July 20, 2016 Santa Fe Reporter

Groundswell

ENVIRONMENTALISTS SEEK OUT NEW ROCKS TO SLING AT OIL AND GAS GIANTS WHILE PUSHING FOR MORE PUBLIC LAND PROTECTION AND LOCAL CONTROL

BY ELIZABETH MILLER,

P.12

22

SEPTEMBER 30-OCTOBER 6

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SFREPORTER.COM

ANSON STEVENS-BOLLEN

JULY 20-26, 2016 | Volume 43, Issue 29 Opinion 5 News 7 DAYS, METROGLYPHS AND THIS MODERN WORLD 6 BRIEFS 7

Mexican wolves in danger from rider; Records battle is on HAPPIER TRAILS 9

Did O’Keeffe stall transit department’s Sheridan plans?

INTERVENTION 11

Crisis response team heads off mental health cases Cover Story 12 GROUNDSWELL

This is My Century.

David Valdez VP, Commercial Lending

Activists seek to give control to local communities and end mineral rights lease auctions on public lands

12

KEN HOWARD

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SFR Picks 19 Walk the line to take in Cash’d Out at the Railyard The Calendar 21 Music 23

From a line of credit for working capital to equipment loans, Century Bank makes things possible for your business and your community.

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FLAREUP

Santa Fe Albuquerque Rio Rancho Española Las Cruces

Joie Flare releases her new EP at Ghost Opera 25 DEATH-MARK’D LOVE ON OPERA HILL

Pérez is a joyful nightingale in SFO’s Roméo and Juliette Savage Love 26 Healing erotic love problems means everything Food 31

25

THE BITTER TRUTH

Campari: Love it to the bitter end Movies 33

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GHOSTBUSTERS REVIEW: WHO YOU GONNA CALL?

This reboot nails it, and the slime is viscous

Cover design

by Anson Stevens-Bollen artdirector@sfreporter.com

www.SFReporter.com Publisher JEFF NORRIS Editor/Assoc. Publisher JULIE ANN GRIMM Culture Editor ALEX DE VORE

Phone: (505) 988-5541 Fax: (505) 988-5348 Classifieds: (505) 983-1212 Office: 132 E MARCY ST.

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Art Director ANSON STEVENS-BOLLEN

Major Account Executive JAYDE SWARTS Account Executives KOAH ARELLANES ASHLEY ROMERO HANNAH BOWMAN

Staff Writers STEVEN HSIEH ELIZABETH MILLER

Copy Editor JOSEPH J FATTON Editorial Interns MARIA EGOLF-ROMERO ANDREW KOSS Digital Services Manager BRIANNA KIRKLAND

Contributors GWYNETH DOLAND JOHN STEGE

Print Production Manager SUZANNE SENTYRZ KLAPMEIER

Circulation Manager ANDY BRAMBLE Office Manager JOEL LeCUYER SFR Around Town Events LISA EVANS

Advertising Manager ANNA MAGGIORE Though the Santa Fe Reporter is free, please take just one copy. Anyone removing papers in bulk from our distribution points will be prosecuted to the full extent of the law. Santa Fe Reporter, ISSN #0744-477X, is published every Wednesday, 52 weeks each year. Digital editions are free at SFReporter.com. Contents © 2016 Santa Fe Reporter all rights reserved.

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JULY 20-26, 2016

3

TSFO FP Reporter 2016 GOGW, DG, RJ_Layout 1 7/14/16 12:23 PM Page 1

The Girl of the Golden West I

Ken Howard photo

Ken Howard photo

T H E S A N TA F E O P E R A P R E S E N T S

Don Giovanni I

PUCCINI

“…a BEAUTIFUL and INTRIGUING score…”

— Santa Fe New Mexican

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“Daniel Okulitch is a SPLENDID Don Giovanni, HANDSOME of visage and voice, at once cocky and suave, SEDUCTIVE and dangerous.”

— Santa Fe New Mexican

The premiere of The Girl of the Golden West at The Metropolitan Opera in 1910 was a spectacular success in every way. Puccini, famed composer of Madame Butterfly and La Boheme, fell in love with the story of the California Gold Rush. He created an opera that inspired signature portrayals of saloon mistresses, triggering hundreds of “Spaghetti Western” films.

Mozart’s famous piece tells the story of “Don Juan” through a flawless combination of hilarity, fear, romance and tragedy — delivered with incredible voices and powerfully rich orchestral music. It is a visual feast, served with magnificent set design and sophisticated video projections.

Santa Fe Opera’s production features Patricia Racette as Minnie, the tough and tender saloon owner who knows just how to handle the boys.

Santa Fe New Mexican describes Don Giovanni as “…irresistible and unmissable!”

8:00 pm August 2, 8, 13, 17, 23, 27

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Shakespeare’s immortal tale of star-crossed lovers has inspired hundreds, if not thousands, of adaptions. Gounod’s lush music makes the heart leap and the rest of the world seem to disappear as he immerses us in the sound of youth and of overwhelming love. We invite you to reacquaint yourself with the world’s favorite pair of lovers. www.SantaFeOpera.org 505-986-5900 800-280-4654

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MAY 25-31, 2016

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SFREPORTER.COM

LETTERS TURNER MARK-JACOBS

Living and Dying with Confidence A Day-by-Day Guide

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Sunday, July 24th, 5:00-7:00pm

Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com.

Letters (no more than 200 words) should refer to specific articles in the Reporter.

Letters will be edited for space and clarity.

COVER, JULY 13: “EXCELSIOR!”

OTHER CARTOONISTS

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OPERA, JULY 13: “DELIVERING DA DON”

HUZZAH FOR STEGE Wow, [SFR]. Your opera writer is really good. Where did you get him?

STEVE FORRESTER PUBLISHER, DAILY ASTORIAN Editor’s note: John Stege has been writing about opera since Mozart was a pup, and he’s been in the SFR family since 1986.

Thanks, Alex, for including me alongside these creators. For those of you who remember the series I produce with Monica, I promise there’s more Raised By Squirrels in the works. New Mexico has such a amazing, vibrant and friendly comics scene—I encourage anyone interested in independent comics and making them to follow 7000 BC, which offers resources and advice for creators, as well as opportunities to just hang out with others making comics.

And beyond the great people mentioned in the article, check out the work of other locals making comics and supporting the community, including Jamie Chase, Christian Beranek, Skylar Patridge, Willow Tomeo and Enrique “SYKRYK” Martinez (I’m sure I’m leaving someone out).

So a journalist uncovered this alleged crime. I wonder what hasn’t been uncovered. Boy oh boy, I sure would like to know. Legislators: some are just like mobsters. Well, the real good part is you can’t hide anything from the man upstairs!

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“GRIEGO FACES NEW CHARGES”

NEWS, JULY 1: “PRESS PROTECTION AFFIRMED”

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NEWS, JULY 13: “BUYER’S MARKET”

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SFR will correct factual errors online and in print. Please let us know if we make a mistake: editor@sfreporter.com or 988-7530.

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JULY 20-26, 2016

5

1 2 3

TRUMP TAPS INDIANA GOVERNOR MIKE PENCE FOR RUNNING MATE Score one for old white guys.

STARBUCKS AND McDONALD’S MOVE TO BLOCK PORN ON WI-FI But you can still watch the Republican National Convention.

NEW MEXICO’S DELEGATES ARE MOSTLY UNITED FOR TRUMP If we have to type that name one more time this week, we might turn orange.

$ REPUBLICAN CONVENTION IN CLEVELAND IS NUTS

4 5 6 7

Can we please just return to the news about Pokemon Go?

FACEBOOK MIGHT BUILD A STORAGE FACILITY IN UTAH In a lose-lose for New Mexico, they get the jobs and PNM makes money from the electricity.

STATE PRISON POPULATION CONTINUES TO RISE AS NATION’S FALLS Just doing our part to keep America great for the militarized police departments and the megacorrections industrial complex.

GUN VIOLENCE PREVENTION GROUP TO BUY BACK WEAPONS FOR SCULPTURE No background check needed to melt those suckers down.

Read it on SFReporter.com

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JULY 20-26, 2016

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SFREPORTER.COM

FOOD STAMP SCANDAL

SO HIGH

Staff writer Steven Hsieh looks into a funny little occurrence that finds state workers doctoring food stamp applications to meet timelines. What the eff is going on over there?

Find out online and get ready to be mad.

The SFR staff took on the Stoner’s Coloring Book and then spoke with its creator, Jared Hoffman.

We also tripped out on the stars, ate tons of gummi bears and realized that we are but travelers on an endless sea of existence.

$

Mexican Wolves Could Lose Protections

If a rider on an appropriations bill the US House passed on July 14 sticks, it’ll effectively remove the Mexican wolf from the Endangered Species list. Rep. Steve Pearce, a Republican from Las Cruces, proposed the amendment, which states that none of the funds allocated for the next fiscal year to the US Fish and Wildlife Service can be used to treat Mexican wolves as endangered or threatened and that no funds can be used to implement a recovery plan outside the historic range of the Mexican wolf.

In a press statement, Pearce referenced a recent report from the inspector general that substantiated management complaints from Catron County’s Board of Commissioners about the Mexican Gray Wolf Recovery Program, in the hands of a former

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coordinator of the Interagency Field Team. Their investigation found the Fish and Wildlife Service, which oversees the recovery program, had failed to effectively document some nuisance complaints, communicate with livestock owners and handle livestock depredations and compensation. The report also found the agency was aware of the concerns and had taken steps to address the problems.

“FWS has consistently proven its inability to manage the Mexican Wolf program in New Mexico. This is clear in the recent Inspector General report substantiating claims from Catron County that those at the top levels of the program at FWS tolerated a culture of lies, falsification, mismanagement, and manipulation of scientific data, ultimately at the cost of public trust and species recovery,” Pearce said in a press release; he declared it time to give management of the program back to the states.

Even as it has rebuffed the introduction of captive-born pups into New Mexico’s wild wolf population, the state Department of Game and Fish has expressed an interest in increasing Mexican wolf numbers to allow for hunting them again. (Elizabeth Miller)

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Private, but Public Two New Mexico newspapers and an advocacy group filed a public records lawsuit against Corizon Health on Tuesday, claiming that the prison health care contractor is performing a governmental function and should therefore be subject to the same transparency laws.

The Santa Fe New Mexican and Albuquerque Journal this summer asked Corizon to hand over settlement documents related to the medical care of prisoners in state correctional facilities.

Corizon instead produced a table listing names of facilities and settlement amounts, and officials asked for a twoweek extension to produce the actual documents with the names of prisoners.

The company later reversed its position, claiming it signed confidentiality agreements with the prisoners and therefore did not have any obligation to produce the records.

Not so, says Daniel Yohalem, one of the attorneys representing the three parties. He points to case law that says

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public disclosure should take precedence over voluntary confidentiality agreements. (Yohalem is also representing SFR in a separate public records lawsuit against the governor’s office.)

“We believe it’s important that the same standards of public accountability should apply when government outsources essential functions to private contractors,” writes Albuquerque Journal editor Kent Walz in an email to SFR. Corizon, which at one point provided medical services at 10 state facilities, was the subject of a Santa Fe New Mexican investigation revealing that since it took over prison care in 2007, scores of prisoners sued the contractor for medical neglect. The state announced in May that it would drop the company’s contract. (Steven Hsieh)

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JULY 20-26, 2016

7

Best of Santa Fe Party at the Railyard

Friday, July 29, 5-9 pm — FREE —

The Jayhawks

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headlining at 7:30 PM on the main stage courtesy of AMP Concerts

Food Trucks, Outdoor Beer Garden, Winning Vendors, Giveaways and More!

SFR urges block party attendees to use the Railyard’s covered parking garage during the event.

Best of Santa Fe Issue hits the streets

July 27

8

MAY 11-17, 2015

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SFREPORTER.COM

SFReporter.com

Happier Trails

ELIZABETH MILLER

NEWS

Transit center project moves on after conflict between the city and the Georgia O’Keeffe Museum

BY EL IZABE TH M I LLE R el i zab eth @ s fre p o r te r.co m

W

hen a small crowd assembled at the downtown library on June 23 to see the plans for sprucing up the nearby hub of the city bus system, which had been more than a decade in the making, attendees mostly had one question: Where were the seats and bus shelters?

“If you have no place to sit, it seems kind of ludicrous,” said Sonya-María Martinez, a community organizer with Chainbreaker Collective. “Out of respect to transit riders, you do need seating. … Otherwise, you’re wasting money.”

The Santa Fe Trails Sheridan Avenue stop hasn’t been anyone’s favorite route to anywhere. What’s referred to as the “transit center” is a generally overlooked access point to the Plaza—except on those occasions when it’s used to house the port-a-potties during Fiestas. But the city has crafted a vision to turn that street and its row of benches and awnings into an enjoyable corridor for pedestrians, as well as a pleasant stop for passengers on the 150 trips city buses make to that stop each weekday. Without shelter from the sun, rain, snow and wind, one meeting attendee asked, who would want to ride the bus, and what good is a transit system without riders?

City Project Manager Mary MacDonald didn’t want to make promises on when, but she assured attendees that the area would eventually include new shelters—when there was more money than the $2 million federal grant awarded to the project. And, she added, perhaps when councilors and the mayor felt a little political pressure from their constituents to make shelters a priority.

“So there will be seating there?” Martinez asked.

“Oh yes. In time,” MacDonald replied.

She just didn’t want to specify when, she said, given the various federal, state and local pots from which money could come.

As it turns out, that time is now.

“That was a little bit of misguidance. The budget was available,” David Pfeifer, city facilities division director, tells SFR. Bus shelters have returned to the plans, Pfeifer says, and will be part of the construction bids when those go out in September. And good thing, because the New Mexico Department of Transportation, which is administering the federal funds, selected the transit center based on the project described in the application, “which included transit shelters/ covered waiting areas and benches,” Matt Kennicott, director of communication for the department, wrote in an email to SFR. “This project, as is the case with any other project, must be implemented as it was proposed in the application.”

Designs for improvements to today’s “transit center” almost didn’t have benches or shelter.

It’s not that the city wanted to move forward with- versing the direction of traffic on Sheridan Avenue. out bus shelters; they simply were trying to appease The city had also committed to pay for archaeotheir neighbor, the Georgia O’Keeffe Museum. logical work for the museum building’s sewer line and Documents obtained through a public records re- to improve pedestrian access and roadways for the quest show the city tiptoeing around ongoing objec- planned facility. In an email from then-Transportations. While its prominent museum facility is a few tion Department Director Jon Bulthuis to City Manblocks away on Johnson Street, the O’Keeffe also ager Brian Snyder, briefing him for a meeting with owns a property that backs up to Sheridan.

Kret, Bulthuis notes of the archaeological promise, After more than a year of negotiations, emails show “This is big—not only saves their project money, but MacDonald advising a contractor, “The idea is a de- makes their project far more ‘shovel ready,’ once their sign that leaves Georgia O’Keeffe nothing to oppose.” financing and development approvals are in place.”

The city has been discussing the proposed transit

By August, the city’s approach was to leave out the center with the O’Keeffe Museum’s structures and coordinate them with director, Robert Kret, since at least O’Keeffe later. Then word came from late 2014, when meeting notes show the federal government that their budKret listing concerns with the projget for the fiscal year had been fully alThe idea is ect’s aesthetic conflicts with a polocated; the grant promised would have tential future O’Keeffe building. to wait for the next budget cycle. a design that The museum has not made a deThat brings us to 2016, with money cision on plans to expand, Kret told available, and the other half of the probleaves Georgia SFR via email, but his corresponlem still in limbo: the question of mudence with the city shows a fight for seum staff blessing the project. So far, O’Keeffe nothing changes to bus shelters that would Pfeifer says, there’s no word. be the first thing tourists and school “We gave them the opportunity to to oppose. groups making use of “a secondary change the design and go through the but prominent entry to the buildArts Commission and Historic Presing” would see, and mentions a tenervation—do all the things they would tative opening five years down the have needed to do to get their design, whatever they road. wanted to do, completed,” Pfeifer says. “I don’t know As the months ticked on, then-transit director what they’re doing, but they didn’t do anything with Kenneth Smithson wrote to Pfeifer, “As we feared, the bus shelters like we basically gave them the opporwe’ve now lost three months on this project, since tunity to do.” there is no timeline—and no sense of urgency—with SFR contacted the O’Keeffe Museum to get their the GOKM folks. It will be difficult to explain to the side of things, and Kret, available only by email feds that the project into which they’ve invested 80 through his assistant, said they did propose an alterpercent of the cost has stalled out.” native plan and didn’t know if the city used it or not.

The city made a number of promises to the museEven though construction bids are set to kick off um, including some that appear to have logistical and this fall, the archaeological component poses yet anfinancial implications. other potential holdup from a project that’s now estiAs of April 2015, officials had agreed to relocate the mated to be completed by summer 2017. bus shelters as far north as possible, move the stop for “That was the bottom of Fort Marcy, so we find evregional buses to the south end of the street (pending erything,” Pfeifer says. “That area is so full of history, approval from the Museum of New Mexico, whose it’s almost insane. Full wars were fought right in that fine art museum occupies that corner), and redesign area, so the likelihood of finding things is very high, it’s or replace bus shelters “through O’Keeffe Museum just what we find. Hopefully it’s minor stuff and not the project approval process.” There was even talk of re- major stuff that really kind of backs things up.”

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JULY 20-26, 2016

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SFREPORTER.COM

Intervention Mobile crisis response team looks to new ways of connecting mentally ill patients with treatment options

ANSON STEVENS-BOLLEN

NEWS

BY STEVE N H SI E H steven@ s fre p o r te r.co m

L

STEVEN HSIEH

aurel Carraher carries two cellphones: one for personal calls and one for mental health crises. When the latter device rang on Friday afternoon, she picked it up, jotted down an address and rushed out of her office.

