June 7, 2017 Santa Fe Reporter

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JUNE 7-13, 2017

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SANTA FEANS REGISTERED AT LEAST 24 COMPLAINTS AGAINST OFFICERS LAST YEAR, BUT WHAT HAPPENED NEXT REMAINS UNDER LOCK AND KEY

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SFREPORTER.COM

JUNE 7-13, 2017 | Volume 44, Issue 23

NEWS OPINION 5 NEWS 7 DAYS, METROGLYPHS AND THIS MODERN WORLD 6 UNSAFE SPACES 9 ICE agents have reportedly been camping out by courthouses to arrest people on alleged immigration violations, and advocates are logging their actions BOOM TOWN 11 The Kiwanis Club will host this year’s Fourth of July firewords at the Santa Fe Place Mall, relieving congested hoods near Santa Fe High COVER STORY 12 COP SECRET Ever tried to follow up on disciplinary actions against cops? We’re guessing you didn’t get too far. SFR investigates SFPD’s secrecy when it comes to misbehaving law enforcement officers

EYE TO EYE Ventana Fine Art hosts a glorious look at the works of modernist Paul-Henri Bourguignon this week and our arts writer shares his thoughts—then takes a bow.

Cover design by Anson Stevens-Bollen artdirector@sfreporter.com

EDITOR AND PUBLISHER JULIE ANN GRIMM

CULTURE

ASSOCIATE PUBLISHER AND AD DIRECTOR ANNA MAGGIORE

SFR PICKS 19 Foxes and Currents, golden girls and A New Hope THE CALENDAR 21

ART DIRECTOR ANSON STEVENS-BOLLEN CULTURE EDITOR ALEX DE VORE STAFF WRITERS AARON CANTÚ MATT GRUBS

MUSIC 23 FIRST TRACKS XL Tips and tricks, rumors and more (different) Foxes

COPY EDITOR CHARLOTTE JUSINSKI CULTURE STAFFER MARIA EGOLF-ROMERO

BED HEAD 25

CONTRIBUTING EDITOR JEFF PROCTOR

YOU’RE WELCOME AT WANDERER Taos shop brings shopping to the people

CONTRIBUTING WRITERS JORDAN EDDY NEIL MORRIS MICHAEL J WILSON

SAVAGE LOVE 26 Porn won’t help your sex life

DIGITAL SERVICES MANAGER BRIANNA KIRKLAND PRINT PRODUCTION MANAGER AND GRAPHIC DESIGNER SUZANNE S KLAPMEIER

AC 29 EYE TO EYE Ventana’s got that sweet Bourguignon

PHOTO INTERN LILIANA DILLINGHAM

FOOD 31

MAJOR ACCOUNTS ADVERTISING EXECUTIVE JAYDE SWARTS

MOONSHOT The Betterday shoots the moon with new restaurant

ADVERTISING EXECUTIVE MICHELLE RIBEIRO CIRCULATION MANAGER ANDY BRAMBLE

MOVIES 33 JEREMIAH TOWER: THE LAST MAGNIFICENT REVIEW Plus the wonderous exploits of Wonder Woman

www.SFReporter.com

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Phone: (505) 988-5541 Fax: (505) 988-5348 Classifieds: (505) 983-1212 Office: 132 E MARCY ST.

OFFICE MANAGER JOEL LeCUYER PRINTER THE NEW MEXICAN

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JUNE 7-13, 2017

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COURTESY ALICIA SEARLE

Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

LETTERS 3 r D an n ual face a face & ic! berlin

trunk show

LETTERS, MAY 24: “AIN’T WHAT YOU THINK”

we ar e g o i n ' banana S

WOODSY PROPAGANDA As Cate Moses points out, Forest Service propaganda about “decades of fire suppression” is wrong. But her idea that we must learn to live with “natural” fires is also wrong. And the argument about whether “historically” high-severity fires were rare in the Southwest is irrelevant.

The Forest Service was created in 1905 to protect the forests, not burn them up, and its policy, vigorously defended by Aldo Leopold, was to extinguish all fires quickly if at all humanly possible. The Forest Service abandoned that policy in 1972 under pressure from the timber industry, with predictable results. The last 45 years of letting natural fires burn and conducting more and more prescribed burns has been catastrophic.

What has happened to common sense?

Where are the environmentalists, the ornithologists, the global warming activists?

Everybody seems to have forgotten that fire is fire, and whether started by lightning, or accidentally or intentionally by humans, it looks the same, burns the same, produces the same smoke, releases the same carbon monoxide, destroys the same trees and wipes out the same populations of birds and wildlife.

ARTHUR FIRSTENBERG SANTA FE

NEWS, MAY 31: “TVMLA”

GARAGES ‘O’ FOOD I live a block from the market [in Venice Beach]. This article does a disservice to me and my neighbors who object to the misuse of this building. The old Kim’s wasn’t a “dive,” it was a corner market carrying the kinds of groceries you suddenly realize you’ve run out of (cat food, beer, milk). As such it served the neighborhood well. ...

While we may find the idea, the food, the “vibe” of this market attractive, the point your article misses is it is not an appropriate location. There is no parking lot to accommodate the cars that a restaurant would bring in, straining the already-scarce street parking in the area. The noise from the restaurant patio would disturb the neighbors, who did not bargain for a restaurant in their residential neighborhood. Zoning laws

exist to protect all of us, and this business is trying to get around them. We know exactly what they are “trying to do there.” I do not for a minute buy that [Alicia] Searle is confident that the neighbors will come around, we have already caught them trying to illegally turn their garages into kitchens (another zoning violation) and we are tired of their lies and manipulations.

DAWN HOLLIER SFREPORTER.COM

JUST BE NICE I am a Santa Fean who happened by TVM while walking in Venice. Disappointing and overpriced selection. Despite being empty of other customers, no one greeted us. There is nothing friendly or enticing about this place, whether in Tesuque or Venice Beach.

LAURA WAGNER VIA FACEBOOK

NEWS, MAY 31: “CAN’T STOP WON’T STOP”

SHIFT THE FOCUS Appreciate the coverage of ¡YouthWorks!, but wish we weren’t still stuck presenting the opinion of those in the trenches that the work is hard to quantify rather than earnestly investigating sloppy allegations of quantification.

ZANE FISCHER VIA FACEBOOK

WINNERS AND LOSERS The Reporter’s story on Youthworks in the May 31 edition included a paragraph which stated, based on a recent article in The New Mexican, that the Santa Fe County League of Women Voters “appeared to question the city’s decision to pour a reported $1.2 million of economic development money into YouthWorks, making it the second-highest receiver of such funds.”

Your story then stated that the League “suggested that the city tighten its accounting.” We would like to clarify what we did

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7 DAYS MEDPOT PRODUCER SUES THE STATE FAIR OVER FREE SPEECH Expo argues there was already enough cannabis up there on the ferris wheel.

PUBLIC EDUCATION DEPARTMENT SAYS IT WILL CUT BACK TESTING TIME Sometimes, sanity prevails—even here.

SANTA FE GALLERY OWNER ALLEGES ART SALE DEFAMED HIM And he was so beloved by the community before this!

LAND COMMISSIONER CANDIDATES ARE ALREADY SPARRING It’s never not election season.

ing Artist render in ng ti in pa e of th question

SPEED VANS COULD BE MAKING A COMEBACK Soon you’ll just be ticketed based on the chance you might speed at some point in your life.

CITY GETS NEW ECONOMIC DEVELOPMENT DIRECTOR We haven’t heard yet if he drinks soda or not.

NM LAWMAKERS SUE GOV AGAIN OVER VETOES Your mouth is saying no, but your eyes are saying, “See you in court!”

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LETTERS say about funding ¡Youthworks!.

The New Mexican’s story (May 22 edition) about the League’s study of economic development dealt largely with one of five background papers that the study committee wrote—the background paper that dealt with the history of the city’s economic development fund.

This paper did not state that any recipient should or should not receive funding.

What it did say was, “It would be useful for the city to consider how broadly ‘economic development’ should be defined for the purposes of making Economic Development Fund expenditures.” ... It then pointed out that, “Should the city decide to spend its economic development funds to achieve these narrower goals, it would probably need to finance some activities currently financed from the EDF from other city funds. For example, ¡Youthworks!, which has received $1,192,090 over the course of 8 years, the second-largest award of EDF funds to a single organization, might instead get support from Public Works.”

The League appreciates the recognition given to our work, but we want to assure readers of The Reporter that we have not tried to pick economic winners and losers, nor will we going forward. We look forward to using our positions to support sensible government investment in local economic development, by focusing mainly on the processes, including planning and oversight, as well as transparency in operations.

JODY LARSON, CHAIR LWVSFC LOCAL ECONOMIC DEVELOPMENT STUDY COMMITTEE

COVER, MAY 31: “MORTALLY MATERNAL”

END THE WAIT Thank you to the Reporter and to Elizabeth Miller for this excellent article, and to Anson Stevens-Bollen for the beautiful (and heartrending) cover art. I also want to emphasize that midwives and physicians are united in disagreeing emphatically with the governor’s stance against the maternal mortality review board. Our state and our country need a multifaceted approach to the tragedy of maternal mortality, not denial of the problem. Women deserve to have respectful, easily accessible care from midwives and physicians who have the resources they

need and the systemic support to implement care that is both culturally congruent and evidence-based. And we need the public health data to be able to tease out the underlying causes of both mortality and near-misses so that we can address those causes vigorously and effectively. What are we waiting for?

NANCY L BRANNIN SANTA FE

HEADED TO DARK AGES? I feel horrified to be transported by this article back to the 1970’s before [the Health Resources and Services Administration] began its push to bring infant mortality into the range of the developed world.

Community clinics were funded and birth centers. Until the late 1980’s and early ’90s, state-operated public health field offices around New Mexico provided free prenatal care until the end of pregnancy when women would be referred to the doctors who would provide labor and delivery care.

The field offices also provided free Well Child Care which assured follow-up care for new moms. The state infant mortality rate fell so low in those years that we did not earn extra points when applying for HRSA programs. From those achievements to these data is an indictment of conscious state and federal policy to turn the War on Poverty into a War on the Poor.

This article reflects back two decades of financial assaults on low-income and poor women, especially women of color. A correlation between changing federal economic support programs from Aid To Families with Dependent Children to Temporary Assistance for Needy Families plays a role.

New Mexico was one of only a handful of states that reduced financial support for women with children since the 2008 economic collapse. In its cruelty, New Mexico gives a woman with 2 children [less than] $390 a month in cash assistance, a criminally low amount.

This problem is fixable. But it needs government at all levels to provide social, economic and health justice.

LEE

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CAROL MILLER SFREPORTER.COM SFR will correct factual errors online and in print. Please let us know if we make a mistake, editor@sfreporter.com or 988-7530.

SANTA FE EAVESDROPPER “I really need this parking space. You can park over there.”

—Overheard in Guadalupe Street parking lot Send your Overheard in Santa Fe tidbits to: eavesdropper@sfreporter.com SFREPORTER.COM • JUNE 7-13, 2017 7

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NEWS

Unsafe Spaces Immigration advocates reporting an uptick in Santa Fe ICE arrests at local courthouses are building a database to monitor the impact

BY AARON CANTÚ a a r o n @ s f r e p o r t e r. c o m

P

ublic defenders and immigration advocates in Santa Fe are attempting to systematically log the impact of President Trump’s immigration enforcement orders on the state’s court system.

The foot soldiers in the effort include local public defenders, who represent defendants in both the First District Judicial Court as well as the Santa Fe Magistrate Court. According to Morgan Wood, district defender for the First District, there has been an increase since January in US Immigrations and Customs Enforcement agents waiting outside the magistrate court to apprehend undocumented defendants after their court appointments.

She estimates she’s seen this take place three or four times in the last six months, and says other public defenders have observed even more instances.

“I’ve seen them and other attorneys have seen them sitting there in the parking lot,” Wood tells SFR. “This is happening on DWI docket days, and targeting defendants that are at all different stages [of criminal proceedings], including arraignments and dismissals.” She says her office is beginning to catalog the number of their defendants who’ve been picked up by ICE. One particular instance stands out in Wood’s memory. On or around the morning of April 11, Wood says, ICE agents in three SUVs waited outside the magistrate courthouse while Judge David Segura went through the DWI docket. An agent was also seated in the lobby outside the courtroom. Segura instructed the agent sitting inside to leave, and other witness-

es say that the SUVs exited the parking lot roughly an hour after they were spotted. However, Wood says, the ICE agents later apprehended at least three people after they left the courthouse. One was married to a US citizen and released. The fate of the others is unknown.

Segura says he doesn’t know of similar ambushes beyond this one instance and possibly another, and says it would be a stretch to conclude they’re increasing.

But he also says it’s new for ICE agents to hang around the building. They hadn’t done that since he asked the department’s regional supervisor to stop sending agents into the courthouse about four years ago.

It’s unclear how the agency targets particular court proceedings. Wood believes that ICE agents are either viewing dockets through the Secured Odyssey Public Access or are being tipped off by somebody who has access to the dockets. She’s especially suspicious of the Santa Fe County DWI compliance monitoring program, which functions

as a probation-like sentence for people convicted of DWI. Public defenders have seen agents around the magistrate courthouse primarily on days that DWI cases are heard, she says.

Lupe Sanchez, the compliance coordinator for the Santa Fe County DWI Program, denied that his office currently works with ICE but said they had previously been in contact with the agency late last year, after the election.

“We’ve had occasions where ICE agents have called and requested information regarding clients,” Sanchez tells SFR. “We did have one occasion where we verified we had a client, the name of the individual and that he was under our supervision. But that was all we did: verify. They asked, ‘Can they report in and we’ll pick them up?’ And we said no.”

Conflicting accounts over whether ICE is, in fact, seeking out people through New Mexico’s justice system come amid a broader national crackdown on undoc-

ly aggregating information to reveal the impact that these practices are having on the local and state court system, including not just apprehensions but also increased numbers of bench warrants filed and declining rates of domestic violence reported to authorities—which could indicate that undocumented people are afraid to interface with the justice system.

“We can’t just be reactive,” says Allegra Love, an attorney and director of the Santa Fe Dreamers Project. “We have to start taking an aggressive stance, and that will happen through data.”

If the data suggests that fears of ICE are deterring people from the justice system in New Mexico, it would be easier to push the state’s Supreme Court to take a stance against federal authorities using legal institutions as honey traps, says Tess Wilkes, another attorney at the project. She hopes that New Mexico will join at least six other states—California, Maine, Maryland, New Jersey, Oregon, and Washington— where state attorneys general or ANSON STEVENS-BOLLEN top-ranking justices have formally asked the federal government to stop frequenting local courthouses.

“There would be no authority to tell ICE it has to do something, but a court could make a policy that, for example, when any law enforcement officer enters a court room, they have to sign a book,” says Wilkes. Such measures could increase accountability in instances when, for example, it’s later discovered that an ICE agent arrested someumented immigrants. The agency said body at a courthouse without a warrant. in a report from May that the number of The fact that such things could be people arrested for allegedly being in the happening in Santa Fe shows how difficountry illegally had risen 37.6 percent cult it is to shield people from the deporfrom a year prior, from 30,028 to 41,318. tation machine even in a self-described In March, Gov. Susana Martinez signaled “sanctuary city” where local law enforcea willingness to assist the Trump adminment are advised not to inquire about istration with deportations by allowing people’s immigration status. But Judge federal authorities to inquire about the Segura says it’s necessary to ensure evlegal status of inmates serving time in erybody has access to the courts. state prisons.

“We want to make sure that any perSome advocates see data collection son who has a case before magistrate as a way to push back on the governor’s court is heard,” he says, whether or not complicity with ICE. Attorneys at the they have permission from the federal Santa Fe Dreamers Project are currentgovernment to be here.

SFREPORTER.COM

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JUNE 7-13, 2017

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SFREPORTER.COM

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Kiwanis takes over Fourth of July fireworks, moves event to Santa Fe Place Mall

B Y M AT T G R U B S m a t t g r u b s @ s f r e p o r t e r. c o m

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t’s going to be a much quieter Fourth of July in the neighborhoods around Ragle Park and Santa Fe High School.

After years of hosting the city’s Independence Day fireworks display and concerts, the event is moving to the Santa Fe Place Mall and nearby Villa Linda Park.

Johnny Taylor isn’t wild about that idea.

“We hung an American flag out where anyone could get at it. We never had a bit of trouble,” he tells SFR from his doorstep on Camino San Patricio, just south of Ragle Park. He and his wife used to sit in the backyard and enjoy the fireworks from the best seats just outside of the house.

Taylor says his cul-de-sac was packed with cars on the Fourth of July, but 45 minutes after the fireworks were done, it was quiet. He’s had more issues with post-game drinking at the park after adult softball league contests, he says. And he doesn’t plan to make the short trip to the mall.

There are other neighbors who are happy to see the event change venues—a woman says “it’s a good thing” through her security door before declining an interview—and the city is hoping it has found a way to make the celebration more convenient for more people.

When the Boys and Girls Club told the city in April that it had decided against handling the show this year, officials had to scramble to find another group willing to take on the event that typically draws between 3,000 and 4,000 people to the park—and countless more watching from their backyards or other nearby parks.

The task came with a $29,999 check from the city, but the Boys and Girls Club has said in the past that combined with a $5 parking fee, the massive undertaking typically netted only a few thousand dollars for the nonprofit group.

On Wednesday, the City Council agreed to boost that payment by $5,000 for the Kiwanis Club. Organizers say the additional money will go toward more security for the event.

The group plans to do away with the parking charge that, especially after the event was moved from the high school

stadium to Ragle Park, often resulted in clogged streets in nearby neighborhoods during the holiday.

“For the neighborhoods, it makes a huge difference,” Santa Fe Mayor Javier Gonzales tells SFR. “Having to walk through streets and having lots of high car traffic in neighborhoods, it was a lot of hardship.”

While the mayor says homeowners generally tolerated the intrusion well, he thinks the new location has the potential to be better.

Food trucks will be stationed between the east side of the mall and the north end of the 11acre Villa Linda Park. Crowds should still be able to wander freely and set up picnic spots as they’ve been able to do at Ragle Park.

It’s something we have a fair amount of experience doing.

-Ray Sandoval, Kiwanis event organizer

Kiwanis doesn’t expect the event to be a major fundraiser.

