sc_portfolio by Sara Cerboneschi

SC | portfolio

sara cerboneschi date of bir th address nationality mail mobile

12.09.1988, Siena, Italy Alzaia Naviglio Grande 54, Milan, Italy Italian cerboneschi.s@gmail.com +39 348 0330460

/ PROFESSIONAL QUALIFICATION date license

Januar y 2015 License to practice architecture in Italy

/ EDUCATION master university high school

Interior Design, Scuola Politecnica di Design SPD Architecture, UniversitĂ degli Studi di Firenze Liceo Scientifico

/ LANGUAGE SKILLS Italian English

Mother tongue Professional

/ COMPUTER SKILLS os 2d 3d graphics photos texts

Apple OS X, Microsoft W indows AutoCAD AutoCAD, 3DS max [+VRay], Rhinoceros, Cinema 4D Adobe CS [Photoshop, Illustrator, InDesign, Acrobat] Aper ture Microsoft Office

curriculm vitae / EDUCATION

/ WORKSHOP

date title grade school

October 2014 - December 2015 Interior Design Master Scuola Politecnica di Design SPD, Milan

date title grade school

July 2012 - September 2012 General English Course Upper Intermediate B2 CEFR St. Giles International, London

date project sponsor

April 2010 Por togallo, La Scuola di Por to e Alvaro Siza ProViaggiArchitettura

date title grade school thesis

September 2007 - April 2014 Master Degree in Architecture 107 / 110 Università degli Studi di Firenze La For tezza di Poggio Imperiale a Poggibonsi: la preesistenza e la contemporaneità. Prof. Fabio Fabbrizzi

super visor date project location

March 2006 School cultural exchange Stockholm, Sweden

date project location

August 2005 School cultural exchange Valletta, Malta

date title school

September 2002 - July 2007 High school Diploma Liceo Scientifico A. Volta, Colle di Val d’Elsa

date project sponsor location professor

/ WORK EXPERIENCE April 2011 Architectural sur vey workshop Università degli Studi di Firenze Abbazia di Vallombrosa, Firenze Prof. Stefano Ber tocci

/ COURSES date course sponsor professor

October 2013 - December 2013 Maxon Cinema 4D Università degli Studi di Firenze Prof. Giorgio Verdiani

date course tutor

November 2011 - Januar y 2012 Maxwell Render Lorenzo Banchini

/ COMPETITIONS date location task project

Januar y 2012 San Gimignano La ndscape and urban restoration Redevelopment of the urban landscape along the Medieval wall

date studio role tasks website date studio role tasks website

Sept 2015 - Nov 2015 Lissoni Associati, Milano Stage Architectural design, Interior Design, 2d drawing, 3d modelling, sketches, presentations. http://w w w.lissoniassociati.com May 2014 - July 2014 Archirivolto, Colle di Val d’Elsa Collaborator Architectural design, 2d and 3d drawings, graphic design for “Taizhou Chair Museum” in Shanghai. http://w w w.archirivolto.it

website

March 2013 - Februar y 2014 Michele Bonan Architetto, Firenze Trainee Retails and Private Estates design, 2d and 3d drawings http://w w w.michelebonan.it

date studio role tasks website

June 2007 - July 2007 Carlo Fantacci & Associati, Poggibonsi Stage Architectural design, 2d drawings http://w w w.carlofantacci.it

date studio role tasks website

June 2006 - July 2006 Carlo Fantacci & Associati, Poggibonsi Stage Architectural design, 2d drawings http://w w w.carlofantacci.it

date studio role tasks

index 1. R e pu bl i c o f Fri t z H a n se n S h o w ro o m 2. R e pu bl i c o f Fri t z H a n se n W i n do w Di s p la y I n s t a lla t io n 3. C O3 M i l a n o : c o mmu n i t y sh a ri n g o ffic e s 4. Ca l e ffi Pa t te rn 5. L a Fo r tez z a di Po g g i o I mpe ri a l e 6. Pa l a z z o Ca ppo n i C o v o n i

