September 7, 2016 Santa Fe Reporter

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LOCAL NEWS

AND CULTURE SEPTEMBER 7-13, 2016

SFREPORTER.COM FREE EVERY WEEK

MAJOR BEEF Trespassers in the watershed prompt questions about New Mexico’s cattle culture

By Elizabeth Miller,

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ANSON STEVENS-BOLLEN

SEPTEMBER 7-13, 2016 | Volume 43, Issue 36 Opinion 5 News 6 7 DAYS, METROGLYPHS AND THIS MODERN WORLD 6 BUSINESS DISASTER 8

LOANS FOR FUN

Local contractors are waiting in vain for FEMA funds SNAGGING THE HIGH SPOT 11

Disc golfers get elevated at Ski Santa Fe Cover Story 12 MAJOR BEEF

Cows can’t read “No Trespassing” signs, and a new federal report says illegal grazing is widespread and unchecked

Are you looking to purchase a car, take that dream vacation or remodel your home?

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READINGS & CONVERSATIONS

In Pursuit of Cultural Freedom

brings to Santa Fe a wide range of writers from the literary world of fiction, nonfiction, and poetry to read from and discuss their work.

is a lecture series on political, economic, environmental and human rights issues featuring social justice activists, writers, journalists, and scholars discussing critical topics of our day.

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Ru Freeman is a Sri Lankan–born writer and activist whose creative

I have been trying to document the Israeli occupation for more than twenty years, during which time the occupation has inexorably tightened its grip. I have sought to record the increasing—and ever more rapid accumulations of war crimes and human rights abuses committed during that period. It is an exasperating calling to write in Israel what so few want to read.

and political writing has appeared internationally. She is the author of the novels A Disobedient Girl (2009) and On Sal Mal Lane (2013), a New York Times Editors’ Choice. On Sal Mal Lane takes place off a major road in the Sri Lankan capital of Colombo, home to Sinhalese, Tamils,

— From The Punishment of Gaza © 2010

Burghers, and Muslims. Of their differences, Freeman writes, “To the untrained eye, the physical distinction between the Sinhalese and the Tamil races was so subtle that only the natives could distinguish one from the other, pointing to the drape of a sari, the cheekbones on a face, the scent of hair oil to clarify. But distinctions there were, and the natural order of things would eventually come to pass: resentments would grow.” In 2015 she edited the anthology Extraordinary Rendition: (American) Writers on Palestine, bringing together the work of 65 writers and poets. She blogs on literature and politics for the Huffington Post and is a contributing member of the Asian American Literary Review editorial board. Freeman was a Lannan Residency Fellow in 2016.

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Gideon Levy, who was born and resides in Tel Aviv, Israel, is a columnist and member of the editorial board at Haaretz daily newspaper, where he has covered the Israeli occupation of the West Bank and Gaza for the last 25 years. The author of The Punishment of Gaza, he has received several peace and freedom awards for his work. In 2015 Levy and Palestinian pastor Mitri Raheb were awarded The 2015 Olof Palme Prize “for their courageous and indefatigable fight against occupation and violence, and for a future Middle East characterized by peaceful coexistence and equality for all.”


STEVEN HSIEH

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Mail letters to PO Box 2306, Santa Fe, NM 87504, deliver to 132 E Marcy St., or email them to editor@sfreporter.com. Letters (no more than 200 words) should refer to specific articles in the Reporter. Letters will be edited for space and clarity.

NEWS, AUGUST 31: “BOUND HOUNDS”

IT’S ALL GOOD Tethering a dog is not abuse and often the only reasonable way to keep the animal restrained. This is an example of high privilege casting laws that affect people with limited means, exactly what I’ve grown to expect from Santa Fe.

designer mutts that serve as accessories for an affluent successful Santa Fake lifestyle. Any laws that punish the owners will only serve the two purposes and goals of the latte liberal: To look good and to feel warm and fuzzy. I suggest that the local bleeding hearts who want to ‘free all oppressed creatures everywhere’—except for maybe poor people and people of color—do one of three things. (A) Buy a fence or high tech security for the dog’s owner. (B) Use some of that trust fund or oil stock dividend money to go to North Dakota and stand with the Indians. Sell your turquoise jewelry and expensive ‘noble savage’ paintings and give the money to their cause. (C) Get another cute kitten from the shelter, go back to Eldorado, and mind your own damn business. ED FIELDS SANTA FE

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Mountains and Monastery Silent Hiking in the Sangre de Cristos and Meditation at Upaya’s Monastery led by Vice Abbot Joshin Brian Byrnes

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GET OVER IT Big news for all the oversensitive heartbroken latte liberals who want to unchain all those poor doggies. Those animals are not being mistreated, they’re guard dogs owned by working class people who live in sketchy neighborhoods. They’re not shelter puppies that yuppies procured as spoiled surrogate children with cutesy names nor are they

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SFR will correct factual errors online and in print. Please let us know if we make a mistake, editor@sfreporter.com or 988-7530.

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HUFFPOST EXPANDS WITH MEXICO EDITION

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It was Trump and El Chapo that pushed them over the edge.

TOM FORD’S SF COUNTY RANCH REPORTEDLY UNDER CONTRACT And we’re guessing not for use as a homeless shelter.

DOWNTOWN MERCHANTS ARE PISSED ABOUT PARKING Talk about nickel and diming us to death.

FLY FROM SANTA FE TO PHOENIX (AGAIN) Unless you spent all your extra cash at the parking meters.

SPECIAL SESSION LOOMS FOR STATE BUDGET No matter how many times you say “diversify,” we are still looking up from the bottom of a deep hole.

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WIENER GETS BUSTED SEXTING (AGAIN) He’s always down to stand up for the national anthem, though.

FORMER STATE ENVIRONMENT DEPARTMENT SECRETARY TAKES JOB WITH OIL AND GAS INDUSTRY GROUP. That explains everything.

Read it on SFReporter.com BURN IT AWAY Zozobra was dashing this year in a hat, tie and jacket. Culture staff writer Maria Egolf Romero explores how fire like the one we set in him is used in cultural traditions worldwide. Plus see pictures from his demise!

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SEPTEMBER 7-13, 2016

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PIANIST BRIAN HAAS’ JAZZ-TROLOGY The Jacob Fred Jazz Odyssey founder improvised mini-pieces based on culture editor Alex De Vore’s star chart. Check ‘em out ahead of JFJO’s Thursday show at Meow Wolf.


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Business Disaster Why is the state Department of Homeland Security refusing to pay a contractor for cleanup work?

holds onto, and should have passed along to the Pojoaque Valley Irrigation District, which then should have paid Urban within 120 days of finishing the job. And it turns out that Urban isn’t the only one waiting: The state owes money to subgrantees all over New Mexico. In early 2015, the same time crews were working out at Nambé, the New Mexico Office of the State Auditor sent a letter to M Jay Mitchell, secretary of the state’s Department of Homeland Security and Emergency Management. At that time, the department had $40 million in open budgets related to disaster declarations in New Mexico. According to that letter, the audit couldn’t identify “any valid reason” for maintaining those high balances. “We’ve been investigating a litany of concerns at the department that go back several years,” says New Mexico State Auditor Tim Keller.

BY LAU R A PA S K U S @ La u ra Pa s ku s

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SEPTEMBER 7-13, 2016

SFREPORTER.COM

LAURA PASKUS

A

At home in his own equipment yard, Martin Urban steps down from a Peterbilt truck he and his employees use for hauling. He lives in Sile, New Mexico, a town so small it makes Peña Blanca, just across the Rio Grande, look like a metropolis. This is where he started his business more than 20 years ago, just doing backhoe work. Over the years, he took advantage of government programs meant to help minorityowned businesses and rural companies and built his business on government contracts. Today, he has about 30 employees, many of them from the nearby Pueblos of Cochiti and Santo Domingo. Now, he stands to lose all that. The New Mexico Department of Homeland Security and Emergency Management is holding back tens of millions of dollars in federal money meant for disaster relief from Urban’s company and others. After a wildfire, flood, or some other natural disaster, FEMA, or the Federal Emergency Management Agency, works with states to send money to where it’s needed. The idea is that the state uses the cash to help communities recover from disasters. But things aren’t working the way they should. After the Pacheco Fire raged in the Sangre de Cristos, the Pojoaque Valley Irrigation District needed to hire someone to deal with the mudslides and floods that were filling Nambé Reservoir with ash, mud, dead trees and boulders. For about three months in early 2015, Urban’s employees worked out at the reservoir. With loaders, excavators, backhoes and trucks, they built stone and wire walls to hold back mud and ash, dug trenches and hauled away debris. Dam tender Alfredo Pacheco points out that they even worked through bitter cold and terrible weather, wrapping the work up before irrigation season so it wouldn’t disrupt water deliveries to farmers in Nambé, Pojoaque and El Rancho. But that job may be the ruin of Urban. “We’ve been told by our bonding company that because the state owes us over $2 million dollars—I believe it’s 2.3,” he pauses and looks over at his wife, Sandra, who nods; “—we now are a liability to them and they will not be able to bond us anymore if we do not get paid in 30 days.” Bonding is like insurance, and over the past 24 years, Urban had built his up to bid on bigger and bigger jobs. “When you do work, especially for the government, they require a bond, which is insurance to make sure you finish the project,” he says. “Without a bond you cannot solicit these projects through the government agencies, both state and federal.” Technically, it’s not a check from the state that he’s waiting on. Rather, it’s federal money that the state

The department hasn’t completed its state-required audit for Fiscal Year 2015, which was due in December. It’s also on the auditor’s “at risk” list — the only cabinet-level agency on the list. And though Keller’s office gave them some time to try and fix things, he says that time is running out. “We will probably be taking some significant action with respect to the agency in the fall if the problems aren’t remedied in the next month or so,” he says. “There have been several federal audits already and so we’re trying to make sure those changes have been fixed. But there’s also been lots and lots of turnover in the department, and that’s why we’re concerned about the short term viability of the department to even function as it should.” SFR reached out to FEMA’s public information officer for the region about the issues, too. We asked, for instance, if other states have trouble passing the federal money through to its subgrantees. Or if this could affect New Mexico’s ability to receive future disaster relief funding from FEMA. But the agency remained tight-lipped, saying FEMA doesn’t compare states and all questions should be directed to New Mexico officials. That didn’t work either. The state agency dodged repeated requests for interviews with Mitchell or other staff, and ignored requests for information. Its custodian of records tells SFR she doesn’t have time to prepare records

Martin Urban says the state owes him more than $2 million and he could lose his business if NM doesn’t pay soon.


NEWS for inspection in compliance with New Mexico law because she’s busy with other responsibilities, including the State Fair. And to try to shake the information loose, we’ve filed a complaint with the New Mexico Office of the Attorney General. Everyone’s heard the news of New Mexico’s budget shortfall. But the failure of the state’s department to pay out disaster money shouldn’t be related to that. When a governor declares an emergency, FEMA evaluates the situation, trying to figure out if it’s really a disaster. If it is, it allocates funding to clean up the mess. Usually, there is costsharing involved. The state pays some of the money, and so might the local government. The federal money is supposed to be held in a special state account. Then, once the work’s been done, inspected, and approved the state pays out that federal money to subgrantees that include irrigation districts, municipal governments and tribes. Exactly what is happening is difficult to say. Subgrantees and their con-

It’s really affected the people who did the work, completed the work over a year ago, just waiting to pay the bills.

tractors aren’t receiving their funding. And the auditor’s office can’t get a clear picture of the department’s finances. This isn’t the first time the department has held onto money meant for its subgrantees. Four years ago, the Pueblo of Santa Clara complained about the slow payouts after the village and its watershed kept getting whacked by post-Las Conchas Fire floods. Even though tribes are sovereign nations, the FEMA process treats them like local governments, requiring them to work through the state. Then, in 2013, Santa Clara’s leaders signed an agreement with FEMA—the

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be Edward Lucero, right, and Alfredo Roybal survey flood damage in Pojoaque.

first of its kind in the region—allowing the tribe to bypass the state and work directly with the federal government. Everyone else, however, appears to be stuck wondering what’s going on with their payments. Edward Lucero, chair of the Pojoaque Valley Irrigation District, doesn’t understand why the state still hasn’t passed the disaster relief money to the irrigation district so that it can pay Urban for the work. “It doesn’t affect our finances, but it does affect if we need people to come in later on, knowing the district has not made good on work already done,” Lucero says. And he’s worried about Urban: “It’s really affected the people who did the work, completed the work over a year ago, just waiting to pay the bills.” Meanwhile, Urban’s wrapping up a few other projects. Given the department’s silence, it seems unlikely that he’ll be paid for the Nambé job before he loses his bond rating. He’s getting ready to cut his employees and sell off most of his equipment. And he’s still paying interest on the credit he took out for the reservoir job. He’s at a loss to see his business go under when the money’s sitting in account somewhere. “What the state’s doing is wrong,” he says. “It affects small business. If they’re here to help a small business, why aren’t they by paying after a job is completed, especially a year and a half later?”

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Listen to an additional report on the story broadcast on KUNM by visiting SFReporter.com.

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Snagging the High Spot

MARCOS CASTILLO

NEWS

Ski Santa Fe opens disc golf course that looks to take rank as top elevation in the country

BY EL IZABE TH M I LLE R el i zab eth @ s fre p o r te r.co m

W

ith this weekend’s opening of a disc golf course, Ski Santa Fe has pulled a top spot nationally—snagging the title for what seems to be the highest course in the county. “No one has said officially, but I guess I can, because I think we are,” says Scott Hussion, director of marketing at Ski Santa Fe. The 18-hole disc golf course, designed by Elite Brothers Disc Golf and opened last week, begins at the top of the Santa Fe Super Chief Quad Chair, then works its way uphill toward Gayway, an intermediate run that starts near the top of the Tesuque Peak Triple Chair, and a hole there sits at 11,564 feet in elevation. That’s hundreds of feet above the previous record, Aspen Mountain in Colorado, where the ski area tops out at 11,212. The course then curves through ski runs and wends its way through the trees, passing Totemoff’s on its way into what’s colloquially referred to as “the bottleneck” at the base area—where players can partake in the rest of Ski Santa Fe’s entertainment lineup for the fall-color season. “This course is actually unique in the fact that you have to ride the lift up and play all the way down,” Marcos Castillo, with Elite Brothers, a professional disc golfer who aided with the course design. “It might be the only one of its kind.”

Angel Fire, Red River and Sipapu already had disc golf courses. Now, Santa Fe has one, too.

“We wanted to use some different features of the tion course for disc golfers—though locals, of course, mountain, give it some character … to play different come first. parts of the mountain, get in the trees and have difSki Santa Fe joins Angel Fire, Red River and Sificult shots there,” Hussion says. papu in hosting disc golf courses to make use of their For those unfamiliar, disc golf means throwing a terrain outside the winter months. It’s been a natural disc (not to be confused with a Frisbee, defit, Castillo says. spite striking similarities), toward a “The terrain itself is already really series of “buckets,” or chain cupperfect for the game because we like structures a couple feet like trees and elevation and part tall on a pole hundreds of of the difficulty of the game feet away. Like ski runs, the is navigating through difThe terrain itself is course offers “black” adferent types of obstacles vanced tees, and “blue” like that,” Castillo says. already really perfect for the intermediate tees. “And it’s environmen“It’s a pretty intense tally friendly. There’s game because we like trees course,” Castillo says. hardly any impact if at “It plays pretty difficult all on the mountain, so and elevation and part of from the longer tees. of course they like that The shorter tees will as well.” the difficulty of the game is definitely be better for The ski area is exnavigating through different newer players—it won’t pected to run the quad lift beat them up too bad.” on weekends until Oct. 10. types of obstacles. In that way, Ski Santa Fe When snow flies, the course answers a need for more adwill be pulled until next fall. vanced courses in the state. Disc golfers interested to play “It’s probably not a course you outside of the “leaf peeper” hours want to play your very first time playthe lifts are running can make the halfing disc golf. You may not like it very much hour hike to the first tee. after that,” Castillo says. “If it’s your very first time “It’s going to be a real limited-season course up ever throwing a disc, it may be a little frustrating.” there because it’s such a high environment,” Castillo “It’s a good kind of challenging,” Hussion says. The says. “But it’s such an amazing place we’ll take whatcourse had been in the works for three years, and was ever we can get.” preceded by a couple of pilot-project events on single Ski lift tickets are $10 and include a map and score weekends. So far, he says, it’s been a hit. card. Map and score card alone are $2, or hike and There’s hope that the course’s caliber and chal- play free. lenge will give it appeal for hosting tournaments (such as one on Sept. 11 that expects to see at least 80 Disclosure: Miller is a full-time SFR staff writer who works seasonally, part-time as an instructor at the ski basin. players) and see it become something of a destina-

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SEPTEMBER 7-13, 2016

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H

ike far enough into the trail systems on the eastern border of town, and you run into signs declaring the territory behind them closed to human access. Out of concern for contamination from humans and dogs, and to reduce the risk of wildfire, the municipal watershed has been closed since 1932. Violators face a potential $5,000 fine. Walk that line for a while, and the signs show the effects of having served in someone’s target practice, and what’s left of a barbed wire fence lies snarled in the dirt. A hiker can look over into those ponderosa pines and think longingly of the relatively untouched terrain beyond, the steep forest and intermittent tributaries running toward the Santa Fe River, feeding the city’s reservoirs. We’ve agreed to offer that territory up in the name of clean drinking water. But cows don’t read, and in most places, no fence bars them from wandering right into the watershed, which they did last summer. “It wasn’t like they were hanging on the ridges; they were down standing in the good green stuff by the river,” says Sandy Hurlocker, District Ranger for Santa Fe National Forest’s Española District, whose office got the call from city staff. “We’re pretty perplexed that cows were coming in there.” They called the cattle’s owner, and a few days later, the animals were removed. For the time being. “They may have wandered back down later in the season,” Hurlocker says. “It might have been a couple times.” The Forest Service has since installed a quartermile of fence at the top of the drainage where the cattle were suspected of crossing. No fines were issued to the permittee whose cattle had trespassed into the city watershed. The Forest Service handled the matter with just a conversation. This casual resolution is typically how officials throughout the West handle instances of cattle grazing where and when they shouldn’t. A recent Government Accountability Office report requested by Congress following several high-profile incidents (the Cliven Bundy standoff over illegal grazing in Nevada no doubt among them) found that unauthorized grazing is widespread, largely unmonitored and frequently unpenalized—and that the true extent of the problem is largely unknown. Rangers don’t have time to check the places where cattle are supposed to be, much less the acres out of rotation. About 450 million acres of federally managed land are open for multiple uses that include grazing, saddling each range staff member of the Bureau of Land Management with roughly 850,000 acres on average, and for the Forest Service, approximately 255,000 acres, according to the report. In one Utah office, two BLM staffers oversee 2 million acres. The task of checking pastures gets rolled into other duties, like restocking restrooms, and field work gets set aside for other management duties, like dealing with wildfires, which is where more than half of the budget for the US Forest Service was spent in 2015. So agencies rely on public reports about cattle in places they shouldn’t be.

