HEI_TONG_LAM_INTERIOR ARCHITECTURE by Hei Tong, Lam

INTERIOR ARCHITECTURE HE I TO NG LA M

2 0 1 6 I 2 0 1 9

P O R T F O L I O

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CONTENTS

M OD E L M A K IN G 2 0 16

D R A FTI N G 2016

04 03

COMPETITION 2 0 1 8 -2 0 1 9

STU DI O WO RKS 2 0 18 2 0 19

O T HE R W O RKS 2018-2019

MODEL MAKING Introduction Systematic process of designing three-dimensional (3D) objects including color theory, surface, and volume investigation for interior design. Elements include visualization, perception, presentation, expression, and site analysis of physical, contextual, and cultural aspects of design and the urban environment.

Media: Photoshop, Indesign

PORCUPINE HOUSE FACETS AND FOLDING PAPER, 2016 Project Description and Vision Concept: Kaleidoscope The objective on this project is to understand how a piece of paper can be fold in to different shapes of object to create an interior and exterior space. By folding the paper that allow people to understand how categories apply to human daily life and design of a space or object, such as, line, angle, shape, lighting, and texture of a space.

4 Early Process The first model has used parallelogram to create an ceiling feature which allow the sunlight go through the space. The second model has used the star shape to create a bench ith specific angles. The third model has used different size of trapezoid to create a open area with interior ans exterior. The last model has inspired by the accordion to create a up and down ceiling feature.

METAL SPIEAL LINE AND SPACE, 2016 Project Description and Vision Concept: Freedom The objective of this project is to use different types of curves and lines to create a new space within a architecture. By making the copper wire into different curve, such as, reverse curve, catenary curve, spiral curve, and directional curve, are to create an exterior and interior space and those curves would create volumes.

Early Process The research began with learning the different curves from different architectures and how to create a space within each curve. After research, the limits of the curve would allow support to the design. The first model is beginning with two reverse heart curves to create an upper space and lower space which allow people experience different view by standing on different height. The second model is using one U-shape curve and lines which create a seating space for people. The third model is design by spiral curve which create different size of individual spaces within one big space.

SKYWALK OBJECT ANALYSIS, 2016 Project Description and Vision Concept: Spaces The project goal of these models are to reflecting the concept of “Singapore’s Stunning Digital Cloud Skyscraper” and create a new spcaes for human to gain a better quality of life. By using the building contructions, such as, columns, volume, and cells.

Open Column

Metal House

Cube Wall

- The design strategy of “Open Column” is to used

- The design strategy of “Metal House” is to used tex- - The design strategy of “Cube Wall” is to used geo-

color psychology and lighting to create a cultural con- ture to create a cultural context and human response metric to create a visual perception for users. text within human activities.

with the enviroment.

Column

Volume

SKETCHES Cube

NESTLE FUNCTION SCULPTURE, 2016 Project Description and Vision Concept: Wing The project goal of this model is to design a comfortable siting area for student who have outdoor sketching class. This place was located at the front of the building 1 A which is the art building that for student to study sketching from nature.

To solve the issue of uncomfortable siting area, high temperature and too much sunlight during the summer. The model was design to structural of line and curve to create different angles and use different colors to solve the problems. First of all, the side has used the woods to create lines to allow appropriate amount of sunlight go through to the wall to create a beautiful and suitable shadow for students when they work. Moreover, by using a white color roof, it can reflect the sunlight away and reduce the temperature.

Sketch Model

Plan View

East Elevation

West Elevation

DRAF TING Introduction Used to develop and communicate ideas about a developing design: In the early stages (during the tender process) they might simply demonstrate to the client the ability of a particular design team to undertake the design.

Media: Photoshop, Indesign

DANZIGER STUDIO 7001 MELROSE AVE, LOS ANGELES, CA Project Description and Vision Danziger Studio is build Completed in 1965, the Danziger Studio and Residence was one of Gehryâ&#x20AC;&#x2122;s first buildings to receive widespread attention. It is Late Modern/Minimalist in style and contains two simple cubes offset from each other to form a private courtyard. The property is inward-facing, presenting only blank walls to the street and further protecting its privacy with a wall around the courtyard. Entirely clad in a gray rough stucco of the type sprayed onto freeway overpasses.

