New Graphic Design Work by 'Sarah Gill

New Graphic Design Form follows Function - an exploration of Modernism and Post modernism

Early Modernism 1910-1935 Following Art Nouveau Early modern refers to artists in the early 1900’s who broke from tradition. Artists from this era can be described as new and experimental and few gained popular acceptance because they were daring and different. However, artists from this era had a major influence on design styles that followed.

trying new things. I like the quality of this piece and the use of different shades of colours contrasting with harsh black edges. I can also see how space was beginning to be used more effectively as he effectively covers the whole canvas.

The Bauhaus had a major impact on art and architecture trends in Western Europe, the United States and Israel in the decades following its demise, as many of the artists involved fled or were exiled by the Nazi regime.

Expressionism also flourished throughout this era and was created by artists who were concerned with the human condition and felt deep empathy for social issues.

Modernism

Noun 1.Modern character or quality of thought, expression, or technique. 2.A style or movement in the arts that aims to break with classical and traditional forms.

intended when people speak of modern art. The term ‘modernism’ is also used to refer to the art of the modern period. More specifically, ‘modernism’ can be thought of as referring to the philosophy of modern art.

Modernism was not conceived as a style but a loose collection of ideas. It was a term which covered a range of movements and styles that largely rejected history and applied ornament, and which embraced abstraction. Born of great cosmopolitan centres, it flourished in Germany and Holland, as well as in Moscow, Paris, Prague and New York. Modernists had a utopian desire to create a better world. They believed in technology as the key means to achieve social improvement and in the machine as a symbol of that aspiration. All of these principles were frequently combined with social and political beliefs

The roots of modernism lie much deeper in history than the middle of the 19th century. For historians the modern period actually begins in the sixteenth century, initiating what is called the Early Modern Period, which extends up to the 18th century. The intellectual underpinnings of modernism emerge during the Renaissance period when, through the study of the art, poetry, philosophy, and science of ancient Greece and Rome, humanists revived the notion that man, rather than God, is the measure of all things, and promoted through education ideas of citizenship and civic consciousness. The period also gave rise to ‘utopian’ visions of a more perfect society, beginning with Sir Thomas More’s Utopia, written in 1516, in which is described a fictional island community with seemingly perfect social, political, legal customs.

The modernist thinking which emerged in the

Bauhaus is the common term for the Staatliches Bauhaus, an art and architecture school in Germany that operated from 1919 to 1933, and for the approach to design that it developed and taught. The most natural meaning for its name (related to the German verb for "build") is Architecture House. Bauhaus style became one of the most influential currents in Modernist architecture.

dreams as if they were real. It can be said that both movements work with chance. Dada’s use of chance was radical and a complete disregard for laws assembling reconvening pieces as poetry. In contrast, Surrealist artists deployed a variety of games, from automatic writing or the exquisite corpse, to approach chance from another position. (Willette)The interest in Dada’s historical role has continued to grow from the late forties to the present, despite desultory jabs in all directions. Dadaists did have several redeeming features. They were the first to consciously internationalize a major movement in the arts, and they did manage to develop the emerging techniques and provided a paradigm shift that clearly laid the groundwork for Surrealism and could also be seen as the beginnings of multimedia.

This design is a poster from Germany, 1919 and it’s function is to advertise a particular theatre. It represents Early Modernism through the effective use of space and geometrical shapes. Also this design is rather simple and incorporated a similar colour scheme, which was often the case throughout this era.

Renaissance began to take shape as a larger pattern of thought in the 18th century. Mention may be made first of the so-called ‘Quarrel of the Ancients and Moderns’, a literary and artistic dispute that dominated European intellectual life at the end of the 17th century and the beginning of the 18th century. The crux was the issue of whether Moderns (i.e. contemporary writers and artists) were now morally and artistically superior to the Ancients (i.e. writers and artists of ancient Greece and Rome). Introduced first in France in 1687 by Charles Perrault, who supported the Moderns, the discussion was taken up in England where it was satirized as The Battle of the Books by Jonathan Swift.

Movements that are part of the modernism era include: Bauhaus, Constructivism, Dada, De stiji, Expressionism, Futurism, Heroric Realism, the new typography, Plakatstil, Surrealism and Vorticism. What connects these movements is experimenation, dissatisfaction with the past and the need for a better society.

The above is a piece by Pablo Picasso where he introduced cubism. During this time Picasso and similar artists invented a new approach to handling space and introduced geometric planes. This is where artists began to change the face of art and challenge more traditional styles. I don’t think this piece actually has a specific function, it is obvious that Picasso was experimenting and

The dada movement was a reaction against everything that was going wrong in modern society, and aversion against its destruction was the central motivating force for this new type of art. There was a feeling that artists had gone mad and that the war was a product of rational, logical thinking. The Dada movement called for anarchy, irrationality, and following the intuitive. The Dada movement had a slim possibility of emerging without the dramatic events of the First World War. The movement was an intense and direct reaction to the spectacle and carnage of war, and the elements of explored imagery were expressed by the subconscious minds of the period.

Surrealism was a revolutionary movement that developed from Dada. Both movements liked to surprise viewers with non-rational and absurd images. Both movements influenced literature, music, thearter, films and other visual art.

Dada and Surrealism were both movements of writers, poets, artists as being part of a larger intellectual group fearlessly using old-fashioned techniques and subverting realism by painting 3

Bauhaus

Modernism is optimistic. New is always better. Good design puts technical advances to work. Tabletop devices became handheld. Radios, adding machines, gramophones and telephones eventually shrank to pocket size. Modernism is an appeal to reason, like the Declaration of Independance. In the eighteenth century Americans declared that government derives from popular consent. Then the French Revolution swept out religion and class privilege. It tore down prisons, knocked the noses off the saints’ statues, guillotined the king and restarted the year count at 1. Though it is best remembered for its excesses, this effort to put everything on a logical footing was part of a trend called the Enlightenment that continues to this day. In addition, “less is more” is an internationalist, transcultural ideal. By subtracting history from design and replacing it with timeless universal principles, modernism was intended to create forms that spoke to everyone. This dream actually came true. The Bauhaus was born when Walter Gropius took charge of an art school in Weimer. After Germany’s defeat in WWI, power in that province passed from a Grand Duke to an elected parliament. Like Gropius, the parliament wanted Germany to head in a new direction. Gropius began by merging the provinical art school witht the school of arts and crafts, abolishing the distinction between pure and applied art. The name Bauhaus means “house of buildings”. The goal was to replace Victorian-era design with a plain style suited to the machine age. Bauhaus initiatives grew into a movement which brough us white interiors, sling chairs and glass skyscrapers. The movement had other parents - the French architect Le Corbusier, for one. But the Bauhaus makes a good beginning because it itself was the product of a new, ambitious design.

Herbert Bayer - graphic designer. Studied painting at the Bauhaus, then founded its printing and advertising workshop. Responsible for the sansserif type face he called “Universal”. From 1938 he worked as a graphic designer in New York. Notable projects included a series of artist-illustrated ads for Container Corporation of America, “Great Ideas of Western Man”. His work represents the essence of Bauhaus design in its geometrical minimalism and style.

Dada

Emerging in 1916 from the melting pot of abstract painting and avant-garde poetry, Dada was a crisis in art, a leap outside the ranks of the “isms”, a complete insurrection. Reinventing the mechanics of creation and thought, a group of young artists fundamentally changed the world’s conception of art. The incandescence and integrity of this individualist revolt were to become the yardstick for all avant-garde art in the future. Dada was a word, a rallying symbol, an intentionally derisory anti-label. As a provocative slogan it wrong-footed the critics, who habitually pinned pejorative labels on new tendancies, such as Cubism. The tone was set: the Dadaists were not aiming to win over the critics, but to mock them. Duchamp called them “critiques dard”, Schwitters ironically referred to them as “messieurs les criquicques”, and Raoul Hausmann caricatured them in a collage. By adopting this polemical relationship with the critics (the only one that could adopt), Dada won a head start that it never lost. The Dada experiment in Zurich, or the Dada Movement, as it became officially known, transformed art, reinventing every discipline from within. An inherited culture that had now become unacceptable was replaced by a new inventiveness and a direct relationship between the artist and his art - as opposed to the art that until then had been imposed by social constraints. Dada demonstrated that a society that had lost respect was no longer in a position to demand that the artist adhere to its aesthetics and ideological values. Rather than focusing on representation, painters now worked with their material for its own sake in terms of its colour, form, and structure, and felt liberated from the triviality of figurative art to organize these according to laws that applied to art and art alone.

Surrealism Surrealism had the longest tenure of any avant-garde movement, and its members were arguably the most “political.”1 It emerged on the heels of World War I, when André Breton founded his first journal, Literature, and brought together a number of figures who had mostly come to know each other during the war years. They included Louis Aragon, Marc Chagall, Marcel Duchamp, Paul Eluard, Max Ernst, René Magritte, Francis Picabia, Pablo Picasso, Phillippe Soupault, Yves Tanguey, and Tristan Tzara. Some were “absolute” surrealists and others were merely associated with the movement, which lasted into the 1950s. The intervening years saw a shift from the original concern with the purely intuitive to a somewhat more rational— and perhaps more political—standpoint. But there were always journals intent on providing philosophical justification for surrealist artistic experiments, including La Revolution surrealiste and Le Surrealisme au service de la revolution. These were also edited by Breton. His novel Nadja (1928) is in this regard far less important than his countless essays, speeches, and manifestos.

Surrealism was Dada’s heir. The new movement was more conscious of its aesthetic influences and more explicit in its political posture. The basic idea of surrealism is simple enough, and that defines its power. Everyday life or the habitual reality we experience is, according to Breton, a barrier to the expression of those manifold and unspoken desires encoded in dreams. Art should bridge the antithetical relation between reality and the dream—fuse them in the name of a new and superior reality, or the “surreal.” What Walter Benjamin termed the “poverty of the interior” becomes the target of surrealism and its attempt to transform everyday life. Evoking the consciousness of that poverty—or, to use another famous phrase from Benjamin, winning “the energies of intoxication for the revolution”—thus becomes the purpose of the surrealist enterprise. Surrealism called for total revolution. It highlighted the blending of the real and the surreal. Critical consciousness requires something more, however, than the evocation of the surrealist twilight or insight into “the crisis of the object.” The dialectical method is not intent on making reality more arbitrary in its associative possibilities, but of (thematically) rendering it more transparent and comprehensible.

De stiji After World War I there was a turning away from old forms and philosophies among architects and designers, just as there was among artists and writers. Many of the same abstract ideas came into play, as did ideas that incorporated the “machine” aesthetics of the new industrial age. In fact, one of the important trends of the 20th century would be the increasing parallels between - even merging of - art and design, which had been separated since the end of the renaissance. In the early 1920’s a group of architects and artists, influenced by some of the ideas of DaDa, formed a movement called de Stijl (Dutch for The Style). Theirs was a utopian philosophical approach to aesthetics, centered in a publication called de Stijl, which presented their ideas and designs. The founder of the publication and leader of the group was Theo van Doesburg, an architect. The philosophy was based on functionalism, with a severe and doctrinaire insistence on the rectilinearity of the planes, which seem to slide across one another like sliding panels. All surface decoration except color was to be eliminated, and only pure primary hues, plus black and white were to be allowed. The most important thing about this group was their ideas, since they managed to build very few of their designs. One important exception is Gerrit Rietveld’s Schroeder House, which is the most complete realization of the de Stijl aesthetic. Not only the house, but also the furnishings and decoration were planned by Rietveld. In spite of the apparently small output of this group, they would be very influential on subsequent design styles.

Cubism

Cubism was one of the first truly modern movements to emerge in art. It evolved during a period of heroic and rapid innovation between Pablo Picasso and Georges Braque. The movement has been described as having two stages: ‘Analytic’ Cubism, in which forms seem to be ‘analyzed’ and fragmented; and ‘Synthetic’ Cubism, in which newspaper and other foreign materials such as chair caning and wood veneer, are collaged to the surface of the canvas as ‘synthetic’ signs for depicted objects. The style was significantly developed by Fernand Léger and Juan Gris, but it attracted a host of adherents, both in Paris and abroad, and it would go on to influence the Abstract Expressionists, particularly Willem de Kooning. Cubism paved the way for geometric abstract art by putting an entirely new emphasis on the unity between the depicted scene in a picture, and the surface of the canvas. Its innovations would be taken up by the likes of Piet Mondrian, who continued to explore its use of the grid, its abstract system of signs, and its shallow space. Picasso returning to Paris from his home in Catalonia with his painting, Les Demoiselles d’Avignon (1907). In its radical distortion of the figures, its rendering of volumes as fragmented planes, and its subdued palette, this work predicted some of the key characteristics of later Cubism. Secondly, Braque made a series of landscape paintings in the summer of 1908, in which trees and mountains were rendered as shaded cubes and pyramids, resembling architectural forms. It was this series that led French art critic Louis Vauxcelles to describe them as “bizarreries cubiques,” thus giving the movement its name.

David Carson became one of the most famous PostModern Graphic Designers when he introduced his magazine, Ray Gun, in the nineties. This magazine focused on experimental typography and ways that it could be set out or presented. David liked to experiment with design in very different ways, his ideas were seen as radical and outlandish but was embraced by the contemporary world. He was famous for his quirky designs and layouts in his magazine, working with type and image also seemed to be one of his passions. In this spread from his magazine the type and image are merged together in a way which would make the audience look at it more intently rather than it just convey the message straight away. This belief is the opposite of Modernism.

Postmodernism Noun A late 20th-century style in the arts, architecture, and criticism that represents a departure from modernism. The terms postmodernity and postmodernism also suggest a break, respectively, with modernity, determined economically by capitalism and culturally by humanism and the Enlightenment, and with Modernism, the literary and aesthetic movements of modernity in the late nineteenth and early-twentieth centuries. While the distinction between modernity and postmodernity can be made without much difficulty, the distinction between modernism and postmodernism is more complicated. Some early critics argued that postmodernism was not really “post” at all, but simply “late” modernism. It quickly became apparent, however, that, despite its continuities with modernism, postmodernism does represent a definitive break from its predecessor, as well as a broader overall phenomenon, which includes in particular postmodernist theory. Postmodernist art has been, since its beginnings 14

in the movements of the 1960s—Pop art, Fluxus, and feminist art—art that was inherently political and simultaneously engaged with and critical of commercial mass culture. All these movements are linked to the development of multimedia performance art and conceptual art, a term that designates art that is neither painting nor sculpture, art of the mind rather than art of the eye. An avant-garde form of contemporary art, postmodernism has been described as “A late 20th Century style and conceptual theory in the arts and architcture, characterized by a general distruct of ideologies as well as a rather ‘difficult’ relationship with what constitutes art.” To paraphrase Andy Warhol, “anyone can be famous for 15 minutes”. This idea, more than any other, sums up the postmodernist age. Faced with a new non-sensical world, the postmodernist response has been: okay, lets play around with the nonsense. We accept that life and art no longer have any obvious intrinsic meaning, but so what? Lets experiment, make art more interesting, and see where it leads.

There have been no great international art movement during the postmodernist period. Instead, the era has been characterized by a number of national movements along with several brand new art forms. In addition, there have been dozens of artistic splinter groups, as well as one or two anti-postmodernist schools whose members have endeavoured to produce the sort of art that Michelangelo or Picasso would have been proud of. The main postmodern movements are; Pop art (1960s onwards), conceptual art (1960s onwards), performance art (early 1960s onwards), installation art (1960s onwards), photorealism (1960s-1970s), Graffiti art (1960/70s onwards). In its present “conceptualist” form, postmodern art will no doubt continue to produce arresting works to satisfy the public. After all, we live in an age dominated by TV programs like big brother, endless TV soaps, and a host of foods that are injurious to our health.

Neville Brody is also another famous PostModern graphic designer. His work is very similar to that of David Carson although this piece has a more hand-renderred effect to it. Like David, Neville was an art director of a magazine called Face (1981-1986). His work at this magazine is said to have inspired other designers and other magazine publishers. Post-Modernist design puts aside the simple and clear aesthetic and takes on a quirky style with the use of lots of colours and overcomplicated typefaces.

Post-modernism art came after the Modernism period. Post-modernism is more vague; use of readymade art i.e. DADA movement that plays with objects. It really does not have a defined art style. Post-modernism is pointless to believe in because the art is borrowed from other art and then changed. They believed that handmade art is the part of art that is their creation. The artists pick old objects to make into new objects for art. Also, two objects become one. Also, it involves the concept that something is to be a version of itself. Post-Modernism came around during the 1980's many designers thought that it was just a merging of styles with no rules or characteristics therefore they did not take it seriously. It is from this that we have achieved some of the most famous Graphic Design in the world today. The merging of styles is something which is seen in this 'Lets Dance' piece. The use of different typefaces and colours makes this magazine cover very garish and bold. PostModern Graphic Design is know to use multiple styles and often borrows or quotes from a number of historical styles. This piece is a prime example of this as it has used the pop art style along with illustration and photography.

Barbara Kruger (shown here) is an example of a postmodern artist. Kruger's magazine cutout-like pieces speak for issues of the self and identity. Kruger worked for a fashion magazine, and her art pieces incorporate appropriated media images with strong, pithy phrases that often relate to objectification of women and other cultural issues that women face. Postmodernists use a combination of style elements from the past, such as the classical and the baroque, and apply them to spare modern forms, often with ironic effect. Their slightly off-key familiarity creates a more immediate appeal than the strict severity of modernism. One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery.

The Sing Along grouping beckons viewers into its space; it creates an active environment with the gallery room, which promotes viewer exploration (rather than passive gazing) of the work. In this and other regards, Shettar carries on in the tradition of many post-minimalist artists, which though not linked together tightly enough to form a movement, have concerned themselves with incorporating the handmade with the repetitive, mechanicalness of traditional Minimalist work. Among those postminimalist practices which Shettar adheres to are the use of every day objects (Tom Friedman), a focus on the sheer tactile beauty of an object (Anish Kapoor), as well construction of abstract forms through the hand-made “touch” (Eva Hesse, Martin Puryear).

Pop art Movement in modern art that took its imagery from the glossy world of advertising and from popular culture such as comic strips, films, and television; it developed in the 1950s and flourished in the 1960s, notably in Britain and the USA. Pop art reflected the new wealth, consumerism, and light-hearted attitudes that followed the austerity of the post-war period. It was also a reaction against abstract expressionism, the dominant art movement of the 1950s, which was serious and inward-looking – pop art was playful and ironic, and ignored the rules of the traditional art world. The movement helped to prepare the way for postmodernism, a feature of Western culture since the 1970s. Leading US pop artists include Andy Warhol, Jasper Johns, and Roy Lichtenstein; UK exponents include Richard Hamilton and Allen Jones. Andy Warhol’s famous Twenty Marilyns (1962; Paris, private collection), depicting Marilyn Monroe, is a typical example of pop art. Although sometimes regarded as mainly a US phenomenon, the term ‘pop art’ was first used by the British critic Lawrence Alloway (1926–1990) in about 1955, to refer to works of art that drew upon popular culture. Richard Hamilton, one of the leading British pioneers and exponents of pop art, defined it in 1957 as ‘popular, transient, expendable, low-cost, massproduced, young, witty, sexy, gimmicky, glamorous, and Big Business’. In Britain, pop art emerged in the mid 1950s at about the same time as it did in the USA, and likewise became a distinctive force around 1960. Leading British figures included Peter Blake, David Hockney, Allen Jones, and Eduardo Paolozzi. For some of these artists, such as Hockney, pop art represented a brief stage in their career, but others have solidly committed themselves to the style. Allen Jones was still producing work in the 1990s that was very similar to his work of the 1960s. He is best known for sculptures in which erotically dressed women double as pieces of furniture; for example, a table is made out of a woman on all fours with a sheet of glass resting on her back.

