Sarah Barry Architecture Portfolio by Sarah Barry

Vol. 2

Sarah Shavonne Barry

ARCHITECTURE PORTFOLIO 1

Hello! My name is Sarah Barry. I am currently a second-year graduate student pursing my Master of Architecture Degree at Miami University in Oxford, Ohio. This is a collection of the projects that best showcase my talents, capabilities, and passion related to the profession. I would describe myself as a compassionate, meticulous, and highly ambitious student who is dedicated to creating quality spaces where people can truly thrive. When I’m not at my desk in studio (or working from my home studio), I can be found outside exploring the nearby hiking trails, flying my power kites, or tending to my houseplant collection. One of my favorite drawing mediums are a combination of ink and alcohol marker. I prefer Pilot Precise V5 rolling ball pens or Pigma Micron pens, and sometimes I combine them with Prismacolor alcohol markers. I have quite the collection, and I happily use them any time I can! I would like to thank you for taking the time to look through my portfolio. It is a direct reflection of who I am as an emerging professional and as a student.

CONTENTS

Info

Introduction

Table of Contents

Resume Linked Towers

5 6

Chicago Cultural Community Center Jeep Parkway

12 16

1562 Nostrand Ave.

Tectonic Study

Art Tatum Pavilion

Willis Shelter

Origami Pavilion

Anthropic

Point, Line, Plane, Volume

NOMAS Tiny Home Competition Lumion Renders - Ballard Architectural Studios

34 36

Miami

BGSU

Beyond 3

Sarah Barry barryss2@miamioh.edu 419-921-8410 in linkedin.com/in/sarah-barry-4439b7176/ issuu.com/sarahbarry78/docs/the_folio

FORMAL EDUCATION MASTER OF ARCHITECTURE Miami University May 2022 BACHELOR OF SCIENCE IN ARCHITECTURE BGSU May 2020 ASSOCIATE OF SCIENCE BGSU - Firelands December 2016

SKILLS AutoCAD REVIT Lumion SketchUp PhotoShop InDesign Illustrator MS Office (Word, Excel, P.Point) Hand Sketching (Pen + Alcohol Markers)

AWARDS AIA FOUNDATION SCHOLARSHIP Spring 2021 Awarded for academic excellence DEAN’S LIST Bowling Green State University Spring 2017 - May 2020 3.5+ / 4.0 GPA BLUFF STREET VILLAGE Design Competition | First Place October 2019 Designed a tiny home for Bluff Street Village in Toledo, OH for low-income individuals. 20 homes will be constructed using my design as the base 2019 STUDENT MERIT AWARD Association of Licensed Architects Spring 2019

EXPERIENCE STUDENT INTERN Orange Door Architecture / Brooklyn, New York June - August 2021 Remote Position - Developed plans, elevations, and 3-D perspectives using AutoCAD, SketchUp, and PhotoShop for both in-house review and client presentations - Built 3-D SketchUp models based on existing drawings - Added drawing details to existing plans and elevations - Created graphic presentation packets for clients VISUAL DESIGNER Ballard Architectural Studio / Oxford, Ohio Winter 2019, 2020; August 2021 Remote Position - Used REVIT and Lumion to develop a series of 3-D renderings - Displayed final renderings in all client presentations STUDENT INTERN MacPherson Architects Inc / 2MA / Toledo, Ohio May 2018 - August 2019 - Researched precedents, conducted field measures, and created graphic presentation packets for client review - Experience with construction documents; created floor plans, detailed wall sections, and formatted drawing sheets - Conducted site analysis, planned parking layouts, and researched zoning regulations