Within minutes, the licensed clinical therapist pulled her Honda up to the urgent care center across from Christus St. Vincent Hospital, where a man was threatening to kill himself. The man, six months off “Before the mobile crisis response team came, reheroin, had depleted his anxiety medication, and a ally our only resource was taking people with mental doctor would not prescribe more. illness to the hospital,” says city police Captain Mark Carraher sat the man down and devised a safety Lewandowski. plan. He promised not “to hurt myself in any way.”

Resolution of a crisis is the end goal for first reAnother doctor prescribed him enough Klonopin to sponders. For therapists on the scene, it’s just the get him through the weekend. beginning. The mobile crisis response team claims Fires, strokes and robberies all beckon first re- success when it’s connected someone to all the outsponders with distinct skill sets. But who do we call patient services they need, says Mark Boschelli, clinwhen the emergency is about mental health? ical director of Presbyterian Medical Services’ ComOne year ago, Santa Fe County partnered with munity Guidance Center.

Presbyterian Medical Services to launch a mobile “The follow-up is not as glamorous as the crisis crisis response team. Funded through a $350,000 intervention,” Boschelli says. “However, it is more annual contract, the program opened up a 24/7 line effective. The crisis is a call for help. And like an icethat dispatches therapists and berg, there is a lot more becaseworkers to people in crisis, low the surface.” whether they’ve become a danCarraher says this second ger to themselves (or others) or step is far more challenging their mental state has deteriothan initially responding rated to a point that significantly to a crisis situation. When affects their daily living. she’s not in the field, CarAbout 2,500 adults in the raher is paging through a county have a serious mental growing list of cases, deillness, according to the most retermining what services cent community health profile. people need and making The Santa Fe Behavioral Health the appropriate inquiries.

Alliance estimates 400 of those She responded to a call at people have contact with the a senior housing facility, criminal justice system, whethwhere she discovered that er through jail, probation or prea woman living there didn’t trial release programs. have any food or shampoo.

In the program’s first 11 When she couldn’t find the months, therapists report that right provider to help the Laurel Carraher is the sole full-time therapist they have answered 266 rewoman buy groceries, Caron the mobile crisis response team. quests for on-scene assistance. raher did it herself. “We’re About 75 percent of calls come still working on that case,” from first responders, including police, sheriff’s dep- she says, adding that the response team has picked uties and paramedics. Schools, residential facilities up on an entire community of elders with mental and, increasingly, families of those with mental ill- health needs but no avenue to service. ness, have also utilized the service.

“We find people of means in beautiful Santa Fe Having a therapist ready to go helps put first re- homes, but they are at risk of setting their homes on sponders at ease, according to those who spoke with fire,” Carraher says.

SFR about using the mobile crisis response team. “As It’s a lot of work for one person, so much that a paramedic, you’re trained to handle trauma and “we’re very quickly going to be buried in all this folacute medical problems,” says Ramos Tsosie, who low-up.” Carraher is the sole psychotherapist workhas worked for both the city and county fire depart- ing full-time on the team. Presbyterian is in the proments. “But we have a fewer tools in our toolbox to cess of hiring another. For crises that occur during handle psychiatric problems and mental illness.” nights and weekends, 39 clinical staff members take

turns carrying on-call phones.

First responders seem to understand the limits of the new resource available to them. “Until we have a system where we have a bunch of Laurels readily available, or a system in which someone like Laurel can be directly dispatched, it’s not practical to apply that resource to every psychiatric call we get,” says Tsosie, who currently works for a city fire department program that aims to pull frequent 911-callers out of destructive cycles .

Presbyterian’s contract is good for another three years before it is up for renewal. For the time being, the team will continue to aim for 20 to 25 call-outs a month, though Boschelli says there are talks with the county to develop a center that would be able to service more patients.

Looking toward the more immediate future, Boschelli says Presbyterian wants to divert people experiencing mental health crises, except in certain lifethreatening scenarios, from the emergency room to the community guidance center on Rodeo Park West. The team has also started reaching out directly to patients’ families through the National Alliance on Mental Illness, offering the crisis dispatch line as an alternative to 911.

Presbyterian’s Santa Fe County crisis team is one of two in New Mexico. La Clinica de Familia runs the other one in Doña Ana County. In March, Presbyterian made a presentation to Bernalillo County officials, who are interested in setting up a crisis response team there. In 2014, the police shooting death of a schizophrenic homeless man in Albuquerque led to protests and scrutiny of the department’s approach to mental illness.

Carraher started practicing psychotherapy almost three decades ago. Before Presbyterian, she worked at a maximum-security prison, a halfway house for women and her own private practice. She likes her new job because she doesn’t have to sit around in an office all day. It’s also exposed her to a side of therapy she hadn’t before encountered on a day-to-day basis. “When you meet people in crisis, they’re open, they’re raw, they’re ready for change in a way that doesn’t happen in other situations,” she says. “It’s important to for us to bear witness, to just listen, to help a person feel, to be seen or heard.”

Reach the crisis response team at 820-6333

SFREPORTER.COM

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JULY 20-26, 2016

11

Groundswell

ENVIRONMENTALISTS SEEK OUT NEW ROCKS TO SLING AT OIL AND GAS GIANTS WHILE PUSHING FOR MORE PUBLIC LAND PROTECTION AND LOCAL CONTROL

W

BY E LI Z A B E T H M I L L E R e l i za b e t h @s f repo r ter.co m

hen Kendra Pinto stepped outside her grandmother’s northwestern New Mexico house on a July night to look for signs of a fire a friend texted her about, an orange glow lit the night sky. From a distance of miles, she could hear pops she now surmises were explosions overtaking storage tanks for oil wells recently drilled by WPX Energy.

“We didn’t really know what to do because nothing like this has ever happened, and there’s no protocol,” Pinto says.

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They relocated family members, including her sister’s infant and her wheelchair-bound grandmother, farther from the fire, but concern for neighbors compelled Pinto, her father and her sister to drive back within half a mile of it. In photographs and video she shot, massive black pillars of smoke spiral away from the flame-lit tanks. What they don’t show, she says, was just how big the fire became, how it roared and how smoke blocked the moon.

A parade of fire trucks and oil trucks circled the flames that, ultimately, WPX decided were too hot and potentially hazardous to fight. More than 55 families would be instructed to leave their homes for the Nageezi Chapter House, though no one knew to expect them there, and the gates to the chapter house

stayed locked for hours while evacuees waited in their cars.

“There’s no evacuation plan, and we talk about how the oil and gas industries out here don’t try to communicate with the chapter houses,” Pinto says.

“The main thing is just chaos. There’s no plan out here for things like this.”

Pinto grew up around oil and gas development but just a year ago the increasing presence of wells, drilling rigs and oil trucks led her to join WildEarth Guardians and their campaign to stop the extraction of fossil fuels.

“I’m sure there was an ‘Aha!’ moment, but it’s just sort of wanting to save the land, wanting to be able to keep the landscape as it was. It’s changed so much within the past three years,” she says. “It’s crazy to think that none of that was there 10 years ago. We didn’t have to worry about safety or explosions. Now, after Monday, that’s all gone.”

Sentiments in the community have split over development. Something that brings jobs and money can be tough to hate. After the July 11 fire, which was allowed to burn for days, Pinto says she thinks more people will at least want to talk about what’s happening, and maybe more people elsewhere will pay attention.

“We’re such a small, isolated community that no one really hears our voice,” Pinto says. “So I’m glad that people are noticing, because this is a big issue for our community.”

There’s a “Can you hear me now?” core to the latest objections to ongoing fossil fuel extraction and burning. Even as they call for more transparency, more communication and better planning, environmentalists often feel stonewalled by a federal government that sometimes doesn’t seem to account for their protests to ongoing leases and doesn’t seem to want to make space for them to watch that process through to its conclusion.

Longtime participants in the government’s mapped-out program, which calls for written protests, have jumped those tracks and started showing up at one of the few occasions where the action moves from on-paper to in person: oil and gas lease auctions. The federal government has responded to increasing interest in this typically players-only event by limiting access and making plans to put the whole process online. Interested parties are welcome to monitor proceedings as updates are posted on the US Bureau of Land Management’s website. Never mind that many of them live in rural communities without high-speed internet access.

BIDDING BATTLES Each quarter, as required by Congress, the BLM holds mineral lease auctions. Parcels of land are nominated, often by energy companies interested in the mineral resources they sit atop, and companies bid for rights to explore them. Oil and gas leases start at $2 per acre, but prices can go much higher. An October 2015 lease sale saw a parcel in New Mexico go for $14,200 per acre.

In April, roughly 200 protesters arrived to watch an auction at the Courtyard Marriott on Cerrillos Road. They were invited to view the proceedings via live stream from an adjacent conference room, and only registered bidders were permitted to enter the auction room. Of 14 bidders, the BLM reported,

Groundswell

KENDRA PINTO

seven of them were successful in pur- been released to auction. Despite that chasing a parcel. As Donna Hummel, conclusion, DeChristopher was concommunications chief for the New victed of false representation and vioMexico office of the BLM, explains, lating the Federal Onshore Oil and Gas some of the other seven were “nontra- Leasing Reform Act, and sentenced to ditional bidders—people who wanted two years in prison. While he toured to be in the room and see the process, the country between his conviction and filled out the paperwork that is re- and his sentencing, DeChristopher quired to be a bidder. That was how we told a supporter in Santa Fe, “We don’t allowed people into the room, whether need to figure out how to keep me out they were representing oil and gas tra- of jail. We need to figure out how to get ditional bidders or they were there to more people into jail.”

In February, environmental writer learn more.”

The auction is not the time for a Terry Tempest Williams and her husconversation about this practice, an band, Brooke Williams, spent $2,500 argument about fracking or any other for rights to 1,120 acres of land near form of public feedback, Hummel told their Utah home. She witnessed parSFR in the wake of the April auction. cel after parcel sold at auction while It’s a time for doing business. There protesters, cordoned to a separate are multiple options for public input, area, sang until they drowned out the and auctions, she insisted, aren’t one auctioneer, she wrote in The New York of them.

Times. Later, the couple purchased Environmental watchdogs see their parcels at the BLM office for a them as another opportunity to be discounted price of $1.50 per acre. heard and to keep an eye on what’s “The land sits adjacent to a prohappening. posed wilderness area. When we vis“These are not oil and gas lands. ited, we were struck by its hard-edge They’re not lands that belong to a par- beauty and castle-like topography,” ticular industry,” says Lynne Fischer, she wrote in the Times. “We’re not sugwho attended the April auction and gesting that everyone who feels as we plans to continue that practice. “These do about the exploitation of our public are public lands, and I’m a part of the lands should do what we did. We aren’t public, so I think it’s important that going to be able to buy our way out of we should be there. … Because they’re this problem. Our purchase was more public lands, it just seems terribly or less spontaneous, done with a coywrong to try to remove the public and ote’s grin, to shine a light on the aucto curtail that dialogue.” tioning away of America’s public lands The auctions provide a rare op- to extract the very fossil fuels that are portunity for oil and gas employees to warming our planet and pushing us tosee activists, Fischer adds, and for protesters to gather. Other options for weighing in, like writing letters to the BLM and calling congressional representatives, are done at home, alone.

Some activists, frustrated with the inability to protect public lands they love, have gone so far as to bid on the leases themselves. Misrepresenting yourself to the federal government as an energy company carries penalties of up to five years in prison and a fine of up to $500,000.

In 2008, Tim DeChristopher raised his paddle at a Utah auction to drive up prices on some parcels, and he eventually won nearly $1.8 million in leases for 22,000 acres in the red desert near Canyonlands National Park. The Obama administration later ruled that Smoke from what became a dayslong fire at six new the BLM had cut corners to oil wells in northwestern New Mexico blocked the put the parcels up for sale, and moon and caused 55 families to leave their homes. the leases should never have

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Protesters lined Cerrillos Road during a BLM auction in April.

ward climate disaster.”

To comply with the law, they established Tempest Exploration Co., LLC, and plan to pay the annual rent for the 10-year lease. The energy they hope the land produces is that of support for the call to keep fossil fuels in the ground.

The invitation to watch the April auction in Santa Fe from a separate room was couched by activists as an attempt to stifle the public’s voice, and fewer than a dozen visited the viewing room. When this quarter’s auction rolled around, scheduled for July 20 at the same Santa Fe hotel, some protesters were prepared to register as bidders so they could watch the auction in person.

“We’re not trying to get ourselves arrested, but we have supporters who just want to do something,” says Eleanor Bravo, with Food and Water Watch.

Then the BLM made a late-inthe-game choice to move the July 20 auction for nearly 14,000 acres in the Carlsbad area from Santa Fe to Roswell, closer to the parcels for sale.

Bravo labels the move a “dirty trick,” arguing that it violated the agency’s 45-day rule for posting information on auctions. She says when she called them to say as much, the agency told her it’s only the parcels that require 45-day notice; the venue is exempt.

“It’s a thinly veiled attempt to keep the public out,” she tells SFR. Environmental groups responded

with a plan to station protesters at both the Roswell auction and the BLM office in Santa Fe. “We will not be deterred,” Bravo says. “We’re not going away.”

A day after that conversation, she got in touch again with news. The BLM had phoned to say they decided to postpone the auction until Sept. 1, still in Roswell. Bravo called it a victory.

“We now can have some effect on what they’re doing,” she says. “Formerly, they wouldn’t listen at all. Now they are beginning to bow to public opinion. … We want the public to have a say over what happens to public lands, so we feel like this is a big step in the right direction.”

By WildEarth Guardians’ count, the change marks the sixth time an auction has been canceled or postponed since the “Keep it in the Ground” campaign spurred protesters to increase their attendance and continue their objections to this practice.

The broader stroke sees the Obama administration moving these auctions further from public view. Activists characterize this as rightful embarrassment over an ongoing leasing program that flies in the face of a stated policy to address climate change; the two cannot coexist when one cancels out any progress made through the other.

The House Committee on Natural Resources passed a bill earlier this month that would require all offshore lease sales to be held online, and BLM’s

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Eastern States office has already issued notice that their September auction will be held online and open solely to registered bidders. That registration requires confirming that bids “represent a good-faith intention to acquire an oil and gas lease” and a legally binding commitment to pay money for it, the BLM’s notice reads. Knowingly and willfully misrepresenting your qualifications or intentions can result in a fine or imprisonment for up to five years—or both.

“Moving fossil fuel auctions online still doesn’t hide the dangerous disconnect between the administration’s climate rhetoric and its fossil fuel leasing,” Taylor McKinnon, with the Center for Biological Diversity, said in a press release about the proposal. “The clock is ticking on the climate crisis, and each new lease makes a bad problem worse. It’s time for the president to shut the federal carbon pollution spigot for good.”

COMING CLOSER Living in today’s world and objecting to oil and gas development necessitates becoming people of paradox, says William Clark, president of Rio Arriba Concerned Citizens. We all use oil and gas, he says; even his earthship, which harvests rainwater and runs on solar power, was built using money he made trucking crude oil. When 16 parcels near his Cebolla home went up for auction, he decided to embrace that paradox.

“It got me active, to have that right in my backyard, because some of the parcels were within half a mile of our

house,” he says. “And it’s been good action, because they’re not drilling in Cebolla.”

He has fought the eastward expansion of oil and gas leases that pushed into the Santa Fe National Forest, closer to wilderness areas around the Rio Chama gorge and to Santa Fe. Given his experience working in the industry—days that ended more than 30 years ago after a spill led to one of his co-workers receiving third degree burns over 80 percent of his body— Clark believed that to live near that kind of development was to consent to a slow poisoning. They would become, as he calls it, collateral mortalities.

“I’d just been around too many spills and too much contamination to think that wasn’t going to happen,” he says.

The spills wouldn’t be a problem for Cebolla alone, where the BLM’s geological study reported a low potential to produce oil and a high chance for leaks. The Rio Chama Watershed is a main tributary for the Rio Grande, with 90 percent of the watershed adjudicated to the City of Albuquerque, several Pueblos and the acequia system.

“We’re in a very remote, rural, wild area; it’s some of the wildest country really left in the south San Juans. … [and] the area that we manage provides a third of New Mexico’s drinking water. All the reservoirs down in New Mexico are getting fed from our landowners,” says Monique DiGiorgio, executive director of the Chama Peak Land Alliance, which represents the interests of landowners in the Chama

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River Basin. Of oil and gas, DiGiorgio says, “Not here.

This is not an appropriate place. It’s too risky.”

Calls for the BLM to administratively withdraw leases in Rio Arriba County have been met with the response that the agency isn’t ready to make a permanent decision on those parcels, but they have been indefinitely deferred.

Rio Arriba’s residents have slowed oil and gas development—past the 11,600 wells clustered on the western side—by arguing the science, Clark says. The geology is on their side, and a local ordinance also helps. Like Santa Fe County, Rio Arriba County benefits from a firm oil and gas development ordinance.

Rio Arriba’s halves the county, so that on the west, oil and gas can develop, and on the east, a “frontier” designation strives to preserve a wilder character. That would change, however, if the state legislature were to pass a bill like one proposed last year to give state law pre-emption on all matters related to oil and gas. The bill was proposed by Rep. Nate Gentry (RAlbuquerque), whose top five campaign contributors in both 2012 and 2014 include oil and gas companies.

BRUCE GORDON

Groundswell

A NATION LEFT OPEN The vast majority of public lands, including areas like eastern Rio Arriba County that have a relatively low potential for profitably producing mineral reserves, are left open to leasing for oil and gas development, according to a report from The Wilderness Society.

