All Hands on Rez B Y C H A R L O T T E J U S I N S K I , P. 1 2
VOLUNTEERS DELIVER SUPPLIES IN LASTING RELATIONSHIP WITH NATIVE ELDERS
Choose a health plan that lets you choose Presbyterian. When we built the new Presbyterian Santa Fe Medical Center and our clinic on St. Michael’s Drive, we built them for all of Santa Fe. We wanted to accept nearly all health plans, but some insurers chose not to provide access to our facility for their health plan members through 2019. To receive services at the Santa Fe Medical Center and our St. Michael’s clinic, you might have to change your health plan during open enrollment. When you choose a plan that gives you access to Presbyterian, you get a hospital, an urgent care and a 24/7 ER all in one convenient location. Plus, you get access to our clinic for primary care and other appointments.
Make sure you have access to the choice you’ve been waiting for. Call 505-SantaFe (505-726-8233) for up-to-date information on which health plans contract with Presbyterian.
Call 505-SantaFe
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AUGUST 15-21, 2018
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SFREPORTER.COM
NOVEMBER 14-20, 2018 | Volume 45, Issue 46
NEWS
I AM
OPINION 5
Matt Durkovich, Ecco Espresso and Gelato | Owner
NEWS
I give my clients genuine products and personal, face-to-face service. And that’s the kind of service I get from Century Bank. Century is MY bank.
7 DAYS, CLAYTOONZ AND THIS MODERN WORLD 6 LET’S ALL GET PLOWED 9 More snow’s surely coming—what’s the city’s plan for clearing the streets? HERE COMES THE NUG 10 We checked in with legislators about the road to recreational cannabis COVER STORY 12 ALL HANDS ON REZ SFR traveled to the Navajo Nation with a nonprofit to distribute supplies. This is what we saw THE INTERFACE 19 BELIEVE IN UNICORNS Web developers and designers can have it all
CULTURE
27 ANOTHER DIMENSION Local artist Aaron Harrington has big plans for the future, and they all start with his new project, an interactive museuminstallation piece hybrid at Shidoni in Tesuque. Cover photo of Navajo elder Marie Nez and volunteer Millie Cannon by Doug Dickey for Adopt-A-Native-Elder (anelder.org)
EDITOR AND PUBLISHER JULIE ANN GRIMM
SFR PICKS 21 Fiber and Oñate, theater and arts econ
MyCenturyBank.com 505.995.1200
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THE CALENDAR 23
ART DIRECTOR ANSON STEVENS-BOLLEN
MUSIC 25
CULTURE EDITOR ALEX DE VORE
COME TOGETHER David Berkeley’s back and all about unity
STAFF WRITERS AARON CANTÚ MATT GRUBS
A&C 27 ANOTHER DIMENSION Museum of Interactive Art wants you to touch it 3 QUESTIONS 29 WITH BILL STEVENSON The Descendents drummer on prolonging the magic
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ACTING OUT 31 IT’S ALL IN THE CASTING Two tough-to-cast shows close this weekend SMALL BITES 33
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FOOD 35
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A GUIDE FOR THANKSGIVING PROCRASTINATORS Let someone else do it
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MOVIES 41 OVERLORD REVIEW WWII and zombies
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JUNE 6-12, 2018
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SFREPORTER.COM
PUBLIC DOMAIN
LETTERS beautiful state? Take a good look in the mirror.
HENRY RAMPIKE VIA FACEBOOK
BASICALLY, YEAH Cash poor because it’s all going to Colorado.
REBECCA D GARDNER VIA FACEBOOK
BLACK HOLES AIN’T BAD I hope New Mexico becomes so dark that all light collapses on itself and creates a vacuum that rips this current reality apart.
LUIS PEÑA VIA FACEBOOK Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.
NEWS, NOVEMBER 7: “GRAIN OF TRUTH”
READ READ PASS I have read Corruptus ([the author] is in our family) four times, and this is such an accurate review that it made me stop and say, yeah that is what he was writing! It will be a compelling read for journalists especially to absorb and relate to. In these times of political outrage and disrespect, Corruptus serves to fuel and comfort the reader. Read and pass along to a friend, it hangs with you and garners riveting discussions.
KAREN FREDRICHS SFREPORTER.COM
WEB EXTRA, NOV. 1: “NEW MEXICO IS TOO POOR AND BROWN FOR LEGAL CANNABIS”
THE CLEAR CHOICE A disheartening story. I keep hoping New Mexico does something, anything, to get on the right track economically/socioeconomically, including something so obvious as legalizing, selling and taxing a goddamn plant which people are enjoying regardless if it’s legal or not, but NO, can’t have that! Keep going backwards, New Mexico. Why do people keep leaving your
WEB EXTRA, NOV. 5: “SANTA FE RENTAL MARKET ONE OF COUNTRY’S TIGHTEST”
BASICALLY, YEAH (AGAIN) Thanks to the following: The county and city officials who let this get out of hand, the multi-millionaires that live in Santa Fe for only about two months out of the year in their million dollar homes, poor planning, and the list goes on and on. This is why almost 40 percent of the people that work in Santa Fe don’t live in Santa Fe and commute 30-45 minutes every workday. Now tell me that this is not part of the problem. This just makes it so difficult for the real Santa Fe residents to pay rent, buy a house and put food on the table.
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CORRECTION To our readers: SFR’s breaking news coverage from election night, published online and in the newspaper Nov. 7, incorrectly reported the result of the race for Southern New Mexico’s congressional seat. The error was repeated in multiple stories, a headline and a photo caption. By midday on Wednesday, it had become clear that previously uncounted ballots—the existence of which had not been disclosed to journalists before presstime—had pushed Democrat Xochitl Torres Small to victory in the race. SFR regrets the error.
SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.
SANTA FE EAVESDROPPER Drunk patron: “I fragged my sergeant, went AWOL for two years. ... Dishonorable discharge.” Server: “Thank you for your service.” —Overheard at Tiny’s Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM
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NOVEMBER 14-20, 2018
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DAYS
S FR E P O RTE R .CO M / FUN
CITY OF SANTA FE UNVEILS NEW PARKING APP Great. Something else to distract the car in front of us.
STAN LEE DIES AT 95 Excelsior!
YUusss
ss! SKI SANTA FE CONFIRMS THANKSGIVING OPENING Take that, drunk Uncle Bobby.
LAS CRUCES GOES FOR LARGEST SERVING OF NACHOS RECORD In the waning hours of the night, watchers reveal 8,000 chips left uncounted.
DAILY NEWSPAPER REPORTS “DEAL” IN PROGRESS TO PUT DEBBIE JARAMILLO BACK ON THE WALL OF MAYORS Aside from the fact that it wasn’t a “deal”—just hang the damn picture already.
NEW MEXICO TECH OFFICIALLY ADOPTS “MINERS” MASCOT They don’t have any teams. Seriously. All club sports, which isn’t a bad idea. Go Miners!
( A c t ua l o l d m as c ot )
UFO SPOTTED OVER IRELAND Related: U2’s Bono purchases own UFO
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NOVEMBER 14-20, 2018
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SFREPORTER.COM
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NOVEMBER 14-20, 2018
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Three St. Vincent organizations sharing one goal: improving our community’s health. We are Anchorum St. Vincent, one of the three St. Vincent organizations helping to improve the quality of life for the people of Santa Fe and northern New Mexico. Each member of the St. Vincent family plays a unique role in our community: Anchorum St. Vincent is a nonprofit Community Health Impact Organization and 50% community owner of CHRISTUS St. Vincent, in partnership with CHRISTUS Health. We’re a convener and catalyst with local nonprofits, philanthropic impact investors, and strategic partners.
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NOVEMBER 7-13, 2018
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SFREPORTER.COM
Community. Health. Impact.
CHRISTUS St. Vincent represents the hospital itself, along with its dedicated physicians, nurses, technicians, staff, and advanced facilities. It is the primary voice to patients, families, and medical providers. St. Vincent Hospital Foundation supports the hospital as its fundraising arm, working with health-minded donors and philanthropists.
Together, the St. Vincent family represents the premier health and wellness system for our community, and one of the most innovative, philanthropic health-impact models in the United States. Moving forward within this health system, Anchorum will expand its role as a catalyst for lasting change—and enhanced wellness for all. To learn more, visit Anchorum.org
Let’s All Get Plowed Santa Fe readies its readiness plan for snow storms B Y M AT T G R U B S m a t t g r u b s @ s f r e p o r t e r. c o m
S
liding toward the curb across ice and snow, wheels askew, traction control sensor beeping away in that you’re-not-helping panicked tone, you may have wondered: “Doesn’t anybody have a plan for plowing this town?” They do. In fact, back in September, before it was snowing as it did this week, the city’s Public Works Director Javier Martinez was busy revising Santa Fe’s snow and ice removal plan. Depending on how much it snows, the city has what appears to be a detailed plan of attack for getting city streets clear and passable during a storm. Anything up to 2 inches gets what a lot of people call “sanding,” which is actual-
STORM CLASS Freezing rain, “black ice” or trace of snow 1-2 inches accumulation 2-12 inches accumulation 12-24 inches accumulation >24 inches (emergency)
ly a mixture of salt and cinder. The city lets that ride instead of plowing it off because the longer it stays on snow and ice, the more good it does. Often, as it did this week, almost everything melts in a day or two. The plow blades don’t smack the asphalt until after a couple of inches accumulate, according to the plan. Then, a small fleet of city trucks lowers the plows and gets to work. The city labels roads as priority one, two or three. One plow is assigned to each of five areas in the city, all of which have a separate priority list. There’s usually only one plow on the streets in each area, because putting another one to work means a supervisor has to drive it. The city doesn’t have enough people to maintain round-the-clock staffing during storms and get additional plows on the road. There are also 26 ironically named “hot spots” around town that are on the must-plow list and get their own designated plow: Places such as the Don Diego-Cerrillos Road intersection, the hill
KEY FOR TREATMENT LEVELS 1. Apply cinder and salt mixture intermittently, covering "hot spots" and major intersections 2. Apply cinder and salt mixture uniformly 3. Plow intermittently and apply cinder and salt mixture 4.Plow repeatedly and apply cinder and salt mixture
STREET PRIORITY 1st Priority 2nd Priority NMDOT
3rd Priority
NEWS
SARAH EDDY
S FR E P O RTE R .CO M / N E WS
All the city’s plows are dispatched from the Siler Road yard. Five plows purchased since 2015 handle the bulk of the workload.
on Jaguar Drive by Fire Station 8 and Apodaca Hill by Upper Canyon Road. Downtown, 23 streets get ice removed whether it’s snowing or not. The 24-page plan is comprehensive, but it relies on two things that have a tendency to break down. One is equipment. The city has a dozen heavy-duty plows that also have attachments to spread the salt and cinder mixture. Five of those are new since 2015. The other seven are of early-’90s vintage. They break. The city
plan says some of them are “in poor condition.” “This plan cannot be carried out effectively without all available equipment being ready at all times,” the document says plainly, emphasizing that fixing snow maintenance machinery has to be the highest priority for the city’s Fleet Maintenance Division. The other thing that has a tendency to break down—at least according to the city—is the state’s part of the deal. Cerrillos, St. Francis, St. Michael’s, a big chunk of Old Pecos Trail and Old Las Vegas Highway, the bypass, the road to the ski basin—all are the state’s responsibility. In big storms, the New Mexico Department of Transportation’s District 5 crews focus on I-25. Other top priorities are Highway 599 (the Santa Fe bypass) and St. Francis Drive, which is a US highway. After that, they get to Cerrillos Road and St. Michael’s Drive, Old Las Vegas Highway and Hyde Park Road. But district officials admit I-25 gets the bulk of the attention during a significant event, and the state and US highways that double as city streets can go unplowed. The city picks up the slack, the plan says, because “our experience is that when these NMDOT facilities don’t get properly plowed, the city gets the public criticism, and not NMDOT.” A major storm can put extra strain on city resources, and Martinez says he’s already let city councilors know that a big winter could lead to extra costs for overtime and more salt and cinder mix for the roads. “The coordination between DOT and the city is better than it was in the past,” Martinez tells SFR the day after the most recent storm. He used to work for the state and still has relationships there that can help open communication channels. The city has not asked the state to reimburse it for staff time or material costs in the past.
SFREPORTER.COM
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Here Comes the Nug Adult-use cannabis bill likely to land on new governor’s desk next year BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m
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leven. That’s the number a coalition working to bring recreational cannabis to New Mexico has in their sights. After Michigan became the 10th state last week to legalize adult use of the plant, legislators, advocates and business owners who spoke with SFR say New Mexico is poised to become the 11th. (It’s also legal to use and grow in the District of Columbia.) Many of the pieces now seem to be in place. A majority in the state House are favorable to the idea, and senators have warmed to it since a failed effort that would have added a proposed constitutional amendment to ballots in 2016. Two state representatives, Javier Martínez (D-Albuquerque) and Bill McCamley (D-Las Cruces), introduced a legalization bill during the 2017 session for the purpose of workshopping it ahead of a future session when its passage appeared more likely. With an incoming governor who has expressed openness to signing such a bill into law, that time could be in just a few months.
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Martínez confirms to SFR that he plans re-introduce the bill ahead of this coming legislative session. House Speaker Rep. Brian Egolf (D-Santa Fe) tells SFR the chances of a bill passing this time around are far higher. Pending the specifics of newly filed legislation, weed might be legal in New Mexico as soon as July. “I don’t know if I have a whip count on the floor for recreational cannabis, but my guess is if it were to make it to the floor, it would probably pass the House,” says Egolf, a personal supporter of recreational cannabis who also serves as legal counsel for the state’s largest dispensary, Ultra Health. Any bill introduced in either the House or the Senate would initially be referred to at least two committees for review before arriving on the chamber floor for a vote. Depending on which chamber passes the bill, that version would then go to the other chamber for its own passage. Lastly, the House and the Senate reconcile any discrepancies between their separate versions before sending it to the governor for a signature or veto. McCamley, whose tenure in the state House will end after December following a failed run for state auditor, tells SFR some of the main issues for legislators to hash out will be whether revenue generated from cannabis goes to the general fund or is earmarked for specific projects. He says lawmakers also will also need to write “safeguards” to prevent children and some young adults from obtaining the plant. In the past, the Senate has been most resistant to recreational cannabis, according to Sen. Jerry Ortiz y Pino (D-Albuquerque), who has championed the cause for years and plans to carry a legalization bill in the Senate. He tells SFR that while he’s personally been unsuccessful convincing certain senators to support the idea, he feels “optimistic”
SFREPORTER.COM
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STATES WITH LEGAL RECREATIONAL CANNABIS ALASKA Adults 21 and over can possess up to an ounce of cannabis, and can grow up to housesix plants per house hold. CALIFORNIA Adults 21 and over can possess up to an ounce of cannabis, and can grow up to six plants per household.
plants” per household. MASSACHUSETTS Adults 21 and over can possess up to an ounce of cannabis, and can grow up to six plants per household. MICHIGAN (just passed) Adults 21 and over can possess up to 2.5 ounces of cannabis, and can grow 12 plants per household. NEVADA Adults 21 and over can possess up to an ounce of cannabis, and can grow up to six plants per household.
OREGON Adults 21 and over can possess up to an ounce of cannabis on their person, and COLORADO up to 8 ounces at Adults 21 and over home. Each person can possess up to an can grow up to four ounce of cannabis, plants. and can grow up to six plants per house- VERMONT hold. Adults 21 and over can possess up to an DISTRICT OF ounce of cannabis, COLUMBIA and can grow up to Adults 21 and over six plants per housecan possess up to 2 hold. No regulatory ounces of cannabis, framework for recreand can grow up to ational sale. six plants per household. WASHINGTON Adults 21 and over MAINE can possess up to an Adults 21 and over ounce of cannabis. can possess up to 2.5 Illegal to grow plants ounces of cannabis, for personal use. and can grow up to three “flowering
SOURCES: STATE WEBSITES
about the upcoming session. “With a governor in office who is in favor of legalization, I think some Republicans who have been unanimous in opposition [and] were loyal to [Governor] Martinez maybe feel they can now vote the way they really feel,” he says. Sen. Mark Moores (R-Albuquerque) tells SFR he opposes recreational cannabis, which he believes “is bad for society and has hugely negative consequences, like alcohol.” But he describes the shifting political landscape as a reason he is inclined to support a legalization measure, so long as it comes with a strong regulatory framework. (A survey from Albuquerque-based Research and Polling, Inc. this fall found that 60 percent of likely voters support legalization, and a 2016 survey pegged more than 65 percent of New Mexicans as supporters.)
“I don’t want recreational marijuana, but I understand the political reality that it is here,” Moores says. “I want to make sure we have a system that is extremely well-regulated, and the ability to take those revenues and mitigate some of those negative social impacts that marijuana has.” Sen. Peter Wirth (D-Santa Fe), the Senate’s majority floor leader, says his chamber is more likely to vote in favor now because Democrats picked up two seats in the 2016 election. Like Egolf, he is also a personal supporter of recreational cannabis. “I think the fact that we’re not first [to legalize cannabis under state law] is important here,” Wirth tells SFR. “We’re not re-inventing the wheel. We’re also a border state with Texas, where there’s no recreational or medical [cannabis, and] I think this would lead to huge economic development on the east side of our state.” Both Martínez and McCamley have worked closely over the last year with the Drug Policy Alliance, which has held numerous meetings with legislators, dispensary owners and others about what an adult cannabis industry could look like in New Mexico. A central part of that conversation has been how to tax it. According to Emily Kaltenbach, DPA New Mexico’s executive director, revenues from cannabis would likely be collected at the point of retail sales, based on what has worked elsewhere. When cannabis was first legalized in Washington, for example, that state tried to tax growers, processors and retailers separately, but growers would often partner with processors in order to skirt the tax. Washington wound up replacing the three-tiered arrangement with a single tax on retailers. Current purchasers of cannabis in New Mexico’s medical program pay just gross receipts tax. Whether and how the state levies additional excise tax could get complicated in a hurry. Taxing cannabis sales is trickier than other excise taxes such as the one on gas, which can be applied to a number of gallons, because cannabis comes in many forms such as edibles, beverages, joints, and topical creams. Richard Pomp, an adviser to states on tax law, told New Mexico’s Revenue Stabilization and Tax Policy in July that most other states with legal adult use impose the tax as a percentage of a product’s purchase price. Pomp also told the committee that New Mexico could expect total tax revenue between $30 and $60 million a year, in addition to state and local gross receipts taxes, as well as revenue collected through the business licensing process and increased tourism.
SFREPORTER.COM/NEWS
Medical cannabis producers look forward to expansion Future market will depend on new plant caps, regulations on license holders
Governor-elect Michelle Lujan Grisham likes to tout the fact that she was health secretary when then-Governor Bill Richardson signed the Lynn and Erin Compassionate Use Act into law. At that time, in 2007, only 11 other states had legalized medical marijuana. New Mexico’s cannabis program seemed imperiled when Gov. Susana Martinez pledged to repeal it during her gubernatorial campaign in 2010. That never happened, but Martinez’ aversion to cannabis manifested in constant battles with dispensary owners over the last eight years. Lujan Grisham says she’ll not only undo some restrictions imposed on the medical program, but is inclined to sign a bill opening up cannabis use for all adults. And the biggest dispensary owners in the state, who are poised to ramp up their medical cannabis operations for recreational customers, already have her ear. “I’ll take the advice of folks in the industry who are clear about making sure you have the opportunity to regulate,” Lujan Grisham told SFR shortly before the election. “If they tell me there is a plant cap that does not limit patient access, I would undertake that. Every decision is evidence-based, I don’t need to rush into any decision.” The plant cap issue may now be a moot point after the dispensary Ultra Health prevailed in a lawsuit against the Health Department over an annual producers’ limit of 450 plants. On Thursday Nov. 1, Santa Fe District Court Judge David K Thomson gave the Health Department 120 days to come up with an alternative to the 450-plant cap. Lujan Grisham will be sworn in Jan. 1. Ultra Health CEO Duke Rodriguez says his dispensaries around the
NEWS
state would be ready to start selling cannabis to all adults by July, notwithstanding any new plant limits. “I think every state that has attempted to move into adult use has either stumbled or, in fact, failed, and I think New Mexico is probably best positioned than any state to get it right,” says Rodriguez, whose pro-pot attorney, Brian Egolf, is the speaker of New Mexico’s House of Representatives. A top representative for Minerva Canna, another large dispensary network, says most producers would welcome a less restrictive plant cap but are wary of new producers getting into the market. New producers might mean more competition in New Mexico’s cannabis industry, which could be good for customers but might also lead to a glut of pot, a la Oregon. “We’re very much positioned to fully embrace recreational use here in New Mexico,” said the Minerva representative, who did not want to be named because he feared it might affect his standing with his creditors. Some producers have voiced concern about whether the state can effectively prevent large businesses from out of state coming in and taking over the market. Ultra Health, for example, is based in Arizona and reports the most revenue of New Mexico’s producers. Carlos Gonzales, the executive director of New Mexicann Natural Medicine, says he hopes Lujan Grisham will seek input from longtime producers on this issue. “Will there be some kind of regulations on and or looking at the amounts that are produced by each producer, or is it just someone with big money comes in and purchases all the licenses and everybody goes away and it’s a monopoly?” Gonzales tells SFR. Zeke Shortes, the owner of the Sacred Garden dispensaries, says he “feels really good” about Lujan Grisham’s election. He adds that his operations need more time to scale up for a recreational market. Others he has spoken with have said the same. “About 70 percent [of dispensaries] are in favor of recreational,” Shortes guesstimates. “The 30 percent who don’t want it are undercapitalized and don’t feel like they can make the move without selling off part of their company or taking out high-interest loans. It’s not because they don’t think it’s the right thing to do. “Everyone in this state has known this was going to happen,” Shortes continues, “so to be myopic and not prepared for it is kind of silly, in my mind.”