Furniture Plan

Reflected Ceiling Plan

Elevation & Section Plan

COMPE TITION Introduction The 2019 IIDA Student Design Competition is to design several critical areas within a new ASC being constructed. The design is to allow the physicians, along with the health system, to increase efficiency and create a seamless patient experience through architecture and thoughtful design. The project also consider as part of the space planning course to programming, behavioral factors of space, and proxemics as they apply to the layout and planning of interior environments.

Media: Revit, Photoshop, Illustrator, Indesign

HOSPITEL AMBULATORY SURGERY CENTER (ASC) CHARLOTTE, NORTH CAROLINA Project Description and Vision Design an ambulatory surgery center environment for a new technology hospital in Charlotte, North Carolina for more than thousand of patients a day, in the future. By using sustainable design, it not only benefits the environment and the wellbeing of the users but is also financially affect the community. To create a space that a spa-like feel and sense of calmness and well-being for patients to reduce their stress, natural materials, such as, wood can provide a relax and comfortable space. By increasing efficiency and create a seamless patient experience, the new facility would be flexible and allow for growth due to the changing landscape of healthcare from volume-based care to value-based care.

Surgery Waiting Area

Floor Plan

Reflected Ceiling Plan

Concept HospiTel is the integration of hospital and hotel, which is inspired by modern hotels. Hotel provides people a temporary place to rest and to restore energy for next day’s activity. It provides people who are working outside a temporary “home” to stay and gives traveler a place to rest comfortably. The main idea and goal for the HospiTel is to take away the stress that patient would have in the hospital while experiencing the service and atmosphere of the hotel, which then will facilitate a patient’s restoration mentally and physically faster and quicker.

Materials Used

Gray Stone- Floor

Green Paint Wall

Viynal Wood- Floor

Root- Floor

Circulation

White Paint Wall

Muriva Thin Wood- Wall

Section Plan

Project Description and Vision This is the idea of a hospital does not appear as a hospital, It solves the problem of peopleâ&#x20AC;&#x2122;s invisible fear and pressure in facing the treatment, improve the relationship between doctor and patient, and speed up the recovery time. HospiTel gives human a whole new expectation in the experience of hospital.

Section Plan

Surgery Entrance

PACU

The hotel lobby like design for waiting area welcomes the patient and their love ones to check in. Exam room is designed as a comfortable guest room for patient and doctor to relax and chat. “Spa-like” feel PACU design provides patient a “stress free” environment before the operation. Staff break room will serve as lounge and dining area, which provides a high quality space for an instant break within short amount of time.

Nurse Station

Exam Room Entrance

Exam Room

STUDIO WORKS Introduction Studio explored the potential of both functional and emotional impacts of the interior environment through precedent, typology, material, and contextual investigations to develop a gallery installation and retail space. The objective was to explore symbolic and affective qualities of spaces to attract visitors and engage psychological and socio-cultural meaning as well as physical comfort, safety, and performance. The following design project focused on specific components of interior architecture, such as color, light, materiality, and systems of inhabitation in relation to articulating space.

Media: Revit, Rhino, Photoshop, Illustrator, Indesign

TAMARIND 203 CHAUTAUQUA BLVD, PACIFIC PALISADES, CA 90272 Project Description and Vision The Eames House, also known as Case Study House No. 8, is a landmark of mid-20th century modern architecture located in the Pacific Palisades neighborhood of Los Angeles. It was designed and constructed in 1949 by husband-and-wife Charles and Ray Eames to serve as their home and studio. They lived in their home until their deaths: Charles in 1978 and Ray, ten years to the day, in 1988.

Early Process Design a restaurant by using the case study of the Eames House. To create a better and special experience for users, this project is required to use ventilation and floor as part of the main design system. Ventilation is always relating to temperature and humanity and it can be change according to the interior design, and indoor air pollution can be affected by ventilation system. By using ventilation, it can benefit to the sense of smelling in the restaurant and the dish to provide special dining experience.