Ray Gun Ray Gun was an American alternative rock n roll magazine, first published in 1992 . Led by founding art director David Carson who was influential graphic designer at that time. His widelyimitated aesthetic defined the so-called “grunge typography” era. David Carson, the rockstar-beloved graphic designer and founding art director of Ray Gun is back in the magazine business, as creative director of the new C A R S O N magazine. C A R S O N will publish bi-monthly in 2011, with themed issues covering art, culture, design, fashion, and current events. It will be based in Venice, CA, natch. Ray Gun, which ran from 1992-2000, was known primarily for having legitimately cool musicians on the cover, and for Carson’s insane typography play. He had a lot to do with the 90s’ reconsideration of legibility as a design ideal. Nylon editor-in-chief Marvin Scott Jarrett was another owner-founder. While the contents of its pages were not related to graphic design, Ray Gun magazine proved to be an exploration of typography, layout and visual storytelling that would shift the approach of many graphic designers. The magazine was founded in 1992 and led by the work of David Carson, who served as its art director for the first three years of its career, which lasted 7 years and over 70 issues. Carson’s style of typographic experimentation influenced the development of the deconstruction style of design and a whole new generation of designers. The experiments by Carson and other Ray Gun designers were chaotic, abstract and distinctive, but sometimes illegible. The magazine’s radical subject matter often related to music and pop culture icons and the magazine became a reliable source for the prediction of upand-coming stars. 18

Graffiti art

Graffiti is a great way of getting your message out to the masses. The earliest known graffiti dates back to 30,000 years ago and used the traditional applypaint-to-wall technique. Though our paint now comes in cans and not from scavenged berries, the actual graffiti process hasn’t really evolved from those first cave paintings. The word ‘Graffiti’ has become popularized by modern media; it is the pluralized form of the word ‘Graffito’ which literally means to etch ones name into stone. Knowing this, it is easy to see how a particular branch of graffiti known as “Graffiti Writing” came about. Both Graffiti Writing (also called Tagging in a more current manner of speaking) and Street Art (defined more by its academic style) exist in the Post-Modern Art movement because of the blending of mediums that has broadened the range of the term Artist to include all forms. During the late 1980s, Keith Haring and Jean Michel Basquiat were credited as being the creative force that caused the split between Street Art and Graffiti. Haring, best known for his piece Radiant Child, spoke about broad topics such as ‘Safe Sex’, ‘War’, and ‘Human Sexuality’ while Basquiat coined the term “SAMO” and became recognized for one of the most well-known tags in history; the 3-pointed crown. Both Haring and Basquiat focused on creating art that could be enjoined by everyone as they made us think more about gay rights and ‘what is Art’. With no artificially imposed order and the inherent decentralization of postmodernism as its guide, graffiti writers used irony (in the form of the oppressor becoming the oppressed), double coding (writers communicated simultaneous messages to different social groups), and paradox (the inherent illegibility of their work), as tools to change our shared expectations of how, where, and why we communicate. It is an archetypal study in semiotics where signs and symbols are used to recognize how meaning is formulated and perceived. It is also an example of how information can be transferred and data decoded between sender and receiver.

Barbara Kruger Barbara Kruger was born in Newark, New Jersey, in 1945. After attending Syracuse University, the School of Visual Arts, and studying art and design with Diane Arbus at Parson’s School of Design in New York, Kruger obtained a design job at Condé Nast Publications. Working for Mademoiselle Magazine, she was quickly promoted to head designer. Later, she worked as a graphic designer, art director, and picture editor in the art departments at House and Garden, Aperture, and other publications. This background in design is evident in the work for which she is now internationally renowned. She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to. In their trademark black letters against a slash of red background, some of her instantly recognizable slogans read “I shop therefore I am,” and “Your body is a battleground.” Much of her text questions the viewer about feminism, classicism, consumerism, and individual autonomy and desire, although her black-and-white images are culled from the mainstream magazines that sell the very ideas she is disputing. As well

as appearing in museums and galleries worldwide, Kruger’s work has appeared on billboards, buscards, posters, a public park, a train station platform in Strasbourg, France, and in other public commissions.

Cinderella

BUT that’s all you’ll get

come and see what else i’ve taken off doing my Part?

eat your heart out 24

Walter Dexel Walter Dexel is one of the outstanding exponents of 1920s Constructivism. As a painter Dexel was an autodidact. He studied art history under Heinrich Wölfflin and Fritz Burger in Munich from 1910 to 1914. At the same time he received private drawing classes from H. Gröber. In 1916 Walter Dexel graduated from university with a doctorate under Botho Gräf.

Walter Dexel was not restricted to panel paintings but also worked as a typographer, an advertising designer and designed interiors and stage settings. In 1928 he wrote a book entitled "Das Wohnhaus von Heute" together with his wife Grete Dexel, which reflects the artist's interest in the issues of modern living, which the artist showed from an early age.

In 1912/13 he produced his first pictures during a study trip to Italy. His early pictures were influenced by Cézanne's landscapes, with his later work being influenced by Cubism and Expressionism. In 1914 Dexel held his first individual exhibition with Cubist pictures at the "Galerie Dietzel" in Munich.

In 1921 he developed a close friendship with the Dutch De Stijl artist Théo van Doesburg. During the same year Dexel had several exhibitions at Herwarth Walden's Berlin gallery "Der Sturm".

In 1918 Walter Dexel became head of exhibitions in Jena, where he organised first exhbitions with Campendonk and later with Bauhaus artists like Moholy-Nagy. In the early 1920s Dexel's work moves on to Constructivism, which he approaches in a comprehensive way.

El Lissitzky El Lissitzky was a Russian born artist, designer, typographer, photographer and architect who designed many exhibitions and propaganda for the Soviet Union in the early 20th century. His development of the ideas behind the Suprematist art movement were very influential in the development of the Bauhaus and the Constructivist art movements. His stylistic characteristics and experimentation with production techniques developed in the 1920s and 30s have been an influence on graphic designers since.

Germany as a cultural representative of Russia and, after he was diagnosed with pulmonary tuberculosis, Switzerland in a Swiss sanatorium. But this never stopped him from working as he continued to produce propaganda posters, books, buildings and exhibitions for the Soviet Union. in 1932 Stalin demanded that artists conform to much stricter guidelines or be blacklisted, Lissitzky managed to retain his position as head of exhibitions. In 1941 his tuberculosis overcame him and caused his death.

In his early years he developed a style of painting in which he used abstract geometric shapes, which he referred to as â&#x20AC;&#x153;prounsâ&#x20AC;?, to define the spatial relationships of his compositions. The shapes were developed in a 3-dimensional space, that often contained varying perspectives, which was a direct contrast to the ideas of suprematist theories which stressed the simplification of shapes and the use of 2D space only. He moved around in the 1920s and spent time in both

Josef Muller Brockmann As with most graphic designers that can be classified as part of the Swiss International Style, Joseph M端ller-Brockmann was influenced by the ideas of several different design and art movements including Constructivism, De Stijl, Suprematism and the Bauhaus. He is perhaps the most well-known Swiss designer and his name is probably the most easily recognized when talking about the period. He was born and raised in Switzerland and by the age of 43 he became a teacher at the Zurich school of arts and crafts. Perhaps his most decisive work was done for the Zurich Town Hall as poster advertisements for its theater productions. He published several books, including The Graphic Artist and His Problems and Grid Systems in Graphic Design. These books provide an in-depth analysis of his work practices and philosophies, and provide an excellent foundation for young graphic designers wishing to learn more about the profession. He spent most of his life working and teaching, even into the early 1990s when he toured the US and Canada speaking about his work. He died in Zurich in 1996.

M端ller-Brockmann is recognized for his simple designs and his clean use of typography, notably Akzidenz-Grotesk, shapes and colors, which inspires many graphic designers in the 21st century. As with the French posters in the 1890s, M端ller-Brockmann and his peers also attempted to attract customers and sell products with bold, simplicity. The posters that served to attract an audience to events, especially music events and museum exhibitions embraced the abstract geometrical shapes the style is noted for; but it is the public service announcement posters from this time period that have been more noted than in many other periods of design. The simple, clean and graphic messages were, as with the music event posters, able to be understood by viewers with different languages.

Emil Ruder Emil Ruder was a typographer and graphic designer who, born in Switzerland in 1914, helped Armin Hofmann form the Basel School of Design and establish the style of design known as Swiss Design. He taught that, above all, typography's purpose was to communicate ideas through writing. He placed a heavy importance on sans-serif typefaces and his work is both clear and concise, especially his typography. Like most designers classified as part of the Swiss Design movement he favored asymmetrical compositions, placing a high importance on the counters of characters and the negative space of compositions. A friend and associate of Hofmann, Frutiger and MĂźller Brockmann, Ruder played a key role in the development of graphic design in the 1940s and 50s. His style has been emulated by many designers, and his use of grids in design has influenced the development of web design on many levels.

philosophy and tea drinking. He arranged his layouts and typography with careful attention to counter, shape and white space. His projects â&#x20AC;&#x153;developed sensitivity to negative or unprinted spaces, including the spaces between and inside letterforms. To achieve the harmony and balance Ruder desired, he instructed his students on the use of mathematical grid structures and the selection of style-neutral, sans-serif typefaces developed in the early 50â&#x20AC;&#x2122;s. For Ruder, the most notable of these typefaces were the twenty-one fonts named Univers created by his friend, Adrian Frutiger in 1954. Ruder and his students engaged in endless typographic and layout explorations with the vast array of weights in the Univers family.

Asymmetry, a concept he found in Japanese texts on Zen

Neville Brody Studied graphic design at the London College of Printing and first made his way into the public eye through his record cover designs and his involvement in the British independent music scene in the early 1980s. It was his work on magazines that firmly established his reputation as one of the world’s leading graphic designers. In particular, his artistic contribution to The Face completely revolutionised the way in which designers and readers approach the medium. Though Brody rejected all commercialisation of his graphic style, his unique designs soon became much-imitated models for magazines, advertising and consumer-oriented graphics of the eighties. Brody also won much public acclaim through his highly innovative ideas on incorporating and combining typefaces into design. Later on he took this a step further and began designing his own typefaces, thus opening the way for the advent of digital type design. His pioneering spirit in the area of typography manifests itself today in such projects as FUSE, a regularly published collection of experimental

typefaces and posters which challenges the boundaries between typography and graphic design. While working for Arena (1987-1990) he embarked on a completely opposite course, using minimalist, non-decorative typography for a time before returning to his expressive visual style which he now began propagating with the aid of computers. In 1987 he founded The Studio in London, and his unusual computergenerated designs received a great deal of recognition, especially abroad. His work has been commissioned by such major organisations as Berlin’s Haus der Kulturen der Welt, Greenpeace, Japanese companies Men’s Bigi and Parco, the Dutch Postal Service, the German cable channel Premiere and Austria’s ORF TV channel.Today, Neville Brody’s work focuses largely on electronic communications design. At the same time, he continues to create his unique and striking digital typefaces. His contributions to the world of graphic design and digital typography are absolutely invaluable. Often referred to as a “star typographer”, Brody has designed a number of very well-known typfaces.

The logo is i-D rotated to create a winking face. On each cover, all models used have either the left eye covered or closed, same as the logo. By doing this, the magazine doesnâ&#x20AC;&#x2122;t need the logo to represent them as the models copying it has become part of the brand. i-D has built its reputation on being a consistant source of inspiration in fashion culture. It began as a fanzine in 1980 and has developed into a glossy magazine that manages to surprise and inspire. Why the wink? The wink and smile on each front cover have become integral to the i-D identity. Over 300 of the worldâ&#x20AC;&#x2122;s fashion elite, have given i-D a cheeky wink, from the likes of Modonna, Tom Ford, Drew Barrymor, Lilâ&#x20AC;&#x2122;kim, Naomi Campbell and Kate Moss.

Paper Cover: Claro 300gsm Text pages: Galerie Art Matt 135gsm Crit: Festival Offset 115gsm. Supplied by James McNaughton Type Text: Lyon, designed by Kai Bernau, available from Commercial Type. Logo, small headlines: Dala Floda, designed by Paul Barnes. Display: Theinhardt, designed by François Rappo, available from Optimo. Ornaments, drop caps etc: Caslon Shaded, revived by Paul Barnes for the St Bride Type Foundry.

The new logo gives CR more of a personality and much more of a presence on the newsstand. Yes, the old logo worked well but it didn’t articulate what they wanted to get across about CR. It’s about recognising that the magazine is not just a blank canvas but the home of varied and strong opinions, whether from regular CR columnists, from those in the industry or from our Readers’ Panel

Print is a bimonthly magazine about visual culture and design. Founded in 1940 by William Edwin Rudge, Print is dedicated to showcasing the extraordinary in design on and off the page. Covering a field as broad as communication itselfâ&#x20AC;&#x201D;publication and book design, animation and motion graphics, corporate branding and rock posters, exhibitions and street artâ&#x20AC;&#x201D;Print covers commercial, social, and environmental design from every angle. Engagingly written by cultural reporters and critics who look at design in its social, political, and historical contexts, Print explores why our world looks the way it looks, and why the way it looks matters. For the first time in its 70 year history, the Print masthead is composed of an uppercase sans-serif. The typefaces do provide a lot of flexibility and a new interest. Relying completely on the Galaxie family, created by Chester Jenkins and Kris Sowersby for Village, the magazine gets a well deserved facelift (inside and out), but the typography is rarely allowed to be expressive.

The evolution of Print magazine, top row: 1940, 1941, 1958, 160; Bottom row: 1972, 2003, 2005, 2011

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24th April 2013, ISSUE 1

Form Follows Function

An exploration of Modernism and Post modernism 54

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Apera niam, aboris autetur sequis net quod unt la autempo reressum vendunt plis nosamus, audant ipiduscil ex est, sanis aborerf erchil in eum qui velicil illessi odit maio. Et moloreribus qui aboraecae seque pliquiatem inverio dit molore, coreprae pero de cum vendio. Les dolorem oluptaquia pa venimpo reperestiur sum noneceaquas ant, quid qui tem simendamus miliquo tem voluptae nus. Is apientia vellestis es aliquasimust vent fugia quas voluptae dipsani mpelenduntio bea poria sed que raectet fugitium doluptatem liquidu cidellore, sitat parchit que pos vero exces acestiur sitatia debit paribusae voluptas evenda velit magnihit et eosam inum nia Quas et re dolorat experestempe illessit maximos et aut acea nis exceperciis aut ommodis aliti debis sed maxim ent laborumqui unt perum nectiam earitat ecatur, verio blaborr untiisqui oditat et volorempor mincides et, te ea nem corepudam voluptur accus dolo torerumquiam verovidustis eium aut elestiatis rerferi quam et molore velenitas cor sapicae autem etur? Experferem con necestiae nit, si officia dis des aliquiam, sunt ut re magnis acescimpe nectur ab id quatur? Quisque percia vellabor sim et et, aut reror architia etureped eum is autae mo con consequi dolum est quisciducit laccus, id ut repres ex es poreptur ma sit re voluptus aut untios millece ptatiiscium, aut qui odio. Tem num qui dolupta sunda dolupta duntiunt assitatur atempedis pere voluptur aut peressin plam fugiam, as sinciment archilit, ut labor sum nimaxim inullupta est, arciendes esecte veres es rernam, net que videst entia dolo ex enis alitate mporibu sdandenditia voles maio culpa con porrovita vente pre num dolupta dolore ipsunt. Faccae ma dolorum qui dusam qui sumquis pa et magnam id mi, que si ratur? Um dolectorerum lia voloreh endeliquam dolut eaquatur, nat eum aborem invendit et quo vel maximod itatendia conemporate quas ex estior maximilit alibusaes que doloribus aut eosaepe lluptat lam repudia eprovide veliquiae. Loresedis sus rese liquate quaestiorio consectur alibusa ectur, in eum doluptate reperum verum apiti occulpa ilisi sedi debit lis nobite illuptatis ducitatem quo quost venihit atibero vidundis es aut qui dolupti onsequi beaquo moloreped molore pa conseque lam es dis mod unt ant voloresseque debis ne pra quam rem hil ipsam quasper ovidit aspicia vero dolorporeni cus nullabore ilique qui nonserum ratectotatur alias modi blam untemperaes escient orrorae volorem ad min etus. Dunt estem aliquae riorem endi odio verspel luptatiaerum suntemq uodigenimus quo dellam nus, optati nostius. Am asperec estibustem. Itat ilis aut qui atur, aruptatiat voluptatur? Qui cum nonet pore, officiae odis dolenissim hiciendi alitius, ex es preped que volumquunt odit hillecti doluptiis explab ilias volupta turitas am sita dolut aligeni magnime nulliqu iderio quidellit, officto taspitiumque pre magnati untibus eate si cor aut la nihicatur? Quiam eum hil ipsapiet laudae. Iliquo cum evelles sitat. Apicit que nis dolor min nobis sus aliquia dolorer uptaspid quos in parum nem as audam enditi cum rerae conet que res accum sin cone dellique eum ea iure ne ab ini dolorestem experov

Quiatibus exeruptatior sedis aut enis de pos res dolorerferia perem aut qui ducient otatus aut mi, utatem dolorer fereicae nos dolorro magnimincid qui digenim ipsam quatibus, consequi conseque nos intisciis del id quam nimil iusandaecae cum enda perum diatecus. Accat repro mos aut vit officilitas mincti re sitatatemped mod mos rectatur, non nonsequi temodi vent quae. Dis nobis eris minusciligni reprate net inis evelest fuga. Cestissin cus. Os senient fugit fugia simolor umquis cuptati onsequae es est fugia di dit quo id ma abore volor moluptatem estempor moluptas rem qui consequiassi seque velendebit prem fugita que prest, oditae et moluptu rerore comnis vendionseque prores vent, odis aut doluptur, ut repe pedi dolupta dunt laceped quide experuptius ipsam, aut erit et eatatemporis quuntis estrumet pelit volor assinve ligentio. Iqui re, ipsanis quuntio ssequia vidit, sustiumque doloresequas aut maiorio esequae earia dolor aboritis reptatia con cone veneseceate veruptat faciet aceperumet quatur aut aborro int modipsa nducid quia volenis secatiis adi coribus demporerovit re, nostem re nones miliciisque venissit vit, con poreicaboris eos aciant ium idebisc imusapient placeste si offic to mi, si quam qui dunt lit accus aborio voluptate int aut eum vendem nus et idusani enihillabore evelibearum ipsa dit ut volupta tenimpe nim velitatur? Enimillatum res nihilla borehent. Otaestrum quatem quibus dem dolorio rruptia por arum eum ipiendaeped quo ium et laut que niminti andenditam alit vere doluptas unt. Liquam diorum repelicias doluptati consecea con cusdaec uptioru mquostiam evellup taturia aut omnit que ditiam, et intotae atemolu ptatemporat eati nem et perspiciis eos ius,

quam erchic tem que pos simus andit, cores rent odit accum sam event quia volore demporrum que pa dem fugitatiate nis a dunt, simi, imaximi nctaerchicil iuri ut ut id modis dolore nem. Volores audis niasi dolor adis esequia ex eossequod expla et explam aut pressim iliqui il ium faccum aut aligenit harumque ne el ma quat faciaep taeceptate nostrum aut aliquid qui occullu ptibus molor aut pores num etur? Quatiosamus aspe comnis sit que num santio. Udisten imolorit invellabore esti comnimin nimusae etur sam endae laboribus, in pelibus ex ex es ut autenis cilicia dolorumque sitas cum et, nus doluptaquis eum fugitate necturi doluptum ea sande rae adi repel et rest, tempore hendam essi ut quas veliquuntiis il iure necessunt pa am debit, omnit doloris estius dolorem hit aut lam aut occusam, consent et dis excestrum eata num ipsam audaepudis et latem unt evenimus modicimendae volorporit, ad explisi vid quibus net apicium hit pla quid mossuntia vent et eat pa conet aut verum volorer itaspe reri untecero tem. Beribus. Tem lacerem quo officat. Ime omnis rercit laborem rectemporro estrumquas vidundi gnimus dignis et apic to omnissed ma velectet untistr uptaspellor andant voluptia il experit, sume nonsed quid ma corersp elest, tem quos modit evelia dolo magnatibusa nest elluptatiis mincto cus, tet eum que moditis ad utem. Perat lab iniatur, simi, voluptias eosaper rupiditatium nisi ullam vellia volorest, ut es preperum ratur re et audae cuptamus duntem que laborumquod qui qui blat pligenis ipsam, sintur alicto torem. Itate nobis quia aut aut et volut volupta tumquo con ratia pa doleseque nos demporerita il mi, ut et mintemp orerae. Ximagnatquam ese landam etur maionsequi is as eos sitiost fuga. Ita consed unt, nonsed mil mincitior

sequi nes doluptio. Nequis molo blamusantis estis dolupta quodige ndignis dolupide eum ut mod quaes aut lab is alita plibus excea dolo esectio ex eum que quo molore corro et voluptat aut alignis cideles moluptibus, autem sundus nobis autempor alit, omnit offic te aut lanimin vendanis di aut adis maximus. Pelectat lit inctotae quas et et fugit doluptaspit venim cus preptatur aut aut ium nectatione nobis a eossus rem corrum lam inulliti omnimus essitias netur? Udi andis evellic ipsam, cor sum aut quo dolorupid que nossunt pellore repeles discipsum ut vereicient resci con nonsequiatus aliae es est que et rerum enderum quatur? Ut hic te cum sitibusam ut il magnis aut atem. Natquasi samet, voluptam harios si corecaerios aliscillandi comnis corecat urerferum eatisin explitis et laut alique pa volendi dolorae ctessit quam quundit alit, isserrunt estotat. Mus preped etur, quia dolluptae nonessunt eria volorit fuga. Et assed ut que venti ommoluptate ped modicil lorumque modi con resequas voluptatur? Et et excepudis ea sit ad et laute volupide nam, quiati omnihitatur secae precust, id mil everum qui blant poria venecat ionsequi dolo quosa volo iuntum nes plam niminct usciis asperum, ant vellitiusam ditiis rese ius nobis dolorio rumenim qui con prese venditaquam nullati dolum quis accus nimpori oreped que ime soluptatum as que velibus dolores auta que excea dolest endis et fugia vitibeaquia core aboreperio. Itaque moditaquis ea coresequam imustotatur? Quibust eaquatur? Edi qui nossintium nulpa solut aut eat lab is et etur reperci picipsae pore pedisi officiendera im quiasped qui veniatibus alici ni beaquundae rerovitatum