SANTA FE SKI + SPORTS SWAP
November 16 & 17 (Friday & Saturday) Genoveva Chavez Community Center NEW Winter Sporting Gear At Huge Discounts Lots Of Used Stuff, Too! Sell your used equipment for a $2 concession fee. 20% of sales benefit the Santa Fe Ski Team.
Friday, November 16 12–4PM Equipment Check-In, $2 Per Item 6–9PM Adults ($15), Under 18 ($10), Under 12 (Free!)
Saturday, November 17 9AM–6PM Free Admission!
Sunday, November 20 10AM–12PM Equipment Pick-Up Only 10A
santafeskiteam.com The C. G. Jung Institute of Santa Fe presents
Jung In the World
Community Forum with Panel
Donald Kalsched, Ph.D., Jungian analyst, Santa Fe Jerome Bernstein, M.A.P.C., NCPsyA., Jungian analyst, Santa Fe Jacqueline West, Ph.D., Jungian analyst, Santa Fe Reflections about the Radical Shifts in Our Current Psycho-political World Friday, November 16th 7-9pm $10 (+ $10 surcharge for 2 CEUs or 2 Cultural CEUs) This evening, two years from the time we gathered after the election of Donald Trump as our President, the mid-term elections are speaking to us, about us, and from us. The three panelists will each offer their individual reflections and ruminations about what the elections are saying, as well as how we might understand the intense, inflamed and disputed events in our country that we are currently facing hour by hour, day by day. Are these radical shifts of the ground of our being, these quaking structures of our collective lives, propelling us towards the edge of destruction or are they heralding an unexplainable transformation, an innovation, an essential reformation? Following these remarks, the panelists will turn to the group for further elaborations and dialogue. The central question continues to be: What is emerging individually and collectively from the multi-leveled complexity of our current psycho-political world?
(See “Papers Online” on our website for 2012, 2013, and 2016 papers on election politics by Institute presenters.)
Workshop: Extending the Discussion about the State of our Country
Saturday, November 17th 9am-12noon $40 3 CEUs or 3 Cultural CEUs
The three Friday night panelists will reconvene on Saturday in a workshop format, to continue the discussion about the state of our country. We’ll begin by addressing questions and thoughts emerging from the Friday evening discussions. We’ll follow these reflections as they lead us more deeply into exploring how we each are contending, individually and collectively, with the multi-leveled complexity of our current psycho-political world. Everyone is invited to bring not only perceptions and thoughts, but also dreams, poems, writings, or drawings, to contribute to our reflections.
Both events at: Center for Spiritual Living, 505 Camino de los Marquez, Santa Fe Friday forum and Saturday workshop tickets at the door – for information call Jacqueline West 505-984-0102 For expanded program details go to www.santafejung.org SFREPORTER.COM
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NOVEMBER 14-20, 2018
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DOUG DICKEY FOR ADOPT-A-NATIVE-ELDER
All Hands on Rez
VOLUNTEERS DELIVER SUPPLIES IN LASTING RELATIONSHIP WITH NATIVE ELDERS BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m
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Navajo elders gather at the Forest Lake Chapter House in Piñon, Arizona, in October 2018.
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he land around Chinle, Arizona, is just what Eastern kids picture the pre-Columbian American West to be: Red rock mesas sweep up to turquoise skies. Roads along ridgelines overlook vast expanses of sagebrush and washes. Wild ponies graze under rainbows. A scouring fresh wind flows over it all. It’s some of the most beautiful land on the planet. The Navajo Nation—the Rez or Dinétah—encompasses 27,000 square miles in New Mexico, Arizona and Utah. It’s larger than Massachusetts, New Hampshire and Vermont combined; though, while those three states (which, by all accounts, contain a lot of empty space) have a population of 8.8 million people, the Rez is home to just under 357,000. Most roads are unpaved. In the 2000 Census, 32 percent of homes lacked indoor plumbing, and the per capita income was $7,269. New Mexico’s that year was $17,261—then considered the lowest in the United States. All of those are the easy numbers to find. The numbers that express vastness; the numbers that express lean living. What the numbers don’t show are
CHARLOTTE JUSINSKI
A supply van heads to the homeland of Elizabeth Clah, a Navajo elder in Many Farms, outside Chinle, Arizona.
rainstorms moving across the plains, open doors and warm homes; huge steaming pots of mutton stew, frybread and beans, coolers of watered-down lemonade and fruit punch, earthy Navajo tea; 8-bit flip-phone ringtones and laughter and percussive Diné conversation floating out of a chapter house kitchen. The numbers reflect too easily the haves and the have-nots; the ones who want and the ones who provide. There’s the us, and there’s the them. Troublesome as that may be, the meeting of the two can be as enduring and hopeful as it is improbable—and, as in the case of one nonprofit that has been at it for more than 30 years, life-changing. The beauty and mystery of Dinétah have captivated people for as long as they have lived on Turtle Island. The rich natural resources under the land have also long been of interest to those who could profit from them. In the 1970s and ’80s, when the US government evicted more than 10,000 Indigenous people off Diné and Hopi land, under the thinly manufactured veneer of tribal disagreements was one thing: coal extraction. The documentary Broken Rainbow,
which won an Academy Award in 1985, told the story of this relocation and, in turn, centuries of mistreatment of Native Americans. Shortly after its release, a screening in Utah drew the interest of a Park City woman named Linda Myers. Myers, a fiber artist and then the owner of a gift shop in the resort town, was struck by the beauty of the Navajo culture—and also by the deep needs of those on the reservation, particularly Navajo elders living traditional lifestyles despite encroaching modernity. “I couldn’t let it go, the documentary,” Myers tells SFR. “Seeing old people being removed from their land. … Most of these elders were told to take care of their land and their animals that they were given, and they did. They didn’t move off until the government started removing them.” Shortly thereafter, she, along with Navajo activist Grace Smith-Yellowhammer, began loading up Myers’ pickup truck with whatever supplies they could find—clothes, household goods and non-perishables. Whenever the truck was full, they’d drive down to the Navajo Nation and hand out what they had, then drive back to northern Utah. Eventually, the Navajo grandmothers she served asked Myers if she could sell
I couldn’t let it go, the documentary. Seeing old people removed from their land. -Linda Myers, founder, Adopt-A-Native-Elder
their handwoven rugs in wealthy Park City, so Myers took rugs from the women and sold them in her store. Year by year, the efforts grew more complex. Myers, whose calm, gentle presence evokes a bit of a female Mister Rogers, traveled down to Arizona as often as
she could. But as a single mother and business owner, she could only accomplish so much. Her supplies would always run out long before the elders’ needs were met, she says, and one grandmother finally asked: “Can you get someone to adopt me?” And so, in 1989, she founded AdoptA-Native-Elder. In October 2018, SFR spent three days on a delivery run with ANE, accompanying nearly 50 other volunteers from Santa Fe and around the country; this was our experience. It’s hard not to be wary of a nonNative-headed nonprofit focused on Native needs—so when I heard that a caravan from Santa Fe would be meeting a caravan from Utah at a Best Western near Canyon de Chelly to deliver food to the Navajo Reservation with the curiously named nonprofit (anelder.org), my white savior radar went off. Myers has been doing this work for more than three decades; I figured she wouldn’t flinch when I mentioned my hesitations. I was right. The skepticism “comes from Native people first,” Myers says. “That was CONTINUED ON NEXT PAGE
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CHARLOTTE JUSINSKI
my bigger struggle—Native people being negative about it. So I listened to the criticism, and oftentimes I’d just say, ‘So tell me somebody who can do what I can do. Tell me a better way.’ I’m always open to a better way. ‌ I took [criticism] as an opportunity to ask those questions.â€? The strongest resistance came in the beginning, when it was a one-pickuptruck deal. “I was down at Big Mountain, handing out what little food I could raise, and there were these four ladies that would stand up on the hillside under a tree and watch me,â€? Myers recalls. “I wanted to go up and invite them down, but Grace said, ‘No, don’t. Just let them be.’ And over the years, I learned, people are observing you. They’re going to decide when they want help or if they want to be helped by you. And one day, I was trying to put food boxes in peoples’ cars, and somebody came up and hit me on the arm and said, ‘Box.’ And it was one of the ladies from the hill. She didn’t know a lot of English, but she knew what she wanted: She wanted a box. ‌ So that’s how it started, with some of those older ones that really were against—you know, me.â€? Myers relies heavily on volunteer coordinators on the ground at each of the food runs to communicate with locals; many are the children of some of the first elders ever enrolled in ANE. Mary R Begay, the coordinator at Big Mountain, exhales slowly when I ask how long she’s been involved. She estimates about 18 years, and says ANE first began holding food runs on her mother’s land about 22 years ago. One day, Begay was asked to translate back and forth from English to DinĂŠ for the group. It wasn’t long before Myers approached her and asked her to coordinate at the Big Mountain food runs. Begay’s hesitation to get involved with ANE actually didn’t have anything to do with ANE at all. “As a Navajo woman, I am really rooted in my own community and my Navajo
A drive or hike through nearby Canyon de Chelly is an ethereal evening adventure for ANE volunteers.
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way of life,� Begay tells SFR. As a result, she said, she found the elders incredibly intimidating at first. “Some of these elders literally fought for their land here in Hard Rock and Big Mountain,� she says. “These are my relatives, and these are women that I looked up to all my years. It was really hard for me to get up there and start interpreting. I was afraid I was going to say something wrong. I felt that I was not worthy to stand before them.� Soon, though, she felt the elders accepted her—and she grew to really trust Myers. “There’s no other group that I know of that actually really loves the people to do the kind of thing that ANE does,� Begay tells SFR. “I can see the love [they] have for these people—for my people.� Begay, 58, hasn’t lived her whole life on the reservation; she attended high school in California and went to college, and never intended to return home. But she and her husband both found jobs on the Navajo Nation and moved back to Hard Rock to raise their four children. Even once back home, they did not live traditionally. But when Begay’s mother died 14 years ago, she left her 95 sheep to Begay’s oldest sister. Her sister didn’t want the sheep, so she gave them to her brother. Her brother didn’t want them either. “And at the beginning, I didn’t want the sheep,� Begay says with a laugh. “But my husband was raised in a very traditional family; they had more than 300 head of sheep all the time, so he was so used to having sheep.� And so, the Begays changed their life plans. “It was really hard at the beginning,� Begay says, “because there’s no steady income that comes with it.� But, she says, “They grew on me. I started to like what I did with them. ... I got to know each one, their characteristics. I really got to know them almost as humans.� I ask Begay if she would change anything about her life; she immediately says no. I ask what her favorite part of the
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Nearly every aspect of Adopt-A-NativeElder is dictated by the needs of the elders and Diné tradition. When on a food run, female volunteers must wear long skirts. The vehicle caravans are smudged with sage before every trip onto reservation land. Volunteers follow strict rules: You can bring an object for blessing, but don’t bring animal bones or owl feathers. When buying rugs, don’t haggle. The oldest male elder gets served lunch first. I overheard a volunteer refer to a structure depicted on a rug as a house. “It’s a hogan,” the weaver corrected her sharply, referring to the traditional Navajo dwelling. The volunteer apologized. Beyond respect, the food runs are a far cry from tossing paper towels to a crowd for a photo opp; every aspect of the day is choreographed and planned like a grand party that’s also a well-oiled machine. For first-time volunteers, the advice from veterans is generally: “Do what you’re told and don’t be late.” The swift pace of the days felt a little like getting pushed down a flight of stairs at first, but eventually became more like navigating white-water rapids. The Chinle-based runs, which were held Oct. 4-6 this year, serve about 50 elders each day for three days in Many Farms, Piñon and Tsaile. There are three other regions to which ANE travels, and each region similarly contains three distribution sites. As of publication, ANE distributes medicine, supplies and 5 million pounds of food throughout the year to 557 elders among these
DOUG DICKEY FOR ADOPT-A-NATIVE-ELDER
Navajo lifestyle is. She pauses. “I don’t know,” she finally says slowly. “There’s so, so much that I love about what I do, that I don’t even think about what I don’t like about living here.”
ABOVE: Many Farms coordinator Darlene Slivers and ANE founder and director Linda Myers; BELOW: Supply boxes ready for pick-up at Diné College in Tsaile, Arizona.
12 sites. (In addition to the $225 annual cost to sponsor an elder, sponsors often send extra donations throughout the year. Many volunteers on the trips get to see “their” elder on the runs; some have been sponsoring the same individual for more than a decade.) Back in Salt Lake City, at ANE’s offices and warehouse, volunteers come in twice a week year-round to package and assemble food boxes and giveaways. The giveaways include things like pancake mix and syrup wrapped in ribbon, handmade quilts from a sewing club in Utah, flannel shirts and warm winter coats, bandanas tied in bows around bottles of shampoo. All the new products are purchased in bulk by ANE Assistant Director CJ Robb, an effervescent young gentleman with whom many grandmas quickly became smitten. Once onsite, the giveaways are arranged into aesthetically pleasing displays by coordinator Ashley Lopez, a formerly Los Angeles-based event planner with a bright smile and sharp winged eyeliner. Many elders dress their finest for the food runs, the women dripping in turquoise and the men donning Stetsons and polished boots. After the food and giveaways are distributed, it’s time for lunch—a huge affair complete with blue corn mush, mutton stew, taco salad, lemonade and fry bread. Then, it’s time for the volunteers to shop. Beginning with some of those first grandmothers’ requests for Myers to sell their rugs, the shopping aspect of every food run allows the elders to make cash the same way they have for generations: by selling their traditional art. Some of the elders have never worked conventional jobs, and have always provided for their families with weaving or
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DOUG DICKEY FOR ADOPT-A-NATIVE-ELDER
jewelry. While my skeptical first impulse was to roll my eyes (does everything need to be a transaction?), I quickly understood: To give a grandmother a few crisp $20 bills and shake her hand over the rug I’d just purchased meant both that I was privileged enough to afford it, and that she could then afford a couple months of firewood—and she didn’t have to change her lifestyle to get any of it. To extend the reach of ANE’s efforts and further support the elders’ traditional art, ANE also hosts its annual rug show and sale in Park City every November (this year, it was Nov. 9-11). Throughout the year, Myers purchases rugs -Mary R Begay on every food run; (Navajo), Hard Rock, during shopping time, Arizona Myers walks around, cutting check after check for rugs from as many weavers as she can. The rugs are marked up a modest 20 percent at the show to cover overhead, but the show is not meant to be a money-maker; it’s just reimbursement for funds already distributed. At Many Farms, Myers met with a weaver from whom she’d commissioned three rugs. The weaver showed her the work, and Myers thanked her. After pleasantries, Myers asked: “How much?” The young woman looked stunned. “You ordered them,” she said hesitantly. “You tell me how much.” The small group laughed, and Myers offered a fair price. The weaver acceptAt Many Farms, elders and volunteers line up in anticipation of “tarp,” a competitive but ultimately fun portion of food runs in which elders choose ed, and Myers signed the check. what donated clothing, accessories, yarn bundles and children’s supplies they’d like from thousands of pounds’ worth trucked in from Utah and
The Rez is changing. Some elders have electricity; some elder women wear pants. Many more elders now speak English than when Myers began this work (though every food run still has a few necessary Diné translators). But there is always more work to be done. In addition to the 557 elders on ANE’s books, more always show up at the distribution sites. “And I can give them a food box, and that’s something,” Myers says. “But they want the giveaways. They want a sponsor that comes to see them. And that gets really challenging. It will always be that way; there’s no fix.” But one question doesn’t leave my head: Plenty of people have seen the documentary Broken Rainbow, but none of the others founded a three-decadesrunning nonprofit with $1.3 million in annual revenue. What makes Myers different from everyone else? Myers hesitates when I ask. “That’s a spiritual question,” she says thoughtfully. She mentions Rose Hulligan who, along with Grace SmithYellowhammer, was one of Myers’ first connections to the Navajo Nation: “I remember the day that Rose told me that she was leaving Salt Lake and was going to the reservation to teach.” Hulligan would no longer be able to help Myers
with her small-scale pickup-truck runs. “I said, ‘But what about the elders?’ and she said, ‘You’ll take care of them. … It’s who you are.’” Beyond her own dedication to the elders, Myers says, is the community that’s embraced her work. She refers to the early days, when she delivered supply boxes right to the elders’ homes. “An elder named Carol Blackhorse was very leery. And one of the first times I met her, she spit at me,” Myers recounts DOUG DICKEY FOR ADOPT-A-NATIVE-ELDER
stay safe. “People are always checking on each other,” Slivers says. The food runs are a chance for the farflung (though sometimes not-that-far) people to see each other, to hold hands across the table, to check in, and—inevitably—to laugh together.
ABOVE: The writer with weaver Agnes Harvey, from whom Jusinski purchased this rug in Tsaile. BELOW: Elders gather in front of boxes full of giveaways at the food run at Diné College in Tsaile. DOUG DICKEY FOR ADOPT-A-NATIVE-ELDER
In addition to providing food, cash and supplies, there’s a more intangible aspect of the food runs that is just as important, if not more important than the donations: the sense of community. Some elders travel from hours away down undeveloped roads; many live far from each other, out on the land. Many Farms coordinator Darlene Slivers, who grew up on the reservation sometimes estranged from parts of her family, says that translating for ANE wasn’t her idea. More than a decade ago, she was volunteered by her aunt, and didn’t want to do it at first—but soon she enjoyed seeing the elders more. “I got to know a lot of elders, and some of them knew my mother when she was growing up; they told me, ‘I remember your mom when she was a young child, we used to visit one another.’” She describes part of her family as living “way over there,” and how they considered their two lands very separate. I ask how far away their house was from hers. “About a mile and a half,” she says. But what isn’t far in physical distance can feel like an endless expanse when residents are older. “Out here, it’s real difficult when they get sick or something happens to them,” Slivers says of the elders outside Chinle. “Some of them don’t have a cell phone. Their kids or their neighbors that live by them, they have cell phones and they can call the hospital, or they call the police department. But it takes time to have the ambulance get to them.” Many elders depend on daily or every-few-days visits from neighbors to
with a chuckle. “But as I got really close to her and her family, at one point, I was getting ready to leave her homeland … and she came out with her daughter. Her daughter says, ‘Grandma wants to know how long.’ … And it was this moment; realizing she was getting attached to me, but also didn’t want to be attached, because she didn’t know how long. … That is probably one of the hardest questions they ask me. ‘How long are you going to do this? How long are you going to help us?’” It was a loaded question. “I didn’t know at that time how many white people would come and make promises … and they never hear from them,” Myers says. “There are so many abuses, and you don’t see yourself as a part of it. But you are, you know? You are.” While on a food run, you have the evenings to yourself. The group typically gets back to Chinle between 4 and 6 pm, and there’s ample sunlight left to do some exploring in nearby Canyon de Chelly or take a drive to the Thunderbird Cafeteria for dinner. You’re usually tired, though— and as much as I wanted to stay in my hotel room, when the other women from Santa Fe wanted to go to the Hubbell Trading Post National Historic Site one evening, the fear of missing out outweighed the exhaustion. Once in Ganado, we poked around the trading post, running our hands over rugs and skulls. I wandered over to the visitor’s center to get a National Park System stamp for my passport. The ranger behind the desk, a Diné man named Alvis, asked if I’d been to Hubbell before; I said no. He asked if I wanted to hear some history; I said yes. He referred to a map of the Four Corners under Plexiglas, pointing out the mountains in which his ancestors hid; the directions from which the Spanish came, then the Mexicans came, then the white men came. He circled his finger around Albuquerque, the southeastern corner of Dinétah. He described his people having come down out of the hills once the Spanish threat had passed. He traced the line to Bosque Redondo and back. Soon it was time for the visitor’s center to close, and he told me I should come back when I had more time. I said I would, that it was a beautiful site—and then I expressed gratitude for having us in his home. He smiled. “Of course,” he said, softly but warmly. “Everyone is welcome on our land.” ADOPT-A-NATIVE-ELDER INFORMATION SESSION 4:30 pm Saturday Nov. 17. Free. Casa Chimayó, 409 W Water St., 428-0391.
