Portfolio _ Sanxing Zhao by Sanxing Zhao

PORTFOLIO

Sanxing Zhao University of Pennsylvania MSD-AAD

Sanxing Zhao

MAIL PHONE ADDRESS

zhao_sanxing@hotmail.com +1 267-466-7019 75 peterborough st BOSTON, MA, 02215

EDUCATION University of Pennsylvania Master of Science in Design (MSD), Advanced Architecture Design

Courses: Form and Algorithm, Tech Designated Elective: Daylighting, Âˇ SelectedRelevant Tech Designated Elective: BIM, Tech Designated Elective: Architectural Workflows,

08/2018-12/2019 Philadelphia

Museum As Site, Life Circle Assessment, Visual Literacy and Its Culture

Nanjing Tech University, China Bachelor of Architecture Design

09/2013-06/2018 Nanjing, china

WORK EXPERIENCE CAZA Internship Project 01: Victorias Eco-Industrial Resort Role: Site plan of the residential area in the southeast part Master plan drawing in the DD stage Prepared Indesign documents for client meetings and presentations Diagram and animation for DD final

3 month 06/2019-08/2019 brooklyn, ny

MAIL PHONE ADDRESS

zhao_sanxing@hotmail.com +1 267-466-7019 75 peterborough st BOSTON, MA, 02215

COMPETITION

Excellence Prize International Solar Building Design Competition Team Leader Porject: Sunshine&Home

Weitzman School Architecture Department Year End Design Award Nominated

05/2020

2015 International Chinese Orchestra Competition 1ST Prize

08/2015

Architecture Department Scholarship, NJTech Third-class

09/2015-01/2018

Outstanding Student Leader Award, NJTech

09/2014-09/2015

Chief Violinist of The School Orchestra

09/2014-09/2016

Adobe Suit Photoshop, InDesign, Illustrator, After Effect 2D&3D Revit, AutoCAD, Cinema 4D, Rhino, Maya, Sketchup, ZBrush, Grasshopper, Agisoft EnvironEcotect, Phoenics, Ladybug, DIVA mental Rendering V-Ray, Keyshot, Octane

Project 03: Siargao Condo Hotel Role: Conceptual Rhino modeling and site plan drawing in SD stage

Language

Nanjing Dianzhu Design Co., Ltd Internship Project 01: Renovation of Ganxi Complex Role: Assisted Nanjing government in site investigation, data measurement, material sampling Construction details drawings and site analysis drawings Project 02: Jingdezheng International Exhibition Center Design Role: Responsible for sketchup modeling in SD phase, Revit model in early DD phase

2 month 10/2017-11/2017 Nanjing,china

Higrade Design Research Institute Internship Project 01: Anlong Visitorâ&#x20AC;&#x2122;s Center Design Competition Role: Preliminary sketch up conceptual model design and site plan drawing as a member of the four-person design team

3 month 07/2017-10/2017 Nanjing,china

2017

HONORS

SKILLS

Project 02: Bench Headquarters Role: In charge of Rhino modeling of the DD phase and the redesign of the lobby. Participated in the facade analysis diagram drawing Participated in the section and plan drawing of the Bench Office and Parking sections in the early CD phase

Project 02: Nanjing Dongtouguan Old District Renovation Role: Revit modeling, elevation drawing, and structural detail drawing in CD stage as a member of a three-person intern team

Sanxing Zhao

English Mandarin Chinese Japanese

CONTENTS CHAPTER 1 01. Mneme In Acqua Dear recruiter

Re-use the Roman Ruin Piscina Mirabilis, Bacoli (Naples) Architectural Design Compitition, Co-worker: Hanning Liu Spring 2020

My name is Sanxing Zhao. I’m writing to apply for the junior architect. I have been a follower of your firm for many years, and it would be thrilling if I can work in such an outstanding architecture firm. I believe my academic strengths and working experience will be a positive addition to your team on the way of achieving the organization’s goals.

02. Krakahn Compound Beings

I finished the MSD-AAD program at the University of Pennsylvania in Dec 2019 and earned a Bachelor’s degree in Architecture at NJ Tech. I am currently on an F1 visa with OPT (which permits working lawfully in the United States for three years).

03. The Hidden Thrth __ Rashomon Club Design

I strongly believe that my skill set would fulfill the requirement of this job. I work with care and attention to detail. I work hard to solve problems. This is how I completed my previous projects (both at school and at intern work) at a high standard. My project, ‘Harakahn,’ is going to be included in the upcoming ‘Pressing matters’ published by PennDesign. Working as an intern in Higrade and Dianzhu gave me experience on practical projects when I was able to apply my Revit and Rhino skills. In addition, I learned to work with clients when I was in CAZA. During the final weeks of my internship, I was assigned to take full charge of the SD of Siargao Condo Hotel as the fulltime colleague was out of office. I overcame challenges and conducted negotiation with the client. Another takeaway I had was time management in the multi-projects’ scenario. Therefore, I’m a good fit for the junior architect position. It has always been my dream to dedicate myself to making the city a better place through architecture design and making architecture the best media that connect people, and I look forward to working with this fantastic team. A copy of my resume and portfolio are enclosed for your reference. Also, you can find my portfolio with animations included trough this link: https://docs.google.com/presentation/d/1S1lQjyyRuJb-SXd4I-9xKVr8JIa-jGatQOkYCaslUUU/edit?usp=sharing. I would appreciate this job opportunity to learn and work with this wonderful team. And I would love to meet you and enhance communication. I can be reached at 267-466-7019 or via email at zhao_sanxing@hotmail.com. Thank you very much for your time and consideration. Best regards, Sanxing

Devious Typographies, 2019 Penn Design Studio, Co-worker:Hanning Liu Autumn 2019

The translation of the movie Rashomon in an architecture language Summer 2017

04. Story Incubator __ Campus Complex Design Campus high- rise building design Spring 2017

05. Within Orders __ New Market Design Nanjing Antique Market design basing on a market space typology study Autumn 2017

06. Sagrada Familia Parameters A Spaceial research for future ariport terminal based on logestic system 2018 MSD-AAD Studio Design, Co-worker: Liz Chen Autumn 2018