“We just felt that it was part of our civic duty,” event organizer Ray Sandoval says of the afternoon concert that ends with Santa Fe’s signature July Fourth fireworks display just after dark. “It’s something we have a fair amount of experience doing.”

The Kiwanis produce the burning of Zozobra every year, an event that draws tens of thousands to the city’s Fort Marcy

ANSON STEVENS-BOLLEN

Boom Town

NEWS

Park. Sandoval tells SFR that experience helped inform the extra $5,000 to better protect what he calls the “firing zone”— the spot where the mortar-type fireworks are shot into the sky.

“Last year, they had a pretty significant delay in the show because there were people who had made their way into the firing zone,” Sandoval explains. “You cannot fire if there are people in that zone, so the show had to wait.”

The delay resulted in more overtime for city public safety crews, so Sandoval hopes the extra cost for the city up front will wash out on the back end of the fireworks display. Access to the mall and Villa Linda Park is also much easier with nearby Rodeo, Airport and Cerrillos roads. The city hopes that, too, will help keep overtime costs lower if police are able to clear the park and mall more quickly after the fireworks.

Santa Fe Fire Marshal Reynaldo Gonzales says the new site will be better in some respects and more of a challenge in others. While the parking lot between the mall and the park provides a better launchpad for the aerial pyrotechnics, the nearby arroyo will be harder for fire trucks to access.

“We’ll have to have hand crews,” Gonzales tells SFR outside City Council chambers. “It’s not uncommon for a

small fire to spark, but we’re able to attend to it.”

Kiwanis had originally hoped to use the arroyo on the southeast side of the park to launch the display, but the cost to clear brush and keep crews positioned in the right places would likely be doubled.

By using the parking lot, they can more easily keep a 300-foot perimeter around the launchpad.

The group plans to retain the fireworks company for the show, Western Enterprises. The Oklahoma company also handles fireworks for Zozobra each September. “They’re just a natural fit because of this relationship over the past years,” Sandoval says.

Kiwanis also has a relationship with mall management, which donated space inside the food court to let the group construct Zozobra in a more public location this year.

Ultimately, Sandoval hopes that the event will feel more user-friendly to the community. He thinks easier parking, bigger roads around the site, better food and the same ability to spread out a blanket and spend a holiday evening outside is a winning combination.

“We really want people to get out of their cars. We’re paying homage to the birth of our nation. This is a community event.”

SFREPORTER.COM

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JUNE 7-13, 2017

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BY J E F F P RO CTO R AND AARON CANTÚ

P Santa Feans registered at least 24 complaints against officers last year, but what happened next remains under lock and key

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SFREPORTER.COM

hillip Armijo argued with his sister in her living room one day last spring. Before long, two Santa Fe police officers showed up to sort out the siblings’ squabble. No one had been injured, so there would be no arrests, the officers said, but maybe Armijo should leave for a while.

As he tried to do so, a third officer, Anthony Currey, arrived. Currey had discovered a warrant for Armijo’s arrest, he told the 52-year-old as the two stood in the driveway.

“He didn’t say anything to me about why I was being arrested,” Armijo says now, sitting in his lawyer’s Santa Fe office. “He just cuffed me and stuffed me.”

Currey had the wrong guy.

The name on the warrant: John Armijo, Phillip’s brother—who, by the time Currey motored toward the Santa Fe County jail on March 8, 2016, had been dead more than a year.

Phillip Armijo says he showed Currey and jail staff three picture IDs. The officials were unmoved.

“I slept on a concrete slab for three days,” he tells SFR. “I missed my midterms at Santa Fe Community College. I didn’t have money for a phone call, and no one would listen to me. It was degrading.”

Someone finally paid attention to Armijo at his first court appearance on March 10, 2016. State District Judge T Glenn Ellington wrote that he had been “mistakenly arrested,” noted the two-and-a-half-year disparity between the brothers’ birth dates and ordered Armijo “immediately released.”

For more than a year, a host of questions has swirled for Armijo: Did the Santa Fe Police Department investigate Currey? Was he disciplined? Had he been in trouble before?

“I don’t know if anyone ever said anything to him at all,” Armijo says. “And I’d sure like to know if he’s done this to someone else, but I don’t.”

That’s because the city of Santa Fe won’t tell him—or anyone else.

Rick Sandoval, Armijo’s lawyer, put the city and Santa Fe County, which operates the jail, on notice six weeks later, filing a notice of intent to sue that doubled as a de facto citizen complaint against Currey and others. Now, they’re suing in federal court for alleged civil rights violations.

In January, SFR requested under the New Mexico Inspection of Public Records Act (IPRA) all complaints filed against SFPD officers in 2016. The city provided 24 official complaints, notices of claim and

other correspondence alleging misconduct by officers from October 2015 to December 2016, including Armijo’s account of false arrest.

Citizens’ allegations ranged from rudeness and wrongful apprehensions to reckless driving and filing false police reports to violent arrests resulting in life-threatening injuries.

But the city refuses to say whether any of the officers involved were investigated or disciplined. Similarly, the city denied our requests for the disciplinary histories of the officer who fatally shot a man in Eldorado in April and for the police union president, an SFPD sergeant, who came under fire earlier this year after an SFR story about his incendiary Facebook posts disparaging Muslims, transgender people and others.

Santa Fe officials believe such information amounts to “matters of opinion in personnel files,” meaning the city can keep them secret under IPRA, Assistant City Attorney Zach Shandler tells SFR. He says state and federal case law and language in the attorney general’s IPRA compliance guide put the city on solid legal footing. Further, releasing information about discipline for any city employee—not just police officers—could lead to defamation lawsuits. To prevail, employees would have to show that the city made a false claim.

Records of discipline are true accounts of government action, Shandler concedes, but that wouldn’t necessarily stop someone from suing the city.

“We want to eliminate that risk,” Shandler says.

Good government and transparency groups in New Mexico say the city’s legal rationale is tenuous. They point to Santa Fe County, Bernalillo County, the city of Albuquerque and other governments around the state that take a 180-degree opposite view of the law. Officials in those places release disciplinary records and have come out none the worse for it.

“If a law enforcement officer was fired or suspended or investigated or put on administrative leave, that’s a fact,” says Greg Williams, board president at the nonprofit New Mexico Foundation for Open Government (NMFOG). “That’s not a matter of opinion.”

Even beyond the legal question, which Williams concedes is open for interpretation, hiding disciplinary records chips away at public trust, especially with police officers.

“All they are doing, in this era where there’s all this police mistrust, is creating more of it,” he says. “The problem with secrecy is it creates suspicion, and it causes doubt as to whether the police department is being run correctly.”

LILIANA DILLINGHAM

When a city cop hauled Phillip Armijo to jail, he had the wrong guy.

ELIZABETH MILLER

Shandler declined to comment on the public policy implications of Santa Fe’s practice. He referred SFR to others within city government.

No one from the police department would talk.

Police Chief Patrick Gallagher refused multiple interview requests through a city spokesman, who sent a statement that did not address any of the questions SFR had for the chief.

Sgt. Troy Baker, head of the Santa Fe Police Officers Association, did not respond to nine voicemails left on his cell phone.

And Matt Ross, the city spokesman, did not respond to our request to interview Mayor Javier Gonzales or another official who could answer the questions Shandler would not.

City Councilor Chris Rivera, a retired Santa Fe fire chief who chairs the Public Safety Committee, says police officers have a difficult, dangerous job, and they are entitled to certain privacy rights. He says he understands the city’s position.

“But for the public, I’m sure they’d want as much transparency as possible,” Rivera tells SFR. “And from a policy perspective, at some point in the process—and I don’t know what point that is—that disciplinary information should become public.”

Across the nation, state laws governing the release of police disciplinary records run the gamut, according to a 2015 analysis by the public radio station WNYC. The station found that only 12 states make such records generally available to the public, while 23 keep them strictly confidential, including large states such as New York and California.

Records in the remaining 15 states were available to varying degrees. New Mexico lies in that messy middle, but it appears to be the only state in which agencies rely on some version of a “matters of opinion” claim to keep citizens in the dark about police discipline.

Across New Mexico, law enforcement agencies vary in their interpretation of whether IPRA compels them to release any information about officer discipline.

SFR surveyed 11 police and sheriff’s departments; six provide at least some information, the other five do not.

For example, Lt. Keith Elder tells SFR that the Sandoval County Sheriff’s Office maintains secrecy because discipline is a “personnel matter.” But the Doña Ana County Sheriff’s Office considers the fact of officer discipline to be releasable.

“Anything that is considered a matter of opinion is not subject to inspection,” says Kelly Jameson, Doña Ana County Sheriff’s spokeswoman. Asked whether that includes officer discipline, Jameson replied: “No. That’s a fact.”

For years, officials in Albuquerque struggled with that question. The city’s practice on releasing officer discipline bounced like a pinball from case to case until 2012. That’s when then-Albuquerque City Attorney David Tourek, under pressure from journalists and others, authored an inter-office legal memo saying information about final discipline for city employees should be released. “While

such disclosures may result in certain claims being brought against the city, there is no strict statutory prohibition against the disclosure of the fact of employee discipline.”

The years of selective secrecy in Albuquerque led, in part, to a breakdown in internal accountability that became a focal point in a US Justice Department investigation that found systemic civil rights abuses by police in New Mexico’s largest city.

Williams, the NMFOG board president, says the decision to release officer discipline in Albuquerque has had no “adverse effect” on the department there. “It has only had a positive benefit in terms of effective policing.”

Albuquerque’s more recent practice sets up a stark juxtaposition with Santa Fe’s secrecy.

APD officer Johnathan McDonnell crashed into a woman’s vehicle while en route to another call in April, killing her 6-year-old son and critically injuring her daughter, 9. Weeks later, the Albuquerque Journal published a story based on records released by the city that showed McDonnell had been reprimanded or suspended for a handful of “preventable crashes” and an unauthorized pursuit during his nine years on the department.

The release of records and subsequent story enabled a public debate, Williams says, “which is why it’s especially important that we have this information.”

Conversely, SFPD officer Jacquaan Matherson ran a red light and broadsided a Jeep on Feb. 15, 2016, according to records released to SFR after the request for citizen complaints. Both men in the Jeep were injured, and they have sued the city.

But whether Matherson has a history of crashes or discipline remains concealed.

SFPD bicycle patrols cruised the streets last year on the Plaza during a protest at the Fiesta Entrada.

“My question for the city of Santa Fe would be this: Why don’t you want to release that information?” Williams says.

“Why is it that you think the actions of your police department are not something the public should know about?

“Police officers are accused all the time of excessive force or wrongful conduct, and there is unfortunately a certain unease in the public about how our police departments are carrying out their jobs. A lack of transparency makes that so much worse.”

Rivera, the city councilor, says flagging public trust in police has been less of an issue in Santa Fe than in cities like Albuquerque. For the most part, he says, citizens believe SFPD has been forthcoming about its dealings.

“I think people believe they’re doing a good job because we haven’t had those huge issues, those concerns about abuse and things like that,” he tells SFR. “But from a council perspective, it would still be nice to be as transparent as possible.”

Rick Sandoval, Phillip Armijo’s lawyer, says he understands the difficult positions officers often face on the job. He used to defend police and corrections officers, first as an assistant city attorney in Albuquerque, then as in-house counsel at the state Risk Management Division.

But in his client’s case, the city’s recalcitrance has led to exactly the sort of mistrust Rivera hopes to avoid in Santa Fe. When Sandoval approached the city attorneys about settling Armijo’s claims, they told him officer Currey did nothing wrong in arresting Armijo on his brother’s three-year-old warrant for failure to apCONTINUED ON NEXT PAGE

SFREPORTER.COM

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SFREPORTER.COM

the city of Albuquerque was breaking the law by releasing police discipline, he says: “I would doubt that they are breaking the law.”

Carver says the Legislature could easily clear up the confusion.

“The Legislature can step in and say exactly what it means—what is a matter of opinion and what is not,” he tells SFR. “They could do it in a sentence if they wanted that kind of openness.”

Transparency around police conduct is particularly important, Carver says, agreeing with Williams of NMFOG. “We grant them the right to use deadly force, we grant them the right to break traffic laws when they’re racing to the scene of a crime,” he says. “If there is a history of an officer repeatedly coming under question, the public has a right to know.”

The Legislature has been unwilling to take up the cause, Carver says, because of an abiding deference to law enforcement.

“It’s politically explosive,” he says, “so you’d be running right up into the teeth of that, and no one wants to have that fight.”

Another possibility would be for Attorney General Hector Balderas to step in and clarify whether officer discipline is public record. As the top enforcer of the records law, his office publishes the IPRA compliance guide. More recent editions of the guide include phrases from the Cox case that cities have read as cover to keep disciplinary records secret.

Shandler says the guide forms part of Santa Fe’s rationale for withholding such records. But he said an advisory opinion

The lack of consistency from department to department on releasing officer discipline records and the vagaries in state statute and case law have endlessly frustrated journalists, citizens and even city officials in New Mexico.

The “matters of opinion in personnel files” language in IPRA is broad enough for a wide range of interpretations, says Doug Carver, executive director of the nonprofit New Mexico Ethics Watch.

Moreover, cities and counties around the state have used a seminal state Court of Appeals decision known as Cox vs. the Department of Public Safety as a reason to hold back disciplinary records.

The court held in Cox that citizen complaints are public record and that whether they are kept in an officer’s personnel file makes no difference. But the opinion, written in 2010 by Appeals Court Judge Linda Vanzi, suggests that disciplinary records could be kept secret, although that was not an issue before the court in Cox. Shandler says the city of Santa Fe relies on a different state court decision and another case decided in federal court for its legal analysis.

Shandler’s interview with SFR last month spotlights the difficulty.

Assistant City Attorney Zach Shandler says people who He says disclosure “could complain about cops in Santa Fe can’t find out whether be” against the law. But moinvestigations were conducted or discipline doled out. ments later, asked whether LILIANA DILLINGHAM

We put patients first and deliver excellent care in the heart of Santa Fe.

pear in court. Currey’s police report does not mention Armijo’s insistence that the officer had picked up the wrong man.

Sandoval says city attorneys declined to commit their defense of Currey to paper in “some crappy letter.”

“That’s outrageous to me,” Sandoval says. “It’s not arguable that the officer did something wrong. But their response raises a lot of questions for me. There should have been an internal affairs review here. If there wasn’t, why not? And if there was, there should have been an effort to get both sides. My client was never interviewed, so if there was a review, it was neither complete nor competent.”

Can Santa Fe citizens follow up on a complaint against an officer to find out whether there has been discipline or even an investigation? No, says Shandler, the assistant city attorney.

“That’s the way the law currently is in our interpretation, yes,” he tells SFR.

Is it a secret everywhere?

A

fter SFR learned that the Santa Fe Police Department refuses to release records on police officer discipline, we surveyed other law enforcement agencies in New Mexico to learn about their policies. Officials in Albuquerque began formally releasing information about final discipline for city employees in 2012 under pressure from journalists and transparency advocates.

from Balderas would either solidify or sway the city’s position.

In an interview with SFR on May 31, Balderas would not say whether he believes the fact of officer discipline amounts to a “matter of opinion.” During the interview, he handed the telephone to Deputy Attorney General Tania Maestas, who said both cities that release police discipline and those that don’t are following the law.

Taking the phone back, Balderas said he would issue guidance on the matter if a city or state official made a formal request.

The complaints obtained by SFR take a variety of forms. Some were submitted to SFPD’s internal affairs division by people who believed they’d been wronged. Some are notices of forthcoming litigation. Some are handwritten. Others are formal documents typed up by attorneys.

Although police officers were not named in every complaint, three of them— Matthew Martinez, John Boerth and Paul Ytuarte—were mentioned in several, with Martinez and Ytuarte each appearing in three.

All three officers were named in a grievance report filed by a woman named Patricia López-Hernandez, who alleged that officers entered her home without permission and mocked her English language skills during an aggressive SWAT raid in April 2015.

López-Hernandez’ listed telephone phone number was disconnected, and neighbors at her listed address said she had moved away.

One man who filed a complaint against Ytuarte tells SFR he’s now fearful of leaving his home after the officer arrested him

NOT A SECRET

SECRET

HUH?

These agencies release at least some information about officer discipline, though they vary on exactly how much:

These agencies maintain that officer discipline records should be kept secret from the public.

Some say these records are protected personnel records.

Others say they’re “matters of opinion:”

We asked Attorney General Hector Balderas to weigh in. He deferred to one of his deputies, who gave us a puzzling answer:

Albuquerque Police Bernalillo County Sheriff

Santa Fe Police

Doña Ana County Sheriff

Farmington Police

Grants Police

Las Cruces Police

Rio Rancho Police

New Mexico State Police

Santa Fe County Sheriff

Sandoval County Sheriff

on suspicion of assault on an officer and resisting arrest at the Chili’s restaurant on Cerrillos Road in December 2015. In the complaint, Andrew López claims the arrest was unlawful and led to his detention at Santa Fe County jail for nearly 48 hours.

Less than four months later, López’ charges were dismissed with prejudice for “lack of prosecution,” state court records show.

López believes SFPD launched an investigation into Ytuarte’s actions, but he does not know whether it has been closed, whether the officer was disciplined or how to follow up with the department.

López now fears he’s being targeted for harassment by police. He was arrested again in September 2016 on suspicion of aggravated assault and battery—his only other criminal charge besides a few traffic violations—but those charges were also dismissed a few months later.

In response to SFR’s emailed inquiry into López’s allegation of targeted harassment, SFPD Deputy Chief Andrew Padilla replied with blank copies of official complaint forms. He acknowledged that the investigation resulting from López first complaint was closed, but did not elaborate.

SFR has sought disciplinary records for officers who were not the subjects of complaints, too.

After our February story about the Facebook posts by Sgt. Baker, the police union president, we requested his disciplinary records. SFPD confirmed that he was under investigation for the social media posts, but refused to provide information about past discipline.

Baker was fired in 2010 following an excessive force claim, but he won his job back

If there is a history of an officer repeatedly coming under question, the public has a right to know.

-Doug Carver, New Mexico Ethics Watch from a city review board. The discipline only became public through the hearing process.

SFR also requested disciplinary information about officer Leonardo Guzman, who shot and killed 28-year-old Andrew Lucero in Eldorado following an extended car chase far outside the city limits on April 29. Body camera footage from another at the scene indicates Guzman fired after Lucero jumped into his patrol car and accelerated forward into a tree, pinning Guzman’s leg against it.

