celestial timbre of a celesta in Mozart’s Adagio and Rondo, paired with Franck’s big and bold Piano Quintet.

Noon, $46 TODD TIJERINA Derailed at the Sage Inn 725 Cerrillos Road, 982-5952 Original blues and roots rock.

6 pm, free

OPERA

Walk-ins through September 28th Monday–Friday 8:15 AM to 10 AM or by appointment.

Regular clinic hours: M, T, F: 8-5.

W: 8-1 and 2:30-5.

TH: 8-6.

THE ITALIAN GIRL IN ALGIERS Santa Fe Opera House 301 Opera Drive, 986-5900 Italian model Isabella crashlands in Algiers on a mission to rescue her lover Lindoro from the tyrannical ruler Mustafà in an opera with a youthful, kinetic zing that enchants audiences.

8 pm, $47-$310

THEATER NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 Playwright David Mamet penned this 2008 Oval Office satire as a scathing take on the state of American politics (see SFR Picks, page 21).

7:30 pm, $5-$25

WORKSHOP

Come experience family-friendly healthcare across the life span

DRAWING MODERN: GEOMETRIC LANDSCAPES Georgia O'Keeffe Museum 217 Johnson St., 946-1000 Take a close look at artists Georgia O’Keeffe and Michael Namingha’s works reflecting the New Mexico landscape, and create your own desert-inspired drawing.

5:30-7:30 pm, $18-$35

ENTER EVENTS AT SFREPORTER.COM/CAL

FRI/10 ART OPENINGS DONNA DIGLIO Tresa Vorenberg Goldsmiths 656 Canyon Road, 988-7215 Diglio's distinctive, unique jewelry uses a variety of brilliant gems that spark her imagination. Through Sept. 3.

5 pm, free EYE CONTACT: PORTRAITS IN THE GLOBAL AGE Art House 231 Delgado St., 995-0231 Paintings and digital art both old and new alike approach portraiture as a sociological art. Through Aug. 3, 2019.

5 pm, free HEIDI LOEWEN: CONSTELLATIONS & CRYSTALS Heidi Loewen Fine Art 315 Johnson St., 988-2225 Loewen presents ethereal new porcelain sculptures.

5 pm, free KATHLEEN MORRIS: EMPTY YOUR SOUL Kathleen Morris Studio 1107 Pen Road, 206-818-2516 The artist presents a number of her turbulent, atmospheric "dream portraits," as well as figurative paintings that achieve a mythic, almost monumental presence.

Through Oct. 31.

5 pm, free NAMPEYO: HOPI AESTHETICS: A PRELUDE TO MODERNISM Steve Elmore Indian Art 839 Paseo de Peralta, 995-9677 The show emphasizes Hopi potter Nampeyo’s accomplished pieces that established her as a great modern artist to her collectors and fellow artists. Through Oct. 1.

4 pm, free PETER SCHMID: CAPTIVATING BRILLIANCE Patina Gallery 131 W Palace Ave., 986-3432 The German jeweler launches his all-new exhibition, inspired by the Santa Fe Opera’s 2018 production of Madame Butterfly. Through Sept. 12.

5 pm, free POTEET VICTORY Victory Contemporary 225 Canyon Road, 983-8589 Victory’s Cherokee-Choctaw influence stands out in his abstract paintings. Through Aug. 24.

5 pm, free PUEBLO POTTERY ECCENTRICS AND CURIOS, 1890S-1960S Lyn A Fox Fine Pueblo Pottery 839 Paseo de Peralta, 577-0835 Check out tourist pottery that is sometimes utilitarian and sometimes of no particular use—most are small and were always meant to be relatively inexpensive.

Through Sept. 30.

5 pm, free

ROSE B SIMPSON: TABLE OF CONTENTS Chiaroscuro Contemporary Art 558 Canyon Road, 992-0711 A small collection of large open vessels that have been deconstructed and put back together, exploring the theme/idea of the storyteller and cross-cultural communication. Through Sept. 8.

5 pm, free SANDRA PRATT: PAINTED PLACES Selby Fleetwood Gallery 600 Canyon Road, 992-8877 Pratt's harmonious landscape compositions are rendered by palette knife in bold, confident shapes of thick de-saturated earth tone colors, with nature and old architecture as inspiration. Through Aug. 23.

5-7 pm, free SHERYL ZACHARIA: THE ENDURING VESSEL Tansey Contemporary 652 Canyon Road, 995-8513 Rooted in drawing, Zacharia’s stoneware and porcelain works, in both their shapes and patterns, emerge from her many sketches. Through Sept. 9.

5 pm, free THE ART OF DR. SEUSS: 20TH ANNIVERSARY TOUR Chuck Jones Studio Gallery 126 W Water St, 983-5999 Celebrating the artistic legacy of Theodor Seuss Geisel, this exhibit features a selection of now-rare editions from the Secret Art, Unorthodox Taxidermy Sculpture and Archive collections.

Through Sept. 3.

5 pm, free

BOOKS/LECTURES BREAKFAST WITH THE CURATORS Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 Curator Tony Chavarria hosts popular Santa Clara artists Tammy Garcia, Autumn Borts-Medlock and Jody Naranjo for an intimate tour of What’s New in New. Seating is limited, so call ahead to reserve your spot: 476-1269.

8:30-10:30 am, $30-$35 ROSANNA HARDIN HALL: POESIA: PAINTING IN VENETIAN GARDENS WITH GIORGIONE Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 The former Santa Fean's new book focuses on her paintings and watercolors from Italian locales as well as France, Hawaii, Indianapolis and New Mexico.

4 pm, free

DANCE EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A special collaboration with the National Institute of Flamenco.

8 pm, $20-$50 CONTINUED ON PAGE 26

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COURTESY EAMON FOGARTY

MUSIC

Out of the Bedroom Eamon Fogarty and the power of prog rock

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

M

usician Eamon Fogarty is somewhere in America, touring with his band in tow, when we speak on the phone. I mean to ask where he is, really, but we get wrapped up in conversation—about prog rock, DIY, the old days of punk rock and his salad days at Middlebury College in Vermont.

Fogarty’s current tour is also his big move from New York City to Santa Barbara, California, where his girlfriend lives, so I know his time was precious.

Still, I’ve been bumping his album Progressive Bedroom (out last year on Indiana label Joyful Noise Recording) practically nonstop since he sent it last week, ahead of his upcoming appearance at Zephyr Community Art Studio, and I can say without hesitation that Fogarty’s got the goods.

A subtle yet comforting combination of proggy weirdness wrapped in an accessible pop ‘n’ guitar package, Bedroom is the kind of album that can phase from a pretty keyboard-laden instrumental intro like “Spannungsgesteuerter Nervenzusammenbruch” (don’t ask me to pronounce it) to a soulfully groovin’ bass line beneath Fogarty’s Stephin Merritt-esque vocal work on a jam like “The Carrot” without feeling disjointed; if prog rock is the foundation, indie rock is built on top of that.

“I like to be adaptable,” musician Eamon Fogarty says.

“[My] band in high school—we were really into progressive rock,” Fogarty says, recalling a time in the early aughts when he eschewed the burgeoning and popular world of hardcore and screamo for weirdo bands like Can or Neu!, a time when he was developing his musical sensibilities. “We liked improvising and we liked writing our sort of Baroque song suites and instrumental freak-outs a la the first Pink Floyd albums, but it was a very insular period of musical development. Interacting with an audience didn’t develop for us until later.”

He’d go on to college at Middlebury to pursue environmental studies and nonfiction writing ( journalism, Fogarty says, is for “people who have their shit together”—agree to disagree), a place where he’d also join the chorus and advance musically, picking up theory and better habits, opening his mind even further to the possibilities of classical music and jazz. After college, he went to work as a cheesemonger in New York City where, he says, “I was just trying to make music,” but it wasn’t until a fateful trip to Los Angeles that Progressive Bedroom really came together.

The musical aspects had been completed in a home studio in Catskill, New York—the instrumental tracks, overdubs and all—but Fogarty took his sweet time with vocals until a friend connected him with Psychic Temple mastermind Chris Schlarb in LA. They worked the vocals out quickly and Fogarty would eventually join Schlarb for a tour that subsequently led to Fogarty’s next album, nearly finished with the working title Blue Values.

If Fogarty had enjoyed improv before, Schlarb’s work in connecting him with more than 10 session musicians for the as-yet unreleased stuff brought it to another level.

“We only had two days. We almost didn’t even rehearse half the time, but they were just bringing everything I could possibly want to the table,” Fogarty says. “I could give them the vaguest instructions and they’d know exactly what I was talking about.” It’s unclear what the final product will sound like, but if Progressive Bedroom is any indication, it should expand on Fogarty’s willingness to experiment with time and melody.

As for the title of Progressive Bedroom, Fogarty says it’s a bit like a joke to

himself. “It’s my way of describing what I do because, for me, a lot of people these days might associate ‘bedroom production’ with a Mac DeMarco—someone who records everything in his bedroom,” Fogarty explains. “But the first artist I associate with that is Elliott Smith, and it’s kind of my way of starting to anticipate that question, ‘What do you do?’”

Rest assured, Fogarty still plans to take full advantage of the professional studio world. He says he’s learning more every day about what goes into making the albums he loves the way they sound, even if he does have a background of home recording. Regardless, he’s cultivated a lot of material and says the scope of a venue can dictate what he might play.

“Sometimes it’s fun to just play something strummy. A folk song,” he says. “I like to be adaptable. We’ll figure it out.”

EAMON FOGARTY WITH XANTHE ALEXIS AND RY WARNER 8 pm Sunday Aug. 12. $5-$10.

Zephyr Community Art Studio, 1520 Center Drive, Ste. 2

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THE CALENDAR

You’ll love your smile when you leave City Different Dentistry

FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Get authentic Spanish tapas, wine and beer, and a performance by Entreflamenco.

Doors open an hour before the performances so you can get dinner (sold separately).

7:30 pm, $25-$40

EVENTS CARNEYMAGIC Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Regarded by his peers as one of the world’s best sleight-ofhand performers, John Carney keeps audiences on their toes (see Acting Out, page 31).

7:30 pm, $15-$25 HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 Santa Fe's best party for horse lovers. Get the details at hipicosantafe.com.

8 am-5 pm, free

General Dentistry | Dental Prosthetics | Cosmetic Dentistry

444 St. Michaels Dr., Suite B Santa Fe, NM 87505 www.citydifferentdentistry.com

HACIENDAS: A PARADE OF HOMES Various locations in Santa Fe A self-guided home tour allows folks to see how the other half lives (or perhaps the other 1 percent). Head to sfahba.com for info.

11 am-6 pm, $15 LA MODA II Eloisa Restaurant 228 E Palace Ave., 982-0883 More than 20 local fashion designers show off their unique wares. The show is free, but make a reservation for a meal that you buy like a normal person.

Noon, free OBJECTS OF ART El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 The ninth annual summer showcase for one-of-a-kind historic and contemporary works from around the world returns with more than 70 exhibitors.

11 am-5 pm, $15-$25

POLLINATOR PLANT DAYS Waterwise Gardening 2902 A Rufina St., 946-3507 Start the day with a pollinator tour then pick up hard-to-find pollinator plants.

8:30 am-4 pm, free SANTA FE BANDSTAND: MEOW WOLF'S MONSTER BATTLE PARTY Santa Fe Plaza 100 Old Santa Fe Trail Assemble the fam on the Plaza and battle it out on the dance floor, and dance to the mutant sounds of DJ Snaggy and Max PFFP. Bring your foam swords, squirt guns and crazy costumes.

6 pm, free SECOND STREET ARTS COLLECTIVE OPEN STUDIOS Second Street Studios 1807 Second St. Working artists open their studios. For more info and a list of participants, check out 2acsf.com.

5-8 pm, free

COURTESY CHUCK JONES GALLERY

Please call us at (505) 989-8749 to schedule your dental appointment.

ENTER EVENTS AT SFREPORTER.COM/CAL

See Dr. Seuss like you’ve never seen him before in a show of rarely seen archival works, opening at Chuck Jones Gallery on Friday. This is “Chase in the Forest.” We hear a Who.

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THE CALENDAR

ENTER EVENTS AT SFREPORTER.COM/CAL

ZIA REGIONAL RODEO AND COUNTRY DANCES Rodeo de Santa Fe 3237 Rodeo Road, 471-4300 Kick off the weekend with the New Mexico Gay Rodeo Association at tonight's Santa Fe Country Dance. Cash bar, food, entertainment and all the Western cameraderie you'd expect from such a fete.

6 pm, $15-$25

with Daniel Murphy

FILM BLACK PANTHER Railyard Park Cerrillos Road and Guadalupe Street, 982-3373 The biggest blockbuster of the year, the most aesthetically fantastic movie we've seen maybe ever, and bona fide social phenomenon comes to a screen under the stars. Preceded by a performance by West African musical group Wassa Wassa.

7:45 pm, free MADRID SHORT FILM FESTIVAL Engine House Theater 2846 Hwy. 14, Madrid, 473-0743 This fledgling fest got so many great submissions that two distinct curated programs were necessary to properly exhibit all the very best short films, all made within 50 miles of Madrid, New Mexico.

The festivities continue tomorrow as well. View wild, odd, creepy, funny and searing original entries.

7:30 pm, $15-$25

FOOD ICE CREAM SOCIAL New Mexico Museum of Art 107 W Palace Ave., 476-5072 Sponsored by the Santa Fe Espresso Company (aka the Häagen-Dazs), enjoy ice cream in the courtyard. Free with museum admission.

5-6:30 pm, $6-$12

MUSIC BIRD THOMPSON The New Baking Company 504 W Cordova Road, 557-6435 Adult contemporary with a Buddhist twist.

10 am, free CHANGO Palace Saloon 142 W Palace Ave., 428-0690 Danceable cover tunes.