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MAJOR BEEF The Government Accountability Office report found US Bureau of Land Management and US Forest Service agency databases had recorded nearly 1,500 incidents of authorized grazing between 2010 and 2014 that led to formal response—likely a small portion of actual infractions. Fines are so low they fail to act as a deterrent, the report states. One Forest Service staff member went so far as to express reluctance to send a bill because it would just show the low cost of breaking the rules. Already, rangers report ranchers simply rolling the fees into their costs of doing work. They usually don’t even “get to that point” of issuing fines, says Steve Romero, District Ranger for Santa Fe National Forest’s Pecos/Las Vegas District. “Sometimes we have in the past,” he says. “After we did issue that fee for the unauthorized grazing, it seems like compliance comes, but I think maybe that’s because then there’s the next step. They still don’t comply, suspension or cancelation of the permit starts to become part of the menu, if you will, of consequences.” But in their respective eight and 10 years in these ranger districts, neither Romero or Hurlocker recalls canceling an entire permit, just reducing the number of cattle allocated to it. Handling unauthorized grazing with a phone call makes for speediest resolution. It saves staff a lot of paperwork. The trouble is that without a paper trail, whether a rancher repeatedly violates the conditions of a permit can go untraced, and that matters in a system where consequences ratchet up for repeat and willful offenders. The Forest Service fee hovers at $10.68 per cow, but the BLM’s fees, which vary by state, can climb as high as $117, which might actually sting. Parking your car without paying the fee at a wilderness trailhead, meanwhile, could lead to an $80 ticket. Where human visitors pay $2 or $3 for a day-use permit, a cow stays for $2.11 per month. In 15 years, the grazing fee hasn’t even come up a full dollar. The cost of grazing on private land, meanwhile, ranges from $9 to $39, according to the National Agricultural Statistics Service.

The Government Accountability Office’s last major report on grazing fees, completed in 2005, found that the revenue generated through grazing doesn’t even cover the administrative costs of the program. US Rep. Raúl Grijalva (D-Arizona), ranking member of the House Natural Resources Committee, who requested the report on trespass grazing and overgrazing, said in a press release at its publication, “The Forest Service and Bureau of Land Management need to bring grazing fees in line with the modern economy and take illegal use of public lands more seriously going forward.” It’s not that ranchers and the Forest Service are close friends. Frustrations run both ways, with ranchers aiming to continue a custom deeply embedded both culturally and financially into their families, and the Forest Service charged with enacting ever changing regulations, which shift every time a new endangered species is listed, like the New Mexico meadow jumping mouse was in 2014. “The tradition here has been kind of tense,” Hurlocker says. “But it’s always been respectful when we work with each other. They know the land and we know the regulations.” The goal has been to maintain working relationships while managing the land based on the guidelines for grazing mapped out by the National Environmental Policy Act. They set specific targets for vegetation and grass height, stream banks and erosion in an effort to protect other species’ opportunities to thrive in the forest while ranchers also make use of it. “It’s not just how many cows can we put into one place,” Hurlocker says. “It’s how many cows can we put in one place and maintain fish habitat and owl habitat.” Cattle and sheep grazing dramatically reshaped the New Mexican landscape. Settlers arriving describe grassy plains and a web of narrow, shallow streams. Today, those landscapes yield more sunbaked sand, deep and often dry arroyos and myriad invasive species that stepped in to replace native grasses ripped out at their roots by gnawing teeth. In Enchantment


In the Government Accountability Office report, some of the photos of land damaged by unauthorized grazing come from the Santa Fe National Forest, and show areas of proposed critical habitat for the endangered New Mexico meadow jumping mouse where a fence has preserved a swath of tall, green grass in an otherwise closely cropped carpet. That’s not what you’d see if you traveled with Mike Lucero, a fifth-generation rancher, out to his allotment in the western half of the Santa Fe National Forest, near Jemez Springs. He’s one of about 10 ranchers with a total of 250 cows on thousands of acres that stretch frrom wildflower-filled meadows to looser groves of ponderosa pines and on down to the red canyons near his house, where the walls are adorned with photos of his son and daughter barrel racing and bull riding. They both have rodeo dreams; he plans for the calves he sells annually to pay for their college educations. When he drives through that piece of land, he traverses near areas his great-grandparents ranched and logged, through the tunnels they helped to excavate. “It’s not about getting rich. It’s about passing on your traditions,” says Lucero, who works full time on the SWAT team for Los Alamos. Much of the cattle grazing in the Santa Fe National Forest isn’t large-scale commercial operations, but small and family-run. Most own just a dozen or so cattle. Allotments generally see less than 100 cattle, and date their use of the land to the land-grant era. “The tradition has not changed,” Lucero says. “Everything around us has completely changed.” Much of that change has come through the New Mexico meadow jumping mouse, recently listed as an endangered species. Management settled on a strategy of exclosures and fenced-off riparian areas. Weeks

TRESPASSERS IN THE WATERSHED PROMPT QUESTIONS ABOUT NEW MEXICO’S CATTLE CULTURE

BY EL IZ A B E TH M I LLE R el i zab e t h @ s fre p o r te r.co m

Mike Lucero, a fifth-generation rancher, grazes his cattle in the Jemez Mountains.

after Lucero’s cattle have been moved to another pasture, the grass on either side of the fence looks roughly the same. “We did that. It’s not the fence. It’s management,” he says. “What a waste of money to accomplish something we were already doing.” His allotment sits amid of one of the state’s more popular recreation areas, and each weekend, the forest is crowded with RVs and tents. People complain about cattle, he says, but he points to the beaten tracks CONTINUED ON NEXT PAGE

ELIZABETH MILLER

and Exploitation, a history of northern New Mexico and how its people have shaped and been shaped by the land, William deBuys writes that we don’t even know what native grasses existed in some of these environments. No documentation of them predates the arrival of major herds of sheep and cattle that were pushed north out of Texas after overgrazing led to rampant desertification there. Grasses evolved in conjunction with herbivores; in some ways, cattle are needed on the landscape to replace the bison herds now long gone. But without a major predator to keep the herds moving, that regenerative potential can wheel over to damage. “One of the things we talk about in the restoration community here is that people in New Mexico don’t know what healthy landscapes look like because they’ve been unhealthy for so long, so the reference point isn’t there of what it could look like,” says Mollie Walton, land and water program director of the Quivira Coalition. The Forest Service’s annual plan maps out a schedule that rotates cattle through various pastures in an effort to prevent the overgrazing that cost the West much of its grass and water and threatened habitat for other species. “We’re already dealing with systems that aren’t as resilient as what they once were, so that’s why it’s important to do really good grazing management in New Mexico,” Walton says. The Quivira Coalition works to encourage and teach sustainable ranching practices and find ways to rebuild alliances in a system so contentious at times she worries they’ll never get all stakeholders back to the table to talk compromise. While that annual plan has the best of intentions, she’s also heard instances of it stalling out a rancher’s efforts to sensitively manage the land. Because the annual plan lists specific dates, if conditions shift from what’s expected and a rancher would like to move cattle to avoid overgrazing, fetching the Forest Service ranger out to check and sign off on the change calls for tedious delays. “They’re just so understaffed, they’re set up to fail,” Walton says. “You’re talking about a job four people should be doing, not one.”

Public lands grazing is “not a perfect system,” says the US Forest Service.

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This summer, cowpies littered the ridgeline near the boundary of the Santa Fe Watershed.

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COURTESY QUIVIRA COALITION

and bare dirt where ATVs have driven and vehicles parked, and grass flattened by tents, and declares, “Cows didn’t do that.” Ranchers find themselves picking up trash, putting out campfires and repairing water tanks that have been shot and drained, and fences that were chopped to let ATVs pass. Though, to be clear, those interested in hiking or backpacking on a landscape devoid of cattle aren’t likely to overlap with those traveling through the woods on and sleeping in motorized vehicles. As we drive, he comes up on a cluster of six cows and calves, including a pair of his, about eight miles from where the herd is supposed to be. Despite best efforts, there’s an ongoing level of risk involved, just given the number of variables, from humans to cattle. But he doesn’t see a viable alternative in raising cattle behind fences their whole lives. Not while there’s a market for grass-fed beef, anyway. “The truth is, yes, some people overgraze and it leaves the land worse than when they started,” he says. “But not everybody.” When Laura Jean Schneider and her husband, founders of Big Circle Beef, decided to make their living as cattle ranchers, they went all in—all in to a 320-square-foot trailer they could park on their 90,000-acre allotment on land leased from the Mescalero Apache reservation in southern New Mexico. They wanted to be within a horseback ride of their cattle, now some 900 yearling steers and 500 cow-calf pairs, plus 35 bulls, so they could check on them daily. “The way that I want to raise cattle is to restore landscapes and not to pollute them or degrade them,” says Schneider. Mostly, that requires vigilance. Regularly monitoring cattle, and adjusting based on water available in

The Quivira Coalition’s Land and Water Program has organized restoration work to protect watersheds and restore wetlands where cattle grazing continues. The Comanche Creek in Valle Vidal is one of their leading examples.

this brutally dry climate, can curtail problems before they start. Cattle, she contends, can turn grass into a high-protein food source, and, done well, can still leave space for different plant species to thrive. “Ranchers have a huge potential to manage the land on a micro level because they’re out there on the land every day,” she says. “The conscientious rancher will pay attention to best using that forage, and caring for the land base as an investment. … A responsible farmer or rancher just never does it at the cost of the landscape, because if you give to it, it will give back to you.” Among the alternatives environmental organizations have tried to craft to ease coexistence of conflicting interests on public lands is a program that lets ranchers sell their grazing permits to be temporarily closed. In southern New Mexico, it’s worked to give ranchers another option after fences and water tanks were damaged in a wildfire, and leave more space for Mexican wolves. About 25 ranchers a year enroll throughout the West, volunteering their permits for temporary administrative closures. Permanently retiring those permits requires Congressional authorization, and the most recent effort, a rider in 2013 that would allow for a pilot program, failed. So WildEarth Guardians is considering whether to ask district rangers to retire voluntarily relinquished permits in the vicinity of the Santa Fe National Forest and Pecos Wilderness near the municipal watershed. “You have an invasive species that’s known to carry waterborne diseases defecating in a closed portion of the watershed because of poor management by everybody—by the city, by the Forest Service and by the rancher,” says Madeleine Carey, with WildEarth Guardians. “If you can raise cattle without causing other species to go extinct or become endangered, and you’re not degrading water quality, I’m fine with it. That’s my big asterisk; that’s my only ask.” Would ranchers in the Santa Fe National Forest

It’s a fact of life for us to say cattle are a part of our management routine.

bite on the chance to sell their grazing permits? Rangers say it’s tough to know. “Because of the traditions and going back to the historic use, I think there’s a lot more it’s about than money,” Hurlocker says. Schneider, who ranches near where the program is already underway, questions the end goal for that land. “It can’t return to its native state because we’ve altered the state of our landscape so much that there’s kind of no wild to go back to,” she says. “I don’t think the answer is, ‘Clear all cattle and return to wild,’ whatever ‘wild’ is. I think the answer is to find common ground, and then to make that happen creatively.” If we lived in a landscape that had never been grazed and logged, maybe it would be different, Lucero’s argument goes: “If we never touched it, I’d say we don’t have a responsibility, but we’ve done things to the land that changed it,” he says. “We’ve become responsible for it.” “Land that’s been badly degraded needs to be nudged in the proper directions,” says Walton, with the Quivira Coalition. “It’s not as easy as, ‘Remove the disturbance and everything will be fine.’”


!

This summer, cattle and their traces have also been spotted near Ski Santa Fe, which is outside any grazing allotment, and in the campground at Santa Barbara Trailhead, their manure adjacent to the bathrooms for human use and signs asking pet owners to clean up after their dogs. “The ski area is probably the area on our side where we have the most trouble with cattle stepping over where they shouldn’t be,” Hurlocker says. On a mid-August weekend, public reports came in about 10 cows in the ski basin. The permittee was called to move them back out, but it’s a chronic problem, Hurlocker says. On the west side of Hyde Park Road, in the vicinity of popular trails like Bear Wallow, Borrego, Rio en Medio and Norski, cattle are allowed, and there’s a fence on the west side of the area, but trees knock it down and people passing through to hike or bike leave gates open. “It’s not a perfect system,” Hurlocker says. “Whatever resource we’re managing, we just have to rely on people, the honor system first, and if things get egregious, then try to focus our resources on dealing with it.” Looking at a map of the allotments in the eastern half of the Santa Fe National Forest, everywhere but the area directly around the ski area, the watershed, and Hyde Memorial State Park has cattle allocated to it. For endangered species, even for those who would enjoy a pristine wilderness experience, nothing seems to be set aside. “I go back to the mandate, the multiple use mandate; the Wilderness Act

mandate says cattle have a place in the wilderness,” Hurlocker says. “If you go back to the 1960s, there probably would be no Wilderness Act without that compromise. So it’s a fact of life for us to say cattle are a part of our management routine.” There are different reads on that, though. “The multiple use mandate doesn’t mean every use on every acre. It means multiple uses across the forest. So it doesn’t mean the ski basin needs to have skiing, mountain biking, logging, cattle grazing, and wilderness experiences on it,” Carey says. “It means that it should have skiing and hiking, and then the piece of land next to it has wilderness values, and then a piece of land somewhere else that’s not as pristine, that isn’t as high up in the watershed, is for cattle grazing.” With the Forest Service currently re-doing its management plan for the Santa Fe National Forest, the agency is opening up these debates. The plan will guide management for the next 10 to 15 years; the current plan has been in place for 29 years. Meetings moving forward in September specifically deal with the question of wilderness and will be hosted at ranger districts throughout the area. The agency will also host field trips in September and October to discuss forest plan revisions with the resources in question as the backdrop. Comments submitted by Amigos Bravos and Western Environmental Law Center cited research that shows cattle grazing often negatively affect streams, and that there’s a compelling case for carefully controlling, if not altogether removing, cattle from riparian areas. How the Forest Service will incorporate that and other feedback from public comments is still unfolding. Between their draft and final published findings on focus areas and need for change in the Santa Fe National Forest, the word “overgrazing” vanished. “The reality is, it’s not a good system,” Carey says. “Instead of hemming and hawing and saying, ‘Well, I’ll only put my cattle in this pasture in this month when this species isn’t there,’ or ‘If I don’t have to work on all my other fences, I can really work on the fence that’s on the watershed’—no. If you can run your operation in a way that works for you to raise your cattle, works for the land management agency and works for people depending on the other resource—in this case, water— then that’s fine. And if it’s not going to work, we have to be realistic about that.”

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Women’s Health Services, Family Practice & Pediatrics Adult & Family Practice Pediatrics Gynecological Services Reproductive Health 901 West Alameda

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GO WEST The roots of pop art meld with graphic screen prints and acrylics on wood in the works of Denver-based artist Maura Allen. Like an ethereal view into the old and new West, Allen portrays cowboys, natives, horses and all points in between as a sort of homage to the romanticized notion of a time and place that may have altered slightly over the last 150 years, but still maintains much of its identity. “A lot of people think of the old and the new as separate times, but I see it as more of a continuum,” Allen says. “This is continuing the story through graphic images and iconic imagery.” (ADV)

COURTESY SORREL SKY GALLERY

J. MIMNA

ART OPENINGS

Maura Allen: 5 pm Friday Sept. 9. Free. Sorrel Sky Gallery, 125 W Palace Ave., 501-6555

FOOD RENEE COMET

MUSIC

Musical Empathy

Jacob Fred Jazz Odyssey rewrites the book on jazz to define, yet the show is bound to be an excellent means for skeptics and newcomers to shake up whatever preconceived notions they’ve formed about the genre. “Santa Fe audiences have a super open mind, and one of the reasons I’ve been able to keep doing what I’m doing is because I’m empathetic,” Haas says. “You have to develop an empathetic relationship with your audience, because these are people who paid their hard-earned money to be there, so I believe if you’re going to improvise, you have to make it worth it. Jazz has been a little too pompous in some ways, but this is exciting—it’s part of why I do this, to constantly take risks and create new music.” Be among the first to hear the new pieces and catch experimental country-ish (in the very broadest sense of that term) songwriter Woven Talon or forever be bummed. (Alex De Vore)

There are so many reasons to love Edible Santa Fe’s annual Green Chile Cheeseburger Smackdown, and we are going to list them all. Um, cheese. Um, Burgers. Um, green chile. And everything is prepared by the best chefs from around the state. In fact, this event is so cool, our very own arts and culture editor, Alex De Vore, is the emcee. For the price of one Andrew Jackson, try burger creations by all seven finalists including Edgar Beas of the Anasazi Restaurant, Ivan Labra of Plaza Café Southside, Milton Villarrubia from Second Street Brewery’s Railyard location and others. Come hungry, leave chile-happy. (Maria Egolf-Romero) Edible’s Green Chile Cheeseburger Smackdown 2016: 4-8 pm Friday Sept. 9. $20. Santa Fe Farmers Market Pavilion, 1607 Paseo de Peralta, ediblesmackdown.com.

BOOKS 100 YEARS OF JOYCE-ITUDE

JACOB FRED JAZZ ODYSSEY WITH WOVEN TALON

Adam Harvey began his close relationship with James Joyce and his dense writings around the same time he moved to Santa Fe in 1993. Today, Harvey is still reading Joyce and talking about him in his weekly JoyceGroup Santa Fe gatherings. “We inch our way through the text, a sentence at a time, sometimes even a word at a time,” Harvey tells SFR. And with four and 16 years being the amounts of time this group has spent reading Ulysses and Finnegan’s Wake, respectively, he ain’t kidding, folks. Check his website joycegeek.com to see where they are in the text this week. (MER)

8 pm Thursday Sept. 8. $12-$15. Meow Wolf, 1352 Rufina Circle, 395-6369

JoyceGroup Santa Fe: 10 am Saturday, Sept. 10. Free. St. Johns College, Winiarski Building #201, 984-6000.