CHAPTER 2 _ PROFESSIONAL WORKS 01. Bench Headquater Design Architecture Design Location: Manila, Philippines CAZA Summer 2019

02. Victoria Eco Industrial Resort Urban Planning & Landscape Design Location: Victoria, Philippines CAZA Summer 2019

01. Mneme In Acqua Piscina Mirabilis is in the Municipality of Bacoli, close to Lake Miseno (the ancient Misenum), over a hill which faces the Bay of Naples. It was realized during the Augustan Age. During the war with Pompeius, in fact, the son of Caesar ordered the construction of a harbour complex in the west side of Puteoli (Pozzuoli), named Portus Julius, which became the headquarter of the western Mediterranean war fleet. In order to feed with water the militar base, Augustus decided to build an aqueduct from the Serino mountain to the Lake Miseno, which had, as terminal point of the path, a reservoir, today well known as Piscina Mirabilis. To optimise the Roman ruin, we decided to show great respect to the existing existence at first place by building up a new visitors'v center above the ruin. The circulation of the guests are slightly changed, in the meanwhile, becomes more convenient. The guest cneter includs a meeting room, a adminstration center, and an activity place for multiple function. The platform holds these three main rooms, which can also be used as a protential spot for visitors activities.

Museum Inside Ruin Re-use the Roman Ruin Piscina Mirabilis, Bacoli (Naples) Design Compitition Teamwork Members: Sanxing Zhao, Hanning Liu www.reuseitaly.com/piscinamirabilis Spring 2020

To optimise the Roman ruin, we decided to show great respect to the existing existence at first place by building up a new visitors'v center above the ruin. The circulation of the guests are slightly changed, in the meanwhile, becomes more convenient. The guest cneter includs a meeting room, a adminstration center, and an activity place for multiple function. The platform holds these three main rooms, which can also be used as a protential spot for visitors activities.

The Upper Visitors' center and the renewed ruin are connected structurally by the steel support goes all the way down to the walkway before it wanders around the roof of the upper center. Lights and water are brought by the structure from the top to the bottom basin.

As the Piscina Mirabilis used to be an aqueduct, we would like water still be inside this charming Roman ruin. In that case, we decided to design a path above the water basin, where art works can be placed between or on those platforms.

02. Hrakahn Compound Beings As a starting point for the agency between human and non-human spaces, this design mainly discusses whether the building can be blurred by the selfdevelopment posture in this context. A coexistence effect. In this regard, we oppose the formation of buildings led by people, but let the building expand spontaneously through the external environment and its own attributes. The growth process of roots like roots expands organically, but because of the nature of its architecture, the specific process of expansion is not so organic in form, but rather similar to the growth of crystal caves. At the same time, in terms of function, we have shaped it into an engine, or seed, for changing a range of micro-ecosystems. When he was planted, based on the support of the geothermal energy system, water vapor was used to release heat, moisture and nutrients into the surrounding soil and atmosphere, while planting through the plants in the incubator. As an intention, spices and hookah indicate the complex components rich in water vapor, and also indicate that the building is in a state of continuous outward propagation to change the environmental components.

Devious Typographies A high-rise building design in a university campus Teamwork Members: Sanxing Zhao, Hanning Liu, Spring 2019

SITE CONCEPT COLLAGE

Dendrite Cell body

Myelin sheath

Expanding Network

Synapse

Neural Steam Systerm

Petrifaction

Crystalized Expansion

Krakahn

As a starting point for the agency between human and non-human spaces, this design mainly discusses whether the building can be blurred by the self-development posture in this context. A coexistence effect. In this regard, we oppose the formation of buildings led by people, but let the building expand spontaneously through the external environment and its own attributes. The growth process of roots like roots expands organically, but because of the nature of its architecture, the specific process of expansion is not so organic in form, but rather similar to the growth of crystal caves. At the same time, in terms of function, we have shaped it into an engine, or seed, for changing a range of micro-ecosystems. When he was planted, based on the support of the geothermal energy system, water vapor was used to release heat, moisture and nutrients into the surrounding soil and atmosphere, while planting through the plants in the incubator. As an intention, spices and hookah indicate the complex components rich in water vapor, and also indicate that the building is in a state of continuous outward propagation to change the environmental components.

The growth of taproot system

Hookah

Crystal Cave

Dry flower & Spice

As a starting point for the agency between human and nonhuman spaces, this design mainly discusses whether the building can be blurred by the self-development posture

Pipe and Sensor system Conservatory Chamber

Sauna Chamber Propogation of Seeds

As a starting point for the agency between human and non-human spaces, this design mainly discusses whether the building can be blurred by the self-

Steam Tunnel

Porous and Insulate Panels

Extracion of Geothemal

Geothemal Foundation As a starting point for the agency between human and non-human spaces,arting point for

Tentacle System

FUNCTIONAL CHARACTER

As a starting point for the agency between human and non-human spaces, this design mainly discusses whether the building can be blurred by the self-development posture in this context. A coexistence effect. As a starting point for the agency between human and non-human spaces, this design mainly discusses whether the building can be blurred by the self-development posture

SECTION DRAWING DETAILS

Geothermal

Setun laboratry & Sauna

Spawn Chamber

Trachea & Wind pipe

AXONMETRIC DRAWING

CHAPTERS: PIPING EXPANDING

h. i.

k. As a starting point for the agency between human and non-human spaces, this design mainly discusses whether the building can be blurred by the self-development posture in this context. A coexistence effect.

Axon Drawing (Contaxt)

Left: Root and bifurcation Right: Fission

AXON DRAWING DETAILS As a starting point for the agency between human and non-human spaces, this design mainly discusses whether the building can be blurred by the self-development posture in this context. A coexistence effect. In this regard, we oppose the formation of buildings led by people, but let the building expand spontaneously through the external environment and its own attributes. The growth process of roots like roots expands organically, but because of the nature of its architecture, the specific process of expansion is not so organic in form, but rather similar to the growth of crystal caves. At the same time, in terms of function, we have shaped it into an engine, or seed, for changing a range of micro-ecosystems. When he was planted, based on the support of the geothermal energy system, water vapor was used to release heat, moisture and nutrients into the surrounding soil and atmosphere, while planting through the plants in the incubator.