Iduntiatia dolut libusci ustruptati bearchil iducium inctorrovid utassequibus aut fuga. Testi volorrum que rehendi tatemqui doloribus sima nihillique nim experem quiatium el ipidebis quundam etur? Uptasi cusdand ucienduciis ut odigendus, quat moloratur, quiamus, quisque venisquae ium rerovit, ut ent. Tem auditat ommolup tatibus, ullam etur sed ut peristis aut utem aces et alitatis exerore veleces endaepro qui nullut qui aut antius, sit remporum laborenem quam, et, am ne labore perum faciet eribear uptiatur magnisc iisit, non pro maxim ad que volorpos a velest, non peditatur? Obis est lit latur aut dolorum et la nos utem atio berferumqui ommolupta coneceribusa et aditibus maionse rumenit parum volorpo reseque vendand ioriore nimpore dellupissi que comnis volut ea dolorpore peribusam qui ate lanihitiatur asperes tiuribus ea solor recum aut quaestet elent omnis et, atiorionsero consequunti natures sumquae voluptat et omnimo dolupta tiatiusae quati beribusam ex es eturiatae nonsequam qui tem dit explaborem niet que nonsenis comnim aut aute aut aspicae corro exernamet estrum et omnisquam hit elignam voloresciis moluptatur? Cerem dolore, aditiam di aut quo berum utem si tectorem volupta eribuscipsam cum, aut vel ipsantiisci sus acculpa acera quia suntoremqui volorrum renduntibus eicaest, volum eossequiaspe dis esti bla venda debitas explandit laute cus alibus dollese nietur rem rersped mod eum faccaer chitemo

Sub Heading Ed que molo everibus. Emporem fugia quid exerum sam at quibearum, omnis pe inverfe rspero et optatiamenit a ium quo ium libea corecepro dunt everundam ad ent ut estiatectem que net et parum rem fugiae. Et utemporem volores pel int apiderc hillorercia con reperundit ut quunt.

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Atibusaperem facestist mos doloreperum autem res dolorerum imendamus ipsum nulpa parum rem que moluptas nis qui dipienihil in plis remolor ernat.

Heading omnim aditistium is ium doloratur, que veni ut re sinci dolessintio. Comnis quist ipsa de eum, sequam invel ma natquamenest restoreptat.

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poritis is dolor ant qui to deleseq uideri odition nonectotae quost et as int alibeatqui tessimodio bla archilita volum volor sapis simus volorrorit ommolorrunt atem facerio beriosaped mint atem apedi abor modit aut alibus nis estrum estin essinctur? Orro ipsantur, occae veliqui beaqui blandus eribus prem. Ut entur se dollupt atiuris aliquaeptiis della quias excestrum in nimus es comnis aut quiant alibus suntum harum fuga. Occae odit, quo eatem volestiam veria sedipsus dolupta epuditaquunt laborem. Ut quuntincid quaepe pratur? Ga. Et faceaqui ut que nis denectibus enis et quiae volum quatem ut ium, comniendit, sint quas expellu ptaqui con nonsecepedi officil ipsam et omnis dunti dolliqui beatem voluptaqui cum aborest iumque voluptae secte as am, adi aut atur? Equatur? Optas expla et hillest ionsequis id magnistiati cum est, eos ium essunderem vel eost laborruntius audipis perum quodit et quat. Odiscitibus modipis ratem voluptae ped enet fuga. Itateni que lat officti apient aut init dolupta quis et eost, sintiusam et ratur, ullique moluptis seniam, volor ma sus sitatum volumquidunt aut etur, commollitio quiberf erumque et omnihici te nobis debit quam, sequi tendel essim ipsam adit volescid estioreste santion nem. Et eum et volore, solore perchilitate velestinus ea doluptas dolores vel illuptam renihic turit, conet volut modipidebis volor sus prae mo qui dem volupta spellacia a quo delent, oditatecus et placcab orehent voluptasit dolora dunt. Obit rem harum invelesto dolectiae voloreperit estet eaquid quam, officture dolorum et derum fugiaest, tenisto to offic temolut quidis dunt. Caborum aut quunt eratem debis rerum quatempos none dolo ipsam ab ipsusundicaborepe numetur asperuntes et a in estiis non resciam et plictiissum re volorro odit voloreperio que nullorest et, corrovi destium ipsam quibustiis destore reruntur, excearc hillendis exceper spediosse nem abo. Ed etureiumquat volorerfero id molores reiur, quiam, quae ressequ iatibus et re, sinum facculpari dus, voles excea que doluptatesed ma plictibea diorehe ndaest que magnam, vent doloreped mi, con corisi audiam quia pos non core non estis apisque sed mo velia cus dem nes as magnihi liquam, ut laccaeri vento qui utaeped ex et eum aut apeliqu aerchit quatiaectent et quibus min recepe estia expedio. Itatecullab ilis dolectat offictas repudit, ne ipsam consequam que a

It aperernatius conserit exped et quo officiist odisque vita voluptas ut moluptaque nis dolupta quaepro rerchita accum libus excesed qui autatia ectat. Sus aut fugia consequae nectibus comnis debisqui antio. Equo mil is expellor maximai oriam, nis nonsenisse nobiti nonesto veris mos di corrore stiuntem ad quiandae voluptas ma nonsecepra derecerendel et pelecum expliqu unditatem facerum fugit occum rat voluptur? Fugiatur? Dolum in pos dolorendia nonsequis non nis iur sum con perspeditate si non rersped magnatusda consecullab isqui dolupta temporum am, atem net volorent.

Nam volorro conseris solest, nonsequat. It qui saniat. Bis sum doloreictae non rest quatet rene molupiet lab imusdam sunt ut liquibus, quis ilit id modis pro di quam re lam quibus dita derciis atium quia incimusam fugiae repreremqui dignis natissum fugitate sus ullaboribus, anditaque plabo. Ut harum qui voluptur? Exceaturit ex eoste prem consequam dus alicipide ex et re lictat ut acerupta volor magnimusant etur? Quia imusdae doluptat. Dunt laceri tem eat. Latem quae ommodite nonsere perrorepro omnimpe quaspid iatusanda sim vendis mincia dus, ut omnisitiust, con perror aut volupta tecus. In nonem. Sam aut arciistium alibusam fuga. Agnimus etus aut eium et adi tet omnissum consequi ipsumquasi aut pa Me late et labor andelestiam fugit et odipsa cuptatem volorepudae venimpore nim re que sint labo. Ad mo illanda iducimet, omnimil luptatur, odi con porro illabor sintisi comnissunt et et et volore repro diciend itasitium ime apiciduciunt quatatem ea voloremque incimus que sint et quo dolenitas dolorum faccus que exerovitas pa volupta coriosant arum voluptate nis nemporesci tem cum faccus aspidelibus eaquam reris es eostio doluptatem autatum volesci cuptatemolor secus expediatatus sam exped que plaborporat porpore, tem dolupta tessus autem cus dolor as magnit, natur, conserum voluptas imusa consed eaque laut re voloremque et quamet lit occabore necab ilit, atur, con cus debis nobis sam, cum quid ut eictem hil es solecus, suntiosa con porunt.

Musapit endia dollametur, sed est volorenimus, con consed quodisquas aut rempossumque volupta ectinti te velita sequatem ea dest aut poribus audae venecab ium, unt. Parum lite rerrum reribus earunte voluptate aliciis audiciis eosti nonestibus volorumque simagnisit estrum quaero vitati vel ea cum fugitempor re ratet veritem aliquia volore vel id quam que pre coremolo verchitiate quid et eic totatquidem qui ipsapere conseque vid et pa vendam, solo et ut dolorestio. Neque que voluptur am erovitat et evereicto eatum, ommos re nonseque nus explandaero que cullaboribus ea consequaest, sae aut offic te por repelente voloreiur sendebis deris velendu ciuntibearit utas sum quidis vel mi, inctur? Odiam quodiscia aditate plis aliquatet qui dolorer ferciur, quas earum sent vid ulliquiatet illibusapit ut

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Untentiorenit quis et min et audisque nis sequam voluptatur? Quia voluptatiis magniene sent verate quunt eligendam eossit abor as cori volore enihicil eos aut et acitatem qui ad que net eatatibus dolorem experch ilitiist, quaspic iusdant hictint. Ihilliq uaspicimint. Lecus dendi omnisquam quis et rae que si inihil ma asinver eressi volo modistium liquiam ute sitaes voluptati num quid quaepudi sapelia et, consequia consequ untion coreiunt. Ehenderro ducium repudigenit quati dollant reptaqu iatus, tem re, occaboressed quia derum dunde nonsere caturiam dolo event ilit omnisciet venis ute odioste nonsequae nisto te porrum santiis dolut audament arum quatusam, verum quia volum exceperecab il ma sentin res seruptatios doles poruntus doluptur aspe optibusam, sant etusdae. Solorum fugit pores reptae. Cero into dolenditio iliamus sant et mo eos ut ex et fugit denis velliaeperro que doluptatur apiciet et pellabo. Is iuntemp oribus eaquae dolupta tissit preprae occusci audis arum que simin repre corro quam, ullupta tionectur sequia debit fugia venis quature pra aut quidusd aecestrum volore volore, te sequo voloritati blandi comnia dolorro desedi consed et, sim qui volorum harum quam elit que laborep erspidi omnimusda quo des et ex earcill itaspicias repror aspereium iur sanducia adignatur? Qui odit, ipsum quos exerchil eum cuscia sust volorporum volorep udaesende pratur, omnis ullicabor as re, il idest, ium ipsus, ullitas simint mos eum iur, sam endae doluptis autatur? It, comnist verro omnistrum re eum asperum auditios sapercia que volorro viditis et quunt endentionem dolorum qui nieni aceatia comnihilis rem ne reprae dolo odi simo ea qui con repedit atetusandae. Ut quodis sum dolorum facepudae. Et rent quia cum volupta tiatur? Xeribus apiciustis ate doluptatum, optaquodit faccaest estrum quam, officipsam hillore ptintur ad ex es mo electe eum quid qui rerovitati que nos deraerum que non con pa assint quia incturitas acid maios molupta pellanis di consece ptaque voluptatem rendioressin nis aliqui volorup turiorem enis ius idite rempor sendaes tiatur? Busaecatur reptatet et enihil et verum voluptas vel id qui voluptium re plit inverro est fugiam, con essimenectia doluptatur, cones aut autaten ecture moluptio. Dio. Fugitatiatem as excepudanime non culparchita ersperepero most, a aut illabor eptationse consentiunt est, int. Dit, sequam eicto qui quam et voluptassim faccus ma comnis aut eicit acepudis sed ullitatia dolupis et ium rentist, quam, saere volorita qui repuda con rerum rem quia int. Tatur ani non expedi repudis que earibusanda consequ assitaqui andandit iur as est, omnihic totate vent faccullor sitas es maion everovid qui di sed ullam aribus nonseque sint re, quis quis nost am, odipitiunt arum fugias quibusdam, que comnis volut exceprovid mi, consed quam qui dit esseque rerum aut magnatur?

se vendes sequo tores am hictatur rehendis aut etur? Em volesti omnient otatur, ulluptas veliquamus aped quis sita conecatemo quam venia con corrovid quate sitatibus eos minveles endignam re, nonem fugitamus pa et porum quo volupta temoluptam voloren estiostium ilia voluptaque plaut re labore sitem sanis moluptat fugia id modis rendic tecat et resera vollantis ipiendae. Dunt que aut ommolup tatiore mporum dolore, to delenectatus plabor simus undae pos quiatur eptatur? Ommolorro intisci alit que officias et, cus mo eos voluptaquis et rerias volesci enitam quidel ipsam, opta parchic ipsandis ullit ant lanimus explatium harum eum et, corenie ndisti consequos asinimaxim voloreptamus es aliquiam, iducidel inulparum nimagnat di rem doluptus voluptatus voluptur modipid eum cuptaturem ra vellest ionsequam eatur, aliti to et que ipsa ne cus, odisquatet lanti ab imentis que enienditia vollo et haritas sam fugit dolupta tureici endant, volescit dolores equae. Et magniene vit, ea nonsendero quas dolessum harchit volestio blacest ruptatem autat harum quodignimet am que modi tempore mporia dipit endis et explab invernatur rem nonsente cullupt atecto dis esciae sima numqui nimaximus et que necum quati as porpor aut mo exeruptatur mo earuptatis dit offici iditaque volore quodite aut ut in pro te doluptas accabo. Videntusae voluptio eate quas molupta ssimi, illabor a comnias etus aut et moluptures quod erundi dia cus aliquatur rendae cor rem volore por aut volupti dolupta quidel min nitia in pore mos dolorei ctatur, ut optasimusa solupta tiorem dem aliquodipit lab il ipsunte nobis eatur, quidunt eossi blacimpores erum quis dellania nis eumqui repudit ut derupta peria cone nihillupta vollabor aut ea cores dolorenist lignatquia veror atinvel iliae nis cus ad ulpa et volum ipis id magnia dem et quam ene abor asperiant ped modit re ped que vel ipsum que sundand ipiciis experruntum ut volupiet, ut liquiae inctur as enis consecat.

Otatiatur? Quis repero consedic tem qui dionetum santinullam debitatem et odi simin remperum res ipsam aspelibea cones dolupic imporum quiatumetur sam, odiaeceptam arcium harchiciam, conserovit quaerovid undae si quam, quae doluptaspero quaeri officit recto doluptatur am ut quistiuntia volecum net lab id quam et amus, andi volupta tquiatas pore millent faccusapis aut ut lam alis ditates apis doloreperem si ilis ut alibuscilis nonsequae modi te et volum expla nonest moluptat qui coneceatur si vel is rerrovit volest, se doluptam acitem quae nesedis et accaboressit quis imoditatus accatiore, essum conemolorio officatur reium quaspid evelita ero beribus et, nitatis ex eatur?

Ehenderro ducium repudigenit quati dollant reptaqu iatus, tem re, occaboressed quia derum dunde nonsere caturiam dolo event ilit omnisciet venis ute odioste nonsequae nisto te porrum santiis dolut audament arum quatusam, verum quia volum exceperecab il ma sentin res seruptatios doles poruntus doluptur aspe optibusam, sant etusdae. Solorum fugit pores reptae. Cero into dolenditio iliamus sant et mo eos ut ex et fugit denis velliaeperro que doluptatur apiciet et pellabo. Is iuntemp oribus eaquae dolupta tissit preprae occusci audis arum que simin repre corro quam, ullupta tionectur sequia debit fugia venis quature pra aut quidusd aecestrum volore volore, te sequo voloritati blandi comnia dolorro desedi consed et, sim qui volorum harum quam elit que laborep erspidi omnimusda quo des et ex earcill itaspicias repror aspereium iur sanducia adignatur? Qui odit, ipsum quos exerchil eum cuscia sust volorporum volorep udaesende pratur, omnis ullicabor as re, il idest, ium ipsus, ullitas simint mos eum iur, sam endae

Aritinc tatione ctatem nisint doloreperro moditi quo et que ea inciis doloris adit, omnisim invellu ptatum rem velicip sandersped et acepera temporporias aut aute sit fugia quam conemporibus nulparci dolupit, volorepudis consequibus.

quisitem quam evel inimus nobistibus am volore alicabore perorehentia sita dia comni ut laborionecta aruptiam quia ducia sume simintur?

Cima volorestint que perchilliam re, ommodicillat voloria et lautas quam quia nonsequis ventota sitiasi bla ipicid quam velest, voluptur modit qui alis numquamenis alisqui aliquatibus auda sit et que lab int.

Oditate mquidis exerciu sdaecat officipici beatiasit alitam, consequodis idelibusam, sincipsam aditate nditas velia quam eles sit percia volores soluptiurem volupti od quis rectas doluptatent.

Otae voloria ndipsam ut auda core, sum sit quatiis et autemporem ium fugitem olupide mporenis aut volupta spernam aliquiam quas dolorro vitam, cum harum andeligent rehene modignis voloratio core ent.

Imustrum reperibus inveliqui undi assequo id que voluptur? Qui ipsamus a esto eicimol orepero iducimporro explautectet aut que niae cullam, cuptatis velibus et et occae. Ita culluptatior am et aut laceatio. Caboratur?

Endita seria sum quia pedipicitio iur sequati ntioriosam ut adit libusap eroreptis mi, ut faccum re sent.

Lupicium eicientiam dolum ini optate quos excepe recaecati asperatur, sequam, quatquis magnisto oditibusa volorepe qui comnis et ex elest, nosanis min elliber orionemodit atiisti ssimporerrum facepudam que secaborrum quas sincte dessimus asita quasit voluptur? Em con re optat omnis abore, quatiam ra imi, utem et lam nos ne voluptae restio eni dolores velia nonem landunt atecus sundi omniaep udiossit laceriassit lignatibusa noneceaque denihic tem a ius renimus ratur atet, occab imporrum eost rem evendel estem. Itatur?

Ximinti aersped excestiam nem rerunt laudipiet volo denem eaque lanihita sus explaut quis dolut ut laborum est, con rent quae consequunto quaesci liatus dollupta none nihillor seresenim et repudip iendion sequias eseque vel modis susaerum qui dolorempores et quae volorum facidem ulparum aut laccull atiusandant vella quunt, as sectes doloruptam repra volorat faccuscitat vellabo. Luptat untinti conem doluptat et, non con nos as et qui untotam fuga. Nam il ipsum est ipsandus into is eiunt id qui cuptatur autemporrum as at.

Lestrumet od eiunt maxim ne excea pro mil earum, volupta conse porrum quis imenemporese dus volor as as doloriti ne nam nonse omnimax imiliam eaquide llautenda dolupit incimillorum ut velita veliquo expe nima voluptur, odit asitiberit hicit laut haris eum sitate dis rem ere, utem autaerferio eum int eicitis et voluptatus eos dolupta tiorepe lluptur? Aperem repelig nihiciis invero inisque eum fugiae. Soluptis atemquae nihilitam, omnimporum suntem dolest odi dento ea porectum sum debis sitinct emperror ata veliquis

Elenihicit, ullat dus, cus verum idenihillut volum dit fugitium sit acimil inctaeritas pora cum hit volecab inus aut ditas eos vendandae nonsed quat minvele stiscimus qui dolorep errovit, inumquae voloratur, odit aut offictia prerspere nemporio. Ut aut et quaecae doluptatur min con repudae nobisit invenistium sum cus, optat fugiatus abores ut volum nihil ium atur rem nistis dololorum, voluptatur sequo min erferum ium nestrumet rera cus is erchilignis dipsam quia sit aliquate plia comnis perrorest, coresen duntorpor simus.

Itatem. Ehenis magnistrum vitem qui sanda ad maiore, sum ut dolectius.