10 pm, $5 CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 Pianist Charles Tichenor and pals get together for a musical evening.

6 pm, free DAVID GEIST'S ALL-STARS Pranzo Italian Grill 540 Montezuma Ave., 984-2645 The Broadway-style piano master is joined by buddies Jamie Russell on drums and Casey Andersen on bass.

6 pm, $2

COURTESY DANIEL MURPHY

In recent years, Santa Fe musician Daniel Murphy has steadily built his own musical identity as guitarist for metal act Fields of Elysium and a teacher at The Candyman Strings & Things. He’s also dabbled in the solo songwriter realm, playing with some of Santa Fe’s favorite session musicians and always striving to expand his musical vocabulary. Murphy takes over Boxcar this Saturday Aug. 11 (10 pm. Free. 530 S Guadalupe St., 988-7222) with originals and covers. (Alex De Vore) The solo route. What’s that like?

For certain venues and situations, I show up and play acoustic guitar and run through originals and covers.

The majority of the time I have a drummer or bassist.

It was a set crew for awhile—generally I have Case Tanner playing bass. I have another project that’s more of an instrumental acid jazz thing. I play with Fields of Elysium and still a lot of the side man stuff.

It is really satisfying [to collaborate]. It’s less about me requesting and receiving a certain type of sound and more about picking musicians who I trust to input their sound. I’m kind of a control freak when it comes to the player and the personality that comes out in the sound, but I’d rather defer to somebody’s better judgement. I find that’s kind of the fun thing about what I get from the sound—it’s that satisfaction, but it’s less about me saying, ‘Oh, you achieved that thing I was going for!’ And more saying, ‘That’s why I wanted you on the gig.’ I’m definitely more of a collaborator. I’m definitely more about letting people be themselves and have their own sound.

Are you trained? Self-taught?

I started playing guitar a long time ago—for the record, 20 years ago, and I self-taught for a long time. My dad was a musician but we had really different approaches.

I went through a long period of learning by ear for four or five years. You have things and terminology you pick up; I knew enough to get by, but I’d go home and read books about theory and learn how to read charts and understand drummers. Then there was a big learning curve in my 20s when I went from a decent to pretty advanced ear player, to rounding out that side of being a musician. Now I teach music theory at the Candyman, and it’s pretty interesting. I’m not 100 percent sure, but I think I’m the only self-taught teacher there.

What’s in the future? Albums? Touring?

I’m actively working on a YouTube model for that. I’ve been practicing doing some blogging stuff. I’ve felt like, over the years, YouTube has become a lot more important to me, musically—the people who are on that center stage, they mean a lot more to me than the usual in-your-face idea of who’s the best or most successful musician. I’ve found for a lot of people who do well with YouTube, it allows them to have an outlet for being prolific, which I feel I’ve always been. But I hoard everything I do. I would say I have confidence issues.

If you’ve ever met me, I’m very personable and gregarious, but when it comes to actually releasing stuff, I’m really timid. I felt like if there were a less-pressure environment, somewhere where this can live, I don’t need anyone to hear it unless they find it.

SEPTEMBER 1+2, 2018

BIKE&BREW BIKE SATURDAY Santa Fe Haka MTB Marathon | 8 AM Concert with Chango | 7 PM Craft Beer Garden | noon–8 PM SUNDAY Glorieta Gravel Grinder | 8 AM Friendly Enduro | 8:30 AM Craft Beer Garden | 1–6 PM ALL WEEKEND Guided trail rides for all levels Kids’ activities + food trucks

Glorieta Camps, New Mexico free entry + parking RESERVE YOUR CAMPSITE, RV SPOT, OR HOTEL ROOM AND FIND MORE DETAILS AT

OutsideSantaFe.com Bike Demos from

Giant, scott + surly

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RAILYARD URGENT CARE

We put patients first and deliver excellent care in the heart of Santa Fe. Open 7 days a week, 8am – 7pm Railyard Urgent Care is Santa Fe’s only dedicated urgent care clinic operating on a solely walk-in basis, 7 days a week, to ensure excellent medical care with the shortest possible wait times.

Short wait times! railyardurgentcare.com + INJURIES & ILLNESS + X-RAYS + PHYSICALS + LAB TESTS + VACCINATIONS + DRUG TESTING + DOT EXAMS

WHERE TO FIND US 831 South St. Francis Drive, just north of the red caboose.

(505) 501.7791

Old Time Music, Bluegrass, regional Hispanic music and MUCH MORE! FY5, The Bill Hearne Trio, Bayou Seco, and many more bands, plus workshops and all-day all-style jams. Plenty of free camping, great food trucks, live music!

Traditional M usic Fes e F a tival th Sant August 24th rough 26th

Camp Ston ey — 7855 Old Santa Fe Trail, Santa Fe DISCOUNTED ADVANCE TICKETS AT

www.brownpapertickets.com/event/3363397 MORE INFORMATION AT www.sftradmusic.org Santa Fe Friends of Traditional Music a not for profit organization

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THE CALENDAR DOUG MONTGOMERY AND ESTER HANA Vanessie 427 W Water St., 982-9966 Standards, classic and jazz on piano: Doug starts, Ester takes over at 8 pm.

6 pm, free FUN ADIXX Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Pop 'n' dance tunes.

8:30 pm, free HALF BROKE HORSES Second Street Brewery (Original) 1814 Second St., 982-3030 Americana ‘n’ honky-tonk.

6 pm, free HIPPIEFEST Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Catch psychedelic rock acts Vanilla Fudge, Rick Derringer, Mitch Ryder & The Detroit Wheels, and Badfinger featuring Joey Molland.

8 pm, $30-$40 IMPERIAL ROOSTER AND THE HICKOIDS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Gonzo roots, country-punk and rock 'n' roll (see SFR Picks, page 21).

8 pm, free JESUS BAS La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Spanish and flamenco guitar.

7 pm, free JOHN KURZWEG BAND El Farol 808 Canyon Road, 983-9912 Rock 'n' roll from a local expert on the art form.

9 pm, $5 RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar.

7 pm, free SIERRA Turquoise Trail Bar at Buffalo Thunder Resort & Casino 30 Buffalo Thunder Trail, 877-848-6337 Country.

9:30 pm, free TGIF RECITAL: FRED GRAHAM First Presbyterian Church 208 Grant Ave., 982-8544 The organist plays selections

by Mathias, MacMillan, Brahms, Buxtehude, Hampton and Bourgeois.

5:30 pm, free THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 A swinging jazz trio features a special guest every Friday night.

7:30 pm, free TONIC JAZZ SHOWCASE Tonic 103 E Water St., 982-1189 Get some late-night stylings featuring the Stringmasters, a Western swing quartet complete with a pedal steel guitar.

We like that.

9:30 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

TRIO LATINO La Fiesta Lounge 100 E San Francisco St., 982-5511 Música viva para todo tipo de evento, cumbias, boleros, rancheras, corridos y más.

Oh, you don't speak Spanish?

You don't need to understand it to enjoy the tunes.

8 pm, free UNDERGROUND CADENCE Cowgirl 319 S Guadalupe St., 982-2565 Rawking, bluesy, eclectic, funky songs keep you dancing with edgy musical rhythms.

Keisha Cotton's on lead vocals tonight.

8:30 pm, free

OPERA ARIADNE AUF NAXOS Santa Fe Opera House 301 Opera Drive, 986-5900 The wealthiest man in Vienna throws a massive soiree, punctuated by a burlesque show and an opera seria.

When time for the two performances grows unexpectedly tight, the opera's composer is forced to weave the burlesque performers into his plot—to the dismay of the opera divas. We absolutely loved this one, folks.

8 pm, $37-$310

THEATER NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 This 2008 Oval Office satire is a scathing take on the state of American politics in the Age of the Deal (see SFR Picks, page 21).

7:30 pm, $5-$25 WHEN THE UNSEEN BIT: FROM INVINCIBLE TO VULNERABLE Railyard Performance Center 1611 Paseo de Peralta, 982-8309 Written and performed by Maria Fadiman, this autobiographical solo show tells the story of Maria's time as an ethnobotanist who developed a debilitating mold allergy, nearly ending her career.

8 pm, $8-$15

SAT/11 ART OPENINGS GRAND OPENING CELEBRATION Calliope 2876 Hwy. 14, Madrid, 474-7564 View the art of Mitch Berg, Jeff Stevens, Barbara Harnack and more in painting, sculpture and mixed media assemblage.

4-7 pm, free HEIDI LOEWEN: CONSTELLATIONS & CRYSTALS Heidi Loewen Fine Art 315 Johnson St., 988-2225 Loewen presents ethereal new porcelain sculptures.

11 am-5 pm, free

BOOKS/LECTURES ANN BRODE: A GUIDE TO BODY WISDOM The Ark 133 Romero St., 988-3709 Deepen your spirituality, heal old wounds and enhance your emotional and physical wellness by engaging in a conversation with your body.

2-4 pm, free CROATIA: CROSSROADS OF HISTORY Travel Bug Coffee Shop 839 Paseo de Peralta, 992-0418 Ken Hughes was particularly taken by Croatia's love affair with the sea and swimming.

Check out a slide lecture about his travels.

5 pm, free JULIA CAMERON op.cit Books DeVargas Center, 157 Paseo de Peralta, 428-0321 Cameron, the creator of The Artist's Way, presents an afternoon of poetry.

2 pm, free

DANCE CONTRA DANCE Odd Fellows Hall 1125 Cerrillos Road, 470-7077 Don't know contra dance?

There's a lesson at 7 pm. Get dancing at 7:30 pm. With music from Kindred Spirits and caller Merri Rudd.

7 pm, $8-$9 EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A special collaboration with the National Institute of Flamenco.

8 pm, $20-$50 FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 A dramatic performance by Entreflamenco. Doors open an hour before the performances so you can get dinner (sold separately).

7:30 pm, $25-$40

EVENTS AUGUST NEW MOON CEREMONY Santa Fe Oxygen & Healing Bar 133 W San Francisco St., 986-5037 Join a Throwing of the Bones Ceremony, an ancient divination.

5-7 pm, $20 BIRD WALK Randall Davey Audubon Center 1800 Upper Canyon Road, 983-4609 A guided birding hike.

8:30-10 am, free CARNEYMAGIC Adobe Rose Theatre 1213 Parkway Drive, 629-8688 Regarded by his peers as one of the world’s best sleight-ofhand performers, John Carney has won more awards from the celebrated Hollywood Magic Castle than any other performer in its history (see Acting Out, page 31).

7:30 pm, $15-$25 CONTINUED ON PAGE 30

S FR E P O RTE R .CO M /A RTS

P

Around The World Photographer William Frej’s globe-trotting pilgrimage

BY ALEX DE VORE |

a l e x @ s f r e p o r t e r. c o m

WILLIAM FREJ

hotographer William Frej reminded me persistently of his existence via email, but in a really friendly way. I’d reached out first, after all, but I’d been distracted by flooding—apparently, he had not, and made sure I remembered that I had once wanted to meet him before my house had been filled with water.

And anyway, he’d have to be tenacious given the breadth of his catalogue.

We’re talking tens of thousands of images taken over five-plus decades from across the planet.

As Frej puts it, “I always traveled with my camera at my side.”

Frej studied photography in the 1960s under Boyd Nicholl and Paul H Kuiper at the University of Arizona. The latter studied under famed photographer Ansel Adams; Frej even has an original Adams in his library— Yosemite’s Half Dome. Frej as a shooter, meanwhile, has that combination of stellar eye and utter patience, allowing him to line up a beautiful shot and wait for just the right moment of light. “Sometimes you get lucky,” he says as we peruse his work at Peyton Wright Gallery together.

But the truth is: It’s talent.

Frej moved to Santa Fe with his wife eight years ago after retiring, but both spent time here in the ’70s. In addition to photography, he’d studied architecture at U of A and city planning at the University of California, Berkeley. Those fields helped him spearhead an organization called the Santa Fe Neighborhood Housing Services, which helped Santa Feans buy homes—you know it better today as Homewise.

Frej and his wife would also spend time living in Chicago and San Francisco, but Santa Fe always called to them. “Santa Fe, I think, is the closest city in the United States to a culturally rich Indigenous environment,” he says. “It’s a great place

and … my wife and I have talking close-ups of holy “Buddha of Bamiyam After the Taliban, Bamiyam, lived in Indonesia, Poland, men meditating, gatherAfghanistan, 2010.”

Kazakhstan, Afghaniings of priests, Mexican Archival pigment inks on stan—we enjoy Indigenous celebrations and distant archival French platine paper. culture and movements.” vistas of the Gangotri GlaThis enjoyment becomes abundant- cier at the source of the Ganges River. ly clear in Frej’s new show, Sacred Sites “This is what makes this shot work,” and Ceremonies, which opened at Peyton Frej says, motioning to the background Wright last week, his third at the gallery. of a photograph from Oaxaca, Mexico’s The work encompasses time spent in Dia de los Muertos revelers. On the right, India, Afghanistan, Nepal, Guatemala a woman in full face paint smiles coyly at and beyond; through large-scale color the main subject, a man painted up simprints, Frej captures the people and land- ilarly; a face to the left frames the image, scapes of these cultures in stunning de- adding depth while remaining barely notail, each telling a story of its own. We’re ticeable.

John Carney Magic & Comedy Show at Adobe Rose Theatre • August –August  Fri. Sat. at : p.m. • Sunday at  p.m.

November • by David Mamet

New Mexico Actors Lab at Teatro Paraguas August – • Thur. Fri. Sat. : p.m., Sun. at  p.m.

Annual Theatre Walk Santa Fe! For full details and to buy tickets:

www.TheatreSantaFe.org

Watch for the next Theatre Walk day in the Rufina Arts District • September , – p.m.