Daylight

Natural Ventilation

Warm Air

Cross Ventilation

Floor Plan

Kitchen

Dining Room

Insipration Images

Materials Used

Brick Flooring

White Paint Wall

Stone Wall

Black Marble

Wood Flooring

Concept In this design, it is creating an Indian fusion molecular cuisine restaurant. By using the ventilation cycle, it can benefit to the senses of smelling. First of all, consumers will smell the smoke of the dish that has created before they start to eat. This way can provide a funny, playful, and joyful experience for the consumers since they are kind of guessing what food they are going to eat, and this can bring a lot of fun. Moreover, by using the special ventilation system that Eames House have design, the smell of each dish will keep until the end when customers finish their meal and this method can lead consumers feel more satisfy and interest on the meal.

WAVEFUL 900 E 4TH ST, LOS ANGELES, CA 90013 Project Description and Vision A+D MUSEUM 900 E 4th Street, Los Angeles, CA, 90013 A+D Museum was created to celebrate and promote an awareness of architecture and design in everyday life through exhibits, educational programs, and public outreach to the design community as well as the public in the greater Los Angeles area. It is the only museum in Los Angeles where continuous exhibits of architecture and design are on view. Through exhibits, symposia, multi-disciplinary projects, educational and community programming, A+D serves as a showcase for the work of important regional, national and international designers, providing a forum for contemporary issues in architecture, urbanism, and design that are helping to shape the city.

Object The focus in the design, is to development of an interactive art space by using the braid technique. The interactive art space shall allow visitors to feel the specific emotion in the room, and interactive to the interior design. In this project the building is design into three different areas and provide three different emotions for people who visit the museum by using the materials of colorful fabric, acrylic, and metal.

Early Process The drawing show the research of how human behavior related to the environment and that will affect their experience.

Circulation Plan

Concept Design of this space will give people an anticipating, interactive, and cheerful feeling. The challenges of this project is to use the the furniture features and lighting features, creating a well-being by using braid technique. In the furniture features, the curve of the braid will provide a positive and negative seating arrangement for visitors. And the sun light will affect by the skylight to create a more wonderful feeling for visitors.

Circulation Path

Sky Light

Color

Pattern

Lighting

Floor Plan

BUNSHI 800 TRACTION AVE, LOS ANGELES, CA 90013 Project Description and Vision

800 Traction Ave, Los Angeles, CA 90013 1ST STREET

The focus in this design is to consider the dining experience. Origami is the main concept that I have used for this design. Origami

2ND STREET

is one of the traditional arts that have a long history in Japan. By 3RD STREET

using origami in this restaurant, it acknowledges the Japanese cultural and Japanese Americans in the Art District. This concept

TRACTION

will remind people of the history of Japanese Americans and lead more people to understand Japanese Americansâ&#x20AC;&#x2122; art history in Los

4TH STREET 4TH STREET

Angeles. 5TH STREET

6TH STREET

7TH STREET

ENTRY

BAR

SAKE ROOM

TEA BAR

ENTRY

ORIGAMI GALLERY

RESTROOM

SUSHI BAR FOOD STORAGE

SUSHI BAR

OFFICE/STAFF

ORIGAMI Y GALLERY

SAKE BAR

ENTRY

KITCHEN

OUTDOOR DINNING

KITCHEN

DINING ROOM

RESTROOMS

DINING ROOM

OUTDOOR TEA BAR GARDEN

FOOD STORAGE

Bubble Diagram

ENTRY

KITCHENS

DINING ROOM

RESTROOM

Blocking Diagram

Concept Image

TORAGE

OFFICE / STAFF ROOM

SAKE BAR

ORIGAMIS

OUTDOOR TEA ROOM

GARDEN

USHI BAR

Materials Used

Building Structure The subject property is rectangular in plan and is constructed primarily from brick and reinforced concrete with cast stone elements. Though lacking the elaborate ornamentation associated with the Beaux-Arts style, it displays a tripartite composition: an articulated ground floor constructed of concrete with a cast stone beltcourse as the base, brick and cast stone cladding on the second through fifth floors make up the shaft, and the simple cast stone coping at the parapet represents the capital. The primary, north-facing elevation features an arched recessed main entryway with glazed wood double doors, two sidelights, and a wood fanlight that is flanked by two tripartite fixed wood windows and two single-light fixed wood windows with transoms.