LEADERSHIP & DISTINCTION GRADUATE ASSISTANT Miami University | Arc 410 Statics & Strengths of Materials | Arc 214 Graphics II August 2020 - Present - Prepared weekly tutorials for 70 students to learn the Adobe Suite - Critiqued student work and graded assignments - Occasionally led class at the professor’s discretion TEACHING ASSISTANT BGSU | ARCH 1050 - Design Representation I January 2019 - May 2020 - Guided 50 freshmen students through studio projects - Provided constructive feedback and criticism - Taught students basic InDesign skills NATIONAL ORGANIZATION OF MINORITY ARCHITECTURE STUDENTS Treasurer

October 2017 - May 2020

- Balanced organization’s accounts and collected membership dues - Organized fundraisers to send members to the annual conference

Linked Towers

GRADUATE - YEAR 1

SOUTHWEST ELEVATION

FESTIVAL STREET

SKY BRIDGE, LOOKING SOUTHWEST (LEVEL 5)

LOBBY, LOOKING SOUTHEAST

HIGH-RISE SPECS: 13.9 F.A.R. + AEROPONICS 33 STORIES HEIGHT = 396’-O” 12’-0” F-T-F AVG. PLATE: 125’ x 200’ AVG. GSF: 25,000 SF PROCESS MASSING DIAGRAMS

FINAL ITERATION

GROUND PLAN 1/64” = 1’-0”

Linked Towers is a proposal for a mixed-use, high-rise building in downtown Denver, Colorado with an extensive program. The design features two separate towers on opposite ends of the site that are connected by three sky bridges. The larger of the towers houses three main use groups that are visually separated by the vertical massing of the tower: office space, a luxury hotel, and residential apartments. Most of the smaller second tower is dedicated toward aeroponic growing space, which will be encased with glass to showcase the growing green beacon in the city. Additional aeroponic space is made in the main tower where the core for each use group drops off to reinforce the use of green throughout. Between the towers are three glass sky bridges that serve not only as a visual link, but as integrated access points for the aeroponic facilities and additional breakout and conference space for the office.

034 [396’-0”] 033 [384’-0”] 032 [372’-0”] N

031 [360’-0”] 030 [348’-0”]

Residential

029 [336’-0”]

Hotel

028 [324’-0”]

Mechanical

027 [312’-0”]

Aeroponics

026 [300’-0”]

Wellness

025 [288’-0”]

Office

024 [276’-0”]

Restaurant

023 [264’-0”]

Retail

022 [252’-0”] 021 [240’-0”] 020 [228’-0”] 019 [216’-0”] 018 [204’-0”] 017 [192’-0”] 016 [180’-0”] 015 [168’-0”] 014 [156’-0”] 013 [144’-0”] 012 [132’-0”] 011 [120’-0”] 010 [108’-0”] 009 [96’-0”] 008 [84’-0”] 007 [72’-0”] 006 [60’-0”] 005 [48’-0”] 004 [36’-0”] 003 [24’-0”] 002 [12’-0”] Grd [0’-0”]

SECTION - LONGITUDINAL 1/64” = 1’-0”

Parking

Open Office

1,536 Open Desks 228 Private Offices 48 Co-Work Spaces 20 Conference Rooms 12 Lg. Breakout Rooms

Conference

Private Office Co-Working Breakout Outdoor Terrace

19th

St.

Ara pa

hoe

St.

OFFICE (Lvl. 5-16) 25,000 GSF 1,812 Total Offices

Lawrence St. --->

19th St. --->

9’x15’ OFFICE DETAIL 1/16” = 1’-0”

<--- Arapahoe St.

OPEN OFFICE DETAIL 1/16” = 1’-0”

LG. CONFERENCE DETAIL 1/16” = 1’-0”

L L005 L L005 L 005 (Detail - Open) 005(Detail (Detail-1Private) - Private) 005(Detail (Detail- Conf) - Conf) 3 3 1/16" = 1'-0" 1/16" = 1'-0" 1/16" = 1'-0" 1/16" = 1'-0" 1/16" = 1'-0" 9

ut)

TYP. OFFICE PLATE 1/32” = 1’-0”

50'-0"

HOTEL (Lvl. 21-25) 22,620 GSF 130 Total Rooms

Lg. Standard

10 Lg. Standard 10 Jr. Suite A 10 Jr. Suite B 50 Standard A 40 Standard B 10 Sr. Suite

Standard “A”

Jr. Suite “A” Jr. Suite “B” Standard “B” Sr. Suite

19th S

Ara pa

hoe

St.