Up: Under world cave Down: Mono rail, cracks and steam

CHAPTERS: PHYSI-DIGITAL

Fact and Fictious

Mixed with physical models, rendering of digital models, rerendered photo scan model, this chapter is aimed to explore how we illustrate different features of the Krakahn. Hair, smoke, blade-like facade, tentacles, organic foams, crystals, wires, separate but coexist, make the full figure again.

Mixed with physical models, rendering of digital models, re-rendered photo scan model, this chapter is aimed to explore how we illustrate different features of the Krakahn. Hair, smoke, blade-like facade, tentacles, organic foams, crystals, wires, separate but coexist, make the full figure again.

03. The Hidden Truth Rashomon, one of the famous movies in the movie history, directed by Kurozawa Akira, tells a story of a murder but always escape from the truth. Though method like this, Kurozawa transfer a information of words can not be believed. The information provides me inspirations from two aspects: the truth and the human beings. So in this project, I am trying to translate the movie Rashomon in an architectual language, creating a spce for people to get a deeper understand of the movie by utilizing these two elements. The truth is hidden in the movie, so we can use the strategy to create ambiguous spaces to hide the truth of the whole space. As for the human beings, since we are animals with self conscious, once te truth is delivered from us, the truth can no longer be seen as a objective truth any longer. In this way, how the visitor experience the whole space needs to be designed.

Rashomon Club An attemptation to translate the movie Rashomon into the architecture A personal work (8-week individual work) Summer 2017

RASHOMON Rashomon is directed by the famous Japanese director Kurosawa, filming completed in 1950. The main story of the story adapted from the Japanese writer Akutagawa Ryunosuke's novel "Bamboo Grove" and "Rashomon Gate" describes a warrior and his wife on a long journey by the robber intercepted and tied up, his wife was raped by robbers; the scene and Part of the story is from Akutagawa Ryunosuke's "Rashomon." The film expresses the meaning of "people can not be trusted" through the different descriptions of many people on this event. The film opens on a woodcutter and a priest sitting beneath the Rashomon city gate to stay dry in a downpour. A commoner joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men are then summoned to testify in court, where they meet the captured bandit Tajumaru , who claims to have set the samurai free after encountering him in the forest.

OBSERVATION, EXPERIENCE ＆ HUMANITY

羅生門

In the movie, Kurosawa's photographic techniques used in the trial of criminals are very much appreciated. Throughout the trial, the face of the judge was never seen in the footage, and the protagonists pointed their faces directly at the camera during the presentation of the case, at which point Kurosawa indefinitely pulled the audience and the movie straight away In a certain sense, it has strengthened the sense of substitution. This approach allowed me to find a reliable basis for the translation of this movie into an architectural form that empowers people to experience the translation process .by enhancing the experience of the movie through the unique spatial experience of architecture

THE HIDDEN TRUTH

The heterogeneous shell structure used to express the film's kernel is placed inside the cuboid space, whose existence virtually alters the original cuboid space and creates a completely different spatial experience. The shell here is like a medium of spatial transformation, and the original space becomes ambiguous under its influence. At the same time, people have become experientialists from the perspective of the original observer, deepening their understanding of this transition.

In the history of art, the beginning of contemporary art has some kind of Platonism. Abstract artists think the "seeing things" that are directly expressed by classical art are not the essence of the world. There are more "real" things under the appearance - this is what the painters like Picasso tried to show on the screen. However, Akira Kurosawa has taken another path here: the closer it is to the "truth," the less it is displayed, and the entire film is centered on the "false" appearance. In that case, a hidden truth is created, or to be spacific, the truth is hidden. Everytime we think that we are apporaching to the truth wil be found to be a failure, and every clues in the film leads the audience all the way to 4 indicidual endings, however, none of those endings is indicated as the true ending of the film by Arkira Kurosawa , creating an atmosphere of unknown. As a result, it restored the movie to some narrative essence, allowing the film narrative to exist merely as the narrative itself: obscuring the boundaries between the audience and the event, and blurring the event itself, independent of the film language, directing the director's intention . In a sense, the montage in the film has departed from the task of "narrating events" and completely serves to grasp and control the audience's psychology.

Here, I try to use another more constructive voice to describe the film's core, that is, the transmission of the truth to the human unrecognizable, and the root cause of this theory lies in the media of truth - people, with Strong subjectivity. In this case, the demander of the truth is a human being, but the transitive person is also a human being. The truth begins to become ambiguous after being transmitted. Therefore, the truth is inevitable under such conditions of transmission.

The methods that the movie Rashomon took are totally opposite to normal suspense films. The narrative purity is even on the road to anti-narrative: counterfactual, anti-result, anti-cause; Thus, Kurosawa eventually discovered the essence of the "movie narrative" and showed it in the "Rashomon" in an all-round and vivid way and expressed his profound humanistic concern. The the important thing is not "what happened", but "what happened to people ", so in this movie, the "anti-truth" method helps the audience focusing on the characters and what they did, then through their performance, transfering the main idea of the movie.

DESIGN STRATEGY The 'Club' The existence of 4 characters forms the main structure of the movie

The observation of one character added, the first class plot is created

The second class plot appears when all the characters are involved in one event

Four individual events eventually lead the way to four different endings

To fully transfer the movie into a physical existence in the level of architecture, I decide to endue it with a function as a museum. But here I name it The Rashomon Club, for the reason that in my perspective, an ordinary museum for movie is too boring because it is a unique movie that worth deep thinkings. So things can be quite differet in this design. The club means that not only the newcommers, but the movie lovers can gather together in this building to have conversations or to remind themselves of the movie. So in the design, not only the main exhibition space, but a affliated tower is designed to offer enough rooms for these people to enjoy the movie. How to transfer The most confusing part of the movie is that it is aimed to argue about the truth of a murder but during the movie, it has always been escaping from talk about what the truth is. When it comes to the building design, I decide create a space of ambiguous. In this space, there exist more than one kind of environments, of which has a totally different space experience.So when they are put together, I will make some connections between them to let visitors in those different environmnets sense the fact that there exist other kind of space which they do not know. To make the felling of ambiguous 'real', the connection space must be not evident to make the people in one environmnet can not get an overall information of the other. Strategy like this will also make visitors more interested in finding out what other spaces looks like. Tear Apart In terms of how to show exhibits and the film, I choose to tear them apart, make them seperate in their own exhibiting spaces. So when visitors are in these spaces, the informations will gradually be collected by them to make it whole, against with the narrative techniques of Kurozawa's movie.