Concept In the design, the origami is being used to

Origami Gallery

Restroom

define spaces, such as a sushi bar, a sake bar, a tea room, and an origami gallery. For example, the space planning of the sushi bar is taking the idea from the â&#x20AC;&#x153;Birdâ&#x20AC;?

Restroom

origami pattern, which uses the diamond shape, to be the sushi bar and work as a main area in that space. Moreover, the pat-

Sushi Bar

tern that is created from the origami can be

Sake Bar

Tea Room

Dining Room

Garden

decorative elements, such as the furniture and the ceiling.

Color System Color is one of the important influencers of mood in this design. Blue is a color that represents â&#x20AC;&#x153;loyaltyâ&#x20AC;? in Japanese cultures. Therefore, Japanese people like to use the blue color for the objects that they think are related to loyalty and, in my design, the blue color is used in the sushi bar area. The dining room is designed to use red as the main color. Red represents happiness and joyfulness. Using red in the dining area expresses that the meal always brings happiness and joy to the consumers after they eat. Green represents nature and is relaxing.

In the tea room, the green is being used in the furniture and the flooring, which allows people to feel the nature by using vision and interaction within their experience. White represents purity. In the origami gallery, white is the main color. By using the white color in the gallery, people feel calm after they go into the gallery and will not be affected by the outside environment. Moreover, people will pay more attention to the art because the color white gives a good contrast for the artwork in this environment.

Sake Bar

Sushi Bar

The whole dining experience shall allow consumers to feel the specific emotions in different spaces in the restaurant and encourage an interactive experience with the interior design and the foods. Overall, all spaces that have been created are to give people an calm, interactive, joyful and natural feeling, which allow consumers to understand the traditional Japanese culture and the history of Japanese Americans.

Origami Gallery

Tea Room

Dining Room

OTHER WORKS Introduction The Design included : Tectonics, Design Communication III, Building System and Codes

Media: Revit, Rhino, Photoshop, Illustrator, Indesign

CUMODEL DESIGN COMMUNICATION III Project Description and Vision To develop advanced visualization skills through experimentation and are exposed to the aesthetic and philosophical objectives of drawing, modeling and rendering. The complexities which exist between conceptualization and representation are analyzed through a study of changing techniques within mixed and evolving media.

2D Image

Line

Geometries

Color

MOCK-UP PHOTO

OYSTAIR TECTONICS Project Description and Vision The chair is made by matel sheet which can be curve in different angles, to create a oyster shape.

FLEXIBLE BODY SHAPE CHAIRE (SEAMS) It has one panel â&#x20AC;&#x201C; which shape as a tranagle. To create a flexible body shape chair, the curves are create by pull-in and out design on one panel.The light is under the feet of the seat.

PERSPECTIVE DRAWING

CHANGING CHAIR SHAPE The chairâ&#x20AC;&#x201C; It is made by matel sheet with a smooth texture.

DETAIL 1

DETAIL 2

LIGHTING CHAIR Lights are hidden below the feet of the chair.

Curve Divided in to different angles with curve lines.

CEILING STRUCTURE & LIGHTING SHELL TECTONICS Project Description and Vision Instead of being a wall texture, It can work as a lighting shell.

Highest Points

SECTION DRAWING

FLEXIBLE CURVE It can be hang in different levels to create different curves.

Fabric

Mold Frame

Posture A Poster B

MOLD MACHINE DIAGRAM

Dynamic Mold Machine The fabric is hang on a mold frame with different layer to create different hight od curve.

ASSEMBLING

PREPARING

MIXING

APPLYING

DRYING

RELEASING

VICINITY MAP

HSTUDIO BUILDING SYSTEM AND CODES Project Description and Vision Instead of being a wall texture, It can work as a lighting shell.

PROJECT CONCEPT Woodbury University, 7500 N Glenoaks Blvd, Burbank, CA 91504 The focus in this design is to consider the house studio experience in terms of it being a social and cultural space, and what that means in the context of the design and its location. The dining experience shall allow consumer to feel the specific emotion in the restaurant, and interactive to the interior design and the foods. The interior is design into several areas, such as, sushi bar, sake bar, outdoor tea room and others. The mean concept of this restaurant is using both origami pattern design and Japanese molecular gastronomy cuisine to give a special and wonderful dining experience for the consumers.