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SFRE P O RTE R .CO M / N E WS / TH E I N TE R FAC E
A new book aims to help web creatives have it all BY JULIA GOLDBERG @votergirl
A
cacia Carr started learning to code in HTML and CSS a little more than 20 years ago, when she was 16, for a summer job. She entered the field professionally a decade ago and since then, she says, “it’s been my passion every day and every night.” A native New Mexican who grew up in Santa Fe and currently lives in Albuquerque, Carr runs her own agency with clients all over the world, but mostly focuses on those in New Mexico and California, where she also used to live. She’s seen many changes in the industry, with “the most striking” being the divide between web developers and designers. “There’s often a lot of friction between the two,” she says, “because they don’t speak the same language.” Carr, on the other hand, is a unicorn: “that rare web creative that is both developer and designer.” As such, she wrote the book Uncommon Creative: The Handbook for Unicorns, which publishes this month, to try “to heal that divide between design and development.”
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Believe in Unicorns
Understanding the emergence of unicorns into creative web culture requires looking at the ways in which the industry, and its tools, have developed and changed. Carr’s book provides a world wide web history that traces the technology from its inception as a networking tool for computer scientists to the current mobile-centric climate of responsive web design. That history includes a drill-down on key developers, designers and companies, as well as a narrative that explicates the role Apple and the iPhone played in shifting creative work away from flash-based design to current content management systems such as WordPress. Those changes have certainly made creating websites more accessible for people, Carr notes, but also have added to the schism between designers and developers. It’s a divide she’s encountered repeatedly when taking over projects where communication between people with widely different skill bases broke down. As someone who practices integrated web design and development, Carr maintains the importance of understanding “the different components that are going into what you’re doing when it’s web-related because it’s all connected.” The history Carr provides helps explain the current industry, but Carr also provided it, she says, because “there’s no standard for education in this field,” which means “not everyone is going to have the same awareness of what’s come before.” For example, she’s encountered many people within the industry unfamiliar with Ada Lovelace, an early 19th-century mathematician considered today to have written the first computer algorithm.
“I didn’t even want to assume that anyone knew the base information,” Carr says, “so I went ahead and just kind of covered everything.” The result is a book she hopes will appeal to people at all stages of work in the web domain. “I feel like if you had no knowledge walking into the field, you could pick up this book and you get something going right away,” she says. At the same time, she adds, the later chapters in particular will be helpful for people who have been in practice for years as they address areas of project management, hiring and technology selection that can help address some of the issues she’s seen. “The definition of insanity is doing the same thing over and over and expecting a different result,” she says, “but if you actually take a step back and look at your foundation—not just your technical and your creative foundation, but your business foundation—this book can help you with all of that.”
TECH
Hence, chapters that consider everything from the essentials of web design and development to finding clients, branding and project management are all presented in a colorful format that includes many additional resources. While the book was intended to help web creatives at all stages of their careers, encouraging women in technology was Carr’s fundamental goal along with helping foster more recognition for their contributions. Lack of knowledge about web pioneers such as Lovelace is indicative of the general way in which women’s roles in technology have become marginalized. This is problematic for a variety of reasons, not the least of which is its impact on society as a whole. “Many of our daily interactions are now controlled or monitored or somehow afaf fected by an algorithm,” Carr says, “and an algorithm is a reflection of a mindset and the mindset is reflectant of the person who creates the algorithm, so it’s basibasi cally, your digital culture comes from the culture of the people who make it.” Right now, she notes, “tech is at this point comprised of men in their mid-30s who are white or Asian, and of a very affluent background, which is a very limited perspective.” Ultimately, she adds, she’s working toward helping create a vision of tech that is more inclusive, “where gender isn’t even mentioned; you could be nonbinary, you could be anybody, and it’s just going to be about the work you’re doing.” ACACIA CARR: UNCOMMON CREATIVE: THE HANDBOOK FOR UNICORNS
Acacia Carr explores the rare breed of designer and developer.
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WHAT’S PAST IS PROLOGUE Growing up in New Mexico, we get a little bit of boiled-down history in regards to the colonization of the area. As cultural educator and historian Jon Ghahate (Laguna and Zuni), who hosts an upcoming talk at SITE Santa Fe about the conquistador Juan de Oñate, can tell you, it’s rife with misinformation. “As Americans, we get indoctrinated in what America is,” he says. Ghahate posits that Oñate’s history was a complex one, but that he was ultimately very human and working from a sense of responsibility to the Spanish crown and church. “At the same time,” he adds, “they really did imprison the Native populations who were here.” Learn more at Ghahate’s lecture alongside marriage and family therapist Lee Swanson, who delves into the effects of trauma. (ADV)
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THEATER THU/15 GET MORE Reading books alone is fine, but book groups add that extra oomph to expand your enjoyment and understanding of something complex. The folks of Santa Fe’s stages have come up with the perfect book club-esque group for theater lovers: The aptly named Theatre Lovers Club organizes talks with actors, directors, writers and producers to discuss upcoming productions and bounce ideas off each other in order to appreciate this town’s performing arts even more. This week’s meeting features director Amy Christian and managing director Carol Schrader of Wise Fool’s Thanksgiving weekend tradition, Circus Luminous. See upcoming events and sign up for TLC’s emails at theatresantafe.org/tlc. (Charlotte Jusinski) Theatre Lovers Club: Circus Luminous: 6 pm Thursday Nov. 15. Free (RSVP online to save your spot). Wise Fool New Mexico, 1131 Siler Road, Ste. B.
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EVENT FRI/16 ECONOMIZE THIS Did you know that the annual Currents New Media Festival people are putting together a physical space on Canyon Road? Before it officially opens in December, they’ll host a public talk titled “Looking Ahead: Imagining the Future of Santa Fe’s Art Economy.” “It’s about, what does the public want? What can we give them? How can we interact with more folks?” says LE Brown, Currents’ digital media coordinator and moderator for the talk. “It’s topical issues for the art market in Santa Fe, what’s working, what’s not, how the economy is successful or not—what people are responding to.” The talk is open to the public, and heavy hitters from the arts community both on and off Canyon Road are expected to attend. We even hear the mayor is going. (ADV) Looking Ahead: Imagining the Future of Santa Fe’s Art Economy: 6 pm Friday Nov. 16. Free. Canyon Road Creatives, 826 Canyon Road, 982-8111.
EVENT FRI/16-SUN/18
Fibrous Fall Fiber Fiesta weaves the fun One might be forgiven for hearing of an event based in fiber arts and jumping to thoughts of old ladies knitting, but there’s a rich history and unmistakable artistry to be found at the annual event from the Española Valley Fiber Arts Center that would make that impulse incorrect. This isn’t just about beautiful fiber arts—it’s about kicking off your holiday shopping and indulging in an ancient evolving art form. The nonprofit is perhaps best known as the Española-based retail mart and educational space, but when it takes over the Scottish Rite Temple each year, the options and possibilities expand. “In New Mexico there used to be more yarn shops, but they’ve been replaced, inevitably, sadly, by the internet,” center director April Jouse tells SFR. “But we have a leg up, because when we incorporated back in 1997, it was with a strong mission point to support the education of fiber arts.” Jouse, who also teaches a beginner’s weaving class at the center, says that on a national scale, there’s not much like what it’s doing or its annual festival. “One of the points when we jury the artists into the show is that we aim for a diversity of items,” she says. “You ex-
pect to find hats and scarves, and there are artists who’ll have those, no question about it—but we also, through our application process, look for contemporary fiber artists in our area. You’ll find beautiful works to go up on the wall, pieces for your home and, I would say, fashion garments that are more on the contemporary side.” And while the bulk of the booths will be helmed by New Mexicans, a few outof-staters from Colorado and Wisconsin join their ranks to peddle wares. Catch a ticketed silent auction on Friday night ($10) with over 50 items ranging from fiber goods and restaurant bucks to tickets for local experiences. Jouse describes the offerings as “exceptional.” “There are not that many nonprofits that are able to focus on fiber arts like we are,” Jouse adds. “Our class attendance grows, our retail numbers grow—we have a really good team who are dedicated to supporting the mission year after year.” (Alex De Vore)
FALL FIBER FIESTA 5 pm Friday Nov. 16. $10; 9 am-5 pm Saturday and Sunday Nov. 17 and 18. Free. Scottish Rite Temple, 464 Paseo de Peralta, 747-3577
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WED/14 BOOKS/LECTURES
MICHAEL WALLIS: LOS LUCEROS, NEW MEXICO’S MORNING STAR Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Join the renowned author and historian for a presentation and book signing for his new book, which tracks Los Luceros through its storied history. 6:30-7:30 pm, free NEW MEXICO BATS AND THEIR BACTERIA: LANDSCAPE COMPLEXITY AND PLANT DIVERSITY AS DRIVERS Christ Lutheran Church 1701 Arroyo Chamiso, 983-9461 Ara Winter, a biologist and post-doctoral researcher at UNM, describes how changes in the bacteria populations on bats are driven by the bats' local habitat, and highlights the need to protect local and regional native habitats. 6:30 pm, free PRESCHOOL STORY TIME Santa Fe Public Library Southside 6599 Jaguar Drive, 955-2820 Kids who are read to are generally smarter than kids who aren't. Get 'em learnt! 10:45 am, free
CITY COUNCIL ON YOUR CORNER MEETING Farmers Market Pavilion 1607 Paseo de Peralta, 983-7726 Catch an afternoon session at 5 pm, followed by an evening session at 7 pm. Agenda available at santafenm.gov. EVENTS 5 pm, free CHILDREN’S CHESS CLUB CIXIN LIU: BALL LIGHTNING Santa Fe Public Library Main Jean Cocteau Cinema Branch 418 Montezuma Ave., 466-5528 145 Washington Ave., 955-6780 The acclaimed Chinese sci-fi Join other kids to play against author holds a translated Q&A for a nice mix of quiet thought to celebrate his ode to mysteand roaring laughter. rious natural phenomena and 5:45 pm, free the agendas of those who try CHROMAZONE to amass their secrets. City of Mud 6 pm, $10-$29 1114A Hickox St., 954-1705 DHARMA TALK BY FRANK A multimedia event, presented OSTASESKI in the context of the ZONE Upaya Zen Center group show of visionary 1404 Cerro Gordo Road, and contemplative art, fea986-8518 tures percussion master Jeff This week's talk is entitled Sussman's immersive digital "Loss, Loosing, Loosening: A drum soundscape, as well as a Path to Wholeness." brief talk and Q&A with artist 5:30 pm, free Nick Deamer. FINANCIAL LITERACY FOR 6:30 pm, $10 TEENS: REALITY FAIR GEEKS WHO DRINK Santa Fe Public Library LaFarge Second Street Brewery (Railyard) Branch 1607 Paseo de Peralta, 1730 Llano St., 955-4860 989-3278 At this workshop, each teen Pub quiz results can win you receives a folder detailing drink tickets for next time. personal information specific 8 pm, free to their (as of yet imaginary) INTRODUCTION TO career choice. Create a monthHEARTTHREAD ly spending plan and visit Santa Fe Public Library LaFarge booths representing various Branch expenses like food, clothing, 1730 Llano St., 955-4860 housing, transportation, savThis modality can perhaps ings and credit. release old patterns and open 4:30 pm, free more space for light. JUAN DE OÑATE: 5:45 pm, free CONQUISTADOR OR PUEBLO POTTERY CRIMINAL? DEMONSTRATION: SITE Santa Fe MICHAEL KANTEENA 1606 Paseo de Peralta, 989-1199 Museum of Indian Arts & Culture History and ancestors portray 710 Camino Lejo, 476-1250 Oñate as a bringer of "civiliThe demo series continues zation" to "savages." Absent with Kanteena of Laguna has been the narrative of those Pueblo, who has developed who were on the receiving end his work into remarkably close of colonization and genocide. reproductions of Chacoan and John Ghahate (Laguna and Mesa Verde pottery. Free with Zuni) of the Indian Pueblo museum admission. Cultural Center and therapist 1-4 pm, $6-$12 Lee Swanson lecture (see SFR Picks, page 21). 6 pm, $5-$10 CONTINUED ON NEXT PAGE
COURTESY 5. GALLERY
THE CALENDAR
Artist Afton Love seems to have created a body of work that aspires to express the inexpressible and depict the undepictable (stuff like casting models of holes in trees, to express the void tangibly). His new graphite drawings and tracings draw texture and inspiration from natural surfaces; it opens at 5. Gallery on Friday. See the full listing on page 26.
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THE CALENDAR SFCC GLASS CLUB SALE Santa Fe Community College 6401 Richards Ave., 428-1000 Art students sell glass art and functional pieces. 10 am-4 pm, free SICILY AND BEYOND: IMAGES AND INSIGHTS INFO SESSION Santa Fe Community College 6401 Richards Ave., 428-1000 Head to room 711 in the art wing to learn more about a continuing ed trip to Italy (scheduled for May 2019). 4:30 pm, free VINYASA FLOW Duel Brewing 1228 Parkway Drive, 474-5301 One hour of yoga is followed by one of Duel's core beers, all for one low, low price. 6:30 pm, $15 WELLS PETROGLYPH PRESERVE PUBLIC TOUR Mesa Prieta Petroglyph Project 1431 Hwy. 68, Velarde, 852-1351 Docents lead a two-hour tour of Archaic, Ancestral Puebloan and Historic Period rock art. Pre-register at mesaprietapetroglyphs.org. 9:30-11:30 am, $35
MUSIC
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BOB FINNIE Fenix at Vanessie 427 W Water St., 982-9966 PIano standards. 6:30 pm, free GERRY & DAN La Fiesta Lounge 100 E San Francisco St., 982-5511 Gerry Carthy teams up with his longtime friend Dan McDermott for a blend of Irish, Spanish and country tunes. 7:30 pm, free IRENE ADAMS Cowgirl 319 S Guadalupe St., 982-2565 A mix of classic rock, folk and country originals played on acoustic guitar. 8 pm, free JOAQUIN GALLEGOS El Mesón 213 Washington Ave., 983-6756 Soulful flamenco guitar. 7 pm, free MARC SANDERS Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards. 6 pm, free OPEN MIC NIGHT Tumbleroot Brewery & Distillery 2791 Agua Fría St. Singer-songwriter Jason Reed hosts his long-beloved open mic. 7 pm, free
NOVEMBER 14-20, 2018
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INTRODUCTION TO ZEN Mountain Cloud Zen Center 7241 Old Santa Fe Trail, 988-4396 Explore the basics and finer points of good posture and finding a comfortable meditation position. 5 pm, free
ENTER EVENTS AT SFREPORTER.COM/CAL
THU/15 BOOKS/LECTURES ARJUN SINGH SETHI: AMERICAN HATE: SURVIVORS SPEAK OUT Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Sethi, a community activist and civil rights lawyer, chronicles the stories of individuals affected by hate. Survivors tell their stories about how the bigoted rhetoric and policies of the Trump administration have affected their lives. 6:30 pm, free CONFINEMENT IN THE LAND OF ENCHANTMENT: SANTA FE DREAMERS PROJECT Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Hear from the Santa Fe Dreamers Project to learn more about the past, present and future of migrant detention in New Mexico. 6 pm, free EXECUTIVE DIRECTOR LEARNING CIRCLE Santa Fe Community Foundation 501 Halona St., 988-9715 If you’re an ED, join your peers for candid discussions addressing the inner work, the nuts and bolts, and the people and places you strive to support. Register at santafecf.org. 8:30-10:30 am, free THE PERFECT TRAGEDY: A SECRET INTELLIGENCE PERSPECTIVE ON THE ASSASSINATION OF PRESIDENT JOHN F KENNEDY St. John’s United Methodist Church 1200 Old Pecos Trail, 982-5397 Bruce Held, who served three decades as a CIA clandestine operations officer, provides a straightforward explanation of what probably happened among Lee Harvey Oswald, the KGB, and the Cuban DGI intelligence service. 1 pm, $15 PRESCHOOL STORY TIME Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Kids who are read to are generally smarter than kids who aren't. Get 'em learnt! 11 am, free THEATRE LOVERS CLUB: CIRCUS LUMINOUS Wise Fool New Mexico 1131 Siler Road, Ste. B., 992-2588 Director Amy Christian and Managing Director Carol Schrader share some inside info about Wise Fool's upcoming extravaganza at the Lensic (that's Nov. 23-25). Seating is limited, so RSVP at theatresantafe.org/tlc (see SFR Picks, page 21). 6 pm, free
EVENTS A-I-R OPEN STUDIOS Institute of American Indian Arts 83 Avan Nu Po Road, 424-2351 Drop in to the studios of IAIA's artists-in-residence Adrian Wall (Jemez Pueblo), and Tahnibaa Naataanii (Navajo), Kenneth Johnson (Muscogee [Creek]/ Seminole) and Melanie Sainz (Ho-Chunk). 5-7 pm, free GEEKS WHO DRINK Santa Fe Brewing Company 35 Fire Place, 424-3333 Quiz results can win you drink tickets for next time. 7 pm, free GRIEF SUPPORT GROUP Temple Beth Shalom 205 E Barcelona Road, 982-1376 The Jewish Care Program offers a grief and loss support group; anyone over 18 years old can join and participate. Register with Ya’el Chaikind at 303-3552. 1-2 pm, free HE-SHE BANG: WAY WAY WAY OFF BROADWAY Engine House Theater 2846 Hwy. 14, Madrid, 473-0743 The price is low because it's a dress rehearsal, so head down Highway 14 to see the gender-bending variety show in its 27th iteration. It's always weird, it's always delightful and it's never to be missed. 7 pm, $5-$10 O2 OPEN MIC Santa Fe Oxygen & Healing Bar (Kaverns) 137 W San Francisco St., 986-5037 Express your creativity, drink some oxygen. Win-win. Hosted by Noah Kass. 8 pm, $5 SFCC GLASS CLUB SALE Santa Fe Community College 6401 Richards Ave., 428-1000 Art students sell glass art and functional pieces created by the college's Glass Club. 10 am-4 pm, free YOKOMESHI: A MEAL EATEN SIDEWAYS Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 A lecture-meets-puppet show by artist Dorothy MelanderDayton explores the complicated and intricate relationship between Japan and the United States from historical and contemporary perspectives. 6:30 pm, $5-$10
MUSIC ALEXA ROSE AND CAROLINA TIM Cowgirl 319 S Guadalupe St., 982-2565 Appalachian Americana and folk from the Smokies. 8 pm, free BOB FINNIE Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free CONTINUED ON PAGE 26
COURTESY DAVID BERKELEY
MUSIC
Come Together David Berkeley writes a new kind of love song for a country divided BY LUKE HENLEY a u t h o r @ s f r e p o r t e r. c o m
I
t is tempting to wait it out in times of turmoil and hope for the best. There are days when just trying to make rent seems like a good enough excuse to not open the newspaper and read the latest body count of today’s mass shooting or to hear what new spin the two major political parties of the country have found to denigrate each other. In the sphere of art, the equivalent behavior would be for artists to just do what they always have done. Do you like to paint landscapes? Great, enjoy painting landscapes and pay no mind to the political battleground that threatens the very vistas you want to capture on canvas. But for some, to continue with what you have always done is not an option due to some personal conflict set against turning in the same homework, getting a passing grade and sitting back down. David Berkeley is conflicted in just that way. While his new material would have likely been a worthwhile listen regardless of its lyrical content, there is something especially charged about his recently released EP, The Faded Red and Blue. If it had been a collection of five love songs—and it is, in a way—there would be no compelling argument that Berkeley is guilty of any moral error. But according to Berkeley, he just would not have felt right about going ahead with a busi-
David Berkeley’s out to unite us all with his new recordings.
That song to me is like a prayer. Writing it felt that way too. ... I haven’t had that experience as a songwriter exactly like that before. -David Berkeley
ness-as-usual attitude given the current state of affairs in the United States. “I’m a cult songwriter. I don’t have a huge following, and I mostly write love songs,” Berkeley tells SFR. “But in these past years it’s felt irresponsible to do that exactly, but I don’t want to abandon the project of bringing beauty into the world. That’s the line I was trying to find and draw—how can you address this stuff and still make something that’s beautiful?”