inside out

Republic of Fritz Hansen showroom T h e h i sto r y o f Fri t z H a n se n be g i n s i n 1872, w h e re t h e e n te rpri si n g c a bi n e t -ma ke r Fri t z H a n se n fro m N a ksko v o bt a i n s a t ra de l i c e n se i n C o pe n h a g e n . Fri t z a n d h i s so n C h ri st i a n i n i t i a te d t h e h i g h qu a l i t y l e v e l , w h i c h h a s be e n t h e t ra de ma rk o f Fri t z H a n se n ’s pro du c t s e v e r si n c e . I n t h e 1920s, t h e c o mpa n y t ra n sfo rme d fro m a so l i d fi rm o f c ra ft sma n sh i p i n to a n i n du st ri a l c o rpo ra t i o n with an a mbi t i o n of ma n u fa c t u ri n g fu rn i t u re i n t h e h i g h e st qu a l i t y i n a n i n du st ri a l pro c e ss. The c o o pe ra t i o n w i t h a rc h i te c t A rn e Ja c o bse n be g a n i n 1934. H o w e v e r, i t w a sn ’ t

2015 Interior Design Lab II Super visor: Arch. Diego Grandi Scuola Politecnica di Design SPD

u n t i l 195 2 t h e re s u lt o f t h e c o o pe rat io n turned in to a su c c e s s . I n 1 9 8 2 , Fr it z H a n se n a c q u ire d t h e r ig h t s to a m a jo r p a r t o f Po u l K j æ rh o l m ’s wo r ld f a m o u s fu rn i t u re c o lle c t io n . D u r in g t h e fo l l o win g d e c a d e s Fr it z H a n se n has c o n t in u a lly a dde d n e w d e s ig n s to t h e c o l l e c t i on , e . g . t h e I c e s e r ie s by K a sp e r S a lto , S p a c e b y Je h s+L a u b , T- N o . 1 t a b le by To d d B ra c h e r. To d a y t h e c oo p e ra t io n in c lu d e s w o rki n g wit h D a n is h a n d i n te rn a t i o n a l d e s ig n e r s s u c h a s K a s p e r S a lto , P ie r ro L i sso n i , Mo r te n Vo s s , J e h s & L a u b a n d Ce c ilie Ma n z.

personal interpretation of the brand DES I GN QUA L I T Y A N D S U STA I N A B I L I T Y: st u pe n do u s c ra ft sma n sh i p, i n h e re n t se n se of pre mi u m qu a l i t y, h o n e st a n d re spo n si bl e fo r t h e e n v o n me n t a l i mpa c t ;

B OT H C L A S S I C A N D DYN A M IC: t h e be s t ic o n ic f u r n it u re pi e c e s, c u s to m d e s ig n o n a re qu e s t , b o t h D a n is h a n d w o rl dw i d e .

showroom concept N OR DI C VS M I L A N ES E: â&#x20AC;˘ n o rdi c l a n dsc a pe : be i n g pl a c e d i n a v e r y n a t u ra l i st i c l a n dsc a pe N o rdi c bu i l di n g s a re i n te rc o n n e c te d w i t h a n e n v i ro n me n t t h ro u g h i t s l a rg e w i n do w s a n d ro bu st st ru c t u re . A rc h i te c t u re su i t s i t s su rro u n di n g s o f t h e g ra n d a n d h a rsh N o t h e rn l a n dsc a pe .

â&#x20AC;˘ mi l a n e n v iro n m e n t : f o r fo re i g n e r s Mila n u s e d to a ppe a r a s g re y s to n e a n d c o n c re te c it y, a lt h o u g h it s h a bi t a n t s k n o w a d if f e re n t si de o f Mila n , it s p r iv a te a re a - c o u r t y a rd , wh ic h i s c ozy a n d we lc o m in g , c a re fu lly d e c o ra te d b y i n si de g a rd e n s .