Learn more about Haas’ improvisational chops at SFReporter.com

ALEX EHRENZWEIG

For the last five years, pianist Brian Haas has quietly lived in Santa Fe. To most people, he’s just a guy, but to fans of psychedelic jazz and experimental music the world over, he’s a founding member of Jacob Fred Jazz Odyssey, one of the most bizarre yet brilliant bands to ever grace the planet. Ditch what you think you know about jazz and get ready to have your mind blown by heavily improvisational compositions that challenge the ear and broaden horizons —Haas and company have something completely new. “I was considered a mediocre Midwest prodigy,” Haas tells SFR of his beginnings in classical music, “but then Jacob Fred started touring a lot my junior year in college. ... I started the band to learn jazz—this was in ’93, ’94—and I was by far the worst jazz musician in the band. But this was a really interesting time for bands like Groove Collective or Alphabet Soup, so Jacob Fred started taking off; I’ve just been super lucky.” Local shows for the band have been few and far between, but they’ll be kicking it up a notch with new material concocted during recent jam sessions at Santa Fe’s Frogville Studios and debuted for the first time live at Meow Wolf this Thursday. Jacob Fred is hard

BURGERTIME

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Want to see your event here? Email all the relevant information to calendar@ sfreporter.com. You can also enter your events yourself online at calendar.sfreporter.com (­submission doesn’t guarantee inclusion). Need help? Contact Maria: 395-2910

COURTESY NÜART GALLERY

THE CALENDAR DAVID BERKLEY AND MIRIAM KASS Santa Fe Oxygen and Healing Bar 102 W San Francisco St., 690-2383 The two sing a repertoire of familiar songs in melodies produced by their seamlessly meshable voices at the bar, which serves up oxygen blends rather than alcoholic ones. 8 pm, free FLOATING POINTS Meow Wolf 1352 Rufina Circle, 395-6369 Sam Shepard (not that one), who is Floating Points, samples albums from musical traditions around the world, bringing a uniquely ethnic vibe to his sets and he DJs in the trippy House of Eternal Return at this performance. 8 pm, $22 JOAQUIN GALLEGOS El Mesón 213 Washington Ave., 983-6756 Gallegos performs passionate classical flamenco in a spot that serves the yummiest, most buttery shrimp in the whole wide world. And they make a pretty mean margarita, and by “mean” we mean “strong.” 7 pm, free JIM ALMAND Cowgirl 319 S Guadalupe St., 982-2565 Almand plays moody, croony Americana on a Wednesday night. Escape your work week with a drink and an evening of familiar tunes. 8 pm, free

WED/7 BOOKS/LECTURES DHARMA TALK: JOSHIN BRIAN BYRNES AND KOSHO BRIAN DUREL Upaya Zen Center 1404 Cerro Gordo Road, 986-8518 This week's talk, presented by Byrnes and Durel, is titled Wandering Home. Both are student of the zen center. The evening begins with a 15-minute meditation so arrive early. Don’t be that person who gets there late and interrupts the silence. Nobody likes that person. 5:30 pm, free FREDERIC HOF The Forum at SFUAD 1600 St. Michael's Drive, 473-6011 Presented by the Council on International Relations, Ambassador Hof, who is director of Rafik Hariri Center for the Middle East, gives a lecture titled War and Peace in the Middle East: Challenges and Options for the Next President. We bet he has a few choice words for Señor Trump. 5:30 pm, $20 MELVIN DETROIT Santa Fe Community College Visual Arts Gallery 6401 Richards Ave., 428-1501 The painter talks about his recent works, techniques and the inspiration behind his current solo exhibit titled The Unfolding of Abstraction, which is on display in the gallery. 1 pm, free SCIENCE CAFE: BETTE KORBER Georgia O'Keeffe Education Annex 217 Johnson St., 946-1039 This installation of Science Cafe brings Korber, a Los Alamos National Lab employee and member of the Santa Fe Institute to present a lecture titled News From the War on HIV/AIDS, which focuses specifically on recent breakthroughs regarding the vaccine. 6 pm, free

WORKSHOP SANTA FE ASTRO ASSEMBLY: SEPTEMBER Santa Fe Oxygen & Healing Bar 102 W San Francisco St., 690-2383 The monthly conversation features guest Arielle Guttman, founder and director of Sophia Venus astrology group, who has over 40 years of astrology experience. She leads the discussion about what’s in the stars this month. 7 pm, free UNDERSTANDING THE SPIRIT OF COMING FULL CIRCLE Academy for the Love of Learning 133 Seton Village Road, 995-1860 Rossi Sanchi Reta Lawler leads the workshop that aims to help you deal with the inevitability of your own demise. Totally lighthearted stuff. We joke, we joke. 6 pm, free

“Toward Heaven” by Carol Mothner is on view at Nüart Gallery as part of her solo exhibition, Aloft.

DANCE ENTREFLAMENCO Entreflamenco de Santa Fe 135 W Palace Ave., 209-1302 Antonio Granjero has been doing the flamenco thing since his childhood days in Jerez de la Frontera, Spain, and he brings his dance troupe and featured dancer Estephanie Ramirez to the stage almost nightly. Ramirez has been dancing since she was 17, when she made her debut at the Royal Albert Hall in London, England. We gotta give it to them, they are persistent and impressive with their fancy footwork. 8 pm, $5

SWING DANCE Skylight Santa Fe 139 W San Francisco St., 982-0775 Put on your dancing shoes and your best poodle skirt, it's time to take it back to a bygone era and boogie all night long. Trust us, these are the classiest moves you’ll see on the club dance floor, like, ever. 8 pm, $5

EVENTS GEEKS WHO DRINK The Dragon Room 406 Old Santa Fe Trail, 983-7712 Stop and measure your knowledge of useless trivia against others. 5 pm, free

SUPPORT GROUP FOR STROKE SURVIVORS Christus St. Vincent 455 St. Michael's Drive, 820-5202 If you or a loved one has suffered a stroke, get support from this group, which meets weekly. 11 am, free TAPS AND TABLETOPS Jean Cocteau Cinema 418 Montezuma Ave., 466-5528 Do you love board games? This evening is for you. Bring your favorite game with you or play one there. And it happens in George RR Martin's theater, so nerd out folks, nerd out. 6 pm, free

MUSIC BRANDEN JAMES Vanessie 427 W Water St., 982-9966 The resident duo plays a selection of Broadway tunes on the cello and sings along in perfect harmonies. 7 pm, free CONCIETRO DE MARIACHI MATINEE Lensic Performing Arts Center 211 W San Francisco St., 988-7050 You have the chance to see this Fiestas concert at two different times today and it happens the first time at 10 am, so if you’re up and bored ... 10 am & 2 pm, $10

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Author

Terry Tempest Williams will read and sign The Hour of Land

#3 SFR Bookmarks

Tuesday, October 6 @ 6 pm

club offering

Collected Works Bookstore, 202 Galisteo St., Santa Fe • (505) 988-4226 Tap into Santa Fe’s rich literary culture by joining the SFR Bookmarks Reading Club FOR MORE INFORMATION AND THE BENEFITS OF MEMBERSHIP:

SFRBookmarks.com

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COURTESY ADOBE ROSE THEATRE

THE CALENDAR

Cleanest, Friendliest, Best Quality Products & Service. Appointment or Walk in.

s t r e p x E Nail Try a Shellac Manicure & Pedicure!

WINNER – Best of Santa Fe 2011, 2012, 2013, 2014, 2015, 2016!

2438 Cerrillos Rd. • 505-474-6183

Closed Sunday • nailexpertssf.com

Snuggle a baby, Support a Mom Ready to Volunteer?

MANY MOTHERS 505.983.5984 ~ nancy@manymothers.org ~ www.manymothers.org

The Mindfulness Solution for Intense Emotions The Ark

invites you to join

Author, Cedar R. Koons

FREE Event

book signing & talk

Saturday, September 10th, 2:00-4:00 pm 133 Romero St. Santa Fe, NM 87501 ph: (505) 988-3709 — Additional Parking in the Railyard, behind REI —

Andrea Broyles’ “Messenger” is on display at the Adobe Rose Theatre as part of External/ Internal, a solo exhibit.

THU/8 BOOKS/LECTURES FALL FLOWERING PLANTS IN SANTA FE St. John's United Methodist Church 1200 Old Pecos Trail, 982-9274 Master gardener Ken Bower leads the lecture about flowering plants native to Santa Fe, and how they were used by Native Americans and early Spanish settlers. 1 pm, $10 FRANCES LEVINE Collected Works Bookstore 202 Galisteo St., 988-4226 The former director of the New Mexico History Museum presents her historical book, Doña Teresa Confronts the Spanish Inquisition, which includes handwritten briefs from the governor’s wife as she was persecuted and imprisioned (see 3Q’s, page 25). 6 pm, free ROBERTA PARRY Santa Fe Public Library Main Branch 145 Washington Ave., 955-6780 Parry reads from her newest novel, Killing Time. 5:30 pm, free

DANCE ENTREFLAMENCO Entreflamenco de Santa Fe 135 W Palace Ave., 209-1302 Antonio Granjero has been doing the flamenco thing since his childhood days in Jerez de la Frontera, Spain, where he performed for the Spanish royal family, and he brings his dance troupe and featured dancer Estephanie Ramirez to the stage almost nightly. We gotta give it to them, they are persistent with their fancy footwork. 8 pm, $5

MUSIC BRANDEN JAMES Vanessie 427 W Water St., 982-9966 The resident duo plays a selection of tunes that range from Bach to Bieber, all the while singing in perfect harmonies and they accompany their vocal talents with a cello. Who doesn’t want to hear some Bieber song played on a classical instrument? We are interested and we hate Bieber, but that’s probably not a surprise for any of you. 7 pm, free

D'SANTIAGO NAVA Montecito 500 Rodeo Road, 426-1753 Nava plays flamenco and blues and kind of mixes the two in a way that makes you say, “yeah man, those things go together like peanut butter and jelly.” Bluesy Latin goodness. 6 pm, free DARRELL SCOTT GiG Performance Space 1808 Second St., 989-8442 See a solo acoustic show by the world-renowned Grammy-nominated singersongwriter, who is like, kind of a big deal. He performs with raw emotion, so don’t miss him doing his folk-rock, roots Americana-thing. 7:30 pm, $20 DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 Geist plays a selection of Broadway tunes bound to strike your fancy if you're one of those Broadway-lovers. And he’s composed alongside greats like Sondheim, so he may know what he’s doing. 6 pm, $2 CONTINUED ON PAGE 22

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How one local charter school takes art and music into its own hands BY ALEX DE VORE a l e x @ s f r e p o r t e r. c o m

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ne of the oldest tales of woe is found in public schools across the nation forced to cut arts and music programs from their curriculum in the face of budget shortfalls. The loss of art, music or drama—areas tragically deemed nonessential when compared to core classes such as math, English or science—makes it so much harder for kids to get out of bed in the morning and become active, excited participants in their own education. Le sigh. It is, frankly, an epidemic, but luckily there can be found certain school administrators who operate outside the government-subsidized necessities to mete out a well-rounded education to their student body. Meet Ray Griffin, principal of Turquoise Trail Elementary charter school, a man who works hard to ensure his kids will have access to arts programs. In addition to his work as an educator, Griffin also performs the sax for various Santa Fe bands such as Pleasure Pilots or the Busy McCarroll Band and, along with a veritable who’s-who of Santa Fe musical elite, he has organized the Turquoise Trail Saving the Arts Music Festival for his school at The Bridge at Santa Fe Brewing Co. In addition to educational staples, Turquoise Trail provides classes in music, drama, cooking, songwriting, choir and dance, and Griffin’s passion is nothing short of heroic. “We are recognizing very specifically that that public schools in New Mexico have really received less money,” Griffin laments. “We got less money this year and I can’t find one person who says next year is going to get better.” Schools, like businesses, can be astronomically expensive to operate, and Griffin estimates the loss of an educator every year for the last four years. Additional cuts are generally made to physical education programs. “We’re barely keeping alive these wonderful programs in our schools, which is the idea behind the concert and the hope that we can make it an annual

COURTESY TURQUOISE TRAIL ELEMENTARY CHARTER SCHOOL

School of Rock

Do you really want these kids to not have an artistic education?

thing,” Griffin says. “Keeping these things going with talented artists … there’s a lot of that in Santa Fe, but everything costs money and you wonder—what can you do? Have the teacher teach for free?” The show itself will feature performances from Joe West (a parent at the school), Round Mountain (which features Turquoise Trail music teacher Char Rothschild), Busy McCarroll (who teaches an afterschool songwriting class), Pleasure Pilots and others. All proceeds will directly fund arts programs, with 50 percent going into a dance program run by the National Dance Institute, and classes like drama, video club, guitar ensemble and others receiving the rest. All the bands have donated time and The Bridge has donated space. “It’s a wonderful opportunity for us to partner with concerned citizens, parents, kids, local business and local musicians to raise funds,” The Bridge’s J Tyler Cade tells SFR. Even if your children aren’t enrolled at Turquoise Trail, there are certainly worse ways to spend an afternoon. And what’s that old saying about the triumph of evil? Something about people standing by doing nothing? Anyway, we are at a crossroads in this country wherein the sacrificing of arts and culture are beginning to foster a systematic devaluation of

their artistic and intrinsic merit. “I see now, as a parent, how much that creativity affects my daughter,” Joe West tells SFR. “We’re blessed to have a great music teacher out there and I see my daughter’s growth and her self-esteem … it’s just doing my part.” It is obviously alarming to think of schools devoted wholly to non-artistic subjects, and even if we set aside study after study touting their benefits, it will almost surely lead to higher dropout rates. Says Griffin, “Maybe you have a kid where they might not be good at reading, but they are good at reading music or maybe there’s a kid who’s not so good at writing, and they can write music. … If we could keep something like this concert happening every year, we could at least sustain a nice portfolio of programs.” So help keep them interested. Really, you can think of the event like a show you’d have gone to anyway only you’re actually helping people. Win-win. Support the cause if you can. TURQUOISE TRAIL SAVING THE ARTS MUSIC FESTIVAL 2 pm Saturday Sept. 10. $5-$20. The Bridge @SF Brewing Co., 37 Fire Place, 424-3333

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THE CALENDAR JACOB FRED JAZZ ODYSSEY WITH WOVEN TALON Meow Wolf 1352 Rufina Circle, 395-6369 Go on a jazz adventure with Jacob Fred as they play their newest material and Woven Talon opens (see SFR Picks, page 17). 8 pm, $15 JIM AND TIM Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Blues on the deck from these blues-deckin’-dudes. 5 pm, free LATIN NIGHT WITH DJ DANY Skylight Santa Fe 139 W San Francisco St., 982-0775 All the Latin tunes your spicy little heart desires. 9 pm, $7 LILLY PAD LOUNGE Skylight Santa Fe 139 W San Francisco St., 982-0775 Rebel Frog brings you the best in old-school funk, hip-hop and soul, just in case you haven’t turned on the radio to hear the top 40 hits today. 10 pm, $7 RIO El Mesón 213 Washington Ave., 983-6756 Enjoy tapas while listening to Brazilian jazz and samba. 7 pm, free

THEATER FIESTA MELODRAMA Santa Fe Playhouse 142 E De Vargas St., 988-4262 A Fiesta tradition since 1919, this roast-like comedy tells a fictional tale of a powerhungry comptroller who wants to destroy Fiestas and pokes fun at local people and institutions. 7:30 pm, $25 LOBBY HERO Adobe Rose Theatre 1213 B Parkway Drive, 629-8688 The play follows the story of Jeff, a luckless young security guard trying to get his life together after being thrown out of the Navy, which doesn’t go too smoothly, as he ends up at the center of a murder investigation. Starring Dylan Thomas Marshall as Jeff, Scott Shettig as William, Merritt Glover as Dawn, and Vaughn Irving as Bill in the play written by Kenneth Lonergan. 7:30 pm, $15-$20

FRI/9 ART OPENINGS CAROL MOTHNER: ALOFT Nüart Gallery 670 Canyon Road, 988-3888 This Santa Fe-based artist considers herself an iconographer and presents small images of usually singular subjects to hone in on the inherent loneliness she feels is present in inanimate objects. For this show, Mothner found aviary inspiration. Through Sept. 25. 5 pm, free

FRAN LARSEN AND ETHELINDA Manitou Galleries 123 W Palace Ave., 986-0440 Larsen paints perceptions onto canvases and surrounds them in frames she carves and paints herself, considering the frame to be an extension of the painting. Ethelinda, a Hawaiian artist, paints familiar scenes from her surroundings, which are horses and New Mexico, right now, so expect to see a lot of equine faces. Through Sept. 16. 5 pm, free MAURA ALLEN AND JENNY GUMMERSALL Sorrel Sky Gallery 125 W Palace Ave., 501-6555 Allen presents her newest paintings that depict the American West in cinematic detail and Gummersall shows photographs of Southwest icons, which are sometimes cows. Through Sept. 30 (See SFR Picks, page 17). 5 pm, free THE SANTA FE ART PROJECT: BASINS David Richard Gallery 1570 Pacheco St., 983-9555 Guest curator John McKissick presents an exhibition of works in a variety of mediums by local artists Jamie Hamilton, Angelo Harmsworth, Drew Lenihan and others. Through Sept. 24. 5 pm, free THE SANTA FE ART PROJECT: PART 1 David Richard Gallery 1570 Pacheco St., 983-9555 Exhibiting Santa Fe-centric work, born and bred in the City Different, the show features paintings, sculptures and multi-media works by Matt King, Heather McGill, Dylan Pommer and others. Through Sept. 24. 5 pm, free TIMOTHY JASON REED: I WON’T BE/LONG Betterday Coffee 905 W Alameda, See new works by the local artist who works with unique materials, in a medium all his own ... You may recall the three-dimensional string creations he made for his last exhibit at this venue. Through Oct. 21. 4-6 pm, free

BOOKS/LECTURES MARGARET RANDALL: SHE BECOMES TIME SITE Santa Fe 1606 Paseo de Peralta, 989-1199 Randall, a poet, essayist, oral historian, translator, photographer and social activist who lived in Latin America for 23 years, reads from her newest work. When she came home in 1984, the government ordered her deported because it found some of her writing to be “against the good order and happiness of the United States.” With the support of many writers and others, she won her case in 1989. 6 pm, free

DANCE ENTREFLAMENCO Entreflamenco de Santa Fe 135 W Palace Ave., 209-1302 Antonio Granjero has been doing the flamenco thing since his childhood days in Jerez de la Frontera, Spain and he brings his dance troupe and featured dancer Estephanie Ramirez to the stage. 8 pm, $5

EVENTS ENTRADA DE DON DIEGO DE VARGAS Santa Fe Plaza 100 Old Santa Fe Trail, A reenactment of the “peaceful” resettling of Santa Fe at the hands of De Vargas and his Cuadrilla. Expect to see a lot of guys in costumes on horseback. 2 pm, free FIESTAS OPENING CEREMONY Santa Fe Plaza 100 Old Santa Fe Trail, Join Rev. Adam Lee Ortega y Ortiz as well as city, county and state officials as they officiate the start of Fiestas. Noon, free PREGÓN DE LA FIESTA Rosario Chapel 540 Rosario Blvd., 984-3203 Rev. Adam Lee Ortega y Ortiz leads the mass, which honors a promise made by Governor Don Diego de Vargas in 1692, and includes some of the original text from that time. Props to the devoted early-birds. 6 am, free SANTA FE BANDSTAND: FIESTAS Santa Fe Plaza 100 Old Santa Fe Trail, Enjoy live performances of from traditional Northern New Mexico bands, Aztec dancers and mariachis. See Red Turtle Dancers, Grupo Melodia, Jordan Baca and more. 3-10 pm, free

FOOD GREEN CHILE CHEESEBURGER SMACKDOWN 2016 Santa Fe Farmers Market Pavillion 1607 Paseo de Peralta, 982-3373 Sample the best cheeseburgers this town has to offer, swallow them down with local beer and catch our very own Alex De Vore in his guest judge spot. Um ... hell yes! (See SFR Picks, page 17.) 4-8 pm, $20