Berkeley solves the problem with deft songwriting in line with a long career of blending narrative with song. While the material is heavy, addressing not just political discourse but also topics such as gun violence on “Throw Down a Line,” it still occupies space with beauty and grace. Melodically, there is plenty of light to shine through, though he’s no stranger to minor-key moping, and Berkeley often communicates his pain and anger with surprisingly upbeat presentation. And if the goal is to bring beauty into the world, The Faded Red and Blue reaches it. The secret seems to come from Berkeley’s approach in trying to address America’s citizenry as a whole. While he described his political beliefs as left-leaning, he attempts to sidestep the act of pointing fingers by instead writing about what he loves about this country and how it might improve. The final track, “This Be Dear to Me,” is what Berkeley describes as a love song. It lists beautiful elements of American life that transcend the violent, ugly quarreling to which many of us have grown accustomed. “We’re going to maybe work our way out of this mess by focusing on the positives instead of all the shit we’re upset about,” Berkeley explains. “I want to start remembering the things I love and care about. That song to me is like a prayer.
Writing it felt that way too, it felt kind of like praying. I haven’t had that experience as a songwriter exactly like that before.” It’s a clever trick, a sort of benevolently populist approach to complex problems that seems to urge listeners toward greater unity rather than division. There is a reason the collection is named The Faded Red and Blue—and it’s not commentary on the flag, but rather the partisanship of a country that seems so bent toward disaster. “Even the people I agree with politically can look pretty ugly sometimes when arguing our side,” he tells SFR. “It’s important for us to remember that and be compassionate and generous, not just ask them to be more considerate.” The complexity of the songs overall outclasses any phrasing as simplistic as “us versus them,” and while the EP may not give any definitive answers for where we go from here, it’s inspiring to hear someone in the thick of trying to figure it out rather than ignoring it.
DAVID BERKELEY: THE FADED RED AND BLUE EP RELEASE SHOW 7 pm Friday Nov. 16. $10. Tumbleroot Brewery and Distillery, 2791 Agua Fría St.
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Visceral The surreal art of Victor Whitmill November 16th | 5 -8 pm
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NOVEMBER 14-20, 2018
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THE CALENDAR CRASH KARAOKE Palace Saloon 142 W Palace Ave., 428-0690 The more you drink, the better you sound. #science 10 pm, free DAVID GEIST Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards and Broadway faves. 6:30 pm, free GERRY & DAN La Fiesta Lounge 100 E San Francisco St., 982-5511 A unique blend of Irish folk, Spanish tunes and country music. 7:30 pm, free JOHN RANGEL'S DUETS SERIES El Mesón 213 Washington Ave., 983-6756 Jazz piano maestro Rangel is joined by a special guest. 7 pm, free JONO MANSON Tumbleroot Brewery & Distillery 2791 Agua Fría St. Rootsy rock 'n' roll. 6 pm, free LATIN THURSDAY Café Mimosa 513 Camino de los Marquez, 365-2112 VDJ Dany spins salsa, merengue, nachata, cumbias y más. 9 pm, $5 PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar. 6 pm, free QUANTIC Meow Wolf 1352 Rufina Circle, 395-6369 The UK-based musician, DJ and record producer gets down with the soul, Latin and funk beat-making and tape-splicing (aka the good shit). Supported by locals Tone Ranger and DJ Erin E. 7 pm, $16-$18 STONECUTTERS, MARROW MONGER AND FRIEND2FOE Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 Metal from Kentucky, New Mexico and New Mexico, respectively. 8 pm, $5 YARD SQUAD Boxcar 530 S Guadalupe St., 988-7222 Reggae on tour from St. Louis. 10 pm, free
THEATER THE SHAWL & THE SANCTITY OF MARRIAGE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 The Shawl features a psychic torn between helping his new client and keeping his new young companion interested. That mainstage production includesThe Sanctity of Marriage as a curtain-raiser, in which a young couple is on the brink of ending their relationship. 7:30 pm, $22
ENTER EVENTS AT SFREPORTER.COM/CAL
WORKSHOP MAKE YOUR OWN PLANTBASED GIFTS Stewart Udall Center 725 Camino Lejo, 983-6155 With herbs and other natural ingredients, make products to gift to a friend or to yourself. 10 am-noon, $35-$40
FRI/16 ART OPENINGS 20 NEW MEXICO PHOTOGRAPHERS PROJECT El Zaguán 545 Canyon Road, 982-0016 A pop-up show of—you guessed it—20 local photographers. Through Nov. 30. 5 pm, free AFTON LOVE 5. Gallery 2351 Fox Road, Ste. 700 Graphite drawings of revealed erosion and rock formations on multiple sheets of tracing paper with powdered graphite, then sealed in beeswax. 5 pm, free GRAND OPENING RECEPTION Alumbramos Galeria de Arte 901-B Canyon Road, 469-3346 At a new gallery, four plein aire painters have joined up to present their varied work. Featuring Richard A Nicholas (encaustics and oils), Elisabeth Porter (New Mexican landscapes), Beatriz Posada (large-format abstracts) and Jana Ewart (florals and portraits); celebrate its grand opening. 5-7 pm, free VISCERAL: THE SURREAL ART OF VICTOR WHITMILL Keep Contemporary 142 Lincoln Ave., 307-9824 In Whitmill’s surreal and fantastical artworks, unidentifiable creatures transform into industrial landscapes, or skeletal female figures expose sinuous muscle beneath elongated forms. Through Dec. 16. 5 pm, free
BOOKS/LECTURES A GREATER SUBLIME: JON DAVIS, CATHERINE MENG AND KEN WHITE Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 Painter Shelley Horton-Trippe painted to the poems of eight nationally and internationally acclaimed poets for the CCA’s current art show; this evening, enjoy a reading by three of those eight poets. 6 pm, free COMMEMORATING THE GREAT WAR: PAUL CRET’S CEMETERIES AND MEMORIALS IN EUROPE New Mexico History Museum 113 Lincoln Ave., 476-5100 Join William Whitaker as he explores how the American Battle Monuments Commission maintains overseas military cemeteries and memorials. 6 pm, free
CONVERSATIONS WITH COLLECTIONS New Mexico Museum of Art 107 W Palace Ave., 476-5072 Join Head of Curatorial Affairs Merry Scully and Michelle Gallagher Roberts, head of registration and collections, to discuss the importance and challenges of collecting and preserving contemporary art. Free with museum admission. 1 pm, $6-$12 DEAN'S LECTURE SERIES: MAIMONIDES’S GUIDE OF THE PERPLEXED: ITS GENRE AND ITS THREE GREAT THEMES St. John's College 1160 Camino Cruz Blanca, 984-6000 Joshua Parens of the University of Dallas speaks in the Peterson Student Center's Great Hall. 7:30 pm, free LOOKING AHEAD: IMAGINING THE FUTURE OF SANTA FE’S ART ECONOMY Canyon Road Creatives 826 Canyon Road, 805-535-5630 Join Currents New Media to discuss what’s next, from aesthetics to accessibility to tech to expectations (see SFR Picks, page 21). 6 pm, free
EVENTS FALL FIBER FIESTA ARTISTS' RECEPTION Scottish Rite Center 463 Paseo de Peralta, 982-4414 Meet the fiber artists turning traditional crafts into contemporary wonders, whether for the wall or to wear. Also: music, wine, refreshments and a silent auction (see SFR Picks, page 21). 5 pm, $10 GARDEN SPROUTS PRE-K ACTIVITIES Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Visit the garden's outdoor classroom for a hands-on program for 3-5 year olds and their caregivers. 10-11 am, $5 HE-SHE BANG: WAY WAY WAY OFF BROADWAY Engine House Theater 2846 Hwy. 14, Madrid, 473-0743 Head down Highway 14 to see the gender-bending variety show in its 27th iteration. It's always weird, it's always delightful and it's never to be missed. But it also often sells out, so call to see if there are tickets left. 7 pm, $20 INTERNATIONAL FOLK ART MARKET SCULPTURE DEDICATION Larragoite Park 1464 Avenida Cristobal Colon The International Folk Art Market dedicates “Seabed,” a sculpture by Haitian metal artist Serge Jolimeau, full of the Vodou references, natural motifs, humor and sensuality inherent in Haitian art. 2 pm, free CONTINUED ON PAGE 28
ALEX DE VORE
S FR E P O RTE R .CO M /A RTS
Aaron Harrington’s Museum of Interactive Art is dying for you to, well, interact.
BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
I
’m being transported into another dimension by a simple everyday mirror. From a side room off the Shidoni bronze foundry in Tesuque, I stare into its curved surface as the reflection of the cement floor casts itself outward into the third dimension like a hologram. I can almost touch it; I am disoriented; I might have changed forever in there. It’s one of a number of pieces in local artist Aaron Harrington’s new Museum of Interactive Art, a long-percolating hybrid installation/admission-based museum-esque experience. Nearby is a tinfoil mask station and a rusty metal poetry generator made from a series of flippable images of mainstream, brand-name packaging. Toward the entrance lies Harrington’s layer-able tesseract box, into which users can slide large photographs of everyday ephemera or earthly delights and frame them with a circle of words to create bizarre phrases. A table of magnetized handles sits kitty-corner from the box—a statement, Harrington says, about how one small thing affects another; an overhead projector hums in the corner,
waiting for oversized psychedelic slides to light up a Lycra screen. A wall of custom-made magnets sits across the room, ready to be played with. Think of the Museum of Interactive Art as existing somewhere between Santa Fe’s arts market and San Francisco’s Exploratorium, but in a much smaller space and with a much smaller budget. This, of course, is only the very beginning, and Harrington says the installation is a bit like an experiment unto itself. “I have a much bigger view—for one, in Santa Fe alone, what would a billiondollar art experience economy look like?” he says. “What I’m imagining is something like the resorts of Orlando, Florida, but without the plastic kitschy utopian thing. Imagine a Santa Fe where Meow Wolf is just one attraction within a theme park, and where the work is intellectually challenging.” At first blush, it seems idealistic, and there is no mistaking a certain slappedtogether feeling from the projects. But we’ve also seen the experiential art market explode in recent years, particularly on a local level, and everything must start somewhere—says the guy who attended any number of early Meow Wolf events
37th Annual
PLACITAS HOLIDAY
in a crummy warehouse in the Triangle District. “It’s almost a survival tactic for Santa Fe to move from art-as-commodity to artas-experience,” Harrington explains. “Everyone who buys art in Santa Fe is going to die in the next two decades.” This, too, might sound strange or perhaps even morbidly glib, but Harrington means no disrespect. Besides, the days of the wealthy collector are rapidly diminishing at the prospects of a shrinking middle class and a generation of consumer that eschews the purchase of homes, cars and art in favor of Airbnb-ing, Uber-ing and experiencing. In other words, the upand-comers don’t want to own, they want to do, and the purveyors of art will either tweak and evolve their models or become destined for the ash heap of history. And Harrington is as good a shepherd as any. He’s done design work for local businesses, designed interactive exhibits for the Painted Universe in Ithaca, New York, and even works as a photographic creator of virtual tours for corporations (think Google Street View, but for inside buildings). A native Santa Fean, Harrington picked up an art degree from Hampshire College in Massachusetts, a school he says
heaped freedom on its students so long as they were pitching and creating quality work. He interned with local artists as well, like printmaker Ron Pokrasso, and he has dabbled in welding, woodwork, blacksmithing and more. Harrington is just now able to realize his vision thanks, in part, to Shidoni President and CEO Scott Hicks, who has allowed Harrington freedom and provides the space for a mere pittance. But the Museum of Interactive Art is not a foregone conclusion, and Harrington still has much to prove. Its location in Tesuque feels like a trek despite only requiring a 15-minute drive, and there’s still a lot of work to do in the space itself. This is a pilot program, no doubt, but assuming he draws in healthy visitor numbers, it’s also a moment we potentially all look back on and realize was special. If Harrington can make it work, it’ll grow under his vision. “At first I thought I should look for other artists, but I have lists and lists of ideas for interactive exhibits,” Harrington says. “I may hire fabricators, but I have so many ideas I could fill theme parks.” For now, don’t expect the second coming of your precious Meow Wolf, and don’t head to the Museum of Interactive Art if you’re expecting to be utterly blown away (read: If you have ludicrous expectations). As it stands, this is about support for an independent artist with ideas that feel silly at first glance but that are surprisingly deep and impressive the more you interact with them. At $5 a pop (and free for kids under 10), it’s quite affordable, too, and we’re mostly interested to see what Harrington might cook up if the right numbers help him make the show more permanent. “The art itself experiences the viewer and changes as a result,” Harrington adds. “That’s how you know you experienced something—it changed in some way. This art experiences back.” MUSEUM OF INTERACTIVE ART OPENING 9 am-5 pm Friday Nov. 17. $5; 10 and under free. Shidoni, 1508 Bishops Lodge Road, 988-8001
Thomas Vigil, Immaculate Heart of Mary. Courtesy of Evoke Contemporary
Another Dimension
Museum of Interactive Art opens at Shidoni
A&C
Through November 25
Fine Arts & Crafts Sale November 17 & 18
Sat 10–5 pm & Sun 10–4:30 pm 80 Artists at 3 Sites Refreshments at each location
Anasazi Fields The Big Tent (east of Presbyterian Church) Placitas Elementary School
preview all 80 artists at www.PlacitasHolidaySale.com The Placitas Holiday Fine Arts and Crafts Sale is sponsored by the Placitas MountainCraft and Soiree Society, a 501-c3 nonprofit organization.
Rooted in Tradition, Reaching for the Stars: 20 artists who stretch the boundaries of New Mexican art as we know it with new materials and twists on classic imagery.
MUSEUM OF SPANISH COLONIAL ART On Museum Hill, Santa Fe 750 Camino Lejo | 505.982.2226 Open daily | spanishcolonial.org
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THE CALENDAR
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SANTA FE SKI & BOARD SWAP & SALE Genoveva Chavez Community Center 3221 W Rodeo Road, 955-4000 Find new winter sports equipment plus great deals on used stuff. Sales support the Santa Fe Ski Team. It’s free tomorrow, but this is first dibs. 6-9 pm, $10-$15 SOUND AND SPECTACLE: WARRIOR ETHOS: IN DEFENSE OF MEMORY SITE Santa Fe 1606 Paseo de Peralta, 989-1199 A performing political education practicum for Black, mestizo, and Native musicians locating common ground through examining the history and organizing strategies of the Pueblo Revolt of 1680. 6:30 pm, $15-$20 YOKOMESHI: A MEAL EATEN SIDEWAYS Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 A lecture-meets-puppet show by artist Dorothy MelanderDayton explores the complicated and intricate relationship between Japan and the United States from historical and contemporary perspectives; it is an investigation of cultural exchange, which has been predicated on imperialism and capitalism. 6:30 pm, $5-$10
MUSIC KAELIN ELLIS Meow Wolf 1352 Rufina Circle, 395-6369 Modern electronic 'n' hip-hop beat musician. You know how it is—he'll play some music and you'll probably dance. 7 pm, $18-$22 ART AND MUSIC: THE GRATITUDE CONCERT ViVO Contemporary 725 Canyon Road, 982-1320 An intimate program of warm, classically jazzy-influenced vocals from singer Lisa Keating. 5 pm, free
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BIRD THOMPSON The New Baking Company 504 W Cordova Road, 557-6435 Adult contemporary singersongwriter. 10 am, free BOB FINNIE Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free CAMBALACHE AND WAGOGO Santa Fe Community Convention Center 201 W Marcy St., 955-6590 Cambalache rolls in from East LA to play son jarocho music from Veracruz, Mexico; Wagogo mixes Chicano influences, Mexican folk songs, warm calypso island grooves and spirit music of Zimbabwe. 7:30 pm, $17-$22 CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 First-rate piano and vocals from Charles Tichenor and friends—playful, interactive, family-friendly and eclectic. 6 pm, free DAVID BERKELEY Tumbleroot Brewery & Distillery 2791 Agua Fría St. The Americana musician celebrates the release of his new EP, The Faded Red and Blue (see Music, page 25). 7 pm, $10 DEAR DOCTOR Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Folk 'n' Americana on the deck. 5 pm, free DIRTY WOMBS, GEIGER COUNTER AND ST. VICTIMS Zephyr Community Art Studio 1520 Center Drive, Ste. 2 A punk show of international acclaim! Dirty Wombs comes in all the way from Greece, Geiger Counter rolls in from Minneapolis and locals St. Victims bring the pain. 8 pm, $5-$10
FELIX Y LOS GATOS Cowgirl 319 S Guadalupe St., 982-2565 Americana, blues, cumbia, jazz, ranchera, swing, TexMex and zydeco. 8:30 pm, $7 FRITZ AND THE BLUE JAYS El Farol 808 Canyon Road, 983-9912 Rock 'n' roll. 9-11 pm, $5 HALF BROKE HORSES Second Street Brewery (Original) 1814 Second St., 982-3030 Honky-tonk 'n' swing. 6 pm, free JESUS BAS La Boca (Taberna Location) 125 Lincoln Ave., 988-7102 Spanish and flamenco guitar. 7 pm, free NAME SAYERS, APPS AND SEASONING Ghost 2899 Trades West Road Various psychedelia and intuitive experimentation from Austin, Cañoncito and Santa Fe, respectively. 8 pm, $5-$10 NOSOTROS Palace Saloon 142 W Palace Ave., 428-0690 Latin jammers. 10 pm, $7 REBECCA ARSCOTT & ONE HEART FYAH Boxcar 530 S Guadalupe St., 988-7222 Reggae, pop and soul. 10 pm, free REGIONAL/LIQUID Shadeh Nightclub 30 Buffalo Thunder Trail, 819-2338 VDJ Dany has your cumbia, huapangos, Norteñas and more; DJ Poetics has hip-hop, top 40, dancehall, EDM, reggae, old-school ‘n’ funk. 10 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar. 7 pm, free
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Sign up today! Call 983.9473 or register online at homewise.org/register The brand-new Alumbramos Galeria de Arte opens Friday with divergent works from four painters. Check it out, have some refreshments, support local artists. See listing on page 26.
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SANTA FE MUSIC COLLECTIVE: BEN FINBERG QUARTET Museum Hill Café 710 Camino Lejo, 984-8900 Jazz trombonist Finberg— who's also played in groups with styles including salsa, Dixieland, indie rock, funk and soul—is joined by Mark Anthony on guitar, Colin Deuble on bass and John Trentacosta on Drums. For reservations, call 946-7934. 7 pm, $20-$25 SAVOR La Fiesta Lounge 100 E San Francisco St., 982-5511 Cuban street music. 8 pm, free THE THREE FACES OF JAZZ El Mesón 213 Washington Ave., 983-6756 Swinging jazz. 7:30 pm, free TONIC JAZZ SHOWCASE Tonic 103 E Water St., 982-1189 Get some late-night stylings with host Loren Bienvenu (drums), Jerry Weimer (clarinet), and Casey Andersen (bass). 9:30 pm, free
THEATER BREAD & PUPPET: THE GRASSHOPPER REBELLION CIRCUS Wise Fool New Mexico 1131 Siler Road, Ste. B., 992-2588 A large-scale puppet spectacle explains and teaches riot and rebellion. Tigers roar, apes drum their chests, horses neigh, and celestial grasshoppers teach ICE agents the basic steps of grasshopper rebellion dancing. A free feast of sourdough rye and a popup shop go down after the show, so come hungry. 7 pm, $10-$25 NEWSIES! James A Little Theatre 1060 Cerrillos Road, 476-6429 Carry the banner and seize the day with everyone's favorite story of plucky orphans, journalism and civil rights! Chris Leslie directs Santa Fe's youth actors and singers. 7-8:30 pm, $8-$12 PRINCE CASPIAN: RETURN TO NARNIA Santa Fe Public Library Southside 6599 Jaguar Drive, 955-2820 The Hampstead Stage Company presents CS Lewis’ classic, perfect for ages 5 and up. 3:30 pm, free RUMORS Los Alamos Little Theatre 1670 Nectar St., Los Alamos, 662-5493 Neil Simon's over-the-top farce features an anniversary party gone awry when the host shoots himself, his wife goes missing and the help is nowhere to be found (see Acting Out, page 31). 7:30 pm, $13-$15 CONTINUED ON NEXT PAGE
THE CALENDAR with Bill Stevenson
COURTESY FACEBOOK
We don’t delve into Albuquerque very often, but when a band like Descendents comes through (7 pm Friday Nov. 16. $27. Sunshine Theater, 120 Central Ave. SW, Albuquerque, 505-764-0249), we throw caution to the wind. It’s been 36 years since the release of seminal punk album Milo Goes to College, which makes the excellence of 2016’s Hypercaffium Spazzinate all the more impressive. The band’s been ramping up the tours in the wake of that record, and visits New Mexico for the first time in who knows how many years. We caught up with drummer Bill Stevenson to see what’s what, and we swear we only gushed a little bit. (Alex De Vore) Descendents has been touring pretty hard for a couple years now. How’s it feeling to be back into it so regularly? It’s comfortable. We do it often enough to where we can be good at it, but not so often that it becomes a grind or a job. This kind of happy medium we found, it makes it so when we got off the plane we’re happy to see each other. We ask each other about the kids, ask about what kind of chile Karl [Alvarez] is growing in his garden. I think the only reason we’re still together after 40 years is just that we try to not overexpose ourselves to each other, because that’s no fun. Are the new songs playing well with the older songs? Surprisingly well. Not meaning that the new album shouldn’t be received well, but meaning that so often, a band’s later albums are kind of pushed to the side. You see it happen with almost every band, so the fact we released a record that people enjoy—and a lot of our fans are saying it’s in their top two or three of their favorite albums of ours—that’s really an unexpected surprise that people really still care. I know as a fan, I don’t want to hear the 10th record by some band I’m into. I mean, it’s not that I don’t want to hear it, but you know what I mean. What’s in the future for Descendents? We’re heading toward recording a new record. What I was doing before you called was reviewing my drum parts. Today I’m working on five of Milo [Aukerman’s] songs. In our band, each guy writes the songs, and I have a little small studio in my basement where I’ve been playing along with his demos. In three weeks I’ll maybe record drums on 10 or 15 songs. Some of the guys have a lot of songs ready, but ... for some reason, mine always come at the last minute. We don’t have a window, we kind of intentionally never have one. We start recording when we’ve got the makings of a ton of good songs. We don’t put any artificial stress on that. There’s no pressure for us or this, what is this, a two-month album cycle? That’s for new bands. I think it’s for marketers, really.