The department denied SFR’s request the day after we sent it, saying the records contained “personnel matters.”

SFR asked whether the denial confirmed the existence of past discipline for

Agencies that release police discipline are following the law, and so are those that don’t.

Guzman. In response, Deputy Police Chief Mario Salbidrez wrote in an email that “the department does not release such documents if they exist,” and said it was incorrect to interpret the denial as an acknowledgement of the existence of Guzman’s disciplinary records.

Asked again whether such records exist, SFPD did not respond.

Williams, Carver and Councilor Rivera all say the city’s refusal to release records could cast a pall over officers with clean disciplinary records who become, for whatever reason, involved in controversial incidents.

For all Phillip Armijo knows, that could be the case with officer Currey, who arrested him in his sister’s driveway last year.

But as with Ytuarte, Guzman, Baker and all the others, Currey’s history with the department remains under lock and key.

Armijo says the arrest set his life back in several ways: He now suffers from post-traumatic stress and a fear of being thrown in jail again. And he’s receiving bills for $1,800 from Santa Fe Community College for the courses he had to drop after missing exams during his incarceration.

“I was getting Bs in English and Spanish,” he says. “I was doing really well, no problems.”

Armijo still wants to know whether Currey’s past might have given SFPD a prior indication of what happened last March. Regardless of the city’s practice, his lawsuit means a federal judge will decide whether he will get to know.

Former SFR staff writer Steven Hsieh contributed reporting.

SFREPORTER.COM

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JUNE 7-13, 2017

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National Historical Park

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Forked Lightning ranch

estled at the base of the Sangre de Cristo Mountains just east of Santa Fe, Pecos National Historical Park preserves the dynamic history of the Upper Pecos Valley.

Mission Church Ruins

Explore the remnants of Pecos Pueblo and the Spanish mission church, follow the Santa Fe Trail, step back in time at the Forked Lightning Ranch, or learn about the Civil War Battle of Glorieta Pass. Outdoor enthusiasts will enjoy fishing the Pecos River, hiking, and bird watching.

— ADMISSION IS FREE —

www.nps.gov/peco | P.O. Box 418, Pecos, NM 87552 | (505) 757-7241

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Both photos: NPS Photo/Stan Ford

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The drawer assemblage containing images and artifacts that tell a story of the Alamo itself is by PJ Cardinale, my wife and fellow artist since 1966.

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Whether it’s local, statewide or national politics that you find sketchy, deliver your best— and funniest—artistic rendering. We’ll print the best entries in a special issue this summer.

• Entry fees are $5 per cartoon.

• No limit to the number of entries.

• Entry period begins June 1. All entries must be complete by July 1.

• Entry format can be JPG or PDF. Hard copies must be accompanied by check or cash payment and delivered to 132 E Marcy St., Santa Fe, NM 87501.

• Entrants must provide a contact email address or phone number and a short artist bio statement.

• Submission includes consent to reproduce your cartoon in the Santa Fe Reporter and digital platforms.

www.sfreporter.com/toons One grand prize winner gets a $100 gift certificate to Second Street Brewery.

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JUNE 7-13, 2017

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SFREPORTER.COM

A GALAXY JUST KINDA DOWN CERRILLOS ROAD

COURTESYFOX WHITE

ANSON STEVENS-BOLLEN

FILM WED/7

It shouldn’t take you 12 parsecs (because that’s a unit of distance rather than speed—duh) to realize that a film being translated into Navajo is a pretty damn big deal. Usually, an artwork that achieves this milestone must be so culturally valuable and relevant that its very existence forever changes the course of human events.

Star Wars is just such a work. Take on the Empire with everyone’s favorite veteran of Kashyyyk (Chewie) and his supporting players tonight and be astounded; this translation alone should blow your mind. (ADV) Movie Night: Star Wars Episode IV: A New Hope: 6 pm Wednesday June 7. Free. Center for Progress and Justice, 1420 Cerrillos Road, 467-8514.

PUBLIC DOMAIN

FILM/LECTURE THU/8 GILDED GAL Painter Gustav Klimt (1862-1918) often explored the female form, and his works are now some of the most collectible in the world. The Klimt metallic portrait Woman in Gold has received the most attention after it was stolen from the Altmann family by Nazis in Vienna in 1938, and repatriated back to them years later after long efforts by Maria Altmann. Her son, Peter Altmann, takes the Lensic stage to tell the tale of the piece, its abduction and its eventual return. The story became the subject of the 2015 film Woman in Gold starring Helen Mirren, and you can catch a screening after Altmann speaks, adding another layer to this immersive experience into art history. (Maria Egolf-Romero) Peter Altmann: Behind the Woman in Gold: 6 pm Thursday June 8. $35-$75. Lensic Performing Arts Center, 211 W San Francisco St., 988-1234

COURTESY CURRENTS NEW MEDIA FESTIVAL

EVENT FRI/9 IT’S ELECTRIFYING The Currents New Media Festival is here, and with it comes another year of astounding multimedia installations and performances created with cutting-edge tech and an eye for interactivity. Physical and digital arts and music collide and minds will indeed be blown. And though there’s more going on than we could begin to dig into here, our top pick for the opening weekend comes in the form of Quasar Lounge, an outdoor two-day music-based installation built with a massive video screen, incredible sound and found art design. Is it huge and beautiful? You bet. And that barely scratches the surface. (ADV) Currents New Media Festival Opening Weekend: Quasar Lounge: 6 pm Friday June 9. Free. Railyard Plaza, Cerrillos Road and Guadalupe Street, 982-3373

MUSIC FRI/9

Foxy Fox White celebrates their new album release in Madrid By now, you should be aware of Jessie Deluxe, a welcome dash of operatic punk rock awesomeness in our scene who mines from areas similar to bands like Eagles of Death Metal, but with a slightly heavier lean and healthy regard for the classics of rock. Did you know Deluxe also fronts Fox White, a triumphant quartet not entirely unlike her usual offerings and perhaps more prolific in their songwriting prowess?

Fox White formed two years ago as a side project but, according to Deluxe, has grown into a far more regular gig.

“Jessie Deluxe is still totally a thing and there will be another album coming out this year,” she says, “but [Fox White] has had the same amount of effort and intensity, and we’ve been working on this album for a year.”

The self-titled release to which Deluxe refers contains a whopping 17 tracks that run the gamut from all-out rock ’n’ roll to jam band-like tomfoolery, but all with a cohesive, collaborative vision courtesy of band member/album engineer Danny Duran. “We rehearse at Danny’s studio in Galisteo, and you’re staring at recording equipment all the

time,” Deluxe notes. “We just had so many songs and it was getting out of control—I wanted to put out 21, but we couldn’t fit them all on the CD—but we recorded everything live in one day, which is crazy.”

Luckily, Deluxe had recorded her guitar parts before a snowboarding mishap left her with a broken arm, but even with a three-month delay while she was recuperating, she overdubbed vocals.

Now that’s punk rock.

Fox White performs the album in its entirety this Friday at the Mine Shaft Tavern (plus a few other gems thrown in), and though it’s not an official release (Deluxe refers to it as a “celebration”), it will be available for sale. Intrepid listeners can sneak a listen at foxwhitemusic. com, but if you’ve ever seen a performance from Jessie Deluxe, her name alone should be reason enough to attend. (Alex De Vore)

FOX WHITE 8 pm Friday June 9. Free.

Mine Shaft Tavern, 2846 Hwy. 14, Madrid, 473-0743 SFREPORTER.COM

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THE CALENDAR FILM

EVENTS GEEKS WHO DRINK Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 If you win, you get free drink tickets for next time around.

Yay! 8 pm, free

PO

RY

CO

NT

EM

RA

EP

BOOKS/LECTURES DHARMA TALK: SENSEI GENZAN QUENNELL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This week's talk is presented

by Quennell, a Zen priest at Upaya. Wednesdays can be rough, and maybe a zen lecture beginning with 15 minutes of silent meditation is just what you need.

5:30 pm, free LIZ FANNING Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Fanning is the executive director of CorpsAfrica, an organization empowering women and girls in Senegal, Malawi and Morocco. Presented by the Santa Fe Council on International Relations and the ticket price includes lunch.

11:45 am, $48 ROXANNE SWENTZELL: BRAINPOWER & BROWNBAGS LECTURE New Mexico History Museum 113 Lincoln Ave., 476-5100 Swentzell, an artist from Santa Clara Pueblo, participated in an experiment with 13 other people in 2013, in which participants ate only the foods available to their ancestors before first contact with Europeans in 1540. “Making It Matter Again: Exploring our Roots, including Life Ways, Food Ways, and Our Future” delves into her experience and what she learned from the experiment.

Noon, free

KE

WED/7

DANIEL ISLE SKY The Dragon Room 406 Old Santa Fe Trail, 983-7712 Folk rock originals.

5 pm, free ESTER HANA Vanessie 427 W Water St., 982-9966 Classic jazz and cabaret.

7 pm, free MELODY POND Cowgirl 319 S Guadalupe St., 982-2565 Pop tunes laden with melody.

8 pm, free RAMON BERMUDEZ JR. TerraCotta Wine Bistro 304 Johnson St., 989-1166 Latin and smooth jazz guitar.

6 pm, free

SY

Contact Maria: 395-2910

MUSIC

TE

Make sure to include all the pertinent info.

Submission doesn’t guarantee includion.

Need help?

UR

Email all the relevant information to calendar@sfreporter. com.

CO

Want to see your event here?

MOVIE NIGHT: STAR WARS Center For Progress and Justice 1420 Cerrillos Road, 467-8514 See Star Wars, (A New Hope) in Navajo with subtitles in English presented by the Santa Fe Indian Center (see SFR Picks, page 19).

6 pm, free

SANTA FE CROONERS Palace Saloon 142 W Palace Ave., 428-0690 These local crooners make swing music magic at the redhued downtown venue.

7 pm, free

WORKSHOP ARTS ALIVE! Museum of Spanish Colonial Arts 750 Camino Lejo, 982-2226 Participate in this all-ages tinwork workshop, learn tricks of tin art and take home what you make.

10 am, free SALTZ DANCE COMPANY: MOVEMENT AND MEDITATION Muñoz Waxman Gallery 1050 Old Pecos Trail, 982-1338 Learn new moves with the modern dance company, and bust them later in the shower.

Unless you’re brave, and then you can debut them on a dance floor.

6 pm, $15-$25

THUR/8 BOOKS/LECTURES MARGARET RANDALL AND JOANNE LeFRAK Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Randall and Lefrak explore the Cuban revolution and how it has impacted the outside world’s art, healthcare and education.

6 pm, free PETER ALTMANN: THE STORY BEHIND WOMAN IN GOLD Lensic Performing Arts Center 211 W San Francisco St., 988-1234 Son of Maria Altmann—who repatriated five Klimt paintings stolen from her aunt and uncle in Vienna by Nazis in 1938— Peter Altmann speaks about the most famous painting of the five. See a screening of the 2015 film Woman in Gold starring Helen Mirren after (see SFR Picks, page 19).

6 pm, $35-$75

EVENTS SANTA FE FASHION WEEK: GARDEN SHOW RECEPTION Drury Plaza Hotel 828 Paseo De Peralta, 424-2175 At the main event during Santa Fe Fashion Week, see models walk the catwalk in current fashions by designers from TV show Project Runway, as well as designers from New Mexico, Arizona, California and more. Buy direct from designers and be the first to see these new looks.

8:30 pm, $50

MUSIC COUNTRY BLUES REVIEW Cowgirl 319 S Guadalupe St., 982-2565 This local ensemble plays blues originals and classics.

8 pm, free ESTER HANA Vanessie 427 W Water St., 982-9966 Hana plays jazz and cabaret tunes.

7 pm, free JOE WEST Second Street Brewery (Original) 1814 Second St., 982-3030 Country folk originals and songs about the Southwest.

6 pm, free

JUSTIN JOHNSON The Kitchen Sink Recording Studio 528 Jose St., 699-4323 Blues guitar by a guy who remains loyal to the back porch tradition and homemade instruments.

7:30 pm, $15-$19 MIAMI DANCE PARTY Skylight 139 W San Francisco St., 982-0775 DJs get you movin’ with tropically inspired electronica sets.

9 pm, $7 PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Malone plays a solo set of smooth jazz guitar.

6 pm, free PATRICE PIKE AND WAYNE SUTTON Frogville Studios 111 Calle Nopal Texas tunes by a couple that’s been making them in the Lone Star State for 20 years. There's a suggested donation at the door.

6:30 pm, free WESTERN CENTURIES AND HALF BROKE HORSES The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 Western Centuries plays country classics and originals from their debut album Weight of the World. Local Americana ensemble Half Broke Horses opens.

6:30 pm, $8-$10

THEATER THE NORMAL HEART Santa Fe Playhouse 142 E De Vargas St., 988-4262 A drama about public and private indifference to the AIDS epidemic, and one man's lonely fight to awaken the world to the crisis. While the AIDS crisis is no longer at the forefront of LGBT issues, this play shines a light on how society can ignore the issues of minority communities.

7:30 pm, $15-$25

FRI/9 ART OPENINGS

Melissa ParaMorrow’s “The Machine” is on view at Keep Contemporary as part of Enso, opening Friday.

COLTON WHITE: WE El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 This interactive performance (which is part of the Currents New Media Festival) deals with confrontation of the self and the unknown as it creates an experience of comfort through illusion.

7 pm, free ENSO Keep Contemporary 112 W San Francisco St., Ste. 102, 307-9824 This group show includes works by 16 local artists including Jonito Chavez, Lindsay Payton, Glen Neff and more representing a variety of mediums.

5 pm, free CONTINUED ON NEXT PAGE

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THE CALENDAR FRITZ SCHOLDER: PARADOX OF THE FIGURE LewAllen Railyard 1613 Paseo de Peralta, 988-3250 Paintings, bronze sculptures and works on paper from three of the most extensive private Scholder collections come together for an exhibit displaying works made throughout his career of artistic engagement with the human figure. Through July 23.

5 pm, free GALLERY HIGHLIGHTS 2017 Addison Rowe Gallery 229 E Marcy St., 982-1533 See paintings by William Lumpkins, Ed Garman and more in this exhibit focusing on the Taos Society of Artists and Los Cinco Pintores.

Through July 7.

5 pm, free IRENE KUNG: TREES Chiaroscuro Contemporary Art 558 Canyon Road, 992-0711 This exhibit consists of seven large-scale photographs of trees. Kung started her artistic career as a painter, and composes her photographs with a painterly perspective.

She’s exhibted her work around the world, and this is her third solo show at this location. Through July 1.

5 pm, free JESSICA LOVING: BLOOM Beals & Co. Showroom 830 Canyon Road, 357-0441 Layers of light-reactive glazes make Loving’s paintings a celebration of light and color.

Her expansive abstract works are inspired by her connection with the natural enviornment, the essence of which she attempts to translate onto her canvases. Through June 23.

5 pm, free

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BOOKS/LECTURES JEFF DEPEW: SUNSET WILDLIFE WALK Leonora Curtin Wetland Preserve 27283 I-25 West Frontage Road, La Cienega, 471-9103 This educational sunset wildlife and nature walk in the lush natural preserve is led by biologist Depew. Watch the New Mexican sky change, the full moon rise, and talk about nocturnal animals, their adaptations and hopefully spot several birds and mammals.

7 pm, $15-$20

SUSAN GOLD PURDY Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 See Purdt’s original paintings as well as her cookbook, Pie in the Sky, which details the process to a successful high-altitude bake.

4 pm, free

DANCE JUAN SIDDI ARTE FLAMENCO SOCIETY Lensic Performing Arts Center 211 W San Francisco St., 988-1234 See newly choreographed works in this program by Siddi and his talented students.

7:30 pm, $25-$65

EVENTS MARK-DAVID HOSALE AND ERIKA BATDORF: BURNISH Railyard Park Cerrillos Road and Guadalupe Street, 982-3373 This interactive art object allows viewers to participate in a theater-like tent at the Currents New Media Festival.

6 pm, free QUASAR LOUNGE Railyard Park Cerrillos Road and Guadalupe Street, 982-3373 Enjoy this music installation including found-object art.

The party happens for two nights and is a part of the Currents New Media Festival (see SFR Picks, page 19).

6 pm, free

FOOD EDIBLE ART TOUR Various locations, 357-1329 Hit downtown galleries to sample dishes from some of the city’s best chefs. Check artfeast.org for a list of participating venues.

5 pm, $35 CONTINUED ON PAGE 24

IRENE KUNG

JUNE 12-15, 2017

PASQUALE COPPARI AND WAYNE CHARLES ROTH: SURFACES OTA Contemporary 203 Canyon Road, 930-7800 Expand and shift your awareness as you view paintings by two artists who attempt to uncover deeper connections to the self and others through their works.

5 pm, free SARAH SILTALA AND KIM KORI Sage Creek Gallery 421 Canyon Road, 988-3444 Still life, featuring living creatures by Siltala and bronze animal sculptures by Kori in this two-person exhibit.

Through June 24.

5 pm, free STEVE REISCH: THE CASSAVETES PROJECT Center for Contemporary Arts 1050 Old Pecos Trail, 982-1338 In the Cinematheque lobby, see 27 photographs by Reisch documenting the mammoth repertory productions of Love Steams, Third Day Comes and Knives, three plays which John Cassavetes, an iconic director and actor, called Three Plays of Love and Hate. Through Aug. 13.

5 pm, free

SANTA FE, NEW MEXICO LOCATION Hilton Buffalo Thunder | 20 Buffalo Thunder Rd. Santa Fe, NM 87506

FREE PUBLIC PROGRAM June 12 | 12:00 Noon

DEVI BHAVA – FREE PROGRAM A celebration devoted to world peace June 15 | Program begins at 7:00pm

PLEASE PLAN TO ARRIVE AT LEAST 90 MINUTES BEFORE THE PROGRAM TO RECEIVE A FREE TOKEN IF YOU WOULD LIKE TO HAVE AMMA’S EMBRACE. TOKENS MAY BE LIMITED

BY TIME CONSTRAINTS.

OM LOKAH SAMASTAH SUKHINO BHAVANTU

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RETREAT* June 13-15 | Pre-registration required

*VISIT AMMA.ORG FOR MORE INFORMATION OR CALL (505) 982 - 9801 MAY ALL BEINGS EVERYWHERE BE HAPPY

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OM LOKAH SAMASTAH SUKHINO BHAVANTU

“Willow 2” by Irene Kung is on view in the exhibit Trees, opening Friday at Chiaroscuro Contemporary Art.