MUSIC ALEX MARYOL Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 See the local guitar boy-wonder do his admittedly wonderful folky blues thing. 7 pm, free BRANDEN JAMES Vanessie 427 W Water St., 982-9966 The resident duo covers everything from Bach to Bieber in great harmony. And, there is a cello involved. 7 pm, free CONTINUED ON PAGE 24


Tag Team

Cannupa Luger turns viewers into collaborators at the Center for Contemporary Arts

BY J O R DA N E D DY @jordaneddyart

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annupa Hanska Luger arrived at the opening reception of his interactive installation, Everything Anywhere, in disguise. California performance art group La Pocha Nostra was staging one of their “living museums” in the Center for Contemporary Art’s Spector Ripps Project Space, under the watchful eye of a massive figurative sculpture by Luger. As visitors picked bits of corn off a nude man sprawled on the floor, the masked artist quietly joined a group of performers that roamed through the gallery. “It was this weird, postcolonial synthesis of L L HI ceremony, and everybody had to particiN pate,” Luger says. “I get social anxiety in large groups, so I decided to interact with their performance. It allowed me to experience it without watching from the outside, or judging myself.” Some of the performers were puzzled by the mysterious extra actor, as was CCA’s visual arts curator Angie Rizzo. “I didn’t even recognize you for a while,” Rizzo tells Luger. “I was photographing you, and about a quarter of the way in I was like, ‘Wait, that’s Cannupa.’” Hanksa Luger, Rizzo and CCA’s gallery and public programs coordinator Alicia Piller have assembled in the space at the tail end of Everything Anywhere. They’re here to discuss a string of performances that activated Luger’s installation, and a larger trend toward interactivity in the art world. Whether you’re an artist, curator or visitor, it’s all about surrendering to spontaneity. “I’m really bad at saying exactly what my work is going to be. I don’t sketch anything,” says Luger. “I want to build it, to let the materials figure out what it’s going to be.” For Everything Anywhere, the Santa Fe artist composed a giant female face from 104 ceramic sculptures. His wife, Ginger Dunhill, tied yarn and ropes into long bundles that stretched through their house. Luger wove it all together at CCA, adding willow branches, thrifted afghans and a sound system. The result is a monumental, matriarchal archetype that dominates the 1,000-square-foot gallery. If you whisper into a hidden microphone in her ear, your voice comes booming out of her mouth. “I want-

ed this earth being to be mothering, in the fashion of mother that I experienced,” Luger explains. His heritage is Mandan, Hidatsa, Arikara and Lakota, and his mother is a stone carver who singlehandedly supported her family with her art. “His piece was constantly evolving [and] I never saw anything until it got here,” says Rizzo. “I would talk to him and grab hold of any themes that stood out. An element that he kept bringing up was commu-

Behold! The face of art!

nity interaction.” She and Piller set to work planning a series of events that far transcended traditional art receptions. It’s a challenge they’re accustomed to: Recent CCA exhibitions such as M12’s The Breaking Ring and Ellen Babcock’s C To See (which runs concurrently with Luger’s show) have also emphasized visitor participation. “As soon as you put the word out, things start happening,” says Piller. “It’s really just about getting amazing people.”

In addition to the ritual by La Pocha Nostra, Santa Fe dance troupe Ground Series and international indigenous arts collaborative Dancing Earth staged interactive performances. The show’s closing reception will feature local storytellers and poets. “When there are bodies moving in the space, all of a sudden this massive head is no longer just an object,” says Luger. “It’s like invoking a spirit. The piece is experiencing the human, versus the human experiencing the piece.” The events were designed to pull visitors out of their comfort zones, and reveal new ways of interacting with art. “It’s not a normal museum or gallery mold of standing in a room, really didactic, looking at the art,” Rizzo tells SFR. “It shakes up the set of rules that you might judge a piece by.” Rizzo sees shows like Everything Anywhere as part of a larger art world movement, born from a growing desire for real-world connection. “Artists are like, ‘I want my piece to be more than just an object. I want that experience,’” she says. “People don’t really value objects anymore, or at least the younger generations.” It’s a sea change that is shifting the way Luger markets his artwork. “As an object maker, I’m trying to figure out a way to remain relevant and economically viable in a world that doesn’t want objects,” he says. “The reality I’m seeing in the Native American art market is that all of these people with amazing collections are dying. I’ve probably got five to 10 years of collectors still existing, but I can see down the road; the writing is on the wall.” The solution could be to sell $10 tickets rather than $10,000 sculptures. “Places like this, community spaces, where you can show work instead of putting it out there as a commodity, is really where this economy is heading,” says Luger. “People are more interested in experiencing something than owning or collecting something.” And the approach appears to be tapping a new, broader audience. Piller has seen a wide range of demographics interact with Everything Anywhere, from a delighted group of preschoolers to a slightly disgruntled senior who said, “I don’t understand. How do I buy this?” “It gets people here that wouldn’t come normally,” Piller says. “The last thing we did with Dancing Earth had tons of Native American families. They’re not always in the gallery. A lot of the public programs draw in different elements of the community.” Luger considers these visitors to be full-fledged collaborators. “The way somebody experiences it completes it,” he explains. “I like all the different ways my work comes across. I’m like, ‘Oh, that’s perfect. Exactly.’” In the same spirit, he plans to add workshops and apprenticeships to his repertoire, and he’s already found another place to exhibit Everything Anywhere, in Colorado Springs in 2018. EVERYTHING ANYWHERE CLOSING RECEPTION 3 pm Sunday Sept. 11. Free. Center for Contemporary Arts, 1050 Old Pecos Trail, 982-1338

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THE CALENDAR has googled. How can I let go and be more confident and believe that, regardless of his personal habits, he still wants me? He says it’s not personal, it’s when I’m not available, and it’s a good way to take a nap. I trust him and don’t think he’s doing anything wrong, but how do I feel okay with it? -Sees Problems On Understanding Spouse’s Electronics My husband left the picture recently, and I’m now a single mom supporting an infant in Toronto. I work a retail job and am drowning financially. I hooked up with a guy I met on Tinder, and I didn’t warn him that I’m still nursing because I didn’t even think of it. Luckily, he really got off on it—so I was spared the awkwardness of “Eww, what is coming out of your tits?!” Afterward, he joked about there being a market for lactating women in the kink world. My questions: If I find someone who will pay me to suckle my milk, is that prostitution? And if I advertise that I’m willing to be paid, can I get into trouble for that? The possibility of making some money this way is more appealing every day. -Truly In Trouble “Allowing clients to suckle her breasts is, of course, sex work,” said Angela Chaisson, a partner at Toronto’s Paradigm Law Group. “But sex work is legal for everyone in Canada, new moms included. The new sex work laws here—the 2014 ‘Protection of Communities and Exploited Persons Act,’ an Orwellian title for a draconian piece of legislation—prohibit sex work close to where minors might be. So if she’s engaging in sex work close to kids, she is risking criminal charges.” No one wants sex work going on around minors, of course—on or around minors—so that’s not what makes the ‘Protection of Communities and Exploited Persons Act’ an Orwellian piece of bullshit. Laws regulating sex work in Canada were rewritten after Terri-Jean Bedford, a retired dominatrix and madam, took her case to the courts. The Supreme Court of Canada ultimately ruled—unanimously—that criminalizing sex work made it more dangerous, not less, and consequently the laws on the books against sex work violated the Canadian Charter of Rights and Freedoms. But instead of decriminalizing sex work, Parliament made it legal to sell sex in Canada but illegal to buy it, aka the “end demand” approach to stamping out sex work. “By making a sex worker’s body the scene of a crime,” writes sex worker and sex-workers-rights activist Mike Crawford, “the ‘end demand’ approach gives cops full license to investigate sex workers, leaving sex workers vulnerable to abuse, extortion, and even rape at the hands of the police.” Chaisson, who helped bring down Canada’s laws against sex work, doesn’t think selling suckling will get you in trouble, TIT. “But Children’s Aid Society (CAS) would investigate if they felt there was a child in need of protection,” said Chaisson. “So the safest thing would be for her to stick to out calls only and to keep the work away from kids and anywhere they might be.” To avoid having to worry about CAS or exactly where every kid in Canada is when you see a client while still making some money off your current superpower, TIT, you could look into the emerging online market for human breast milk. There are more ads from breast milk fetishists (204) at OnlyTheBreast.com (“Buy, sell, or donate breast milk with our discreet classifieds system”) than there are from new parents seeking breast milk for their infants (159). Good luck! My husband and I have a pretty good sex life considering we are raising three kids, we both work full time, and I’m going to school. We have sex four to five times a week, sometimes daily. Before we married, it never occurred to me to check what he was looking at online. Now I can’t stop. I know he looks at porn and masturbates. I never check his phone or his Facebook or anything like that, just what he

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You don’t have a good sex life, SPOUSE, you have a great sex life. You two are raising three kids, you’re getting sex on an almost daily basis, and at least one of you is getting naps? You’re the envy of all parents everywhere. It’ll put your mind at ease if you remind yourself now and then that no one person can be all things to another person—sexually or in any other way—and that the evidence your husband still wants you is running down your leg four to five times per week. Now please pass the paper/tablet/phone to your husband, SPOUSE, I have something to say to him. Hey, Mr. SPOUSE, here’s a handy life hack for you: CLEAR YOUR FUCKING BROWSER HISTORY. Use the “private browsing” or “incognito” setting in your web browser, and spare your wife—and yourself—future scrutiny and smut shaming. Via text I asked my (gay) husband of 10 years if he had any sexual fantasies he hadn’t shared with me. He replied, “I want to cheat on you.” I was out of town when we had this text exchange. He wrote the next morning to apologize. He said he was tipsy when I texted him and didn’t mean what he said. I explained that I wasn’t upset but turned on. If he wanted to sleep with other people, he could, provided it was someone safe and not someone in our social circle. The idea of being cheated on, frankly, appeals to me. (That makes me a gay cuckold, correct?) I even told him I jerked off about it already. He did not react the way I expected. He got upset and said he thinks about cheating on me only when he’s drunk and he would never want to do it in real life and he’s angry that I would want him to. Advice? -Chump Under Cloud Keeping Silent Years ago, my then-boyfriend cheated on me while I was out of town. He didn’t like my reaction when he confessed (“Was he cute? Can we have a three-way?”) and got angry at me for not being angry with him. We wound up having a fun threesome with the other guy shortly before we broke up for other reasons, CUCKS, and I suspect the day will come when your husband fucks someone else—if he hasn’t already—with your permission, which means it’ll be cuckolding, not cheating. Just apologize for now, roll your eyes when he’s not looking, and bide your time. And speaking of gay cuckolds… Way, way back in 2008, a reader asked why I described cuckolding as a straight male fetish. “The cuckolding fetish is the boner-killing lemons of straight male sexual/paternal insecurity turned into deliciously perverted bonerade,” I responded. “Gay sex doesn’t make babies, only messes (which is all straight sex makes 99.98 percent of the time). Which may explain why, as a general rule, gay men aren’t as threatened when our partners are ‘taken’ by other men.” But gay cuckolding has emerged as a porn genre over the last few years—right after marriage equality was achieved in the United States (hmm)—and now sex researchers David Ley and Justin J. Lehmiller are looking into it. So if you’re a gay cuckold—an experienced gay cuck or just someone who fantasizes about it—please take a few minutes to fill out this anonymous survey in the name of both science and your kink: tinyurl.com/gaycuck.

Listen to my podcast, Savage Lovecast, every week at savagelovecast.com

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mail@savagelove.net @fakedansavage on Twitter

CS ROCKSHOW WITH DON CURRY, PETE SPRINGER & RON CROWDER El Farol 808 Canyon Road, 983-9912 Rock ’n’ roll with a bunch of dudes who play together often and well. And if you’re hungry, enjoy tapas-inspired cuisine while you listen. 8:30 pm, $5 CHANGO The Palace Restaurant and Saloon 142 E Palace Ave., 428-0609 These guys play a great repertoire of covers ranging from the ‘70s to now, bringing you the best pop-rock from the past 30 years. 10 pm, free DJ GINGER Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Santa Fe's own DJ Ginger spins your favorite tunes, or maybe your least favorite, if you’re not an electro guy or gal. 8 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 A selection of Broadway tunes are bound to strike your fancy when they are played by a musician who has composed scores alongside greats like Sondheim. 6 pm, $2 HALF BROKE HORSES Second Street Brewery (Original) 1814 Second St., 982-3030 They do the Americanahonky-tonk thing, and they do it really damn well. They are that kind of group that has the ability to put a smile on your face, and hell, we could all use a few more smiles. 6 pm, free KAREN JONAS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 The Virginia-based musician plays her brand of alternative country guitar on the tavern’s deck. TGIF. 5 pm, free KINETIC FRIDAYS Skylight Santa Fe 139 W San Francisco St., 982-0775 Get up out your seat, get kinetic and shake whatever your mama gave ya. We think they call it “dancing.” 9 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Have a glass of wine and listen to the guitar talents of Malone. He covers some oldies and some goodies and plays a few originals too. 6 pm, free RODERICK DEMMINGS First Presbyterian Church SF 208 Grant Ave., 982-8544 Enjoy your Friday evening with a half hour of classical music played on the organ. Hear Bach, Price, Locklair and more from the master musician who made his Carnegie Hall debut in 2006. 5:30 pm, free

RUBI ATE THE FIG Scottish Rite Center 463 Paseo de Peralta, 982-4414 Listen to an intoxicating fusion of rock and Middle Eastern music in the beautiful setting of the Alhambra Theater. 8 pm, $20 THE BUS TAPES Meow Wolf 1352 Rufina Circle, 395-6369 The ensemble plays both originals and covers every genre from folk to R&B and they are going to rock The House of Eternal Return. 8:30 pm, $10

THEATER FIESTA MELODRAMA Santa Fe Playhouse 142 E De Vargas St., 988-4262 A Fiesta tradition since 1919, this roast-like comedy tells a fictional tale of a powerhungry comptroller who wants to destroy Fiestas. It includes some fun-poking of local institutions and people, so you may leave with sore cheeks, which is okay because apparently, laughing is good for you. 7:30 pm, $25

SAT/10 BOOKS/LECTURES JOYCEGROUP SANTA FE St. John's College 1160 Camino Cruz Blanca, 684-6000 Join other James Joyce lovers to read and discuss his master works in the weekly morning group. In Winiarsku seminar room, #201 and led by Adam Harvey, local Joyce enthusiast, (see SFR Picks, page 17). 10 am, free THE ORCHARD POETRY ENSEMBLE KSK Buddhist Center 3777 KSK Lane, 471-5336 Listen to members of the poetry group read their work. The local ensemble is Mary McGinnis, Marmika Paskiewicz, Lynn La La and Kathamann. And if you haven’t been to this center, you may be surprised by how insanely beautiful it is. 4 pm, free

DANCE ENTREFLAMENCO Entreflamenco de Santa Fe 135 W Palace Ave., 209-1302 Antonio Granjero brings his dance troupe and featured dancer Estephanie Ramirez to the stage almost nightly. 8 pm, $5

EVENTS A PARALLEL WORLD: FIESTA SUSTAINABILITY SHOWCASE Scottish Rite Center 463 Paseo de Peralta, 982-4414 Check out the latest trends in sustainability! Drive an electric car, and enjoy a live music set from Club West's Motown Review featuring Terri Diers. Noon, $22

ATALAYA RESCUEFEST Second Street Brewery (Original) 1814 Second St., 982-3030 Have fun for a good cause at the full day of live music from acts like Chango, Swing Soliel, Pigment and others as well as a silent auction and a multiprize raffle to raise money for Atalaya search and rescue. 10 am, free SANTA FE BANDSTAND: FIESTAS Santa Fe Plaza 100 Old Santa Fe Trail, A chance to catch a bunch of live performances while you eat as many Fiestas food items as humanly possible. See Baile Illusion, Sangre Joven, White Buffalo and more. Noon -10 pm, free BENEFIT CONCERT AND EXHIBITION FOR SYRIAN CHILDREN Turner Carroll Gallery 725 Canyon Road, 986-9800 Musician Rah AlHaj plays the harp and Syrian journalist and activist Nada Kherbik speaks at the event, which donates all proceeds to benefit the children of the war-torn region. We don’t need to tell you how badly these kids need relief, so if you have extra cash flow, don’t miss this. 6 pm, $100 DESFILE DE LOS NIÑOS: CHILDREN AND PETS PARADE Santa Fe Plaza 100 Old Santa Fe Trail, It's here! The best part of Fiestas! Well, it is for some of us. See all the adorable dogs and cats—and kids—dressed to impress as they parade through the downtown area. When else are you going to get the chance to see multiple Chihuahuas dressed as mariachis? Never. Line up is at the New Mexico School for the Arts. 9 am, free RAILYARD ARTISAN MARKET Santa Fe Farmers Market 1607 Paseo de Peralta, 983-4098 Buy art directly from local artists at this open air event. See works in jewlery, painting, sculpture and many other mediums. 10 am, free SANTA FE FARMERS MARKET Santa Fe Railyard Plaza Guadalupe Street and Paseo de Peralta, 983-4098 A great selection of local produce, meats and cheeses you can get directly from the farmer. Plus all the fresh ingredients for a weekend dinner. 7 am-1 pm, free TURQUOISE TRAIL SAVING THE ARTS MUSIC FESTIVAL The Bridge @ SF Brewing Co. 37 Fire Place, 424-3333 Help the elementary school save its art programs by attending this day of live music and fun. See performances by The Pleasure Pilots, Sol Fire, Joe West and others, (see Music, page 21). 2 pm, $10


THE CALENDAR MUSIC

FIESTA MELODRAMA Santa Fe Playhouse 142 E De Vargas St., 988-4262 A Fiesta tradition since 1919, this roast-like comedy tells a fictional tale of a powerhungry comptroller who wants to destroy Fiestas. 7:30 pm, $25

These days, Fran Levine serves as the president for the Missouri Historical Society and the Missouri History Museum in St. Louis, but up until 2014 she was the director of the New Mexico History Museum and played an instrumental role in the execution of the location on Lincoln Avenue. Levine returns to Collected Works Bookstore and Coffeehouse (6 pm, free, 202 Galisteo Ave., 988-4226) this Thursday to read and discuss her new book, Doña Teresa Confronts the Spanish Inquisition, a gripping historical account of a governor’s wife from the late 1600s who was incarcerated and subjected to the terrifying Inquisition. (Alex De Vore) What are you up to out there in Missouri? I’m working for the Historical Society and the History Museum. It’s a wonderful, private museum at the other end of the Santa Fe Trail. In 2014, they were looking for a new president, and they were taking note of the work I’d done in New Mexico and, to me, it just feels totally logical to be here. I don’t have to miss New Mexico. I still have a house there and I spend holidays there. Why is this topic so fascinating? It’s based on the governor of New Mexico from 16591662 and his wife, and they both kind of ran afoul of the powers that be in New Mexico. They were both arrested—she was arrested inside the Palace of the Governors. I knew about him, but not her ... I’m one of these people who reads footnotes and this came out of a footnote I read. One reason was that she was accused of being Jewish. She wasn’t Jewish, but it was about the only way the church could get to her. Also, there were about 38 houses in Santa Fe at the time, and she talks about something like 70 people who may have wished her harm. It’s about the power of church and state and a woman acting out of the norm. She was held and endured 20 months of the Inquisition. She really made me look at the Palace and Santa Fe and there was this intrigue after working at the Palace for 12 years. Will the event be more like a reading or a lecture? I’ll read from the book, and then we’ll talk about it. People can ask questions just like this. It’s unusual to have the words of a 17th century woman in New Mexico, that’s what’s so unique about this book.