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THE CALENDAR THE SHAWL & THE SANCTITY OF MARRIAGE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 An intriguing play about a psychic torn between helping his new client and keeping his new young companion interested (see Acting Out, page 31). 7:30 pm, $22
SAT/17 ART OPENINGS ARMOND LARA: FLYING BLUE BUFFALO INSTALLATION CLOSING RECEPTION form & concept 435 S Guadalupe St., 982-8111 Since August, Lara has presented a monumental art installation that explores the centuries-long story of enslaved Native American children. Each sculpture in the suspended flock is labeled with the name of an abducted child. 5 pm, free MATTHEW MULLINS: THE SUN IN OUR BONES CLOSING RECEPTION form & concept 435 S Guadalupe St., 982-8111 Santa Fe artist Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. 5 pm, free MUSEUM OF INTERACTIVE ART GRAND OPENING Shidoni 1508 Bishop's Lodge Road, Tesuque, 988-8001 Celebrate the museum's grand opening with an exhibition by local artist Aaron Harrington. Visitors are invited to move and change the art by interacting with visually dramatic exhibits; transparent images that can be taken off the wall and layered in a lightbox, a curved mirror that creates 3-D reflections, a table of spinning magnets and more (see AC, page 27). 9 am-5 pm, $5 SIENNA LUNA: TWO SIDES / SAME COIN CLOSING RECEPTION The ART.i.factory 930 Baca St., Ste. C, 982-5000 Curate Santa Fe closes its show of new paintings by Luna, in which the artist explores the self through the relationship of the mind, body and inner being. 4-6 pm, free
BOOKS/LECTURES ADOPT-A-NATIVE-ELDER INFORMATION SESSION Casa Chimayó 409 W Water St., 428-0391 Learn more about the nonprofit that provides food and supplies to elders on the Navajo Reservation (see cover, page 12). 4:30 pm, free
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CONFINEMENT IN THE LAND OF ENCHANTMENT: FILM SCREENING AND BOOK DISCUSSION Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 View a few short films and oral histories and then discuss Julie Otsuka's When The Emperor Was Divine. 11 am, free SUSAN BOE: PEOPLE OF YUNNAN Travel Bug Coffee Shop 839 Paseo de Peralta, 992-0418 China's Yunnan Province is home to more ethnic minorities than any other province in China; it’s been a regional trader of goods and ideas for centuries. Boe visited the province in March as a participant in a small photography tour; in a slide lecture, learn about the architecture, landscape and friendly people in this ancient kingdom. 5 pm, free
EVENTS EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Part fine arts market, part flea market, all full of treasures. Make an extra stop during your Railyard weekend adventures and see what treasures you might find. 8 am-3 pm, free FALL FIBER FIESTA Scottish Rite Center 463 Paseo de Peralta, 982-4414 From jewelry to wall hangings to wearables, not to mention raw materials, this is the place to be for fans of fiber, cloth and otherwise stringy art (see SFR Picks, page 21). 9 am-5 pm, free GRIEF RECOVERY SUPPORT Berardinelli McGee Event Center 1320 Luisa St, 984-8600 Join a free grief support group led by grief recovery specialist Eileen Joyce; just let her know you're coming ahead of time at 428-0670. 11 am-noon, free HE-SHE BANG: WAY WAY WAY OFF BROADWAY Engine House Theater 2846 Hwy. 14, Madrid, 473-0743 Head down Highway 14 to see the gender-bending variety show in its 27th iteration. It's always weird, it's always delightful and it's never to be missed. But it also often sells out, don’t delay. 7 pm, $20 MUSEUM OF ENAUSITC ART/ENCAUSTIC ART INSTITUTE HOLIDAY GALA Museum of Encaustic Art 632 Agua Fría St., 989-3283 A raffle and art sale raises funds for the museum as well as its encaustic classes for kids. Check out demos and shop over 50 pieces of artwork. 1-5 pm, free
SANTA FE ARTISTS MARKET Santa Fe Railyard Market Street at Alcaldesa Street, 310-8766 Find good stuff from a juried group of local artists. 8 am-2 pm, free SANTA FE SKI & BOARD SWAP & SALE Genoveva Chavez Community Center 3221 W Rodeo Road, 955-4000 Find new winter sports equipment plus great deals on used stuff. Sales support the Santa Fe Ski Team. 9 am-5 pm, free WELLS PETROGLYPH PRESERVE PUBLIC TOUR Mesa Prieta Petroglyph Project 1431 Hwy. 68, Velarde, 852-1351 An insightful two-hour tour of thousands of examples of rock art. Pre-register online at mesaprietapetroglyphs.org. 9:30-11:30 am, $35 ZIRCUS EROTIQUE BURLESQUE & VARIETY SHOW Palace Saloon 142 W Palace Ave., 428-0690 Special guest host Coco Caliente joins in for a night full of sultry, graceful, ethereal burlesque beauties. 10 pm, $15-$25
FILM ALL IN The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 Screen Matchstick Productions' epic 2018 ski film, which proves skiing isn’t exclusionary, and that true fun in the mountains can be shared equally by everyone. Proceeds benefit the Adaptive Sports Program. 7 pm, $10 NATIVE HERITAGE MONTH FILM SCREENING: NEW WORLD RISING Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 This PBS four-part series reaches back 15,000 years to reveal massive cities aligned to the stars, unique systems of science and spirituality, and 100 million people connected by social networks spanning two continents. Free with museum admission. 1 pm, $6-$12
FOOD SANTA FE FARMERS MARKET Farmers Market Pavilion 1607 Paseo de Peralta, 983-4098 Not only the place to see and be seen in Santa Fe, this is one of the oldest, largest and most successful growers’ markets in the country. 8 am-1 pm, free
MUSIC BETSY AND THE HOLLYHOCKS Cowgirl 319 S Guadalupe St., 982-2565 Alt.country and desert rock. 8:30 pm, free CONTINUED ON PAGE 32
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THEATER
SF R E P O RT ER .CO M /A RTS /ACTI NGOUT
ACTING OUT It’s All in the Casting BY C H A R LOT T E J U S I N S K I c o p y e d i t o r @ s f r e p o r t e r. c o m
Mamet, a master of nuance and relationship, pens scripts that don’t always say much on the page. Landing the lines is all in delivery and tone. Thus, casting a Mamet play is a surgical process. The characters and lines introduced to us here are absolutely worth taking in, because hey, it’s Mamet—and thankfully the script is there to sail us though. THE SHAWL AND THE SANCTITY OF MARRIAGE 7:30 pm Thursday-Saturday, Nov. 15-17; 3 pm Sunday Nov. 18. $22. The Oasis Theatre, 3205 Calle Marie, Ste. A, 917-439-7708
Is anything more surgical, then, than Mamet? I’d argue yes. While at Rumors at Los Alamos Little Theatre, I said to my companion, “Farce has got to be the hardest form of theater.” But then I corrected myself: “No; farce has got to be the hardest form of theater to cast. If your actors naturally have the timing right, it’s fun.” Set in the home of a wealthy Hudson Valley couple, eight guests arrive over the course of the evening to find the host shot, his wife missing and the dinner still raw and sitting out on the counter. The reconstruction of what must have happened and the dynamics between the
BRENDA LYNN BYNUM
Oasis Theatre Company closes an hour-long double-header of David Mamet one-acts this weekend, and I have no complaints about the stories (if you could call them that; Mamet’s bad at plots) in The Shawl and The Sanctity of Marriage. Casting these productions can be hard, though. It’s a huge leap of faith to start in a new city where you don’t know the pool of actors, to bust out the gate with canonical works (as Oasis did in 2017, to much success). The scripts are going to hold, that’s for sure. It’s whether the actors will that’s the question. It’s not that I’m not impressed by this production; it’s that they just fall a little short of what I’m used to from Oasis. (Then again, we’ve been spoiled.) The Shawl, which runs about 45 minutes, is the story of John (Marty Madden), a struggling psychic who has found in Miss A (Lisa Foster) an easy mark. She has money, and he needs that money. Complicating things is Charles (Tristan Van Cleave), a young man whom John has taken on/taken in/taken over as an assistant, lover and trainee. Madden, as ever, has a bridge to sell us, and I’ll take four. He is consistently the most energetic on the stage, and his mix of desperate con man and struggling human being is endearing rather than pathetic. The psychic’s lines draw chuckles from the audience; a passionate and breathy, “I see blood—a fall— when you were young—and you bear the scar still!” he exclaims. (Yes. That’s everyone.) But Miss A seems enthralled. It’s hard to tell, though, whether Madden is steamrolling the others onstage or whether they need to step it up. Foster’s Miss A can be forgiven, perhaps, because the whole point of her character is that she’s being steamrolled—but she emerges mid-play as more fierce than expected, which is nice. Van Cleave’s Charles lacked the slimy motivation we needed from such an odd character. He’s a bit fidgety and unsure, but not in the tweaked-out way Charles should be; this seems more like a lack of concentration. Particularly hard to buy was Charles making big asks of John without looking at him; a strange bit of direction if that’s what it was, or a strange character choice on the part of Van Cleave. If Charles were a stronger, more defiant portrayal, I could have bought it, but he’s too soft-spoken and wishy-washy to justify odd choices. Van Cleave’s jump here, then, to a straightman part (from more jaunty roles in The Normal Heart and the Playhouse’s Fiesta Melodrama) was a stumble.
couples lead the ridiculous action. It’s yet another entry in the many-doors category of comedy (think Noises Off), though it depends less on mistaken identity than it does on the characters all being pieces of shit who lie constantly, many of whom have some kind of affliction—burned hands, whiplash—that make for a distinctly odd stage presentation. (Not to mention the costumes. They’re amazing. Hats off to designer Pam Justice.) My unscientific calculations say that actors’ timing, on a scale of one to 10, needs to be at about a consistent eight to really pull off a fast-paced farce like this one by Neil Simon. That’s a big requirement, particularly in a small town like Los Alamos. As it were, I’m pleased to report that these actors, for the most part, do it right. I’ve seen my fair share of community theater that drops the ball, but it stays mostly aloft here, to the pleasure of the audience. If my aforementioned non-scientific calculations hold true, I’d say most of these actors hold steady at a solid eight throughout the show. A favorite performance comes from Holly Robinson’s Claire Ganz, a tiny blond snark-bag full of eye rolls and sarcastic quips. A very different but no less amusing turn is Tami Martinson’s Cookie Cusack, a slightly daft cooking show host whose facial expressions recall a bewildered guinea pig in the midst of a hurricane. Much of the cast has their timing perfect, particularly Ian Foti-Landis as Lenny Ganz. As couples, each pair had great chemistry (also important and often a crapshoot). The Best Worst Couple Award goes to Thomas Graves as Glenn Cooper and Cindy Hines as his wife Cassie; Glenn is running for office and Cassie is his ever-suffering (and ever-insufferable) wife, and I could not imagine a pair that physically looks more like aspiring politician-and-wife. Their love-hate relationship is cringey and charming and you love to hate them. As it were, all the actors really looked like the archetypal characters they portrayed, which was delightful and uncanny. Occasionally, Rumors does smack a bit of community theater, but I mean—that’s OK. It is community theater. For the price and for the convenience, it’s probably your surest bet for chuckles at live theater this autumn. RUMORS
Psychics prey on all kinds of folks in The Shawl—but turns out, the con man is human too.
7:30 pm Friday and Saturday Nov. 17 and 18. $12-$15. Los Alamos Little Theatre, 1670 Nectar St., Los Alamos, 662-5493
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THE CALENDAR CW AYON Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Catch the one-man blues band up on the deck. 3 pm, free CHAT NOIR CABARET Los Magueyes Mexican Restaurant 31 Burro Alley, 992-0304 Modeled after 19th-century Parisian cabarets, enjoy firstrate piano and vocals from Charles Tichenor and friends. 6 pm, free CORO DE CAMARA: MUSIC SHE WROTE: CELEBRATING WOMEN COMPOSERS United Church of Santa Fe 1804 Arroyo Chamiso, 988-3295 The choir performs choral music written exclusively by women composers, including a world premiere by Coro’s Artistic Director Nylea Butler-Moore. Pre-concert lecture by music historian Nelly Case at 3:30 pm. 4 pm, $10-$20 DOG BRAIN Santa Fe Brewing Eldorado Taproom 7 Caliente Road, Eldorado, 466-6938 Rock 'n' roll. 7 pm, free DOUG MONTGOMERY AND BOB FINNIE Fenix at Vanessie 427 W Water St., 982-9966 Piano standards: Doug starts, Bob takes over at 8 pm. 6 pm, free FIRE SATURDAYS Shadeh Nightclub 30 Buffalo Thunder Trail, 819-2338 VDJ Dany spins cumbia, reggaeton, bachata, salsa y más; DJ 12 Tribe has your hip-hop, top 40, EDM, R&B and more. 10 pm, free GREG BUTERA JAZZ PROJECT Tonic 103 E Water St., 982-1189 The electric guitarist swaps honky-tonk for jazz standards. 9:30 pm, free HALF BROKE HORSES Cowgirl 319 S Guadalupe St., 982-2565 Country and Americana. 1-4 pm, free JJ AND THE HOOLIGANS El Farol 808 Canyon Road, 983-9912 Rock 'n' roll. 9-11 pm, $5 KARAOKE Golden Cantina Lounge 10-B Cities of Gold Road, Pojoaque, 455-3313 Ask the bartenders for the "Karaoke Kourage" drink special to get you started. 9 pm, free KINGS & QUEENS DRAG NIGHT WITH HELLA BELLA Second Street Brewery (Rufina Taproom) 2920 Rufina St., 954-1068 Enjoy wild and exquisite performances by drag folk, hosted by Bella Gigante. 8 pm, free
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MARK FARINA Meow Wolf 1352 Rufina Circle, 395-6369 Underground dance music. 9 pm, $20-$25 MICHAEL UMPHREY Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards. 6:30 pm, free NORTH BY NORTH AND ST. RANGE Tumbleroot Brewery & Distillery 2791 Agua Fría St. Chicago-based rock 'n' rollers are joined by local rock 'n' rollers St. Range. 7 pm, $8 ORNETC. El Mesón 213 Washington Ave., 983-6756 Funky jazz. 7:30 pm, free RON ROUGEAU The Dragon Room 406 Old Santa Fe Trail, 983-7712 Acoustic songs from the '60s, '70s and beyond. 5:30 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and Spanish classical guitar. 7 pm, free SANTA FE SYMPHONY: HANDEL’S MESSIAH Lensic Performing Arts Center 211 W San Francisco St., 988-1234 It just ain't the holidays without this little ditty, so get it started early in the season. Arrive an hour early for a pre-concert talk by Principal Conductor Guillermo Figueroa. 7 pm, $22-$80 SAVOR La Fiesta Lounge 100 E San Francisco St., 982-5511 Cuban street music. 8 pm, free SWING SOLEIL Second Street Brewery (Original) 1814 Second St., 982-3030 Swingin' jazz. 6 pm, free
THEATER EURYDICE St. John’s College 1160 Camino Cruz Blanca, 984-6000 In the Peterson Student Center’s Great Hall, students pesent the play based on the myth of Orpheus. The play examines the dilemma faced by a dead woman: to stay dead with her father or return to life with her husband? Does one’s father take precedence over one’s husband? 7:30 pm, free HOLIDAY ICECRACKER Genoveva Chavez Community Center 3221 W Rodeo Road, 955-4000 At a family-friendly ice skating show, dance along to the music with the talented Desert Ice Skating Club. 2 pm, $7-$12
NEWSIES! James A Little Theatre 1060 Cerrillos Road, 476-6429 Santa Fe's youth actors and singers bring us to turn-of-the century New York City, when titans of publishing raise distribution prices and Jack Kelley rallies newsies from across the city to fight for what's right. 2 pm, $8-$12 PRINCE CASPIAN: RETURN TO NARNIA Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 The Hampstead Stage Company, a touring theatre company based in New Hampshire, presents CS Lewis’ classic, perfect for ages 5 and up. 2:30 pm, free RUMORS Los Alamos Little Theatre 1670 Nectar St., Los Alamos, 662-5493 Neil Simon's over-the-top farce features an anniversary party gone awry when the host shoots himself, his wife goes missing and the help is nowhere to be found (see Acting Out, page 31). 7:30 pm, $13-$15 THE SHAWL & THE SANCTITY OF MARRIAGE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 A psychic is torn between helping his client and keeping his companion interested. That mainstage production includes The Sanctity of Marriage as a curtain-raiser (see Acting Out, page 31). 7:30 pm, $22
WORKSHOP BREAD & PUPPET: CANTASTORIA WORKSHOP Wise Fool New Mexico 1131 Siler Road, Ste. B., 992-2588 A workshop about the ancient street theater form, Cantastoria, focuses on its applications for portable activist street performance. 9 am-noon, $10-$25 FAMILY PROGRAMS: PHOTO COLLAGE ART Georgia O'Keeffe Museum 217 Johnson St., 946-1000 Join in for a morning of imagination. For children ages 4–12 and their grownups. 9:30-11:30 am, free FINANCIAL FITNESS FOR LIFE Homewise 1301 Siler Road, Bldg. D, 983-9473 Learn tips and tools to manage money in a smart way. 9 am-4 pm, free YOUR 'SELF' IN SELFPUBLISHING Teatro Paraguas 3205 Calle Marie, 424-1601 Eva Murray leads a workshop on (you guessed it) self-publishing. Contact Murray ahead of time with questions or to register; email omahapotter@ gmail.com. 10 am-1:30 pm, $39-$49 CONTINUED ON PAGE 34
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Edible Alchemy This year’s Restaurant Guide showcases a number of good-and-good-for-you eateries, and Edible Alchemy is a fantastic option if you’re looking for food that makes you feel healthy instead of guiltridden. Owner Lyra Barron has crafted an organic, vegan, gluten- and sugar-free menu that’s missing nothing when it comes to taste. The bright café tucked away on Early Street near Whole Foods picked an unconventional name, but it’s spot-on. Six different smoothies (all $9) are featured on the menu and served ice-cold. The Dragon Blossom is a magenta concoction of pitaya (cactus fruit), mango, raspberry, probiotics, orange zest and ashwagandha to boost brain function. Even if you aren’t particularly concerned about your brain, it’s yummy. Breakfast is served until close, with a tofu scramble ($12) and avocado toast ($7) as options. Lunch will generally set you back $13 and the mole veggie burger is a messy, incredibly flavorful option that comes alongside a huge salad with house-made dressing. If there’s any room left—or even if there isn’t—the smart, friendly staff makes delicious baked goods including wild blueberry pie ($7) and homemade vegan ice cream ($3). Feel good, eat good. (Matt Grubs)
Izanami An elegant, izakaya-style restaurant situated next to its mothership (the calming, otherworldly Japanese spa Ten Thousand Waves), Izanami offers a whole new culinary approach to the Santa Fe fine dining scene. Not only does the menu completely eschew any sushi or fish-based dishes, focusing instead on organic and sustainably raised pork, chicken and wagyu beef, but owner Deborah Fleig and business partner Linda Tetrault operate a sake import and distribution company, which allows them to curate an excellent list of more than 50 different high-quality craft sakes. Their list demonstrates a wide variety of sake styles, from the unpasteurized, richly flavored namazake to the elegant, high-toned junmai daiginjos. Try the “soma no tengu” (“forest spirit”) namazake ($14 a glass), made in a hands-off, low-intervention style, resulting in a lightly cloudy beverage with subtle nutty and earthy flavors. As for the small plates, the kakuni ($18), comprised of pork belly served with prickly pear and grilled peaches, was among our faves. It makes a great complement to the kushiage ($10), which are panko-crumb-encrusted strips of avocado and zucchini, and the kakiage corn fritters ($10), served with fresh wasabi grated off the root. All in all, Izanami makes for an excellent destination after a day of sauna and meditation. What an experience! (Mary Francis Cheeseman)
La Choza A restaurant can’t exist as La Choza has if it isn’t consistently at the top of its game, but the sister restaurant to The Shed (“choza” is Spanish for “shed,” by the way) has been there since it opened in 1983. Of course, in the old days, The Shed was the more popular haunt, but it’s rare not to find a sizable wait at La Choza these days, which means the growing New Mexican joint is at the top of many locals’ lists. It’s that chile, which many agree is the best in town, and a recipe that owners from the Carswell family have presided over for decades, but with more contemporary items like fish tacos ($13.25-$19), unbelievably decadent desserts like the mocha cake ($4.25) and all the popular New Mexico items such as enchiladas, burritos, tamales y más ($11.25-$17.25), La Choza has also proven a stellar option for anyone looking for a solid meal. Throw in a full bar with myriad margarita options ($7.75-$13) and appetizers, soups and salads, and it’s definitely worth that 90-minute wait on a cold winter’s eve. We recommend the combo plate with enchiladas, tamales and an over-easy egg on top ($12.50-$17.75). Pair with the silver coin margarita ($10.50) and some of the house-made chips and guac, and you’ve really got a party going. (Alex De Vore)
815 Early St., Ste. B, 983-8152 Breakfast and lunch Monday-Saturday ediblealchemy.organic
905 Alarid St., 982-0909 Lunch and dinner Monday-Saturday lachozasf.com
JOY GODFREY
21 Ten Thousand Waves Way, 982-9304 Lunch and dinner daily tenthousandwaves.com
These Restaurants Also appear in SFR’s Recent 2018/19 Restaurant Guide. Find Pickup Locations at Sfreporter.com/pickup.