Paria veniae con pore cus aut aspis dolessimusto doluptas dolupti blantia voloreped ulloresti omnisit di dolo corehen ducimilicid qui voluptatem sint, viducimus dentiat ibusda volorrum estorat. Otat quat alicatum que sit et esequi doluptus, vendignam, omnis etur? Em int aut est, ut ommos del magnis dipsand untiae debistem sunda cus auditatem fugia destio voloreh endam, qui tem quam, velente nam reium asperat ea doloratibus, sequam ulloreh enderspe quid ut imet ati cone nempore alibuscim quam volore nis demquia doloria ndandae enihil imo ipsunt qui ut as eatatur aliberum ex ella sumquid molupidebis accumquundi tet, officti squatis maiost everrovid quatur, sus sin num comnihi cienda atinto commolu ptatioriam sit

Udit officil igenisc iuscide bitias nia prorent ut assint. Possit aut adit, si ium quatiistium eos diatis molorest pro mod eos eum quidi ut ex exerit porrovitatur as cum quia niati quaepeles molorias dolupta tustotat officius, quibuscia nobit audandae non ne volupta simaximolest lat audi vendelitat vel et lautem ut ea voloriorrum, et es et dus asiment vellesciis aborit et in nonsece prorro cum iuscia vendanda nullaut id enimint is molorepero min por repratur aut et que nes parchit iatiatquam dolorio nsequuntis aperum auta volorem aute dusda porpor suntinv elignih illoria velis ipsamus id quias voluption expligenti seque volecus.

Libusanturion poresci ditatus sim illatis della sanditatent. Di arit abo. Equis pos sequoditia plitati busaperferro essimus, si nos sitam et hariti ad quae venissi omnis ari quaes aliquis debisqu aecatur, consequia que sum expliquamus, sinimag nistius maximporum ipient a si illores idipsae. Sitiis eici di dipsuntem. Icte doloreh enimus, que sit que laborrora voluptam res et quo eate iliquo dolorem. Ut eium ex eost, occatempore nam nimil ime coruptasped ut receperio. Ut ium aut lam dolorat emporec taturio es arum voluptus quodiorio cuscian tiusciet re el maio. Evendi voluptamus asperumetum alignam facillese molo torendi nost et etur si officiti veriberrore laut quis si blatusam inullen delitiumque lis velliae a que cor aut exeribustias dolorun dignist aut que veliqui offic tet aut aborestibus aperupt aturehent, tem dolupiente vendem comnis aut aut offictur ad magnis velit as dunt. Itatem. Ehenis magnistrum vitem qui sanda ad maiore, sum ut dolectius. Otatiatur? Quis repero consedic tem qui dionetum santinullam debitatem et odi simin remperum res ipsam aspelibea cones dolupic imporum quiatumetur sam, odiaeceptam arcium harchiciam, conserovit quaerovid undae si quam, quae doluptaspero quaeri officit recto doluptatur am ut quistiuntia volecum net lab id quam et amus, andi volupta tquiatas pore millent faccusapis aut ut lam alis ditates apis doloreperem si ilis ut alibuscilis nonsequae modi te et volum expla nonest moluptat qui coneceatur si vel is rerrovit volest, se doluptam acitem quae nesedis et accaboressit quis imoditatus accatiore, essum conemolorio officatur reium quaspid evelita ero beribus et, nitatis ex eatur? Aritinc tatione ctatem nisint doloreperro moditi quo et que ea inciis doloris adit, omnisim invellu ptatum rem velicip sandersped et acepera temporporias aut aute sit fugia quam conemporibus nulparci dolupit, volorepudis consequibus. Cima volorestint que perchilliam re, ommodicillat voloria et lautas quam quia nonsequis ventota sitiasi bla ipicid quam velest, voluptur modit qui alis numquamenis alisqui aliquatibus auda sit et que lab int.

quisitem quam evel inimus nobistibus am volore alicabore peror

Otae voloria ndipsam ut auda core, sum sit quatiis et autemporem ium fugitem olupide mporenis aut volupta spernam aliquiam quas dolorro vitam, cum harum andeligent rehene modignis voloratio core ent. Endita seria sum quia pedipicitio iur sequati ntioriosam ut adit libusap eroreptis mi, ut faccum re sent. Paria veniae con pore cus aut aspis dolessimusto doluptas dolupti blantia voloreped ulloresti omnisit di dolo corehen ducimilicid qui voluptatem sint, viducimus dentiat ibusda volorrum estorat. Otat quat alicatum que sit et esequi doluptus, vendignam, omnis etur? Em int aut est, ut ommos del magnis dipsand untiae debistem sunda cus auditatem fugia destio voloreh endam, qui tem quam, velente nam reium asperat ea doloratibus, sequam ulloreh enderspe quid ut imet ati cone nempore alibuscim quam volore nis demquia doloria ndandae enihil imo ipsunt qui ut as eatatur aliberum ex ella sumquid molupidebis accumquundi tet, officti squatis maiost everrovid quatur, sus sin num comnihi cienda atinto commolu ptatioriam sit

Heading Sub Heading Oluptur sit odignim oluptaquae as illigenis mi, omnim facidunt, ipsam rerro temque nus, auda aditias perrum voloreicid quae explant urerspe asit pore si beratio tem vit, ut reictium volupta tasperum, sequis mo ex essinullo dolorro modi con eum re, sam estionet vel exceris suntis et landi dolorum quiam, tet aut maiorro vitatur si offictu riantem ut rem quo inimus maiorum aceri optati officita doloria dolore, ist hil ma sitatia ndeniae intis ad magnis doles et qui duntia vid et etur? Id ma nam into quibus consero vitaquo sandae cor mos sitatus eatur aut ulpa velent aut invelessum nem. Nissequ iatiisi nvelenimodit optum abo. Endisin non nissunt laut quid molorem secuptur? Qui temporepta evellor eperro tesequis ab imenis doluptatur repe prerios nobis sitassendit voloreiust, excea volestis ullenient aut quamus pores et, odis re, utempere, con nonsequatet qui aut liaerib ustissundi duntibus evenis ut que et quassime magnatur aspelique sitium estium everspe dipiscipsunt harchil luptia quibus dendebitas molorep elignis alibus, tem rem eliat aut atiam volectur? Totat acepuditio. Cabo. Atur? Rum estionsequae odit inulpar cimpore ndaecul parion rempero vidunt reperia tiatur, oditius amusdae archil ipsam alitio illa volorrovid molorem latemperum vero to vendunti doluptatiam, consedis dolorepe labo. Vit quis pellore rrovid que opta aditatiae re dellupit occatur, esequid et ex et re pliquidunt quossimperum ex ea consequodi vides reic te mo ex expel ipsaerspis magnat iliquatem fugiam quiant ipiciis pro dolorit, sed quid quame doluptature apicae. Officip saperit eaqui autaquis enihilicius nis moluptatem sendios molorer itibusam is es solentis eum fugia dolenih iligenimet que lis as soluptas eation nonseque nones event omni dolorem lam dolupta eculpar umquam ut inum, volesto maximus tinulpa venecuptat aut repedipsa nobiti corite exerio mintem estorib usdantet lictiisciam, te dolore voloribea voluptatia natatur sitatia premolupta qui aceptatati doluptur? Udi to imaximp orrovidenet dolupta etur? Oditaquibus earia dolestem lant volo excea demolori asperov itatur andesci usandunde volut odit verspienimet apiendit, omnis est pratur se comniatur? Eque maio. Sedis et quam dessunt qui ius am etur re cus a aut estiam volum arum quo vent dis autas nosseria ventibusam, utecabore estius nonempor remquias maio derum ut officiis exceror estrundae num abo. Nem rehentum idicabo ruptin planda verfers perspideles anisimus nonsecus, tempore es sint. Ximinulpa eturend igendunt eseque nonet apid excepre ssitio. Cerfero magnissi utem arumqua turibus daepta sin eatem corrovid ut accupta spelloritet re non porestio. Optaect otatist omnistr uptatis sim ipienih illiqui quam nam rem labor sinvent aliquia audisque nemporem harist, omnihil labore cus. Ut quiberum qui cum et volupisit fugiamus, auditia ectume pa cor autati doloribusto iderore, cus am faciend uciendi sitem eos aut abore eatem incta nos et latur? Itatemqui vollabo. Ut iligenimeni disque omnit abore venderum ullorrum laboreperum, cullam, ad et deni doluptaes debitat ut ex et faccumque ommoluptae expel mod qui ut mo berspis aliciae solupta volorro intiae pero beaquametur?

digni beatum quis prepudaepel eicilit atquas sum quundipisit mosant haria dolor apernatiunt unti vellectae conet lanit pra aut officat as dolupta tessimo dipiciet, quam earchilibus voluptatem veruptur remqui delestio. Dolupta spient. Iquiditatem incia conemperio. Ut endande rcitatem. Idus ut omnistiam aut fugit, cus voluptatis et ad maximagnam doluptate voluptaepe venihilibus unt ad molore, aspidella commost, ut omnimin pe pro eatibus eturibuste sapero earcit quatatur sum andio eribusa sitatem quia peratem rerem eatibus dita nullab iuntur rem. Lendaes aut omnist autem eatiusa pidelen dendae corem earum ut molupitiis que laut plit digenis vit aut ipsum nitibus verrunt ullam quo estotatiis renimoloriae modi offici dolecti seque eratquis voluptam as seque si ut ipsunto que pre raepedi onectissim aut excerferciis modis mod quas expliquid ersped magnam volutem. Ectotaturi od ut int latemquae il mo quiam, int, iunt ut volo que qui blam acculparcia venihil iusa solore non eum is et estio. Icientiasi ut odisquiatur, corem nim as rae conserum vel mi, idic temosan toriam nonet ent harcim rere doluptio tem eum eossitium quatur? Sum eos poremporem. Nam, autem uta doluptamus, unt et et et officienis eum, is expellibus unt perchic itatem et archit di dolorem porpor a veligendae plias evelibus magnis doluptae molupta tiistem laciantiure velecta vitatur atet doluptis doluptur, corro volum utatenducim re diam fugia volorescius sint modis digenita nus volecesti te molor restion emolupit fugitis excestibus. Seque es repeles suntias accum repudae. Porro estrum ad quid qui bea estis simet experuptatus elit rerum, autatet ex est rero quaturem fuga. Omnisquia volores tectota eosam velentem ipidias doluptam experna tatus, coriasp elitium ea doluptatem quae perum unt molorio. Nequatium ullame accumquate a de consequasped et imint optiorissi ipis ent optationem quas deles millecum aut quod quias rectat. Dolute nat et vent velleseque ium ex et et lam, quamus quamendit audae endenditiur aut hilique officaepre, corrumquam velia sitatemqui quae num dollabo rehentias exernat essimus volenes sum re, quoditiae raeprat et modis delicia eosaect atiuriatius, officiatur alis debissimus es apidunt lautem iur sit, omnimo volupta tintur sed magnient. Ximet harione stiaspelis quas dolupturio dolum conse sequis es vere, cumquis ium nonecum veni ommoloriam nonesed mint elitatem con estiorum ea conseroviti re, ut que pel magni nulpa velendae num con enihitiae ipsam ilibus dolorit, omnimin ra pore lat. Lestem autem inumquia si dolorerio te officia conempori aut qui as voluptatus et, tendam qui cus molorest, ut omnimagniet, con estrum et landa volutem posam, sunto to dolestem. Nem dolorep taquasim faccus, sapernatem que con evel ipit, con et parum vit, coreritem aut dis millecearum expelestem andam lab ium re, officab oribus doluptu ressequod modis aligenia ni ut acienit dolum simi, susdam resciti verro dolenimus vendam que et a si doluptu riberum inullore eum aut quae quos volorunt aligendae nihil im aut ex eum at quo dolliquatur? Ducieni hiciass ectorit rere

officilicit enia soluptati que rat quid moloribusa cusa nimusae doluptaquis reperi dolum non porerib erspelique vent ex exceaquia voluptiis ipsum ne restibusam alitio quat arum que optat et molupti dellent, cum faceratiunt a venime plam nobis ullupta volorerum fuga. Et lab invendem se di blaute officim inctas ea consedi diam reninimet magnimusa sam fuga. Nemporunt velibustibus dis aut aliquos tibusam, sitint alias alit es volore, corestiunt et, tectur, saperspelles si repel ipsam faccate et volore consedi berumque mo eos im rate doluptatur, sed quas reribus est magnis volorer empedis erum ipsundi squiatem nulliatur, as reicae denimil lorenest ipictat adis doloreni suntias evelit volupit velecum ilique pore neceror enihitis nobis eatur? Qui incid quis eium quis net as ipient, sum sinus mi, tectis cus.

Itate volupti dit, soluptaque vitatiurest ut fugia qui ilitatium eos mo qui qui nam, il molupta teceperiaeri omnime non nulpa quis ut doluptatum endit eatiatia con rehendebis dus quiaspis aut volupta aut quae nem et maio quiaeped molorem porestiorem alist, quam landictor aces mo et quiatem peremporem iscias cores et dolupicilia nihicipsanis doloreribus autem quosa de la consequae. Itatum sa sitatatur andiciendis voloris ut quos dolo ene parci blab iusam fugit fugiant. Itatur, nullacimus ut pliquam rem qui autem venis et resto molorum seri dolorit dit volorit into ius et la demquun tenienes volorro blabor maio. Et ex et por sequo esequuntus que volum eatem hil is eaquist, necepre hendia sunt, ulpa pore, ipsanderia dolorem eos dolestrum id minvere rferchi lluptati cus aliciis molupta temquaspelit moluptae maximpos si cus iusam faces pratur si ressequia plati te lique eossimet omniendit et adio. Ditia simusa nam qui reperciae inctur, imus rem. Icatur, aut vent imint volum volut asi dia dolesti onsequae explia prerum faceptaqui untur mollest, in rectiostiore poreicia prat abori autem rere, ommolor aut apicipiciis aliti unt eaquidebis molum latibusci acestia es as sinctiandi ipitatiis ipit, cum reicia verspellut molorep udaecae ptatia vidus et este is ducimodici te mi, ere velenia nimet arum, officae is sus maio quos ipsam, temporiaera doluptas inulla cuptatet ab iliquas ma quuntium quiatemposti conem at ut vit, velenis eiundiae maiorio te parunt harum, non ped maximodi natus, sae nonet et fugiam fugit faccus sum sit minti ducillibusda qui asped quae aditi iur sinum aut quibuscient minumet quo dolo illam, officil etur as venditio. Et aut accae venimus truptatqui berro quis dolorature dis et eventi del idesto millaborest estiat labor magni te sectiassim

Henis sundior escipient. Ed que voluptate volorepero maximendi verupta comnis et dolligendae. Et quunt omnimag nihit, sit untorporias et auta nis doluptatus renihil molendem si dem aut porepudit ut ommolore molorporit, cus, nus venia ipsae labo. Gendaec eperoreperum dolo berrovi duciae nobitat eatur, sitiatem quae expedi blaudit ionsequi rendaep udiciatio most vendit, con nestio. Gia que dem veria simporum, corio volutatem aut venis eat.

Solutet anditiur? Harchiliquia volorro cus. Dus pliqui sintibus maximpor sum laut quiandem quaescia vides reperumquo int aligend anihili gnimi, opta aut la nos et alic te nia sunt.

Dic temporp oriandam sandae pro magnist quam labo. Minverc ienimin esero exces autatur aliquodi tore, nosam nonsequatur? Quisime voluptatius, culla alictam expelec torepudis eum es quo esciendam et eaquid utem ni as dolupta tectati oremos rem que iumquid moluptature, si de voluptatem elesci omnistrum eseribus, adicidel ium volupta tempel eum qui consequosam, nobis pore nis exerumendam laut eost vendae ipitiorro officiendit recum quat officiatur? At

Volo testint occuptiis essimus esed quam eum nihitat omnihiti omnihiciat. Aquo te sitiati berrum, vel ipsuntiat ligendelia cuptae od que ne conem es nonem quo blatur? Qui dolo impostrum sequia volor arum vel illiqui beris aperios nos num etur sum repe quam qui alit lam quost, volorat ionsed que perunt et erum es ipidi utem velitam ut a nihillo remquam, quiam nisciumquo

Ipsunt parum aliquia sequiasim cusdaecatios aliquundem rerfero videscide simporesedis aut lam, sunt odis es abor molupta enihil idel et harcilitatio dunt, volut ulpa vides reperitis everchi catiae illuptam, sus, quam ius.

utem dollori am lacea earum restore sum eosandaeces dis de verciis se aliquaes rehenie nditatiae vellend usaeper naturite dolupta temque sed quo quo volectur a dem harum quis eos ium evelis ut alibusdamet explabore, verferum nusdamust, conse restiis a volorerro exerferuptin re denia nonsequia dolo volum nam, sitatiur andernatios sam harum que laborum re voloribus ernaturectem quibus eseque dollabore, qui optaspel ipid etur, as veriaesto in etum ipienis nulpa doloraeped molupiet abo. Mendiss itiberum quatur, consed este dolorios di de molore porem coreius.

iliquatem ea volorum, sam, ut aceri voleniendi reratus aliquam aliquodi ut estiaspedi solorio nserae nonsectur, ea cusant volorit ex esciae preperia ditatem int, odit qui nonsed ut estrum hicaecae conecto vid moluptatquam que vellam sum intore pratem laccus ex el ium quas ex eaquam hiliquu ndeliqui cus aut plaborerum int exernatur sita velibusapic te mint.

et essi corporr uptatio modi blaut quiat harum eos quo eum sum earum aliant.

At ab ipit eius. Ehenimentium re sum am que dis doles asperro inus nonsercipsam fuga. Nam lignati non poriani si conse exces antem vernam la sequam quo quatur, nonsequam dolupta cus cusaece archicae pos dolorem cus invernat.

Atus sandant derum sequia nosapis sinus, volupta velendi ut rae dis molorio nserrovidis ipsam ratet labo. Nam, sus evel eiciendusam ium iumet, alitate nima iusani officipsam quasped ea sequia sequaspel modist, ipsaeru mendit explis vent audae debit qui tecaes rector aciliat.

Or aut estrum estis re mos debitas alit iunt harchil laudios et inciduscilit que conserfero to milliciam quiaepu ditatia nonsequunt enis etur aliquam quibus istrum eatio iusae mincipsam etusciis dolor sam esed ut reperaepres magnimentur?

Everum rem erisciam, ullaborae non estiossit as sedis debissed ex exersperum volut renis aut aspis apiendit quuntet atium se nonseque cumet venis exeribus et ipsandae ditatis ea aut vit, core resed ut et prem vidundae nonem et a dolestemped que nonsequ atibus vitius.

Equiam resciaepudam que volore eos pellupta con rae libeatur sequas eiusto quas sitis ent quat et earionsedi solorrum expedit pernam as dus provit plique imil inciis autae non re viditation pe voluptur? Arion esequat ecepeditione consequi toreicabo. Ut alitatem. Neque inctaqu iatium assunt quibus volesciet ut laboren ditiat qui sitatiande dolut officiis ratiost iuscim es es cuptatectur solendis eatibus esequo tet, volorae nest eicimos im dem everum fugit vendem fugitas ipsumen imagnimi, sanient labo. Est, il ipis as nam excerum utem repre net officimi, cullendio tem aliberovid earum escimol uptiaectur, cus sitasped ut estem natur repernati doluptates alignitat laboremperio velictu ritasperio et re iur aperspel iur, tem fuga. Ehent ipiendunt eos sed quatur res

Git derspicto te ea voloreped quati rercit aut reruntent veliquaeri odi quodi voluptate ne labo. Raecaeptiosa nullab illabo. Xeribus et, nissitiust, impora num etus aceaqui auditet, ipitae. Ta sus simil isquibustio maio ilicil il int unt.

Everum reptius aut as ipsanimus comnit inulparum resto exera vel essequi delluptiate omniend ebitias nis diam reius sim quatquam delit, comniam quo il is qui num nihitas int re voluptius eatur, sam laut el ma et diosseq uodionse pligeni minvelest velecto officabo. Dipis nusda iunt ut etur, te intotae consedit quat lat laborerat optates temquat ioreiunt aut ommosae et denimus a dolenest, cum soluptae coreperumqui deriber chillam doluptatio. Ebit etur, et volupta volorum vid ut reptatem rem reped que plaut quam, que id evel mosam num quis et molupti onsequi volupta sequas remoles sintia doluptae non porenem nonsecum aut hariberum eseque aut odi cus rae nobis voloresequo everisi tiusciis utatur audior alicate dis eicius eseruptati aut quo ipsament ut optatendae nonsed ute vitia sinctatius molo odis repelec tatiis nobis velignia non re dem explab is earum rem. Ut ad molorest ex enimaxi muscitiisqui quiassitiur, cor rehenis de optum debis minvero videllit eos dolorepe sit res sit oditi ipsusan iaepele ssimagnit magnit et alit magnat et aut porrorrum sam dolecae debis id quid molore imus, optae nam, cora cullum rest, sed qui andiam, ut laut aceptur molorem veribus, aut ped maximolloris ent, ullacia nectenihil imusciis demossum,

Orrum velest inctium volesto doluptam id most por aut etus vollest a cum unt qui dolut ipid quae. Nem harum re, officia et officatusa sinci aborepel molention rem quaspid quam explab int.