SUN/11 BOOKS/LECTURES JOURNEYSANTAFE: JOHN DE GRAAF Collected Works Bookstore 202 Galisteo St., 988-4226 Author and documentarian De Graaf talks about his life and experiences making documentary films. He may be best known for his documentray film Affluenza, which has been broadcast nationally and on PBS. We can’t believe it either, but flu-season is nearly upon us. So, protect yourself with knowledge. 11 am, free

REGINA RESS: STORIES FROM 9/11 Teatro Paraguas 3205 Calle Marie, 424-1601 Ress, who witnessed the attacks on 9/11, is a life long storyteller who offers perspectives from her own and others’ on the 15th anniversary of the violent day. 6 pm, $10 BARI TESSLER Railyard Performance Center 1611 Paseo de Peralta, 982-8309 Tessler is an accomplished local author who reads from her newest work, The Art of Money Book. 7 pm, free

ACADEMY FOR THE LOVE OF LEARNING

THEATER

with Fran Levine

DANIEL QUAT

BARBWIRES Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Chase the summer vibe by listening to these guys play surf rock with a local craft brew in hand. Far out, man. Oh, and have you eaten the pretzel that comes with beer cheese yet? If your answer is no, boo. 7 pm, free BRANDEN JAMES Vanessie 427 W Water St., 982-9966 The resident duo plays everything from Bieber to Bach, and hopefully more of the latter. They rock a cello too! So, maybe they manage to make Bieber bearable? You’ll have to stop in and see. 7 pm, free CACTUS SLIM & THE GOATHEADS Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Spend your afternoon listening to their brand of Americana boogie. Get down with the get down. 3 pm, free DAVID GEIST Pranzo Italian Grill 540 Montezuma Ave., 984-2645 He plays a selection of Broadway tunes bound to strike your fancy if you're one of those theatrical people. 6 pm, $2 ORNETC. El Mesón 213 Washington Ave., 983-6756 Hear jazz tunes played by the local quartet and have your favorite drink because this joint has a full bar. 7:30 pm, free PAT MALONE AND JON GAGAN Montecito 500 Rodeo Road, 426-1753 See the two masters produce an evening of sultry jazz tunes that will satisfy your smooth tunes cravings. 7 pm, free SLIVERSTRING BAND Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Listen to the Albuquerquebased ensemble play bluegrass on their string instruments. 1 pm, free SO SOPHISTICATED WITH DJ 12 TRIBE Skylight Santa Fe 139 W San Francisco St., 982-0775 Hit the club, in case you haven’t heard the top 40 in hip-hop and R&B today. 9 pm, $7

Learn more about what lives behind

A love of learning

SM

The Power of Being Present Slowing down to the Here and Now

Saturday, September 10 • 9:00AM-5:00PM • $50.00

aloveoflearning.org

505.995.1860

CONTINUED ON NEXT PAGE

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SEPTEMBER 7-13, 2016

25


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THE CALENDAR

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3538 Zafarano Dr. 473-3454 Mon-Sat: 6 am to 9 pm Sunday: 7 am to 8 pm

1514 Rodeo Rd. 820-7672 Mon-Sat: 6 am to 8 pm Sunday: 7 am to 6 pm

COLLECTED WORKS BOOKSTORE & COFFEEHOUSE 202 Galisteo Street • Santa Fe • 505-988-4226

Friday, September 16 at 6 pm Please join us for a reading and book signing with local author

ROBERT WILDER A portion of the proceeds will be donated to the Quincy Brave Conway Memorial Scholarship Fund

Theater Thursdays!

EVERYONE UNDER 25 – only $5!

LOBBY HERO By Kenneth Lonergan “Truth become elusive and justice proves costly”

BUY TICKETS NOW! September 8-25, 2016 CALL (505)629-8688 Or visit adoberosetheatre.org

1213B Parkway Dr, Santa Fe 26

SEPTEMBER 7-13, 2016

SFREPORTER.COM

DANCE

MUSIC

ENTREFLAMENCO Entreflamenco de Santa Fe 135 W Palace Ave., 209-1302 Antonio Granjero has been doing the flamenco thing since his childhood days in Jerez de la Frontera, Spain. He brings his dance troupe and featured dancer Estephanie Ramirez to the Santa Fe stage almost nightly. We gotta give it to them, they are persistent. 8 pm, $25-$50

ASSEMBLAGE 23, BRIAN BOTKILLER AND DJ KOSS Skylight Santa Fe 139 W San Francisco St., 982-0775 A night of electronic heaven begins with Botkiller as he gives a special live (not DJ) performance opening for Tom Shear, who hasn't performed in Santa Fe since the days of Corazón (see SFR Picks, page 17). 9 pm, $15 COWGIRL KARAOKE WITH MICHÉLE Cowgirl 319 S Guadalupe St., 982-2565 Michéle Leidig, Queen of Santa Fe Karaoke, hosts this night of amateurish fun. 9 pm, free DJ OBI ZEN Boxcar 530 S Guadalupe St., 988-7222 Listen to a mash-up of live percussion and electronic beats from the DJ who does a little of both. Maybe his mixture will leave you feeling zen. 10 pm, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 The smoothest piano man you ever did see, or hear. 6:30 pm, Free LE CHAT LUNATIQUE OddFellows Hall 1125 Cerrillos Road, 470-7077 These guys play filthy mangy jazz with a tempo that may force you to dance, which is perfect, since they play at the weekly swing dance. 7 pm, $10

EVENTS DESFILE DE LA GENTE: HISTORICAL/ HYSTERICAL PARADE Santa Fe Plaza 100 Old Santa Fe Trail, Enjoy the parade of dressed up people, vehicles and goofy politicians as they throw candy and beads at you and think that they are surely winning over your vote. It's Fiestas, so screaming is encouraged. ¡Que víva! 1 pm, free RAILYARD ARTISAN MARKET Santa Fe Farmers Market 1607 Paseo de Peralta, 983-4098 Buy art directly from local jewlers, painters and sculptors at this open air event. 10 am, free SANTA FE BANDSTAND: FIESTAS Santa Fe Plaza 100 Old Santa Fe Trail, A full day of live performances to entertain you while you eat as many Fiestas food items as humanly possible. See performances by Ernestine Romero, The Dave Maestas Band, and Joe Mark Angelo & Hard Livin’. 11 am-5:30 pm, free

MUSIC DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 If you want to spend your evening listening to smooth piano tunes, Montgomery is your guy, because his skills are the smoothest any piano has ever seen. So. Damn. Smooth. 6:30 pm, free GENE CORBIN Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 Corbin plays Americana covers and originals inside the bar venue. 1 pm, free KEY FRANCES Mine Shaft Tavern 2846 Hwy. 14, Madrid, 473-0743 He calls his genre psycheblues. No, not psychoblues. One part rockabilly, two parts awesome. 3 pm, free LONE PIÑON Second Street Brewery (Railyard) 1607 Paseo de Peralta, 989-3278 Northern New Mexico root music inspired by Latin tones, because Norteño por vida. And because these guys are really good. 7 pm, free

Want to see your event listed here? We’d love to hear from you Send notices via email to calendar@sfreporter.com. Make sure you include all the pertinent details such as location, time, price and so forth. It helps us out greatly.

WIN

Submissions don’t guarantee inclusion.

For help, call Maria at 395-2910.

SERENATA SANTA FE: SHADES OF GREY First Presbyterian Church SF 208 Grant Ave., 982-8544 Guest pianist Yi-heng Yang joins David Felberg on violin, Shanti Randall on viola and Sally Guenther on cello as they play a selection of classical compositions by Karmanov, Weir and Shubert. 3 pm, $15

THEATER FIESTA MELODRAMA Santa Fe Playhouse 142 E De Vargas St., 988-4262 A Fiesta tradition since 1919, this roast-like comedy tells a fictional tale of a powerhungry Sheriff who wants to destroy Fiestas and includes some fun-poking of local institutions and people, so expect to leave with sore cheeks and tougher abs. 2 pm, $25

WORKSHOP LIVE MUSIC & YOGA WITH TIFFANY CHRISTOPHER Railyard Lawn 1611 Paseo de Peralta, 982-8309 Join Christopher and yoga teacher Emily Branden for an all-levels hour-long Vinyasa class with live music that makes for a great combo and an even better practice. There is really no better way to start your Sunday than with a sun salutation and a soulful jam. This class happens outside, so expect extra good mojo from breathing in all that fresh mountain air. 10:30 am, $20

MON/12 BOOKS/LECTURES IVA HONYESTEWA Hotel Santa Fe 1501 Paseo de Peralta, 982-1200 The master basket weaver talks about her traditional Hopi weaving methods and her love of traditional Hopi cooking, which inspired her cookbook. 6 pm, $12

WIN WIN WORKSHOP FALL GARDEN SEASONAL MAINTENANCE Santa Fe Botanical Garden 715 Camino Lejo, 471-9103 Learn how best to wrap up your garden as the colder months grow nearer and the light fades. #winteriscoming. 12 pm, $15

TUE/13 BOOKS/LECTURES ALICIA INEZ GUZMÁN Georgia O'Keeffe Education Annex 217 Johnson St., 946-1039 Guzmán follows the footsteps of Georgia O'Keeffe on her adventure by train through the Southwest to explore how the artist was inspired by the trip and its adventures. 6 pm, $10 NANCY KING: OPENING GATES Collected Works Bookstore 202 Galisteo St., 988-4226 King, an author who has published seven nonfiction works, reads from her newest novel, Opening Gates, which follows a young woman on her journey of self-discovery during a summer spent as a therapist in a New York City psychiatric hospital. 6 pm, free CONTINUED ON PAGE 29


Bouche, There it Is

GWYNETH DOLAND

FOOD

A remodel and a hint of Italy give new flavor to an old fave BY GWYNETH DOLAND thefork@gmail.com

I

n preparation for our annual Restaurant Guide, SFR’s foodies have been doing a little more eating lately. You know, nibbling around the city, checking out new places and revisiting old favorites like Bouche. This downtown French bistro’s high-class comfort food, refined service and cozy adobe atmosphere earned it a spot as one of our Top Ten Favorites in the 2013-2014 Restaurant Guide, and it still lives up to expectations—with some new twists. A remodel reconfigured the modest dining room, adding three tall tables behind a big chef’s table near the kitchen. More importantly, chef Charles Dale last summer brought on a collaborator, James Mazzio, who had worked with him years ago at Renaissance in Aspen. Mazzio had been named one of Food & Wine magazine’s Best New Chefs in 1999; Dale made the same list in 1995. The pair decided to add a little Italian flavor to the menu, and this summer a nightly pasta, risotto or gnocchi was added to the menu, along with a pork osso buco and a tiramisu. “I was born in Nice, so the cuisine I feel most comfortable with is that hybrid of French and Italian,” Dale says. “So we’ve broadened our horizons while staying true to an ideology.” The menu still offers escargot and they’re still only $14, but around the menu, prices have risen since our previous visits. The mussels gave gone up $2, the Niçoise-style tuna carpaccio has morphed from a $16 starter into a $21 plate and the steak tartare has migrated from the small plates section, where it was $14, to the mains, where it is listed at $26. Even the truffled French fries cost $3 more. Dale says his food costs have gone up but he has refused to compromise on quality. “I call this a luxe bistro and it’s the Parisian trend right now, where it’s informal and casual but the food is at a very high level of quality and there’s an expansive wine list,” he explains. He cites the jumbo asparagus featured in a small plate ($18) with prosciutto, brioche toast and Hollandaise sauce as an example of an ingredient he believes

Close your eyes and feel the hold of seared foie gras. Below: A lemon meringue tart big enough for four.

is worth paying a premium for. Indeed, on a recent night the asparagus spears were enormous. And they did contribute to the pleasure of a lovely dish. The prosciutto was shatteringly crisp and the almost-too-generous pool of Hollandaise was decadently rich. (Only the brioche toast, too gummy, was a disappointment.) My dining companion and I made a meal from the asparagus and a few other small plates. L&L’s cheese tots ($8/$12) are addictive nuggets of molten Gruyère cheese, coated in a golden, crunchy batter. They are so much better than what they sound like: the ubiquitous and terrible mozzarella cheese sticks. These taste like real cheese, expertly battered and fried. (Originally designed as a treat for the chef’s kids, I’m embarrassed by how many of these I ate.) The soupe du soir ($12), a corn soup with crab meat on the night we visited, was a delicate balance of warm soup and cold crab. My companion thought the soup was a little bland, but I liked the way the corn didn’t interfere with the subtle, briny freshness of the crab. And at $12 the soup is one of the best deals on the menu. We also tried the seared foie gras ($28), an item Dale says is an essential on any bistro menu. The details of the dish change but the one we tried involved nectarines, bitter greens and a tangy sauce that offset

the richness of the goose liver. I’ve had the good fortune (read, gluttony) to taste a lot of seared foie gras in my life and it is always an experience that makes me shut my eyes and revel in the intensity of the experience. This was no exception. Although the housemade bread was a bit dense and undercooked in the middle, its thick crust made a perfect vehicle for the foie gras. I would have liked to try the steak au poivre ($32), the cider-braised pork osso buco with fennel and fingerling potatoes ($29) or some of the other main dishes, but our budget for this meal was $100 and we exceeded that with wine before ordering a lemon meringue tart ($9) for dessert. The wine list is long and the by-the-glass choices are appealing and affordable. The tangy lemon meringue tart had a buttery crust foundation and was topped with a beehive of meringue fresh from under a flame. It’s a pretty big serving for two; four could easily share it. And sharing is what you must do if you come to Bouche. The atmosphere feels inviting, with warm lighting, smooth plastered walls, mercury glass mirrors over the banquettes and a big, homey rug covering the floor. Although the food is expensive, it is in line with Santa Fe’s other best restaurants. And here it is precisely crafted, expertly curated and pleasantly delivered by knowledgeable but not intrusive servers. This is a great treat for a romantic dinner, a birthday celebration or a memorable night with good friends. BOUCHE AT A GLANCE 5:30-9:30 pm, Monday-Saturday 451 Alameda St., 982-6297 Best Bet: Small plates Don’t Miss: Foie gras preparation of the day

SFREPORTER.COM

SEPTEMBER 7-13, 2016

27


530 S. GUADALUPE ST. 505-988-7222 BOXCARSANTAFE.COM

After years in business, 3B SADDLERY is liquidating all inventory to be sold by public auction to the highest bidder, without reserve.

Giant Tack and Saddle

AUCTION

Thursday, September 15 at 7 PM Elks Lodge, 1615 Old Pecos Trail, Santa Fe, NM

A COMPLETE INVENTORY OF

WESTERN SADDLES, TACK AND HORSE EQUIPMENT We are liquidating a very nice collection of high-end top quality saddles, pads, bridles and tack to be sold piece-by-piece at public auction.

NOTHING HELD BACK — you bid, you set the price. OVER 80 SADDLES, including Roping, Wade, Full Silver Show Saddles, Pleasure Saddles, Pony, Barrel, Australian, English and Treeless (seat sizes from 10"-19")

BLANKETS & PADS: Over 100 wool saddle blankets, memory core pads, 100% wool saddle pads, gel core saddle pads and many other styles are available.

HALTERS: Cowboy halters, Bronc halter, bling halter, leather, and nylon halters. Harness, show headstalls, and lots of silver and spurs, stable supplies and more to be sold to the highest bidder, piece by piece!

28

SEPTEMBER 7-13, 2016

SFREPORTER.COM

Lots of LEATHER GOODS of all kinds, over 200 USA bridles and breast collars.

TERMS OF SALE: Cash, all major credit card, & debit cards.

DOORS OPEN 6 PM FOR PREVIEW


THE CALENDAR EVENTS

MUSIC

SANTA FE FARMERS MARKET SOUTHSIDE Santa Fe Place Mall 4250 Cerrillos Road, 473-4253 Grab farm-fresh fruits, vegetables, starter plants and snacks plus local meats, cheeses, and breads. There are flowers and honey too! Have a refreshing apple cider snow cone and put the proverbial cherry on top of your summer-market trip. Yes, we know you know, but we’re telling you again, summer is ending. 3 pm, free

DON CURRY & PETE SPRINGER Cowgirl 319 S Guadalupe St., 982-2565 A duo of dudes plays rock 'n' roll at the bar where you can drink a frozen margarita in a beer. Say whaaaat?! 8 pm, free DOUG MONTGOMERY Vanessie 427 W Water St., 982-9966 He is the smoothest piano player in the whole of the City Different. So. Damn. Smooth. 6:30 pm, free PAT MALONE TerraCotta Wine Bistro 304 Johnson St., 989-1166 Have a glass of wine and listen to the guitar talents of Malone. 6 pm, free

FOOD MARIACHI TACO TUESDAYS La Fogata Grill 112 W San Francisco St., 501-5355 Who doesn't love a good taco with some good tunes? If that's you, we feel sorry for you, because that is the best combination ever. 7 pm, free

S A N TA F E CO M M U N I T Y CO L L E G E

Sustainability Seminar Series 2016 Want to see your event listed here? We’d love to hear from you Send notices via email to calendar@sfreporter.com. Make sure you include all the pertinent details such as location, time, price and so forth. It helps us out greatly. Submissions don’t guarantee inclusion.

For help, call Maria at 395-2910.

Join us for panel presentations and a discussion about policies and projects addressing sustainable energy, housing and transportation opportunities in Santa Fe.

Santa Fe Community Convention Center Free and open to the public, registration required Seating is limited, be sure to R.S.V.P. ■ Evolving Energy Policy for a Sustainable Santa Fe

Monday Sept. 12, 6:30 to 8:30 p.m. R.S.V.P.: www.is.gd/sfcc_seminar1

■ Creating a More Intelligent Electricity System for Santa Fe

Monday Sept. 19, 6:30 to 8:30 p.m. R.S.V.P.: www.is.gd/sfcc_seminar2

■ Renewable Energy and Energy Efficiency in Commercial Buildings Monday Sept. 26, 6:30 to 8:30 p.m. R.S.V.P.: www.is.gd/sfcc_seminar3

COURTESY NEW MEXICO HISTORY MUSEUM

MUSEUMS

Hosted by Santa Fe Community College in partnership with Santa Fe County, The City of Santa Fe, New Mexico Energy, Minerals and Natural Resources Department, and The Santa Fe Green Chamber of Commerce

“A Hearing Before the Inquisition” by Constantino Escalante is on view at New Mexico History Museum as part of Fractured Faiths: Spanish Judaism, The Inquisition, and New World Identities. EL RANCHO DE LAS GOLONDRINAS 334 Los Pinos Road, 471-2261 GEORGIA O’KEEFFE MUSEUM 217 Johnson St., 946-1000 Far Wide Texas; Georgia O’Keeffe. HARWOOD MUSEUM OF ART 238 Ledoux St., Taos, (575) 758-9826 Mabel Dodge Luhan & Company: American Moderns and the West. Ken Price, Death Shrine I. Agnes Martin Gallery. MUSEUM OF CONTEMPORARY NATIVE ART 108 Cathedral Place, 983-8900 Rick Bartow: Things You Cannot Explain. Through Dec. 31. Lloyd Kiva New: Art. Through Dec. 31.