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THE CALENDAR
SUN/18 ART OPENINGS TIMELESS TREASURES: PRIMITIVE ART OF THE PRESENT & LONG AGO PAST Art on Barcelona (Unitarian Universalist Church) 107 W Barcelona, 917-566-0708 Enjoy a reception and artist talk about tribal arts in wood by Eldorado artist Ken Horst and paintings by Santa Fe artist Virginia Asman. 1-3 pm, free
BOOKS/LECTURES 7000 BC AND NEW MEXICO COMICS CREATORS Big Adventure Comics 418 Montezuma Ave., 992-8783 New Mexico-based comic writers and artists are joined by members of 7000 BC, the Northern New Mexico comic creators nonprofit, all with their creator-owned books for sale. At 2 pm, cartoonist and educator Alec Longstreth discusses his graphic novel Basewood, and at 2:30 pm, writer and artist Turner MarkJacobs presents his process for creating watercolor art. 1-4 pm, free JOURNEYSANTAFE: VALERIE ESPINOZA Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Get a post-election overview of New Mexico's Public Regulations Commission (which regulates the utilities, telecommunications and motor industries) from Espinoza, its chair. 11 am, free JULIA CAMERON Garcia Street Books 376 Garcia St., 986-0151 The award-winning poet, playwright and filmmaker has written 30 books, ranging from her crime novel The Dark Room to her volumes of children's poems and prayers to The Artist's Way. Today she reads from her poetry. 4:30 pm, free SANTA FE FREE THINKERS FORUM Unitarian Universalist Congregation 107 W Barcelona Road, 982-9674 Join the humanist discussion group along with Dorothy Bracey to ask and answer: “What are the moral reasons supporting the death penalty?” 8:30 am, free
Over 35 interactive indoor and outdoor exhibits, including , our . portable planetarium
DANCE
COME PLAY WITH US! 1050 Old Pecos Trail
www.santafechildrensmuseum.org
505.989.8359
BEGINNING SALSA CLASS Dance Station 947-B W Alameda St. Drop in to try your hand (or feet and body, as it were) at some salsa dancing. 5 pm, $12
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EVENTS
MUSIC
EL MUSEO WINTER MARKET El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Part fine arts market, part flea market, all full of treasures. 9 am-5 pm, free FALL FIBER FIESTA Scottish Rite Center 463 Paseo de Peralta, 982-4414 As one of the hubs of fiber arts in the world, Northern New Mexico has some fantastic artists in the craft. From jewelry to wall hangings to wearables, not to mention raw materials, this is the place to be for fans of fiber, cloth or otherwise stringy art (see SFR Picks, page 21). 9 am-5 pm, free GEEKS WHO DRINK Desert Dogs Brewery and Cidery 112 W San Francisco St., Ste. 307, 983-0134 Stellar quiz results can win you drink tickets for next time. 7 pm, free LEARN TO MEDITATE Zoetic 230 St. Francis Drive, 292-5293 Explore the peace of meditation with teachings, contemplations and discussion, and by meditating on Lamrim. 10:30 am-noon, $10 LUTED CRUCIBLE PROCESS VIEWING MAKE Santa Fe Studios 2879 All Trades Road, 819-3502 Watch the second half of MAKE's luted crucible technique workshop, which includes casting metal objects anywhere that a few simple natural materials can be collected. Due to its efficiency, economy, and low health risk it has great potential for small-scale casting, exploration, and experimentation. Folks in the workshop will be doing the casting, but watching it will be pretty cool too. Noon-5 pm, free SUNDAY RAILYARD ARTISAN MARKET Farmers Market Pavilion 1607 Paseo de Peralta, 983-4098 A unique opportunity to enjoy local art and music inside (no blustery breezes here). 10 am-4 pm, free
BAILE DOMINGUERO Golden Cantina Lounge 10-B Cities of Gold Road, Pojoaque, 455-3313 Cumbia, Norteña, pasito satevo and reggaeton tunes with DJ Quico. 9 pm, free DOUG MONTGOMERY Fenix at Vanessie 427 W Water St., 982-9966 Piano standards. 6:30 pm, free GARY GORENCE Cowgirl 319 S Guadalupe St., 982-2565 Classic rock. 8 pm, free JOAQUIN GALLEGOS La Fiesta Lounge 100 E San Francisco St., 982-5511 Flamenco guitar. 6 pm, free OLIVIA OROVICH Osteria D'Assisi 58 S Federal Place, 986-5858 Celtic, American folk, klezmer, Slavic folk, jazz and classical. 6:30 pm, free SANTA FE SYMPHONY: HANDEL’S MESSIAH Lensic Performing Arts Center 211 W San Francisco St., 988-1234 It just ain't the holidays without the full orchestra and brilliant voices of the Symphony Chorus performing this little ditty. Arrive an hour early for a pre-concert talk by Principal Conductor Guillermo Figueroa. 4 pm, $22-$80 SERENATA OF SANTA FE: INSIDE BACH First Presbyterian Church 208 Grant Ave., 982-8544 With monumental acts of imaginative creation, this masterful exploration of organ genius captures the virtuosic panache, commanding counterpoint, impressive poise, and exuberant excess of the towering master. 3 pm, $20-$40 SUGAR MOUNTAIN Cowgirl 319 S Guadalupe St., 982-2565 A Neil Young tribute band. Noon, free
FILM CHILDREN OF THE SUN Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 Children of the early kibbutzim in Israel were raised in collective homes—they did not live with their parents, as a young nation tried to forge a different future. This is the story of these children, who are now adults; after the film, stick around for a discussion with Shula Reinharz, professor of sociology at Brandeis University. 11 am, $8-$15
OPERA LET'S TALK ABOUT OPERA: A SALON Eldorado Hotel and Spa 309 W San Francisco St., 988-4455 Check out the Opera Guild’s fifth annual salon for a casual afternoon of talking about a variety of opera topics—for experts and newbies alike. 2-4 pm, free
THEATER EURYDICE St. John’s College 1160 Camino Cruz Blanca, 984-6000 In the Peterson Student Center’s Great Hall, SJC students present the play based on the myth of Orpheus. 7:30 pm, free
Partially funded by the County of Santa Fe Lodgers’ Tax
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@THEFORKSFR
A GUIDE to Thanksgiving for Procrastinators
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Let local restaurants and shops do all the work—because you probably already have enough going on
tarian and vegan option, which substitute a sliced mushroom loaf in place of turkey. Find also pre-made side dishes priced at $9.99 a pound, such as green chile and butternut squash enchiladas, calabacitas and vegan wild rice and piñon-crusted green beans. Pre-ordered holiday offerings at the co-op are available until Monday Nov. 19. But if you’re hard-pressed at the last minute to come up with the means to make your meal, trusty Whole Foods Market (753 Cerrillos Road, 992-1700) takes Thanksgiving orders right up until Tuesday Nov 20. Find two turkey options, a conventionally styled at $2.49 a pound, and a hormone- and antibiotic-free organic option for $3.49 a pound. But be forewarned: Braving the parking lot during the holiday rush is not for the faint of heart. For keeping it as local as possible, the seasonal Tuesday edition of the Santa Fe Farmers Market (1607 Paseo de Peralta, 983-4098) comes to an official close on Nov. 20, marking a perfect time to pick up any last-minute farm-fresh pumpkins or squash,
apple cider, local honey, ristras and a large selection of meats, produce and cheeses from neighboring farms. Get your locavore supplies from 8 am-1 pm that day. Finally, for desserts, of course Chocolate Maven (821 W San Mateo Road, 984-1980) boasts a wide array of sugary snacks, from a caramel chocolate pecan pie ($17), a flaky green chile spiced apple pie ($24) and an assortment of croissants, muffins and rolls. They request you order at least 24 hours in advance, and the earlier the better to preserve everyone’s sanity—and if you want to pick up even as late as Thursday morning, they’ll be there, either with your pre-ordered pie or a stack of take-away goodies ready for the procrastinators. Freshly baked items are also available at Dolina Bakery & Café (402 N Guadalupe St., 982-9394) and include a shaker lemon pie filled with zingy Meyer lem lemon-flavored filling ($36) and a sour cream coffee cake with cinnamon spiced pecans ($25). You need to order a pie at least a day in advance, and they’re closed Thursday, so decide by Tuesday what you would like. For the gluten-free and vegan looking to score some safe-space styled holiday options, local pop-up bakery Drift and Porter is scheduled to ply their pastries Porter from 10 am-4 pm on Sunday Nov. 18 at the Railyard Artisan Market (Farmers Per Market Pavilion, 1607 Paseo de Per577-4809) with tasty jewel-like alta, 577-4809) treats priced according to size from $6 to $10, including mini apple pies and fritters, chocolate whoopie pies with pumpkin buttercream and cinnamon buns. But whatever your preferences, Thanksgiving in Santa Fe promises to fully deliver on flavor.
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hanksgiving kicks off a season of holiday delights. Ski Santa Fe opens its slopes promptly at 9 am on Thursday Nov. 22, providing the option to burn some serious calories before feasting. On Friday Nov. 23, the Plaza’s Christmas lights are fired up, marking the official beginning of Santa Fe’s winter festivities. And for the epicure with a lazy streak, there’s a lot to be thankful for, such as a food scene replete with delicious local options within easy reach. If you feel like outsourcing the cooking part of the holiday, there’s a bounty of top restaurants offering Thanksgiving menus. In addition to a three-course prix fixe menu, La Casa Sena (125 E Palace Ave., 988-9232) offers a complete meal takeout service. Choose from three dinner menus that serve eight to 10 people, each featuring a different entree course. For $179.99, nosh on a red chile-glazed turkey, for $199.99 the restaurant offers a roasted Colorado bone-in lamb leg, and for $194.99 you can get half lamb, half turkey. But act fast, because you have to order by Nov. 17. Sides include truffle-infused mashed potatoes, green chile gravy and blue cornbread stuffing. Or make a reservation to visit in person and, for $75 a head, gorge on herb-roasted free-range turkey, smoked duck breast or grilled Scottish salmon. But of course, get on that too, because they were nearly at capacity on Monday. Another fabulous experience awaits at El Nido (1577 Bishops Lodge Road, Tesuque, 954-1272),, which offers a $60 three-course prix fixe that includes a vegetarian entrée of butternut squash ravioli
with sage brown butter and caramelized walnuts, plus the more classic offerings of herb roasted turkey and braised lamb shank. There’s plenty of pumpkin to go around, too, including a soup course, gelato and pie. Make that reservation STAT! For home cooks scouring for the right raw materials at the last minute, local grocery stores have sweet Thanksgiving deals as well. At Kaune’s (511 Old Santa Fe Trail, 982-2629), order a cage-free turkey at $2.69 a pound, sourced from Amish farms in Minnesota. Friday Nov. 16 is the cutoff date to order, but the deli offers plenty of prepared meats, sides and salads to otherwise create a meal. If you’re feeling especially lazy, most stores feature entire pre-made meals, priced according to however many they feed. Try the Thanksgiving plate specials for $17.99 a person at La Montañita Co-op (913 W Alameda St., 984-2852), which feature Mary’s Free Range Turkey from Pitman Farms in California, plus mashed potatoes, cornbread stuffing, maple glazed yams, green beans and rolls. There’s also a vege-
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BY MARY FRANCIS CHEESEMAN a u t h o r @ s f r e p o r t e r. c o m
FOOD
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THE CALENDAR HOLIDAY ICECRACKER Genoveva Chavez Community Center 3221 W Rodeo Road, 955-4000 A family-friendly ice skating show by the Desert Ice Skating Club features all your favorite holiday tunes. 2 pm, $7-$12 NEWSIES! James A Little Theatre 1060 Cerrillos Road, 476-6429 Chris Leslie directs Santa Fe's youth actors and singers in the story set in turn-of-the century New York City, when newsboy Jack Kelley rallies newsies across the city to strike against unfair working conditions. 2 pm, $8-$12 PRINCE CASPIAN: RETURN TO NARNIA Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 The Hampstead Stage Company, a touring theatre company based in New Hampshire, presents CS Lewis’ classic. For ages 5+. 1:30 pm, free THE SHAWL & THE SANCTITY OF MARRIAGE The Oasis Theatre 3205 Calle Marie, Ste. A, 917-439-7708 An intriguing play about a psychic torn between helping his new client and keeping his new young companion interested (see Acting Out, page 31). 3 pm, $22 STAGED READING: AN EXAMINED LIFE, MOTHER LODE AND FOR SALE: CRUDE Warehouse 21 1614 Paseo de Peralta, 989-4423 A staged reading of three new short plays by local thespian Jerry Labinger. 6 pm, free
KUNM 89.9 FM kunm.org
MON/19 BOOKS/LECTURES
Much more than RADIO live & local
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ALBUQUERQUE MAYOR TIM KELLER: ART & POLITICS galleryFRITZ 540 S Guadalupe St., 820-1888 Keller offers his perspective on topics ranging from the mid-term elections to the necessity of art. 5:30 pm, free DAVID MASON: HISTORY OF THE FAIRVIEW CEMETERY Santa Fe Woman's Club 1616 Old Pecos Trail, 983-9455 Following lunch, a talk by Mason details the fascinating history of the Fairview Cemetery (the one next to the School for the Deaf) as it fits into the history of the city of Santa Fe and the 126-year history of the Woman’s Club. Reserve your spot by calling 983-9455, since there's food involved. 11:45 am, $8 SOUTHWEST SEMINARS:
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CLIMATE SCIENCE AND THE FUTURE OF THE RIO GRANDE Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 David S Gutzler, professor of earth and planetary science, University of New Mexico, lectures as part of Southwest Seminars' Mother Earth and Father Sky lecture series. 6 pm, $15 WEST WINGERS: STORIES FROM THE DREAM CHASERS, CHANGE MAKERS, AND HOPE CREATORS INSIDE THE OBAMA WHITE HOUSE Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Eighteen Obama staffers bring us deep inside that presidency, offering intimate accounts of how they made it to the White House, what they witnessed, and what they accomplished there. Contributors Stephanie Valencia and Lynn Rosenthal are on hand. 6:30 pm, free
EVENTS GEEKS WHO DRINK Draft Station Santa Fe Arcade, 60 E San Francisco St., 983-6443 Stellar quiz results can win you drink tickets for next time. Isabel is your host, and she's wicked smaht. 7 pm, free INSIGHT DIALOGUE WITH NICOLA REDFERN Mountain Cloud Zen Center 7241 Old Santa Fe Trail, 988-4396 Join Redfern for an interpersonal meditation practice that brings together meditative awareness, the wisdom teachings of the Buddha, and the power of relationship. 6:30 pm, free
MUSIC BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana. 7:30 pm, free COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Michèle Leidig hosts Santa Fe's most famous night of karaoke. 9 pm, free DOUG MONTGOMERY AND ELIZABETH YOUNG Fenix at Vanessie 427 W Water St., 982-9966 Montgomery provides the standards, originals and pop on piano, and Young joins in on violin. 6:30 pm, free MELLOW MONDAYS Boxcar 530 S Guadalupe St., 988-7222 DJ Sato spins some '90s house and hip-hop jams to calm you down. 10 pm, free
TUE/20 BOOKS/LECTURES FORT SUMNER HISTORIC SITE: THE PAST, PRESENT AND FUTURE Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 In conjunction with Confinement in the Land of Enchantment, learn the history of Fort Sumner and the Bosque Redondo and how Native internment there relates to Japanese internment during WWII. 1:30 pm, free PRESCHOOL STORY TIME Santa Fe Public Library LaFarge Branch 1730 Llano St., 955-4860 Kids who are read to are generally smarter than kids who aren't. Get 'em learnt! 10:30 am, free
DANCE ARGENTINE TANGO MILONGA El Mesón 213 Washington Ave., 983-6756 Put on your best tango shoes and join in (or just watch). 7:30 pm, $5
EVENTS FOOD ADDICTS IN RECOVERY ANONYMOUS Friendship Club 1316 Apache Ave., 87505 For those who are underweight, overweight, or otherwise struggling with food, this 12-step group is available. 6:30 pm, free GEEKS WHO DRINK Boxcar 530 S Guadalupe St., 988-7222 Pub quiz! 8 pm, free METTA REFUGE COUNCIL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 A Buddhist support group for sharing life experiences of illness and loss in a variety of its forms, and an opportunity for the sharing of life experiences. 10:30 am, free SANTA FE FARMER'S MARKET Farmers Market Pavilion 1607 Paseo de Peralta, 983-4098 Beat the weekend crowds and load up on farm-fresh goods. 8 am-1 pm, free
FILM CONFINEMENT IN THE LAND OF ENCHANTMENT: MANZANAR FISHING CLUB Santa Fe Public Library Southside 6599 Jaguar Drive, 955-2820 Screen the 2012 documentary and have a conversation about issues of citizenship, identity and civil liberties. 6:15 pm, free
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MUSIC AL ROGERS Fenix at Vanessie 427 W Water St., 982-9966 Standards 'n' jazz on piano. 6:30 pm, free BILL HEARNE TRIO La Fiesta Lounge 100 E San Francisco St., 982-5511 Honky-tonk and Americana. 7:30 pm, free BILL PALMER Tumbleroot Brewery & Distillery 2791 Agua Fría St. Rock 'n' roll ‘n’ dirty country. 5-8 pm, free
THE CALENDAR
BLUEGRASS JAM Social Kitchen & Bar 725 Cerrillos Road, 982-5952 You guessed it: It's a bluegrass jam. 6 pm, free CANYON ROAD BLUES JAM El Farol 808 Canyon Road, 983-9912 Sign up to sing or play if you desire, but be forewarned— this ain't amateur hour. 8 pm, $5 CHUSCALES La Boca (Original Location) 72 W Marcy St., 982-3433 Exotic flamenco guitar. 7 pm, free
JOHN CAREY Cowgirl 319 S Guadalupe St., 982-2565 Boogie-worthy funky blues created in the weirdly proportioned triangle formed by NOLA, Taos and San Diego. 8 pm, free MICHAEL UMPHREY Osteria D'Assisi 58 S Federal Place, 986-5858 Piano standards. 6:30 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo jazz guitar. 6 pm, free
APPLY NOW FOR THE 2019 STORY MAPS FELLOWSHIP DEADLINE DECEMBER 7 / APPLY AT SFAI.ORG
CENTER FOR CONTEMPORARY ARTS 1050 Old Pecos Trail, 982-1338 Three Image Makers. Shelley Horton-Trippe: A Greater Sublime: 8 Poets / 8 Paintings. The Wanderer: The Final Drawings of John Connell. All through Jan. 6. GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 Jo Whaley: Echoes. Through Feb. 24. The Candid Camera. Through April 22. HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 Mel Scully: Love, Death & Guns. Through Nov. 25. Peter Chinni: Inside/Out. Pop Chalee: Blue Flower Rooted. Through Jan. 13. The Legacy of Helene Wurlitzer: Works from the Harwood Collection. Through May 5. IAIA MUSEUM OF CONTEMPORARY NATIVE ARTS 108 Cathedral Place, 983-8900 Holly Wilson: On Turtle’s Back; Rolande Souliere: Form and Content. Both through Jan. 27. Darren Vigil Gray: Expanding Horizons; Meeting the Clouds Halfway. Both Through Feb. 16. Action/ Abstraction Redefined. Through July 7. MUSEUM OF ENCAUSTIC ART 632 Agua Fría St., 989-3283 National and international wax artists. MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Stepping Out: 10,000 Years of Walking the West. Through Dec. 30. Maria Samora: Master of Elegance. Through Feb. 28. What’s New in New: Selections from the Carol Warren Collection. Through April 7. Lifeways of the Southern Athabaskans. Through July 7. MUSEUM OF INT’L FOLK ART 706 Camino Lejo, 476-1200
PALACE OF THE GOVERNORS PHOTO ARCHIVES
MUSEUMS The Story Maps Fellowship partners local, emerging artists of color with government and non-arts organizations to learn about and map our civic systems through the lens of Truth & Reconciliation. From February through October 2019, up to 4 selected fellows will receive a stipend and be immersed in a focused curriculum to gather stories, develop artworks and a collaborative community project.