COURTESY FUTURE ISLANDS INSTAGRAM

MUSIC

Future Islands does stuff like this at shows, so ... heck yes.

First Tracks XL A veritable smorgasbord of musical information friend Jasper who loves blink-182 bought their new album You’re Welcome and was like, “Dude, it’s totally good!” And then I was all like, “Tell me something I don’t know, jabroni.”

I’ve mentioned this, but it bears repeating: Don’t miss Los Angeles’ El Ten Eleven in the Railyard (Market and Alcaldesa Streets) on Saturday June 10 at 7 pm. It’s free, it’s part of the Currents New Media Festival (which means a crazy visual component) and, as far as exper-

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

COURTESY EL TEN ELEVEN INSTAGRAM

A

lot of us are probably looking around Santa Fe right now thinking, “Damn, I’m just one person—how can I possibly know all of the things going down?” I get it, so here’s a big old massive edition of First Tracks, wherein I shall relate to you some pretty cool information about local upcoming stuffs.

The new Second Street Brewery location (2920 Rufina St.) just picked up a $100,000 Local Economic Development Act grant from the city to sweeten their already-pretty-sweet new space. This means they’ll have to create five new production jobs in the next few years, but also that our local beer situation is safe. We visited the space in April and it was cooler than we ever thought possible—plus, since we apparently can’t go very long without mentioning her, Eliza Lutz of Matron Records is heading up their promotional efforts and aims to keep things a little more cutting-edge.

It appears Skylight (139 W San Franscisco St., 982-0775) may just be on the mend, but before we bust out the Champagne, let’s all agree to be cautiously optimistic. Owner Joe Ray Sandoval came by to say (this may be a tad paraphrased), “Hey, Alex—you’re a cool guy and I like you a lot!” at the Wavves show on May 30 and let us know to expect the club to continue special events for the foreseeable future. By the way, if you missed Wavves, you do music wrong. Even my dumb

imental rock duos go, these guys are about the best around. Fairly warned be ye, says I. Future Scars opens.

Speaking of Skylight, word on the street is that legendary emcee and Blackalicious member Gift of Gab will rock the mic on Wednesday June 21 (9 pm. $10).

That’s pretty big, and local support comes from none other than the Outstanding Citizens Collective, a group of local champs like Wolfman Jack and Benzo dedicated to hip-hop like you wouldn’t believe.

And while I’m on the topic of things I might have mentioned before but are so totally worth it that I just don’t want you to forget, Ukrainian folk quartet Dakhabrakha performs alongside freak Americana act Cloacas in the Railyard on June 24 at 7 pm for zero dollars. Word.

El Ten Eleven’s Kristian Dunn only appears under the classiest of black and white streetlights when he performs. (Jay kay.)

The New Mexico Museum of Art (107 W Palace Ave., 476-5072) is hosting Friday night music events for the summer, and I find this to be equal parts charming and probably relaxing. If you haven’t been to NMMA, that’s weird, and if you have, you know it’s way nice all up in there. It’s a rotating list of guest performers, so you’ll just have to pop on by and figure out who is playing on any given Friday at 5 pm.

Mark your calendars for Friday September 15, as synthpop act Future Islands is coming to Meow Wolf (1352 Rufina Circle, 395-6369) all the way from Baltimore (that’s where John Waters is from, so…). My dumb friend Jasper is also excited about this show, so take that however you will.

Also (partly) from the folks at Meow Wolf is beloved indie-folk-esque act Fleet Foxes and indie-rock duo Beach House joining forces for a big fat night of partying at the beautiful Santa Fe Opera (7:30 pm Monday Sept. 25. 301 Opera Drive, 986-5900).

Now, you might be wondering why we’re telling you so early, but it has a lot to do with how this thing is bound to play out. Yes, SFO is gigantic and beautiful and has, like, so many seats, but one must also remember that Fleet Foxes were a pretty big effing deal even before that Father John Misty guy broke out on his own and started blowing minds. Thus far, we’ve found some crazy-expensive prices online, but the $34-$60 tix (which include the service charge and which we stumbled upon via meowwolf.com) are the most affordable, and a portion of proceeds go to the Pro-Choice Safety Network Fund.

Will this show sell out? Totally. So get on it.

Oh, and it’s not news, but pop on YouTube and look up the First Aid Kit cover of Fleet Foxes’ “Tiger Mountain Peasant Song.” You’re welcome.

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THE BLUES REVUE AND COUNTRY BLUES REVUE Tiny’s Restaurant & Lounge 1005 S St. Francis Drive, 983-9817 Catch this reunion show as both ensembles play the blues all night long.

8 pm, free DANA WINOGRAD, NATE SALAZAR AND ELIZABETH YOUNG First Presbyterian Church 208 Grant Ave., 982-8544 Winograd plays cello, Salazar takes the piano and Young violin. Together they perform Brahms’ B Major Piano Trio at this Friday evening concert.

What a lovely end to the RESTAURANT COUPON week.

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PSG14 roll and opera punk at this concert where they release a new album (see SFR Picks, page 19).

8 pm, free LATIN NIGHT IN THE LOUNGE Skylight 139 W San Francisco St., 982-0775 Enjoy Latin-influenced electronica tunes in the Skylounge.

10 pm, $7 MELODY POND Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Harmony-heavy pop songs at the local brewery.

6 pm, free MUSIC AT THE MUSEUM New Mexico Museum of Art 107 W Palace Ave., 476-5072 Enjoy tunes from jazz to classical by a different group each Friday summer evening at the museum's garden courtyard, free with museum admission.

Music and art and sunsets, oh my!

5 pm, $7-$12 NORTH MISSISSIPPI ALLSTARS AND REV OSAGYEFO SEKOU The Bridge @ SF Brewing Co. 37 Fire Place, 557-6182 Performing country rock originals from their album Prayer For Peace, the now-venerable band is entering its second decade. They are joined by noted activist, author, documentary filmmaker and theologian Rev. Osagyefo Sekou, who performs deep Arkansas blues and gospel traditions.

6:30 pm, $25-$30

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PHOEBE HUNT AND THE GATHERERS Skylight 139 W San Francisco St., 982-0775 Hunt, a Texan singer-songwriter and fiddler, leads this group as they perform Americana and gypsy jazz.

8 pm, $12-$15 RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and classical Spanish guitar.

7 pm, free THE SEAN HEALEN BAND Cowgirl 319 S Guadalupe St., 982-2565 Alt.country and rock songs.

8:30 pm, free CATERING SHINER'SCOUPON CLUB Second Street Brewery (Original) 1814 Second St., 982-3030 Ragtime tunes.

6 pm, free SUMMER FLING Skylight 139 W SanOrder Francisco St., Any Catering Of 982-0775 $45 Or More.

DJ Poetics and VDJ Dany spin electronica and dance tunes.

9 pm, $7 THERestaurant THREE FACES OF JAZZ With this coupon. Cannot be used with Eloffers Mesón other or discounts. Must present coupon when ordering. One coupon per213 person.Washington Expires 1/31/14. PSG14.Ave., 983-6756 Swinging jazz with special guest musicians.

7:30 pm, free VOSIS AND RYAN McGEE El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 The Currents New Media Festival presents this artmeets-music performance

by VOSIS and McGee using wavetables they invented, which turn frequencies into a performance tool.

5 pm, free

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june 21 - 25

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Mon-Sat 6am to 9pm / Sunday 7am to 8pm

1514 RODEO ROAD 820-7672

Mon-Sat 6am to 8pm / Sunday 7am to 6pm

WORKSHOP SUMMER SALON New Mexico Museum of Art 107 W Palace Ave., 476-5072 Artists guide visitors by demonstrating a variety of drawing techniques taking inspiration from museum.

Reflection time at the end of the hour will engage visitors in dialogue about artist processes. Free with museum admission.

3 pm, $7-$12

SAT/10 ART OPENINGS A RETROSPECTIVE - 50 YEARS A MODERNIST: PAUL-HENRI BOURGUIGNON Ventana Fine Art 400 Canyon Road, 800-746-8815 Celebrate Bourguignon as part of Art Feast with a special reception (see AC, page 29).

5 pm, $35

ART & OPPRESSION Marion Center for Photographic Arts 1600 St. Michael's Drive, 473-6341 See conceptual interpretations of oppression by national photographers in this show presented as part of CENTER's Photosummer series. Through Sept. 15.

5 pm, free COLTON WHITE: WE El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 This interactive performance (which is part of the Currents New Media Festival) deals with confrontation of the self and the unknown as it creates an experience of comfort through illusion.

7 pm, free CROSSROADS Fresh Santa Fe 2855 Cooks Road, Ste. A, 270-2654 This group exhibit offers works from diverse perspectives, many of which come from artists who see Santa Fe as a sanctuary. Through June 24.

6 pm, free OUTRAGEOUS ART SHOW Art.i.fact Consignment 930 Baca St., Ste. C, 982-5000 The group show features works that explore controversial subjects like human rights, refugees and terrorism.

4 pm, free

BOOKS/LECTURES AN ARTIST'S PATH TO NEW MEDIA El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 Six artists gather as part of the Currents New Media Festival to show and tell about their work and how it evolved. Each speaker details the role technology played in creating their works and how it guided them to completion.

2 pm, free BARBARA CLEAVER: WHAT SHE WORE; FRIDA'S ATTIRE Museum of Spanish Colonial Art 750 Camino Lejo, 982-2226 Cleaver, a textile and clothing expert who advised on the identification of Frida Kahlo's clothing in the exhibit Mirror, Mirror, speaks about what the famous modern painter wore and why she wore it, including the Mexican Indigenous garments she was most famous for (see 3 Questions, page 27).

2 pm, $20 CHRIS COLLINS AND KATHRYN M DAVIS: ARTIST TALK David Richard Gallery 1570 Pacheco St., 983-9555 Collins speaks about his metallic prints and sculptures in the solo exhibit Destruction Ritual with Davis of Artbeat, a cultural tourism YouTube channel.

3 pm, free CONTINUED ON PAGE 26

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FASHION

You’re Welcome at Wanderer STO RY BY M A R I A EG O L F - RO M E RO I L L U S T R AT I O N S B Y T H E A M I L I N A I R É

T

he first day I breezed into Wanderer in Taos is a day I remember well. My boyfriend and I had driven north to enjoy the mountain roads and lunch in a different space. It was spring 2016 and the weather was unseasonably warm.

The shop’s sign, featuring its name printed on a rose quartz-colored arrowhead, stands out in a way that hints there’s something different inside this adobe boutique. And there is. It’s curated with current, affordable pieces and accessories, and has an apothecary section packed with natural cosmetics and skin care products.

Wanderer is the brainchild of owner Ashley Arabian, who moved to Taos in the spring of last year. “It’s still pretty new,” Arabian tells SFR. “I only moved here a month before I opened the store. It’s right here in the middle of town and everybody who drives by can see it. … It’s a really sweet place to be.”

Minimalist racks made of pipes and raw wood line the outer edge of the elongated space. Bright textile shoulder bags hang sparsely on the walls and windows bathe the long center accessory-table in natural light. You’ll find brands like Amuse Society (amusesociety.com), XIX Palms (xixpalms.com), Stillwater (still waterthebrand.com) and Camp Collection (shopcamp.com). Part of what makes this shop so attractive is that you can find a piece you just saw on your favorite blogger or (ugh I’m going to say it) it-girl on Instagram.

Shopping is somewhat about camaraderie: you feel closer to someone you want to emulate when you have the same handbag. And it’s

definitely about feeling good. There’s a reason buying that pair of printed platforms you’ve been eyeing is synonymous with the ethos “Treat yo’self.”

When you embark on a retail adventure, you want a nice experience. However, I am sure most shoppers can relate to being bummed out in a shop. We have expectations, and maybe dreams of being able to ask the employees questions like, “Is this cute?” as we try something on. Or, in the least, we want a friendly smile from the shop guy or gal. Unfortunately, this is most often not my experience shopping in Santa Fe. Of course, there are exceptions, but there are also those establishments that solidify this rule. And Santa Fe Dry Goods recently was one of them. I happened in the nosebleed-high priced shop a few weeks ago and was essentially chased out

by the woman working there who stayed (not exaggerating) at most six steps from me as I browsed.

I thought she may faint when I pawed a designer bag with a triple-digit pricetag.

I mean, Woman-Who-Works-at-DryGoods, I feel you. I nearly fainted at that price myself, and truly I was just shinything’ed and had no intention of paying

As well as trendy and affordable garments, you’ll find bath and skincare goodies like the ones pictured above in this lovely Taos boutique (left).

more than I make in two months for it.

But does that mean I should be hawked and made to feel really uncomfortable, so much so that I make a quick exit? Can’t a gal appreciate a pretty thing?

Arabian thinks so, and that makes me more willing to spend in her store, in a place I feel welcome. “A lot of stores have that Pretty Woman syndrome—you walk in and they’re like, ‘This girl can’t afford this stuff, I’m not going to talk to her,’” Arabian says. “And that’s bullshit. You should treat everyone with respect either way.”

Cost plays a role in Arabian’s inventory choices. “People want to shop ontrend and to do it affordably. I don’t want to spend too much on my clothes,” she says. “I dress pretty simply when it comes down to it.” She wears a vintage rock tee, skinny jeans and black boots to our interview and looks like an effortless rocker-muse. Her shop has simple jewelry and tees in the $30 range and tons of goodies—from clay face masks, bath salts with lavender flowers, natural highlighters and more—in the apothecary section for less than $20, as well as bodysuits and blouses under $60.

Heading to Taos for some retail R&R really is a lovely escape, but you’ll soon be able to find Wanderer other places too. In July, an Albuquerque location is slated to open in the Sawmill District just north of Old Town. And Arabian has put her knack for interior design to work at Hotel Luna Mystica (25 ABC Mesa Road, El Prado, 512-789-1587), a vintage trailer hotel, which opened during Music on the Mesa last weekend complete with her immaculate modern Southwest Bohemian touch.

When it comes to summer trends, Arabian leaves me with a parting tip that cements her stylesage status. “I always have maxi dresses in here because they work on all shapes and sizes. They’re super comfortable and they work well in the heat without revealing too much,” she says. And then, naming my favorite item she had that day, she says, “I have a mustard crocheted dress I really like and I want to get more stuff like that in here.”

WANDERER 11 am-6 pm Monday and Wednesday-Saturday; Noon-5 pm Sunday.

110 Paseo del Pueblo Norte, Taos, 575-224-2626, wanderertaos.com

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Get savager at: SFReporter.com/savage

I hate how my boyfriend has sex with me. He is 40 years old. It used to be fine, but a year ago he started adding new moves he obviously got from porn: smacking my pussy with an open palm, vigorously rubbing my clit, wrapping his hands around my neck. I’m not anti-porn; what bothers me is that even though I told him these moves don’t feel good on my body and hurt me, he doesn’t care. I’ve told him that it is painful when he slaps and manhandles my clit, and he responds that he likes it and I should feel happy that he still wants to fuck me six times a week.

It’s not that I don’t want him to enjoy himself, but I don’t feel like his enjoyment should come at the price of mine. I don’t know how to get him to listen to me.

-Porn Lessons Erasing All Sexual Energy Your boyfriend listened to you, PLEASE. You told him you don’t like his porny new moves; he told you he likes them and intends to keep doing them. So this isn’t about listening—it’s about caring. Your boyfriend is hurting you and “he doesn’t care.” Dump the motherfucker already.

And while you’re not anti-porn, PLEASE, and I’m certainly not anti-porn, it would appear that porn—the default sex education for too many people, young and old—is part of the problem.

“The porn industry, like every other area of popular culture, is dominated by a closed loop of white guys talking to white guys about other white guys,” said Cindy Gallop, legendary advertising executive, consultant, and public speaker. “The most easily accessed mainstream straight porn is all about the man, with zero empathy for the female experience, taken to ludicrous (and for the woman, painful) extremes.”

Like you and me, PLEASE, Gallop is not antiporn. But she’s fighting shitty porn—and the shitty expectations it can instill—with real-life contrast via her innovative #realworldsex site/ platform MakeLoveNotPorn.com.

“It’s a social sex-video-sharing platform designed to be a counterpoint to the porn industry while promoting good sexual values and behavior,” said Gallop. “We need to be able to view great #realworldsex in all its messy, funny, beautiful, silly, wonderful, ridiculous humanness in the same medium that we view porn: online. That’s why MakeLoveNotPorn. com exists. We’re pro-sex, pro-porn, and proknowing the difference.”

Gallop wants not only to balance out porn with socially shared #realworldsex, but to see the porn market flooded with porn made by women—which doesn’t mean porn made “for” women, she points out, but more disruptive, creative porn for everyone. “Seeing more innovative porn—porn that men would find just as hot—would result in everybody having a much better time in bed,” said Gallop. “Men need to see there is no bigger turn-on than being in bed with someone who you know is having an absolutely fabulous time because of you.”

Unfortunately, PLEASE, you’re having an absolutely miserable time because of him.

“PLEASE’s boyfriend is operating in his own closed loop,” said Gallop, “the belief that sexual gratification is all about him. He has no idea what sexual gratification really could be. She needs to leave him.”

You can find Cindy Gallop’s viral Ted Talk and a documentary about Make Love Not Porn at ifundwomen.com/projects/makelovenotporn.

Follow her on Twitter @CindyGallop.

I’m 28 years old and have been with my boyfriend (also 28) for three years. Our relationship is monogamous and vanilla. I’m a pretty sexual person: I’ve been to bondage clubs and burlesque shows, and I’ve had my fair share of sexual encounters with men and women. I like to dominate and be dominated. However, my boyfriend is non-aggressive, non-dominating,

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and non-initiating. I ALWAYS have to initiate and I’m ALWAYS in the driver’s seat. I’m tired of this. I enjoy strong masculine energy! I’m a feminist, but sometimes in the bedroom it can be incredibly hot to feel like a sex object. We’ve talked and talked, and tried some light bondage (he didn’t like it), and talked about a threesome (he’s opposed). He says sex just isn’t something he “thinks about a lot.” How do I get him to show some sexual aggression?

-Wants Him Aggressive More Keep reading, WHAM. My husband of 17 years has never been into sex—which I always knew was a problem, but the other stuff was good. He’s into pornography, though, and I’ve busted him many times.