ELEMENTS The main body of the building can be basicly defind as a combination of 6 elements: the central cimena, the rotating ramp, the shell, the exhibition gallery, the grid structure and the turss structure. The first 3 form the inner system while the 4 and 5 form the outer one,making the building under a clear structure system. Next to the main body is a thin tower and the access gallery connecting them together. The tower is consist of a vertical transportation system and some office space to serve the main body. So physically the tower is designed hidden to the main body.

1.Cinema

2.Rotating Ramp

4.Exhibition gallery

5.Grid Structure

3.Shell

Perspective from the inner space

6.Truss Structure

INTERACTION N

There exist 6 access for the inner and outer space "communicate" with each other, which is aimed to enhance the ambigious of the space for each touring path. While the communication happens, the spaces beging to interact with each. N A1 B1

D2 D1 C2

Here I am trying to explain the interaction in the graphic form of the interferenceof wave to help explain possible situations of the interaction.

A2 M

C1 D1

Interation Simulation Image-A 1

1+2

D2 C2 B2 A2

Interation Simulation Image-B 1

As the starting or the ending point of the architecture, the M and N have the most powerful interaction between the shell and the platform, and the situation changes when we start the tour. Here I pick up the most obvious 4 points of the shell to show how the interation works.

1+2

Perspective from the outer space

CONSECUTIVE SECTION OF THE INNER AND OUTER SYSTEM

THE OUTER SYSTEM

THE INNER SYSTEM

During the outer touring, the items are setted in boxes hanging on the grid structure. Aiming to create an atmosphere of ambigious while walking through them.

The dark environment makes the shell a perfect place to display movie. In the inner system, the movie will be shown all the way along the ramp in the form of seperating movie clips, which will be shorten to transfer the information effectively, to make sure visitors can get a brief understanding after finishing the tour

Exhibits are arranged. The outer touring system mainly exhibits movie items, posters or actor's personal stuff.

Escape Way

Exhibition Hall

Exhibition Gallery

Corridor

Exhibition Hall

Inner System

Outer System

Circulation analysis diagram There exist three circulation system in the program, the inner system, the outer system and the escape way. The inner and the outter circulation system share same entrance and exit platform, however are seperated during the tour. But despite that they are untouchable to each, there exist some spot point for visitors to sense the existence of other vistors in the other circulation, Method like this will catalyze the curiosity of the visitor to seeking what the architecture is really like, making the space ambiguity.

Human beings are unable to be honest with themselves about themselves. They can't talk about themselves without embeliishing. -Akira Kurosawa

04.Story Incubator High-rise building, one of the treasure that human beings make, is doomed to be a place full of stories, for it cotains a large number of population within a relatively small vertical space. In this project, the building is aimed to provide office spaces for both campus users and outcommers.Different from ordinary office buildings, I choose to maximum the potential of a high-rise building for its ability to incubate stories, by using strategy of free section. In this building, verious kinds of activity spaces are arranged vertically, providing stages for different stories. Before the design studio, I took a week on site research, including a questionnaire to find out what kind of activity spaces is needed in tye campus. Those spaces are setted vertically in the high-rise building, fullfill the building with different possibilities.

Campus Complex A high-rise building design in a university campus A personal work (9-week individual work) Spring 2017

NEEDS OF THE SITE

Amphitheatre

X-games

Sculpture Park

Gallery

Cafe

Swimming Pool

Parking Lot

Game Room

Garden

Performance Space

Sports Court

Gym

Before getting into the design, I took several questionnaires in the campus, trying to find out what kind of activities that is the user of the campus most wanted. Sample respondents include teachers, working staff, students, citizens from nearby communities. After the servey, I list 12 most popular needs and pick 9 of them to be the central part of my design

THE BIRTH OF THE BUILDING

Facing the axial wire

Basing on the central urban district in Nanjing, the site is encompassed by the Zhongshan Narth road and Xinmofan road, two of the most essential main road in the history. Meanwhile, we discovered a historical axile wire about 100 years ago in our site. Consequently a new axile wire is designed to bound three districts in the campus tightly basing on the old one. When it comes to the high-rise building design, I decide to put it on the end of the axis for the sake of reaching the climax of the touristing route. The building is divided into two individual towers of different offices , with five differet types of space inside the hollow middle,serving as different publical function. On one hand tourists can have direct access to these public areas, on the other aspect, the public spaces link the two towers together, transfering it to an ideal working place for everyone inside.

Entrance for offices

Give the way

Entrance for visitors

Vertical traffic for offices

Vertical traffic for visitors

The entrance to the building is divided into two parts: one is for visitors which lead them directly to the second floor; those permanent users of the building attain access from for cornor of the tower, where core-tubes exists. The entrances are on the two other sides of the building on the ground floor. As for the visitors, two elevators carry them directly to public spaces on different levels. Different types of area are independent from each other unless using the elevator, whereas they obtain their own transport system.

Located on the top floor of the building, the swimming pool enjoys a great view of the whole city skyline, The top floor is designed higher than the other floor to provide the pool a pleasant space experience. Under the swimming pool are equiptment rooms, a gym, and a open space for rock climbing. These spaces form a virtical sports field for both the building user and the campus user, for both the office eleator and the visitor can reach the sports field.

The entertainment center consists of a look out room and an activity sphere. The cubiod space of the center is to provide a space for the user to enjoy a good city view, while they can have chat or do some reading in the quiet place. The activity sphere is free for both the officers users and the visitors. Verious kinds of activities can be held in the sphere.

The meeting center is located in the central part of the building, including two public meeting room along with the platform on their roofs. The two meeting rooms are stretched out from the two office tower, providing rooms for office users to exchange ideas. They are also accessable for the visitors for the elevators can reach them as well.The center also creates a atrium of wide space, making it a perfect place for activities.