SANTA FE ART INSTITUTE | 1600 ST. MICHAELS DR. | SANTA FE, NM | 505.424.5050
C H R I S T M A S T RE E L I G H T I N G R E C E PT I O N See examples of how much museum exhibits have changed in 100 years at the New Mexico History Museum’s On Exhibit: Designs That Defined the Museum of New Mexico. Beadwork Adorns the World. Through Feb. 3, 2019. Crafting Memory: The Art of Community in Peru. Through March 10. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 GenNext: Future So Bright. Through March 29. NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 The Land That Enchants Me So: Picturing Popular Songs of New Mexico. Through Feb. 28. Atomic Histories. Through May 26. On Exhibit: Designs That Defined the Museum of New Mexico. Through July 28. The First World War. Through Nov. 11, 2019. NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Horizons: People & Place in New Mexican Art. Through Nov. 25. Good Company: Five Artists Communities in New Mexico. Through March 10.
PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Closed for renovations. POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 In T’owa Vi Sae’we. EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Closed for the season; to reopen June 1, 2019. SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Dan Ostermiller: Gardens Gone Wild! Through May 11. SITE SANTA FE 1606 Paseo de Peralta, 989-1199 Casa Tomada (House Taken Over). Through Jan. 6. WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 LIT: The Work of Rose B Simpson. Through Oct. 6.
on e P laza | Friday, November 23, 5-7pm
60 E. San Francisco St., Ste 218 | 505.983.4562 | SantaFeGoldworks.com
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WITH
G R A T I T U D E
Our heartfelt blessings and thanks to all our Sante Fe friends, family and customers! - with love from Baca Street
Pandemonium Productions
presents
another Santa Fe Premiere
FRIDAY, NOV. 9TH & 16 @7:00PM SAT & SUN, NOV. 10, 11, 17 & 18 @ 2:00 PM
SANTA FE’S COMMUNITY
JAZZ station
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Performances at the James A. Little Theatre 1060 Cerrillos Road
Call 505-982-3327 for information www.pandemoniumprod.org
This project is supported in part by New Mexico Arts, a Division of the Department of Cultural Affairs, by the National Endowment for the Arts and New Mexico Childrens Foundation
RATINGS BEST MOVIE EVER
9 8 7 6 5 4 3 2
WORST MOVIE EVER
Overlord Review Behind enemy—and zombie—lines
10
1
MOVIES
BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m
We’ve seen plenty of media that recreates D-Day from the perspective of the storming of Normandy, but in Overlord, from director Julius Avery (Son of a Gun) and producer JJ Abrams, we follow soldiers behind enemy lines who are tasked with taking out a radio tower deep within a small village in the French countryside. The setup is simple enough, but how the film plays out is anything but. While we may have grown accustomed to brutally realistic depictions of World War II in film and video games, Overlord ups the ante considerably by phasing between authentic period drama, thrill-a-minute action flick and zombies—yeah, zombies! See, when American soldiers Boyce (Fences’ Jovan Adepo) and Ford (Wyatt Russell, Ingrid Goes West) wind up separated from their battalion and in the company of a young French woman (Mathilde Ollivier), they soon learn the Nazis have been using a nearby church not only for communications, but as an experimental lab dabbling in a serum that gifts super strength, immortality and even revival from death to unwitting guinea pigs. Side effects include mild to extreme zombification, however, and as anyone who has picked up a Call of Duty or Wolfenstein video game in the last few years can tell you, there’s not a lot worse than Nazi zombies.
7 + EXCITING
BLEND OF STYLES; ACTION AND HORROR - BLAND CHARACTERS; SOMETIMES ABSURD
Gore ensues in a very major way. Like, there’s so much gore, but Avery manages to tap into his disparate genres in such a seamless way that we wonder why we haven’t seen such a hybrid film before. Oh sure, some of the soldiers are a bit cookie-cutter, from the Italian-American who cracks wise and tough to the young Jewish man with a particular vested interest in taking down Hitler; the evil Nazi doctor looks and acts exactly as you might imagine were you to picture an evil Nazi doctor. But these tropes wind up forgivable and fade into the background in place of the horror-style elements. Throw in a particularly sadistic SS officer for a villain, an adorable French kid to raise the stakes and any number of tense chase scenes in catacomb tunnels, atmospheric jumpscares and one of the most well-paced and surpris-
ing narratives of the year, and Overlord gracefully sidesteps ridiculousness for just plain fun. Make no mistake, Overlord is as video-gamey as it gets, but given the medium’s growing status as economic juggernaut—and its evolution into genuine art form—that’s not such a bad thing. It’s exhilarating, actually, and throws audiences directly into the fray for some of the most well-choreographed fight scenes and gut-wrenching scares we’ve seen in some time, not to mention the undead. Don’t take your kids (we really mean it), but don’t write it off; Overlord is wild fun throughout. OVERLORD Directed by Avery With Adepo, Russell and Ollivier Regal, Violet Crown, R, 109 min.
QUICKY REVIEWS
5
BOHEMIAN RHAPSODY
7
HALLOWEEN
9
FIRST MAN
9
BOHEMIAN RHAPSODY
5
+ MALEK IS GREAT; THE MUSIC, - REDUCTIVE AND SIMPLIFIED; DUMB MIKE MYERS JOKE
After years in limbo, Bohemian Rhapsody, the story of Queen, has finally hit theaters after the loss of Sacha Baron Cohen as Freddie Mercury and the famous firing of director Bryan Singer. And it’s fine as biopics go, though absolutely problematic the more you peel back the veneer. The probably mostly already-known story of Queen follows the legendary rock band from meager beginnings to parade of hits, label interference, interpersonal strife and love and family issues—right up to the much-beloved 1985 LiveAid concert, dubbed by many as one of the finest performances by a rock act of all time; some photos and text-crawling fills in a handful of gaps thereafter. Rami Malek is fantastic as Mercury, however, all bluster and melodrama hiding a palpable self-loathing and sexual confusion. It’s unfortunate, then, that his embodiment of Mercury helps tell only a half-tale. Because while we’re busy tapping our toes and elbowing our pals in the theater because we totally know that song, Rhapsody inconveniently reduces Mercury, his queerness and his Parsi
6
THE OLD MAN & THE GUN
Ain’t nobody saying Queen didn’t rule, we just would’ve liked a deeper look at Freddie Mercury rather than any number of musical montages in Bohemian Rhapsody.
VENOM
roots down to a couple throwaway scenes or oversimplified dialog in favor of proving how close the band was, how innovative they were in the studio, how ahead of their time they were and how much everyone loved them. But we already knew that, didn’t we? Yes, we get a line about Mercury’s bisexuality here or the evidence of his well-known hedonism there, but these moments are few and fleeting. We’re told Mercury was lonely even in crowds; we’re front and center for his coming-out to lifelong friend Mary Austin (Lucy Boynton); we see the pressures of fame piling on though unsurprisingly not solving problems—but we never truly get into their consequences, nor do we pick up any particularly new information about Mercury’s Parsi ethnicity or how he must have struggled coming to grips with his queerness. How about that scene in the rain with “Under Pressure” piping in from the background, though? Feels good! Right up until it doesn’t. But the end of the feel-goods doesn’t come from the knowledge that Mercury contracted AIDS and died, never really reconnected with his family, that the reunion of the band was businesslike or that he never felt OK when he wasn’t onstage; it comes instead from realizing that a mainstream film had a chance to really dial up the representation and CONTINUED ON PAGE 41
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FRIDAY, NOV 16 11:30a The Happy Prince 12:45p Border* 1:45p Wildlife 3:00p Border* 4:00p The Happy Prince 6:15p Border 6:30p Yokomeshi: a meal eaten sideways* 8:15p Border
SATURDAY, NOV 17 11:30a The Happy Prince 12:45p Border* 1:45p Wildlife 2:45p Border* 4:00p On Her Shoulders w/ dir. Alexandria Bombach 4:45p Border* 6:15p The Happy Prince 7:00p Wildlife* 8:15p Border
SUNDAY, NOV 18 11:00a SFJFF: Children of the Sun 11:10a SFJFF: Children of the Sun* 1:30p Border* 1:45p Wildlife 3:45p Border* 4:00p On Her Shoulders w/ dir. Alexandria Bombach 6:00p Border* 6:15p The Happy Prince 8:15p Border* 8:30p Wildlife
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SATURDAY, NOV 17 12:15p Bergmania: Seventh Seal 2:15p Old Man & the Gun 4:15p Old Man & the Gun 7:00p The Santa Fe Film fest presents Face of Winter
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highlight in the series from both the nostalgic and throwback horror standpoints. This one’s for you, Carpenter fans, and everyone else who rents the original after they see this one first. (ADV) Regal, Violet Crown, R, 106 min.
FIRST MAN
9
attempt to get us into the head of the finest voice in rock ‘n’ roll history, but chose musical montage or silly Mike Meyers jokes (seriously) time and time again instead. This is disappointing in a way that even Malek’s tremendous performance—and perfectly fine turns from most of the rest of the cast—can’t quite make up for. We must instead take solace in how Bohemian Rhapsody might introduce a new generation to Queen’s music, because it really was fantastic—no matter how much it can’t represent the real core of the story. (Alex De Vore) Regal, Violet Crown, PG-13, 134 min.
HALLOWEEN
7
+ SELF-AWARE; FUN; KILLER SOUND - SOME FORCED RED HERRINGS; A FEW TOO-DUMB PLOT TWISTS
Oh. Em. Gee. It’s been 40 years since John Carpenter’s original Halloween found Michael Myers and his Shatner mask (look it up, nerds) terrorizing Laurie Strode (Jamie Lee Curtis) and her pals, and now he’s back in sequel-butmaybe-also-kind-of-a-reboot form, and he’s up to his old tricks again. The new Halloween comes to us courtesy of Carpenter and Curtis, who produce here, but also screenwriter/producer Danny McBride (yes, from Eastbound & Down and Vice Principals) and director David Gordon Green (an executive producer on Vice Principals). And whereas no one can say this entry is particularly great or anything, it does do itself a favor by cherry-picking elements from other films in the series, putting
the kibosh on others and picking up in the wake of Michael’s escape from a mental institution— always an exciting premise. Over the years, Laurie Strode has been preparing herself in case her arch enemy should ever return. She’s been firing guns and building traps and dabbling in the art of hand-to-hand combat. That’s all well and good, and Curtis can definitely pull off tough, but it turns out that by also trying to prepare her daughter (Judy Greer) for the serial killer, she’s caused rifts in her family that are tough to heal. Enter her granddaughter Allyson (Andi Matichak, who has mostly done TV before now) and her high school contemporaries played by ultra-attractive 20-somethings (who you just know are cruising for a bruising), a couple of podcast producers for some reason and a face or two from the original film, and you’ve really got something—namely, a horror flick that knows what it is, pays homage in all the right ways and understands when it’s time to not take itself too seriously. Yes, there are jump-scares and a few moments of borderline hysterical gore, and these bits are fun, but Halloween truly excels in the sound design department. From nerve-wracking footsteps just outside the door or the squish of a knife, to the subtle buzz of fluorescent lights or rhythmic breathing, whoever did Foley on this thing deserves an Oscar. But we still don’t get our questions answered, and one always wonders why teenagers find themselves unable to resist the call of going to check out what that sound was upstairs. It’s just as well, though, and Halloween certainly proves a
ABOVE: Ryan Gosling is the first man on the moon in the aptly-titled First Man. BELOW: Halloween, where all the faces are made of pixels. Jay kay. But there certainly is a whole lot of stabbing.
+ THE DANGER OF SPACE TRAVEL - A LITTLE HEAVY AT TIMES
At one point in Damien Chazelle’s glorious First Man, Janet Armstrong (Claire Foy), the wife of famed astronaut Neil Armstrong (Ryan Gosling), dresses down some self-assured NASA administrators, comparing them to “a bunch of boys making models out of balsa wood.” Part of the genius of the La La Land director’s biopic about the first human to walk on the moon is that it effectively portrays both the majesty and the folly of the space program. Chazelle embodies that dichotomy with the inclusion of two poems: pilot John Gillespie Magee’s “High Flight,” which marvels at having “slipped the surly bonds of earth,” and Gil Scott-Heron’s 1970 recording of “Whitey on the Moon”: “I can’t pay no doctor bill / But Whitey’s on the moon / Ten years from now I’ll be payin’ still / While Whitey’s on the moon.” Adapted from James R Hansen’s biography of the same name, First Man is unambiguous on one issue: the bravery and ingenuity of the test pilots and astronauts who faced death daily for the sake of history. Even the best entries in the space-film genre tend to sterilize interstellar travel, often portraying it as sleek and futuristic. First Man, better and more aggressively than any of its peers, conveys the grimy, harrowing mechanics of the early space program. Yes, there are scenes in which Chazelle pays homage to those cinematic predecessors, chiefly a portion of the Gemini 8 mission set to a waltz that’s an obvious paean to 2001: A Space Odyssey. But with the partial exception of the Apollo 11 moon shot, every rocket launch is filmed from a claustrophobic perspective inside the spacecraft, where every roar, shutter, and creak of the capsule carries palpable dread. Chazelle shows the astronauts to be more than just guinea pigs strapped atop Roman candles. Armstrong, an engineering egghead and civilian test pilot, must make numerous life-or-death decisions through his career; some demonstrate his intelligence and some call into question whether he has the right stuff. His courage and skill shine during a trio of action sequences, some of the most thrilling you’re likely to see this year. The film opens with Armstrong kissing the cosmos during a breathtaking—and failed—X-15 test flight. His courage under fire CONTINUED ON PAGE 43
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You may be thinking The Old Man & the Gun has been in theaters forever, and it has. But it’s also supposedly Robert Redford’s last movie ever, so, like, that’s a big deal, probably. burns brightest during the aborted Gemini 8 mission, which ends with his craft violently tumbling through space. Finally, accompanied by Justin Hurwitz’ soaring orchestration, Armstrong navigates a gripping, poignant descent of the Eagle Module to the lunar surface. Over the eight years covered in the film, the Armstrongs live with death, from those of nameless pilot friends to their cancer-stricken young daughter to the launchpad fire that incinerated the Apollo 1 crew. When Gosling occasionally becomes a brooding cipher, Foy is there to refocus the narrative on the emotional toll exacted by his heroic destiny. Aided by cinematographer Linus Sandgren’s handheld camerawork, much of First Man is a meditative portrait of a taciturn yet resolute hero whose achievements are less about one small step for a man than a giant leap for mankind. (Neil Morris) Violet Crown, Regal, PG-13, 141 min.
THE OLD MAN & THE GUN
9
+ EXCELLENT ACTING - PLOT COULD HAVE USED
FURTHER DEVELOPMENT
There are parallels between actor Robert Redford and Forrest Tucker, the real-life career criminal who robbed banks until the ripe old age of 79, and who Redford portrays in his newest film. For one, they’re both old and respectable dudes who did what they loved
throughout his career. Old Man & the Gun is Redford’s much-ballyhooed final film, and it’s a fitting send-off for the end of a Hollywood legend’s long career. The movie is fittingly about the end of Tucker’s career and his relationship with a woman named Jewel (Sissy Spacek). He’s a handsome, charming guy who cracks a delicious smile while revealing the big iron tucked in his overcoat. There’s also the cop John Hunt (Casey Affleck) tasked with catching Tucker and his cohorts, who are played by Danny Glover and Tom Waits. Affleck struggles with his respect for Tucker’s passion and suavity. Unsurprisingly, banks are robbed and consequences ensue, but since the principal characters are old, the fallout doesn’t seem too awful. The relationships between these characters feels natural. Redford and Spacek’s chemistry is spot-on, with romantic moments between them subtle and charming, while Affleck and Redford’s dynamic is compelling—almost like a friendship instead of a cat-and-mouse rivalry. There’s a distinct nostalgic tone that remarkably doesn’t venture too far into the cultural context of the time; the music is upbeat and smooth, drawing you into the 1980s and setting the scene, but never shoving the pop culture of the day down your throat. Yet the plot isn’t particularly cohesive, nor are there many moments of suspense. In one scene, Tucker’s in Dallas, then he’s in St. Louis and then he’s right back in Dallas again. Similarly, Hunt’s struggle with his respect for Tucker versus his professional obligation to
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catch a criminal isn’t as developed as it should be. Furthermore, it’s made obvious that Tucker’s going to get caught at some point, and his attempts at avoiding capture seem pointless as a result—this defuses much of the potential tension. Towards the end, Redford sits on a horse wearing a thick poncho and a wide-brimmed hat. On the horizon, cop cars roll by as the night turns to dawn. Tucker is, in the end, still a cowboy, but it’s time for him to ride off into the sunrise. Perhaps that is melodramatic, but The Old Man & the Gun is swathed in sentiment, and is every bit about Redford as it is Tucker. (Layne Radlauer) Center for Contemporary Arts, PG-13, 93 min.
CCA CINEMATHEQUE 1050 Old Pecos Trail, 982-1338
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VENOM
6
he loses his job and girlfriend (a there but it doesn’t much matter Michelle Williams). Seems Drake has been human-testing some crazy alien shit, and when a scientist played by Jenny Slate (Parks and Recreation) develops a conscience, Eddie is thrust into a symbiotic relationship with a parasitic creature named Venom who can make him all strong and acrobatic and stuff. It’s dumb, yeah, but the interplay between Eddie and Venom is both charmingly funny and kind of kickass—be it in moments wherein the pair sprints up buildings or climbs space-bound rockets or bites people’s heads off. Hardy is oddly fantastic as a scared man coming to terms with his newfound lot in life, and Ahmed’s understated villain does get pretty creepy, we only wish they’d developed him a little more. Fans of the comics will probably find more things to like than those walking in cold, but as far as comic book action movies go, Venom is certainly one of the more fun entries out there. Director Ruben Fleischer (Zombieland) surely realized he had a wonderful opportunity to embrace more comedic elements here and ran with it, and good for him. Now, assuming you don’t have some chip on your shoulder about refusing to like dumb/fun comic book movies, it should be a breeze to sit back and watch the heads pop. Go nuts. (ADV) Regal, Violet Crown, PG-13, 112 min.
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+ MORE FUN THAN YOU’D THINK - CITIZEN KANE THIS AIN’T, BUT IS
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THAT A BAD THING?