“A lot of problems flow from that because if you’re leaving 90 percent of minerals that you manage open to lease, it’s difficult to say we’re going to protect the surface for wildlife or recreation,” says Nada Culver, senior counsel and director of the BLM Action Center for The Wilderness Society and author of that report. That high availability and little acIn areas where hydraulic fracturing is heavy, like this part of Wyoming, a dense web of roads, pipelines and well pads turn tive management enable speculative leasing, as in, continuous forests and grasslands into fragmented islands. Community activism might be a way to curb the adverse impacts. securing rights to minerals there is only hope that market prices and technology may some day make profitable Friends of the Earth analyzed two,” says Cristobal Valencia, assistant professor in to extract. the reserves already leased the anthropology department at the University of “Then we get the agency on public lands and oceans New Mexico, who has studied these communities. saying, ‘Oh, well, now there’s a and found that those leases “Social justice would mean allowing them to Environmentalists lease, so we really can’t protect contain enough fossil fuel strike some sort of balance where they’re going to anything there,’” Culver says. that burning all of them will be able to stay in the region and thrive, rather than are not asking you to “So you’re in this crazy loop.” make that goal impossible. face further loss and dispossession through either a The fiscal benefit to the Crude oil reserves already ban in the name of the environment or the contamiturn off the lights.

We’re federal government of those under lease will produce nation of the land and water by opening the doors to leases is minimal, she adds, and through 2055, coal reserves unregulated oil and gas development,” Valencia says. demanding a ratcheting all they achieve is limiting recthrough 2041 and natural gas These residents often aren’t as concerned with reational users’ access to the through 2044. preserving pastoral landscapes as they are with credown of this program, land.

“The accusation that the ating options for younger generations to stay there The BLM is amending its which starts with ending environmentalists want to and make a living. Local control over where and how resource management plans, just switch overnight is pret- oil and gas activity occurs doesn’t equate to banning new leases. which it admits—at least in ty ludicrous. … Environmen- fracking, he says. It could mean asking that some revthe Four Corners area—fail to talists are not asking you to enue be directed back to the county, a certain numaccount for the scale and pace turn off the lights,” says Re- ber of locals be hired, or road repairs or safety meaof development seen since becca Sobel, with WildEarth sures be required. hydraulic fracturing became Guardians. “We’re demanding a ratcheting down of “The more we can understand about the decia widely adopted practice more than a decade ago. this program, which starts with ending new leases.” sion-making process that happens around natural Now could be the time, Culver says, to preserve more In the midst of this development are the com- resources, then what we are learning is something places for their recreational, wilderness or cultural munities where it unfolds, and in many cases, they, about how the future is made,” Valencia says. “The values. like Pinto, simply want more information and a little more we can get regulatory agencies and government Despite stating a policy of reducing climate more say in how development unfolds. institutions to see local residents as future-makers, change-causing emissions from the US by up to 28 “We know a lot about the industry, we know a lot to see them as experts, I think the more hopes we percent below 2005 levels by 2025, the Obama ad- about the high-profile environmental movement, have for some sort of a co-constructed future, rather ministration has continued issuing leases to extract and we know very little about the middle ground, the than one that’s dictated through a government planfossil fuels. The Center for Biological Diversity and frontline communities, and they’re in between the ning process.”

SFREPORTER.COM

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JULY 20-26, 2016

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This ! ay Frid

THIS !

AY SUND

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PUNK’S NOT DEAD (YET) Make fun all you want, but know that poppunk never went anywhere. And sure, some of it is embarrassing to look back upon and remember, but some is the stuff of dreams.

Take Toronto’s Rosedale, the one-man band of Mike Liorti, who tours relentlessly, records voraciously and puts on a seriously excellent show for just one guy. “I know not a lot of people go to shows these days, but I definitely make it something worth seeing,” Liorti tells us. “People are always surprised at the amount of effort I put into making a great live show.”

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MUSIC

Rosedale: 8 pm Wednesday, July 20. Free. Cowgirl, 349 S Guadalupe St., 982-2565

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BOOKS MUSIC

The Man Comes Around And I heard, as it were, the noise of thunder

the way they’re intended and in such a short time, and his songs are kind of like a picture [because] they’re each worth a thousand words.”

Benson and his cohorts have been at it for over a decade at this point and have won acclaim both as accomplished musicians and as one of the most true-to-the-material tribute acts of all time (in your face, Australian Pink Floyd!). And though Benson says his future dream is to arrange Smiths songs in a Johnny Cash style—which we’re pretty sure Johnny would be cool with, given his many excellent covers like “Hurt”—he’s focused on touring and keeping it as real as possible.

“One thing that I love about music is that it’s easy enough for a slouch like me to do it,” Benson says, “but it’s also endless.” Well said, sir. (Alex De Vore) CASH’D OUT 6 pm Saturday, July 23. Free.

Railyard Plaza, Market and Alcadesa streets

Why go to a poetry reading? Dana Levin tells SFR that poetry is “one of the few artforms left that is not beholden or shaped by market forces … which means people are really speaking their truth.” Levin’s new book, Banana Palace, due out Oct. 11, explores technology, hunger and the end of the world. From the dream-inspired musings of “Morning News,” in which a woman grows food from her skin, to the Facebook-obsessed culture of the collection’s title poem, humor grounds dystopian visions of the future. Levin joins fellow poets Christopher Johnson and Leah Umansky.

(Andrew Koss) Dana Levin: 5 pm Sunday, July 24. Free. Teatro Paraguas, 3205 Calle Marie, 424-1601

MUSIC MUSICAL SUNSHINE You know when you’re driving on a sunny day with your arm out of the window, basking?

Chicago’s Whitney (who recently ranked fourth on NPR’s list of the top 10 new bands) is the acoustic equivalent of that moment.

“It has to do with not using effects,” Julien Ehrlich, lead singer and drummer, tells SFR. “We detuned a lot of stuff to make it sound rounded and warmer.” The rock group plays at Meow Wolf on Tuesday, hot off their debut at the Pitchfork Festival in their hometown.

The smaller, artsy venue should be a surprise, since Ehrlich says, “Someone just told me about it, but what is it?” We told him, and he was stoked. (Maria Egolf-Romero)

RYAN LOWRY

Santa Fe is no stranger to the cover or tribute band. Hell, it’s one of our favorite things. But that doesn’t mean we’ve grown tired of musicians who devote their lives to the songs of others, and if anything, our local music fans have doubled-down on the prospect of covers by ravenously supporting the likes of Chango, Moby Dick and so forth.

Enter San Diego, California’s Cash’d Out, one of the most noteworthy and professionally executed tribute bands on earth; these dudes love the Man in Black like woah, and it shows in everything they do—this is as close to the real deal as you can get without someone dabbling in some serious Frankenstein shit.

“Johnny is just the best ever,” singer/guitarist Doug Benson exclaims with the tone of a true super-fan. “I just think he was such an amazing man, and he and Luther Perkins came up with that rockabilly sound, I think, without even really thinking about it or really realizing it. … It can be very hard to get all your feelings across in a song

GOOD LEVIN

Whitney: 8 pm Tuesday, July 26. $10. Meow Wolf, 1352 Rufina St., 780-4458

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Want to see your event here? Email all the relevant information to calendar@ sfreporter.com.

You can also enter your events yourself online at calendar.sfreporter.com (­submission doesn’t guarantee inclusion).

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Contact Maria: 395-2910

WED/20 ART OPENINGS SENIOR ART SHOW Campo Allegria Clubhouse 104 Camino del Campo, 988-2859 Presenting works by senior artists who live within the community. A one-evening event.

1:30 pm, free

BOOKS/LECTURES ANDREA KEYS CORNELL Santa Fe Clay 545 Camino de la Familia, 984-1122 The large-scale ceramicist and pottery professor talks magnitude and technique.

7 pm, free FRANK FERKO AND JAKE RUNESTAD Collected Works Bookstore 202 Galisteo St., 988-4226 The composers for Santa Fe Desert Chorale explore meshing text and music.

6 pm, free

DANCE ENTREFLAMENCO 2016 The Lodge at Santa Fe 750 N St. Francis Drive, 209-1302 World-renowned dancer Antonio Granjero presents a summer performance with featured artist Estefania Ramirez.

8 pm, $25-$50

EVENTS EVENING FAMERS MARKET Railyard Plaza Market and Alcadesa Streets, 414-8544 Purchase fruits and veggies from local farmers and sip a coffee or apple cider while enjoying the summer evening.

4 pm- 8 pm, free TAPS AND TABLETOPS Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 It's a happy hour and a tabletop game night. It happens at George RR Martin's theater.

It's basically everything you could ever want from a nerdly gathering.

6 pm, free

FILM THE AUTEURS: BAND OF OUTSIDERS Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 In the last film of the series, a vision of director JeanLuc Godard, two boys learn their crush has a bag of cash stashed in her Parisian home.

7:30 pm, $10

MUSIC ANOÑIMO El Farol 808 Canyon Road, 983-9912 A duo of guitar talent plays Latin-inspired tunes.

8:30 pm, free BOB FINNIE Vanessie 427 W Water St., 982-9966 Finnie rocks the piano keys like it’s nobody’s business.

7 pm, free MUSIC ON THE HILL: PEDRITO MARTINEZ GROUP St. John’s College Green 1160 Camino de Cruz Blanca, 984-6199 Co-presented with New Mexico Jazz Festival, the group plays Afro-Cuban folkloric and has performed with guest musicians like Eric Clapton.

And don’t forget, the shuttle is back, so you can park and hitch a ride from Museum Hill.

6 pm, free ROSEDALE Cowgirl 319 S Guadalupe St., 982-2565 Alternative rock mixed with some aggressive pop makes Rosedale’s sound a unique one (see SFR Picks, page 19).

8 pm, free SANTA FE BANDSTAND: LIPBONE REDDING AND SANTA FE GREAT BIG JAZZ BAND Santa Fe Plaza 100 Old Santa Fe Trail, 471-1067 Beat-boxing meets honky-tonk in Redding’s style. Santa Fe Great Big Jazz Band is what it says it is, jazzy and big, and hits the stage at 7:45 pm.

6:30 pm, free SANTA FE CHAMBER MUSIC FESTIVAL St. Francis Auditorium 107 W Palace Ave., 982-1890 Bridge's “Lament for Two Violins,” Beethoven's “String Quartet No. 4” and Dvorák's “Piano Trio No. 3” by the brilliantly skilled chamber musicians.

6 pm, $36 TIM NOLEN AND RAILYARD REUNION Radish & Rye 548 Agua Fría St., 930-5325 They cover classics and play originals in their true bluegrass form.

6 pm, free TUCKER BINKLEY Osteria D'Assisi 58 S Federal Place, 986-5858 Smooth, jazzy piano action.

6 pm, free

COURTESY ANDREW SMITH GALLERY

THE CALENDAR

OPERA ROMÉO ET JULIETTE Santa Fe Opera 309 Opera Drive, 986-5900 Soprano Ailyn Pérez is Juliette and tenor Stephen Costello sings the star-crossed lover, Roméo. The love story of all love stories becomes new in Gounod’s composition (see Opera, page 25).

8:30 pm, $15-$307

Flor Garduño’s “Re-Aparición, Mexico” is on display as part of Natural Elements, opening Friday at Andrew Smith Gallery.

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The Santa Fe Concert Band is the oldest performing organization in Santa Fe and performs yearround at locations across the city.

We look forward to our first performance at the Rodeo Plaza.

THE CALENDAR COURTESY OF LEWALLEN GALLERIES

ENJOY AN OUTDOOR CONCERT IN BEAUTIFUL SANTA FE!

Greg Heltman, director

MIDSUMMER CONCERTS Broadway Show Tunes, Patriotic Marches, Classical Favorites and MORE!

SATURDAY July 23 at 7:00 pm at the

RODEO PLAZA BLOCK PARTY RODEO PLAZA at the triangle intersection of Rodeo Road, Zia Road & Camino Carlos Rey

COME TO A REPEAT PERFORMANCE!

SUNDAY July 24 at 2:00 pm at the

FEDERAL COURT HOUSE on the green at the corner of Washington Avenue & Paseo de Peralta

Free Admission — Donations Welcome Find out more about the Band at these handy websites!

www.santafeconcertband.org www.facebook.com/SantaFeConcertBand The Santa Fe Concert Band is a not for profit organization.

Lucy Lyon’s “Leaning In” is on view in Personal Reflections, a two-person show with Latchezar Boyadjiev, opening Friday at LewAllen Gallery in the Railyard.

THU/21 ART OPENINGS CROSSING CULTURES Shiprock Santa Fe 53 Old Santa Fe Trail, 982-8478 Mahnaz Collection combines forces and inventory with the local turquoise gurus, creating a juxtaposition of new and old techniques. Through Aug. 25.

5 pm, free

BOOKS/LECTURES AUTHORS READINGS AND SIGNINGS The Performance Space 7 Caliente Road, Eldorado, 465-9214 These authors present and read from their newest works.

Destiny Allison, The Romance Diet; Nancy Karlson Bridge, Hit Back, Hit Hard and Dream On; Patricia J. Conoway, Listening With My Eyes and others.

7:30 pm, $10

DANCE ENTREFLAMENCO 2016 The Lodge at Santa Fe 750 N St. Francis Drive, 209-1302 World-renowned dancer Antonio Granjero presents a summer performance with featured artist Estefania Ramirez.

8 pm, $25-$50 FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Spanish wines and Spanish dances may have you feeling good.

6:30 pm, $25 MONO MUNDO WORLD DANCE FESTIVAL Santa Fe Plaza 100 Old Santa Fe Trail Styles of dance are as varied and different as the cultures from which they come.

Traditional Irish, Persian and African dances as well as breakdancing and modern dance are part of the 18th annual New Mexico Dance Coalition event.

1 pm, free

EVENTS CANCER FOUNDATION OF NEW MEXICO NIGHT WITH SANTA FE FUEGO Fort Marcy Park 490 Washington Ave., 955-2501 Watch the local team battle the White Sands Pupfish. A portion of the proceeds go to the Cancer Foundation.

6 pm, $6

FILM THE AUTEURS: BAND OF OUTSIDERS Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 In the final film of the series, which is a vision of director Jean-Luc Godard, two boys plan to rob an alluring woman.

7:30 pm, $10

MUSIC BOB FINNIE Vanessie 427 W Water St., 982-9966 Finnie makes musical fire on the piano.

7 pm, free DAVID GEIST: GEIST CABARET Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Geist does it again! He is a truly gifted pianist who has played alongside legends like Sondheim.

6 pm, $2 JEEZE LAWEEZE Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Covers of Elvis Costello, Leonard Cohen and David Bowie from the trio of funloving gals who are quite the songbirds.

6 pm, free LATIN NIGHT WITH VDJ DANY Skylight Santa Fe 139 W San Francisco St., 982-0775 All the bachata, cumbia, reggaeton and Latin dance jams you can handle. And then there are even more of those things after that.

9 pm, $7

LILLY PAD LOUNGE Skylight Santa Fe 139 W San Francisco St., 982-0775 Rebel Frog brings you oldschool funk, hip-hop and soul.

10 pm, $7 MISS MASSIVE SNOWFLAKE Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Pop, psychedelic rock and jazz.

5 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo guitar from a guy who knows his way around the strings.

6 pm, free SANTA FE BANDSTAND: DRASTIC ANDREW AND BILL PALMER & STEPHANIE HATFIELD Santa Fe Plaza 100 Old Santa Fe Trail, 471-1067 Andrew sings Americana about wanting to make the world a better place. Palmer and Hatfield combine jazz, country and rock to make their own brand of Americana, too.

6 pm, free SANTA FE CHAMBER MUSIC FESTIVAL: ORION WEISS St. Francis Auditorium 107 W Palace Ave., 982-1890 The piano master makes his debut at the festival and plays compositions by Brahms, Schoenberg and Shostakovich.

Noon, $36 SANTA FE CHAMBER MUSIC FESTIVAL St. Francis Auditorium 107 W Palace Ave., 982-1890 Bridge's “Lament for Two Violins,” Beethoven's “String Quartet No. 4” and Dvorák's “Piano Trio No. 3” in the acoustically brilliant space.

7:30 pm, $15 SOL FIRE El Farol 808 Canyon Road, 983-9912 Rockin' pop and Latin music.

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Flareup

style, man—an effortless musicianship matched only by how completely she throws herself into her jams.

Like, seriously, if you’ve ever seen any of the aforementioned bands, you know what I’m talkin’ about, and if you haven’t, you damn well should as soon as possible.

Don’t worry, though … we’ve got you covered with info on her newest project, Cardigan Buttons, a three-song EP recorded in Denver by former Santa Fean Ben Clary and mastered by local audio wizard Will Dyar (who has also worked with other locals like Woven Talon and Greg Butera). Listen to it at joieflare.bandcamp.com immediately. It’s a bizarre combo of solo bass and vocal work with little surprises like organ thrown in. Two-thirds of Buttons is allllllmost Pinback-adjacent and even recalls ’90s-esque Presidents of the United States

Joie Flare strikes out on her own to seriously excellent results

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

I

CLIFFORD SHAPIRO

wanna talk about Joie Flare. For a lot of reasons, really, not least of which is how she kind of sneakily became this positive force within the local music scene in some pretty interesting ways. To wit, as bassist for funk act The Sticky, as sometimes-vocalist for Westin McDowell’s Shiner’s Club Jazz Band, as bassist for the tragically onhiatus rock band The Velvet O and in innumerable other little ways here and there.

I say “sneakily” because it seems like one day Joie (a stage name; you’ve gotta make friends if you want to know the real info) was just around, and that isn’t always easy in an insular scene like ours.