Right beneath the big platform is the art gallery. For the population of the campus is mainly consist of art and architecture students, a gallery is a good choice for both exhibition or students' work show. The gallery is in the shape of a spinning tube, with platforms interspersed in it. At the end of the path is a stairway hall, for the need of speech or seminar. During the path of enjoying the gallety, one can also enjoy a good city view.

The big sphere theater is setted between the platform of the third floor and the art gallery, for the reason that activites take place in the theater have a peak flow of people. Also, function like theater can attract a large amount of people from the site. The theater has two exit along the rounded ramp wound around it. Also the ramp links the two towers together, enabling towers to provide auxiliary spaces for the treater

Located on the ground floor of the building is the main hall. The hall is formed by the arc stair way for visitors. The space of hte main hall is wide and high enough for holding events or exhibitions. Surrounding the hall are several auxillar y rooms and some VIP rooms for comming visitors. Above the hall is the service center for visitors, with functions like cafe, shop and a small library.

05.Within Orders Market and orders are like fish and water, from the early days of human beings they are stick together tightly.But is order that makes a market good? If so, where is the balance of it? The progjcr is an antique market design based on a space typology from my early study. The typology comes from the servey of two antique markets located in the Nanjing City. In the typology, I will explain how to use the right power of order to control a market while maintain its freedom The reason why I choose the antique market in china is that such kind of market with small minority can best demonstrate how the space works in a market, for large market will difinatly be influenced by plenty of elements like capital, government policy, social theory and so on, making it even more complex. But antique market is small and stable(exist for long time in China), making it a perfecct research object for my perfect space typology of market theory.

New Market An antique market design based on the market space typology theory A personal work (8-week individual work) Autumn 2017

ORDER BENEFITS MARKET Market behavior is a natural evolution of human behavior in the development. In the early days of humanity, this market was not much different from social gathering. With the development of the degree of civilization, the market began to exist as an economic act, and from this moment onwards, order intervention is inevitable. Especially to the modern civilization, including the improvement of the political system and economic system, the market will receive multiple restraints and no longer free development. At the same time, the market in one city receives the restrictions of the material and non-material conditions of the city. Here, I only talk more about the market at the level of space, social or economical elements are only the appetizer. At the start, the market behavior happens, people gethered in a certain place. Gradually, the space will be definded as the market place, forming a ambigious constriction to the market. Then orders begin to intervene the market, making the market space under some ceitain order. So it seems that the order makes a good market, for it can provide a safty and pleasant, but for the markect on the architecture level, how to design a market space with the consideration of order,and how powerful the order is or what the order is still remains ambigious.Here, by doing researches on two antique market in Nanjing, I am trying to form the theory and apply it to an actual project.

Centual Order 1_class space control Creating influence

Market behavior appears

Market space appears

Seperated Platform Satisfied different marketing behaviors

Orders appear

All under the orders Connecting Space 2_class space control Reduce hierarchy

PRESENT SITUATION Antique market is one of the form of market in chinese history. The reason I pick up them as the research objects is that such kind of market possess a small amount of audience, which means the variables of them on the aspect of social and economical are less than other regular market forms, making it a great object on space form research.

A B

Research objects

Hidden Grid 3_class space control Maintain equality

Disorder

Overorder Following the grid strictly may lose personality

THE TWO MARKET gslsdfjmsda sfj sdk g jgsdikfgj iodjh d[i jsfigj ij ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg dfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg Disorder

Overorder

gslsdfjmsda sfj sdk g jgsdikfgj iodjh d[i jsfigj ij ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg dfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg

Disorder

Overorder

Without a certain order the market space will collapse

So in my perspective, it is order that makes a good market and all we need to do is to find a balance of it. In general, I decide to use 5 elements to define a good market space:Seperated Platform, Centual Order, Hidden grid, and Connecting Space. In this space typology for marketing, the market is seperated into two (or more) parts, trying to satisfied different marketing behaviors of very different needs. Here I list a free market and a ordered market, and seperate them into different planes. Then comes how to control the market while maintain its freedom. In this typology, a powerful centual order is designed to create a great influence of space, contriling the behavior of other spaces. Accompanied with it is the hidden grid, aiming to strenghten the control of spaces. Also, the grid means equality, indicating that architects should use elements of same source to design all the spaces to maintain the nature of justice of the market, avoid the market lose control. The connecting space also possess a similar meaning, providing physical access between different platforms, reducing the sense of hierarchy. The connecting space can also be seen as a second class space order, help control the market space.

All under the orders Ferry Port Commercial District

jh d[i jsfigj ikfgj aojaio jsfigj ij ojaio i e orders

isorder jh d[i jgsdikfgj djh d[i ET dikfgj aojaio jsfigj iodjh ij ikfgj d[i jsfigj fgjgaojaio i aojaio dk jgsdikfgj sfigj odjhij d[i jsfigj ij sdikfgj aojaio i kfgj aojaio i sfigj ij ds[jg gsglsdfjmsda sfj sdk g erorder aphgj[ sdh h j aiodjh rorder msda sfj sdk g jgsdikfgj ET h h j aiodjh d[i jsfigj

ikfgj iodjh d[i jsfigj k g jgsdikfgj aojaio ikfgj iodjh d[iij odjh d[i jsfigj rder sfj sdkaojaio g jgsdikfgj sdikfgj i h h j aiodjh d[i dk g jgsdikfgj aojaio odjh d[i jsfigjsfjij sdk g gsglsdfjmsda g jgsdikfgj i phgj[ sdh h aojaio j aiodjh odjh d[isdk jsfigj ij sda sfj g jgsdikfgj