It’s a little weird to make a Spider-Man movie without Spider-Man, but Tom Hardy and company come pretty close to awesome with Venom. See, the rights to Marvel Comics properties are basically a mess. Some studios own certain characters, others own other characters, and what you get is movies that are forced to navigate some seriously tricky licensing. That said, Venom is certainly a raucous good time, even if it ultimately feels a tad anemic, at least right up until the mid-credits scene (no spoilers, but you’re gonna wanna see it). Hardy is Eddie Brock, a Vice-esque journalist who runs afoul of a bazillionaire and scruples-free scientist type named Carlton Drake (Nightcrawler‘s Riz Ahmed) the very same week
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PETCO: 1-4 pm Thursday, Friday, Saturday & Sunday TECA TU at DeVargas Center: 12 noon-3 pm, First Saturday of each month Please visit our cats at PETCO and TECA TU during regular store hours. FOSTER HOMES URGENTLY NEEDED FOR ADULT CATS OF VARIOUS AGES SANTA FE CATS not only supports the mission of FELINES & FRIENDS from revenue generated by providing premium boarding for cats, pocket pets and birds, but also serves as a mini-shelter for cats awaiting adoption. For more information, please visit www.santafecats.com
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MIDGE and her littermates were brought to the SFAS as tiny kittens in need of bottle feeding. Our primary “bottle volunteer” took them on and raised them to maturity with the “supervision” of her adult cats. TEMPERAMENT: MIDGE is very social and playful. If not adopted with a sibling, she should be adopted into a home with another kitten or young cat to play with. AGE: born approx. 7/11/18.
Come meet these and other wonderful cats at our Adoption Center inside Petco.
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CARLA and her brother were rescued during a TNR project in June and subsequently socialized in a foster home. TEMPERAMENT: CARLA has blossomed into a wonderful, loving and playful cat who loves the company of other young cats. CARLA is a pretty tortie with a short coat. AGE: born approx. 5/1/18.
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COMMUNITY ANNOUNCEMENTS JOHREI CENTER OF SANTA FE. JOHREI IS BASED ON THE FOCUS AND FLOW OF THE UNIVERSAL LIFE ENERGY. When clouds in the spiritual body and in consciousness are dissolved, there is a return to true health. This is according to the Divine Law of Order; after spiritual clearing, physical and mentalemotional healing follow. You are invited to experience the Divine Healing Energy of Johrei. All are Welcome! The Johrei Center of Santa Fe is located at Calle Cinco Plaza, 1500 Fifth St., Suite 10, 87505. Please call 820-0451 with any questions. Drop-ins welcome! Open Tuesday, Wednesday, Thursday, 2-5pm. Friday 2-4pm. Saturday, 10am-1pm. Closed Sunday and Monday. There is no fee for receiving Johrei. Donations are gratefully accepted. Please check us out at our new website santafejohreifellowship.com The Santa Fe Johrei Center will be closed on Thanksgiving, November 22nd and Friday, November 23rd. It will reopen on Saturday, November 24th, when we will hold a Gratitude Service at 10:45 AM. All are welcome.
IS FOOD A PROBLEM FOR YOU? Do you eat when you’re not hungry? Do you go on eating binges or fasts without medical approval? Is your weight affecting your life? Contact Overeaters Anonymous! We offer support, no strings attached! No dues, no fees, no weigh-ins, no diets. We meet every day from 8-9 am at The Friendship Club, 1316 Apache Avenue, Santa Fe. www.nnmoa.com TEACH YOUR WAY AROUND THE WORLD. Get TESOL Certified & Teach English Anywhere. Earn an accredited TESOL Certificate and start teaching English in USA & abroad. Over 20,000 new jobs every month. Take this highly engaging & empowering course. Hundreds have graduated from our Santa Fe program. Next Course: January 26 - April 13, 2019 weekend course. Contact John Kongsvik. 505-204-4361. www.tesoltrainers.com
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Meet Bojack! This handsome boy currently weighs about 35 pounds and we think he’ll reach around 65-75 pounds full grown. He found his way to our shelter as a stray and is more than ready to have a family of his own. He is 7 months old, which is a great age for a new companion. An ideal day for Bojack would include play time with his favorite person, a walk through the city or mountains, and of course, treats! If you have another dog at home you’re more than welcome to bring them in for a Meet n’ Greet with this gentleman! SPONSORED BY
Sancho is an 8 year old cat who recently arrived at the shelter. He is about 12 pounds which seems to be a healthy weight for him. As is common with all-white cats it appears that Sancho has some difficulty with hearing and vision. He responds to the sound of his kennel opening which is nice for us here so we don’t surprise him when we say hello. We have been respectful of his condition and in making sure that he knows we are here by letting him sniff us before we start petting him. We think someone patient enough to work with his condition would be the best placement for him.
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ADOPT ME, PLEASE! — In Fond Memory of Those We Served —
Prescilla Rumero April 3, 1927-October 12, 2018
Prescilla Rumero was born to Vidal and Rosario Trujillo on April 3, 1927. At the end of her life when she went to be with the Lord, she left behind five children: Mary Rascon, Betty Lou Rose Lujan (a beloved Certified Nursing Assistant for Del Corazon Hospice), Brenda Rael, and Vicky and Gilbert Trujillo. Daughter Flora Lopez had preceded her in death. A kind and generous mother, Prescilla always greeted her children with a warm smile followed by the question: “Have you eaten?” Regardless of their response, Prescilla was already in the kitchen preparing goody bags for the drive home along with extras for the next day. A fabulous cook proclaimed by friends and family alike, she also enjoyed dining out. But “Food always tasted better at Mom’s.” In addition to the pleasure of admiring her garden growing, she enjoyed watching the activities of the humming birds. And Prescilla loved to shop. One could regularly find her at the mall. Yet nothing was more important to Prescilla than her faith. She prayed the rosary daily and taught her children to be good to themselves, love each other, and always to be there. “Remember, you are Number One.” At a time when the dangers of smoking were not fully understood, Prescilla had been a smoker. Hospice delivered end-of-life care to Prescilla in her home. Lung cancer brought her life to a close on October 12th of this year. Every day Prescilla is missed by her loved ones and friends.
ESPAÑOLA HUMANE 108 Hamm Parkway Española, NM 87532
Edward Ray Wright Sr.
505-753-8662
March 12, 1924-August 4, 2018 Edward Ray Wright Sr was a man of true integrity. Ray, as he preferred to be called, was born on March 12, 1924 in Manilla, Arkansas. A proud American who honorably served in the Navy during WWII, Ray loved to tell stories of his Navy adventures to anyone with a listening ear. At the time of his passing on August 4th of this year, Ray was survived by his son Edward R. Wright Jr., daughter Pam (a nurse with Del Corazon Hospice), her husband Joe Archer, three granddaughters and two great granddaughters in addition to an unofficial member of his family, 96 year old Gene Scoggins, a dear friend from his childhood. Ray was preceded in death by Mildred, his wife of 70 years, brother James, and their parents Lily and Monroe Wright. Some of Ray’s favorite past times included gardening, hunting, and riding 4 wheelers well into his nineties. Always positive, Ray loved helping others. A supportive father his children could depend on, Ray actively participated with Pam in Camp Fire Girls as well as with son Edward in the Boy Scouts. He sincerely believed in encouraging his children to be the best at whatever they wanted to be.
evalleyshelter.org • petango.com/espanola Sweet Brava is nothing less than adorable! She wiggles her bottom up to the front of her kennel to receive love from anyone willing to give. She came in as a stray with some rough looking skin but we knew just what we were looking at. Brava has Demodex Mange which isn’t contagious so although it looks rough right now this girl will be back to her beautiful blue coat in a matter of weeks. She is great with people. Does great on a leash and loves her walks. She is about one year old. Stop by today and meet this darling — she’d love to find a home.
Brava
Otis is a sweet boy with a little bit of fear behind his beautiful eyes. He is part of a litter of puppies that was born in a rural area and received little socialization as they were growing. A kind Samaritan was able to catch them and bring them to our care where we’ve been working on gaining their trust and showing them that humans aren’t so bad. This puppy would thrive in a home with a touch of extra sweetness, affection and enough patience to continue to work on socializing his little soul. He is about three months old.
Otis
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ACUPUNCTURE Rob Brezsny
Week of November 14th
ARIES (March 21-April 19): Interior designer Dorothy Draper said she wished there were a single word that meant “exciting, frightfully important, irreplaceable, deeply satisfying, basic, and thrilling, all at once.” I wonder if such a word exists in the Chamicuro language spoken by a few Peruvians or the Sarsi tongue spoken by the Tsuu T’ina tribe in Alberta, Canada. In any case, I’m pleased to report that for the next few weeks, many of you Aries people will embody and express that rich blend of qualities. I have coined a new word to capture it: tremblissimo.
neutralize its obsessive and debilitating effects on you. That could empower you to make a good decision about the relationship you’ll have with it in the future.
LIBRA (Sept. 23-Oct. 22): “I had to learn very early not to limit myself due to others’ limited imaginations,” testifies Libran astronaut Mae Jemison. She adds, “I have learned these days never to limit anyone else due to my own limited imagination.” Are those projects on your radar, Libra? I hope so. You now have extra power to resist being shrunk or hobbled by others’ images of you. You also have TAURUS (April 20-May 20): According to my astrologi- extra power to help your friends and loved ones grow and cal intuition, you’re entering a phase when you will thrive as you expand your images of them. derive special benefit from these five observations by SCORPIO (Oct. 23-Nov. 21): The U.S. is the world’s top poet and filmmaker Jean Cocteau. 1. “There are truths exporter of food. In second place is the Netherlands, that you can only say after having won the right to say which has 0.4 percent as much land as the U.S. How do them.” 2. “True realism consists in revealing the surprisDutch farmers accomplish this miraculous feat? In part ing things that habit keeps covered and prevents us from because of their massive greenhouses, which occupy vast seeing.” 3. “What the public criticizes in you, cultivate. It areas of non-urbanized space. Another key factor is their is you.” 4. “You should always talk well about yourself! unprecedented productivity, which dovetails with a comThe word spreads around, and in the end, no one mitment to maximum sustainability. For instance, they remembers where it started.” 5. “We shelter an angel produce 20 tons of potatoes per acre, compared with the within us. We must be the guardians of that angel.” global average of nine. And they do it using less water and GEMINI (May 21-June 20): Adolescence used to be pesticides. In my long-term outlook for you Scorpios, I see defined as a phase that lasted from ages 13 to 19. But you as having a metaphorical similarity to Dutch farmers. scientists writing in the journal The Lancet say that in During the next 12 months, you have the potential to make modern culture, the current span is from ages 10 to 24. huge impacts with your focused and efficient efforts. Puberty comes earlier now, in part because of shifts in SAGITTARIUS (Nov. 22-Dec. 21): “The world is like a eating habits and exposure to endocrine-disrupting dropped pie most of the time,” writes author Elizabeth chemicals. At the same time, people hold onto their Gilbert. “Don’t kill yourself trying to put it back together. youth longer because they wait a while before diving Just grab a fork and eat some of it off the floor. Then carry into events associated with the initiation into adulton.” From what I can tell about the state of your life, hood, like getting married, finishing education, and Sagittarius, the metaphorical pie has indeed fallen onto having children. Even if you’re well past 24, Gemini, I the metaphorical floor. But it hasn’t been there so long suggest you revisit and reignite your juvenile stage in that it has spoiled. And the floor is fairly clean, so the pie the coming weeks. You need to reconnect with your won’t make you sick if you eat it. My advice is to sit down wild innocence. You’ll benefit from immersing yourself on the floor and eat as much as you want. Then carry on. in memories of coming of age. Be 17 or 18 again, but CAPRICORN (Dec. 22-Jan. 19): Novelist Anita Desai this time armed with all you have learned since. writes, “Isn’t it strange how life won’t flow, like a river, CANCER (June 21-July 22): Cancerian baseball pitcher but moves in jumps, as if it were held back by locks that Satchel Paige had a colorful career characterized by creare opened now and then to let it jump forward in a kind ative showmanship. On some occasions, he commandof flood?” I bring this to your attention, Capricorn, ed his infielders to sit down and loll on the grass behind because I suspect that the locks she refers to will soon him, whereupon he struck out three batters in a row— open for you. Events may not exactly flow like a flood, ensuring no balls were hit to the spots vacated by his but I’m guessing they will at least surge and billow and teammates. Paige’s success came in part because of his gush. That could turn out to be nerve-racking and strenwide variety of tricky pitches, described by author Buck uous, or else fun and interesting. Which way it goes will O’Neil as “the bat-dodger, the two-hump blooper, the depend on your receptivity to transformation. four-day creeper, the dipsy-do, the Little Tom, the Long Tom, the bee ball, the wobbly ball, the hurry-up ball and AQUARIUS (Jan. 20-Feb. 18): “Miracles come to those who risk defeat in seeking them,” writes author Mark the nothin’ ball.” I bring this to your attention, Cancerian, because now is an excellent time for you to Helprin. “They come to those who have exhausted themselves completely in a struggle to accomplish the amp up your charisma and use all your tricky pitches. impossible.” Those descriptions could fit you well in the LEO (July 23-Aug. 22): “Everyone tells a story about coming weeks, but with one caveat. You’ll have no need themselves inside their own head,” writes fantasy author to take on the melodramatic, almost desperate mood Patrick Rothfuss. “Always. All the time. We build ourHelprin seems to imply is essential. Just the opposite, in selves out of that story.” So what’s your story, Leo? The fact. Yes, risk defeat and be willing to exhaust yourself in imminent future will be an excellent time to get clear the struggle to accomplish the impossible; but do so in a about the dramatic narrative you weave. Be especially spirit of exuberance, motivated by the urge to play. alert for demoralizing elements in your tale that may not in fact be true, and that therefore you should purge. I PISCES (Feb. 19-March 20): “Never invoke the gods think you’ll be able to draw on extra willpower and creunless you really want them to appear,” warned author G. ative flair if you make an effort to reframe the story you K. Chesterton. “It annoys them very much.” My teachers tell yourself so that it’s more accurate and uplifting. have offered me related advice. Don’t ask the gods to intervene, they say, until you have done all you can VIRGO (Aug. 23-Sept. 22): In describing a man she fell in through your own efforts. Furthermore, don’t ask the gods love with, author Elizabeth Gilbert wrote that he was both for help unless you are prepared to accept their help if it’s “catnip and kryptonite to me.” If you’ve spent time around different from what you thought it should be. I bring these cats, you understand that catnip can be irresistible to considerations to your attention, Pisces, because you curthem. As for kryptonite: it’s the one substance that weakrently meet all these requirements. So I say go right ens the fictional superhero Superman. Is there anything in ahead and seek the gods’ input and assistance. your life that resembles Gilbert’s paramour? A place or situation or activity or person that’s both catnip and kryp- Homework: What do you want to be when you grow tonite? I suspect you now have more ability than usual to up? Testify at Freewillastrology.com.
Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone © CO P Y R I G H T 2 0 1 8 R O B B R E Z S N Y at 1-877-873-4888 or 1-900-950-7700. 46
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Ayurveda looks into bringing balance to the body so that no disease can take over. Astrology gives us your DNA and can easily Diagnose the disease or imbalance. Together the 2 ancient arts can help treat all ailments including CANCER, DIABETES Etc. Power readings 20min for $15. Please call 505 819 7220 for your appointments. 103 Saint Francis Dr, SF, NM
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Thanksgiving Special. $37 plus some non-perishable food for the Homeless Shelters in exchange for an Initial Spinal Exam plus adjustment. Call Dr. Wendy Feldman, Network Spinal Care, to make your appointment. 505-310-5810. Offer expires 11/29/18.
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Valuable information that’s not usually available. Intuitive and grounded. Hal has 30 years experience. skyhorse23@hotmail.com 505-310-5276
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LEGALS Jose Angel Strawn will LEGAL NOTICE TO Petitioner apply to the Honorable DAVID CREDITORS/NAME K. THOMSON, District Judge of CHANGE the First Judicial District at the Santa Fe Judicial Complex, 225 STATE OF NEW MEXICO Montezuma Ave., in Santa Fe, COUNTY OF SANTA FE New Mexico, at 9:00 a.m. on FIRST JUDICIAL DISTRICT the 26th day of November, 2018 COURTIN THE MATTER OF for an ORDER FOR CHANGE OF A PETITION FOR CHANGE NAME from Jose Angel Strawn OF NAME OF ARTHUR to Jose Angel Barraza. HERNANDEZ JR. STEPHEN T. PACHECO, Case No.: D101CV2018-02828 District Court Clerk NOTICE OF CHANGE OF By: Jorge Montes NAME TAKE NOTICE that in Deputy Court Clerk accordance with the provisions Submitted by: Jose Strawn or Sec. 40-8-1 through Sec. Petitioner, Pro Se 40-8-3 NMSA 1978, et seq. the Petitioner Arthur Hernandez Jr. FIRST JUDICIAL DISTRICT will apply to the Honorable David COURT K. Thomson, District Judge of STATE OF NEW MEXICO the First Judicial District at the COUNTY OF SANTA FE Santa Fe Judicial Complex, 225 IN THE MATTER OF A Montezuma Ave., in Santa Fe, PETITION FOR CHANGE OF New Mexico at 9:00 am on the NAME OF Karen Lee Capozzi 26th day of November, 2018 for Case No.: D-101-CV-2018-03091 an ORDER FOR CHANGE OF NOTICE OF CHANGE OF NAME from Arthur Hernandez Jr. to Charles Arthur Hernandez. NAME TAKE NOTICE that in accordance with the provisions STEPHEN T. PACHECO, District of Sec. 40-8-1 through Sec. Court Clerk 40-8-3 NMSA 1978, et seq. the By: Jorge MontesSubmitted by: Petitioner Karen Lee Capozzi will Charles A. Hernandez apply to the Honorable DAVID Petitioner, Pro Se K. THOMSON, District Judge of FIRST JUDICIAL DISTRICT the First Judicial District at the COURT Santa Fe Judicial Complex, 225 STATE OF NEW MEXICO Montezuma Ave., in Santa Fe, COUNTY OF SANTA FE New Mexico, at 10:00 a.m. on Case No.: D-101-CV-2018-03001 the 26th day of November, 2018 IN THE MATTER OF A for an ORDER FOR CHANGE OF PETITION FOR CHANGE NAME from Karen Lee Capozzi OF NAME OF MARIA to Karen Lee. ESQUIPULA ANDREA DURAN STEPHEN T. PACHECO, NOTICE OF CHANGE OF District Court Clerk NAME TAKE NOTICE that By: Jorge Montes in accordance with the proviDeputy Court Clerk sions of Sec. 40-8-1 through Submitted by: Karen Lee Capozzi Sec. 40-8-3 NMSA 1978, et seq. Petitioner, Pro Se the Petitioner Maria Esquipula Andrea Duran will apply to the STATE OF NEW MEXICO Honorable Gregory S. Shaffer, COUNTY OF SANTA FE District Judge of the First Judicial FIRST JUDICIAL DISTRICT COURT District at the Santa Fe Judicial IN THE MATTER OF A Complex in Santa Fe, New Mexico, at 11:00 a.m. on the 26th PETITION FOR CHANGE OF NAME OF Agnes Deanna day of November, 2018 for an ORDER FOR CHANGE OF NAME Medina Case No.: D-101-CV-2018-03125 from Maria Esquipula Andrea NOTICE OF CHANGE OF Duran to Pulita Benavidez. NAME TAKE NOTICE that in STEPHEN T. PACHECO, District accordance with the provisions Court Clerk Submitted by: SOMMER, UDALL, HARDWICK of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the & JONES, P.A. Petitioner Agnes Deanna Medina By: Kurt A. Sommer will apply to the Honorable PO Box 1984 Santa Fe, NM DAVID K. THOMSON, District 87504-1984 Judge of the First Judicial District (505) 982-4676 at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa STATE OF NEW MEXICO Fe, New Mexico, at 10:00 a.m. on COUNTY OF SANTA FE the 26th day of November, 2018 FIRST JUDICIAL DISTRICT for an ORDER FOR CHANGE COURT IN THE MATTER OF A PETITION FOR CHANGE OF OF NAME from Agnes Deanna NAME OF Jose Angel Strawn Medina to Diane Medina. Case No.: D-101-CV-2018-02860 STEPHEN T. PACHECO, District Court Clerk NOTICE OF CHANGE OF By: Gloria Landin NAME TAKE NOTICE that in Deputy Court Clerk accordance with the provisions Submitted by: Agnes Deanna of Sec. 40-8-1 through Sec. Medina 40-8-3 NMSA 1978, et seq. the Petitioner, Pro Se
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SERVICE DIRECTORY STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT Case No.: D-101-CV-2018-02998 IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF SCARLETT JOYCE WIDGEON NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et seq. the Petitioner Scarlett Joyce Widgeon will apply to the Honorable Francis J. Mathew, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico, at 1:15 p.m. on the 21st day of December, 2018 for an ORDER FOR CHANGE OF NAME from Scarlett Joyce Widgeon to Scarlett Widgeon Paisner. Stephen T. Pacheco, District Court Clerk By: Jorge Montes Deputy Clerk Respectfully submitted, HINKLE SHANOR LLP by: S. Barry Paisner 218 Montezuma Santa Fe, New Mexico 87501 505-982-4554 Attorneys for Petitioner
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