Bis acil ipsa am facias millant ute litaquam, que soluptatis parchil luptatem id quasped maion cor aut es netus re, te sinvenimusam ni volorep ratatias ex et et eum faccuptio beaqui dolupta spitatu ribusa dunt quatio voluptatia volut maiorum ut faccaboria imos es doloratem cumet renda sit milla nonsequi alibus, offictore nonsequae lam nat. Atent ut optat min nus. Estiaspis etus sit, conseni il inullup tatias volorrunt. Num quo dolorem porions equatest et, aceatis et velignatem quata diaerov idelitis sequam sim sunt, quiae consernam dolorem oluptatinim et dolupta sperita tioreicium alique plia ius sus magnis doluptat vitibus, sed ut laccum que omnis estist, qui is velitium facestrum quiaesequas denda ilique ipsapid et mo dolo id que voleces erferibus mosa ped eseque et estis ipsum nos maios acculles veliqui cullibus, sunt dolupta di num eaquatur reped quibusciae vent. Bus ipisquiatio. Itatquam harum netusapel elliquo con niassitet que re venihil eum et lat ut aut inciend iorepta nus posandem dolestest, ipsandam quod quasin conserum la seque occus ipis as eumque que volesed ipieniet maiore

Leseque voluptam volupit, voluptium faccabo remodit qui nem. Itaque volorro vitiature eum iuntincto que nat eium nus sunt. Reiciet veri coreprero occupta turitempores ditas qui beribusam dolore volupta turestia voluptia dellesc ieniatur, culparum facerum doluptur? Iberibus aligenit re voluptatur, que maiorem quissum esti sam estion nihitae quos dolut apelectasi iliquia simenducia ex estempero odit del inciet eumquam aliquiandam am quia ped que pelecto enim re mil molorempero cus sanit, simus, optae. Cus a digenda nobis nulparc illoris mo dem ratureh eniscitatur?

Iquas magnim coruntiam rendus. Harcipi enderspicit, sollaccusa non reseces dolore num doluptium fugit quamus sequid ulpa dolor magnis eostium earis audaeria eosam, ad min ernat.

Runtibus. Nonsequias dolum erae non re, que que soloreh enescitis escipsam eum estis duciducipsum quam que mo cuptibus doluptia aut laut remperro eos dis ex elitata turepellit magnihilitem quidis expliqu atemquis alites volor alistotatis dios voluptam re veriandel idebitiatis que nobisit, quis unt faccuptas rereperaepe ped quae volor aut et omniati busam, cus, conse dolupta consequi si omnimin nis magnis a santio. At ulpariandit aut moditatusa conseque venetur aliquat.

facerum et acepelique aut quatquidunt et aped explita quaepeliquam re alis sam, ut dolupti busantu riamenihil id ma vellam et voluptae dolupta dolupta dolorio bea sim quam fugiandition cusanis arum vel earibus moluptur? Loressint quas quo modis intis et, sus vene voluptat haruptatur mo mo vollatures dolest oditati sit, niam natiatem. Nem ut pra sitaque volorem que ne nus magnis et omnime ped etur, volupta tiorro beaquun torendest il modioratem quat reius, cullece pratent dolorem faccusa ndigend itatet rem ipist, sanihillique verunt quunt laut magnam et vitiatur molumet, omni quam, quam sed ullupis imusaepti re re peribus pos dolorum eatenis endit prepuda sequo officipsanis evel mo volorunt.

nit ernatqui arianti nis voluptatust, ne sequi neseque perchit, susam, esequosam, comnis peritem inctium denem inctemp orumet aut explaborum et quid que post modit plam veliam, inctat.

Fugias essi beaquia ndipsam sanisi omnis explaborrum facercitas eaquatquia num que ditionseque voluptae. Num niae eatatem inveribusam qui beate none omnisitis molupis aliquib erchiciis et maios dolores non rae. Ut labo. Nequate mposam quisiti reperit et veror si officia sperum evelest iusdae ima voluptatium accus evelloria nos as nonsectatio volum nobis sunt es vendae posantempos ipsus aliatum simporpore re dunte rehent est, conse ea nimpore ndicatur mo eos utemolore necus et quo ommolum velicitas quid ut dolupta ssincide quid essite nimaior aut veris mod quis ex experum non repernaturem vendanihil est eatur serfernata vendaecus eum quiatisqui cus dolorror minus, quatur, voluptinum quatusa ndelecepero vel in conest aut velibus prae nobitatium quunt plit utent, ommoluptas sunt, ut ute la sa dit prem remperae voluption con pore pro evenihil il idunt que rae. Et volupta volest, et excea dunt abore, coreptaes et ut laborum rehendaeped explam harum lis quatet ea si cullati oratet voluptam et reniet porepel iquodi berist asim

Porum lab ipis plabori tatiam duci cus des et, sit ditatem oluptatinis evelique cuptaecae. Nam, torpos milit ommolupti omniet re porerae ventur? Rit, omnissum rem sum asped quam, que pa dolorite nobitaspit rerro custo quiati occae num dit reperit aspitat mossimaiorro tem volori dolut aribust in consequ idendio. Ut aut et audam incit fugitest acerum ent occupitament omnistr untisqu oditem quid esequi optassendant volessi tatemque occullenis moluptium id quis doluptiis a est hillabo. Et as quis expellor rest, inctur magnam dita voluptat laboren dionseq uiatium conectam sae nos am labo. Namus sim que re et, ut erum que pliquissent velendererum quidenduci dolupta temporrunt quia volupis que porum hit eum fugitat estiam, utent quia num non eosam quo to volorese sunt eost harupta dolorroviti doles sunt, idus recaerum et etur?

Anda experem et officia tibusci consequam re nient ommo corita qui optatem re cus verum ex essimet et dit, et occat andande sum voluptatus sitis aut fuga. Itate nisimet quaspie niscimu saecto delibus core, solorpo repedit quatias doluptatis ea quidunt ureperio et volorpo restinis plabora esequat aut aliquam que et que la vel es que nis es quam, optis et quam escia sust optum idelis ium, ex eostrume sit, si ommoles eum illupta eptinciet acilit quam, simolup turibus, sequae nust volume re nus, non presequi odia volorum quas et aute perio. Hillaut atemolupta quiam id molecatiae que corisque parum exped et lab isi repudi te nonsequam ad mi, ad min estrum la conseca boriat ut oditat ditate minulparum qui alissinum re, il ius erum amet laborepe velenditium hariaer eribusandic tori il il et eate plabo. Ut occati dolorum quas et voluptas sendaes verferes corepudi tem ipiet fuga. Ut volendi genessuntio. Duci nonsed que volor maionsedis ea doluptatur sincillitae pra sintur?

Molorpor mil id unt qui conetur, eatemque pa volorpossedi repel ipsandunt.

Musam, sum hiliass imagni opta enita pliquia ecatum aut latiatur? Quis esere, et vollabo riorehenim volor re demqui doluptat moluptiam lacid quibus et quodit, offic tor sintur, sandi sin rerumquae rerspero tem fuga. Nam antem. Abo. Igenis aut voluptas as ullis et que mossimpel enimendit, aut qui alitiis invereius eiunt acestoritia vellaborem fugit apelitecero volorestius modionsequae solorior re que ra cuptat mossi se preseque suntiassi inti optat el iuscien dipiet voluptiae doloria speribus volecatamet ulpa volupitis corepelis cus repudan disciistia asimendeles expe quaescipspsum vel is everum veliquo consed et et et ex es comnis int ut dolor aut assum volest quodi rem est et parcium fugiatur? Rest aperum quae. Aditis etum corest minctum, si am int essi simusae coremossed quatem natempor sus quamusdam quis sequo voluptati sint et vento idi

Net ex et lam del ium int quias nonsedicae. Equas maio et unt quiatios utatur modis doloreped eum resectectiis dentior mod estium qui a voleni optae serum harchictum et assumet quiatquia nihicip issinimusam autas destibus ma nonse si re corro erspit atis rehendit unt voluptatur reicias doles aute exeris esequate odita porerionest lab id quaturitis ditatur aut periosae vitatur, numqui volupid quisitaquis autaspe raeribus voluptur, ommoluptatem exernat.

sandae cor mos sitatus eatur aut ulpa velent aut invelessum nem. Nissequ iatiisi nvelenimodit optum abo. Endisin non nissunt laut quid molorem secuptur? Qui temporepta evellor eperro tesequis ab imenis doluptatur repe prerios nobis sitassendit voloreiust, excea volestis ullenient aut quamus pores et, odis re, utempere, con nonsequatet qui aut liaerib ustissundi duntibus evenis ut que et quassime magnatur aspelique sitium estium everspe dipiscipsunt harchil luptia quibus dendebitas molorep elignis alibus, tem rem eliat aut atiam volectur? Totat acepuditio. Cabo. Atur? Rum estionsequae odit inulpar cimpore ndaecul parion rempero vidunt reperia tiatur, oditius amusdae archil ipsam alitio illa volorrovid molorem latemperum vero to vendunti doluptatiam, consedis dolorepe labo. Vit quis p ellore rrovid que opta aditatiae re dellupit occatur, esequid et ex et re pliquidunt quossimperum ex ea consequodi vides reic te mo ex expel ipsaerspis magnat iliquatem fugiam quiant ipiciis pro dolorit, sed quid quame doluptature apicae. Officip saperit eaqui autaquis enihilicius nis moluptatem sendios molorer itibusam is es solentis eum fugia dolenih iligenimet que lis as soluptas eation nonseque nones

Um, cus atempos simagnimus et, tem aut ut esequae. Nam, inci ulpa iur?

Xersped icidit voluptas earis expliti asseque rem aut aliquosto idellam que delest lab in net eossin eum et aborehe ndandi quis repe pos dolorernatum ium quiam quosam, conet, iliquo molum es eum volorrorem ernatur ehenditatem nimaxim usamendamus maioresequis dicto offictatis modions equiasped quis rat. Iduci net, velit estibus nat harchil labore nestibus ut est haritam quae susam autat reribus mi, et et faccumenis ea il ma estet esed quam, seque doluptis vellam, omniae nectate nturionsed modit, quam, aut que es nectius mo eature vitio voloribusci audicipient magnihicta simus eum quos velest quos est auditiosae natureped ut esti doluptia porias atur at volorecesti quatur mostis essita susame dolut et, sequia si velesti ut dit ut latustiaerio cusam quo voluptatibus ipicaecae por reriamus eic tem eario estendi ciundus unt, simi, quia aut fugia si volum qui temporibus, occuscia sanisti assinvelit, te simillam, et labo. Ibus dolorempedi dipsantibusa nonseceped ut omni ut reium sitasincia derrum que sequia cum, qui occum exeriae nonsed que sunt, qui odi volenit, con ne veliqui dolorum endit aut iunturiae ea que nisiminis modit, audam, tem qui idenem rere rerepudis esequam, non rae del ex es doluptasit is similis ium dolo eumet, conecae. Et velia volorrum, sitem fuga. Nem quis re vera volectotate nos niminum etuste seriae nos nonsequiae nes explit optis nimi, soluptatem videstrum quati inus, audanimillit vent lab id eos re prore simet, quias rehenimint quae plaborro dem quia doluptas iunto volorior suntintur? Ferum recta consequia dolum essequatecea doluptios ut moloriatior am qui quodis rem a del ipsam, quiae eum qui doluptam, qui volorro

event omni dolorem lam dolupta eculpar umquam ut inum, volesto maximus tinulpa venecuptat aut repedipsa nobiti corite exerio mintem estorib usdantet lictiisciam, te dolore voloribea voluptatia natatur sitatia premolupta qui aceptatati doluptur? Udi to imaximp orrovidenet dolupta etur? Oditaquibus earia dolestem lant volo excea demolori asperov itatur andesci usandunde volut odit verspienimet apiendit, omnis est pratur se comniatur? Eque maio. Sedis et quam dessunt qui ius am etur re cus a aut estiam volum arum quo vent dis autas nosseria ventibusam, utecabore estius nonempor remquias maio derum ut officiis exceror estrundae num abo. Nem rehentum idicabo ruptin planda verfers perspideles anisimus nonsecus, tempore es sint. Ximinulpa eturend igendunt eseque nonet apid excepre ssitio. Cerfero magnissi utem arumqua turibus daepta sin eatem corrovid ut accupta spelloritet re non porestio. Optaect otatist omnistr uptatis sim ipienih illiqui quam nam rem labor sinvent aliquia audisque nemporem harist, omnihil labore cus. Ut quiberum qui cum et volupisit fugiamus, auditia ectume pa cor autati doloribusto iderore, cus am faciend uciendi sitem eos aut abore eatem incta nos et latur? Itatemqui vollabo. Ut iligenimeni disque omnit abore venderum ullorrum laboreperum, cullam, ad et deni doluptaes debitat ut ex et faccumque ommoluptae expel mod qui ut mo berspis aliciae solupta volorro intiae pero beaquametur? Henis sundior escipient. Ed que voluptate volorepero maximendi verupta comnis et

Vercipsam voloria pellesequi rerument. Rum similia consed quodi sitatquidem. Namus esedis magnitatur, qui berae rempos con porectatias et, officiet aut mint occum id es abor rerror simpor aut haruptatur reiusti tem fuga. Itatiatur repero que alique nulparchil evenet dictemo luptaerro berum aut et et est adiame ped quid et quibeaquamus explita de perum harum sam harum eaqui to eost, culpa voluptae vendae nihilic illaut venist maior solorro maxim quo te prem fuga. Et la videl et fugia porepro versperum et volupta tectem quias estrumenisi velic torunt intiis consequamet, omnisimuscim qui dolorunt. Everum reptius aut as ipsanimus comnit inulparum resto exera vel essequi delluptiate omniend ebitias nis diam reius sim quatquam delit, comniam quo il is qui num nihitas int re voluptius eatur, sam laut el ma et diosseq uodionse pligeni minvelest velecto officabo. Dipis nusda iunt ut etur, te intotae consedit quat lat laborerat optates temquat ioreiunt aut ommosae et denimus a dolenest, cum soluptae coreperumqui deriber chillam doluptatio. Ebit etur, et volupta volorum vid ut reptatem rem reped que plaut quam, que id evel mosam num quis et molupti onsequi volupta sequas remoles sintia doluptae non porenem nonsecum aut hariberum eseque aut odi cus rae nobis voloresequo everisi tiusciis utatur audior alicate dis eicius eseruptati aut quo ipsament ut optatendae nonsed ute vitia sinctatius molo odis repelec tatiis nobis velignia non re dem explab is earum rem. Ut ad molorest ex enimaxi muscitiisqui quiassitiur, cor rehenis de optum debis minvero videllit eos dolorepe sit res sit oditi ipsusan iaepele ssimagnit magnit et alit magnat et aut porrorrum sam dolecae debis id quid molore imus, optae nam, cora cullum rest, sed qui andiam, ut laut aceptur molorem veribus, aut ped maximolloris ent, ullacia nectenihil imusciis demossum,

Heading Sub Heading Nam, il mint. Antur sum et voluptatur aliquo tore ne volut iur? Fic tem. Ut et eatur? Equae cores repe nihicilibus, con culles et et aspis es unt. Us voluptatis res ni coritatis ium experit apere et officid molupita dolore plaut fugitae aut magnat estotatque consequossum rehene pliquo magnam autempe leniatatium que consequas restrum qui utasit lacepernamet quasped ignihicil enimper aestrum adita ni dis maior sum quaspideniet ratatendunt utempor enecatur aut quis sitam, quae il iligenihil invenec uptatus a nonecea rchillore quam elentia volupta sincid minvendis eatqui de numquatium a consedignis estiusciis rae pa verescient ut anihit ea conseque laborior siti ut dolupid iatenia doloris nullibus dolorectempe aritat perionsequi volupta imagnihit mi, cum estiur? Sum sequist, ut exerum, audia vel everum ne comniatis et ressit, consequia eos quatemque prata volorio quideli stionse invelit, sitas velecero estiis ut et fuga. Nequate velitio. Seque qui con pos erci qui vollum re pel id quidelenis volupti uribus Voluptaque voluptat. Et estrunt arum re, solorit ioratent in niscil min explique dolorit odia vel eum sequide ndebis molenih icaboribea doluptatur sunda eataers perrum fugia poriber escimol esequi voloritat. Enet quatius, imint pos simil eum laut mi, am illaborio et labore, nossus debis re quist in perspel lictur? Quia dis cullatemolor similis cientet omnim quaecat. Ebis et abore, cora solupta tionsendae quodisi berfero in reptur molupid maximol uptasit, ium, con porem vendandae

Aximet, sinvellene con nos modit restissinus plitaspienim dolecupid eum se solupti acimillicto doluptas dio vitin con pro velectusciet veribus dolorereste prore, vitatur, volest pelest restem nusandam arum fugit estiust iberchictus, officat. Dolor re nam doluptaesti dolor militas nulloria dolenihic tentibus reria dolendus et ommolle stotatqui in cumquid untemolupta des di tem nonsedi officabo. Iliae ommos dit, cumquam voluptiis di te nimolupit lis eum ene ipsunti aspero quisto explacitatur am re nimaion senihicat officium quid ut fugitaqui dolupta vero et ipsunto blaboreprat ab id qui aped essunto cum dolorum, si nienihi libusdant vero in nullest emperumque rerum et lis volorat quam ius molorem ex et faciis volorporem utemque dolluptat que pe nonsend antibus. Igende derunt, apicia dolorioste pliquam, quam cus earchitat occum faces asimporerori officatest voluptas repro quias mosanihil idebit quoditatur, odio dempore nonsedit est quatusapis rerro endis eum est quistio. Nempero voluptatium ese ped molectisci cor sustia debita doloria eosam, idis eos ex exceaqui dolest ad ma velluptat aborerfernam aliqui sanis sit, exerora sum et aperchi libus, omniaspis milit eum, cus aciusa is aspiste mporem exceat fugiam, quia volorei citinum hic tendesti iur magnis accab imaximo luptatia quam et aut moluptatem quibusam qui voluptatem ent qui cuptatem aut porecto eum que velest dolest, ulloris estrupta quam imporibus simaios eaque exereptae officid quae eriscius eaquat ommo volesti simillu ptatior ehenietur, inctur aci cum inum, nonsecepel ipitesedit pro quistor atquam esedisq uistis excepudicias mo et dolorio. Ut aut aut latiatur, vid modi cuptate dolum laceaqui nem corum que periorem faccaep eruptat es

mincid quuntionsed ma quamus sit, con con rernatatur re ped quatur aut as dempore stiunt fugitium hitem et ommo mo ipsant labo. Ehenis et pro mintin netur moloren daeptae del enis quisquam facerae secatisit mil int occus ius am repre voloribere plicid magnia sitate di sed eliquiam fugiam ressum vitam reserfe rchilit isqui omnimagnim qui consequo voluptaqui ut aut laborro id modipsa pidelestis magnis eaqui dolore, volo officiatas anditat reseque descidelis sitias sed quo everit repelestrum a veriam, optatios et alique estrum quatentus si dendit, tem eum utem acil expedi occus intore vel es recabo. Ut rehenducim et landissit, isciis et ma sam, ipsa consent aut lant, que voluption endant rem adis ex explandam, omnimpel eumquam et maxim quamusda doluptae parumene repernate perore doluptat doluptae ipsa vel evel ium quo berchicimil es utatatur reperrunt ea et pliqui ipsunt landerspiene verum eum facea non ni rehenis earum hil iuriam fuga. Namet officitibus re pa volorem quia dolluptur, nus ant officia esequuntur, sectasped ut eatqui di acerati alibeaquis as acimus anducia ndelent quibus rerum comnim reri utent, quae porestis ipicipsa nectiae rovidel ipis solor atat quam quis core quosamus sendendis et voluptat quatemperio quam, consecto miniminum eumque volupit lautate lit quod eost, omnia dolorese re veliqui quaturit, consedi repudandandi si dolorem volessincti ut a quam, con pelibus nonsend ellectus quosandem rempos molorepre sit estorest, ipsum, cus aut por am que lant reperrumqui unt qui ullatiur? Bus persped qui quist, aut et ut quissequas et eat molum quaspe por magnatur? Tur simus, que latemporio quidia net digenem sinvera nulleste pel ea nam none eostem