h h j aiodjh d[i jsfigj k g jgsdikfgj aojaio i odjh d[i jsfigj ij ds[jg

ikfgj iodjh d[i erorder sfj sdk g jgsdikfgj hrorder h j aiodjh d[i

Overorder Overorder

THE TWO MARKET THE TWO gslsdfjmsda sfjMARKET sdk g jgsdikfgj iodjh d[i jsfigj Overorder ij ds[jg gsglsdfjmsda sfj sdk g iodjh jgsdikfgj aojaio gslsdfjmsda sfj sdk g jgsdikfgj d[i jsfigj Xiguantou Community jsdiopfjaphgj[ sdh sfj h sdk j aiodjh d[i jsfigj ij ijids[jg gsglsdfjmsda g jgsdikfgj aojaio dfjmsda sfj sdk jgsdikfgj i ds[jg jsdiopfjaphgj[ sdh h gj aiodjh d[iaojaio jsfigj iji jsdiopfjaphgj[ ds[jg dfjmsdaMARKET sfjsdh sdkhg jgsdikfgj aojaio i THE TWO jsdiopfjaphgj[ sdh h gslsdfjmsda g ijjgsdikfgj iodjh d[i jsfigj j aiodjh sfj d[isdk jsfigj ds[jg gsglsdfjmsda sfj sdk g ij ds[jg gsglsdfjmsda sfjds[jg sdk gsglsdfjmsda g jgsdikfgj aojaio sdh aojaio h sfj j aiodjh jjgsdikfgj aiodjh d[i jsfigji ijjsdiopfjaphgj[ sdk g i jsdiopfjaphgj[ sdh h j aiodjh d[isfjsdh jsfigj d[i jsfigjaojaio ij ds[jg gsglsdfjmsda sdkh ijgj aiodjh jgsdikfgj jgsdikfgj i jsdiopfjaphgj[ ds[jg dfjmsda sfj sdk g jgsdikfgj aojaio sdh h sfjaojaio j aiodjh d[i jsfigj d[i jsfigji ijjsdiopfjaphgj[ ds[jg gsglsdfjmsda sdk gi jgsdikfgj jsdiopfjaphgj[ sdh h ij ds[jgi jsdiopfjaphgj[ aojaio sdh h j aiodjh d[i jsfigj ij ds[jg j aiodjh d[i jsfigj ds[jg gsglsdfjmsda gslsdfjmsda sfj ijsdk g jgsdikfgj iodjhsfj d[isdk g jgsdikfgj i jsdiopfjaphgj[ hg jgsdikfgj jd[i aiodjh jsfigj ijaojaio ds[jgsfjgsglsdfjmsda sfj sdh sdk gslsdfjmsda sdk g jgsdikfgj iodjh d[ijsfigj jsfigjij ijds[jg gsglsdfjmsda sdk jgsdikfgj aojaio ids[jg jsdiopfjaphgj[ sdh hsdk j aiodjh d[i gsglsdfjmsda sfjsfj g gjgsdikfgj aojaio hsdk d[id[i jsfigj jsfigji jsdiopfjaphgj[ iji jsdiopfjaphgj[ ds[jg dfjmsdasdh sfj gj aiodjh jgsdikfgj aojaio aojaio sdh hj aiodjh ij ds[jg i jsdiopfjaphgj[ sdh h aiodjh d[i jsfigjaojaio ij jsfigj ij ds[jg dfjmsda sfj jsdk g jgsdikfgj gsglsdfjmsda sfj jsdk g jgsdikfgj i i ds[jg jsdiopfjaphgj[ sdh h aiodjh d[i jsfigjaojaio ij gslsdfjmsda sfj sdksdh g sfj jgsdikfgj iodjh jsdiopfjaphgj[ h sdk j aiodjh d[i d[i jsfigj ij i ds[jg gsglsdfjmsda g jgsdikfgj aojaio jsfigj ij ds[jg gsglsdfjmsda sfj sdkd[i g jgsdikfgj jsdiopfjaphgj[ sdh h j aiodjh jsfigj ij aojaio i jsdiopfjaphgj[ h jgaiodjh d[i aojaio i SITE ds[jg gsglsdfjmsda sdh sfj sdk jgsdikfgj Ancient Wall jsfigj ij ds[jg dfjmsda sdk ggCity jgsdikfgj aojaio jsdiopfjaphgj[ sdhsfj h j aiodjh d[i jsfigj ij ds[jg ds[jg gsglsdfjmsda sfj sdk jgsdikfgj aojaio i i jsdiopfjaphgj[ jsdiopfjaphgj[sdh sdhhh j jaiodjh aiodjhd[i d[ijsfigj jsfigjijij ds[jg ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij

Around the center

Make space for entrance

Ro ad

Disorder msda sfj sdk g Disorder h h j aiodjh dk g jgsdikfgj djh d[i jsfigj

Establish the central order

Lai fen g

e orders rders appear

ADJUSTMENTS OF THE MARKET PLATFORM

All under the orders All under the orders

Inner Ring West Line

Orders appear Orders appear e appears

Shuiximen Art Block Shuiximen Art Block

Divide the central space

Connect with the free market

Form the market platform

Qinhuai EDU Center

ADJUSTMENTS OF THE FREE MARKET Shuiximen Hospital

Considering the fact that the site is surrounded by plenty of public facilities like hospital, office buildings, shopping center, and at the meantime they are too old to support even their own needs for public activities, along with the lack of paring area. So I decide to divide the first floor into a parking lot and the free market, trying to release the pressure of those old communities and public facilities, while making the free market become more like a free one

Make space for entrance

Form the parking lot and the market

ds[jg gsglsdfjmsda sfj sdk g jgsdikfgj aojaio i jsdiopfjaphgj[ sdh h j aiodjh d[i jsfigj ij ds[jg Nanjing Pioneering Park

dk g jgsdikfgj aojaio odjh d[i jsfigj ij g jgsdikfgj aojaio i djh d[i jsfigj ij rder

k g jgsdikfgj aojaio i djh d[i jsfigj ij ds[jg

lingjiaoshi Community

SIGHT OPTIMIZATION

Surrounded by buildings for all kinds of uses, and, especially the ancient city wall of the Nanjing city, efforts should be taken to make the market into the site gently.

Nanjing Innovative Park

Road

City Wall

Project

Road

Office Building

Firstly, a hight control line is setted, basing on the hight of the ancient city wall of Nanjing. Under the control of it, the market can not be designed higher than the line, not only considering to maintain the status of the city wall, but prevent the tourists on the wall from a city view blocked by the building.

Based on the ideal market space theory,I decided to put it into practice on a actual project. The project is located in the old town in Nanjing, serving as a antique market. In the p o r j e c t , I w i l l m a ke adjustments accrding to the actual situation of the site, ultilizing all the elements to proof my basic theory.

Laifengli Community Laifeng Community

Hight Control Line

Road

City Wall

Project

Road

Office Building

Also, the base of the market is dropped slightly to distinguish the market from the urban condition.