summing up

STO NE GREYS

garden greens

shades of Frit z H ansen g ra d i e n t i n p a r t i c u l ar w as c re a te d a s a m e a n of the b ra n d â&#x20AC;&#x2122;s i d e n t i t y c o l o r and the i m a g e o f a re a l b ro n ze texture, w h i c h i s u s e d i n t h e i n terior of t h e s to re .

warm neutrals

C o mpa ri n g bo t h N o rdi c a n d M i l a n e se re l a t i o n sh i ps w i t h n a t u re w e i n te g ra te d t h e m i n to a si n g l e sc h e me so t h a t t h e di st i n c t i o n be t w e e n bo t h be c o me s v i v i d a n d e v i de n t .

moodboard • • • •

bro n ze g l o ssi n e ss c u r v e d st ru c t u re s c ra ft sma n sh i p i de a bre a t h o f n a t u re

tH E CU RT YA RD

the garden

the house the store scheme T h e se t h re e ba si c s of t h e g ro u n d fl o o r a re t h e ke y e l e me n t s fo rmi n g t h e fu n da t i o n fo r o u r pro j e c t . Ta ki n g t h e to t a l spa c e a s i t i s g i v e n w e a re a ddi n g t h e t w o ma i n fe a t u re s o f e a c h t h e me w e ex pl a i n e d o n t h e sl i de s a bo v e : t h e g a rde n / the c o u r t y a rd fe a t u ri n g M i l a n a n d t h e h o u se , t h a t i s de fi n i n g N o rdi c i de a .

nordic idea th e h o us e + the g arden

milanese idea the cur ty ard + the garden

the store o f Fri t z H a n se n

the store scheme N OR DI C I DEA : T h e h o u se su rro u n de d by t h e n a t u re / t h e g a rde n i s sh o w i n g t h e N o rdi c OU T c o n c e pt , w h e re t h e h o u se i s be c o mi n g a pa r t o f a l a n dsc a pe . M I L A N ES E I DEA : T h e g a rde n , i n se r te d i n to the spa c e i mpl e me n t s M i l a n e se I N c o n c e pt , w h e re t h e n a t u re i s e n c l o se d i n to t h e a rc h i te c t u re .

T H E STO R E : B ri n g i n g t h o s e t wo : t h e M i l a n e se a n d t h e N o rd ic i de a s to ge t h e r, we a re g e t t in g t h e w h ole s p a c e wh e re I N a n d OUT a re b e c o m in g a to t a l e n v iro n m e n t .

nordic hue in milanese frame N OR DI C H U E: • si mpl e sh a pe s • w e l l -l i t e n v i ro n me n t s • fre e fu rn i t u re pl a c e me n t • h o me pl a n t s • c a rpe t s u se

M I L A N ES E F R A ME : I n v e st i g a t in g c o u r t y a rd s o f M i l a n in t h e s e a rc h o f si mi l i a ri t ie s and s p e c ia l fe a t u re s we f o u n d o u t t h a t mo st o f t h e m a re lin k in g to o n e c o m m o n a rc h ite c t u ra l fo rm - a rc h e s , t h a t b e c o m e a t ra n si t io n b e t we e n in a n d out. M o re o v e r, they o f te n t ra n sfo rm in to a te m p o ra r y ex h i bi t i on a re a , wh e re t h e mo st si gn if ic a n t e v e n t s a re u se d to t a ke p la c e .

the arches of milan inner house arches

outer garden arches

T h e a rc h e s, i n spi re d by t h e a rc h i te c t u re of M i l a n e se c o u r t y a rds, g i v e t h e spa c e a pa r t i c u l a r pe rc e pt i o n o f do u bl e de e pn e ss. F i rst t h e v i si to r e n t ra n c e s M i l a n e se g a rde n ex po si t i o n . N ex t - t h e h o u se w i t h a N o rdi c i n te ri o rs.

adjustable curved panels R7

S pa c e di v i de rs:

120

180

• • • • •

adjustable curved panels T h e pa n e l s a re de si g n e d fo r di v i di n g t h e spa c e a n d fo r c re a t i n g sc e n e s j u st mi x i n g t h e m w i t h c a rpe t a n d fu rn i t u re .