To say I am resentful is an understatement. He uses corn oil for masturbating, and I’ve been reduced to marking the bottle and booby-trapping it to see if he’s been up to his tricks. We have two children, so that’s what keeps me from “pulling the trigger.”

-Gagging In Chicago GIC: You have three options.

1. Pull the trigger.

2. Redefine your marriage as companionate— it’s about child-rearing and family life, not about sex. If your husband is free to find fulfillment in the bottle (of corn oil), and you’re free to find fulfillment in the bedroom (of another man/ men), maybe you can make it work.

3. Continue with what you’re doing now—your husband sneaking off to have a wank, and you monitoring (and booby-trapping?!?) every bottle of corn oil that comes into the house.

WHAM: Your boyfriend isn’t going to become someone else—he’s not going to suddenly become more interested in sex or more sexually aggressive—so if you don’t want to be sending me a letter like GIC’s in 14 years, end this relationship. People who want healthy, functional, monogamous LTRs—free from booby traps and busts—need to prioritize sexual compatibility at the start. That doesn’t mean things can’t go off the rails later (see the first letter), but they’re less likely to.

I desperately wanted to be GGG in my past relationship. My partner chronically complained that I wasn’t giving him enough sex. I felt so guilty that I put up with some very coercive situations. I became an orgasm dispenser for a dumbass whose beard prickled my clit painfully, who complained my G-spot moved around, and who fell asleep fingering me. I put up with his shit for far too long. It would have been helpful to be told that GGG needs to be MUTUAL and feel good for both parties.

-Sassy Unconquered Babe GGG—good in bed, giving of pleasure, and game for anything within reason—is what we should be for our partners and our partners should be for us. So it absolutely needs to be mutual, SUB, and there are definitely limits.

“Being GGG means considering a partner’s reasonable sexual requests,” I responded to a reader who asked for a GGG clarification back when we had a brand-new and completely sane president. “Not all sexual requests can be fulfilled, and not all needs can be met. But two people who want to make their relationship work need to carve out a mutually satisfying repertoire that doesn’t leave anyone feeling frustrated or used. Does everyone get everything they want? Of course not. But each of us has a right to ask for our needs to be met (without being abusive or coercive) and the responsibility to indulge our partner’s reasonable requests if we can (without being abused or coerced). We should also recognize when the gulf is too great and end the relationship rather than engaging in sex acts that leave us feeling diminished and dehumanized.”

On the Lovecast, can alcohol make you gay for a night?: savagelovecast.com mail@savagelove.net @fakedansavage on Twitter ITMFA.org

HEATHER BRADLEY: ARTIST TALK form & concept 435 S Guadalupe St., 982-8111 Bradley, a local ceramicist, speaks about her works currently in the gallery, which reflect the repetition in the natural world, endlessly exploring variations on a theme.

2 pm, free LLOYD KREITZER: GROW YOUR OWN SUPER FRUIT, THE CHINESE DATE Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Did you know the Chinese date is considered a super fruit? It’s also the perfect tree for the New Mexico environment, and most of us have never heard of it.

Kreitzer, the Fig Man of New Mexico, tells his secrets for growing the perfect date tree.

2 pm, $25-$30 MICHAEL McGUERTY AND LOGAN SVEN PETERSON Op.Cit Books 157 Paseo de Peralta, 428-0321 McGuerty reads from his book Wasteful Management and Peterson reads bits from his novel titled Rio Bardo.

2 pm, free STEVE ELMORE: IN SEARCH OF NAMPEYO Museum of Indian Arts & Culture 710 Camino Lejo, 476-1250 In this lecture, Elmore presents his most recent research and findings on the matriarchal Hopi artist Nampeyo credited with single-handedly saving Pueblo pottery from obscurity.

1 pm, free

DANCE A LENGTH OF ROPE & TINY CITIES Wise Fool New Mexico 1131 Siler Road, Ste. B, 992-2588 This tour will circle the United States offering donation-based performances and workshops. The show explores the significant choices we come to in life, with a rope and trapeze suspended on opposing sides of each intersection.

These two circus tools represent the struggle of choosing between different directions—be it a choice of place, identity, friendship or love.

8 pm, free SOL DE LA NOCHE: LATIN DANCE NIGHT Santa Fe Oxygen and Healing Bar Apothecary 133 W San Francisco St., 986-5037 A lively evening of Latin dance with live music by this Albuquerque-based band, plus delicious elixirs and cocktails.

8 pm, $10

EVENTS MARK-DAVID HOSALE AND ERIKA BATDORF: BURNISH Railyard Park Cerrillos Road and Guadalupe Street, 982-3373 See the collaborative interactive art object created by Hosale and Batdorf, which allows viewers to participate in an intimate, self contained theater-like tent as part of the Currents New Media Festival.

Noon-6 pm, free NEW MEXICO COMIC CREATORS POP-UP Big Adventure Comics 418 Montezuma Ave., 992-8783 See comics made by local creators, including members of comic group 7000 BC. 1 pm, free QUASAR LOUNGE Railyard Park Cerrillos Road and Guadalupe Street, 982-3373 Enjoy this music installation featuring a large video screen and sound stage area, including found-object art as part of the Currents New Media Festival (see SFR Picks, page 19).

6 pm, free

FOOD EDIBLE ART TOUR Various locations 357-1329 On the second evening of this art and food mashup, hit Canyon Road galleries to sample signature favorites from some of the cities best caterers and restaurants.

See artfeast.org for a list of participating venues and restaurants. The ticket price covers both evenings.

5 pm, $35

MUSIC DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Piano standards and Broadway classics on piano.

6 pm, $2 EL TEN ELEVEN AND FUTURE SCARS Railyard Plaza Market and Alcadesa Streets, 414-8544 To celebrate the opening of the 2017 Currents New Media Festival, Los Angelesbased El Ten Eleven perform their originals post-rock songs with heavy looping and acoustic percussion after Future Scars opens with melodic experimental rock 'n' roll.

7 pm, free GARY PAUL Upper Crust Pizza 329 Old Santa Fe Trail, 982-0000 Acoustic folk songs about life and love, which you can enjoy with a slice.

6 pm, free

ESTER HANA Vanessie 427 W Water St., 982-9966 Hana performs a set of classical jazz tunes and cabaret hits.

7 pm, free GREGORY PORTER Lensic Performing Arts Center 211 W San Francisco St., 988-1234 The sharp-dressed singer-songwriter is the new king of vocal jazz. He brings his roof-raising baritone and soulful scatting, which have earned him awards and nominations (most recently a Grammy in 2017 for his fourth album titled Take Me to the Alley) to the Lensic stage.

7:30 pm, $38-$62 HALF BROKE HORSES Cowgirl 319 S Guadalupe St., 982-2565 Kick back and relax during this afternoon of country and Americana.

1 pm, free JIM & TIM Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 This afternoon concert of blues may be just what the weekend ordered.

3 pm, free NANCY COOPER AND CARLOS ARCHULETA: SOMBRAS DEL PAÍS St. Francis Auditorium 107 W Palace Ave., 982-1890 Cooper, a pianist, and Archuleta, a baritone vocalist, bring back music from the 1930s pair Anna Maude Van Hoose and Felipe Delgado, who were a popular Hollywood duo at a time when Spanish-language films were all the rage.

7 pm, $10-$20 PAT MALONE Inn and Spa at Loretto 211 Old Santa Fe Trail, 984-7997 Acoustic jazz guitar tunes.

7 pm, free RONALD ROYBAL Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Native American flute and classical Spanish guitar.

7 pm, free STILETTO SATURDAYS Skylight 139 W San Francisco St., 982-0775 Wear ‘em if you got ‘em and try not to fall while you dance to electronica.

9 pm, $7 SWING SOLEIL Second Street Brewery (Original) 1814 Second St., 982-3030 Gypsy jazz and swing dance tunes.

6 pm, free THE BUS TAPES Cowgirl 319 S Guadalupe St., 982-2565 Pop-rock.

8:30 pm, free

ENTER EVENTS AT SFREPORTER.COM/CAL

THE IMPERIAL ROOSTER Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Live roots jams by this Española-based group.

8 pm, free VOSIS AND RYAN McGEE El Museo Cultural de Santa Fe 555 Camino de la Familia, 992-0591 The Currents New Media Festival presents this artmeets-music performance

by VOSIS and McGee using wavetables they invented, which turn frequencies into a performance tool, displaying the movement in music with light.

5 pm, free

WORKSHOP JACQUETTE TIMMONS: HOW TO MAKE THE BEST MONEY CHOICES EVERY TIME Homewise 1301 Siler Road, Ste. D, 983-9473 Timmons speaks about monetary choice in this lecture for ladies who want to get their finances in order. It's a Women’s International Study Center workshop and an opportunity to spend time with experienced professionals and acquire tools to make better life decisions.

9 am-noon, $45 LIU CHANG: CREATIVE CODING FOR ARTISTS Warehouse 21 1614 Paseo de Peralta, 989-4423 Learn to code, a powerful skill for artists, designers, writers and activists, with instructor Chang at this workshop which is part of the Currents New Media Festival.

10 am-1 pm, $35-$45

SUN/11 BOOKS/LECTURES JOURNEYSANTAFE: RED MOUNTAIN PRESS 10TH ANNIVERSARY Collected Works Bookstore and Coffeehouse 202 Galisteo St., 988-4226 Editor and author Susan Gardner celebrates a decade of the locally headquartered Red Mountain Press with readings by authors Lisa Bickmore, Keith Emmons, Ann Filemyr and more.

11 am, free

EVENTS MARK-DAVID HOSALE AND ERIKA BATDORF: BURNISH Railyard Park Cerrillos Road and Guadalupe Street, 982-3373 See the interactive art object created by Hosale and Batdorf, which allows viewers to participate in a theater-like tent as part of the Currents New Media Festival.

Noon-6 pm, free

THE CALENDAR Barbara Cleaver

Mirror, Mirror Photographs of Frida Kahlo

COURTESY BARBARA CLEAVER

This summer, you can get to know Frida Kahlo a little better via photos of her on view at the Museum of Spanish Colonial Art in the exhibit Mirror, Mirror. Barbara Cleaver, a Mexican Indigenous textile expert who identified Kahlo’s clothing in the images, shares her plans for her upcoming lecture “What She Wore; Frida’s Attire” (2 pm Saturday June 10 $20. 750 Camino Lejo, 982-2226). The images are from the collection owned by Spencer Throckmorton, a New York gallery owner and avid art collector. A modern feminist icon, Kahlo’s image represents strength and individuality. Part of her visual identity is her clothing, which is the subject of Cleaver’s lecture, and she tells SFR why Kahlo’s wardrobe is worthy of a lecture all its own. (Maria Egolf-Romero)

What was your involvement in Mirror, Mirror?

Spencer Throckmorton is an old friend, and he asked me to deliver a lecture because he knows of my passionate involvement with Mexican Indigenous textiles and my huge appreciation for Frida Kahlo. [Identifying the clothing] has been a lot of work. … When she died, Diego ordered that her bathroom—which contained a lot of her clothing—be sealed for 50 years, and a few years ago it was opened. There were amazing things in there and a book was done about the collection of textiles. … It’s been very exciting to see these pieces we knew from photographs. Not everything in the photographs was in the closet, but a lot of it was and it’s been a great help.

What do you think the audience will learn about Frida from this examination of her wardrobe?

I am going to place her in her cultural and political context, and then talk about the actual pieces that she wore. I don’t think you can understand what she wore and why she wore it unless you know those things. The most obvious is her Tehuana costume, because that’s how people visualize her. But she wore many other things besides that. So, we will talk about her Zapotec Indian costume from the isthmus of Tehuantepec, because that’s how most people identify her.

You spend time near some of these Indigenous Mexican cultures in Oaxaca. Can you tell us a little about that?

Oaxaca is an incredibly Indigenous state, it’s kind of like the New Mexico of Mexico; it has many Indigenous cultures and languages. The first time I was there was in 1972 and I fell head-over-heels in love with it and the people. For the isthmus where the Tehuantepec costumes are from, it’s the closest thing to a matriarchy in the Americas: very strong women, merchants and travellers. One of the reasons this costume appealed so much to Mexican artists and intellectuals of the time, they represent something. The Zapotec people of the isthmus were never completely conquered by the Spanish, and that represented something to the people of post revolutionary Mexico. They were exotic, beautiful and strong.

Frida Looking Into Mirror, 1944, by Lola Álvarez Bravo Courtesy of Throckmorton Fine Art, New York

May 6, 2017 - October 29, 2017 Follow Frida from a self-possessed teen to a passionate wife and lover, an independent artist, fashion icon, and object of cult-like reverence through over 50 portraits by photographers including Manuel and Lola Alvarez Bravo, Imogen Cunningham, Carl Van Vechten, and Nickolas Muray.

Museum of Spanish Colonial Art Santa Fe, New Mexico (505) 982 -2226 • www.spanishcolonial.org

To purchase tickets go to tickets.ticketssantafe.org

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THE CALENDAR FOOD

THEATER

MUSIC

WHISKIES OF THE WORLD: SEMINAR AND TASTING Skylight 139 W San Francisco St., 982-0775 Master mixologist Bobby Gleason looks at different styles of whiskey from around the globe. Taste and learn what your palate enjoys while immersing yourself in the history and cocktails that make them so iconic. Remember to take little sips rather than huge swallows—whiskey is some serious stuff and we are at, like, one billion feet in altitude. Drink all the water.

Noon, $30

NATIONAL THEATRE LIVE IN HD: PETER PAN Lensic Performing Arts Center 211 W San Francisco St., 988-1234 All children (except those in Neverland) grow up. When Peter Pan, leader of the Lost Boys, loses his shadow, headstrong Wendy helps him to reattach it. In return, she is invited to Neverland, where Tinker Bell the fairy, Tiger Lily and the vengeful Captain Hook await. A riot of magic, music and make-believe ensues.

3 pm, free THE NORMAL HEART Santa Fe Playhouse 142 E De Vargas St., 988-4262 This drama is about public and private indifference to the AIDS epidemic and one man's lonely fight to awaken the world to the crisis. While AIDS is no longer at the forefront of LGBT issues, this play shines a light on how society can ignore the issues of minority communities.

2 pm, $15-$25

COWGIRL KARAOKE Cowgirl 319 S Guadalupe St., 982-2565 Drop by, have a drink and muster the courage to take your turn rockin' the mic. Sing something country or something rock 'n' roll—you'll probably be terrible either way. It's hosted by Michèle Leidig.

9 pm, free

MUSIC

Traveler’s Market presents

Santa Fe Flea market 2904 Rufina Street, Santa Fe. NM (around the corner from Meow Wolf)

www.santafefleamarket.com

Open Every Weekend until Sept 23 & 24, Saturday 8 am - 3 pm Sunday 8 am - 3 pm (Open on Fridays in August)

Sponsored by Traveler’s Market DeVargas Center, (Behind Office Depot) 40 Dealers of Fine Tribal and Folk Art, Jewelry, Books, Antiques, Furniture, Textiles and Beads www.travelersmarket.net

ENTER EVENTS AT SFREPORTER.COM/CAL

ALEX MARYOL Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 An afternoon of bluesy folk songs by the local troubadour who has a reputation for being pretty dreamy.

1 pm, free ESTER HANA Vanessie 427 W Water St., 982-9966 Hana performs a set of classical jazz and cabaret tunes at the fancy eatery.

7 pm, free GENE CORBIN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Head a little south of town and have lunch while Corbin gives a live Americana performance.

1 pm, free JOE WEST Cowgirl 319 S Guadalupe St., 982-2565 West plays country folk originals and songs about the Southwest at this brunchtime concert. Mimosas and music: two reasons to praise the weekend.

Noon, free KEY FRANCES Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Frances play an afternoon set of blues on the tavern deck.

3 pm, free THE GAY BOYS AND WEST OASIS The Underground 200 W San Francisco St. Surf and pop rock by Tucsonbased The Gay Boys, who are heavily influenced by artists like Devendra Banhart, The Walkmen and Holy Wave.

They’re joined by openers West Oasis, who perform an original mash-up psychsurf-country. The dynamic duo makes for an evening of wavey rock tunes in the underground venue that’s a staple of downtown nightlife, especially if you’re into rock, metal and hardcore.

9 pm, $5

MON/12 BOOKS/LECTURES DON BLAKESLEE: VOICES FROM THE PAST 2017 Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 Blakeslee, an author and archaeological anthropologist who specializes in the Great Plains, has written about caves in North America and ancient holy grounds featuring healing waters. His Southwest Seminars-sponsored lecture is titled "The Spanish Quivira Expeditions."

6 pm, $15

EVENTS AMMA Buffalo Thunder Resort & Casino 30 Buffalo Thunder Trail, (877) 848-6337 Stop by the resort to get a hug from Mata Amritanandamayi, known as Amma the hugging saint. She practices compassion towards all beings, and millions worldwide have been inspired by her. Who couldn’t use a good hug these days?

Noon, free GEEKS WHO DRINK Draft Station 60 E San Francisco St., 983-6443 This competition awards you with bragging rights and drink tickets for the next time around. Battle other teams of nerdy folk who know things and prove to a room full of strangers that you know the most there is to know about whatever the given suject of the evening may be. Boo-yah!

7 pm, free

TUE/13 BOOKS/LECTURES BOTANICAL BOOK CLUB: SEEDS OF CHANGE, SIX PLANTS THAT TRANSFORMED MANKIND Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 This book club invities botanical enthusiasts to enjoy literary works on the subject over tea, cookies and great conversation. The book of the month for June is Seeds of Change: Six Plants that Transformed Mankind by Henry Hobhouse.

1 pm, free SCOTT KRATZ: BRIDGING COMMUNITIES; LOCAL VOICES FOR LOCAL IMPACT New Mexico History Museum 113 Lincoln Avenue, 476-5200 Presented by Creative Santa Fe, this lecture by Kratz, director of the 11th Street Bridge Project in Washington DC, looks to future possibilities. Kratz’s project has changed a civic space and he shares insights about how it’s possible to change communities.

5:30 pm, $5

EVENTS GEEKS WHO DRINK Boxcar 530 S Guadalupe St., 988-7222 Did you lose your trivia battle the last time you attended?

Make up for it this time. The subjects change, so you may have a better chance this evening. And if you win, they’ll award you with drink tickets for next time.