Aeroponics Lawrence St. --->

19th St. --->

TYP. HOTEL PLATE 1/64” = 1’-0”

TYP. STD. (525 SF) 1/16” = 1’-0”

<--- Arapahoe St.

JR. SUITE (800 SF) 1/16” = 1’-0”

SR. SUITE (1,000 SF) 1/16” = 1’-0”

RESIDENTIAL (Lvl. 27-32) 22,620 GSF 102 Total Apts.

Studio

30 Studio 12 2-Bed A 12 2-Bed B 24 1-Bed A 24 1-Bed B

1-Bed “A”

2-Bed “A” 2-Bed “B” 1-Bed “B”

19th S

Ar a pah

oe S t.

Aeroponics

Lawrence St. --->

19th St. --->

TYP. RESIDENTIAL PLATE 1/64” = 1’-0”

<--- Arapahoe St.

2-BED “A” (1,400 SF) L 027 TYP. (1B Detail) 1/16” = 1’-0” 2 L 027 L 027 (1B Detail) 027 (1B(Studio Detail)2Detail) L 027 (2B Detail)3 1/16"3= 1'-0" io1L Detail) 1/16" = 1'-0" 1/16" =1/16" 1'-0"= 1'-0" 1/16" = 1'-0" TYP. STUDIO (500 SF) 1/16” = 1’-0”

TYP. 1-BED “B” (1,000 SF) 1/16” = 1’-0”

1/1

CHICAGO CULTURAL COMMUNITY CENTER

MAIN ENTRY - NORTH ELEVATION

SOUTHERN PLAZA (TOWARDS RIVER)

OUTDOOR CREVACE STAIRS

LOBBY AREA

FITNESS AREA, VIEW OF URBAN VISTA

SENIOR

FIGURE GROUND and SITE

EARLY CONCEPT SKETCHES

SITE MAP - NTS

FINAL PARTI DIAGRAM

Located downtown at the fork of the Chicago River, the design for the Chicago Cultural Community Center was inspired by a series of striations, which are grooves that occur on the surface of rocks and reveal the movement of glaciers. These striations inspired a series of N-S oriented “grooves” that indicate visitors’ movement through the project site. They determine not only the placement of the 3 building “fingers” and the orientation of landscape elements, but also the circulation path inside the building. The primary path of travel falls between striation lines (which become walls) in a North/South orientation, and small lateral breaks in the walls allow visitors to travel between the other building fingers. Between each of the three main building masses are a series of exterior staircases and glass sky bridges that serve as small meeting spaces or lookout points.

LOUVERS Molded aluminum fins face North at 45° to permit indirect sunlight through the roof system to the building below, while blocking direct sunlight from the East, South, and West.

LOUVER STRUCTURE Steel bracings support the aluminum fins above and appear to float over the building envelope, giving the roof system a feeling of weightlessness to contrast the heaviness of the main walls beneath.

GLASS CANOPY A layer of glass embedded in the steel appears to rest atop the main walls of the building to allow filtered, natural light into the building beneath.

STEEL COLUMNS Steel columns are the main structural component of the building. To reinforce the parti, the columns are located in the center of the main wall cavity.