material board | garden grid weld ed m etal pain t m att b lack

| w alls ‘rough’ concrete

| fl o o ri n g c on c re te with re sin f in ish

| a rc h e s & pa n e l s N ordic wood su c h a s birc h

| v a r io u s e le m e n t s b ro n z e f i n i s h

| f lo o r in g ‘ No rd i c ’ s t y l e t i l e s ‘ Ma d e a ma n o ’

B a se d o n bo t h M i l a n e se a n d N o rdi c i n te ri o r a n a l y si s t h e se l e c t i o n o f ma te ri a l s a l l o w s to c re a te c a l m a n d ba l a n c e d a t mo sph e re , c o n te mpo ra r y pe rc e pt i o n a s w e l l a s a h o me l y fe e l .

ground floor

mezzanine

basement zoning T h e sto re i s di v i de d i n t h re e fl o o r, c o n n e c te d e a c h o t h e r by v i si bl e , l i g h t a n d o pe n st a i rc a se .

â&#x20AC;&#x2DC;the gardenâ&#x20AC;&#x2122; exposition /30 sqm

office & formal meeting area /30 sqm

Nordic house interiors /50 sqm

Nordic house interior & informal meeting area /19 sqm

upper garden exposition /various sqm

ar tisan laborator y of Fritz Hansen /15 sqm

plan / ground floor / scale 1:50

Aâ&#x20AC;&#x2122;

plan / basement / scale 1:50

Aâ&#x20AC;&#x2122;

plan / mezzanine / scale 1:50

Aâ&#x20AC;&#x2122;

s e c t i o n A A’ / s c a l e 1 : 5 0

elevation / long facade / scale 1:50

elevation / short facade / scale 1:50

view from the entrance / groundfloor

view of the nordic house / groundfloor

view of the nordic house / basement

view of the artisan lab / basement

view of the light installation / basement

view of the office / mezzanine

Unplugged relations

REPUBLIC No.15 2014

Republic of Fritz Hansen

Fritz Hansen window display proposal St a r t i n g fro m a n a r t i c l e t h a t I fo u n d i n si de a R e pu bl i c o f Fri t z H a n se n ’s n e w spa pe r, I de di c e to ba se d my w i n do w di spl a y i n st a l l a t i o n o n t h re e di ffe re n t re l a t i o n sh i p: si n g l e . fa mi l y a n d c o u pl e .

UNPLUGGED RELATIONS PHOTO Egon Gade

We all know the feeling of attachment to a favorite object. Not because what it is, but what it does. The memories it carries and the stories it tells. That is true for our furniture. Thanks to the design and the quality that we put into the development, they last through generations and people relate to them as more than just mere chairs and tables.

bit, but gradually the sign of wear and usage adds to the sense of “something special”. If you own a piece of Fritz Hansen furniture there is a good chance that you will pass it on to the next generation. Maybe you ARE the next generation. Just as we believe in perfectionism, craftsmanship and attention to detail, we believe in lasting design. Two good examples of this are the iconic Arne Jacobsen designs Grand Prix™ and Drop™ that we introduce this year. Both created to beautify and impress their surroundings with their uniquely aesthetic quality. Today the on-line media constitute a larger part of our interaction than ever. We “chat”, “like”, “tweet”, “post”, “share” all day long, and though we meet people or create

“friendships” through social media, it does not substitute the face-to-face meeting of people. We understand the concept of quality time as spending time faceto-face. That's why we asked Jaime Hayon to design a table, celebrating the authentic way of connecting with people by bringing us closer. The project has resulted in a unique table that is inviting us to sit down, to talk, share a meal, have a meeting, write a letter, laugh or cry - or just plainly be there. At a table you are present in a physical way. The table promotes a return to the genuine togetherness that is a contrast to the digital life we face, with demands of constant on-line presence. We call the table Analog™ - it’s an invitation to engage, to share, to be intimate and present - to be off-line.