8 pm, free

MUSIC DJ PRAIRIEDOG: VINTAGE VINYL NITE The Matador 116 W San Francisco St. DJ Prairiedog and DJ Mama Goose spin vintage vinyl and the best in garage, surf, rockabilly and old-school country.

9 pm, free ESTER HANA Vanessie 427 W Water St., 982-9966 You’re going to see this name in our calendar a lot, because Hana plays classical jazz at this venue nearly every night this summer.

7 pm, free CONTINUED ON PAGE 30

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Pain yields compassion in Ventana Fine Art’s retrospective for modernist Paul-Henri Bourguignon

BY J O R DA N E D DY @jordaneddyart

I

visited Ventana Fine Art’s retrospective for Paul-Henri Bourguignon (1906-1988) last Thursday morning, a few hours before President Donald Trump’s announcement that the United States was leaving the Paris Agreement. News of the decision had already spilled from his sieve-like administration, but I was still nervously checking my phone for updates as I entered the gallery. Trump’s rage-filled, disturbingly kinetic populism—slowed for a time by incompetence and scandal—was churning again, and our nation would soon take another dangerous lurch towards isolationism.

There was perhaps no better place to be than an art show by an American immigrant who’d witnessed great human suffering, and emerged as a champion of compassion. Bourguignon’s quintessentially modernist brushstrokes capture the essence of a bolder, more generous American spirit.

Bourguignon was born in Belgium in 1906, and studied painting at the Brussels Académie Royale des Beaux-Arts. One of his teachers, the post-impressionist painter Alfred Bastien, had fought in the Belgian Army during World War I and worked as a war artist. For Bourguignon, Bastien’s swirling, dusky depictions of soldiers on the battlefield would find their echo in the devastation of World War II. In the years before the conflict, Bour-

guignon had mounted successful shows, completed a second degree in art history and traveled the world. When Germany occupied Belgium in 1940, he found himself trapped in a war zone. He would take a job at an agency that provided ration stamps to foreign travelers, and burned the midnight oil writing a play.

From the rubble of WWII rose a generation of modernist artists who were keenly aware of humanity’s dark side, but also harbored a resilient optimism. Bourguignon became an art critic for the Belgian publications Le Phare and Le Phare Dimanche. In 1947, he eagerly accepted an assignment to report on Haiti’s burgeoning art movement. During his 15-month stay, he took up photography and told stories of Haiti’s vibrant culture and devastating struggles with poverty.

Bourguignon met his wife, the anthropologist Erika Eichhorn, while he was in Haiti. After an adventure through Peru, he moved to Columbus, Ohio, where Eichhorn had taken a teaching position at Ohio State University.

This is technically the start of the Ventana exhibition’s timeline. Only one piece in the show is from before 1950, when Bourguignon moved to the United States, but all of the works bear marks of the artist’s remarkable path to get there. In acrylic, gouache and pastel, Bourguignon conjured visions of the places he’d been and the people he befriended. Numerous landscapes and cityscapes are on view, showing France, Spain, Belgium and Haiti in a loose, energetic style. The real standouts, however, are the portraits, which Bourguignon painted from memory, often abstracting features to emphasize heightened emotional states.

Above Ventana’s wooden fireplace, an acrylic painting called “The Glance” shows a mournful face with enormous, dark eyes embedded in a field of grey. In

COURTESY VENTANA FINE ART

Eye to

A&C

Paul-Henri Bourguignon’s “Green Man” shows the artist’s influence from fine arts school in Brussels as well as his reporting on Haitian art.

“Dark Hair,” a woman glares from her frame with potent restlessness. The artist employs choppy brushstrokes for a group portrait titled “Five Haitian Men,” which shows its subjects laughing and telling stories.

Bourguignon’s profound empathy for his subjects shone through in each portrait, imbuing the work with a magnetism that held me in its power for long, poignant moments. Even paintings that communicated pain and sorrow possessed a serenity that came with the power of human connection. This is what is gained by opening up to the wider world, and seeking understanding instead of fearing the unknown.

When I left Ventana, I realized with surprise that I hadn’t checked the news once in my time there. As the realities of the world came rushing back in, Bourguignon stayed with me.

A RETROSPECTIVE 50 YEARS A MODERNIST: PAUL-HENRI BOURGUIGNON Reception for ARTsmart’s Edible Art Tour: 5 pm Saturday June 10. $35. Ventana Fine Art, 400 Canyon Road, 746-8815.

Editor’s note: Jordan Eddy is leaving SFR for full-time gallery work. We’ll miss his keen eye and accomplished writing, and we wish him well.

SFREPORTER.COM

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JUNE 7-13, 2017

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ENTER EVENTS AT SFREPORTER.COM/CAL

presents

EAT

Friday & Saturday June 9 & 10 • 5–8pm

ARTsmart kicks off the summer with top galleries and restaurants showcasing two nights of world class art and cuisine in the Edible Art Tour (EAT).

THEATER WAYWARD COMEDY Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 The local-yokels of Wayward Comedy are back again. Their goal: to make you grin from ear to ear, and head to toe. Come early for a drink in the lobby bar before the show, because everyone knows booze makes things funnier.

8:30 pm, $10

Want to see your event listed here?

We’d love to hear from you Send notices via email to calendar@sfreporter.com.

Make sure you include all the pertinent details such as location, time, price and so forth. It helps us out greatly.

MUSEUMS DOUGLAS MAGNUS

New Mexico

PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Malone entertains with a solo set of acoustic jazz guitar tunes.

6 pm, free SOCIETY OF BROKEN SOULS Cowgirl 319 S Guadalupe St., 982-2565 Listening to folk noir by this dynamic duo is a good way to while away the evening hours.

8 pm, free

THE CALENDAR

EAT invites ticket holders to experience an evening of visual and gustatory delights while strolling along the city’s fabled sunlit streets.

June 9 is Downtown Santa Fe and June 10 is Canyon Road.

Purchase tickets at ARTsmartNM.org or at the Lensic Ticketssantafe.org.

Underwritten by

And...

The exhibit Voices of Counterculture in the Southwest at the New Mexico History Museum gives viewers a window into life in New Mexico during the 1960s and 1970s.

Behind the Woman in Gold Featuring Peter Altmann

Join Peter Altmann as he takes us “Behind the Woman in Gold .”

Peter, son of Maria Altmann, who famously took on the Austrian government to regain the artwork that was stolen from her family during WWII, will be speaking on the difference between the Hollywood version in the 2015 film, Woman in Gold , starring Helen Mirren, and the reality for his family during the decades-long legal battle.

Exclusive Engagement / Fundraiser at The Lensic Thursday, June 8, 2017

Talk • Film Screening • Q & A • VIP Reception $75 (5pm) • General Admission $35 (6pm) • Tickets: Lensic.org or 505-988-1234 • More info: ARTsmartNM.org

ARTsmart empowers and transforms lives by teaching art, literacy, and life skills.

1201 Parkway Dr, Santa Fe,NM • 505-992-2787 • ARTsmartNM.org

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EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 Living history.

GEORGIA O’KEEFFE MUSEUM 217 Johnson St.,946-1000 O’Keeffe at the University of Virginia. Through Oct. 28.

HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, 575-758-9826 The Errant Eye: Portraits in a Landscape. Through Sept.

17. SELF.I.E: The Works of Sarah Stolar. Through June 25.

MUSEUM OF CONTEMPORARY NATIVE ART 108 Cathedral Place, 983-8900 Athena LaTocha: Inside the Forces of Nature.

Through May. New Impressions: Experiments in Contemporary Native American Printmaking.

Through June. Daniel McCoy: The Ceaseless Quest for Utopia. Through Jan. 2018. New Acquisitions.

Through Jan. 2018.

MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Frank Buffalo Hyde: I-Witness Culture. Through Jan. 2018. Into the Future: Culture Power in Native American Art. Jody Naranjo: Revealing Joy. Through Sept.

MUSEUM OF INTERNATIONAL FOLK ART 706 Camino Lejo, 476-1200 No Idle Hands: The Myths and Meanings of Tramp Art. Through Sept. 16. Flamenco: From Spain to New Mexico.

Through Sept. Sacred Realm. The Morris Miniature Circus. Under Pressure.

Through Dec. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 Mirror, Mirror: Photographs of Frida Kahlo. Through Oct. 23.

NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 Agnes Martin and Me. Through Aug. Out of the Box: The Art of the Cigar.

Through Oct. Voices

of Counterculture in the Southwest. Through Feb. 11, 2018.

NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Meggan Gould and Andy Mattern: Light Tight.

Through Sept. 17. Cady Wells: Ruminations. Through Sept. 17. Lines of Thought: Drawing from Michelangelo to Now. Through Sept. 17.

PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Tesoros de Devoción.

POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 Nah Poeh Sang.

SANTA FE BOTANICAL GARDENS 715 Camino Lejo, 471-9103 Ojos y Manos.

WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Beads: A Universe of Meaning. Through April 15, 2018.

BY MICHAEL J WILSON t h e f o r k @ s f r e p o r t e r. c o m

O

ver the last year, something quietly took shape in the empty storefront between The Betterday coffee shop and La Montañita Co-op at the Solana Center on West Alameda Street. The first sign was a door punched through the wall between Betterday and the former Real Butcher Shop. Then Betterday expanded their food offerings as they took over the former butcher’s kitchen. Then not much else happened until the storefront underwent a radical makeover in April. Then a sandwich board appeared with a menu on it.

On May 4, Betterday owner Tom Frost and chef Paul Novak finally showed off what they’d been up to and opened Shoot the Moon (907 W Alameda St.), their New American restaurant.

Frost and Novak have managed a special thing with the restaurant, turning an otherwise nondescript strip mall concrete box into an inviting, comfortable space.

The room is decked out in rich woods and polished floors and the seating is just nice enough to invoke luxury without feeling snobby. A cozy bar spreads itself out in the back area and the kitchen is positioned dead center. Favoring an old-school style pass-through instead of the more trendy open style, it feels like it’s been there for years.

This is a good thing.

Overly hip spots often distract from the goods, whereas Shoot the Moon allows the food to take center stage. And that food is simple and delightful,

taking classic American foods and adding in small, entertaining twists. Lamb is served with a three-onion bread pudding; mashed potatoes have vanilla in them; tomato gravy comes with stuffed cabbage (the latter a delicacy heretofore only appreciated by Polish folks in beloved gwumpkies).

The first thing to notice is that the prices are a bit high. Entrees hover at the $20 range, appetizers around $10. They’re not a dealbreaker, but could make some second-guess a trip to a shopping center mostly known for a high-end grocery store and a laundromat. To those people, I say: Give it a go. Shoot the Moon could easily become your once-in-a-while dinner-out spot: It’s away from the Plaza, has an earnest lack of pretension, and is just good.

I opted for a full three-course meal.

The johnnycakes ($9) come with pinto beans and chicos, a beautiful deep red smear of chili paste and cultured cream finish these off.

FIRST IMPRESSION: • Beautiful plating • These tiny johnnycakes were so perfectly cooked they looked fake

The balance in this starter was unexpected. The earthiness of the beans with the sweetness of the smoked corn is a combo that can’t go wrong.

The crisp cakes added a great bite of sweet breadiness.

The chili was

FOOD

MICHAEL J WILSON

Moonshot

Without all that pesky Cold War, send-dogs-intospace stuff

Brisket with asparagus and potato parsnip mash?! Sign us up.

BELOW: Johnnycakes with pinto beans and chili paste.

spicy, perhaps a bit overpowering considering the subtleness of the other flavors.

For the entree I went with the brisket ($23). This is served with a potato-parsnip mash that has a hint of vanilla and a side of asparagus and horseradish cream.

FIRST IMPRESSION: • The plating was again picture-perfect • The meat looked a bit fatty, but smelled amazing

Novak smokes the brisket in-house and you can taste the freshness. There was a beautiful char on the piece I had, and though the meat was a touch fatty, it melted in the mouth and filled me with a sense of being by a campfire—precisely what a good smoke should do. This was a seriously good brisket.

Vanilla in mashed potatoes may sound weird, but this trend in cooking has been around for a few years. Here it takes on a new coat of paint with the parsnips. Not sweet per se, the vanilla adds a brightness that most mashes miss out on. The asparagus was asparagus, but that isn’t to say it wasn’t good, there’s only so much to be done there.

For dessert I had to go with the seasonal favorite of rhubarb. Here they serve it

in an apple rhubarb crostata ($10) with a side of vanilla ice cream and strawberry sauce.

FIRST IMPRESSION: • So much sauce • Another beautiful plate

Crostata is having a bit of a moment. The free-form nature lends an air of “homey” to a menu. It’s not out of place here, but the pastry was a bit grainy and the ice cream was freezer-burned. The sauce was delicious and the filling was as well. I am a pastry snob and my expectations are always high, making this dessert the low point of an otherwise perfect meal.

Overall, Frost and Chef Novak have added a much-needed high-end dining spot to their end of town. The Solana Center now features dining of all stripes and this is a welcome development.

The big surprise is how beautifully on par with the highest-end restaurants in town Shoot the Moon ends up being. If they can keep the quality at the level on display a month into their venture, they really have something great going on.

They do need to up their pastry game, however, and the prices, while not extravagant, are potentially a hurdle.

We pay the most for your gold coins, heirloom jewelry and diamonds!

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Jeremiah Tower THE LAST MAGNIFICENT

Wednesday-Thursday, June 7-8 1:00p Obit* 1:45p Norman 3:00p Like Crazy* 4:15p Obit 5:30p Masters & Museums: The Artist’s Garden: American Impressionism* 6:15p Kedi 7:30p Obit* 8:00p Like Crazy Friday, June 9 11:00a Masters & Museums: The Curious World of Hieronymus Bosch 12:00p Like Crazy* 1:00p The Happiest Day in the Life of Olli Maki 2:30p Kedi* 3:00p Jeremiah Tower: The Last

Magnificent 4:15p The Happiest Day in the Life of Olli Maki* 5:15p Jeremiah Tower: The Last

Magnificent 5:30p Auteurs 2017: The Cassavetes Project (Opening Reception) 7:15p Auteurs 2017: Love Streams 7:30p Jeremiah Tower: The Last

Magnificent*

OPENING RECEPTION FRIDAY, JUNE 9, 5-7PM IN THE CINEMATHEQUE LOBBY

THE CASSAVETES PROJECT 27 PHOTOGRAPHS BY STEVE REISCH FOLLOWED BY:

GENA ROWLANDS JOHN CASSAVETES

AUTEURS 2017

LOVE STREAMS

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HIERONYMUS BOSCH

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Saturday-Sunday, June 10-11 11:00a Masters & Museums: The Curious World of Hieronymus Bosch 12:00p Like Crazy* 1:00p The Happiest Day in the Life of Olli Maki 2:30p Kedi* 3:00p Jeremiah Tower: The Last

Magnificent 4:15p The Happiest Day in the Life of Olli Maki* 5:15p Jeremiah Tower: The Last

Magnificent 6:15p Kedi* 7:30p Jeremiah Tower: The Last

Magnificent 8:00p The Happiest Day in the Life of Olli Maki* Monday, June 12 1:45p The Happiest Day in the Life of Olli Maki 2:45p Jeremiah Tower: The Last

Magnificent* 3:45p Kedi 5:00p Jeremiah Tower: The Last

Magnificent* 5:30p Masters & Museums: The Curious World of Hieronymus Bosch Tuesday, June 13 5:30p SFJFF presents Menashe 5:45p Masters & Museums: The Curious World of Hieronymus Bosch* 7:30p The Happiest Day in the Life of Olli Maki 7:45p Jeremiah Tower: The Last

Magnificent* *in The Studio

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MOVIES

RATINGS BEST MOVIE EVER

10

Jeremiah Tower: The Last Magnificent Review

9

A chef for all seasons

8

8

BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

7

++ IMPORTANT

Those who haven’t ravenously pursued the history of food can be forgiven for never having heard of Jeremiah Tower but, fact is, he’s a titan in the culinary world known to everyone from Batali to Bourdain, Stewart and beyond. He is (or was) the blueprint for the modern celebrity chef and the single most important pioneer of California cuisine.

In The Last Magnificent, from director Lydia Tenaglia (better-known as a producer for Anthony Bourdain’s No Reservations), we learn the hows and whys of Tower’s path to veritable superstardom (at least in the culinary world), observe his meteoric rise to fame and, sadly, his self-inflicted fall into isolation and relative obscurity. Tower says it himself in the doc’s opening minutes: He can’t really be around people.

As a child, Tower’s parents whisked him across the globe on luxury ships, exposing him to the first-class fineries of travel and food. By his

6 5 4 3 2 1 WORST MOVIE EVER

CHAPTER IN FOOD HISTORY; MAKES YOU HUNGRY -- CONFUSING TIMELINE; WE CAN NEVER QUITE ROOT FOR TOWER

late 20s, however, he left Harvard never having worked and with essentially no tangible skills.

But through a serendipitous position in the early ’70s alongside restauranteur and founder of the legendary Berkeley eatery Chez Panisse, Alice Waters, he honed his skills and proved a stalwart and studied food obsessive.

But Tower was also a stubborn visionary, unwilling or unable to collaborate effectively. At the hands of this inability to sacrifice his own wants, he left Chez Panisse, helmed his own ill-fated San Francisco restaurant, Stars, retired from cooking for 15 years and finally took position at NYC’s famed Tavern on the Green. It did not go well.

The Last Magnificent follows the objective

purity of all good documentaries, alternately painting the picture of a chef who was operating before his time and a socially inept perfectionist who may very well never know what it is to be satisfied. There is no denying Tower’s place at the table, but there’s also no denying he is a difficult man with ideas and ideals that may have ultimately been his undoing.

JEREMIAH TOWER: THE LAST MAGNIFICENT Directed by Tenaglia With Tower, Batali, Bourdain Center for Contemporary Arts, R, 103 min.

QUICKY REVIEWS

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WONDER WOMAN

6

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES

7

OBIT

6

ALIEN: COVENANT

7

THE COMMUNE

WONDER WOMAN

7

++ GAL GADOT ABLY BLENDS BEAUTY AND BRAWN

-- RATHER FORMULAIC

The long-overdue Wonder Woman film is an origin story that doesn’t shrink from the beauty or brawn of a hero in whom the parallels of ancient mythology and modern superhero fiction become literal.