But a lifelong funk and jazz fan (her dad played sax and loved Coltrane) who also, by the way, loved emo and screamo for a time as a teenager, is—or should be—a pretty hot commoddity, and plenty of us are glad she’s here.

“I moved here from New York, but I was an army brat, so I’m a bit of a nomad,” Joie says. “This is the longest I’ve ever lived anywhere.”

It’s really only a scant six years, but important ones as, in that time, she went to Santa Fe University of Art & Design, became a protégé of sorts to multi-instrumentalist/SFUAD teacher, Peter Williams (of Love Gun and The Sticky and who, Joie recalls, provided her one of the most meaningful aspects It’s pronounced like “Joey” and comes with infinitely more pizazz. of her music education) and won the hearts and minds of many. It’s in the

of America’s stripped-down alterna-rock style, yet Joie sings about a bazillion times better than anyone from either act, taps into a deeper emotion and avoids sounding derivative. On the opener, “Rabbit Hole,” however, she takes a stab at what she calls “radio pop,” though that kind of diminishes the quality of the songwriting. No, you won’t hear this on the radio—it’s too damn good; there is actual musicianship, there are actual bass chords, and there isn’t anything more than that which it needs to sound perfect. Yes, perfect. Those’re fightin’ words, I know, and if there were a complaint to make about the EP, it’s in how short it is. How’s she do that?

“I’m not really going for anything other than what I do, and while I’m excited for this to be coming out, I’m really more excited to make a full-on record with a band that way I hear it in my head,” Joie says. “This is more like an intro.”

The last time we had something like this going on in Santa Fe, Luke Carr released Pigrow, blew our minds and then came out with Storming the Beaches with Logos in Hand and really mindfucked us. Not that Joie sounds like Carr, and she might be known more as backup for a slew of bands at the moment. But, if Cardigan Buttons is just an intro to what she can do, there is no doubt that she’ll stand head and shoulders with the best of ’em around town.

Hell, she can probably do better. Trust us and head down to Ghost on Sunday for the release party.

“I think the Santa Fe scene is really opening up right now,” she says.

“There are new bands and more youthful bands, and it’s starting to seem like there’s more to do for not just older people.”

We believe that more than ever, with Joie Flare leading the charge … it’ll just be hard as hell to wait for her full album.

JOIE FLARE CARDIGAN BUTTONS RELEASE FEATURING ESTHER ROSE AND JOHN FRANCIS 8:30 pm Sunday, July 24. $5.

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THE CALENDAR TIM NOLEN AND THE RAILYARD REUNION Derailed at the Sage Inn 725 Cerrillos Road, 982-5952 Good country tunes, a full bar and a comfy patio.

6:30 pm, free TUCKER BINKLEY Osteria D'Assisi 58 S Federal Place, 986-5858 Smooth piano action.

6 pm, free UNDERGROUND CADENCE Cowgirl 319 S Guadalupe St., 982-2565 Classic rock, blues and a few original tunes.

8 pm, free WHOODOO BOOGALOO El Mesón 213 Washington Ave., 983-6756 Latin music with jazz influences from JJ Oviedo, Yusuf Kilgore and Andy Zadronzy.

7 pm, free

THEATER ART Teatro Paraguas 3205 Calle Marie, 424-1601 Nicholas Ballas, Robert Nott and Jonathan Richards star in the Tony winner directed by Robert Benedetti. When one of three best friends buys an all-white painting, art and its nature come into question.

7:30 pm, $20 OPUS Adobe Rose Theatre 1213 B Parkway Drive, 629-8688 Directed by Staci Robbins with an impressive cast, including Eli Goodman, who has been on shows like Dexter and The Mentalist. The play follows a quartet of male musicians who take a young, talented girl under their wing.

7:30 pm, $15 THE PILLOWMAN Santa Fe Playhouse 142 E De Vargas St., 988-4262 A dark comedy about what happens when life imitates art when a writer is questioned about his short-story series’ similarites to recent child killings. Directed by Jeff Nell.

7:30 pm, $25

FRI/22 ART OPENINGS

Network, pitch and hone your craft!

OCTOBER 13-16, 2016 Santa Fe, NM • The Lodge at Santa Fe

www.talewriters.org REGISTER TODAY! Register online by July 31 for a

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BRADFORD J SALAMON: TREASURES AND JUNK Giacobbe-Fritz Fine Art 702 Canyon Road, 986-1156 Valuable objects and worthless objects are featured in paintings that explore the idea of junk. Through Aug. 5.

5 pm, free FLOR GARDUÑO: NATURAL ELEMENTS Andrew Smith Gallery 122 Grant Ave., 984-1234 The contemporary photographer shows the soul of Latin America, where she has travelled extensively. Through Sept. 5.

5 pm, free

HYUNMEE LEE: MONOCHROMATIC EXPLORATION Nüart Gallery 670 Canyon Road, 988-3888 A visual relationship with location from the painter who recently relocated to Santa Fe. Through Aug. 22.

5 pm, free JOURNEYS Unitarian Universalist Congregation 107 W Barcelona Road, 982-0439 Whether it's a road trip or a faraway voyage, Virginia Asman, Maureen Howles, Ruth Wilson and others depict a journey in their work.

Through Aug. 30.

5 pm, free LUCY LYON AND LATCHEZAR BOYADJIEV: PERSONAL REFLECTIONS LewAllen Railyard 1613 Paseo de Peralta, 988-3250 Both glass artists represent the human figure; Lyon does so with realism and Boyadjiev, figuratively. Through Aug. 15.

5 pm, free MICHAEL MADZO AND TED GALL Hunter Kirkland Contemporary 200 Canyon Road, 984-2111 Featuring sculptures by Gall and paintings by Madzo, the show is about portraying a visual story. Through Aug. 7.

5 pm, free

DANCE ENTREFLAMENCO 2016 The Lodge at Santa Fe 750 N St. Francis Drive, 209-1302 World-renowned dancer Antonio Granjero presents a summer performance with featured artist Estefania Ramirez.

8 pm, $25-$50 FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Enjoy the fancy footwork with your tapas-style meal and Spanish wine. ¡Ole! 6:30 pm, $25

EVENTS ICE CREAM SOCIAL New Mexico Museum of Art 107 W Palace Ave., 476-5072 Santa Fe Espresso Co. and Häagen-Daz bring you an evening of free ice cream! Say what?!

5 pm, free

FILM THE AUTEURS: BAND OF OUTSIDERS Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 In the final film of the series, two boys plan to rob an alluring woman. See the vision of director Jean-Luc Godard.

7:30 pm, $10

MUSIC BONE ORCHARD Cowgirl 319 S Guadalupe St., 982-2565 Alternative Americana that sounds as rad and original as their name does.

8 pm, free

DAVID GEIST: GEIST CABARET Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano tunes from this experienced musician and orchestral veteran, who has played alongside legends like Sondheim.

6 pm, $2 DMITRI MATHENY Museum Hill Café 710 Camino Lejo, 984-8900 The flugelhornist, which is really fun to say, releases his newest CD, Jazz Noir.

7 pm, $25 DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Montgomery shows us how the piano thing is done.

6:30 pm, free THE GRUVE El Farol 808 Canyon Road, 983-9912 They play groovy classics.

8:30 pm, $5 INNASTATE & BURQUE SOUL Boxcar 530 S Guadalupe St., 988-7222 Rock and reggae played by Albuquerqueños. If that's not a word, it should be.

10 pm, free LONE PIÑÓN Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Celebrating their roots by mixing Americana and Mexicana, they make a Chicano sound all their own on the guitar, violin and guitarron.

7 pm, free RAY MATTHEW Upper Crust Pizza 329 Old Santa Fe Trail, 982-0000 Varied styles of guitar and vocals to soundtrack your pizza-eating session.

6 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native flute and Spanish guitar.

7 pm, free SANTA FE BANDSTAND: SOL FIRE AND LUMBRE DEL SOL Santa Fe Plaza 100 Old Santa Fe Trail, 471-1067 Amado Abeyta leads the Latin-influenced rock group.

Lumbre del Sol plays Chicano rock at 7:15 pm.

6 pm, free THE SUBDUDES The Bridge @ SF Brewing Co. 37 Fire Place, 424-3333 Jazz meets soul in the band that has played together for 25 years in New Orleans.

7:30 pm, $33 TRUCKSTOP HONEYMOON The Burger Stand at Burro Alley 207 W. San Francisco St., 989-3360 Elements of bluegrass, music hall jazz and straight-up rock ’n’ roll with vaudevillian wit and showmanship.

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Death-Mark’d Love on Opera Hill

KEN HOWARD

OPERA

SFO’s Shakespearean liebestod

T

BY JOH N STEG E

o begin with, make the vital distinction between great operas and grand opéra. The former? A critical judgment. The latter? A stylistic definition. Gounod’s 1867 Roméo et Juliette, now on view at the Santa Fe Opera, may not rank among the greats despite its enormous appeal, but as an example of that particular 19th-century French operatic style defined as grand, it’s a ringer.

For the French, style has always focused on la gloire. Still, la grandeur plays a leading role as well, witness Versailles, De Gaulle and la bouillabaisse. At the Palais Garnier, home of l’Opéra de Paris and mon“Hey girl,” Roméo says. “I saw you for two seconds at a party and ditched my longtime girlfriend, and that isn’t creepy!” ument to high bourgeois taste, if you want grand, you want huge choruses, opulent sets and costumes, celebrity singers able to go the full five acts, a ballet or Nurse, the splendid Deborah Nansteel: Ditch the to the balcony scene, the intense if softly sung “Va! repose en paix,” manifests his taste and vocal intellitwo, stage bands, at least one magnificent procession girl’s champagne swigging. Juliette is no Violetta.)

Vocal highlight of the evening, sans doute, goes to gence. and an enormous orchestra down to the last ophiPérez’ account of the punishing “poison aria,” her As a sympathetic Frère Laurent, Raymond Aceto cleide (look it up).

The SFO’s accoutrements may not include a mas- fearful self-debate—to drink or not to drink Friar sings with deep-voiced dignity. Emily Fons makes a sive chandelier, but their current production of Ro- Laurent’s potion. Gounod and his librettists, Jules vivid, vivacious impression as Stéphano in her chipBarbier and Michel Carré, per little aria—another trouser role recalling her méo goes mighty far toward vastly improve upon Juliette’s terrific Cherubino three years ago. And among the reproducing (on a necessarrattletrap Shakespearean solil- many lesser roles, a very honorable mention for Elliot ily smaller scale) the experience oquy. The aria, “Amour, ranime Madore, a Mercutio whose manic Queen Mab aria is of la grandeur, beginning with mon courage,” presents its own matched only by his vibrant swordsmanship. the orchestra. After John Crosby, Expect violent Speaking of which, expect violent slashing and fearful challenges, such that a firm if not always beloved bastabbing galore, courtesy of Santa Fe’s energetic Wise Caroline Carvalho, originating ton, retired in 2000, the pit has slashing and stabthe role in 1867, declined to sing Fool troupe. Shakespeare’s audience demanded plenhad its occasional vicissitudes in it, and for years, the piece went ty of dashing onstage rapier and dagger work. SFO cothe leadership department. Now, bing galore, courunheard. But Pérez makes it operates, courtesy of father-son fight directors Rick with the appointment of Harry her own, the expressive colora- Sordelet and Christian Kelly-Sordelet. A mini-ballet, tesy of Santa Fe’s Bicket as chief conductor in 2013, tura and trills and high-flying gracefully danced by Beth Miller and Susan Vishmid SFO’s band has never sounded energetic Wise Fool bravura perfectly intact, plus a to choreography by Nicola Bowie, delighted us as well better, and that’s the case with characterization that remains as every libidinous male at the Capulet ball. the Gounod, absolutement. troupe.

Direction by Stephen Lawless achieves swift, easy totally convincing.

With Bicket on the podium, Stephen Costello makes a movement for his ample cast, hindered unhappily by the orchestra speaks with a winning SFO debut as the luck- the ghastly death-mark’d set, a towering, glum mauFrench accent: silken strings, less Roméo. He’s at ease in the soleum of individual corpse-crypts, each neatly lameasured brass, caressing woodrole, moving easily about the beled with its occupant’s name and dates. You rarely winds, and, oh, that cello quartet. Iridescent? Compelling? Balanced? Yes, yes stage, and his warm lyric tenor makes a comfort- hear boos at SFO. Opening night, the scenic design by and yes. And that goes, not incidentally, for Susanne able companion to Pérez’ Juliette in their four duets. Ashley Martin-Davis got a few, deservedly. Her cosSheston’s chorus as well, a magnificent ensemble There’s such a thing as a “French” sound, especially tumes, the ballgowns in particular, filled the eye, alplaying a major role in the drama, from prologue to for tenors, and some vocal snobs would say that no- though why Lawless sets the action during our Civil body except super-elegant Georges Thill, active 80 War defies speculation. Credit Mimi Jordan Sherin shattering climax.

We know Ailyn Pérez from her 2011 debut here as years ago, could sing the role. Others plump for the for her effective lighting.

And credit SFO for a really, really big show (sorMarguerite in that, um, other Gounod opera, a shim- gorgeous Italianate sound of Franco Corelli, despite mering presence. She radiates grace and personal his sad French diction. (We’re talking historic perfor- ry, Ed Sullivan). The Crosby Theatre’s never seen la grandeur quite like this. charm here as well, with a confidence that moves her mances here.)

Costello provides the happy medium: a readJuliette from the shy and kittenish to self-knowing ROMÉO ET JULIETTE maturity. At Juliette’s first-night entrance, a mis- ing that combines Italianate passion with Gallic fi8:30 pm Wednesday, July 20. $15-$307. step and near-fall sent Pérez’ opening bars awry, nesse. Those B flats in his signature aria “Ah, lève-toi, Santa Fe Opera, 301 Opera Drive, but with “Je veux vivre,” she began to move into joy- soleil!” sound as natural as breathing, consistent with 986-5955 ful nightingale form as the aria progressed. (Note to his typical ease in the role. Costello’s brief conclusion SFREPORTER.COM

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THE CALENDAR

I’m sorry if my English is wrong. I’m writing from Germany, where I am being heartbroken and not knowing how to go on. I’ve been seeing a guy for a couple of months and slowly falling in love with him. “Peter” has always been very open to me about himself, his failed relationships, and his commitment issues.

He talks frequently about his ex-boyfriend from five years ago and how being left created a deep fear of being left once again.

He also had a relationship that ended a year ago. Yesterday he told me he’s still in love with the guy from one year ago but that his love is unrequited. He also told me that he values what we have but he can’t stop loving this other guy. And he can’t promise me that this will change. I am in love and heartbroken at the same time, hopeful and fearful, and unable to get up for the last couple of days.

Deep down, I fear I will get hurt. I already am hurt. I’m falling for someone who’s not able to love me back, who’s stuck in the past, but who wishes to change that in order to let me into his life. Should I stay and wait for Peter to get better even if it hurts to know he’s in love with someone other than me? Or should I leave him as so many others have and hurt him?

-Healing Erotic Love Problem Means Everything Peter could be lying to you.

That’s probably not what you wanted or expected to hear, HELPME, and you’ll find some more hopeful/less cynical advice further down, I promise. But when a guy with “commitment issues” tells you he’s struggling with the emotional fallout of a relationship that ended five years ago and still hopelessly in love with someone he hasn’t seen for a year… you have to entertain the possibility that he could be lying to you.

You always have to entertain that possibility—with new loves, old loves, blue loves.

When someone tells us they have “commitment issues,” we’re primed to hear this: “This boy is incapable of committing until healed (by a therapist, by a new love, by the passage of time).” But sometimes what they mean is this: “I have no interest in committing—not to you, not to anyone, not now, not ever.” But instead of owning up to that (because people who want to remain single are viewed as damaged?) or telling you he’s not seeking anything serious (because you might leave him, and he’s not done with your ass?), Peter invents/ inflates a pair of past loves that render him incapable of loving you the way you deserve to be loved and blah blah blah and off the hook.

Not a child-man who won’t commit, but a victim who would commit if he could commit but—sob!—he can’t commit.

But, hey, maybe he’s telling you the truth.

Maybe he’s in love with Mr. One Year Ago. So tell him he can love you and love the other guy at the same time. Established gay throuples, stable straight poly quads, bi men with GFs and BFs, married lesbians who U-Hauled an adorable baby dyke—there are examples everywhere you look these days of people in love with more than one romantic partner. I don’t see why a person can’t be in love with someone and still in love with an ex—think of it as a sort of semi-posthumous/semi-poly relationship. You’ll be pioneers.

Give Peter permission to love his ex (pathetically and abstractly) while loving you too (intimately and tactilely), HELPME, and you might be able to love a commitment out of him.

I’m a gay male in my late 20s. My little sister’s husband, “Peter,” is my age and

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bisexual. I’m not one of those gay men who think bi guys don’t exist. And I know bi guys are just as capable of being monogamous as other guys—which isn’t that comforting when you think about it—and I don’t have a problem with my bi brother-in-law being bi.

More importantly, my sister doesn’t have a problem with it. But whenever I’m alone with Peter, however briefly, he starts telling me how much he misses dick. He wants to hear about the last “really great dick” I sucked and tells me he misses sucking dick. I smile and say dick is great for sure and make a halfhearted attempt to change the subject. The last time it happened was after my grandfather’s funeral. I’m pretty sure Peter wants to suck my dick, and I’m tempted to let him. I know it’s a bad idea, but Peter is hot. This is torture. What should I do?

-Boy Is Lost Stop smiling, work harder to change the subject, avoid being alone in a room with Peter, and repeat after me: “My sister might be able to forgive her husband for sucking a dick, but she’ll never forgive him—or me—if that dick is mine.”