MUSEUM OF INDIAN ARTS & CULTURE 710 Camino Lejo, 476-1250 Into the Future: Culture Power in Native American Art. Landscape of an Artist: Living Treasure Dan Namingha. MUSEUM OF INTERNATIONAL FOLK ART 706 Camino Lejo,476-1200 Flamenco: From Spain to New Mexico. Through Sept. 2017. Sacred Realm. The Morris Miniature Circus. Under pressure. Through Dec. 2017. MUSEUM OF SPANISH COLONIAL ART 750 Camino Lejo, 982-2226 Chimayó: A Pilgrimage Through Two Centuries. The Beltran Kropp Collection. The Delgado Room. NM HISTORY MUSEUM 113 Lincoln Ave., 476-5019 Agnes Martin and Me. Through Aug. 2017. Lowriders, Hoppers and Hot Rods: Car Culture of Northern

New Mexico. Through March 2017. NM MUSEUM OF ART 107 W Palace Ave., 476-5072 Anne Noggle, Assumed Identities. Alcoves 16/17. PALACE OF THE GOVERNORS 105 W Palace Ave., 476-5100 Fractured Faiths: Spanish Judaism, The Inquisition and New World Identities. POEH CULTURAL CENTER AND MUSEUM 78 Cities of Gold Road, Pojoaque, 455-3334 Ashley Browning, Perspective of Perception. The Past of the Govenors. WHEELWRIGHT MUSEUM OF THE AMERICAN INDIAN 704 Camino Lejo, 986-4636 Eveli, Energy and Significance.

SFREPORTER.COM

SEPTEMBER 7-13, 2016

29


ADOPT ME, PLEASE! Espanola Valley Humane Society

108 Hamm Parkway, Espanola, NM 87532

505-753-8662 evalleyshelter.org • petango.com/espanola

TRIXIE

Hound Mix – 46 pounds, 6 Year Old Female

TRIXIE is an all around great dog! She is about 6 years old, but you would never guess that she is still full on energy in her. She loves playing outside and going for long walks on our trail, she’s active and energetic but mellow enough to hang out inside. She came to the shelter as a stray running at large by Animal Control. So a fenced yard will be a must. She’d make an excellent addition to a fun family. SPONSORED BY

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Licensed, Bonded, Insured License # 380763


barf

Morgan Review: Technological Nightmare by alex de vore alex@sfreporter.com

Major Hollywood movies about robots and AI have generally fallen pretty flat, but that doesn’t change how they’re potentially rich areas for storytelling and the paradoxical notion of what it is to be alive. Or at least they should be. Morgan, however, fails to deliver anything meaningful on any level

Do not see this movie whatever you do

whatsoever, and should promptly be relegated to your list of films to never ever ever ever watch for any reason, no matter what. When a risk management consultant named Lee Weathers (House of Cards’ Kate Mara) is dispatched to a clandestine science facility in the woods at the behest of the shadowy company for which she works, we slowly learn that it’s not mankind’s place

SCORE CARD

ok

meh

barf

see it now

it’s ok, ok?

rainy days only

avoid at all costs

ok meh

slightly better explanation for robot murder than “The robot just happens to kill people.” Even actors who have been in great films and turned in fantastic performances can’t save Morgan from itself, and we begin to wonder if Jennifer Jason Leigh, Michelle Yeoh, Toby Jones and Brian Cox were just trying to kill time between worthwhile projects or just needed a couple bucks or something. Whatever their reason for signing on, they should be ashamed of themselves, as should writers Seth W Owen and director Luke Scott (IMDb them and wonder what the hell their credits are), who sidestep any sort of morality tale or examination of our fascination with technology for cheap … well, they aren’t exactly thrills, so much as they’re stupid moments by which to gauge how much longer you’d have to sit through this bullshit. Sci-fi fans, horror buffs or even people with a rainy afternoon to kill should think about seeing literally anything else playing when they head out to the movies, because Morgan is just going to piss you off. Badly.

MORGAN Directed by Luke Scott With Mara, Taylor-Joy, Yeoh, Giamatti and Leigh Violet Crown, Regal, R, 92 min.

SCREENER

yay!

ok

to play God. This is probably where you think something like, “Duh!” But still, it’s something that people in movies seem to have no choice but to learn again and again. At this facility, a bunch of scientists have created a hybrid AI/human for … science reasons, but it would seem the thing’s rapid growth and inability to actually feel emotions—though it can mimic them—make it confused and subsequently cause it to go haywire. We’re given a little bit of background science about how this robot thing, called Morgan (played by Anya Taylor-Joy), was created, but it’s pretty confusing and sounds dumb. Poor Morgan is stuck inside its futuristic room for snapping a deer’s neck (not kidding) while outside, and even though they’ve spent all five years of its existence teaching it to run free in the vicinity of lakes and beehives and such, they somehow believe it’s a good idea to keep it locked up. Morgan really hates being on house arrest, so it begins to straight murder its handlers. Lee obviously wants to stop this, but uh-oh—turns out Morgan somehow knows karate and is a crack shot with a gun and is totally into rippin’ throats and stuff. A renowned psychologist (Paul Giamatti, who appears for about six minutes) does try and fail to figure Morgan out, though he mostly seems combative and pointless, almost as if they brought him in just to have a

HARRY AND AVIS

“We’re always suspicious when the

lead actor’s name appears so many times in the credits.” HELL OR HIGH WATER

“A simple story told just well enough as to not bother anyone.”

COMPLETE UNKOWN

“Why am I still watching this?”

yay!

KUBO AND THE TWO STRINGS “The combination of stop-motion and computer animation is absolutely stunning.”

ok

“Does get points for never underesti-

PETE’S DRAGON

mating its audience.”

HARRY AND AVIS Billed as an indie rom-com, this simple story leaves a lot to the imagination. Although the title suggests otherwise, and despite how Avis takes up her share of the screen, it’s more of a story about Harry. Ever the thinker (often the over-thinker), Harry is a restless and fearful character from writer and director Nathan Hollis (who also plays the titular character). We’re always suspicious when the lead actor’s name appears so many times in the credits, and the naval-gazing aspect of this movie bears that out. How much of Harry is really Hollis isn’t decipherable, yet we’re willing to bet it’s quite a bit. He’s a classic American millennial, wearing peglegged denim with an upturned cuff, also sporting a beard and carrying a chip on his shoulder because he’s yet to do something with himself. Avis (Margot Mount) isn’t quite a three-dimensional woman, and it’s not just because she wears lacy white pajamas on a camping trip. Mount certainly conveys that she’s an odd fit for Harry, and so the romance part of their relationship feels appropriately strained. It’s also what makes for some of the entertaining banter between the two. Do they really even like each other or get each other at all? What would they do if they had to solve a real problem together? Don’t take any

outdoor survival tips from these two—or relationship strategies, for that matter. The three-night stay on a windy hillside looking over Loch Lomond and the rolling Scottish hills behind it forms the backbone of the low-budget effort named an audience favorite at the Santa Fe Independent Film Festival in 2015. It premiered in the UK in 2014 and is returning here for a run at CCA and a fundraiser for the upcoming SFIFF (7 pm Friday, Sept. 9), which is set to bring a new wave of independent titles and events this Oct. 12-23. (Julie Ann Grimm) CCA, 77 min., NR

HELL OR HIGH WATER This slow burn tells the tale of Texas brothers Tanner (Ben Foster) and Toby Howard (Chris Pine’s eyebrows), ranchers who turn to bank robbery in order to pay off bank debts and provide for Toby’s estranged family. All the while, Texas Ranger Marcus Hamilton (Jeff Bridges) is hot on their heels with his partner Alberto (House of Cards’ Gil Birmingham). We’re told constantly that the plan is smart: Rob a specific bank’s various under-secured branches in small Texas towns and then launder the money through Native casinos located in Oklahoma. And though we can accept that this somehow makes Toby a genius, his unpredictable ex-con brother acts as wild card and begins to muck it all

up as he operates outside their agreedupon tactics. What could have been a tense catand-mouse story turns sour as Bridges and Birmingham’s relationship makes for something akin to comedic relief. Uh-oh! The old-timer cowboy cop is full of racist little quips for the stoic Native cop—but they’re buddies and love each other despite all the chop-busting! This doesn’t mix entirely well with Pine and Foster’s decidedly more serious scenes, and it’s hard to invest in either duo when the brothers are complete assholes and the cops are borderline bumbling. The Texas backdrop, however, is gorgeous and embodies place-as-character in a way not so enjoyable since the first season of True Detective’s terrifying Louisiana backcountry. Music from Nick Cave sets a tone of constant dread and ramps up the unspoken feeling that Pine’s character never wanted to resort to robbery. This could have (and should have) been explored more deeply, which leaves us with half of a fleshed-out character, a misstep that is all the more disappointing since the entire film otherwise progresses under the assumption that banks are evil, and while they most certainly have proven they are, it seems an ultimately flimsy motivation. Too bad, because Pine’s unease CONTINUED ON NEXT PAGE

SFREPORTER.COM

SEPTEMBER 7-13, 2016

31


MOVIES

ok Loch Lomond? More like Loch No-mond! might have translated into a Robin Hoodlike regard for the brothers’ actions; Tanner, unfortunately, is never redeemed. It isn’t that Hell of High Water is boring— more like it feels as if it couldn’t quite realize its full potential. Bridges is always worth watching, even when his lines are goofy, and Birmingham strikes a superb counterpoint to his gruff, old cowpoke demeanor (let’s get this guy more roles, huh?). Regardless, it still isn’t the Coen Brothers; rather, it’s a simple story told just well enough as to not bother anyone. (ADV) DeVargas, Violet Crown, R, 102 min.

COMPLETE UNKNOWN Toward the end of Complete Unknown, one character tells the other, “That’s crazy and fucked up and kind of amazing.” In what could be the slowest movie ever made about New York City, at least those first two are right. Michael Shannon is Tom, who’s nothing like the General Zod in Man of Steel, but more like a moody pencil pusher who realizes during his birthday party that he’s not satisfied with his job or, it seems, his life, even though he has a smoking-hot, playful, Farsispeaking, creative wife (Azita Ghanizada). Rachel Weisz (The Mummy) plays Alice, a woman with a mysterious past and a penchant for adventure. Their intersection in the plot largely takes place over one evening and tries to be transcendental, but it comes out as a weird, slow story with a bunch of slow, dramatic pauses where nothing actually happens. The camera doesn’t move and the characters have boring, melancholic existences, except for the wife, who seems to be close to the edge of reinventing her dreams. Danny Glover appears as the husband of Kathy Bates in an oddball cameo. He has a Haitan accent, she has a head of gray hair—and neither does anything that we couldn’t have lived without. Since the core of the twisting plot is its only redeeming quality, we’ll leave out an analysis of its shortfall. Yet it’s interesting that we learn Alice feels trapped by being known—when someone else “wants to lay claim to you.” Exploring this would have been worthwhile. But apparently that didn’t occur to director and writer Joshua Marston, which is disappointing after the compelling characters in his 2004 heroin-smuggling drama Maria Full of Grace. The feeling that you’re supposed to spend the quiet moments of Complete Unknown contemplating the meaning of the truth, the merit of loyalty to your own character, and just what you might do with the opportunity

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to start with a blank slate doesn’t surpass the feeling of, “Why am I still watching this?” Not completely sure. (JAG) CCA, R, 90 min.

KUBO AND THE TWO STRINGS

Animation powerhouse Laika, which previously brought us Coraline and ParaNorman, is out to blow our minds all over again with Kubo and the Two Strings, a fable heavily influenced by Japanese mythology and one of the finest films of the year. A young boy with one eye named Kubo (Art Parkinson) spends much of his time caring for his ailing mother and the rest making money by busking with a magical samisen that can bring origami to life, a power he uses to tell stories to the townspeople. Mom constantly reminds our young hero that he must never stay out after dark or his grandfather, the evil Moon King (Ralph Fiennes), will come for him and take his other eye. Yikes. This system works for many years until Kubo accidentally stays out too late during the festival of Obon, a yearly occurrence wherein the souls of departed loved ones supposedly return to speak with the living. Turns out his mother’s warnings were true, and as soon as the moon hangs in the sky, Kubo is relentlessly pursued by the Moon King’s twin daughters, an evil pair voiced brilliantly by Rooney Mara (The Girl With the Dragon Tattoo), who do indeed want his other eye. The twins are utterly terrifying but, with the help of his mother’s magic, Kubo is able to escape. Alone and scared, our hero is joined by a no-nonsense monkey (Charlize Theron), who is a martial arts expert, and a warrior (Matthew McConaughey) cursed to wander the earth without his memories and in anthropomorphized beetle form. The combination of stop-motion and computer animation is absolutely stunning, from the large-scale action sequences to seemingly unimportant details such as the way hair moves in the wind. From a technical standpoint, Kubo and the Two Strings doesn’t just raise the bar—it demolishes it entirely. In a medium that never seems to tire of fluff or talking down to kids, this is a brilliant alternative. Smart, funny and thrilling throughout, it very well may go down in film history as one of the greatest animation features of all time. (ADV) Violet Crown, Regal, PG, 101 min.

PETE’S DRAGON Keeping up with the endless onslaught of remakes, reboots, re-imaginings and so forth is Pete’s Dragon, the newest pile of heartwarming


MOVIES

ok “Hey bro,” Jeff Bridges says. “I wish this were a Coen Bros. movie.” dreck from the fine folks at Disney. It’s all about having faith and believing in that which maybe you can’t see and not caring all that much that your parents are dead. We follow Pete (Children of the Moon’s Oakes Fegley), a young lad left alone in the wilderness who, with the aid of a dragon he names Elliot, survives somehow and spends his days playing hide and go seek with his puppy-like reptile friend. Elliot loves Pete with all of his oversized dragon heart because … well, he just does, and that suits Pete just fine for the sixish years they spend together in the woods. Cue Grace (Jurassic World’s Bryce Dallas Howard), a spirited forest service ranger who spends her days hiking around, smiling and being totally into nature. Despite her insistence to her father (Robert Redford) that she knows the woods like the back of her hand (a line that’s actually used), she never noticed Pete until now. It’s almost unbelievable that she’d be the one to find the kid, since it’s her dad who spent the last 30 years destroying all of his credibility by telling everyone who’d listen that he saw a dragon out there when he was young.

The statsitics of that are mind-boggling, but oh, won’t it be so satisfying if the naysayers are proven wrong? The rest of the film plays out like a patchwork of familiar kids movie tropes, becoming a combination of Harry and the Hendersons and White Fang. Music-swelling hugs occur every couple minutes to the point that they aren’t so much “Awww!” moments as much as we begin to feel emotionally manipulated. We aren’t sure how Howard keeps winding up in these roles where massive lizards make everybody run around full-tilt, but we sure hope she can expand her repertoire soon. Pete’s Dragon does get points for never underestimating its audience or assuming that kids won’t be able to handle heavy topics such as dead parents, non-nuclear families, bravery or even solitude, but other than some undeniably gorgeous CGI work and the overall message that yes, Virginia, there really is magic in the world, there is nothing to get all that worked up about. (ADV) Violet Crown, Regal, PG, 103 min.

ZY ISE CRAA IV REL T

THEATERS

NOWCCA SHOWING CINEMATHEQUE 1050 Old Pecos Trail, 982-1338

THE SCREEN SFUAD, 1600 St. Michael’s Drive, 473-6494

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REGAL STADIUM 14

418 Montezuma Ave., 466-5528

3474 Zafarano Drive, (844)462-7342 CODE 1765

UA DeVARGAS 6

VIOLET CROWN

DeVargas Center, N Guadalupe St. and Paseo de Peralta, 988-2775

1606 Alcaldesa St., 216-5678

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LEGALS LEGAL NOTICES

for a jury trial, you must request one in writing and pay a jury fee. 6. If you need an interpreter, you must ask for one in writing. 7. You may wish to consult a lawyer. You may contact the State Bar of New Mexico for help finding a lawyer at www.nmbar.org; 1-800-876-6227; or 1-505-797-6066. The Name And Address of Plaintiff’s attorney is: Javier B. Delgado, Esq. #138835, Kellie J. Callahan, Esq. #141405, Carpenter, Hazlewood, Delgado & Bolen, PLC, 1400 E. Southern Ave. Suite 400, Tempe, Arizona 85282, Phone: 505-242-4198, Fax: 505-242-4169 This Summons Is Issued Pursuant To Rule 1-004 NMRA Of The New Mexico Rules Of Civil Procedure For District Courts. Dated at Santa Fe, New Mexico, this 12 day of January, 2016. Stephen T. Pacheco Clerk of Court By: /s/ Victoria Martinez Deputy