THIRD FLOOR 35,800 Total Building Area 12,620 Square Feet on 3rd Floor Vestibule / Lobby / Administration / Library Sm. Auditorium

SECOND FLOOR 9,032 Square Feet Multi-Purpose Hall Fitness & Dance Meeting Spaces / Lg. Auditorium

FIRST FLOOR 14,150 Square Feet

Multi-Purpose Hall Fitness & Dance Meeting Spaces / Auditorium

DN UP

14 UP

7 7

8 7

13 7

TH IRD [MAI N] FLOOR

S E C O N D FL O O R

LEGEND

1 2 3 4 5 6 7 8

Vestibule Lobby Administration Loading / Mech Cafe Service Core Open to Below Meeting Space

9 10 11 12 13 14 15 16

Library Sm Auditorium Mlti-Purp Hall Outdoor Plaza Fitness & Dance Lounge Gallery Lg Auditorium

FIRST FLOOR

S OUTH SECT I O N

WEST SECTION

JEEP PARKWAY

SENIOR

4 5 9

1 3

MASTER PLAN KEY 1 - Ampitheather 2 - Career Center 3 - Business Start Ups

4 - Community Center 5 - Riverwalk 6 - Jeep Museum

7 - JEEP PAVILION 8 - STEM CENTER 9 - YOUTH CENTER

MASTER PLAN DIAGRAMS

ZONES (UNITE, CELEBRATE)

AXES

COMMUNITY CENTER

UNITE

CELEBRATE

EDUCATE

MASTER PLAN USER GROUP STUDY

TRUCKER

ROAD

DANA

FAMILY

COMMUNITY HUB

AMPHITHEATER

JEEP MUSEUM

COUPLE

RIVER WALK

RIVER STEPS

AMPHITHEATER

SENIORS

COMMUNITY HUB

GREEN SPACE

BUSINESS

CAREER DEVELOPMENT

COMMUNITY HUB

BUSINESS START-UP

SITE SECTION

Jeep Parkway’s master plan revitalizes the former Jeep Plant site in Toledo, Ohio, from a underutilized brownfield to an inviting space that unites, celebrates, and educates the two adjacent neighborhoods--Five Points and Old West End, despite being landlocked by I-75 and a railroad. The uniting scheme is situated near the residential part of Old West End to draw in the community to the site. Further south on the site, the celebrating scheme offers a place to honor the former Jeep Plant, and provides educational opportunities through a new STEM and Youth Center. This educational loop extends into Old West End through a green path that connects three schools back to the site, providing ample opportunity for site connections.

1562 NOSTRAND

JUNIOR

The proposed mixed-used development at 1562 Nostrand Avenue in Flatbush, Brooklyn, New York will serve as a place where human interaction and community engagement meets an inviting and open green space within the complex. Oriented to overlook the Northeast corner of the site, the development is angled in a way to give a line of sight through the garden spaces back towards the entry further beyond. This also gives sight to the staircase that visitors feel compelled to climb, which further invites passersby to walk through and experience the space. Commercial and retail spaces line the ground level, while residential units are elevated above to create additional privacy in an otherwise public setting.

EAST ELEVATION

TRANSVERSE SECTION

CLEAR GLAZING

PERFORATED METAL PANEL

INSULATED METAL PANEL

WOOD PANELING

TRANSVERSE SECTION WHITE CONCRETE

SITE PLAN

MATERIALITY

One of the most important factors in my design is the way my building is angled to face the Northeast corner of the site (see Axis, left). The main axis is diagrammed as the heaviest line, and sub-axis radiate off of it, repeating the angled form throughout. The purpose of the axis is to draw attention to the building and its green courtyard from the site’s busiest street corner, giving people an open invitation to explore the site.

AXIS EXTERIOR FINISH RIGID INSULATION 2x PLATE PLYWOOD SHEATHING

CLEAR GLAZING

GYPSUM BOARD MULLION FINISH SILL PLATE WINDOW SEAT PLYWOOD SHEATHING 2x PLATE RIGID INSULATION

SOFFIT CLOSURE CAVITY INSULATION MULLION FINISH FLOOR

TYP. FLOOR PLAN

WALL SECTION

TECTONIC STUDY

JUNIOR

Kunsthaus Bregenz is a contemporary art museum and exhibition space designed by Peter Zumthor and is located in Bregenz, Austria. This project focuses on the tectonics of a complex building envelope, as well as qualities of the building’s use of space, structure, and materials. From this exercise, I had the opportunity to expand on the notions of how Kunsthaus Bregenz’ envelope was constructed, as well as appreciating the importance of detailing in construction, and spatial and material assemblies.