Diana (Gal Gadot), the precocious daughter of Queen Hippolyta (Connie Nielsen), is a princess of the superhuman Amazons. The all-female tribe, originally created by Zeus to protect mortals, eventually withdrew to the mystical “Paradise Island” of Themyscira to escape man’s wickedness. But mankind interrupts paradise when American soldier and spy Steve Trevor (Chris Pine) crash-lands on Diana’s doorstep, during World War I, with a squadron of Germans in pursuit.

As the far-off factions negotiate an armistice, a rogue German general (Danny Huston) and his maimed, mad chemist (Elena Anaya) concoct a new nerve agent that could tip the balance of the war. Hearing of the cataclysm and motivated by the mythological bedtime stories of her childhood, Diana comes to believe that only she can save the world by leaving Themyscira and

Wonder Woman is pretty wonderful, if you’re not some men’s rights yahoo.

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NORMAN

GUARDIANS OF THE GALAXY VOL. 2

vanquishing Ares, the Greek god of war and an enemy of the Amazons.

Arriving in World War I-era London, Diana peruses a new wardrobe to cover her utilitarian leather skirt and blend into a corseted, maledominated society as her alter ego, Diana Prince.

“How do you fight in this attire?” the warrior unironically asks, donning an outfit that evokes the fashion of the women’s suffrage movement.

The scene references the comic-book origins of Wonder Woman, whose creator, psychologist William Moulton Marston, was partly inspired by early-20th-century feminism.

Director Patty Jenkins (Monster) was originally tapped to direct Thor 2 before leaving the Marvel Studios project due to creative differences. For more than a decade, she lobbied to helm a Wonder Woman film, and then got the gig after Michelle MacLaren dropped out. The result is the most grounded of the first four films in the evolving DC Extended Universe. It doesn’t reinvent the superhero origin story; it’s rather formulaic in that regard.

Pine’s able mix of wit and earnestness serves him well as Diana’s sherpa and latent love interest, and Gadot strikes the right balance as an alluring, even playful idealist who relishes the battle but not the war. Wonder Woman isn’t a transcendent movie heroine à la Ellen Ripley CONTINUED ON NEXT PAGE

SFREPORTER.COM

• JUNE 7-13, 2017

33

MOVIES

FOR SHOWTIMES AND MORE REVIEWS, VISIT SFREPORTER.COM

“Hey bro,” says Javier Bardem in the new Pirates film. “Do you even ghost pirate?”

from Alien or Imperator Furiosa from Mad Max: Fury Road. But she is seminal, if not singular, in modern superhero cinema. (Neil Morris) Violet Crown, Regal, PG-13, 141 min.

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES

6

++ GHOST PIRATES! -- GHOST PIRATES…

Johnny Depp and crew are back as Captain Jack Sparrow and a bunch of bafflingly yet inextricably linked seafaring types in the newest installment of Disney/Jerry Bruckheimer’s Pirates franchise.

Looks like Jack Sparrow ran afoul of a Spanish captain named Salazar (a wonderfully spooky Javier Bardem) some years ago and, as is the style of these films, that means supernatural curses for some reason and more acrobatic adventure for the likes of the formerly-also-cursed Barbossa (Geoffrey Rush), Henry Turner (the son of Orlando Bloom’s Will Turner from previous films, as played by the incredibly conventionally handsome Brenton Thwaites from Gods of Egypt) and a brilliant if brash young scientist named Carina (The Maze Runner’s Kaya Scodelario).

Young Henry wants to save his dad from service on the ghost ship Flying Dutchman, but he’ll need the fabled trident of Poseidon to do so.

According to legend, anyone who’s got that thing is basically the king of the sea. The only catch is

that to get that bad boy he’ll need a “map no man can read.” Good thing Carina is a woman (and also conveniently has the map), so they join Jack Sparrow to get that danged artifact while Salazar nips at their heels totally ready to kill everyone cause he straight crazy.

Whereas the series took a bizarre turn many films ago and chooses to favor ghosts and stuff over good old-fashioned pirating, Dead Men isn’t as bad as you’d think. This isn’t to say it’s great by any means—more like you’ll probably never find yourself bored. Depp is … fine as Sparrow, but we’ve of course grown accustomed to his Keith Richards-y bumbling and damn-near-unbelievable ability to piss off every fucking ghost and curse victim throughout the Seven Seas. Bardem is brilliant as always and actually provides a fun villain, it’s just that everything else is fairly predictable at this point. Paul McCartney’s cameo, however, is a pure delight, and we would have watched a whole movie just with him being a goofball. Still, pirates get stabbed, and what else are you doing? (ADV) Regal, Violet Crown, PG-13, 129 min.

OBIT ++ GREAT INSIDE VIEW OF THE PRESS -- IF YOU THINK JOURNALISTS ARE

7

THE ENEMY, YOU WON’T LIKE THIS

Inside a brittle folder in a metal filing cabinet in an overstuffed room, there’s evidence that

journalists had been preparing for her death since 1931. Now, it’s 2010, and former teenage daredevil pilot Elinor Smith has died in her 90s.

Out comes the file from the newspaper morgue, the advance obituary written by a reporter himself already long dead. And so begins the research about her role on the early aviation stage—and it’s got to be done by tomorrow.

In the tradition of 2011’s Page One—which featured newsroom action at The New York Times and an extensive look at famed, now late, media writer David Carr—this newest documentary about the Gray Lady gets inkstained with the most common of denominators: the obituary pages.

Turns out, there’s still a whole department at the Times for obituary writers who take on stories from across the nation and the globe.

Once a busy part of the news operation, the morgue service is still part of how they research the movers and shakers from 50 years ago who are now dropping like flies. Sure, the internet has renovated research tactics, but it’s refreshing to see writers tenderly parse through old pieces of newspaper and hold actual photographs close to their eyes; history buffs will love the archival video footage that helps bring the newspaper stories to life.

And if you’re one of those people who goes goo-goo on social media every time a Gregg Allman or a Chris Cornell or a Prince fades to black, you might want to hear about the day Michael Jackson died. The editors and writers of Obit are an articulate, thoughtful bunch. Each day, says obituarist William Grimes. “You have a chance that you can’t repeat; it is a once-only chance to make the dead live again.”

(Julie Ann Grimm) Center for Contemporary Arts, NR, 93 min.

ALIEN COVENANT

6

++ STUNNING VISUALS -- IF I CREATED RIDLEY SCOTT’S MANKIND, I’D GIVE UP ON THEM, TOO

In the futuristic world of 2104, which director Ridley Scott renders in jaw-dropping fashion, mankind has colonized planets and built synthetic humanoids. But they’ve also apparently abandoned wearing space suits and testing atmospheres—as they did in the previous Alien installment, Prometheus, which is set just 10 years earlier—and decided to wing it on a new planet. It does not go well.

Alien: Covenant is not a horror flick. It’s sci-fi.

There’s some quality suspense, but not a ton.

More than anything, the movie feels like a chapter, the conscience of which is Katherine Waterston

(Inherent Vice) as Daniels, who becomes the second-in-command aboard the colonization freighter Covenant. Waterston delivers some of the most important lines and seems to be the only one with the little voice in her head that says, “Maybe we shouldn’t.” If everyone played it safe, this would admittedly be a boring movie about a long trip through space, but there’s no real drama to the decisions the crew must make.

Despite mankind’s advanced state of existence, the crew of 15 contains just three African Americans and one Hispanic. Sadly, the only notable role among them is Demián Bichir’s (The Hateful 8) Lope, a well-played security team leader. While Idris Elba was believable as a no-nonsense pilot in Prometheus, Danny McBride is less so as a ratty-straw-hat cowboy.

He seems more at home steering a jet ski as Kenny Powers in HBO’s Eastbound and Down, and though McBride has shown range in non-comedic assignments, he seems miscast here.

Scott smartly homes in on Michael Fassbender who, despite being a humanoid, is the dark soul of the movie. Fassbender’s David has the same chip on his shoulder in Covenant as his Peter-O’Toole-obsessed self in Prometheus. His new iteration, Walter, is David’s less-inquisitive self. The interplay between them brings some of the movie’s most poignant moments.

Like Prometheus before it, Covenant scratches at a lot of larger issues but, ultimately, I want this film to do more. It doesn’t take much to get me to suspend disbelief in sci-fi—I want to be on that new planet or in that ship—but you’ve gotta try. Director Scott doesn’t seem to agree. (Matt Grubs) Regal, Violet Crown, R, 122 min.

THE COMMUNE

7

++ BEAUTIFUL, PAINFULLY REALISTIC -- WHILE BELIEVABLE, NOT ENTIRELY RELATABLE

The fragility of aging relationships takes center stage in The Commune, a tense vision of 1970’s Denmark that manages to tell an honestly painful love story through unconventional yet believable means. Erik (an entirely unlikable Ulrich Thomsen) is a stuffy architecture professor who seems quick to anger and altogether unsuited for communal life. But when he inherits his sprawling childhood home after his father’s death, Erik’s wife Anna (Trine Dryholm of 2012’s A Royal Affair) convinces him to embrace the ideals of the then-burgeoning concept, though it ultimately becomes their downfall in director Thomas Vinterberg’s (2012’s The Hunt) loosely-based retelling of his own childhood growing up in a commune of his own.

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Erik wants to ditch the house for the money, but Anna, fearing the doldrums of a 15-year marriage, views the inheritance as an opportunity for growth. Old friends, flighty hippies and young couples join forces with Erik and Anna, and a family unit begins to form. But when Erik begins an affair with a young student named Emma (Helene Reingaard Neumann), the betrayal runs deep. To Anna’s credit, she tactfully agrees to see where it goes which is, of course, disastrous, and Erik’s innate ability to gaslight his wife without the least bit of concern for her mental well-being is absolutely infuriating.

At times funny, The Commune straddles the line someplace between Wes Anderson-y character dramedy and uncomfortable cautionary tale, though rather than feel sad for its main characters, we ultimately pity their flawed humanity. Will people do the worst things when given enough rope and does idealism or misguided belief in others goeth before a fall?

Either way, it’s nice to see a character-driven film made well, even if one does wonder how the hell seemingly enlightened people could do such terrible things to one another. (ADV) Jean Cocteau, NR, 111 min.

NORMAN

5

++ HEAVY ON THE INTRIGUE AND BULLSHITTERY

-- DRAGS FOR NEARLY TWO HOURS

Norman Oppenheimer might have the same last name as SantaFamous philanthropists and the guy who gets the credit for facilitating the atomic bomb up there in Los Alamos, but his life apparently had fewer headline accomplishments. That’s not to say that this ass-kissy and handsy fellow, part stalker and part detective, has not accomplished plenty.

He spends all day cold-calling, hot-calling and otherwise pestering a smattering of his vast network of his New York Jewish friends to trade favors in this film originally subtitled the muchmore-descriptive The Moderate Rise and Tragic Fall of a New York Fixer.

Richard Gere (The Second Best Exotic Marigold Hotel) sheds any hint of his heartthrob calling card to don the role of not just a pathetic schmooze, but a pained loner who is either really good at making connections or really bad at it. He’s pushy when he needs to be, quiet and captivating when he needs that instead—yet Oppenheimer’s matchmaking is still flawed.

When he befriends a rising star in the Israeli political sphere (a chiseled and poised delivery from Lior Ashkenazi), the protagonist in this affair ends up in over his head. His first clue is the impulsive retail therapy for his mark: a pair of shoes worth more than $1,000. But the bluffer and bullshit artist is undeterred.

Prepare to spend lots of time listening to the lyrical sounds of Hebrew and reading the English subtitles, a respectable choice for a time when Americans don’t want to feel at the center of it all (and for a film shot half in Tel Aviv).

Notable in a supporting role is the plainfaced investigator Alex, played by Charlotte Gainsbourg, who effectively channels every woman everywhere who has ended up on public transit next to a man who feels entitled to conversation.

It’s never clear how Oppenheimer makes a living, and she’s quick to get on the case. Is he a delusional name-dropper or a victimized mensch? That one might be for history to sort out, too. (JAG) Center for Contemporary Arts, R, 118 min.

MOVIES

GUARDIANS OF THE GALAXY VOL. 2

9

++ SO FUN, SO FUNNY, SO COOL -- NOT AS IMPACTFUL AS THE FIRST FILM

In a sea of ultra-serious films based on comic books, melodrama fatigue becomes a serious concern. Thank goodness then for Guardians of the Galaxy Vol. 2, another excellent outing for the lesser-known Marvel heroes and one of the most incredibly fun franchises currently hitting theaters.

Once again, we join Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voiced by Bradley Cooper) and Groot (now in baby form but still voiced by Vin Diesel) as they unwittingly get swept up into the collective role of galactic saviors.

When Quill’s father Ego (an excellent Kurt Russell) finally tracks him down after 30-plus years of searching, the humorous hero learns of his origins and—get this—they are dubious.

Turns out his dad’s a god (“With a little ‘g,’” Ego says) with nefarious intentions, and the Guardians must step in to set him straight.

Of course, the two-pronged approach of slapstick antics and absolutely killer soundtrack are the real draw here, but Guardians also manages to drive home some fairly heavy material on the topics of family drama, friendship and, almost surprisingly, love—though never in a way as silly as the overarching plot would lead us to believe. There are, in fact, some downright moving scenes shared between Quill and his sorta-kinda adoptive father Yondu (an exceedingly fun Michael Rooker). And all the while, great tunes from the likes of Looking Glass, Cat Stevens and ELO blare through the speakers through firefights and space battles, gravity-defying Pac-Man references and, gleefully, the reveal of the fate of one Howard the Duck.

Writer and director James Gunn absolutely nails the tone, and even when things become borderline too-serious, he knows just how to pull it out and make us laugh. Throw in excitingyet-brief appearances from heavyweights like Michelle Yeoh and Sylvester Stallone, and we’ve got what may be the perfect summer movie; the opening dance sequence alone is worth the price of admission. (ADV) Regal, Violet Crown, PG-13, 136 min.

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1 Be furious 5 Everglades beasts 11 Letters on a bucket 14 High hair 15 Home state of the Decemberists 16 Former Fighting Irish coach Parseghian 17 A look inside Mr. Gladwell?

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27 “Yeah!” singer 30 Busy ___ bee 33 Song with the lyric “she really shows you all she can” 34 Author Harper 35 By title, though not really 38 “Let me know” letters 41 ___ Khan 42 It shows the order of songs a band will play 44 Disney Store collectible 45 Force based on waves?

47 Top-of-the-line 48 Took a course?

49 Orangey tuber 51 Gridiron units, for short 52 Run off, as copies

18 God of the Nile 24 Canned goods closet 26 Inhaled stuff 27 ___ Bator (Mongolia’s capital) 28 Maker of the Saturn game system 29 Weighty river triangle?

31 Type of bar with pickled beets 32 In the center of 36 Battery terminal, briefly 37 Suffix similar to “-speak” 39 President’s refusal 40 Suffix for movie theaters 43 Common campaign promise 46 Talk too much 50 It may be also called a DOWN “murse” 1 Displace 53 One of their recent ads 2 Gem mined in Australia features “an investor invested 3 Monty Python alum Eric in vests” 4 Place setting?

5 Automaton of Jewish folklore 54 Different 55 Tenant’s document 6 Biceps’ place 56 Almost ready for the Tooth 7 SMS exchange Fairy 8 Shrek talks about being 58 Parcels of land one a lot 61 “Ed Sullivan Show” charac9 Chestnut-hued horses ter ___ Gigio 10 Original “The Late Late 62 Racetrack trouble Show” host Tom 11 Award for “Five Easy Pieces” 64 Winter forecast 65 Eye rakishly actress Black?

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PRANIC HEALING Tuesday, June 6, 4:00-6:00 p.m. and Saturday, June 24, 2:00-4:00 p.m.

Please join us for a session of 30 minutes of Pranic Healing by qualified practitioners.

Pranic HealingÆ is a highly evolved and tested system of energy medicine developed by Grand Master Choa Kok Sui that utilizes prana to balance, harmonize, and transform the body’s energy processes so that it can heal. Prana is a Sanskrit word that means lifeforce. By donation. Thubten Norbu Ling Tibetan Buddhist Center, 1807 Second Street # 35, Santa Fe 86505. For more information, contact info@ tnlsf.org or (505) 660-7056.

MARKETPLACE FURNITURE

UPAYA ZEN CENTER: SUMMER RETREATS Upaya is a community resource for developing greater mindfulness and inspiring positive social change. Come for MEDITATION; DHARMA TALKS Wednesdays 5:306:30pm; JULY ZEN CIRCLE includes: 7/7-7/9 DOGEN SEMINAR: Exploring the Genjokoan, 7/11-7/16 SESSHIN: Dogen’s Body-andMind Study of the Way - An Intensive Meditation Retreat, 7/21-7/23 CALLIGRAPHY WORKSHOP. 8/25-8/27 SOCIAL RESILIENCE MODEL - designed to reduce burnout and traumatic stress.

Learn more: www.upaya.org, Upaya@upaya.org, 505-986-8518, 1404 Cerro Gordo, Santa Fe, NM.

INTRODUCTION TO MODERN BUDDHISM: Ancient wisdom is timeless, universal and especially relevant now - offering spiritual realizations and practical tools for solving our problems, reducing stress, enhancing our relationships and giving meaning to our life. This new series of classes offers essential wisdom on the nature of the mind, karma, past & future lives using guided meditation to attain a deeper understanding and so bring them into our everyday lives. Gen Kelsang Ingchug an, American Buddhist nun gives teachings that are profound; offering her extensive knowledge and experience with warmth humor, and practical advice.

Sunday Mornings 10:30am - 12 noon June 11 - July 16 at the ZOETIC center 230 South St. Francis Dr. ONE BREATH AT A TIME: (between Agua Fria & Alameda) A RECOVERY SUPPORT GROUP $10/ Drop-in class Facilitated by Judith Bailie Kadampa Meditation Center Thursdays, 6:15p.m. - 7:30p.m. New Mexico The purpose of this group MEDITATION & MODERN is to strengthen recovery BUDDHISM and lessen attachment to Contact: (505) 292-5293 substances, events, processes meditationinnewmexico.org and people, with discussion focused on Buddhist teachings VALLECITOS MOUNTAIN RETREAT CENTER in the context of recovery.

Mindfulness 101. Always Donations appreciated. wanted to go on retreat or Thubten Norbu Ling Tibetan Buddhist Center, 1807 Second learn more about meditation?