Defendant(s): Take notice that 1. A lawsuit has been filed against you. A copy of the lawsuit is attached. The Court issued Summons/D-101-CV-2016-00063 this Summons. 2. You must respond to O’Towers Wholesale, LLC this lawsuit in writing. You must file your State Of New Mexico written response with the Court no later County Of Santa Fe than thirty (30) days from the date you First Judicial District Court 225 Montezuma Avenue, are served with this Summons. (The Santa Fe, NM 87501, date you are considered served with the (505) 455-8250 Summons is determined by Rule 1-004 Case Number: D-101-CV-2016-00063 NMRA) The Court’s address is listed Judge: David K. Thomson Villas De above. 3. You must file (in person or by Santa Fe Condominium Association, mail) your written response with the Inc. Plaintiff, v. O’Towers Wholesale, Court. When you file your response, you LLC; John Does I V, inclusive; Jane Does must give or mail a copy to the person I-V, inclusive; Black Corporations I-V, who signed the lawsuit. 4. If you do not inclusive; White Partnerships I-V, inclurespond in writing, the Court may enter sive; Unknown Heirs and Devisees of judgment against you as requested in each of the above-named Defendants, the lawsuit. 5. You are entitled to a jury if deceased, Defendant. Summons The trial in most types of lawsuits. To ask State Of New Mexico To: O’Towers for a jury trial, you must request one in Wholesale, LLC, 1777 South Burlington Summons/D-101-CV-2016-00111 writing and pay a jury fee. 6. If you need Boulevard, #213, Burlington, Washington S.A. Kingsley Rowe an interpreter, you must ask for one in 98233. To The Above Named State Of New Mexico writing. 7. You may wish to consult a Defendant(s): Take notice that 1. A lawCounty Of Santa Fe lawyer. You may contact the State Bar suit has been filed against you. A copy of First Judicial District Court, of New Mexico for help finding a lawyer the lawsuit is attached. The Court issued 225 Montezuma Avenue, at www.nmbar.org; 1-800-876-6227; this Summons. 2. You must respond to Santa Fe, NM 87501, this lawsuit in writing. You must file your (505) 455-8250 or 1-505-797-6066. The Name And written response with the Court no later Address of Plaintiff’s attorney is: Javier B. Case Number: D-101-CV-2016-00111 than thirty (30) days from the date you Delgado, Esq. #138835, Kellie J. Callahan, Judge: David K. Thomson Villas De are served with this Summons. (The Santa Fe Condominium Association, Inc. Esq. #141405, Carpenter, Hazlewood, date you are considered served with the Plaintiff, v. S.A. Kingsley Rowe; John Does Delgado & Bolen, PLC, 1400 E. Southern Summons is determined by Rule 1-004 I V, inclusive; Jane Does I-V, inclusive; Ave. Suite 400, Tempe, Arizona NMRA) The Court’s address is listed Black Corporations I-V, inclusive; White 85282, Phone: 505-242-4198, Fax: above. 3. You must file (in person or by Partnerships I-V, inclusive; Unknown 505-242-4169 This Summons Is Issued mail) your written response with the Heirs and Devisees of each of the Pursuant To Rule 1-004 NMRA Of The Court. When you file your response, you above-named Defendants, if deceased, New Mexico Rules Of Civil Procedure For must give or mail a copy to the person Defendant. Summons The State Of New District Courts. Dated at Santa Fe, New who signed the lawsuit. 4. If you do not Mexico To: S.A. Kingsley Rowe, 16 Aster Mexico, this 20th day of January, 2016. respond in writing, the Court may enter Way, Santa Fe, New Mexico 87508. Stephen T. Pacheco Clerk of Court By: judgment against you as requested in To The Above Named Defendant(s): /s/ Raisa Morales Deputy the lawsuit. 5. You are entitled to a jury Take notice that 1. A lawsuit has been trial in most types of lawsuits. To ask filed against you. A copy of the lawsuit Summons/D-101-CV-2016-00156 for a jury trial, you must request one in is attached. The Court issued this Vacation Ventures, LLC writing and pay a jury fee. 6. If you need Summons. 2. You must respond to this State Of New Mexico an interpreter, you must ask for one in lawsuit in writing. You must file your County Of Santa Fe writing. 7. You may wish to consult a written response with the Court no later First Judicial District Court, lawyer. You may contact the State Bar than thirty (30) days from the date you 225 Montezuma Avenue, of New Mexico for help finding a lawyer are served with this Summons. (The Santa Fe, NM 87501, at www.nmbar.org; 1-800-876-6227; date you are considered served with the (505) 455-8250 or 1-505-797-6066. The Name And Summons is determined by Rule 1-004 Case Number: D-101-CV-2016-00156 Address of Plaintiff’s attorney is: Javier B. NMRA) The Court’s address is listed Judge: Francis J. Mathew Villas De Delgado, Esq. #138835, Kellie J. Callahan, above. 3. You must file (in person or by Santa Fe Condominium Association, Esq. #141405, Carpenter, Hazlewood, mail) your written response with the Delgado & Bolen, PLC, 1400 E. Southern Court. When you file your response, you Inc. Plaintiff, v. Vacation Ventures, LLC; John Does I V, inclusive; Jane Ave. Suite 400, Tempe, Arizona must give or mail a copy to the person Does I-V, inclusive; Black Corporations 85282, Phone: 505-242-4198, Fax: who signed the lawsuit. 4. If you do not I-V, inclusive; White Partnerships 505-242-4169 This Summons Is Issued respond in writing, the Court may enter I-V, inclusive; Unknown Heirs and Pursuant To Rule 1-004 NMRA Of The judgment against you as requested in Devisees of each of the above-named New Mexico Rules Of Civil Procedure the lawsuit. 5. You are entitled to a jury Defendants, if deceased, Defendant. For District Courts. Dated at Santa Fe, trial in most types of lawsuits. To ask Summons The State Of New Mexico To: New Mexico, this 12 day of January, 2016. for a jury trial, you must request one in Stephen T. Pacheco Clerk of Court By: /s/ writing and pay a jury fee. 6. If you need Vacation Ventures, LLC, 1365 Garden of the Gods Road, Colorado Springs, Victoria Martinez Deputy an interpreter, you must ask for one in Colorado 80907. To The Above Named writing. 7. You may wish to consult a Defendant(s): Take notice that 1. A lawSummons/D-101-CV-2016-00065 lawyer. You may contact the State Bar suit has been filed against you. A copy of Arthur J. Bachechi of New Mexico for help finding a lawyer the lawsuit is attached. The Court issued State Of New Mexico at www.nmbar.org; 1-800-876-6227; this Summons. 2. You must respond to County Of Santa Fe or 1-505-797-6066. The Name And this lawsuit in writing. You must file your First Judicial District Court, Address of Plaintiff’s attorney is: Javier B. written response with the Court no later 225 Montezuma Avenue, Delgado, Esq. #138835, Kellie J. Callahan, than thirty (30) days from the date you Santa Fe, NM 87501, Esq. #141405, Carpenter, Hazlewood, are served with this Summons. (The (505) 455-8250 Delgado & Bolen, PLC, 1400 E. Southern date you are considered served with the Case Number: D-101-CV-2016-00065 Ave. Suite 400, Tempe, Arizona 85282, Summons is determined by Rule 1-004 Judge: David K. Thomson Villas De NMRA) The Court’s address is listed Santa Fe Condominium Association, Inc. Phone: 505-242-4198, Fax: 505-2424169 This Summons Is Issued Pursuant above. 3. You must file (in person or by Plaintiff, v. Arthur J. Bachechi; Betsy A. To Rule 1-004 NMRA Of The New mail) your written response with the Bachechi; John Does I V, inclusive; Jane Mexico Rules Of Civil Procedure For Court. When you file your response, you Does I-V, inclusive; Black Corporations District Courts. Dated at Santa Fe, New must give or mail a copy to the person I-V, inclusive; White Partnerships I-V, Mexico, this 19th day of January, 2016. who signed the lawsuit. 4. If you do not inclusive; Unknown Heirs and Devisees respond in writing, the Court may enter of each of the above-named Defendants, Stephen T. Pacheco Clerk of Court By: /s/ Ginger Sloan Deputy judgment against you as requested in if deceased, Defendant. Summons the lawsuit. 5. You are entitled to a jury The State Of New Mexico To: Arthur J. Summons/D-101-CV-2016-00148 trial in most types of lawsuits. To ask Bachechi, PO Box 1981, Edgewood, New Ashley E. Simison for a jury trial, you must request one in Mexico 87015. To The Above Named State Of New Mexico writing and pay a jury fee. 6. If you need Defendant(s): Take notice that 1. A lawCounty Of Santa Fe an interpreter, you must ask for one in suit has been filed against you. A copy of First Judicial District Court, writing. 7. You may wish to consult a the lawsuit is attached. The Court issued 225 Montezuma Avenue, lawyer. You may contact the State Bar this Summons. 2. You must respond to of New Mexico for help finding a lawyer this lawsuit in writing. You must file your Santa Fe, NM 87501, (505) 455-8250 at www.nmbar.org; 1-800-876-6227; written response with the Court no later Case Number: D-101-CV-2016-00148 or 1-505-797-6066. The Name And than thirty (30) days from the date you Judge: Francis J. Mathew Villas De Address of Plaintiff’s attorney is: Javier are served with this Summons. (The Santa Fe Condominium Association, Inc. B. Delgado, Esq. #138835, Kellie J. date you are considered served with the Plaintiff, v. Ashley E. Simison; Unknown Callahan, Esq. #141405, Carpenter, Summons is determined by Rule 1-004 Spouse of Ashley E. Simison; John Does Hazlewood, Delgado & Bolen, PLC, 1400 NMRA) The Court’s address is listed I V, inclusive; Jane Does I-V, inclusive; E. Southern Ave. Suite 400, Tempe, above. 3. You must file (in person or by Arizona 85282, Phone: 505-242-4198, Black Corporations I-V, inclusive; White mail) your written response with the Fax: 505-242-4169 This Summons Is Court. When you file your response, you Partnerships I-V, inclusive; Unknown Issued Pursuant To Rule 1-004 NMRA must give or mail a copy to the person Heirs and Devisees of each of the Of The New Mexico Rules Of Civil who signed the lawsuit. 4. If you do not above-named Defendants, if deceased, Procedure For District Courts. Dated at respond in writing, the Court may enter Defendant. Summons The State Of Santa Fe, New Mexico, this 22 day of judgment against you as requested in New Mexico To: Ashley E. Simison, January, 2016. Stephen T. Pacheco Clerk the lawsuit. 5. You are entitled to a jury 3114 McMahon Road, Silver Springs, trial in most types of lawsuits. To ask Maryland 20902. To The Above Named of Court By: /s/ Victoria B. Neal Deputy

Summons/D-101-CV-2016-00186 Barry Demby State Of New Mexico County Of Santa Fe First Judicial District Court, 225 Montezuma Avenue, Santa Fe, NM 87501, (505) 455-8250 Case Number: D-101-CV-2016-00186 Judge: Sarah Singleton Villas De Santa Fe Condominium Association, Inc. Plaintiff, v. Barry Demby; John Does I V, inclusive; Jane Does I-V, inclusive; Black Corporations I-V, inclusive; White Partnerships I-V, inclusive; Unknown Heirs and Devisees of each of the above-named Defendants, if deceased, Defendant. Summons The State Of New Mexico To: Barry Demby, 4027 North Walnuthaven Drive, Covina, California 91722. To The Above Named Defendant(s): Take notice that 1. A lawsuit has been filed against you. A copy of the lawsuit is attached. The Court issued this Summons. 2. You must respond to this lawsuit in writing. You must file your written response with the Court no later than thirty (30) days from the date you are served with this Summons. (The date you are considered served with the Summons is determined by Rule 1-004 NMRA) The Court’s address is listed above. 3. You must file (in person or by mail) your written response with the Court. When you file your response, you must give or mail a copy to the person who signed the lawsuit. 4. If you do not respond in writing, the Court may enter judgment against you as requested in the lawsuit. 5. You are entitled to a jury trial in most types of lawsuits. To ask for a jury trial, you must request one in writing and pay a jury fee. 6. If you need an interpreter, you must ask for one in writing. 7. You may wish to consult a lawyer. You may contact the State Bar of New Mexico for help finding a lawyer at www.nmbar.org; 1-800-876-6227; or 1-505-797-6066. The Name And Address of Plaintiff’s attorney is: Javier B. Delgado, Esq. #138835, Kellie J. Callahan, Esq. #141405, Carpenter, Hazlewood, Delgado & Bolen, PLC, 1400 E. Southern Ave. Suite 400, Tempe, Arizona 85282, Phone: 505-242-4198, Fax: 505-242-4169 This Summons Is Issued Pursuant To Rule 1-004 NMRA Of The New Mexico Rules Of Civil Procedure For District Courts. Dated at Santa Fe, New Mexico, this 25 day of January, 2016. Stephen T. Pacheco Clerk of Court By: /s/ Victoria B. Neal Deputy Summons/D-101-CV-2016-00215 Richard Raymond Yohner State Of New Mexico County Of Santa Fe First Judicial District Court, 225 Montezuma Avenue, Santa Fe, NM 87501, (505) 455-8250 Case Number: D-101-CV-2016-00215 Judge: David K. Thomson Villas De Santa Fe Condominium Association, Inc. Plaintiff, v. Richard Raymond Yohner; Unknown Spouse of Richard Raymond Yohner; Mona Marie Villa; Unknown Spouse of Mona Marie Villa; John Does I V, inclusive; Jane Does I-V, inclusive; Black Corporations I-V, inclusive; White Partnerships I-V, inclusive; Unknown Heirs and Devisees of each of the above-named Defendants, if deceased, Defendant. Summons The State Of New Mexico To: Richard Raymond Yohner, 16428 Sunstone Drive, San Diego, California 92127. To The Above Named Defendant(s): Take notice that 1. A lawsuit has been filed against you. A copy of the lawsuit is attached. The Court issued this Summons. 2. You must respond to this lawsuit in writing. You must file your written response with the Court no later than thirty (30) days from the date you are served with this Summons. (The date you are considered served with the Summons is determined by Rule 1-004 NMRA) The Court’s address is listed above. 3. You must file (in person or by mail) your written response with the Court. When you file your response, you must give or mail a copy to the person who signed the lawsuit. 4. If you do not respond in writing, the Court may enter judgment against you as requested in the lawsuit. 5. You are entitled to a jury trial in most types of lawsuits. To ask for a jury trial, you must request one in

writing and pay a jury fee. 6. If you need an interpreter, you must ask for one in writing. 7. You may wish to consult a lawyer. You may contact the State Bar of New Mexico for help finding a lawyer at www.nmbar.org; 1-800-876-6227; or 1-505-797-6066. The Name And Address of Plaintiff’s attorney is: Javier B. Delgado, Esq. #138835, Kellie J. Callahan, Esq. #141405, Carpenter, Hazlewood, Delgado & Bolen, PLC, 1400 E. Southern Ave. Suite 400, Tempe, Arizona 85282, Phone: 505-242-4198, Fax: 505-242-4169 This Summons Is Issued Pursuant To Rule 1-004 NMRA Of The New Mexico Rules Of Civil Procedure For District Courts. Dated at Santa Fe, New Mexico, this 27 day of January, 2016. Stephen T. Pacheco Clerk of Court By: /s/ Victoria B. Neal Deputy Summons/D-101-CV-2016-00112 Christine Abeita State Of New Mexico County Of Santa Fe First Judicial District Court, 225 Montezuma Avenue, Santa Fe, NM 87501, (505) 455-8250 Case Number: D-101-CV-2016-00112 Judge: David K. Thomson Villas De Santa Fe Condominium Association, Inc. Plaintiff, v. Ray M. Abeita; Christine Abeita; John Does I V, inclusive; Jane Does I-V, inclusive; Black Corporations I-V, inclusive; White Partnerships I-V, inclusive; Unknown Heirs and Devisees of each of the above-named Defendants, if deceased, Defendant. Summons The State Of New Mexico To: Christine Abeita, P O Box 189, Isleta, New Mexico 87022. To The Above Named Defendant(s): Take notice that 1. A lawsuit has been filed against you. A copy of the lawsuit is attached. The Court issued this Summons. 2. You must respond to this lawsuit in writing. You must file your written response with the Court no later than thirty (30) days from the date you are served with this Summons. (The date you are considered served with the Summons is determined by Rule 1-004 NMRA) The Court’s address is listed above. 3. You must file (in person or by mail) your written response with the Court. When you file your response, you must give or mail a copy to the person who signed the lawsuit. 4. If you do not respond in writing, the Court may enter judgment against you as requested in the lawsuit. 5. You are entitled to a jury trial in most types of lawsuits. To ask for a jury trial, you must request one in writing and pay a jury fee. 6. If you need an interpreter, you must ask for one in writing. 7. You may wish to consult a lawyer. You may contact the State Bar of New Mexico for help finding a lawyer at www.nmbar.org; 1-800-876-6227; or 1-505-797-6066. The Name And Address of Plaintiff’s attorney is: Javier B. Delgado, Esq. #138835, Kellie J. Callahan, Esq. #141405, Carpenter, Hazlewood, Delgado & Bolen, PLC, 1400 E. Southern Ave. Suite 400, Tempe, Arizona 85282, Phone: 505-242-4198, Fax: 505-242-4169 This Summons Is Issued Pursuant To Rule 1-004 NMRA Of The New Mexico Rules Of Civil Procedure For District Courts. Dated at Santa Fe, New Mexico, this 22 day of January, 2016. Stephen T. Pacheco Clerk of Court By: /s/ Victoria B. Neal Deputy Summons/D-101-CV-2016-00112 Ray M. Abeita State Of New Mexico County Of Santa Fe First Judicial District Court, 225 Montezuma Avenue, Santa Fe, NM 87501, (505) 455-8250 Case Number: D-101-CV-2016-00112 Judge: David K. Thomson Villas De Santa Fe Condominium Association, Inc. Plaintiff, v. Ray M. Abeita; Christine Abeita; John Does I V, inclusive; Jane Does I-V, inclusive; Black Corporations I-V, inclusive; White Partnerships I-V, inclusive; Unknown Heirs and Devisees of each of the above-named Defendants, if deceased, Defendant. Summons The State Of New Mexico To: Ray M. Abeita, PO Box 189, Isleta, New Mexico 87022. To The Above Named Defendant(s): Take notice that 1. A lawsuit has been filed against you. A copy of the lawsuit is attached.