ART TATUM PAVILION

SECOND FLOOR LOOKING TOWARDS LOBBY

JUNIOR

NATURAL LIGHT AT STAIRWELL

EXPERIENTIAL SECTION - 1

SECTION AND COLOR STUDY OF PAVILION; COLORS MATCH THOSE FOUND IN THE PAINTINGS CURRENTLY HUNG ON HIS CHILDHOOD HOME

ELEVATION STUDY

PLAN STUDY

Admin Storage

3 Men's Restroom

Admin Storage

3 Reception

Men's Restroom

Exhibit

Lobby

1 Reception

Exhibit Women's Restroom

Lobby

5 Women's Restroom

Level 1 1/8" = 1'-0"

LEVEL 1 NTS

LEVEL 2 NTS

EXPLODED AXO

Art Tatum was an American jazz pianist, and was considered one of the greatest technical virtuosos. He grew up in Toledo, Ohio, where he began playing the piano professionally while still in his teens. On this home now hang 15 paintings with vibrant colors. A memorial pavilion is situated next to his childhood home and is a manifestation of his dynamic crescendos through its form from Tatum’s “Tea for Two”. The height of the notes form the roof line while the yellow lines indicate structure. The length of the notes shaped the floor plan of the building, inspired by the idea that piano music is read in elevation (the notes on the staff represents the elevation), but the music is played in plan via the keys.

WILLIS SHELTER

SOPHOMORE

EXPERIENTIAL SECTION

SITE MAP

MAIN FLOOR PLAN NTS

500 ft.

DESTINATION VIEW

TOP ELEVATION

SECTION D-D SCALE 1 / 86

LOWER FLOOR PLAN NTS

SECTION D (FACING NORTH) SECTION D-D SCALE 1 / 86

Br uce Willis is an American actor most commonly known for his role in action movies with a dangerous twist, such as in RED and RED 2. In most movies, Willis faces many battles and physical tests that bring him close to exertion by the end of the nearly two-hour film. This shelter is located on the cliffs of Penobscot Mountain in Maine, and is designed to give a similar exerting journey and resting point at the top. Visitors can only access the pavilion through the two hour hike along Jordan Cliffs trail, enduring narrow paths, vertical climbs, and unprotected rock edges. Upon reaching the pavilion, visitors are rewarded with a dynamic, angled pavilion that offers a safe resting place and beautiful views of the valley below. 27

ORIGAMI PAVILION

ITERATION 1

ITERATION 2

TOP ELEVATION

SITE STUDY

SITE PLAN

SOPHOMORE

ITERATION 3

APPROACH

FINAL ITERATION

FOLDING DIAGRAM Orange Hip Fold Blue Valley Fold

EAST ELEVATION

NORTH ELEVATION

TRANSVERSE SECTION

LONGITUDINAL SECTION

The Origami Pavilion was created by a combination of diagonal valley folds and knife pleats, and was partially inspired by Peter Zumthor’s Bruder Klaus Field Chapel. An oculus is situated at the top of the pavilion, admitting different lighting conditions into the space throughout the day. The unique lighting compliments the sense of intimacy in the pavilion, especially since the inhabitable footprint is roughly 8’ x 8’, and less than 20’ tall. Two of Ching’s Design Principles helped to shape my design. Through transformation, the pavilion grows from ground entrance, to walls, to the oculus in one motion. Through axis, light is permitted into the space via the oculus. Through hierarchy, the pavilion is open near the entrance, and gradually closes off near the oculus.