I’m a gay guy in an open relationship and I’m on Recon, a gay hookup/dating site for guys into leather/fetish/BDSM. My partner, who isn’t kinky, knows I have a profile there and it’s not a problem. Today I got a message from a new guy, and when we exchanged face pics, I saw that he looks exactly like “Peter,” my boyfriend’s best friend’s fiancé! I asked him if that was him, and he stopped responding.

What should I do? My BF doesn’t want to know much about my extracurricular activities, but this could make our next double date extremely awkward. We see this other couple a fair amount, and even though I think this guy is good-looking, I would never sleep with him because of the social situation. On the other hand, if I’m wrong and they’re not the same person, bringing it up with them could make things awkward, especially since I’m pretty secretive about my kinks and have zero desire to discuss them with my BF’s friends.

-Requires Educated Consultation On Next Step P.S. Additional information that might be relevant: Our engaged friends aren’t having sex, we’ve been told, and they’re making no moves toward actually planning a wedding.

Going silent after you asked, “Is that you, Peter?!?” is a pretty good indication that it was indeed Peter you were talking to. But while you know Peter was on Recon, RECONS, you don’t know exactly what he was doing there.

Maybe he goes online to fantasize, swap pics, and jack off. Maybe Peter is on Recon with his fiancé’s blessing, just as you’re on Recon with your partner’s blessing (but, like you, he’s not comfortable discussing his kinks with friends).

Maybe their relationship/engagement is on the verge of collapse and your partner’s best friend’s fiancé is trying to line up a new relationship before pulling the plug on the one he’s in now.

Since you don’t know what’s going on in their relationship, RECONS, keep your mouth shut and refrain from making assumptions or judgments. And the next time you have to interact with Peter and his fiancé socially, slap a smile on your face and talk about the weather, the election, the estrogen-enhanced, better-than-the-original Ghostbusters reboot, the new season of Difficult People, Zika, the Olympics—basically anything other than Recon, kinks, and wedding plans.

On the Lovecast, Dan chats with Wonkette’s Rebecca Schoenkopf about Bernie and Hillary and love and hate: savagelovecast.com mail@savagelove.net @fakedansavage on Twitter

TUCKER BINKLEY Osteria D'Assisi 58 S Federal Place, 986-5858 Smooth piano action.

6 pm, free ZOLTAN & THE FORTUNE TELLERS Second Street Brewery (Original) 1814 Second St., 982-3030 Folk and jazz.

6 pm, free

OPERA DON GIOVANNI Santa Fe Opera 309 Opera Drive 986-5900 The womanizer who gave his name to all womanizers (Don Juan) sits at the center of the tale as his life falls apart before the audience because he can’t keep it in his pants.

And we don’t need to mention how great Mozart is, right?

8:30 pm, $15-$307

THEATER ART Teatro Paraguas 3205 Calle Marie, 424-1601 Nicholas Ballas, Robert Nott and Jonathan Richards star in the Tony winner directed by Robert Benedetti. When one of three best friends buys an all-white painting, art and its nature come into question.

7:30 pm, $20 THE LION KING James A Little Theater 1060 Cerrillos Road, 476-6429 Hakuna Matata! Santa Fe’s youth theater, Pandemonium Productions, brings you Disney’s award-winning musical.

7 pm, $10 OPUS Adobe Rose Theatre 1213 B Parkway Drive, 629-8688 Directed by Staci Robbins with an impressive cast, including Eli Goodman, who has been on shows like Dexter and The Mentalist. The play follows a quartet of male musicians who take a young, talented girl under their wing.

7:30 pm, $15 THE PILLOWMAN Santa Fe Playhouse 142 E De Vargas St., 988-4262 A dark comedy explores the idea of life imitating art when a writer is interrogated about his short-story series’ similarities to recent child killings.

Directed by Jeff Nell.

7:30 pm, $25 ROMEO AND JULIET Santa Fe Performing Arts Armory for the Arts 1050 Old Pecos Trail, 474-8400 The teen ensemble brings the tragic tale of star-crossed lovers to life. Directed by Megan Burns.

7 pm, $8 SANTA FE KOMEDY KLUB The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 Headliner Michael Puccini, who was on TV show Last Comic Standing, is joined by Scotty Goff, a local standupper in the evening of hilarity.

8:30 pm, $15

SANTA FE SHAKESPEARE SOCIETY: ROMEO AND JULIET Monte Del Sol Charter School Courtyard 4157 Walking Rain Road, 490-6271 The Santa Fe Shakespeare Society presents the tragic tale in its sixth season.

6 pm, $5

SAT/23 ART OPENINGS JAY TINCHER: BEAUCHENE & EXPLODED SKULLS Gray Matter 926 Baca St., Ste 6, 780-0316 Utilizing beauty in the grotesque, the artist takes skulls apart and reassembles them, incorporating pieces of gold leaf into the bone to highlight its natural structure. Through Aug. 13.

5 pm, free SCUBA AND STRANGERS: DISPATCH The ART.i.factory 930 Baca St., Ste. C, 982-5000 More than 90 artists from around New Mexico create a visual display of the local art scene, in which each of Santa Fe's art spaces are represented by a 3- by 6-inch tile.

Through Sept. 10.

5 pm, free

DANCE ENTREFLAMENCO 2016 The Lodge at Santa Fe 750 N St. Francis Drive, 209-1302 World-renowned dancer Antonio Granjero presents a summer performance season with Estefania Ramirez.

8 pm, $25-$50 FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Enjoy the show with tapasinspired dinner and a glass of Spanish wine, or two.

6:30 pm, $25 JUAN SIDDI FLAMENCO SANTA FE Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Lead dancer and choreographer Siddi brings his ensemble of 14 dancers and musicians to the Santa Fe stage.

8 pm, $25

EVENTS BACA STREET BASH Baca Street Studios 926 Baca St., 820-2222 Live entertainment and art openings at the second annual block party, with the entire Baca Street neighborhood participating. A ton of local bands play the event, with lots of food options, too!

5 pm, free SANDRA DURAN WILSON: ARTIST DEMONSTRATION Jane Hamilton Fine Art 124 W. Palace Ave, 465-2655 See the artist in action as she demonstrates her process in the courtyard.

1 pm, free

SANTA FE FARMERS MARKET Santa Fe Railyard Plaza Guadalupe Street and Paseo de Peralta A great selection of local produce, meats and cheeses you can get directly from the farmer. Plus all the fresh ingredients for a lovely weekend dinner.

7 am- 1 pm, free

FOOD ARROYO VINO FARM STAND Arroyo Vino 218 Camino La Tierra, 983-2100 Grab farm-fresh produce or starter plants along with a freshly baked croissant and a cup of coffee. A joyous Saturday morning jaunt.

9 am, free

MUSIC ANDY KINGSTON QUARTET El Mesón 213 Washington Ave., 983-6756 Kingston takes the keys in the supremely entraining jazz ensemble.

7:30 pm, free THE BUS TAPES Second Street Brewery (Original) 1814 Second Street, 982-3030 Folky rock with serious vocals.

6 pm, free CASH'D OUT: A TRIBUTE TO JOHNNY CASH Railyard Plaza Market and Alcadesa Streets, 414-8544 The late, great Man in Black is done proud by the San Diegobased group that plays over 150 of his songs, including favorites like ... there are too many to name (see SFR Picks, page 19).

6 pm, free DAVID GEIST: GEIST CABARET Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano tunes from the orchestra veteran who has worked with legends like Sondheim; he's really an amazing pianist who always makes great music.

6 pm, $2 DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Piano tunes by a master.

6:30 pm, free HALF BROKE HORSES Cowgirl 319 S Guadalupe St., 982-2565 Honky-tonk and Americana.

1 pm, free JIM AND TIM Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Classic rock, R&B and country by two dudes.

3 pm, free JOHN KURZWEG BAND Cowgirl 319 S Guadalupe St., 982-2565 Classically alternative rock.

8:30 pm, free

THE CALENDAR

Joshua Habermann Music Director with Mary-Charlotte Domandi

JENNIFER ESPERANZA

MAX ANDERSON: PRINCE TRIBUTE Skylight Santa Fe 139 W San Francisco St., 982-0775 Featuring the man who has played saxophone for Prince and CeeLo Green.

8:15 pm, $10 MIKE MONTIEL TRIO Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Blues, country and rock played in the tavern by three dudes.

7 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native flute and Spanish guitar.

7 pm, free SANTA FE BANDSTAND: TIHO DIMITROV AND JAY BOY ADAMS & ZENOBIA Santa Fe Plaza 100 Old Santa Fe Trail, 471-1067 Dimitrov mixes one part old with one part new to create a balanced pop-rock sound.

Adams has toured with bigtimers like Joe Cocker and ZZ Top playing Americana.

Zenobia is a Grammynominated vocalist. Adams and Zenobia at 7:15 pm.

6 pm, free SANTA FE CHAMBER MUSIC FESTIVAL St. Francis Auditorium 107 W Palace Ave., 982-1890 Chamber musicians play concertos by Baroque Bach, Boccherini and A Marcello.

5 pm, $36 THE SANTA FE CONCERT BAND Baca Street Studios 926 Baca St., 820-2222 The community band jams at the block party event. Don't miss it!

7 pm, free SCOTT CADENASSO Counter Culture 930 Baca St., Ste. 1, 995-1105 Originals and fresh covers on the patio during the Baca Street Bash block party.

6:30 pm, free TANTRA FEATURING MSVG Skylight Santa Fe 139 W San Francisco St., 982-0775 Michael Scalar & Violin Girl are a dynamic duo of angelic violin and underground house and techno. Scalar is the founder of ZeroPoint Festival in Las Vegas and has been an international DJ and producer for over 15 years.

9 pm, free TRASH DISCO WITH DJ OONA Skylight Santa Fe 139 W San Francisco St., 982-0775 Dance-feels upstairs with trashy disco and DJ Oona.

9 pm, $7 TUCKER BINKLEY Osteria D'Assisi 58 S Federal Place, 986-5858 Smooth piano action. The smoothest around.

6 pm, free

34 th ANNUAL JULY 19-AUGUST 14, 2016

After almost 13 years of her daily Radio Café program, iconic local DJ Mary-Charlotte Domandi has hung up her headphones to pursue other projects. It truly is the end of an era, but it’s hardly the last we’ll hear from Domandi. We caught up with her to see how she’s faring after the end of her show and find out what’s next for the stalwart Santa Fe celeb. (Alex De Vore) What was behind your decision to call it quits?

First of all, when we talk about sustainability, it became kind of unsustainable for me. It was more work than one person can do. Thirteen years is a long run, and I felt like I had given a lot to the station and I was happy about that.

How are you feeling now that it’s all over?

Well, it’s not over. I am already moving on with other projects. I’m working on a sustainable agriculture project which will probably be a 10 or so part series that looks like it will be broadcast on KUNM (author’s note: that’s 89.9 on your radio dial). I’ve actually been working on that for some time. I’m going to be broadcasting the Radio Café about once a month on KUNM. The first one will be Friday, July 22 at 8 am. I’d like to take some time off, and I’m going to Ojo Caliente.

Do you think radio still has a future?

Yes. I don’t know whether broadcast radio will cease to exist. As long as there are people driving cars to work, there will be radio in one form or another. Like, Netflix does House of Cards; it’s never been broadcast television, but it’s television. I don’t have a date yet, but I’m planning on having a big party to invite the community to celebrate all those years of radio. I just want to celebrate anyone who’s ever been on the show. When you do radio, you get to know your audience up to a point, but you’re just sitting there with one other person and a lot more people are listening. It’s important, sometimes, to have a big public event.

OPERA CAPRICCIO Santa Fe Opera 309 Opera Drive, 986-5900 Strauss called his final composition a “conversation piece for music” which is told through a metaphorical story of two alluring women and their battle for primacy, as they represent the struggle between music and words.

8:30 pm, $15-$286

THEATER A MIDSUMMER NIGHT'S DREAM: CITY DIFFERENT PLAYERS Santa Fe Performing Arts Armory for the Arts 1050 Old Pecos Trail, 474-8400 See the classic tale of love and magic played out by 6to 12-year-olds. Directed by Corbin Albaugh.

2 pm, $8

ART Teatro Paraguas 3205 Calle Marie, 424-1601 Nicholas Ballas, Robert Nott and Jonathan Richards star in the Tony winner directed by Robert Benedetti. When one of three best friends buys an all-white painting, the nature of art comes into question.

7:30 pm, $20 THE LION KING James A Little Theater 1060 Cerrillos Road, 476-6429 Hakuna Matata! Santa Fe’s youth theater with children ages 7 to 17, Pandemonium Productions, brings you Disney’s award-winning hit musical. We are betting it will be nearly impossible to resist singing along to this one; we can hear the Elton John lyrics just thinking about it. Can you feel the love?

2 pm, $10

Photo: J. David Levy

AMERICAN VOICES

Featuring two world premieres by leading American composers July 24m 29 August 4 Christ Church Santa Fe Cathedral Church of St. John, Albuquerque Joshua Habermann, Conductor; Debra Ayers, Piano; Kathlene Ritch, Piano

SEPHARDIC LEGACY

July 26 31m August 2 New Mexico History Museum, Santa Fe Led by Joshua Habermann; Vanessa Paloma, Vocalist; Fattah Abbou, Oud and Percussion; Polly Tapia Ferber, Percussion

“SOUNDS AND SWEET AIRS”

Commemorating the 400th anniversary of William Shakespeare’s death July 28 30 August 3 7m The Church of the Holy Faith, Santa Fe Richard Sparks, Guest Conductor; Nathan Salazar, Piano; Anna Farkas,* Actor

PERGOLESI STABAT MATER

August 1 7 10 Loretto Chapel, Santa Fe Harry Bicket,** Guest Conductor David Felberg, Violin; Ruxandra Marquardt, Violin II; Shanti Randall, Viola; Sally Guenther, Cello; Jean-Luc Matton, Bass

RACHMANINOV ALL-NIGHT VIGIL August 11 13 14m Cathedral Basilica of St. Francis, Santa Fe Cathedral Church of St. John, Albuquerque Joshua Habermann, Conductor

m denotes matinee performance. *Anna Farkas is the Associate Director of the International Shakespeare Center. ** Maestro Bicket’s appearance is courtesy of The Santa Fe Opera.

Tickets range from $75-$20 in Santa Fe $55-$40 in Albuquerque Student discounts (with ID) available for most concerts.

Purchase your tickets today by calling our Box Office at (505) 988-2282 ext. 1 or online at www.desertchorale.org

CONTINUED ON NEXT PAGE

SFREPORTER.COM

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JULY 20-26, 2016

27

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THE CALENDAR OPUS Adobe Rose Theatre 1213 B Parkway Drive, 629-8688 Directed by Staci Robbins with an impressive cast, including Eli Goodman, who has been on shows like Dexter, a story about musicians taking a young girl under their wing.

Written by Michael Hollinger.

7:30 pm, $15 THE PILLOWMAN Santa Fe Playhouse 142 E De Vargas St., 988-4262 A dark comedy which explores the idea of life imitating art when a writer is interrogated because his short story series features similarities to recently uncovered child killings.

7:30 pm, $25 ROMEO AND JULIET Santa Fe Performing Arts Armory for the Arts 1050 Old Pecos Trail, 474-8400 The teen ensemble brings the tragic tale of star-crossed lovers and miscommunication about poison to life. Directed

by Megan Burns.

7 pm, $8 SANTA FE KOMEDY KLUB The Lodge at Santa Fe 750 N St. Francis Drive, 992-5800 Headliner Michael Puccini has been on Last Comic Standing, and Scotty Goff is a local stand-upper. They come together for an evening of laughter.

8:30 pm, $15 SANTA FE SHAKESPEARE SOCIETY: ROMEO AND JULIET Monte Del Sol Charter School Courtyard 4157 Walking Rain Road, 490-6271 The Santa Fe Shakespeare Society presents the tragic tale in its sixth season. My stars, there are a lot of chances to see young lovers die this summer. What’s up with that?

6 pm, $5

SUN/24 ART OPENINGS SUNDAY RAILYARD ARTISAN MARKET Santa Fe Railyard Plaza Guadalupe Street and Paseo de Peralta Buy art from local artists, who create in a variety of mediums, and enjoy the summer weather at this outdoor event.

Feel sunny about it.

10 am, free

BOOKS/LECTURES JOURNEYSANTAFE: RICHARD McCORD Collected Works Bookstore 202 Galisteo St., 988-4226 The founder of SFR and the longtime local journalist shares a briefcase full of his favorite papers from his career, which includes stories about the state prison, mental health care and a tragic car crash. McCord is also a published author and a Santa Fe Living Treasure.

11 am, free

LEAH UMANSKY, DANA LEVIN AND CHRISTOPHER JOHNSON: POETRY READING Teatro Paraguas 3205 Calle Marie, 424-1601 Umansky is a published poet, Levin is writer in residence at Maryville University and Johnson is an outdoor buff.

They read some poetry on stage (see SFR Picks, page 19).

5 pm, free WILD CARDS: MULTIAUTHOR BOOK SIGNING AND PANEL Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Science fiction and fantasy readers, get ready to freak out. There are a ton of authors attending this event, like George RR Martin, Daniel Abraham and Leanne Harper, to name a few, and they talk shop together in a panel discussion.

2 pm, $10

DANCE ENTREFLAMENCO 2016 The Lodge at Santa Fe 750 N St. Francis Drive, 209-1302 World-renowned flamenco dancer Antonio Granjero presents a summer performance with featured artist Estefania Ramirez in the Maria Benitez Cabaret.