1 SINGLE

SCENARIOS

2 FAMILY 3 COUPLE

Jacob Holm, CEO Republic of Fritz Hansen

2015 Workshop Super visor: Arch. Diego Grandi Scuola Politecnica di Design SPD

view of the window shop / long facade

view of the window shop / short facade

view of the window shop / single scene

view of the window shop / family scene

view of the window shop / couple scene

co3

community sharing offices W H Y W E N EED C O3: • The C o mmu n i t y mi ss t h e C o -w o rki n g w i t h t h e C o mu n e ; • i n -h a bi t a n t s need to sh a re c o mmo n pro bl e ms a n d so l u t i o n s; • t h e C o mu n e n e e ds a spa c e w h e re pe o pl e c a n sh a re kn o w l e dg e , h e l p e a c h o t h e r a n d de v e l o p bu si n e ss. W H AT I S C O3: • is an e n t re pre n e u ri a l so c i a l n e t w o rk fo t h e C o mmu n i t y o f M i l a n o ; • i s a bu si n e ss pl a t fo rm ma de a n d su ppo r t by t h e C o mu n e , bu t ru n n e d by t h e C o mmu n i t y ; • i s a spa c e t h a t w o rks a s

a n o rg a n is m . H OW I T W O R K S : • i s ma d e b y t h e Co m u n e ; • is runned by the C o mm u n it y ; • i t w o r k s t h a n k s to t h e Co w o rki n g . W H ER E I S I T : • T h e CO 3 is in Mila n o , l o c a te d in Fa b b r ic a d e l Va po re , a n o ld p ro p e r t y o f t h e Co m u n e . WHO WE ARE: • Ev e r yo n e t h a t is re la te d to M ila n , a s : m ila n e s e pe o p le , o t h e r it a lia n s , t u ri st , f o re ig n , wo r ke r s , fo re i g n s t u d e n t s , q u ic k st a y wo r ke r s , im m ig ra n t s ; • T h e C o m m u n it y is a s t a te o f mi n d .

2015 Interior Design Lab III Super visor: Arch. Francesco Messori D/Dock Scuola Politecnica di Design SPD

co3 spaces CUCINA a c o mmo n spa c e fo r i n te ra c t a t a ste A R EN A a n e n c l o se a re a fo r e v e n t s P I A ZZ A a pu bl i c , po pu l a r and po l i t i c a l spa c e fo r a sse mbl y C O-W OR K I N G A R EA S i n v o l v e s a sh a ri n g w o rki n g e n v i ro n me n t CA P S U L A i n t i ma te , qu i e t , c o n fi de n t i a l a n d pe rso n a l spa c e C R OW D-F U N DI N G a pl a c e fo r se l l a n d i n v e st

co3 functions

COLD ZONE PIAZZA il lavoro

HOT ZONE CROWD-FUNDING

PIAZZA i giochi

CUCINA

COLD ZONE CAPSULE

PIAZZA la scuola

ENTRANCE PIAZZA il lavoro

PIAZZA lo svago

WORKSHOP

ARENA

RECEPTION

CLUBHOUSE

PIAZZA la casa

CLASSROOM

T h e pl a n i s di v i de d i n h o t and cold zone. The hot z o n e i s w h e re t h e c o mmu n t y sh a re c o mmo n si t u a t i o n s a s t h e c u c i n a , t h e a re n a a n d the c ro w d-fu n di n g a re a . T h e c o l d z o n e i s w h e re t h e c o mmu n i t y i s di v i de d i n di ffe re n t su bj e c t a s t h e pi a z z a , t h e c l a ssro o m a n d so o n .

entrance sketchy view

welcoming area T h e w e l c o mi n g a re a i s t h e pl a c e w h e re t h e pe o pl e i n c h a rg e o f t h e C O3 w o rk. T h e C O3 i s g i v e n by t h e C o mu n e to t h e c o mmu n i t y so i t n e e ds a t l e a st t w o e mpl o y e e s to ru n i t e v e r y da y. T h e y n e e d a fl ex i bl e spa c e w h e re t h e y c a n w o rk in all the way they want and h a v e sh o r t me e t i n g w i t h n e w C o mu n e rs.