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The Court issued this Summons. 2. You must respond to this lawsuit in writing. You must file your written response with the Court no later than thirty (30) days from the date you are served with this Summons. (The date you are considered served with the Summons is determined by Rule 1-004 NMRA) The Court’s address is listed above. 3. You must file (in person or by mail) your written response with the Court. When you file your response, you must give or mail a copy to the person who signed the lawsuit. 4. If you do not respond in writing, the Court may enter judgment against you as requested in the lawsuit. 5. You are entitled to a jury trial in most types of lawsuits. To ask for a jury trial, you must request one in writing and pay a jury fee. 6. If you need an interpreter, you must ask for one in writing. 7. You may wish to consult a lawyer. You may contact the State Bar of New Mexico for help finding a lawyer at www.nmbar.org; 1-800-876-6227; or 1-505-797-6066. The Name And Address of Plaintiff’s attorney is: Javier B. Delgado, Esq. #138835, Kellie J. Callahan, Esq. #141405, Carpenter, Hazlewood, Delgado & Bolen, PLC, 1400 E. Southern Ave. Suite 400, Tempe, Arizona 85282, Phone: 505-242-4198, Fax: 505-242-4169 This Summons Is Issued Pursuant To Rule 1-004 NMRA Of The New Mexico Rules Of Civil Procedure For District Courts. Dated at Santa Fe, New Mexico, this 22 day of January, 2016. Stephen T. Pacheco Clerk of Court By: /s/ Victoria B. Neal Deputy Summons/D-101-CV-2016-00154 Charles Friend State Of New Mexico County Of Santa Fe First Judicial District Court, 225 Montezuma Avenue, Santa Fe, NM 87501, (505) 455-8250 Case Number: D-101-CV-2016-00154 Judge: Sarah Singleton Villas De Santa Fe Condominium Association, Inc. Plaintiff, v. Charles Friend; Unknown Spouse of Maxine Huntington; John Does I V, inclusive; Jane Does I-V, inclusive; Black Corporations I-V, inclusive; White Partnerships I-V, inclusive; Unknown Heirs and Devisees of each of the above-named Defendants, if deceased, Defendant. Summons The State Of New Mexico To: Charles Friend, PO Box 181, Daytona Beach, Florida 32115; Charles Friend, 4600 East Moody Boulevard, H19, Bunnell, Florida 32110. To The Above Named Defendant(s): Take notice that 1. A lawsuit has been filed against you. A copy of the lawsuit is attached. The Court issued this Summons. 2. You must respond to this lawsuit in writing. You must file your written response with the Court no later than thirty (30) days from the date you are served with this Summons. (The date you are considered served with the Summons is determined by Rule 1-004 NMRA) The Court’s address is listed above. 3. You must file (in person or by mail) your written response with the Court. When you file your response, you must give or mail a copy to the person who signed the lawsuit. 4. If you do not respond in writing, the Court may enter judgment against you as requested in the lawsuit. 5. You are entitled to a jury trial in most types of lawsuits. To ask for a jury trial, you must request one in writing and pay a jury fee. 6. If you need an interpreter, you must ask for one in writing. 7. You may wish to consult a lawyer. You may contact the State Bar of New Mexico for help finding a lawyer at www.nmbar.org; 1-800-876-6227; or 1-505-797-6066. The Name And Address of Plaintiff’s attorney is: Javier B. Delgado, Esq. #138835, Kellie J. Callahan, Esq. #141405, Carpenter, Hazlewood, Delgado & Bolen, PLC, 1400 E. Southern Ave. Suite 400, Tempe, Arizona 85282, Phone: 505-242-4198, Fax: 505-242-4169 This Summons Is Issued Pursuant To Rule 1-004 NMRA Of The New Mexico Rules Of Civil Procedure For District Courts. Dated at Santa Fe, New Mexico, this 22 day of January, 2016. Stephen T. Pacheco Clerk of Court By: /s/ Victoria B. Neal Deputy

SEPTEMBER 7-13, 2016

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JONESIN’ CROSSWORD “Your Daily Allowance”—some ration-al terms. by Matt Jones

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21 Dick in the Pro Football Hall of Fame 23 Soup follower 24 Roman called “The Censor” 26 You’re looking at it 29 “Heavens to Betsy!” 31 Austin and Boston, for two 32 Late Pink Floyd member ___ Barrett 34 “Austin Powers” verb 35 “Jeopardy!” in a box, e.g. 36 How some medicines are taken 37 Baby bronco 38 Adjusts, as tires 43 Naomi Watts thriller set for November 2016 DOWN 45 Gender-neutral term for 1 Attack, tiger-style someone of Mexican or South American heritage, say 2 Drive or putt 3 Short pulse, in Morse code 46 Establishes as law 49 “Common Sense” 4 Hood or Washington 5 Extra somethin’-somethin’ pamphleteer 6 Word after parking or safe 50 “Fame” actress Cara 51 A and E, but not I, O, or U 7 Buying channel on TV 8 Marinated meat in a tortilla 52 “Easy ___ it!” 54 “The Lion King” lioness 9 Dunkable dessert 57 “Au revoir, ___ amis” 10 Fell apart, as a deal 58 Arm-raised dance move 11 Allow 12 Kidnapping gp. of the ‘70s that some say looks like sneezing 13 Email folder that’s often 59 “Brokeback Mountain” automatically cleared director 17 Move swiftly 44 Marooning spot 47 “Amazing!” 48 Assistance 53 Trivial Pursuit edition 55 Elvis’s disputed middle name 56 “I Ching” philosophy 57 Hardly happy with 58 Bygone lemon-lime soda 60 “Next to Me” singer ___ Sande 61 Rice from New Orleans 62 “Lord of the Rings” creatures 63 Passenger car 64 Insects with a waggle dance 65 “___ & Oh’s” (Elle King hit)

Release (TNR) program and was neutered, his ear was clipped (which didn’t hurt him at all), and then released. Shortly after his release, however, RASCAL made his way to the home of a kind rescuer. He is now at Felines & Friends. RASCAL is a very sweet and social boy who loves to sleep with his foster mom, and wakes her up in the morning by nibbling gently at her ears. He gets along great with gentle small children, and also is fine around other sociable cats. RASCAL is a handsome boy with a short coat and gray tabby markings with white patches on his body and paws. AGE: born approx. 7/15/13. City of Santa Fe Permit #16-006

CALL FELINES & FRIENDS AT 316-2281 DEVINA was originally found as part of an ongoing Felines & Friends Trap, Neuter & Release (TNR) project on Highway 14 near Santa Fe. We were able to rescue her and her daughter, DELILAH D; we are still looking for two of her other kittens. After her rescue, DEVINA was soon found to be quite tame and sweet, and ready for a home to call her own. TEMPERAMENT: DEVINA is a bit shy at first but warms up very quickly; she soon proves to be a very sweet and social girl. DEVINA is a beautiful, petite Oriental short hair mix with a cream/gray coat and lynx point markings, and bright blue eyes. AGE: born approx. 10/22/15. City of Santa Fe Permit #16-006

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ADOPTION HOURS: Petco: 1-4 pm Thurs., Fri., Sat. & Sun. Teca Tu is now at DeVargas Center. Prosperous Pets and Xanadu/Jackalope during business hours. Thank you Prosperous Pets. Cage Cleaners/Caretakers needed!

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COMMUNITY ANNOUNCEMENTS

SERVICE DIRECTORY

JOHREI CENTER OF SANTA FE. JOHREI IS BASED ON THE FOCUS AND FLOW OF THE UNIVERSAL LIFE ENERGY. When clouds in the spiritual body and in consciousness are dissolved, there is a return to true health. This is according to the Divine Law of Order; after spiritual clearing, physical and mental- emotional healing follow. You are invited to experience the Divine Healing Energy of Johrei. On Saturday August 20th at 10:30 am we are holding our monthly Gratitude Service, please join us. All are Welcome. The Johrei Center of Santa Fe is located at Calle Cinco Plaza, 1500 Fifth St., Suite 10, 87505. Please call 820-0451 with any questions. Drop-ins welcome! There is no fee for receiving Johrei. Donations are gratefully accepted. Please check us out at our new website santafejohreifellowship.com

ASSISTED LIVING

IS FOOD A PROBLEM FOR YOU? Do you eat when you’re not hungry? Do you binge or fast to such an extent that it’s having negative effects on your life? Overeaters Anonymous is a food issues recovery group which involves no dues, no fees, no weigh-ins, and no diets. We meet every day of the year in Santa Fe from 8-9 a.m. at The Friendship Club, 1316 Apache Avenue (505-982-9040).

UPAYA ZEN CENTER: MEDITATION, TALKS, RETREATS Upaya is a community resource fostering mindfulness. Come for DAILY MEDITATION; Wednesday DHARMA TALKS 5:306:30pm; Sept 11 9:30am12:30pm THE EASE AND JOY OF MORNINGS: introduction to Zen meditation - by donation; Sept 14-18 MOUNTAINS AND MONASTERY RETREAT: meditation while hiking the Sangres and at Upaya; and Sept 21-25 MIND OF AUTUMN: Timeless Writing and Zen with local author Natalie Goldberg. Get details, complete calendar, free podcasts, and more: www.upaya.org.

THE WORLD FAMOUS BAYREUTH FESTIVAL'S "LOHENGRIN" AT THE SCREEN, 11 A.M. - 4 P.M., SATURDAY, SEPTEMBER 17 FREE with reservations, no walkins - The Wagner Society of Santa Fe presents a romantic opera by Richard Wagner Reserve your space at a free opera screening about the swan knight, by emailing your request to wagnersocietyofsant afe@gmail.com. This is a private screening; free-will donations gladly accepted. Boston Symphony's Andris Nelsons conducts a stellar cast including Klaus Florian Vogt and Annette Dasch, courtesy of Naxos of America, Inc. In German with English subtitles

HELP END THE CYCLE OF FAMILY HOMELESSNESS

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Volunteer with Envision Santa Fe Our innovative model matches teams of volunteers to directly help a family that is working toward self-sufficiency. One team. One family. Lasting change. TO LEARN MORE Monday September 12th 5:00 - 6:30 pm Temple Beth Shalom 205 E. Barcelona Rd. 87505

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ASSISTED LIVING Overnight Live-In Caregiver trained to meet all Senior Daily Living Needs! Assist with meal prep, bathing, grooming, Re-hab exercises, and thorough house cleaning. Rate is half the cost of an agency. (505) 5575793 leggo32003@yahoo.com

CHIMNEY SWEEPING

Safety, Value, Professionalism. We are Santa Fe’s certified chimney and dryer vent experts. New Mexico’s best value in chimney service; get a free video Chim-Scan with each fireplace cleaning. Baileyschimney. com. Call Bailey’s today 505-988-2771

EMPLOYMENT

CASEY’S TOP HAT CHIMNEY SWEEPS is committed to protecting your home. Creosote build-up in your fireplace or lint build-up in your dryer vent reduces efficiency and can pose a fire hazard. Be prepared. Call 989-5775

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WINTER INTERN You won’t earn a salary, but internships at the Reporter are a proven method to learning about journalism, photojournalism, news and culture reporting, web development and social media management. We’re happy to work with college students for course credit. Be sure to include the time period that you are interested in and would be available. Send a cover letter, writing samples and three story ideas before our Sept. 30 deadline. Six weeks minimum commitment required. Julie Ann Grimm, Editor editor@sfreporter.com Santa Fe Reporter 132 E. Marcy Street Santa Fe, NM 87501 No phone calls please.

HOME IMPROVEMENT

SANTA FE COYOTE FENCING Specializing in Coyote Fencing. License # 16-001199-74. No job too small or large. We do it all. Richard, 505-690-6272

EMF/RF TESTING & CONSULTING Radiation from wi-fi, power-lines, dirty electricity and/or cell towers impedes health, healing and HANDYPERSON well-being. On-Site Assessments can CARPENTRY to LANDSCAPING Home maintenance, remodels, reduce EMFs up to 90%! additions, interior & exterior, Create a Sleep Sanctuary. irrigation, stucco repair, jobs small Julia Whitfield, EMF & large. Reasonable rates, Reliable. Consultant, EMRS/BBEC in Discounts avail. to seniors, veterans, progress. handicap. Jonathan, 670-8827 http://safelivingspaces.com www.handymannm.com (505) 670-6738 info@safelivingspaces.com THE HANDYMAN YOU’VE ALWAYS WANTED. Dependable and creative problem solver. With Handyman Van, one call fixes it all. Special discounts for seniors and referrals. Excellent references. 505-231-8849 www.handymanvan.biz

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SALES ASSISTANT Santa Fe’s oldest and most popular weekly newspaper, the Santa Fe Reporter, is hiring for a unique new position in its advertising department. We are looking for a multi-tasker who can act as an assistant to the department manager, is strong with Excel and a quick technical learner. This position will also do special project sales. It is part-time hourly plus commission. To apply, please email a letter of interest and resumé to Anna Maggiore, Advertising Manager advertising@sfreporter.com Santa Fe Reporter 132 E. Marcy Street Santa Fe, NM 87501 No phone calls please.

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632 Agua Fría Santa Fe Jorge Luis Bernal Encaustic Monotype Workshop Day 1: Equipment and tools Day 2: Emphasis on creativity Sept 17-18, Oct 15-16 10am to 4pm All supplies and tax included Cost: One day $250.00 Two Days $460.00 Registration at mehrens@eainm.com 505 989-3283 jorgeluisbernal@gmail.com

IMPORTANT NOTICE! Damaged parapets and cracked stucco can lead to multiple damage issues costing more money later~call for free estimate on repair before the wet weather begins Introducing new TOTAL WALL color for stucco projects. Guarantee lowest price using same products. Affordable, fast and efficient. Call 505-204-4555.

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PHILIP CRUMP, Mediator Resolve issues quickly, affordably, privately, respectfully: • Divorce, Custody, Parenting plan • Parent-Teen, Family, Neighbor • Business, Partnership, Construction Mediate-Don’t Litigate! FREE CONSULTATION philip@pcmediate.com 505-989-8558

INTRODUCING NEW AND IMPROVED BODY WRAPS— new technique, added luxury, more results. We offer Basic, Deluxe and new Vitality Wrap —back to school special 15% off! Call Fitness Plus at 505-473-7315 or Brandy at 505-316-3736 for information and appointment.

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MIND BODY SPIRIT

Rob Brezsny

Week of September 7th

ARIES (March 21-April 19) Two seven-year-old girls showed me three tricks I could use to avoid taking myself too seriously and getting too attached to my dignity. I’m offering these tricks to you just in time for the letting-go phase of your astrological cycle. Trick #1: Speak in a made-up language for at least ten minutes. Example: “Groftyp hulbnu wivgeeri proot xud amasterulius. Quoshibojor frovid zemplissit.” Trick #2: Put a different kind of shoe and sock on each foot and pretend you’re two people stuck in a single body. Give each side of you a unique nickname. Trick #3: Place an unopened bag of barbecue-flavored potato chips on a table, then bash your fist down on it, detonating a loud popping sound and unleashing a spray of crumbs out the ends of the bag. Don’t clean up the mess for at least an hour.

way, I recommend that you consider those last three terms as being suitable titles for your own personal life story in the coming weeks. A great awakening and activation are imminent.

TAURUS (April 20-May 20) In accordance with the astrological omens, I suggest you spend less energy dwelling in profane time so you expand your relationship with sacred time. If that’s of interest to you, consider the following definitions. PROFANE TIME happens when you’re engulfed in the daily grind. Swarmed by a relentless flurry of immediate concerns, you are held hostage by the chatter of your monkey mind. Being in SACRED TIME attunes you to the relaxing hum of eternity. It enables you to be in intimate contact with your soul’s deeper agenda, and affords you extra power to transform yourself in harmony with your noble desires and beautiful intentions.

LIBRA (Sept. 23-Oct. 22) The last few weeks have been fraught with rich plot twists, naked dates with destiny, and fertile turning points. I expect there will be further intrigue in the near future. A fierce and tender decision at a crossroads? The unexpected arrival of a hot link to the future? A karmic debt that’s canceled or forgiven? In light of the likelihood that the sweet-and-sour, confusing-and-revelatory drama will continue, I encourage you to keep your levels of relaxed intensity turned up high. More than I’ve seen in a long time, you have the magic and the opportunity to transform what needs to be transformed. SCORPIO (Oct. 23-Nov. 21) In the coming days, you will have more than your usual access to help and guidance. Divine interventions are possible. Special dispensations and charmed coincidences, too. If you don’t believe in fairy dust, magic beans, and lucky potions, maybe you should set that prejudice aside for a while. Subtle miracles are more likely to bestow their gifts if your reasonable theories don’t get in the way. Here’s an additional tip: Don’t get greedy. Use the openings you’re offered with humility and gratitude.

SAGITTARIUS (Nov. 22-Dec. 21) When my daughter Zoe was growing up, I wanted her to be familiar with the origins of ordinary stuff that she benefited from. GEMINI (May 21-June 20) About 1.7 million years ago, That’s why I took her to small farms where she could our human ancestors began using primitive hand axes observe the growth and harvest of organic food crops. made from rocks. This technology remained in use for We visited manufacturing facilities where cars, over 60,000 generations before anyone invented more furniture, toys, and kitchen sinks were built. She saw sophisticated tools and implements. Science writer bootmakers creating boots and professional musicians Marcus Chown refers to this period as “the million years producing songs in recording studios. And much more. of boredom.” Its slow pace contrasts sharply with techI would love it if you would give yourself comparable nology’s brisk evolution in the last 140 years. In 1880, experiences in the coming weeks, Sagittarius. It’s an there were no cars, planes, electric lights, telephones, excellent time to commune with the sources of things TVs, or Internet. I surmise that you’re leaving your own that nurture you and make your life better. phase of relatively slow progress, Gemini. In the coming CAPRICORN (Dec. 22-Jan. 19) Unless you were brought months, I expect your transformations will progress up by a herd of feral donkeys, the coming weeks will be with increasing speed—starting soon. an excellent time to embark on your second childhood. CANCER (June 21-July 22) Prediction #1: You will Unless you’re allergic to new ideas, the foreseeable attract truckloads of good luck by working to upgrade future will bring you strokes of curious luck that inspire and refine the way you communicate. Prediction #2: you to change and change and change your mind. And You will tickle the attention of interesting people who unless you are addicted to your same old stale comforts, could ultimately provide you with clues you will need life will offer you chances to explore frontiers that could to thrive in 2017. #3: You will discover secrets of how expose you to thrilling new comforts. to articulate complicated feelings and subtle ideas that AQUARIUS (Jan. 20-Feb. 18) These days, my dear, have been locked inside you. Prediction #4: You’ll your eccentric beauty is even more unkempt than usual. begin a vibrant conversation that will continue to I like it. It entertains and charms me. And as for your evolve for a long time. idiosyncratic intelligence: That, too, is messier and cuter LEO (July 23-Aug. 22) You know you have a second and even more interesting than ever before. I’m inclined brain in your gut, right? (If not, read this: http://bit.ly/ to encourage you to milk this unruly streak for all its secondbrain.) During the past three weeks, I have potential. Maybe it will provoke you to experiment in been beaming telepathic instructions toward this situations where you’ve been too accepting of the stagsmart part of you. Here’s an edited version of the nant status quo. And perhaps it will embolden you to message I’ve been sending: “Cultivate your tenacity, look for love and money in more of the right places. darling. Build up your stamina, sweetheart. Feed your PISCES (Feb. 19-March 20) I’m giving you an ultimaability to follow through on what you’ve started, tum, Pisces: Within the next 144 hours, I demand that beautiful. Be persistent and spunky and gritty, my you become at least 33 percent happier. Fifty percent dear.” Alas, I’m not sure my psychic broadcasts have been as effective as I’d hoped. I think you need further would be even better. Somehow you’ve got to figure out what you can do to enhance your sense of well-being encouragement. So please summon more fortitude and staying power, you gutsy stalwart. Be staunch and and increase your enjoyment of life. I’m sort of joking, but on the other hand I’m completely serious. From my dogged and resolute, you stouthearted powerhouse. perspective, it’s essential that you feel really good in the VIRGO (Aug. 23-Sept. 22) Is “Big Bang” the best term coming days. Abundant pleasure is not merely a luxury, we can come up with to reference the beginning of the but rather a necessity. Do you have any ideas about how universe? It sounds violent and messy—like a random, to make this happen? Start here: 1. Identify your four accidental splatter. I would much prefer a term that most delightful memories, and re-enact them in your suggests sublime elegance and playful power— imagination. 2. Go see the people whose influences language that would capture the awe and reverence I most thoroughly animate your self-love. feel as I contemplate the sacred mystery we are privileged to inhabit. What if we used a different name Homework: Look in the mirror and tell yourself an for the birth of creation, like the “Primal Billow” or the edgy but fun truth you’ve never spoken. If you care to share, write Truthrooster@gmail.com. “Blooming Ha Ha” or the “Majestic Bouquet”? By the

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700. © CO P Y R I G H T 2 0 1 6 R O B B R E Z S N Y 38

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