A&C

Another shot from India features a Sadhu, or holy man, in the foreground, smiling widely. A rickshaw driver sits just out of frame. In the background, Frej describes, a man and woman, both without legs, forage for who-knows-what. Cows, sacred in India, round out the scene alongside a sacred tree. “This is India,” he says softly, perhaps noticing new layers in his own work. This shot is indicative of this particular body of Frej’s, where so much is going on, it begs the viewer for extended time.

Others include a religious sunset procession in Guatemala and ceremonial mask-wearers in Tibet. In 2010, Frej even captured the site of the Buddha of Bamiyam some nine years after the Taliban destroyed it.

And there’s more on the way, too. Frej won’t get into the details of who and how, but he says an American university aims to publish his next book, a compendium of shots of remote Mayan ruins taken while following in the footsteps of 19th-century archaeologist-turned-explorer and photographer Teoberto Maler.

“The Mayans,” he says, trailing off briefly, “it’s still so mysterious— but the architecture of the Mayan world is so distinct and varied that being able to document these masterpieces in a fine art sense—well, nobody’s been looking at Mayan architecture in a fine arts context.”

If anyone can do it and do it right, it’s Frej.

“I’ve had an almost 60-year love of photography, and now I have an opportunity to really pursue it,” he says. “So, yeah.

I’m busy.”

WILLIAM FREJ: SACRED SITES AND CEREMONIES Through Sept. 4. Peyton Wright Gallery, 237 E Palace Ave., 989-9888

Coming up:

The Fiesta Melodrama, a Santa Fe tradition

at Santa Fe Playhouse • August –September  Thur. Fri. Sat. at : p.m. • Sunday at  p.m.

Coming up:

A Midsummer Night’s Dream, by Shakespeare at Santa Fe Botanical Garden August –September  except Mondays All performances at : p.m.

SFREPORTER.COM

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THE CALENDAR

Through November 25, 2018

Detail, The Blessed Gamer

by Patrick McGrath Muñiz.

Rooted in Tradition, Reaching for the Stars: 20 artists who stretch the boundaries of New Mexican art as we know it with new materials and twists on classic imagery.

MUSEUM OF SPANISH COLONIAL ART

On Museum Hill, Santa Fe 750 Camino Lejo | 505.982.2226 Open 10 am – 5 pm | spanishcolonial.org

Meet the Growing Thunders and Kenneth Johnson presents: Currents, Moving Forward: The Muscogee Canoe Paddle Project

Coe Center coeartscenter.org

Thursday August 16 1-3 pm 1590 B Pacheco Street, Santa Fe, NM 87505 • (505) 983-6372

SPECIALIZING IN:

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AUGUST FREE LIVE MUSIC 10

Americana, 6 PM

Folk, 6 PM

11 TRIO 12

AT THE RAILYARD

Saturday

11

AMP RAILYARD PLAZA CONCERT No music in pub

30

AUGUST 8-14, 2018

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SFREPORTER.COM

TROY BROWN

Americana, 6 PM

Sunday

BLACKCHILD

HALF BROKE HORSES

Saturday

9

GARRY

Friday

Thursday

AT THE ORIGINAL

KITTY JO CREEK

Bluegrass, 11:30 AM

CHORIZO WEINER RACES HIPICO Santa Fe 100 S Polo Drive, 474-0999 Open to all professional, junior and amateur dogs! For info: iamgeri2@gmail.com.

2 pm, $5 CITIZENS' CLIMATE LOBBY MEETING Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Learn how CCL is working for climate change solutions that bridge the partisan divide and how you can help the group's efforts.

10 am, free HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 World-class hunter/jumper equestrian competition, food trucks, handcrafted beer and wine, fine art and special events like hoop dances and weiner dog races. Get all the info at hipicosantafe.com.

8 am-5 pm, free HACIENDAS: A PARADE OF HOMES Various locations A home tour in which visitors can dream of capturing that cutting-edge, creative, endemic design and use of materials that has made Santa Fe famous. The self-guided peeping Tom’s dream allows folks to see how the other half lives (or perhaps the other 1 percent).

Head to sfahba.com for info.

11 am-6 pm, $15 KINDRED SPIRITS ANNUAL ART SHOW FUNDRAISER Kindred Spirits Animal Sanctuary 3749-A Hwy. 14, 471-5366 Celebrate 15-plus years of caring for old animals at Kindred Spirits' annual art show fundraiser—plus meet happy senior dogs, horses and poultry on a sanctuary tour featuring works donated by talented local artists.

10 am-4 pm, free NEW MOON WATER WHEEL CEREMONY Frenchy's Field Osage Ave. and Agua Fría St. Pray for moisture and offer up hopes for rain.

6 pm, free OBJECTS OF ART El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 The ninth annual summer showcase for one-of-a-kind historic and contemporary works from around the world returns with more than 70 exhibitors.

11 am-5 pm, $15-$25 POLLINATOR PLANT DAYS Waterwise Gardening 2902 A Rufina St., 946-3507 Start the day with a pollinator tour from renowned xeriscape horticulturist David Salman, and then pick up hard-to-find pollinator plants that support bee, butterfly and hummingbirds populations. No pollinators, no food! Get planting!

8:30 am-4 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

SANTA FE ARTISTS MARKET Santa Fe Railyard Market Street at Alcaldesa Street, 310-8766 Find pottery, paintings, photography, jewelry, sculpture, furniture, textiles and more.

8 am-2 pm, free ZIA REGIONAL RODEO AND COUNTRY DANCES Rodeo de Santa Fe 3237 Rodeo Road, 471-4300 Events hosted by the New Mexico Gay Rodeo Association start at 8 am, and competition starts in earnest at noon. After a day of racing and roping, head to a dance open to everyone at 7 pm with food, cash bar and entertainment from rodeo royalty. Bonus: Gay Rodeo events include animal-friendly calf and team roping, barrel racing and pole bending, plus much more.

8 am-10 pm, $15-$25 ¡VÁMONOS! SANTA FE: FAMILY WALK Santa Fe River Trail W Alameda and Placita de Oro Grab the kids and head to the park to go for a stroll with Anne Nelson of the Railyard Park Conservancy. For more info: sfct.org/vamonos.

9-10 am, free

FILM MADRID SHORT FILM FESTIVAL Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Local impresario Joe West and author Andrew Wice got so many great submissions that two distinct curated programs were necessary to properly exhibit all the very best short films (there were events last night too).It's a celebration of local creativity through high-quality productions recently filmed within 50 miles of Madrid.

7:30 pm, $15-$25

FOOD PINT-FRIENDLY PAIRINGS: A BEER & CHEESE TASTING Cheesemongers of Santa Fe 130 E Marcy St., 795-7878 A happy-hour tasting of craft beers and artisan cheeses.

Get info and tickets at cheesemongersofsantafe. com.

5 pm, $50

MUSIC BROTHER COYOTE The Dragon Room 406 Old Santa Fe Trail, 983-7712 Folky rock.

6:30 pm, free CARLOS MEDINA: EL CANTADOR ALBUM RELEASE Meow Wolf 1352 Rufina Circle, 395-6369 Medina, an old-school New Mexican singer and comedian, celebrates the release of his first studio album.

8 pm, $10

CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 Modeled after 19th-century Parisian cabarets, local musician Charles Tichenor and pals get together. Political subversion through music!

Vive la révolution!

6 pm, free CHATTER SITE Santa Fe 1606 Paseo de Peralta, 989-1199 The Albuquerque institution brings its slightly weird, and comfortably informal contemporary chamber music north.

10:30 am, $5-$15 DANIEL MURPHY Boxcar 530 S Guadalupe St., 988-7222 Americana and rock (see 3 Questions, page 27).

10 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Broadway faves and standards on piano.

6 pm, $2 DENGUE FEVER Railyard Plaza Market and Alcaldesa Streets, 982-3373 Blending psych-rock with a garage band vibe, reviving traditional Cambodian songs plus singing in Khmer, all to a danceable beat, the LA-based band breaks all the molds. With support from Albuquerque indie rockers Red Light Cameras.

7 pm, free DOUG MONTGOMERY AND ESTER HANA Vanessie 427 W Water St., 982-9966 Standards mostly on piano: Doug starts (joined by Elizabeth Young on violin), and Ester takes over at 8 pm.

6 pm, free HALF BROKE HORSES Cowgirl 319 S Guadalupe St., 982-2565 Country and Americana.

1-4 pm, free THE JAKES Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Southern rock ‘n’ roll.

8 pm, free JJ AND THE HOOLIGANS Cowgirl 319 S Guadalupe St., 982-2565 Rock, blues and Americana.

8:30 pm, free JOE WEST Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Alt.country on the deck.

3 pm, free JONO MANSON La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Funky rock 'n' roll originals.

7 pm, free LITTLE LEROY AND HIS PACK OF LIES Derailed at the Sage Inn 725 Cerrillos Road, 982-5952 Rock 'n' roll.

6 pm, free CONTINUED ON PAGE 32

THEATER How is your career different now, with success, than it was when you were younger?

I accept fewer jobs. I can’t always afford it, but I go, ‘I just know if I do that, I’ll end up hating what I love.’ … When I was 15 or 16, there was a [magician] from Chicago who was big in the region. … I was really eager to meet him. He did a lot of trade shows, where you’re selling products— you stop people, you work the message of the product into your magic trick, and then send them on their way. You do that show 20 or 30 times a day. I met this guy, I’m just a pimply-faced teenager, like, ‘Oh, jeez, it must be great to be a professional magician!’ and he’s like—‘Oh yeah, great. You’re on your feet all day, your feet are sore, you’ve gotta go out with the client afterward and drink or you don’t get booked back, then you wake up in the morning and look in the mirror and your eyes are bloodshot and you say, ‘I’m gonna do this trick 80 times today.’

And it shocked me. He really didn’t like it any more. He was sick of it. I said, ‘I’m never going to do magic for a living.’ … So I worked office jobs, some retail jobs—but finally I said, ‘If I’m going to struggle, I’m going to struggle with something I like.’ So ... I’m very careful to not take things I don’t want to do.

what I can do,’ and the other is ‘Experience this. Did you feel that? Wasn’t that amazing, what you just felt?’

ACTING OUT The Secret

BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m

eople have a picture in their minds when you say magic; either David Copperfield dancing around or some guy with confetti cannons and bunnies at a birthday party,” John Carney says by way of introduction. “But I enjoy the minimalist thing. I don’t have people hiding under the table or offstage with listening devices. Everything is me.”

This weekend at the Adobe Rose Theatre, Carney joins a growing cadre of magicians swinging through Santa Fe—many of whom will hit the Jean Cocteau Cinema—to show close-up magic, illusions and mind-reading (it’s family-friendly, but not for kids; the older you are, the greater percentage of jokes you’ll get). As a dyed-in-the-wool magic nerd, I knew I had to ask Carney about what I think is the most fascinating form of performing art in existence. He’s been on Letterman and has won more awards than anyone else from Hollywood’s Magic Castle (kind of a magician’s Mecca), so he could be one of the best there is.

SFR: You talk a lot about your mentor, Dai Vernon. What made him so good?

JC: Vernon was probably one of the greatest sleight of hand [artists] in the 20th century. He was not just good with his hands; he was good with the psychology and the choreography, and it had a real elegance and history to it. … He went deeper. It was seamless. His thing was, ‘Never let them know that you’re doing sleight of hand—you never display your skill.’ … There’s a trend now—and it’s perfectly fine if you want to do that, it’s not my thing—where you display a lot of skill. You flip the cards around, you do a

lot of fancy things, and people say ‘Wow, that’s great’—well, it’s more juggling than anything else.

So what is the difference between what you do and the flashy stuff ?

It’s a different impression that you give people: One is, ‘Wow, you’re really skillful, you’re really great,’ and the other one is, ‘How can that possibly be?’ It’s a sense of wonder. They’re two different ends of the spectrum. One is, ‘Appreciate me, look

TAYLOR WONG

P

“

Speaking of juggling, a former associate of mine who was a street performer once said that jugglers are the lowest of the low, respect-wise. I mean, I can’t juggle, I’m not dissing the skill—but is there a hierarchy in this field?

He’s wrong about that jugglers thing. I don’t care if you’re a mime or a juggler or a magician or a musician, I take it case by case. I’ve seen really horrible jugglers and I’ve seen really brilliant jugglers. I’ve seen really good technical jugglers that were boring, and really average technical jugglers that were immensely entertaining.

The same thing with magicians. … And it sounds kind of pretentious to talk about magic as an art form, but that’s what I’m shooting for. I invest enough thought and care into it that it transforms.

Really, what is painting or music? …

It’s not the tools, it’s not the art form; is the person an artist? And whether anybody would agree whether I’m an artist or not, that’s what I’m going for, and there’s responsibility to that and a discipline to that. … I don’t put a hierarchy on the art form. I can tell how much time they’ve invested, just by their skill level and their performance skill level.

A number of years ago, that selfsame street performing magician wowed me with a pretty simple trick—then after the show, he told me he’d tell me how he did it as long as I went to dinner with him. Did he break some kind of magician code by telling me a secret to a trick to get a date?

There’s no rule book—but yeah, I mean, he took a shortcut to asking you out. He’s more at fault for using that as an excuse. But you know … when you talk about just ‘the secret,’ the secret is simple. I can explain ‘the secret’ in a sentence; how it was done. But that is just one percent of the whole thing. … There are so many other things involved. Body language, the way you communicate with people, what makes them suspicious, the psychology, the presentation, the technique. … If you just say ‘the secret’—oh, you pretend to put it here and do that— people toss it off and say, ‘That’s all there is.’ But there’s so much more to magic than that one secret.

CARNEYMAGIC

Magician John Carney specializes in making you think he’s a perfectly normal, unassuming dude until he suddenly blows your mind. Guaranteed there is a coconut in that hat.