welcoming area sketchy view

cucina T h e ki t c h e n , fo r I t a l i a n s, i s t h e mo st i mpo r t a n t spa c e . Ev e r y t h i n g h a ppe n s i n t h e ki t c h e n . H e re w e e a t bu t a l so di sc u ss a n d sh a re mo me n t s. We w a n t t h a t t h i s a re a i s to t a l l y o pe n a n d w e l c o mi n g . T h e C O続 ki t c h e n i s t h e pl a c e w h e re t h e c o mmu n i t y sh a re t h e i r c u l t u re s.

cucina sketchy view

arena T h e A re n a i s spa c e fo r e v e n t s a n d bi g me e t i n g . I t â&#x20AC;&#x2122;s a st a di u m se a t t i n g c o n c e pt t h a t i t â&#x20AC;&#x2122;s fl ex i bl e a n d v i su a l l y c o n n e c te d to t h e spa c e , bu t i t c a n be e a si l y c l o se w i t h a fa bri c l i ke a c u r t a i n . H e re t h e c o mmu n i t y c a n di sc u ss a bo u t g e n e ra l pro bl e ms o r h a v e c o mmo n e v e n t s, me t t i n g o r c o n c e r t .

arena sketchy view

crowd-funding T h e C OÂł c ro w d fu n di n g pl a t fo rm i s a spa c e fo r se l l a n d i n v e st . I t â&#x20AC;&#x2122;s de si g n e d a s a re a l ex i bi t i o n a re a w h e re t h e pe o pl e t h a t n e e ds h e l p fo r de v e l o p t h e m pro j e c t c a n a t t a c h t h e i de a . S o a l l t h e C o mu n e rs c a n se e t h e pro j e c t s a s i n a re a l mu se u m a n d h e l p t h e de si g n e rs.

crowd-funding sketchy view

piazza / la scuola L a S c u o l a i s t h e P i a z z a w h e re the community discuss about a l l t h e pro bl e m o f t h e y o u n g g e n e ra t i o n . H e re t h e y c a n t a l k a bo u t sc h o o l , u n i v e rsi t y, l i bra ri e s, te a c h i n g s, bu l l y i n g a n d so o n . H e re , a s i n t h e o t h e r a re a s, t h e y c a n so l v e t h e pro bl e m h e l pi n g e a c h o t h e r o r t h e y c a n di sc u ss a bo u t a n a rg o me n t w i t h t h e C o mu n e â&#x20AC;&#x2122;s e mpl o y e e .

piazza / la scuola sketchy view

piazza / la casa L a pi a z z a i s a pu bl i c spa c e w h e re a l l t h e C o mu n e rs c a n g o a sh a re o pi n i o n s o n t h e di sc u ssi o n . T h e re a re fi v e P i a z z a di v i de d i n t h e me s. L a c a sa i s t h e P i a z z a w h e re t h e c o mmu n i t y t a ke c a re a bo u t a l l t h e pro bl e m re g a rdi n g t h e h o u se , t h e fa mi l y, t h e z o n e s, e t c .

piazza / la casa sketchy view

piazza / i giochi I g i o c h i i s t h e P i a z z a w e re t h e ki ds c a n pl a y. H e re t h e y c a n fi n d sw i n g s, c a rpe t a n d to y s. T h e ki ds c a n pl a y h e re w h i l e t h e pa re n t s a re do i n g so me t h i n g e l se , t h e spa c e i s sa fe a n d fa r a w a y fro m t h e e n t ra n c e .

piazza / i giochi sketchy view

piazza / il lavoro I g i o c h i i s t h e P i a z z a w e re t h e ki ds c a n pl a y. H e re t h e y c a n fi n d sw i n g s, c a rpe t a n d to y s. T h e ki ds c a n pl a y h e re w h i l e t h e pa re n t s a re do i n g so me t h i n g e l se , t h e spa c e i s sa fe a n d fa r a w a y fro m t h e e n t ra n c e .