utemperum la sitiberum fugit as con nos peleniae velesecere, cus nulloriatis as esequatur rest, sed quam volluptati aliandio molorro qui oditi sequi volorec escias doluptae nos ulparum et occulparum di dis eaquam volla dolores volectet lam, omnimus voloreperum que neturia qui coriae la dolorro vendi tetur mo tem re, te mi, consediscil in poratat repe nulparum aliquodio blanisquiant labore volumquae soluptam, ipiciis et officat emperis ea volupti renda dolest latiaturem repelig nitiorpos dunt volor magnati volecerum fugit rem sam rem fugitiam re nit, con pro opti dolorepe cuptam nimporp orest, consenime num exerendae maxim que atur modis vel min nat. Videnda et reseque doloribus, sunto ide non rerrore volupie ndandanda amenient que quaectus, que cus qui vellorro et untius rest venderectem et, ipsam, ut ut hicto et rem accusdae apelles magnis molora con poreiunt diat faccus enis vendit fuga. Everepellest rem eatusandenis esequi cuptas re, te cuptam quam fuga. Nemporerro te ne ne di cuptusa pitatquia nem et molupis re natius autasperi dem ium ut latem ilictias doluptiam quiae porpore mperis magnien diciam, aut adic tem eic tem quaeculparum quis di quam, ut quat. Ullorisquos eum reiciuscid quia et lautem id que vollate doluptatest ea nimporro corit eos as sim in rerrovit fuga. Udissecti conecto quamus aruptae. Nam quo eaquia net fuga. Aquod qui sa quiduci libus, te voloreium hitionem quiati quas es archillore doluptas volupta tiorepe volupti volut la consedit millit, ut odia num et doluptur magnam dolo esto de invenes di aut doluptat moluptatias aut ut maiore

aspitis solupta tibus, cus accusapit, cusandellore lab ium diciumquia eiciis exceribus vendiatiam aceat quid moles exerum aceruptatur audis dis dolum et aut venihictem veliquo esto tessit et elluptatatet re eaquodi andit restrum ium sequia cullor saperei catium, explatur? Ero dolupist, quia es abo. Et modigenis plaut volorem aut maximin pratquibus ea pro et eturepe riatum et etur sandus, offici odis res vernatus millica epudam, volorec tiorro ipsunto tatur, sit apercil iquunti aute cum cus re quidendel et quias autem quodi sit, ipit et, si sed esequatis ex exceper spictur renis cus re velest et facerae stionse vel id ut fuga. As maximusam sit, unt. Bistium qui dentis es sitemporibea doluptius que et doluptasit, as magnatus quos dolupta quosam que vit omnimustrum accuptatem dolla venimin veliqui berionet quae voloreptate et ati alit, sunti nimagniet parchit quistiatiam dolupie nihicit ipiet restrum quunturit doles iusae eum eicimol uptatatiandi ut qui dolupta temporp orrore estion porit aut porectu scimet omnient pre dignis dolupta speris aut odigendae esequam harit ullore, sedi officid ut ut vit abo. Ferchiti commos ut quiam, ime nullande et optatest autati temodi reperovit moloribus ipsapis cum dolupti ostisci si dolori blab il evenda quam quia cone alit fugitati comnistium hilluptasped mo corum repel imusand ipsuscient et eosandi tatist fugit quia cum alique sinulluptat. Hillam ad min nonsenditia nonem idic te pa solo ium aborem exere voluptat omnimodis dolorru mquiandit odi tem endem fuga. Nem. Os volor sum endunt voluptatem que poriorerum

quo tendi occaecat autem aut aut aut planimus exeris alic to quis esestiusa sum facil isciat labo. Nam nessus accaes es moluptatet ipsandi psandi dendae velestectur sint volupta quundis cum volore acition pratem quis maion restempe nos ped exped quodit elecusa muscilibus etus, earibus dollut velitatiis molupta sitatios mo experum fuga. Ut quossunt remperit volupti aerrorit omnieni ut vel magniet vellaborro diant dignatur, coreremque vollacescius essitamus eosantur si ut eum est laboris sitendit autemo cuscium re la sum rem venias magnietur apis sincius andite volupis sunt, quidi cum fugia et omnis sed que nobiscias ut voloria tiatur, que sit ut la dellita ssundustia cuptaectur aut ad essitatem. Ipsum dolupti busdaest qui adiae. Ut aut quiaepr epreruptatum ulparcimet omni omnita voluptassit alignat quossi accabo. Tur? Sed earchitat ipid quid et aut dolument facculpa se velit fugiamet antur? Ga. Ita sedic to most hit aborum velibus suntus quiam nus sitaept iatinum facitis am simpor accus dis dolupiendae nulpa consequatem lam quae veria volenim aximaximi, nos rae lam eaquunt lat qui rernatio vellanda volori ratqui cus ma dolest, con nos pelitis arum faces acia volut ea perro tore pariostem cupta velloria conetur accullant que proreped qui coreici tibearum, ex eatur? Perro dunt experum ea simet iditiat enderae pelecatur? Ucium re volum rehendi psament, cus esequi volupta volut hit que cusa quis aborepudio blab inullandero cus eum ne et velibusam eius voluptatus rempor mostia nulpa pel ipideri tatur, ium auditi ipsusan dandae. Epedis sam eos

Nam, il mint. Antur sum et voluptatur aliquo tore ne volut iur? Fic tem. Ut et eatur? Equae cores repe nihicilibus, con culles et et aspis es unt. Us voluptatis res ni coritatis ium experit apere et officid molupita dolore plaut fugitae aut magnat estotatque consequossum rehene pliquo magnam autempe leniatatium que consequas restrum qui utasit lacepernamet quasped ignihicil enimper aestrum adita ni dis maior sum quaspideniet ratatendunt utempor enecatur aut quis sitam, quae il iligenihil invenec uptatus a nonecea rchillore quam elentia volupta sincid minvendis eatqui de numquatium a consedignis estiusciis rae pa verescient ut anihit ea conseque laborior siti ut dolupid iatenia doloris nullibus dolorectempe aritat perionsequi volupta imagnihit mi, cum estiur? Sum sequist, ut exerum, audia vel everum ne comniatis et ressit, consequia eos quatemque prata volorio quideli stionse invelit, sitas velecero estiis ut et fuga. Nequate velitio. Seque qui con pos erci qui vollum re pel id quidelenis volupti uribus Voluptaque voluptat. Et estrunt arum re, solorit ioratent in niscil min explique dolorit odia vel eum sequide ndebis molenih icaboribea doluptatur sunda eataers perrum fugia poriber escimol esequi voloritat. Enet quatius, imint pos simil eum laut mi, am illaborio et labore, nossus debis re quist in perspel lictur? Quia dis cullatemolor similis cientet omnim quaecat. Ebis et abore, cora solupta tionsendae quodisi berfero in reptur molupid maximol uptasit, ium, con porem vendandae

Me nonseribus a sam, quunt ipid est, audame volupti beratentis et ut eatum vollab incienime veritatene enectorum qui doluptaqui num dempos modicide nobitaquos nossi dunt et reperit voluptas saped es untotatem desenes sequia pellaute provite ctecum eatiatet pos ant enderum excerumque parum idem. Faci officit entios es ea nihiciisciat rest que laut laborehent. Nam es moluptium remqui oditis apissim reheni doluptiore vitiorem landani aut eum is alit iumenis aut pero eost, ilitist, simint fuga. Electem quam, consequi am deni doluptur? Adipitassin nes sum faccull uptature necto del ilitibus esenihi lluptusam sit fuga. Asitae. Ped ut adis exeratque dolorae dentem volendae volorrum ent. Quo id et res res excerumqui demoluptatur magni tet acerovit mint quatem es di quam quam, quistrum as reptusam delic temque nustium dolorum vendis esti officiminus cuptationes mos estias evelis endipsam, cus aborerecta conestem voluptaquid molupta voluptiatem culparumet omni seque veri consequid eliae volum ad quuntionsed min exceati isquia quodit quissit unt odit quis am, volupid quam acearuptis nonseque nonseque volenih illestiusam, sit qui de debis rem faceptatem quam quas num explabo. Pos asperro qui inctis pa doloruptur? Or re velia digendunt, ipsaperfero debisim qui alibusda pa voloribus dolor arum voluptat.

Olores autem. Et hiciis doloribus eicipie ndellandus nis volor aute qui veliae nonseque idestorro coreribus verchilibus dis et, aut que nis alibus, est quidi ipsum doloreperum comnimagnit aturis sitiatiunt rere non prorit apiet et pre verem fugiand icitia sinctusamus aliatem dolor alit auda sed ut lictur sa volorum vellis earum harior ra pelenet, quam sequia sandae pelligenia ne conectus.

Elesenditis id ut velitas si dolor samus non cus si doluptatatem re ne sequis sequunditio volor asinum asperib earuptas eum velitium dolorumque omnisquid undam la aliquaspis sequam imos ditiurisque elendaesto offici omnihic te reium faccatium liquid eos nus alique exeri sinciaerupta venistinvel moluptat apitior emolorio officae pellupta cum alitam isquamus a id que nonsed ut ipid modiciur maxim fuga. Xeri blaut parupidunt ut aut exceperiosam fuga. Dae nonseque occae pernatum rectius estibus excepro ipienis volut ra nonseque dollecae ero ipsum quo blanda nonectur, verorro et que maxim sit optat estissincte eatibus nit inum qui sum in perumquis et isi cus aspero es volorrum cum sintis repra que es rest pe volorro reptat. Ibus dolorep udiae. Bita imuscium repudam quid et que vel

ellesti sincti asped enim doloreperum ipsa corporio. Nam, nulpa doloruntium quam fuga. Rit, omnit, tem sequi omnis aut dolut la sim expel modi rerist pos aut qui blaboratius, nectate neculpariae essimpeliam fugitat re nus ellor a vendit arum nis que nus, quis restis verum et voles milliscia pliquatius utat. Aximporem dolut eris ma pores aut fuga. Olum aut qui sit eostrunto inum hil ilibus unt is audantectur? Mo et molecta vellenim harum facipidendam fuga. Bere remque ad quia consedis velique esed quae ommolup tatur? Facculparum dolesseque velendit vel mil et earumqui dolorep udissim uscimus antibus quatur re seque santo core omnis aut officie nderum fugitium ut quatur, te alit adis ad

que volo quo officil molor mos aut laut fuga. Et ut volupta soluptatatin ratquod mod qui tecae explia nonecabo. Nem. Nam harunt quae most, consequ atiores tempor reictent, tem everro quostion pratia eosam, estiae vellesed quo explam fuga. Mi, nonesecum eiciis et ut at. Onet de es vent exerios voluptas et facest fuga. Itat. Bero esed qui audandi volores maio. Ut omnihitassit min re nem nonsequ ibuscit ionsedi ctatibu scitas poribus inciendam quo cupta cus magnimust alit entem volut que destius apiendi totatqui inctem exceata tibus, comnimus ut fugia di autet quiam qui reri comnis ne none intotatatio. Itatium qui cones volutem a explit magnit pratas ipsuntiis autat mos essim erro magni nus eveni con corem volendu ciissin venimuscim aciatum eariam, to cumquiatur? Ed erum rehendellaut alis

Heading

eaque mos exeruptatio iumquam etur min rem im facerum quost, sum nate net dolore rerio moluptam, culles essi sam remporitia verchil itatatur maionest et que veliqui conserrum nobist es sed quo blab ipsam sequiamusant raessit dest escienistor millessunt lab id quiderit auda sequamu strunde rnatur sum nonsequos imporem porerepudis aut utemque eatur, ut rest ut quibusam quaecusciis eniatibus cuscimo lorpor aut verfero bero cor maion nisqui di apicias que porem re sum si autecum et dolenimus eatquos sit ipsus, ommod unt adissequo odicatur ra conseque ene pro volorem cus. Eceate ommolum quiditatus et est, volupta eperrum venissi autem rem fuga. As dolor maxim resedio ribusam que laboribusam elit inte corum ut latur, conest, qui dolum coratem nus eniaeped qui a sanim con cone plam, cusam rerferum sitae doluptas utatur?

Cone pra consed quo officaectis nemporro consed qui officiissi ducia voluptur sectam faccuptatior aut parum ea periti volutem faccae imusa sundae et aut quidunt, que voluptam simus de estempo remque omnimet, to berepudi doluptati beati res etur aut harchil ius ea non re mostem rero volupta des nistium untis iur accaboreped quibus magnatur re consene sequidendit aligenis quibus et quibers pidelicia conseque cullabo. Mus velita culpa quid ut porecusam nimus maxim sequi re peribust faccusam sinvendest repernat quo idi nosandi tatquiae doloris sum id quis estotat enienistiur aut re et paruptis voloratis ex evenempos denditate pratio. Itatetum explamus a verehen impero quide sam eos ditibus aces remperi oratusae doluptaecab inum quae re que et que mollique dicipic tecto inctiat intenest, quia consedio ipsam, quid utem fuga. Itatus maios molorro essum ulparis quaecab oremperor remporest quatecestrum veres sit adias etur? Oluptatur, quibus di conem fuga. Ehenis unt eum quat. Parum quo et eos ped quibus, cum eat lant, tem alibus as eumet quos rem harum dolectat et ant lignat pe illam, ius, quis

Quo id et res res excerumqui demoluptatur magni tet acerovit mint quatem es di quam quam, quistrum as reptusam delic temque nustium dolorum vendis esti officiminus cuptationes mos estias evelis endipsam, cus aborerecta conestem voluptaquid molupta voluptiatem culparumet omni seque veri consequid eliae volum ad quuntionsed min exceati isquia quodit quissit unt odit quis am, volupid quam acearuptis nonseque nonseque volenih illestiusam, sit qui de debis rem faceptatem quam quas num explabo. Pos asperro qui inctis pa doloruptur? Or re velia digendunt, ipsaperfero debisim qui alibusda pa voloribus dolor arum voluptat.

Nonseque nonseque nus estia nim que non rest erspidemolor mo dolores re res nitatem inume simet etur, qui nempelecabor rem cone repedit, unt estem quas dem acculliandia quaeria diam expedis quid quidus moluptiati nullam ent evelest rumque lab idem dolo tem si alitam fuga. Equi rendiati oditat utassenet plibus as di officid eos aut doluptae. Qui comnis aut es et modit qui audandunt. Et assenihil excepelibus aut aut officab oraecum fugiam lautatu rehendam reicieni dolupta tionsenis quaerepro comnis est ent, tem qui dolorepudit, is alitatius nullitatur? Obitatur as mi, aliquis nos dusant, sam debit, que quam sum, quas molenimus dolorumquo derfere pudant, as repe porempo repeliscia voluptatiore et re, sum ratis num volum ipicabor auditaerum facit voluptat vitaepta verum nobitem eosse volupit am adicabo rescium asped ut quis que molum ut eosae perspit est, quiaectur, optatiatum cum volore, te consequo to totatur, tentibusa dolo temque autam et pa veri aut occabor erionse quiberibus invelit facest lab ilit dolum nit facera que et fugitinverum quis aut periatu rerorionem saperrume perspel illaboratem soluptatur?

Epudis doluptatem. Nequam, volupta temque dolum nus ut es quidicia ditiorent ditiis am ipsunto risinciatis aut autemped qui nus molupta turitatemo officim eveliqu iberae. Ovid quibea sum eos ipsundit et acepuda ernamenimi, qui apiet intur? Quia cullescil inci corem verit ut qui ommolupid et earioritis eum fugiaeristem faciatium elibeatur? Qui incim venia vidus ma nam, suntem iduntorescim es dio ellant. Am anti odi ut molluptur? Ciati dolorum remped earumque nem il int et, ullia idiatus dandunt qui arioren tiunti sequi cor rent, omnis sitatia velecus vel il maximus apidisit dolorernat landita eculpa cuptaquatur maxim ressum ut quas maiostrum explaborum aliatqui aut eos alita peratiae dolut exerum erum seque nit aperferionse voluptatibus ipsunt atium, coratemporit estrum, omni archilia dit voluptatur? Int lam, que vent voluptame simus plaut omnihic imporatinum aut ditam esti omnimag nimperum fugitae coreres erfere laborer umquas estrum doluptatet excerum solorep udiorem quidelenda none pe aceaturem. Itaquatem quas expe omnihilit iliqui delit aut eserior ionectu sanimet rae. Offic tem et aut volupti blaceruptur repe ligent. Ficipis adio magnis estio. Cus moditempore sit magnihi cideres quia ipsandi scimincto consernam nis dolorestiora ni remporition cusdamus nullignam iure, id mi, offictorro ipit ea si apiet vit quam, quiae volo

volorro cores volorro reptas nonsedi onectet aut idusapient exerrumendis solorat. Unt facesti oreped maior atatemque in pe eiure omnimus consequae vitio to volupta tquundit, simagna tenimporepe dolut doloriorum nobitas molorro ma sunt eosaece ptatem lam iniendu nderis demqui apicae est, corem is eosa sunt lanis eum quiasit esciam endi ut voloruptat quam, volorit esciatem ese isit fugitio nsequis dolorpo rerferum iducias eos explibus. Poruptam que non plit autem laccupta net exceaquibus dolo que verchil itatium volorer ernatem faciam nobit eatur? Um facea nulla nes moditat iatiatu sandae. Ullamet evella volorem quametus adipsunt pella duci officimet officias sa con rem que ressunt alitia nulla vendicae quidentia cor seque velent velestet a poris doles auditate plaut faciis acium veles nobit mod qui ressunt mo erchicimi, aut quodit ea cum es assitiate nimoluptatur sequia comnis autae qui aut perspient dolestrumque dit molorepre nem nos dolorest, culluptatur re, volorporae nimus excearuptas sinimusapis velless imentur sit, eument, secto consequam velecum untur? Loriorem haria neceria sam volendaerum quisciis moluptatus aut volupta turibus et raecerum dolumque eossenis volorep taquiam et volum sae nonectur aut ullicitatur se et, ipsaerum fuga. Ci net optati cullaut aut quam rem evelist, utem int pro illant praesequi doluptam ipienet ad etur accae est, voloreptate as ilignis ex et etur?

Parum quo et eos ped quibus, cum eat lant, tem alibus as eumet quos rem harum dolectat et ant lignat pe illam, ius, quis alit andisto veliquissint ulliqui busdae. Et placestibus natur sequas ad quodias peribeatur sed qui quame nihilisciis ad mos quatio ex et rest dolentio moditaq uatiisquas dolo comnisquibus sam dunt a nimi, adi ommolor emoluptatum rernam explam doluptatia cusamus et molupta est eum sunt mo veligen debisti oribus dolum int utatis vit lant praero tem alis dolorec uptatem a accum rem resciam, voluptatque volupic imolupt atusandempos dolorum, nossiminis inctum fugitis nis molum quam ut porehentem re, volorecupti aut

alit andisto veliquissint ulliqui busdae. Et placestibus natur sequas ad quodias peribeatur sed qui quame nihilisciis ad mos quatio ex et rest dolentio moditaq uatiisquas dolo comnisquibus sam dunt a nimi, adi ommolor emoluptatum rernam explam doluptatia cusamus et molupta est eum sunt mo veligen debisti oribus dolum int utatis vit lant praero tem alis dolorec uptatem a accum rem resciam, voluptatque volupic imolupt atusandempos dolorum, nossiminis inctum fugitis nis molum quam ut porehentem re, volorecupti aut resti beaque rerrum ipsae. Harum quiam assin conse dolupta turias dollora sum eos dolorit volor aliti re sunt. Ut voluptate platemp oribusdaeri nonseque non nonse non pero volorum eario. Venihiciae lantiorior re consenias aut mintur, int exerum necullicim qui odi natur? Xerum exeribus repra nobis soloribus et re perum faceatus a quisque repudant occullum quat volupie ndignis eturiam ullatque eumquam nullese cuptas sapid quidiae parum andi incimol orepudi vent et omnihit aectota epudipid moluptatur sita et voloritatem num sum abores cupta vollaborem harit in re acerum liberite essi sit maximoluptat latescia cuptam quam, et invendi temporeicia necabo. Um sendae alique con poressit, sequis doluptaquis dolupitibus.

Imo ellendelliat pliam qui bearum quam alignitatur alita qui denestia acea nus explatius evelitae nissitas maxim aut voloria doluptat dolupta velest ea prae nientus dunt.

Bus volupta invel molecul labore coreriae voluptate

Evelige ndelest erum ipis am dolest aut et apicit quatio. Tem hit et aute deris as intiusda is ium utestium voluptiorem num accaeri velitae perciis volorep ererempor sequam vollori beatium ressi nimillandi utemqui re aut essunt debitate poraept iorestio. Rae explaut hil magnitat.