7:30 pm Friday and Saturday Aug. 10 and 11; 3 pm Sunday Aug. 12. $15-$25. Adobe Rose Theatre, 1213 Parkway Drive, 629-8688

SFREPORTER.COM

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AUGUST 8-14, 2018

31

THE CALENDAR

inside] out t h e h e A RT o f m enta l i l l n es s

[6th Annual ART EVENT]

with art created by those living with mental illness August 10, 5-7 pm Opening Night + Artist Reception August 10 through August 19, 10 am - 7 pm Gallery Exhibit ALL EVENTS ARE FREE AND OPEN TO THE PUBLIC CCA Cinematheque Gallery 1050 Old Pecos Trail Santa Fe, New Mexico For more information visit

wwwInsideOutSantaFe.org

Fragmented, collage and mixed media on paper, ©2017 Rebecca Best

W E A R E G R AT E F U L F O R T H E S U P P O R T O F O U R S P O N S O R S

Wilkinson Fine Art Framers, Gavin Collier & Co, Perspectives, ArtStacks, and CCA. Special Thanks to Justin's Frame Designs, Fine Art Framers, and Goldleaf Framemakers.

Inside Out is made possible in part by New Mexico Arts, a division of the New Mexico Department of Cultural Affairs, and by the National Endowment for the Arts.

and Peer Supports are here to HEAR YOU 24 /7/365

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Peer to P e

Professional Counselors

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1 (855) 662-7474 1 (855) 466-7100

www.nmcrisisline.com Warmline

1 (855) 662-7474 For TTY access call 1 (855) 466-7100 1 (855) 227-5485

AUGUST 8-14, 2018

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LOS PRIMOS MELØDICOS El Mesón 213 Washington Ave., 983-6756 Afro-Cuban, romantic and traditional Latin music.

7:30 pm, free MÉLANGE Tonic 103 E Water St., 982-1189 Latin jazz.

9:30 pm, free NOSOTROS Palace Saloon 142 W Palace Ave., 428-0690 Latin jammers.

10 pm, $7 PETER Y LOS HERMANOS Camel Rock Casino 17486 Hwy. 84/285, Pojoaque, 984-8414 Norteño tunes.

8:30 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar.

7 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: BACH & VIVALDI Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Enjoy Bach's Concerto in C Minor for Oboe & Violin and a two-violin concerto grosso by Handel, then on to concertos for three and four violins by Vivaldi.

5 pm, $15-$53 SILENT DISCO!: DENGUE FEVER AFTER PARTY Sky Coffee 1609-A Alcaldesa St., 87501 You've seen the goofy videos online, now experience it yourself: A silent disco, or "quiet clubbing," in which everyone wears wireless headphones and dances to piped-in music—but to folks without headphones, it's just a bunch of people groovin' to nothing. Bust a move (silently) to the DJ tunes of Sky Civilian, Maurice Oliver and others.

9 pm, free SIMPATICO Turquoise Trail Bar at Buffalo Thunder 30 Buffalo Thunder Trail, 877-848-6337 Tejano-style rancheras and cumbias fuse with traditional New Mexico favorites.

9:30 pm, free ST. RANGE AND SUNBENDER Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 St. Range's sound harks to '60s psychedelic and classic rock with a distinct Southwestern flavor. They're joined by Sunbender's progressive alt.rock full of lush sonic soundscapes that fit somewhere between rock and pop.

8:30 pm, $8-$10 TRIO LATINO La Fiesta Lounge 100 E San Francisco St., 982-5511 Cumbias, boleros, rancheras, corridos y más.

8 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

TROY BROWNE TRIO Second Street Brewery (Original) 1814 Second St., 982-3030 Soulful Americana.

6 pm, free

OPERA CANDIDE Santa Fe Opera House 301 Opera Drive, 986-5900 Candide and his fiancee Cunegonde live by the sunny mantra, "Everything's for the best in this best of all possible worlds." Spoiler alert: Things go a little wrong. OK, a lot wrong.

8 pm, $35-$310

THEATER NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 Playwright David Mamet, in his usual no-holds-barred style (think Glengarry Glen Ross), penned this 2008 Oval Office satire as a scathing take on the state of American politics (see SFR Picks, page 21).

7:30 pm, $5-$25 WHEN THE UNSEEN BIT: FROM INVINCIBLE TO VULNERABLE Railyard Performance Center 1611 Paseo de Peralta, 982-8309 Written and performed by Maria Fadiman and directed

by Tanya Taylor Rubinstein, this autobiographical solo show tells the story of Maria's time as an ethnobotanist working with National Geographic, and what happened when she developed a mold allergy that nearly ended her career.

8 pm, $8-$15

WORKSHOP FIXIT CLINIC MAKE Santa Fe Studios 2879 All Trades Road, 819-3502 Bring your broken electronics, appliances, toys and so on for assessment, disassembly and possible repair. MAKE provides workspace, tools, and guidance by specialists. Visit fixitclinic.org for all the info.

1-4 pm, free HOMEBUYER EDUCATION Homewise 1301 Siler Road, Bldg. D, 983-9473 Homewise presents a free workshop to help you understand the home buying process and prepare you to make informed decisions.

9 am-4 pm, free

SUN/12 ART OPENINGS ART & LEADERSHIP EXHIBITION OPENING Georgia O'Keeffe Museum 217 Johnson St., 946-1000 View artwork created by program students, plus food and music.

3-5 pm, free

LOBO, THE KING OF CURRUMPAW: THE WORLD'S GREATEST WOLF STORY Academy for the Love of Learning 133 Seton Village Road, 995-1860 Commemorate the 124th anniversary of Ernest Thompson Seton's story "Lobo, The King of Currumpaw." An art show features work from 55 contemporary artists whose art will also be published in the form of a graphic novel and available at this opening.

2-4 pm, free

BOOKS/LECTURES ENLIGHTENED COURAGE Thubten Norbu Ling Tibetan Buddhist Center 1807 Second St., Ste. 35, 660-7056 Explore the ideas in The Way of the Bodhisattva, a great classic of Indian Buddhist literature.

10 am-noon, free JOURNEYSANTAFE: DENISE LOW Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 In a new kind of program for Journeysantafe, the former poet laureate of Kansas reads from her new poetry collection, Shadow Light. Lisa Bickmore, Red Mountain Press's new managing editor, and Susan Gardner, publisher and founding editor, also read in support of Low's launch.

11 am, free THE POWER OF WORDS IN JEWISH IDENTITY Congregation Beit Tikva 2230 Old Pecos Trail, 982-4931 A Jewish Day of Learning about the power of words and oral traditions in creating Jewish identity.

1-5 pm, $12-$15 SANTA FE SOUL FESTIVAL: AFRICAN INFLUENCES ON THE BLACK CHURCH First Presbyterian Church 208 Grant Ave. ,982-8544 In advance of a gospel concert this evening, catch a lecture by Shani Sterling and Ikechi Ojore.

2 pm, free

DANCE EMIARTE FLAMENCO The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A collaboration with the National Institute of Flamenco.

8 pm, $20-$50 FLAMENCO YOUTH DE SANTA FE The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 A youth show of flamenco artists ranging from ages 5-18, accompanied by nationally acclaimed guitarist Chuscales and singer Vicente Griego.

2 pm, $15-$20 CONTINUED ON PAGE 34

SMALL BITES

JOY GODFREY

@THEFORKSFR

Il Piatto brown sage butter, with pine nuts and a sharp, salty pecorino romano cheese to balance the sweetness. Il Piatto sports two happy hours, a traditional afternoon one as well as one of Santa Fe’s few late happy hours (9-10:30 pm), during which appetizers and a selection of wines are half-off. If servers from other restaurants are lucky enough to get off work in time, you’ll often find them noshing away happily at the bar.

(Matt Grubs) 95 W Marcy St., 984-1091 Lunch Wednesday-Saturday; dinner daily ilpiattosantafe.com

JOY GODFREY

Chef Matt Yohalem has been turning out rustic Italian food at this homey Marcy Street location for more than two decades now. The kitchen makes its own flours and pasta from local wheat that is locally ground. Yohalem makes a point of buying local produce, too, as he has for years. The prix fixe lunch ($25) is a midday treat that will get you an appetizer, entree and the dessert you wouldn’t otherwise splurge on. At dinner, the whole-leaf Caesar salad ($12) and Corsican gazpacho ($10) are standout starters. The pumpkin ravioli ($15/$23) comes drizzled in

Sunrise Family Restaurant Santa Fe loves its old things that live again as new things. This St. Michael’s Drive dive extraordinaire is one of them. The former Green Onion (colloquially, the Grunion) is just below the surface in the decor that has not seen a redo in more than a decade, but here you’ll find another place to feel familiar. Get to Rafael Aldana’s family-run restaurant by looking for the satellite dish that’s been painted like a plate of bacon and eggs. Sunrise, as the name indicates, is best for breakfast. It offers standard local fare with a huge menu that’s got three-egg-white spinach omelets for the healthy types ($8.25) and biscuits and gravy with chorizo (order both a la carte), huevos rancheros ooz-

ing with cheese ($7.99), bowls of tender beans and piles of fried potatoes for everyone else. Lunch and dinner mean a chance at three asada tacos with beans and rice ($8.99). Those tiny cubes of steak are served with grilled onion and a cold avocado wedge on a soft corn tortilla that can barely hold in the flavor. Bottomless hot coffee in shapely white mugs that beg to be held and bottles of Coke are on the beverage list, but no beer here. Maybe, after the night you had, you should just order menudo for $7.50 and be happy.

(Julie Ann Grimm) 1851 St. Michael’s Drive, 820-0643 Breakfast and lunch daily sunriserestaurantnm.com

THESE RESTAURANTS ALSO APPEAR IN SFR’S RECENT 2017/18 RESTAURANT GUIDE. FIND PICKUP LOCATIONS AT SFREPORTER.COM/PICKUP

A S S E E N O N T H E D AV I D L E T T E R M A N S H O W

AU G 1 0 - 1 1 7 : 3 0 P M & AU G 1 2 3 P M AT T H E A D O B E R O S E T H E AT R E H T T P : / / C A R N E Y M A G I C A D O B E R O S E . B P T. M E 1 - 8 0 0 - 8 3 8 - 3 0 0 6 • W W W. A D O B E R O S E T H E AT R E . O R G 1 3 1 2 PA R K WAY D R I V E , S A N TA F E G E N E R A L $ 2 5 / S E N I O R S & M I L I TA RY $ 2 0 STUDENTS $15 / CHILDREN 12 & UNDER $10 SFREPORTER.COM

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Meet SFR’s winning team…

Among 55 alternative publications nationwide that entered the 2018 AAN awards, we’re proud to announce SFR’s accolades: Nuclear Neighborhood

BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m @aaron_con_leche

E Y THAT MAD A COMPAN TO DETECT EQUIPMENT TOXIC LEFT RADIATION IN A SHUTTERED MATERIAL DING BUIL SANTA FE

12

SEPTEMBER 27-OCTOBER 3, 2017

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E

nough radioactive material to endanger the whole city in the wrong hands.

That’s what was inside an 80-gallon plastic drum secured with duct tape and Velcro, left in an abandoned building on Airport Road as recently as last year.

The old Eberline Instruments facility sits behind a fence near where the southwest Santa Fe thoroughfare intersects South Meadows Road.

Sweeney Elementary School is less than 500 feet away, and some homes and businesses are even closer.

The global company that owns the land says the radioactive material called americium-241 was further encased inside a smaller steel drum and sealed air-tight before someone finally took it away. But a letter state officials sent to Thermo Fisher Scientific last summer indicates some toxic material may still remain unaccounted for.

What’s bad for Santa Fe is that nearly everything the public knows about the property’s potential contamination has come from the company itself, a Massachusetts-based world manufacturer of laboratory instrumentation and high-tech equipment with a spotty track record for following safety regulations at its Eberline facility.

It’s not just 2 grams of americium-241, a radioactive nuclide resulting from decayed isotopes of plutonium forged in nuclear reactors, that was left sitting around. There was a long list of other similarly toxic radioactive materials used when manufacturing occurred there.

Until a decade ago, the Eberline plant made radiation detection equipment that it shipped to nuclear facilities all over the world. The plant’s founder, Howard Clayton Eberline, had imagined in the 1950s that Santa Fe would supply the instruments to facilitate the nuclear energy revolution.

The facility’s trajectory from the front lines of this industry to a poison-packed shell on the city’s edge is as much a story about local industrial decline as it is about a lack of accountability. A review by SFR of half a century’s worth of newspaper reporting as well as records from the state Environment Department suggest that Eberline’s role as a large employer and the stature of

SFREPORTER.COM

INVESTIGATIVE REPORTING

NUCLEAR NEIGHBORHOOD Aaron Cantu's look at toxic waste left on the Southside by a major corporation THIRD PLACE

DRINKS GUIDE INSIDE LOCAL NEWS

AND CULTURE

AUGUST 16-22, 2017

SFREPORTER.COM FREE EVERY WEEK

ATOR PREDIT S POL IC MEXICAN ES’ RAL PLAN FOR A NEW FEDEAGEMENT MEETS STAT WOLF MAN DOES IT MEET THE WANTS, BUT S? WOLVES’ NEED , P.12 ETH MILLER

BY ELIZAB

LOCAL NEWS

AND CULTURE

AUGUST 9-15, 2017 SFREPORTER.COM FREE EVERY WEEK

FATHER FIGURES THE UNTOLD FINANCIAL, EMOTIONAL AND SPIRITUAL COST OF NEW MEXICO’S CATHOLIC PRIEST SEX CRIMES

BY MATT GRUBS, P.12

COVER DESIGN AND ILLUSTRATION

PREDATOR POLITICS and FATHER FIGURES Anson Stevens-Bollen’s original artwork SECOND PLACE

2017 - 2018

SPECIAL SECTION

2017 ANNUAL MANUAL Staff SECOND PLACE

THE CALENDAR FLAMENCO DE SANTA FE SUMMER SEASON El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Get dinner and a dramatic performance from Entreflamenco. Doors open an hour before the performances so you can get situated with dinner (sold separately).