8 pm, $25-$50 FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Tapas-inspired dinner with fancy footwork and Spanish wine.

6:30 pm, $25

EVENTS NEW MEXICO FILM FOUNDATION: SUMMER SOIREE FUNDRAISER Scottish Rite Center 463 Paseo de Peralta, 982-4414 The theme of the evening of food and drinks is Film Noir.

Enjoy Silver Coin Tequila, food from Cowgirl and '40s tunes

by DJ Steffen Garcia. Proceeds from the event benefit the local film scene.

4 pm, $60

MUSIC ACE VIRTUOSO Skylight Santa Fe 139 W San Francisco St., 982-0775 The hip-hopper is joined by Navi Uptown, A_G, Spiffy Davis, Ray $ean and Rill for an evening full of rap and fancy names.

8 pm, $10 DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 The nightly piano rocker does it again.

6:30 pm, free THE DYLAN PROJECT WITH JOE WEST Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Josh Martin, Margaret Burke and Arne Bey join to play the greatest songs ever written.

4 pm, free

ERYN BENT Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 The guitar-playing songbird does her moody, bluesy thing on the deck.

1 pm, free JESS KLEIN Cowgirl 319 S Guadalupe St., 982-2565 The Joni Mitchell-inspired singer-songwriter writes and sings about struggles and faith.

8 pm, free JOIE FLARE Ghost 2889 Trades West Road The indie-pop badass is joined by openers Esther Rose from New Orleans and local John Francis. She celebrates her newest album Cardigan Buttons and so do we, because this gal’s dreamy sound is stuck in our heads. (See Music, page 23) 7 pm, $5 NEW MEXICO JAZZ FESTIVAL: DAVE HOLLAND TRIO Lensic Performing Arts Center 211 W San Francisco St., 988-1234 The trio, led by Holland, who played with Miles Davis’ Bitches Brew band, also features Jay Leno’s bandleader, Kevin Eubanks.The combination is sure to produce some seriously jazzy magic.

7:30 pm, $20 SANTA FE CHAMBER MUSIC FESTIVAL St. Francis Auditorium 107 W Palace Ave., 982-1890 The Pacifica Quartet enchants with classics by Beethoven and Mendlessohn in the acoustic A-list venue.

6 pm, $36 THE SANTA FE CONCERT BAND Joseph M Montoya Federal Building 120 S Federal Place The Community Jazz Band plays a spot where you can enjoy them from a cool, grassy seat.

2 pm, free THE SHINERS CLUB Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Ragtime and vaudeville from guys who look like they know what's up in that scene, for real.

7 pm, free THE SUGAR MOUNTAIN BAND Cowgirl 319 S Guadalupe St., 982-2565 Lunchtime country rock tunes from the mountain folk.

Noon, free TONE AND COMPANY Evangelo's 200 W. San Francisco St., 982-9014 The lineup changes at the weekly invitational jam, so you’ll have to stop by to see what’s on the menu this week.

8:30 pm, $5 CONTINUED ON PAGE 30

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SFREPORTER.COM

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SEPTEMBER 30-OCTOBER 6

29

THE CALENDAR THEATER

For your reading pleasure …

We are now printing on Hi-Brite paper!

Clear and sharp presentation of the journalism you love to read, fresh food coverage, images of Santa Fe’s enchanting artists and their work, succinct movie reviews and the best calendar in town.

Makes our advertisers look good, too!

A MIDSUMMER NIGHT'S DREAM Santa Fe Performing Arts Armory for the Arts 1050 Old Pecos Trail, 474-8400 See the classic Shakespearean tale of love and magic played out by 6- to 12-year-olds of the City Different Players.

Expect kiddos dressed as fairies and serious acting skills.

Directed by Corbin Albaugh.

2 pm, $8 ART Teatro Paraguas 3205 Calle Marie, 424-1601 Nicholas Ballas, Robert Nott and Jonathan Richards star in the Tony winner directed by Robert Benedetti. When one of three best friends buys an all-white painting, art and its nature come into question.

2 pm, $20 THE LION KING James A Little Theater 1060 Cerrillos Road, 476-6429 Hakuna Matata! Santa Fe’s youth theater, Pandemonium Productions, brings you Disney’s award-winning musical and its unforgettable soundtrack. We bet it will be nearly impossible to resist singing along; we have Elton John lyrics creeping in just thinking about it.

2 pm, $10 OPUS Adobe Rose Theatre 1213 B Parkway Drive, 629-8688 Directed by Staci Robbins with an impressive cast, including Eli Goodman, who has been on shows like Dexter and The Mentalist, the play follows a quartet of male musicians.

Written by Michael Hollinger.

3 pm, $15 THE PILLOWMAN Santa Fe Playhouse 142 E De Vargas St., 988-4262 A dark comedy that explores the idea of life imitating art set in a dystopian totalitarian state. A writer is questioned about his short-story series and their similarites to recent child killings. Directed by Jeff Nell.

2 pm, $25 ROMEO AND JULIET Santa Fe Performing Arts Armory for the Arts 1050 Old Pecos Trail, 474-8400 The teen ensemble brings the tragic Shakespearean tale of star-crossed lovers to life.

Directed by Megan Burns.

7 pm, $8

MON/25 BOOKS/LECTURES

SFReporter.com

R KYLE BOCINSKY Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Bocinsky, an archaeologist, speaks about the climate and drought in the Southwest in his lecture titled Drought and Social Dynamics in the Ancient Southwest.

6 pm, $12

THOMAS OLDE HEUVELT: HEX! Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 The author reads from and signs copies of his seriously creepy latest novel.

7 pm, free

DANCE FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 Drinking and dancing with dinner, and you aren't the one who has to dance. See fancy footwork from talented flamenco dancers.

6:30 pm, $25 ENTREFLAMENCO 2016 The Lodge at Santa Fe 750 N St. Francis Drive, 209-1302 World-renowned flamenco dancer Antonio Granjero presents a summer performance in the Maria Benitez Cabaret, built specifically for flamenco performance.

8 pm, $25-$50

MUSIC COWGIRL KARAOKE WITH MICHÉLE Cowgirl 319 S Guadalupe St., 982-2565 Michéle Leidig, Queen of Santa Fe Karaoke, hosts this night of amateurish fun. Get up there and do your best Mariah on the mic.

9 pm, free DJ OBI ZEN Boxcar 530 S Guadalupe St., 988-7222 Listen to a DJ who incorporates live percussion into his sets, creating a technological meets instrumental sound.

Maybe boots your zen? Our guess, probably not.

10:30 pm, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Montgomery plays piano tunes like it’s nobody’s business, and he’s bound to have something you love in his impressive repertoire.

6:30 pm, free SANTA FE CHAMBER MUSIC FESTIVAL St. Francis Auditorium 107 W Palace Ave., 982-1890 The Pacifica Quartet, who are kind of a huge deal in the international chamber ensemble scene (and all four are full-time professors at the Jacobs School of Music), plays classics by Beethoven and Mendelssohn.

6 pm, $36 SANTA FE CHAMBER MUSIC FESTIVAL: YOUTH CONCERT St. Francis Auditorium 107 W Palace Ave., 982-1890 Hear the future of music from the talented young musicians who play the violin and cello in the morning time portion of the classic festival.

10 am, free

TUE/26 DANCE ARGENTINE TANGO MILONGA El Mesón 213 Washington Ave., 983-6756 Tango is one of those things that’s meant to be sexy and graceful, but if you’re anything like us, it’s a little sloppy. ¡Andale!

7:30 pm, free FLAMENCO DINNER SHOW El Farol 808 Canyon Road, 983-9912 See fancy footwork, eat tapasinspired cuisine, drink Spanish wine, close your eyes real tight and pretend you are on vacation.

6:30 pm, $25 ENTREFLAMENCO 2016 The Lodge at Santa Fe 750 N St. Francis Drive, 209-1302 World-renowned flamenco dancer Antonio Granjero presents a summer performance season with featured artist Estefania Ramirez and his company in the Maria Benitez Cabaret.

8 pm, $25-$50

EVENTS SANTA FE FARMERS MARKET SOUTHSIDE Santa Fe Place Mall 4250 Cerrillos Road, 473-4253 Grab farm-fresh fruits, vegetables, starter plants and snacks plus local meats, cheeses and breads. There are flowers and honey too! And with fresh apple cider to cool you off, there’s no reason to miss it.

3 pm, free SANTA FE GARDEN CLUB: BEHIND ADOBE WALLS Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Visit four gardens on Santa Fe's oldest garden guided bus tour, which also offers architectural beauty and a peek into private spaces behind old adobe walls.

12:10 pm, $75

MUSIC BEN WRIGHT'S OPEN SONGS NIGHT Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Show off your vocal talents or listen to others at the evening led by the local guy who has quite the vocal talent himself.

7 pm, free DAVID G SMITH Georgia 225 Johnson St., 989-4367 Smith relies on real-life stories to drive his country songs, so they may speak to you.

7:30 pm, $10 DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 Montgomery is at it again, doing his piano-playing thing.

6:30 pm, free CONTINUED ON PAGE 32

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SFREPORTER.COM

The Bitter Truth

ANSON STEVENS-BOLLEN

DRINK

Campari and its bitter relatives are grown-up fun

BY GWYNETH DOLAND t h e f o r k @ s f r e p o r t e r. c o m

C

ampari is like cilantro: If you’ve tried it, you either loved it or you hated it. But let me make a case for this bright red booze with the bracing bitter taste: Bitter things are for adults. Children don’t like bitter things because natural selection has taught us that bitter things are often toxic. But we are adults, and we’ve come to appreciate the complexity that a little bitterness brings to things like dark chocolate and arugula.

Plus, there’s something exceptionally refreshing about a drink that balances bitter and sweet—and can be served up or over plenty of ice.

The Negroni is a classic cocktail that’s related to the Manhattan (whiskey, sweet vermouth and bitters) and the Americano (Campari, sweet vermouth and club soda). Feel free to experiment with the proportions of all these recipes. A small dose of Campari can be a gateway drug to full-blown Campari love.

And have some fun playing around with Campari’s relatives: the mellower, orange Aperol; the sweet, herbal Averna; and Cynar (say: CHEE-nar), which is made with artichoke leaves.

QUINN’S ESSENTIAL NEGRONI Mixologist Quinn Stephenson, who designs drinks for Coyote Café (132 W Water St., 983-1615), Geronimo (724 Canyon Road, 982-1500), The High Note (132 W Water St., 231-9918) and Radish & Rye (548 Agua Fría St., 930-5325), is a fan of the Negroni, and he loves to riff on it. The classic recipe calls for equal parts gin, sweet vermouth and Campari, but Stephenson prefers to increase the gin and vermouth, while de-emphasizing the intensity of the Campari. He likes a 3:2:1 ratio.

Stephenson is adamant that the quality of the vermouth will make or break this drink. He uses Carpano Antica, an Italian sweet vermouth. And he always garnishes a Negroni with fresh orange. This recipe allows you to make a perfect pitcher of Negronis.

Just keep it chilled. ·· 3 parts gin

·· 2 parts high-quality sweet vermouth ·· 1 part Campari ·· orange peel

Mix the three ingredients together and pour them over ice. Garnish with orange.

COYOTE CAFÉ BLOOD ORANGE NEGRONI WITH CAMPARI DUST A dusting of dehydrated Campari on the rim of the glass makes a stunning presentation for this Coyote Café special. To make the Campari dust, simply pour Campari on a sheet tray and let it dry out. Once

Low ’n’ Slow Lowrider Bar’s Negroni Rubia is really pretty. Go to it. Profess your love.

it’s dehydrated, break up the pieces and use a spice grinder to grind them into a fine powder. ·· 1½ ounces gin

Greene says you can ask for it anytime. His version uses Averna in place of Campari and local Santa Fe Spirits’ smoked gin liqueur.

·· 1 ounce high-quality sweet vermouth

·· 1 part Santa Fe Spirits Slow Burn Gin

·· ½ ounce blood orange juice

·· 1 part Dolin Rouge vermouth

·· ½ ounce Campari ·· Campari dust ·· orange peel

Mix the three ingredients together and pour them over ice. Rub the rim of a glass with an orange wedge, dip it in Campari dust and garnish with orange.

RADISH & RYE BOULEVARDIER The Boulevardier is a cousin to the Negroni, made with whiskey, preferably bourbon. Although it’s been around since the 1920s, the Boulevardier has recently become fashionable again. ·· 1½ ounce bourbon

·· 1 ounce Carpano Antica (or other high-quality vermouth) ·· ½ ounce Campari ·· orange peel

Enjoy over ice or pour into a cold martini glass. Garnish with orange.

ELOISA’S BLACK NEGRONI This cocktail isn’t on the regular menu at Eloisa (228 Palace Ave., 982-0883), but it is occasionally a weekend special, and beverage director Winston

·· 1 part Averna

Pour the ingredients into a mixing glass and stir with ice, then strain into a glass filled with crushed ice.

Garnish with sage or a lemon wheel.

LOW ’N’ SLOW NEGRONI RUBIA This is a “sexier blonde cousin” of the Negroni, according to Carla Gilfillan, the bar manager at Hotel Chimayó’s Low ’n’ Slow Lowrider Bar (125 Washington Ave., 988-4900). Here, all of the classic ingredients are given a creative upgrade. Damrak Gin is a citrus-forward formula, which Gilfillan prefers for Negronis. Instead of Campari, she uses a combination of Cocchi Americano, a relatively new aperitif wine that falls somewhere between Lillet and Dubonnet, and the Colorado-made Breckenridge Bitter. ·· 1 ounce Damrak gin

·· 1 ounce Dolin Blanc vermouth ·· ½ ounce Cocchi Americano

·· ½ ounce Breckenridge Bitter ·· orange peel

Stir all of the ingredients together and pour them into a chilled coupe glass. Garnish with orange.

SFREPORTER.COM

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JULY 20-26, 2016

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THE CALENDAR

T E B T O JUST G nts. e v e E 4 MOR

trol. n o c r e us E R O M 4 s. s e c c a le RE mobi

4 MO

SANTA FE BANDSTAND: JOHN MAESTAS’ NEOSPECTRIC AND GINKGOA Santa Fe Plaza 100 Old Santa Fe Trail, 471-1067 Neospectric plays a variety of genres with New Orleans soul. Ginkgoa shows off electroswing straight out of a Parisian night club at 7:15 pm.

6 pm, free SANTA FE CHAMBER MUSIC FESTIVAL St. Francis Auditorium 107 W Palace Ave., 982-1890 Mozart and Beethoven quartets played by chamber musicians.

Noon, $15

TUCKER BINKLEY Osteria D'Assisi 58 S Federal Place, 986-5858 Smooth piano action.

Seriously, the smoothest.

6 pm, free WHITNEY Meow Wolf 1352 Rufina Circle, 395-6369 These guys make music that sounds like Americana made for summer in the 1970s, even though they hail from the freezing realm of Chicago, and it’s pretty damn good (see SFR Picks, page 19).

8 pm, $10

MUSEUMS COURTESY SCOTT GREENE

r a d n e l a tc s e b e h T e F a t n a in S TER.

GROOVE THINK Center Stage 505 Camino de los Marquez, 983-5022 A band that plays a fusion of progressive rock and groove metal based in Austin.

7:30 pm, $10 NATHAN KALISH AND THE LAST CALLERS Cowgirl 319 S Guadalupe St., 982-2565 American roots originals and country-ish covers.

8 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Solo guitar from a guy who know his way around the strings.

6 pm, free

calendar.sfreporter.com

Scott Greene’s “MoBro: High Seas Drifter” is on view at New Mexico Museum of Art as part of Alcoves 16/17.

EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 Far Wide Texas; Georgia O’Keeffe.

HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, (575) 758-9826 Mabel Dodge Luhan & Company: American Moderns and the West. Ken Price, Death Shrine I. MUSEUM OF CONTEMPORARY NATIVE ART 108 Cathedral Place, 983-8900 Into the Future: Culture Power in Native American Art. Lloyd Kiva New: Art, Design and Influence. Through July 31.

MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250

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Adriel Heisy, Oblique Views. The Life of Innovative Native American Artist and Designer Lloyd Kiva New. Lanscape of an Artist: Living Treasure Dan Namingha.

MUSEUM OF INTERNATIONAL FOLK ART 706 Camino Lejo, 476-1200 Multiple Visions: A Common Bond. Flamenco: From Spain to New Mexico. Both through Sept. 11. Sacred Realm. The Morris Miniature Circus.

MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 Chimayó: A Pilgrimage Through Two Centuries. The Beltrán-Kropp Art Collection from Peru.

NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 Lowriders, Hoppers and Hot Rods: Car Culture of Northern

New Mexico. Through March 2017.

NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Anne Noggle, Assumed Identities. Alcoves 16/17.

PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Fractured Faiths: Spanish Judaism, The Inquisition and New World Identities.

POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 Ashley Browning, Perspective of Perception. The Past of the Govenors.

WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Eveli, Energy and Significance.

yay!

Ghostbusters Review: Who You Gonna Call? by alex de vore alex@sfreporter.com

That somehow massive contingent of unfortunately vocal assholes who have spent the last year or so trashing the new Ghostbusters movie online (before it had even come out, we might add) because it dared to (gasp!) feature four female leads may as well shut up now— it’s one of the best movies this year!

The reboot from Paul Feig (Freaks and Geeks, Bridesmaids) and Parks and Recreation writer Kate Dippold is

actually everything you want and more, so, like good scientists, let’s examine the facts here.

We’ll admit that we were, shall we say, apprehensive about Feig’s new foray into the universe. In our defense, that first trailer was horrible, and we were actually pretty much prepared to write the whole thing off. Crisis averted.