17 16 15

1.Free Market 2.Main Entrance 3.Plants 4.Staircase 5.Elevator 6.Service Cemter 7.Public Warehouse 8.Private Warehouse 9.Office 10.W.C. 11.Parking Lot 12.Consulting Center 13.Auction Hall 14.Audio Room 15.Store Room 16.VIP Room 17.Office Room 18.Service Center 19.Market Platform

Market behavior is a natural evolution of human behavior in the development. In the early days of humanity, this market was not much different from social gathering. With the development of the degree of civilization, the market began to exist as an economic act, and from this moment onwards, order intervention is inevitable. Especially to the modern civilization, including the improvement of the political system and economic system, the market will receive multiple restraints and no longer free development. At the same time, the market in one city receives the restrictions of the material and non-material conditions of the city. Here, I only talk more about the market at the level of space, social or economical elements are only the appetizer. At the start, the market behavior happens, people gethered in a certain place. Gradually, the space will be definded as the market place, forming a ambigious constriction to the market. Then orders begin to intervene the market, making the market space under some ceitain order.

Auction Hall

Vertical Traffic Core

Consulting Center

Service Center

So it seems that the order makes a good market, for it can provide a safty and pleasant, but for

Market Platform

Private Warehouse 9

Elevator

Public Warehouse

Sercice Center 4

Parking Lot 1 3

Car Entrance

Free Market

THE MARKET PLATFORM On the market platform, traders are arranged in booths of different scales. Those booths are designed in 4 kinds of size in order to satisfied different kinds of forms of sale. The booth can also be divided into smaller size, which makes them flexible. The central orders are in the form of functional public facilities setted in the center part of the platform. Including the

THE FREE MARKET virtical traffic core, the service center, the auction hall and the consulting center, while the hight of which are higher than booths around. So in this way,the market space are controled by the center space in the level of both space and function. The patio also helps control the market by creating pause and forming squares between booths. In general, all the architectual elements, like booths, public facilities and patios are setted under a regular grid.

On the Free Market, treaders have a free space for their marketing behaviors. But the free trade environment are still under the order. The centual space is also designed to be public functional facilities, and in the meanwhile, by making full use of the column net, lights are setted on certain columns, indicating the market places in the daytime and constrain the space for marketing behaviiors in the night.

The patio on this floor also helps. For they can provide a pleasant environment for spaces surrounding them, treaders or guests are also likely to gather around them. So under these three orders, the free martket will not be easily out of control. By introducing the urban traffic net into the market, the first floor is divided into the parking lot and the free market directly, making it easy for the recognition of the border of both the market and the parking lot.

06. Sagrada Familia Parameters After the second digital blast, a new idea of the definition of the composition of the architecture is aroused. Meanwhile, the studio is aimed to find out a new relationship between the passangers and the logistic system. Since in current time, the air transportation industry can earn more profits by cargo transportation rather than human transportation. Under this circumstance, we start to predict a future that the cargo transportation becomes way much important than passangers. Under this context, we combine those two concepts together in the studio project to develop a new typology for the future airport terminal.

Sagrada Familia+ A spacial research of future airport terminal based on logistic system 2018 MSD-AAD Studio Project Co-Worker: Liz Chen Autumn 2018

Columns, Cellings, Gaudi Sagrada Familia, designed by Gaudi in the 19th Century, is well known for its epic spacial quality and wonderful decoration. In the first studio of MSD-AAD program, as a presesdent of the project, we are focusing on the church itself including the spacial quality, detials and how Gaudi designed it. As the research goes, we are attracted by how Gaudi utilize the concept of the transition and bifurcation to make the structure as a whole. The relationship between colums and the celling especailly, contains the most intersting part of the concept

.05. Section (structural System)

.07. Connection between Column and Ceiling B

.09. Column Bifurcation B .Student Team .. Sanxing Zhao .. Jiaqi Suo .. Lizao Chen

.04. Column Section

.05. Section (structural System)

.06. Connection between Column and Ceiling A

.08. Column Bifurcation A .07. Connection between Column and Ceiling B

.Proffessor ..Ali Rahim ..Brian DeLuna ..Ezio Ballsetti ..Nate Hume

.10. Column Bifurcation C .Teaching Assistants .Advanced Architectural Degree ..Angela Huang .University of Pennsylvania ..Caleb White .Graduate School of Architecture ..Angeliki Tzifa .Fall Two Thousand and Eighteenq ..Carrie Frattali

.05. Section (structural System)

.07. Connection between Column and Ceiling B

.09. Column Bifurcation B .Student Team .. Sanxing Zhao .. Jiaqi Suo .. Lizao Chen

.04. Column Section

.09. Column Bifurcation B .Student Team .. Sanxing Zhao .. Jiaqi Suo .. Lizao Chen

olumn Section

.06. Connection between Column and Ceiling A

.08. Column Bifurcation A

.05. Section (structural System) .05. Section (structural System)

.Proffessor ..Ali Rahim ..Brian DeLuna ..Ezio Ballsetti ..Nate Hume

.06. Connection between Column and Ceiling A

.08. Column Bifurcation A

.10. Column Bifurcation C

What can be count as an element of an architecture? The columns? Bricks? Walls? cellings and slabs?

Bifurcation&Transition

Basing on a perfect model of the transition of force, we discovered that the form and shape of the columns and cellings shares the similar model of the force one. the transition and bifurcation also happens on the shape of them.

.09. Column Bifurcation B .Student Team .. Sanxing Zhao .. Jiaqi Suo .. Lizao Chen

.04. Column Section

.06. Connection between Column and Ceiling A

.08. Column Bifurcation A

.Proffessor ..Ali Rahim ..Brian DeLuna ..Ezio Ballsetti ..Nate Hume

In this project, basing on the theoretical idea token from the second digital blast, we choose to believe that the elements is defiened only by the designer. Like the combination of the wall and a single brick, plus maybe a window far away on the wall can be counted as one basic element composing the whole arhitecture.

As a starting point, we tear the component of the structures apart to create different bifurcation typology.