1:30 pm and 7:30 pm, $25-$40

EVENTS CARNEYMAGIC Adobe Rose Theatre 1213 Parkway Drive, 629-8688 John Carney has won more awards from the celebrated Hollywood Magic Castle than any other performer in its history. (For those who aren't magic-nerds, that is a huge deal.) See Acting Out, page 31.

3 pm, $15-$25 THE GOOD MANNERS OF COLONIZED SUBJECTS Santa Fe Woman’s Club 1616 Old Pecos Trail, 983-9455 Through spoken word and dance, Shebana Coelho, a Santa Fe-based artist originally from India, interweaves dance and memoirs of colonization and liberation, circling towards a cathartic re-imagining of that first moment indigenous to the species: the experience of art.

6:30 pm, $10 HIPICO SANTA FE SUMMER SERIES HIPICO Santa Fe 100 S Polo Drive, 474-0999 Santa Fe's best party for horse lovers. Get all the info at hipicosantafe.com.

8 am-5 pm, free HACIENDAS: A PARADE OF HOMES Various locations A self-guided peeping Tom's dream allows folks to see how the other half lives in houses that are beautiful in design and decor.

11 am-6 pm, $15 INDIGENOUS COMIC CON YOUTH SPONSORSHIP FUNDRAISER Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Native Realities and the Indigenous Comic Con collect sponsorships to help Native youth to attend this year’s convention. See live art-making, a fashion showcase, food and beverage from local donors, a short film screening and more (see SFR Picks, page 21).

7 pm, suggested donation $20 LOVING MORE SANTA FE MEETING Bourbon Grill 104 Old Las Vegas Hwy., 984-8000 The polyamory group is open to all to discuss all types of relationship issues and to learn about the diversity of relationship options that exist in our society. Learn about the national group: lovemore.com.

5-8 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

MEDITATION & MODERN BUDDHISM: SOLUTIONS FOR DIFFICULT DAYS Zoetic 230 St. Francis Drive, 292-5293 Learn simple meditations that cause lasting happiness and contentment to arise within.

10:30 am-noon, $10 OBJECTS OF ART El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 The ninth annual summer showcase for one-of-a-kind historic and contemporary works from around the world returns with more than 70 exhibitors.

11 am-5 pm, $15-$25 STEAM SUNDAYS New Mexico Museum of Art 107 W Palace Ave., 476-5072 Find out how gallery artists use science, technology, engineering, art and math to create their work through a scavenger hunt. Free with museum admission.

10 am-5 pm, $6-$12 SANTA FE FARMERS MARKET COMMUNITY PICNIC Santa Fe Farmers Market 1607 Paseo de Peralta, 983-4098 Celebrate the market's 50th birthday with a community picnic with games and music, Frito pies and fresh-roasted corn, plus salads, drinks, and desserts made using local ingredients.

5 pm, $5-$25 SUMMER FLING Vista Grande Public Library 14 Avenida Torreon, Eldorado, 466-7323 In an event to benefit the library, find great food, auctions, entertainment and family fun. Get all the info at vglibrary.org.

1-4:30 pm, $5-$8 THE GATE OF SWEET NECTAR LITURGY Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 A chant offers the bodhi mind of love, wisdom, and transformation.

5:30 pm, free ZIA REGIONAL RODEO AND COUNTRY DANCES Rodeo de Santa Fe 3237 Rodeo Road, 471-4300 Events hosted by the New Mexico Gay Rodeo Association start at 8 am, and competition starts in earnest at noon. After a day of racing and roping, head to a dinner (cash bar) that starts at 6 pm, and an awards ceremony at 8 pm.

8 am-10 pm, $15-$25

FOOD PINTS FOR PARKINSON’S Boxcar 530 S Guadalupe St., 988-7222 This evening of giving and celebrating includes rock 'n' roll from the Zig Zags and Tiho Dimitrov for a suggested donation at the door. Learn more at p4pnm.org.

7 pm, $20

MUSIC BETSY AND THE HOLLYHOCKS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Alt.country and desert rock on the deck.

3 pm, free BO DePEÑA Cowgirl 319 S Guadalupe St., 982-2565 Folk, Americana and country.

8 pm, free CHRISTIAN VINCENT La Fiesta Lounge 100 E San Francisco St., 982-5511 Classical and flamenco guitar.

6 pm, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Piano standards, originals and pop with vocals too.

6:30 pm, free JIM ALMAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Soulful blues and R&B. 1 pm, free JOE WEST AND FRIENDS Cowgirl 319 S Guadalupe St., 982-2565 Get to the patio for an alt. country brunch.

12 pm, free KITTY JO CREEK Second Street Brewery (Original) 1814 Second St., 982-3030 Bluegrass.

11:30 am-1:30 pm, free NACHA MENDEZ La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Creative but rooted takes on Latin music.

7 pm, free PAT MALONE AND JON GAGAN El Farol 808 Canyon Road, 983-9912 A jazzy duet.

7 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: MOZART & SMETANA Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Mozart once said that his Quintet for Piano and Winds was "the best thing I have written in my life;" Smetana's Piano Trio was written in one of the most profound moments of his life.

6 pm, $15-$90 SANTA FE SOUL FESTIVAL: GOD’S HOUSE CHURCH CHOIR First Presbyterian Church 208 Grant Ave., 982-8544 Elliott Paige of the Santa Fe Opera joins the gospel group.

4 pm, $10-$75 W0RK Ghost 2899 Trades West Road The punky experimental electro-dystopia band out of Oakland, California, gets local-er support from Albuquerque groups Bigawatt, Euth Group and Tropical Girls.

8 pm, $5-$10 CONTINUED ON PAGE 36

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SFREPORTER.COM

FOOD

Cornbread Moon Tha Smoke Shack serves up delicious Southern barbecue, one turkey leg at a time

BY MARY FRANCIS CHEESEMAN

@THEFORKSFR

BY MARY FRANCIS CHEESEMAN a u t h o r @ s f r e p o r t e r. c o m

T

here was already a line forming at 11:45 am when I approached Tha Smoke Shack, a food truck decorated with cheerfully colored winged pigs flying down its side. It’s parked in a used car lot at the corner of St. Michael’s and Cerrillos, next to a cord of wood and a coal-black smoker that vaguely resembles the caboose of a train. Turns out that wood came a long way. Every two months, owner Michael Baker makes a pilgrimage to Texas to pick up a truckload of split dried oak logs.

“That pile there came from a tree that was over 15 years old,” he tells me. “Then they season it for a year and a half. A lot of people in the Southwest use mesquite, hickory and apple, stuff like that, but I don’t do that. Mesquite has a harsh taste, and gives too much smoke.”

Using the right wood is one of the fundamental steps in creating some of the most mouth-watering traditional Southern barbecue Santa Fe currently has on offer.

The oak in question is used to fire the smoker, which has an inner tunnel connected to the fire box. It funnels smoke into a chamber that bounces it back toward the food being cooked above the burning logs.

“It gives it a more even smoke,” Baker explains. Inside are rows of gleaming, foil-covered containers of brisket, pulled pork, chicken, turkey legs, baby back

Authentic Southern barbecue comes from a used car lot in Midtown.

ribs, spare ribs, sausage and onions. The meats are dry rubbed and placed in the smoker to slowly cook in their own juices.

Depending on the cut, it can take almost a half day—the brisket and pulled pork take up to 10 hours. Baker likes his ribs to practically melt off the bone, so he dry rubs them twice during cooking to get the right texture. “This is backyard barbecue, not competition barbecue, which is when you bite into it and the meat stays on the bone,” he explains.

On average, almost everything ranges from $8 to $13, with a half rack of ribs going a little higher for $15 and a full rack for $32. “You can come here on your lunch break and get a good meal for $10. We’re not here to break your pocket,” Baker says cheerfully from behind a window, wrapping an enormous turkey leg up to go. “We’re just here to fill your belly up and put a smile on your face.” Depending on the day, there are also sides of cole slaw, baked beans, loaded baked potatoes, cornbread muffins, sweet potato pie and collard greens.

Baker’s day is a rigorous cycle of cleaning and cooking, not to mention caring for two sons, one of whom has cerebral palsy.

The Bakers moved here in 2015 because

the climate suited his son’s condition better than their central Florida hometown of Bartow. In the beginning, however, he was homeless for two months, and he worked at a McDonald’s and a Shell gas station for two and a half years. All the while, he saved up the money to achieve his dream, which culminated in the opening of the food truck last May. “When I moved here I told my boys we’re going to be okay,” Baker recalls. “My son was like, ‘Dad, they don’t do barbecue here’—and I told him that’s right, that’s what’s going to set us apart from everybody else. We’ll be the first black Southern barbecue in Santa Fe.” I ask him if I can quote him on that, and he says it’s okay. “I don’t want to offend anyone,” he says with a laugh. “But sometimes I ask people, ‘Did you pull over because you saw a black man outside cooking barbecue?’ And they always say yes.”

I sample the half rack of ribs, and from the second I open the hot tin foil up to the third napkin I use to wipe the sauce from my fingers, I can’t put it down. They are perfectly tender, the sauce is vinegary and slightly sweet, yet slightly spicy—and comes on the side, rather than slathered on the meat. The chicken and turkey legs

are equally tender, served alongside the same sauce. “I feel that when you put barbecue sauce on the meat you’re trying to hide something,” Baker explains. “You want to taste the meat, then you add the sauce.”

The sauce in question is a family recipe, handed down through generations. “My grandpa started doing it 60 years ago, and he told my dad and my dad didn’t tell anybody until he was on his deathbed.

And then he told me. A week later he passed away,” Baker says. “He said I finally deserved to get it.” Baker also plans on debuting a cinnamon apple green chile barbecue sauce in the coming weeks, hiring more people, and hopefully expanding to a storefront in the future.

“My dad owned a restaurant called The Silver Spoon, and we called it a juke joint because you could go dance and have a beer and eat all at the same time,” Baker reminisces. “That’s how I want it to go here. I want something small that feels like home.”

THA SMOKE SHACK St. Michael’s Drive and Cerrillos Road, 303-8808 Noon-7 pm Tuesday-Saturday. Cash only.

SFREPORTER.COM

• AUGUST 8-14, 2018

35

THE CALENDAR W

en e be v ’ e

waiting al l ye

ar !

XANTHE ALEXIS, EAMON FOGARTY AND RY WARNER Zephyr Community Art Studio 1520 Center Drive, Ste. 2 You'd be hard-pressed to find a voice more beautiful than that of Alexis, an Americana singer-songwriter from Colorado Springs. She’s joined

by New York City-based "progressive bedroom" rocker Eamon Fogarty and local folk-rocker Ry Warner (see Music, page 25).

8 pm, $5-$10

THEATER

Best of santa fe

t-shirts & tANKS — pickup

or

ship —

available now!

Get yours at

SFReporter.com/shop

NOVEMBER Teatro Paraguas 3205 Calle Marie, 424-1601 This 2008 Oval Office satire is a scathing take on the state of American politics (see SFR Picks, page 21).

2 pm, $5-$25

WORKSHOP HOW TO PLANT A FALL VEGETABLE GARDEN Santa Fe County Fairgrounds 3229 Rodeo Road Learn how to plan for fall veggie gardening using cool-season crops. Presented by the Santa Fe Master Gardener Association.

Noon-2 pm, free

MON/13 EVENTS ESL CLASS ORIENTATION Santa Fe Community College 6401 Richards Ave., 428-1000 Whether you speak no English at all, or if you know a little or a lot of English, SFCC has the hookup. Learn more about the course here.

10 am-1 pm, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group to discuss your concerns and for group activism.

7 pm, free

MUSIC

15

$

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AUGUST 8-14, 2018

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BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana.

7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 “Minnie the Moocher.” It’s done a lot but it’s always good and we’ll never not sing hee dee hee dee hee dee hee.

9 pm, free DOUG MONTGOMERY AND ELIZABETH YOUNG Vanessie 427 W Water St., 982-9966 Montgomery provides the standards, originals and pop on piano, and Young joins in on violin.

6:30 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

SANTA FE CHAMBER MUSIC FESTIVAL: MAHLERCOOKE-GILBERT Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Artist-in-residence Alan Gilbert leads Schoenberg's intimate chamber version of Mahler's exotic and haunting song-symphony Das Lied von de Erde.

6 pm, $15-$90 SANTUARIO DE GUADALUPE FUNDRAISER CONCERT Santuario de Guadalupe 100 N Guadalupe St., 988-2027 Schola Cantorum of Santa Fe performs the music of Ireland and Northern New Mexico to raise funds for the Shrine of Our Lady of Guadalupe's preservation project. It’s by donation, so be generous.

7 pm, free VAIVÉN El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Flamenco-jazz fusion with Calvin Hazen, Jon Gagan and Bobby Rothschild. Doors open an hour before the performance so you can get situated with dinner (sold separately).

7:30 pm, $25

OPERA MADAME BUTTERFLY Santa Fe Opera House 301 Opera Drive, 986-5900 Giacomo Puccini's beloved, simple, devastating opera is one of Santa Fe Opera's most popular shows of all time, so get your tickets early.

8 pm, $35-$310

TUE/14 ART OPENINGS IMPRINT Ralph T Coe Center 1590 B Pacheco St., 983-6372 Six leading printmakers have spent the past year working collaboratively to bring art to the public and the public to art. Through March 15, 2019 (see Cover, page 12).