The new cast is completely stellar, with enjoyable and hysterical performances from everyone. Kristen Wiig (Brides­ maids) shines as pensive physicist Erin Gilbert who, earlier in life,

SCORE CARD

ok

meh

barf

see it now

not too bad

rainy days only

avoid at all costs

THE INFILTRATOR

“There are ultimately too many tired

devices utilized and the film ends up lagging”

yay!

TICKLED “Turns out it’s madly liberating to watch a hairy chest wriggle under one finger in the armpit”

barf

“Cracks under the pressure of how

yay! ok

in her objectification of Hemsworth is a rich area for laughs. McCarthy turns in an excellent performance as well, which is particularly notable in that she generally winds up saying something awkward and then falling down in most of her films. Jones brings the flavor of the everywoman and sheds her usual angry persona for disarmingly sweet yet tough-as-nails.

McKinnon, however, is everything as the fearless Holtzmann, a scientist/ engineer whose professional curiosity overcomes her fight-or-flight response at every turn (and she provides one of the most badass fight sequences we’ve seen in ages).

Pepper in shriek-worthy cameos from almost all of the original cast and supporting roles from fairly prominent actors and comedians like Michael K Williams, Matt Walsh, Zach Woods, Cecily Strong and many more, and we’ve got one of those fun summer blockbusters like they used to make. Oh sure, there’s a whole mess of CGI and a small number of missteps to nitpick, but as an overall product, Ghostbusters completely nails it. You ain’t afraid of that, are you?

GHOSTBUSTERS Directed by Paul Feig With Wiig, McKinnon, McCarthy and Jones Violet Crown, Regal PG-13, 116 min.

SCREENER

yay!

ok

wrote of the metaphysical with brash fellow scientist, Abby Yates (Melissa McCarthy). Through a spooky series of events spurred by a mysteriously sinister hotel bellman, the pair, along with sassy subway worker Patty Tolan (SNL’s Leslie Jones) and ultra-weird/ ultra-genius Jillian Holtzmann (a scene-stealing Kate McKinnon, also of SNL) get down to the business of bustin’ ghosts in the funniest of ways.

Soon the fearsome foursome opens a lab/business of sorts, and along with their boneheaded receptionist, played brilliantly stupid by Thor’s Chris Hemsworth, they tackle horrors from the afterlife.

Those who may look back to the original films with rose-colored glasses will find plenty to love here, so long as they haven’t completely made up their minds before they enter theaters (or they aren’t like those ridiculous jerks who would hate a film just for having a female cast). An update hasn’t hurt the franchise whatsoever, and we’re a little confused by the ire since a vast number of films these days are either remakes, reboots or sourced from other material.

This Ghostbusters strikes the perfect balance between new/funny enough and throwback/fan service-y enough to click our nostalgia into high gear. The lead actors each bring something different to the film, and the chemistry between them all is palpable. Wiig’s Gilbert is vulnerable yet capable, and her inability to rein

THE SECRET LIFE OF PETS

many times we’ve already seen this movie” YARN “Lorenzen seems to capture the essence of how her subjects connect to their art”

SWISS ARMY MAN

“Almost painfully self-aware”

THE INFILTRATOR In the 1980s, cocaine was king, and South American drug lords were making just crazy bonkers money by exporting their product into America through various port cities like Miami. They had plenty of help from banks, too, and before anyone really realized it, the drug trade became a full-blown epidemic.

And that’s the setting for the new Bryan Cranston-led film, The Infiltrator. Based on a book by former undercover customs agent Robert Mazur, the story follows one of the largest drug busts in American history through the eyes of the agent himself (who became a fake money launderer) and looks into the brutal tactics employed by Pablo Escobar and his Medellín cartel. At first, it’s riveting to see the emotional and psychological toll it takes on the cops as they embed themselves into the drug trade through any means necessary, but there are ultimately too many tired devices utilized, and the film ends up lagging. It’s almost as if they had most of a great movie and then realized there wasn’t a strong ending, so they wrapped it up as quickly as possible.

Cranston provides a perfectly fine performance as the embattled agent who repeatedly puts work ahead of family (though it seems to have no lasting effect one way or another on his marriage and home life, at least so far as we’re shown),

and his fellow agents, played by John Leguizamo and Diane Kruger, provide little more than reactionary lines to his risky moves like, “Yeah, I’ve got your back!”

Benjamin Bratt brings a certain oomph to his role as one of the bad guy higher-ups in the cartel, and his charming performance shows that sometimes undercover work is totally super-hard when you start to like your targets! Everyone else just kind of exists in a vacuum, and they wait for Cranston to be onscreen so they can do crazy-terrifying things to let us know just how much is on the line. For the most part, this works, but they never quite make us care enough about Cranston or Leguizamo (or anyone, for that matter).

The Infiltrator is certainly not boring, but if you’re looking for anything more than a paint-by-numbers thriller, based on a true story or not, this is not your film. (ADV) Violet Crown, Regal, R, 127 min.

TICKLED

For a football star with a family finance problem, the decision to follow through with the absurd proposition of “Competitive Endurance Tickling” and an effort to later strike it from the merciless records of YouTube led to retaliation from organizers.

What first seemed a quirky TV story for New Zealand pop culture journalist David Farrier quickly took a turn into the control

fetish of a well-heeled (and perhaps even dangerous) recluse.

Combining forces with hacker companion Dylan Reeve, Farrier barrels ahead with an investigation in the face of threatened litigation, personal attacks and other hurdles. Who they allege the mastermind of the global tickling phenomenon is turns out to be worth the wait. And kudos to the duo for digging in despite a barrage of threats that apparently continue to this day.

The documentary reveals a degree of stomach-churning misrepresentation and what appears to be abuse of young men as well as a healthy dose of failing by the justice system over a yearslong period. Though the filmmakers are not due to appear at the Santa Fe screening, their targets showed up for an ugly public confrontation at a Los Angeles premiere last month. One official with the company that runs the “competition” has called the film “a pack of lies” and produced a number of videos and blog posts attempting to refute it, as well as threatening lawsuits again. Los Angeles Times reports that two lawsuits were filed after the film began screening, but both were “voluntarily dismissed.”

Tickled is no feat of filmmaking elegance.

It’s a fairly straightforward approach to a riveting thesis, including some great airport ambush footage, secretly recorded audio CONTINUED ON NEXT PAGE

SFREPORTER.COM

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JULY 20-26, 2016

33

MOVIES

2col (3.75”) x 5.25”

C I N E M AT H E Q U E

NATURE JUST GOT GANGSTER 1050 OLD PECOS TRAIL • 505.982.1338 • CCASANTAFE.ORG

SHOWTIMES JUL 20 – JUL 26, 2016

SPONSORED BY

FROM TAIKA WAITITI DIRECTOR OF “WHAT WE DO IN THE SHADOWS”

ok “Y’all ready to get infiltrated?” asks Bryan Cranston.

“HILARIOUS... I MIGHT BE IN LOVE WITH-CRAVEIT”

“WONDERFUL” “COMIC DYNAMITE” -THE VILLAGE VOICE -THE GUARDIAN

“PURE-AIN’TGENIUS” “FUNNY AS-FLAVORWIRE HELL” IT COOL NEWS “A DELICIOUSLY -THEGOOD TIME” HOLLYWOOD REPORTER

“DEEPLY DELIGHTFUL” -SCREEN DAILY “INFECTIOUS” -NERDIST

Wed & Thu, July 20 & 21 12:15p Tickled* 1:15p The Music of Strangers 2:15p Tickled* 3:15p Paths of the Soul 4:15p The Music of Strangers* 5:30p Exhibition on Screen: Leonardo EXHIBITION ON SCREEN 6:15p The Music of Strangers* Band of Outsiders “A JOYOUS REVELATION... 7:30p Full of pleasures and surprises.” 8:15p Tickled*

The Impressionists

– Joe Morgenstern, TheGallery Wall Street Journal Made possible through the generosity of William Siegal

DELIGHTFUL! 2col (3.75”) x“MUSICALLY 5.25” The spirit of creativity is infectious.”

Friday - Sunday, July 22 - 24 11:00a Exhibition on Screen: – John DeFore, The Hollywood Reporter The Impressionists 11:30a Paths of the Soul* 1:00p Hunt for the Wilderpeople 1:45p Tickled* 3:15p The Music of Strangers 3:45p Hunt for the Wilderpeople* 5:30p The Music of Stangers 6:00p Hunt for the Wilderpeople* Prepare to have your mind blown by this utterly fascinating documentary.”

Hunt for the Wilderpeople The only way to change theDermody world is to make a little noise. 7:45p -Dennis , PAPER 8:15p Tickled* “ ’

‘‘MISS THIS AT YOUR OWN PERIL. I CAN T REMEMBER THE LAST TIME I SAW A MOVIE THAT MADE NOW PLAYING ’ HOLLYWOOD WEST ANGELES WEST ME LOS SAY, OUT LOUD, ‘OH MY GOD,

The LANDMARK at W.TIMES Pico & Westwood Sundance Sunset Cinemas QUITE AS MANY AS ‘TICKLED ’ DID .’’

(310)Kois 470-0492 sundancecinemas.com Free 3-Hour -Dan , SLATE landmarktheatres.com Validated Parking. All Shows 21+ 10:10 • 12:30 • 2:50 • 5:10 • 7:30 • 9:45 Daily: 2:15 • 4:30 • 6:45 • 9:15 “Fri-Sun: SO CRAZY IT FEELS LIKE A HOAX . 12:00 • 2:15 • 4:30 • 6:45 • 9:15 Mon-Thurs: 12:30THAT • 2:50 • 5:10 • 7:30 • 9:45 Sat & Sun: ONLY IT’S NOT. A compelling, stranger-than-fiction ENCINO PASADENA procedural.

Grade A-.”

Laemmle’s Town Center 5 (818) 981-9811 Laemmle’s Playhouse 7 (626) 844-6500 laemmle.com -Chris Nashawaty, ENTERTAINMENT WEEKLY

“ TERRIFICALLY ENTERTAINING.’’

LANG

FRI 6/17

-Manohla Dargis, THE NEW YORK TIMES

2 COL x 3.5" (3.2222" w)

TICKLED IT ’ S N OT W H AT YO U TH I N K .

FINAL SHOWS Paths of the Soul 34

JULY 20-26, 2016

2x3.5 CampA - 2

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SFREPORTER.COM

Mon & Tue, July 25 & 26 11:00a The Music of Strangers 11:30a Paths of the Soul* 1:00p Hunt for the Wilderpeople 1:45p The Music of Strangers* 3:15p Hunt for the Wilderpeople 4:00p The Music of Strangers* 5:30p Exhibition on Screen: The Impressionists 6:00p The Music of Strangers* 7:30p Hunt for the Wilderpeople 8:15p Tickled* *screening in The Studio

tracks, a stakeout and even one scene shot from inside a coffee cup. But the unfolding story has built-in plot twists that make you not want to step away to refill your drink. Building on the work of other journalists and connecting the dots in a new way, the pair also delivers an eyepopping look into the little-known kink of tickling on camera in what at least some of the fans claim is a totally nonsexual thing. True to that point, the clips feature nothing that’s outright pornography. Even though there’s no epic finish or overt genital contact and no sound except for giggles and gasps for breath, the scenes are still squirmy.

Turns out, it’s madly liberating to watch a hairy chest wriggle under one finger in the armpit, feet in stocks and wrists bound over his head. At least one entrepreneur has made a great living at the tickle video trade. His “talent” seems perfectly happy. Not like the football guys who tangled with the wrong tickler. That dude, devious and manipulative as he is, has like $5 million in the bank and is probably right this moment arranging for a Minnesota track star to have an awkward day and a life of regret. Don’t fall for it, fellas. (Julie Ann Grimm) CCA, R, 92 min.

THE SECRET LIFE OF PETS One begins to wonder how many “this is what the toys/pets/cars/planes/appliances do when you aren’t watching” films we’re expected to suffer through at this point, and The Secret Life of Pets isn’t helping. One of those odd-couple stories, Pets follows Max, a stereotypically dog-ish dog voiced by Louis CK—who we think probably just took the role because he has young daughters. Max totally loves his owner, Katie (a flat Ellie Kemper from Kimmy Schmidt), but when she brings home a dog named Duke (Modern Family’s Eric Stonestreet), he has a hell of a time adjusting. Sure, they work it out after a series of zany adventures, but once the initial sickeningly cute factor has finished its fullfrontal assault, Pets cracks under the pressure of how many times we’ve already seen this movie.

There’s an impressive cast featuring usually very funny actors and comedians like Albert Brooks, Jenny Slate, Steve Coogan and Dana Carvey, but not even they can save this movie from itself, and the formulaic drag of learning to love others for who they are remains tired.

Most performances are fine, just fine, but Kevin Hart as an insane bunny (are we supposed to find it hilarious that a bunny probably wouldn’t talk or act like that?) is, at the risk of putting too fine a point on it, the absolute worst.

Illumination Entertainment can be commended

for their gorgeous and detailed New York City and for trying to throw in some weird stuff (like a psychedelic dreamland of living sausages singing from Grease), but even children will probably feel insulted by how utterly unfunny the final product winds up being. (ADV) Violet Crown, Regal, DeVargas, PG, 87 min.

YARN

Watching Icelandic yarn graffiti artist and sheep rancher Tinna Pórudóttir Porvaldsdóttir release her vibrant knitted objects into the world is so calming and profound that I found myself getting a little misty-eyed. Was I really feeling this way in the middle of a documentary about yarn?

The simple answer is yes. The short-running Yarn follows four takes on the topic, and each is surprising and delightfully outside-the-box.

Porvaldsdóttir’s sharing happens, too, as she delicately decorates glass buoys and sends them afloat into the ocean. She strolls the streets of Barcelona and Havana, sometimes withdrawing a small hammer from her roomy purse and using her lips to hold extra nails while she works.

Polish artist Olek crochets full body suits and then follows four models around the city (and in lava flows and forests) to photograph their interactions with people and the environment—the faceless, skinless beings embodied in a thicker, softer skin of repeating loops and clashing shades of orange and yellow and blue. Before that, she covers four railroad cars completely in crochet work and then helps make a mermaid swim with marine animals in Hawaii. When the camera cuts to her hands, they’re literally moving fast enough to blur.

The observation and reverence for the rhythmic nature of these artforms from new director Una Lorenzen serves to naturally knot together the work. And even though that sentence was contrived, the arc of story in the film does not feel that way. Lorenzen seems to capture the essence of how her subjects connect to their art and how they see it as that and not simply craft, clothing or kitsch.

Children who climb and bounce on a swaying knitted play structure make fiber sculptor Toshiko Horiuchi MacAdam contagiously happy as she explains how she transitioned from art that hung untouched to art meant to serve a deep human need. The inclusion of a profile of the co-ed Cirkus Cirkör’s show with yarn as a theme adds enough masculine energy to the storylines to keep the balance. And balance they do, on tiny tightropes, all the while relating that the meaning of the act, the meaning of life, is in the striving, the changing. (JAG) Jean Cocteau Cinema, NR, 76 min.

MOVIES

yay!

Tickled exposes the seedy underworld of competitive tickling, which is somehow a thing.

SWISS ARMY MAN Film newcomers Dan Kwan and Daniel Scheinert are collectively known as “Daniels” for some reason, and the pair has come out swingin’ with Swiss Army Man, an indie-ish film about what it is to be alive. It’s a lesson that Paul Dano (Little Miss Sunshine) learns, ironically, from a corpse played by Daniel Radcliffe (Harry Potter, duh) who, over the course of the film, becomes one of the strangest characters we’ve ever seen.

Hank is stranded on the coast someplace, but when Manny washes up on the shore in all his decaying glory, Hank begins to use the body as a means to sort through all his selfperceived personal failings and mental issues.

Manny starts to come to life (sort of) and simultaneously acts as water spigot, firearm, wood-chopper and, oddly, fart-propelled jetpack/jet ski.

It is definitely fun to see his “powers” revealed over the course of the story, but ultimately, they are about the best thing one can say for this tale. Swiss Army Man isn’t like anything else you’ve ever seen, that’s for sure, but it lags throughout and is almost painfully self-aware. It becomes hard to differentiate between the kids-playing-in-the-yard aesthetic

and the seriously sad realization that Hank is probably just insane and hasn’t realized it. The premise itself is interesting enough, and Dano does find an oddly perfect balance between relatable neurotic and unhinged lunatic wherein we feel along with him despite ourselves and see our own shortcomings in his openness.

But everything is just so preciously selfindulgent that by the time the credits roll and the “twist” ending begins to sink in, the whole journey just seems kind of silly. Or monumentally depressing—we can’t really decide.

Radcliffe, however, is practically perfect, and his mostly motionless take on a 20-something dead guy who is also basically a newborn provides some brilliantly timed laughs. There’s a fine line between legitimate eccentricity and forced weirdness, and though it’s hard to pinpoint exactly where Swiss Army Man falls on that spectrum, it’ll probably only be enjoyed by a very specific kind of moviegoer.

This isn’t to say it isn’t worth a watch, more like it’s really just only OK and pretty much everyone else can just wait for it to hit Netflix in the coming months. (ADV) Violet Crown, R, 97 min.

THEATERS

NOWCCA SHOWING CINEMATHEQUE 1050 Old Pecos Trail, 982-1338

THE SCREEN SFUAD, 1600 St. Michael’s Drive, 473-6494

JEAN COCTEAU CINEMA

REGAL STADIUM 14

418 Montezuma Ave., 466-5528

3474 Zafarano Drive, (844) 462-7342 CODE 1765

UA DeVARGAS 6

VIOLET CROWN

DeVargas Center, N Guadalupe St. and Paseo de Peralta, 988-2775

1606 Alcaldesa St., 216-5678

For more reviews and showtimes, visit SFReporter.com

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Say Yes We Can!