piazza / il lavoro sketchy view

piazza / lo svago Lo sv a g o i s t h e P i a z z a w e re t h e c o mmu n i t y t a l ks a bo u t spo r t s, g re e n , h e a l t y l i fe , e v e n t s a s ma ra t h o n , y o g a g ro u ps a n d so o n . H e re t h e C o mu n e r fe e l s l i ke to be i n a pa rk, t h e spa c e i s su rro u n de d by t h e g re e n a n d t h e a smo sph e re i s mo re a s be i n a n o u t do o r. T h e y c a n a l so a rri v e w i t h t h e i r o w n bi c y c l e a n d pl a y.

piazza / lo svago sketchy view

capsula T h e Ca psu l a i s a qu i e t , c o n fi de n t and pe rso n a l spa c e . H e re t h e C o mu n e rs c a n h a v e a sh o r t bre a k fro m w h a t t h e y a re do i n g . I s a so u n dpro o f spa c e t h a t c a n â&#x20AC;&#x2122; t be c l o se d bu t c a n be t u rn e d i n a w a y t h a t t h e C o mu n e r do n â&#x20AC;&#x2122; t h a v e t h e v i su a l c o n t a c t w i t h t h e C o mmu n i t y.

capsula sketchy view

co-working area The c o -w o rki n g a re a s a re fl ex i bl e spa c e s t h a t i n v o l v e s a sh a ri n g w o rki n g e v n i rn o me n t . I t â&#x20AC;&#x2122;s di v i de d i n t h re e t h e me s: C l a ssro o m, Wo rksh o p a n d C l u b H o u se . T h e C l a ssro o m i s w e re t h e c o mmu n i t y c a n sh a re kn o w l e dg e by te c h i n g o r l e a rn i n g . T h e w o rksh o p i s ba si c a l l y fo r mo re pra t i c a l w o rks, h e re t h e y c a n de si g n , c u t , e t c . T h e C L u b H o u se i s w h e re t h e C o mu n e rs c a n h a v e re l a xe d a n d u n fo rma l me e t i n g .

co-working area sketchy view

general sketchy view

general view

contrast in nature pattern for caleffi

• t a rg e t : 25/ 35 y e a rs o l d • n o w a da y s t re n ds: n a t u re sh a pe , a c c e n t o f c o l o rs, e c o -h e a l t y • bra n d n e e ds: re n e w a l , re fre sh , e n l a rg e t a rg e t N a t u re i s a pe r fe c t w o rl d, fu n c t i o n a l a n d o rg a n i ze d. T h i s pe r fe c t i o n i s g i v e n by a l o t o f sma l l i mpe r fe c t i o n s w o rki n g to g e t h e r. The c o l l e c t i o n i s fo c u se d o n t h i s fu n da me n t a l c o n t ra st .

2015 Workshop Scuola Politecnica di Design SPD

first collection / unique multiple T h e c o n t ra st i s t h a t a l l t h e l e a v e s se e ms e qu a l , mu l t i pl e , bu t e a c h l e a f i s u n i qu e . T h e c o l l e c t i o n i s di v i de d i n t h re e di ffe re n t pro po sa l ba se d o n t h e se a so n s: spri n g , a u t u mn a n d w i n te r. Fo r t h i s c o l o r pa l e t te i â&#x20AC;&#x2122; m u si n g pa ste l c o l o rs.

l e a v e s a re f o llo win g a r ig id a n d g e om e t r ic p a t h .

I n a l l t h e pro po sa l s t h e c o l o r pa l e t te a n d t h e t y pe o f l e a v e s re mi n d t h e spe c i fi c se a so n . T h e c o n t ra st i s a l so t h a t t h e

c o lo r p a le t te

unique multiple / second and third proposal

second collection / order disorder T h e c o n t ra st i s t h a t t h e sh a pe o f t h e a n i ma l s se e ms si mpl e a n d re c o g n i z a bl e bu t i n si de t h e y a re c o mpl ex ma c h i n e ma de by t h e n a t u re . I s t h i s c o mpl ex i t y t h a t a l l o w s t h e sh a pe to be so si mpl e . T h e c o l l e c t i o n i s di v i de d i n t h re e di ffe re n t pro po sa l ba se d o n t h e e l e me n t s: e a r t h , se a a n d sky. Fo r t h i s c o l o r pa l e t te w e a re u si n g pa ste l c o l o rs mi xe d w i t h da rk g re y g ra ph i c s de si g n .