5 pm, free

BOOKS/LECTURES THREADS THROUGH TIME: A HISTORY OF THE NAVAJO PEOPLE TOLD THROUGH THEIR WEAVING Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Navajo weaving expert Jackson Clark discusses Navajo weaving, its exciting history and rich traditions.

2 pm, free

DANCE ARGENTINE TANGO MILONGA El Mesón 213 Washington Ave., 983-6756 Put on your best tango shoes and join in (or just watch).

7:30 pm, $5

EVENTS ANTIQUE AMERICAN INDIAN ART SHOW OPENING CELEBRATION El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 The show and sale of historic art features more than 65 of the world’s most knowledgeable experts in American Indian art. Kick off the fourday event at a gala to benefit KNME New Mexico PBS. 6-9 pm, $50 ESL CLASS ORIENTATION Santa Fe Community College 6401 Richards Ave., 428-1000 Do you want to learn English as a Second Language?

Whether you speak no English at all, or if you know a little or a lot of English, SFCC has the hookup.

10 am and 5:30 pm, free METTA REFUGE COUNCIL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 A Buddhist support group for sharing life experiences having to do with illness and loss in a variety of its forms.

10:30 am, free SANTA FE INDIVISIBLE MEETING Center for Progress and Justice 1420 Cerrillos Road, 467-8514 Join the politically progressive group to put into action the planning you did last night, including helping register voters with the League of Women Voters at the Southside Farmers Market on Tuesday afternoons.

8:30 am, free

FILM NATIVE CINEMA SHOWCASE New Mexico History Museum 113 Lincoln Ave., 476-5100 Curated by the National Museum of the American Indian in Washington, DC, this puppy runs through Sunday. Admission is free, but seating is limited. Head to tinyurl.com/nativecinema18 for a full schedule.

7 pm, free

MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana.

7:30 pm, free BLUEGRASS JAM Derailed at the Sage Inn 725 Cerrillos Road, 982-5952 Yes, it's a bluegrass jam.

6 pm, free CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar.

7 pm, free DOUG MONTGOMERY AND ESTER HANA Vanessie 427 W Water St., 982-9966 Standards: Doug starts, Ester takes over at 8 pm.

6 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

DREADNOUGHT, COLOSSAL SWAN DIVE, FRIEND2FOE AND PATEMA Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 Denver outfit Dreadnought employs everything from black metal double bass, guttural guitar and haunting harmonic hymnals.

8:30 pm, $8 ROLLER'OKE Rockin' Rollers 2915 Agua Fría St., 473-7755 Roller skating, aliens and karaoke! That $5 gets you a skate rental too.

7 pm, $5

THE CALENDAR

RONALD ROYBAL El Flamenco de Santa Fe 135 W Palace Ave., 209-1302 Native flute and Spanish classical guitar. Doors open an hour early for dinner (sold separately).

7:30 pm, $25 SHANE WALLIN Cowgirl 319 S Guadalupe St., 982-2565 Soulful blues.

6:30 p TONY BROWN Palace Saloon 142 W Palace Ave., 428-0690 R&B, soul, reggae, rock, blues, jazz, funk y más.

6:30 pm, free

VINTAGE VINYL NIGHT The Matador 116 W San Francisco St., 984-5050 DJs spin the best in garage, surf, country and rockabilly.

8:30 pm, free

OPERA CANDIDE Santa Fe Opera House 301 Opera Drive, 986-5900 Candide and his fiancee Cunegonde, who live by the sunny mantra, "Everything's for the best in this best of all possible worlds." Spoiler alert: Shit goes bad. Oops!

8 pm, $35-$310

KYRA KENNEDY

MUSEUMS

GEORGIA O’KEEFFE MUSEUM 217 Johnson St.,946-1000 The Black Place: Georgia O’Keeffe and Michael Namingha. Through Oct. 28.

HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 Larry Bell: Hocus, Focus and 12; Rafa Tarín: For Now. Both through Oct. 7.

IAIA MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 CineDOOM: Narratives of Native Film and Beyond.

Through Oct. 29. Rolande Souliere: Form and Content.

Both through Jan. 27, 2019.

Action/Abstraction Redefined Through July 7, 2019.

MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283 Climate Change is REAL. MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Stepping Out: 10,000 Years of Walking the West. Through Dec. 30. Points Through Time.

Through Oct. 1. Maria Samora: Master of Elegance. Through Feb. 28, 2019. What’s New in New: Selections from the Carol Warren Collection. Through April 7, 2019. Lifeways of

Casa Tomada (House Taken Over) at SITE Santa Fe takes its name from a book of the same title, published in Buenos Aires in 1946. Check it out. the Southern Athabaskans.

Through July 7, 2019.

MUSEUM OF INT’L FOLK ART 706 Camino Lejo, 476-1200 No Idle Hands: The Myths & Meanings of Tramp Art. Through Sept. 16.

Beadwork Adorns the World.

Through Feb. 3, 2019.

Crafting Memory: The Art of Community in Peru. Through March 10, 2019.

MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 GenNext: Future So Bright.

Through Nov. 25.

NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 The Land That Enchants Me So: Picturing Popular Songs of New Mexico. Through Feb. 28, 2019. Atomic Histories.

Through May 26, 2019.

NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Patrick Nagatani: Invented Realities. Frederick Hammersley: To Paint Without Thinking. Both through Sept. 9. Shifting Light: Photographic Perspectives. Through Nov. 4. Horizons: People & Place in New Mexican Art. Through Nov. 25.

PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Closed for renovations.

POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 In T’owa Vi Sae’we.

EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Living history.

SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Dan Ostermiller: Gardens Gone Wild! Through May 11, 2019.

SITE SANTA FE 1606 Paseo de Peralta, 989-1199 SITElab 10: Michael Rakowitz.

Through Aug. 18. Casa Tomada (House Taken Over).

Through Jan. 6, 2019.

WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Peshlakai Vision. Memory Weaving: Works by Melanie Yazzie. Both through Oct. 7.

AN INVITATION to Art Lovers in Santa Fe! Travel up the “Hill” to Los Alamos and join us, as we are…

Haunted by Picasso thru the Streets of Warsaw!

Featuring Artist

OPENING RECEPTION:

MICHAEL ANDRYC

FRIDAY AUGUST 10 5-7 PM

“Sophisticated Primitive” Modern Art michaelandryc.com

Coinciding with:

UNDER THE INFLUENCE of Artists, Authors, Musicians and Other Creatives

PORTAL Gallery Fuller Lodge Art Center 2132 Central Ave. Los Alamos, NM 87544 fullerlodgeartcenter.com

MAIN GALLERY

We pay the most for your gold coins, heirloom jewelry and diamonds!

On the Plaza 60 East San Francisco Street, Suite 218 Santa Fe, NM 87501 • 505.983.4562 • SantaFeGoldworks.com SFREPORTER.COM

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AUGUST 8-14, 2018

37

7511A Cerrillos Road, Santa Fe, 87507 | 505.471.7007

HONDA COUPON

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Example: 2018 Honda Accord 1.5T LX MSRP $24,460 - $500 = $23,960

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AUGUST 1-7, 2018

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SFREPORTER.COM

RATINGS BEST MOVIE EVER

10 9 8 7 6 5 4 3 2 1 WORST MOVIE EVER

MOVIES Eighth Grade Review Bo Burnham’s bittersweet love letter to the most awkward time of our lives

9

ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

Newcomer Elsie Fisher achieves what must be the most profound and natural performance of the year as newly minted teen Kayla in comedian Bo Burnham’s screenwriting and directorial debut, Eighth Grade. A smart and intimate overview of a young woman’s waning middle school career, Burnham’s opus is at turns sickly-sweet and moving, terrifying and nostalgic; painful and hysterical, but earnest in a simple yet powerful way.

Kayla is like any teen of today, a phone in her hand at all times and an overactive relationship with the internet, who tries to eke by unnoticed in a middle school full of familiar archetypes— the jocks and art kids, the band geeks and popular girls, the nerds and theater dweebs. But whereas most films focused on such an historically awkward era follow hyperactive sex drives or the tired popularity-at-all-costs thread, Burnham’s story humanizes high school-aged kids while unpacking new-world dilemmas alongside age-old drama.

Kayla casts an introverted and awkward pall over everything, fearing pool parties, school

+ FISHER IS A

REVELATION; EERILY RELATABLE - DRAGS IN PLACES; SOUNDTRACK IS ANNOYING

politics and her crush while cultivating an online personality steeped in endearing naiveté, yet valuable as an emotional sounding board— even if practically nobody is watching. Fisher feels effortlessly authentic, an emotional and dimensional being who can shift from the thrill of new friends to the agony of self-loathing without missing a beat. Say what you will of the modern teen, but their world feels more complicated now. Burnham, it seems, understands their plight as well as some of the too-mature pitfalls they face as a generation that has always known the internet.

Frances Ha’s Josh Hamilton shines as well as Kayla’s single father, a man who aches to protect his daughter as she ventures deeper into the world, but ultimately trusts and understands her age-appropriate mood swings. He knows Kayla is

cool, perhaps even ahead of her time, even if he does wind up doing embarrassing dad things now and then.

But Fisher is the draw here, and we slowly learn how strong she really is. Throughout Eighth Grade, she faces her fears with a steadfast resolve, speaking her mind and embracing her vulnerability despite her self-perceived shortcomings and flaws. Kayla is a modern-day hero—for any gender or lack thereof—perhaps because we can see ourselves in her coming of age story, or maybe just because she never strays too far from honesty with herself and those around her.

EIGHTH GRADE Directed by Burnham With Fisher and Day Regal, The Screen, Violet Crown, R, 93 min.

QUICKY REVIEWS

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BLINDSPOTTING

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MISSION: IMPOSSIBLE FALLOUT

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LEAVE NO TRACE

DON’T WORRY, HE WON’T GET FAR ON FOOT

BLINDSPOTTING

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Toxic friendship really doesn’t help anyone in Blindspotting.

+ INCREDIBLE PERFORMANCES, MUSICAL AND VISUAL SEQUENCES; THE MESSAGE - MEANDERING CLIMAX

With three days left before his probation ends, Oakland resident Collin (Daveed Diggs) makes a conscious effort to finish up his time with no hiccups. But it’s hard when his fiery and charismatic best friend Miles (Rafael Casal) isn’t looking for the same. A love letter to the city of Oakland, warts and all, Blindspotting proves an electrifying story, and one of the best this year has to offer yet.

As the scribes, co-producers and stars, Diggs and Casal reveal a changing environment alongside a deep yet toxic friendship. Collin always seems to be the voice of reason to Miles’ outbursts, but as such, he generally becomes the recipient of backlash. It’s often amusing, but mostly at the expense of the brutal undertones of their environment, exposing ugliness through a necessary dose of sugar. While Collin privately struggles, Miles tries to raise a child with his girlfriend, Ashley, amazingly played by TV mainstay Jasmine

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JURRASIC WORLD: FALLEN KINGDOM

Cephas Jones. Janina Gavankar (of the canceled show Sleepy Hollow) also makes an impression as Val—at first glance just Collin’s crush, but someone who proves much deeper. Onetime teen heartthrob Ethan Embry shows up, unexpectedly, as the police officer we know too well these days, destroying Collin’s psyche with his reckless actions.

Director Carlos Lopez Estrada knows this is Diggs and Casal’s show, and his visual style, spearheaded through cinematographer Robby Baumgartner, gives a lively playground for the actors to play in. And they do, wholeheartedly.

He might have been too generous at times, however, and could have reminded his stars that less is sometimes more— but, given the final product, it’s a minor complaint.

Within three days, we see two boys make the final transition into men: Men with regrets, anxieties, weaknesses, passions, hopes and dreams; examples of the men we see killed on the news all too frequently, but men who identify and pursue a different kind of home in a city they’ve survived their entire lives.

(Matthew K Gutierrez) Violet Crown, R, 95 min.

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• AUGUST 8-14, 2018

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MOVIES

FOR SHOWTIMES AND MORE REVIEWS, VISIT SFREPORTER.COM

Callahan), the moral winds up landing fairly far from cautionary drunk driving tale, instead asking us to question our own motivations, forgive when possible and, ultimately, to choose life.

Callahan is here portrayed by Joaquin Phoenix, one of contemporary film’s most committed character actors. As Callahan, Phoenix captures an eerie combination of charming and asshole, from the self-pitying early days of his paralysis to the barely restrained joy of becoming the regular cartoonist for Willamette Week (SFR’s sister paper, by the way). It’s no solo journey, however, and Jonah Hill’s turn as Callahan’s sponsor Donnie is surprisingly rich for the usually goofy actor.

Perhaps he’s growing as a performer?

Regardless, and despite the film’s best efforts, Donnie’s story is overshadowed by Callahan— which may seem obvious given the central premise, but when we discover Donnie died of AIDS, the news is delivered fleetingly; short shrift for a savior role, but again—this is Callahan’s journey.

And it is triumphant, all things considered.

We watch as he slowly regains relative use of his hands and develops his illustrative style; we cheer as he builds a relationship with his one-time physical therapist Annu (Rooney Mara); we feel alongside Callahan as he searches for the mother who gave him up for adoption.

MISSION: IMPOSSIBLE - FALLOUT REVIEW

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+ THRILLINGLY OVER-THE-TOP

ACTION; (MOSTLY) MAGNETIC CAST

- EVERY CLICHE IMAGINABLE

Mission: Impossible - Fallout, the franchise’s sixth installment, throws away coherency and realism, replacing these with palpable tension and absurd action pieces. Ghosts of Ethan Hunt’s (Tom Cruise) past come back to haunt him as a cache of plutonium is lost on his watch, and it’s up to the Impossible Missions Force (ugh) to combat a group of terrorists called The Apostles in retrieving it. Fans of the series will appreciate the gunplay, fistfights, mask-wearing and daredevil stunts provided by Cruise, anyone else will find a serviceable action flick that works OK for late summer.