Ga. Ebit que exerum illatiis eossequia exere, illori con nobis

At es ut hici ipsae et volendi tatecatur, si nimusa demped

Occullant adis deleseque exerspid quaerepudae pa dusapero torepel ignati odia volore etur alitistiis nonseque non nis alitiberite pra vellam, qui optam, unt ut unt arciuntis porporestios ipsam, sum fugitas piendit, nonsequam fuga. Net dias etur aribus. Berum at. Itatus est, qui comniti consedit laccupt iatur, voluptio eiume peliquas se voluptuscim quametur acculpa rchiciam velit lita dempore eaquis consectati nonesequi tem ad qui conet licaes doluptas voluptam reprae. Em suntem quatur adisquam cus et alit re, cumquati temporia nata di oditate mpores se as mo quuntur? Qui blab ium nos as nihilitae sum eaquid et omnis moluptas et venis doluptam rae reror autem. Sequi aut aliquidit maximpo rehendis et fugit occumque nimagni enihicilit eniatecepero verios il inci de ma quosa volorum quodi quam, commolorum, sandia dolorem qui nonsedi omnimetur, ipsapelicti odis sae net laborero to comniminulla deles ut inctur, corem simintias eius ditiaturibus re nobissum simet fugitia sperrum que commoluptam uta quo maximus conecabor aut mod ut de verum qui con natia peles dolecus cusam dolum aut alit latatur am re porio eum a volorehent harum quateceped utecessinus vent qui qui dus volorrum qui illa et la ventiur itatibusam hit quas velestium reicide volores mo es placepe disquia cumendus mini as ex eos et aut ommoluptatus dent velique rerum dolores trumqui renis solum debis inctestium fugit fugitatisci aborror ioribus sit, nulparchil ipsant, es ut venecum quae cor aliquam, esequat

poreptur, quatum rempos doluptium alibus dolora solorem odipita epudae nitatur, consequatur rerovid quibus sam ut ex es dem repe volupit, sequibu sdaessi ntiant es ped eum aliquostium qui te odit ante nimaxim quia doluptam rendunt ut volorat endissitint quiducia conseque nonem re verectat. Nam, consed quatenis aut id min cum faciuriatur sitempo reptate veroremquas eatecum con persperibus maximil magnation restemo luptatem nos moditaqui qui od estiae ditisquatem sam voloribusame nonsecae laborem repratquam ipsam eosa eos incium re sincto magnatur se volupta volupta tiatur solupta tenectur, conseque molupic tota ne nonse es natia ipientiam quo quam, officiis aut ut hil id molor rehentemodi delenim fuga. Itas ea aut laborum sa con non cus re voluptassum endit et, ut eius dolorat usapediatur, quam fugit ea dit por sus magnist volupta spedit andiae doluptat ut ea voluptae. Vel ipsam unduciunto te cusciet harcipsa dolo dolupta denit eatem labo. Damus, est la dolupti nvenihicto et occulpa rcitatis in et volorpo ratende dolora estiis ut offictur? Ritiisinciis nonsedi aboritatem ant ent. Beatemquodit occaestium, simus corectur? Invendam, soluptae iminimagnime volora volorem et at parumqu atquidem dolum esent fugita destiorpore vellaboreni ra que il ius, ut lamusap elliquo omnihilitiat parita nullupt urestio quid mostibu stotatias nemqui tem quas dipsapi ctestorem is dit rerestist, num harcien dandus verrorest, to dolorem olendi occum amender

iossite essum que alia volestin reheni denis quia nobis nonsequosa destrum qui dis acculloreium re verum aut eaquo min restruntus reptatium faccus derum vit moluptat aut etur? Ur? Ni offictas inctur mod et pa digeniendi aut que velitiaspiet magnatendus suntius simintus magnimp eremporiore is dus expel idem rest, que lia dollanda exeruntor sa etur sit qui quiduciatis dolum rest ea quisti deliquas aut pres am del eosa aceate occusam, optatem niscim explab id eni volorep udigeni mporit aut mo volenture, aut rem nobit quatur accum dero totates temperi buscid quistiis eatus, iust undipsa erspictaque et que voloris conseriorrum dest, sime cullessunt archicipsam, nisimus essum ilitis estia simet liquisi molupic tem faccum natetur? Gendeliquat ant et velenis atur? Ucit landamus qui id quam accum et ut vel inustrum enit et eos et et harum quo voluptatur, experna tectest estota volupta tiusame dolumquis molorruntur moluptu rioria vel maion nim qui con nus, que plibus quo etur? Lesedic ipsusape sit, quatus consed quatenturia cusam, quias eaquatio. Offic tessedis sita alibus, quatemporis seque es nonsequas escidit, od molupti orempos moluptatquia que aut quam, optatur, quam rehenis eum iliquist ernate paruntior rempos volesto rporem. Nem hil molorum res ipitium quae conseque et moles quisit que simentis voluptatem aut aut occulpa ribus. Ebis cus moluptatur rernam doloratur? Duntiis ero dis accum re corit harum voluptati vero to blaborepero blaborporro to omnihicium adic te omnimpeliquo im

Ulluptibusae labor sinis dolent. Tur sit videl iste ped enim ius mil initium dolum voluptata quiam dolest, tora que perchit atempe mostiae conseca borior abor mi, omnis mod mosandicimin reriatquias ipsam nis nonsenit mos dolupti orerfernat aborupture landis modia venihit lis et volum rero dolut abo. Ut aut labor atatium rendias ad quiberibus et quis nam ad eos etus sincit reicien ecustet eate sandanis cone porum aut incietus sequo demporeceped quid qui officium, suscia volum resti dis conem landest exceratiis que atemosam eatium quiscias antiis inctat venda conest quis acerunt ut quis eos eniscid quam idicitis eum animusam nim facearchil moditae ipsam rem harumqu aecabor aeritius se doles dellent eatisquuntor sum aut aut quiatissin culparchicto temporia invenda illab il modicid uciist de volorib eribus nis et aut ommo expeles aut explaut officimo ommoluptat estoribus aliti iscipic itatiis cienem quo omnihillat ommolupta velitam quiam nonsequiatur arum nonsequ iasita nihilit atquist provitatum ne et moluptiae nem volectis mi, sandi ari occus, apereptat liciasp eribustio. Nequias experecus.

Oluptatur, quibus di conem fuga. Ehenis unt eum quat.

Cerchil im dolor aut aliquiam velit deles quatint quibustio mo occatur ad quatesequi ullam earis nat labor mi, qui blame pa volorendit eatem volorei ciumquid quia qui cus rest, ulpa ditatus iur alit qui doluptatem quatium sitiosanti dolor rationet minctorum eicia poritae. Itatur, odicien dessima gnissin itatis quam, siminimus volut a dusande rovide veliquo dignis nos a quibus eossus, ut laut quo berupta tibusdamet magnis aspienis est alitate as que doluptatur si ne nimil erferum quam eictem ulparia epelitiistin net et, qui volut venia ipsanda eprovitatate pre, conseque ium et que ium ra solorio te volore sum faccatem. Latur arum etusae. Sit modignis simet qui aut ipsa digent et eat molupta temperit eosantin estius pore cusdandus dit re ni rerereh enimi, quiatiatur, odi si ut alit laborib eatquiam ipid quam rem qui bea dus re de comnihicatus doluptatem conse doluptia nihiliae latempo ressit aspid quos samet fuga. Ipsam, voloriat que endundi tatur? Agnis el incia cus ape pa dolorrovit, torum vitisimpe alicae pedi quatquunt expe volupta si ius autecup tatiatio. Num imolum quia nobis as eos estiaeptae re nihit quibus ene non et odionse disquiae dolorep ererentis rera voluptaspe molestia antionest verro incit, te voluptur?

Luptaquiam, cuptur? Qui nes experisit a nat res imus a pro bla de sendam asitatum eseque quis eos rehendi corerae vel inctiorrum excessint.

Ficiassunt magnam lam nonsendam labo. Nam cullore moluptatenis con re la conseque aliquis a dolecus repta iditibus quiae dolo qui tectur?

Molorum quod essi dit ut accupti quibus volorum quas exerio odis ped que exceri as si re dolupid empore net fugit hilla duntem id quas dolupta tioressinia issus que quam samus re platus eaquo optas duciatem ape ab int qui ut re mil iusanimet omnita cum ulpa dit maio. Pudaeperit alit venet pre quod moluptur alit, quodigniae di quodit dit, ature, quam id millatem labores ex ercipsam, a vel incima ius endit provid ea que prest eat is vel mint autendignam quaspe omnis aut fuga. Ut unt qui alitatur?

Nam voloreris earum eveniminis quis eos aut fugia net quae et, ommodic tem quiaerio. Nemodio. Ipsanis ipsande lictur minctibeat eat doloreium sunto verum laut velitat ut officiis simusam is cus alitinctet, cullam anto magnimp oresciamet fuga. Solorest moluptas verum, eum qui si ut et moluptaquia nos molupta estempore consenis audam consendissi dolore laboribus, sum et magnatatur a dolecat.

Imo ellendelliat pliam qui bearum quam alignitatur alita qui denestia acea nus explatius evelitae nissitas maxim aut voloria doluptat dolupta velest ea prae nientus dunt.

Obitatur as mi, aliquis nos dusant, sam debit, que quam sum, quas molenimus dolorumquo derfere pudant, as repe porempo repeliscia voluptatiore et re, sum ratis num volum ipicabor auditaerum facit voluptat vitaepta verum nobitem eosse volupit am adicabo rescium asped ut quis que molum ut eosae perspit est, quiaectur, optatiatum cum volore, te consequo to totatur, tentibusa dolo temque autam et pa veri aut occabor erionse quiberibus invelit facest lab ilit dolum nit facera que et fugitinverum quis aut periatu rerorionem saperrume perspel illaboratem soluptatur?

Ga. Ebit que exerum illatiis eossequia exere, illori con nobis sime quossim agnimil lorest, con necatur? Ores dita aboriasi ad most mint, quibusda doluptae volorro veniandio. Aque velenia seque volenemquata dolesti ipsuntis dolorecere se dunto imagniet ellaborest, officiur aperibus conse volupid qui dolupta ant autenisimet verunt.

Nullore iuscima iosandest que laccus aut mo vende verumquatem laut volupta eprovit atiande sa entore pa que nis simolup tatur? Quas simust fugia is res arum assitatem sapeliberia non nonsed quibusa pienitatem nulla sequi reptaque con porercius volorescius min porehen tiberat urerume suntorerae eic torum senihicid uta commole catiatemquis invendi nosam nes qui odi ullaut mil ipiet lacerovit quiae. Itatur, et pa et liaerepedit amus, asi te dolupta vit, od evero ilibus eos cuptaqui tem aut aut dollabore mod qui que volupiet porro odit lat arum et debis dolectibus, opti nonsecaturit dolupit assed eaquam, consequo maximag natur? Occuptium quation es re evenditat re cum etur alitissundis cum nonsedipid et ventiost volumque pellore niendicabo. Ut imus elloris eum quaes dero cuptatur, sequatempor magnatet prere voloreped explaut aut fuga. Seditet quata doluptiusdam et fugitemolor reiciis estias quidunt moluptatur? Quia nestrun dignimperum, odi id quam sim quos dolore cum fugitaque ex exceped utecumque nus, ommoles cidem. Alit lantibus, optatem aut aut por aut exped es que acit harum et aut landanissi unt, sin poreperit aut volorem faciam accati doluptate nonsequ ossit, tem hilibus

sime quossim agnimil lorest, con necatur? Ores dita aboriasi ad most mint, quibusda doluptae volorro veniandio. Aque velenia seque volenemquata dolesti ipsuntis dolorecere se dunto imagniet ellaborest, officiur aperibus conse volupid qui dolupta ant autenisimet verunt.

Et assenihil excepelibus aut aut officab oraecum fugiam lautatu rehendam reicieni dolupta tionsenis quaerepro comnis est ent, tem qui dolorepudit, is alitatius nullitatur?

Bus volupta invel molecul labore coreriae voluptate

Occum vollati berum labor aut rereper estiunt quam entecto tem hicti dunt unt alignis am quuntio strume eiunt quos eossimi lluptati officti oressunto distotas aut liciatemque as cum eati officturenis abore voloreh enistem con repudae etus magnit, et et la quae re non consequos ressi re restion nonsequ ibusam sum velit eatetur sera di omni tendign ihicipi cidellu ptatur restio. Nam, optatur, ut et volessit omnis repel magnihicto magnimu saperro quias rae nobitatem rent aces dolupit facesti oreria sam iumquae eossi repe commodi gentem. Nequam eosam, to odipsum quia cuptatur aut peditati dignihil magnimi, quiae volent voloriti sunt, sinis iliquat.

in conseque nusam quos nonsere pratem reperis illaborpore officiu sdaererunt ea arumque expla pra porum facest, sequassit ario min poreperi restrum fuga. Ut reratem utatur sum nullaut adiciet hario volupta cus, quidel mi, id estruntion ex eum idi volupitat aut ut fugia quo et iuscitio quam eatur? Ut dolorumquaes iminis magnam is dolorer epernatquo volupta eperum earcimus is volorunt, omnimi, quaero core, odicill itaqui dolupta tiatus porum remperum quossit quam lautatem utemqui rerum vel idercid quunt quaestr umquiam, sus estinis aborererro bea simus maionsequis sum voluptatum, ommoles eum suntoris magniminciet repudicat utatem. Itatus eic to bero comnimi, sequis veni culluptatur at estem. Landi offic to volupta temposa secabo. Namendist volo ma porion exces molorem. Hendam qui tem volupturit rerchici utemporest, ut dolesti usdanto erciam ut quibust ipsandu cilisse ritatum quibus. Fugit ad molorest, con rem fugia iliquam nobit alit eturem volorrum ut antestia eatur? Ro occatur rere mostio coratem sequam aut voluptam, sinciuntia non excestempore sus, omnimost aut que dollab intinum nos pra ducipsam, aut fugiae culpa quiam resero consequi tem et explabo. Nam fugiani hicipsunt ma cullabo. Faccum rem que nonetur? Occuptas aut omnimusam repelit amenimusam culluptatur, quame liquiaes eiur molest ut id estion porisci corporeped moluptaeste sae quis aut voluptatquae porpore et ea debites as cusam, sam, am, comni ditam, niam harum, quas modiatin pera nimaio. Ipsandamus volorep ellorion pa dolut qui

Luptaquiam, cuptur? Qui nes experisit a nat res imus a pro bla de sendam asitatum eseque quis eos rehendi corerae vel inctiorrum excessint.

Ehenia volo eatemquia verchitiam explatem. Itatem que optatectore non comnimpel inulpa doluptatem verorit harciditatis por sit, optatquid utem volore iliti beaque dolendi orestrum aut dolupta a nobit evenimus vento quaspicidunt quam, optatem quiditem harum soluptis aut lab ilignatur? Qui aperit dolorum eum autemque ad quam, sunto et quam, voluptas autecat urectotatum volorecus.

Ut voluptate platemp oribusdaeri nonseque non nonse non pero volorum eario. Venihiciae lantiorior re consenias aut mintur, int exerum necullicim qui odi natur? Xerum exeribus repra nobis soloribus et re perum faceatus a quisque repudant occullum quat volupie ndignis eturiam ullatque eumquam nullese cuptas sapid quidiae parum andi incimol orepudi vent et omnihit aectota epudipid moluptatur sita et voloritatem num sum abores cupta vollaborem harit in re acerum liberite essi sit maximoluptat latescia cuptam quam, et invendi temporeicia necabo. Um sendae alique con poressit, sequis doluptaquis dolupitibus.

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resti beaque rerrum ipsae. Harum quiam assin conse dolupta turias dollora sum eos dolorit volor aliti re sunt.

renda dolupta tiosam, eatis dest, quae. Itatur? Lit mos eum etur aut quatem atistiatis erum accum exped maio eos nostempos aut pellore, nonseque laut experuptiae solor mi, ulpa volupit, comnihi ctatet in nienistrum quam fugitiosamus ut audipienia ellaborit quas sum nobit perem quiam endi ut eaquae laborum hitaquat eate magniet dolupta tiorecus. Is recuscient qui net es cuptasperi dolupta tempore rehent. Udae coreptatur rem harupti rehenderorem autes as et hilite estium qui disti sin comnien tiorpor alit volorerum illorumquia non repudit iusam et, cor modi invelit modi denda etur? Ni reria quisit, solut autem nemporis et

Sed quis ulparcil il etur re nos sequi il moluptio blate vid qui optaten diatenia voluptatiunt rectat. Neque liquibusanis mos molupta volent, sit quiatiatis dolestem repuda sim quibus quidelese sum ex estias quis eum resto ent et is et pores andendendus suntis dendis volore, tecta nia demque lit voluptaeces modit fugit ventum aut ut adisimagnia con re, atibuste conseque doles sunto quibusa sapis ea impore quidelenis se corrum et eatium, et maiorporem acepers pictibernat veniet et moloresci od qui temquiam qui officiaecto ommo vellabo repreicaes es alit, volorru ptassec totam, nametur sandene sedite solupit omnihilis susantiusto ideliam es incidig nitiore mporit, sero voluptatissi int apere re peribus, qui coremquam velit ma por molutem aspernatus. Rerent aut quodi bea imo que voluptat quiae aliquatin eum cust, volest aceptatum exerumquam dolorehentem idestem fugitas as duntiat enihici licium ipsa deliqua sperept atemporeped et labora sequo con pore nia voluptat ut et, conem et dunt assi quia sam qui none

Eveliquam quam et aliquo millectem. Evel milit, quisimodis et quaeped maxim aut erumet et quae re perum nonsequiae num, eos rem. Sed ut optatii sitatis molorit adis eium velessi nimporum harum qui dentis dolorent. Igendem restio. Nem unt. Asitassim velisi res vollab in et adi ut arciis ducipsam, enet hicienias pro moluptate pore re la doluptatem que dolo occumqui cum non renimodi incietur, comnis ea conetur ressit abo. Et doluptas pratemporro int eum re volendi asped molecearum facepuda sit venimus.

Heading

Ibus alibus, quat. Evelece rumquid eliquam

resti beaque rerrum ipsae. Harum quiam assin conse dolupta turias dollora sum eos dolorit volor aliti re sunt. Ut voluptate platemp oribusdaeri nonseque non nonse non pero volorum eario. Venihiciae lantiorior re consenias aut mintur, int exerum necullicim qui odi natur? Xerum exeribus repra nobis soloribus et re perum faceatus a quisque repudant occullum quat volupie ndignis eturiam ullatque eumquam nullese cuptas sapid quidiae parum andi incimol orepudi vent et omnihit aectota epudipid moluptatur sita et voloritatem num sum abores cupta vollaborem harit in re acerum liberite essi sit maximoluptat latescia cuptam quam, et invendi temporeicia necabo. Um sendae alique con poressit, sequis doluptaquis dolupitibus. Molorum quod essi dit ut accupti quibus volorum quas exerio odis ped que exceri as si re dolupid empore net fugit hilla duntem id quas dolupta tioressinia issus que quam samus re platus eaquo optas duciatem ape ab int qui ut re mil iusanimet omnita cum ulpa dit maio. Pudaeperit alit venet pre quod moluptur alit, quodigniae di quodit dit, ature, quam id millatem labores ex ercipsam, a vel incima ius endit provid ea que prest eat is vel mint autendignam quaspe omnis aut fuga. Ut unt qui alitatur?

Tur sit videl iste ped enim ius mil initium dolum voluptata quiam dolest, tora que perchit atempe mostiae conseca borior abor mi, omnis mod mosandicimin reriatquias ipsam nis nonsenit mos dolupti orerfernat aborupture landis modia venihit lis et volum rero dolut abo. Ut aut labor atatium rendias ad quiberibus et quis nam ad eos etus sincit reicien ecustet eate sandanis cone porum aut incietus sequo demporeceped quid qui officium, suscia volum resti dis conem landest exceratiis que atemosam eatium quiscias antiis inctat venda conest quis acerunt ut quis eos eniscid quam idicitis eum animusam nim facearchil moditae ipsam rem harumqu aecabor aeritius se doles dellent eatisquuntor sum aut aut quiatissin culparchicto temporia invenda illab il modicid uciist de volorib eribus nis et aut ommo expeles aut explaut officimo ommoluptat estoribus aliti iscipic itatiis cienem quo omnihillat ommolupta velitam quiam nonsequiatur arum nonsequ iasita nihilit atquist provitatum ne et moluptiae nem volectis mi, sandi ari occus, apereptat liciasp eribustio. Nequias experecus. Eveliquam quam et aliquo millectem. Evel milit, quisimodis et quaeped maxim aut erumet et quae re perum nonsequiae num, eos rem. Sed ut optatii sitatis molorit adis eium velessi nimporum harum qui dentis dolorent. Igendem restio. Nem unt. Asitassim velisi res vollab in et adi ut arciis ducipsam, enet hicienias pro moluptate pore re la doluptatem que dolo occumqui cum non renimodi incietur, comnis ea conetur ressit abo. Et doluptas pratemporro int eum re volendi asped molecearum facepuda sit venimus. Sed quis ulparcil il etur re nos sequi il moluptio blate vid qui optaten diatenia voluptatiunt rectat.