I â&#x20AC;&#x2122; m u si n g o n e o f t h e m o s t re c o g n i za b le a n im a l that i n h a bi t s t h e e a r t h : t h e ra b b it . T h e c o l o r is wa r m f o r g iv in g t h e fe e l i n g o f t h e s o il, o f t h e l a n d, o f t h e s a n d . T h e w h a le is o n e o f t h e m o s t re c o g n i za b le a n im a l that i n h a bi t s t h e s e a a n d t h e c o ld a n d bl u is h c o lo r s re m in d s y o u t h e wa te r, t h e o c e a n . T h e re d d is h c o lo r a n d t h e fl y i n g s wa llo w re m in d a be a u t i fu l s u n s e t in t h e s k y.

c o lo r p a le t te

order disorder / second and third proposal

third collection / micro macro T h e c o n t ra st i s t h a t t h e n a t u re i s fu l l o f mi c ro de t a i l s a n d i f w e e n l a rg e t h i s de t a i l s they be c o me di ffe re n t sh a pe s. Fo r ex a mpl e , t h i s ma c ro i ma g e o f a w o o d g ra i n se e ms a w a v e . T h i s c o l l e c t i o n i s di v i de d i n t h re e di ffe re n t pro po sa l ba se d o n t h e da y t i me : da y, n i g h t a n d su n se t . Fo r t h i s c o l o r pa l e t te w e a re u si n g a c c e n t o f c o l o rs a n d g ra y sc a l e c o l o rs.

c o lo r p a le t te

micro macro / second and third proposal

la For tezza di Poggio Imperiale cultural center

T h e g o a l o f t h e pro j e c t i s to bri n g t h e c o mmu n i t y i n to t h e Fo r t re ss o f Po g g i o I mpe ri a l e . To do t h i s i t i s e sse n t i a l to g ra sp the c o n te mpo ra r y re qu i re me n t s a n d i n t ro du c e t h e m i n si de t h e a n c i e n t a r t i fa c t , so bo t h t h e c i t i ze n a n d t h e to u ri st w i l l a g a i n be fo rc e d to l i v e t h e Fo r t re ss.

2014 Thesis Super visor: Prof. Fabio Fabbrizzi UniversitĂ degli Studi di Firenze

concept Fro m t h e fu n c t i o n a l a n a l y si s c a rri e d o u t o n t h e to w n o f Po g g i bo n si i s n o te d t h a t t h e c i t y n e e ds to w o rk o n l e i su re C i t i ze n . Fro m t h i s c a me t h e i de a to c re a te a c u l t u ra l c e n te r i n si de t h e Fo r t re ss. To ma ke i t a n e a sy pl a c e to re a c h t h e a ssu mpt i o n o f t h e pro j e c t i s to c re a te a c u l t u ra l a n d su g g e st i v e i t i n e ra r y t h a t st a r t i n g fro m t h e h i sto ri c c e n te r l e a ds to t h e Ca sse ro .

p l a n / s e c t i o n A A’ / m e t r i c s c a l e

m 0 1

view from the Cassero to the Chianti hills

view from the theater to the Cassero

plan / section DDâ&#x20AC;&#x2122; / metric scale

m 0 1

view of the Cassero

view from the fort to the Chianti hills

Palazzo Capponi Covoni enlargement

2010 Architectural design lab III Super visor: Prof. Fabio Capanni UniversitĂ degli Studi di Firenze

B plan / groundfloor / scale 1:100

A’

B’

s e c t i o n A A’ / s c a l e 1 : 2 0 0

section BB’ / scale 1:200

view of the curtyard

inspirations pinterest

https://w w w.pinterest.com/saracerboneschi/