JONESIN’ CROSSWORD “Breaking Story”— putting the details back together.

by Matt Jones

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1 It may be dank 4 Civics field, for short 11 It gets laid down 14 “Now I get it!”

15 Surname on the sitar 16 Decorate with frosting 17 1967 hit by The Doors 19 Unpaid bill 20 Just meh 21 A bit of 22 “A Change is Gonna Come” singer Redding 23 Possesses 26 Hammer or sickle, e.g.

28 Part of one of the Ten Commandments 35 He followed Peyton as Super Bowl MVP 36 Boutros Boutros-Ghali’s birthplace 37 “TMZ” subject 39 Milhouse’s teacher 41 “Three Coins in the Fountain” fountain 43 Frank Herbert book series 44 River of forgetfulness in Hades 46 Three of ___ 48 Made the first play 49 T-Bone Walker’s genre 52 Cuban coin 53 7 1/2-foot Ming 54 Wise crowd 56 Texas city

60 Converse, e.g.

64 Woody’s ex 65 Long-running TV science show that hints at the other long entries 68 Business letters?

69 Caesar salad base 70 Treasure hunter’s need 71 Kickoff need 72 Pick-up area 73 Toilet paper layer

DOWN

1 Buds 2 Athens is there 3 Makes it?

4 L.A. clock setting 5 Bit of resistance?

6 Places down, as carpeting 7 Dope 8 Take money off the top 9 “___ comment?”

10 Acrimony 11 Comic-strip girl who debuted in the 1930s 12 Berry for the health-conscious 13 Halloween decorations 18 Swiss Roll lookalike 22 Expressed admiration 24 Compass tracing 25 “Chop-chop!”

27 Available without a prescription, for short 28 Achilles’ vulnerable spot

BE MY FUR-EVER FRIEND! KIWI (dilute tortie) and KUFU (orange

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29 With more “years young” 30 Well out of medal contention 31 Distiller ___ Walker 32 Northern California town that once had a palindromic bakery 33 “___ Out” (musical based on Billy Joel songs) 34 “Chicago” actress Zellweger 38 Growing planes?

40 “I remember well ...”

42 ___ 500 45 French connections?

47 AKA, before a company name 50 “___ doin’?” (Joey Tribbiani greeting) 51 Got the highest score, in golf 54 Leave out 55 Jacob’s Creek product 57 Fast money sources 58 “The New Yorker” cartoonist Addams, for short 59 “In memoriam” bio 61 Burlap material 62 Administered by spoon 63 Catch sight of 65 What Elmo calls Dagwood in “Blondie” 66 “Wooly Bully” opening number?

67 Sapphire’s mo.

tabby) are a sweet pair of 12 year old cats who have recently become homeless due to a change in their family situation.

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KIWI

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UPAYA ZEN CENTER: MEDITATION, TALKS, ACTIVISM AND RESILIENCY RETREATS Upaya is a community resource fostering mindfulness. Come for DAILY MEDITATION; Wednesday DHARMA TALKS 5:306:30pm; Aug. 26-28 SOCIAL RESILIENCE MODEL: Laurie Leitch offers skills to prevent burnout and stress; Sep 2-4 FINDING CALM, CLARITY, & COMPASSION IN THE STORM OFILLNESS: VALLECITOS MOUNTAIN RETREAT Susan Bauer-Wu offers copCENTER. Going to the Woods ing skills through mindfulInsight Meditation Retreat, ness, $25. www.upaya.org.

September 8-13 with Mary 505-986-8518, Santa Fe, NM Powell and Peter Williams.

Register today at Vallecitos.

HEALING THROUGH THE ART OF org. Scholarships Available for TRADITIONAL NATIVE AMERICAN Healthcare Workers and NM POTTERY. Open group for men Woman of Color! Always wanted and women 21 and up where to go on retreat or learn about we will incorporate the tradimeditation? Find your way tional pottery teachings and deep in the majestic Tusas history into a collaborative Mountains outside of Taos NM therapeutic model. $10 slidto the stunning wilderness ing scale per session. Group landscape of Vallecitos. meets Fridays from 4:306:30 pm, Aug. 5th- Sept 2nd JOHREI CENTER OF SANTA FE. JOHREI IS BASED ON THE FOCUS at Tierra Nueva Counseling Center. Group led by student AND FLOW OF THE UNIVERSAL therapist and traditional LIFE ENERGY. When clouds Native American potter Sanda in the spiritual body and in Sandoval and co-facilitated consciousness are dissolved,

by Traci McMinn-Joubert. Call there is a return to true 471-8575 to register. health. This is according to the Divine Law of Order; after SACRED EXPRESSIONS: You spiritual clearing, physical are invited to experience the and mental- emotional healhealing power of creative ing follow. You are invited to experience the Divine Healing expression through the Energy of Johrei. On Saturday exploration of animal totems, July 16th at 10:30 am we are mandalas and guided holding our monthly Gratitude meditations. Join us Friday Service, please join us. All are evenings from 5pm-7pm Welcome. The Johrei Center beginning July 22nd & of Santa Fe is located at Calle ending August 12th at the Cinco Plaza, 1500 Fifth St., Suite 10, 87505. Please call Tierra Nueva Counseling Center. Cost is $10 (sliding 820-0451 with any quesscale) per session. Ages 18 tions. Drop-ins welcome! and up. Group facilitated There is no fee for receiving

by Southwestern College Johrei. Donations are grategraduate students, Amara fully accepted. Please check us out at our new website Bedford and Madge Duus. To santafejohreifellowship.com register call 471-8575.

LEGAL NOTICE TO CREDITORS/NAME CHANGE

GOT PAIN? WANT OPTIONS? Are you down and depressed because you are in pain?

Find out if Egoscue Posture Therapy might work for you to heal the root cause of your spine or joint pain. FREE monthly hour-long introductory workshops. What would your life look like if you were out of pain in 6 months?

Call Pain Free Santa Fe for schedule, 474-4164. www.painfreesantafe.net.

HOW TO PROVE GODS PRESENCE WITHOUT DOUBT. Proving God to—Your Satisfaction. An “experientia” class for those who believe. Four Classes for the Soul Saturdays 1-2pm July 23, July 30, August 6 & August 13. Love offerings accepted. Unity of Santa Fe Meeting Room, 1210 Unity Way in Santa Fe. Unity Santa Fe is located off 599 at mile marker 12/north side of 599 Bypass at Camino de Los Montoyas, 2 miles from 84/285, 8.4 miles from Airport Rd. “No matter how far you gone on your spiritual journey, Creation will provide opportunities to go further.” Facilitated

by Joseph Douglas Rich, radicaltrust@hotmail.com SOUTHWESTERN COLLEGE PRESENTS TRANSFORMATION & HEALING CONFERENCE At the Crossroads of Human Potential 18 fascinationg 3-hour workshops W-F on various aspects of consciousness PLUS world renowed keynote presenter GREGG Braden on Sat. Aug. 5, “Human by Design: The Power to Thrive in Life’s Extremes.” Santa Fe favorite Lee Cartwright on Sunday, Aug. 7. For complete brochure of events and to register, visit www.swc.edu

ADVERTISE AN EVENT, WORKSHOP OR LECTURE HERE IN THE COMMUNITY ANNOUCMENTS CLASSY@ SFREPORTER.COM

STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION FOR CHANGE OF NAME OF JOSIAH ROMERO, A CHILD. Case No.: D-101-CV-2016-01611 NOTICE OF CHANGE OF NAME TAKE NOTICE that in accordance with the provisions of Sec. 40-8-1 through Sec. 40-8-3 NMSA 1978, et. seq. the Petitioner Daniel Chavez will apply to the Honorable Francis J. Mathew, District Judge of the First Judicial District at the Santa Fe Judicial Complex, 225 Montezuma Ave., in Santa Fe, New Mexico at 8:30 a.m. on the 15th day of August, 2016 for an ORDER OF CHANGE OF NAME of the child from Josiah Romero to Josiah Ethan Chavez.STEPHEN T. PACHECO, District Court Clerk By: Jill Mehl Deputy Court Clerk Submitted by: Daniel Chavez Petitioner, Pro Se

NEED TO PLACE A LEGAL NOTICE? SFR CAN PROCESS ALL OF YOUR LEGAL NOTICES FOR THE MOST AFFORDABLE PRICES IN THE SANTA FE AREA. CALL: 983.1212

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REAL ESTATE STATE OF NEW MEXICO IN THE PROBATE COURT SANTA FE COUNTY IN THE MATTER OF THE ESATE OF THERESE SALLY ZUCAL, DECEASED. NO: 2016-0111 NOTICE TO CREDITORS NOTICE IS HEREBY GIVEN that the undersigned has been appointed personal representative of this estate. All persons having claims against this estate are required to present their claims within two (2) months after the date of the first publication of this notice, or the claims will be forever barred. Claims must be presented either to the undersigned personal representative at the address listed below, or filed with the Probate Court of Santa Fe, County, New Mexico, located at the following address: 102 Grant Ave, Santa Fe N.M. 87501.

Dated: 07/14, 2016.

James Zucal Personal Representative

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AUTOMOTIVE LEGAL NOTICES ALL OTHERS

RVS/CAMPERS FOR SALE

PUBLIC NOTICE In accordance with Sec. 106 of the Programmatic Agreement, T-Mobile West, LLC proposes to install a new antenna structure at 801 West San Mateo Road Santa Fe, New Mexico 87505 .

Please direct comments to Gavin L. at 818-898-4866 regarding site NM01247B. 7/13, 7/20/16 CNS-2901823# SANTA FE REPORTER

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JULY 20-26, 2016

37

SFR CLASSIFIEDS 3 Ways to Book Your Ad!

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MIND BODY SPIRIT ACUPUNCTURE/ MASSAGE Rob Brezsny

Week of July 20th

ARIES (March 21-April 19) You now have more luxuriant access to divine luck than you’ve had in a long time. For the foreseeable future, you could be able to induce semi-miraculous twists of fate that might normally be beyond your capacities. But here’s a caveat: The good fortune swirling in your vicinity may be odd or irregular or hard-to-understand. To harvest it, you will have to expand your ideas about what constitutes good fortune.

It may bestow powers you didn’t even realize it was possible to have. For example, what if you temporarily have an acute talent for gravitating toward situations where smart love is in full play?

Entomologists Raymond Bushland and Edward Knipling were this year’s winners. More than 60 years ago they started tinkering with the sex life of the screwworm fly in an effort to stop the pest from killing livestock and wildlife throughout the American South. At first their ideas were laughed at, even ridiculed. In time they were lauded for their pioneering breakthroughs. I suspect you’ll be blessed with a vindication of your own in the coming weeks, Libra. It may not be as monumental as Bushland’s and Knipling’s, but I bet it’ll be deeply meaningful for you.

TAURUS (April 20-May 20) A directory published by the U.S. Department of Labor says that my gig as an astrologer shares a category with jugglers, rodeo clowns, acrobats, carnival barkers, and stuntpersons. Am I, therefore, just a charming buffoon? An amusing goofball who provides diversion from life’s serious matters? I’m fine with that. I may prefer to regard myself as a sly oracle inflamed with holy madness, but the service I provide is probably more effective if my ego doesn’t get the specific glory it yearns for. In this way, I have certain resemblances to the Taurus tribe during the next four weeks. Is it OK if you achieve success without receiving all of the credit you think you deserve?

GEMINI (May 21-June 20) Over the course of a 57-year career, Japanese movie director Akira Kurosawa won 78 major awards for his work, including a Lifetime Achievement Award from the Oscars. Among the filmmakers who’ve named him as an inspirational influence are heavyweights like Ingmar Bergman, Werner Herzog, Bernardo Bertolucci, Robert Altman, Francis Ford Coppola, and Martin Scorsese. But Kurosawa wasn’t too haughty to create lighter fare. At age 86, he departed from his epic dramas to create a 30-second commercial for a yogurt drink. Did that compromise his artistic integrity? I say no. Even a genius can’t be expected to create non-stop masterpieces. Be inspired by Kurosawa, Gemini. In the coming weeks, give your best to even the most modest projects.

SCORPIO (Oct. 23-Nov. 21) I hope it doesn’t sound too paradoxical when I urge you to intensify your commitment to relaxation. I will love it, and more importantly your guardian angel will love it, if you become a fierce devotee of slowing down and chilling out. Get looser and cozier and more spacious, damn it!

Snuggle more. Cut back on overthinking and trying too hard. Vow to become a high master of the mystic art of I-don’t-give-a-f*ck. It’s your sacred duty to steal more slack from the soul-anesthetizing grind.

SAGITTARIUS (Nov. 22-Dec. 21) I regularly travel back through time from the year 2036 so as to be here with you. It’s tough to be away from the thrilling transformations that are underway there. But it’s in a good cause. The bedraggled era that you live in needs frequent doses of the vigorous optimism that’s so widespread in 2036, and I’m happy to disseminate it.

Why am I confessing this? Because I suspect you now have an extra talent for gazing into the unknown and exploring undiscovered possibilities. You also have an unprecedented power to set definite intentions about the life you want to be living in the future. Who will you be five years from today? Ten years? Twenty years? Be brave. Be visionary. Be precise.

CAPRICORN (Dec. 22-Jan. 19) Here’s one strategy you could pursue, I guess: You could spank the Devil with a feather duster as you try to coax him to promise that he will never again trick you with a bogus temptation. But I don’t think that would work, frankly. It may have minor CANCER (June 21-July 22) Capricorns may be the hardshock value, in which case the Devil might leave you in est workers of the zodiac, and Tauruses the most peace for a short time. Here’s what I suggest instead: dogged. But in the coming weeks, I suspect you Work at raising your discernment so high that you can Cancerians will be the smartest workers. You will effiquickly identify, in the future, which temptations will ciently surmise the precise nature of the tasks at hand, and do what’s necessary to accomplish them. There’ll be deliver you unto evil confusion, and which will feed and hone your most noble desires. no false starts or reliance on iffy data or slapdash trialand-error experiments. You’ll have a light touch as you AQUARIUS (Jan. 20-Feb. 18) After a cool, dry period, find innovative short cuts that produce better results you’ll soon be slipping into a hot, wet phase. The reathan would be possible via the grind-it-out approach. sonable explanations that generated so much apathy are LEO (July 23-Aug. 22) My friend’s 12-year-old daughter about to get turned inside-out. The seemingly good Brianna got a “B” on her summer school math test. She excuses that provided cover for your timidity will be might have earned an “A” if it weren’t for a problem her exposed as impractical lies. Are you ready for your passion to roar back into fashion? Will you know what to do teacher had with some of her work. “You got the right answer by making two mistakes that happened to cancel when suppressed yearnings erupt and the chemicals of each other out,” he wrote on her paper next to question love start rampaging through your soft, warm animal seven. I suspect you will soon have a similar experience. body? I hereby warn you about the oncoming surge of Leo. But the difference between you and Brianna is that weird delight—and sing “Hallelujah!” for the revelatory I’m giving you an “A.” All that matters in the end is that fun it will bring. you succeed. I don’t care if your strategy is a bit funky.

PISCES (Feb. 19-March 20) I’m composing your horoVIRGO (Aug. 23-Sept. 22) Have ever fantasized about being a different gender or race or astrological sign? Do you suspect it might be fun and liberating to completely change your wardrobe or your hairstyle or your body language? The coming weeks will be an excellent time to experiment with these variables, and with any others that would enable you to play with your identity and mutate your self-image. You have a cosmic exemption from imitating what you have done in the past. In this spirit, feel free to read all the other signs’ horoscopes, and act on the one you like best. Your word of power is “shapeshifter.”

scope on my iPhone after midnight on a crowded bus that’s crammed with sweaty revelers. We’re being transported back to civilization from a rural hideaway where we spent the last 12 hours at a raging party. I still feel ecstatic from the recent bacchanal, but the ride is uncomfortable. I’m pinned against a window by a sleepy, drunken dude who’s not in full control of his body. But do I allow my predicament to interfere with my holy meditation on your destiny? I do not—just as I trust you will keep stoking the fires of your own inspiration in the face of comparable irritations. You have been on a hot streak, my dear. Don’t let anything tamp it down!

LIBRA (Sept. 23-Oct. 22) The Golden Goose Award is given annually to “scientists whose work may have been Homework: Which actor or actress would be the best considered silly, odd, or obscure when first conducted,” choice to play you in a film about your life? Go to but which ultimately produced dramatic advances.

Realastrology.com and click “Email Rob.”

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700. © CO P Y R I G H T 2 0 1 6 R O B B R E Z S N Y 38

JULY 20-26, 2016

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ARTFUL SOUL CENTER NOW OPEN Scars of any size can block Also serving the LGBT Barry Cooney, Director the flow of energy along community.

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ARTISTS OF ALL DISCIPLINES: At the Wonder Institute— Linda Durham is offering private, strategic, goaloriented, consulting and coaching for Artists seeking ASTROLOGY to increase their success Santa Fe astrologer Steven in living and embracing McFadden available for conthe commercial and/or sultations. Life insight. Soul studio life… For additional keys. Skillful means. information and to Good Medicine. Check me out. schedule an appointment Make an appointment. call: 505-466-4001 www.chiron-communications.com www.thewonderinstitute.org

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Tap into Santa Fe’s rich literary culture by joining the

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#3 club offering THE HOUR OF LAND A Personal Topography of America’s National Parks

by Terry Tempest Williams

From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Terry Tempest Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.

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JULY 20-26, 2016

39

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Inside the