PROJECT INFORMATION

This space will give people an anticipating, interactive, joyful and natural feeling. The most challenge on this project are the ceiling features, and lighting features since this building do not have much sunlight. By creating a well ceiling using origami technique, can increase the specific of the interior experience and provide a positive and negative special shadow pattern into the interior to allow consumers have a better experience.

SHEET INDEX SHEET NO

A1.0 - A1.1 A2.0 A3.0 A4.0 - 4.1 A5.0 - 5.1 A6.0 A7.0 A8.0 A9.0 - 9.1 A10.0

SHEET NAME

BUILDING PLAN FIRST FLOOR PLAN SECOND FLOOR PLAN FRAMIMG PLAN RCP STAIR SECTION PLAN ELEVATION PLAN RESTROOM PLAN FURNITURE PLAN/FINISH BOARD LEED

APPLICABLE CODES IBC CNC ADA ASTM

AREA ANALYSIS

DESIGN CENTER IS A BUILDING WHICH LOCATED NEXT TO THE SWIMMING POOL. IT IS SURROUND BY A SMALL GARDEN AND A PARKING LOT.

- SCOPE OF WORK: IT IS A BUILDING FOR STUDENTS WHO STUDY ON DESIGN MAJOR. IT CONTAINS COMPUTER LAB, STUDIO SOTAGR, LECTURE CLASS, RESTROOM, AND LOUNGE AREA. - CONSTRUCTIONTYPE: - OCCUPANCY TYPE: GROUP- B - OCCUPANCY LOADS: 128 - EXITING REQUIREMENTS: MINIMUM 36â&#x20AC;?

7500 N Glenoaks Blvd, Burbank, CA 91504

DESIGN CENTER

DESIGN

SITE MAP

CEN-

PROJECT NAME:

DRAWN BY: HEI TONG LAM PROJECT NO: 1001 TITLE: INFO SHEET DATE: 5/8/2019

SHEET NO:

A1.0

LOUNGE

GALLERY

RESTROOM

BUILDING PLAN LEVEL 1 1/16” =1’-0”

LECTURE ROOM

STUDIO

BUILDING PLAN LEVEL 2 1/16” =1’-0”

LOUNGE

GALLERY

RESTROOM

A 1

FRAMING PLAN LEVEL 1 1/16” =1’-0”

D LECTURE ROOM

STUDIO

A 1 FRAMING PLAN LEVEL 2 1/16” =1’-0”

FLOOR PLAN LEVEL 1 1/16” =1’-0”

FLOOR PLAN LEVEL 2 1/16” =1’-0”

REFLECTED CEILING PLAN LEVEL 1 1/16” =1’-0”

REFLECTED CEILING PLAN LEVEL 2 1/16” =1’-0”

RESTROOM PLAN LEVEL 1 1/16” =1’-0”

The Relevant Codes: - R311.7.5 Landings for stairways. There shall be a floor or landing at the top and bottom of each stairway. - R311.7.1 IRC 2009 Stairways shall not be less than 36 inches (914 mm) in clear width at all points above the permitted handrail height and below the required headroom height. Handrails shall not project more than 4.5 inches (114 mm) on either side of the stairway - R311.7.4 Stair treads and risers. Stair treads and risers shall meet the require-ments of this section. For the purposes of this section all dimensions and dimensioned surfaces shall be exclusive of carpets, rugs or runners. - R311.7.4.1 Riser height. The maximum riser height shall be 73/4 inches (196 mm). - R311.7.4.2 Tread depth. The minimum tread depth shall be 10 inches (254 mm). - R311.7.2 Headroom. The minimum headroom in all parts of the stairway shall not be less than 6 feet 8 inches (2032 mm) R302.7 IRC 2009 12” -

1 1/2”

11” 7”

12”

STAIR SECTION PLAN LEVEL 1 1/16” =1’-0”

Section 1 1/4" = 1'-0"

1 1/4”

FURNITURE PLAN LEVEL 1 1/8” =1’-0”

FURNITURE PLAN LEVEL 2 1/8” =1’-0”

CP1

F1 F3

W2 F-FLOOR CP-CARPET W-WALL T-TABLE

FINISH BOARD