Find your way to the stunning Street, Suite 35, Santa Fe 87505. For more information, wilderness landscape of Vallecitos deep in the contact info@tnlsf.org or majestic Tusas Mountains 505-660-7056. outside of Taos NM. Mindfulness and Meditation ADVERTISE AN Retreats May through EVENT, WORKSHOP October. Full Schedule at OR LECTURE HERE IN www.vallecitos.org.

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EMPLOYMENT ADVERTISING ACCOUNT EXECUTIVE

Queen headboard and matching footboard made from solid wood antique castle door. $1900 505-660-2058

Self-starters with ambition and people skills are the perfect candidates for this career opportunity. The Santa Fe Reporter has an immediate opening for an advertising account executive to help build our digital and print publications. We offer attractive compensation and bonuses including 100% medical benefits. Your earning potential is only limited by your own motivation. Like local businesses? We love them.

Sales savvy a plus.. To apply, please email a letter of interest and resumé to Anna Maggiore, Advertising Director advertising@sfreporter.com Santa Fe Reporter 132 E. Marcy Street Santa Fe, NM 87501 No phone calls please.

EMAIL: classy@SFReporter.com

SERVICE DIRECTORY

COMMUNITY ANNOUNCEMENTS JOHREI CENTER OF SANTA FE. JOHREI IS BASED ON THE FOCUS AND FLOW OF THE UNIVERSAL LIFE ENERGY. When clouds in the spiritual body and in consciousness are dissolved, there is a return to true health. This is according to the Divine Law of Order; after spiritual clearing, physical and mentalemotional healing follow.

You are invited to experience the Divine Healing Energy of Johrei. Paradise On Earth Day Celebration! June Gratitude Service! Saturday June 17, 2017 at 10:30 a.m. All are Welcome! The Johrei Center of Santa Fe is located at Calle Cinco Plaza, 1500 Fifth St., Suite 10, 87505. Please call 820-0451 with any questions.

Drop-ins welcome! There is no fee for receiving Johrei.

Donations are gratefully accepted. Please check us out at our new website santafejohreifellowship.com

CALL: 505.983.1212

DID YOU KNOW THAT OVER 75% OF SFR READERS HAVE A COLLEGE DEGREE? FIND THE PERFECT EMPLOYEE HERE IN EMPLOYMENT SECTION!

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CHRISTINE MASTER BARBER OF THE OLD SCHOOL Classic Barbering Is Back At Dino's Drive-In Barber Shop 1300 Luisa, Unit 8, In The Back Cordova to Luisa, Right on Letrado, Left into Parking Lot dinosdriveinbarbershop.com (505) 750-9202 mznmbarber505@gmail.com

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CARPENTRY to LANDSCAPING Baileyschimney.com. Call PHILIP CRUMP, Home maintenance, remodels, Bailey’s today 505-988-2771 additions, interior & exterior, Mediator irrigation, stucco repair, jobs Resolve issues quickly, affordsmall & large. Reasonable ably, privately, respectfully: rates, Reliable. Discounts avail. • Divorce, Custody, Parenting plan to seniors, veterans, handicap. • Parent-Teen, Family, Neighbor Jonathan, 670-8827 • Business, Partnership, Construction www.handymannm.com Mediate-Don’t Litigate!

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MIND BODY SPIRIT CHIROPRACTIC Rob Brezsny

Week of June 7th

ARIES (March 21-April 19) If you chose me as your relationship guide, I’d counsel you and your closest ally to be generous with each other; to look for the best in each other and praise each other’s beauty and strength. If you asked me to help foster your collaborative zeal, I’d encourage you to build a shrine in honor of your bond — an altar that would invoke the blessings of deities, nature spirits, and the ancestors. If you hired me to advise you on how to keep the fires burning and the juices flowing between you two, I’d urge you to never compare your relationship to any other, but rather celebrate the fact that it’s unlike any other in the history of the planet.

LIBRA (Sept. 23-Oct. 22) Do you have your visa for the wild side? Have you packed your bag of tricks? I hope you’ll bring gifts to dispense, just in case you’ll need to procure favors in the outlying areas where the rules are a bit loose. It might also be a good idea to take along a skeleton key and a snake-bite kit. You won’t necessarily need them. But I suspect you’ll be offered magic cookies and secret shortcuts, and it would be a shame to have to turn them down simply because you’re unprepared for the unexpected.

riches that could be available to you in the future. How much money do you want? How much love can you express? How thoroughly at home in the world could you feel? How many warm rains would you like to dance beneath? How much creativity do you need to keep reinventing your life? Be extravagant as you fantasize.

SAGITTARIUS (Nov. 22-Dec. 21) People might have ideas about you that are at odds with how you understand yourself. For example, someone might imagine that you have been talking trash about them — even though you haven’t been. Someone else may describe a memory they have about you, and you know it’s a distorted version of what actually happened. Don’t be surprised if you hear even more outlandish tales, too, like how you’re stalking Taylor Swift or conspiring with the One World Government to force all citizens to eat kale every day. I’m here to advise you to firmly reject all of these skewed projections. For the immediate future, it’s crucial to stand up for your right to define yourself — to be the final authority on what’s true about you.

$40.00 CHIROPRACTIC ADJUSTMENTS SCORPIO (Oct. 23-Nov. 21) You’re like a prince or prinEffective May 1, 2017, cess who has been turned into a frog by the spell of a Gilbert Chiropractic & fairy tale villain. This situation has gone on for a while. In Wellness located at 1504 TAURUS (April 20-May 20) The Milky Way Galaxy contains more than 100 billion stars. If they were shared the early going, you retained a vivid awareness that you S St Francis Drive, Santa equally, every person on Earth could have dominion over had been transformed. But the memory of your origins Fe, NM, will offer a walk-in has faded, and you’re no longer working so diligently to at least 14. I mention this because you’re in a phase clinic on Wednesdays from find a way to change back into your royal form.

Frankly, when it makes sense for you to claim your 14. Yes, I’m 1:00 p.m. to 3:30 p.m. Offer I’m concerned.

This horoscope is meant to remind you being playful, but I’m also quite serious. According to is for new patients only. of your mission. Don’t give up! Don’t lose hope! And my analysis of the upcoming weeks, you will benefit Call if you have questions take extra good care of your frog-self, please. from envisaging big, imaginative dreams about the (505)984-1222

GEMINI (May 21-June 20) “When I grow up, I’m not sure what I want to be.” Have you ever heard that thought bouncing around your mind, Gemini? Or how about this one: “Since I can’t decide what I want to be, I’ll just be everything.” If you have been tempted to swear allegiance to either of those perspectives, I suggest it’s time to update your relationship with them. A certain amount of ambivalence about commitment and receptivity to myriad possibilities will always be appropriate for you. But if you hope to fully claim your birthright, if you long to ripen into your authentic self, you’ll have to become ever-more definitive and specific about what you want to be and do.

CANCER (June 21-July 22) As a Cancerian myself, I’ve had days when I’ve stayed in bed from morning to nightfall, confessing my fears to my imaginary friends and eating an entire cheesecake. As an astrologer, I’ve noticed that these blue patches seem more likely to occur during the weeks before my birthday each year.

If you go through a similar blip any time soon, here’s what I recommend: Don’t feel guilty about it. Don’t resist it. Instead, embrace it fully. If you feel lazy and depressed, get REALLY lazy and depressed. Literally hide under the covers with your headphones on and feel sorry for yourself for as many hours as it takes to exhaust the gloom and emerge renewed.

CAPRICORN (Dec. 22-Jan. 19) “God doesn’t play dice with the universe,” said Albert Einstein. In response, another Nobel Prize-winning physicist, Niels Bohr, said to Einstein, “Stop giving instructions to God.” I urge you to be more like Bohr than Einstein in the coming weeks, Capricorn. As much as possible, avoid giving instructions to anyone, including God, and resist the temptation to offer advice. In fact, I recommend that you abstain from passing judgment, demanding perfection, and trying to compel the world to adapt itself to your definitions. Instead, love and accept everything and everyone exactly as they are right now.

AQUARIUS (Jan. 20-Feb. 18) Lysistrata is a satire by ancient Greek playwright Aristophanes. It takes place during the war between Athens and Sparta. The heroine convinces a contingent of women to withhold sexual privileges from the soldiers until they stop fighting. “I will wear my most seductive dresses to inflame my husband’s ardor,” says one. “But I will never yield LEO (July 23-Aug. 22) In the early days of the Internet, to his desires. I won’t raise my legs towards the ceil“sticky” was a term applied to websites that were good ing. I will not take up the position of the Lioness on a at drawing readers back again and again. To possess this Cheese Grater.” Regardless of your gender, Aquarius, your next assignment is twofold: 1. Don’t be like the quality, a content provider had to have a knack for women in the play. Give your favors with discerning offering text and images that web surfers felt an generosity. 2. Experiment with colorful approaches to instinctive yearning to bond with. I’m reanimating this pleasure like the Lioness with a Cheese Grater, the term so I can use it to describe you. Even if you don’t Butterfly Riding the Lizard, the Fox Romancing the have a website, you now have a soulful adhesiveness that arouses people’s urge to merge. Be discerning how River, and any others you can dream up. you use this stuff. You may be stickier than you realize!

PISCES (Feb. 19-March 20) Take your seasick pills. The waves will sometimes be higher than your boat.

VIRGO (Aug. 23-Sept. 22) Ancient Mayans used chili Although I don’t think you’ll capsize, the ride may be and magnolia and vanilla to prepare exotic chocolate drinks from cacao beans. The beverage was sacred and wobbly. And unless you have waterproof clothes, it’s probably best to just get naked. You WILL get drenched. prestigious to them. It was a centerpiece of cultural By the way, don’t even fantasize about heading back to identity and an accessory in religious rituals. In some locales, people were rewarded for producing delectable shore prematurely. You have good reasons to be sailing chocolate with just the right kind and amount of froth. I through the rough waters. There’s a special “fish” out there that you need to catch. If you snag it, it will feed suspect, Virgo, that you will soon be asked to do the you for months — maybe longer. equivalent of demonstrating your personal power by Homework: Even if you don’t send it, write a letter to the whipping up the best possible chocolate froth. And person you admire most. Share it with me at according to my reading of the astrological omens, the Freewillastrology.com. chances are good you’ll succeed.

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700. © CO P Y R I G H T 2 0 1 7 R O B B R E Z S N Y 38

JUNE 7-13, 2017

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LOVE. CAREER. HEALTH. Psychic readings and Spiritual counseling.

For more information call 505-982-8327 or go to www.alexofavalon.com.

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THETA THERAPY

TANTRA MASSAGE & TEACHING Call Julianne Parkinson, 505-920-3083 • Certified Tantra Educator, Professional Massage Therapist, & Life Coach LIC #2788

REFLEXOLOGY

HEART HEALING

Energy, sound and touch take you on a magical journey of self discovery.

Release emotions and deep seeded beliefs that keep you from knowing your truth and experiencing peace, love and joy in your life. Private and group sessions, contact Angela Miele at 570.447.0295, amsoulactivation.com.

LIGHT & SOUND THERAPY A deeply relaxing session integrating massage, aromatherapy, reflexology, LED light and sound therapy, transporting you to the deeper brain wave states of alpha and theta, decreasing stress and the related symptoms of PTSD, insomnia, IBS, and auto immune disorders and others Russell Preister LMT # 8083 719-480-5956

UNIQUE TO YOU Our health is reflected through the feet as an array of patterned and flexible aspects also conveyed in the body and overall being. Discomfort is a call for reorganization.

Reflexology can stimulate your nervous system to relax and make the needed changes so you can feel better.

SFReflexology.com, (505) 414-8140 Julie Glassmoyer, CR

ARE YOU A THERAPIST OR A HEALER? YOU BELONG HERE IN MIND BODY SPIRIT! CALL 983.1212 OR EMAIL CLASSY@SFREPORTER.COM

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LEGALS LEGAL NOTICE TO CREDITORS/NAME CHANGE

STATE OF NEW MEXICO COUNTY OF SANTA FE FIRST JUDICIAL DISTRICT COURT IN THE MATTER OF A PETITION STATE OF NEW MEXICO FOR CHANGE OF NAME OF COUNTY OF SANTA FE Mary Theresa Baros IN THE FIRST JUDICIAL DISTRICT Case No.: D-101-CV-2017-01527 COURT NOTICE OF CHANGE OF NAME IN THE MATTER OF THE TAKE NOTICE that in ESTATE OF MATHILDE accordance with the provisions GOODWIN BIRD, Deceased. of Sec. 40-8-1 through Sec. No. D-0101 PB 2017 00037 40-8-3 NMSA 1978, et seq. the NOTICE TO CREDITORS Petitioner Mary Theresa Baros NOTICE IS HEREBY GIVEN will apply to the Honorable that the undersigned has DAVID K. THOMSON, District been appointed Personal Judge of the First Judicial Representative of the Estate of District at the Santa Fe Judicial MATHILDE GOODWIN BIRD, Complex, 225 Montezuma Deceased. All persons having Ave., in Santa Fe, New Mexico, claims against this estate are at 10:00 a.m. on the 29th day required to present their claims of August, 2017 for an ORDER within two (2) months after the FOR CHANGE OF NAME from date of the first publication of Mary Theresa Baros to Theresa this Notice or the claims will be E. Baros. forever barred. Claims must be STEPHEN T. PACHECO, District presented either to DONALD Court Clerk J. MARTINEZ, Personal By: Victoria Martinez Representative, C/O Daniel Deputy Court Clerk Sanchez, Esq., 2304 Middle Submitted by: Court, Santa Fe, New Mexico Mary Theresa Baros 87505 or filed with the First Petitioner, Pro Se Judicial District Court.

Dated: May 23, 2017 DONALD J. MARTINEZ, Personal Representative Of LEGAL NOTICES the Estate of MATHILDE ALL OTHERS GOODWIN BIRD, Deceased. c/o Daniel A. Sanchez, Esq. IN THE INTEREST OF: 2304 Middle Court Marianna A Montoya, Born Santa Fe, New Mexico 87505 in 2003 (505) 946-8394 Case No.: 2017-JC-000260 FAX: (505) 473-4270 Felipe R Montoya, Born in Dansanchez911@gmail.com 2004 Case No.: 2017-JC-000261 STATE OF NEW MEXICO NOTICE OF PROCEEDINGS COUNTY OF SANTA FE STATE OF KANSAS to: FIRST JUDICIAL DISTRICT JESSICA K MONTOYA, COURT MOTHER; PHILLIP R IN THE MATTER OF A PETITION MONTOYA, FATHER; SHELBY FOR CHANGE OF NAME OF K LARSEN, MATERNAL Abigail Caroline Richdale GRANDMOTHER; JAMES Gwynn W LARSEN, MATERNAL Case No.: D-101-CV-2017-01296 GRANDFATHER; TERRY NOTICE OF CHANGE OF NAME M MONTOYA, PATERNAL TAKE NOTICE that in GRANDMOTHER; ANY accordance with the provisions KNOWN OR UNKNOWN of Sec. 40-8-1 through Sec. PATERNAL GRANDFATHER 40-8-3 NMSA 1978, et seq.

OF SAID CHILDREN; AND the Petitioner Abigail Caroline ANY OTHER PERSONS WHO ARE OR MAY BE Richdale Gwynn will apply CONCERNED. to the Honorable FRANCIS J. A petition has been filed in this MATHEW. District Judge of court requesting that the court the First Judicial District at the Santa Fe Judicial Complex, 225 adjudge Marianna A Montoya and Felipe R Montoya a child/ Montezuma Ave., in Santa Fe, children in need of care as New Mexico, at 1:15 p.m. on defined in the Kansas Code the 16th day of June, 2017 for for Care of Children K.S.A an ORDER FOR CHANGE OF 38-2202(d), as amended.

NAME from Abigail Caroline You are required to appear Richdale Gwynn to Abigail before this court at 08:30 Caroline Gwynn.

AM on Friday, July 14, 2017 STEPHEN T. PACHECO, District in the District Court, Juvenile Court Clerk Department, 1900 East Morris, By: Corinne Onate City of Wichita, Sedgwick Deputy Court Clerk County, Kansas, 67211; or prior Submitted by: to said time file your written Abigail Caroline Richdale Gwynn response to said pleading Petitioner, Pro Se with the Clerk of this court.

Failure to either appear or respond may result in the court entering judgement granting the requested action.

Each parent, guardian or other legal custodian of the child has the right to hire and be represented by an attorney. The court will appoint an attorney for the parent who is financially unable to hire.

CLERK OF THE DISTRICT COURT By: Latoya Clark PUBLISH: 6/7 and 6/14, 2017 STATE OF NEW MEXICO COUNTY OF SANTA FE IN THE FIRST JUDICIAL DISTRICT COURT Case No. D-101-PB-2017-00075 IN THE MATTER OF THE ESTATE OF JASON ELOY CARRILLO, Deceased.

NOTICE OF HEARING BY PUBLICATION TO: UNKNOWN HEIRS OF JASON ELOY CARRILLO, DECEASED, AND ALL UNKNOWN PERSONS WHO HAVE OR CLAIM ANY INTEREST IN THE ESTATE OF JASON ELOY CARRILLO, OR IN THE MATTER BEING LITIGATED IN THE HEREINAFTER MENTIONED HEARING. NOTICE IS HEREBY GIVEN of the following: 1. JASON ELOY CARRILLO, deceased, died on March 12, 2017; 2. ALEX CARRILLO filed a Petition for Adjudication of Intestacy, Determination of Heirship, and Formal Appointment of Personal Representative in the abovestyled and numbered matter on May 11, 2017, and a hearing on the above-referenced Petition has been set for June 29, 2017, at 1:00 pm, at the Santa Fe County First Judicial District Courthouse, Second Floor, located at 225 Montezuma Ave., Santa Fe, New Mexico, before the Honorable Judge Sarah M. Singleton.

3. Pursuant to Section 45-1401 (A)(3), N.M.S.A., 1978, notice of the time and place of hearing on the above-reference Petition is hereby given to you by publication, once a week, for three consecutive weeks.

DATED: this 6th day of June, 2017. /s/ Kristi A. Wareham, Attorney for Petitioner KRISTI A. WAREHAM, P.C. Attorney for Petitioner 2205 Miguel Chavez Rd., Suite B Santa Fe, NM 87505 Telephone: (505) 820-0698 Fax: (505) 820-1247 Email: kristiwareham@aol.com

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