Cruise is loose—hydrated and unstoppable, remarkable for a 56-year-old actor. Henry Cavill (Man From UNCLE), meanwhile, looks as if he’s been sleeping in his car for the last few weeks. He’s so puffy, he can’t fully put his arms down. Ving Rhames is surprisingly soulful as Luther Stickell, however, and his long-standing relationship with Cruise’s Ethan Hunt takes the forefront, further strengthening their 23-year bond.

Elsewhere, Rebecca Ferguson (Life) has the most spectacular character entrance in the film, and although she is underused, she is easily the biggest scene-stealer. Simon Pegg further proves he belongs in the series with some of the best scenes coming from his familiarity with every single recurring character. Alec Baldwin shows up, too, basically playing himself, but Angela Bassett capably counters his forgiving-father archetype with a stern mother character as head of the CIA. Sean Harris, the stereotypical villain, growls and makes threats. An honorable mention does go to True Detective alum Michelle Monaghan as it was particularly nice to see her come back to the series.

Christopher McQuarrie returns as well as series writer/director, following up his success with the fifth installment, Rogue Nation. McQuarrie’s directing style is competent enough as far as action scenes go, but between the too-frequent double crosses and an excess of cheesy lines (21 by this author’s rough count), his writing skills feel weak. The sets and cinematography simultaneously scream “pretty” and “fake.”

Still, as we approach late summer, there are far worse choices. Fallout is as silly as it comes, but at least it isn’t a disappointment. (MKG) Regal, Violet Crown, PG-13, 147 min.

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Cruise-in’ ain’t easy in Mission: Impossible - Fallout.

LEAVE NO TRACE

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+ IT’S A HEART-WRENCHING THINKER - MINIMAL STORYTELLING LEAVES LOTS UNDONE

For a movie based on the post-service experiences of disturbed veteran, the soundscape of Leave No Trace is stunning in its quiet. Not just its lack of flashbacks, mind you, but its pensive non-verbal communication—all the sounds you don’t hear.

For a movie that takes place largely in the dripping wet woods of the Pacific Northwest, the complexity of the plot is fitting in its density.

There are few rewards in being such an outsider that even your own footprint creates a sense of unease. But that is the life that Will (Ben Foster, ) lives, in complete survivalist mode, and thus the life in which he leads his daughter Tom (Thomasin Harcourt McKenzie).

The backstory of where and when he served and what happened to Tom’s mother isn’t important in this telling, although we admit we crave more of that. The unknowns of how they came to live on public land are still gnawing days after our viewing. Foster conveys gruff love with deep eyes since his face is largely hidden under a golden beard, and Tom’s own chin does some of her biggest heaves as it quivers under the weight of her coming of age. “The same

SFREPORTER.COM

thing that’s wrong with you,” she says at a pivotal moment, “isn’t wrong with me.”

The two characters get all the artistic focus of director Debra Granik, known for her griping Missouri woods rendition of Winter’s Bone; Leave No Trace is also adapted from a novel, by Peter Rock, which that author says is based on a true story. This one’s also solemn and unjust as the pair suffers the intervention of social services. It feels true enough: the rules our society imposes, the way in which for many those rules are just too much to bear. And how we don’t have much room, really, for figuring out a way to loosen the bondage to allow for healing. (Julie Ann Grimm) Violet Crown, PG, 109 min.

CONTINUED ON PAGE 43

DON’T WORRY, HE WON’T GET FAR ON FOOT

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+ PHOENIX IS STELLAR; JOYFUL

- OCCASIONALLY SLOWS TO A SLOG

When Portland, Oregon-based cartoonist John Callahan died in 2010 at 59 years old, the New York Times obituary wasted no time in hitting on descriptions like “paraplegic” and “alcoholic.” Yes, Callahan did find himself wheelchair-bound after a night of over-drinking led to a car accident— he wasn’t even driving—but in Gus Van Sant’s retelling of Callahan’s life story, Don’t Worry, He Won’t Get Far on Foot (based on the book by

Joaquin Phoenix + Gus Van Sant = Don’t Worry, He Won’t Get Far on Foot.

1050 OLD PECOS TRAIL • (505) 982-1338

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ADVANCE TICKETING: visit CCASANTAFE.ORG or call (505) 982-1338

CCA CINEMATHEQUE 1050 OLD PECOS TRAIL WEDNESDAY, AUG 8 12:30p The Cakemaker* 1:00p Three Identical Strangers 2:45p Generation Wealth* 3:00p The Cakemaker 5:00p Generation Wealth* 5:30p The Desert Bride 7:15p The Cakemaker* 7:30p Three Identical Strangers THURSDAY, AUG 9 12:30p The Cakemaker* 1:00p Three Identical Strangers 2:45p Generation Wealth* 3:00p The Cakemaker

[THURSDAY, AUG 9 cont.]

5:00p Generation Wealth* 6:00p New Mexico Ethics Watch presents Dark Money 7:15p The Cakemaker* 8:00p Three Identical Strangers FRIDAY - SAT, AUG 10 - 11 11:15a The Cakemaker* 11:45a Dark Money 1:30p The Desert Bride* 2:00p Eighth Grade 3:30p The Cakemaker* 4:00p Eighth Grade 5:45p The Desert Bride*

HEARING & SIGHT ASSISTIVE DEVICES AVAILABLE AT BOTH LOCATIONS

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[FRI - SAT, AUG 10 - 11 cont.]

6:00p Eighth Grade 7:45p Dark Money* 8:00p Eighth Grade SUNDAY, AUG 12 11:00a Lecutre: How to Read El Pato Pascual: Disney’s Latin America & Latin America’s Disney 11:15a The Cakemaker* 1:30p The Desert Bride* 2:00p Eighth Grade 3:30p The Cakemaker* 4:00p Eighth Grade

[SUNDAY, AUG 12 cont.]

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CCA PRESENTS

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WED - THURS, AUG 6 - 9 11:30a Eighth Grade 1:30p Eighth Grade 3:30p Eighth Grade 5:30p Eighth Grade 7:30p Eighth Grade FRIDAY, AUG 10 12:15p The Cakemaker 2:30p Dark Money 4:30p Dark Money 7:00p Mexican Experimental Cinema: Program 1 SATURDAY, AUG 11 12:15p The Cakemaker

[SATURDAY, AUG 11 cont.]

2:30p Dark Money 4:30p Dark Money 7:00p Mexican Experimental Cinema: Program 2 SUNDAY, AUG 12 2:30p Dark Money 4:30p Dark Money 6:45p The Cakemaker MONDAY, AUG 13 2:00p The Cakemaker 4:15p Dark Money 6:30p The Cakemaker CLOSED TUESDAY, AUG 14

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APRIL11-17, JULY 18-24, 2018 2018• •SFREPORTER.COM SFREPORTER.COM

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MOVIES

YOUR HOMETOWN MOVIE THEATRE WEDNESDAY, AUG. 8TH 2:00 UNDER THE TREE - FINAL SHOW 4:00 THE CATCHER WAS A SPY 7:00 SF FARMERS MARKET CELEBRATION THURSDAY, AUG. 9TH 1:00 NY CAT FILM FESTIVAL 1 2:30 NY CAT FILM FESTIVAL 2 4:00 NIGHT COMES ON 6:00 CATCHER WAS A SPY 8:10 ON THE SEVENTH DAY (EN EL SÉPTIMO DÍA) - FINAL SHOW FRIDAY, AUG. 10TH 2:00 THE CATCHER WAS A SPY 4:10 HOPE SPRINGS ETERNAL 6:00 CONSTRUCTING ALBERT 7:50 NIGHT COMES ON SATURDAY, AUG. 11TH 1:30 THE CATCHER WAS A SPY 3:40 HOPE SPRINGS ETERNAL 5:30 CONSTRUCTING ALBERT

If you’re going to live off the grid, don’t, like, let social services find you—that’s the moral of Leave No Trace. Or something about family? Whatever.

But as we wonder whether we could survive paralysis (or would even want to), Don’t Worry dips painfully close to boring. It’s certainly fun to see punk rock legends like Kim Gordon and Carrie Brownstein tackle minimal roles as a fellow alcoholic and a social worker, respectively, but outside of the moment wherein you recognize them, we’re talking characters who ultimately have very little to do with anything. Even Jack Black’s appearance as the ill-fated driver in Callahan’s accident feels almost unimportant, or at least like it could have been just anyone in the role.

Still, the film grows on you, leading the charge from a deep place of depression to something akin to redemption, or at least self-forgiveness.

(Alex De Vore) Violet Crown, R, 114 min.

JURRASIC WORLD: FALLEN KINGDOM

3

+ DINOS ARE OBJECTIVELY AWESOME - JUST A STRAIGHT-UP BAD MOVIE

When Laura Dern and Sam Neil craned their necks to behold a wandering pack of brontosauruses in the original Jurassic Park 25 years ago, the music swelled, the emotions bubbled and audiences were filled with a deep sense of awe. When Chris Pratt and Bryce Dallas Howard run afoul of whatever dinosaurs happen their way in the franchise’s newest entry, it is painfully obvious that this series needs to go extinct.

Welcome to Jurassic World: Fallen Kingdom, a tired and way-too-long slog from JA Bayona, director of the excellent 2007 horror film The Orphanage. This bad boy doesn’t even register on the dumb summer popcorn flick scale thanks to its retreading of old material disguised as homage, parallel utter lack of acting and story quality, and heavy-handed performances from everyone throughout.

When last we left our heroes, they’d escaped yet another dino theme park gone awry and now, just like in the third Jurassic Park (that’s the one where Sam Neil goes back to the island for some reason), they must return on some misguided animal rights mission because—get this—turns out there was a volcano there the whole time and it’s active suddenly and nobody wants the dinos to die. Again. Oof. But it turns out the guys behind the mercy mission are animal traffickers hired by yet another generation of ne’er-do-wells (plus BD Wong, again, for who-knows-why) who plan on getting rich through dino-cloning and genetic manipulation; people start getting eaten and our heroes must intervene or, like, more people gonna get eaten.

Pratt seems bored here as an animal behaviorist (yeah, right) and is not even allowed to do that rogue-ish smarm-charm for which he’s become known in better movies like Guardians of the Galaxy. Howard, meanwhile, brings no heat whatsoever to the role of a former exec now laboring under a nonprofit change of heart and trying to save animals because life is sacred or something. Other cast members exist, it’s just they matter so little that one almost wonders why they appear in the first place. Comic relief?

Depth? If so, you’d never know it, and the script certainly isn’t doing them any favors, nor are the endless chase scenes, perilous moments of dino terror or beyond-silly narrative.

With news of any Star Wars spinoffs biting the dust this week due to low box office numbers, we can only hope moviegoers enact a similar takedown of the Jurassic movies. Steven Spielberg captured something special with his first adaptation of the Michel Crichton universe all those years ago. Today’s attempts feel stale and business-like, the sort of product churned out to take advantage of nostalgia and a slap in the face of everyone who ever felt a sense of wonder for the idea of prehistoric beasts. Boo. Muck. Filth. Slime. Rubbish. Boo. (ADV) Regal, Violet Crown, PG-13, 128 min.

L O C A T E D

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THE SCREEN 1600 St. Michael’s Drive, 473-6494

VIOLET CROWN 1606 Alcaldesa St., 216-5678

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SFR CLASSIFIEDS CALL: 505.988.5541

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JONESIN’ CROSSWORD

BE MY FUR-EVER FRIEND!

“Even Chances”—the odd one’s out.

by Matt Jones

CALL FELINES & FRIENDS

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40 90 degrees from norte 8 “No ___ Traffic” 41 Intuitive power 9 Renaissance 43 “Don’t change” 10 Bowl game venue, maybe

11 Roadside rest stop 12 Insect egg 13 Keanu, in the “Matrix” series 18 “___ ever-changing world ...”

21 Living room piece 24 Short nap 25 Makes happy 26 Leave out 27 Chinese restaurant style 28 Repetitive-sounding province of the Philippines 29 Brought bad luck to 30 Brewer’s dryer 31 Archaeological site 32 The “A” that turns STEM into STEAM 35 Joining with heat 36 Harvard-set Turow book 37 Fit together 42 Range of perception 46 “Christopher Robin” character 48 Like feelings from ASMR videos, for some 49 Mock-innocent reply 50 Team VIP 52 Golden ___ (Sir Francis Drake’s flagship) 53 Airplane seat attachment 54 Head bobs 55 De Matteo of “The Sopranos” 56 Channel with a “Deportes” version 57 Sales force members 58 Succumb to gravity 59 NBC News correspondent Katy 60 Ending for Power or Gator

PETCO: 1-4 pm Thursday, Friday, Saturday & Sunday TECA TU at DeVargas Center: 12 noon-3 pm, First Saturday of each month Please visit our cats at PETCO and TECA TU during regular store hours.

FOSTER HOMES URGENTLY NEEDED FOR ADULT CATS OF VARIOUS AGES SANTA FE CATS not only supports the mission of FELINES & FRIENDS from revenue generated by providing premium boarding for cats, pocket pets and birds, but also serves as a mini-shelter for cats awaiting adoption. For more information, please visit www.santafecats.com

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LINH, LOLLY & LON and their mom, LACY LU were rescued by a kind person near Santa Fe and were relinquished to F&F to find forever homes. All the kittens are social and very playful.

The kittens must be adopted with a sibling or go to a home with another playful cat or kitten. LINH is a pretty girl with a medium length black coat.

AGE: born approx. 5/1/18.

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PEPPER was transferred to us from a shelter in Albuquerque as he been there too long and started to withdraw socially. PEPPER quickly settled in at our cat hotel where he was free to socialize with other cats. He is very sweet and loves to be petted. His ideal home would probably be one without toddlers or yappy dogs.