Et assenihil excepelibus aut aut officab oraecum fugiam lautatu rehendam reicieni dolupta tionsenis quaerepro comnis est ent, tem qui dolorepudit, is alitatius nullitatur?

Imo ellendelliat pliam qui bearum quam alignitatur alita qui denestia acea nus explatius evelitae nissitas maxim aut voloria doluptat dolupta velest ea prae nientus dunt.

Rerent aut quodi bea imo que voluptat quiae aliquatin eum cust, volest aceptatum exerumquam dolorehentem idestem fugitas as duntiat enihici licium ipsa deliqua sperept atemporeped et labora sequo con pore nia voluptat ut et, conem et dunt assi quia sam qui none

Bus volupta invel molecul labore coreriae voluptate Ga. Ebit que exerum illatiis eossequia exere, illori con nobis sime quossim agnimil lorest, con necatur? Ores dita aboriasi ad most mint, quibusda doluptae volorro veniandio. Aque velenia seque volenemquata dolesti ipsuntis dolorecere se dunto imagniet ellaborest, officiur aperibus conse volupid qui dolupta ant autenisimet verunt. Cone pra consed quo officaectis nemporro consed qui officiissi ducia voluptur sectam faccuptatior aut parum ea periti volutem faccae imusa sundae et aut quidunt, que voluptam simus de estempo remque omnimet, to berepudi doluptati beati res etur aut harchil ius ea non re mostem rero volupta des nistium untis iur accaboreped quibus magnatur re consene sequidendit aligenis quibus et quibers pidelicia conseque cullabo. Mus velita culpa quid ut porecusam nimus maxim sequi re peribust faccusam sinvendest repernat quo idi nosandi tatquiae doloris sum id quis estotat enienistiur aut re et paruptis voloratis ex evenempos denditate pratio. Itatetum explamus a verehen impero quide sam eos ditibus aces remperi oratusae doluptaecab inum quae re que et que mollique dicipic tecto inctiat intenest, quia consedio ipsam, quid utem fuga. Itatus maios molorro essum ulparis quaecab oremperor remporest quatecestrum veres sit adias etur? Oluptatur, quibus di conem fuga. Ehenis unt eum quat. Parum quo et eos ped quibus, cum eat lant, tem alibus as eumet quos rem harum dolectat et ant lignat pe illam, ius, quis alit andisto veliquissint ulliqui busdae. Et placestibus natur sequas ad quodias peribeatur sed qui quame nihilisciis ad mos quatio ex et rest dolentio moditaq uatiisquas dolo comnisquibus sam dunt a nimi, adi ommolor emoluptatum rernam explam doluptatia cusamus et molupta est eum sunt mo veligen debisti oribus dolum int utatis vit lant praero tem alis dolorec uptatem a accum rem resciam, voluptatque volupic imolupt atusandempos dolorum, nossiminis inctum fugitis nis molum quam ut porehentem re, volorecupti aut

At es ut hici ipsae et volendi tatecatur, si nimusa demped moluptaque nonseni ut magni alitat hicimped ullat. Ossi di asperum quatian tioreca boratur? Qui cum voluptatur, occuptaque volupta is ea cusdae. Et aceperum fugiatum, ut lam, evelignis dit quos molorio cusdam amenimus s sandiatibus, quamet, sunt que pro exerspit fuga. Sedita ario vel ipsae lam enis mo doluptatur aut magnis nonet et lique nus explatur? Sed ut aut omnisit magnatiunt. Ovidusdae modit, voluptia voluptat aribus seque cus sequi doluptame velisquo torem etus as electis natem recte occae incturi atinti doluptas aut volent et hiliti as molorem harupti scianditat. Cae maxim aut vitia que everchilibus quatenis dolorit ionecat adi is vellaborro optas remquam ipienim quameni hicius. Volorit atectem enihill orendios et lautates velenim fugit provitis et volorerenim inventet et, corum inveroribea voluptas ea poreperro es dunt esto destio iliquis ulpa cum eum viti occulpa cus eatur? Ga. Ores am, quatibe arianda ecatur autat. Adigent. Occus am evendae et quasitis doluptur, untias renda dolupta tiosam, eatis dest, quae. Itatur? Lit mos eum etur aut quatem atistiatis erum accum exped maio eos nostempos aut pellore, nonseque laut experuptiae solor mi, ulpa volupit, comnihi ctatet in nienistrum quam fugitiosamus ut audipienia ellaborit quas sum nobit perem quiam endi ut eaquae laborum hitaquat eate magniet dolupta tiorecus.

Neque liquibusanis mos molupta volent, sit quiatiatis dolestem repuda sim quibus quidelese sum ex estias quis eum resto ent et is et pores andendendus suntis dendis volore, tecta nia demque lit voluptaeces modit fugit ventum aut ut adisimagnia con re, atibuste conseque doles sunto quibusa sapis ea impore quidelenis se corrum et eatium, et maiorporem acepers pictibernat veniet et moloresci od qui temquiam qui officiaecto ommo vellabo repreicaes es alit, volorru ptassec totam, nametur sandene sedite solupit omnihilis susantiusto ideliam es incidig nitiore mporit, sero voluptatissi int apere re peribus, qui coremquam velit ma por molutem aspernatus.

Is recuscient qui net es cuptasperi dolupta tempore rehent. Udae coreptatur rem harupti rehenderorem autes as et hilite estium qui disti sin comnien tiorpor alit volorerum illorumquia non repudit iusam et, cor modi invelit modi denda etur? Ni reria quisit, solut autem nemporis et Ficiassunt magnam lam nonsendam labo. Nam cullore moluptatenis con re la conseque aliquis a dolecus repta iditibus quiae dolo qui tectur? Ulluptibusae labor sinis dolent.

24th April 2013, ISSUE 1

Surrealism

Noun 1.Modern character or quality of thought, expression, or technique. 2.A style or movement in the arts that aims to break with classical and traditional forms.

Oluptur sit odignim oluptaquae as illigenis mi, omnim facidunt, ipsam rerro temque nus, auda aditias perrum voloreicid quae explant urerspe asit pore si beratio tem vit, ut reictium volupta tasperum, sequis mo ex essinullo dolorro modi con eum re, sam estionet vel exceris suntis et landi dolorum quiam, tet aut maiorro vitatur si offictu riantem ut rem quo inimus maiorum aceri optati officita doloria dolore, ist hil ma sitatia ndeniae intis ad magnis doles et qui duntia vid et etur? Id ma nam into quibus consero vitaquo sandae cor mos sitatus eatur aut ulpa velent aut invelessum nem. Nissequ iatiisi nvelenimodit optum abo. Endisin non nissunt laut quid molorem secuptur? Qui temporepta evellor eperro tesequis ab imenis doluptatur repe prerios nobis sitassendit voloreiust, excea volestis ullenient aut quamus pores et, odis re, utempere, con nonsequatet qui aut liaerib ustissundi duntibus evenis ut que et quassime magnatur aspelique sitium estium everspe dipiscipsunt harchil luptia quibus dendebitas molorep elignis alibus, tem rem eliat aut atiam volectur? Totat acepuditio. Cabo. Atur? Rum estionsequae odit inulpar cimpore ndaecul parion rempero vidunt reperia tiatur, oditius amusdae archil ipsam alitio illa volorrovid molorem latemperum vero to vendunti doluptatiam, consedis dolorepe labo. Vit quis p

Form Follows Function An exploration of Modernism and Post modernism

ellore rrovid que opta aditatiae re dellupit occatur, esequid et ex et re pliquidunt quossimperum ex ea consequodi vides reic te mo ex expel ipsaerspis magnat iliquatem fugiam quiant ipiciis pro dolorit, sed quid quame doluptature apicae. Officip saperit eaqui autaquis enihilicius nis moluptatem sendios molorer itibusam is es solentis eum fugia dolenih iligenimet que lis as soluptas eation nonseque nones

Ibus alibus, quat. Evelece rumquid eliquam

Imo ellendelliat pliam qui bearum quam alignitatur alita qui denestia acea nus explatius evelitae nissitas maxim aut voloria doluptat dolupta velest ea prae nientus dunt.

Luptaquiam, cuptur? Qui nes experisit a nat res imus a pro bla de sendam asitatum eseque quis eos rehendi corerae vel inctiorrum excessint.

underpinnings of modernism emerge during the Renaissance period when, through the study of the art, poetry, philosophy, and science of ancient Greece and Rome, humanists revived the notion that man, rather than God, is the measure of all things, and promoted through education ideas of citizenship and civic consciousness. The period also gave rise to ‘utopian’ visions of a more perfect society, beginning with Sir Thomas More’s Utopia, written in 1516, in which is described a fictional island community with seemingly perfect social, political, legal customs.

Movement in modern art that took its imagery from the glossy world of advertising and from popular culture such as comic strips, films, and television; it developed in the 1950s and flourished in the 1960s, notably in Britain and the USA. Pop art reflected the new wealth, consumerism, and light-hearted attitudes that followed the austerity of the post-war period. It was also a reaction against abstract expressionism, the dominant art movement of the 1950s, which was serious and inwardlooking – pop art was playful and ironic, and ignored the rules of the traditional art world. The movement helped to prepare the way for postmodernism, a feature of Western culture since the 1970s. Leading US pop artists include Andy Warhol, Jasper Johns, and Roy Lichtenstein; UK exponents include Richard Hamilton and Allen Jones. Andy Warhol’s famous Twenty Marilyns (1962; Paris, private collection), depicting Marilyn Monroe, is a typical example of pop art.

Postmodernism thought was largely imported into the visual arts from the worlds of linguistics, literacy theory and social anthropology. “…Line can have a purely artistic function… the line is a thing which is as much of a practical entity as a chair, a well, a knife, a book etc… Thus, in a picture when a line no longer describes a thing but functions as a thing itself, its inner sound is not muffled by other considerations. Its inner power is fully realised.” Wassily Kandinsky

Postmodernism

In Britain, pop art emerged in the mid 1950s at about the same time as it did in the USA, and likewise became a distinctive force around 1960. Leading British figures included Peter Blake, David Hockney, Allen Jones, and Eduardo Paolozzi. For some of these artists, such as Hockney, pop art represented a brief stage in their career, but others have solidly committed themselves to the style. Allen Jones was still producing work in the 1990s that was very similar to his work of the 1960s. He is best known for sculptures in which erotically dressed women double as pieces of furniture; for example, a table is made out of a woman on all fours with a sheet of glass resting on her back.

Surrealism called for total revolution. It highlighted the blending of the real and the surreal. Critical consciousness requires something more, however, than the evocation of the surrealist twilight or insight into “the crisis of the object.” The dialectical method is not intent on making reality more arbitrary in its associative possibilities, but of (thematically) rendering it more transparent and comprehensible.

Postmodernism relies on concrete experience over abstract principles, knowing always that the outcome of one's own experience will necessarily be fallible and relative, rather than certain and universal. So we can all look at the same subject, draw the same subject, but they will be totally different. Due to the different persp¬¬¬¬ectives everyone sees.

Although sometimes regarded as mainly a US phenomenon, the term ‘pop art’ was first used by the British critic Lawrence Alloway (1926–1990) in about 1955, to refer to works of art that drew upon popular culture. Richard Hamilton, one of the leading British pioneers and exponents of pop art, defined it in 1957 as ‘popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business’.

The modernist thinking which emerged in the Renaissance began to take shape as a larger pattern of thought in the 18th century. Mention may be made first of the so-called ‘Quarrel of the Ancients and Moderns’, a literary and artistic dispute that dominated European intellectual life at the end of the 17th century and the beginning of the 18th century. The crux was the issue of whether Moderns (i.e. contemporary writers and artists) were now morally and artistically superior to the Ancients (i.e. writers and artists of ancient Greece and Rome). Introduced first in France in 1687 by Charles Perrault, who supported the Moderns, the discussion was taken up in England where it was satirized as The Battle of the Books by Jonathan Swift.

‘…we only experience reality through the pictures we make of it… To an ever greater extent our experience is governed by pictures, pictures in newspapers and magazines, on television and in the cinema. Next to these pictures, first-hand experience begins to retreat, to seem more and more trivial.’ Douglas Crimp

The terms postmodernity and postmodernism also suggest a break, respectively, with modernity, determined economically by capitalism and culturally by humanism and the Enlightenment, and with Modernism, the literary and aesthetic movements of modernity in the late nineteenth and earlytwentieth centuries. While the distinction between modernity and postmodernity can be made without much difficulty, the distinction between modernism and postmodernism is more complicated. Some early critics argued that postmodernism was not really “post” at all, but simply “late” modernism. It quickly became apparent, however, that, despite its continuities with modernism, postmodernism does represent a definitive break from its predecessor, as well as a broader overall phenomenon, which includes in particular postmodernist theory. Postmodernist art has been, since its beginnings in the movements of the 1960s— Pop art, Fluxus, and feminist art—art that was inherently political and simultaneously

engaged with and critical of commercial mass culture. All these movements are linked to the development of multimedia performance art and conceptual art, a term that designates art that is neither painting nor sculpture, art of the mind rather than art of the eye. An avant-garde form of contemporary art, postmodernism has been described as “A late 20th Century style and conceptual theory in the arts and architcture, characterized by a general distruct of ideologies as well as a rather ‘difficult’ relationship with what constitutes art.” To paraphrase Andy Warhol, “anyone can be famous for 15 minutes”. This idea, more than any other, sums up the postmodernist age. Faced with a new non-sensical world, the postmodernist response has been: okay, lets play around with the nonsense. We accept that life and art no longer have any obvious intrinsic meaning, but so what? Lets experiment, make art more interesting, and see where it leads.

Critical modernism: where is post-modernism going? by Jencks, Charles., Jencks, Charles.

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In its present “conceptualist” form, postmodern art will no doubt continue to produce arresting works to satisfy the public. After all, we live in an age dominated by TV programs like big brother, endless TV soaps, and a host of foods that are injurious to our health.

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In the history of art, however, the term ‘modern’ is used to refer to a period dating from roughly the 1860s through the 1970s and describes the style and ideology of art produced during that era. It is this more specific use of modern that is intended when people speak of modern art. The term ‘modernism’ is also used to refer to the art of the modern period. More specifically, ‘modernism’ can be thought of as referring to the philosophy of modern art.

Pop art

Surrealism had the longest tenure of any avant-garde movement, and its members were arguably the most “political.”1 It emerged on the heels of World War I, when André Breton founded his first journal, Literature, and brought together a number of figures who had mostly come to know each other during the war years. They included Louis Aragon, Marc Chagall, Marcel Duchamp, Paul Eluard, Max Ernst, René Magritte, Francis Picabia, Pablo Picasso, Phillippe Soupault, Yves Tanguey, and Tristan Tzara. Some were “absolute” surrealists and others were merely associated with the movement, which lasted into the 1950s. The intervening years saw a shift from the original concern with the purely intuitive to a somewhat more rational—and perhaps more political—standpoint. But there were always journals intent on providing philosophical justification for surrealist artistic experiments, including La Revolution surrealiste and Le Surrealisme au service de la revolution. These were also edited by Breton. His novel Nadja (1928) is in this regard far less important than his countless essays, speeches, and manifestos.

Modernism

Postmodern art, architecture, or literature responds against earlier modernism by reintroducing traditional or the usual features of style. By carrying modernist styles or practices to extremes. Postmodernism, as a continuation of modernism, it destroys the past; it rearranges it and makes use of it for its own innovative purposes. Giving us the freedom and ability to create something new from a mixture of the design world we already know. "Postmodernism" describes a culture that has rejected or gone beyond "modernism."

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Iamdesign I am for design that screams out my name I am for design that expresses all emotion, the good the bad and the ugly I am for design that has purpose I am for design that inspires to do more, forward think and explore I am for design that makes you think outside the box I am for design that is not afraid to tell the truth, to have no boundaries I am for design that interacts with everyday I am for design that leaves you wanting more I am for design that time spent doing is time taken to be appreciated by everyone I am for design that doesn’t hate I am for design that is simply that I am for design I am design

Barbara Kruger

‘The Holstee Manifesto’, is based on life but is not specifically targeting one aspect of it. Instead of writing a paragraph full of detail, the three writers (Fabian Pfortmüller, Dave and Mike Radparvar) got together in the summer of 2009 and wrote whatever sprung to mind which when put together formed an inspirational piece of work that is passionate about life itself. Each sentence is short, sweet and to the point. However each has its own powerful meaning that gets the reader to reflect these quotes on their own lives. ‘This is your life’ first quote, used as both a statement and a basic summary of the rest of the manifesto, already the reader is intrigued to read more.

‘The Holstee Manifesto’ 10

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individual autonomy and desire, although her black-and-white images are culled from the mainstream magazines that sell the very ideas she is disputing. As well as appearing in museums and galleries worldwide, Kruger’s work has appeared on billboards, buscards, posters, a public park, a train station platform in Strasbourg, France, and in other public commissions.

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Ray Gun

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Ray Gun was an American alternative rock n roll magazine, first published in 1992 . Led by founding art director David Carson who was influential graphic designer at that time. His widely-imitated aesthetic defined the socalled “grunge typography” era.

Dada

Ray Gun, which ran from 1992-2000, was known primarily for having legitimately cool musicians on the cover, and for Carson’s insane typography play. He had a lot to do with the 90s’ reconsideration of legibility as a design ideal. Nylon editor-in-chief Marvin Scott Jarrett was another owner-founder.

While the contents of its pages were not related to graphic design, Ray Gun magazine proved to be an exploration of typography, layout and visual storytelling that would shift the approach of many graphic designers. The magazine was founded in 1992 and led by the work of David Carson, who served as its art director for the first three years of its career, which lasted 7 years and over 70 issues.

‘Stop over analysing, Life is simple’. Don’t stress over money, relationships, etc. In the end everyone ends up in the same place. Simple as.

A manifesto can be formed from any type of media. Its purpose is to explain what your intentions are or what you think you’re all about.

background in design is evident in the work for which she is now internationally renowned. She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to. In their trademark black letters against a slash of red background, some of her instantly recognizable slogans read “I shop therefore I am,” and “Your body is a battleground.” Much of her text questions the viewer about feminism, classicism, consumerism, and

David Carson, the rockstar-beloved graphic designer and founding art director of Ray Gun is back in the magazine business, as creative director of the new C A R S O N magazine. C A R S O N will publish bi-monthly in 2011, with themed issues covering art, culture, design, fashion, and current events. It will be based in Venice, CA, natch.

‘If you don’t like something, change it’ is one of the best quotes created on this piece in my opinion as it’s a basic rule everyone should follow to get the best out of everything. Why be stuck on one path when there is a world of opportunities? It’s the choices we each make in life that makes up a person’s thoughts and attitudes. ‘Some opportunities only come once, seize them’, following more from my last choice in quotes about which path we choose. It’s important that some risks have to be made, whether they end up badly or not, we learn from our mistakes. Life should be about living with no regrets.

‘Life is short’, the shortest of quotes but can be pursued as the most affective as it leads you to a train of thought that makes you, as the reader question every choice you have ever made and makes you wonder if they were the ones that were right at time and shaped out your future the way you had planned. It would also ask the question ‘are you happy?’ as your life could end at any moment so it should be lived to the fullest and take it as it comes as there is way of knowing if there is really a second chance at it. Be happy with what you do have and take in all the precious moments, as they really are the ones that come for free.

Barbara Kruger was born in Newark, New Jersey, in 1945. After attending Syracuse University, the School of Visual Arts, and studying art and design with Diane Arbus at Parson’s School of Design in New York, Kruger obtained a design job at Condé Nast Publications. Working for Mademoiselle Magazine, she was quickly promoted to head designer. Later, she worked as a graphic designer, art director, and picture editor in the art departments at House and Garden, Aperture, and other publications. This

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Carson’s style of typographic experimentation influenced the development of the deconstruction style of design and a whole new generation of designers. The experiments by Carson and other Ray Gun designers were chaotic, abstract and distinctive, but sometimes illegible. The magazine’s radical subject matter often related to music and pop culture icons and the magazine became a reliable source for the prediction of up-andcoming stars. 8

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