In the meanwhile, focusing the connection part between the columns and cellings, the transition relationship became obivious and by which, a new typology of transition element can be built. .09. Column Bifurcation B .Student Team .. Sanxing Zhao .. Jiaqi Suo .. Lizao Chen

.04. Column Section

.06. Connection between Column and Ceiling A

.08. Column Bifurcation A

.Teaching Assistants .Advanced Architectural Degree ..Angela Huang .University of Pennsylvania ..Caleb White .Graduate School of Architecture ..Angeliki Tzifa .Fall Two Thousand and Eighteenq ..Carrie Frattali

.07. Connection between Column and Ceiling B

.Proffessor ..Ali Rahim ..Brian DeLuna ..Ezio Ballsetti ..Nate Hume

.10. Column Bifurcation C .Teaching Assistants ..Angela Huang ..Caleb White ..Angeliki Tzifa ..Carrie Frattali

.Advanced Architectural Degree .University of Pennsylvania .Graduate School of Architecture .Fall Two Thousand and Eighteenq

Back to the project, we listed a verious type of protential "elements" to find out a proper spacial composition for the future development of the airport logestic system.

ONE-POINT PERSPECTIVE

EXTERIOR RENDER

81.000

66.300 58.200 53.100 48.000

40.800

30.000

19.200 12.600

-1.800 -6.870 -13.200 -20.400

PLAN | 1:250

SECTION | 1:250

22.500

The logestic system in the aitport is designed based on a spacial typology of "small, big and poche". Which is to say, as the develpoed Gaudi elements interactivating with each other as components of the terminal, except for the transition from one to another, gaps, or poche appears. By using these existing spacial resurces, we decided to make utilize of the huge spaces as storage place and smaller spaces as transfer places or space for staffs or visitors. Meanwhile, poshes are designed as hidden spaces for cargo transportation. Under this strategy, cargoes amd visitors are invisible for wah other, but can be sensed by the spac transfprmation of the building itself.

01.Bench Headquater Design Architecture Design Location: Manila, Philippines CAZA Summer 2019

FACAD DESIGN

55 WASHINGTON ST, SUITE 701 BROOKLYN, NY 11201 T 212 796 2770 www.cazarch.com

TOP OF FACADE SYSTEM

55 WASHINGTON ST, SUITE 701 BROOKLYN, NY 11201 T 212 796 2770 www.cazarch.com

1375

FF EL. +149.00m

1375

8400

8150

1375

8400

1375

8150

ROOF

BENCH OFFICE 4

These drawings - and the concepts, designs and ideas which they incorprate - remain the property of: CAZA The may not be copied, reproduced, disclosed to others or used in connection with any work other than the specified project for which they were prepared, in whole or in part, without the prior written authorization of: CAZA

2750

DOWN

1. These drawings are strictly graphic representation and are not to be scaled, in every case the written dimensions and notes take precedence.

BENCH OFFICE 3

FF EL. +121.50m

3. Architectural drawings to be read and intrepreted in conjuction with the structural and mechanical drawings.

DESIGN DEVELOPMENT

MAY 2019

3. Architectural drawings to be read and intrepreted in conjuction with the structural and mechanical drawings. 4. Contractor to notify Architect immediately of any discrepency between field dimensions and site dimensions.

2750

DATE

1. These drawings are strictly graphic representation and are not to be scaled, in every case the written dimensions and notes take precedence.

BENCH OFFICE 2

FF EL. +116.00m

ISSUED

DATE

DESIGN DEVELOPMENT

MAY 2019

2750

13000

4. Contractor to notify Architect immediately of any discrepency between field dimensions and site dimensions.

ISSUED

ALL RIGHTS RESERVED These drawings - and the concepts, designs and ideas which they incorprate - remain the property of: CAZA The may not be copied, reproduced, disclosed to others or used in connection with any work other than the specified project for which they were prepared, in whole or in part, without the prior written authorization of: CAZA

2. All dimensions to existing site elements are to be field verified.

2750

2. All dimensions to existing site elements are to be field verified.

1375

FF EL. +127.00m

2750

13000

1375

05 A5.04

1375

12974

1375

FF EL. +138.00m

2750

DOWN

BENCH OFFICE 1 04 A5.04

4000

1:150

SCALE

FF EL. +99.50m

A3.06

Bench Office Section

55 WASHINGTON ST, SUITE 701 BROOKLYN, NY 11201 T 212 796 2770 www.cazarch.com

2 8150

8400

1:100

SCALE

BENCH TERRACE

A1.13 Bench Terrace Plan-Bench Terrace Plan

4000

FF EL. +110.50m

8400

5 8400

8400

7 8400

8 8400

55 WASHINGTON ST, SUITE 701 BROOKLYN, NY 11201 T 212 796 2770 www.cazarch.com

LEASING OFFICE 1 FF EL. +50.00m

8150

PARKING LEVEL 9

FF EL. +46.00m

PARKING LEVEL 8

13000

20000

FF EL. +42.00m

PARKING LEVEL 7

FF EL. +38.00m

01 A5.04

PARKING LEVEL 6

FF EL. +34.00m

13000

PARKING LEVEL 5

FF EL. +30.00m

DOWN

1. These drawings are strictly graphic representation and are not to be scaled, in every case the written dimensions and notes take precedence.

PARKING LEVEL 4

2. All dimensions to existing site elements are to be field verified.

FF EL. +26.00m

3. Architectural drawings to be read and intrepreted in conjuction with the structural and mechanical drawings.

ISSUED

DATE

DESIGN DEVELOPMENT

MAY 2019

4. Contractor to notify Architect immediately of any discrepency between field dimensions and site dimensions.

PARKING LEVEL 3 FF EL. +22.00m

PARKING LEVEL 2

ISSUED

DATE

DESIGN DEVELOPMENT

MAY 2019

22000

13000

4. Contractor to notify Architect immediately of any discrepency between field dimensions and site dimensions.

FF EL. +18.00m

DOWN

PARKING LEVEL 1

FF EL. +14.00m

SCALE

1:150

SCALE

A1.19 Bench Office Level 3 Plan-Bench Office Level 3 Plan

1:100

A3.04 Parking Section

02. Victorias Eco Industrial Resort Urban Planning & Landscape Design Location: Victoria, Philippines CAZA Summer 2019

PUBLIC LANDSCAPE & WETLAND

SITE PLANE