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SFR CLASSIFIEDS 2 Ways to Book Your Ad!

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WITH BARRY COONEY, PH.D. You are invited to experience Series #1 In Santa Fe: Five the Divine Healing Energy of Saturday Mornings from 9:30 Johrei. All are Welcome! The – 11:30 am beginning August Johrei Center of Santa Fe is 11th: “Moving Through Difficult located at Calle Cinco Plaza, 1500 Fifth St., Suite 10, 87505. Times” $149 (This class will Please call 820-0451 with any help you develop effective ways questions. Drop-ins welcome! to deal with emotional chalOpen Tuesday, Wednesday, lenges that arise from divorce, Thursday, 2-5pm. Friday separation, loss of a loved one, 2-4pm. Saturday, 10am-1pm. work issues, and illness) Closed Sunday and Monday.

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FENCES & GATES Leonardo is a handsome 10 year old dog who currently weighs about 75 pounds. He came to the shelter as a stray. He has done well in playgroups and has been helpful in showing his younger friends their way around the shelter. One of our longtime volunteers mentioned to us that “Leonardo is a gentle giant! He walks very gently on leash and is happy to sit by your side to be petted. Leonardo sits on command and take treats gently.” He also took a field trip downtown where he loved meeting new people, kids and dogs of all sizes! As always, if you have another dog at home you’re more than welcome to bring them in for a Meet n’ Greet with this gentleman.

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Meet Valdez! He is a handsome pup who currently weighs about 55 pounds, is about 9 months old and we estimate that he’ll be about 65 pounds. He has the most gorgous glowing golden brown fluffy coat! Valdez is an active pup who would make a great hiking or running companion. Valdez is a smart boy who is doing well with “Sit” and “Down” and would happily learn more. On a fieldtrip offsite and at the shelter he’s been doing well with other dogs. Come meet this fantastic pup today!

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MIND BODY SPIRIT ACUPUNCTURE Rob Brezsny

Week of August 8th

ARIES (March 21-April 19): I predict that August will be a Golden Age for you. That’s mostly very good. Golden opportunities will arise, and you’ll come into possession of lead that can be transmuted into gold. But it’s also important to be prudent about your dealings with gold.

Consider the fable of the golden goose. The bird’s owner grew impatient because it laid only one gold egg per day; he foolishly slaughtered his prize animal to get all the gold immediately. That didn’t work out well. Or consider the fact that to the ancient Aztecs, the word teocuitlatl referred to gold, even though its literally translation was “excrement of the gods.” Moral of the story: If handled with care and integrity, gold can be a blessing.

sleep per night, and a steady stream of soulful conversations? No. Not really. In the coming days, life will be a good ride for you even if you fail to procure those indulgences. But here are further questions and answers: Do you deserve the orchids, elixirs, and the rest? My answer is yes, definitely. And would the arrival of these delights spur you to come up with imaginative solutions to your top two riddles? I’m pretty sure it would. So I conclude this horoscope by recommending that you do indeed arrange to revel in your equivalent of the delights I named.

TAURUS (April 20-May 20): Taurus socialite Stephen Tennant (1906-1987) was such an interesting luminary that three major novelists created fictional characters modeled after him. As a boy, when he was asked what he’d like to be when he grew up, he replied, “I want to be a great beauty.” I’d love to hear those words spill out of your mouth, Taurus. What? You say you’re already all grown up? I doubt it. In my opinion, you’ve still got a lot of stretching and expansion and transformation to accomplish during the coming decades. So yes: I hope you can find it in your wild heart to proclaim, “When I grow up, I want to be a great beauty.”

(P.S. Your ability to become increasingly beautiful will be at a peak during the next fourteen months.)

SCORPIO (Oct. 23-Nov. 21): “Don’t try to steer the river,” writes Deepak Chopra. Most of the time, I agree with that idea. It’s arrogant to think that we have the power to control the forces of nature or the flow of destiny or the song of creation. Our goal should be to get an intuitive read on the crazy-making miracle of life, and adapt ourselves ingeniously to its ever-shifting patterns and rhythms. But wait! Set aside everything I just said. An exception to the usual rule has arrived. Sometimes, when your personal power is extra flexible and robust — like now, for you — you may indeed be able to steer the river a bit.

SAGITTARIUS (Nov. 22-Dec. 21): “Dear Astrologer: Recently I’ve been weirdly obsessed with wondering how to increase my levels of generosity and compassion. Not just because I know it’s the right thing to do, but also because I know it will make me healthy and honest and unflappable. Do you have any sage advice?

-Ambitious Sagittarius.” Dear Ambitious: I’ve noticed GEMINI (May 21-June 20): “Manage with bread and butter until God sends the honey,” advises a Moroccan that many Sagittarians are feeling an unprecedented curiosity about how to enhance their lives by boosting proverb. Let’s analyze how this advice might apply to you. First thing I want to know is, have you been man- the benevolence they express. Here’s a tip from astrologer Chani Nicholas: “Source your sense of self from your aging well with bread and butter? Have you refrained integrity in every interaction.” Here’s another tip from from whining about your simple provisions, resting Anais Nin: “The worse the state of the world grows, the content and grateful? If you haven’t, I doubt that any honey will arrive, ether from God or any other source. more intensely I try for inner perfection and power. I fight for a small world of humanity and tenderness.”

But if you have been celebrating your modest gifts, feeling free of greed and displeasure, then I expect at CAPRICORN (Dec. 22-Jan. 19): Time does not necessarily least some honey will show up soon. heal all wounds. If you wait around passively, hoping that the mere passage of months will magically fix your twists and CANCER (June 21-July 22): Don’t worry your beautiful head about praying to the gods of luck and fate. I’ll take smooth out your tweaks, you’re shirking your responsibility. care of that for you. Your job is to propitiate the gods of The truth is, you need to be fully engaged in the process.

You’ve got to feel deeply and think hard about how to diminfluid discipline and hard but smart work. To win the favor of these divine helpers, act on the assumption that ish your pain, and then take practical action when your wisyou now have the power and the right to ask for more of dom shows you what will actually work. Now is an excellent their assistance than you have before. Proceed with the time to upgrade your commitment to this sacred quest. understanding that they are willing to provide you with AQUARIUS (Jan. 20-Feb. 18): The questions you’ve been the stamina, persistence, and attention to detail you will asking aren’t bad or wrong. But they’re not exactly releneed to accomplish your next breakthrough. vant or helpful, either. That’s why the answers you’ve LEO (July 23-Aug. 22): “Sometimes, I feel the past and been receiving aren’t of maximum use. Try these questions instead. 1. What experience or information would the future pressing so hard on either side that there’s no room for the present at all.” A character named Julia you need to heal your divided sense of loyalty? 2. How says that in Evelyn Waugh’s novel Brideshead Revisited. can you attract an influence that would motivate you to make changes you can’t quite accomplish under your own I bring it to your attention as an inspiring irritant, as a prod to get you motivated. I hope it will mobilize you to power? 3. Can you ignore or even dismiss the 95 percent rise up and refuse to allow your past and your future to of your fear that’s imaginary so you’ll be able to focus on the five percent that’s truly worth meditating on? 4. If I press so hard on either side that there’s no room for assured you that you have the intelligence to beautify an the present. It’s a favorable time for you to fully claim ugly part of your world, how would you begin? the glory of being right here, right now.

VIRGO (Aug. 23-Sept. 22): I’m not an ascetic who believes all our valuable lessons emerge from suffering. Nor am I a pop-nihilist who sneers at pretty flowers, smiling children, and sunny days. On the contrary: I’m devoted to the hypothesis that life is usually at least 51 percent wonderful.

But I dance the rain dance when there’s an emotional drought in my personal life, and I dance the pain dance when it’s time to deal with difficulties I’ve ignored. How about you, Virgo? I suspect that now is one of those times when you need to have compassionate heart-to-heart conversations with your fears, struggles, and aches.

PISCES (Feb. 19-March 20): A scuffle you’ve been waging turns out to be the wrong scuffle. It has distracted you from giving your full attention to a more winnable and worthwhile tussle. My advice? Don’t waste energy feeling remorse about the energy you’ve wasted. In fact, be grateful for the training you’ve received. The skills you’ve been honing while wrestling with the misleading complication will serve you well when you switch your focus to the more important issue. So are you ready to shift gears? Start mobilizing your crusade to engage with the more winnable and worthwhile tussle.

LIBRA (Sept. 23-Oct. 22): Do you absolutely need orchids, sweet elixirs, dark chocolate, alluring new music, dances on soft grass, sensual massages, nine hours of

Homework: What was your last major amazement?

What do you predict will be the next one? Testify at Freewillastrology.com.

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 8 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700.

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AUGUST 8-14, 2018

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LEGALS LEGAL NOTICE TO CREDITORS/NAME CHANGE

STATE OF NEW MEXICO IN THE PROBATE COURT SANTA FE COUNTY No. 2018-0113 STATE OF NEW MEXICO IN THE MATTER OF THE COUNTY OF SANTA FE FIRST ESTATE OF Frances I. Martinez, JUDICIAL DISTRICT COURT IN DECEASED. THE MATTER OF A PETITION NOTICE TO CREDITORS FOR CHANGE OF NAME OF NOTICE IS HEREBY GIVEN Rachel Rebecca Lopez that the undersigned has been Case No.: D-101-CV-2018-02230 appointed personal representaNOTICE OF CHANGE OF tive of this estate. All persons NAME TAKE NOTICE that in having claims against this estate accordance with the provisions are required to present their of Sec. 40-8-1 through Sec. claims within four (4) months 40-8-3 NMSA 1978, et seq.

Petitioner Rachel Rebecca Lopez after the date of the first publication of this notice, or the will apply to the Honorable Gregory S. Shaffer, District Judge claims will be forever barred.

Claims must be presented either of the First Judicial Dristrict at to the undersigned personal repthe Santa Fe Judicial Complex, resentative at the address listed 225 Montezuma Ave., in Santa Fe, New Mexico, at 11:00 a.m. on below, or filed with the Probate the 14th day of September, 2018 Court of Santa Fe, County, New for an ORDER FOR CHANGE Mexico, located at the following OF NAME from Rachel Rebecca address: 102 Grant Ave., Lopez to Rebecca Rachel Lopez. Santa Fe, NM 87501.

STEPHEN T. PACHECO, District Dated: July 17, 2018 Court Clerk By: Francine Lobato Theresa Martinez Deputy Court Clerk Submitted PO Box 1965 by: Rachel Rebecca Lopez Santa Cruz, NM 87567 Petitioner, Pro Se. Donald R. Martinez STATE OF NEW MEXICO PO Box 601 COUNTY OF SANTA FE Santa Cruz, NM 87567 FIRST JUDICIAL DISTRICT IN Robert N. Martinez THE MATTER OF THE ESTATE PO Box 90 OF LEROY W. THOMPSON, Santa Cruz, NM 87567 Deceased.

FIRST JUDICIAL DISTRICT COURT No. D-101-PB-2018-00116 COUNTY OF SANTA FE NOTICE TO CREDITORS STATE OF NEW MEXICO NOTICE IS HEREBY GIVEN No. D-101-PB-2018-00091 that the undersigned has IN THE MATTER OF THE ESTATE OF JAMESON been appointed Personal Representative of this estate. All CLIFT, DECEASED. NOTICE TO CREDITORS NOTICE IS persons having claims against HEREBY GIVEN that the underthis estate are required to pressigned has been appointed ent their claims within four personal representative of the months after the date of the first estate of JAMESON CLIFT. All publication of this notice or the persons having claims against claims will be forever barred. this estate are required to presClaims must be presented either ent their claims within four (4) to the undersigned Personal months after the date of the first publication of this notice, or Representative in care of Karen Aubrey, Esq., Law Office of Karen the claims will be forever barred.

Claims must be presented either Aubrey, Post Office Box 8435, to the undersigned personal Santa Fe, New Mexico 87504representative at 610 Glencrest 8435, or filed with the First Pl., Solana Beach, CA, 92075, or Judicial District Court, Santa Fe filed with the Santa Fe County County Judicial Complex, Post District Court.

Office Box 2268, Santa Fe, New Dated: August 8, 2018.

Mexico 87504-2268.

Rachel Zahn Dated: July 20, 2018 610 Glencrest Pl. Solana Beach, CA 92075 LISA DAUGHTERY Ph: (858) 353-6535 LAW OFFICE OF KAREN Attorney Identification: AUBREY By: Karen Aubrey Susan K. Tomita P.O. Box 8435 Attorney for the Personal Santa Fe, New Mexico, Representative 87504-8435 4263 Montgomery Blvd., NE, (505) 982-4287; facsimile Suite 210 (505) 986-8349 Albuquerque, NM 87109 ka@karenaubreylaw.com Ph: (505) 883-4993

LEGAL NOTICES ALL OTHERS FIRST JUDICIAL DISTRICT COURT STATE OF NEW MEXICO COUNTY OF SANTA FE Bruno Lopez Serna Petitioner/Plaintiff, vs.

Obed Saldivar Respondent/Defendant.

Case No.: D-101-SA-2018-00005 NOTICE OF PENDENCY OF SUIT STATE OF NEW MEXICO TO Obed Saldivar. GREETINGS: You are hereby notified that Bruno Lopez Serna, the abovenamed Petitioner/Plaintiff, has filed a civil action against you in the above-entitled Court and cause, The general object thereof being: Step Parent Adoption Unless you enter your appearance in this cause within thirty (30) days of the date of the last publication of this Notice, judgment by default may be entered against you.

Bruno Lopez Serna 15 Taylor Loop Santa Fe, NM 87508 505-270-9879 Dated: July 20, 2018 STEPHEN T. PACHECO CLERK OF THE DISTRICT COURT By: Marina Sisneros Deputy Clerk

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