ANTHROPIC

FRESHMAN

INTERPRETIVE DRAWING

FRONT ELEVATION

CONCEPT SKETCH

TRANSFORMATION MODEL 1

TRANSFORMATION MODEL 2

TRANSFORMATION MODEL 3

TRANSFORMATION MODEL 4

CHING PRINCIPAL ANALYSIS

Anthropic

adjective | an • throp • ic | an-’thra-pik

1. A philosophical consideration that observations of the Universe must be compatible with the conscious and sapient life that observes it. This project explores a physical manifestation of a given word, and how it can be represented in an abstract manner. Simply put, anthropic is the existence and interaction of matter, dark matter, and super-massive black holes in space. The collision of matter and dark matter promptly results in an explosive reaction, as explored through my design.

POINT, LINE, PLANE, VOLUME

FRESHMAN

AXONOMETRIC TRANSFORMATION

FRONT ELEVATION

TOP ELEVATION

LEFT ELEVATION

RIGHT ELEVATION

DRAFTED ONE-POINT PERSPECTIVE

PLAN (LOW CUT)

PLAN (HIGH CUT)

SHADED TWO-POINT PERSPECTIVE

In the 17th century, a man known as Rene Descartes developed the Cartesian coordinate system, which was originally designed to link Euclidean geometry and algebra. This coordinate system features an X, Y, and Z axis that merge at one point to form eight quadrants (+,+,+; +,+,-; +,-,-...). The intent of my design is for each piece of my model to have similar qualities to create a uniform, complex design that effectively leads the viewer’s eye within and round my form. Movement is coupled with Descartes idea that points become lines, become planes, become volumes. Planes grow from planes that recess into lines, and lines grow to penetrate volumes that are situated near points.

NOMAS TINY HOME COMPETITION

FRONT YARD

BACK YARD

ENTRY VIEW

KITCHEN TOWARDS LIVING & BED ALCOVE

VIEW FROM BED ALCOVE TO KITCHEN

MUDROOM AND BATHROOM COMBO

SENIOR

WEST ELEVATION 3/32” = 1’-0”

SOUTH ELEVATION 3/32” = 1’-0” FLOOR PLAN 1/8” = 1’-0”

EAST ELEVATION 3/32” = 1’-0”

SECTION (LOOKING NORTH) 1/8” = 1’-0”

NORTH ELEVATION 3/32” = 1’-0”

As part of a BGSU NOMAS Competition, students were tasked with creating a tiny home designed to help the homeless and single parent population in Toledo, Ohio, and could be no larger than 400SF. These homes would be part of a tiny home community (20 homes will be constructed) and would be rented out to qualifying individuals for $1 per square foot. This home is 398SF and would therefore cost $398 per month. As part of living in the community, each tenant must donate 10 hours of community service per month and attend monthly seminars to learn the basics of home ownership, such as yard maintenance, woodworking, gardening, and home maintenance. After a tenant has lived in their home for seven years and has kept up on their rent payments, they will be given the deed to their home, making it truly theirs. My design took first place in the competition and will serve as the base design for all 20 homes moving forward. [Homes 1-3 Completed Summer 2021]

South Copy 1 3 South Copy 1 3

North Copy 1 6 North Copy 1 6

https://bluffstreetvillage.org/homes/ 35

LUMION RENDERS

GRADUATE - YEAR 1

These are some of the renderings I produced for Andre Ballard of Ballard Architectural Studio in August 2021. Revit was used to digitally model the building and Lumion was used to add entourage, props, site context, and daylighting to each scene. Each rendering took between one and two hours to finish. 37

LUMION RENDERS

SENIOR

These are some of the renderings I produced for Andre Ballard of Ballard Architectural Studio in January 2019. Revit was used to digitally model the building and Lumion was used to add entourage, props, site context, and lighting to each scene. Each rendering took between two and three hours to finish. 39

THANK YOU! 40

Sarah Barry Architecture Portfolio

Articles inside

Tectonic Study

Introduction

Resume